#the book handles a lot more than fandom stuff but i feel like a lot of people on the internet need that gentle slap in the face | Explore Tumblr Posts and Blogs

jackoshadows · 1 month

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The level of utterly hypocritical discourse in the asoiaf fandom.

About Sansa:

Same person about Robb and Jon:

Same person about Dany:

I simply love how there are these multipage essays and economic treatises on how Robb, Jon, Dany Et al. fuck up and fumble and are just bad leaders who don't enforce wage regulations and clause three of the constitution in worker's rights or plan army discipline and Jon is apparently just an 'angry teenager' unfit for leadership etc.

But Sansa? QUEEN IN THE NORTH because she's the blood of Winterfell! ITS WHAT SHE DESERVES NARRATIVELY.

And Sansa, who is currently 13, should be queen because the narrative says so! When, according to the same person, 16 year olds Jon and Robb fuck up as they are too young to be good rulers as per the same narrative that tells them that Sansa will be Queen...

That's what the narrative is telling us - that characters can become the best rulers/leaders simply because of their blood and has nothing to do with experience and learning and wisdom and hey look at Dany, Robb and Jon fucking up when Sansa will magically, simply be the best - the NARRATIVE SAYS SO!

Meanwhile GRRM on ruling:

One thing that I am trying to get at in the books, the political aspect if you would, is to kind of show that this stuff is hard. I think that an awful lot of fantasy and even some great fantasy falls under the mistake of assuming that a good man would be a good king and all that is necessary is to be a decent human being and then when you are king everything will go swimmingly. Tolkien is great but we never get into the nitty gritty of Aragorn ruling. What is his tax policy? How does he feel about crop rotation? How does he handle land disputes between two nobles, both of whom think that they should have the village, so they burn it down to establish their claim. This is the hard part of ruling be it in the middle ages or now. It’s not enough to be a good man to be an effective ruler. It’s complicated and it’s hard and I wanted to show that with repeated examples in my books with my kings and hand of the kings - the prime minister if you would - trying to rule. And whether it be Ned Stark or Tyrion Lannister or Tywin Lannister or Daenerys Targaryen or Cersei Lannister trying to deal with the real challenges that affect anyone trying to rule the 7K or even a city like Meereen and it’s hard. You know, we can all read the books or read history and say oh, so and so was stupid and made a lot of mistakes and look at all these stupid mistakes they make. But these kind of mistakes are always much more apparent in hind sight than when you are actually faced with the decision about, oh my God, what would I do in this situation. How do I resolve this thing? Do I do the moral thing? But what about the political consequences of the moral thing? Do I do the pragmatic, cynical thing and kind of screw the people who are screwed by it? I mean, it is HARD. And I want to get to all of that - GRRM

Apparently, when it comes to Sansa, GRRM will be saying:

" I mean, it (ruling) is EASY. The food conundrums that Jon and Dany are unable to solve in entire books will be easily tackled by Sansa who will just ask everyone to bring their grain to Winterfell! Easy peasy and one and done! I mean, Sansa is the BLOOD OF WINTERFELL! "

These chucklefucks don't know the first thing about narratives and themes. The result of GRRM not writing a book in 13 years is wading through shite like this.

#fandom nonsense

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genderfluid-strawberry-of-doom · 1 year

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i reread hammer of thor and i decided to list out some stuff i feel has been overlooked by the fandom

and stuff that hasn't been overlooked (at all) but i HAVE to mention it anyway. because reasons

also it's not THAT long of a post but it's pretty long so i put a cut there

nobody ever mentions the 'thinking cup' like whyyy

alex fierro the cheetah and weasel :)

"the gender thing wasn't what surprised me. what surprised me was the way my impression of alex had slingshot and the emotions that had stirred up"

magnus mentioning that he had been stuck in one gender his whole life and that it didn't bother him except the way it was worded made it seem like he was unsure about it jsfjfisfidgkgd

i don't think it's overlooked but the scene in which magnus is watching alex eat and halfborn goes "there's no shame in being attracted magnus" and he CHOKES

(not overlooked at all but) HEARTH'S POSESSIVENESS OVER BLITZ <333

(DEFINITELY not overlooked but) "buddy" *proceeds to take hearth's hands in his own*, "what is wrong with my elf" 😭😭

inge being fucking abused by alderman?? she was beaten??? and the iron on the door locks is harmful and extremely painful to hulder??? THAT ASSHOLE ALDERMAN

(in context to inge explaining that alderman kept a patch of wilderness in his backyard bc hulder need wilderness to live and so that he can 'hire' more help) "she said hire. i heard catch" BITCH-

the fucking wergild. i have a lot of thoughts about that and all of them involve alderman dying

also hearth's mom doesn't really seem like much of a good person either? she didn't stop alderman from being abusive towards hearth or the house staff AND she literally just cared about her reputation. maybe she wasn't as bad as her husband but she was still pretty bad (parallels there between hearth and alex)

also parallels between hearth trying to stop alderman from taking andvari's ring and trying to "pull his dad out from a hole deeper than andvari's" and magnus trying to save randolph from falling into the hole in the ground that led to helheim-

hearth and samirah's dynamic?? they've already had a fight and patched up AND were stuck together during the utgard lanes chapters. soooo a lot

also hearth and alex's brief interactions lol

"just, you know, a little respect" "for the girl with the sharp wire? no problem" "there was nothing confusing abt the smile she gave me. it warmed up the office by about five degrees" I LOVE THEM A TOTALLY NORMAL AMOUNT

amir fadlan. AMIR FADLAN EVERYBODY <333

samirah being a girlboss. samirah handling all the stress. samirah trying to show her true self to amir. samirah braving everything put in her way with courage. just samirah <3 <3 (everybody in the whole universe should be in awe of her btw)

the scene in which they're sitting on stanley (the eight-legged horse) and magnus is nervous to hold on to alex but she just takes his hands and puts them around her waist <3

for some reason i had assumed alex had cut magnus's hair for the first time in the woods but no. it was blitz? hm

magnus's casual mention about utgard loki being attractive ajsfjfsi

taylor swift being dwarf music and prince being giant music?? (and that giant named tiny being obsessed with elvis)

an alex speech pattern which isn't much of a pattern but it repeated twice in the book: once she said (in response to hearth signing something she didn't understand. this was around the time when she and samirah revealed that alex would be taking samirah's place) "yes alex. thank you alex for being so brave and heroic." and then the other time (in the end when magnus is visiting her in her room and picks up one of her pottery projects) "no you can't touch it magnus. thanks for asking magnus" idk i just think it's cool

the trophy wife thing. sif deserves better tbh

"a girl who was rocking that wedding dress"

alex straightening magnus's tie or smth and magnus's inner monologue going "she still smells like wood smoke. why does she still smell like a campfire?"

samirah's wedding outfit?? (sounds gorgeous tbh. except for the hood which) also i have a related question. is the hood in place of hijab thing disrespectful? /gen

sif and alex dynamic <3

sif's gifts to hearth (pouch of rowan runes) and alex (golden garrote)

alex and most other shapeshifters make random animal noises and shapeshift to random animals when they're nervous

halfborn's "death and glory," mallory's "kill everyone," and tj's "charge" aksfkfiovdm. and the way magnus just becomes so much stronger when he sees his friends-

the scene at the end of the marriage battle thing when alex is all concerned because she thinks magnus doesn't believe that she was just pretending to be under loki's control and sHE'S TRYING TO CONVINCE HIM AND HE SQUEEZES HER HAND JDFJSFKFK THIS SCENE IS NOT TALKED ABOUT ENOUGH

alex canonically calling magnus "sunshiny" and RESPECTING AND ADMIRING HIM AND HIS HEALING POWERS. they make me weak

samirah and magnus's dynamic is not given enough love. they are figuratively SIBLINGS and that level of closeness is not recognized by the fandom enough

(also not really about the book but. the UK cover of 'hammer of thor' depicts samirah with half of her hair falling out of her hijab. which. who tf designed these covers?? like somebody needs to give them a good throttling)

there's probably more that i don't remember but okay here have this for now :)

#yeah half of these are just fierrochase. don't judge me ok #magnus chase #alex fierro #samirah al abbas #hearthstone mcga #hearth mcga #blitzen mcga #blitz mcga #mallory keen #halfborn gunderson #tj mcga #thomas jefferson jr #amir fadlan #fierrochase #magnus chase and the gods of asgard #mcatgoa #mcga #hammer of thor

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nerdalmighty · 5 months

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What are your top picks for your favorite Good Omens fanfics? 👀

-AnnTickwittee

Oh my dear AnnTickwittee, THANK YOU for this ask. There are a bunch of great ones out there but here are some I've loved recently! Also, everyone PLEASE feel free to leave more recs in comments or reblogs or tags! I LOVE a good fic!

Weirdly, most of my faves were written before S2 premiered - PLEASE recommend me some good S2 stuff, and ones you'd consider staples in the GO fandom - I've missed out on a LOT of great content - help me find it/catch up! (Note: All fics listed below are COMPLETE and feature happy endings.)

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Summary: AU, retelling of “Beauty and the Beast”. Quite honestly, sending Aziraphale off into the forest to be held hostage by a giant snake in a cursed castle isn’t even the worst thing Gabriel’s ever done to him, and at least it means a change of scene. But then neither the snake nor the castle turn out to be quite what he’s expecting…

My Review: Fave fave FAVE at the moment! I discovered this one from this tiktok, fully thinking it was going to be a silly little romp and was instead met with beautiful prose, adorable banter, and moments that literally made me go "AWW" out loud (which I NEVER do). I meant to read a few chapters per night before bed and then accidentally read the whole thing in one go. I stayed up until 4am reading and then woke up 4 hours later STILL thinking about it. Aziraphale is the perfect lead in this one, with Crowley as the wily yet lovable snake that lives in a cursed/enchanted castle with some familiar faces. CLASSIC pining ensues. The author does a great job of world building and character development and I find myself wishing I could read it again with fresh eyes. It's beautiful and adorable and I can't recommend it enough. Favorite quote: "'I love him,' he said. 'Let me in.' And the gates swung open before him."

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Summary: In good weather, one can see the lighthouse at the Rock from the shore: a dot on the horizon, a distant star flashing red and white and red again. It’s been dark for a fortnight, of course—ever since the incident that every newspaper had breathlessly written about, that the paper-boys on the corners had shouted themselves hoarse over. This is where Aziraphale is headed: it is his duty, after all, to find out what happened, to make sure that the beacon can be safely lit once again. He does not expect Crowley to follow him to the windswept isle, to the lonely lighthouse at what could just as well be the edge of the world. Crowley follows him anyway.

My Review: THIS ONE! This one is a good old fashioned mystery! The humans believe this lighthouse is haunted, especially since its last three keepers vanished without a trace, but Aziraphale and Crowley know that can't possibly be the case. As such, they decide to investigate for themselves. It's an adorable slow burn period piece that had me weeping at certain points with twists and turns abound, and I really liked how the author handled the mystery and lore! Deep lore is tough to do convincingly and I found myself believing everything the author said. I can't tell you how thrilled I was when I KIND OF clocked what the author was going for with their mystery. Their explanation for everything was far better than anything my monkey brain could have come up with. Also that S2 ep of OFMD that featured a lighthouse in the beginning came out after I read this fic and I got all giddy thinking about Aziracrow here. I literally don't think I'll ever see a lighthouse again and not think of this gorgeous fic. EDIT: Also, here's a YouTube video that appeared in my recommended shortly after I read this. It's super interesting that disappearances like this have happened in real life 😱

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Summary: Two months after the failed apocalypse Aziraphale finds the first dark feather growing in his wings. A story about middle grounds, ineffable plans, and what happens when the world doesn't end.

My Review: Another fic I found on Tiktok. The edit itself was so gorgeous I decided to give it a go and was not disappointed. It was written before S2 was even announced so it takes some liberties with fanon (Crowley was Raphael in the canon of this world, etc), but it's a lovely, relatively quick read. Crowley and Aziraphale are on their own side, finally, and soon, others join their ranks. All while God watches from afar. The prose is beautiful and I come back to the tiktok all the time (I saved it onto my phone lol). It was also fun to go back and rewatch the tiktok after reading and realize that the editor stitched together parts from each chapter into something new and amazing. It's not a romantic fic, not in the way the others are; it cares more about the aftermath of an apocalypse and shades of gray and how the universe came to be in the first place. I love the POV of God reminiscing on creation and thought it was very well written. Absolutely loved this one! (@anntickwittee, this was the fic I was referring to in the tags of this post, which is probably what prompted you to leave this ask in the first place! 😊)

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Summary: When Crowley drops a bomb on a church, Aziraphale falls in love with him. This should be a secret, but unfortunately, Aziraphale's never been much good at keeping them.

My Review: A one-shot expanding on the 1941 minisode (2019) BEFORE the S2 minisode canonically expanded on it. Recap: Aziraphale's just realized he's in love with Crowley (thank you Michael Sheen for that AMAZING acting choice) and this fic is the author's interpretation of what might have happened after the show cut away from the burning church. I was floored by how many parallels made it from this fic into the actual show both directly and indirectly (Aziraphale says "Not as such" at one point and I'm pretty sure I burst into tears and/or yelped loudly). It's got a good bit of angst to it, the same kind from S2 that makes you scream "WHAT ARE YOU DOING! HE'S RIGHT THERE!" with a happy ending that helped heal my shattered heart. I definitely cried reading this one (affectionate). It's extremely fluffy at the end which EYE LOVE, so if that's your thing, I highly recommend! Favorite Quote: "'I’m afraid I’m quite terribly in love with you,' Aziraphale said unceremoniously. Crowley, who had been in the process of sitting up, promptly fell off the sofa."

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Summary: After Aziraphale goes back to Heaven with the Metatron, Crowley reflects. And 4,400 years ago in 2407 BC, in the city of Uruk in ancient Sumer, he and Aziraphale fall in love with humanity, and each other. - “What are you doing here?” asked Aziraphale. Crowley lifted an eyebrow and felt himself start to smile. “I should ask you the same. What are you thinking, coming here with your wings out and the blessed light of Heaven raining down upon you? You’re scaring the mortals.” Aziraphale blushed. Crowley dutifully looked away. It felt disrespectful not to.

My Review: This one-shot is a love letter to history and humanity. I think I found it on twitter? Unfortunately I don't have a link to the tweet or the author's tumblr. What I really love about this one is that the author adds footnotes like the original Good Omens book does. You can absolutely feel the love and care that went into writing and researching for this particular fic, which I can really appreciate as a fellow writer. (For all my Bildad the Shuhite stans out there, this story takes place after, but the vibes are VERY SIMILAR. If you even care.) Crowley and Aziraphale are in Uruk to keep an eye on the humans as they try to build a structure tall enough to reach God (the Tower of Babel). Theoretically, they can both return to their respective sides, but opt to stay on earth (with each other) for 10 years to watch the construction unfold. Pining ensues, NSFW ensues, and as the author puts it, "now featuring Aziraphale as a little country girl tending her sheep ♥" I highly recommend if you want to be sucked into another time period/biblical story and feel MANY different feelings (with a happy ending!)

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I have more bookmarked that I could absolutely recommend if anyone is interested, but these 5 are just the ones that have stuck out to me the most recently!! Believe me, I could go ON, but this post is long enough for now.

If you DO read any of these, please chat with me about them, I'd love to hear your thoughts! Happy reading!

#i've been WAITING to make something like this #thank you SO MUCH #my blog isn't OFFICIALLY a good omens account but I've wanted to post fic recs for such a long time #please please PLEASE send me fic recs if you have them!#i've got a fever and the only prescription is more good omens fics #anntickwittee #thanks for the ask!#good omens #fic rec #good omens fic rec #crowley #aziraphale #ineffable husbands #aziracrow #anonymous #answered #mine #emma blabs #long post #ao3 #archive of our own #great show #love them #:)#you ever wish you were more articulate #you ever wish you could convey to someone else how badly you need them to consume this particular piece of media #and feel the exact same things that you did #and then maybe they could help articulate the wistful longing you're filled with after consuming that particular piece of media #yeah #that

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swordfright · 8 months

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do you have any c!awesamdream fics recomendations?

Honestly, I don’t have a ton of recs. c!awesamdream fic is mysteriously hard to find, and I also wouldn’t want to recommend you anything super E-rated in case that’s not your jam. Personally I’ve had more success searching the Sam & Dream gen relationship tag than the slash tag. That said, here are my no-brainer recs, most are gen with some exceptions:

inosculation by @theminecraftbox - canon compliant, reflection on how their relationship progresses during the prison arc, how c!sam’s authoritarian tendencies bloom in pandora, and the weird symbiosis he and dream achieve. technically not a slash fic but like it is To Me!!

saltwater on rock by @elmhat - also not technically a slash fic but it is a fun exploration of their relationship post-prison: who are they to each other, now that they aren’t prisoner and warden? what power has dream reclaimed, what power has sam ceded? or is it the other way around? fun stuff.

the trees deny themselves nothing by @lookinghalfacorpse - if you’re asking for recs you’ve probably already read this one (it’s basically THE awesamdream fic at this point) but i think it lends itself to re-readability! and if you haven’t read it: dream loses his leg in pandora, phil n techno conscript sam to make him a new one after the jailbreak, things get interesting. OP also wrote a post-fic oneshot which you can read here.

everlasting evermore by @elmhat - incomplete atm and also not slash but definitely awesamdream vibes. sam is a sad widower king who interrogates dream in his dungeon so it scratches the fantasy itch. this fic does some cool things with the cloning lab lore and i’m really excited to see where it goes!

21 steps in the desert by @airrec - banger. it's short so i won't describe it in detail. banger tho!

scream eureka by @cgogs - basically a post-canon domestic horror fic, sam and dream are married (with a kid on the way) but neither of them is able to move on from pandora. this fic deals with issues of bodily autonomy very well and it’s also refreshing to see trans pregnancy handled with tact, rather than treated like a fetish or a joke. IIRC this fic is an AU of an AU so be warned, it does come with like 30 pages of background lore which isn't necessary to understand the fic but does make it easier to follow.

all these lives by @lookinghalfacorpse - reincarnation drabble, plays with sam’s obsession in fun ways. not really sure how else to describe this one but i reread it sometimes! it’s good!

you don't have to be like that by @dr3amofagame - incomplete, i haven't reread this one in a while but i remember enjoying it at lot! dream gives sam the book in a moment of desperation and then has to navigate the fallout.

accident by @airrec - another fave. concise, fucked up, and very well written.

i’ve also been working on a multichap awesamdream fic (am i allowed to rec my own fics??? is that too cringe??) that’s gonna be wrapping up soon. pandora's vault gains sentience, that's the whole plot. like most of the other works on this list, it’s not technically ship fic but it is very much about sam and dream’s...situation. full warning tho, it’s long and rambly and weird, sorry for that!

i also wanna add that pretty much any fic that explores the scrapped lore is gonna have to deal with awesamdreamisms by necessity, owing to the nature of, well, the lore. there's a decent amount of fics about it, here's one that I found recently and enjoyed a lot.

Have fun, mind the tags. And if you find more then by all means, feel free to add to this post! I know there's a lot of tumblr-exclusive content floating around out there that can be harder to find than stuff on AO3.

Also, it's worth mentioning that some of the most compelling c!awesamdream content I've read were brief interludes in fics about much broader subjects in the fandom; I've read a lot of great c!awesamdream moments in c!rivals fics, prison trio fics, c!dnf fics, etc. So my advice is to cast your net wide, if that makes sense? Happy reading!

#like i said most are gen but like gen: suggestive edition if you catch my drift #i hope thats ok to say dfghnjmkjhg #if anyone wants to be untagged from this post and/or have their work removed just dm me and i'll make it happen!#c!sam #c!awesamdream #c!dream #awesamdude #dreblr #fic rec #asks #i don't have time to check these links before going back to work but hopefully they all lead where they're supposed to #if not lmk

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writing-for-life · 4 months

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Sunday Mourning—About Dream Entities and Stars

Why Head-Canons Are Wonderful, But Forcing Them On Creators Isn’t

And as always: Send me asks about everything Sandman-related!

First of all: I don’t want to take anyone’s head-canons away from them, it’s what fandom is partly built on. I support them, I love them, I have plenty of my own. The Sandman very explicitly tells us about “books never written” in Lucien/ne’s library, and we can be sure ours is in there.

But that’s not quite the same as harassing both creators and other fans in an attempt to make fanon canon, and that’s what partly sparked this post. So if a super-long meta exploration of “Sunday Mourning” (and there is a lot in this post) that also contains a bit of fandom criticism (feel free to skip that if you just want the meta) isn’t your thing—this is your warning 🤣

Also: Massive spoilers ahead…

The theory that Morpheus forever lives in Hob’s dreams (and with Hob) as a dream entity regularly makes the rounds. And it’s a nice theory, and I get why people like it. I also get that “The Wake—Sunday Mourning” is maybe ambiguous enough to consider it a possibility (which then goes into head-canon territory). All good so far.

What’s problematic is when fans begin to leverage their head-canons/theories as “true because Neil gave it a like”, and then proceed to present them as canon.

Neil likes posts, yes, but he said *several times* and *very explicitly* that’s never endorsement of anything, but rather valuing that people put thought into stuff and engage with his stories critically (and he also said that it’s sometimes just a slip of his finger, but that just as an aside, you’ll find one example here).

So if Neil liked a happily-ever-after-dream-entity post, that means he supports your head-canons as head-canons because he always does (or his finger slipped—I guess we’ll never know). He is awesome that way and always was. Again: In a way, it’s even an integral part of The Sandman. It also means that he likes the fact you engaged deeply with the source material, in either a heartfelt or critical way.

What it *doesn’t* mean: Head-canon is the same as canon despite both being valid in their own way. He said all of this a million times in a million posts.

Let’s explore that particular theory and start with an ask:

His endorsement goes as far as acknowledging that “it’s never only a dream,” and that “dreams are where the stories are.” And we need to stop pretending it’s anything more than that, even if he likes a few posts here and there (posts that go in all different directions, btw). Neil used his own experience with grief and mirrored it 1:1 in how Hob handles Morpheus’ death in The Wake and Sunday Mourning.

Here is a quote from the Sandman Companion:

NG: […] Bette's stories have happy endings. That's because she knows where to stop. She's realized the real problem with stories—if you keep them going long enough, they always end in death.

HB: It also makes me think of Hob's dream in part 3.

NG: That was something that actually happened to me. [1]I dreamt about a friend who'd died six months earlier, woke up completely upset that she'd died, [2]and then realized I'd simply had a dream and felt enormously relieved... [3]and then I woke up all the way and remembered that she really had passed on.

[numbers and bold by me]

And then remember what happened to Hob:

1. He found out in a dream Morpheus had died and woke up upset and crying in The Wake, Chapters 1-3 (#70-72).

2. Then he had another dream that somewhat gave him closure and a sense of relief (Sunday Mourning, #73).

(Can I also just point out where Destruction’s fingers are pointing here and then contrast it with what he told Daniel in The Wake about “walking amongst the stars”, or Morpheus actually turning into a star?)

(What might the end of the story be? Who knows, but once again, have a look where Destruction’s fingers are pointing.)

3. Then he woke up all the way and felt peace (also in Sunday Mourning).

Make of that what you will, but to me, saying that scene was based on his own dream is basically Neil confirming that Morpheus has “really passed on.”

Will Hob remember Morpheus? Of course he will. That’s what humans do. Does Morpheus live a happily ever after in Hob’s dream with Hob? And would that be in character? And would he want his memories to be intact to make that happen? Would that truly be passing on?

I will explore why canonically, we don’t find much to support that notion, and why it would seem OOC. But if you believe it, it’s your personal truth. Should we call for the ending to be changed though to make our personal truth that of the author?

Life and death are our own, and it’s never just a dream

Destruction was in Hob’s dream (when Hob never really knew him), and Destruction walked away from it all. As did Morpheus. They’re both free. It was very likely (and I'm phrasing this carefully on purpose) a dream gifted by Daniel!Dream (who had a very long talk with Destruction during the Wake) to give Hob closure, and it seems straightforward enough if you read The Wake not just single-mindedly focused on one thing. Daniel!Dream is not in the original panel, but he is in the background of concept art of that panel for a movie pitch by Jill Thompson and Neil Gaiman, so we can probably assume it was always the intended subtext.

And what does Death say in Façade? Or what does Morpheus say to Orpheus, or to Delirium after he killed Orpheus? That life and death are our own.

Destruction’s life is his own.

Morpheus’ death is his own.

And Hob’s life AND death are his own.

The three of them are the literal embodiment of that sentiment:

One walked away and chose life.

One walked away and chose death.

One chooses life for as long as he sees fit and can choose death if he stops doing so.

It makes sense to put them in a panel together at the end for that very reason (and a few others of course).

That, right there, is already “more than just a dream.” It is the story, not just a metaphor. It is canon, and it is fairly explicit.

Would Morpheus ever want to be a dream entity with all his memories intact?

From this point onward, we get more into interpretation based on canonical character traits:

Morpheus living forever as a dream entity *tied to Hob’s dream* is canonically antithetical and OOC. There, I said it. He wanted to be free from the Dreaming, he even said so to Death (“But even the freedom of the Dreaming can be a cage, of a kind, my sister,” in #69).

But existing as a dream entity WITH ALL HIS MEMORIES INTACT (that alone should make people say, “He would never want this in a million years” because it’s the very source of his pain—he wanted punishment for Orpheus’ fate/death—Nuala called him out on it) would forever tie him to it. Plus, it would make him Daniel’s subject in a way. It would be, again, very OOC.

Also: Dream had very strong feelings about the dead NOT belonging into dreams/the Dreaming permanently, or the living building their lives around them. WHY would that apply to Hector, but not to Morpheus himself? Again, it makes no sense in continuity.

But Destruction was in that dream…

Destruction visited Daniel!Dream during the Wake. They talked about a lot of stuff that’s very relevant, I recommend a reread if you’re not certain (this is long enough as it is, so I’ll skip it at this point). And it makes narrative sense to anchor that in Hob’s dream for reasons already outlined (they might not make sense to Hob, but they make sense to us, the reader, if we are willing to see that “it’s more than just a dream” isn’t equal to two people riding off into the sunset together, as nice a head-canon that might be). What I *do* want to point out though is that Destructions talked about “walking amongst the stars” and again, where he points in Hob’s dream.

Someone said this somewhere else and drew parallels to Stardust: Morpheus *does* become a star (or returns to them, who knows), it’s all over The Wake. That star is in literally *every* panel with a window/sky after his barge has transformed. And what becomes of him as that—who knows, since we all know stars have some sort of sentience in Gaiman’s universe, and that “oblivion is not an option” if Death took your hand to lead you into the afterlife. Again: Head-canon territory…

Head-canons are beautiful

No one is trying to take them away from us. Let’s knock ourselves out in fanfic and fanart, it’s comforting and healing. The Sandman is a story about stories. Our stories are our own, and they are true for us, that’s the whole point. And Neil will *never* tell you your head-canon is not real, because for you, it is, and that’s all that matters. But the constant need to elevate fanon to canon really gets exhausting at times, especially if it involves pestering the creators, constantly being on their blogs/tagging them and trying to get them to confirm what we want.

And to those that insist we will undoubtedly get a happily ever after because “Hob’s dream says so”, and think the writers somehow should “read the room” and provide fan-service (side-note: What is it with this entitlement in fandom? The creator tells *their* story, not yours):

One of the main messages of the story is (already in 24/7) that stories only have a happy ending because we know when to stop, but that they ultimately *all* end in death. No matter how much people say that “the show is so much more hopeful”, that very line has already been brought into the show. They didn’t take it out. It will have weight at some point, I’ll put my money on it.

But show!Murphy isn’t comics!Murphy...

People point out that show!Morpheus is different from comics!Morpheus to justify we will get a different ending. Making Morpheus a bit softer around the edges seems, at least to me, a move to make him likeable as the protagonist, because it would be very hard to like early comics!Morpheus, to be frank. The fact that he brought Gault back from the darkness—I saw that as giving show!only fans a nicely wrapped end of the first season, because we didn’t even know if we would get a second one at that point. It also shows us that he is capable of change—a thing I am near certain he will repeatedly deny as we go on (he already did). So no, I personally don’t think it set him on a different path. There are even scenes in the show that very heavily foreshadow The Kindly Ones (the cracks in the window are overlayed onto his face in such a way that they heavily hint at the scar he is going to receive).

So yes, by all means, let’s have a bit of ambiguity in Sunday Mourning for the people who don’t like the tragic ending, but let’s also focus on more than just making everything about the ship. Their relationship is important, and even more so because it isn’t romantic—that’s why it grows and lasts (unlike Morpheus’ romantic relationships). But it’s only the tiniest fraction of what The Sandman is about.

I write fanfic. I give Morpheus happy endings, too. I get it, I want him to be happy, too. But no matter how much we write him in character, we will ultimately break character the moment we make him do things that lead to a different outcome. In canon, he is the way he is. And I am afraid to say:

I personally think he is also like that in the show, even if they softened him a bit around the edges and shoved certain messages down our throats that people who know the comics didn’t need, but newbs to the Sandman did (“I’m listening now…”)—it was a good move, and all of that made sense for show-narrative reasons. But not once did I have the feeling that he wasn't exactly the same Morpheus underneath it all, and we already had too much foreshadowing to think that we would really get a different ending.

Why chemistry isn’t confirmation of the ship

That’s another one: To turn one (!) show-writer’s comment that Morpheus’ and Hob’s chemistry was a thing, and that they allowed that type of ambiguity, into, “Their romantic relationship is canon.” These two things are not the same. And Neil said that Benton’s comment did not make Dreamling any more real/canon, but people conveniently forget that. He also didn’t deny it, he just didn’t confirm, because, again: He doesn’t confirm or deny head-canons. They’re ours. Let's please stop pestering the man to confirm our head-canons and fantasies, but that just as an aside.

It shows one thing, however:

How conditioned fandom is to make everything about romantic relationships (ideally m/m), even if they have nothing, and I say nothing, to do with the main message.

And it’s okay the wish for these relationships matters to some people, but they don’t have to matter to everyone else, to the extent that we expect the actual story to change. Why try to twist his arm into changing his own story, and the way he wanted to tell it?

So again: Head-canons are beautiful. Trying to get them confirmed by creators and foist them upon everyone else (to the extent that people get harassed) is not.

And if I'm proven wrong on this, I’ll still die happy, but I'm putting my chips down right now and say:

Morpheus will die in exactly the same way as in the comics. And if we get The Wake, we will get a scene in Sunday Mourning that can hold ambiguity for processing our grief, just like the comic can. And the shippers will say, “He’s with Hob, yay!”, and the non-shippers will say, “Nah, not what I saw.” And Neil will get a million asks and answer each single one with:

“What do *you* think?”

#the sandman #neil gaiman #dream of the endless #morpheus #hob gadling #sandman #sandman meta #sandman spoilers #sandman comics spoilers #the wake #sunday mourning #façade #sandman book club #sandman bookclub #canon vs fanon #harassing creators and other fans is never okay #neither is constantly creeping into their inboxes to get your head-canons confirmed

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battle-of-mid · 1 year

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iwould like to hear your rant about lmk wukong's character assassination. In detail. if possible. please

(takes long drag of cigarette) it really did all start with the show itself coming out. see, after ROTTMNT came out, i don't think we could really expect flying bark to be "faithful" to its IPs and while whether that was a good thing for the TMNT franchise is absolutely something that can be discussed by people that aren't me, it's a whole lot more sensitive when you're handling a show based on a cultural treasure -

LEGO's line of toys dedicated to a sort of journey of the west spinoff is, in my opinion, an objectively good idea. other than boosting sales it feels kind of inevitable considering just how much LNY stuff they'd put out already, you know? to put it simply i don't have any problems with the lego monkie kid IP in concept, just with the way FB decided to run with its execution -- which ended up landing it squarely in "hot mess" territory.

basically - and i promise that this is relevant to wukong specifically, bear with me - i think that the first red flags were the fixation on their rendition of the six-eared macaque: a character that they've changed from being a single-use "evil twin" character that served the original Journey to the West's allegory for enlightenment (ie. that he was a manifestation of SWK's worst impulses) and then immediately fucking died when the situation called for it. he didn't show up for more than one storyline. they retcon a looooot of SWK's actual backstory as detailed by the book itself in order to make room for sadboy LEMH content so the writers could get their shipfix for him and SWK (which is annoying on more than one point, if you remember what I said about the evil twin thing. if you catch my drift. average flying bark moment)

but to put it simply i genuinely think they just made him... way too much of a lazy fucking self absorbed asshole? the beginning of the show has this which feels like a one-off gag but they double down on it later which makes they didn't write sun wukong -- this is after he's supposed to have ascended to victorious-in-strife buddha, mind you, and it ends up feeling less like sun wukong at any point in the storyline and more like... well, goku. from dragon ball super. which is its own, mostly unrelated can of worms in and of itself.

the thing is this is a character that's been used historically as an allegory, as representative of the people, objectively a cultural icon no matter where in china-influenced asia you find yourself (fantastic analysis of the problem with the way LMK pays homage to that allegory here), and also used in reference to, like, diaspora kids. this is a character that baaasically any chinese person with any kind of connection to the culture is going to see themselves in - especially in his reckless identity and subsequent ascension, you know?

and the main problem here is essentially that when you do this with a character that exsits as part of a media franchise... it's fine? it's whatever. people can just skip that. but when you are doing this as an attempt to adapt a piece of historically and culturally important literature - one that is made for children, one that is infinitely more accessible to diaspora children of that culture than any other adaptation that would be directed towards their age demographic, it feels like a punch in the gut. it's a level of disrespect that just really really hurts, all because the people in charge of it feel like they have to flanderize their characters for their fandom or they'll, like, die.

this isn't exactly organized nor is it every thought i have on the matter but basically tldr they forgot they were writing sun wukong and not their oc

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licncourt · 3 months

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Do you think Louis is "good with emotions"? What I mean is is he consciously aware of how he feels about what's happening around him, does he have a handle on emotions or does he have.. Issues with translating what he's feeling, therefore he is oblivious to his own emotions. Does he fine tune emotions in a conscious funnel that gives the reader an impression that he's quite adept at being a person you can go to with your problems. Does this make sense? I guess what I'm asking is would he be the best friend you can count on to have a deep talk with or is Louis so repressed he needs to write out his thoughts in a journal before he can give advice. Does he give terrible advice. Would he make a good therapist? I think he's a bit too mentally lost himself to be the person to depend on for advice even though compared to Lestat he's more emotionally mature, but (I'm sorry this is so winded) is Louis aware of his emotions enough to make good life choices, and is Louis able to distinguish emotions or does he struggle with them enough to be that person everyone goes to for advice (hypothetically). I hope I'm making sense.. I'm not too keen on the side of fandom that leans on Louis being the "sane" one while Lestat is the "insane" one, but in my short time in this fandom, that's been my experience 🤷🏻‍♀️ Everyone wants to lean on Louis, and they want him to be the family friendly one. It doesn't give room for him to flesh himself out. Why does Lestat get all the fun stuff. Louis started the shenanigans and he is obviously very unhinged. I don't think it's fair is all. But please give me your thoughts on this very long ask.

Oh God that's a hard question, but my answer is no, he isn't really. He's emotional but I wouldn't say he's good with those emotions or those of others (especially not those actually). In general he reminds me of when you meet a guy who sucks but they call themselves an empath.

Even Lestat says in one of the books that Louis is oblivious to the suffering of others in a lot of ways and I think that's true. He sees human misery when it supports his internal beliefs because he's actively looking for it, but he's not in tune with people in general, especially not when other people's feelings contradict his world view (ie owning slaves while acting like he's some kind of hero for the downtrodden because he eats rats).

I think the fact that he feels his own emotions so intensely is part of what makes him so selfish. He's incredibly caught up in what HE'S feeling, so the inner world of someone else is not really being considered, nor would it occur to him to consider it. That happens a lot in IWTV where, at least the way Louis portrays it, the only explanations he can come up with for Lestat's behavior are that he's stupid or he just has a bad personality.

There's always the implication that their relationship was deeper than Louis made it seem, but I also don't think he was interested in exploring Lestat's deeper motives for his behavior. He got his feelings hurt and therefore whatever Lestat had going on was irrelevant to him. There was no effort to understand and empathize when it was hard and he faced resistantance.

At the very least, be seems to be hellbent on strong-arming his own emotions to suit his will. He's very externally adamant about his chosen narrative, but he spends enough time just Having Feelings that at least deep down, he knows for himself what the truth is most of the time when it comes to his inner thoughts unless he's in true denial. He just chooses to be stubborn and force his way through life ignoring those feelings if he thinks they shouldn't be that way.

His thoughtfulness and how carefully he chooses his words does give the impression of some kind of emotional intelligence, but I think a lot of that is artificial, like when he's talking in IWTV about how his objections to killing are about the principle and the aesthetics. There's a lot of convoluted thinking and justifications, but not much consistent or reasonable logic to suggest that he's tapped into something grounded and honest within himself or the world.

Another indicator of whatever emotional imbalance he has is the way he cycles between being so rigidly repressed and then snapping. That's not the hallmark of someone who's processed or is capable of coping with any hard feelings, much like an addict who never gets treatment but manages to white knuckle their way through stretches of time before losing control again.

I suppose he is more emotionally mature than Lestat in his ability to exercise restraint and be calculated (in good and bad ways), but that doesn't always translate to an emotionally intelligent mindset that influences larger choices or patterns. No matter how good he is at it, his semi-frequent, massive lapses in judgement and self control kind of negate how helpful those skills can be.

This comes across in subtler ways too. He was more the family man than Lestat, but rather than responsibly parent Claudia through her adult challenges, he allowed and fostered an emotionally incestuous dynamic that was incredibly toxic for both of them. Other times he played calm and collected in the face of Lestat's outbursts, but he didn't actually work to resolve anything, just to keep the upper hand through his performative apathy. It's all very surface level and hardly ever productive.

The one credit I'll genuinely give to him was his willingness to let Lestat get whatever all that was out of his system in the 90s and 00s. He was very patient and honest about his feelings and finally had enough softness and genuine care for Lestat that he was able to see objectively the pain, confusion, and trauma those behaviors were born from. It's definitely growth on Louis' end compared to IWTV so golf clap for that.

I will say though that I definitely think he's too self-absorbed and judgmental to make a great listener unless he REALLY cares about the person talking to him. If he thinks he could've handled whatever the problem is better, it's going to show it accidentally even if he's being polite. The truth is he would not have handled it better most likely. Differently maybe, but not better. You had a freakout? Well. He simply would have repressed those feelings and then acted like a bitch later over nothing.

#answered #vc #meta #louis de pointe du lac

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thesherrinfordfacility · 8 months

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LWA: Just some random stuff on a Sunday morning!

Missing scenes: Furfur's book of angels includes "bishop" as one of Aziraphale's jobs, and as we've already seen all the others on the list, even if only in deleted lines (the music tutor was originally in the Rome scene), I would guess we'd see that one as well. Not necessarily a good fit for 1650, though, although since Gaiman has done things like have the Bastille still standing in 1793, anything's possible.

Assumptions about character progression: I think there's a tendency to assume that Crowley and Aziraphale develop or ought to develop towards something "better" as the series progresses, but that's not quite right. They become more /complicated/, which is a neutral--dare I say grey?--concept. The novel and series both deny that good and evil are steady-state aspects of character: you /aren't/ good or evil (or something in-between), you /do/ good or evil (or something in-between). S1 Crowley, as both Gaiman and Tennant have said, has no real character arc, but one of the reasons I think the fandom needs to pay attention to my favorite bugbear, the child murder manipulation subplot, is that it is also about moral complexity. Flood-era Crowley offers the moral absolute "you can't kill kids." Armageddon-era Crowley runs Aziraphale over with a trolley problem in order to duck the more unpleasant reality that if you're fine with someone killing a kid for you, you're fine with killing kids. (I have to say that the sentimental "Crowley wuvs Warlock" headcanon is one of those instances where supposedly-positive fanon constitutes outright character assassination, right up there with "Aziraphale had an affair with Oscar Wilde" [oh, do /not/ get me started on why that's horrifying].) The series is on the side of Flood-era Crowley and Madame Tracy, not the "developed" Crowley. Meanwhile, Aziraphale learns how to lie, which is a skill that can be put to different moral purposes in different contexts. Sometimes it's unambiguously good, like saving Job's children; sometimes it's ambiguous-to-evil, like concealing the Antichrist's whereabouts from Crowley (revealing this knowledge to Crowley would mean more pressure to murder the child, but his rehearsed speech suggests that he's willing to let Heaven handle it, perhaps, which is not a viable moral alternative).

AWCW and being "impressionable": one of the funniest things about Crowley is that in some respects, he's every bit as conformist as Aziraphale is, and sometimes more so. His unreliable narration about the Fall hints very strongly that, as you say, he just went along with the "cool kids"--which, despite his protestations to the contrary, /is/ a moral failure on the terms set out by the novel and series. Even later, both Crowley and Aziraphale rebel in ways that maintain the fiction of the overarching system (the Arrangement) rather than dismantling it entirely. Crowley also enjoys his job, especially in the novel. Which, to be clear, is also a moral failure: slacking off is, hilariously, the most moral choice he and Aziraphale can make. FWIW, for me, neither the novel nor the series are "burn it all down" narratives, in part because they both advance a theory of humanity that suggests burning it all down just gets you the same thing from a different direction. The most radical political ideas are given to a conspiracy theorist and to children, and the Antichrist concludes by rejecting all of them and hitting a literal reset button. Pratchett may have co-written the book from a place of "anger," but anger can lead to a lot of different political practices. Obviously, YMMV.

LWA✨ woke up today and chose analytical violence, what a legend

1. see, i feel like 1650 could work for aziraphale's bishop occupation, even if only mentioned retrospectively. theoretically, he could well have been a bishop before the abolishment in 1646, and exploring the episcopalian polity vs presbyterianism argument of the time could be really interesting narratively (especially if handled somewhat like the resurrectionist episode)... but detail aside, even if by the time we see him in 1650 it's only mentioned casually that he was a bishop "a few years back", i don't think it would be entirely out of field. we don't necessarily need to have everything played out on screen!

2. okay, a lot to unpack here, but essentially i agree. the issue it seems to me is to posit moral absolutes in the first place; there will almost always be a contextual 'except'/'but' clause that comes along with it that turns it on its head.

it's bad to kill children, except when they are the antichrist and could bring about the apocalypse.

it's bad to lie, except when it would prevent unimaginable cruelty and grief being wrought on those that don't objectively deserve it.

it's bad to manipulate and brainwash a group of people, except when there's no lasting harm done, and you were only trying to demonstrate to someone that you love them.

it's good to try to further human medicine and prevent needless suffering, except when doing so puts the desperate as the first to fall in the figurative battlefield.

it's good to forgive a huge debt when you don't have any necessity of it being paid, except when it's primarily borne out of materialistic selfishness.

neither character does anything so completely reprehensible, or alternatively so inarguably irreproachable, that someone, somewhere, can't or won't argue a justification for their actions. we individually, according to our own moral compasses borne of our experiences, may justify or condemn what they've done in the narrative - objectively, the morality behind their actions as we've seen them so far is never absolute.

eg. for me, crowley's plan on killing the antichrist, a child, in the specific context of GO is not the condemnable action here; its the manipulation of getting aziraphale to do it because he, personally, will not do it himself. i understand why, but the thing that i personally consider to be unambiguously bad is not killing the antichrist itself, but instead the fact that crowley considers that the only solution to the hellhound being named - ignoring the 'running away' that crops up later, for a moment - is to underhandedly manipulate someone he cares about into doing it instead of him. however, others may see it differently.

who is to say what is 'better', anyway? what even is 'better'? is 'better' to do things only when it's for the benefit of other people? is doing 'better' for your own self not also worthy of consideration? is 'better' wholly only when doing something that is kind or generous to others, rather than being kind or generous to yourself?

whilst crowley hits certain moral epiphanal milestones before aziraphale does, neither have the full right of it - aziraphale should not hold morality to being plainly black or white, dictated to by a set of absolutes that are so basic and lacking in complexity that they are by all accounts redundant. and crowley should not dismiss alternative choices or solutions just because they do not fit his perspective or reasoning, nor hold that his understanding of morality is the only viable one or is the only one with any weight or validity. ep6 imo succinctly demonstrated this.

both of them are still so young at the flood. aziraphale holds that whatever has been decreed by the source 'of all that is good' must therefore be good (and choosing to not see beyond it) and crowley acts so incredulous that something he sees as being absolutely bad would ever be entertained (despite, you know, having been cast out of heaven for 'just asking questions'....). both of them by the time of job have had a pretty seismic shift in that respective naivety - aziraphale begins to question what god actually intends, and crowley acts stoutly bitter and unsurprised by the assignment. neither reactions are compatible still, they constantly circle each other, and literally indicate that some level of understanding (of god, of her will, of morality 'in the real world' itself - take your pick) is still lacking.

re: Oscar Wilde and warlock hcs (i couldn't let these stroll by without comment)... god, where to start. re: warlock, i never begrudge any hc where it's borne out of a developed fanon background. that's arguably one of the main benefits of having the fanon side of things: to develop a point/event/gap in the story for yours and others' amusement - that's cool! for this example, any fic that gives more insight into their years in warlock's life, and therefore gives legitimacy to crowley having a fondness for warlock - yep, i like that! that's awesome, i could see it as an unrealised narrative, but that's where it firmly stays, for me - in fanon.

but i do get frustrated when certain narrative points are pointedly ignored in order to establish a character trait that would otherwise not exist. crowley in canon does not - to me - demonstrate any fondness towards warlock. he literally proposes the option of his murder! i don't think him refusing to entertain killing warlock himself indicates any sentimentality towards the kid - thats a bit of a stretch, imo - but instead it reflects on his character being, put reductively, a bit of a knob sometimes.

as for aziraphale and oscar wilde... yeeaaah. i think anyone that holds that hc seriously needs to reevaluate the implications of it, and whether or not beyond professional (?) respect for his work aziraphale would willingly want to associate with him... ultimately, i refer back to my above point about "...anything so completely reprehensible...". and, respectfully, perhaps there needs to be a little more separation between michael sheen's filmography and aziraphale's narrative - whether in hc or canon.

3. right, AWCW time. i agree re: his conformity to the 'cool kid group' being something that is deserving of scrutiny on his own morality, but i feel like this only is viable once that association goes beyond a certain point (and an arguably arbitrary one at that). essentially, i think it's possible to still see AWCW's decision to associate with the group as understandable and empathetic. we know from the narrative that a) AWCW starts hanging out with them at some point, and b) that lucifer et al. are in the end considered bad people. but were they actually bad at the time that AWCW comes across them? if they were, did AWCW himself know? we don't really have enough narrative to reliably confirm this.

but we do know that AWCW fell, and it's therefore rather likely that he continued associating with them past a point where he would have known that they were Bad News Bears. in the beginning, he may have just been glad that these people seemed to listen to him and make him feel valid for having questions - that's understandable. but as time goes on, as lucifer etc. hypothetically get more and more questionable in their actions and beliefs, AWCW presumably choosing to stick with them, possibly even defending them, confers the deserving of negative judgement onto AWCW in turn (presuming there's no element of coercion or blackmail involved, mind you).

i like the point you raise of aziraphale and crowley respectively not conforming to their inherent purposes (being an angel or demon respectively) when it benefits them personally, being an almost accidental 'good thing', especially when the story puts forward that, however you look at it (ie. whether bc they are lazy, or it poses more excuses to see each other - immaterial), the arrangement is entirely self-serving. 10/10 narrative irony. but this is kinda going back to one of our first asks, LWA - it is for me once again the key difference between rebellion, and revolution:

(never been more grateful for making the LWA masterpost, thank you past-me)

so whilst i agree to a certain point that the 'burn it all down' narrative may not be a viable option, or is at the very least a reductive one, i think that the question is what it is replaced with, if at all. adam hit the reset button and put earth back to how it was, because what humanity and earth was - by my interpretation - was just fine as it is. it's not perfect, but not worthy of being destroyed in totality.

so what can we say about heaven? is it a mirror to earth in this respect? i don't think it is. heaven may well have been intended originally as a neutral party with the best of intentions, and then pigeonholed into being the 'good side' following the fall, but it has been allowed to fester and corrupt. maybe we will see more in s3 that there are other angels that feel that heaven as a system is flawed (personally, i think we see this in saraqael's introduction to GO, but that's just my interpretation of the character so far), and maybe those angels will represent the part of heaven that is still redeemable.

so okay, yeah, maybe heaven shouldn't be completely gutted and dismantled, but it is not in the same place as earth is at the time of adam's reset. earth and humanity were arguably the innocent parties in their prospective destruction, whereas heaven has sown their own seeds for it. i don't think the two are entirely comparable. heaven does need a major realignment, and i personally don't think this can happen without some form of systematic reform, without revolution (especially if the wider fandom's evaluation of metatron is true come s3!). it needs reworking with an alternative system that works to be fairer, and removes any binary rhetoric of good vs. evil. don't ask me for the minutae of how this should happen, because i have zero idea (well, very little, anyhow), im not that clever.

but this is what i hope aziraphale will actually be successful in come s3. he can't just - in anger at the injustice of it all - set heaven on fire and walk away from the ashes; it will invite for the original regime to rebuild or something worse to take its place. that being said, it's not just him that needs to do it - to build an alternative to heaven in his own image is equally questionable. again, this is the suggestion that i liked in the armageddon 2.0 meeting in ep6; the idea of democracy in heaven, even if the current board is less than ideal (and the point could poetically hark back to the hypothetical 1650 flashback...?).

#“just random stuff” no you came for the throat LWA own it #i had written like another 4 paragraphs on the anger thing but it got personal really fast so i opted to delete it #youre welcome for being spared from it #once again never sure if ive ever made an Actual Point in my LWA responses but make of it what you will #good omens #ask #the fall/the great war spec #AWCW spec #heaven theory #s3 narrative spec #crowley meta #aziraphale meta

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jasminedragonart · 5 months

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are you leaving ATLA fandom?? but where and how can I find you now? are you on other platforms? And a personal question, aren't you afraid to leave? I mean, I'm an artist too, and the fandom has almost completely destroyed me and my love for ATLA, and with ATLA live action things will only get worse, but I'm afraid to leave because the avatar fandom on Tumblr is the only place where I get support as an artist, and if I leave, I will go into the void. What can you recommend? How are you going to handle this?

I am leaving the Atla fandom I'm afraid. I'm keeping all my art up and I have an art book on my ko-fi if people want most of my good art.

As for being afraid to leave, I'm not really afraid. This isn't the first time I've left a fandom. I had a previous blog that I ended up deleting. I had about 3,000 followers on there and my art wasn't to the standard it is now so I really worked consistently to get them. I left that one because it was a time when tumblr was flagging literally everything in their porn ban. It made sense to start again and I hoped that if people liked my art for my art that they would find me again.

It's the same this time. I don't want to draw for atla anymore. I've been trying to move away from it for a while now, at least a year and while I have struggled to do so I'm firmly sticking with my decision now. The live action literally will take over the fandom, which again, isn't a bad thing guys. But I want to expand my art career.

I've considered making another blog and sort of abandoning this one. But then, I know people like my art so I feel like it's unfair to make them seek me out. But at the same time starting a new fandom means finding new people that will like my art.

I know the support won't be as strong as it has been in the past, but overall I make art to make myself happy. It's not like I'm taking my stuff down either, I'll still have my art on tumblr and on ko-fi. The only difference is that I won't be making new art for it. I think i'll still make calendars, perhaps recycle the one I've made for 2025 if people still want it. But, I'll make new things for a new fandom as well. Maybe more than one.

I guess as an artist you need to just decide for yourself to make yourself happy. I want to get better at art and moving into different territory will do that for me. If you're scared of moving on then maybe make it a slow transition. Make art for atla and also for something else. Slowly stop making new art and focus on your new passion. If your fans like your art then they'll stick around no matter what you draw.

I've found, over the years, a lot of fandoms I enjoy a lot of my audience does as well. It's all just a matter of taking that risk and committing.

I hope this helps, I understand your fears all too well. If I go into the void, so be it, but I'm happy with my decision right now and hopefully I'll have made the right one.

#ask #inbox #answer #art

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checkoutmybookshelf · 1 month

Text

It's Not A Fairy Tale Anymore

Ok, I will admit to two things: First, this book was leaps and bounds better than ACOTAR in terms of pacing. I was not bored and I wasn't begging the book to HAVE SOMETHING HAPPEN. Second, I think I hated the last six chapters. Like a lot. For some objective and some deeply subjective reasons. And bonus third admission: My reading buddy for this series and I officially have Stockholm syndrome from these books, so we're going on to ACOWAR. But that's getting a bit ahead of myself, so let's talk A Court of Mist and Fury.

Yeah, hi again. This is your SPOILER WARNING. I am going to SPOIL THE END of this book, as well as the beginning and the middle. Consider yourselves warned.

CONTENT WARNING: Some mention and brief discussion of sexual assault and consent.

Ok, so first and foremost: this book understood pacing and it understood plot and I thoroughly enjoyed like 98% of it. I also appreciated that we managed to expand the world a bit, because ACOTAR felt very, very small geographically and politically. Getting to see Velaris, the Summer Court, and getting a wider sense of the politics and intrigue went a long way toward making me feel like there were stakes and point to this book.

Another thing I absolutely adored was the Shadow Fam. I said that Rhys doesn't have found family, he has trauma pack bonds, and I stand by that assessment. That said, I really genuinely LIKED Az, Cass, Mor, and Amren. Yeah, they all have varying flavors of tragic backstory and trauma to facilitate the trauma pack bond, but after an entire book of just Feyre, Tamlin, and Rhys, I was desperate for more characters, and I will say that at the very least, I wasn't mixing up the Shadow Fam in my head. They had distinct personalities, and frankly I'd read the hell out of a novella that really digs into Mor's backstory in particular, mostly because SJM is developing a worrying habit of denoting bad characters by making them rapists (See: Amarantha, Ianthe, Mor's entire goddamn family, a worrying number of non-Shadow Fam Illyrians, etc.) and I want to see how complex this world's conception of consent is. Because Mor's entire situation was coerced, which means that the only non-fucky consent thing is her deciding NOT to sleep with Az. Because no matter what she told Cass, she was having sex with him in a situation where she very well might not have if she wasn't under the duress of a forced marriage. Literally she either didn't tell him anything and just went "Let's do the sex at each other" and he said "sure," or she went "hey, help me get out of this forced marriage by taking my virginity so other dude won't want me" (excuse me while I vomit at the pedestaling of virginity) and he said "sure." While knowing (I'm pretty sure) that Az has the world's biggest crush on Mor.

Literally nothing about this isn't messy AF, and I would a) like to see how we handle the consent stuff and b) eat this up with a SPOON.

But even in the here and now of the book, the whole Shadow Fam have individual relationships with Rhys and Feyre, and I thought that was decently well done. To be clear: its not Tolkien. It's nowhere near the same level. But for popular fun books, I have absolutely seen worse, and there was enough here for me to hang onto and enjoy. If they leaned a little into archetypes and stereotypes, well, it wasn't too egregious.

I think this is where I get to talk about Rhys a little bit too. So I have only read ACOTAR AND ACOMAF as of writing this, but I'm in a lot of book and fandom spaces, so I've heard everything from "Rhys is the embodiment of toxic masculinity and an anti-choice piece of shit" to "Rhys is the pinnacle of a male partner, can do no wrong, and I would let him rail me in a cabin on a mountain top." I'm not going to stand here and say that masculinity in these books is wholly unproblematic, but again: I have seen worse. My biggest problem with Rhys at this point, frankly, is that SJM keeps trying to have it both ways with him. But the "he's half mysterious, slightly evil Shadow daddy and half trauma puppy with a dreamers heart" was super not working for me, not even in a context where it maybe should have. Like, yeah, evil Shadow daddy as a role to protect Velaris makes sense, but then literally everything else we get is a cross between a traumatized dudebro with his buddies and trauma puppy making eyes at Feyre. The gap between the two sides of Rhysand just hit a point where my credulity stretched and broke. That's not to say I didn't enjoy both halves of Rhysand, but they didn't sit comfortably in one fae high lord lord me.

I just also want to briefly address the man pain, because after the Dresden Files, my patience for angsty man pain is THIN. I literally rolled my eyes and went "what the actual fuck" when Cassian provoked Rhys into beating on him for an hour after Feyre accepts the mate bond. Dumbass "if you can't fuck, fight" nonsense has never been my thing, and on principle I don't like it, but given that Feyre is alive and well and grabbing a snack with Mor, I can't argue too much. Battle Ground really set a new low bar for me, so I wasn't even grouchy about Rhys's POV man pain chapter right at the end of the book, because again, Feyre is alive and well and made a choice. I will allow it, but its getting some light side eye. Finally, the other major man pain scene is when Rhys is...I'm gonna call it groveling because I'm not feeling generous, but he's basically giving us a chapter-length recap of the previous book from his perspective. It's tearful, it's earnest, it's all kinds of angsty...And like...I was kinda not here for it. It was not the worst, your mileage may vary. I'm mostly just grateful it was one chapter and not an entire POV-swapped book.

I also want to just real quick tall about tokenism and some...potentially problematic things with the Illyrians. They have some savage warrior stereotypes attached to them that them being Fantasy Scots in the Fantasy UK makes sketchy, given the highland clearances and the generalized othering the England did to basically everyone. Then we get their cultural treatment of women, and the whole thing feels...deeply uncomfortable. I can't even make an oomaks joke about Illyrian wings (despite the fact that Illyrian wings have all the issue that Ferengi ears do multiplied by a factor of ten because THEY'RE WINGS) because I cannot banish the fact that they clip women's wings, which has some deeply uncomfortable resonance with female genital mutilation in the real world. Literally not even the Ferengi did that. And then we get Rhys, who is only half Illyrian, and the token "good" or "progressive" Illyrians, Az and Cass. They're trying to facilitate gender equality and banned wing clipping, but like...its made deeply clear that it's not working super well. So the general message is that of primitive, sexist Illyrians...except for the three good ones. And y'all...I kinda hate that. I'm not complaining that we have Rhys, Az, and Cass, but the Illyrians are deeply uncomfortable in a lot of ways that the version of me that did a PhD is screaming about.

And now we come to Rhys and Feyre. Rhys and Feyre, who spend 89% of this book flirting like dumbass teenagers before Feyre falls right back into the pattern she established with Tamlin where she decides she is going to give her literal all for a people, and I guess we just have to hope she has a partner who won't let her and then smother her to death. Because she is in the EXACT SAME POSITION, the only difference is Rhys. At this point, Feyre going all in is a feature, not a bug, which just makes her assertion that she belongs to herself first feel a wee bit hollow...

But I will say that Rhys and Feyre understanding that they can leverage their bond and Tamlin being just...the biggest dipshit in creation...to actually get an upper hand in this war, and I actually think that now that we've got the teen flirting out of the way, Feyre and Rhys might be a good team. I hope. Please God let them be a good team. I know we won't get Evey and Rick in The Mummy Returns, but I would take even a pale, bat-winged reflection of that relationship.

I guess we have finally arrived at Tamlin. I'm with Feyre that he's not good for her, but uh...the MASSIVE CHARACTER ASSASSINATION at the beginning of this book felt wildly gratuitous. Like, Feyre is wasting away. She's not emotionally ok. She isn't dealing with her trauma, and Tamlin isn't helping. WE GOT THAT. But that was only like, the first ten-odd chapters. So it was a speedrun character assassination, but I thought we were done at that point.

Holy shit, I was wrong.

So, there is a writing school of thought in which every villain needs to feel like they're the hero of their own story. I don't even think this is a bad tack to take. It can help motivate villains or make them sympathetic. And when Tamlin swaggers into the castle room in Hyburn after the king has captured Feyre and the Shadow Fam, you can bet your ass that he feels like he's the rescuing hero swooping in to save his true love from the shadowy douchecanoe who put a mind whammy on her to take her from him. (Which I actually think we might have Lucien to blame for that angle? Since he had to have reported back that Feyre fought him? But the timeline on that isn't clear, so IDK for sure.)

Unfortunately for Timtam, his ENTIRE PLAN makes him look too stupid to live. He KNEW what Amarantha was like. He KNEW that the King of Hyburn was a factor of ten worse than Amarantha. And he STILL made the deal to let Hyburn invade through his kingdom and somehow thought he would HAVE CONTROL OVER THE SITUATION???? And yes, I stand by this, because he keeps trying to tell the king to stop doing shit or do shit differently, and is ABSOLUTELY FLOORED when the king quite rightly laughs in his face. Talk about not thinking a plan through. Literally, I'm pretty sure Timtam was thinking, "I will win her back and be super heroic" and that thought eclipsed all other thoughts, his common sense, and his critical thinking. Which just take the character assassination of Tamlin and skyrockets it. I get that he's not the one, SJM. I got it six different dick moves ago.

Since we're talking about the last six chapters, I also want to just touch on the faeification of Elain and Nesta. Literally all I could think when they dunked our girls was one fantastic chapter title from the fantastic How to Read Literature Like a Professor: "If She Comes Up, It's Baptism." That metaphor doesn't really map perfectly over this situation, but it also isn't really a stretch. It also harkens back to the really old cauldron mythologies, which tracks for fae mythology. Mostly though, if Nesta doesn't murder the King of Hyburn after that foreshadowing (which had all the subtlety of a two-by-four to the skull), I will riot.

Hoo boy, this was a long one, but I think it's time to wrap it up. The TLDR is that this book was really fun as long as I wasn't thinking too hard about any of it. When I do think about it, I can shred it to little tiny peices, but honestly that stops being fun really fast, so I choose fun.

Also my reading buddy and I have Stockholm Syndrome with this series, so stay tuned for my eventual ACOWAR review!F

#acomaf #acomaf spoilers #a court of mist and fury #feyre archeron #tamlin #rhysand #books and reading #books #books and novels #books & libraries #book recommendations

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snek-panini · 10 months

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It's been ages since I had a new book to post, but I finally got through my art block (craft block?) and finished some of the ones that have been languishing, cover-less, on my desk for months. To everyone who liked my last post about the copy of The Machine Stops that I made, thank you! But that was my first book ever, more than two years ago, and I make much better books now! Here, I can prove it:

See? This is Wine Fraud and Other Worthy Pursuits by ImprobableDreams900. It is (unsurprisingly, to anyone who knows me) a Good Omens fic that I asked to bind way back in February. It's a short-ish fic (14k, no slouch but on the short end for this size book), very well-researched and very in character all the way despite being an AU. Though if you're primarily coming from the TV fandom it will be a bit of a departure, as this is a book fic and predates the release of the miniseries. It's not overtly romantic and everyone has more bite than in TV!fic, more in line with book characterization. I love the romantic stuff but there's so much of it, and this was refreshing in comparison.

More pics under the cut!

Endpapers have vintage novelty corkscrews on them. I saw this Florentine print on the Hollanders site while looking for something else and knew I had to have it for this project, it's perfect. And because it's a small book I have tons of it left. The actual front cover is lokta paper, which I hadn't worked with before and am not sure I liked. It's super soft and doesn't seem like it'll be very durable, and it didn't like folding around the board edges. It seemed to get very feather-y as it was handled, shedding little fibers. Though I also experimented with waxing and burnishing the paper to make it waterproof and that might have had an effect. The black spine is book cloth, and the title was done with heat transfer vinyl. This was only my second experiment with HTV and I feel like I still have a lot to learn.

Spot the oopsies! I got the book cloth misaligned and didn't notice till after it was glued down. It's straight but overlaps much further on the back than the front. You don't really notice it unless you look from the top down like this though. In the second photo, you can see where the text block slipped while I was trimming it and I ended up with one signature slightly shorter than the others; it's the last one on the right. Remember to glue before trimming, I guess. It doesn't really bother me; I actually forgot it was there until I took this photo.

Interior photos, title page and first page of text. The artwork was a free download from rawpixel, turned out very nice. I couldn't find any chapter ornaments I liked for this one, so I kept the typeset simple and I think it suits the story well. Understated. Elegant. Exactly what you expect to be there, like a good forgery.

I enjoyed working on this, and it's wonderful to have finished projects to post about again. I can't wait to share the next one.

#bookbinding #fanbinding #snek makes books #good omens #fic rec #i probably forgot to tag something

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blueindigo17 · 1 month

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hi writeblr!! it's nice to meet you!!

I’ve had this blog for years but never posted anything bc to be honest I was a little afraid of tumblr when I first joined, but recently I decided that since I like talking about my wips so much to my friends/family irl, why not blog about them? I also want to find some writing mutuals, since I like hearing about people’s stories just as much as I like telling them about mine. Feel free to interact, follow, message, etc. I love making friends :D

About me <3

My name is Allie, but I go by Blue or BlueIndigo online. Feel free to use any of those :)

My pronouns are she/her

I’m 19, which also happens to be my favorite number :)

I have five wips, 96 characters (about half of which with a birthday I celebrate like it were my own), and yet very few words actually written (some words plotted though. look at me go!)

I'm kinda in between fandoms at the moment, however I want to start watching Criminal Minds bc I've never seen it and I have a feeling I'm gonna get sucked into the fandom immediately lol

I am a MASSIVE swiftie (favorite album is 1989 TV), and I listen to a lot of 5SOS, Olivia Rodrigo, Conan Gray, and Harry Styles

I love reading !! My favorite author is Taylor Jenkins Reid & favorite books are Malibu Rising, Carrie Soto Is Back, and Daisy Jones & The Six.

I play ukulele, and I've written a handful of songs for one of my wips (more on that later)

I use these emoticons :) :D <3 in practically every sentence

I have a thing where my wip titles have to make good acronyms or I don’t use them. idk why either.

I love talking about my WIPs to the point of annoyance.

Speaking of talking, #blueindigo says things for non-wip related stuff <3

I like to write…

Realistic fiction

Contemporary fiction

Young adult/new adult

Coming of age

Romance

LGBTQ+ characters

Found family

pretty much just people being people :)

More about my wips below !!

My WIPs

Never Have We Ever (NHWE)

Tags: #wip: never have we ever #wip: NHWE

Summary: Liz has the best friends a girl could ask for. Harley, Mikey, and Natasha have been her people since elementary school, and Trevor and Amanda since middle school. Their whole lives, things have been pretty much the same. Same kids in their classes every year. Same streets between the same houses. Same, same, same. At the end of her freshman year of high school, just about when Liz is wondering how much same she could possibly handle, she catches Trevor’s eye as he laughs at someone’s joke, and something deep inside her lights up. Something she doesn’t know what to do with. Something she can't push back down once it comes barreling up to the surface. So much for same. After that, things can’t stop changing. And not just in her own life—her friend group starts pulling apart at the seams. Harley begins withdrawing from everyone with no explanation. Mikey gets in bigger trouble with his dad than ever. Natasha only has a year before she has to move off to college. Amanda accidentally reveals a secret no one was ever meant to know. At least Trevor seems to have gotten off easy. In this collection of short stories, Liz has to wonder if the change of pace she thought she wanted is worth it. Sometimes it’s hard to be brave, and she’s never been the most open to change, but unfortunately, that does not stop it from happening. The only question is: what is she going to do about it?

Genres: short stories, realistic fiction, young adult, coming of age, contemporary Themes: found family, first crushes, dealing with change, growing up, maintaining friendships Characters: Liz Stanton 🩵, Harley Wilson 💚, Mikey Miller 💛, Natasha Knightley 💜, Trevor Marshall ❤️, Amanda Hamilton 🩷

NHWE is my oldest WIP, started on December 16, 2019. It’s been on ice lately, since the plot has gone through so many changes that I haven’t known what to do with it in a while, but one of my goals with posting about it is to warm myself back up to it. I think writing that summary was a good place to start. Wish me luck :D

The Together List (TTL)

Tags: #wip: the together list #wip: TTL

Summary: Audrey is in her first month of college. Within three weeks, she’s moved out of her childhood bedroom and into a room with a window that seems to open on its own and a door that creaks loud enough to wake up the whole floor, she’s stumbled into a friend group that seemed to pull itself together like drawstrings, and she’s gotten a job at an adorable independent milkshake shop with her roommate and one of her new friends. What more could she possibly ask for? The world, it seems. Audrey has a list ten miles long of all the little things she wants college to be. One night, she starts listing them out loud. Her friends—Logan, Lennon, McKinley, Aspen, and Levi—chime in with their own after a moment, and before anyone knows it it’s been three hours and they haven’t stopped. They aren’t even sure whose idea it is, but they start writing it down. Every box on this ridiculously decorated list will be checked off by the end of the year, they swear. Someone makes an Instagram account as a joke, but by the first post it’s become as serious an endeavor as they’ve ever had. They wouldn’t call themselves local celebrities, but they certainly wouldn’t correct you if you did. The thing about fame at this age, even at small amounts, is that it's bound to go to someone's head...

Genres: realistic fiction, young adult fiction, new adult fiction, coming of age, LGBTQ+ fiction Themes: LGBTQ+, friendships, fame, college, becoming an adult, relationships Characters: Audrey Marshall 💙, Logan Levine 🧡, Lennon Adler 💛, McKinley March 💜, Aspen Brady ❤️, Levi Jackson 💚

TTL was created on August 18, 2021. I saw a post on Pinterest of someone's summer bucket list and that sounded like such a fun thing to do with friends that I had to write about it. Two and a half-ish years later, TTL has also gone through many changes, so I'm sort of trying to refresh it now. I'm very excited to see where it takes me!

(Fun fact: the main character, Audrey, is the older sister of Trevor from NHWE!)

The Violet Sisters Club (TVSC)

Tags: #wip: the violet sisters club #wip: TVSC

Summary: The Violet Sisters Club, a world famous all-female pop rock band, is facing a very public lawsuit from a former hotheaded manager over their most recent album. Following the conclusion of their case, lead singer Naomi Tyler, drummer Inez Wilde, guitarist Chrissy Cameron, and bassist Francesca Sheridan escape to the luxurious Overlook Estate, a privately owned rental property on an island off the southern coast of California. Here, they can spend the summer out of the public eye, writing songs they don’t need to worry about releasing and letting the public wonder what they’re up to as they let the tension out of their muscles. With a property twice the size of Alcatraz Island and a beach twice as long, the Overlook offers the band a respite from the go, go, go of touring, the privacy invasion of paparazzi, and the exhaustion of being micromanaged every minute of every day. Four pools, seven hot tubs, the aforementioned private beach, a high tech recording studio (just in case), a few golf carts just to get around the property and a Jeep to get to town. It’s unimaginably expensive, it’s incomprehensibly big, and it’s everything they need. But this escape may not be the relaxing California beach paradise they imagined. Soon, it becomes hard to hide how much the stress of fame was eating away at each of them—emotions run high, patiences run thin, days run long, nights run longer, and the strength of the band is questioned as the girls’ insecurities and anxieties bubble to the surface after a lifetime in the spotlight.

Genres: realistic fiction, contemporary fiction, literary fiction Themes: fame, music, romance, found family, secrets, breakups Characters: Naomi Tyler (lead singer, songwriter) 💜, Inez Wilde (drummer, vocalist, songwriter) 🩷, Chrissy Cameron (guitarist, vocalist, songwriter) 💙, Francesca Sheridan (bassist, vocalist, songwriter) 💚

TVSC was created on February 5, 2023, but the characters have been around almost as long as TTL. Initially, I created the Violet Sisters Club as a fictional band that would exist within The Together List, but at some point I couldn't get the idea of a TVSC-focused novel out of my head. I'm glad I never tried, because some of my favorite ideas I've ever had have gone into TVSC. If I could have one wish, it would be for all of TVSC's songs to be real so I could listen to them without having to write them first.

Now That We Don’t Talk (NTWDT)

Tags: #wip: now that we don’t talk #wip: NTWDT

Summary: There are two important things to know about Hazel Henry and Saiah Bradford. One: They kinda-sorta hate each other after they broke up last year at prom. (The same prom that ended with the school almost burning down and Hazel's twin brother's best friend going to the hospital. Bad memories all around.) Two: Someone on the planning committee for their senior class trip must be out to get them, because when they arrive at the hotel, they find out they’ve been assigned to the same room. This should have been impossible; Saiah requested to be paired with her best friend, Tory, who's going to have some explaining to do later, and Hazel would bet her life on the fact that she requested a room alone. Now, for the next two weeks, they’re both stuck in the same narrow room with its little square bathroom and practically-nonexistent closet. The air conditioner turns on at random times, they seem to be paired together for every single scheduled activity, and perhaps worst of all—their friends all seem to find this situation absolutely hilarious. But it’s just two weeks, right? It’ll be over before they know it, and soon they can both go back to pretending their relationship—and each other—never existed. Right? Right? Happy senior year to them.

Genres: realistic fiction, young adult fiction, contemporary fiction, LGBTQ+ fiction, romance Themes: reconciliation, romance, friendship, forgiveness, guilt, regrets, family, growing up Characters: Hazel Henry 🩷, Nick Henry 💙, Saiah Bradford 💚, Tory Whitehouse 💛

NTWDT was created on October 18, 2023. Hilariously, I came up with the plot after making Hazel and Saiah in the Sims, and I literally couldn't stop thinking about them whenever I wasn't playing. As I do with every character I create, I became obsessed with them, and now here we are. And in case you're wondering, yes, I named it after the Taylor Swift song lol.

Trouble In Paradise (TIP)

Tags: #wip: trouble in paradise #wip: TIP

Summary: Sixteen years ago, Joe Alexander and Ben King drove across the US in the pursuit of Joe's true love. Today, Joe is preparing to move out of his and his ex-wife's house and drive across the country once more, joined by his daughter, Bryce, and his best friend/his daughter's biological father, Ben. It's all familiar—the long stretches of empty fields, collapsing onto a cheap hotel bed for the night, never being able to decide where to stop for food—and yet, Joe has no idea what he's in for. This is a story of two cross-country road trips, and the lives that one woman is able to ruin in between. Joe Alexander and Ben King have both lost their entire worlds to Lilly Alexander. But the ones they’ve gained after her might be—in some weird, unconventional way—a little better.

Genres: realistic fiction, contemporary fiction, adult fiction, literary fiction Themes: reconciliation, moving on, guilt, parenting, cheating, manipulation, mental illness, sexual abuse Characters: Joe Alexander, Ben King, Bryce Alexander, Lilly Alexander

TIP is technically my newest WIP, since I came up with the full plot just last month (February 13, 2024). I've had the vague idea of it for just over a year, but I didn't quite know what to do with it until recently. It's definitely more mature with its topics than my other wips (as you might be able to tell by the themes), but I really like the concept and I've had a lot of fun plotting it so far, even if it's a little out of my comfort zone.

(Fun fact: the original title way back when the characters didn't even have last names was High Infidelity, after the Taylor Swift song, since I thought it was so thematically appropriate.)

···

OKAY I'm pretty sure I have officially run out of things to say. If you made it all the way here, thank you so much for reading! Like I said earlier, feel free to interact any way you like :D

This post is sort of a masterpost for all my wips, but I'm also considering doing posts for each wip separately so I can go into more detail. That'll be later though.

Thanks again for reading, and have a good day/night !!

―BlueIndigo <3

#writeblr intro #writeblr #writing #writers on tumblr #wip intro

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fancifulpurposelesslovely · 23 days

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hello!! I have newly joined the summer sons fandom and if you are in the mood to do some character extrapolation, I’m so curious to know how/if you see Sam and Andrew’s ~dynamic~ progressing post-canon? I read your exchange about the canonical power dynamics between them with another user and I found both of your viewpoints fascinating and insightful so like if it would be fun for you I’d love to hear more! Do you think they ever explicitly acknowledge it between each other? Who do you think brings it up if so? I feel like Andrew would have some complicated shame-adjacent feelings to work through based on what he internalized from Eddie as “appropriate masculinity” if anyone like made him explicitly acknowledge how much he gets out of and enjoys casual submission, but I can’t get a handle on how Sam would think about it? I also feel like Andrew would rather die than bring it up at least in terms of where he is at with his communication skills immediately post-canon. Idk! If it would be interesting for you to think it talk about I would love to hear your thoughts!!

Pretty much one of my favorite topics in general, anon! Just wanted to wait until I had time to sit down at a real keyboard for this.

So I've definitely tried to think about how their relationship and any dynamic might evolve post-canon, and I've got a very quick post on the subject:

And this is largely still my main opinion. I think they're very intelligent and wild and very specifically sheltered in a way that Riley had to break out of for his own sanity a lot earlier than Sam or Andrew did. So Riley would either buy a couple of books online or get some from a library or something, leave them in a bag on Andrew's bed with a note, and hope they never had to speak about Andrew's relationship with Riley's cousin ever again. He might also beg Ethan to jump in and be another source of information on the gays and the intricacies of kink stuff. Not because Ethan is necessarily an expert or involved himself, I think he would just find it interesting and wouldn't have the personal squick about Sam.

(For the record, I think Riley would grab The New Topping Book and The New Bottoming Book by Dossie Easton and Janet Hardy and Paradigms of Power and Negotiating Your Power Dynamic Relationship by Raven Kaldera to start. Or at least, those authors are where I tend to start.)

I do think the almost breaking each other and the general fucking up will be an important part of it all because these boys are not naturally drawn to lengthy verbal communication about their wants, desires, and issues. A lot of it would be done by feel, by vibe, by following body language. Assumptions, wrestling that starts playful and gets to be more, setting up mutual unspoken expectations for each other, then getting pissed/hurt when the other person didn't live up to them 100% of the time because they didn't really know they were supposed to. Sam being slightly too critical of Andrew on a day where Sam is tired and overwhelmed and Andrew is a little fragile, not realizing Andrew would hold onto that for days because Sam "didn't think his opinion mattered that much." (no no that's not personal experience talking, ofc not). Andrew getting in the habit of grabbing Sam refills or new drinks or being the runner for different party chores, then one night just not having the energy or not feeling appreciated and just refusing to do it. Sam and Andrew both not understanding why Sam got so annoyed about it and why their relationship cools down for a couple of days. Little shit like this that's fairly visible from the outside if either of them has a tendency to bitch about it or if you share a living room with them on a regular basis.

I think they do eventually talk about it (this might not be in character for canon and I may have just decided because I want them to, but I'm sticking with it.) I think Andrew would probably read a couple of chapters of the books Riley gave him, panic about it, ignore them for weeks, try again, repeat cycle. I agree that he would have a lot of hang-ups around masculinity and being "like that", but I also think he'd recognize himself and recognize parts of his relationship with Eddie. He'd eventually see that what he and Eddie had been together had been really unhealthy, and maybe it could have been something better and stronger and real, if either of them had ever figured out how to talk about it.

Eventually though, stuff would resonate enough that he'd feel the need to talk to Sam, or he'd be weird about stuff for weeks and Sam would tell him to spill or get over it. So Andrew would bring the books over and try to talk about what Riley had pointed out or what parts of the books were speaking to him, and they'd alternate Andrew being stubborn and recalcitrant and blushy/interested, and Sam would probably laugh it off at first but when that clearly hurt Andrew's feelings, he'd try to hear him out. Sam would chase the blushes and the interest, but he'd probably have complicated feelings about being explicitly asked to lead Andrew in this way. On the one hand I think it would feel like another responsibility that he's being asked to shoulder, but on the other I think he could come to recognize that this is the kind of relationship he wants and that he's wanted to build before without having the words for it. And I think he would recognize what it does for Andrew and what Andrew' submission could mean for him (Sam). Picking up one responsibility in exchange for being able to put down others. Feeling cared for and appreciated even as he cares for Andrew.

I think after talking about it they'd still fuck up sometimes. I think they'd still feel weird about drawn out explicit negotiations and there would be a lot of joking and a little arguing and maybe substances to get through some of those vulnerable conversations. It would take time and patience.

One of my fics gives a pretty explicit example of how I think kink/power would play into their relationship later (be warned, it's entirely a piss kink fic, we blame mark.) Another fic plays a little bit more with the abstract and the subtle undertones.

Did this answer the question? I went all over the place with it. Thanks for giving me reasons to think about it again!!!

#summer sons #writing #andrew blur #sam halse #power dynamics #kink discussion #character exploration #asks #anon

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sin-djarin · 7 months

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Becca's Brunch

Welcome! Consider this my new Sunday Rundown. It's Saturday, though? Yup, it is. But I have a busy weekend ahead and needed to tell myself I'm somewhat prepared. Anyways, consider it a WIP for now that I'll probably add more things to next week.

While you brunch, try to take a few moments for yourself. Take a deep breath, unclench your jaw, grab a sweet treat and a coffee and lets go!

Or, stuff that I got around to reading. A quick reminder that what I may like, you may not and that's okay! Most, if not all of the below are 18+. Please heed individual warnings on fics!

My TBR is piling high once again but here's what I did get around to.

Marcus Pike:

can you ever really know? by @undercoverpena

Headshots & Salty & Sweet by @secretelephanttattoo

Joel Miller:

Cornfields by @trulybetty from her autumnal offerings

Javier Pena:

A Paranoid Heart by @goodwithcheese (new chapter)

AKA, things that caught my eye and any other shenanigans that happened round here this week.

WELL. The poll, right? The one I posted for a little bit of fun has now snowballed into something much larger but you know what? Sometimes the unexpected is exactly what you need and the universe will find a way. And let us thank @for-a-longlongtime for starting the fic as a result.

This incredible art by @stealyourblorbos

AKA, the personal stuff and some NSFAQs (Not So Frequently Asked Questions because I don't think I ever properly introduced myself).

Did you ever have one of those weeks where you bit off more than you could chew? I did that. I booked myself in to do something after work every night last week and boy do I feel it. But it's okay, I get to go for brunch today and chill tomorrow.

Why are you here?

The Mandalorian. The voice got me and well, the rest ishistory. Now I'm here, amongst some of the sweetest, most encouraging people on a little corner of the internet. I love you all, very, very much and thank you for having me!

What do you do when you're not here?

I'm a 9-5er. Or an 8-4er on somedays, depending. I work a lot with archives and stuff. I read a lot in work.

Have you been involved in fandom before?

Hmm. From a distance maybe. But not like this.

Who's the first FBI Agent you fell in love with?

Ah, easy. Fox Mulder. The Bubble was a fuckin' delight for me, I have no shame in saying that.

How'd you come up with your user name?

I wanted a play on words and it came to me when I was deep cleaning the fridge. Wild, I know! I was very surprised it wasn't taken already.

That milestone you reached last week, what are you doing for it?

I want to. But I'm undecided as of yet! If you have any ideas, please let me know.

Will you ever take requests?

Tough one. I'm not a quick writer. I'd hate to rush an idea then have after thoughts y'know?

You have your anons turned off. What's up with that?

Ugh. Man. As much as I try not to, I can still take things very personally. I'm sure all the anons are lovely.

Can I ask you anything, though?

HELL YEAH. That makes day! Send me a message, come get crazy about a character with me, I love nothing more.

What's your coffee order?

An oat flat white.

What's your sweet treat of choice?

A vegan mixed Berry croissant. Not vegan, just can't handle dairy!

Can you swim?

No I cannot. Which is dangerous consider I'm near a Pike Puddle, a Catfish Pond and a Rockford Rockpool at any given time!

What's on repeat right now?

What's happening with your fics, Becca?

Glad you asked. I've been blessed/cursed with ADHD. Which means, for me, I'll hyperfocus on something for HOURS or procrastinate like you wouldn't believe. I just gotta get on a decent schedule, this just wasn't the week for it unfortunately. So, please bear with because I do have ideas! Will I get sidetracked? Yes. If my brain feels like it wants to create something then and there, I cannot stop it. But it's a really nice stress reliever for me in a way, I get to think and focus on one thing and not about what has happened or what will happen.

Also, I got some divine inspiration yesterday for Video Nasty III when I saw this:

Becca 🤍

If you made it this far, I love you very much. I hope you enjoyed this as much as I did. Please be good to yourself and others, you deserve it!

#fic recs #becca's brunch #ask me anything #nsfaqs #joel miller #marcus pike #javier pena #fic rec

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