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#someone who has the same dreams and passions as she does
merrysithmas · 2 years
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is it too much for a gay to hope for young Leia and Amilyn Holdo content in Andor??
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Quid Pro Quo | Michael Gavey x fem!reader
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Summary: After being ditched by her friend at the Trinity College Christmas Party, she finds herself enthralled with learning the language of Michael Gavey | Word Count: 3.8k~ | Warnings below the cut!
Part Two: Carpe Diem Part Three: Veni, Vidi, Vici
warnings: virgin michael, semi-public sexual conduct, oral sex (m receiving), heavy petting
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If she has to listen to Professor Wardon swoon over Ancient Greek and how it ‘drove him to pursue his dreams in extending his passion to other students’, she thinks she might actually fall asleep.
She's in a good spot to do so, nestled between two other students, the one on her right seemingly just as bored as her, and conveniently hidden behind a tall, lanky first year, who sits straight, with his head perfectly obscuring hers as he fixes his posture regularly.
Several times throughout, she's checked her watch, and yet the second hand never seems to move an inch.
Professor Wardon is just about to go on a lovesick spiel about Homeric Greek when the lecture concludes with a heaved sigh from every student as they sling their hefty bags over their shoulders.
“Remember I want 2,500 words on Les Liaisons dangereuses in my pigeon hole by next Thursday, before your Christmas parties!” 
“Oh joy,” she sighs with a grin to the girl walking shoulder to shoulder beside her as they leave, feeling noticeably lighter knowing that that's their last lecture before Christmas break.
“Christ, you're telling me. I can't be arsed to even right my own name at the moment, nevermind read 18th century fucking French.”
She gives a snort in reply, “Merry Christmas to us, eh? Should do what the French do and have a revolution or something.”
“Yeah, eat our lecturers or something.”
“Alright, I wouldn't go that far.”
“Anyway, I'm off to T Library, see ya, have a good Christmas and don't do anything I wouldn't!”
She waves her off as her friend disappears, the cold air of the outside nipping at her skin that manages to sneak beneath her coat.
Oxford University is not what she imagined at all. She came here very much feeling like an outsider, like there'd been some sort of paperwork mistake and it was supposed to be someone else in her place. 
The imposter syndrome seemed difficult to shift, but she'd at least managed to make a couple of friends since starting in September.
Languages had always found her well, and seemingly the only thing she managed to actually understand. People were inconsistent, cruel and fickle. Languages, though they shifted and changed, were firmly rooted in reason and understanding. 
As sad as it sounded, conjugating verbs, vowel shifts and rare dialects were the one thing she found herself itching to discover more about. The idea that there was more to uncover seemed exciting and scary at the same time.
And Oxford University was the best place she could be to do that.
All that said, her eagerness to get involved with her studies had left her social life with much to be desired.
In the first two weeks of university alone, she'd gained one friend and lost a boyfriend. And while they were drifting apart anyway, it was still a relatively large blow to her self-esteem and her confidence to actually get out there, socialise and make the most of her first year of freedom.
The only friends she'd made were those on her course. Priya, who'd just abandoned her to stick her nose in books about the Great Vowel Shift, and Anya, who…to be honest, rarely left her room. Seeming more like a ghost than anything else.
It was a wonder she was still a student, with how often she missed classes.
What Anya does do best, is manage to somehow rise out of her pit to drag her to Christmas parties that aren't even run by their college.
Which is why she finds herself somehow at Trinity College campus, where she eyes several scantily clad women wearing revealing Santa costumes adorned with itchy tinsel.
Anya is the sort of girl who, well, every girl kind of wants to be. So much so she sort of wonders why she hangs around with her. She's pretty, fit and fucking clever. Her only downfall is her taste in men, so often being Oxford pretty boys.
So it is absolutely no surprise at all, when two jägerbombs in, Anya has somehow slipped into the arms of one aforementioned Oxford pretty boy, seeming in every way a clone of the previous, with the exception of the way he pairs his Ayia Nappa top with his low rise jeans and the only effort to conform to  theme, is a pair of plastic reindeer antlers on his head bobbling side to side.
She grimaces as she watches them suck each other's faces off in a dark corner of the room, ‘Stay Another Day’ by East 17 blaring with a cheap crackle through the speakers as she makes her way through the bodies to somewhere quiet.
She sighs, nursing the rum and coke Anya had sloppily poured her in one hand as she closes the door behind her, shutting out the drunken squeals and cheers for the peace of a quiet common room.
It's still decorated, she notes, but empty. Maybe she could lurk here until Anya is done, if she ever will be.
The deep clack of a pool ball being sucked into a socket makes her jump, realising perhaps that she was not actually alone, as she'd previously thought.
The cool light hung above the battered pool table illuminates his deep red jumper, and the first thing she sees is the way he leans on one leg, standing straight as if he was imitating the rigid pool cue leant before him. The yellow lined detailing around the cuffs highlights his small wrists and big hands that stretch from it as he rubs blue chalk onto the tip.
Her eyes trail up the back of his neck, past the lazy waves of dark blonde hair, clearly due a trim at some point, and to his face, even from this angle able to see how his features sit. With a sharp nose and jawline, and black skinny glasses perched above his cheekbones.
She almost laughs at the way he's almost as tall as the light that illuminates the table, half-thinking that she might never have seen such a strange and yet interesting looking guy.
“Didn't fancy the party?” she finally says, alerting him to her presence.
She doesn't quite expect the way the light bounces off his sharp features, sinking his blue eyes in shadow as his head turns to her with an expression of boredom.
“Not particularly, no.” 
His voice is lighter than she thought it would be and part of her wonders if he's putting it on. He presses his glasses further up his nose before assessing his next shot, stalking around the table.
“Why's that?”
This time, when he answers, he doesn't look at her. He simply leans down, and aims.
“Not. Fucking. Invited,” he replies bitterly, missing a yellow, “that's why.”
Her fingertips moisten against the glass as the ice begins to melt, but she pays it no mind.
“So you're lurking about in here instead.”
He plays with the cue in one hand, barely sparing a second glance, a bitter, quiet laugh escaping him.
He misses another red before he heaves a sigh, straightening to look at her again.
“You here alone as well?” he asks dispassionately.
She smiles lazily and shrugs.
“My mate is…a bit preoccupied, if you know what I mean,” she replies, taking an awkward sip of the now watered down drink, “like you, I don't really think these are my thing either.”
He seems to consider her statement for a moment.
“Why come then?”
She shrugs again, “trying to be sociable.”
“With those vapid cunts? Good luck getting any intelligent conversation out of them.”
She watches as he picks up the blue chalk again, applying more when he doesn't even need it in sort of a nervous gesture, his blue eyes averted and pretending to assess his next move.
There's something about him. How judgemental he is and how he forms his words. Perhaps she hadn't expected this sort of guy to be so outwardly honest with his opinions, and for the most part, she can't say she disagrees with the message, just the way in which he said it.
“Can I play?” She asks, leaning over to put her drink down.
“What are you reading?” He asks so suddenly, and out of context, that she does a double take.
She raises her eyebrows, smiling, “Does my answer depend on if I get to play or not?”
There's no answer from him. Shocker of the century.
“Modern Languages.”
“Fucking hell,” he groans.
She's a bit too happy and dizzy on rum to get defensive.
“Is that one of those subjects that sounds way less interesting than it actually ends up being?”
She gives a breathy laugh, “just like languages.”
He hums, as if the answer didn't impress him, “more of a science and numbers man myself, obviously.”
For a moment, it's lost on her why it's obvious.
He takes a sip of his, no doubt, stale beer, wetting his lips after, “Your name is?”
She narrows her eyes teasingly, smiling as she leans against the table, “quid pro quo.”
She enjoys the brief confusion on his face, before he realises what she's said.
“Okay, okay, Michael.”
She smiles, “See? You know what that meant. Who says you're not a languages man?”
It's the first time he seems to duck his head, hiding a blush she's barely able to see.
“I don’t think the Ancient Roman idea of fair exchange warrants the title of ‘languages man’.” 
The blue chalk comes off on his hands as he fiddles nervously with it.
“So, am I bestowed the privilege of playing?”
He raises his head, and she can tell he's trying his damndest to not let a little beer-induced smile pass his lips.
“I suppose I could allow you to embarrass yourself in front of me for a bit, if you insist. We'll have to share a cue though.”
She doesn't have the heart to tell him her uncle was a pool player, and so by extension, has played pool for most of her upbringing. Rather, he finds out himself when she pots three yellows in a row.
It's either the alcohol or pity that kicks in when she misses the fourth, holding the cue for him to take.
“You being good at pool wasn't on my bingo card,” he mutters with some nervous teasing in his voice.
They go back and forth for a bit, missing some, potting some, with interspersed conversation between. 
“Thought you might have been a Norman-no -mates, like me,” he says quietly as he watches her assess her next shot. Bending to aim.
“You're not far off,” she replies, “first fortnight I was down a boyfriend. Since then, I've only been up two friends and one of them is in the other room  having ditched me for the shag of a lifetime.”
She doesn't see it until after she takes the shot, the way his eyes flit back to hers quickly as she rights herself to stand.
Was he checking me out?
As if he was lagging, he only laughs now at what she's said.
“What about you?” She asks, “no girls, or boys, on the scene?”
He blushes a lot when she asks that. And she can't help the fluttering in her chest she feels that someone might find her attractive.
“Can’t say there is.”
She stands close, passing the cue to him, electricity warming her fingertips as she grazes his.
“And why not?”
He scoffs bitterly, “have you seen me?” he mutters, wandering around the table, suddenly unable to shake the feeling of her gaze, “Not too many girls out there looking for the stereotypical nerdy math boy, really.”
“Hm,” she hums, “how unfortunate for them.”
He sinks a red, picking at his red jumper.
“Yeah, they're clearly missing out, huh?”
The bitter and self-deprecating tone of his voice makes her heart sink a bit. He's not a bad looking guy, she thinks. His style, glasses, hair, she would almost say look actually quite cute.
Maybe that's the thing he doesn't like.
“No interest? Or is maths the only one for you?”
He misses the next shot and sighs, holding the cue for her to take, “clearly, the only one I need.”
She steps close to retrieve, taking her time, looking up at him as she does. At this proximity, Michael sucks in a breath quietly, his lips, which she can't say she'd noticed until right this moment, parting and his Adam's apple bobbing as his eyes flit rapidly down her.
A warmth swirls in her gut at that.
She circles the table, “what about in the past?” 
He leans against the other side, his hand on the cushion, long fingers splayed on the green fabric. She has to shake her head to break her own trance.
“Can’t say my love life has exactly been a roaring success, honestly.”
The way he says it.
She wouldn't be surprised if he was…
Oh.
“So what? You're focussed on your studies?”
She misses. Too set on the conversation rather than the game.
He gives a mirthless laugh, “Sure.”
She rounds the table, holding the cue for him to take, but when he reaches for it, she pulls back with a smirk.
“So we've established you're not one for languages,” she starts, and Michael furrows his brows in confusion, “have you ever really asked for what you want? Ever?”
He seems to miss what she's trying to say.
“Have you been with a girl?”
At that, his eyes widen slightly, a blush crawling up his neck to the tips of his ears, cheeks near matching his shirt.
She knows she has her answer.
“Well…I…no, I haven't…”
At chest height, she can see the way his breathing elevates.
“And, hypothetically, if a girl expressed interest. What would you say?”
His lips part for a good few seconds before he gives a reply, “I’d…I um…I guess it depends who…”
It's like he's afraid she'll make fun of him for it. 
“What about, if it was me?” She asks, her voice lowering as she reaches out to pick some lint off his jumper, like it's the most normal thing in the world. His body goes all rigid as she does.
This isn't normal in his world.
Michael swallows thickly, “you're not taking the Mick out of me, are you?”
She shakes her head, “I just want you to feel comfortable asking for what you want.”
For someone who had so often thought about it, now when faced with the situation, he feels as if he doesn't know what to do or say.
She's still stood with the cue in one hand, close enough so that when she shifts her weight from foot to foot, her knee grazes his leg. It's interesting to watch him think so deeply about it. Convinced he's probably never thought of anything so much in his life.
“What if what I want is…you?”
The tension deepens like the tone and volume of his voice. And without effort, a smile finds its way to her face when she looks at his expression. He's frozen stiff, for once, not knowing what to say.
So nothing shocks her more when he grabs the pool cue as a means of pulling her to him, and he has to duck considerably to press his lips clumsily to hers. He's eager, that much is true, but it's clear he's inexperienced. But instead of causing discomfort, she thinks it's quite endearing.
The pool cue clangs to the floor as she braces her hands on his shoulders and chest, guiding his lips with her own in a slower, more careful movement. She feels the edge of the pool table bite into her lower back when he presses her against it, clearly excited, if the hardness that's flush to her stomach is anything to go by.
The hands she had been staring at not half an hour ago are bruising as they trace her waist and hips, with a grip tight enough to tell her exactly how much he's enjoying the experience.
For a moment, they're not in a common room alone, against a pool table, with ‘Cheetah-licious Christmas’ playing in the room over, the bass of which rumbles through the floor and into their chests.
The kiss lasts a long while, and she has a feeling he wants to savour it as if it's the last time he will ever be able to do it. 
One of her hands snakes its way to the back of his head, fingers gripping at his hair to pull him closer as either of them tilt to aid more contact between them. And at the little amount of tugging, Michael whines into her mouth, prompting him to pull away.
He looks halfway between mortified and pleased, his glasses having skewed to one side with the eagerness of what they'd done. And she laughs a bit, reaching up to fix them, which seems to make the mortification fade somewhat from his face.
Michael looks down between them, where his obvious erection is pressed to her, and pulls away slightly with a scarlet blush.
“Shit - sorry-”
“It's fine,” she reassures, “no need to be embarrassed.”
The words alone would be enough, if her hand hadn't snaked between their bodies to brush her palm over him. And if it were possible, his flush spreads to his neck, words failing him once more.
Her eyes flicker up to his, their lips all kiss-bruised and swollen.
“If you don't want to-”
“No, no, I want to…” he says, immediately embarrassed about how quick it was.
She smiles, one hand palming him through his jeans and the other trailing up his chest, “Sit down.”
He backs up to sit on a nearby sofa, watching with a kind of adoration as she makes space between his legs, her eyes glimmering at him as she slowly undoes his belt.
“If at any time, you need to stop, tell me.”
He gives a nervous laugh, his stomach muscles tightening, wondering probably if this is really happening to him, “Not sure I will want to…”
She smiles reassuringly, watching as his lips part as she palms him through his boxers, trying to suppress how impressed she is with his size.
It's always the skinny white guys.
“Well, the offer's there.” She smirks, pulling him from his boxers, Michael gives a suffered breath, feeling her touch on him and also her breath so close. He almost feels dizzy. The thought of this happening in this situation, with a party going on next door, is dangerous and exciting in equal measure.
She knows he has very limited experience, so decides not to tease him too much.
Michael gasps softly as she licks at the base of him, drawing a wet line with her tongue along the vein underneath, all the way to the tip. She concentrates her efforts slightly on the sensitive spot there before closing her mouth over the head of his cock, sucking gently.
She feels the way his thighs tense, and the blue disappearing as he closes his eyes. His fists are tight beside him, knuckles white, like he doesn't know if he should touch her or not. All he knows right now is that this feeling is brand new, and the sensation is so much already.
She pulls herself from him to run her tongue over his length, one hand moving to his hand, to encourage him. His blue eyes crack open just a bit, to understand what she's trying to tell him.
And she fights the urge to smile as his longer fingers swipe across her temple into her hair, his touch tender, soft and unsure as he holds her by it. 
Her lips wrap around him once more, pushing him further into her mouth, taking him steadily and slowly at first. Michael's hips move barely, chasing the friction that he's getting on his cock when she bobs her head on him and hollows her cheeks.
He watches with parted lips and warm cheeks, moving her hair away so he can watch himself disappear into her mouth over and over. Her hand massages the rest of him, giving him two unique sensations in one, something that earns her a deep, throaty moan.
When her eyes open to look at him, he thinks his heart stops in his chest for a split second. He closes his eyes, not able to bear the way she looks with his cock in her mouth if she looks right at him, feeling that if he did any longer he wouldn't last.
The sounds he emits don't stop there as she increases her pace on him, pressing her tongue to the underside of him and taking him deeper into her throat, humming around him at the heady scent of his skin.
It's only when she takes him as far as he will go, working hard to control her gag reflex that he gives the first genuine buck of his hips, tightening in her hair and a far-too-loud moan. If anyone in the next room were quiet and paying attention, they'd likely know exactly what was going on.
“Fuck-”
It only serves to spur her on as she pulls back, moving in a more steady, quick rhythm, that she is sure Michael is loving judging by the rate of his moans and the way he chokes out his words.
His stomach clenches and unclenches, his high creeping up on him as her mouth tightens around his length. 
“Shit - you need to - I'm gonna -” he chokes, weakly tugging her hair in an effort to pull her mouth off him before he cums.
If she didn't have his cock in her mouth she'd smile.
Her hand squeezes the base of him, and Michael throws his head back slightly, a long shuddered and choked moan reverberating through his chest. She swears she feels his thighs shake as she stills, warm ropes of his cum taste musky at the back of her throat.
His loud moan is followed quickly by more softer ones as her throat contracts to swallow as much as she can, briefly increasing the tension and friction around his sensitive length.
When she pulls off him with a pleased sigh, wiping her mouth with the back of her hand, Michael sits up slightly, having to gather his breath.
“Fucking hell…”
She takes it as a compliment and rises to her feet, her hands smoothing her skirt back down.
And she squeaks in delight as Michael quickly tucks himself away, barely doing up his jeans buttons before backing her up to the pool table again, kissing her fervently.
“What about you…do I…” he starts when he breaks away, panting softly. She smiles at the notion but shakes her head. This experience was for him alone.
“Not right now, don't feel inclined to,” she reassured, her hands on his chest, feeling the way his heart is beating rapidly beneath it.
“Right now?” he asks with a quiet, unsure tone, “does that mean…there's gonna be a next time?”
His tone is careful, and yet, she is able to detect something like desire there. An excitement for more, without seeming too eager so that he's not let down if she says no. Something that makes it clear he is 100% on board.
She bites back a grin.
“Quid Pro Quo, Michael.”
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ghostofhyuck · 2 months
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NCT Dream when they fall in love with someone similar to their personality. 
Mark Lee ; passionate
When Mark realized that you're also passionate about your craft, he can't help but to fall in love with you. He admires you at how you would yap about your performance because just like him, you let him yap about his passion for music. He thinks that he found someone who's on the same level as him and would want to date you honestly. 
Huang Renjun ; artistic
Renjun believes that it's meant to be when you gave him a crafted necklace, it has an artistic touch that he knows is a brand of yours. You two would talk about crafts and art in general that he thinks that you're on the same page as him. He genuinely thinks that you're the girl version of him and probably had a crush on you at first and then, falls in love eventually. 
Lee Jeno ; introverted
When you first met Jeno, you were quiet and would only smile at him. But he noticed at how you're talkative whenever you're with your friends. When he find the opportunity to talk to you, you shared to him that you're an introvert and while Jeno took the initiative to get to know you, in those process did he find peace whenever he's with you. You two found tranquility with each other and that Jeno think that you're meant for each other. 
Lee Donghyuck ; prankster
It's a battle of bickering and teasing. Haechan found himself a girl who doesn't back down with  his teases and pranks. At first it is to annoy you, and you were annoyed! But as soon as you fought back and it became a tension between the two of you, Haechan wasn't able to comprehend it until the Dreamies pointed it out, "What do you mean I like her, like she's annoying and would tease me and --- oh." he realized that he fucked up with his feelings for you. 
Na Jaemin ; realistic
I think that for Jaemin, he needs someone who's realistic about the future. While he does show a childlish side of himself to you, whenever you two talk about the future and just adult things in general, he couldn't help but fall slowly to you. You seem to understand where his rambles are about, and you share the same sentiments with him. That's why he thinks that you're the one for him. 
Zhong Chenle ; spontaneous
I think Chenle is the type who wanted to enjoy the mundane and spontaneous things in life. So when you came into his life and join all his spontaneous trips about life, he couldn't help but have a small crush on you. I mean, you're willing to agree to a late-night run for donuts, not even Dreamies would do that! Aside from that, you're very close with Daegal, that's a plus points for him. 
Park Jisung ; shy
Oh. This is a painful slow-burn that is hard to watch. When you first met Jisung, both of you are very very shy that you two awkwardly shake hands. (The Dreamies are in distressed) and while it's hard to admit, Jisung did had a crush on you because you're demure despite being shy. So it took a lot of interventions from Dream for him to muster the courage to ask you out. It's a good thing that you agreed or else he'll dig a hole and just bury himself. jk.
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dsycop · 21 days
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WHO HAS FANTASIES ABOUT YOU ? (18+)
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PILE 1 : This person is a male. You may have had an argument with this person, or someone you don't get along with. This is someone you stop talking to or stop paying attention to. This person hasn't been nice to you. This person is manipulative and materialistic. And he's someone who enjoys manipulating people and has a high ego. He has a lot of options. He's attractive, but he uses his charm to do bad things. This person is someone you shouldn't trust. This person is a toxic person. A walking red flag. At the same time, this person may have someone in their life right now.
FANTASIES : First of all, this is someone who masturbates to you. He wants to see you naked and imagines what your body looks like. This person wants to have crazy sex with you. This person has fantasies that are not normal. This person wants to dominate you. He wants you to give him a blowjob and he wants you to worship his wand. He wants you to praise him in bed and beg him to keep you. This person doesn't look serious. He just wants to have sex and go.
Sam Tinnesz - Play with fire
SAYGRACE - You don't own me
These songs could be significant.
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PILE 2 : If you've never been in a relationship in the past, this isn't your pile. You've been in a relationship with this person and you've broken up. This person is someone who hasn't forgotten you. This person feels very stuck. Something didn't go the way he/she wanted. This person is jealous of you and thinks that you belong to Him/Her and definitely sees you as his/her soulmate. But they think they've lost you. This person is very upset and wishes you would step up to him/her. This person is not mentally healty. Depressed and sad. This person is trying to get better.
FANTASIES : This person wants to reunite with you and wants to marry you. He/She doesn't want you to move on. If there is someone in your life right now, he/she wants you to let go of that person and choose him/her. He/She wants you to depend on him/Her. This person wants passionate sex with you. "Breeding" significant. This person wants to start a family. He/She wants to have sex with you in the shower.
Significant Messages : "I wish I was there", "I love you baby.", Horse, 55, Red.
Significant Songs :
Chase Atlantic -Consume
Britney Spears - Get Back
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PILE 3 : This person is someone you don't notice, or this person thinks you don't notice them. This person likes you, but is afraid to step up to you. This person has self-esteem issues. He /She sees you way above his/ her league. You can be this person's dream woman / man. This person does not want to take a step because he considers himself inadequate. He / She thinks you're perfect. This person may have blonde or colored hair (especially orange). This person may be wearing a lot of black and brown clothes. This person may be overweight. Or He/ She doesn't like him / her body.
FANTASIES : If you're with someone right now, that person is dreaming of you breaking up with that person. This person wants to be lovers with you. This person wants to know everything about you. He / She wants to spend time alone with you. This person wants to see every aspect of you. This person may be obsessed with you. They desire you. "Lust" can be significant. He / She wants you to dominate him / her. At the same time, this person wants you to be obsessed with him / her too. This person may get erection when he / she sees or thinks about you. if you are a woman, this person wants to eat your pu$$y. If you are a man, this person wants to suck your wand so bad 🔥 🔥🔥🔥
Significant Messages : " I want your a$$", 1313, idolized, "Kiss me", emergency, femininity, desire, bind, 1331.
Significant Songs :
Partynextdoor - Dreamin'
Sickick - Infected
Eric Bellinger - Drive by
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rachalixie · 1 year
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the best man - part I
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your best friend's getting married, and you're the maid of honor. minho is the best man. you're just trying your best to not let him get under your skin. pt II
warnings: lee minho x she/her!reader
genre: fluff, friends to lovers
word count: 1.4k
one could say that lee minho was a thorn in your side, but he wasn’t enough for that. he’s maybe a bump. a small bump in the road you’ve been driving on, a constant presence but not enough to make a difference to your wheels if you drive over it. enough for you to notice but not enough for you to swerve to avoid. 
he’s friends with your friends, so naturally, he’s around a lot. ever since your best friend got engaged to his best friend, jisung, he’s been around even more. in a few short months he’s gone from someone you nod at from the bar at group outings to the person you bump shoulders with when wedding planning in a tiny kitchen. from a person who’s number you didn’t have saved in groupchats to having a personalized contact complete with emojis. with him as jisung’s best man and you as the maid of honor, you’ve frequently been on opposing sides of friendly arguments about the cake, the flowers, the music that should be played. you’re convinced that he disagrees with you just to rile you up, he’s never passionate about his side and always sways to what you and your friend want in the end, he just does it for the entertainment.
you wish you found it annoying instead of endearing. that would make things simpler.
but it was in planning their surprise bachelor-slash-bachelorette party (you knew those two would never be able to separate enough for an entire night) that you got to know him well. in between choosing the types of shots you want to serve and the perfect cheesy crowns for them to wear, you learn that he has three cats that he loves more than himself, he’s really sweet underneath his teasing exterior, and that he’s a gentleman that always opens doors for you and gives you his jacket when he sends you home at night after being there for longer than you planned for. he likes to cook and he’s a dancer who once had big dreams but found his true passion in teaching it. he likes to work out but complains about it every time and he’s kind of the biggest dork you’ve ever met.
he grows on you like moss, the healthy green squishy kind, slowly taking over your roots until he’s become a part of your day to day life. you’ve come to expect daily weather updates, selfies with his cats, and mindless banter from the time you wake up until the time your head hits your pillow at night.
the actual night of the party goes off without a hitch, with drinks flowing and sappy speeches that have you wiping your tears discreetly to not ruin your makeup. you’ve both curated the perfect playlist, invited only the essential people you know the almost-married couple would want there, and made an entire table of snacks that got devoured before you can blink. you meet minho’s eyes from across the room several times throughout the night, a hidden meaning you can’t place hiding in his gaze before he looks away every time. it leaves you with a feeling of longing that you don’t let yourself think about for too long. the maid of honor and the best man? that’s too cliche, even for you.
you don’t see him again until the day of the wedding, where you both leave your respective dressing rooms at the same time to get ready to walk down the aisle and take your places at the altar. 
“you clean up well,” you tease, running a finger down the lapel of his tuxedo. it’s midnight blue, the color that jisung has chosen to compliment the flushed pink of the bridesmaid’s dresses. it compliments his honeyed skin almost too well, the contrast making him look like he’s about to walk a red carpet instead of the off-white runner lining the wedding hall floor. the flower buttoned to his chest matches the ones in your bouquet. 
“it’s been known to happen from time to time,” his tone is teasing but his smile is soft as he takes you in, winking at you when you raise an eyebrow at him. “you don’t look so bad, yourself.”
you look down at your flowers with a small smile, still not knowing how to take his compliments after all these months. 
“shall we?” he holds his arm out to you and you take it, calming your nerves before stepping through the doors to the sea of people in the room. he walks you down the aisle, steps in line with yours despite his legs being longer, and it feels right, being there with him.
he drops you off at your designated spot and you’re glad; you’re not sure if you would have remembered where to stand otherwise. you’re both beaming as jisung walks down the aisle, steps a little too eager and smile a little too wide. it warms your heart how happy he is to be married to your best friend. the same best friend who next glides down the aisle in a show of practiced elegance, steps timed perfectly to the wedding march playing.
you meet eyes with minho once they’re situated, blown away again by him in the new warm lighting that he’s shrouded under. his hair is glinting in the afternoon sun, eyes sparkling, and his smile despite being on display for everyone feels like it’s just for you. you’re so distracted by him in his damn tuxedo that you almost miss when your friend starts her vows. by the time she’s done, both the bride and groom are nearly sobbing, and jisung has to choke out his own vows before dragging her into a watery kiss before the officiant can tell him to. the whole room breaks into laughter, softening into awh’s when he pulls back with a heart shaped smile. 
the rest of the day is a blur. you take photos, make speeches at the reception, change into comfortable shoes, eat the cake that’s just been cut, and by the time you finally sit down to watch the first dance you feel like you’ve been standing for days. is this what it’s like to get married? doesn’t seem like it’s worth the trouble.
“dance with me?” minho says, interrupting your internal monologue and making the smile return to your face. his hand is held out towards you, palm up, and you take it in yours without a second thought. a chance to dance with the most handsome guy in the room? no way you’re going to pass that up, even if your feet feel like they’re on fire.
he guides you to the dance floor, stopping a few feet from the happy couple and bumping his free fist against jisung’s shoulder before wrapping an arm around you. you twine your hands together behind his neck and smile at him.
“all this planning and i never learned how to slow dance,” you say, voice low as you try not to let the embarrassment wash over you. 
“don’t worry, darling,” he tugs you closer, the name he calls you bringing a flush to your cheeks. “i can lead you.”
and lead he does. he twirls you around the dance floor, the bottom of your dress swinging around your feet as he gracefully makes it look like you know what you’re doing. you let him move you, your limbs pliant as he sways your hips in his grip. the two of you somehow look like the most practiced couple there because of him.
the song switches to something faster and more upbeat, but he doesn’t let you go. in fact, he pulls you in even closer, whispering in your ear about how he loves the song before guiding you to dance with him again.
the night ends with the two of you in the hotel elevator, on the way up to your respective rooms on the same floor. without warning, his hand goes to hit the stop button and the elevator jerks to a still, making your heart beat race.
“what the hell?” you almost yell, too shocked to be mad. he moves into your space, placing warm hands on your cheeks.
“am i reading this wrong?” he whispers, eyes flickering between your own and your lips. it falls into place like jenga bricks, messy and out of your control but not completely unexpected - this attraction between you? he feels it too.
“no,” you whisper back, melting as he finally seals his lips against yours.
turns out the maid of honor with the best man isn’t too cliche after all.
--
part II
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petrichor-idyllic · 1 year
Text
LONGING FROM AFAR
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MASTERLIST | MINHO MASTERLIST
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SUMMARY: Minho x fem!Med-jack!reader. Kinda mutual pining. Takes place before Thomas arrives.
Minho has always been confident and cocky, that is until a girl shows up in the Glade, completely changing the dynamic. What makes it worse is that Minho recognises her, though he doesn't know where from. It doesn't help that he's having some less-than appropriate dreams. The last thing he needs is an injury out in the Maze, leading him to being treated by you. Little does he know, it's not just him experiencing everything.
CONTENT WARNING: language, suggestive content and spice, minimal use of (Y/N). Pretty long but bear with.
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Minho noticed a lot of things about you, even at the beginning.
When he got back to the Glade and heard about a girl coming up, he thought Newt was telling him a bad joke. But it was the truth. There you were.
Minho wasn't going to talk to you. He had no intention of distracting himself from his work. But the night you showed up, he was the same as everyone else. All eyes on you as you stared into the flames of the Bonfire
Newt had been put in charge of looking after you since Alby was sceptical about trusting the other Gladers just yet. He sat beside you on a log, offering you a drink and talking with little to no response.
You didn't seem scared. Or even uncomfortable. You just looked lost; like you were still processing what was going on. And the Maze and your life now was something you never really wrapped your head around.
Minho could tell you didn't see the boys as a threat. It wasn't that they wouldn't try anything, it was that you seemed confident in dealing with it.
Your baggy jacket had the hood pulled up, your hair falling around your face and the fabric being used as a shield. Something that would become somewhat of a trademark of your look.
But the thing that stuck out was he knew you. He couldn't point out where or how, but he did. He figured he'd known you before the Maze. It wasn't uncommon for Gladers to say they recognise people, like when you know someone's face but can't figure out where from.
But this was different. He knew you, like actually knew you. He hadn't spoken a word to you, yet he could make some pretty accurate guesses about you. All of which ended up not being that far off.
Even as time passed, whenever you were there, Minho's gaze always fell on you. You didn't say much to anyone, really. You were often found with Newt, who seemed to be your favourite Glader.
You would eat and spend free time with Newt, and he would guard you whilst showering. It was also obvious to Minho that Newt enjoyed spending time with you as well. He seemed brighter and spoke about you a lot; something that Minho didn't complain about.
But it did make him feel weird.
When you became a Med-jack, there was a string of "injured" Gladers who were very disappointed when they ended up getting treated by one of the boys. The medical hut had never been so busy.
Once the new Greenie came up after a month, Minho realised he was jealous. You were nurturing yet forward and the Greenie clung to you like there was no tomorrow.
I know her. She's mine.
The thought shocked him. He wasn't like that; at least he didn't think he was like that. He had no right to be like that, you guys had never even spoken.
That was when the dreams started.
Heated breath against his neck. His fingers bruising your waist. Unholy noises that filled his hut. Feelings he had never experienced before.
The dreams would vary. Some were loving and filled with sweet nothings and slow, caring intimacy. Others were rough; more forceful. Full of passion and greediness as need would consume him whole.
He'd always wake up the same, though. Flustered and frustrated and having to get up to work before he could deal with himself. It was definitely starting to cause a problem in rising sexual frustration.
He didn't really get it before. The other Gladers were always complaining about how horny they were and the straight dudes always pining for a girl to show up. Typical teenage hormones. But Minho had always been too preoccupied to even think about it. His goal was freedom and survival. And now a girl he had never even spoken to was making him go feral.
"Dude, are you good?" Ben had been watching Minho for a while as he leaned over the table in the middle of the Map Room. They were meant to be comparing routes and examining them before they headed out into the Maze for the day.
Minho had been staring at the same piece of paper for about fifteen minutes. Clearly, none of it sinking in.
"Minho?"
"Hm?" The boy looked up, meeting the concerned gaze of his friend. Minho had never been like this. He was always on the ball, noticing things that Ben wouldn't have ever even paid attention to. Yet, he was totally spaced out.
"Are you good?"
"Yeah? Why wouldn't I be?"
"You're acting shucking weird, bro. The shuck's goin' on?" Minho wasn't about to admit that the reason his abilities were slipping was because he was being haunted by his wet dream from the previous night.
"Nothin', alright? I'm good."
This went on for weeks. Newt picked up on the change and he was the first to figure out why. He told Minho to talk to you but at this point, Minho couldn't bring himself to. What would he even say? How would he even interact with you like a normal human being after he'd had you in every position in his head?
Newt found it hilarious when a conversation about the complete lack of female anatomy knowledge started at Bonfire night. It was one of the few conversations the both of you had been involved in, even if you still weren't directly speaking.
Being a biology expert and a vagina owner, it quickly turned into a lecture that the boys were surprisingly respectful of. They seemed eager to learn and you weren't ashamed about talking about it, since sex education was just another health topic. Though Minho didn't know how to act when he found out you were on birth control.
Minho's red face and avoidance of eye contact with, well, anyone just egged Newt on more. He asked at least once a day if he'd gained the courage to talk to you yet.
He had not.
He started actually liking going out into the Maze. The Maze was when he got to be alone. The breeze blowing through his hair, his mind occupied with keeping track of his path and an ironic sense of freedom. And he was a safe distance from his nagging friend.
That was until he turned a corner and nearly ran face first into a Griever. Grinding to a halt, the slimy, grotesque creature turned to face him. Without hesitation, Minho took off, turning around and sprinting as fast as he could in the opposite direction.
The Griever easily gained ground on him, swiping and slashing from mere metres away. In his escape, he tripped, his feet catching over themselves and he fell to the floor, twisting his ankle.
The Griever wasn't able to stop in time, practically diving over him and rolling to a stop once it realised its mistake. One of it's mechanical arms slicing his back and he hissed in pain, praying that he wasn't stung. He didn't have time to process what had just happened as he scrambled to his feet.
Grievers were scary but dumb. This was common knowledge amongst the Runners. The fleshy monstrosity was yet to turn around as it seemed to be trying to process what had happened itself.
Fighting through the pain, Minho sprinted away in the direction he'd just fled from.
His leg was in agony, his back bleeding but he didn't stop. Running as fast as he possibly could towards the safety of the Glade.
After a couple of swift turns and a lot of painful footsteps, he dared look back. The Griever was gone. He was safe.
"Shuck this," he mumbled to himself. He had plenty of time and was meant to be running his route, but there was no way he could even begin to think about daring to do that in this condition.
Minho started making his way back to the Glade. The desperate urge to stop and sit down and rest was intoxicating. But he wouldn't get up again, and he knew it.
He didn't even realise his face was bleeding until he entered the corridor leading to the Glade and the crimson liquid dripped off, hitting the stone floor. He must've cut it on a rock on the floor or something.
Entering the Glade, it didn't take long for him to be noticed.
"Minho!" Alby's sharp voice cut through the serene farm setting. "The shuck are you doing back?"
Alby jogged towards him, his face shifting from irritation to concern once he noticed the Runner's injured state.
"Shit," the Leader grumbled, "Newt! Get the Med-jacks!" He shouted in the blond's direction.
"Minho," he approached the boy, "Hey, Minho," Ably grabbed him, wrapping his arm around his back, only for Minho to jolt away in pain. "Shuck it, what happened?"
"Griever," Minho grunted.
"Did you get stung?"
"Do I look like I've been stung?"
"Alby!" Jeff shouted as he approached. "What's going on?"
"Minho got attacked by a Griever, he needs checking. Now."
Newt, Clint and Jeff scrambled to help the injured boy, all three of them in a state of panic. It was rare for Minho to get hurt. It was even rarer for him to get this hurt.
They half-dragged Minho towards the Med-jack hut as the boy tried his best to keep himself going. In the midst of the chaos, Minho had completely forgot that you are, in fact, a Med-jack.
"Holy shit," you gasped and Minho's head snapped towards you. "Newt, what the shuck happened?"
"I-I don't know," the blond spluttered out, "he said he got attacked by a Griever."
"Shit, sit him down," the boys do what you tell them, walking him over to the bed and struggling to place the Runner safely. "Minho," your voice is soft and Minho knows that if he wasn't in agony he wouldn't know what to do. "Do you know if you've been stung? How are you feeling?"
"Like a klunk in a t-shirt," he attempted to joke, "no, I'm not stung, just cut up."
You examined him, taking his face between your fingers, taking in he features and the cut across his cheek. He moved his arm slightly and you caught a glimpse of the blood slowly soaking through his shirt. Walking around, your eyes widened.
"Take his shirt off," you directed your coworkers. "Now, c'mon."
"What?" The thought of being shirtless in front of you somehow freaked him out more than his recent brush with a Griever.
"Your back is bleeding badly," you stated, "and I have to check you for any other injuries."
You moved out of the way to let the boys help Minho undress, leaving him embarrassed and exposed. Not that there was anything to be embarrassed about. Minho looked like he had been carved out of stone. He spent all day every day exercising, so it wasn't much of a shock, but you still had to remind yourself not to get distracted.
The main focus was sorting out Minho's back and to check for spinal damage. Luckily, it was just a minor cut that was bleeding a hell of a lot.
Minho seemed to be incredibly jumpy. Every time you touched him, he flinched away. You used glue strips to pull the skin back together and wrapped the bandages around his middle. With Minho becoming visibly tense when you pressed your hand against his abs from behind to stabilise the fabric, you assumed that he didn't like physical contact. So, you became cautious to touch him as little as possible to try not to make him uncomfortable.
That was easier said than done when it came to addressing his facial injuries. It didn't look that bad; a surprisingly clean cut.
You stood in between Minho's legs, his face once again between your fingers as you delicately tried to pull the sides of the wound back together. Clint and Jeff were busy making sure Minho's back was appropriately covered and preparing more supplies for you accordingly and Newt was just watching.
Unbeknownst to Minho, you'd actually been sharing the same far away glances. You'd drunkenly confessed to Newt during a game of truths that Minho was the only Glader you were actually attracted to and it felt like you knew him. But with him always being out in the Maze and you always being busy with work, you felt like your paths weren't really meant to cross. You lived in the same place, but it was painfully obvious Minho didn't want to interact with you.
What you failed to tell Newt was that you felt a strong connection with the boy that was basically a stranger. He was unbelievably familiar to you, something you failed to explain even to yourself.
Newt was getting frustrated himself with the stubborn awkwardness you both possessed, but all it did was further prove you'd be a good match. He'd decided to stay and observe because Minho was his friend, but it was also because this was the first time either of you had actually interacted.
You were oblivious to it all at the moment. The panic of Minho being injured caused your anxiety about talking to him to vanish and be replaced with focus on your work. You were also oblivious to Minho's lingering hands as he fought to urge to put them on you waist and the puppy-dog look he couldn't seem to stop.
He'd never been this close to you. The closest being your sex ed lesson. He took the opportunity to watch you. Your face was stoic and firm as you concentrated on placing glue strips in a way that wouldn't be uncomfortable. He couldn't help but find the way your brow furrowed and the way strands of hair escaped your poorly tied up hairstyle cute.
God, you were so close. Too close. Close enough for all of Minho's dreams to start filling his head. He tried desperately to stay calm and distract himself but it wasn't working. You were being so gentle and attentive.
"How does that feel?" You asked absentmindedly, something you did to all your patients. It was such an innocent question that is made Minho even more flustered due to the context he'd previously heard it in his own head. "Minho?"
"It's uh, it's fine- it feels good. Well, not good, it feels klunky- but not like bad, like you've done a good job it just hurts. It.. it feels okay," you raised your eyebrow slightly, a small smirk playing on your lips. Minho inwardly cringed but you were entertained.
From what everyone had told you, Minho was smart and smooth, often overly confident and quick with his wit and even quicker with his actions. Maybe it was the injuries, but the Keeper of the Runners was currently a stuttering mess in front of you.
"Does anything else hurt?" You didn't falter at Minho's response. You're a professional, after all.
"Uh, yeah, I think I rolled my ankle."
"Which one?" He tapped his left leg and you nodded. "Can you take your shoe off?" He winced as he attempted to do so only for you to gesture him to stop.
You lowered yourself to the floor, kneeling in front of him as you untied the laces of his running shoes, trying to be as gentle as possible removing it.
Minho thought his brain might actually melt. You were on your knees in front of him, nursing to his injuries.
He made eye contact with Newt as you rolled his trouser leg up, examining the potential damage. Newt was grinning like an idiot. He had never seen Minho like this. Clint and Jeff were oblivious to whatever was going on and Newt felt like he was in on a well-kept secret. All Minho could do was glare at his friend.
"It looks sprained," you mainly said it to yourself but it quickly dawned on Minho what that meant.
"What about running?"
You looked up at him, pressing your lips into a thing line. "Sorry, buddy, you're gonna be out of commission for while." You rose again, hands in your pockets as you looked down at him. "You've got off pretty lucky all things considered. The cuts aren't deep, they just look bad and your ankle just has a nasty sprain. It should be better in a week or so, but that's only if you rest and stay off it."
"You gotta be shucking kidding me." You scoffed at Minho's dismayed.
"Don't worry too much - I'll give you some regular check-ups and keep an eye on it. You'll be back in the Maze in no time; I'll make sure of that." You playfully winked at him in an attempt to ease his nerves, which seemed to work.
You turned to Newt, "You gonna break the news to Alby or should I?"
"The shank should be happy Minho here is still bloody kickin'," Newt stood up straight, stretching slightly. "I'll go let him know."
You left Minho sitting there as you started talking to Clint and Jeff, telling both of them to go on break since both boys were suddenly very pale and slightly shaken up. You figured losing Minho would have been a massive hit to the Glade and for a second there, it felt very life or death.
"What am I meant to do now?" Minho asked as Clint and Jeff left.
You shrugged. "Whatever you want, man." You walked back over, returning to your position standing in front of him. "You've got a week off, enjoy yourself - well, not too much but you get what I mean."
Unlike Minho, you were having a surprisingly easy time talking to him. Almost natural.
"If you're bored, you can always chill here. It's not like serious injuries are common. You guys are pretty good at your job, so we mainly just deal with Slicer incidents." You were trying to be subtle about it but you were hoping that Minho would take the casual hint to spend some time with you.
You suddenly remember something, walking over to a cupboard, you pick up a makeshift crutch that was leaning against the wood, curtesy of Gally. "Here."
You handed him the crutch and he clearly didn't want to take it and admit defeat, but he did.
"Thanks," the conversation and interaction had reached it's natural end, but despite Minho's determined avoidance, he found himself not wanting to leave. "Can I, uh, can I stay here?"
You grinned at him, "'Course you can. I just said you could, didn't I?"
And that was it.
You and Minho were officially friends. Kind of.
It took a while, but Minho spent most of his week off talking to you and you both fell into a routine. He liked watching you work. You could effortlessly multitask, patching up people's injuries and maintaining a conversation with him.
Newt was also a welcomed addition during your free time. Well, to you at least. Minho wasn't exactly a fan of watching the pair of you talk and mess around. Your relationship with Newt seemed natural and friendly, something you and Minho were yet to have. Or he doubted ever would ever have. He also started to notice some flirting.
He hated it.
Minho had never been a possessive person, but watching you flirt with his best-friend was invoking even more complicated feelings in him.
It was a joke. Minho didn't know it was, but it was. You and Newt flirted all the time - because it was funny. Newt wasn't attracted to you at all. He had made that abundantly clear but that also meant you trusted him because it meant he wasn't going to try anything. And it was funny watching his disappointment when he didn't think the new Greenies were attractive.
Minho was unaware that it was a joke, though. So, by the time it came for him to go back into the Maze, he was reluctant.
Mainly because he was scared of running into another Griever, but also because he couldn't keep an eye on you. He hadn't exactly been keeping an eye on you before but seeing yours and Newt's dynamic up close wasn't pleasant.
Though, the Maze was a break. An actual break this time and a much needed one.
He'd often spend dinner time sitting with you and Newt, but for the rest of it, Minho would make himself scarce. Even when he was in the Glade.
It didn't help that the dreams were getting worse and it didn't take a genius to see that the tension between the both of you was thick. Exchanging glances, standing near each other when you were both involved in a group interaction, Minho's constant watchful gaze. It wasn't just Newt noticing it anymore.
"Dude, will you quit staring? You're freakin' me out." Alby leant against a post as Minho sat on a log, once again observing from a safe distance. Newt had informed him of Minho's growing crush and Alby had decided to keep an eye on things. He knew that Minho would never do anything to make you uncomfortable, but he still liked to make sure things were running smoothly for you. After all, being the only girl wasn't easy.
"I'm not staring," was Minho's response, even though he didn't bother stopping his glare.
"I thought you two were friends now?"
"She'd rather be friends with Newt."
The comment struck Alby as he looked at his long-time friend. Bonfire nights had become like clockwork to the veterans of the Glade, so neither boy really joined in on the festivities.
"Minho, are you jealous?"
The silence was loud and more than enough of an answer for Alby. Minho dropped his head, some kind of shame washing over him.
"Shuck me," the Leader barked a laugh, a rare occurrence, "you actually really like her, huh?"
"Slim it, man," Minho grumbled.
"Well, you better act on it, shank, you've got some competition," Minho figured Alby was referring to Newt, but when he looked up and saw Gally's arm draped around your shoulders, he felt a pit form in his stomach.
You made no effort to push Gally away, he was drunk and definitely not a threat. You weren't even talking to him; you were talking to Newt, who kept giving you gesturing looks, silently asking if you wanted him to deal with Gally. The Builder had originally done it as a flirty gesture but had seemingly forgot that he'd even done it in the first place.
For Minho, however, it was the straw that broke the camels back. Newt? Sure, whatever. He could get it - he liked Newt as much as anyone would, he was his best-friend after all. But Gally? Seriously?
He was on his feet before he'd even processed what he was doing himself, marching over to you. Gally said something, gaining your attention, which is why it startled you when Minho grabbed your wrist. You turned, prepared to rip your hand away only to soften when you realised who it was.
"Hey, can I talk to you?"
You blinked at him. Minho was hard to read and his ever-changing personality and treatment of you had you lost most days. You glanced at Newt, who seemed equally stunned at Minho's sudden confidence.
"Yeah, course, what's up?" He simply nodded in a different direction, gesturing for you to both leave to have a private conversation. You pushed Gally's arm away from you, thoughtlessly following Minho as he dragged you away.
He let go once you'd left the buzzing crowd of the Bonfire and you silently followed him to the edge of the Deadheads. He stopped near one of the closest trees and turned to face you.
"Is everything... okay?" You felt nervous, fiddling with the hem of your jacket, something Minho noticed.
"Uh, yeah," he took a deep breath, collecting himself. He didn't know what he was doing but, low and behold, he was doing it.
"What did you want to talk about?"
"Right, yeah," he cleared his throat, "okay, this is gonna sound shuckin' weird but I've just gotta say it, okay?"
"Okay." You tried to stay calm, but you could feel the bubble of stress starting to form. Did he know? Had Newt spilled the beans? Was he about to reject your silent desires?
"So, I, uh, I think I know you," you once again blinked at him and he shuffled awkwardly, "I don't know how to describe it - I just do. Ever since you first came up in the Box, I just- I just wanted to be around you."
"I thought you were avoiding me?"
"Well I was, kinda, I didn't want to get distracted from running- and then there was the dreams and I didn't know how I'd even talk to you and-" Minho had started rambling pretty quick. All his stress from the past few months starting to pour out.
"Dreams?" Minho froze. How exactly was he going to explain that bit? Why the shuck did he mention it to begin with?
"Uh, yeah, I don't wanna- I mean I didn't mean to- you're just so- shuck!" He exclaimed, his face growing redder by the second, "I'm bad at this. I don't know why I brought that up."
"I'm not gonna judge you, dude," you reassured him. "I understand brain klunk and it's weird. Dreams are normal."
"Yeah, but not these ones," he sighed, pausing to gain some courage, "I've been having these dreams, about us, uh... doing.. things."
"Huh?" You tilted your head. Then it clicked, and it was now your turn to get flustered. "Oh! Oh. Oh, right."
"Yeah," he scratched the back of his neck, refusing to make eye contact. "I don't know what it is, but I like you. Like, I really like you. And I know that's weird because we've only been friends for a couple of weeks but I can't help it. I don't want to think of these things but I can't help it and it's starting to cause a problem." He finally looked at you for a second. His rambling caused him to repeat himself as he stopped thinking about what he was saying before he said it.
Your expression was blank as you tried to process everything he was saying. He seemed genuine, and genuinely embarrassed about the whole thing.
"Sorry," his eyes fell to the floor, "I don't wanna make you uncomfortable and you can shut me down and we can just be friends- I don't care about that as long as we're fine. But watching Gally hang off you, and the new Greenies look at you. And the way you and Newt flirt all the time- it just, shit, it just makes me mad, dude. I can't take it, watching everyone want you when I want you too. I mean-"
"Minho-"
"It's driving me mad. Everything you do is stuck in my head-"
"Minho-" you stepped forward, though he's too in his own head to even notice.
"I just couldn't keep it to myself anymore. And Alby was saying all this klunk and-"
You cut him off. Lifting his chin to look at you, you pressed your lips to his. He froze, completely. His heart nearly jumped out of his chest.
"Shut up, Slinthead," you mumbled, pulling away slightly, basically saying it into his mouth, "I know you too. I want you too."
That was enough for Minho. He pushed his lips against yours. It was sudden and bold as he pushed against you. Your bodies moulded together as your arms went around the back of his neck, your fingers brushing the short hairs at the base of his head. His hands went to your waist under your jacket, pulling you impossibly closer.
The kiss quickly becomes passionate and heated, his fingers brushing against your skin under your shirt, padding against your flesh. You hummed in response, just pushing him further as he span you around. Backing you up against a tree, your back hit the bark, earning a squeak.
He broke the kiss and the way he looked at you made your knees weak. He gaze was full of a mix of lust and want, but also was loving and cautious. He didn't want to over step, but he was desperate. The frustrations were finally coming to the surface and he knew he had to stop himself.
"I can't..." He panted, "I can't do this anymore. I need you."
He was making you weak. It wasn't like you'd never been aroused before but this was different. You couldn't even form words as you connected back to him. A guttural, deep noise escaped his throat.
Things were moving fast as your hands left his neck, dipping lower and and under his shirt. Feeling his skin and his solid mid-drift. You grazed your nails against his skin and his teeth lightly brushed your bottom lip.
This wasn't the plan. But at the rate things were moving, you didn't want to stop it either.
"Holy shuck!" Newt exclaimed, dramatically throwing his hand over his eyes, scared to witness anything else unsightly.
You and Minho stopped, snapping to look at your embarrassed friend. Minho stepped back, awkwardly crossing his hands over his crotch as you tried to catch your breath.
Newt awkwardly peaked through his fingers before sighing from relief and lowering his hand.
"Uh, the Runners wanna talk to you about Maps or some klunk - Alby wants an update on how it's going."
Minho cleared his throat, "Right, yeah. I'll uh- yeah." He looked at you, "I'll uh, I'll catch you later, right?"
"Mhm."
"Cool." He brushed past Newt, not daring to make eye-contact, knowing he'd hear all about it later anyway.
Newt looked at you, a shit-eating grin plastered across his face.
"You finally spoke to him then?"
"Shut your shucking mouth, Slinthead."
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Woah, Petri actually writing a piece of fanfiction? Mad. Anyway, here is my first actual writing piece on here and I know the TMR fandom is kinda dead, but I love Minho with my whole heart and he's probably one of my favourite all time characters, so I figured this would be a good place to start.
Anyway, I hope you enjoyed and let me know what you think. :))
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writingstoraes · 1 year
Note
Hey! Your social media fics are so freaking cute, I love them so much 🥹 If you do take requests, could you please do one which is Charles x singer!reader (who's pretty famous, on like a Taylor Swift or Selena Gomez level) announcing their relationship or just like a random vacation post? Thank you so much, I hope I didn't make the request too long <33
relationship release 💿
pairing: charles leclerc/fem!singer!reader
type: instagram imagine/social media au
notes: tysm for requesting this, anon 🤍 my first time doing a request so i hope you like it! used hailee steinfeld for the faceclaim :') not revised so please expect errors hehe lmk what u think!
about: you and charles go public just in time for your album release!
yourusername
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liked by taylorswift, zendaya, charles_leclerc, and 3,582,918 others
yourusername A photo dump to commemorate the busiest months of my life 📷 from recording my new album (which I am very excited for you guys to hear), taking time for myself, to rehearsing for my world tour. Grateful to be doing what I am passionate about every single day of my life ❤️
zendaya You look amazing, can't wait for the album, love! 💋💋
y/nqueen MAM DID U JUST SOFT LAUNCH A MAN
filmsy/n ik what the fuck she did not just casually drop a soft launch in the middle of the noise of her new album 😭
popgirlsz Am I seeing this right or is the queen of pop in a relationship....
selenagomez Excited for the tour ❤️ Will be in front row for sureeee
singzqueen THIS IS NOT A DRILL SHE HAS A BOYFRIEND OH MY GODDDD
f1fan Oh my god Charles liked? Maybe hes the guy 🫣
popthusiast u reaching too much lmaooo maybe hes just a fan
yourusername
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liked by ashleybenson, florencepugh, billieeilish, and 3,981,234 others
yourusername My new album Red Letters comes out in 3 days. ❤️ It has been an incredible journey working on this masterpiece and I cannot wait for you guys to enter the pages of the stories I want to share. Red Letters is all about being wrapped in a heart-shaped dynamic, letting an amalgamation of sensations embrace us as we finally let love in.
As for me, well, loving him has always been red.
florencepugh Loving everything already and it's not even out yet! Such amazing work you've done ❣️
taylorswift My girl ❤️
popgirly/n girlie telling us her new album is about love after soft launching a week ago oh i cant breathe
lanadelslays She knows how to keep us on the hook 😭
yn4ever "Loving him has always been red" QUEEN WHAT DOES THIS MEAN
popfan21 guy lucky as hell imagine being talked about like that... by y/n... living his best life fr
ynlover THE PICTURE IS SO CUTE TOO THATS PROBABLY THEM
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charles_leclerc
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liked by pierregasly, carlossainz55, lewishamilton, and 1,997,239 others
charles_leclerc Immensely excited about the Red Letters release: not only because of the new, amazing music Y/N will be sharing to the world but because today is the day I get to show everyone the love of my life. Every day it feels like I'm in a fever dream because I'm with someone so talented, charming, and kind.
Mon angè, you never fail to amaze me. My heart is full just seeing you conquer the world. Je tàime, yourusername ❤️
PS. I guess I am the red guy, yes?
carlossainz55 Finally! Charles has been waiting for this moment for quite some time now 🤣
danielricciardo Okay we see you Mr. Red Guy 👀
zendaya Take care of her or there will be consequences!
ilpredestinato KINGGGG SO DESERVED U GUYS ARE SO CUTE
charlos1655 such a hot couple too god they are so
pierregasly Finally went to Y/N's concert without wearing a disguise I am happy for you mate 👏
itpopgirl power couple ugh we love to see it
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tagging: @slytherheign hope ure doing well mwah
notes: this took me some time lmao anyways pls bare w me if i use the same usernames for the fan reactions on twitter its so harddd thinking of new usernames everytime 😭 i hope u liked this, anon! lmk what u guys think <33 tysm for reading!
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IOTA Reviews: Conformation and Re-Creation (The Final Day)
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Well, here we are. The final two episodes of Season 5. It's been a long and complicated journey, so let me get you up to speed on what exactly happened this season, episode by episode.
Evolution: Ladybug and Cat Noir chase Monarch through time, and it's not nearly as cool as it sounds.
Multiplication: Adrien likes Marinette now because the plot says so.
Destruction: Cat Noir accidentally Cataclysms Monarch, and it somehow leads to the most guilt he feels using his Cataclysm on anyone.
Jubilation: Ever want to have the image of Ladybug and Cat Noir being teen parents burned into your brain? No? Too bad!
Illusion: Nino establishes himself as a leader so terrible, Zapp Brannigan would call him an idiot.
Determination: Marinette likes Cat Noir now because the plot says so.
Passion: Nathalie shows she'd rather silently judge Gabriel for his actions over actually doing anything to stop him.
Reunion: Marinette talks with the spirit of Joan of Arc, and it's not nearly as cool as it sounds.
Elation: Someone tries to murder Marinette over ice cream for the third time in four seasons.
Transmission: Yeah, I totally believe you're replacing Marinette and Adrien with two new main characters in the middle of your fifth season.
Deflagration: Because of Tikki and Plagg's terrible decisions, Monarch comes the closest he's ever come to winning.
Perfection: Kagami becomes a giant cloud Akuma, symbolizing her also becoming a total airhead for the rest of the season.
Migration: The writers realize they have no idea what to do with Luka, so they kick him out of the show entirely.
Derision: “How many things do you want to retcon to make this story work?” “Yes.”
Intuition: Gabriel continues to prove how pathetic of a villain he is, even when he has unlimited chances.
Protection: Even after being tricked three times by her, Kagami still thinks Lila is a trustworthy person.
Adoration: “We have Lumity at home”.
Emotion: The episode where Felix essentially commits genocide is somehow also the one where the writers want the audience to start viewing him in a sympathetic light.
Pretension: Felix likes Kagami because the plot says so, and vice versa.
Revelation: Lila only gets as far as she does thanks to Marinette becoming as dumb as the rest of the class.
Confrontation: Our heroes expose the villain's evil plans by spying on them through a bathroom peephole.
Collusion: Remember kids, violent revolutions against politicians are never the answer.
Revolution: Remember kids, violent revolutions against politicians are always the answer.
Representation: To the surprise of literally no one, Felix is revealed to be a Sentimonster, yet the writers still won't tell us that Adrien and Kagami are the same.
Now that you're all caught up, let's get into the twenty-fifth and twenty-sixth episode of Miraculous Ladybug's fifth season: Conformation and Re-Creation
After a brief news report showing everyone enjoying the first day of Summer vacation, Gabriel and Tomoe finally decide to launch “Perfect Alliance”. What does this plan entail? For starters, Gabriel transforms into Monarch, detransforms to akumatize himself into Nightormentor again, gives himself the powers of the Mouse, Rooster and Horse Miraculous in order to clone himself and fly around the globe to spread his nightmare dust. Because just akumatizing Sandboy again and giving him the Mouse Miraculous' Multitude was just too complex of a plan.
Marinette is the first to be affected by the dust, we get a dream where she dresses up as a knight to save Adrien from a cheap recolor of Fang in his dragon form.
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This is a weird episode of Super Why.
Marinette defeats the dragon, who reverts back to Gabriel, who is accidentally killed by the fight, causing Adrien to cry since Adrien was watching the whole thing. Marinette wakes up, thankful that it was all just a bad dream sequence. She decides she needs to find out just where Gabriel sent Adrien to make sure he's safe, something that won't make sense as I'll explain later on. As she tries to leave, she keeps experiencing sudden headaches, as do her parents and Alya.
Meanwhile, Adrien is still left reeling from the effects of the nightmare dust from last episode, to the point where he has a panic attack, demanding to be let out. Gabriel, seemingly aware of this, decides to give Adrien the “antidote”, an Alliance ring with an app called “Perfect Alliance”. So once again, despite claiming to do this for his son, Gabriel willingly chose to make his life worse as part of his evil plans. Remember this, it'll be important later on.
Plagg suggests Adrien transform into Cat Noir, but Adrien reminds him that there are cameras everywhere, so he can't risk it. Plagg disables the cameras, but Adrien still says no. Whether he was aware that the robot who was sent to give him the Alliance ring with the new app had a hidden camera is irrevelant, because Adrien gives a different reason why he can't transform.
Adrien: I'm not in my right mind. I'm too angry; at myself for falling short of Marinette's love, at my father for sending me here in London, at this stupid app and these rings that use my image... it makes me sick! This nightmare is giving me the horrible feeling that, if I transform, I'll get akumatized and destroy everything with my Cataclysm. Marinette, Ladybug...
Plagg: Surely Ladybug can help you.
Adrien: If I ask her for help, I'd have to give her information that would jeopardize my secret identity... and I can't.
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Okay, let me make one thing clear. The reason that Adrien can't risk exposing his identity thanks to all the cameras is a good one, and the fact that he doesn't want to risk exposing his identity to Ladybug in particular is a good sign of character development, but the problem I have is the fact that the writers decided to bench Adrien in the first place.
Yes, you heard that right. In arguably the most boneheaded decision in the show's history since... well, a lot of things this season, Adrien, despite being the son of the main villain, isn't going to get involved in the final battle at all.
There are multiple reasons why Adrien staying put in this room is a terrible idea, and most of them involve the fact that almost none of the in-universe explanations for this hold up.
Adrien is being heavily monitored by cameras? We just saw Plagg was able to disable them with ease.
Adrien can't ask Ladybug for help without jeopardizing his secret identity? The fact that he's at risk of being akumatized as is, with or without the Cat Miraculous, will still blow his cover due to Monarch's mind reading abilities (which we saw when Monarch almost learned Luka's secret in “Migration”), so he really has nothing to lose here.
Adrien isn't in the right state of mind thanks to the nightmare dust? Literally every other character who takes part in the final battle is able to either find a way to fight off the nightmares or keeps going while still under the influence of the nightmare dust.
Adrien's ultimate plan to take off his Miraculous and let Plagg choose a new temporary holder? We saw this exact same scenario play out earlier this season in “The Kwamis' Choice”, and things went horribly, horribly wrong.
Do you see why this makes no sense? Even though the show loves to boast about how valuable of an asset Cat Noir is, the writers are bending over backwards to justify keeping Adrien as far away from the final battle as possible, because they know damn well that they'd have to address how terrible his father really is with the reveal.
And the best part? This is basically the last we'll see of Adrien in this episode. Do you want to know how many lines he gets in the next episode, AKA, the final episode of the season? Three. AND THEY'RE ALL AFTER THE FINAL BATTLE.
But we're not done talking about this stupid idea yet, because unlike the other episodes, I have something else to rant about: The writers' commentary. In November of 2023, around four months after the finale premiered, the writers of this show recorded their own audio commentary, and while I don't have the exact translation (if anyone reading this has a translation of this, I would really appreciate the effort), I have seen one post summarizing the things they said, and all I can say is DEAR. LORD. This is not just shooting yourself in the foot. This is shooting yourself in the foot multiple times with Judas Bullets.
Like, it's amazing. We've always speculated just what goes through the writers' heads that makes them come up with some of the strangest ideas to take the story, and now, we have a first-hand account of why these episodes turned out the way they did. For this one moment, they gave about three explanations as to why Adrien was benched for the finale.
Let's start with the first one, Cat Blanc. I know what you're thinking, wasn't Cat Blanc an Akuma from an alternate timeline that our Adrien shouldn't know about? Not according to Melenie Duval. While Adrien's fear of being akumatized is reasonable, Duval claims that he could become Cat Blanc... which makes no sense as A) Adrien's nightmare was of an entirely different Akuma, and B) The aforementioned nightmare dust never informed Adrien of the alternate timeline where Cat Blanc destroyed the world, it just provided him with a nightmare about a similar scenario.
And in case you weren't questioning this woman's judgment, Duval has done on the record to state that her favorite episode of the entire show is “Derision”.
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Our next reasoning is especially stupid, as the rest of the writing team reveal that they had planned to keep Adrien out of the final battle as far back as 2014, nine years before the finished product premiered. Why would they do that? Because they wanted Ladybug to unify with the Cat Miraculous, of course! Sure, you could have just saved this unification for a special or something like that so you don't bench one of your main characters, or you could have at least had Adrien willingly give his Miraculous to Ladybug to unify with in person, but nope. This is seriously one of their defenses— I mean, explanations, for why Adrien isn't allowed to be in the final battle, because they thought it would be more important to give Marinette her 10th new form in three seasons than letting Adrien get some form of closure with his father.
And here's the final reason they gave in the commentary. Remember that dream sequence of Marinette dressed as a knight that was also sort of foreshadowed in “Gabriel Agreste”? Turns out, the writers wanted to, and stop me if you've heard this before, play with the tropes and symbolism of fairy tales. Wow, I've never seen any kind of pop culture do that before... except for Into the Woods, The Princess Bride, Hook, Shrek, Princess Tutu, Ella Enchanted, Hoodwinked!, Enchanted, Tangled, Once Upon a Time, Frozen, RWBY, Ever After High, Red Shoes and the Seven Dwarves, Guillermo del Toro's Pinocchio, and Nimona. But other than those, that's so original!
Even though the writers are acting like they're breaking new ground, do you want to know what they mean by this? They're just doing another damsel in distress situation but this time, Adrien, the boy, is the one who needs to be saved by Marinette, who is, GASP, a girl?! WOW! That totally changes everything!
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Okay, yes, the damsel in distress trope has usually been seen as a misogynistic one due to the fact that the people who needed to be saved are usually women, but like I mentioned way back in my “Gabriel Agreste” review, just swapping the genders isn't enough to breathe new life into a trope as old as this one. It's arguably worse because Adrien isn't just someone who needs to be saved. He's a superhero, and like I mentioned, there were plenty of options to get him out of his room in London.
And I'm guessing that some of you are thinking, “But IOTA! You just want Adrien to save the day by himself because he's a guy!” Just remember that I had this exact same problem last season where the roles were reversed. Remember how I hated the way Marinette's arc about dealing with the stress of being Guardian was hijacked by Adrien complaining about Ladybug not trusting him? This time, we have an arc about Adrien trying to break free from his father's influence that's been hijacked by Marinette needing to save Adrien by herself, robbing him of any agency he had to the plot entirely. This issue isn't about gender. It's never been about gender. I would have the exact same problem if Adrien was the one who confronted Monarch by himself while Marinette was trapped in her room.
This leads to the biggest problem I have with this plot development: It ultimately goes against the core theme of teamwork the show keeps trying to convey. Remember how last season, Marinette needed to learn to let other people trust her? Now, she's going to beat up Monarch all by herself without any help. Remember how last season, Adrien needed to prove he didn't deserve to be left in the dark about everything? Now, he's going to stay all the way in London while his partner gets in the fight of her life. It's detrimental to both of them as characters, and makes everything that happened to them in Season 4 completely pointless.
Okay, now that I've spent five pages ranting about this insane decision, let's get back on track, shall we? As the Perfect Alliance app helps Adrien and Kagami calm down, Marinette sneaks into the Agreste mansion as Ladybug. Meanwhile, Nathalie has her own nightmare about Gabriel winning, AKA, the very thing she could have stopped a long time ago by ratting her evil boss out to Ladybug and Cat Noir.
We then learn just what the Perfect Alliance app really does. Basically, thanks to the technobabble, it helps alleviate the stress from their nightmares. Or, to put it in Layman's terms, Gabriel and Tomoe plan to get the entire population of Earth addicted to cyber crack. We see this affect several of Marinette's classmates, but because Mylene has a sudden disdain for technology that “Was made without respect for the Earth's resources”, she's the only one who sees the problem here. I'd ask why this wasn't established earlier this season, but it doesn't matter, since Mylene gives in anyway,
Because it's a day that ends with a “Y”, Gabriel goes to talk to Emilie's body yet again, and it seems like even the writers realized how tired this got, as Nathalie finally decided to ambush him with a crossbow.
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Miss Sancoeur, I served with Buffy the Vampire Slayer. I knew Buffy the Vampire Slayer. Buffy the Vamprie Slayer was a friend of mine. Miss Sancoeur, you're no Buffy the Vampire Slayer.
Yes, it only took five seasons worth of evil plans for Nathalie to realize just how demented her boss really is.
Nathalie: I can't let you do that... if you make the wish to bring her back, someone will have to go in her place. Emilie would never have agreed to this!
Gabriel: Do you think I'd be monstrous enough to sacrifice a human being?
Uh... yes? That is literally what equivalent exchange means. You really don't know how the wish works after researching it?
Shockingly, the frail woman armed with nothing but a crossbow isn't able to stop someone with superpowers. There isn't even a fight. Monarch just knocks the crossbow out of her hands and she faints. Maybe you should have actually come up with some sort of plan before confronting Gabriel by yourself, dumbass.
Back to Ladybug, she searches through Gabriel's stuff and finally learns he's Monarch... even though she should already know thanks to Felix and Kagami's play last episode. She even looks pretty shocked to see Monarch detransform.
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Back to the commentary, the writers justify this with their absurd “Every episode can be watched on its own” rule. Because simply having Marinette say she already knows was out of the equation, I guess. Seriously, earlier in the episode, Tikki (who, along with Plagg, wasn't affected by the nightmare dust for some reason) had doubts that Marinette should break into the Agreste mansion, and it came across like neither of them knew the truth, and this was a reckless decision that wasn't motivated by Gabriel being Monarch at all. Once again, the writers fail to understand the idea of using “Previously On...” segments to help new viewers catch up on what's happening. It's even more confusing when you remember that Tikki knows Adrien is Cat Noir, so his father being Monarch coupled with his sudden absence should be setting off all kinds of red flags in her book.
Ladybug tries to text Cat Noir about who Monarch really is, but chooses not to send it after Gabriel pushes a few of her buttons. Rather than jumping Gabriel while she still has the element of surprise, she only chooses to grill Nathalie for questions once Gabriel is out of the room. And of course, only when she's on death's door does Nathalie tell Ladybug to stop Monarch, but not before telling her to transform back.
We see Gabriel and Tomoe put their plan into action. They create a fake scene of Ladybug and Cat Noir kidnapping Adrien and Kagami in order to rile up the public (who aren't in the best state of mind thanks to the nightmares) in order to for them to use the Alliance rings to transform them into the “Miraculized”. In other words, it's basically “Heroes' Day” all over again. Seriously, think about it. Just like “Heroes' Day”, it looks like Adrien is being harmed by Ladybug in an attempt to push the population to the brink of despair so Gabriel can create an army in the process. Yeah, the public doesn't know the two are the same, but the audience does. Granted, this is a minor nitpick compared to the rest of my problems with this episode, but I hope you can see what I'm getting at here.
Case in point, the reason Nathalie told Ladybug to detransform was because Gabriel has found a way to track her and Cat Noir through their “quantum signatures”. With Cat Noir, it was thanks to the dust from Gabriel's Cataclysm wound, and with Ladybug, it was thanks to the Magical Charm she gave Gabriel earlier in “Gabriel Agreste”... which he shouldn't have since it was destroyed in “Dearest Family”.
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Seriously, this is the season finale. How the hell are the writers still struggling to remember important events like this?
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Now's as good a time as any to talk about the Miraculized's design. Yeah, they're pretty lame. They all look like they're wearing fencing gear, and don't look intimidating in the slightest. They also now have the ability to use every Miraculous power at once, which breaks the previously established rules about the Alliance rings in that only one ring can handle each Miraculous power. You could at least argue that the robots used in “Confrontation” had more advanced technology that made them capable of using multiple powers, but nothing has changed about the Alliance rings to justify this. And remember, this is something every Miraculized in the world can use, yet the system hasn't been completely fried, and as we'll later see Monarch can still freely use the other Kwamis' power even when they're being shared with the Miraculized across the world. In fact, how can the Miraculized even transform like this? Monarch doesn't akumatize anyone to spread this transformation. Gabriel just tells to say “Alliance, Miraculize Me!”, and now they can transform. Was this always a function of the Alliance rings? Is there a tiny Akuma hidden in each ring? How the hell does any this work?
Ladybug fights off some of the Miraculized who used Voyage to find her, and remembers Nathalie's advice to detransform. So just like in “Passion”, even though she's still wearing her Miraculous, the system specifically designed to track her down isn't able to find her unless she's still transformed. Marinette runs away to a safe place before running into Plagg, who tells her Cat Noir is out of commission. With no other options, Marinette decides to unify with the Ladybug and Cat Miraculous, turning into Bug Noire, revealing her identity to Monarch in the process, and ending the episode.
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Bug Noire's design is admittedly pretty nice. I like the balance of red, black, and green, though the hair is a little too long for my taste. Granted, I still don't get why this is the reason why Adrien can't be here to fight Monarch alongside his partner. I'm just saying, was it really worth it, writers?
THE BIGGEST IDIOT OF THE EPISODE IS... NATHALIE
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Yep, right before the finish line, Nathalie gets her second award this season. After spending several episodes doing nothing but letting herself rot away, Nathalie only chose to finally do something about Gabriel once he was literally about to enact his final plan, thought she could stop him with nothing but a crossbow, and only begged Ladybug for help when it looked like she was about to die and had nothing left to lose.
“Re-Creation”, the final episode of the season, starts off with Lila watching some broadcasts of people succumbing to their paranoia (and she does it while smirking because the writers still don't think we understand she's evil) and transforming into Miraculized while she puts on a new disguise that makes her look like an evil Edna Mode.
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How come Lila isn't even affected by the nightmare dust like the rest of the human population? As always, never explained!
Back in the Agreste mansion, Bug Noire and Monarch are duking it out, and we get some pretty creative uses of Lucky Charm, like when she summons a piano to crash down on Monarch. Meanwhile, after Marinette's friends manage to get the Alliance ring off a Miraculized Ivan, we get to see how the rest of the world is dealing with the Miraculized. In Shanghai, the Renlings help Fei through her nightmares, Su-Han has recruited Jagged Stone, Luka, Penny and Fang to the Order of the Guardians instead of actually getting backup like he said he would in “Multiplication”, Present Bunnix finally decides to do something and uses Burrow to sent the Guardians to Paris, while the United Heroez fight off the Miraculized and learn the true nature of the Alliance rings. Just remember, it was too much for the writers to let Adrien get involved in the final battle, yet all these side characters get to do something in the finale for some reason.
Meanwhile, as if things couldn't get any worse, Nino decides the Resistance needs to get involved after reassuring Mr. Damocles that they never give up. Believe me, not much would change if you guys just threw in the towel, especially now that the United Heroez are here, and have Eagle, a member whose powers work as an instant cure for everyone's nightmares. Hey, while we're on the subject, does anyone know where the United Heroez were this entire season? I can excuse Fei as she's just one teenager in Shanghai, but the Americans have a small army of heroes, including the president, yet they just let two violent coups in France happen last week.
As Bug Noire and Monarch keep fighting, Bug Noire comes up with the brilliant idea to Cataclysm the Butterfly Miraculous, only being foiled by Monarch already having Resistance active. Okay, is a side effect of using the Cat Miraculous this season a taste for blood? Why the hell are the heroes so okay with trying to use Cataclysm on their enemies now? Bug Noire then decides to use her Cataclysm for something far more reasonable, breaking the ground beneath her and Monarch. Because I guess Bug Noire is really gunning for Biggest Idiot this episode.
Back with the Resistance, they meet up with the Guardians, United Heroez, and Ladydragon, who have actually been getting shit done. Wow, it's just like that scene from that one movie where all the characters we've come to know over the years rally together for the final battle! What was it called again? Oh yeah, Spy Kids 3-D: Game Over.
While the other heroes are overwhelmed by the Miraculized, we cut back to Bug Noire and Monarch yet again, now inside the area where Emilie's body is. The two keep fighting as Monarch tells Bug Noire why he's doing all this, all while Lila breaks into the mansion.
Monarch: I want my wife, Adrien's mother, to come back to us! Once our family is reunited, Kagami and Adrien will become the eternal icons of this world! And we will be here to witness their absolute triumph!
Bug Noire: “Your wife”? “Come back”? “Kagami and Adrien, eternal icons”? How many lives are you going to ruin in the name of your crazy dreams?!
Monarch: As many as it takes! In order to bring Emilie back, someone else will have to disappear! In order to heal the wound that Cat Noir inflicted on me, someone else will have to be wounded!
Bug Noire: Someone else? But who?
Monarch: Anyone! No one matters except us! How about you, Marinette? Wouldn't you give your life for your sweet Adrien's happiness?
Bug Noire: Do you really think that's what he'd want? To discover that his father has turned into a supervillain, willing to make innocent people pay the price of his madness?
Monarch: Adrien would do the same thing!
Bug Noire: Never! Unlike you, Adrien has made his peace with it. He's not living in the past! He has a whole life ahead of him!
Bug Noire: You'd know this if you ever took an interest in him. But in reality, Adrien means NOTHING to you anymore! You've locked him in your house! Locked him in your Alliance rings!
Bug Noire: Locked him into a life that allows you to hide behind him in order to justify YOUR madness!
Monarch: All I want is for him to be happy!
Remember all of this, because it's going to be important soon.
Bug Noire uses her Lucky Charm, and gets a tube of glue. She uses some of it on this random boomerang she found (I'm assuming it's the remains of Nathalie's crossbow), sticks it to her yo-yo, and then throws it at Emilie's coffin. Monarch reflexively grabs the sticky boomerang, and loses all of the rings on his right hand just as Bug Noire uses Cataclysm on the elevator to get to this area of the mansion, with the intent on CRUSHING EMILIE WITH IT. Our hero, ladies and gentlemen! Monarch saves his wife, but because he's distracted, he can't stop Bug Noire from throwing her staff at the Butterfly Miraculous, knocking it off and reverting Monarch back to Gabriel. Bug Noire ties up Gabriel's feet, and when Gabriel tries to sucker punch her with Venom, Bug Noire grabs the hand, threatening to Cataclysm the remaining Alliance rings and the two rings she should damn well know contain Adrien's Amok. Either she's bluffing, or we accidentally got the Paris Special universe's version of these events.
Bug Noire tries to reason with Gabriel, who then breaks down crying, showing how deep down, he just really cares about his family. And even though just six episodes ago, Marinette said that it was very easy for idealistic people to be taken advantage of by others, she buys into Gabriel's last-minute sob story, and wouldn't you know it, he stabs her in the back. Congratulations, Marinette. You just doomed the universe. Even when the Dino Charge Rangers accidentally got everyone on their planet killed, they were at least able to fix it themselves.
It's time to go back to the commentary, where we can learn the writers' true intent for this scene. They honestly believe that both Marinette and Gabriel care for Adrien in their own ways, and the whole reason that Marinette chose to trust Gabriel was to teach the lesson that it's important to talk out your feelings with others... a lesson that fails because 1) Marinette had already beaten Gabriel through violence, 2) Marinette trusting Gabriel backfired horribly, and 3) Gabriel won because he took advantage of Marinette's trust! You can't teach a lesson about trust when for all intents and purposes, Marinette once again lost BECAUSE SHE CHOSE TO TRUST SOMEONE!
Even though he had to unify with Tikki and Plagg to try making the wish in “Deflagration” (I really shouldn't have used the “Great Continuity!” clip earlier), we get yet another retcon this season: Tikki and Plagg have to reveal their true forms. Yeah, I know Tikki's true form was briefly seen in “Dearest Family”, but that doesn't change the fact that Monarch didn't do this when he had the Ladybug and Cat Miraculous in “Deflagration”.
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Tikki and Plagg's true forms just look okay. I like the otherworldly theme, but they don't really stand out much. They honestly look more like forms Ladybug and Cat Noir would have than anything else.
It's here that we get the culmination of five seasons' worth of lore. After a brief glimpse of it in “Ephemeral”, Tikki and Plagg, the Kwamis of Creation and Destruction will merge their energies to form their true true form, the Kwami of Reality itself, able to grand any wish asked. This majestic, otherworldly being's name? Gimmi. Just... Gimmi. The commentary claims they're named after an ABBA song, and I wish I was making this up.
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Like with Tikki and Plagg's true forms, Gimmi has an okay design. They're just a little too pink for something meant to be a fusion of the red Tikki and the black Plagg.
As Marinette begs Gabriel not to go through with this, Gabriel doesn't think twice about it, and instead, gives Marinette the rings containing Adrien's Amok, along with a request, fully aware that his time is almost up.
Gabriel: Marinette, make sure that Adrien never knows about the villain that I was, but instead, that he remembers the times I tried to be a good father.
Alright, we've finally gotten to the most controversial part of the episode: Gabriel's “redemption”, and I put that term extremely loosely.
Put aside the fact that almost a third of this season was spent telling the audience that a certain character who shall not be named is beyond saving despite working alongside him multiple times for the past two seasons, Gabriel's last-minute redemption falls flat because he doesn't even seem to feel remorse for what he's done. Not once does he actually say he's sorry for what he's done, just how Emilie's death affected him. That's understandable, but he doesn't even seem to acknowledge the weight of his actions or how many lives have been endangered. Remember earlier, when Monarch said he was perfectly okay with sacrificing someone else if it means his family can be happy? Yeah, that never comes back, especially now that him making the wish is portrayed as a good thing when every time it's been discussed ever since it was first explained in “Robostus” just how dangerous actually using it is.
In fact, let's discuss the fact that Gabriel is getting to make the wish in the first place. The whole idea of this basically contradicts Gabriel supposedly realizing he's gone too far. Rather than just having Gabriel give up his quest and let Emilie rest in peace, we're supposed to be happy that Gabriel double-crossed Marinette even when the music is making it seem like it's a bad thing... WHICH IT IS! Once again, for a show that loves to go on and on about how powerful love is, it really loves to show people getting screwed over whenever they decide to show compassion to their enemies. Imagine if in Return of the Jedi, when Luke chose to not give into the Dark Side by sparing Vader, Vader took the chance to kick him in the crotch while he was distracted. That's basically what happened here.
Next, notice how Gabriel specifically asks Marinette to make sure Adrien never learns the truth about who he was, and “Remembers the times he tried to be a good father”. After everything he's done, Gabriel isn't even willing to let Adrien learn about what he's done, because he wants him to focus exclusively on the times he TRIED to be a good father. This isn't the matter of Gabriel missing Adrien's fencing tournament because he had an important business meeting. Gabriel was a literal supervillain who preyed on innocent people in order to obtain absolute power, and he wasn't even a good father to his only kid. He was neglectful, controlling, and in the last few months of his life, spent more time trying to ruin his relationship with his girlfriend for no reason other than because he thought his associate's kid was a better match for him. He was a terrible father, and Gabriel even seems to be aware of this, but rather than find a way to repent for everything he's done, Gabriel is basically going to take the coward's way out by forcing Marinette to sugarcoat his life instead of admitting he was, at the very least, a flawed parent, all so Adrien will feel bad when he finally drops dead.
And yeah, let's talk about how Gabriel assumes that Adrien shouldn't be allowed to know the truth... WHEN THAT'S NOT HIS DECISION TO MAKE. Adrien should be the one to judge whether he believes Gabriel was a good father or not. Of course Gabriel would assume he was a good father despite the numerous red flags, but Adrien is another story. By keeping the truth hidden from Adrien, you're depriving him of a potentially important moment in his life where he finally learns to break free from his father's influence. Instead, even though he's a fucking superhero, we're just supposed to accept the fact that Adrien is just a poor, fragile, sensitive baby boy who can't handle hearing any bad news or else I guess he'll explode. It says a lot when, of all movies, Star Trek V: The Final Frontier did a better job handling an idea like this, by saying that pain is a natural part of life.
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But let's talk about the biggest problem with this turn of events: The fact that it essentially vindicates everything Gabriel has done, with or without the mask, as well as essentially convey a pro-child abuse message. In case you weren't around before I posted this review, I asked my followers who have been victims of child abuse or poor parenting to share their experiences so I could get an idea of how similar they were to what Adrien has had to go through. And a lot of them were pretty similar.
During almost all of what I read from these people, their parents or guardians shared one thing in common: An inability to admit being wrong. All of them tended to either blame their kids for whatever happened to them, or find ways to justify their poor treatment. As far as they're concerned, it's the kid's fault that they're being treated so poorly. And while I'm sure a handful of people isn't enough to survey the entire population of abuse victims on this planet, the fact that some of these people, as in actual victims of child abuse, were able to see similarities with their own upbringings and the way the main villain treats his son and don't buy the show deciding to act like all of that was perfectly okay says a lot about how much this finale dropped the ball when it came to the lesson it wanted to teach.
Yes, from what I've read from my followers and other things online, some abusive parents do believe that what they're doing to their children is out of a warped view of love, but that isn't enough to validate their actions completely, and it obviously doesn't validate Gabriel's actions during the last five seasons. During the entire run of the show, Gabriel has denied his son a normal life, treats him like an object, and despite claiming that he really loves him deep down, he almost never shows it. It seemed like the show was either going to have Gabriel realize the error of his ways due to how fruitless they ended up being, but having him get the upper hand on Marinette at the very last second ultimately makes it so all of his effort, every evil plan, every civilian endangered, was all worth it. And that's why Gabriel's final moments supposedly acting like he's repented for his actions don't work, and why it turned what was initially just a boring finale into one that was beyond infuriating.
And I'm assuming that you're thinking to yourself, what exactly is the wish Gabriel was so desperate to make that he tricked Marinette at the last second?
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We never really learn what kind of wish Gabriel makes using Gimmi, even in the epilogue. I'm also going to talk about this in a later post, but of course Astruc, being Astruc had to give his usual sarcastic remarks to anyone who had the slightest question about what the hell just happened.
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I love how someone will ask something like “Do you mind clearing up a few questions I have about the season finale?”, and Astruc will hear what they said as if they just asked, “Is Mylene secretly the reincarnation of the Anti-Christ?”.
So Gabriel makes his wish, somehow reunites with Emilie's soul as he ascends to Heaven... until the angels realize they made a horrible mistake, and send Gabriel to his custom-made Tenth Circle of Hell. Reality itself is rewritten and all of the characters we've come to know over the past five seasons are effectively dead. If that isn't supposed to be a happy ending, I don't know what is.
According to the transcript, it's been a month after the wish is made, we see how Paris has changed since then. Not only has Miss Bustier given birth to her baby, she's also been elected as Mayor of Paris, already passing her first law, the “Eco Rule”.
Miss Bustier: It consists of very simple principles: don't take more from the Earth than what it can give us, distribute its riches equitably and don't pollute more than it can recycle.
Remember when Mylene said that you can't solve climate change with a single law? I guess the writers forgot to recycle that moral too, because despite the vague as hell guidelines, Paris has already adapted to function without plastic wrappers or cars. Just remember, it's only been one month since the wish was made. Even Star Trek needed at least 130 years and a nuclear war before its utopian society could be established. And that's not even getting into the new school she's helped create.
Miss Bustier: In this new school, there will be no classes or struggling to get good grades. Children of all ages will be able to intermix and freely access all kinds of activities.
The fuck you mean “no grades”?! How the hell will that even work?! We're supposed to see this as her being an impressive politician, but it comes across like some grade schooler's “If I were president” essay. And remember, ONE. MONTH.
How else has the Eco Rule been implemented? All of the Alliance rings have been melted down and reforged into a statue honoring... the great hero, Gabriel Agreste.
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Yep. This is the ultimate fate of the main villain after five seasons of terrorizing the city of Paris: He gets a fucking statue in his honor. Are we sure this is a victory for the good guys? And no, just surviving the villain's master plan doesn't count as a win.
Even better, according to Adrien, he somehow helped defeat Monarch... even though Gabriel is Monarch, so is Monarch a different person in this world? What about Monarch's previous identities, Hawkmoth and Shadowmoth? Did they still exist in this world? They had to, considering that Chloe and Andre are still nowhere to be seen since the revolution, implying that either she's different in this world, or she also betrayed Ladybug for the same reasons. Nathalie is also back in full health, so did she ever use the Peacock? Was the Peacock ever damaged? We see Felix has it in this new world, but Emilie is still dead, so did she die of different causes in this timeline? Speaking of time, what happened to Bunnix? Did she survive too? Is she aware of the changes to the world like she was in “Cat Blanc”?
To summarize, WHAT THE FUCK IS GOING ON!?
Adrien is hesitant to wear the ring because he's not sure if he can ever be even half the man his amazing father was. Marinette tells Adrien to be himself while handing the ring to him. So... was this an order? If so, was it intentional? Does Marinette even know what she's doing, or because she's a product of Gabriel's wish, she has to do this without a hitch? In fact, when he made the wish, why didn't Gabriel make Adrien, Felix, and Kagami humans instead of forcing them to rely on rings containing their souls that can easily break?
This scene is a great way to summarize Adrienette this season: The writers trying to write a heartwarming scene while hoping the audience doesn't think too hard about all the uncomfortable things it implies.
After reforging the Miraculous she got back from Monarch, Marinette decides to hand them off. Because fuck it, let's break the temp hero rule while we're at it! Chloe who? Ladybug, Cat Noir, Rena Rouge, Carapace, Viperion, Pegasus, Ryuko, Vesperia, Polymouse, Pigella, Purple Tigress, Miss Hound, Rooster Bold, Caprikid, Minotaurox, Bunnix, and even Argos (despite being the reason the heroes lost their Miraculous in the first place) assemble, ready for whatever challenge the world throws at them. Also, there's no reveal between Ladybug and Cat Noir this season because the writers still want to drag this plotline out, even when there's no excuse as to why they can't now that Monarch is gone.
We then learn who got the Butterfly Miraculous: Lila, who plans to get revenge on Marinette. Yep, the girl who has never even touched a Miraculous in five seasons is going to be Hawkmoth's successor. Not Tomoe (who I should mention never answered for being Gabriel's accomplice), not Audrey, not even Chloe. It's Lila. How the hell did she even get it anyway? Did Gabriel intentionally recreate the world to have Lila get the Butterfly Miraculous, or did Lila somehow retain her memories through close proximity to the wish and--
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Fuck it, season's over anyway. Thank God...
THE BIGGEST IDIOT OF THE EPISODE IS...MARINETTE
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While I can't say for certain what she did with Adrien is her fault thanks to Gabriel making the wish, I can say a good chunk of the things Marinette did leading up to Gabriel winning are on her. She recklessly used her Cataclysm multiple times in her fight with Monarch, tried to crush Emilie's comatose body with debris, once again chose to gloat about how she was going to take Gabriel's Miraculous instead of just doing it the first chance she got, seemingly forgot Adrien was a Sentimonster, and somehow managed to lose even when she had Gabriel at her mercy.
So, yeah... this finale was terrible, if it wasn't obvious from this review.
It was just a complete trainwreck from start to finish. A good chunk of the first part was spent either ignoring the events of the last episode, or coming up with excuses as to why Adrien shouldn't get involved. And that's not even getting into Nathalie's “redemption”, which only really happened once she had nothing to lose, seeing how she was even closer to dying than Gabriel was. In fact, now that I think about it, why was more emphasis given to Nathalie's declining health over Gabriel? You know, the guy who's enacting his final plan because he's supposedly hours from death, yet effortlessly manages to clone himself, fly around the world as an Akuma, and keep up with Bug Noire when he struggled to enact a plan that required him to leave the lair without traveling around the world during “Intuition”? Given how we now know that the writers wanted the final battle to involve Bug Noire, I'm starting to think they also prioritized her opponent being in top shape while ignoring the Cataclysm wound affecting him.
The second half was mostly boring thanks to just how low the stakes felt. We know where Adrien is, and since Bug Noire was fighting Monarch, there was no danger of them taking her Miraculous, so for the most part, the Miraculized fighting the other heroes just felt like padding. Nobody even seemed to look for Ladybug or Cat Noir, not even the heroes. Of course, then we got to Gabriel's wish. I've gone over this before, but it bears repeating. Gabriel's “redemption” just doesn't work due to how little effort is spent actually making the audience feel bad for him other than saying “His wife is dead, and he's sad, so that justifies everything”. It doesn't help that we kind of had four episodes explaining why some people can't change, and it wasn't used when talking about Gabriel, but rather, Chloe and Lila. Because these writers really have their priorities straight.
The ending of the season itself practically falls apart with how many plotholes and unfortunate implications it has. And before you say that stuff like Adrien once again being left in the dark can be resolved next season, here's the thing: This was planned to be the series finale with how everything feels wrapped up. There's a sense of finality that shows all the main characters getting their happy ending, and we're just supposed to not question the new utopia Paris is now, much less the fact that even after eight years, Ladybug and Cat Noir still don't know who the other is. Even putting that aside, the show has always done a poor job of following up on plotpoints established in earlier seasons, as the lunchroom scene from “Illusion” shows.
Here's a summary of all the lessons the finale teaches: We shouldn't hold terrorists accountable for their actions if they just say they love their family, abuse victims should be constantly coddled and shouldn't be allowed to know the truth about their viewers, it's okay to keep crucial information from your significant other, genocide is okay as long as the person who commits it says it's for a good cause, love for others can easily be taken advantage of, so never trust anyone, genocide is the only way to create an eco-friendly world, environmental protection laws can be passed within a month and nobody (not even car manufacturers) will complain, teenage girls are worse than abusive parents who double as supervillains, and even if it was planned for almost a decade, don't let your main heroine be the one to save the day, but rather, the villain.
If anyone reading this is planning on becoming a writer and is worried that people won't like their work, just remember that there are people who get paid to work on this show.
But yeah, this is how the season ends, not with a bang, but with a nosedive. I was mostly pissed off with how Seasons 3 and 4 ended, but here? I'm just disappointed. This was the finale that we waited eight years for. The epic final battle against Monarch, and rather than the ultimate fight to the finish, the writers came with several excuses to not involve one of the two main characters in the final battle, the other main character fails to actually save the day, and the villain is rewarded for all of actions because he chose to turn himself into a messiah. I tuned into this season to at least see how the story would end out of curiosity, but it didn't even deliver an ending that made all the pointless filler, poor writing, and bad characterization worth it. I started this finale off bored, and I ended up furious for how lackluster this ending felt. It says a lot when this finale has been compared to Star vs. the Forces of Evil in terms of just screwing everything up.
THE BIGGEST IDIOT OF THE SEASON IS... MARINETTE
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Marinette may not have been able to beat Gabriel in terms of stopping his plan, but she did manage to outdo him in terms of stupidity. Because she got the award four times this season (Evolution, Revelation, Confrontation, Re-Creation), she takes home the title of Biggest Idiot.
And for those who are curious or didn't keep up with my reviews, Gabriel gets second place with three Biggest Idiot Awards (Intuition, Protection, Revolution), we have a five-way tie for third place with Luka (Determination, Migration), Mayor Andre (Adoration, Action), Chloe (Deflagration, Collusion), Felix (Emotion, Representation), and Nathalie (Passion, Conformation), who all got the award twice, and a ten-way tie for fourth place with Alya (Multiplication), Xuppu (Destruction), Mr. Damocles (Jubiliation), Nino (Illusion), Joan of Arc (Reunion), Ice Cream Man Andre (Elation), Kagami (Perfection), Kim (Derision), and Tomoe (Pretension) each getting the award once.
And with that, we're done with Season 5. It's been a long road, but all I can say is...
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At least, until the analysis and ranking posts.
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working-dreamer · 1 year
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The Person Within: An Analysis Of Professor Layton's Hidden Character Development
Spoilers for practically all of the Layton games!
Hershel Layton as a character is sometimes criticized outside of the fandom for having no personality other than his gentlemanly nature and taking the concept of enjoying puzzles to the extreme.
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While I think this criticism shows a blatant misunderstanding to his character, I do think from a different angle that perspective makes Professor Layton more interesting.
Think about it. Most of his personality is taken from the tragedy of those around him. Randall was the one who was originally obsessed with archaeology and puzzles. Claire was the one who originally perceived Hershel as a gentleman (thus giving him the idea.) We don’t really see Layton take these aspects of his personality onto himself until tragedy strikes and these people are taken away from his life.
In the case of Randall's death, Hershel blamed himself for surviving and moved out of town because of his self-loathing and guilt. And when Claire disappeared Layton paused his studies for an unknown amount of time trying to find out what happened until he was beaten into a coma by a group of people associated with her death.
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And yet instead of grieving like you’d normally expect from a person who lost his best friend and girlfriend, he internalized their interests and aspects of their personalities into himself. He wears their passions and dreams as his own to remember them. In a way, he’s always reminding himself that he couldn’t save them.
However one might wonder how Layton really feels about those things outside of his previous losses. Does Layton even enjoy archeology and puzzles? Or is it something he has grown to accept in his life simply because he is living out Randall’s dream? Does he feel like he has a choice in the matter?
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I can easily imagine Layton having doubts deep within himself: Randall didn’t get to live and it’s my fault. His dreams should live on. I don’t deserve anything else.
Same with Claire. She saw him as a gentleman but he certainly didn’t feel like one after her disappearance if his memory of events is to be taken seriously. How long did it take for him to turn into the perfect gentleman? Especially if it's just a painful reminder of her loss?
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It’s probably after waking up from his coma that he starts to really embrace the idea that he has to be the perfect gentleman because he knows he can never get her back. So all he can do is embrace what she thought of him before she died. So with all of this in mind is Layton’s gentlemanly persona genuine to who he is as a person? Or is it just a persona created in order to keep her memory alive?
Layton has kept the shadows of his lost loved ones close to his heart for years and probably would have always done so had he never gotten any closure. However, when Randall turned out to be alive Layton now has the opportunity to let go of that guilt. Claire came back in the future momentarily and Layton got to say goodbye. He no longer needs to keep their personal traits as his own.
So why does he still embody Randall's passion for archeology and puzzles and Claire's perspective that he's the perfect gentleman?
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I think it's because Layton doesn't know who he is without these borrowed parts of his personality. Without those aspects that he adopted into himself… who is Hershel Layton? Deep down he is someone who has silently mourned his loved ones and repressed those emotions. And yet most of his life has been embodying said grief. It makes me wonder if Layton would ever look deep within himself and realize that he doesn’t have anything to claim as his own. His entire personality revolves around past guilt and trauma from people he loved and lost.
Shoot even his name isn’t his own! Hershel Layton was actually the name belonging to his brother and in a moment of sacrifice switched names so our Layton could be adopted. So our Layton loses the only family member he has left without even knowing who that is for the majority of his life!
So we have a man who feels guilt and remorse for the deaths of his best friend and his girlfriend so he doesn’t allow himself to develop his own interests and personality because he doesn’t feel like he deserves to be his own person. It's even implied that he believed for a time that he didn't deserve to be the one who survived the events that killed his best friend and girlfriend. And then adding to the fact that he never knew his real family so he most likely felt a different kind of loss by not knowing where he came from. All and all we find a man that feels alone and tries to make it right by embodying the traits of those he cared about.
We don’t get to see Layton develop his thoughts on all of this but we do see an interesting development later on. I’d like to think that Layton slowly began to heal after his adventures thanks to adopting Katrielle in the anime.
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This is because, for the first time in Layton’s life, he had a family to look after. Someone who doesn't need a mystery-solving archeologist or a perfect gentleman detective. Someone who doesn't need the grand "Professor Layton." This little girl just needs someone to be her father and, while he tries his best, he doesn't really know how to do that.
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Sure he had a familial relationship with Luke and Flora, but he never called himself their father. I don’t think he allowed himself that privilege because of all the self-loathing he had been dealing with before. When he adopts Kat it feels like it’s the first time we see Layton truly allowing himself to be a father figure. And yet he is still uncertain about if he should be the one in this role.
Layton feels like his adopted daughter should know where she came from (something he didn’t get to have) before he can start thinking of himself as a father. He’s scared that if he gets attached then it'll hurt worse when she eventually returns to her own family should she decide that is her wish. But if he finds her family first then he doesn’t have the go through that heartache. He wants to find them first so she can make an informed decision.
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And he says this with the logic that he always had as “Professor Layton” with that calm and collected smile. Notice that he says "I want to solve this puzzle so that we can become a true family." He doesn't say "so that we will become a true family." It’s almost as if he is going to let Kat decide if she wants to stay with him or go back to her real parents and that choice will be up to her. However, it's somewhat implied that he already thinks that she would naturally choose her real parents if she had the opportunity.
Despite his wishes to be her father, he still seems to be internally preparing himself to say goodbye (hence why he disappeared for so long in the first place.) He just doesn’t want to get too close to another person only to lose them and suffer alone again.
It makes sense why he is distancing himself, but he’ll still solve the mystery. It's what “Professor Layton” would do and he’ll have to accept whatever happens once Kat learns the truth. He doubts that she would still see him as her dad if she could be with her real parents. He doesn't even know himself outside of the role of "Professor Layton" so how can he be a true father to her? She'll go away with her real family eventually anyway. Why would anyone choose him?
And yet when he sees her again Layton is surprised when she immediately cries out for him. She still calls him papa. She wants him to be her papa.
In a public display of overwhelming emotion, we see Layton openly weep for the first time. He is so overcome by these emotions and for once doesn't repress them. He's just so happy to see his daughter again (to truly call Kat his daughter again) and allows himself to fully express those feelings for perhaps the first time in decades.
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If Layton from the original game trilogy saw himself like this he would have been mortified by this “un-gentlemanly” behavior. His mindset back then was that a gentleman never cries because he has trouble coming to terms with his emotions. He even chastised Luke in Unwound Future because “a gentleman never makes a scene in public.”
However, he was never a gentleman for himself. It was always for holding onto the guilt of losing his loved ones while trying to honor their memories at the same time. But he doesn’t have to hold himself to those impossible standards anymore. He no longer blames himself for their deaths, he found closure, and now he has found himself in a family who chooses to love him not because of those attributes “Professor Layton” embodied, but because she loves him for the person hidden under that persona. And that is enough for Layton to openly weep as he embraces his child.
I believe Kat's words here helped Layton more than she'll ever know.
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So who is Hershel Layton if he’s not a gentleman or a fan of archeology?
The solution to that puzzle is really quite simple.
He is a caring person. And that’s all he ever needs to be.
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dropout-if · 9 months
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I dont know who to romance 😫 everyone is so amazing
Thank you💕💕💕💕😭 I hope I can help anon.
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Romance Jade/Jean if you want to feel like you're repeating a past mistake, if you want to explore the depths of the person you thought loved you and who you thought you loved. If you want fiery debates, deep conversations, and very rare moments of vulnerability. J will hurt you, and they won't realize half of the time, and the few times they do notice, J won't act apologetic. At all. It's reconciling past and present in order to potentially rekindle the spark between J and you. Being in a romance with them, though, pays off. They're loyal, protective, worried about you, they want to be involved in your life.
Romance Uma if you want to mend an open wound, if you want to explore the meaning of loneliness, of art and creativity. Uma's relationship with you is built on a very strong emotional connection that has since been neglected and left to rot. Romancing Uma means regaining their trust, revisiting the meaning of friendship. Uma's calming presence serves as a safe haven for you, their route is marked by genuine support and acceptance, it's embracing the unexpected.
Romance Statler if you want delayed gratification. If you're willing to take the risk of everything going wrong in every possible way—if you want to make terrible decisions, too. If you manage to overcome the major obstacle that's their partner Noir, Statler's route is mature and grounded. It's about quite literally forcing Statler to enjoy life, to fight for their dreams, to discover what they truly want to do. Their romance goes beyond being an old unrequited high school crush.
Romance Wanda if you want a bold and passionate experience, an unanswered question of "what went wrong?" Wanda isn't about the baggage, she won't create needless drama—there's enough surrounding her life as it is—and she expects you to do the same. Her route is built on a mix of flirtatious charm and genuine affection, a relationship that is characterized by bold gestures, heartfelt confessions, and a sense of adventure. Wanda seems like the least angsty route, and if you believe that she's without worries and concerns, she has fooled you too.
Romance Kai if you want to meet your opposite in life. If you want the kind of experience that your entire family is going to disapprove of. If you want to discover the limits of physical attraction, if you want to blur all the lines and watch as someone with very noncommittal tendencies experiences a very intense chemistry with you. Kai's route is full of witty banter and surprises, it's about opening up and overcoming past mistakes and traumas in order to properly enjoy the present.
Romance Travis if you want a grueling experience with very little communication. If you want to feel truly and genuinely hated prior to the reconciliation. Unlike J, Travis knows he can potentially hurt you. He knows you well enough to know and remember all your weaknesses, he knows how to exploit them, and he won't hesitate to do so—Travis is hurt enough he feels justified in all he says and does. If you endure Travis (regardless of a positive or negative reaction), romancing him means peeling off all his layers, slowly meeting again your old best friend.
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Romance J&Kai if you want to dive headfirst into a complex web of emotions and attraction, if you're prepared to juggle the enigmatic J and the intense Kai. Both J and Kai have their quirks and challenges, and navigating their romantic dynamic is no easy feat. They're driven individuals who often clash, attempt to tear each other apart, and who will try to drag you along with them. It's about reconciling differences, and exploring the depths of your connection with both of them.
Romance Uma&Travis is like looking into a mirror of a past could have been. It’s about mending old wounds, embracing the beauty of art, and rediscovering the meaning of friendship. Uma, with their calming presence, provides a safe haven for all three of you, fostering genuine support and acceptance. While Travis may initially resist, this route is about peeling back the layers of his defenses and finding the camaraderie that was once shared in your close friendship.
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astronautforhalloween · 4 months
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Charon's Obol
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ᴘᴀɪʀɪɴɢ: Gator Tillman x Reader
ꜱᴜᴍᴍᴀʀʏ: You really didn't want to cover a shift at your new job. But when an old familiar face walks through the door, the night yields some unexpected results. Some more welcome than others.
ᴡᴀʀɴɪɴɢꜱ: Gator. Some hints to his misogyny, blood, canonical death. Not proofread, not written with the reader's gender specifically expressed but it is implied to be female (Gator refers to them as 'princess'). Gator does refer to reader as 'little bird', but it isn't a reference to height or body type. It's more so condescending.
ɴᴏᴛᴇꜱ: 7.9k words. Might do a pt. 2? (If so, there will be some changes to Gator's character) The story takes place during the end of episode 2 but diverges at the end. Banner by @saradika
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It had been a bit of a surprise when you watched him walk in through the taped up front door, glaring at Andy - someone whom you've learned to be a frequent regular - like the man had personally affronted him with his mere existence; his lip was curled in a sneer and there was a scoff waiting to be released from his chest while he stared the older customer down with an incredulous scowl. The same scowl that he's had since high school - looks like all that much hasn't changed. And you expected some sort of conflict, a quick shove to Andy's chest or a smart quip, though thankfully the interaction ended with Gator slipping past the regular. But not without roving a scathing glance across his body from head to toe as the man dipped out of the doorway. 
He didn't even notice you behind the counter as he immediately set off in the direction of the restrooms, and a part of you was relieved for it. Sure, when you had been making plans to move back down here to assist your mother, you had briefly entertained that Gator was still living in Lehigh, even though your old childhood town was about a seventy-eight-mile drive from where she was living now. Before the move she used to give you all the local gossip during your daily phone call, and Gator had been a frequent focal point in the scoop of the day, with his bad behavior and quick temper. It seems that being on the police force has done nothing to teach him manners. If anything, from what you've heard, it's only amplified his complete lack of boundaries. 
He had been passionate about football for a time, but then there had been that accident in mid-August back in senior year which left him favoring his right leg with a slight limp. From what you had heard through the grape vine way back when, he had also wanted to be a sheriff. To follow in his father's footsteps and protect Stark County like the previous men of his heritage had. 
And if the big, white bold letters printed on his vest was any indication, it looked like he was working his way up to doing just that. 
You had been taking shifts here at the gas station for about a week now. Had moved boxes packed full of your belongings from a U-Haul and into your room inside of your mother's new trailer home a week before that. But for some reason seeing him again seemed to solidify that you were actually back here in North Dakota after you had worked so hard to get out. It was like being shoved into a time machine and forced to a point in your life that you didn't want to return to. There isn't necessarily wrong with this state or the people who live here. It's just quiet, tight-knit, and everyone knows everyone. Secrets are difficult to keep here and evading bored, curious eyes can be difficult, if not impossible at times. 
There wasn't anything here for someone your age, who had dreams and longed for something more than church potlucks and being barefoot and pregnant. 
But now here you were. Reaching for the broom propped in the corner to sweep up a cluster of glass shards peeking out from underneath the bottom of the counter into a small pile. They seemed to be everywhere, no matter how hard you scanned the floor while you cleaned, more and more glass just seemed to pop up as soon as you thought you had gotten it all. You had even found a piece in the cash register when you were counting out a customer's change, and you nearly sliced your thumb on the damned thing. How it had it had managed to find its way in the till, you aren't sure. Though as frustrating as those little slivers are, you actually find yourself being thankful for them. It gives you an excuse to at least look busy instead of just awkwardly standing around, uncomfortably hyperaware that Gator Tillman is in the store. 
You aren't even sure why you're so nervous about the thing. Yes, you and Gator had never been particularly close, and the interactions that you had were few and far between, mostly due to forced proximity because of your position on the cheer squad. But apart from the after-school activity that both of you participated in, you mostly had your own circles that you kept to, the two of them hardly ever merging. Based off of what you'd seen of him back then, he wasn't all that impressive. He was abrasive and cocky. A bully, to put it lightly, that liked to slam other kids against locker doors as he passed. 
You didn't think much of him then. Just a guy who like to flaunt underneath his father's shadow and abuse the privileges of being the sheriff's son to taunt others. And you don't think much of him now, so you aren't sure why your gut is sinking like a nervous pit. 
It isn't odd that he's here. Sure, the gas station is a short drive outside of Beulah which happens to be about an hour's drive from Lehigh. You suppose that it isn't completely wild to see him outside of his county, but for some reason it still catches you off guard, even if it was just a matter of time before you crossed paths. Whether that had been while you were out having dinner at one of the local restaurants or him walking in on one of your shifts. Though the kicker is, is that this isn't technically your shift. It was meant for Derreck, but he was unable to show up because he's no longer one of the living. You don't want to speak ill of the dead, especially one so recently passed, but you can't exactly say that you're all that surprised. Even with just your short interactions to base off of, he didn't seem exactly like he was the sharpest. 
And when Miles called you just the night before, fretful over the state that the gas station was left in after a particularly horrendous break-in, explaining that Derreck was gone, that he had tried to scare an armed perpetrator with an airhorn of all things and got a chest full of bullets in response, you were horrified and regretful but not exactly shocked. 
He had also mentioned something about an attempted kidnapping in between his worried rambling before he zigzagged back to the point of the call, which was trying to cover some of Derreck's shifts that had been left vacant due to his murder. Apparently, no one else was willing or able to cover them and that had left you as his last resort. You nearly said no. You weren't usually one to work the graveyard shift. You liked the peace that came with it, but your mother, despite her wanning health found old habits hard to break and was typically an early riser. Doing chores as early as 7 am; vacuuming and doing laundry or poking around in the garden behind the house. Which is roughly around the time that the nightshift ends. You knew that it would make falling asleep a task with how thin the walls are, but you couldn't find it in yourself to say no. Not even with your own fears of being shot while standing behind the register gripping you like a chill. And not with money so tight.  
You could just picture him in your head, pacing around in his office underneath the oily glow of his desk lamp and you could hear that click-click of his teeth gnawing on his nails through the other end of the call. An anxious tick of his. And then there was the medical bills and the torn open envelopes declaring that bills were past due splayed out over the kitchen table. You had just been able to put some good money aside for those but there was still an intimidating amount that was owed and every bit of cash counts. Even with the pressures of debt and financial insecurity hanging down over you with an unbearable pressure, you hadn't been exactly psyched about accepting a solo nightshift at a recently burglarized (and that's putting it lightly) gas station. But you couldn't refuse. You hadn't told your mother about the tragedy that had taken place here. She never would have allowed you to leave the house for work this evening if she had.  But it's just a matter of time before all the gossip finally reaches her ears; nothing ever remains a secret or quiet for long in small, sleepy towns. But fortunately, by the time she becomes to date the crime, you'll already be on your way home to take a shower and fall asleep in your bed. 
The sound of one of the freezer doors slamming shut has you pausing to look up from the pile of glass and dirt on the linoleum and over to the back of the shared chip and candy aisle where Gator now shuffles around. You can just hardly make him out from behind the other shelves full of microwavable mac and cheese and Campbell's soup, but he appears to be idly scanning the rack of junk food with a bottle of pop in his good hand. The other, you've just noticed, seems to be fixed inside a cast and blue gauze bandaging. You wonder how he managed to get that injury. 
Your curious little inspection doesn't stop there. You let your eyes sweep over him from his cap to his knees (which is about as far as you can see of him from the angle), and on their way down you take notice of the holster secured to his thigh. And for whatever reason your focus seems to settle there and just stay for a good breath or two. It looks good, those black straps wrapped and pulled tight around his thigh.  In fact, he wears the entire uniform in way that you shouldn't find appealing. The weight of his vest seems to pronounce the slimness of his waist and the fatigues that mold around his hips are doing him nothing but favors. It's almost stupid. It's jarring. You have to tighten your grip on the broom handle, forcing yourself to look away to pin your gaze down on one of those solar powered bobble heads placed between the register and a mini shelf stocked full of Bic cigarette lighters. 
But it's facing the wrong way. Instead, it's turned towards you. It's supposed to be cheery. A Christmas themed orange cat peeking out of a stocking with its head still steadily wobbling despite the fact that it's been sundown for more than a few hours now. Its cartoon smile feels judgmental. Like its criticizing your shameful ogling. 
Seriously, since when have you ever checked out Gator Tillman? 
Sure, a part of you had found him cute in the past. A surface level sort of attraction, with his pretty, round brown eyes. But it was never really enough to compensate for how crude he was. All packed full of harsh comments, inflamed bravado and plastic charisma; always searching for an excuse to fight. If anything, it garnered nothing pity from you. An awful aching sorrow. Especially whenever you could see something soft peeking out from underneath that boastful, sarcastic exterior of his. The potential to be kind. Sweet even, if it had been nurtured enough in him. But Roy Tillman was anything but nurturing. 
The entire town had known how harsh the Tillman patriarch was on Gator, even though they all kept their mouths shut tight, in fear that he might raise his hand down against them instead. All of the split lips, black eyes and pulled muscles that were all conveniently filed away as mishaps caused by a wayward cow during a roundup on branding season. 
Of course, your only excuse for not outright speaking out had been that you were hardly more than a child, busy saving up for your first car and writing out college admission essays. And the harsh, whispered warnings of your mother telling you to keep your nose out of things that aren't your business never helped. Not that you have ever been particularly well at heeding her advice. You had tried once, to reach out to him and let him know that he wasn't alone, one evening near the bleachers before graduation. Maybe you should have kept to yourself like everyone else had warned you to. To not get involved. But it was hard when Gator showed up to school one day with his right cheek swollen red and purple, the molted shades of plum and a nasty vermillion dotting up around the corner of his eye like a crescent.  Seeing Gator banged up with a new cut or scrape wasn't a new development by any means. But all the excuses were getting old; wore you down even though they shouldn't have impacted you personally. 
His cover for the swollen cheek was that he had gotten it during practice the evening before. But that was bullshit. He hadn't left the field swearing like he usually did whenever he got hurt during training. When Gator got hurt it was something that everyone would become uncomfortably aware of; usually by a string of loudly exclaimed expletives that could be heard reaching across the expanse of the field.  There had been none of that. He didn't leave campus with an icepack clutched against his cheek the day before. He got that bruise when he went home that night. And you would have put good money on it that the one that did the damage was his father. 
And despite all the warnings you told yourself that you would speak to him about it. That you'd try to at least. Your friends must have noticed the moment you decided to go and talk to Gator. Maybe they'd seen the glint of it in your eyes. And they had all told you not to. That it wasn't your place. That you'd best stay out of it. But you couldn't listen. 
It took you the entire school day to build up the courage to approach him. To calm your nerves. You remember vividly how awkward the air around you had felt when you asked him to meet you behind the bleachers. It didn't escape you how flirtatious the invitation could have been construed as and you're sure that he was expecting some sort of sloppy make out underneath the grandstands and not an intervention. You're sure you had completely blindsided him when you had opened up the conversation with words of sympathy and not some flirty spiel. You had tried to be delicate about the whole thing. After all, for the most part the both of you were hardly more than acquaintances. You did your best to be gentle when you had offered to be someone that he could talk to if he ever felt like he didn't have anyone at home to confide in. But he had turned you down then with clear irritation in his eyes when he told you that he didn't need your help. That he didn't want it, and that was that. 
Your eyes flicker back up to him from the bobbing fake cat, and he's moving down the aisle now, still browsing but apparently uninterested in the available chips and assorted junk foods. But he does reach for a bag of jerky from the cardboard display on the end of one of the shelves and his eyebrows perk up when he inspects the packaging, and he nods his head to himself like he's intrigued or pleased with what he's seeing.  
You wonder if he'll even recognize you at all after all of the years. You suppose that it wouldn't be all that bad or unexpected if he didn't. It has been a while. The last time you've crossed paths since now had been a little after graduation, before you scrounged all of the money that you had saved by serving at Patty's Diner over the summer together and piled all of your stuff into your shitbox of a car and set off for the state line. 
You finally allow yourself to let go of the broom, reluctant to release your little lifeline in preparation to scan his items, propping it against the wall behind you. But what you hadn't expected for him to do was to quite literally toss his bag of beef jerky at the counter. The throw seemed lazy, but regardless of that, the jerky almost goes flying off the countertop entirely and rushes towards the edge. You have to scramble to catch it, mostly out of reflex, grabbing at the packaging with clumsy hands before it could land on the pale, dirty tiles and next your feet. 
Even with unease prickling at the nape of your neck you can't curb the displeased scowl from making an appearance. And the look that you pin him with is entirely unimpressed. He, on the other hand, doesn't look apologetic in the slightest. In fact, there's a smile curling at the edges of his mouth and his eyes are sparkling underneath the fluorescents with unrestrained mirth. "Oh, sorry there, " he says with the hint of a laugh on his words. "I forget my strength sometimes, ya know."   
You should have let it fall. 
You don't bother entertaining his joke. You just flip the package of Jack Links over so that you can scan the bar code while he sets his drink down on the counter. You've interacted for less than five seconds and you're already remembering why you didn't care for him all that much in high school. But luckily for you, he hasn't seemed to recognize you and all you have to do is cash him out and he'll be on his merry little way. 
You can smell his cologne once he's up against the counter. It's woody, a sort of musk and there's hints of something warm with a few notes of vanilla. It seems he's graduated from layering his body with Axe body spray, thank God for small favors. He used to wear that cologne like it was a repellant. "You can smell him before you see him," your mother had noted once, after he had walked past the both of you one afternoon during a communal chili festival. And she hadn't been wrong. But now you can also pick up something artificial and sweet coming from him too. Like berries or some other kind of fruit. Watermelon, maybe? 
"Eight dollars and thirty-eight cents." You supply after ringing in his bottle of pop, leaning your weight on your hands. And thankfully, he already has his wallet out and is thumbing through the bills, but his attention keeps jumping from between his cash and back up to you like he's trying to piece something together. And you're hoping that he isn't trying to place you. That the memories are too vague, that he didn't care enough to remember you. That this interaction won't have to be any longer than necessarily. 
His eyes brows are pinched, and he almost looks studious when he hands you a ten. "Do I know you from somewhere?" 
"I don't think so, " you respond quickly, punching the given amount into the register and counting out his change as soon as the till pops open. 
But he doesn't seem to be deterred. He even shakes his head just a bit, unconvinced and squints at you like it might help him take in your features better. "Nah, I know ya from somewhere." 
"I'm not so sure, " you say and hold your hand out, offering his money, but he doesn't take it and just continues to stare at you silently. It's awkward. Tense for no reason. Suddenly, the music playing over the speakers is too loud. Some old country song with warbling vocals and a gentle guitar but it does nothing to ease the weird energy that's dipped over the room. You can hear the fluorescents too. Buzzing above you in a steady, pulsing thrum. 
"I'm sure. " He replies, voice low with concentration and his eyes dance over your face. The shape of your chin, tracing the curve of your lips, roving over the swell of your cheeks before settling on your own gaze. You can see the exact moment that he recognizes you. Something seems to spark in his stare. The elation that comes with recalling something that's been on the forefront of your mind but eludes you at every turn, and he exclaims your name with a sort of surprise and maybe even wonder. "I never forget a face! C'mon, don't tell me you don't recognize me." 
He settles down against the counter, crossing his arms to lean his weight against its surface like moving in closer might help you recall him better, toeing the line of almost closing in too close to your personal space. You briefly entertain the idea of continuing on with your ruse. Of playing dumb, even if it's just to frustrate him. But really, you'd rather this little impromptu meeting only be as long as it has to be, and you find yourself nodding. Feigning a sort of awe, pretending to a put a name to a long-buried memory. 
 "Oh, yeah. " You nearly gasp in faux surprise. "Gator! Gator Tillman."
He smiles in a pleased way, rapping his knuckles against the counter. "What the hell are you doin' here? I heard you ran off to uh . . . which was it?" He snaps his fingers together like it'll help him recall the information better, or tries to, but his fingertips sort of just slip against each other uselessly from around the obstruction of the cast. " Arkansas?"  
"Arizona, " you correct. And you give up, placing his change on the counter in front of him for him to pick up whenever he decides to take it. 
'That's the one. " He agrees. "So, what brings you back? Got tired of all the dirt and heat, huh?" 
"Uh, no, I'm just here to help my mom." You say and reach for a stack of sticky notes to absentmindedly flick through. "Do you need a bag?" 
"Oh, yeah, how is she doin'?" He asks, completely ignoring or unhearing your question. You'll take that as a no then. "I haven't seen her in a bit. Not since she moved." 
"She's . . . doing okay." You shrug, glancing off in a random direction, hopeful that training your focus on something else other than him might make you feel less exposed. Less examined. It doesn't. "Could be better, could be worse." 
He hums in agreement and for a moment falls silent. And you think that maybe the conversation has fallen out. Run its course and he's grown bored past the temporary marvel of reconnecting with a familiar face from the past. But that'd be too easy. "It's been about, what? Nine years, give or take since we've last seen each other." 
Dammit. 
"Yeah, that sounds about right." It's a simple response. And you let it settle at that, just wishing that he'll take the hint and leave. He has to be somewhere to be, right? Patrolling or whatever. He's probably on his way back to his county, surely, he doesn't plan on standing here all night, chatting you up. But to be fair, he's never been particularly adept at reading basic social cues. 
"To be honest, I'm surprised they got you workin' this shift. " He nods his head towards the front doors; covered up with cardboard and a plastic sheet as a temporary means to keep it sealed until it could get properly repaired. "Ya know, with the break-in an' all." 
"Yeah, well no one else volunteered, so I agreed to come in." 
"A little bird like yourself, here all alone." He says it casually. Probably doesn't really mean anything behind it, but knowing Gator, maybe he does. But regardless of his intent, the comment does make you bristle. The sentiment wasn't necessarily harmful. Feeling worried for someone being on their own to work a shift at a business in the middle of nowhere is normal. Understandable. Especially considering that the said business had just been the scene of gruesome crime, but the air with how it was said rubbed you the wrong way. Granted he's never been one to have tact.
It seems that he really hasn't changed all that much since you've left. Except for maybe growing an inch or so taller, but that could be due to the boots. And the planes of his face have slimmed a bit more, having officially lost what little bit of baby fat was clinging to his cheeks. Still, that condescending air that he used to carry himself with has seemed to survive his younger years, not like you were expecting it not to. 
"You must be pretty scared being here all on your own. "  He wasn't wrong, per se. There was something intimidating about being here with the horror of what had taken place still fresh in the back of your mind. You hadn't seen the aftermath and all of the smeared blood and shattered glass; you hadn't been here with Miles to meet the cleanup crew. In a twisted sort of way, it almost seems worse that you didn't walk in on this place when it was still stained with viscera and signs of struggle. Seeing the store all taped up with shotty repairs to try and regain normalcy left too much to the imagination. Everywhere you looked your brain tried to fill in the pieces. You couldn't bear to clean up the restroom. Not without thinking about how a man had died in there. Slipped and split his head open on the toilet. There was still a sense of paranoia that latched its claws down your back and has yet to let go. It even has you looking at some of your customers funny - even the regulars, the people who you talk to almost daily. It was even worse when you reminded yourself that Derreck had died in the very spot where you're currently standing. 
"No, not really. " You lie easily. 
Gator laughs. Almost scoffs, really. Dipping his head low and for a moment the brim of his baseball hat blocks half of his face from your view before he tips his head back up to look at you. He rocks back on the heels of his shoes. "Well, I just gotta say, it doesn't sit right with me." 
What? 
 He's worried? Why would he even care? 
"I'm sure I'll be fine."
He doesn't seem to be persuaded or assured, and he sits up from his leaned over position, straightening to his full height. He doesn't break eye contact once, and for some reason you feel like you couldn't look away from him, even if you gave it some real effort. The dark brown of his eyes is a rich shade, even from underneath the blunt glow of the fluorescents, and you swear you can see delicate flecks of a honeyed amber. 
" That may be, but I'm not a man to take chances." And he reaches into one of his front pockets to retrieve a lime green vape for him to lift to his lips. When he nonchalantly exhales the smoke in the middle of the store, the scent of something syrupy and sweet reaches your nose. That explains that bit of watermelon that you had smelt on him earlier. "I mean, anyone could be a threat. Even that fella that was just in here." 
Your eyebrows raise at the comment and for a moment you just stare at him while you wrack your brain. "Do you mean, Andy?" You ask, thinking back on the outright rude way that Gator had glared at the regular. "No, he's fine. Possibly in need of an AA meeting, but he's always nice. Sometimes he brings his girls in for a drink . . . a fountain drink. Not . . . alcohol. " 
"Those are the ones you gotta watch out for the most." He presses, taking one more drag from his vape before stuffing back into his front pocket. "It's always the one's ya know." 
You aren't sure how to respond to this. How to reciprocate the conversation now that this is the direction that it's taken. You aren't sure where this apparent desire to keep you safe has come from. It's certainly something that you've never experienced before. Or fully witnessed. Even the protectiveness that he had shown his teammates back in high school seemed to come from a place of ego. It always came off that he had some sort of point to prove; that he could take a hit or get even if need be. That he saw his friends as an extension of himself, and by taunting or harming one of them was as good as personally offending him. And he couldn't stand for that. But you'd like to believe that it came from somewhere genuine at least. 
"You should take my number. " 
He says it so casually that it throws you off more than the previous statement did, except this time your outright gawking at him. There's only one reason why Gator Tillman would want your number, but you can't for the life of you figure out why he would be trying to flirt with you. You aren't even sure how to feel about the situation. You never would have assumed that he, of all people would have an interest in you. Yes, in the past you had caught him giving you intrigued glances when he thought you weren't paying attention. Especially whenever you had been in your cheerleading uniform, but you had never put much stock in it; usually equating his wandering eyes on him just being an obnoxious teenage boy. "Is this your way of asking me out?" 
He shrugs lightly at that and raises a hand to grip onto the shoulder of his tactical vest. "I just want to make sure you have someone to call in case anyone gives you a hard time, that's all." 
Sure, bud. That might be one of the lamest excuses you've heard in a while. And that's saying a lot considering the last time a man tried to flirt with you he had unironically used one of the worst pickup lines you may have ever heard, something along the lines of; "kiss me if I'm wrong, but dinosaurs still exist, right?" And Gator's apparent inability to upfront about his intentions makes you want to mess with him a bit. 
"Wait . . . don't I already have your number?" 
He looks confused, face twisting up dumbly and the pinched, clueless furrow between his brows is almost adorable. You can see his fingers already twitching, reaching for the vape stashed in his pocket out of habit. Like the nicotine might help him think better and you can see the gears in his mind turning, but you can tell that he's coming up empty. 
You tilt your head, propping your chin up in the cradle of your hand. "It's 911, right?" 
The realization that you're playing with him finally clicks into place, and he glances away from you with a small scoff. His clear frustration just amuses you further and he takes notice of your obvious enjoyment if the way that his frown deepens is anything to go by. 
"Besides, aren't I a little out of your jurisdiction?" You ask and start to fiddle around with the bottle of unattended Mtn Dew, rotating the carbonated drink around within the cradle of your palm with the push of your fingertips. 
"Jurisdiction, " he echos the word with a sort of repulsion, before he fixes you with an oddly intense look that feels like its burrowing into you. "I am the law; I do whatever the fuck I want." 
Like most things during this little conversation of yours, you aren't entirely sure how take that remark. The passion and utter belief that he said it with was more than a little concerning. The way that he truly seemed to think that he was above the laws that he was meant to enforce. It was a dangerous mindset to have. Especially in his profession, with all the power that he held as an officer, even while he was within the confines of such a small county. Well, not small in terms of size or milage, but it's not like he's a cop in some big city. But who knows, maybe that just makes him even more dangerous. Everything about him was the clear-cut definition of a walking red flag, so you don't even understand why you're sitting here entertaining his bullshit.
At least you're getting paid for it. 
"What do you really want with my number, Gator?" You know why, of course, as odd and confusing as it all is, but you want to hear it from him. 
And just as you expected, he falls silent. Having some sort of internal debate and struggle. And you wait for him to get annoyed and leave, throwing some sort of scathing remark over his shoulder as he goes, but he doesn't do that. Something in the way he holds himself relaxes, and it seems like some half-assed way to come off as unaffected. Probably a way for him to psyche himself out mentally and project self-assuredness. He steps closer to the counter until his hips are brushing against the edge and there's an impish kind of gleam in his eyes. Something about the dynamic seems to shift; you can feel it move and click into place and it makes you feel untethered. Like you're walking on rocky, unexplored terrain. And you aren't sure if you like it. 
"Surely you know, " he says with the hint of playful but if not cocky smile on his lips. And now it's your turn to look up at him in confusion. "I'm a bit embarrassed to admit it, but I've always harbored a bit of a crush for ya." 
Well, that's something that you wouldn't have guessed. You never would have successfully gathered that on your own, that's for certain. And it threw you off even more, considering that for the last leg of senior year, he was a part of an on-again-off-again relationship with Rebecca Mallory. Granted their relationship had always seemed to be in a constant state of a crisis with the way that they had always butted heads. Mostly because Rebecca was a rigid, set-in-her-ways Christian who was often displeased with Gator's penchant for violence and swearing. Not that she was necessarily wrong for her frustrations. Even with his own father being a preacher with an iron fist, Gator never been the most forgiving or restrained person and you figured that being around him for more than an hour would probably be quick to grate on your nerves, too. 
"I, uh, no, I didn't know that." You manage, unsure how to navigate this newfound revelation. In all honesty, you had figured that his previous request for your number had just been an attempt to ease his boredom. A way to enjoy the excitement of meeting up with an old acquaintance - and knowing him - assuming that he might get lucky in the process. 
"It always bugged me that I never grew the balls to make a move in the past." He confesses, and he leans over the counter again. And with the way that you're also propped up on your elbows it leaves only a few inches separating the two of you. You swear you could feel the heat radiating off of his body brushing against your own skin. The sudden proximity seems to vacuum all of the air out of the room, and your mind scrambles to catch up. He can see the way that you're floundering underneath his stare. You can see the amusement twinkling in the dark brown of his eyes from underneath the bright, pale splash of the long florescent bulbs. "And then you went and moved out after graduation. Up in a hurry to leave this little shithole - not that I blame ya, mind you; but it always left me wondering how you would have responded if I had asked you out on a date." 
The quiet that follows is stifling. For a moment it's just the both of you alone, in a grimy busted up gas station in the middle of nowhere with an upbeat Beach Boys song playing over the sound system. It feels laughably too energetic for the still but charged atmosphere that surrounds you and stalls your lungs. That keeps your focus pinned to his with the pleasant musk of his cologne wafting over you; sweetened by the sugary notes of vape smoke. 
"I think I would have said no, " you say truthfully. You can see the way his shoulders go slack. The movement is so minute that you probably wouldn't have noticed if you weren't so close to him. His head tilts back like he means to pull away and for some reason your stomach flips with disappointment at the thought, but you don't bother trying to unpack that feeling right now. "But . . . " 
He pauses, attention zeroing in on you and you swear you might actually see something akin to hope somewhere in his expression. "But, what?" He asks when you don't immediately respond. 
"Convince me." 
"Excuse me?" 
"You heard me." 
He stares at you like he doesn't know what to think. His mouth is hanging open just a bit and he laughs, though it comes out as more as a disbelieving puff of air. And you can see him going through the motions of it in his head, like he's trying to solve something. But he seems to come to some sort of conclusion. His shoulders square up like he's accepting it as a sort of challenge. " Alright, " he agrees, and settles back against the counter. "I'll treat ya real good; take you out the dinner. You ever been to Twister's?" 
"No, " you answer, and the look he gives you is pitying, but one that's lively and not mean-spirited. It throws you for a loop to see him so carefree and relaxed. Typically, the jokes that come from him are underhanded barbs, meant to make someone uncomfortable or angry rather than a means to actually get a laugh. But you like it. It's as pleasant as it is unexpected and all of that initial unease and irritation that you had previously felt towards his presence begins to thaw. 
"The best food in North Dakota." He praises and you hum in interest and nod, quietly ushering him to continue, even though the gesture is a little condescending it's also playful. 
"One of the guys at the station said they got a new drive-thru theater over in Bismarck. They show old classics mostly- shitty B movies and low budget horror flicks, but I think they're plann' on playin' one of those old stop motion films; Nightmare Before Christmas, I think. For Halloween, probably."  
Admittedly, it doesn't sound like a bad date. And as cliche as the idea of a theater may have been, it has your interest piqued. Especially the drive-thru part. It's been on your bucket list for a while now, and the prospect of going is more than a little enticing. Especially with how stagnant and stressful life has been as of late. It would be nice to go out again and get away from the monotony of life at home and work. And truthfully, a part of you is a little intrigued to get to know Gator again after all the time away. To see if maybe he has changed and matured a bit as a person. But you also don't want to give in too soon. Admittedly, you do like to string him along, as wrong as it may be. 
"Then afterwards, we could maybe go ice skating, " he offers. "It's been a few years since I've worn a pair of skates, so I might be a little rusty. But I figure it's gotta be like riding a bike." 
"Sounds tempting, " you say with a smile that you couldn't help. "And after that?" 
It takes him a second, but he quickly seems to catch on to what you're implying. His gaze seems to darken, that honeyed brown turning russet and warm. He tips in closer to you; you nearly feel the bill of his cap brush against your forehead. "Well, that depends on you, princess. " 
You don't say anything, letting him stew in the potential of rejection. And you reach over to your left, plucking a Sharpie from an old, chipped mug that's used to store miscellaneous pens and highlighters; there was even an old cherry flavored lollipop that's been in there since you've started working here, and you've got the feeling that it's probably been in there for more than a few years.  He tracts the movement with open curiosity but raises his focus to you when you reach for his injured arm with your free hand, though he doesn't fight or question you when you pull it over across the counter towards your chest, careful not to accidentally put any strain on it. 
And when you pop the cap off with your thumb and raise the point of the marker to his cast it suddenly feels like you're being put under a microscope again. You can feel his attention searing into with an intensity that should be uncomfortable. But you find that you don't completely mind it. Not even with that bobble headed plastic cat awkwardly bouncing in the corner while you write out your phone number on the inside of his wrist. 
"I'm free on Saturday. " You say, capping the marker and plopping it back inside the mug. 
He's outright smiling now. It's a little smug, pleased, but there's also something content about it. "Sounds like a plan, " he replies, and reaches for his jerky and drink, stepping away from the counter without turning away from you. Walking backwards towards the exit. "How's five o'clock sound?" 
"Works for me." You return his smile, unable to fight it off. And there's a sappy, fuzzy feeling inside of your chest that's going to mean nothing but trouble for you in the future. 
"I guess I'll see ya then." He's nudging the door open with his back and pauses almost like he's reluctant to leave but then he's slipping out the door with a quick, "g'night!" tossed over his shoulder. You barely get to return your own before the door swings shut behind him, blocking you from seeing him with the cardboard plastered over in place of glass. And now that he's left, the store feels all too quiet with only the old, tired speakers to keep you company and the ragged hum of the wall freezers in the back of the store. 
You glance around the room boredly, stepping back from the counter while you mentally go down the to-do list. Finding that you've already done most of your tasks. The delivery truck wasn't due for a few more days, and you finished up all of the necessary stocking a few hours ago. And you've already squeegeed the remaining windows clean and organized the shelves. But you hadn't cleaned the restroom yet. 
You suck in a ragged breath. You were less than enthused to clean the toilet on a regular day, but now that it had been the scene of a crime and a literal death you were more than unhappy with prospect. But unfortunately, it was a part of the job description. And it's an absentminded glance downward that you notice the change that Gator had left discarded on the counter. A crumpled dollar and some change. Just a measly dollar and thirty-two cents. He probably forgot about it, and even if he hadn't it was such a small amount that it wouldn't be missed. But you figured that there isn't any harm and giving it back to him. If you go now, he might still be parked outside. 
And that was enough for you to scoop up the change in your palm and run around the length of the front desk, crossing the expanse of the floor quickly and shoving the door open to cross outside. The cold night air that rushes across your skin surprises you for a moment after spending the last few hours underneath the heat of the store, but it doesn't deter you. And a quick glance to the passenger side lets you know that the cab of police cruiser is empty, and you stare at it dumbly for a second before you notice Gator standing off to the left, near the rear end of the truck. 
And you don't even notice the fact that his gun is drawn, that his body is pulled taut; clearly on edge while he stares down at the ground with wide eyes. 
"Hey, Gator!" You call, stepping forward with a smile on your face. His head snaps up when he hears you, and there's a wild sort of glint in his eyes that jerks something deep in your chest, jostles free a heavy, chilling sort of concern and worry. 
"No, no - don't come over here!" He shouts with a horrific sense of panic that you feel in your bones. But it's already too late. You've come too close, and when you walk past the rear end of the truck to step towards him you notice some strange lump lying on the ground from out of your peripheral vision. And in a kneejerk reaction it seizes your attention, pulls your focus to it like it's being tugged by a string. It's the blood you notice first. Pooled across the dirt and glittering a rich red from oily shine of lights on the ceiling of the gas pump canopy. It's pouring from a slice in the body's neck. But what's more is a piece of cardboard pinned to his chest, notched in place by a thick hunting knife. Your mind sort of just goes quiet. Unable to grapple with what it's actually seeing even while you can't look away. 
You can smell the blood. It's a thick, nauseating scent, like sucking on pennies and rust and you want to gag. You want to vomit. Or scream. Or anything. 
But you can't manage to make yourself move. You're stuck frozen; forced to stare. The change in your hand feels damp with sweat and you're clutching it so tightly that you can feel that coins burrowing painfully into the palm of your hand. Even from where you stand you can make out the messy writing written on the cardboard in an ominous, messy scrawl: 
You owe me 
And finally. Blessedly, you're able to tear your gaze away from the body. Stiffly turning your head from the carnage and over towards Gator who looks just as shaken as you. His gun is still drawn, clasped with both hands but his attention is on you. He just looks confused. Unsure and worried. For a while neither of you say a single word. You just sit still in the chilly night air, with the scent of blood choking you and fear in your eyes. And then Gator seems to be able to collect himself, holstering his gun and fixes you with a look that you can't discern. That you aren't able to. And then he utters one word with complete defeat and a little exhaustion too: 
"Shit." 
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leam1983 · 12 days
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Lisan al-Ghaib
The Hellsite has a thing against White Savior narratives, and for good reason. The idea that general-purpose Natives have some elixir for mindfulness, mental health or even sociopolitical stability is nothing new. It's as tokenistic as you think if you take it at face value, but I think the more classic examples in the genre like Dances With Wolves or, God forbid, Avatar (a revised copy of the previous title, in many ways) tend to focus on something that's a smidge more positive - namely in that the Other - not the Noble Savage, so much as someone with an entirely external perspective - has the power to help us progress. A very debatable posture.
In effect, the classic examples in the genre contend that it's not really about "saving the Natives" or even becoming their saviour, but rather about the unformed or troubled protagonist finding themselves thanks to the Natives' input. I've always thought that Wolves' Sioux never needed Dunbar, Dunbar needed them. The Na'vi never needed Jake Sully, some other member of the People would've eventually filled in the blanks and become Toruk Makto. Instead, Jake Sully needed the Na'vi to fix himself. There's nothing magical there, despite the First Nations spiritualism that mostly coats the genre, ripped out of its context and sort of propped up the same way mindfulness is now pulled out of its own context and served up to the masses, as if living with a little anxiety or stress were somehow a symptom for something more insidious. The world forgot Herbert's object lesson, and suggested that for some people, especially damaged goods, the only way to find purpose is to subsume yourself in another culture. You emerge as the saviour, kill the monster, and fulfill your role in the story.
Taking up someone else's problems to fix yourself isn't an actual solution; I think any two-bit psychologist could tell you that. Even if Dunbar and Sully emerge whole and healed from their own tales, they're behavioural abnormalities. Power doesn't allow you to stay humble. Power corrupts.
Ask Shaddad. Ask the Bene Gesserit. Ask the Harkonnens, who never saw their end coming.
Back when Frank Herbert first wrote Dune, Eastern mysticism was taking off much in the same way we're seeing meditation and yoga. He pulled an interesting bait-and-switch in showing us a protagonist who seemed set to go from a mostly nameless aristocrat to your typical conquering hero - but he realized that some faiths can be noxious. Some currents can twist the mind. After all, Paul Atreides' own story addresses the fact that he comes to align with fundamentalists, and does so willingly.
In many ways, George Lucas tried to play the same melody with Anakin Skywalker being set up as the Force's hero, only for the will of the Galaxy to be made manifest through his son, instead. The problem is, unlike Herbert, Lucas lacks subtlety. The danger of messianic thinking more or less deserves a dream-state vignette on Dagobah, where Luke beheads Vader and sees his own face in the depths of his father's mask. Herbert, in comparison, makes those fears concrete. Paul was on shaky ground the moment he embraced the moniker of Muad'Dib, and slipped into something I might as well call psychosis, after drinking the Waters of Life.
Chani lost the man she fell in love with. Paul Atreides lost himself.
White Savior narratives aren't meant to be seen as the Civilized Man saving the day. They're meant to be seen as an outsider protagonist needing an external point of view to face the abyss, more or less.
If you're an optimist, the protagonist is thankful for the wisdom he's received and plays his part, not for prophecy or for Ego - but for basic care and consideration. Consider Shogun's Blackthorne, by the end of the series. He wasn't one to calculate his next move - he's clearly a man of passion. Japan gave him something to hold onto - and then squeezed around him like a vice made up of niceties and political manoeuvring. Yoshii Toranaga, on the other hand, is the chess player. Blackthorne's fate is the grimmest of the brighter ends of the White Savior genre. He didn't save anyone or anything; he merely proved useful.
If you're a pessimist, you turn to Dune or to any of your local Fire-and-Brimstone preachers.
Considering, when I hear the Hellsite dismiss Dune as just another story written by a White guy about some other White guy saving some vaguely Middle-Eastern-coded people; that tells me a lot of armchair critics haven't picked up the books or watched the movies.
If anything, Dune's very premise gives reason to those of you who decry Colonialist rhetoric. Dune isn't just a seminal science-fiction classic; it's also a warning about what happens when faith goes haywire, and of what happens when the balance of power tips in the worst direction possible.
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lunellasflo · 5 months
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My Revision of Wish
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As someone who loves the concept of Wish, I thought it was a decent addition to the Disney Animation Canon. I enjoyed the songs, the gorgeous hybrid artstyle, and the homage to Sleeping Beauty's wide cinemascope aspect. Unfortunately, the more I think about Wish, the more disappointed I was with the final product. For what was supposed to be a celebration of Disney's legacy, it ended up being shot with the blandification ray by the studio itself, because they had a lot of interesting concepts planned for the film. It's just impossible for me to hate Wish like everyone else on the internet, because I know there's passion behind this idea, it was just muddled and screwed over by the despicable corporate side of Disney.
Now, while I did love the final product and was also simultaneously disappointed over what it could’ve and should’ve been, I wanted to showcase my version of the film with a heavier emphasis on the wishing star’s untold origin story. This is actually an updated/edited version of my original draft, and I added a little bit of characterization as well.
SPOILERS FOR THE ACTUAL FILM BTW
Wish (in my version) is fully 2D-Animated, and contains music, orchestration and lyrics from Alan Menken and Stephen Schwartz, with additional output from Julia Michaels.
Cast:
Alycia Pascual-Peña as Asha
Chris Pine as King Magnifico
Amara Le Negra as Queen Amaya
Roman Banks as Orion (Star)
Summary: 
“Have you ever wondered how the legendary Wishing Star was born?… Set in a time centuries before Snow White wished by the wishing well, or Geppetto wished for his little wooden puppet to become a real boy, Wish takes place in the medieval city of Rosas, a fantasy kingdom off the coast of the Mediterranean Sea where your wishes can literally be transformed into reality. The kingdom is ruled by King Magnifico (Chris Pine) and Queen Amaya (Amara Le Negra), respected by all as the kingdom’s sole wish-granters. They live happily in peace with their royal daughter named Asha (voiced by Alycia Pascual Peña), who was set to take her parents’ throne once she turned 17. 
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Princess Asha is sharp-witted and wildly smart beyond her years: a young philosopher in the making, who believes that the stars are always there to guide her. She's a shy bookworm who is very creative, she draws animations in her notepad and paints with watercolors all over her bedroom, much like Rapunzel. Asha also wants to be a musician and to inspire the people with her music. While being devoted to her goal to ensure that everyone gets their wish to come true, Asha also struggles with poor leadership skills, and she doesn't know how to be a good leader to her friends, or her kingdom. Her parents seem to make it look easy, and sometimes Asha prefers to rely on them to make her dreams come true. However, Asha believes that a bigger and stronger wish requires a much more difficult journey, and in order to achieve her wish, she must confront her own parents, two of the fiercest and most powerful villains the Disney universe has ever known.
King Magnifico is almost the same as his canon depiction, except he has no backstory of him losing his family to destruction which would've make him more sympathetic, and does not mesh well with him being a villain. He uses his magic to remove wishes from people's hearts and keeps them in his own "wish orbs" for personal keeping, but we don't find out what he does with them until the first act. Before he praticed magic, he was a philosopher who believed in the power of the stars in the night sky, inspiring Asha to develop her belief that there is magic in the stars.
Queen Amaya is a female villain who is madly in love with Magnifico and pressures Asha to be a perfect royal daughter, much in the vein of Yzma and Maleficent, with shades of Mother Gothel. She is a black dark-skinned Latina, and Asha's birth mother. Queen Amaya owns has a pet cat assistant named Cleo, who is a callback to Maleficent's crow Diablo, or Lady Tremaine's cat Lucifer.
Alright, now back to the story!
On her 17th birthday, during a beautiful royal ball, Asha notices that her parents have wondered off from their thrones, and she uncovers a dark truth about both of her parents and how they want to keep the wishes of the people for themselves. Even worse, she peaks through the cracked door of the throne room to witness that the King and Queen are crushing the people's wishes, and infusing their energy, in order to make their own magic more powerful, and thus manipulating the townspeople and giving them the false hope of their wishes being granted. Asha tries to keep what she saw a secret from her parents, but she argues that the wishes must be free and sent back to the people. After a heated argument with her parents, she runs to the forest and makes a passionate cry for help to the stars, in the hopes that they will give her guidance and strength to help her entire kingdom. (‘This Wish’ is staying btw, but with adjusted lyrics) Her plea pulls down the brightest star out of the sky and transforms it into a glowing ethereal humanoid being without a name.
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Here is where we meet Orion. Orion is THE wishing star of legend. He is a glowing, Black-coded, humanoid boy around the same age as Asha. Newly formed, he has no name and no sense of right or wrong, much like Pinocchio, but he reveals himself to be a powerful shapeshifter with magic celestial powers. The starboy is aided with the tiny, Luma-like canon version of Star, named Little Dipper, as his personal companion. Little Dipper is more mischevious than Orion, but it's also a powerful wish granter in a tiny celestial body. With a reworked, more orchestral version of "At All Costs", Orion takes Asha on a gorgeous flight, explaining his purpose to help Asha, as the duo sings in harmony above the stardust-sprinkled woodlands, with Little Dipper setting the scene. After the song ends, Asha tries to name all the constellations off the top of her head, and ultimately names the starboy Orion (serving as a subtle callback to Kiss the Girl). Asha brings Orion back to the kingdom, and she tries to teach him how to grant the peoples’ wishes. As the two plans to give the wish orbs back to the people, Asha notices that her parents are angered over the townspeople praising Orion’s descend, hoping that he will grant the wishes of all the people. Feeling threatened by Orion’s presence, the King and Queen scheme to use dark magic to kill Fate and steal her magic, so that they will remain as the only wish-granters in Rosas, but at the risk of permanently being surrendered to the dark side. (This Is The Thanks I Get, except it's reworked into a grand, badass, orchestral villain duet with Magnifico on the first verse and Amaya on the second verse)
Desperate to warn the kingdom about her parents’ true colors, Asha disguises herself (a la Sleeping Beauty) as a peasant girl, while Orion tries to disguise himself as a normal human boy. As the two try to grant the wishes of the townpeople who haven't given their wishes to the king and queen, the town descends into chaos with some wishes spiraling out of control. While it is a moment of hilarity, Asha and Orion come to a realization that some wishes should never be granted in the first place, as they're more likely to cause harm and chaos than pure good. The two comes across a group of seven teenagers modeled after the Seven Dwarfs, Asha's longtime team, and Orion starts to get to know each one of them, before planning a rebellion against her parents, and yet, Asha is secretly hesitant to disobey her parents, she confesses to Orion - in a short reprise of At All Costs - about how she used to be perfectly obedient and a perfect princess to her people. Meanwhile, Orion reveals to the Seven Teens that he’s still learning to grant wishes, but they also end up horribly wrong, but he comes to a realization that he shouldn't grant wishes that could cause harm, no matter how much they beg for it. The Teens make a promise to Asha that they will protect her secret, as well as Orion's. The duo and the teens team up to stop the King and Queen, with a reworked version of "Knowing What I Know Now."
During the epic climax, Orion and Asha create a diversion, with Asha freeing the wishes with her team and learning to be a good leader in doing so, while Orion shapeshifts into multiple forms to battle the King and Queen and distract them away from the castle, but they capture Little Dipper into the scepter, and use Dipper's magic to transform their cat Cleo into a giant dragon (akin to Maleficent's dragon form) that flies them to the top of the castle, with Orion chained up. The parents chain Asha to the top of the castle where the battle occurs, and they force their daughter to watch Orion suffer. Engulfed by the pain of losing her protector, Asha breaks into the This Wish reprise, as do the other residents of Rosas. The King and Queen try to push Asha off the castle to her death, but the townspeoples' voices lift her up, as does Orion's, and he uses his magic to make her float above in mid-air. Everyone's hearts beginning to glow and attract their wishes back to their hearts as they sing in unison. Orion transfers most of his celestial powers into Asha, who uses her temporary celestial powers to free Little Dipper from the scepter, and blast the King and Queen to their death, while Orion simultaneously creates a powerful sword to throw into Cleo's heart, killing her as well. After a moment of silence, Asha breaks down into tears and feels bittersweet that she’ll never have her parents again, but more optimistic about being the ruler the kingdom desperately needed - someone who will choose only the best wishes to come true. Orion comes down to Earth to comforts Asha with a hug, and the kingdom rejoices with the evil King and Queen gone for good.
Cut to a few months later with Asha hosting her first royal ball for Rosas, and dancing with Orion, similar to the endings of Sleeping Beauty and Beauty and the Beast. Before Orion flies back to the night sky to become the Wishing Star, he gets Little Dipper to create a magic wand and grants her the role of a honorary Blue Fairy guardian, transforming Asha’s purple queen gown into a beautiful, glittering, baby blue gown. Orion informs to Asha that Asha will be reincarnated into a true Blue Fairy after her time on Earth comes to an end, but Orion will descend back down to Rosas every now and then to help Asha. As a final gift, even though he admits his magic is not perfect just yet, Orion finally grants Asha’s wish and creates a lute for her to play for her people, but Asha realizes what her true wish was all along: To be a good leader to all of Rosas.
After Orion forms into the glimmering Wishing Star in the night sky above Rosas, Queen Asha looks down on the townspeople of Rosas with hope in her smile and she looks up at the wishing star above her, with a hope that everyone will have a wish to come true, because now, Queen Asha knows that there is no force, no magic more powerful than the power of a wish, for a wish is more powerful when it’s inside your heart.
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Cut to a few nights later, after the credits have rolled, when Asha walks out onto the balcony above the kingdom. She pulls out a music sheet, and begins to play ‘When You Wish Upon A Star’ for the stars, as an homage to Orion.
My version of Wish will also contain hundreds of Easter Eggs that all pay tribute to ALL 61 FILMS in the Walt Disney Animation Studios library, all worked seamlessly into the context of the story, not just containing the ones that inspire the film like Sleeping Beauty or Snow White. Anyway, all I’m saying is that Disney should’ve hired me and put me into the writers room, because as a Disney fan, I know how to make this story work and how to make it even better, and I hope you guys love this version of the story! Oh, and also, screw Disney for donating to a genocide. Goodnight Kingdom of Rosas!
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kawaiichibiart · 4 months
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Honestly, Tsukasa's new ZOZOTOWN outfit is what I think he'd for Fantasista SQUAD. Maybe not exactly 100% the same outfit, but it would fall more along those lines.
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Like, the way I see it-
Akito would have oversized jackets and hoodies, slightly loose and/or fitted T-shirts, jeans or sweats (it really depends, sometimes he'll wear his pajama pants) and sneakers. He's very much casual/comfort. He's also the one who wears the most jewelry, from his multiple piercings to necklaces (shut up Ena, no this chain isn't yours) to the friendship bracelets Toya gave him (so Tsukasa might of helped, they were from Toya and that's all that matters, okay?). Akito is FS's stylist. If they're going to perform, he's checking over their outfits (he spends the most time on Rui who just has to have weirdly patterned and mismatched clothes).
Toya would go for things that are more fitted, but because he's rebelling at first (eventually being a Street Artist becomes a passion he fully embraces) he'll wear clothes that have rips in them or are stained (with ink or paint). He'll scuff his shoes and mess his hair around. He has bandages on his hands and knees, not for aesthetics but because he's scraped himself so much he actually needs them. I don't know how to call his style but that about sums it up.
Tsukasa, like Akito, would go for jackets and hoodies, but moreso like Toya would have them be more fitted. Street music wasn't originally his plan to achieve stardom, he still goes back to his old scripts, but it's something that got him out. He starts out with just wearing hoodies, but that expands into getting denim and leather jackets, wearing sweats and joggers, and changing how he does his hair. Part of him says he's doing it to support Toya, to show him he doesn't have to do this alone, another is saying it's for Saki, to show her that she can do something she's never done before and can succeed, and a very small part is saying this is genuinely for him, that he needed to do something to get out there. Make a name for himself.
Rui goes for sweatshirts and long coats, all in in weird patterns of course (much to Akito's dismay). He'll usually just wear his uniform pants or jeans and is the one most likely to wear mismatched shoes. He's very likely to have a wrench and/or a screwdriver in one of his pockets and he's the one most likely to wear makeup (with Tsukasa being a close second, Akito and Toya usually wear eyeliner and that's about it). Rui's style is out there, eccentric, and artistic. Where the other three have a specific color highlighted (such as Toya wearing blue or Akito going for an overall autumnal look), Rui will sometimes look like a box of crayons threw up on him.
And people like that about them. They see Akito and they see someone who's comfortable in what he's wearing. They see Toya and they see someone who likely knows how to put himself together, and if they notice the bandages, someone who's either a fighter or someone who generally take care of himself. They look at Tsukasa and they see change. They look at Rui and they see vividness, an explosion of colors. They look at them all together and they see an odd group of boys who came together and found a passion in something. A dream to pursue. Together, they are, well, a bit of a fantasy. Maybe not your typical one, but one none the less.
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ridl · 22 days
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I really dislike the idea that just bc Ganyu is old she has experience with everything, like that's not how it works lol. And this includes serious romance, esp when she didn't even feel like she belongs in human society until recently + not everyone is desperate to date.
The way i see it she's been struggling with her identity and finding a sense of belonging among humans, as well as dealing with going against her peaceful nature during war, while also being someone who appreciates just being alive, and simple things in live unrelated to social stuff, and nature and Liyue as a whole. She has a lot of things to deal with mentally bc of her half-qilin identity, devotion to Rex Lapis and Liyue, and everything she's been through. I think she doesn't exactly need romance. And she has that mysterious qilin side to her, which we don't truly know or understand. It's perfectly fine for her to be a character that was never all that interested in romance, and doesn't have direct experience with it.
And there's really never enough time to experience and learn everything, it doesn't matter how old she is. I find making her this perfect, hypercompetent and experienced at absolutely everything flawless being to be very limiting. Why deny her the space to still learn and grow? I believe we learn all our lives, and it's the same for Ganyu. I mean, literally just look at her being completely perplexed by Keqing and Rex Lapis' fondness of her lmao. And the entire fact of their eventual reconciliation.
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Ganyu somehow just couldn't ignore Keqing's existence, even if it was absolutely an option for a 3000+ yo half-qilin. Perhaps because Keqing was kind and truly did care about Liyue and its ppl, making Ganyu have very mixed feelings. She left a strong, hard to ignore impression. And so Ganyu eventually learned more about this human enigma called Keqing lol, and grew as a person.
And generally that's also how i see ganqing's relationship, neither of them rlly need romance, they're not desperate for it. Keqing has her own passions and dreams, she has her life figured out. Ganyu doesn't have her life as figured out so there's a lot to consider here. But they simply decide a romantic relationship witch each other is what they WANT!! Bc it does enrich their lives. They chose to do this, even if they never actually had to.
Long story short, yes Ganyu is amazing, talented and carries Liyue on her back, but she's also only human, and only qilin. Her being so old doesn't automatically mean she must have romantic experience. And she's still learning, growing and experiencing new things.
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spyskater · 1 year
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The quotes I believe are every characters' thesis statement in Willow (2022) and why. Elora: I believe that love is the most powerful force in the universe. Kit: You're afraid. So am I. But you know what? My fear, it doesn't get to decide. It doesn't get to, to define me. I'm not giving it the power. I'm giving it to you. I have never believed in anything my whole life. I believe in you. Jade: Yeah, and when you love someone and they need you, yes, you jump off the edge of the world to go and get to them. Graydon: One day you and I are gonna be in charge. And when that day comes, we don't have to do things the way our parents did. Boorman: I finally figured it out. This isn't my story. It's yours. You're the one. And all you gotta do is believe in yourself, and you'll be unstoppable. Willow: You know, it's taken me a long time to learn, it's okay to fall, to make mistakes. I've made lots... The trick is to embrace your defeats as well as your victories. You pay for both in the end. Be decent. Be fearless. And know this, wherever the adventure leads, I'm with you. Airk: You know, defend the realm and just be the best brother, and husband, and father, and son that I can possibly be. Because that is what you do when you have honor, right? Scorpia: All we have ever wanted is our freedom. That our children would not have to live in fear. They'd serve no master... We have no barrier to hide behind, no army to defend us. All we have is the fear our masks evoke, the determination to survive, and each other... Freedom, rebellion, passion, joy. To the break of dawn! Sorsha: Everything I've done, I've done to protect the people I love. It costs a lot. Madmartigan: It was the hardest thing I've ever done. But love is sacrifice. You've gotta be willing to give up what you want for what you believe in.
Elora's is extremely obvious. As the heroine and chosen one of our show, her quote not only represents who she is and what she believes, but the most important message that the show wants to leave us with. At the end of the day, love above all things. Let that be your guiding force. It's what all of our characters come away with. Jade lets go of her ideals of duty to follow her heart to Kit. Kit learns to love and gains courage through it. Airk is saved by Kit through the power of love. Graydon becomes who he's always dreamed of, partially due to his love of Elora. Elora is able to fully grasp her power through her love of Graydon. And Elora tells us throughout the season that love is the most powerful thing in the universe, at first taken as a joke by Airk, Kit, and the audience and evolving into the hopeful statement we're meant to latch onto.
This is Kit's big moment. She spends the entire season having everything she thought she knew stripped from her. When you have nothing left, it'll make you reevaluate what you truly want and what you believe. We know that all Kit has wanted is to be brave and loved and I would argue that quote is part one of the thesis of Kit. It's Jade's love that gives Kit the bravery to take the leap of faith. As she stares at the edge of the world, she's probably at her most fearful. But she's spent her whole life giving into fear, fear of loss, fear of rejection, fear of abandonment. She knows what it means to give fear power, so she chooses to give the power to Elora, to love, to hope, to finally believing in something greater than herself. And by choosing not to give into fear, she also inspires Elora to do the same. Fear no longer gets to control Kit and we shouldn't let it control us either.
Like Kit, Jade is completely stripped of everything she knows about herself. Her honor, her duty, her history, her beliefs, her identity, it all comes into question. But she had to lose all of the things that she thought made her Jade Claymore in order for her to truly follow her heart. You don't jump off the edge of the world out of duty. You do it out of love. Jade does it for Kit. Graydon does it for Elora. Elora and Kit do it for Airk. And while I don't think Jade fully knows what any of what she's learned means for her and her future, the one thing she does know for a fact at the end of the season, which was the only thing that she was uncertain of at the beginning, is that she is totally, ridiculously, desperately in love with Kit and that love is returned. It's like Elora said, love is the most power thing in the universe and Jade now knows that.
Graydon's quote, I find, is one of the most important quotes of the show. This is the story of the next generation learning from the previous one’s mistakes and trying to do better. All of our younger characters are forced to confront the mistakes of their elders, especially Willow, Sorsha, and Madmartigan’s. Kit as Elora’s protector and learning that love comes before dutiful sacrifice (her parents). Jade learning love before duty and honor (Ballantine). Boorman facing the mistakes he made with the older generation and making the better choice with the younger one. Going on this adventure with the others, Graydon is able to find his true self and make his own choices. Just because his father wants him to be one thing, doesn't mean that Gray has to be that. He gets to be his own man. You get to be who you want to be, not what your parents want.
Boorman desperately wants to be the hero of the story and that’s probably the source of a lot of his bravado. He feels shame for leaving Madmartigan for dead, for lying about his escape from Skellin, because it’s not a heroic tale. He was a teenager/young man when he went after the Cuirass with Mads. He was Jade once upon a time, a squire in service to Tir Asleen royalty. The problem is that Boorman thinks the cuirass is the only way he can be a hero and being a hero is the only way to make up for his mistakes. But the cuirass is not meant for him; it’s not his story. The way for him to come full circle and become whole is to make up for his sins against Mads by giving the cuirass to his daughter. He’s not the hero of this story, but I do believe he’s the hero of another.
Willow gives us another important message of the show that we've seen throughout the season. Our mentor's journey over the course of the season is to let go. Willow can't seem to accept the consequences of the past. The loss of his wife. The departure of his son. The loss of Elora. The fact that he never became the sorcerer he thought he was meant to be. All of this causes him to be incapable of training Elora with any sort of true openness or understanding. Where Elora needs freedom and a safe place to fail, Willow only provides restrictions and pressure. The world can't afford for Elora to fail. And if Elora fails, she dies. But in the end, it's only his ability to accept his failures and victories that allows him to help Elora grow to become the hero she needs to be. And it's an important lesson for us.
Airk is a character that could have easily played into his own trope of charming playboy prince without a care in the world, but this quote helps separate him from stereotype. In episode one, I'm sure we would all admit we all believed, like Kit, that Airk didn't know Elora's public name. But he did. And throughout his time resisting the Crone, Airk proved time and time again that he truly was honorable and that all he wanted was to be good. Madmartigan's departure and Kit's future ascension left Airk looking for his purpose and trying to prove to his family that he was everything his absentee father couldn't be. He does everything he can to be a good boyfriend, a good brother, a good son, a good diplomat, and, in episode seven, he does everything he can to be a good man.
Scorpia is an inspiration. She has lost so much, but still finds the strength to care deeply in the face of her grief. She's lost her mother, father, and several brothers and sisters, but finds it in herself to keep loving. She may be mostly concerned about her people, but it's their philosophy of life, of freedom and liberation (another analysis yet to be written) that sends her on a crusade to save all of those people in Skellin. Not just her people, but all people. And I think that will be important in the war to come. As much as Scorpia will want to avoid war, her belief in freedom for all and rebellion will convince her that it's necessary. The entire Wildwood episode shows us the joy and passion and freedom that's a stake, what's worth fighting for. There is no freedom under the Wyrm and Scorpia will not accept that.
I think it's important to discuss Sorsha and Madmartigan's quotes together, because they explain their mistakes as well as layer them with complexities. One of the things that kind of irritates me is when people paint Mads as saint and Sorsha as awful, because they're cut from the same cloth (Kit, I love you, but I blame you for this). At the end of the day, they were willing to make the hard sacrifices if it meant protecting their kids and saving the world. Neither one of them could have foreseen the harm that their choices would have, but they did what they thought was right. They are one and the same, united in their cause and parenthood. But every single choice also cost them so much sacrifice, the biggest one being their chance at parenting Elora, and I think a lot of people forget that, especially when it comes to Sorsha.
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