#taking turns part 2

[sinsandsweetness]

Please for the love of god write something about Rick chasing the reader down in the woods I’d DIE

(Rick and Daryl x fem!reader)

cw- reader already has a baby with the boys, reader being chased in a maze, threesome, smut, slight breeding kink… think that’s all…

notes- happy Halloween! This is a fun little one shot placed in Alexandria. It is a follow up of “taking turns” however you don’t need to read it to read this. It’s just the same relationship, a couple years later. I had a few requests for a follow up and for some chasing/hunting vibes so… here you go! I won’t lie this is a bit rushed and not proofread at all so I apologize for any errors or if it’s not my best… but i hope you enjoy and tell me what you think<3

“Alright,” Rick breathes out with a sigh, dropping the large box onto the ground. Daryl right behind him with another.

The kids run over. Judith, at just 4 years old, Gracie, Sam, Carl and a few of the older kids and teens in Alexandria. Your own baby coos in your arms. Incoherent, yet adorable babbles leave her mouth, with chubby little hands grabbing into the air in the direction of her daddy.

While Rick cuts open the cardboard box of costumes, Daryl sneaks away from the cluster of children, all way too excited to get their hands on a cape and a mask. Or a dress and a tiara.

“C’mhere, sweetheart,” he grabs your daughter from your arms. Immediately she’s smiling all big and giggling into his jacket.

“Were you good for your mama while I was gone?” He whispers against her dark curls before pressing a kiss to her head.

“She just missed you, I think.” You respond. In reality, she was fussy. You figured that would happen after two nights without her dad. Daryl definitely being her favourite parent.

The kids are noisy as they ooh and awe and fight over the Halloween costumes.

Rick finally makes his own escape with a costume cowboy hat on his head.

“Hey, officer,” you tip your head up for a kiss as he wraps his arms around your waist. Eager to hug you. To touch you.

He stays holding you for a moment. Just soaking in your warmth.

“Miss me?”

“Every minute.” He confirms against your mouth for one last kiss, before moving to kiss your daughters cheek.

“How’s our little princess?” He asks to no one in particular.

“She missed her daddies. Kept me up all night.”

“What?” Rick faked a shocked tone, “our little princess would never. That doesn’t sound like her at all, does it?” He runs his hand over her hair and plants a kiss on her head.

You roll your eyes but your smile peaks out anyway. The sight of your men being such good fathers will never fail to make you smile.

“Daddy! Daddy look!” Judith’s high pitched voice brings attention as she tugs at Ricks pant leg.

When the three of you turn to look, she’s dressed in a unicorn onesie. Adorable. A bit warm for the weather. But adorable.

Rick picks her up with a groan, “oh my goodness, almost too big for this, aren’t you?”

She nuzzles into Ricks chest, little arms wrapping around his neck.

“I think someone needs a little snooze before all the festivities tonight, hm? You feelin’ a little tired, Judy?” He asks her. You don’t hear anything but you see the white fluffy ears on her hood move up and down as she nods into her fathers shirt.

“This little rascal should have one too.” You nod towards your own sleepy girl, “I can go put em’ both down for a nap.”

“Nah, I’ll do it.” Daryl insists.

“Are you sure-“

“I’ve got it.” He scoops Judith up in one arm, balanced on his hip and very happy to be carried to bed. A snuggly little 6 month old on his other. He starts off upstairs and leaves you and Rick in the living room. Surrounded by a foam sword fight battle that appears to have ensued between a couple ninja turtles and a fairy Princess.

The whole reason for Rick and Daryl’s last run was to find these costumes. Among other Halloween decorations and as much candy as they could salvage. Anything to make it a special day. To show the kids what things used to be like. To remind the ones who did know, exactly how fun the holidays were. You weren’t even sure it was Halloween. Sure, the leaves were beautiful tones of orange and yellow, falling to the ground and crunching beneath your shoes. But you arent sure what day it was. Honestly, you arent entirely sure what month it is. However, according to Eugene’s calendar, It is in fact the 31st of October.

Ricks head tips low to your ear and he whispers an invitation to go shower. He needs to clean up. And he really wouldn’t mind some company.

“Carol,” he turns for a moment and nods to her in the kitchen, prepping some food for tonight. “Can you…” he motions to the living room full of children running around. Carol nods and you can hear her telling them to beat it and go play outside while you’re led up the stairs by the hand.

—

The party is supposed to start at 7. Carol offered to take your daughter for the night, to give you some time off. To have fun. To go to sleep early if that’s what you wanted.

It’s a bit cold out. So you’re in a cream knit sweater and some jeans. A pair of cheap bunny ears are on your head. Your daughter is dressed in the smallest costume you could find in the box, a plush orange carrot. And she’s the cutest carrot you’ve ever seen, that’s for sure.

There’s wine. Lots. And food. And candy. Eugene is setting up a spooky film to be played on a projecter in the middle of Alexandria. A few bonfires surround the yard, scattered with jack-o-lanterns. Carved and lit up with tea lights and glowing eyes.

It’s beautiful. Slightly spooky. And so familiar. It’s everything you remember about Halloween.

An arm snaking around your waist startles you as you sip on your wine. But the smell of smoke and leather soothes you quickly.

“Hey,” Daryl says. You turn to face him, only slightly confused as his voice is being muffled by something.

He’s wearing a mask. A scream mask more specifically. The rest of his attire is typical. His leather jacket on, though no vest tonight. Dark jeans and boots.

“Mmm, spooky.” You lean in and press a quick peck to the white plastic. You can’t see him smile under the mask, but you know it’s there.

Another arm wraps around your waist from the other side. It’s Rick. You know by the thick brown jacket brushing against you. He’s also in costume, wearing a Friday the 13th hockey mask.

“Well hello, Jason,” you tease.

“You scared yet?”

“Should I be?” You ask. Though you’re pretty sure you know the answer.

Rick opens his mouth to respond but is interrupted by some commotion from the yard.

Eugene has a microphone, standing on a picnic table and telling the crowd to sit down and get comfy. That the movie will be starting in two minutes.

“Well, are you two ready for some Hocus Pocus?” You ask.

They look at eachother through the masks. What the hell are they plotting?

“What…?” You finally ask.

“We were thinking… maybe we could do something a little different.”

“What, you wanna watch something else?”

“Not quite,” Daryl chimes in, “we were thinking that while everyone is watching the movie, the three of us can make our way through the corn maze.”

The maze is outside the walls of Alexandria. A bit dangerous, but it was part of the fun. The kids had all had their turns in it earlier in the day, heavily supervised by adults and parents. Ones with weapons and training for situations outside the safety of the walls.

“You want us to all get lost in the maze?” You bite your bottom lip and smile.

“We want you to get lost in the maze,” Daryl corrects you.

Rick dips down to your ear and lowers his voice, “and we’ll try and find you. Play a little game.”

“Grown up hide and seek?” You ask. Heat raising to your cheeks at the thought of what they want to do once they find you.

“Exactly.”

You swallow, looking back to the yard where the kids are all lid out in sleeping bags and on blankets. Focused on the film playing in the dark.

“Ok.”

“We’ll give you a two minute head start,” Rick hands you a switch blade. Just incase. Nodding towards the back fence, where you know you can sneak out without being caught. Your heart is already starting to race a little at the thought of having to hide. At the thought of them searching for you. Hunting you down. And Daryl’s little comment when you start off towards the fence doesn’t help either,

“Good luck, little bunny.”

—

It’s pitch black when you reach the maze. Actually, as soon as you made it over the wall and into the woods, it was dark. But inside the maze, the stalks of corn all towering over 10 feet tall and fluttering creepily in the breeze. The only light you can see is a faint glow from the moon. And even then, it’s only when you’re out of the shadows.

You walk into the maze. Immediately met by multiple twists and turns. You weren’t one of the supervisors earlier, so you really didn’t know the route. The straw and leaves crunch under your feet as you walk further into the maze. A quick, brisk walk trying to find the best place to hide. Or, if you’re lucky, to find the end of the maze before the boys even get in.

But you know that’s unrealistic. And you’re sure your two minutes must be up because you can hear them. Footsteps and muffled voices behind a couple walls of corn. Shit.

You start to walk faster. A borderline jog at this point, trying to keep your footing light.

It didn’t occur to you until now how easy it’ll be for them to find you. Daryl’s a hunter for Christ sake. He’ll be able to track your path through the maze in no time.

They’re closer.

Fuck.

You have to run. You can hear their voices. They’re so close.

“You’re gonna have to be quicker than that, baby.” Ricks voice rings out towards you. He’s on the other side of the wall. Through the thick corn stalks and the pitch black of the night, you can’t make out exactly where he is. But he’s close.

You run.

And they follow right after.

The sound of their footsteps is clearer and clearer the further away from Alexandria you get. And the further into the maze.

You shriek at the feeling of a hand on your sweater, jolting forward and starting to sprint. It was Daryl. He’s behind you.

And though him and Rick are both stronger, you have one advantage. You’re faster.

Over your shoulder as you sprint you can see them. White masks still on, glowing in the moonlight.

“Fuck”, you swear to yourself when you

come to a dead end. You only have two options. Turn around, or be caught. They couldn’t be more than a few seconds away.

Without really thinking, you shove your way through the stalks. Catching on every leaf and stick, but ultimately coming out the other side without a scrape.

You can’t celebrate your quick thinking victory too long because you still hear them.

“Split up,” Daryl whisper shouts at his friend, and with their footsteps scattered, it’s even harder to tell where they are.

Fuck.

You keep going. You take a left. And then a right and another dead end. Shit. Is this … is this the same one?

You turn back and take the left instead. But it’s another dead end.

What the fuck?

You’re lost. You don’t even know what direction you came from anymore. Circling the same two dead ends before you finally take a right that leads you a couple meters further than the other options.

You hear a stick crack on the ground behind you, but there’s no time to see who it is.

You turn the corner fast with your heartbeat so loud it drums in your ears.

“Shit,” you stumble right into a brown jacket in front of you. Arms wrapping around you and picking you up. You scream.

Someone warm presses against your back as your feet touch the floor again.

You’re trapped.

“Gotcha,” Daryl’s gravelly voice is already in your ear.

You’re breathing heavy in their hold, sandwiched between the two men.

Their hands grab at your sweater and start to roam.

“Take this off,” a voice demands as you struggle against their arms,

You try for a moment to reach the mask covering Ricks face. But Daryl, or maybe Rick’s, hands are clamped on your wrist.

It’s claustrophobic, but you don’t entirely mind. As long as it’s their arms your trapped between, you’ll never complain.

They don’t kiss you. They can’t. But everything about their demeanour is screaming that they want you. That they want to be in you.

Hands gripping and tugging at your jeans. Your hands snake around Ricks neck in front of you as they peel your jeans down your legs. The air is cold and gives you goosebumps, but your legs wrap around his waist immediately. Daryl’s bulge pokes at your ass while his hand trails under your sweater to pinch your nipple. Ricks pants are tight as his own bulge rubs against the thin fabric of your panties. Your jeans long lost to the straw and dirt ground underneath you.

It doesn’t take long for them to get you how they need you.

Granted, the three of you did have a lot of practice. Your panties swiftly ripped off by the man behind you who wanted more access. The cold metal of both their belts hit your skin.

And with little preparation other than some spit and arousal, you’re stretched to the max with both men. Both holes filled with very little regard for your comfort.

They know you’d say something if it really hurt.

But it hurts so good. The pain of being so fucking full. Stretched to a limit you’d experienced over a dozen times, but no matter what, it just never gets any easier.

“Wanna kiss you,” your voice comes out in wet gasps, lips brushing the plastic of Ricks mask. One hand trying for Daryl’s hood, reaching awkwardly around. You need their touch. Their lips on your lips. Tongues tracing each-other and fighting for dominance.

They’d win.

They always do.

The three of you find a rhythm quickly. Hands on your thighs, holding you up and using you as leverage to pound as fast and hard as they could. Your moans and their grunts fill the air as pleasure starts to swirl low on your abdomen.

“Please,” your head tips back in ecstasy. “Please, please,”

“Please what, sweet girl?” The cold plastic of Daryl’s mask brushes your ear.

“Please- want- uh,” you’re interrupted by sharper thrusts from the two men, catching you off guard. Their both picking up their pace.

“Speak up, darling.” Rick demands, nails digging into your hips.

“Fill me up,” you gasp again. “Want it so bad, Rick, please.”

You squeeze your eyes shut, trying to focus on the swirl in your stomach. The one that keeps getting warmer and warmer and warmer until-

“I’m cumming,” you tell them as a courtesy, but you don’t have to. The way you’re involuntarily clenching down around them gives you away far better than a couple raspy words.

“You really wanna get filled up, baby? Bred like the little bunny you are, huh?” Ricks words send you over the edge and a hand toys at the fluffy rabbit ears that are shockingly still secured on top of your head.

You’re out of words. Too stimulated to talk. So you just nod in agreement. Yes. Please. Please.

Their hips stutter to a stop and warm liquid seeps out to drool down your inner thigh.

Breathing heavy, you’re lowered back to the ground, colder now. without the friction of their bodies.

“Here,” Daryl grabs your jeans from the ground and dresses you again. His soft side peaking out now that he’s had his release. Your shoes are back on and your legs a little shaky, and finally, the boys finally take their masks off. The whites of their eyes are bright in the moonlight.

“You alright?” They both ask you as the three of you somehow manage to find your way back out of the maze.

“A little cold…” you smirk.

“But we didn’t-we didn’t scare you too bad right?”

“No.” You smile, “Don’t know if I could ever get that scared by you too love bugs.” You tease, arms wrapping around their waists and pulling them in close to you.

“Pfft,” Daryl brushes off the comment and Rick only smiles.

“Well if we didn’t scare you, then maybe next time we oughta try a little harder.”

“Next time?” You ask. The thought already going straight between your thighs.

The boys share a look over your shoulders that can only mean one thing.

“Hey, baby,” Rick catches your attention, hand guiding you towards the community gates by the small of your back as he searches in his jacket pocket for his keys. “You ever been to a house of mirrors?”

#rick x reader #rick x you #rick x y/n #Rick grimes x reader #Rick grimes x you #rick grimes x y/n #daryl dixon x reader #Daryl Dixon x you #daryl dixon x y/n #Daryl x you #Daryl x reader #rickyl x you #rickyl x reader #rickyl x reader smut #rick x daryl x reader #rick x reader x daryl #taking turns part 2

[synvelesow]

traditional funger art requests part 1

#part 2 probably coming tomorrow #someone take away this mans smiling privileges hes turning into the creepy cat !!! #i really should draw olivia more shes so cute #tried experimenting with crayons a bit ehehehe #thank you everyone for sending in asks! #fear and hunger #fear and hunger termina #fear & hunger #daan #fear and hunger daan #my asks #art requests #synvelesow art #marina #fear and hunger marina #karin #fear and hunger karin #olivia #fear and hunger olivia #olivia haas #karin sauer #daan von dutch #marina domek

[blueish-bird]

Chainsaw Man is about self-destruction. It’s about self-destruction as a means of reclaiming your autonomy in an environment where you are consistently denied it. Chainsaw Man is about denial of autonomy. Chainsaw Man is about how, when you are in an environment where you are denied your own autonomy, you learn to view interpersonal relationships as interactions you have no control over unless you find a means of controlling the other members of that relationship — whether that be through methods of fight, flight, freeze, or fawn. Chainsaw Man is about how denial of autonomy is framed as love. Chainsaw Man is about how love that denies autonomy is violence.

#chainsaw man #csm #csm part 1 #csm part 2 #guess who just read the new chapter #going to write a ‘society of the spectacle’ type book except it’s just exploring the themes in csm #I love repetition #my csm thoughts #my csm analysis #meposting #autonomy #self-destruction #seeing Denji consistently turn his saws on himself in part 2 hurts ough #maladaptive coping mechanisms yk #destroy yourself to destroy those who hurt you #when I wish he was able to take care of himself in spite #but the situation he’s in.. doesn’t rly allow him to do that #csm denji #csm 152

[toxintouch]

AIS: MOUNT OF VENUS

Relationship: Ais/Unspecified MC, relationship dynamic up to interpretation. (Ais caught feelings for sure.) CW: light bloodplay fantasy *squints*

The Mount of Venus is the part of the hand which is most biteable used in palmistry as a representation of family, desire, and love.

Read on Ao3

It takes him a few weeks to notice. He's wrapping his knuckles with bandages, covering skin newly cracked and bleeding and (thinking of you, how you must do the same ritual) bruised from another bar brawl.

He flips his hand over as he works, eyes following the winding pathway of gauze when he catches the silvery glint of a fresh scar against the skin of his palm.

He blinks at it, face blank as he searches his memories. The only altercations he's been in have been unfulfilling. The only damage that's been done to his body has been a result of his own flesh giving way beneath the force of his own blows. The last time anyone else even managed to make him bleed at all would have been…

He feels his fangs prodding against his lower lip as he grins. He's absolutely feral with the thought that you've marked him, the knowledge simmering hot and pleasant and wild in his gut.

He'll have to pay you back, he figures, fantasizing about just where on your skin might best bear the brunt of his teeth…

–(a thought comes bubbling up, unbidden, a more permanent way to mark you, hold you down and press a vial to your lips, let you bite into his fingers as he pries open your jaw, his red blood mixing with the red red red of the sea spring, both pouring down your throat as he drags you down into His depths,)–

Ais huffs a breath into the emptiness stillness of the shrine surrounding him. Time has passed indeterminately. The air has shifted with the sobering cling of nightfall. He had a pot of tea brewing, but the results of his efforts are unusable, over steeped.

He pours the contents out.

. . .

#*throws some bird food into the sea spring for the ais enjoyers* #“Ais having a normal one.” #touchstarved game fanfic #touchstarved game #but imagine if the bite scars -- the game takes the time to point out that Ais has like no scarring except his brow i am FERAL about this #was originally longer but i hated the rest of what I wrote but I think it's bc I toned down the spice when I shoulda turned up the heat so #part 2? confrontation. turn up heat. ??? I Am Thinking. #leaving Ais a scar is a proposal to him probably idk i do not make the rules :) #toxintouch writing

[willyhoos]

NAOMI: …Everyone should join me. I'm... so... lonely... YUKA: Big brother, I'm so lonely...

two different girls, two different deaths, only one thing to say to the boy who failed them.

#corpse party #corpse party rebuilt #satoshi mochida #naomi nakashima #yuka is there..... in spirit ;DDDD #get it bc shes dead. this is the ending where both naomi and yuka dieeeee #anyway i know this ending was ported in PART to bloodcovered but like... not the naomi part... thats the BEST part... ig it just didnt work #something about satoshis greatest fear being that theyll be lonely . #also he let both the girl he loved and his little sister die by his cowardice. #no wonder hes feelin haunted lol. also hes literally being haunted. #interestingly it takes .5 seconds for ghosts (even nice ones like yuka and naomi) to turn evil in rebuilt?!!??! they NERFED the school l8r? #it takes. so. long. in the other games. not here. ^_^ its been 5 minutes naomi has made up her mind she wants 2 kill now. #i will always love rebuilt :3 #my nyart #ofc i have 180000 alternate versions ig ill put em on insta as usualllllll #i miss queue #as always i am queueing bc its 3 am

[lesbiancarat]

want to give my two cents on the AI usage in the maestro trailer--

i think seventeen doing a whole concept that is anti-AI is very cool, especially as creatives themselves i think it's good that they're speaking up against it and i hope it gets more ppl talking about the issue. i also understand on a surface level the artistic choice (whether it was made by the members, the mv director, or whoever else), to directly use AI in contrast to real, human-made visuals and music in order to criticize it. i also appreciate that they clearly stated the intention of the use of AI at the beginning of the video

however, although i understand it to an extent, i do not agree with the choice to use AI to critique AI. one of the main ethical concerns with generative AI is that it is trained on other artists' work without their knowledge, consent, or compensation. and even when AI generated images are being used to critique AI, it still does not negate this particular ethical concern

the use of AI to critique also does not negate the fact that this is work that could have been done by an actual artist. i have seen some people argue that it's okay in this context because it's a critique specifically about AI, and it is content that never would have been done by a real artist anyway because it doesn't make sense for the story they're trying to tell. but i disagree. i think you can still tell the exact same story without using AI

and in fact, i would argue that it would make the anti-AI message stronger if they HAD paid an artist to draw/animate the scenes that are supposed to represent AI generated images. wouldn't it just be proof that humans can create images that are just as bad and nonsensical and soulless as AI, but that AI can't replicate the creativity and beauty and basic fucking anatomy that's in human-made art?

it feels very obvious this was not just a way to cut corners and costs like a lot of scummy people are using AI for. ultimately it was a very intentional creative decision, i just personally think it was a very poor one. and even if some ethical considerations were taken into account before this decision, i certainly don't think all of them were. at the very least i feel like the decision undermines the message they want to convey

i would also like to recognize that i myself am not an artist, and i have seen some artists that are totally on board with the use of AI in this specific context, so clearly this is not a topic that is cut and dry. but generative AI is still new, and i think it's important to keep having these conversations

#melia.txt #also want to add that as musicians svt are more directly threatened by AI generated audio than they are by AI generated images #and yet AI generated images is what was used in the video #and i guess the MV director/production company are the ones directly responsible for putting that in there #whether it was their initial idea or not #and they work in a visual medium so perhaps that makes it more 'fair' but idk it just feels like #the commentary is around music. which makes sense. and using human produced music/sound #but then taking advantage of AI images #idk just feels weird #i mean i don't like it either way #like i said in the main post i understand the intention behind the creative decision #and i'm still happy svt are speaking against ai at all i do think overall they're doing a good thing here #i just don't agree with the creative decision they/the production company/whoever made #edit: deleted the part about not boycotting svt over this bc ppl were commenting about boycotting bc of the 🛴 stuff #i meant specifically /I/ am not calling for a boycott because of specifically the ai stuff #was just trying to make a general point that im not making this post bc i want to sabatoge svt or whatever #bc kpop fans love to pull that catd whenever u criticize anything #so yeah just removed that bit bc i dont want ppl getting confused what im talking about #respect ppl boycotting because of scooter/israel stuff but thats not what this post was intended to be about #edit 2: turning off reblogs bc im going to bed and having asomewhat controversial post up is not gonna help me sleep well lol #may or my not turn rb's back on in the morning

[puhpandas]

Rabbit Burrow

(3,785 words) Part 1 (part 2 found here)

Tony Becker, one year after surviving the attack from GGY, tracks down Gregory post-SB. But he has to get through Vanessa before he can get to Gregory.

Tony likes to think his detective skills are pretty good. So when he swings a leg over the seat of his bike and wheels it near the entrance, he hopes it's the right place.

He'd tracked down Gregory to this apartment complex somewhere in Gale county. It's still in Hurricane, and Tony had been able to reach it with just a bus ride. The apartment is somewhat run-down, but clean enough to where you can tell it's well kept, just old. The air conditioning units he passes on the way to the front door are brand new.

He'd taken the closest bus to Gale county right after school let out. He'd been restless all day up until finally acting on his findings. Tony has been searching for Gregory for a year. Finally finding something and having to wait for his middle school day to end was agonizing. He just hopes his Mom and Grandma wont be too mad at him.

He'd wrestled his bike he'd ridden to school that day discreetly onto the bus and wedged it in-between his legs and the seat in front of him. The air had been humid and thick all day with the signs of a storm, and Tony had seen the dark clouds and heard the thunder peeking over the treeline outside the bus window on the way here. He ducks inside the front door and beats the rain by seconds.

"Can I help you?" The receptionist asks him, giving him a weird look when he steps inside. Shes a lady with long, styled black hair and covered in jewelry. Tony tries not to look too suspicious as he sends her a polite smile, heading to the elevator on the wall to the left. He would also be wary if someone he'd never seen walked into a resident building.

"Just seeing an old friend." He tells her. He presses the button to the third floor and tries to break her gaze by stepping behind the closing doors. The elevator shakes a bit before moving up.

He tries to take a deep breath. Theres some kind of excitement floating around in his chest at the fact that he's done it, but he pushes it down, lowering his expectations.

Despite his theories, he really has no clue what to expect. Theres some sort of worry mixing with the excitement, and all he decides is that if he escaped once, he can do it again.

It both took too long and not fast enough when he finally reaches the third floor. He double checks his crumpled sheet of notebook paper in his hand once, then a second time, something nervous but anticipating thrumming in his veins.

He steps onto the beige carpet of the long hallway, fresh vacuum marks in it, and follows the number plates by each door before coming to a stop near the middle of the hall.

3-05 The plate reads back to him. He quadruple checks his paper again. Its right.

He sighs out deeply, not even realizing he was holding his breath. Despite himself, his brows crease ever so slightly.

He shakes it away, pushing past it. Maybe digging too deep is what got him into trouble before, but its different now. Tony... Tony's learned things during his search for Gregorys location. If there was any point during his investigation that he would call digging too deep, it would have been months earlier from now.

Besides. Tony has always been bad at staving off his curiosity.

He thunks his knuckles on the white wood of the door quickly after that, three times in succession. He kind of bluescreens for a second when he realizes what he just did, then shakes it off. Waiting with wide eyes at the door, watching for a rattling of a doorknob or listening for incoming footsteps.

Nothing. He waits a few more minutes before knocking again, this time a little louder and harder.

Tony perks up when footsteps finally near the door, and his lips part prematurely when the doorknob rattles, not even put-together words yet on his tongue. They fall away immediately when a woman with blonde hair pulled back in a ponytail opens the door, one of those chain locks keeping it open maximum of three inches. "Hello?"

He stutters for a moment, words lost on his tongue, before he clears his throat, putting on a polite smile. "Hi, there." He says. "Um. Who are you?"

"I should be asking you that, kid." The woman raises a brow at him, never opening the door more than the chain lock allows it. She peers at him through the gap, and Tony tries as discreetly as possible to look past her head and shoulder into the apartment itself. "What are you doing here?"

When he looks back, shes still looking at him in a way Tony can only describe as cautious. The light in the hallway on the ceiling is flickering, and it casts split second shadows on the womans face that makes the bags under her eyes that much more prominent and her face that much more intimidating. "Well?"

Tony realizes he hasnt answered, and coughs slighty. "Oh. Sorry." He says, reluctant to continue. "I'm... I'm looking for Gregory."

Tony watches intensely to see if the name rings a bell or catches her attention. Just as he expects, her face twists ever so slightly in recognition. Tony catches something adjacent to panic or fear in her eyes until it's gone not half a second later.

"Who's asking?" She asks eventually, voice carefully even after a what appeared to Tony to be a mini conundrum in her head.

"His friend." He answers honestly. He ducks his head when the woman scrutinizes him, looking almost angry, but restrained enough to not show it. "I mean it," He says earnestly. "he and I... we were best friends. Last year. I came here to look for him."

Her eyes widen ever so slightly at that, and she studies him, eyes flicking back and forth over his face and his clothes and his hair. Tony doesnt miss the way her eyes linger for a millisecond on his scars. Its silent in the hall save for the two looking at eachother, and the buzzing of the flickering light on the ceiling is enough to save him from hearing his own heartbeat.

"Okay." She says eventually, and Tony subconsciously feels himself sag a bit at the relief that he won't turned away right as he was this close. She shuts the door without a word, and all Tony can do is stare at the peeling landlord white paint on the door as the sounds of the woman unlatching the multiple locks on the other side reach his ears. He waits patiently, until she cracks the door open not much wider than it had been with the lock, but just enough to fit his body in. "Come in. But no word to anyone. Got it?"

About what? Tony's about to ask, but then he steps through the door and the words die on his tongue.

"Oh." He says outwardly when Glamrock Freddy Fazbear sits on the couch. His body is adjacent to the patchwork quilt Tony has on his bed that his Grandma made him, and any of the makeup he had been painted with has long since scratched off.

His eyes are shut, and theres two jump cables attached to his ears that are plugged into a portable something. He doesn't so much as twitch when Tony enters the room.

The woman gives him a look after she re-locks only the deadbolt behind him and passes him into the apartment. "Oh." He repeats. "Not a word."

She nods at him, and it's only now that Tony can see the rest of her that isnt just her face. Shes in her twenties, if he had to guess, and she has a white tank top on with some sort of stain near the collar along with Hello Kitty fleece pajama pants. Her socks are mismatched and her nails are painted a purple color that could rival the deep bags under her eyes.

She collapses into an armchair (which hes pretty sure has a mismatched leg attached to it half-hazardously) and only looks at him silently as he steps further into the house, not so discreetly angling his body to get a peek past walls and open doors across the house.

Shes about to speak when Tony does first, "Wheres Greg?" He asks straight up. "Can I see him?"

Her lips twitch, and she just leans further back into the chair. The TV is playing some sort of Spring baking show, and the droning of the host mixes with the pattering of the rain on the window on the wall by the TV.

Anticipation and impatient-ness buzzes under his skin at being right here, and this woman undoubtedly knowing Gregory certainly doesnt help.

She only hesitates for a moment, but Tony can see the influx of thoughts that undoubtedly ran through her mind. She opens her mouth, taking a slow breath, before, "At school."

"He goes to school?" Tony gasps slightly, eyes widening. He moves to the couch, toeing past Freddy Fazbear as to not touch him even with just a brush of his jeans before sitting down, facing her. "What school?"

"He goes to Raindrop." The woman tells him, seemingly not hesitating this time.

It doesn't ring a bell, but it must be a middle school in Gale county. "...I go to Hailstorm." Tony says. "We both did. Or used to."

She stares at him after that, fingers drumming on the arm of her chair. She says nothing, just scrutinizing him, before, "You sure have a lot of cryptic ways of telling me how you used to know Gregory."

He wants to apologize, because it seems like what to do in response to that statement, but for some reason, that feeling in his gut he's learned to trust as his Detective sense tells him that he shouldn't.

Shes still looking at him intensely, and the rain outside pattering on the window somehow feels louder. There's some thunder outside that rumbles the floor, and the lighting casts a shadow on the living room. A few white lines across the coffee table caused by the blinds covering the window.

Her face doesnt so much as twitch, he notices, and she doesn't blink when she looks at him. Her green eyes bore into him, almost glowing in the shadow cast beneath her bangs. It reminds him of how he'd done to her not minutes ago. What he does to people he wants to analyze. To see how they react to something.

That's what shes waiting for, he realizes. He has a feeling that if he doesnt match her cryptic bluntness and instead apologizes and caves that easily, that it will somehow result in her turning him away.

Theres a glint in her eye when he becomes aware of reality again enough to look, and he thinks she somehow just came to the conclusion that Tony figured it out.

Then, he tries to sit up a bit straighter, and muster up that same glint mirroring back at him. "You sure have a cryptic way of letting me know you dont trust me."

Her mouth twitches slightly, but its all Tony needs to know he'd guessed correctly.

Its silent for a moment, and the woman grabs the remote on the next arm over and pauses the baking show she'd been watching. She shifts in the red velvet seat, as if getting comfortable, before, "Tell me how you know Gregory, and I'll tell you how I know him."

He has a feeling he isnt getting to Gregory unless he gets through this woman first, so he clears his throat, leaning his forearms on his knees.

"Me and Gregory met early last year at the beginning of the school year." He begins. "Right after summer ended in August. He was the new kid, and he sat at our table at lunch since it was mostly empty. Me and my friend arent the most popular, so there was room to spare."

She waves a hand, signaling him to stop. "Your friend?" She asks. He nods. "How many of there were you?"

"...Just me and E-- my friend." He says. "There were two of us, and when Greg sat at our table, we remembered how he looked a little lost earlier in class and we introduced ourselves. Then we just... clicked, I guess. He would partner with us in creative writing."

"Writing, huh?" She smiles slightly.

"Yeah." He replies. "Then, it was just business as usual for the months afterwards." He pauses, fidgeting with the hem of his jacket he loves so much that reminds him of the trenchcoats big city investigators wear. "Then... I had gotten wrapped up in this mystery."

She shifts, crossing a leg over the over and holding her hands together. "A mystery?"

Tony nods, remembering it like it was yesterday. He thumbs the part of arm where a scar is on his arm that his jacket covers. "The three of us would always go to the arcade in the Pizzaplex." He tells her. "And one day, I noticed high scores that seemed impossible to reach, and I became obsessed with solving who it was who had gotten there."

Tony thinks hes very good at reading people. So he doesn't think it's just his imagination when the woman in front of him goes a little rigid in her seat.

Theres some sort of creases under her eyes, Tony notices, that weren't there before.

"What did you do?" She asks.

Tony has a feeling that she somehow knows already. So he doesnt beat around the bush.

"I solved the mystery, eventually." Tony says. "Because GGY had been Gregory, and he'd invited me to the Pizzaplex and tried to kill me."

She sags a bit, looking somehow infinitely more tired, but no surprise detected. "But you survived."

"Not..." He shakes his head, picking at the skin by his fingernails. "I wouldn't have. If not for Greg saving me."

"Huh?"

"He--" Tony searches for the words, looking at the carpet between his knees and remembering that afternoon in every vivid detail he'd looked over countless times before. "He'd tried to kill me, yeah, but... he was almost fighting himself as he did it. He was like having a fistfight with himself."

He doesn't look up at her, he just keeps remembering how Gregory had gone rigid right before plunging the knife into Tony's gut a second time and stopped himself. How it had looked like somebody yanked Gregory backwards, but it had been his own self throwing his body. Just so he didnt hurt Tony again.

"He looked like he was a malfunctioning robot." He recalls. "He was like, hitting himself, and was making noises like he was fighting something. I was too frozen to move at the time, but then he threw me a really high security pass for the Pizzaplex and told me to run."

Then he had collapsed in front of him, like he was holding himself down. He doesn't tell the woman, though.

He looks back up to see her staring, eyes wide in suprise. She looks deep in thought for all but a few moments before shaking herself out of it. "So what did you do?"

"I ran." Tony says. "He had got me already. He stabbed me in the back, the first time. That was how I knew he was attacking me in the first place. But I ran away with the pass, and I went to a room with a ton of monitors and erased the security footage."

Her eyes blow wide as saucers, that time. "You got stabbed," she begins. "and instead of getting help, you erase the security footage?"

"Yeah." Tony nods. "Greg would have gotten in trouble if I didnt."

She's silent, after that. Tony just keeps picking at the skin on his fingers. "I somehow knew that Gregory didnt deserve to be. He just..." Tony trails off. "He didnt seem..."

"Seem like himself?" She suddenly cuts in, and Tony's eyes widen.

He nods, a small tilt of his head, and the woman sighs. "That's what being mind controlled will do to you."

A year ago, probably longer by now, Tony would have never believed that. He would have never thought something so outlandish that is only ever shown in fiction could be a possibility.

Not that he was wrong, to. Really, anyone in their right mind wouldnt think so. But things have changed since then.

And Tony has seen a lot of things during his search that probably nobody else has. Plus, This woman has been so cryptic up to this point. If she told him this straight up, and it's clear that she knows Gregory...

Suddenly, everything that day seems to make perfect sense. And everything he'd found that he'd filed away into his little mental Gregory crazy wall.

(He'd used to call it evidence wall, like normal people do. But, well, at some point, maybe Tony had thought the things he'd been finding were a bit too crazy to deem as normal.)

Theres been a stretch of silence while Tony had been taking that in, and he only breaks it to say, "Is mind control a topic you're familiar with in this house?"

Her eye twitches, a bit. And now that Tony is looking for it, he notices that same strange sheen on her eyes that Gregory had during their friendship. That weird red tinted film that makes their eyes turn a completely different color when the light hits them right.

Tony doesnt yet understand how the mind control Gregory had been under works, but all he can hope is that there are some side effects.

She stares at him, eyes narrow, and theres another roar of thunder outside the window.

"Who are you?"

"Tony." He answers. "Tony Becker. Ring a bell?"

She hums, and she looks at him in a way where he feels like he's being dissected.

"He didnt remember anything for a while." She says eventually. "But hes been having dreams, lately. Sometimes he talks about two kids he used to be friends with."

"Me and Ellis." Tony's eyes widen. It doesn't even occur to him that he shouldn't share Ellis's name.

"He worries about you." She says. "I've heard him say he hopes you're okay. You and that other kid. You must have been close if he remembers being that good of friends with the two of you."

"We were." Tony replies. Memories of him, Ellis, and Greg going to the Pizzaplex and trying to get the most dunks in the basketball hoops flash in his mind. He thinks about when Gregory would come over to Tony's little run down house that he shares with his Grandma, and they write graphic novels together for the fun of it.

Gregory liked to call them comics before he'd suddenly decided that stuff wasnt cool anymore and stopped coming over. It had been like everything Tony saw him enjoy that wasnt painfully average for a child suddenly didn't mean anything to him anymore.

And then Gregory tried to kill him in a dusty back room.

Everything hed given up seems to make more sense now. It wasnt willingly at all.

"He doesn't remember your names." She speaks up suddenly, ripping Tony out of his thoughts. "But he remembers more and more every time he has a dream. Something reminded him of you one day, I guess. That must have been when it started."

Tony opens his mouth, but the beeping of a digital clock interrupts him. He follows the womans arm as it reaches across the seat to turn it off.

The time reads 5:00pm.

He watches as she looks over at him, and nods to the door. "After school activity." She informs him, getting up out of the seat. His eyes follow her as she moves towards the front door. "I'm his ride."

Tony's eyes widen at the implications. "So I just--"

"Stay here." She tells him. She grabs a flannel off of the small coat rack by the front door and slips it on, sliding some Adidas sandals on top of her socks and reaching in the pocket of the coat to grab car keys. She pulls them out, and Tony notices that theres a keychain of a white rabbit dangling from the key ring.

The breath is suddenly stolen from his lungs, and he bolts off of the couch, a buzzing under his skin. "You're bringing him?"

She nods to Freddy Fazbear. "If you can wait." She smiles at him, and it's the first time Tony has seen her smile, instead of the carefully kept nonchalant-ness. "He'll wake up pretty soon once he's done charging. So you won't be completely alone."

Tony doesnt know what to say to that. Thousands of words spawned from the thousands of thoughts hes had about finding and tracking down Gregory are on the tip of his tongue, but he only gets any out when the woman begins to leave the house.

"Wait!" Tony reaches out a hand. She turns around, a brow raised. The door is still slightly ajar, and the sound of heavy rain reaches his ears. "What's your name?"

She smiles a bit at the question. "Vanessa."

"Vanessa," He asks, oddly desperate. "Dont tell him I'm here." He swallows. "I want to see him remember me."

Vanessa tilts her head, but nods after a moment. "Sure, kid."

She smiles one last time on her way out, and says, "Tony Becker."

The sound of the rain outside disperses when the door shuts and locks, and Tony doesnt move for a long while. He just stares at the landlord white door, electricity under his skin and something floaty in his stomach.

Greg. He thinks in his mind when he finally rips himself away and looks around some more, seeing a door propped slightly open down the hall with a bed and a desk with pencils and paper strewn all about. He doesn't dare go in, but stares at what he can see. Its been a while.

The silence is numbing, when he can only hear the faint whirring of Freddy Fazbear on the couch next to him and the rain on the window, he plants himself on the couch cushion next to the animatronic, grabbing the remote and resuming the baking show Vanessa had been watching.

He doesn't listen to a word. He just trembles with anticipation and bobs his leg up and down as he stares at a random corner of the screen.

ao3 link

#i had a lot of fun with this one. if you need help understanding the strange interactions between tony and vanessa #its supposed to be a right of passage i guess. vanessa doesnt want anybody else to get involved #or to drag back any of the vanny & ggy stuff. #not if theyre not serious. so if tony had apologized #it would have shown vanessa that she shouldnt humor him and to just turn him away so he doesnt get involved #because he'd just be a scared kid looking for his friend. #but tony matching her and showing that he understood the test and is still serious about it #& he also matches with gregorys descriptions #shes like alright you can know. #theres meant to be a part 2 to this little oneshot thing where gregory and tony actually reunite #but i still need to plan it out. ive been obsessed with detective rabbit reuniting for a bit now and wanting to write it so #it shouldnt take too long. but no promises lol #just wanted to write tony and experiment with something new and this happened :) it was fun #my fics #pandas writes #tony becker #fnaf gregory #detective rabbit #ggy #tales from the pizzaplex #twoshot #gregory #tony #ellis #vanessa #3 star fam #freddy #also rabbit burrow is a reference to the saying rabbit hole #but i made it burrow because like tony said #he crossed the line a long time ago

[compacflt]

wip wednesday: the final wip wednesday :’)

bonus:

#thank you all for reading & putting up with these over the last year. #finished now. #part one of the extras will be posted either saturday or sunday #depending on how many all-nighters i need to pull to finish the final pass edit of the existing fics #then part two will be posted the saturday after that. #then that’s it. #then it’s goodbye. #1. the calm before the storm #2. this section is one of my favorites. gloves-off with the rhetoric here. im gonna tell you exactly how i feel about ice #let it be noted that Truman fired macd’s ass for wanting to turn koreas DMZ into a sea of irradiated cobalt sooo. take it for what you will #3. the calm after the storm #4. saying goodbye #bonus: re-swearing the Oath #pete maverick mitchell #tom iceman kazansky #carole bradshaw #bradley rooster bradshaw #icemav #top gun #top gun maverick #top gun fanfiction #i have a midterm worth 50% of my grade later today wish me luck. i will not be sleeping this week #about to drop 120k on you over the next two weeks btw. compacflt’s last stand.

[raayllum]

2x02 / 5x09

#me to claudia always: stop it. get some help #tdp claudia #2x02 #5x09 #claudia continuing to cannibalize herself & others. yeah #dark magic #arc 1 #arc 2 #parallels #claudia #what was my s4 meta? as claudia continues to take on more animalistic parts in her spell #it reflects the way she's turning herself into dark magic ingredients? yeah. Yeah #mine #some things never change #and they should lmao #anyway this was the Parallel

[marsberryart]

dorlily assassins au comic 🖤

bc they’re so enemies/ rivals to lovers

this was dedicated to @ CUNTILYPOTTER on twt for their bday 🫶🏼

#marauders #marauders era #fanart #marauders fanart #dorcas meadowes #lily evans #dorlily #dorlily nation rise #one day dorlily will become popular i have hope #but anyways they’re so rival assassins coded #imagine them always taking the others job until they’re assigned to kill each other #and then instead of killing theyre kissing??? #like be gay do crime turned into just be gay?? #but I hope I get the motivation to do a part 2 to this #because making comics is fun #and I love dorlily #i need u guys to see the vision

[februaryberries]

#aziraphale #aziracrow #crowley #good omens 2 #good omens 2 spoilers #<- not really #but just in case ???? #if u missed it neil answered an ask abt other scenes from the past and eras we could have seen #1960s female presenting aziracrow was mentioned #im never going to be the same #i will literally sell my soul #neil take my money pls #it’s so important to me #i wish i knew how to draw already so i could draw this #but i know it won’t turn out how i want it to #can’t wait for the 5 course meal of fanart this idea is gonna prompt #the only time i’ll call myself a girl is if it’s part of a meme LMAO

[sinsandsweetness]

hi guys. Just a lil halloween fic sneak peak:)))

#taking turns part 2 #Halloween fic #rickyl x reader #sneak peak🤭

[thisisntreaver]

Its heartbreaking reading Roses diary.

Like even in the privacy of those pages she's trying to hold herself as an adult, and when she slips and acts like a scared kid she corrects herself with "You're the big sister".

She's writing over her drawings, she's putting sparrows needs before hers and attempting to put their wants too. Like she gets that piece of coal to write with, and scribbles out her thoughts but in it expresses that she wants to finish a story shes writing for Sparrow. She could have easily written more I'm sure theres more on her mind but shes saving it so her little sibling can get the end of their bedtime story. And because of Lucien she never gets to finish that story.

Rose is a little girl, playing parent to a sibling that can't speak, and no ones helping her.

She had a creepy man trying to prey on her, her 'shelter' barely even had a roof, and none of the adults in the town cared to do anything despite being there for at least a year. Like the people know her, thats shown with her interactions with Derek, but they don't care enough and the only people that did only cared to see them through the one winter they were in town for.

The way she's failed makes me so sad all the time

#fable #fable 2 #sparrow #fable rose #its part of why I can never turn the orphanage in 3 into a brothel #I know that the reason its there is because sparrow remembers what it wasmlike #being homeless and no one even the people who were nice to you being willing to actually take you in #these poor kids man

[kiragenta]

He dares you to beat his high scores-

#idia shroud #twst fanart #twst #twisted wonderland #twst idia #my art #myart #idia #im so ready to play all the mini games- #he is not the only gamer at nrc aklsjdla #i will play every single game and take over idia's highscores- #i wasnt sure how i wanted to shade his blue firey hair at first but im content with how it turned out #finished this just in time for book 6 part 2 to drop-

[there-are-many-ways-to-smile]

 did you know?

 That Tiana

Princess Tiana

Disney Princess Tiana has the biggest wardrobe of all the Disney princesses

#Disney Princess Tiana #princess tiana #Disney princess #eyyyyy #love that for her #princess and the frog #black princess #i had no idea #The qualifications for this category is one movie #don’t try to be like princess so and so has this many outfits while taking about movies 2 and 3 and the tv show #she’s the winner #deal with it #the black character would have the most outfits #lol #it’s honestly so cool #it’s probably less noticeable because of the whole turning into a frog part #i definitely have to rewatch the movie now

[smile-files]

i think the main issue in arguing with zionists is that, well, they believe in zionism! if israel did deserve to exist, then the genocide and injustice in palestine could be argued for (not like it should be, but it certainly could) -- and zionists believe israel deserves to exist.

i, unfortunately, have a large amount of experience interacting (personally) with zionism and zionists. most of those i've talked to feel for the palestinians, and the violence they are facing, but they fail to realize (or they staunchly deny) the very, very active part israel and the IDF have had in that -- and how it's representative of what the nation has always done.

at the same time, they focus more on israeli hostages than palestinian ones -- and i know, of course, that these zionist jews i've interacted with are either israeli or have loved ones in israel, and so have a very personal stake in the safety of israeli hostages (which may very well be friends or family members), but i find it strange how much emphasis they put on hamas' cruelty in taking hostages while the IDF is doing the same thing (in essence; the exact details of who's doing it worse are important to note, but not relevant right now, because folks should realize that their side is being at least as cruel as the enemy's).

recently i was drawn into an argument with an israeli zionist (who, unfortunately, is very close to the action and tragedy by being israeli), and she was incredibly offended by my anti-zionism and my opposition to israel's abject cruelty to palestinian citizens, as it seemed (to her) like i was bypassing the cruelty hamas has enacted on israeli citizens -- which is very telling. i've noticed that we as jews have the tendency, whatever the situation may be, of focusing more on our pain than the pain of others, even if we are the ones hurting them. that person has every reason to be scared and hurt, and i'd be lying if i said her response wasn't at least somewhat sympathetic, but her pain in this horrible, violent conflict does not invalidate the pain on the other side. jews, throughout this recent crisis, have consistently not talked in depth about the constant losses in palestine -- am i suddenly being callous by focusing on those losses, and not our own? (YOUR PAIN AND THEIRS AREN'T MUTUALLY EXCLUSIVE, YOU DOLT! sorry...)

because it all comes down to believing in israel! my mom has always told me about how beautiful it is there, about her time living on a kibbutz... and sure, it might be nice. i can't argue with that. but why is it that our nationalism for israel is so strong, so virulent? i have not seen patriots as loyal for any other country. and when you criticize israel, israelis feel like you're criticizing their entire existence -- and many non-israeli jews do, as well. because zionism has been built so deep into the modern religion! it's made to be a necessary piece! belief in it is the default!

and, from the inside looking in, i can't be surprised that many jews take anti-zionism as being antisemitic -- because, to them, israel and zionism stand as the pinnacle of safety and support for the jewish people. it is impossible to argue with them about anything above that base layer, as the base layer itself serves as a foundation: so long as a jew thinks that israel is right, deserved, and necessary, no proof will sway them into hating israel. it's just impossible, and that's very frustrating.

for me in particular, i find it very frustrating, as this single idea has turned so many people i know to support a genocidal entity. they believe in and support israel, so they stand with it now -- even if they condemn its current actions, they neglect how those actions are just an extension of its inherent existence -- whether they think israel's doing the right thing or wrong thing right now, they don't really care at the end of the day, because israel, to them, is necessary in keeping the jewish people alive. they stand with it, thinking that jews can only stand at all if they do.

but a genocidal crutch is no crutch at all: it only breaks us more. zionist jews make me so mad, and the worst part is that i could never express that to them in a way they'll understand.

#melonposting #anti-zionism #israel #i am so madddd and frustrated and stressed #with the whole camp thing going on my parents will inevitably find out (and soon!) that i'm anti-zionist #and given their age and proximity -- they're so deeply entrenched in zionism that i can't even hope to sway them #it's so sad and scary (i don't want them to be mad at me -- even though that really isn't the important thing here) #but it's also philosophically bizarre... like these people have good principles! #it's just this one tiny stupid thing (believing in israel) that's effectively turned them into bad people! #<- it's weird saying something like that. because i don't think they're bad people. but they're zionist. #part of it is that they're my parents and i love them but also... they're so good otherwise. a single thing went wrong. #(okay well not a single thing but it's generally minute things y'know?) #i don't wanna hate my parents. and i don't want them to hate me. can they please for the love of god stop #(takes every jew i know by the shoulders and shakes them back and forth) PLEAAAASE FOR THE LOVE OF GOD STOPPPPPPP #anyway it's very hard for me to do work because i have this on my mind. #how do i break it to my parents that 1. i won't be working at camp this summer and 2. it's because i hate zionism? #i'm not cut out for situations like these ughhhhh why did i have to post that stupid anti-zionist instagram story in march #i could've just chosen not to take the job on my own accord and have enough time to come up with an excuse for my parents #whatever. too late for that. i dug my grave and now must lie in it #i guess it's character-building?? :')