#the godfather parody

[ericaportfolio]

TW: For references/mentions of abuse. You all are going to hate this character.

After some of the last crazy few weeks, I finally finished another character sheet based on the art from the Hello Puppets games with another OC I created if the show did not get canceled, no fire, and no possessed murder puppets ever happened. This character was created when the Lackadaisy Pilot came out, but I added some Helluva Boss (don't watch the show if you are under 18 kids, please wait) mafia episode influences.

On the outside, Francis Nack, Father of Nick Nack, runs an Arcade Casino in one of the cities near the town the Handeemen lives. But in reality, Francis is the French Mob Boss and uses his Arcade Casino as a coverup for a money racketeering scheme. Sadly, after years of emotional and physical abuse, when Nick was about to turn 18 in a month, he was secretly approached by a banker who was hired by his missing mother, Jancis, years ago to give Nick his inheritance from her to use if he wanted to get away from the crime family and use that money for anything he wants to pursue. Obviously, Nick took the money, went to an art college, and years later joined the newly formed Handeemen group that later became a show. Blessing or a curse, on the premiere episode of Season 3, when the Handeemen accepted an offer to help a kid win a pinball tournament, they are suddenly picked up by a mysterious luxurious travel escort transportation. To Nick's (even Virginia's) dismay, it turned out that the pinball tournament was taking place at the same Arcade Casino with Francis waiting for them. As Francis's premiere episode progresses, his intentions are made clear becoming the main antagonist for Season 3. Yep, Season 3 became a French parody of The Godfather.

Historically, the law chased the Mafia out of Las Vegas during the Mid-1980s. Whoever got the character approved by the censors must have been the many therapists at the time when PSA episodes really started to kick in the late 1980s/early 1990s to spread awareness of child abuse because the Handeemen fandom was theorizing if Nick came from an abusive home, but nobody was expecting The Godfather route. So what better way to bring awareness than by making the abuser the main antagonist for the season. Francis is literally the French version of The Godfather. Along with Lackadaisy and Helluva Boss, his biggest inspiration came from the 2003 French animated comedy, The Triplets of Belleville, which is a CLASSIC!!! Though be warned of mature content in the film since the movie is for audiences thirteen and up. The mafia in that film is similar to the Nack Mob in this AU. Like father like son, they are almost alike, except for height and Francis is commonly nicknamed Scarface for his scar. Francis originally had Brown Hair that faded over time. To get the season approved by the producers and the censors, instead of having a regular Casino as a backdrop, they instead went with an Arcade Casino with arcade games, pinballs, and fair games in a classic Las Vegas-like setting.

Nick's mom, Jancis Nack, was a mixture of Riley and Daisy with Audrey Hepburn influences. Speaking of Daisy, Jancis's hair was inspired by Daisy's blueprints from the Hello Puppets games. Nick's mom's disappearance becomes one of the biggest mysteries in the show, some thinking Francis had something to do with it. So yeah, Nick has 🎵 parent/daddy issues🎵 everybody!

#hello puppets #hello puppets midnight show #hello puppets midnightshow #hello puppets fanart #hello puppets au #Scout Saves the Show AU #hello puppets nick #hello puppets nick nack #nick #nick nack #nick nack's dad #Francis Nack #the godfather parody #the triplets of belleville #villain alert! #slight tw

[fanfictionalhooligan]

Expression practice with one of the most expressive characters I know. I'm sorry

#haganezuka #the godfather #hotaru haganezuka #my fanart #demon slayer #kimetsu no yaiba #fanart #kny #parody

[mihai-florescu]

You hate my babygirl...?🥺😔

#i think this entire plotline is bananas theres part of me that wants to go back to eplink level of writing instead but theres another part #of me that wants to see how far we can push the godfather & associates plotline until it becomes too ridiculous #you cant really top soul swapping tbh. but they did. by having a preschool kid fake his death #sometimes enstars feels like a parody of itself and not in the way it was in romantic date. but im here for the experience

[callingallcars]

i just realized that i dont think ive ever seen the nightmare before christmas wtf

#ok im going to watch it now #its more of a watch w friends movie but whatevs #ive seen probably the first 10 minutes in gifs on here #im so bad at watching movies. ill watch a movie like jaws 12 times instead of watching a movie that everyone has seen and loved #do u know when i started watching game of thrones. last week. it was last week. #i didnt watch all of good will hunting until like 3 years ago bc i kept falling asleep #i have no idea what the plot of the godfather is beyond the zootopia parody #ive watched superbad genuinely probably like. 50 times. #i only watch comfort movies shdhsjsj

[eclipseeraofthebeast]

New One-Shot project is on the horizon

#manga #comic #duckfather #john whick #godfather #anime #manga and stuff #indie manga #comedy #parody #halloween #action

[wonguswednesday]

I've somehow accidentally convinced my friends to start calling any media that defined a genre but is ultimately chiche to a modern audience because of how many other stores that copied it "the dune of..."

#dune #scifi #literature #tropes #similar but unrelated you've probably seen 80% kf the godfather from it being parodied in random lther tv shows

[wesley-nkohla]

#artists on tumblr #illustration #artwork #the godfather #paramount+ #parody #hollywood movies #cinema #movie

[biglisbonnews]

Trump channels Don Corleone in video questioning DeSantis's loyalty A satirical video produced by the Republican Accountability Project has set an interview between former President Donald Trump and Fox News' Sean Hannity to the iconic theme music of The Godfather. The parody pokes fun at Trump's demand for loyalty, comparing him with loyalty obsessed Don Corleone. — Read the rest https://boingboing.net/2023/03/28/trump-channels-don-corleone-in-video-questioning-desantiss-loyalty.html

#Post #donald trump #gop #parody #ron desantis #The Godfather #Mark Frauenfelder #Boing Boing

[fortune-maiden]

Lots of animal violence in this vampire ep. Deeply upsetting :(

#el internado #was genuinely not expecting the poor bat #but The Godfather parody with Camilo was…. something

[moveslikekeithrichards]

learned recently that my dad didnt like rugrats when it was on bc "babies dont act like that." & i was like remember when they did their little godfather parody that shit was so funny & he was like "babies wouldnt parody the godfather." which is a hilarious issue to have with rugrats but also if me & my friends woulda seen the godfather when we were toddlers we 100% woulda been doin that

#tiddytaco

[howtofightwrite]

Followup: Oragnized Crime Recruitment

The Godfather book and the Mafia games, specifically the first Mafia game, are the closest examples of what the Original Asker wants for his game. Goodfellas is another potential example to base the process of one's recruitment into the criminal underworld. In general, recruitment in fiction is generally based on doing jobs and earning a reputation as to one's success at doing jobs. In Goodfellas, Henry Hill started off doing simple, legal-ish errands for the local mafia before the gangsters saw his potential and entrusted him with more illegal jobs. Original Asker's character could therefore be someone who is affiliated with a mobster, but not part of the inner circle until the character pulls off jobs which makes them someone worth recruiting to the organization. Or one could go the Tommy Angelo route and save a mobster's life. -ironwoodatl01

So, it's worth remembering that Goodfellas is (in broad strokes) non-fiction. Henry Hill was a real person. (1943-2012) He was an associate of the Lucchese family. There are some historical, “inaccuracies,” with the film. Though, his arrest in 1980 for narcotics, and turning state's witness is historically accurate, though the film skims over the part where he was ejected from the witness protection program in 1987. Goodfellas was adapted from Nicholas Pileggi's non-fiction book, Wiseguy. I haven't read the book, but it's plausible that some of the historical discrepancies may have come from the book.

In this case, the OP specifically wanted to avoid a background where someone grew up in the neighborhood. Which, I mean, that is their choice, but it is a very popular recruitment method, in part because it's very effective at screening out potential cops, or even recruiting potential tame cops down the line.

Ironically, thinking back now, Mafia, the original Saints Row, and Franklin's arc from GTA5 are all potential reference points for what the OP wanted, and thinking back on it now, they were asking for input on a game, rather than prose, so I should have factored that in with the original ask. The tricky thing about each of those examples is that they're dependent on a lot of very specific moving parts in their respective stories. (Though, to be fair, I barely remember the original Mafia.) None of them are strictly realistic, but they're all internally plausible, when you start factoring in the various character motivations at work.

For some reason, I'm reminded of the Thieves Guild recruitment in Skyrim, which is one of the goofiest criminal recruitments I've seen in a non-parody. Brynjolf grabs some random psychopath wandering through and says, “ah, yes, you must be a master of pickpocketing and interested in a life of crime.” Does it make any sense? Nope. Does it go a long way towards explaining why the Thieves Guild is falling apart? Yeah, kinda, when you think about it. Does the introduction work? For some players, yes.

If the player wants to get into a questline, the justification can be pretty flimsy and still work for that player. Usually we talk about suspension of disbelief like it's a universal constant, but it's individual per member of your audience. Normally, you want to do whatever you can to ensure the suspension of disbelief is as strong as possible. However, in a game, the player's own emotional investment can help shore up weak points.

I'm going to take a quote out of context (a little), but I'm reminded of a quote from Richard K. Morgan about Halo, “[it] is full of these bullshit archetypal characters and there's no real emotional effect.” And, while he was certainly dragged for that quote (and, really the entire interview, it was a mess), he wasn't wrong. The writing in Halo isn't what does the heavy lifting, a large part of that is the player's effort to get through the story. And, in basically any other medium, this would be an exceptionally bad thing.

You won't make your novel better by forcing your audience to complete reflex tests before they start each chapter.

But, with video games, the gameplay interludes, can actually build emotional investment for the player. Even on very flimsy premises.

I've often written about how writing in different mediums requires different approaches and has different strengths. If you want gorgeous combat, then live action or animation are the best forms for you story. If you want visually striking images that linger, comics might be the right choice. If you really want to get into a character's head and live there, prose will let you do that with a level of fine control that is difficult to replicate. (And, note, there's a lot of different pros and cons, so this isn't an exclusive list.) The funny thing is, if you want your audience to do the heavy lifting for suspension of disbelief, that's one of the places where video game writing really shines.

And so we loop back to the Skyrim example. Brynjolf's approach to finding new talent is absolute clown shoes, but it's something you might not notice if this is why you wandered into Riften. It only becomes a problem when you're just there to snuff Grelod the Kind, or are looking for someplace to unload all this garbage you picked up while delving into a Dwemer ruin up in the mountains.

This doesn't mean you should abandon the idea of good writing, but if your player is on the same page as you, you won't need to worry about having something completely believable. For example, the plot-line of Mafia, or (the original) Saints Row.

-Starke

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#writing reference #writing advice #writing tips #starke answers #how to fight write

[lgbt-cishet-movie-tournament]

Most LGBT cishet movie?

Movie Submissions!

Sometimes a cishet movie is a hit in this community even without any stories or characters reflecting us (or at least not explicitly or intentionally or... tastefully). Either because of its campiness and witty banter, its drama, its weirdness, amazing soundtrack and costumes or its diva-like personality taking center stage. Please don't take this poll seriously.

Examples of movies that follow the rules below:

The Wizard of Oz (1939), Clue (1985), The Exorcist (1973), The Servant (1963), The Sound of Music (1965), Heathers (1988), Little Shop of Horrors (1986), All About Eve (1950), Jawbreaker (1999), What Ever Happened to Baby Jane? (1962), 9 to 5 (1980).

Rules for Submissions:

Please don't fight we're literally just ranking the straightest gay movies and transest cis people. The most conforming and queer paradox.

Because of the tendency of this site to call something "gay" just because 2 conventionally attractive men stand next to each other for 5 seconds, I'm not counting shipping possibilities that much. The level of drama, camp and the number drag parodies it has is way more important than possible romantic relationships or sexual tension in submitted films. Also there's ace and aro people voting. Keep them in mind!

It has to be cishet but somehow still queer. Can be the camp, general weirdness, gnc clothes, sassiness, the inclusion of a diva, accidental coding, or some other secret option. Honestly if you find a way to reason so hard it works, you could even try to submit The Godfather (... it is very quotable...)

Submit movies that aren't just American!

Submit movies that are cult classic masterpieces or movies that objectively suck!

I love Mamma Mia but it does have gay characters. This poll came about because I found that a lot of older movies had queer fans that were able to connect to others through these movies while creating their own spaces. This was despite the movie being "straight and gender conforming". I love that there's more rep now, but I'm aiming for this to poll contain more vintage movies for a reason. and I want to expand my watchlist. I'm aware that there are movies from the 70s, 1920s, and other older eras with explicitly gay themes and characters like Victim 1961 or Salome 1920 (and I encourage you to widen your scope of historically significant films) but this isn't that poll.

Old movies with very stealth trans or gay coding with its side characters and unintentional lgbt+ coding is allowed, but you know these things can be hit or miss. Besides, I put Heathers on here even though it's homophobic. Fun but homophobic. You can submit movies with homophobia or conformist themes to a degree.

You can submit propaganda videos, text, and images! If you know any drag parodies of the movies, send them my way!

If you don't want to submit directly, you can @ me

Posts with polls will be tagged as #mlcm poll. Movies posts with #user submitted or #user submission means it was submitted through the google forms and will enter the tournament

Given that not a lot of people watch older movies, the battling polls will be paired by decade until it gets whittled down to the finals where old and young will both compete.

Competition will start May 1 in honor of The Wicker Man 1973, which i wish counted as a poll entry, but I limited myself to one movie I'd slip into the tournament despite the fact that there's not a lot of lgbt fans of the movie. And this was my runner up because I really liked The Exorcist's Regan and Karras. Unless someone else submits him, Wicker Man's not gonna be there. Rest in Peace Christopher Lee and his ugly blonde wig.

#mlcm tournament #xanadu #the wicker man 1973 #horror #lsoh #dolly parton #lgbt #movies #polls #tournament poll #all about eve #whatever happened to baby jane? #q slur

[romanceyourdemons]

i think it’s so interesting how many genres i was introduced to through parody. my very first wuxia film was kung fu panda (2008). the first slasher i ever saw was behind the mask: the rise of leslie vernon (2006). before i saw any of the fast and furious films i saw a comedy sketch parodying them, and the animaniacs introduced me to film noir and 70s gangster films long before i saw the maltese falcon (1941) or the godfather (1972). in some ways, these parodies are the perfect way to be introduced to a genre: they lay out the tropes and exaggerate the tone so that you know exactly what to look for in a story. but there is still a sense of loss. i won’t be able to experience the genre with the sense of newness and shock the genre’s pioneers had hoped to induce; it’s been old hat from my very first film

#ryddles

[sevcasejay1chicago]

@gengirlstuff put in a request a few weeks ago for a teen sister!Casey fic. Thank you for your patience and I hope you enjoy!!!!

Not Elsa Afterall- TeenSister!Casey

Summary: During a snow day, you end up at the firehouse with your brother and extended family. After being led into a trap, you become hypothermic and your family has to try and save you.

Warnings: some language, mentions of past abuse (in a way), PTSD, claustrophobia, hypothermia

~~~~~~~~~~~

Some would say your childhood was unconventional at best, but you couldn’t have asked for a better one. Since you can remember, Matt Casey, your older brother, has taken care of you and so has the whole of firehouse 51. Since Matt and Kelly are such good friends, Kelly was named your godfather and Stella Kidd your godmother. Matt would entrust you with almost anyone in the house, but even after everything, Kelly and Stella are the only people he would want you to go to if anything happened to him.

Since it’s a snow day, you had to go to the firehouse with Matt. Not that you ever minded, even at the age of 15 you still get spoiled by all of your aunts and uncles. Cap and Tony are your prank buddies, which normally ends in a war against Hermann, Mouch, and Cruz. Violet, Stella, and Sylvie always make sure to spend some sort of girl time with you when you are at the firehouse, even though they are always doing girl trips and girl nights with you off shift. When Truck is gone, it’s an unspoken rule that either Kelly, Hermann, or Boden is in charge of you. If everyone has to leave the house at the same time, which didn’t happen often, you had to ride along, but you never got out at a site unless absolutely necessary. Most of the time, when there is nothing going on, you can be found lounging in one of the officers’ quarters. More likely than not, you are with Kelly playing “firecop”. You have thought about being a detective when you grow up, given the great relationship you now have with all of Intelligence and Trudy Platt, but when you grow up in a firehouse, you almost always follow in your family’s footsteps.

So far, nothing interesting has happened. A few black ice accidents and ambo calls, but nothing that required more than one or two units to leave the house at a time. Within the first 6 hours, you have pulled a couple pranks and watched Frozen just to sing the adult parody of Let It Go for Cap and Tony. You had just turned in for a nap in Kelly’s quarters when the tones went off.

“Truck 81, Squad 3, Engine 51, Ambo 61, Battalion 25. Warehouse fire at 6391 Daphne Drive.”

Kelly chuckled as you groaned, waiting for you to leave his quarters before running behind you. “Don’t worry kid. You can catch a few winks in the rig. I’ll have Cruz leave the truck running for you.” Kelly said, patting you on the shoulder and throwing you the extra bunker coat they leave out for you just incase.

“Thanks Sev.” You muttered, catching the coat in your arms before jumping into the rig behind Tony. You bundled up next to the window as Cruz sped behind Stella with the rest of the firehouse following behind. You tuned out the conversations happening around you and slipped in your headphones, turning the rest of your attention to the scenery.

Arriving at the scene, you took out your headphones as you listened to the rest of the guys chat. You were in the middle of nowhere. No smoke could be seen and no cars were in sight. It didn’t look like anyone has been out this way in a while.

“Well guys, get ready for anything. We will go in and do a sweep and then leave if it’s a false alarm.” Kelly said to the rest of the truck. “Princess, you stay put and stay warm. Keep an eye out.” Kelly said as the truck parked, turning around again to open his door and hop out.

Matt came and opened your door. “This shouldn’t take long. Stay here, okay?” Matt said, climbing up and placing his truck jacket on your lap.

You nodded and leaned your head back as you shoved your headphones back in. Music was your only choice seeing as you had no bars out this far. You were pretty surprised that the unit could be called out this far from the house, but you just went where you were told.

After about 30 minutes, you started getting an uneasy feeling. Everyone was inside and they should have been back by now. Using the limited training that squad has taught you, you jumped into the drivers seat to turn the rig off before going to the side compartment that held the spare gear. As you made your way to the compartment, you slipped and fell into a puddle that the engine melted, soaking your entire back and the back of your legs. You quickly shrugged it off and stood to grab your gear, more concerned about your family than how wet your clothes were or the faint ache in your head from it hitting the wet ground. If this was a gas leak or they were knocked out somehow, you needed to keep yourself safe and get inside to your family. Masking up outside the door, you shrugged on the spare bunker jacket and air tank before placing the mask over your head and walking in.

After walking through the first set of doors, you reached the second and opened the door to find a huge empty room. Looking around, you saw another door at the far edge of the room and cautiously walked towards it. As soon as you opened it, Kelly and Matt stumbled through.

“Oh my God. What happened?” You asked, grabbing onto Matt by the shoulders.

“The doors. It’s a trap. Go back and try that door!” Matt panted, exhausted from the exertion of trying to help Kelly pry open the door. The rest of the crew wandered back into the big room and followed you.

You pushed the door only to find it locked. “Matt.” You yelled, throwing your body into the door. “It won’t open!” You screamed, becoming frantic. You were all stuck in this big room. There was nothing but the people of firehouse 51 and you. The walls and floor were pure concrete and there was only a ventilation shaft on the top of the 20 foot ceiling. It had to lead to the outside because it was extremely cold.

“Hey hey hey. Breathe.” Kelly said, coming and grabbing you by the shoulders. “In and out.”

You have always had a fear of enclosed spaces. Recently, thanks to Dr. Charles, you found out that your mom locked you in a closest when she killed your dad. Matt found you later on during the day, thankful that it seemed that you were completely unaware of anything but that fact that you were tired, hungry, dirty, and scared. Though this room was much bigger, you were trapped once again.

You shook as Kelly handed you off to Matt. You cling to your brother as the rest of the group tried to figure a way out. “M-Matt. I’m s-so sorry.” You whimpered, burying your face into your brother’s chest.

Matt sighed and rubbed your back, swaying back and forth with you in his arms. “Hey now. None of that. You didn’t know.” Matt hummed, kissing the top of your head. “It’ll be fine. Once we are gone for long enough, someone will come looking. Until then, we are all here.” Matt whispered, opening his coat and pulling you in.

You were freezing. The bunker coat was decent at keeping the freezing air out, but unlike the rest of the house, you didn’t have on bunker pants or thick layers of clothing underneath the coat you were wearing. All you had on under the bunker coat was a pair of leggings and a long sleeved CFD shirt.

Kelly noticed you quacking in Matt’s arms and immediately took off his beanie, pulling it onto your head. “That’ll hold in some heat.” He said, standing closer to you and Matt to help provide some body heat.

“T-thanks.” You whispered, leaning back toward Kelly and pulling Matt along with you. Your panic jump started your shivering, and it didn’t seem to stop.

As you leaned back into Kelly, your wet hair made contact with his neck. “Jesus! Why are you wet?” Kelly asked, stepping back to grab your hair and wring out the water before tucking it into his beanie.

“I slipped. Fell I-into a p-puddle trying to s-s-save you g-guys.” You stuttered out, pulling yourself even closer to Matt.

“Wait. Let me get this straight.” Matt said, pulling you to arms length. “Under that coat you are soaking wet. In the middle of winter. And we are stuck in a freezing room.” Matt broke it down, looking between you and Kelly as he spoke.

You nodded. “Yep.” You replied, popping the p.

“Fuck.” Kelly muttered from behind you.

“Alright everyone. Listen up.” Boden yelled, catching everyone’s attention after he had a little time to think. “This was obviously a trap. We have no contact with the outside world, but dispatch led us here. Theoretically, someone should be coming to look for us pretty soon. It’s been about 45 minutes since we landed on scene and Kylie is still in the bullpen. So, everyone huddle up and stay warm until CPD arrives or whoever they send out for us.” Boden announced.

Everyone quickly huddled up, finding themselves in little groups that eventually morphed into everyone in the middle of the room. Matt, Kelly, Boden, Stella, Cruz, Violet, and Sylvie found themselves in the middle of the huddle with you straddling your brother’s lap in an attempt to get as close as possible. Matt and Cruz were sat back to back for support as you placed yourself practically in Matt’s coat for his body heat. Kelly and Stella shared a coat so that Kelly’s Jacket could be given to the paramedics since they only had on their winter coats. After another 30 minutes went by, they realized they had a bigger problem. You were quickly becoming hypothermic.

“M-matty. ‘M s-sleepy.” You slurred, burying your cold nose into your brother’s neck.

Matt and Kelly were instantly on high alert. You haven’t called Matt that in years. Not since you were at least 9. “Hey. I need you to stay awake. Okay? Stay with me.” Matt cooed, trying not to sound too desperate so that he wouldn’t scare you, but enough to keep you awake.

“Jus a quick n-nap. M’ head h-hurts.” You muttered, fumbling to get closer to your brother.

“No no no. Not yet. Just wait until we can get you out of here.” Matt said, pushing you slightly away as Kelly leaned over and checked your pulse.

“Matt, her pulse is slow.” Kelly whispered.

“Okay. Okay. Let me think.” Matt muttered, looking around.

Kelly was quicker. “Hang on. I have an idea. It’ll be a little awkward, but anything for her, right?” Kelly asked, looking Matt in the eyes.

Matt nodded. “Anything.”

Kelly moved quickly after that. He wrapped Stella up in her own bunker coat after taking yours. Kelly scooted as close to you as he could, hugging you from behind. Matt caught on quickly and hugged you close to his chest. Matt’s head was on one side of your head with Kelly on the other. The two bunker coats were pulled around your bodies. Everyone knew what was going on and was quick to huddle in, trying their best to create more body heat as you began slowly slipping in and out of consciousness.

After 2 hours in the 20 degree room, the Intelligence unit broke through the door. They had received some threatening messages the last few days against the CFD, but when they heard from Kylie that 51 went AWOL, they knew this had to be the work of whoever was making those threats. They moved as quickly as the could, bursting in just as you began to slip completely unconscious.

“5021 George. Missing are located. I repeat missing are located. One critical. Rolling the Ambo on sight. Close off all streets from here to Med.” Jay yells into his radio as he sees Kelly helping Matt get up with you limp in his arms.

Sylvie and Violet are already running for the ambo with Matt, Kelly, Stella, and Jay not far behind. You hang limp in your brother’s arms as he and Kelly call out to you, begging you to stay with them. Doors are held open and a path is quickly made to the ambo. Kelly helps Sylvie treat you as Violet speeds behind Jay, who is leading the escort for you to med.

“I’m barely getting a pulse. She isn’t protecting her airway. I have to intubate.” Sylvie yells, causing Violet to tell the same thing into her radio as Kelly grabs more trauma blankets and wraps you up in them. Once your intubated, Sylvie takes out her phone. “Mags. It’s Sylvie. I have Y/N Casey. She’s severely hypothermic. Not protecting her airway, weak pulse, temp of 94 and not rising with trauma blankets. You guys need to prep for her.” Sylvie instructed, letting Kelly take over bagging you so that she could check your airways. “She was soaking wet and possibly hit her head. We will need to cut off her clothes on arrival. Warm saline and blankets should do it once these clothes are off.” Sylvie replies to whatever Maggie was telling her. “ETA is 3 minutes” then she hangs up.

“Sylvie.” Matt pleas, looking at his girlfriend.

“We’ve got her Matt. Just a bit longer.” Sylvie placates, shooting him a small smile as she takes the bag back from Kelly.

Upon arrival to Med, Maggie and Conner throw the ambulance doors open and immediately help Sylvie and Kelly unload you. They quickly do as Brett previously instructed, running a few extra tests on you once the IV is placed, and then they leave Matt and Kelly alone with you.

“She’s gonna be alright man.” Kelly reassures, holding your hand on the opposite side of the bed that Matt is on. Kelly doesn’t look up, not able to bare the look of fear and guilt in Matt’s eyes.

“She should’ve stayed at the house. She’s old enough to be at the firehouse alone, plus Kylie was there and they could’ve just hung out.” Matt sighed, running a hand down his face. “She wouldn’t be in this situation if it wasn’t for me.” Matt sniffed, keeping hold of your hand.

Suddenly, you squeezed both your hands as your heart rate spiked and your eyes flew open. If it hadn’t have been for Kelly and Matt keeping your hands in theirs, you would have yanked your tube out.

“Sh Sh Sh. Sweetheart. It’s alright. Hang on.” Matt muttered, using a hand to pull your face to look toward him.

Kelly let go of your hand once Matt had your attention and met Maggie at the door. “She’s awake!” He exclaimed, catching the attention of Jay, Will, and Conner who were all talking behind the desk about what happened.

Conner ran in as Maggie silenced the machines. “She’s over breathing the tubes. Let me get that out. Hand on sweetie.” Conner soothed, pushing past Kelly and rushing to your side.

Maggie held a basin under your chin once Matt moved to the head of your bed. They all knew of your sensitive gag reflex, so this really wouldn’t be fun. “Deep breath.” Maggie instructed. Conner was quick to pull the tubing out and stepped back as you dry heaved over the basin Maggie held for you.

Will came up to Conner’s empty spot and rubbed your back as Maggie handed the basin to Matt so that he could get closer. “Breathe sweetheart. Just take some slow deep breaths.” Will coached, taking the cup of water from Kelly when you finally calmed down and held the straw for you to sip. “There you go. That’s it.” Will soothed, nodding at Matt to put the basin away.

Once you were calm, Jay, Will, Conner, and Maggie all filed out of the room. Jay promised to give the house an update as he walked away, kissing you on the cheek. Kelly and Matt settled on either side of you again, Matt moving into the bed with you.

“God. You scared the hell out of me.” Matt muttered, pulling you into his side.

“What even happened?” You asked, looking between the eyes of your scared godfather and brother.

“Well, we were trapped. You got stuck with us, but before coming in, you slipped and hit your head in a puddle. You were soaking wet and went hypothermic on us.” Kelly explained, rubbing his face and sitting back as he watched your reaction.

Your eyes went wide. “Holy shit.”

“Language.” Matt scolded lightly, using your favorite marvel character’s word against you.

You chuckled, snuggling into Matt. “Guess I’m not Elsa after all. The cold does bother me.” You joked, causing Matt and Kelly to laugh.

“Too soon.” Matt said, though he was still chuckling.

“Definitely too soon.” Kelly agreed. “I’m gonna go get Boden and Stella. They were raising hell trying to get in here earlier.” He said, getting up and kissing the top of your head. “I’m glad your okay. Love you princess.”

“Love you too Uncle Kelly.” You beamed, snuggling closer to your brother as you both watched him leave to gather the rest of your family.

#one chicago #jay halstead #matt casey #kelly severide #fluff #one chicago x reader #comfort #hypothermia #TeenSister!Casey #firehouse 51 #CPD intelligence #conner rhodes #maggie lockwood #will halstead #Godfather Kelly Severide #brother!Matt Casey

[noxofspades]

Appreciating+analyzing Brokeback Mountain's first tent scene for it's 18th anniversary

It’s been 18 years since Ang Lee used his familarity of repression from his culture to bring Brokeback Mountain to life. Starring legendary actor, Heath Ledger, and his co-star, best friend + the godfather of his child, Jake Gyllenhaal.

And i want to show appreciation to the first tent scene. It’s the most famous scene along with Jack’s final speech. I guarantee that most non-viewer knows about either one or both of these. And while this sex scene is very impactful and a few ppl also like this scene, it's usually met with two types of reactions. First, plain homophobia. Like when ppl just immediately left the theatre, outraged or disgusted.

Ppl made parodies about this, and there was a trend of ppl showing someone this scene out of context and enjoy the shocked, horrified or disgusted reaction

On the flip side, there’s the ppl who loves+appreciates this film but has valid criticisms about this scene. It’s not realistic when it comes to prep. There’s the beans thing (even though Jack threw a whole tantrum about hating to eat this, so Ennis had to give him alternatives like hunting elk+getting soup).either way, that beans aspect is something ppl can't look past,therefore can't take seriously. This scene is too rough for some, too short for others. Or it feels really sanitized to them.

I see all of these points. I actually disliked this scene as well on my first watch when i was a young teen.However, as i grew older and i rewatched this film a few times, i developed a huge appreciation for this scene. i geninuely love this now. And coming from an aro/ace person, this one of my favorite scenes in cinema. And here's why...

We know that Ennis is a virgin from the ‘sinner’ talk. And later on, you get the details of Ennis' trauma from being forced to see the horrific aftermath of a hate crime. So growing up, as he went through puberty…i don’t think he let himself fantasize about guy. And also, his parents were methodists, so add religion in his childhood.

So this isn’t only about him giving into his lust for Jack, this is about struggling with all these repressed emotions of fear, shame. He grew up, being denied the most simple pleasure of life. So this isn’t just about this sexual release, it’s a huge, shattering emotional release as well.

And putting all this together, this backstory is the reason why this scene is vital. I highly doubt that with all this repression+trauma, that Ennis would make any kind of move, romantic or sexual. Heck, i don’t even think he was fully aware of his feelings until this moment. It implied in the short story that even though he doesn’t know why he’s so happy around Jack, he could still just palm the white of the moon.

So i believe this is the only way he could face not only his lust, but his emotions. Having Jack being aroused and explicitly state with his actions how much he wanted this

This being THE MOMENT where Ennis could experience true freedom. Let the restraints go and just vulnerable with another person. And i think it being it at night, in the dark helped give him that extra courage.And because of all the pent up lust went with his emotions, he just lost control at the sound of the belt unbuckle and just roughly took Jack on the spot.

I like how this subverts my expectation. Jack is the impulsive, extroverted and bold one. And also, i'm used to scenes where when someone is hesitant or really scared to be intimate with someone, they are usually soothed and they will slowly let themself experience pleasure. But instead, Ennis is overcome with lust, and fully takes over.

And the moments after Jack is pushed down just gets me. You hear tiny little noises of excitement from him, cuz the shy, reserved man he knew suddenly shoved him down, shaking hard from lust+impatience. And he is just waiting, while Ennis is rushing to undo his pants then practically rips off Jack's . No pleasantries, nothing, just does him raw. Is this ideal in real life? Hell no. But as a fantastical concept, i find that incredibly hot. I may not find ppl sexually attractive, but i appreciate a spicy scenario, as long as i’m not involved.

And i appreciate the film not framing the loss of Ennis' virginity as comedic or even victorious, like a prize he finally won. I often see this in media with male characters having sex for the first time. This, while abrupt, is still taken seriously. Ennis is really clumsy, and even though he’s doing the work, he’s not the one in control. He is barely hanging on, really overwhelmed by all these new sensations. The surprise, the bliss and no matter how hard he tried he couldn’t last long. The way he pressed his forehead onto Jack’s back as the orgasmic sensations abruptly hits him.

And Jack aggressively slamming on the tent floor when the release hits him. Iconic. Apparently, Jake G added that in, which shocked Ang lee in a good way. And yeah, that definitely adds to the level of intensity that this whole scene built up to.

And there’s also this brief scene i like where the two, especially Ennis, is just WIPED OUT. And while a part of me wondered why it’d be like if this scene lasted longer, I think it also really adds to the intensity of Ennis’ experience. The physical and the emotional release is so monumental for him that not only he wasn't able to last long, it also just shattered every ounce of his physical energy.

And i like how it didn’t linger on the afterglow. It’s a quick cut to the outside shot of their tent, as you still hear their panting. I liked this because it emphasizes how this was truly impulsive this act was. How desperate they were to just feel each other that they even couldn’t utter a single word. And they couldn't even take the time to fully undress or enjoy each other's bodies yet. This was just instinctive and animalistic.

And it's the fact that there's no music, and it's all shot close up, alternating from Jack+Ennis that makes it feel more authentic. To me, it doesn't feel staged, and that again, just adds so much.

And i love the contrast between this and the second tent scene. Ennis surrenders in both but has different reactions. Because of the overwhelming lust+emotions, this moment is rushed.

But after struggling to process that he found so much freedom+pleasure in something society deems immoral, he gives into his desires and enters the tent. Now since the physical barrier has been crossed, and the pent up lust is satiated, he is forced to face his emotions. And allow Jack to fully see him the most vulnerable he's ever been. The way he clutches his hat like a shield and struggles to make eye contact.

The way Jack sees all this and responds with so much tenderness. How he kissed him, whispers reassurances and cradles him. And Ennis feels safe enough to properly enjoy Jack's body. And feel his chest. That soft kiss he plants a moment later. Just gives me so many butterflies.

On the first watch, it's really sad to see Ennis so scared. But on a rewatch, when you know the details of his trauma. Soul-shattering. You fully realize how much he needed to be soothed +held like this😭😭

And then i found this great website, Brokeback Mountain Love Scene Tent – Book & Movie Library (whythebookwins.com)

where it talks about the symbolism of the nature+ tent. I love how it points out how nature is their silent witness. Whether it’s for their frantic first time, or more tender ones that happen later on. And how the tent is so confined, which reflects Jack+Ennis’ relationship. Because of our cruel society, they had to hide their love+vulnerability from the world. And because of Ennis’ trauma and internal struggle, it’s only this tent on Brokeback Mountain, that is truly becomes their only safe haven.

Heath+Jake did fantastic in both of these scenes. Especially the first one. I'm glad that there were proper measures to make sure these two were very comfortable and they weren't exploited in any way.

#brokeback mountain #jack twist #ennis del mar #heath ledger #jake gyllenhaal #gay representation #gay pride #lgbtqiia+ #lgbtq rights #lgbtq #lgbtqia #movies #emotional #i love this movie #gay movies #lgbt film #lgbt movie #films #romance films #sad movies #media analysis #queer #cinema #character analysis

[sincerely-sofie]

Character design work for a number of original projects below! The name of each project the designs belong to is above their respective image, along with a little teaser for the premise.

Which designs do you like best? Which projects catch your eye? Let me know, I'd love to hear!

Iron and Roses, a fantasy romance about a princess marrying herself off to protect her kingdom and stars a bit of a yandere boy-next-door best friend who ain't too happy about this:

Ocean in a Girl, a heartfelt found family story that was originally a Minecraft fanfic but evolved into an original story about a young witch who is being pursued by her godfather, the deity of decay, and is hired to work at a boar woman's tavern after she's spotted stealing from her tavern's display cases one night:

Clover, a psychological dramedy comic / video game (undecided) about a young woman who moves out to attend college and begins seeing creatures no one else can and which claim to come from a world beyond the physical plane and also hate her specifically out of all the population of humans:

The Creeping Chronicles, an "epic" fantasy series about the aftermath of a save-the-world plot and features swords, sorcery, and bug people with trauma:

Starchild, a standalone novel about a demigod of wartime who takes in an amnesiac mortal teenager and swiftly learns there's more to her and her missing memories than meets the eye:

Boss Fight, an animated fantasy parody of The Office about a goblin secretary who works in a video game dungeon and is planning to kill her incompetent lich boss so she'll be the one running the place, but doesn't realize that her boss is head-over-heels in love with her and thinks all her efforts to kill him are her flirting:

This one doesn't have a project, it's just an old persona concept I wanted to show off, hehe:

The Creeping Chronicles again, but with older designs and a broader selection of the cast:

Thanks for checking these out! Again, did any characters or stories catch your eye? Let me know, even if it's just by answering the poll below. I'm really curious about what y'all would like to see more of from my original work :>

#I wanted to show off a couple hundred of my blorbos #so many projects so little time #stuff by sofie #original art #character design #original character design #original character #original character drawing #oc design #oc character design #art dump