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#the characters can interact with it and -literally- change it... or how it can change them too O_O

rayplacement · 2 days

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Rayman / Fakeman selective rp. est 2024, April 27th.

This blog is a selective literate, semi-literate rp blog of the character Rayman from the Netflix series Captain Laserhawk: A Blood Dragon Remix. I will be leaning on CLH Rayman (real version) for some of my take on Fake’s personality and will also heavily lean on HC based interpretations of my own until we see more of him in a hopeful season 2.

I will be writing literate or semi-literate when interacting, but I prefer literate. You can interact however you like to, but just know I will reply in some length and all I ask is please give me something to work with. (If you do " unserious " roleplays, go for it. I can work with that too.)

Bio, portrayal, connections, etc. under cut.

𝐂𝐡𝐚𝐫𝐚𝐜𝐭𝐞𝐫 𝐛𝐢𝐨

Being let go from his job after an incident, Rayman was left feeling hurt and betrayed. He knew deep down in his own mind that they wouldn't...no, COULDN'T continue the Rayman Show and news without his likeliness. I mean, how could they? He was the host, the face, the main man of the broadcast which was shown throughout all of EDEN. The main show was named after him after all. Unfortunately, upon viewing the channel to see how they could have continued without him; there it was. A fully cloned lookalike of himself was seen talking directly towards the crowd from the screen of his TV.

Rayman, nicknamed Fakeman, Rayplacement, and sometimes FakeRay by the fan base, is Rayman's cloned counterpart who was evidently made to replace the actual Rayman. He is shown to be acting like the former; and shown as happy-go-lucky, sassy, and civic.

𝐇𝐂𝐬 & 𝐇𝐂 𝐩𝐞𝐫𝐬𝐨𝐧𝐚𝐥𝐢𝐭𝐲 𝐚𝐝𝐝 𝐨𝐧𝐬

Rayman is more snarky, classy, flirtatious, and more dramatic than the previous Rayman.

Despite having a friendly face and friendly demeanor, he is shown to be more short tempered when not being broadcasted live. This Rayman also adores attention and having eyes on him. He practically lives off it.

When talking to someone, he often looks ahead of him and speaks out loud as if he has a crowd cheering him on from being used to the routine.

He tends to bow often and even clap after something good happens or something pleases him.

𝐂𝐡𝐚𝐫𝐚𝐜𝐭𝐞𝐫 𝐜𝐨𝐧𝐧𝐞𝐜𝐭𝐢𝐨𝐧𝐬

When interacting, feel free to choose a starting connection from below. Keep in mind this is OPTIONAL. It just helps me understand if you want him to act a certain way towards your character first.

𝐅𝐀𝐍𝐒 -

You are a fan of " Rayman." He sees you pop up at times, giving you autographs when asked and gives you one sided yet friendly gestures. He isn't your friend of course, just fulfilling a simple cater to a fan.

𝐅𝐑𝐈𝐄𝐍𝐃𝐒 -

He confides in you. He will tell you how his day of work was without sprinkling non hardships. He finds you entertaining and good to be around.

𝐂𝐋𝐎𝐒𝐄 𝐅𝐑𝐈𝐄𝐍𝐃𝐒 -

What started off as a simple friendship now is closer. He confides in you and tells you many things. He trusts you and you trust him. He tells you about how his days are or really anything without sprinkling in sugar.

𝐄𝐍𝐄𝐌𝐈𝐄𝐒 -

Fake will poke fun of, make snarky remarks, and get all hot headed when he is around you. What a brat. He cannot stand the utter thought of being with someone like you for more than five seconds.

𝐍𝐄𝐔𝐓𝐑𝐀𝐋 -

He sees you at diners, clubs, and sometimes at the corner of a shop. He occasionally gives you a smile and sometimes even a wave. You two sometimes talk to one another when you so happen to run into each other. However despite this, nothing special comes to fruition. But that can change.

𝐋𝐨𝐯𝐞 𝐢𝐧𝐭𝐞𝐫𝐞𝐬𝐭 ~

What a strange feeling. You two have been together for awhile and somehow you're here. He calls you by nicknames such as darling, my beloved, and dearest. He can be a bit of a jerk and perhaps once will put you on display for all to see, but at the end of the day he means well enough. You are his prize possession. Please note that he is bisexual. I am fine with shipping BUT they have to have known each other for awhiiile and should not be forced upon.

Feel free to send in your muses with writing in my inbox for a response or dm me for interactions. I don't mind short responses too! (Just keep in mind again; I like to be a bit lengthy sometimes as I like to write the characters emotions, actions, etc) I will work with anything :) This blog is also cross over friendly so I don't mind other characters interacting, I highly encourage it to be frank. I also do not mind others portraying the same character. I do NOT DO MAINS. I interact freely 💜.

Sorry for the long pinned post, I think I had to get some info out, especially the character.

Penned by - your mom.

Clh / Rayman rp wakey wakey wakey wakey are you awake now?

#{⭐️} 𝐓𝐨𝐨 𝐛𝐚𝐚𝐚𝐝 !~ // 𝐩𝐢𝐧𝐧𝐞𝐝 𝐩𝐨𝐬𝐭 #{🎤} 𝐖𝐡𝐚𝐭𝐞𝐯𝐞𝐫 𝐈 𝐬𝐚𝐲 𝐭𝐡𝐞𝐲 𝐥𝐢𝐬𝐭𝐞𝐧. // 𝐨𝐨𝐜 #{💜} 𝐖𝐡𝐨 𝐦𝐞? 𝐈'𝐦 𝐲𝐨𝐮 𝐛𝐮𝐭 𝐛𝐞𝐭𝐭𝐞𝐫 ~ // 𝐦𝐮𝐬𝐢𝐧𝐠 #{☀️} 𝐌𝐲 𝐭𝐢𝐦𝐞 𝐭𝐨 𝐬𝐡𝐢𝐧𝐞! // 𝐯𝐢𝐬𝐚𝐠𝐞 #roleplay #rp #roleplay blog #fakeman #rayman #crossover rp #clh rp #rayman rp

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soaps-mohawk · 3 days

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at this point i’ve established omega reader as her own entity because she’s such a complex character (in a positive way, i love it), whereas i’m an amalgamation of personalities i’ve copied and pasted off of other people. with that being said-

i LOVE how the story has progressed thus far, especially with how all of their personalities interact with the plot. they make the same mistakes over and over again— reader being too afraid to open up, price putting all else over himself even if it hurt him, kyle constantly feeling like he could be doing more but not knowing how to, and johnny doing his best to level out ghost’s temper while also being there for reader.

they’re going in circles, stepping on each other’s toes, stumbling back into square one over and over again because breaking out of habits isn’t easy, and changing for people you don’t know—for better or worse— isn’t that smiple. it’s messy and it’s painful, and you’ve captured that perfectly <3333

im so excited to see how far this story progresses🥰, AND THAT LAST CHAPTER LITERALLY HAD ME WANTING TO BEAT THE SHIT OUTTA SHEPHERD👹👹👹

- 💕🐠

Aww thank you, love!!! There's definitely a line to take a shot at Shepherd now lol, but I don't blame anyone, I would also like to hit that crusty man on his shiny head.

As much as I love pretending that relationships can be totally perfect and nothing bad ever happens, and I've definitely written some fics like that, it's just much more fun to explore the less glamorous sides of relationships too. The adjustment periods when you first get to know one another, learning each other's quirks and how to adapt to each other, as well as exploring each of their personalities. Especially in situations like this where it's not necessarily a relationship formed entirely by choice.

There's definitely some cyclical behaviors going on, especially with this set back. It'll be interesting to see how they move forward from here and what happens when things do inevitably come to light. (Well, it'll be interesting for all of you, I already know what happens lol)

I'm so glad you've been enjoying the fic, though!! That makes me happy to hear!! 💚

#there's some good stuff coming if I do say so myself #answered

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opalthea · 11 days

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also, hello padisarah nonnie !! it's good to see you again :>

i decided to not answer your ask regarding the wholeeee stuff.. because i don't really care what they want to do anymore. i've done my part of speaking up about their behaviours and calling them out - which made a lot of people open their eyes for once instead of ignoring the warnings they got from me or other people. and i think that's all i want to do.

THIS WILL FORMALLY BE THE LAST POST ABOUT THEM. I will not answer any asks regarding it anymore, so if you want to make your own posts regarding those users, please use your own platforms, thank you.

as much as i encourage speaking up, i also don't want to give a flying duck about them anymore. y'know, like, i spoke up because i couldn't tolerate them and their behaviours anymore - couldn't just keep quiet when my mutuals are knowingly or unknowingly talking to shitty people like that. if they started a new blog, just let them. i don't really care anymore 😭 all i hope is that my mutuals and those that see this are more aware of internet safety and who you surround yourself with. it was already exhausting trying to warn others about them and not being listened to until i made this shit public — i'm not going to start becoming a blog that runs on discourse just so some can finally realise that this person was shitty and that person was the devil.

thanks for also caring abt me and informing me of their new url, i appreciate that a lot! it's on my blocklist now + the mutuals they've tagged on that post too 💀 if, however, i blocked you without a good reason why, or if i blocked you before you knew of this and had already cut ties with them, feel free to send me a message or ask on a different blog! i took precautionary blocks when it comes to having those kind of people as mutuals so .. yeah.

#visitors from teyvat : padisarah anon #thea answers #the post was made because i just couldn't stand the audacity of certain people still claiming to be the victim.#imagine claiming yourself as the victim when your story wasn't even straight.#venting in public but you can't even pick a plot. were you banned or did you leave willingly first without being punished?#then proceeded to say you were wrongly banned when you were literally guilttripping the mods . what did you think-#was gonna happen when you come back? did you think our arms were open then?#you left first . to avoid consequences . now that the consequences are staring right at you #you chicken out? you curse at the effects of your actions? YOUR actions? what about the people you've affected .#you say you aren't the same person you are a year ago but you only left a few months ago and you still affect the mental health of many .#our server wasn't even a mental health server. it's a positivity server. you're supposed to use it to get serotonin boosts #or boost other people. not a place for us to be your therapists and fix your problems.#i still can't get over the fact that neither of them can get their stories straight. wdym a year ago lmao. it was literally 4-5 months ago.#and you still act the same as ever. venting about how you wanted to kys or break down when a damn post unrelated to you talks-#-abt ur fav character in a scenario where they don't love you.#do you realize that the artists and writers' works you consume are for the general and not just you. what is your logic .#and i know you see this . you vague about us all the time. did you think i didn't notice.#the only mercy i've granted you was the peace for 4 months. you tell me i was dogpiling on you but you didn't change at all . so entitled t #-your ways of thinking and what you think is right.#in the first few weeks of u in that server i was the only one who thought better of u. funny how that turned out.#cuz u didn't change then and you wouldn't change now.#idk how many times i hv to repeat this but i blocked each n every ONE of them. including their moots.#and including anyone who interacted with them. im not sorry. if you were wrongly blocked then u can shoot a dm.#otherwise stay blocked and stay mad loser L.

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starlooove · 3 months

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ok I'm NOT much of a DC reader but your dukeblogging has convinced me. but do you have a reading list (DC has more crises than I do. it's intimidating) by any chance

YEAHAHSJS

Ok so like Im not a REAL dc blogger so I don’t really have my own reading list; I basically focus heavily on black characters across the board and then dive into wherever they’re from but I usually use other reading lists to do it and go at my own (slow ass) pace. For DC i started fandom only and then moved on to actually reading comics which is why my opinions are so strong there bc I KNOW WHAT YALL ARE LIKE!

Sorry but now for Duke specifically I KNOW there’s a specifc blogger who’s list I followed down to the T but I cannot remember their url rn so here’s a list/chart that has like. Listings for him specifically

That’s mostly to follow timeline but for me I think to get his character down u could do all star Batman, Batman and the signal, the outsiders, WAR and then branch out from there (but also saying this as someone who’s read most of it so like maybe I’m biased and missing or forgetting smth). I’m sorry if this isn’t helpful but as SOON as I find that reading list I’m posting it bc I swear I literally went down that list one by one.

Edit: the tags are part of the answer but I ran out of room so post tags;

- tbh when it comes down to it I personally try to absorb character by character and then put them all together at the end; it’s what I’m currently doing with green arrow (I know it’s been months y’all don’t call paw patrol I’m STUPID) and my plan for moving forward but also fully acknowledging this sucks as a way to interact with other established fans however. Other established fans have proven to be racist and misunderstand characterization and character interaction on a fundamental level SOMETIMES (BC y’all get mad) bc they’re so focused on their faves so in conclusion If I don’t find the specific lists I used I’d get them from stan blogs and then be careful cause u know everyone’s using their faves BEST comics so just remember this is what THEY think is the best or most accurate Interpretation and u don’t have to agree (RR the road home and YJ98 sorry to be shitting on them again. Not even them but how ppl read them. Diff story tho)

-but also despite me obviously shitting on certain characters runs or interpretations I think the best thing you could do is give everyone a fair chance. Blank slate in ur mind if ur JUST starting and see where u go from there but also remember to check ur biases and think about WHY certain things get included or retconned or explained away bc that’s where a lot of ppl falter in thinking their fave is just misunderstood or smth.

FOUND THE LIST sorry this has been in and out for the drafts while searching so in conclusion FR;

I hope this helped but I think I sound insane just please read these <3

#Oh I assumed u meant Duke reading list specifically #if more general Im a older era kinda man so shit like YJ….yj98. sorry yeah #i shit on it but I’m ALLOWed #NTT PLEASE READ NTT ALL OF IT LIL OUTFATED IN CERTAIN ASPECTS BUT PLEAAAAASE #sorry im so scattered on like timeline shit bc I literally just read integrate in my psyche and move on #like watching a show or smth i don’t remember episode names but I can tell you how it made me feel 💔#Yall Im the worst to ask for anything specific for ask my mutuals my memory is SHIT #im just gonna tell u how I got into it fr #i went to like specific character fans and literally asked for their personal reading lists for that specific character #and then i read through em (slow as hell mind you) and formed MY opinion from there #pros with this is if ur character driven and wanna flesh each person out fully before u interact with their dynamics as a whole this is 👍🏾#and u get small personal relationships that aren’t really spoken about when it’s the whole fam there (1)8 #(which is actually pretty rare like do not be fooled u don’t get the whole bat family storming in usually)#shit like tim and cass pre Jason revival fucking shit up with Helena #or steph and tim being the most toxic 13 yr olds you’ll ever find etc.#cons if ur memory’s like mine it’s GOING to fuck up timeline for u #like finding out bludhaven was being bombed and dick was having the WORST time of his life while Jason’s doing his red hood shit? changed m #‘where was bruce while tim was being tied up and almost assaulted?!’ he was dead! kind of!!#also genuinely get happy batfam outta ur head they have their moments there IS love there but going in with the view of a normal family #dynamic is gonna be worse overall. if u want happy family times honestly even more recent heinous shit like Gotham war has them more #familial than most other things even if it’s just to fuck it up. I’m never gonna Rec WFA but if ur gonna read it read smth with Duke and #Damián before that please.#ALSOOOOO as a prev fandom only remove everything from tim and Damian specifically from ur mind these bitches are lying #tim is fun and interesting when u approach him newly. finding everytime he drinks a cup of coffee is gonna drive u insane #YEAH THATS WHAT IM TRYING TO SAY don’t let what u already ‘know’ impact how u read #timeline wise dynamics wise etc. walk in with a fresh pair of eyes bc imo that’s how u get to fully appreciate characters like Duke #SMTH U DO NEED TO KEEP IN MIND IS THE BIGOTRY! there will be in world explanations for why x is not misogyny and racism. we as readers #need to be able to dissect that and discuss it genuinely. like so much of tims first meeting with Damian or all of Stephanie in Gotham war #or even killing off Orpheus has in world things that make ‘sense’ but like we do with Catalina Flores #we use our critical thinking. actually smth i ALWAYS can talk about is the racism like that’s where my memory serves me ALWAYS

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kandavers · 2 months

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Hello! Finally my Hazbin Hotel content after like 15 consecutive posts about Scott Pilgrim and Dead Plate LMAO !

Anyways, allow me to ramble a bit about my ideas for Radioapple-

I know for a fact that Alastor is aro/ace, and in my head, Lucifer is demisexual ^^ As an aro/ace person myself, it's so fun to be able to explore a ship where the characters aren't romantically or sexually attracted to each other ! When I ship them together, it's about conversation and matching wits, more than anything :) Talking, talking, interacting! So fun! I'm literally going crazy over how much potential this ship has, and I'm so excited to share all my ideas with all of You!

Ps. If you noticed, I actually changed Alastor's hair into something more curlier, because I realized I had free will and I can draw him however I liked ^^

#kandoodles #kandaversart #comicdavers #hazbin hotel #radioapple #lucifer x alastor #alastor x lucifer #lucifer morningstar #hazbin hotel lucifer #hazbin lucifer #alastor #hazbin hotel alastor #hazbin alastor #hazbin hotel fanart

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linkeduniverse · 4 months

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Our Hero transformed a lot in TotK. At first, he was known as Zelda's knight, but he became much more. People recognize and respect him, and he plays a big role in the kingdom's growth alongside Zelda becoming an active and involved member of his community. This change from being a quiet knight to a lively community leader would really impress Twilight and Warrior. But When it comes to LU Wild, he's yet to achieve these things. His life in the Kingdom still has its challenges that he is trying to tackle. Originally, I wrote Wild to desire growth for his kingdom, much like Terry Town but on a larger scale. Surprisingly, it became quite literal in TotK!

So here's the thing: He's not a character to simply replace; he's dynamic and evolving. His life and journey have significant phases, showing growth and change. If I introduce the ToTK version of Wild in TotK, it disrupts his character development in LU. I've crafted scenes where he learns and grows from various individuals—heroes, princesses, and queens alike. The Princess of the Wild also has her own moments of growth interacting with others. Skipping to their 20s would mean ditching this growth.

I suppose Wild's a lot like Time now. Time, how he's featured in LU, is in the middle of his canon appearances. A little of who he was, and a little of who he will be. Wild too is that middle ground now that he has a trilogy for himself. But what I will say is TotK revealed more of Wild's unique ability to be resourceful in unconventional ways. I did intentionally limit his usual resources to highlight his uniqueness. Missing an item would break any other Zelda adventure, but for Wild, anything can be a tool. No key? No problem! He’s at his best when circumstances are at their worst because unlike other heroes reliant on specific items, Wild finds a way. But now with TotK, that's his defining trait. The crazy builds in TotK perfectly showcase this…creativity… of his.

TotK definitely gives me a canon trajectory for Wild's (and his princess) goals. All in all I would still like to add some sort of TotK, even if it's small, in LU but as of now I'm still drawing a blank. I'm not worried about it. An Idea will happen organically if it's meant to be

#linkeduniverse #creator content #totk

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createserenity · 6 months

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Aziraphale and Crowley's relationship dynamic fascinates me and what fascinates me even more is how people perceive them, partly because I seem to have a much more optimistic view of their dynamic than a lot of what I read suggests they do.

With that in mind I started trying to unpick how I see their dynamic and why and what I ended up with was a series of rambles on various aspects, including confidence, trust, silliness and what they ask of each other. This one is about what they ask of each other and why their relationship isn't some weird one-sided thing where Crowley gives Aziraphale everything he could possibly want or ask for.

I see a lot of posts and things suggesting Crowley always rolls over and does anything Aziraphale asks of him. I don’t know to what extent most people really believe this or if it’s just a fun joke (and I’m not saying that’s bad, I think it’s a fun joke too, I love reading all that stuff and it makes me laugh). The point I wanted to make here though is that I don’t think it’s true and also why I don’t think it’s true.

Everything from here on out is my opinion, but I won’t keep stating that in order to make it more easily readable, just take it as a given. If your opinion is different that’s absolutely fine, I love that we can all see this stuff in different ways depending on our experiences and personalities, it’s why the fandom is so fun. (It’s also why my opinion on so many things in season two ricochets wildly from one theory to another).

So back to Crowley and Aziraphale – I don’t think Aziraphale walks all over Crowley, or certainly not to the extent that people sometimes think he does. Also Crowley doesn’t and wouldn’t allow himself to be walked all over anyway. Why is this even relevant? Because I’ve seen people say that in the final 15 minutes Aziraphale finally asked Crowley to do something that pushed him over the edge and that Aziraphale was shocked when Crowley didn’t roll over and do it because Crowley always does what Aziraphale asks. This isn’t at all true for a start, but also this view tends to include a second assumption, which is that their relationship is one-sided and Aziraphale never does anything for Crowley, that he dismisses him and takes him for granted, which also is not true in a lot of ways. I think it’s a fundamental misinterpretation of their relationship dynamic.

First of all why can Crowley’s actions be interpreted as just rolling over and doing whatever Aziraphale wants? Well, the answer to that is three-fold – firstly Crowley is a genuinely unselfish in many ways, he does things for people because that’s the way he is, it doesn’t make him a pushover, it just makes him nice. Secondly he loves Aziraphale deeply. Whether he knows it or not doesn’t matter, he cares for Aziraphale and wants him to be happy. This isn’t the same as being a complete doormat, it’s simply compromising with the person you are in a relationship with and occasionally prioritising them over yourself. Both these things come together in the third thing, which is that Crowley’s love language is acts of service – he enjoys doing nice things for Aziraphale, he enjoys rescuing him, or going along with him and letting him have his own way, so why not do it? The point is he’s never railroaded into it by Aziraphale, it’s always a deliberate choice. He is literally saying, I will do this thing for you because I love you and I enjoy making you happy and this is something I feel I can give to you.

How does Aziraphale see this behaviour?

Well that’s a tricky one, because in many ways Aziraphale is the more complex character, not least because he changes the most over the course of their history together. Is there a slight element of him taking Crowley for granted in some of their interactions, especially in season two? Possibly, but mostly I don’t think that’s it at all. When someone gives you things because their love language is acts of service you develop a (mostly sub-conscious) confidence in that relationship dynamic and if you also have confidence in yourself (which Aziraphale absolutely does – I’ll write more on this another time) then when you want something you ask for things. You ask not because you learn to expect, but because you think you’re worthy of asking and you think that your relationship is strong enough to stand up to the ask. I ask my husband for things all the time, sometimes they’re things I know he’ll give me – these are easy asks (I don’t just mean physical objects, I also mean acts of service such as helping me with something), sometimes though I’ll ask for things knowing he probably won’t give me that thing or without having a clue what his answer will be – these are harder asks, the sort you don’t do early on in relationships because they might break it either in one go or over time. Sometimes a hard ask results in me getting what I want, sometimes it results in a bit of back and forth before I get what I want, sometimes I get a no and I’m temporarily annoyed or upset, sometimes I get a no and I accept it because I knew it was the most likely outcome.

The point is that I ask, and so does Aziraphale. You ask because you have confidence that you are worthy of the ask and also that your relationship is strong enough to bear the request, even if the answer is no. Can a no still be annoying or upsetting? Yes absolutely. Can a no still be wrong on the part of the other person? Also yes. The point is that sometimes the no isn’t wrong and it doesn’t necessarily break the relationship. By the time season two comes along Aziraphale is confident enough in his relationship with Crowley to feel it can bear the weight of him asking.

So what happens when he asks? Does Crowley roll over?

Well no, he doesn’t. One big example of this is right at the beginning of the series, in episode one. Here Aziraphale makes a massive ask of Crowley and he knows it’s a big ask. Even before he tells Crowley what the problem is he’s aware of the possibility of a no. “Is it something I can help you with?” Crowley sayss, and Aziraphale merely shrugs. It’s not because Nina is there, she’s gone by that point. It’s also not because he doesn’t have faith in Crowley’s ability to help him, he always has faith in Crowley’s abilities (this is a whole other thing on trust). What he’s doubting is whether Crowley will help him. It’s why they’re meeting in the café, not the bookshop. He wants to break this one to Crowley a bit at a time – there’s a problem and I need help. I want your help, it’s why I called you, but you aren’t going to like it and I’m not even sure whether you will help so I’m establishing that I need help first, rather than showing you Gabriel immediately, so that you aren’t completely surprised when I present the whole problem to you.

Once they go to the bookshop and Crowley is confronted with Gabriel he offers the help he feels able to give by saying that he’ll drive Gabriel somewhere and dump him. He’s stating his willingness to help (which is important later), but for now he’ll only help in one specific way. What he isn’t willing to do is any more than that, not even for Aziraphale.

Help me take care of Gabriel. Help me sort this mess out, Aziraphale says, and what does Crowley say? No. Absolutely not. You’re on your own with this one. Even after Aziraphale practically begs him for help, complete with puppy dog eyes and the magic word, “I’d love you to help me,” Crowley still says no. That is not the reply of someone who lets themselves be walked all over or who rolls over every time the angel they’re in love with flutters their eyelashes.

Okay so what about the fact that he returns? Well, the stakes have been raised: for a start Aziraphale is now directly in danger, which alters the balance in favour of helping him, and remember he was already willing to help, he said as much, but he was previously only willing to help in one way. Now that’s changed. Doing things you wouldn’t normally do for someone you love when the stakes are raised is a perfectly normal rection in a relationship and does not indicate an unhealthy dynamic. Crowley has now realised that getting rid of Gabriel is no longer an option - his preferred plan (dumping Gabriel somewhere) will no longer work, so the only choice is now Aziraphale’s plan of keeping him in the bookshop and taking care of him.

This is why he returns.

A quick note on the call

Just backtracking a bit here – when Aziraphale calls Crowley to ask him for help Crowley agrees to be over in two minutes. It’s instant, no questions asked and at first glance looks like Aziraphale calls and Crowley comes running just because. But nope. Later we are very clearly told that Crowley knows something is wrong the moment he picks up the phone and Aziraphale starts speaking, “This was your ‘Something’s Wrong’ voice.” Crowley already knows there’s a problem and what do you do when your closest friend calls you and tells you about a problem? You try to help. Whether that’s advice, comfort, physically going around to help out or whatever the situation calls for. Of course Crowley says he’ll be there in two minutes, he doesn’t exactly have anything else on and his friend has just indirectly told him something is wrong. He’d be a pretty shitty person/entity if he didn’t agree to drop round and try to help.

So what about the 'I was wrong' dance?

This whole interaction, that many people say indicates how under the thumb he is actually shows us the exact opposite. What’s the first thing Crowley says when Aziraphale asks him to do the dance? “I don’t do the dance.” This tells us a hell of a lot about their relationship dynamic up to this point – for a start Aziraphale has clearly done the dance before, at Crowley’s request, and he lists off the occasions. The dance is silly and slightly demeaning and Aziraphale has done it several times for Crowley, whilst Crowley has never done it, yet somehow we read this whole scene as Crowley being the whipped one? Um. No. Also heavily implied in Crowley’s, “I don’t do the dance” statement is, You’ve asked me to do this before, I’ve always said no because I don’t want to. You’ve always accepted my no before and I want (expect!) you to accept it this time.

But this time Aziraphale doesn’t accept the no. Just like Crowley wouldn’t go along with his plan earlier, Aziraphale now won’t go along with Crowley’s no. Clearly he has done so in the past, but this time their dynamics are different. They’ve been much more open about their friendship for the past four years, they’ve both accepted that they are at least close friends, if not more. They’ve saved the world together and saved each other. They both acknowledge they “carved (this existence) out for ourselves” and that brings strength to their relationship. Now that Aziraphale has more confidence in what they are to each other, he takes that confidence and tests the limits of what Crowley will do for him, to push them more towards equality. Why should he always be the one to do the dance? Crowley responds by acquiescing not because he would just roll over and do anything for Aziraphale but because he recognises three things. Firstly that Aziraphale is pushing and that this is new and that this means something to him in the context of their relationship, secondly because he reluctantly accepts Aziraphale’s point that it isn’t really fair that he never does it, and finally because the request for him to do the dance isn’t about him refusing to help (Aziraphale was never certain he would), it’s about the fact that he’s broken Aziraphale’s trust by refusing to help (which is a slightly and very subtly different thing). To illustrate this, right before Crowley does the dance, just after he says “fine,” he gets this very brief, soft look on his face – this is him acknowledging to himself that Aziraphale deserves this dance, that he loves the angel and that he’s doing this because of both those things – he could have continued to insist on a no, he clearly has before, but this time he chooses not to.

I will do this thing for you because I love you and I enjoy making you happy and this is something I feel I can give to you.

All right, what about the car thing?

What about it? Lending your car to the person you love is very normal. Ok so the car means more to Crowley than a normal car does to us, but the point still stands. Aziraphale is making a reasonable request here. Does he expect a yes? Absolutely, because he also knows it’s a reasonable request given where their relationship is. Does he flirt to get his own way? Hell, yes. Does Crowley know exactly what Aziraphale is playing at? Also a hell yes. And Crowley totally plays up to it, he’s not as opposed to it as he claims. He’s playing up his “no” and his grumpiness for effect, to encourage Aziraphale’s silly flirtiness. Look at the difference between this no and the no he gave Aziraphale earlier. There’s no anger here, there’s no real sense that he thinks Aziraphale is asking too much, he’s playing a role in their relationship and they’ve both played this game before. Look at that little slap of the hand, which Aziraphale responds to equally playfully. The game even continues after Muriel turns up at the shop, when it’s already quite clear that Crowley is going to let Aziraphale use the car (he’s already taking the plants out). Even in the back-room Crowley still teasingly grumbles about trains whilst Aziraphale smiles flirtily, and Crowley playfully withholds the car keys when Muriel interrupts them. They both know Aziraphale is going to end up with them, there’s no point to him not directly handing them over in spite of the interruption, it’s just an excuse to tease Aziraphale back. I mean, look at him – he spends the rest of the conversation wiggling his hips, grinning smugly and confidently handling the Muriel problem by talking about love. Aziraphale’s very overt reaction tells you all you need to know about the dynamic of this one.

Two can play at this flirting game, angel.

But he follows him around like a little puppy!

Well, yes and no. Sure he follows him around whilst he goes around asking all the shopkeepers to the meeting, but he does that because it’s fun for him. He’s curious, Aziraphale is acting oddly, doing something he’s never done before and Crowley wants to know what it is. He’s always found him fascinating – what silly and ridiculous thing is the angel up to now?

Also wanting to hang out with the person you are in love with isn’t at all strange or a sign you are in some sort of weird relationship where only one of you calls the shots. It’s normal. Crowley knows Aziraphale has a tendency to be silly or do unexpected things and he wants to watch him do them and also flirt with him whilst he’s doing them. Looking grumpy and reacting to Aziraphale’s silliness with disbelief is how Crowley flirts-without-flirting. Both of them know, understand and like that dynamic, and he has that role not because he’s unhealthy levels enthralled with everything Aziraphale does but because of the levels of trust they have spent millennia establishing.

What Crowley doesn’t do is wait around for Aziraphale. Look at the scene where Aziraphale daydreams about Job. In that scene he’s aware Aziraphale has something else to show him (the record clue), but he doesn’t stick around whilst Aziraphale ignores him. He could have sat down somewhere in the shop and waited – he’s got an eternity, waiting an hour or so is no big deal, but waiting around like that would suggest he really is a doormat, just waiting for the next time Aziraphale shows him any attention. He doesn’t do that, instead he goes off and does… well, something. There’s a lot of speculation over what it is, but whether he goes off to read Pride and Prejudice or just wanders off to find something more interesting to look at than the back of Aziraphale’s head, he’s clearly saying here that he has a life outside of whatever Aziraphale wants to do.

Also side note - you know what else he doesn’t do for Aziraphale? Adjust his driving style. Aziraphale clearly hates it, it makes him nervous and he even asks Crowley to change several times whilst they’re in the car together, but Crowley never does. This is how I am angel, accept it or don’t, but this is the line and I’m not changing this for you. Related to this is his refusal to accept Aziraphale altering the Bentley. Aziraphale tries to persuade him, “But it’s pretty,” and Crowley really isn’t having it. It’s another hard line and he’s not going to let Aziraphale cross it.

Anything else?

There’s a few other examples that I’ve seen listed in the, “Crowley does whatever Aziraphale says/wants” evidence piles. Things like Aziraphale assuming he’s going to get the drinks in the pub. Well, someone has to get them, and it makes perfect sense that they both assume it’s Crowley here because he’s the one more comfortable with pubs. Having a role that you take on within certain situations in a relationship is healthy and normal, imagine how exhausting it would be to debate who is going to do every little thing all of the time.

In the first series the coat cleaning is another example often cited, but this is something Crowley is perfectly happy to do. Aziraphale is flirting, which is delightful, and he’s not being asked to do anything difficult or dangerous. I will do this thing for you because I love you and I enjoy making you happy and this is something I feel I can give to you, which is totally different from, you always ask, I always give, and you always take.

What about Aziraphale. When does he give?

All the damn time. We just don’t notice it as much because Crowley asks different things of him. His love language is acts of service towards others, but he doesn’t really ask or require them in return. Sometimes he gets them from Aziraphale anyway (Holy water anyone?) Also notably in the Globe Theatre when he’s clearly the one pushing the Arrangement, and Aziraphale more or less agrees to do his work for him (“That doesn’t sound like hard work”) even before he’s asked, before they’ve gone through their little dance of Crowley pushing and Aziraphale supposedly-reluctantly agreeing.

The other things Aziraphale gives Crowley are much more nuanced, and much less measurable to us as the audience, but he gives them constantly, or more or less constantly, throughout their relationship. He gives him acceptance (although he occasionally partially withdraws it, such as in the bandstand scene), his silliness (which is more important than it first appears), a safe space (not just the bookshop, but also a safe space for Crowley to air his real views without fear of consequence, which is important irrespective of whether or not he persuades Aziraphale to agree with him), his physicality (by 1826 he’s really in Crowley’s space so much of the time) and most importantly he gives Crowley himself. Crowley constantly pushes Aziraphale to grow as a person, it’s one of the original reasons he entertains developing a friendship with him. What he asks of Aziraphale is for Aziraphale to think – really think – about what he believes. And Aziraphale does so, but only for Crowley. Humans have constantly questioned religious beliefs throughout history, they’ve written books, made speeches and even had wars over religious doctrine and the problems, inconsistencies and absurdities within it. Crowley is saying nothing to Aziraphale that he won’t already have indirectly heard from humans and dismissed or ignored. But when Crowley says it, he thinks and he changes. That’s what Crowley asks of Aziraphale and it’s what Aziraphale gives him.

What was the point of all this waffle?

Well, honestly there isn’t much of one. Only that their relationship is much more balanced than some suggest and I think I just wanted to spell that out. It also has an implication for the final 15 minutes. There’s no way Aziraphale goes into that with some sort of fake confidence that he can persuade Crowley to follow him to heaven simply because Crowley always follows him – Crowley doesn’t, he has very clear limits that he enforces with Aziraphale and Aziraphale knows this. He might feel confident for other reasons (such as thinking Crowley will be happy to be an angel again) or something else entirely different might be happening (so many theories!) but I’m pretty sure it’s nothing to do with thinking Crowley always does what he asks, because he very clearly doesn’t.

It's also why Crowley waits around afterwards to watch Aziraphale leave. It’s a way indirectly of saying one final time, I love you and I enjoy making you happy… but this is something I cannot give to you.

#good omens 2 #good omens #good omens meta #apology dance #ineffable husbands #ineffable fandom #acts of service #crowley loves aziraphale #aziraphale loves crowley #aziraphale #crowley

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zhongrin · 2 years

Text

a new chatroom just opened!

↬ boyfriend texts ↠

𝑐ℎ𝑎𝑡𝑟𝑜𝑜𝑚 𝑚𝑎𝑠𝑡𝑒𝑟𝑙𝑖𝑠𝑡 ⬙ 𝑚𝑎𝑖𝑛 𝑚𝑎𝑠𝑡𝑒𝑟𝑙𝑖𝑠𝑡 ⬙ 𝑡𝑎𝑔𝑙𝑖𝑠𝑡

◇ characters ◇ albedo, al haitham, ayato, childe, diluc, heizou, itto, kaeya, kazuha, thoma, venti, xiao, zhongli

◇ tags ◇ modern!au, established relationship, suggestive (on some), fluff (mostly), a dab of angst (kaeya), mentions of reader skipping meals (diluc)

◇ a/n ◇ unfortunately i can’t really make a readable ‘script’ version for this??? since i’m not sure how i’d display the branching dialogs and all. so uh yeah if this didn’t work on your phone then maybe try your pc!

◇ notes ◇ recommended to view via pc/laptop screen ◇ you will be prompted to give your name, but if you don’t feel comfortable you can skip them entirely - if you do give your name, the data will only be stored locally on your devices

some little tidbits / notes:

yes, the wallpaper changes based on your local time.

there are no ‘wrong’ answers, so go ahead and see if you can find all the possible combinations <3

(optional) send me screenshots of your favorite interactions or line lol

if you have yet to see ‘This chat has ended’ then- well, the chat has yet to end! be patient, it might take him some time to reply~ ;)

if the ui glitches, try turning the screen upright, back down, and then wait for a little (thanks @/prinrestcess for the tip!)

if you don't feel like thinking, here are the helper tools for heizou's chats: [morse code] [utf-8]

this took me literal d a y s to figure out... so if you enjoyed it, i would super appreciate your reblogs <3

ps. if you want to be removed/added from the taglist, just send an ask!

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mayasaura · 20 days

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one problem with a theatrical adaption of tlt is htn, where the reveal that Gideon lives on works because of the change of second person to first.

the only way i can think of it working is that the actor playing gideon works backstage, like the lights system (but is hidden from the audience aside from subtle hints)

the biggest hint is when when wake breaches pal's river bubble she 'breaks' the lighting system and the stage goes dark. harrow is ushered into the wings by pal so she doesn't see anything, but the lights flick back on just before the curtains drop for a scene change, and pal looks directly up at the light box in surprise and smiles. if the audience is quick to turn around they can see a flash of a black robe.

Oh boy my friend, have you come to the right place!!

So, fun fact about ninja. Bear with me, I am going somewhere with this. The image of a ninja covered head to toe in black, with a hood and mask, comes from Kabuki theatre. It was originally a stagehand uniform. Like stagehands in modern theatre, stagehands in Kabuki would wear all black to signify that they were not really there, and whatever effect they were causing (carrying a prop, creating a breeze, ect.) was to be taken as happening on its own. Basic stagehand stuff, a lot of productions in many styles around the world do it, especially if they don't have fancy rigging systems.

Someone (I don't remember who now, or in what play) had the idea to dress the ninja in a production up as a stagehand. In the convention of the theatre, this made them invisible. The audience was already so used to ignoring stagehands, they didn't know any more than the characters that the ninja was present, despite the actor being clearly visible on stage. Which meant when the ninja struck, it was as if out of nowhere. I can only imagine the uproar in the theatre the first time it happened. It worked so well as to become commonplace, and the rest is history. The popular image of a ninja is still a kabuki stagehand.

So, back to the stage play of Harrow the Ninth. I think you've hit almost exactly on how to incorporate the Gideon twist into a theatrical production. But not as a lighting tech. Gideon is a stage hand. Maybe there would be more than one stagehand, maybe she would be the only one, but she would operate in full view of the audience, literally setting the scenes. I think it works best if she's the only one, but if the production needs more, she should subtly stand out in some way. As the play went on, we would notice that this one stage hand... increasingly interacts with Harrow, though Harrow never acknowledges it. At first it might look like she's playing Harrow's necromancy, because that would be the main special effect she would need to help with. When Harrow is unconscious at the end of a scene, it's always the same stagehand carrying her out. But we all know she's not really there. Until Palamedes acknowledges her. Turns to look right at her, and speaks to her. I can see the scene clearly. He would look at her, stunned, until Gideon finally took off her mask. The line "Kill us twice, shame on God," would be addressed to Gideon, and then he would turn back to Harrow, kiss her on the forehead, and tell her to go. Gideon, always out of Harrow's line of sight, would guide Harrow away while Harrow looked back at Palamedes.

#the locked tomb #harrow the ninth #I have a few ideas how to do gideon as harrow but it needs a lot of workshopping #I love this idea #htn spoilers #gideon nav #speaking as someone who has worked as a light tech that specifically doesn't work so well #because techs are rarely on stage messing with the lights during a production #maybe if there was a spot on the catwalk or if the array was small and the gels needed changing #but anyone who can turn off all the lights on stage is usually behind the audience in a little control room with a lot of switches and dial #that said the stage SHOULD go completely dark immediately after this scene #and the lights should come up suddenly on Gideon and Harrow alone on stage together #harrow having a crisis and staring resolutely forward while Gideon behind her reaches for her and can't touch her #just for a brief moment

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sunlightnmoonshine · 2 months

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I don't know whether anyone has talked about this yet but wasn't the main point about the Jet storyline, that fire nation ppl shouldn't just be killed off as revenge?? Wasn't it also supposed to be an instance of comparison between what a good leader is and what an edgy leader is aka sokka being the former and jet being the latter?? Wasn't it also supposed to be an instance that made katara sad because she bonded with jet over the loss of their family and nearly went down a dangerous path because of him??

1. How is replacing it with oh let's kill the scientist guy that's helping the fire nation and use that as an opportunity to kill the royals too a good change? Thereby taking away substantially from the whole innocent "fire nation" ppl shouldn't be punished for the actions of, plot point which is very relevant to the thematics of the story?

2. Why take away sokka's intuition as a leader and instead turn it into a sibling squabble where sokka has literally no role in the Jet storyline except that he appreciates Sai and doesn't think he should be killed? And instead have katara through one tiny whip of water save the day?? Thereby taking away a part of sokka's growth, even though this live action loves shoving it down everyone's throat that sokka's personality trait is that he's obsessed with being a leader?

3. Why take away from katara's emotional range? And how her fight with jet was fuelled by rage that she's coming to terms with and how betrayed she felt?? What does having jet say her waterbending is good because of him and have her say, no its because of her, add to the story??? It's like the live action is obsessed with highlighting that katara is a master water bender (which is incorrect since she trained hard and got very good at it) and that she doesn't have the emotional bandwidth to express mixed emotions?? Also their interaction, was supposed to highlight how even if two ppl suffer the same way, their approaches in response can still be very different and that revenge is not the answer, which is foreshadowing to katara's journey in the story.

I just don't understand why the story had to go in this direction and I certainly don't understand how one can be okay with how much they chipped off in relation to characters and thematics??

#avatar the last airbender #atla #natla #avatar #I didn't even like the Jet ep in this original #but that was because I couldn't stand Jet lol #but oof did I hate what they did here #i get why they have to merge plots #and certainly you don't need a scene by scene copy of the original #but why get rid of the essence?

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pray4byron · 2 months

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Hey I was wondering if I could have head cannons with Lucifer, Alastor, and Vox and their reaction to their s/o wanting a divorce. Break some hearts 👍

𝐯𝐨𝐱, 𝐚𝐥𝐚𝐬𝐭𝐨𝐫, 𝐚𝐧𝐝 𝐥𝐮𝐜𝐢𝐟𝐞𝐫 𝐰𝐢𝐭𝐡 𝐬/𝐨 𝐰𝐚𝐧𝐭𝐢𝐧𝐠 𝐚 𝐝𝐢𝐯𝐨𝐫𝐜𝐞 ೄྀ࿐ ˊˎ-

a/n: as someone who primarily writes fluff, i literally read this and audibly gasped, and felt like an awful human being writing this :’) ehehehh.. enjoy!!

warnings: angst, profanity, divorce, arguments

proofread: what do you think? ofc not!

tags: hazbin hotel, vox, angst, lucifer morningstar, fanfic, alastor

𝐚𝐥𝐚𝐬𝐭𝐨𝐫

during this whole interaction, he’s entirely stone cold, well… except for his normal grin. you can’t read his emotions, not even a bit.

he’ll hum, and squint his eyes at you, before snapping his fingers, causing divorce papers to appear in front of you

i’m unsure of how he’d feel about it, if anything at all, unless the marriage was simply transactional, but it’s safe to say he wouldn’t show it

𝐯𝐨𝐱

unlike alastor, he did show it.

he was fucking furious. he gave you everything. he gave you a free home, he gave you money, he gave you expensive clothes, he even fucking gave you some of his spotlight.

vox would end up getting very mad at you, for well, a lot of reasons; but mainly cause, he loves you.

he isn’t ready to let you go, but also isn’t ready to admit that, you’re causing him so much confusion and putting him through a change he isn’t used to, so admittedly, he takes it out on you.

vox will fucking divorce you now, he’s petty now. he’ll probably go off and fucking diss track you like he did with alastor in s1e2, however the question is, do you respond?

𝐥𝐮𝐜𝐢𝐟𝐞𝐫

the most healthy one out of the pack.

he’s upset, he’s heartbroken, it’s his second divorce, the one where he finally thought he’d be set for life.

lucifer will try to hold back his tears as much as he can as he talks out the details with you.

but at the end of the day, he wants you to know he has all the love and respect for you, despite the circumstances, but the doesn’t mean the pang in his heart is near faded…

honestly, you guys probably had a divorce that ended on semi-good terms, but tbh, he’ll still probably always have a lil smth for ya, even if he does move on and find someone else

i do not permit for my work to be reposted, translated, or stolen. all rights go to signedmio. characters are not mine, unless stated, and belong to their rightful creators.

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