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#that direct hurt
inkskinned · 7 months
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the thing about art is that it was always supposed to be about us, about the human-ness of us, the impossible and beautiful reality that we (for centuries) have stood still, transfixed by music. that we can close our eyes and cry about the same book passage; the events of which aren't real and never happened. theatre in shakespeare's time was as real as it is now; we all laugh at the same cue (pursued by bear), separated hundreds of years apart.
three years ago my housemates were jamming outdoors, just messing around with their instruments, mostly just making noise. our neighbors - shy, cautious, a little sheepish - sat down and started playing. i don't really know how it happened; i was somehow in charge of dancing, barefoot and laughing - but i looked up, and our yard was full of people. kids stacked on the shoulders of parents. old couples holding hands. someone had brought sidewalk chalk; our front walk became a riot of color. someone ran in with a flute and played the most astounding solo i've ever heard in my life, upright and wiggling, skipping as she did so. she only paused because the violin player was kicking his heels up and she was laughing too hard to continue.
two weeks ago my friend and i met in the basement of her apartment complex so she could work out a piece of choreography. we have a language barrier - i'm not as good at ASL as i'd like to be (i'm still learning!) so we communicate mostly through the notes app and this strange secret language of dancers - we have the same movement vocabulary. the two of us cracking jokes at each other, giggling. there were kids in the basement too, who had been playing soccer until we took up the far corner of the room. one by one they made their slow way over like feral cats - they laid down, belly-flat against the floor, just watching. my friend and i were not in tutus - we were in slouchy shirts and leggings and socks. nothing fancy. but when i asked the kids would you like to dance too? they were immediately on their feet and spinning. i love when people dance with abandon, the wild and leggy fervor of childhood. i think it is gorgeous.
their adults showed up eventually, and a few of them said hey, let's not bother the nice ladies. but they weren't bothering us, they were just having fun - so. a few of the adults started dancing awkwardly along, and then most of the adults. someone brought down a better sound system. someone opened a watermelon and started handing out slices. it was 8 PM on a tuesday and nothing about that day was particularly special; we might as well party.
one time i hosted a free "paint along party" and about 20 adults worked quietly while i taught them how to paint nessie. one time i taught community dance classes and so many people showed up we had to move the whole thing outside. we used chairs and coatracks to balance. one time i showed up to a random band playing in a random location, and the whole thing got packed so quickly we had to open every door and window in the place.
i don't think i can tell you how much people want to be making art and engaging with art. they want to, desperately. so many people would be stunning artists, but they are lied to and told from a very young age that art only matters if it is planned, purposeful, beautiful. that if you have an idea, you need to be able to express it perfectly. this is not true. you don't get only 1 chance to communicate. you can spend a lifetime trying to display exactly 1 thing you can never quite language. you can just express the "!!??!!!"-ing-ness of being alive; that is something none of us really have a full grasp on creating. and even when we can't make what we want - god, it feels fucking good to try. and even just enjoying other artists - art inherently rewards the act of participating.
i wasn't raised wealthy. whenever i make a post about art, someone inevitably says something along the lines of well some of us aren't that lucky. i am not lucky; i am dedicated. i have a chronic condition, my hands are constantly in pain. i am not neurotypical, nor was i raised safe. i worked 5-7 jobs while some of these memories happened. i chose art because it mattered to me more than anything on this fucking planet - i would work 80 hours a week just so i could afford to write in 3 of them.
and i am still telling you - if you are called to make art, you are called to the part of you that is human. you do not have to be good at it. you do not have to have enormous amounts of privilege. you can just... give yourself permission. you can just say i'm going to make something now and then - go out and make it. raquel it won't be good though that is okay, i don't make good things every time either. besides. who decides what good even is?
you weren't called to make something because you wanted it to be good, you were called to make something because it is a basic instinct. you were taught to judge its worth and over-value perfection. you are doing something impossible. a god's ability: from nothing springs creation.
a few months ago i found a piece of sidewalk chalk and started drawing. within an hour i had somehow collected a small classroom of young children. their adults often brought their own chalk. i looked up and about fifteen families had joined me from around the block. we drew scrangly unicorns and messed up flowers and one girl asked me to draw charizard. i am not good at drawing. i basically drew an orb with wings. you would have thought i drew her the mona lisa. she dragged her mother over and pointed and said look! look what she drew for me and, in the moment, i admit i flinched (sorry, i don't -). but the mother just grinned at me. he's beautiful. and then she sat down and started drawing.
someone took a picture of it. it was in the local newspaper. the summary underneath said joyful and spontaneous artwork from local artists springs up in public gallery. in the picture, a little girl covered in chalk dust has her head thrown back, delighted. laughing.
#writeblr#warm up#this is longer than i wanted i really considered removing that part about myself and what i went thru#but i think it really fucking bothers me that EVERY time i talk about being an artist#ppl assume i just like. had the skill and ability to drop everything and pay for grad school.#like sir i grew up poor. my house wasn't a safe space. i gave up a FREE RIDE TO LAW SCHOOL. for THIS. bc i chose it.#was it fucking hard? was i choosing the hard thing?? yes.#but we need to stop seeing artists as lazy layabouts that can ''afford'' to just ''sit around and create''#when MANY - if not MOST - of us are NOT like that. we have to work our fucking ASSES off. hard work. long and hard work#part of valuing artists is recognizing the amount we sacrifice to make our art. bc it doesn't just#like HAPPEN to us. also btw it rarely has anything to do with true talent.#speaking as someone with a chronic condition i hate when ppl are like u have it easy. like actively as i'm writing this my hands r#ACTIVELY hurting me. i haven't been posting bc my left hand was curled in a claw for the last week#this isn't fucking luck. after a certain point it's not even TALENT. it's dedication & sacrifice.#''u get to flounce around and do nothing with ur life'' is a narrative that is a direct result of capitalism#imagine if we said that about literally any other profession.#''oh so u give up 10 yrs of ur life to be a doctor? u sacrifice having a social life and u get SUPER in debt?#u need to work countless hours and it will often be thankless? well i wish i was that lucky''#we should be applying that logic to landlords ONLY#''oh ur mom and dad gave u the money to buy a house? and all u did was paint it white and rent it? huh.''
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buggachat · 4 months
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(random s5 finale musings) tbh I don't think Marinette chose to keep The Secrets™ from Adrien because Gabriel asked her to. I feel like Marinette keeping secrets like that is so consistent with her character; she hates giving people bad news, she hates rocking the boat, she hates upsetting people, she always chooses to keep any 'controversial' information to herself for as long as she can get away with (examples: bubbler scarf, telling Queen Bee she was benched, confessing to Adrien, warning Chat Noir about Scarabella or Rena Furtive, never told Chat Noir about Chat Blanc, etc) that I just totally believe she would've done it either way. She was even already having nightmares about Adrien hating her for finding out she defeated his father, so I feel like Gabriel's request was moreso giving her a go-ahead than it was a primary deciding factor, yknow?
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milkbreadtoast · 4 months
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"I quit my job and became the Princess Bride"✨ Have you read this romance novel? 😇
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savebylou · 18 days
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Louis about the theory of him dating Harry.
Sharing this because is a matter of time everyone will see the video [São Paulo, g1, posted 08.04.24]
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uhbasicallyjustmilex · 3 months
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♡ handwriting analysis: alex turner and miles kane ♡
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as promised, here is the analysis my wonderful friend (who used to work as a professional handwriting analyst) did of miles and alex's handwriting! a couple of important points to read before you dive in:
my friend analysed these blind - to avoid bias, she always makes a point of never knowing whose handwriting it is she's looking at, so she had no idea that these samples were from alex and miles while analysing them (not that it'd have made much difference if she had, she can't even name one am song lol)
she stressed that her analysis should NOT be taken as fact - it's just one person's interpretation of the material, and handwriting analysis is ultimately always subjective
the two analyses below are based on notes i took while she was talking and is pretty much verbatim - none of the wording is my own and i have changed as little as possible in typing it up
she noted that it was harder to provide a full and accurate analysis just working with photos of handwriting, as you can't see things like pressure on the page etc. she also stressed that context is significant when it comes to interpreting someone's writing, and it's important to bear in mind that how someone writes in one context, e.g. signing autographs or writing something for the general public could show quite different characteristics to how someone writes in another context, e.g. personal letters to someone they're close to. in an ideal world she'd have access to samples from a different range of contexts to provide the most detailed and accurate analysis. in other words, this analysis is quite rough
alex's handwriting:
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(samples taken from roughly 2011 - 2018)
block capitals suggest this is someone who don't want to show themselves, makes it hard for people to reach them
someone interested in thoughts and ideas, would engage with these in a way that's intelligent and very original
a lot of emotional and social inconsistency, suggests someone pulled in different directions. they might show very different sides of themselves with different people and probably have complex and/or conflicted feelings about identity
very creative, someone who'd make interesting and unusual connections about the world around them
highly intuitive but also lacking harmony from an emotional perspective. lots of internal emotional conflict and changeability
someone who fluctuates a lot socially as well as emotionally - might go from being quite sociable to withdrawing completely. ultimately struggles to reach out socially and holds back a lot, but there might be certain situations or people they feel particularly at ease with where this is different
really hard to read, don't give much of themselves away
thoughtful and enquiring, interested in ideas
someone who feels things very strongly
signature:
implies someone hiding themselves or presenting as someone they're not. they want to look confident and exciting, but they're actually much less confident that they'd like to appear. lets their creative and artistic tendencies hide them and take centre stage.
miles's handwriting:
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(samples taken from roughly 2022 - 2023)
a little sharp, could suggest humorous wit and/or being critical (either of self or of others)
ambitious and incisive, intelligent and enquiring mind
fearful or wary about opening up and reaching out to people, emotional inconsistency. potentially quite restrained - looks like someone used to hiding a lot of hiding of emotions
has an enquiring mind but isn't particularly interested in abstract thought, more grounded in reality and social/emotional things
someone with strong feelings, they get held in and confused. could be warm and open on a surface level, but looks like they'd be reserved about their innermost feelings
could be sharp tongued to avoid dealing with their own feelings
lower zone suggests someone who might not be completely comfortable in their own body and/or sexuality, or have a complex relationship with these things
someone with a tendency towards strong feelings and devotion/worship (could be religious, or could just be to do with the way they relate to people or ideas)
signature:
someone who wants to look more confident they feel. sense of changeability and flashes of insecurity, but ultimately suggests strength of character, not someone who's a pushover. they know what they want and what matters to them.
interesting extra notes:
the wonderful @ballad-of-what-could-have-been managed to find this sample of alex's handwriting not in capitals from when he was much younger (from what i can see, it looks like it was early fwn era):
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so i showed this to my friend too (after her analysis of alex's usual writing) and noted that it was probably done when he was a lot younger. she said that all her points from the original analysis still stood, and that despite the fact this writing isn't capitalised it was actually still very hard to read and definitely someone not comfortable with showing themselves. she also said that it was more emotionally conflicted and uncertain than the later sample of their handwriting. the phrase "emotionally all over the place" was used, and she noted a greater sense of inconsistency with identity. overall though she said the earlier sample confirms that this is someone with a high level of intuition and originality, and she said they're someone she'd be fascinated to have a conversation with!
thank you for reading! if you have any questions, please feel free to comment/drop me an ask and i can always pick my friend's brain again the next time i see her!
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reddbuster · 7 months
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I see people talking about how Dahlia is fragile and calling her a girlfailure and all that and I mean I don't disagree but the thing is. You need to understand that she's not fragile in a frail way. She's fragile like a bomb about to go off she's fragile in the way that honeybees die when they sting. Dahlia isn't a genius mastermind or a pathetic little girl with no agency. She's a self fulfilling prophecy who drove herself to destruction because she never got to see that there were other ways to live than to fight her way to the finish line. DO YOU GET WHAT I'M SAYING this is why the ending of Trials and Tribulations fucks me up
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genericpuff · 3 months
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Intresting how its only trivializing and mocking green myths when non-greek white people do it, but not when non-greek poc do it. Its almost if you dont actually care
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lmao bro what
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i literally have zero clue what you're arguing here, "stop criticizing rachel for writing her greek myth retelling from a predominantly whitewashed westernized and christian-washed point view" ?? yeah okay lol
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ooctlt · 10 days
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I really like this blog most of the time, but sometimes you take reasonable earnest asks that are trying to be thoughtful, and are such a dick about it.
Like if it's the characters being dicks, fine. But you could say something in the tags or post to indicate you're not just viciously mocking someone for trying to engage.
I still haven't submitted an ask since seeing your response that led to comments along the lines of "anon should go die in a hole" for asking, pretty reasonably, why harrow would want to stay with people she didn't seem to like or want to be around or interact with.
(i know, because she does like them and does want them around but doesn't know how to show it) but it's an ASK blog. How do we hear that from her unless someone ASKS
i understand it might be surprising and a bit hurtful to see an ask answered with the characters being mean/flippant, and for that i do apologize that it wasnt made clear that it would be a common thing in this blog. id like to issue the disclaimer: there is always the possibility that the characters here will not take your question well. they might answer rudely, and instigating behavior is not only encouraged but expected on both ends. this does not reflect my personal opinions as the artist; there are over 250 asks even after i constantly compile duplicates, and i will answer the asks that i personally like.
i will assume you are referencing the two most recent posts where gideon acts rudely and i repost an old panel: for the former i thought anon was really sweet for being so heartfelt and encouraging, but gideon isnt the kind of person who needs to be told shes brave for doing that by a stranger. it was a simple act of survival. and harrow is still very much in the passive deprogramming phase. the latter response was meant to kickstart (spoilers) what i will call the "dicks last resort" arc, where i clean out the inbox and share more simple, low effort, but potentially rude responses*. this is because i have roughly drawn almost daily for 87 days straight, and would like to recuperate without being burnt out because i love this blog and i love art.
this leads me to my next point: some of these answers will be curt and short and rude, because they are easy to draw. if i only prioritized the "good" asks or to make certain ask responses kinder, or longer, it wouldnt be a daily blog. it would be a monthly blog where 5 asks get answered among 100s. i didnt anticipate people asking about harrows piercings, and i considered shutting it down by just having harrow say she likes them etc. but i did want to give more insight into harrows character even if she wouldnt say so herself, and that took roughly 3 full unemployed nights. if i treated every ask in good faith the same way i wouldnt have time for anything else, because they take more effort and have to be seriously considered for the future. i can retcon their favorite ice cream or play off griddlehark fighting - it takes more to keep track of a narrative about people talking Around their issues
* by rude responses i mean "this will affect the 679ers negatively, much like making your sim 🧑‍🤝‍🧑➖➖ someone" there are a few asks planned to hurt in the same way one drafts a bad end in a visual novel, and this type of interaction is encouraged. of course if you dont want them to get worse dont send asks telling gideon she should flirt with MILFs (you cant send this ask now i already said it), but i encourage the banter.
TL;DR this is the "characters think you are weird for personal questions" blog. i am sorry i didnt warn of the ask-response banter, because i also enjoy drawing these characters being dicks. i do like when aggravation and conflict leads to character development. "how do we get earnest answers unless someone asks" sometimes you will never explicitly get that from them, and thats what the dead ends are for: to let you know to try something else and read between the lines
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taybeeart · 1 year
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They're judging
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cubezart · 6 months
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Psycho Nauts. btw
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uncanny-tranny · 6 months
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It's just... odd to me, I suppose, going from "what is in my pants is completely irrelevant to most anybody else's life" to the expectation that you must be completely open, essentially, about what is in your pants.
I think a lot of people understand the general idea of why it's bad decorum to demand people offer explanations for private information like this, but they don't analyze exactly why it's bad besides, "asking directly is just rude" and not "asking in any way still enforces the often violent nature of gender and sex, and putting people in the 'right box' is a part of that violence."
It's especially odd when seeing other trans people enforcing the idea that "what's in your pants?" is a genuine, good-faith basis for interacting with others.
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tin-can-iron-man · 1 year
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I'm just gonna say it again real quick:
Yes!! Iron Man is a tragedy! It has and always has been since the very first appearance in 1963 which describes itself, Tony's life, and legacy, as such.
Tony causes most of his issues himself, he is his biggest villain, a majority of his rogues gallery are caricatures of the worst versions of himself brought to life (when they're not just being racist cuz...60s...). The worst thing about being Tony Stark is that he can't stop being Tony Stark (he tried!!) That is the point.
The majority of pain Tony goes through, is pain he inflicts on himself, whether intentionally or inadvertently. That is the point.
He is not A villain (at least. Not usually. There are...some rough moments and arcs that are. Not great. As there is with any character as old as he is). But he is his own main antagonist.
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hanakihan · 1 month
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quick Rapunzel!Ratio sketch before dinner
so basically Aventio Rapunzel AU actually follows Kavetham Beaty and the Beats AU and they’re heavily connected
/more useless lore under the cut it’s long lmao/
so in this entire fairytale AU Ratio is adopted son of Alhaitham (and later Kaveh’s). Alhaitham himself was living and supporting his grandmother and while he’s himself barely an adult he kinda adopted orphaned Ratio whose parents died of local variant of plague or incurable illness. Ratio was around 3 when Alhaitham took him under his wing because no one else wanted to take in a burden in form of an extra mouth to feed.
After events of Beauty and the Beast AU Ratio got officially adopted into royal family as Alhaitham and Kaveh’s child (6 years old by now), but then it’s revealed that Ratio’s parents died not of plague or illness that roamed around by that time, but by inherited defect in health. Small Ratio falls really ill and each day it becomes progressively worse and nothing helps. Then one day they acquire magical flower that miraculously cures Ratio but at the same night he gets kidnapped, since essence of a magical flower now flows through his blood.
Years go by and Ratio grows into a curious but easily annoyed young man whose hair impossibly long. He and people who confine him tried to cut them but each time it happens cut hair just turn into rotting poisonous mess and then grow up back again after some time (Ratio doesn’t know it, but all the poison and illness in his body go into his hair so it turns into a cycle of cleansing and getting sick again).
Come Aventurine who was simply trying to get away from pursuers because he is a gambler and is pretty much in big debt at the moment and he really needs some treasure to sell. He stumbles upon Ratio’s confinement and they strike a deal - Aventurine helps Ratio to finally escape from his kidnappers and reach nearby town while Aventurine gets a gemstone that Ratio has on him (which Aventurine recognizes as a sign of royal family since much similar but green one is in possession of King Alhaitham). Selling this one will give Aventurine enough fortune to pay off his debts and even live comfortably.
So they go on a chaotic adventure to reach a town (where Kaveh and Alhaitham reside) so they can go their separate ways. They arrive on time of missing prince’s birthday to see and partake in a festival (which Ratio was against at first because he’s not here for fun and he still fears he’s still followed by people who kept him confined). Aventurine insists, having suspicions Ratio may be a missing prince judging by gemstone he possesses but then again who knows what happened to prince and gemstone could’ve ended up anywhere.
After that deal is complete, Ratio gives Aventurine his gemstone as was promised and they go on separate ways. While walking his own way to sell gemstone, Aventurine stumbles upon Alhaitham who’s away from celebrations to be in quiet and reminiscence about a young boy he once adopted as his own. It’s near outskirts of city, Alhaitham’s old house and Ratio’s nearby, where they lived before Alhaitham got married to Kaveh. Alhaitham spots Aventurine who wanted to leave unnoticed, but in the end Aventurine understands whole picture because Alhaitham shares some past with him. Turns out Ratio is the missing prince - Veritas. No one knows Veritas’ last name so no one connected the dots between Prince Veritas and a man going by last name Ratio. Aventurine realizes how much royal family misses their son, realizes how he himself fell in love with this insufferable man and how he’s ready to risk it all for him in his last gambit gamble. Aventurine gives Alhaitham gemstone that Ratio gave him and promises to bring their son back while rushing to direction Ratio left.
Cut further and Ratio is found by his kidnappers again. Aventurine does arrive in time to help him escape once again, dragging him along to the palace so they can get help. They’re close enough when one of kidnappers manages to grab Ratio’s hair. Now he and Aventurine are separated, one of kidnappers managed to injure Aventurine when he tried to get to Ratio, and in his last effort he does reach Ratio and cuts off his hair, freeing him and telling him to run and not to look back. Ratio’s cut hair start to rot and poison to death everyone who was holding it in their grasp thus killing at least half of them. Ratio chaotically tries to cut his hand so his blood can be used to help Aventurine but it doesn’t work and his hair don’t grow out again like it usually does - meaning there’s no more essence of flower in his body, just as there’s no more illness in him, since everything was purged and purified in him. Alhaitham and Kaveh arrive on time with others to this scene and deal with remaining kidnappers while Ratio chaotically tries to do something because Aventurine’s life slips through his fingers and he refuses to accept such outcome. Ratio never really cried in his life no matter what, but this breaks his heart and final drop of flower’s essence in his single tear heals Aventurine.
Everything is good and sweet and nothing hurts anymore because I’m a sucker for happy endings (Kaveh be questioning Aventurine’s morals until Alhaitham smacks him on head. Eventually Kaveh remembers where he saw Aventurine - turns out Aventurine (which is not his real name) was Veritas’ childhood companion back after adoption into royal family. Aventurine was a son of a head maid and thus was always following Ratio around as well as studying with him and disappeared same night since he was taken away along by being a witness but then kidnappers just sold him away and with time he forgot who he was and what was his goal)
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ganondoodle · 9 months
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i have grown kinda tired of all the studio ghibli and totk comparisons bc i love most of miyazakis movies and its so annoyingly obvious that if totk actually took inspiration from them its all just the surface level aesthetic and none of the good story telling
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larkspurglove · 29 days
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Broke: Dr Ratio and Alhaitham would get along
Woke: Dr Ratio and Alhaitham would hate each other for being ‘exceptionally arrogant’
Bespoke: Ruan Mei and Dottore are the real crossover academia duo that we should be talking about
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I think one of the most important aspects of the c!tntduo dynamic is that at the end of the day, they’re both just a couple of losers
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