#the most necessary unnecessary scene

[codychristiantreasures]

Shower Asher.

#cody christian #this scene was waaay too distracting #the most necessary unnecessary scene #can’t get over how hot he is #I just want to shower with him now #asher adams #all american #theo raeken #teen wolf #mike montgomery #pll #codychristianedit #cody allen christian #cody christian edit

[goatsandgangsters]

how long after christmas is it still acceptable to post fluffy christmas fic

asking for a me-shaped friend who's got various Standalone Sections, but some are more done than others, so trying to figure out if I should scrap the less-done sections that need more work in favor of posting sooner, or keep working on all of it until sometime in january

#........... alternate idea that just came to me #first section is the Most Done one #so I could do chapters? #instead of section breaks in an 8k one-shot? #I'm also still on the fence about which bits to post #some of the less-done sections only exist bc I wanted an even number of scenes from each POV so ARE THOSE SCENES IN FACT NECESSARY #do I feel meh about them because they're Not Done Yet or meh because they were written to fulfill an unnecessary rule I imposed on myself

[etherealyoungk]

—⟡ covert desires | kim mingyu

summary:  the mission is simple - infiltrate a high-stakes auction that the top leaders, businessmen, women, and politicians of the world attend every year and steal one of the most highly guarded and hidden-away paintings from the target’s collection. the only downside, you had to work with kim mingyu, whom you absolutely hated. and to make it even worse, you had to pretend to be his wife for this mission to work.

pairing: spy!mingyu x assasin!reader (fem!reader)

themes: spy au, mafia, enemies to lovers, fake marriage, mutual pining, spies, angst, fluff, killing

warnings: suggestive, kissing, use of curse words, weapons, guns, knives, violence, use of drugs/painkillers, blood, gore, killing, death

wordcount: 19.5k

a/n: i had so much fun writing this! thank you so much to @fairyhaos to listening to my random ideas and helping me with the title and just being really helpful, ily. and tysm to @gyuswhore for beta-reading this and giving me valuable feedback, lifesaver honestly. tysm! i'd love to know your thoughts on this ^^

full fic under the cut!

— character guide

seungcheol - underground mafia leader

jeonghan - manipulator, gets things fabricated like documents, ids etc.

joshua - keeps a log on the accounts/transactions and assets

jun - spy

hoshi - spy

wonwoo - in house doctor

woozi - in charge of gadgets and other necessary equipment

the8 - in charge of weapons

mingyu - spy and your partner for the mission

seokmin - gathers informations and intel

seungkwan - negotiator and works behind the scenes

vernon - hacker

dino - spy

you wipe the last of the blood off your hands and carefully move the body, manipulating the crime scene to make it look like it was a suicide. with a carefully crafted suicide scene, the police wouldn’t even blink an eye and just close the case as a suicide, not wanting to bother investigating further. you just had to leave around the right clues and bait them. once they’d find it, they’d conclude the case without thinking any further and your job was done. you were sure no one would even miss the bastard that you had just sent to hell anyways. after scanning the room, you make sure everything is in place before exiting quietly and disappearing into the shadows. 

when you reach home to your apartment, you swiftly change out of you soiled and bloody clothes. that idiot decided to put up a fight, making things harder for himself really. you planned on killing him quietly, but the fight he put up was unnecessary and he wasn’t going to stand a chance against you regardless. you would have finished earlier and your clothes would have been significantly less bloody. sighing, you peel off your clothes and they fall to the floor in a heap as you step into the shower. the hot water offers some sort of relief and relaxation, your muscles relaxing under the hot water. wrapping a towel around yourself, you step out and hear the faint ring of your burner phone fill the room.

“hello?”, you say as you put the phone to your ear.

“did you get the job done?”, the voice on the other side asks.

“yes, you didn’t hire the best for no reason, did you?”, you scoff back, offended he’d even have a sliver of doubt in your skills. 

“good. we have another urgent matter on hand and it has to be discussed in person. you know where to meet me”, the voice adds.

“i swear if it’s another-“

“you’ll love this one, trust me”, the voice says, cutting you short and hanging up as you begin to say something. you curse under your breath; that idiot never had manners. you huff,  throwing the phone on the bed and changing into something comfortable before you crash into bed, too tired to complain or think about anything else. 

you were an assassin or a hired killer you could say. but you liked to call yourself an assassin - because let’s be real, it sounds cooler. you were trained, skilled, and good at what you did – which was killing people, bad people specifically. when you weren'’t out hunting people down, you were working as a barista at a local cafe. it was somewhat therapeutic compared to your other occupation. but you had to if you wanted to survive in this world. if you wanted your life to have some semblance of normalcy. the world was a cruel place and somehow you ended up doing this for a living but hey, at least it paid well.

the next morning you’re sitting in the hall of seungcheol’s fancy office, or what you liked to call the safehouse.

“you’re here! let me tell seungcheol”, dino says upon seeing you, flashing you a friendly smile. you give him a small smile as he retreats, making his way to look for seungcheol.

seungcheol walks in a few moments later, and his presence can be felt in the room immediately. no one messes with him – everyone knew that. he was the most feared man in the underground mafia and a threat to the government as well. his connections and dirt on powerful people ran too deep with secrets only he knew and used as leverage. hell, even the government would hire him to do their dirty work so he was practically untouchable.

“what’s this urgent matter that needs to be discussed in person?”, you ask, once he sits down opposite you.

“no hi?”, he prompts, raising his a brow as he looks at you.

“no thank you for yesterday?”, you prod back, challenging him. you were really the only person seungcheol let speak to him like that. he’d pretty much raised you and he didn’t seem to mind, especially since you did most of his dirty work. 

“we seem to have gotten ourselves another lucrative mission”, he starts off, treading carefuly with his words. “it’s something worth millions if not billions, so this is a really high-stakes operation”, he tells, observing you. “and we’re getting paid handsomely for it and so will you if it goes well”, he completes.

“alright, that seems like a piece of cake. what are we stealing?”, you ask.

“a painting”, he tells, as he takes a sip of his bitter black coffee in front of him.

“it’s going to be displayed in the national museum of culture and arts”, he says as he continues briefing you. “but that’s not all. the annual auction takes place in three weeks. many if not all the influential, powerful people, businessmen and politicians are going to be at this event, so it’s expected that the security is going to be very tight and advanced. they’ll be bidding for art and plenty of other stuff there but not this painting. this painting is special because it’s not for sale, it’s only on display and it’s the first time it’s being shown to the public in twenty years. the mission is to steal this painting, while also making sure no one finds out – so we place a knock-off”. he explains.

“all right, that doesn’t sound too hard”, you say, calculating everything in your mind.

“oh, don’t underestimate this. this painting is going to be highly guarded and anyone can’t just enter the auction either. you need to be specially invited to the auction otherwise you cannot enter, and you can’t go alone, it’ll be suspicious”, he adds.

“what do you mean i can’t go alone? how else am i going to do this?”, you ask, confused.

“mingyu’s going to be your partner for this mission and the only way it’s going to work is that you pretend that you both are a married couple”, seungcheol completes, making you whip your head up. your jaw drops to the floor upon hearing the words that came from seungcheol’s mouth, absolutely appalled.

“did i hear that right? i need to be mingyu’s wife?”, you repeat, leaning forward and seungcheol doesn’t say anything, only looks at you with a knowing smile.

mingyu and you don’t exactly get along together. he was always somehow getting on your nerves and you hated him.

“seungcheol, you know i don’t like him”, you say, annoyed already. “and i work alone”, you add, glaring at him.

“it’s for the mission and we don’t have any other option. everyone else is busy with other missions and mingyu was the only one who’s free at the moment, and i trust him on this one”, seungcheol explains. you can’t really argue with seungcheol because, at the end of the day he was your still your boss and he called the shots.

“i suggest you get friendly with mingyu because we don’t have a lot of time on hand. the auction is in three weeks and you and mingyu need to play a convincing husband and wife role starting today”

“today?”, i repeat. that was really short notice.

“mingyu has it sorted out”, he says, and your burner phone pings. “that must be him”, seungcheols says.

“please try to get along with him”, is the last thing seungcheol tells you before he stands up to leave. he emphasizes his words with the look he gives. it was a ‘don’t mess this up’ look and you sighed. he gives you a small ‘good luck’ before turning around and walking out, getting busy with something else.

you stand up to leave, opening your phone and reading mingyu’s text.

“meet me at the fountain park at 11am”.

you grumble as you make your way to the park and see mingyu sitting on one of the benches. there aren’t many people, but the sun shines warm and the sky is blue - a complete contrast to your mood right now. you’d very much like to walk away but you can’t. you drag you feet and will yourself to walk towards mingyu, who smiles when he spots you. you don’t reciprocate the smile, giving him a stern looking, already annoyed at the sight of him.

"you know, most people don’t scowl when they see a handsome face”, he says when you’re close enough. you roll your eyes and mentally flip him off, crossing your arms across your chest as you glare at him. “handsome my ass”, you mumble under your breath.

“long time no see”, he greets. you don’t sit. “i’ve been busy”, you tell him.

“you look good”, he adds, gesturing for you to sit.

“seungcheol briefed me on the mission, so what’s next”, you ask, getting back on the topic, not wanting to indulge in small talk with mingyu.

“i found us a house to move into until the mission is over and-“,

“wait, why do we have to move in together?”, you ask in horror and he just looks at you like the answer is obvious.

“because we’re husband and wife? and i don’t think i can come by your apartment and suddenly tell all the neighbours that the poor girl they thought was lonely and single is actually married, now can i”, he says.

you scowl again. “they won’t even care!”

“it’ll be a problem if they become suspicious. it’s better to move in elsewhere and you can move back to your apartment when it’s all done and they won’t even blink an eye about what happened. you can also avoid questions about your husband who mysteriously appeared and disappeared”, he explains. “unless you want to explain why you kept such a handsome man a secret and-“

“shut up”, you cut him off and he chuckles.

you weigh out all the options in your head and mingyu’s idea was the best and most promising, even though you didn’t like it very much. you hated the idea in fact. but sometimes desperate times called for desperate measures.

“fine”, you huff, gritting your teeth. “what else?”, you ask.

“jeonghan’s working on getting us the invitation to the auction. we can start by moving in. pack only your essentials. i’ll pick you up by 2 pm tomorrow so you can move your stuff into the new place”, mingyu tells.

you stack the last box with all you stuff and things that you’d need in the new place, dusting your hands on your shorts. if your neighbors asked, you were away, traveling back to meet family who lived in another state. you’d be back soon so you were sure you could get away with that excuse.

mingyu arrives at 2pm on the dot as promised. you start to carry the boxes out. he carries the other two effortlessly and follows behind you. the elevator ride is quiet, with neither of you saying anything. you’re sitting in his car as he drives you to the new house. you look around, all the houses looking more fancy, manicured and elite. that’s when you realize you’re entering the richer part of the neighborhood.

“how’d you manage to get a house here?”, you ask mingyu, knowing the rent or prices would not have been cheap.

“i invested in some land here and once they announced that they’re going to develop this area, the prices skyrocketed and i got rich. i own the house now and i thought it would be nice to finally use it.”, he explains.

“cool”, is all you can say as you look around at all the villas and large houses occupying this space. if anybody lived here, they definitely came from the wealthy and posh side. in hindsight, it was a good cover for you and it would make it easier for you to blend in if you had to pretend to be from a wealthy background.

you finish unloading and unpacking your stuff in the room when mingyu knocks on the door. you both thankfully had separate rooms because there was no way in hell that you were going to share a bed with him. you’d rather sleep on hot coal than do that.

“jeonghan’s finished gathering some documents so i’ll just go over and pick them up. do you wanna come along?”, he asks.

“sure”, you say, because you really didn’t know what you’d do here alone, plus it had been a while since you last saw jeonghan and oh he was a real menace.

“jeonghan!!”, you say upon seeing him, going up to give him a hug. “y/n! it’s been a while huh, you look great”, he says, a small smile on his face.

“that’s not fair, you didn’t give me a hug when you saw me now did you, baby”, mingyu complains.

“what did you just call me?”, you ask, not sure if you’d heard that right.

“baby”, he repeats casually.

“don’t call me that”,

“i have to if we’re going to play a lovely doting husband and wife couple”, he says and you give him a glare, lasers practically shooting out from your eyes.

“we’re not playing husband and wife right now so watch your mouth, mingyu”, you warn and he just shrugs as you fix your attention back on jeonghan.

“it hasn’t even been 24 hours and you guys are already arguing? i just hope you survive the mission and don’t rip each other’s throats by the end of this”, jeonghan says, amused.

“speaking about that, here’s your marriage certificate. i made it so you’ve both been married for a year and a half, less suspicious that way”, jeonghan explains. “oh, and i also sneaked you both an invite to a party hosted by yeonjun. it’ll be a good opportunity to gather connections and intel. it’s tomorrow night”, jeonghan adds as he hands you the invitations.

“damn how’d you manage that?”, you ask. “i have my ways, you should know that by now y/n.  i'm the man who can get away with anything”, he replies giving you a wink. you chuckle at his words. “how could i forget, you’re called a menace for a reason”, you tease, laughing along with him.

“and i’m still working on getting the invite for the auction, it should be done in a few days”. jeonghan later says and you both leave after chatting a bit more.

that night you lay in bed, barely managing to fall sleep. the hours fly by and you check your appearance in the mirror one last time before stepping out of the room. you’d worn a simple black dress and just lightly styled your hair. you didn’t want to go overboard since this wasn’t the actual mission, so you kept it pretty but to a minimum, but still enough to make it look like you were wealthy and could blend into the crowd at tonight’s party.

“are you ready? we’ll be late”, you say, calling out to mingyu who was in his room.

you hear the shuffle of his shoes as you do a quick check of your small handbag – tissues, lip gloss, phone and most importantly, a pocket knife. when you look back up, mingyu is staring at you.

“what? hurry up, we haven’t got all day”, you add, walking to the front as you slip into a pair of matching black heels. you know our cover when we’re out yeah?”, mingyu asks as he comes up to you.

“yup, we just moved in the neighborhood, you’re an ER doctor, and i’m a lovely housewife who spends her time shopping, relaxing and spending your money”, you say with a fake smile.

“but do you even know anything about being a doctor, you better not mess up if someone asks you medical terms and shit”, you say, pointing a finger at him.

“don’t go underestimating my skills y/n, i’ve got it covered”

“you better”, you snap back, walking ahead of him towards the door.

the party is high in security but you make it through without a hassle. you had gone through the files seokmin had sent on the people attending and memorized everyone’s name, face, job, and even what they eat for dinner. you had to know everything in order to blend in. you step out of the car and mingyu offers you his hand to hold onto. you smile and take it because you do have to act. you put on your friendly face and enter the party, your eyes scanning the crowd. you spot a few people you recognise from the files you’d read last night, the connections forming in your head. just then mingyu sees someone and whispers that’ll he’ll be back, parting ways with you and you’re left alone.

you take this chance to mingle with the other women that you spot in a corner – who were all your new neighbors. this was a good time to introduce yourself, so you walk towards them and smile.

“hello!”, you say brightly and they turn around to look at you. one of them seems to recognize you and smiles.

“hi! you’re new to the area, right? i saw you moving in the other say”, she says.

“yes, i just moved here with my husband”, you explain as a waiter comes by, offering you drinks on a shiny tray. you take one and so do they.

“where’s your husband?”, one of them asks.

“oh, he’s just talking so an acquaintance over there”, you say, looking back as you nudge your head in mingyu's direction.

“what does he do?”, another one asks excitedly upon spotting mingyu in the crowd. you already knew what they were thinking at the way they were looking at him.

“he’s a doctor, he works in the ER”, you tell.

“oh you poor thing. he must be working late often”, she adds and just then you feel a hand wrap around your waist and the whiff of cologne in the air.

“hello ladies, i don’t think i’ve introduced myself. i’m mingyu, nice to meet you”, he says and all the ladies smiles, shamelessly checking him out. but like you cared.

“your wife was just telling us that you work at the ER, it must be tiring, coming home late every day. i’d hate if my husband came late every day”, one of the women says in mock pity.

but mingyu only smirks. “i may come home late, but i always make it up to you in bed, don’t i baby”, he says, looking at you and you almost choke on your drink.

you clear your throat, changing the topic, and all the ladies giggle. after you finally manage to separate from them, you walk around, assessing the situation.

“i can see a lot of people from soyeon’s side”, you say and mingyu agrees. ”jihyo’s here too”, he adds. she was the it woman in business right now and she was rising up the ranks quickly. “jihyo is definitely going to be at the auction”, you add. “should i get friendly with her?”, you ask and mingyu thinks for a few seconds before answering.

“be careful, if you approach her suddenly she might be wary”, he says softly. “you’re not drinking?” you ask, noticing how his glass has gone untouched. “gotta drive us back, so no, i won’t be drinking tonight”. of course, you had forgotten about that. at least he had some manners, unlike seungcheol.

after managing to gather enough intel and make some connections, you and mingyu decide to retire for the night. you both walk out hand in hand and just then your stomach growls. you were hungry, you hadn’t eaten anything there, not wanting to get distracted and also maybe drinking that glass of champagne on an empty stomach wasn’t such a good idea.

“hungry? we can grab something on the way”, mingyu prompts.

you see a mcdonalds’ drive-thru on the way back and tell mingyu to stop by there. “you don’t want real food?”, mingyu asks. “what do you mean, this is real food”, you declare.

“do you eat this often?”, he asks.

“that is none of your business, just get me some nuggets, fries, and a mcflurry”, you say.

he doesn’t get anything, saying he’ll make himself something at home and you don’t complain. you offer him a nugget and some fries but he declines, just driving as he tells you to not spill anything as you munch on the nuggets.

“i’m sure i can make better nuggets than that”, mingyu finally speaks.

“good for you mingyu, i don’t care”, you say, plopping the last bite of nugget into your mouth.

“yeah i’m sure you’ll start caring when i make you breakfast tomorrow and then you’ll never want to eat anything else, only something i’ve cooked”, he boasts.

“is that so? you’re going to spoil me, looking forward to it”,you add, going back to your mcflurry.

the next morning, mingyu does in fact get up early and makes breakfast for the both of you. it would be a lie to say that it wasn’t good, it was actually the best thing you had eaten in a while. over the course of the next week and the days building up to the auction, you attend a few more events together, getting to know more people and making connections. you make yourself friendly with the neighboring women and go shopping together. with all the new intel gathered each time, you pass it over to seokmin.

mingyu and you stop by the safehouse again to collect the invitation to the auction that jeonghan finally got and to update seungcheol on the mission’s progress. you both had somewhat managed to get along…well, almost. if mingyu didn’t make some snarky comment or say something to get on your nerves once in a while it would be better, but he should just be grateful he was alive right now. the urge to strangle mingyu was immense.

“what’s the progress?”, seungcheol asks.

“it’s good. we know for a fact that jihyo is attending the auction and maybe some people from soyeon’s team might attend on her behalf”, mingyu tells.

“im glad you guys seem to be getting along”, seungcheol tells, surprised.

“barely, i need to tell him to shut up and not spew stupid stuff, it really gets on my nerves. and please tell him to stop walking around the house shirtless. it’s damaging to my eyes ”, you complain.

“i didn’t even do anything, i’m just looking out for her well-being, she has some really peculiar habits and also it’s hot? and it’s literally my house? i can do whatever i want”, mingyu defends.

“excuse me?”, you cut him

“you heard her mingyu”, seungcheol directs your words to him. and just then seokmin and jeonghan enter.

“here’s the auction invitation, keep it safe”, he says, handing it to mingyu.

“here’s how the painting looks. it’s called the great fields done by the 18th-century artist lily lee. it’s been hidden away from the public eye for twenty eyes and it’s supposed to be one of her best paintings. it’s worth billions from what i know”, seokmin explains as he shows us a picture of the painting. it was pretty indeed but it was weird why it had been hidden away for so long.

“i already have someone working on the knock-off for the painting”, he adds.

“it better be a damn good knock-off”, seungcheol warns, raising his eyebrows.

“it will be. the guy i asked will get it down to every detail and even mimic each brushstroke. the historians wouldn’t even be able to tell a difference”, seokmin assures.

“good. now y/n, i have a small task for you, it would be great if you can complete it by tonight. it’s for a high-priority client and i’ll pay you extra”, seungcheol says.

“sure, what do i need to do?”

and that’s how you were now on the balcony of a 7th-floor apartment, trying to break in by unlocking the window. the guy you had to kill was a traitor. he took money from innocent people and then threatened them. he was getting in the way of business for the client so he had to go…forever. you opened the window and jumped in, landing soundlessly on your feet as you crouched down, scanning the room. you didn’t like to drag things out so you were going to make this quick.

you hear the hiss of a shallow breath and you quickly realize you’re not alone. someone else is here. you turn around and hide in the corner, peeking out and that’s when a man comes lunging at you with a knife. you dodge and grab his arm, twisting it as you push him against the wall, the knife falling from his hands as you bang his head against the wall. he grunts in pain and falls to the floor and you quickly move to locate the target, who’s heard all the commotion and is coming downstairs. he sees you and his eyes widen as he turns around and starts to run back upstairs. you run after him, placing your foot in the door before he can close and lock it. you push the door with all your strength, willing it to open and he stumbles backward. you waste no time in getting out your gun and shooting him in the chest. the silencer on your gun made sure no sound was heard as he fell to the ground with a thud, clutching his chest and gasping for air as blood oozed out of the wound, staining the wooden floor crimson red.

but just then, something hits you on the back of your head with a sudden force and you clutch your head in pain, falling to your knees as you try to look up. you grit your teeth and get up, dodging the other attack but your head is still ringing from the hit. you see how the man grabs the near-empty wine bottle and smashes it against the wall, creating a sharp glass shard, almost like a dagger. you get up as he attacks, swiftly trying to move out of the way. unfortunately, you end up tripping on the carpet that folded over and you miss the way his other hand lunges out, and the sharp glass shard pierces into your skin, just over your waist as it drags along your lower abdomen, digging into your flesh. you hiss in pain and raise your gun, aiming at his leg as you shoot him and he yells out in pain and falls down. after you torture him a little and find intel on him and who sent him before putting a bullet straight through his head.

fifteen minutes later, you kick his body, adjusting the position and plant information in the room and his phone to look like this was done by his employees who were tired of his threats and doing all the dirty work for him. you climb out the window and use the window ledges to climb down. you discard your coat in your bag and cover yourself with another coat, adjusting your outfit before walking out of the alleyway and onto the sidewalk. you walk straight ahead, not looking back. the dull pain of the stab starting to sting as you walk as you clutch your coat tightly around you.

you reach back home, ignoring mingyu in the kitchen as you go straight to your room, the door slamming unintentionally behind you.

“y/n?”, mingyu calls out. you ignore him and go to the bathroom and locking the door, sitting down against the bathtub as you lift your shirt up to access the wound. it was a deep cut no doubt, thankfully no vital organs had been hit. you don’t know if you should say that you were lucky or if the bastard just had terrible aim. but the cut was messy and well bloody.

“are you ignoring me now?”, you hear mingyu shout out. he knocks on the bathroom door.

“y/n what happened?”, he asks, a sudden shift in his tone.

“nothing i’m fine mingyu, i can’t use the bathroom in peace?”, you counter.

“stop lying, i saw the drops of blood trailing to your room. open the door now”, he demands.

you sigh. why did he have to be so aware of his surroundings. talk about occupational hazards.

“i’m fine mingyu, stop overreacting”, you say, not hearing a reply, thinking he must’ve left.

after a minute, you hear the door lock rattle and unlock, mingyu pushing the door open and once his eyes land on you they darken.

“what the fuck, mingyu? i could have been naked, you can’t just barge in like that”, you say, annoyed and shocked.

“i can if it’s an emergency and did you forget i have the keys baby, this is my house so my rules”, he counters as he walks over to you and sees you cover the wound with your hand. not that it helps because your hand is all bloody too.

“shit baby, you’re bleeding bad”, he tells, kneeling down so he could match your height so he can acess the wound, seeing the blood ooze out from the side of your palm as you pressed against the cut, trying to put some pressure on it.

you glare at him at the mention of that stupid nickname. “i told you not to call me that and i don’t need your help”, you grit out, pushing his hand away when he moves to help you.

“you either take my help like a good girl or you can shut up, your choice sweetheart”, he says, staring you down.

and before you can even protest or say anything, he’s lifting you off the edge of the bathtub and sitting you down on the countertop beside the sink.

“are you deaf? i said i can manage on my own, i don’t need your help mingyu”, you say, trying to move but the movement causes pain to shoot up through your left side, making you let out a soft whimper of pain.

mingyu wastes no time in fetching the medical kit and his hand is already moving to lift you shirt so he can see the wound. you side-eye him as you lift the shirt, bunching it at your ribs.

“you’re so annoying”, you mumble as he assesses the wound.

“you should look at yourself in the mirror”, he says, making you lean back a bit so he could see the cut fully. you hiss in pain when the disinfectant comes in contact with your skin, biting your lip as it burns. this was the one thing you could never get used to.

“ow, just make sure there are no tiny glass pieces”, you mumble and he snaps his head up. “glass?”, he asks and your nod confirms his suspicions. he takes his time, making sure no tiny shards of glass are left as he cleans your wound. you close your eyes as he cleans the cut and wipes away all the blood, but your heavy breathing wasn’t helping, making a little blood seep out every time you took a breath in and out.

“relax baby”, he coos, his hands resting on your thighs as he looks at you, standing between your legs as he discards another piece of bloody cotton to the side.

“i would if you just left me alone”, you snap out.

he rolls his eyes. “you’re so stubborn, it’s infuriating”, he says, leaning closer

“i could say the same thing about you, you’re so fucking irritating”, you answer back.

“i really don’t know why you’re acting like an idiot when i’m trying to help you”

“i never asked for your help did i, mingyu?”

“so what? i’m doing a favor and being nice”

“by helping me when i said i didn’t want your help”, you emphasise, as you move up to sit up straighter, not realizing how close you had ended up getting to him.

“just stay still”, he demands and you don’t bother talking back this time as he cleans up the cut.

“whoever did this, i’ll kill him”, he mutters as he wraps a gauze around your waist to cover the cut.

“already did”, you confirm and wince a little as he tightens the gauze.

“there, you’re all set”, he says once he’s done, looking at you, and he’s still so close. your gaze flickers down to his lips before flickering to the side. maybe a part of you hated him because of how attractive you found him…god. you didn’t want to make things unnecessarily complicated. it was easier to hate him than admit he had an effect on you.

you’re walking back home after just killing someone (yet another side assingment seungcheol put you on) when you notice a car following you from behind. shit. did they place someone to guard the house? you had to think quickly and shake off the tail otherwise things would get complicated. but then the car speeds up and honks, the window opening, and to your horror, it’s mingyu. what the hell was he doing here?

“what are you doing here?”, you nearly shout. “were you stalking me?” 

“i’ll explain later, but get in”, mingyu says.

“i can get home myself thank you. i need to stop by somewhere too”, you say, which was a lie. you just didn’t want to listen to him given you weren’t playing house right now.

“it’s going to rain”, he adds, as you start walking and he follows you with the car.

“it’s not going to rain mingyu”, you say, walking ahead, ignoring him.

and not even a minute later, you feel the first few drops of rain fall on you. dammit.

“see, i told you it was going to rain”, he says.

“i have an umbrella, i’ll manage, just go”, you tell, annoyed that he was right.

you pretend to look in your bag because, of course, you don’t have a fucking umbrella. the rain starts to pour down heavier and if you don’t make a choice now, you were going to get drenched.

“i know you don’t have an umbrella, y/n, so stop being stubborn and get in the fucking car”, he yells louder, getting impatient.

you stop and look at him. “did you just yell at me?”, you ask, narrowing your eyes at him.

he rolls his eyes and sighs. “you’re so stubborn god, what are you going to lose by getting in the damn car. you’re already getting soaked,” he adds.

“ask me nicely”, is all you say as you stare back at him, challenging him.

“y/n get in the car because it’s raining”, he says giving you a fake smile too.

“you didn’t say please”, you add and he sighs, gripping the steering wheel harder.

“y/n please get in the car”, he repeats and you shoot him a small satisfied smile as you open the door and get in the car.

“okay now care to explain why you were following me?”, you tell.

“care to explain why you’re so damn stubborn?”, he counters.

“i am not stubborn, stop being an ass and just tell me why you were following me”, you say.

“i’m the ass? like you weren’t acting like one by not getting in the car”, he says making you scoff.

“fuck you, mingyu”, you sneer, looking out the window as the rain poured harder. the rest of the car ride is silent but you’re glad. if you had to talk to him for another minute right now you’d end up strangling him on the spot.

the rest of the few weeks goes by with you going to a few more events to socialize and familiarize yourselves with the environment, the people and also gather valuable information and intel. mingyu and you seem to play the husband-wife role pretty convincingly. you both come back home late that night but you barely manage to sleep. since you were up early, you decide to hit the gym. one of the perks of this house was that it had a fully equipped gym room, courtesy of mingyu of course. 

when you enter the room, you quickly realise you’re not alone and mingyu was there too. great. you were almost going to exit but you catch yourself. you didn’t do anything wrong, so why run? you walk in to see mingyu doing some pull-ups. his back was to you but you’re sure he noticed your presence - of course he did. you watch as he does a few more pull-ups, the muscles on his back and arms flexing with each move.

“stop ogling me”, mingyu’s voice floats in the room, breaking the silence.

“im not ogling you, gross”, you scoff, disgusted. “i thought seungcheol told you to stop walking around shirtless”, you add, giving him a look.

“relax, baby, i’ll put on a shirt later, i know you’re enjoying the view”, he smiles back as he jumps down and turns to face you. asshole.

“yeah, right”

“you were literally ogling me right now”, he deadpans.

“I WAS NOT! stop calling it that. i was just assessing where i need to strike first in order to kill you, you know, for research purposes”, you snap back, only for him to smirk back at you.

“yeah? i’ll choose to believe that little lie for now but i’d like to see you try”, he provokes, walking closer to you.

“oh yeah? i’d love to. the moment this operation is done, i’ll be coming for you, so you better watch your back”, you tell, playing along as you cross your arms across your chest.

“hm, whatever you say, baby”, he says, stepping closer until he’s towering over you. you look up at him and stare back. not that pet name again. you told him countless times not to call you that, it was infuriating, but he just didn’t get it, did he? he needed to be taught a lesson. in a blink of an eye, you grab your knife which you kept concealed and grab mingyu’s arm, swinging him so his back hits the wall with a thud, the cold metal of the knife to his neck.

“if you call me baby one more time, i swear i will actually strangle and kill you”, you threaten, staring right up at mingyu. mingyu’s surprised and amused. it would be a lie to say he didn’t find you hot right now.

“always carry a knife around with you?”, he prompts, raising his eyebrow.

you smile, leaning closer to him as you whisper in his ear. “it’s my favorite one, it’ll slice your neck and you wouldn’t even know it until you’re choking and gasping on the floor”, you tell.

“yeah, baby? i can’t wait to see you try”, he whispers back, his hands grabbing your waist, spinning you, his other hand reaching up to hold both your hands up by the wrist, pinning you to the wall. you try to move but his grip was solid.

“so, how are you going to kill me now?”, he mocks, pushing you against the wall, his body pressing against yours. he looks at you, his nose almost brushing against yours.

“i could maybe snap your neck right now or still slice your neck, your choice”, you say, blinking up at him innocently.

“yeah? care to show me how?”, and so you do, bringing your leg up to knee him in the shin, swiftly wrapping your arm around his shoulder as you kick his feet, making him lose his balance. you push him down and knock him to the ground and he falls on his back. he’s lucky he lands on the foam mattress that was on the side and you waste no time in bending down and straddling him, holding your knife to his neck, and adding a little pressure this time for fun.

“any last words?”, you ask and he just smiles up at you.

“i’ll spare you for now because we have a mission to complete”, you add, getting up as you push off him but he grabs you, flipping you over in the blink of an eye so that he’s hovering over you now.

“i take it you want me to stab you anyway?”, you ask, the knife still strong in your grip.

“why do you hate me so much?”, he asks, looking down at you, his body caging yours.

“you really want to know?”,

“im so curious”, he tells lowly. 

“because you’re so fucking cocky about everything and too full of yourself”, you tell, looking up at him. “and you’re an idiot who only thinks he’s handsome and just everything about you is infuriating”, you spit.

“really? i think you forgot to add the part where you have a small crush on me?”, he adds with a smirk and you’ve had enough. you place your hands on his chest and push him off you, sitting up.

“that’s the biggest lie i’ve ever heard”, you say.

“i just know it baby…oops i mean, y/n”, he says, getting up to fetch his bottle of water as he walks to the side.

“but you did just call me handsome”, he points out as he takes a sip of water.

“i did not”, you grit out. “and i do not have a crush on you. if you were the last man on earth i would gladly die single”, you grit out.

“lies, you spew such lies, y/n”, he says, laughing.

the next morning you see mingyu in the kitchen and he smiles, fucking smiles at you.

“i was expecting you to sneak into my room last night and-“ “slit your throat? oh yeah i was so tempted but i thought that would be too painful”, you tell innocently.

“or you’re just scared to do it”, he says.

“i think you forget i’m a trained assassin. i know more than 20 ways to kill a man so you should be careful. you should start by hoping i didn’t poison the coffee you’re drinking right now”, you say before turning and walking away.

you hear him chuckle but it fades away after a few seconds. “wait…you didn’t really spike my coffee right…y/n…”, mingyu asks and you smirk to yourself, not giving him an answer as you make your way back to your room. 1 for y/n, 0 for mingyu.

things are starting to get serious now. it’s two days before the big event and you have a meeting at the safehouse with seungcheol, dokyeom, dino and vernon, who are all going to help you in pulling this off by working behind the scenes. seokmin told you that he’ll get you the knock-off painting in a van that evening and dino would help assist you while vernon be there to hack the security systems and cameras when needed.

the plan was that you’d leave to the auction and watch around. you’d have to make a few bids too, so you’d blend in and seungcheol had given you the money so you were free to bid on anything you liked. then there was a 45-minute break between and it was in that break that you had to steal the painting without getting caught. dino would be waiting down in a van, pretending he was a driver and he’d take off with the painting. the only thing left was pulling this off. with the level of security that this event was going to have, you needed to do everything right to pull this off. you were excited.

it's finally d-day. you’re getting ready in your room, due to leave in 15 minutes. you spent the entire day figuring out what to wear. it was a posh event, so you had to wear something pretty, something that would make heads turn, something that would make me look like you fit in there - something exquisite. you decided to go buy a dress earlier because you didn’t have anything fancy to wear with you, since you’d left most of those types of dresses back home, only bringing essentials along when you moved in with mingyu for the time being. you ended up buying a pretty sweet and head turning dress, something fancy in your favourite color too. it was a maroon, satin dress, which went all the way down to the floor. there was a slit for the leg that stopped just short of your thigh. the highlight of the dress was the back – it was backless, with a criss-cross strap that had to be tied. the only problem, you couldn’t seem to reach back to tie it tight enough that it wouldn't unravel during the night. 

you wore your heels - white glitter ones to contrast the red dress. you checked your makeup in the mirror one last time and tried to tie the strings on your back again but you couldn’t seem to get the crisscross pattern right and you were struggling to tie it up. just then you hear a knock on your door.

“y/n are you ready? we have to leave in five minutes”, mingyu says from outside.

“okay!”

and five minutes later, you’ve given up, groaning as you bring your arms down, knocking your arm on the table in the process. “ouch”, you say in frustration and mingyu knocks on your door again.

“y/n? are you okay?”, he asks again, opening the door slightly. you get up to open the door and mingyu looks at you. you watch as his eyes rake all over your body as checks you out. you stare back at his face and he’s still staring at you, his eyes moving over every part of your body. you ask him something but he doesn’t reply, still staring, devouring you with his eyes as he takes you in. 

“finished eye fucking me?”, you ask, annoyed, bringing his attention back to you. he looks at you and smirks. “i wasn’t done but i can continue later”, he teases.

“whatever, can you help me tie my dress in the back? i just can’t seem to reach it”, you ask him and he stands up straighter and you realize this wasn’t the sort of question or help he was expecting you to ask.

“sure”, is all he says and you turn around, holding your hair up so mingyu could tie your dress.

“you have to crisscross it and then tie it”, you explain, looking at his reflection in the mirror in front of you.

as he ties your dress, his fingers rub your bare back occasionally, sending sparks all over you body. he pulls back the threads to make them tight. you watch from the mirror as he tries his best to carefully tie it. he looked…so fucking good tonight. the suit was tailor made for him, making him look crisp and sharp. you’d have to painfully admit that he did indeed look hot tonight but you catch yourself and swat those thoughts and any other intruding thoughts away immediately. you’re about to move a bit forward when he pulls back again, securing the knot, and then his eyes find yours in the mirror reflection.

“you look gorgeous”, he whispers against your ear, making a shiver run down your spine.

“i know, thanks for the confirmation though”, you say, not willing to be swayed by his comment and how much he seemed to be affecting you right now.

“let’s go steal a painting”, you say with a smirk.

you drive to the event, and somehow mingyu managed to snag a limo to the event. don’t ask how, it was probably seungcheol’s doing but now you’re driving there. you put your in-ears on for further communication with mingyu and the others on the mission. woozi had designed it so it look like an ear cuff, making it look less suspicious on you. mingyu’s was transparent in the front, so it blended in.

“relax”, mingyu says after a few minutes of silence in the car as he sits opposite you.

“i am relaxed”

“you look tense”

“i’ve stolen plenty of stuff before so this is a piece of cake”, you tell.

“we got this”, he assures.

you reach the venue and get down, mingyu offering you his hand as you step out of the car. you take it and you automatically wrap your arm around his as you both walk in together. you stand behind a few people, all waiting to move inside and everyone is holding the same invitation you are holding. when it’s finally your turn, mingyu shows the person your invites and after scanning it for a few seconds he hands it back to us, telling us to enjoy our time here. you’re handed a number picket from the counter the moment you enter, for you to make bids.

the auction starts in an hour since people are still coming. most of the vvip and vip guests coming later for security reasons. you walk to the hall and scan the crowd for anyone you know or can recognize. mingyu does too. you agree to split up and scan the hall so it would be faster, mingyu going left while you go right. after you’ve confirmed who’s coming and who’s yet to come, cross checking with the guest list that you’ve memorized that jeonghan managed to get his hands on. there were still a few guests and vips left to arrive. all the vvips or vips who did arrive were on the other side of the hall, with higher security. jihyo hadn’t arrived yet and you couldn't see anyone from soyeon’s team either. but you did spot hwasa; she had multiple businesses and was a trendsetter. anything she touched, ate or wore was sold out, she was that good, and everyone loved her. it was going to be interesting to see what she bids for here.

after gathering all the information you needed, you’re turning around when a man bumps into you. 

“oh, im so sorry”, he says, turning around.

“it’s no problem”, you say, putting your hand up. he looks at you again, shamelessly checking you out and you roll your eyes as you turn to walk away again, but he grabs your hand.

“wait, i don’t think i’ve seen you around, are you new here?”, he asks, hopeful, but you had no interest in entertaining him.

“yeah, i just moved here”, you say, quickly, pulling you hand out of his grip. “i have to go”, you add.

“see you at the auction? which number are you, i’ll try to sit at your table”, he asks, getting desperate.

“that’s all right, im fine”, you say again, trying your best to be nice. 

“come on, don’t be shy”, he adds with a chuckle. “girls are usually falling all over me”, he adds, maybe not liking how you were not falling for his tricks.

“can’t let beautiful women like yourself be alone at an event like this, can i? which table will you be seated at? i can show you around if you like”, he asks again and now you’re really starting to get irritated. you would have knocked him out by now if this was any other circumstance but you hold back, not wanting to cause a scene or mess anything up.

you’re about to say something when you feel a warm hand encircle your waist and from the smell of the cologne, you already know who it is – mingyu.

“there you are baby, i was looking for you”, he says sweetly, kissing your cheek as he pulls you closer to him. there’s a hint of possessiveness in his voice as he looks at the man who was talking to you.

“who’s this?”, mingyu asks, looking at you, his grip getting tighter around your waist.

“oh i’m sorry i just bumped into her and was apologizing”, the man fills in.

“i see. next time i suggest you watch where you’re going”, mingyu tells, glaring at the guy as he pulls you away, telling you that he wanted you to meet someone.

as you walk, you notice a few heads turn and people look at you but you just ignore it and walk like you belong there. you hear mingyu faintly curse under his breath.

“what?”, you ask

“you shouldn’t have worn that baby, everyone is staring at you”, he grits out lowly, jealousy evident in his voice.

“excuse me? are you sure you’re not the one staring? it doesn’t matter to me, as long as we steal the painting and get the job done”, you say, lifting your dress up slightly as you walk up the stairs to the auction hall.

“that idiot is following us”, he adds, spotting him from his peripheral vision.

“well, that’s annoying, we don’t need him tailing us. should i knock him out and throw him somewhere?”, you ask as you walk, smiling at a few people who welcome us at the top of the stairs.

“i’d have knocked him out myself if i had to but that’s a risky move for now”, he says. we reach the upper floor and mingyu holds your hand as he leads me to the left side of the hall, where there are fewer people. mingyu’s back faces the people as you look ahead.

“is he still looking at us?”, mingyu asks, his back facing the man who was still following you.

 “yeah but what do we-“, you’re cut off by mingyu’s hand tilting your chin as he leans in to kiss you, his lips pressed against yours. he pulls away ever so slightly as he looks at you.

“mingyu-", he kisses you again, this time moving his lips against yours and your move my lips too, kissing him back. he pulls away a few seconds later.

“what are you doing?”, you finish your sentence, shocked.

“now look, he’ll be trying to find a new target to woo”, he tells and you look, seeing the man already talking to another group of women, hoping to find a different date.

“worked like a charm”, he says, with a satisfied smirk. and that’s when the action of what mingyu just did hits you, but you decide not to say anything, not wanting to yell at him or draw any more attention to yourself. you’d give him hell about this later.

the auction is about to begin and you find a table to the front, and sit down. you mentally make a note of where a few other vips are sitting and scan the crowd. you spot jihyo in the front, surrounded by a few bodyguards who are off to the side.

“good evening ladies and gentlemen! welcome to the annual auction hosted by the national museum of culture and arts. we are pleased to have you all here. we will be starting the auction and the rules are simple – the highest bidder wins, so have fun. we would also like to mention that part of the funds collected from the auction will be put aside to aid in cultural growth and in preserving national treasures and artifacts. we will also be partnering with Vision to offer scholarships to five students. your contributions will be deeply appreciated.", the host welcomes and explains.

"and the most anticipated part of the night, the beautiful painting ‘the great fields of sorrow’  by lily lee will be unveiled to the public after 20 years. you do not want to miss this, it is truly a once-in-a-lifetime opportunity and we are so glad you are all here to witness history in the making. now, let us begin”, the host announces, gleefully.

the auction begins and the first few bids go by fast, people bidding left, right, and center. but it’s towards the end that the most valuable artifacts and paintings start coming out. you have your eye on this one painting, you’d seen it in the auction catalog earlier and you were determined to get it. the moment the painting comes up to be bid, you grab the picket from mingyu and raise you hand, making a bid.

“what are you doing?”, mingyu asks.

“bidding?”, you tell like it wasn’t obvious to mingyu right now.

a few more people bid on the painting but you bid again, raising the bid higher and higher each time. but some women keeps bidding along as well and you weren’t going to lose this. you raise you hand, making the bid higher and now it’s just you and the other woman raising hands as you both try to outbid each other.

“what are you doing? drop it”, mingyu says next to you.

“no, that painting’s mine”, you grit out, raising your hand again to raise the bid. anyone could be able to feel the tension in the room right now.

“y/n, we don’t have that much money to spend, are you crazy?”, he asks, turning towards me.

"i don’t care, i want that”, you tell, raising your hand to make another bid, raising the price impossibly high. people who were bored and had no interest in the auction were suddenly watching us carefully, eager to see who would finally win the bid.

the lady falters, wondering if she should raise the bid and no one else raises their hand to make another bid. you smile to yourself.

“going once”, the man says, hoping the lady would change her mind and raise the bid.

“going twice….and sold”, he declares, the wooden hammer hitting the wooden plate and you’re smiling in victory.

“i won”, you tell mingyu.

“yeah and you better be explaining to seungcheol why his assets suddenly depleted” mingyu tells.

“at least seungcheol would let me have it, unlike you, sitting here and complaining, it’s so annoying”, you add, clicking your tongue.

“you’re the annoying one”, he says without missing a beat and you kick his leg from under the table, giving him a fake smile. “shut up and don’t get on my nerves”, you tell through gritted teeth, making a few heads turn. you clear your throat and sip on your champagne, smiling at the few people who turn to look at you.

that was the last bid and the auction had now ended. people start getting up to either grab a drink and talk or to go make arrangements to collect their paintings or artifacts that they just bought. this was indeed a good way you could sneak the real painting out. you quickly intercom with dino and you coordinate with him, vernon listening in too so he’d know which cameras to hack and take down.

“we should go, we have only 45 minutes before the painting is revealed”, you tell, getting up and walking out to the outer hall. there is music playing and someone is singing. the host announces that people can dance if they like and a few people do, couples peppered across the floor as they dance and sway together. you steer right away from the crowd and start moving downstairs when mingyu grabs your hand, blocking your path.

“care to dance?”, he asks.

“no i don’t dance”, you tell but mingyu ignores you and holds your hand as he guides you to the hall where the crowd was, choosing a quiet corner and pulling you closer to him, his hand resting on your waist as his other hand is intertwined in yours.

“mingyu i said i don’t want to dance”, you tell, slightly annoyed.

“i know, but i do”, he says and you find yourself moving closer to him as your rest your other hand on his shoulder, trying not to bump into the person behind you. you both sway to the soft music that plays and mingyu locks eyes with you, a small smile playing on his face and you don't realise how close you've gravitated towards him.

“we’re wasting time, let’s go”, you tell after two minutes.

“a little fun never hurt, you need to learn to let loose a little, sweetheart”, he tells, looking at you and you don’t miss the way his gaze flickers down to your lips.

“but you really should have worn something else”, he whispers near your ear. “i’m starting to get jealous at the way all the other guys are starting at you."

"it's a pretty sweet outfit isn't it”, you say softly and the the corner of his mouth lifts into a faint smile.

“hm let’s go”, he says, pecking your cheek as he intertwines his hand in yours. you walk down together and walk towards the restrooms. when the path looks clear, you take a detour to the staff room, which would give you access to the basement and other private areas of the building. jeonghan had given you copies of the access key too, so you could now slip into any room you liked without having to break any alarms.

you’d already memorized the layout of the room and knew exactly where the safe room would be located.

“you brought a gun right?”, you ask.

“what do you think baby, of course, i did”, he answers raising his brow. it was hidden using a chip that emitted waves and would not be picked up by any electronic scanner, which is how it got sneaked in successfully. another one of woozi’s genius creations. you reach the safe room but there were two guards up ahead.

“vernon, can you hack the walkie-talkies? tell the guards to move to the upper level”, you ask.

“on it”, vernon responds immediately and in two minutes the guards start walking away and turning around the corner.

you run up and unlock the door using the key card, opening the door and quickly shutting it behind you. you unlock another door and finally head inside the safe room, where the painting and other treasures were stored.

the painting is easy to find, it’s kept in a bulletproof glass box but that’s when you realise something is wrong.

the painting is bigger. it’s not the same size seokmin had told you. you panic because this would now hold you back and you had to think on your feet to figure something out quickly.

“what the fuck?”, you tell. “how are we supposed to discreetly steal this huge painting?”, you almost yell at mingyu who’s looking at you, confused as well.

“i don’t know, we just take it and walk out”,

“and let everyone know we stole it, mingyu? that’s just genius. why don’t we just announce it to the whole world then”, you yell back, annoyed.

“i thought seokmin told us it was going to be smaller? this isn’t the same size he mentioned”, you tell, running a hand through your hair.

“i think he forgot to add one digit in the dimensions”, mingyu tells and you mentally face-palm yourself.

“so now what do you want me to do?”

“i don’t know just take it and we place the decoy and leave”

“the decoy isn’t even the same fucking size mingyu”, you yell, getting impatient.

“fuck”, he curses under his breath. “let’s just take the painting and go”,

“how do i just take it, mingyu? do you want me to shove this painting up my ass and leave? how the hell are we going to walk out with it? didn’t you tell dino was waiting down in the van? how can we possibly walk with this huge painting all the way to the basement and give it to dino without anyone seeing us and not put the knock-off.”, you tell, getting more and more impatient with each passing second.

“jesus, y/n im trying to figure it out so please calm down”, mingyu snaps back.

“is everything okay?”, vernon’s voice fills your ear.

“wait guys, seokmin just told me that he has the proper decoy size in the van downstairs”, vernon tells after a few minutes of silence.

“wait what do you mean?”, you ask.

“he just told me saying he put the correct decoy painting size in the van, and that he realized he’d messed up the dimensions and got it remade. he said his printer had ran out of ink and missed printing one digit”, vernon explains calmly.

“then send it in, we have like 20 minutes before the painting gets showcased!”, you yell at vernon.

“dino’s on his way with it, just hold on”, vernon assures, going back to intercom with dino.

meanwhile, you and mingyu try to figure out how to unlock the box. the box had a passcode and three wrong tries and it would alarm the security, so you had to be careful. woozi had given you a decoder which mingyu had hidden outside and you grabbed on the way to the safe room. mingyu attaches the decoder and you watch as the numbers scramble, trying to decode the pin and unlock the box.

“what’s taking so long”, you groan, clicking your tongue.

“y/n calm down. we’re fine”, mingyu says as he locks eyes with you.

“if seokmin hadn’t realized we’d have been fucked over big time mingyu, do you understand? we could have gotten caught. do you understand how big of a fucking problem that could have been? and you’re acting all high and mighty asking me to just take this painting and go like it won’t be so fucking obvious that it’s not the same painting. and dino needs to hurry up because there are only ten minutes left, and we need to take this and transport it all before they come in to take the painting out to display, so we’re short on-", you’re cut off by mingyu’s hands cupping your cheek as you feel his soft lips on yours, again.

“you really need to shut up sometimes”, he mumbles against your lips. maybe it was because you were in the heat of the moment, but you kiss mingyu back, grabbing him by his tie to pull him closer, closing the gap between you both.

“guys?”, vernon’s voice fills my ear through the in the ear but you both ignore him. “dino’s almost there”, he adds but none of you bother to reply, too busy kissing each other.

the safe door opens and closes in silence and dino steps into the room. (it had a anti slam and quiet door so it would be discreet and safe) 

“i hope i’m not interrupting something?”, dino asks, making you break away from the kiss and the look on dino’s face is mischievous.

“n-no"." shit.

"did you get the proper knock off? hurry up we have to be out of here in ten minutes”, you tell, pushing mingyu off you and walking up to the box, which had successfully unlocked.

dino handles the real painting carefully, wearing a pair of cloth gloves before taking out the painting from the box with care and placing it on the wearable rack, and replacing it with the knockoff that he streathly managed to bring here; courtesy to vernon for hacking the camera footage and security walkie talkies. if you were asked to play spot the difference between the real painting and the fake one, you wouldn’t have been able to guess shit, the fake one was just that good. dino quickly covers the real painting in a satin white cloth and you quickly walk out. dino disguised as one of the staff and security members, so it would look like he was just taking the painting you had just bought to your car so you could take it home. thankfully the painting you bid on and bought was around the same size too and you bring it along as you leave. no one gives you any suspicious looks as you leave and you walk out with confidence, your arms locked in mingyu's as you both walk together.

you make it back up to the upper level and back to the hall before you take the elevator to the basement. dino loads the painting into the van and he and vernon take off. mingyu and you bounce as well, getting in the limo and telling your driver to take you back home, making the excuse that you weren't feeling to well when someone approached you, asking why you weren’t staying back to see the painting that was going to be revealed shortly.

as soon as you get in the car, you kick off your heels, relief flooding through your feet as you sit. you let out a big sigh and take the chance to open the bottle of champagne that’s in the car, pouring yourself a glass and mingyu one too, offering him the glass.

“to successfully stealing a painting”, you say, raising the glass to make a toast and he smiles. you down the glass in one shot, the adrenaline still pumping in your veins. placing the glass down, you look at mingyu, who’s still watching you. 

“what?”, you ask mingyu, who looking at you like he wants something.

“nothing, you’re just…gorgeous”, he says.

“you flatter me too much, mingyu”, you say, getting up to move, picking up your dress slightly as you move to sit on his lap, straddling him. his hands find your waist immediately, pulling you closer against him as your hands rest on his shoulders. his hand cups your cheek as he leans forward to kiss you, moving his lips against yours, slow and long, kissing you like he’s been craving this all along. he deepens the kiss, biting your lower lip teasingly, making you let out a soft moan, your mind too fuzzy to care about what you were doing right now.

“fuck, you’ve been wanting this, haven’t you?”, he groans, kissing your jawline.

“i know you wore this dress on purpose baby, to rile me up”, he says and you kiss him in response and he kisses you back, this time with more vigor and passion.

“maybe”, is all you can say as mingyu’s lips are on yours again.

“i’ve been dreaming about this for so long, to kiss you, to have you”, he groans as he kisses your neck, your eyes fluttering shut at the sensation. your hands busy themselves with loosening his tie and undoing the first few buttons of his shirt.

“look at you, i thought you hated me baby”, he mumbles against your neck.

“i still do”, you tell, your voice coming out breathy and soft as he leaves a trail of kisses along your collarbone, his hands roaming your body, his touch sending shivers and sparks throughout your body.

“what if dino tells on us”, you realise, whispering softly as he continues to leave soft kisses on your neck. 

“you’re worried about that baby? worried he’ll run his mouth and tell everyone you were kissing me? the person you claimed you hated?”, he teases, pressing a kiss to the corner of my mouth.

he kisses you again, trailing more kisses to your jawline before his hand reaches over to cup your cheek as he pulls you in, capturing your lips with his again, making butterflies erupt in your stomach. you kiss him back, and somehow you couldn’t seem to get enough, getting dizzy on how he feels and tastes. he was driving you crazy. he pulls you closer against him, his grip on your waist tightening with each kiss and you start to lose track of how long you’ve been at it, making out. thank god for the partition between the driver and you was tinted. the car finally comes to a halt in and mingyu breaks away. “we’re home”.

and just like that, mingyu guides you home and wastes no time in kissing you again once you’re behind closed doors, guiding you to his room while he never breaks away, kissing you breathlessly.

the next morning, you wake up tangled in mingyu’s arms and the events of last night come crashing onto you. you turn around to face mingyu and he lazily pulls you closer to him, nuzzling his face in the crook of your neck.

“go back to sleep”, he mumbles and you push away a few stray hairs from his face.

“you’re so lazy”, you say, as you move to get out of his arms, but he tightens his grip, not letting you leave.

“don’t make me slit your throat mingyu, let me go”. you say teasingly, poking his arm and he finally loosens up. just then the doorbell rings. you get up and take a peek, seeing seungkwan standing outside. you open the door but the expression on his face tells you that something is wrong.

“what’s wrong?”, you ask, as he steps in.

“dino- he- the painting…dino is…”, seungkwans stutters out, making no sense.

“what happened?” you ask again, putting your hands on seungkwan’s shoulders to try and calm him down.

“dino, he got intercepted by another gang and they’re holding the painting and dino hostage”, seungkwan spills out.

fuck.

after hearing that you waste no time in going back to the safe house with mingyu.

“how’d they contact you? how did they know we were going to be there”, you ask seungcheol. with him are joshua, vernon, seokmin, and hoshi.

“we’re not sure”, seokmin says.

“but what i’m sure of is either they had a tail on you or you told them our location”, seungcheol says, looking at you straight in the eye.

“what the fuck are you implying?”, mingyu defends immediately.

“no i would never do that seungcheol and you know that”, you tell, staring him down.

“how can you even say that”, mingyu adds.

“because they want you in exchange for returning the painting and dino back safely y/n”, seungcheol tells and you pause, trying to process what he just said.

“what?”, is all you can say after a few seconds of silence.

“that’s what they negotiated with seungkwan”, seungcheol tells. “and if you two had responded to vernon then we could have maybe sorted this out earlier. there was no response from the both of you after last night”, seungcheol adds, looking between you and mingyu. you gulp, hoping he can’t possibly guess what you and mingyu were up to last night.

“here are the terms of negotiation”, seungkwan adds, sliding over a piece of paper to you.

if you want to get back your precious painting and friend, do the following. tell anyone or try to pull anything funny, otherwise the only thing you’ll be getting in return is your friend’s dead limp body and a police raid. so, follow the instructions carefully

1)    we want the girl in exchange for the painting and your friend

2)    come to the abandoned warehouse by the paddy fields tonight at 8:00pm

3)    the girl comes alone and that’s it. once she comes, we’ll have the painting and your friend released.

4)    no guns, or weapons, and don’t try or even think to act smart in any way unless you want to be responsible for your friend’s death.

the letter was signed off with a stamp of the gang seal, which you faintly recognized for some reason.

“i’ll go”, is all you say because it doesn’t look like you have any other option right now. you didn’t care about the painting but you did care about dino and you had to make sure he’d come back safe.

“there’s no way in hell she’s going alone”, mingyu interjects, cleary upset.

“mingyu, stop it”, you yell at him. who was he to tell you what to do?

“mingyu stop putting your emotions into the mission, we have a problem, and i’m going to deal with it accordingly, or else im putting you out”, seungcheol says.

“what is wrong with you? you’re just going to let them have y/n?”, mingyu asks, getting up, frustrated, running a hard through his already messy hair.

after a few more arguments, things start getting heated between seungcheol and mingyu, seokmin pulls him away from the room and you manage to finish the rest of the conversation with seungcheol. back home, mingyu’s still tense and he hits the gym to try and take off some of his anger and frustration.

you don’t know why he was acting like this to be honest. you could manage perfectly well on your own, it wasn’t like you were going to die or anything. he seemed to be making a big deal about this and it was getting on your nerves. you’re in your room and you can hear the sound and impact of mingyu’s punches on the boxing bag through the walls. what the fuck was he so worked up for? you try ignore the sound and get back to getting ready for tonight.

you know they said no weapons but you weren’t going to go in blind. your pants had a secret pocket where you could hide my small knife easily and it was undetectable. you decide to carry a few more, concealing them in secret pockets so no one would even know. you had everything planned and you weren't going to let the person who took dino off so easily. just then you hear mingyu’s footsteps as he leans against the doorframe with his arms crossed over his chest. you ignore him, getting up and checking the time. you had to leave in five minutes if you were going to make it there in time. you look at mingyu’s who’s studying you closely.

“what mingyu? stop staring it’s annoying”, you tell, breaking the silence, walking towards the door so you can leave, but he blocks your path.

“you’re not fucking going anywhere y/n”, he grits out.

“what the fuck? who are you to tell me what to do? i know what i’m doing okay and you need to chill out”, you say, trying to push past him but he doesn’t let you.

“mingyu move, im getting late”, you say in a stern voice.

“i’m coming with you then”, he hisses, grabbing you as he pushes you against the wall.

“no you’re fucking not, stay out of this mingyu, it’s none of your business”

“it is because it involves you”, he says, without missing a beat, leaning closer.

“mingyu, don’t let what happened last night make you all soft for me okay, whatever happened just happened. don’t try to use that to determine what our relationship is now”, you say, trying to sound stern but your voice falters a bit when his hands dig into your waist tighter. he crashes his lips into yours, and the kiss is hot and heavy and angry. your lips move on their own, kissing him back, grabbing his arms for support.

“just promise me you’ll come back to me…alive”, mingyu mumbles against your lips.

“are you doubting me?", you scoff but he ignores the threat.

“and the first thing you’re going to do when you come back and see me is that you’re going to kiss me”, he demands.

“that’s so cheesy and cliché”, you tell, rolling your eyes.

“i’m not taking no for an answer”

“fine oh my god, you’re so stupid”, you mumble, kissing him one last time as he lets you go.

you reach the abandoned warehouse on time, with two minutes to spare. you look around but see no one around, the place dark and deserted. you decide to wait and stand outside to see if anyone shows up. after two minutes of waiting, you hear a rustle in the grass, standing alert, only to see a stray dog appear, but it had something in its mouth. the dog drops the things it was holding in front of your and runs off without warning. you carefully bend down to pick up the things, seeing a piece of paper and a black face cover that was meant to cover you entire face.

put on the mask on and be a good girl and wait

you crush the paper and scan your surroundings one more time before putting the mask on. after a few seconds, you realize the mask is laced with something, something strong and it’s too late because you’re already getting dizzy. your hand slips down as you fail to remove the mask and your knees give in as you fall to the ground, unconscious.

you wake up with the mask still over your head and groan, shaking your head, trying to get rid of the dizziness that’s was still lingering.

“she’s awake”, you hear someone say, immediately getting alert. 

“call boss”, another voice adds.

you try to move but your hands are bound together tightly with a rope that’s painfully cutting into your wrists. you can faintly make out the light in the room, it must have been dimly lit. you hear a door open and footsteps, as they come closer to you and suddenly, the mask over your face is harshly yanked out. you close your eyes shut at the sudden intrusion of light and look around, trying to gather your surroundings as your eyes adjust to the light. you manage to look up, seeing a figure looming over you. 

“hi there pretty girl, remember me?”, he asks menacingly. you blink your eyes as you scan his face, trying to remember who but you don’t.

“who the fuck are you?”, you lash out.

he clicks his tongue in response. “i’m disappointed, i thought you’d remember me after what you did, that’s a shame. but no worries, we still have time”, he says, one of his men dragging a chair and he takes a seat in front of you, leaning forward to get a better look at you, at your state.

“look at you. you’re supposed to be highly skilled right? but here you are, tied up for me to play with. i’m excited”, he tells laughing, a grin forming on his face.

“fuck off, where’s dino”, you spit out and you see the flash of anger that courses through him.

he grabs your face harshly, making you look at him, his hand gripping your jaw.

“behave or else i’ll get angry and slice up your friend. you don’t want that do you?”, he warns, putting pressure on your jaw as he squeezes your cheeks tighter. you squirm in his grip and he finally lets you go, your head hitting the wall in the process.

“where is he?”, you ask again, breathing hard. “i kept up my end of the deal”, you grit out.

“oh i will tell you where he is, but i just want to have a little fun with you before that happens”, he says, a glint in his eyes. he gets up and walks away, saying something to the other men in the room which you don’t quite catch.

that night, you’re alone, only with one guy, whom you assume was supposed to keep an eye on you. you try wriggle out of the rope, and even though it burns, you brush the pain away as the rope digs into your wrist. you smile to yourself once your wrists are free. people really had to learn how to tie secure knots really. you stealthily get up while the guard is pathetically snoring. you roll your eyes and get up, stretching and grabbing a stone from the floor as you walk towards him. he opens his eyes just as you stand in front of him and he doesn’t get the chance to speak as you crash the stone into his skull and he falls to the ground, unconscious. you knocked him hard enough to knock him out but not kill him. you’re eyes have been trained to see in the dark and you make your way across the room, putting your ear to the door to hear for any voices or signs of life. your hands encloses on the doorknob and you slowly turn it, opening it and peeking out. the coast is clear and you step out and, your footsteps silent as you make your way to the end of the hall. the place abandoned so debris and dust was everywhere. after a few steps you faint voices coming towards you and you still against the wall, peeking your ear out to pick up on the conversation.

“how much do you think seungcheol would pay to have her back? i think he’s her most valuable asset”, the voice says, which you recognise as the boss’s voice. “hm let’s see if he wants the painting or her”, another voice chimes in and you furrow your brows. first of all you didn’t need seungcheol protecting you and secondly you were getting pissed at these thugs. you move your foot and knock into something on the floor. 

“what was that?”, you hear the voice ask. you mentally curse and get ready to strike, coming out of the shadows and landing a kick right in the chest of one of the thugs. he falls to the ground with a grunt and loud thud. 

“oh my, i see you seem to have escaped”, the boss man tells, looking at you, chuckling. 

“where’s dino”, you ask, gripping the broken pipe you picked up on your way.

“I think it would be wise to drop that and not do anything stupid, unless you want your friend chopped up in pieces, i’ll glady do it and you know it”, he says, raisng a brow at you. 

you study his face and you can tell he would. you’d dealt with enough people in the years you’d taken up this job to be able to read people like a book and this guy was not fooling around when he said he would indeed chop up dino. you grit your teeth as you drop the pipe and it rattles as it hits the ground, echoing in the empty hallway.

“good girl”, he tells condescendingly, smirking, satisfied. “now let’s get you back”, he adds, and this time you’re cuffed in chains, but you’d figure a way to get out. 

two days go by and this boss guy is nowhere to be seen. you can tell he’s trying to weaken you by starving you but you could handle this. you’ve been through worse honestly. it’s the third night now and you’re getting impatient and a little tired of this waiting game.

“where the hell is your boss? did i scare him off? ask him to come here right now”, you demand

“he’s busy”, the guard tells, not even bothering to look at you, dismissing you completely.

“busy doing what? chickening out? tell him to come here right now”, you yell and probably because you kept belittling his ‘boss’, you hear him send another man to give the message. and sure enough, a few hours later the boss man comes walking in.

“i hear you were causing a ruckus”, he tells.

“where’s dino”, you demand.

“don’t worry about him. i’d worry about you because”, he says, getting down on one knee to come at eye level with me. “i’m going to take my time killing you slowly”, he says.

“yeah i’d rather enjoy killing you first”, you say.

“you really don’t recognize me, do you? stupid girl”, he spits out.

“uncuff her”, he says, getting up.

“boss but-“

“DO IT”, he shouts, the men cowering and one of them immediately scrambles down to undo the chain on you. as soon as you get free, you leap up, swaying your foot as you kick him down.

“why the fuck should i know who you are”, you say, reaching in your concealed pocket for a knife, but only feeling an empty space instead. there was no knife.

the boss chuckles and looks at you, laughing as he gets up, dusting himself off.

“looking for your precious knives? i thought i said not to bring anything. you thought you could fool me? i think not” he tells, smirking.

“how”, you whisper.

“you’re not the only one who has tricks up their sleeve”, he says in sing song voice, making you narrow your eyes at him.

“i’ve dedicated my whole life to this moment, to seeing you and killing you and you have the audacity to not even remember me”, he sneers, coming closer.

“cloud 9 enterprises, does that name ring a bell?”, he asks, stalking closer to you.

you wrack your brain. cloud 9 enterprises. that name was familiar and that case was famous too. the owner was supposedly making drugs, and disguising them as medication to sell, making people addicted and in plenty of bad ways too. lots of people died, innocent children and adults died because of those drugs he had disguised as a harmless medication. and you remember because you were the one sent to kill him. you look at the man’s face, looking at his features that somehow resemble the man you killed and it hits you.

“you’re his son”, you say.

“bingo”, he says smiling before landing a punch to your gut, making you fall down. “did you know i watched you kill him. i was hiding under his desk as i saw you slit his throat. can you imagine what that does to a child?”, he spits out. “after that day i’ve sworn i would get my revenge and now that i have you, it feels good”, he explains. he kicks you again but you dodge, swinging your leg and tripping him. you kick him again but his men come forward, grabbing you by the arms, holding you back. you thrash in their hold as he gets up. you knee one of the men and get loose but a few more men come forward and hold you down as, pushing you to your knees. he holds his hand out and someone gives him something – a syringe.

“this is a special concoction i made, just for you. i can’t wait to see how long you can last”, he chuckles coming forward and stabbing the syringe in your arm. the stab of the needle is sharp as he pushes the contents of the syringe inside your arm. you thrash even more, angry and they finally let you go. you yell out in frustration and try to land a punch but you miss.

“fuck you, i’ll kill you with my own hands”, you snap out, getting up and looking at him but your vision was playing tricks on you. you shake your head in an attempt to regain yourself and grab a metal stick that was thrown off to the side and jump to hit him, but you miss again. you groan in frustration.

“what did you do”, you shout as you get up, regaining you balance.

“you’ll die a slow painful death, as your organs and body start shutting down. you’ll probably last 36 hours or 48 hours if you manage to pull through”, he tells with a smile, stepping forward and you move to grab his arm, but before you can do anything you feel a sharp piecring pain in your abdomen and he looks at you and smiles as he pushes the knife furthur into you, stabbing you. you whine and yelp as he roughly pulls the knife out.

“how does it feel?”, he asks as you headbut him, not giving up yet. he groans as he pushes you off him, your back hitting the wall as you slump against it. he looks at you angry but chuckles as he looks at your state as he wipes his bloody nose with a cloth. you vaguely hear him say something like “dispose of the body where nobody can find it” and you hear dino’s name too but he’s already out the door.

you try to sit up and stop the bleeding, covering the torn flesh with your palms, and applying pressure to stop the bleeding. you’d managed to tear a part of your long sleeve shirt and use that to tie up the wound, putting the knot tight to somehow slow down the bleeding. you try to move and locate an escape route. there is a window but it’s too high up with no way for you to get to it unless you managed to move the stack of old wooden boxes. but in your state, you don’t think you could.

you don’t know when you fell asleep, it was probably the effect of whatever the drug he had injected you with. you sit awake, pain shooting through your abdomen in the process. the cloth you tied around is now soaked in blood and it’s starting to pool next to you. your hand is heavy as your try to lift it up and tear off your other sleeve to wrap it around the area.

in the far distance, gunshots can be heard and an angry and determined man is making his way into the hideout. “where the hell is she?”, mingyu shouts, the gun digging into the skull of a man who’s on his knees, his hands cuffed behind his back. his henchmen are all knocked out and scattered on the floor.

“she’s probably half dead by now”, he says, smiling, showing no remorse. this riles up mingyu even more and he pulls the man up and smashes him against the wall, his hand closing around his neck.

“what did you do?”, he asks, putting pressure on the man’s neck as dino stands behind him with jun.

he only half laughs as he starts to choke. “go find out yourself”, he mumbles and mingyu throws him to the ground and points his gun at him, shooting him point blank in the head, twice.

“mingyu! seungcheol wanted him alive”, jun rasps out, seeing his limp body.

“he was going to kill him any way i just did him a favor”, mingyu tells, only earning a look of disapproval from jun. “i’ll explain it to him”, mingyu adds.

mingyu searches the entire building, looking for you, until he stumbles across a room that’s been locked from the outside, and something familiar glints in the corner – knives, your knives. mingyu grabs a broken-off stone from the side and uses it to break open the lock, hammering down on it till it breaks. the door swings open and he spots you slumped on the floor in the far corner of the room.

“y/n”, he shouts as he rushes towards you and kneels down in front of you.  “fuck fuck fuck”, he mumbles as he sees the blood pooling on the side.

your body stirs awake again at the familiar scent of cologne and you open your eyes. mingyu? were you hallucinating? was this a side effect of the drug?

“mingyu?”, you ask, not sure if this was real.

“y/n, hey, it’s okay, im here now”, he says hurridely, pulling you onto his lap and you yelp in pain.

“shit sorry, but we need to get you out of here”, he explains.

“what are you doing here?”, you ask stupidly.

“i’m here for you, y/n. you didn’t come back and we got another threat and i knew something was wrong. fuck, i should have come earlier”, he explains.

“w-what about dino?”, you muster out with whatever strength you had.

“he’s here and he’s okay. we have the painting too. the van is down, i just need to get you out”, he says.

he tries to carefully scoop you in his arms but you whimper in pain again.

“i’m sorry but we’re almost there okay”, he assures, carrying you out. the jerks from the way he was running caused pain and you whined as he kept saying we were almost there. you hear dino’s faint voice as he opens the back of the van and mingyu rushes inside, gently laying you down on his lap.

“drive drive go!”, mingyu shouts, getting anxious.

“she’s hurt. badly”, dino adds.

“we should’ve brought wonwoo along, dammit. call him and ask him what to do to stop the bleeding”, mingyu commands.

“he-he injected something in me, some drug. said it would stop my organs and body functions within 36 hours”, you mumble out and mingyu’s face pales.

“how long as it been?”

“i don’t-maybe 24 hours”, you mumblr out, your memory hazy.

“here, wonwoo’s on the line”, dino says, holding out the phone so mingyu can speak on speakerphone.

“wonwoo, she’s bleeding out, she’s already lost a lot of blood, what do i do”, mingyu asks helplessly.

“just apply pressure to the wound and get her here”, he says, stern.

“fuck and he injected something in her, supposed to stop a person’s organs and body functions within 36 hours”, mingyu adds. “you can stop that right”, mingyu asks desperately and the line is silent for a few seconds.

“i don’t know it depends on how long it’s been-“

“24 hours”

“get her here, i’ll see what i can do”, wonwoo says, and the line drops.

he keeps talking to you so you can be conscious but after a ten minutes, you eyes start to close, and your body falters. your head starts to spiral and you get dizzy, seeing two mingyu’s above you.

“why are there two of you”, you ask no one in particular, starting to get delirious.

migyu’s pressure on your wound falters and you shrivel up in pain, the burning pain getting too much.

“it hurts, everything h-hurts”, you cry out softly and mingyu wishes he could do something to help ease the pain.

“i know baby you’re going to be okay, it’s going to be okay”, he says, panic evident in his eyes.

“hey hey y/n, don’t-“ mingyu pleads looking at you.

“mingyu”, dino says but he ignores him.

“y/n look at me”, he pleads, pulling you into him. your grip on his shirt loosens slowly and mingyu notices the way your hand falls down.

“fuck no no no, stay with me baby, i’m right here”, he pleads, almost crying but all you see is black as you lose consciousness.

(you were recovering in mingyu’s house since you couldn’t risk going to the hospital with an unknown drug in your system, it would cause a red siren everywhere and bring unwanted attention)

wonwoo tried his best to help save you but you were still lying unconscious after ten days. most of the drug had been flushed out of your system but it was taking some time for your body to recover from its effects.

“go get some rest mingyu”, wonwoo says as he walks in, seeing mingyu beside your bed.

“i need to be here when she wakes up”, mingyu says, his eyes red and his face tired from the lack of sleep.

“she’ll wake up, right?”, he asks for the tenth time today, hope reflecting in his tired eyes.

“i can’t make promises like that mingyu, it depends on the way her body is recovering”, wonwoo tells.

“this is all seungcheol’s fault”, mingyu declares, suddenly seeing red.

“where the fuck is he, he didn’t even come to see her once.”, mingyu adds, getting up.

“mingyu, you need to calm down.”

mingyu ignores wonwoo and shoves him to the side as he leaves for the safehouse in search of seungcheol.

“WHERE’S SEUNGCHEOL”, mingyu yells as he enters, causing seungkwan and vernon to jump and turn around.

“mingyu-"

“where the fuck is seungcheol?”, mingyu asks again, angry.

mingyu stalks ahead and bursts open the door to seungcheol’s office.

“this is all your fault”, mingyu says as seungcheol stands up from his desk and walks out a few steps before mingyu grabs seungcheol by the collar of his shirt.

“if you hadn’t sent y/n alone like i said, she’d be okay, she’d be okay”, mingyu spits out, seething in anger. “did you even go see her, do you know what he did?”, he adds.

“i know what happened and it’s unfortunate”, is all seungcheol says, making mingyu even more upset. in blinding anger, mingyu brings his hand up and lands a punch to seungcheol.

jeonghan runs in. “what-“, he asks but stops upon seeing the scene in front of him.

“im only letting this off because we got the painting”, seungcheol says, wiping his busted lip.

“fuck you, i bet you don’t even care if she dies”, mingyu spits stepping front again but jeonghan blocks him.

“she’ll live, she’s a fighter”, seungcheol tells before seungkwan comes along and he and jeonghan guide mingyu out.

that night mingyu is back home, laying next to your bed as wonwoo administers another round of IV.

“her wound is healing but slowly. it’s still a good sign that her body is functioning and working. otherwise, she would have gotten another infection if the drug had really affected her”, wonwoo says, hoping to bring some sort of relief to mingyu.

“you really love her don’t you”, wonwoo adds as he observes the way mingyu holds your hand.

“i should’ve insisted she doesn’t go alone, but she said she’d come back”, mingyu says defeated.

“if she doesn’t respond in another week, we’ll have to really do something then”, wonwoo tells, and by the way mingyu’s jaw clenches, he doesn’t like the sound of that.

mingyu stays by your bed that night, falling asleep and holding your hand.

you’re dreaming, someone is chasing you. you’ve been running for so long and you’re getting tired. you don’t even know where you’re running, you’re just running and running, hoping to find something.

mingyu stirs awake when he senses your grip on his hand tightening and he’s super alert.

“y/n?”, he asks softly.

someone is calling out to you. you can’t figure out where it’s coming from but you hear the sweet voice calling out my name again. you run towards the voice.

“y/n”, mingyu calls out again as he looks at you, trying to see if you can hear or understand him.

you’re running and running, trying to follow the voice and you vaguely make out a figure standing in front of you. the man stands out with his arms open as he calls out your name one last time and your eyes flutter open.

mingyu lets out a small gasp.

“mingyu”, you try to say, but no voice follows and you close your eyes again.

mingyu wastes no time in calling wonwoo, telling him the news and soon wonwoo is at the house.

“just keep an eye on her”, wonwoo explains saying he'll be back in the morning for a checkup.

in the morning, you wake up, a bit hazy but conscious. what woke you up was the pain and something cold and when you look down you realize your bandage had bled out, probably from sleeping on your side. you try to sit up but your arms give out, and your eyes close. you hear the faint steps of mingyu walking in and he says your name, rushing up to you. he gently sits down next to you, the bed dipping. 

“you’re awake, you’re awake”, he says, his hands fumlbing for his phone as he dials wonwoo. you slowly manage to turn and face him, blinking up at him in a daze. he looks down and see’s your bandage that’s bled out.

“im just going to change your bandage okay y/n”, he says to you and you weakly nod. he helps you sit up, lifting your shirt up ever so slightly so he can take off the soiled bandage and replace it. he gently cleans the wound with a wet cloth and you slightly hiss at the pain, your hands clawing at the bedsheet. you take a moment to look at mingyu as he carefully tends to my wound. the way his hair falls over his face, the way the light bounces off him, the way his brows are furrowed in concentration, the way his hands are gentle so that he doesn’t hurt you.

“mingyu”, you say softly and he looks up worried and surprised. this is the first time you talked.

“do you want something? water? or are you hungry? i made some rice porridge earlier i can just-“

“thank you”, you weakly say and try to smile at him, and at this, he crumbles. he gently moves his hands to envelope you as he slowly pulls you into him for a hug.

“i thought i’d lost you there”, mingyu admits softly and you can hear the fear in his voice.

“i’m a fighter”, you mumble out and he laughs.

“‘im just glad you’re awake now. i thought- i was really preparing myself for the worst”, he says, pulling away to look at you. his hand cups you cheek, his thumb gently caressing my cheek. you lean into his touch and rest your head on his chest.

over the next few days, mingyu makes sure you’re comfortable and okay. he’s always checking up on you and you start to feel better. you’re able to get up and walk a little and your wound is healing too. you’re in less pain and wonwoo is impressed and satisfied with the way you’ve been healing. 

“where’s dino? i hope he’s okay, i never got to see him afterward”, you say later one night. “do you want me to call them over?”, mingyu asks and you nod eagerly. 

you walk over to mingyu and sit down next to him on the couch, looking up at him as you lean against his arm and suddenly you remember - you owed him a kiss when you came back. you sit up a bit and mingyu seems to have caught you staring.

“what?”, he asks, looking at you lovingly. “did you want something?”, he adds.

you simply move so that you’re straddling his lap and before mingyu can say anything, you’re kissing him. he kisses you back a few seconds later and his hands rest on your waist. he moves his lips against yours and his hand tilts your jaw closer to him. your hands wrap around his neck as you tangle your fingers in his hair and mingyu lets out a soft groan as he pulls away.

“fuck. i missed that. i missed you”, he mumbles against your lips.

“i promised you a kiss when i came back right”. you say and he smiles.

“you remembered”

“a little too late if i have to say”

“i’m glad you’re back baby, i missed you so much”, he says again, leaning forward to kiss you again, chasing after your lips. his lips are soft against yours, but the way he’s kissing you is like he hasn’t seen you in years. he kisses you with yearning and emotion, with a sort of urgency. his hand grips your waist tighter but you let out a small yelp since the pain is still there as the wound was still healing and his grip softens.

“shit sorry”, he says, looking to make sure you was okay, only to kiss him back, wanting to get lost in the feeling of his lips on yours. you’re too busy to notice that wonwoo opened the door and the rest of the boys walked in on you both kissing.

“y/n i got your favorite-“ seungkwan starts but stops dead in his tracks upon catching you both.

you pull away and turn your head around to see seungkwan’s mouth hanging open before he smacks a hand over his mouth in shock. dino just gives you a small shy smile and smiles when you smile back at him. you’re about to move off when mingyu pulls you in for one last kiss, just to tease you as you whack his arm and he pulls away chuckling.

wonwoo looks at us as he pushes his glasses up the bridge of his nose. “i thought i said no strenuous activities for y/n”, he says, looking straight at mingyu.

“she started it”, mingyu says, throwing you in the fire as he gently slides you off him.

“what no! i–“, you start but falter, the words crumbling.

hoshi is immediately by your side, asking you if you’re okay and what happened before he starts pestering you for more details about how mingyu and you started liking each other because in his knowlege you hated him so now he need to know all the gossip and details.

after a few more months, you’re all healed but wonwoo still makes you do a checkup once every month, to make sure you were healing okay and that there were no leftover effects of the drug in your body.

2 years later

“baby i told you not to wear that fuck”, mingyu groans in your ear as he pulls you into a tiny room to hide from the security guards looking for you both.

“concentrate, we still need to get the gold bars”, you say, adjusting his tie as he pushes you into the wall.

“you look so fucking hot i told you that you’d get in trouble if you wore that”, he says, whispering against your ear.

after you healed and got back in the field, you and mingyu had been on countless missions together. this time you had to steal some gold bars from a corrupt politician, and once again to build connections and friends, you had to pose as a married couple. so here you were.

“my wife likes to be a brat sometimes”, he mumbles before pecking your lips.

“watch it, im not your wife”, you say, poking his arm.

“not yet, but i can change that”, he says, giving you a wink.

you stare up at him tilting your head to the side. “are you proposing to me, mingyu?”, you ask.

“maybe”, he says with a goofy smile as he leans in to close the gap between you with a kiss.

and yes, you did successfully steal the gold bars and you maybe tortured the corrupt politician a little, but everyone needs to have a little fun right?

— taglist

@daisycheols @naaaaafla @slytherinshua @weird-bookworm @idubiluv @qaramu @n4mj00nvq @itsveronicaxxx @joshuaahong @fallingforshua29 @frankenstein852 @lvlystars @fairyhaos @rubywonu @aaniag @junniesoleilkth @m1ngyuc0re @wheeboo @hyunyin @minhui896 @fancypoisonapple @raggedypansexual @k-ajla12 @asyre @ilovesungjun @jyiiscool @tis-niki @foxinnie8 @nobraincellmode @ne0c0r3 @nishloves

#covert desires by skye! #skye's writing! #k-labels #caratlibrary #seventeen imagines #seventeen fluff #seventeen scenarios #seventeen drabbles #seventeen au #seventeen x reader #svt fluff #svt imagines #svt x reader #mingyu fluff #mingyu oneshot #mingyu imagines #mingyu scenarios #mingyu x reader #mingyu series #kim mingyu fluff #kim mingyu scenarios #kim mingyu x reader

[redr0sewrites]

omg lowkey having a shitass day and i’m too tired to write for my comfort character and your my fav so 😭😭 literally just any fluffy vox headcanons. literally any! could be only one paragraph IDC i just think it’s so cute how you write him 🙏🙏

OFCCCC!!!!! heres some hcs ab vox comforting u after a long day ♥️

🥀 Cw: none, just fluff!

vox is no stranger to long, tiring days. he's had his fair share of shitty work days and when he comes home to see you exhausted, he immediately notices what's wrong.

vox is very goofy, he's good at reading people and can immediately know if someone's upset, but it's how he reacts that throws him off. like he'll notice something is wrong but won't know how to respond.

he's so used to manipulating people (such as valentino) or just shoving down his own emotions to put on a persona that he isn't great at verbally comforting someone, but his actions make up for it.

he pulls you onto his lap and will run his hand up and down your back to soothe you. while his claws are sharp, he would never hurt you with them, and its much more of a ticklish sensation then anything

speaking of, vox loves it when you laugh. if you're pissed at someone in particular, he will definitely make fun of them to help cheer you up. don't be surprised if they "disappear".... he is an overlord after all. he'd only do this if you want him too tho

vox claims he isn't insecure, but in reality he knows exactly how it feels to feel shitty about everything around you. he's surprisingly empathetic, if you're in a relationship with him he definitely cares about you a lot and i genuinely see him being upset in the situation that you're upset

if you cry, vox may be a little awkward but will go to get you a glass of water. he'll also dim the light of his screen to make sure he doesn't give you a headache and, if you're really upset or tired, he may even take the day off of work to comfort you

vox is the type to turn on soft music when you're sad and pull you into a slow dance right in the middle of your apartment. he doesn't care that you're bleary eyed and that you keep stepping on his feet, he doesn't care that its sappy or that it makes him seem vulnerable to care about you so much. as long as he gets to see you smile and giggle as you both clumsily swirl around eachother, he's content in staying in this moment forever.

if you're ever angry/frustrated and take it out on him, he may be a little pissy but he can take it, especially if you feel really bad afterwards. he doesn't take it to heart if you have a bad day and snap at him, hell, he does it all the time. he may be a little pouty if you don't apologize but don't worry he'll get over it in a few minutes once he sees how tired you are

while vox is a little chaotic, he's a genuinely good person to vent too because he will literally always agree with you no matter what. you murder someone? its their fault for walking into your knife. he absolutely supports your rights (and wrongs) no matter what

he's also a pretty good listener in general because he just. listens. he doesn't give unnecessary input, he doesn't try to play devils advocate, he just listens and shows interest in what you have to say and comforts you when necessary. he doesn't see why thats such a big deal, but he genuinely is a pretty decent listener.

vox is also a yapper though, if you need to get your mind off of your day just tell him and he'll start explaining the most random things to you. oh, you had something really embarrassing happen today and you want to forget about it? well now you're going to listen to 500 shark facts while also hearing the entire princess bride lore. sorry not sorry.

vox would find the shittiest movie with the worst cgi imaginable for you both to watch after a long day, he loves curling up with you on the couch and making fun of horribly animated graphics together

i also think he's (secretly) a fan of corny romance films and/or romcoms, and would want to recreate cute scenes with you (but would literally never tell you that) so you both may end up watching cutesy romance movies too

(this is the song i had in mind bc its soo vox, so u can listen to this for the "full experience")

"aw c'mon bub, don't tell me your too mopey to dance?" vox extended his hand to you, yet his smile was a little more forced than usual. his eyes were wide on his screen, almost concerned about the teats staining your cheeks.

"m' fine voxy.." you mutter, turning away. "it was just a bad day." vox pouts, grabbing your chin and forcing you to look at him.

"trust me, this will make you feel better," he assured, pulling you to your feet. vox snapped his fingers and a bright, upbeat tune began to play in the background. pulling you in close, vox twirled you around before stepping back, switching to a simple slow dance.

you can't help a soft smile from creeping onto your face as vox continues to exaggeratedly spin and pull you around. hell, if anyone could see you both now, they'd be shocked.

"who knew that the overlord of technology was such a sap?" you giggle, pulling vox down by his tie to give him a kiss, and he chuckles in response. vox pouts, yet his eyes crinkle a bit as a genuine smile graces his features. "only for you!!".

i saw this and immediately opened my drafts 🫡 it is a CRIME that i haven't written any vox fluff when he's literally one of my fav pookies. i have literally only written smut for him 😭 anyways, i hope this made ur day at least a bit better!!!! sending lots of love ur way ♥️♥️♥️♥️

also i am SO honored to be called ur favorite bc hello??? ur my favorite too?????

#vox x reader #vox x you #vox x oc #vox x y/n #vox headcanons #vox fluff #vox x reader fluff #vox imagine #hazbin hotel #hazbin hotel imagine #hazbin hotel headcanon #hazbin hotel x reader #hazbin hotel x you #hazbin hotel x y/n #hazbin hotel x oc #hazbin hotel fluff #the vees #hazbin hotel vox #hazbin vox #vox

[talaok]

Hey! Can you do one of Joe where he and the reader are shooting a movie together and they have to shoot a sex scene and they both end up horny? thankss

Pairing: Joseph Quinn x fem!reader

summary: Today's the day you have to shoot the infamous sex scene with your least favorite co-star, Joseph Quinn. And, even if you certainly didn't expect it, you find yourself confusingly turned on by it.

warnings: SMUT: unprotected sex

a/n: Sooo... I tried something here and it's probably not what you had in mind when you requested this, but I was tired of making the reader a simp, so.. here we are. I hope you'll still like it 

THE PROPOSAL

You were so bored you thought you were gonna die. Today was the day. The set was closed. The unnecessary staff was sent home and you were in your trailer, wearing a rope with just underwear underneath, waiting for someone to call you and tell you it was time. You had to film the sex scene today. The director had been talking about it for weeks and so had your co-starts. You hated all the fuss around it. It was just pretend-sex, most of the time it was even fun. That was, of course, when the other actor wasn't a total creep, like the time you worked with James Franco and he kept touching you even when the cameras weren't rolling, or, when you didn't despise your colleague, just like this time, unfortunately for you. It's not that you hated Joseph Quinn entirely, it was just that he was so.... much. Like, he always had something to say or do and he was constantly joking or fidgeting and just being so annoyingly exuberant that you sometimes dreamed about taking his head in your hands and screaming at him to calm the fuck down. Ok, maybe you did hate him, but you sure as hell had your reasons, and it's not as if he liked you lots either. It was a miracle you two still hadn't torn the skin off of each other. from the moment you met at the table read, it was clear you couldn't stand each other, so you started avoiding him, as he did the same. You thought of yourself as a professional, and being one, you always treated him with respect when you shot together, smiling politely and pretending to not wanna roll your eyes at everything he said. A dream colleague, as to say. him, on the other hand, obviously wasn't a professional as much as you, since he definitely didn't hold back on eye rolls or snarky comments. but it was fine, you could look past that, you were an actor after all, and acting like you didn't want to punch him was a fairly easy job. The problem now was that today, you had to do a lot more than say a few lines to each other, Oh no. you had to pretend to have passionate and loving sex with him. Wich was a tiny bit diffrent. You had no idea how you were gonna do it. Being a good actress was something, but this... you needed to be Maryl Streep kinda good to do this. But there was nothing to do. you had tried talking to the director, telling him that perhaps the scene wasn't necessary, or that maybe it could have been done in a different way, without you in it, for example, but it hadn't worked, and so now, there you were. "Y/N, it's time" your assistant stated, as she opened your trailer's door. You took a deep breath "let's do this".

"there she is" Joseph said as you stepped on set "late as always" he whispered to you as you got next to him. You exhaled through your nose, already annoyed "Hi to you too" you said, giving him the fakest of smiles. You looked around. It was a nice set, It was supposed to be His character's (Adrian) bedroom. It looked like the inside of one of those little houses you find in villages in the mountains. The walls and roof were all wood, or at least, made to look like it. In the middle of the room was a huge bed with two wooden bedside tables on each side and there were about 10 candles lit all over the place, giving it a really romantic atmosphere "Ok guys, you know how this works" The director, Mark, said, stepping closer to the two of you. "There isn't a script for this scene because I want it to be as raw and real as possible. the only thing you have to remember is that you both love each other immensely" he explained enthusiastically. "Adrian just saved your life Maya!" he exclaimed, using your character's name. "And now, finally, you get to be with the man you love, and you, Adrian" he turned to Joseph " finally get to be with the woman you have longed and fought for so long" he said, obviously very into the narrative. "So I wanna see the passion, ok guys?" Mark asked. You and joseph turned to each other and raised your eyebrows "Of course" you answered in sync.

You took off your robe and placed it on your chair while also taking off your slippers. You took a deep breath and turned around, starting to walk towards the bed, but just as you did, you heard a stroked sound coming from your left. You frowned and turned around, just in time to catch Joseph's eyes scanning your whole body while his mouth opened slightly as he swallowed thickly, clearly hypnotized by your figure. You smiled to yourself, proud of the reaction you had caused, and pretended not to have noticed him, continuing to the bed. You got underneath the covers and set up against the headboard, waiting for him. He was talking to someone, probably his assistant and as she walked away he took off his robe and placed it on his chair, just like you had. You held your breath and bit your lower lip as your eyes took him in. How had you never noticed how fit he is? His arms were strong and his chest was big and muscular. He looked...hot. Wow, you would have never imagined finding someone you hated so much that attractive. But there you were, in complete awe of him. Your eyes traveled up his body once again, this time finding his. Oh no, you thought as you felt your cheeks redden. He smirked smugly and raised an eyebrow, walking towards you. "See something you like?" "Oh please, you wish" you lied, as he got in the bed. You were side by side, looking at each other, trying to get in character when Mark yelled action. You didn't have time to even process that before Joseph crashed his lips with yours in a passionate and rough kiss. It took you a second, but you started to reciprocate, granting his tongue access to your mouth, and pulling him closer by the back of his head. You moaned softly into his mouth and he put his hand behind your back and let it roam free. You whimpered at his touch, and as much as you would have liked to pretend you were reacting in character, that was all you. His hand traveled up to the back of your head and he took a fist of your hair, pushing your face against his. God, who knew he had it in him? Without warning and without breaking the kiss he got on top of you. "You're so beautiful" he murmured against your lips. You felt butterflies in your stomach and you swallowed thickly. God, get it together Y/N! You smiled at the compliment and intertwined your arms behind his neck, pulling him in for another kiss. He broke the kiss, his breathing ragged, and pretended to position himself at your entrance. He moved some hair away from your face with a gentle caress and smiled genuinely. "I love you" he whispered. You looked up at him with heart eyes(You deserved an oscar after this) and whispered "God, I love you too Adrian", right before he pretended to push into you delicately. You moaned and started to move with him, simulating the act, making your tits bounce with each movement. You opened your eyes to look at him and saw how, just for a moment he broke the character, remaining amazed by the beautiful sound you'd just made. You internally grinned proudly, as you produced another moan, this time louder. "Oh, Adrian" you cried out, throwing your head back against the pillow and digging your nails into his back. You could see in his eyes how hard he was trying to concentrate, and you couldn't be happier about how hard you were making it for him. His eyes kept shifting from your breasts to your filthy mouth and he felt like if it weren't for the cameras pointed at him, he would have cummed there and then, and he hated himself for it. What was he, 13? But you were just too hot, there, moaning underneath him, biting your lip in ecstasy and shutting your eyes close from the pleasure. If this is what you looked like when you pretended to have sex, he couldn't imagine what you were like when you did it for real. You moaned again, this time even louder and he snapped out of his thoughts. Right, there was a scene to shoot. "God,Maya" he growled, sending a shiver down your spine. He sounded so sexy. he took your hands in his, pushing them against the mattress, and you couldn't help but wish for a moment that this was really happening, and that you weren't just shooting a corny sex scene. "cut!" Joseph didn't move. He looked at you and bit his lip, he opened his mouth to say something but closed it immediately again. You could see confusion across his eyes. You looked at him with the same stupor and swallowed nervously. "he said cut" "oh yeah, sorry" he said, clearing his trough and getting off of you. What just happened?

"hi" joseph said as he entered your trailer. Oh no, not again. You had just finished shooting the scene and it had been confusingly both the worst and the best thing ever. You needed to get away from him to get a clear head. I mean, it was impossible that you actually fancied him, right? you hated him. You hated him, you really did, but that, unfortunately, didn't exclude the fact that you still wanted to fuck him. Oh god, this was terrible. "Joe, listen I need to go home, so whether this is, can it wait till tomorrow morning?" you asked, getting up from your chair and taking your bag to show him you were being serious. " I just wanted to talk" "about what?" you asked annoyed "about before" You swallowed thickly "there's nothing to talk about" you stated, feigning confidence. "Oh, come on, don't pull that bullshit with me Y/N, I know you felt it too" he said, irritated. "What are you talking about Quinn?" you lied "Listen," he said, coming to stand in front of you" I'm not here to declare my love or any of that bullshit, all right?" You rolled your eyes, there was no point in faking naivete, he obviously had figured you out. "I have a proposal" he bit down a smirk. God, he was so hot and so punchable at the same time. "You let me fuck you this one time, so we can get it out of our systems, and then we can forget about it and go back to hating each other" You chuckled "You're kidding right?" "C'mon, I know you want it Y/N, don't play dumb now" he said irritated, as he brought his right hand up behind your neck. "just once" he placed his other hand on your waist " and then we'll pretend it never happened" he whispered against your neck. His hot breath sent tingles all over your body. You never had much willpower anyway. "Whatever Quinn" you mumbled as you let your bag fall to the ground and grabbed his face, kissing him roughly, your hands grabbing his hair and without doubt messing them up as he gripped your neck and forced his tongue into your mouth, all while stumbling towards the make-up table. You stopped once the back of your legs hit it and without breaking the kiss he leaned down and pushed everything that was on it onto the ground. You gasped, most of that stuff was really expensive. "get on there" he growled, and you did as told. He smirked and opened his mouth but you cut him off before he could say something stupid "Don't even start, I'm just horny" you breathed out."He laughed softly "Well, then that makes two of us sweetheart" he whispered before going back to kissing you. He was in between your legs and you could already feel his erection through trough his pants, so you started grinding against it, desperate for any kind of friction. The bastard grinned at your impatience and abruptly pushed your dress up, starting to caress and squeeze your ass, making you whimper into his mouth. You desperately started to tug at his belt, trying to get it off him. "I knew I was right" he smirked proudly and you rolled your eyes, taking the opportunity to catch your breath. "Shut up and fuck me" you exhaled as you put your hand behind his neck and pulled him down for a desperate kiss. "gladly" he purred as he undid his belt swiftly and pulled down his boxers and pants. He kissed you again, briefly before he moved your panties to the side and pushed into you completely, earning a clamorous moan from you. He smirked and, without even giving you the time to adjust started pounding into you aggressively, making the whole table shake. Everything he hadn't thrown off of it before was now falling on the ground, and probably you would have hated yourself for it tomorrow, but that was a future you problem, present you, was getting fucked out of her mind and had other things to think about. "Lemme see your tits" he said as he grabbed the top of your dress and pushed it downwards, revealing your breasts. He groaned "Fuck yeah", as he continued thrusting into you. "Oh my fucking god Joe!" you shouted as he leaned down to take your right tit into his mouth, and started sucking on it. He took your nipple into his mouth and softly bit it, as his left hand made its way to your clit and started massaging it. You were moaning so loud you were certain people outside could hear, but who cared. "Oh god, please Joe" you cried out as he kept sucking, thrusting, and massaging. This man obviously knew what he was doing. "I-I-I'm gonna cum" you moaned as he let your breast go from his mouth, spread your legs more, and pounded into you even harder, smugly looking straight at you, making your eyes roll in the back of your head. "That's right, cum on my cock Y/N, make me feel how good you can squeeze me" he groaned. "Oh fu-fuck" you stuttered as he sped up his hand's movements. You felt a familiar pressure form your lower belly. He groaned at the feeling "Oh fuck you feel so f-ucking good" he hissed, clearly close too. You were getting closer and closer. "Cum for me baby" he grunted. and you did, a wave of pleasure overwhelmed you as you threw your head back and your eyes fluttered shut while you shouted his name. Joseph groaned loudly at the feeling of your walls tightening around him. "Shit Y/N" he whispered, as he continued pushing into you, making you ride out your high. Just as you came down from it his thrust became sloppy, he was about to come. "O-Oh,f-fuck" he groaned as he pulled out of you at the last second and his cum shot onto your belly and dress. That was gonna be hard to clean. He exhaled deeply and put his head on your shoulder. You stayed there for a few moments. Just silently catching your breath and taking in all that had just happened. He chuckled "that was fun" "it was" you agreed He pushed himself off of you and pulled his pants and boxers up. "I still don't like you" you reminded him. "Oh, don't worry. The feeling's mutual" he grinned.

#joseph quinn #joseph quinn x reader #joseph quinn smut #joseph quinn stranger things #joseph quinn x fem!reader #joseph quinn x y/n #stranger things #stranger things x reader #starnger things #Smut #joseph quinn fic #request

[flanaganfilm]

Hey Mike! Absolutely love your work, especially Haunting of Hill House and Fall of the House of Usher. I was wondering a couple things:

Any chance we will ever get to see that deleted scene where Carla plays a homeless woman singing to Madeleine? Loved the Easter egg and also can’t get enough of Verna so it would be so cool to see that deleted scene!

Also wanted to know what it was like working with Mary? It was such a joy to see her in House of Usher!! Hoping to see her in future Flanaverse projects!!

Hi there! That material was removed very early in the editing process, long before the scene was completed, so there isn't a finished "scene" to show. Carla and Mary did fine work acting in those moments, but the series as a whole is stronger without it, so a completed version of the scene with that footage simply never existed. It's an odd alchemy when you tell a story this way, and sometimes scenes that seem to work on the page can be acted beautifully, shot exquisitely, and still not be necessary or additive. In this case, it actually worked against the mysteries of the show, it wasn't believable that Madeline wouldn't recognize Verna, and it was clear that this was a mistake. It was my mistake for writing the scene the way I did, and it happens all the time. We could tell immediately that it didn't fit, so we didn't waste much time proving it out. Releasing deleted scenes is a tricky thing. I love bonus features - it's one of the great benefits of physical media - but even if we had a huge special edition box set of Usher, I don't know that we would have included this scene. Sometimes these things just aren't meant for the audience, even as an interesting relic, and this is one of those times. Incidentally, I had the same feeling about some of the material that didn't make it into the Bly Manor edit. We knew the scenes weren't working very early in the process, so they were never refined into any shape that would warrant their release. Fans will hear an actor talk about scenes they worked on, and the fans get all excited, but if they were to see those scenes it wouldn't enhance their love of the characters or the story... in fact, it can work against it. For years, I've had Bly fans reach out lamenting that they can't see some of the Bly material they've read about in cast interviews, but I'm certain that seeing it in its raw, unfinished state wouldn't enhance or deepen their love of the characters or the show. There's really nothing to release. It's just excess material that lands on the floor while you're sculpting, and sticking it back onto the sculpture only makes a noticeable wart. Other times, though, deleted scenes can be incredibly additive. For example, I think the 30 minutes we took out of the theatrical release of Doctor Sleep only enhanced the movie, and made the experience that much more rich - which was why I was so happy to release the Director's Cut with those scenes restored. Those scenes, though, were fully finished, and only removed in the first place because of the movie's run-time. Restoring those elements made the sculpture complete - they were always supposed to be there. But most times, deleted material is just unnecessary material. It can be like having an amazing meal prepared for you, and then being handed a plate of surplus or unused ingredients. Like, the chef needed to peel a lemon before squeezing it over the meal as a wonderful finishing touch. That dash of citrus really made the meal sing. But that doesn't mean you want to eat the peel. And I LOVE working with Mary. I'm sure we'll do it again!

#the fall of the house of usher #deleted scenes #haunting of bly manor #dani clayton #you don't actually want to eat the lemon peel #damie stans

[gorgeouslypink]

Void State Meditation Method

credit: here

!!THIS IS NOT MY WORK, PLEASE REFER TO THE CREDIT!!

This meditation here will probably get you in the most intense void state you have ever been in, making it pretty much ideal for shifting. As a general rule with moving your consciousness around in the multiverse, your consciousness goes to what you’re thinking of and focusing on. This is why many shifting methods aim to disassociate you from your body in your primary reality. When you’re disassociated you can focus on your DR totally, thus forcing your consciousness to express itself there. If you think about your primary reality(CR) too much, you’ll focus on the fact that you’re in your CR and you will be there, thus not shifting. I see almost all shifting methods neglect physical relaxation and mental silence. While physical relaxation isn’t absolutely necessary, doing it right can be a game changer because it relaxes your mind and disassociates you from your body. Clearing your mind can be difficult without practice, thankfully this meditation and most other shifting meditations use techniques to silence the ego-self without having to spend hours doing boring meditation practice.

This meditation is useful for all sorts of stuff, if you’re interested in other applications of it ask me and I will share them, but for now I’ll keep it limited to shifting.

Phase 1:

The three suns relaxation technique will be used here. When you do this is relaxes your body and mind more than you ever thought possible. This disassociates you from your body and calms your mind. Breath deeply and gently, don’t put too much effort into the visualizations, don’t force them, but instead imagine that your imagination is perceiving them and they are already there waiting for you to sense them.

Note: if you think you suck at visualization do this quick test. Think of a horse. If an image comes to mind you’re good enough at visualization to shift. If you can remember scenes you’re good.

Imagine a red sun at the top of your head, try to feel the sensation this imagination creates. The red sun moves from your head to your feet, going all the way through, touching your entire body. This sun completely cleanses you of all material and earthly concerns associated with your emotions and lower mind. The red sun silences this aspect of your mind completely and relaxes your muscles totally. As soon as the sun touches your muscles they become limp and relaxed.

Imagine a yellow sun at the top of your head. This sun relaxes your rational conscious mind. It clears intellectual baggage and unnecessary thoughts. It relaxes your muscles even more than the red sun, you feel like you’re melting away.

Imagine a white sun coming down from above. It is made of pure light and perfection. As it passes through you it loosens your consciousness, making you weightless and formless, you are now pulsing with shifting energy.

Phase 2:

Imagine you are at the top of a staircase, on each step is a number, there are 11 steps.

Starting at 11, as you step down onto ten say in your mind “Ten, one step further into the void”. Continue like this for each step, taking your time to feel the sensation of going deeper and deeper, beyond the illusion of reality and into the acausal, everything yet nothing.

As you reach the last step, you notice that there’s no floor to step down onto, instead there is just infinite blackness and nothingness, primordial, empty, omnipotent, the void is all there is.

Say to yourself, “I have entered the depths of the void, I can reach the void any time I like by simply counting down from 10 to 1. This process is called anchoring, by setting this trigger, your programming a switch into your subconscious mind that allows you to access the void state easier. Repeating the anchoring process over a few days will make it much more effective. This is why it’s possible for a hypnotist to bring someone in and out of trance many times in rapid succession, it becomes extremely easy to enter the proper state with repetitive programming of the anchor or hypnotic suggestion.

Entering the Void:

Do not be afraid of the void, it is not sinister, nor is it an evil abyss. It just is. It’s not good or evil, it’s a blank canvas of blackness, from here you are everywhere and everything. Inside the void you’re disassociated from your body so much that it’s easy to focus your consciousness anywhere in this reality or in the multiverse. While in the void you are invulnerable, nothing can hurt you. That said, let’s enter the void. You should still be on the last step of the staircase, clinging on to your illusion of reality. Now take a step into the blackness and feel it all around you. The staircase disappears behind you as you float weightlessly in the void.

As you’re surrounded by the void, notice your hands in front of you. They are crumbling into the blackness. The rest of your body dissipates into the void along with your hands. Imagine that you are the void, because you are it now. You are nothing, and everything, you are infinite unformed potential. If you do this right you should feel greatly expanded. You don’t need to feel like you’ve expanded to the size of the whole universe, but you will likely feel expansion and formlessness.

As a note for those of you who are more sensitive, if you hear voices and sounds, or see random images, please ignore them. You may notice random bursts of seemingly psychic information, if you don’t that does not mean you have failed at all, because that is not the point of this meditation, it’s just a possible side effect.

Note: You may want to practice this several times before you use it for shifting. This will make it more automatic and will help to establish a connection to the void state.

Audios:

Phase 1

https://youtu.be/SPNISHhZVKk

Phase 2

https://youtu.be/wISgkgXYMCY

#void state

[theofficialpresidentofmars]

y’know I find it so interesting that often in adapted versions of Hamlet that shorten/change the play extensively, Horatio is usually among the first things to go.

The Lion King, Rosencrantz and Guildenstern Are Dead (to an extent), heck even the Simpsons, all manner of adaptations long and short all without any substitute/notable role for Horatio or a suitably similar character. And I get why. He doesn’t do much on his own that impacts the plot, meaning that hardly any of the actual story beats are missed without his interference.

But I think that just provides a really interesting insight into what his character stands for in the most meta sense of his writing, to be honest; Horatio is necessary, despite being unnecessary. He’s the one who writes the story down in the first place, it’s his to tell- the very first scene starts not with Hamlet’s father’s death or even with Hamlet himself, but with him, Horatio, and at the end once everyone is dead, he’s the only one left to tell the tale.

He’s also the only one who ever sees the full picture. He sees the ghost firsthand, he’s the one to tell Hamlet about it, and in return Hamlet tells him everything. His thoughts, plans, and murder-y boating escapades, Horatio is the only other person to ever know about it all. At the same time, Hamlet hardly ever seems to stick around to see the consequences of his own actions- and it’s Horatio who witnesses them instead. Horatio is the one to take care of Ophelia when she goes mad, the one who sees just how deeply Hamlet has wounded her in his quest for a ‘just revenge’. Horatio is the one to hear Hamlet recount the deaths of his childhood friends to him with something that sounds uncomfortably like pride.

Horatio is the one that’s told by Hamlet that he’s held in his ‘heart of hearts’, the one who’s at the other end of Hamlet’s flattery and admiration, all the while witnessing what becomes of Hamlet’s previous closest companions. His lover. The two men, of whom no other living people he adored more. Supposedly Hamlet held these people closest to his heart, but Horatio is the one to see how Hamlet treats his ‘closest friends’, all while being told by the prince he’s one of them. He wonders what will become of him, surely. He loves the prince, but he can’t help but consider the whole ‘cornered animal’ mentality to be a bit unreliable when he’s seen what he does to the innocent. What Hamlet himself never seems to see, always being off on some boat, or dying, but never sticking around to comprehend the consequences. That’s not his job.

Horatio is the audience. Let in to the most private thoughts, into the sympathetic tendencies of the prince, all while seeing the true and unsavoury parts that keep us from ever truly committing ourselves to the same cause. That keeps us from thinking of him as a good person, despite the fact that we love him regardless. Or maybe we don’t, but we’ve been in too deep for too long to do anything about it.

When Horatio is removed, not much changes. Hamlet loses a confidant, and maybe his mind a bit sooner, but the story still plays out. When he dies, there is no one to hold him as he goes. No one to tell his story as it truly was. Except there is, because we’ve just seen it. In that sort of way, Horatio can never really be removed, only brought offstage. But if the story is told, and if there’s a crowd to view it, Horatio will always be there, somewhere in the audience. Watching. (It’s all he can seem to do.)

#hamlet #shakespeare #hamletposting #horatio #hamratio #rosencrantz and guildenstern are dead #the lion king

[five-flavor-soup]

Why the endgame couples in A:TLA weren’t necessary: a frustrated ramble

Listen I’m a Zutara shipper through and through (developed after my second rewatch in 2013) but by Tui Agni and La am I glad that it never happened in canon?? Like Kataang and Maiko themselves already felt so rushed and almost out-of-nowhere and their canonisation added like nothing to the plot. Aang’s crush on Katara is a plot device; Zuko’s relationship with Mai at the start of S3 is a plot device. I can barely fathom how Zutara would’ve turned out and I also kinda don’t want to. Imagine Zuko and Katara kissing at the end of the series: it feels completely out of left field, doesn’t it? Knowing that who-ends-up-with-who was an argument in the writer’s room for almost all three seasons means that it could’ve happened.

It shouldn’t have. I don’t think the Kataang kiss or the Maiko romance-reunion should’ve happened either. It’s unnecessary to add—there’s just no need for it, and my nagging here isn’t because I like Zutara and I don’t like how Maiko and Kataang turned out. It’s because the ships and couples and whatever the fuck else are NOT, and should not, be the point of A:TLA—and the ‘couple gets together in the very last scene and all is well :)’ shot suggests that it is.

A:TLA, to me, tried to show the horrifying nature of war and all its victims: the harrowing poverty, the deep-rooted trauma, the bloody violence. I interpreted the most prominent message of A:TLA to be that what was happening during those 100 years is wrong, that war is wrong—it affects the humanity within people, affects what point we offer empathy and kindness, because horrific trauma and needless violence muddies it all up. Why would you hold out a hand for someone who would’ve murdered you if they had the chance? Why would you physically support someone who hurt you and those you care about deeply? Those of the other nations can barely scrounge up empathy for someone from the Fire Nation, because those of the Fire Nation present themselves as inhuman. Those of the Fire Nation can barely scrounge up empathy for someone from any of the other nations, because the Fire Nation presents them as inhuman. And A:TLA shows that all these people are human, good and bad and all of that in between, because that’s just what humanity is. Varied and morally grey.

THAT’S what the GAang learns. That’s what the people around them learn. It’s what Iroh, a war criminal in his own right, tries to teach every child and teen who he interacts with: not in a preachy way, but in a vague way that implies he’d rather have them figure it out themselves lest they interpret his direct teachings wrong. He got indoctrinated into this terrorising, imperialist regime from the day he was born and onwards and it took a personal loss — the death of his son during a siege Iroh himself was leading, a siege in which Iroh and Lu Ten were the aggressors — for him to start thinking that maybe it’s all wrong. Maybe what he was taught is wrong. And he doesn’t want these children to take as long as he did.

The GAang and their (teenage) enemies and small antagonists have all been touched by war, almost to the point of no return. None of the need for violence, the calm in the face of battle and death, the willingness to sacrifice innocents for a sliver of retribution, the extensive knowledge of How To Fight A Battle And Win—none these qualities that these children (!!) may or may not portray are ‘normal’ teenage behaviours. They simply have to have them, or they die or freeze. Their childhoods were stopped in their tracks early because of experiences no child should ever experience. Such is the reality of war. And yet, in spite of the hurt and harm, the GAang is still capable of kindness and empathy. That’s what it’s about.

To end the series with explicit romance — Sokka/Suki doesn’t count, their relationship is not as in-your-face as The Scenes — just feels wrong. Maybe with another season of development it could’ve worked far better (and less unexpected, especially since the previous one-on-one Kataang interaction was Katara getting cross with Aang for kissing her when she was confused; and the previous one-on-one Maiko interaction was Zuko locking Mai in a cell/out of the way and then leaving without looking back). But with the three seasons that we got, it feels odd that the romance is highlighted at the end—especially when Zuko was miserable with Mai (with her being the human representation of ‘close your eyes and pretend everything’s fine’), and there ALSO was a perfectly good ending scene with the GAang bickering right there. Right before the ending kiss.

Why end it like that, when the series isn’t about romance, but about familial and platonic love and love for humanity instead? Why not just hint towards getting (back) together? What’s the point of these confirmations other than ‘the hero gets the girl’ in both instances?

#atla critical #avatar: the last airbender #kataang critical #maiko critical #anti kataang #anti maiko #just to be safe #they should’ve been developed way more imo #they just felt rushed idk what to say #the gaang #atla #LOVE zutara. am endlessly glad it isn’t canon #atla meta #i suppose?? #long post

[sixth-light]

Finished watching the Netflix ATLA live adaptation, having gone into it with absolutely no expectations whatsoever or intention to necessarily go past the first episode if it didn't catch my attention. While it was firmly unnecessary when ATLA existed as an entire piece of art as its creators intended it...it's not half bad? Like, talented cast including the newer actors, decent cinematography/costumes/etc, but what worked most about it for me is that it takes a very similar approach to the WoT TV show in regards to its source material.

Namely, it's working with a closed canon and it's very clearly trying to adapt the entire story rather than do a 1:1 adaptation of each section. So, like WoT, it's unafraid to chop and change up the story order, to introduce characters earlier who only came into prominence later in the original work, to give more depth and space to its villains, and to straight-up write new material rather than trying to stick meticulously to the original text wherever possible. It also does a lot of work to tidy up some of the less-well-aged parts of its source, which lands probably 90% of the time. Basically, it's doing the work to keep me as someone who knows the original story well interested by giving me new scenes and things to chew over without losing the essence of the original. If you're going to do a fairly unnecessary high-budget live-action remake of a twenty-year-old cartoon series, that's not a bad way to go about it.

Let it not go without saying that it has also cast Asian and Native actors as well as handing the story over to Asian-American/Canadian writers and directors and that does matter. Unlike WoT it doesn't have a gay agenda, but to be fair the first season of ATLA (original flavour) barely had a romantic agenda period.

As I said: it's not necessary, but it's not at all bad, and I will watch the next season at least on purpose. I think if we're going to be trapped in remake/adaptation hell for the foreseeable future we can do worse than have them made by people trying to give some new dimensions to the story. I also think the people making this show would do a hell of a job with a Legend of Korra live-action show, and that is a story that didn't get its full due originally and would benefit from being made for an older audience. Plus, the gay agenda is right there. If this show does well enough to greenlight a Korra show...I could find some genuine excitement about that.

#atla #atla live action #lok #the bit that aged the least well but still got used #was the whole 'northern water tribe doesn't let women fight' thing #it's an EXTREMELY kids version of sexism and it still played out like one #even though this show isn't aimed at kids #hard to drop without radically rewriting Katara's arc but...yeah

[theflyindutchwoman]

Of course I'm scared. If we do this and it doesn't work, I'll have ruined the most important relationship in my life. I'm sorry. I shouldn't have said, um -- No. Um… You're right. So we should just keep going the way we have been, right? It's not worth the risk. Unless it is.

| ANATOMY OF A SCENE - CHENFORD EDITION 5.08 - The Collar

Words cannot describe how much I love this scene… It's how different and refreshing this is… It's how Lucy has finally allowed herself to come to terms with her feelings for Tim, that he is the one for her… And now that she knows that, she can't brush it off or ignore it any longer. Just like Tim, who wanted to talk about it once he was aware of his own feelings for her. She has caught up to him, ready to be completely open and honest after their conversation in the shop...

It's how mature this feels. There's no need for unnecessary drama, for a shouting match or, worse, for one of them to play dumb. These two have spent years developing a shorthand and are pretty good at communicating, there is no reason for this to be suddenly any different. But most of all, they know each other, their character. They both understood what their willingness to sleep together meant, even if it was under the guise of undercover. They infered the same conclusion : for them to be ready to cross that line, there had to be feelings. The only thing that was holding them back, besides their respective partners, was the fear. The fear of losing the other, of losing this relationship that is so important to them… Of losing their person...

It's how, in the end, this scene feels like a breath of fresh air… Where the respect and love Tim and Lucy have for each other shine through. Where they both take that leap together. And it's how this happens in the parking lot, in front of the station… A place charged with history, where so much has happened lately. This is very close to where Tim fake-proposed to Ashley, with a heartbroken Lucy watching… To where they met the morning after their first kiss, both hopeful and awkward… To where he watched her leave with Chris, the pining and longing written all over his face… And yet, despite all of this, this feels like a brand new place… On the other side of the sidewalk, as they're crossing a symbolic threshold… With a much softer and romantic atmosphere, with all the flowers and plants around them, creating a colorful bubble just for them… Both sitting so close to each other, completely disregarding the chairs nearby… Forgetting the concept of personal space, as always.

It's how Tim was waiting for Lucy, as if they had convened of a meeting at the end of their shift, to end what they started in the shop. An idea that is reinforced when Lucy claims they need to talk as soon as she arrives : she knew where to find him. I'm a bit curious as to what she was actually planning to say before Tim joked about yet another listing and took over the conversation… Regardless, this part illustrates how they are still a bit out of sync. Lucy might have had her revelation, but Tim is very much in the dark in that regard. As far as he knows, she has at best realised that Chris isn't the one… She's one step ahead of him here. And it absolutely shows with the way he goes right back to where their discussion ended in the shop. Asking her again why she is staying with her boyfriend when it's clearly not working. And, while it might sound a bit judgmental, he's simply trying to understand what's stopping her, so he can help her. This is truly about her for him. I like how he zeroes in on her guilt because she did stay with Chris longer than necessary out of guilt and responsibility. For almost cheating on him. For what Rosalind did to him. And it was all the more obvious when she was trying to convince herself that she should love him back, implying that something was wrong with her… She deflects a bit - again - by calling him out for doing the same thing. And she isn't wrong : everything he told her in the shop fitted his relationship with Ashley to a T. He was settling, knowing full well they didn't want the same future, not arguing because it wasn't worth the bother (her retirement plans, the Whole30 diet…). If anything, this highlights how they were both denying their feelings, hiding behind a safe relationship. Not wanting to be alone.

And this is where their frustration boils over… Lucy because the conversation is not going the way she intended and they are getting off topic a little… And Tim because he is getting defensive. He's correct in his assessment : she definitely stayed this long because it was safe. But he couldn't be more wrong about the other part : this has everything to do about him. He is the reason she stayed with Chris (why she even went out with him in the first place, one might argue)… And, ultimately, why she could have never committed to a life with him either. Because he's not Tim. And so Lucy blurts out how she feels, why she is so scared… what she figured out in the shop. Out of frustration and out of nervousness. And because this is something that has been on her mind since their last talk. That's how intense those feelings are : she can't contain them anymore.

'If we do this, I would have ruined the most important relationship in my life'… It may not be a love confession per se, but the implications in this one sentence are huge. And in a way, it feels more powerful and true to them : it encompasses the entirety of their relationship, what he fully means to her. As I said earlier, she's not even questioning if he has feelings for her : she knows. She saw the looks, the signs, the reactions. Like when he was ready to talk about their feelings, something he usually avoids doing… or when he came in her apartment… When he didn't want her to worry about him… or when he said she deserved someone who's worth the bother and effort… What she doesn't know yet, is the extent of these feelings. But it wasn't really the risk of hers being unrequited that was scaring her the most : it was the fear of losing him, of losing what they have. Because their bond is already special, even without the romance. He is her person, the one she trusts completely and implicitly, the one whose opinion matters the most, the one who supports her unconditionally… And it's not like her fear isn't legitimate : she spent the last couple of months believing that she had already ruined everything, when Tim pushed her away (or so she thought). She was devastated in that hallway. And now that they're getting back to where they were, she doesn't want to lose him again.

And Tim… The magnitude of her statement is hitting him in full force. He was so focused on her relationship with Chris that he's completely caught off guard by her confession. He certainly never expected to be this important to her, this significant. To be chosen, let alone be her first choice. Because time and time again, he has been relegated to second choice. Told repeatedly, even if implicitly, that he wasn't enough. So Lucy, of all people, telling him this, is blowing his mind. The micro-expressions on his face are amazing. The editing is as brilliant, with this moment of stunned silence, both needing some time to comprehend what has just happened, emphasising in the meantime the lyrics in the background : 'I'm scared to go home'… And this epitomises what they are feeling so poetically. They are each other's home.

Lucy is the first one to recover, all nervous and terrified that she has said too much. That she has scared him away. But she hasn't. Even when he agrees with her statement, she still doesn't question his feelings for her. She simply takes it as his way of saying they should maintain the status quo and go back to how things were. That it's not worth taking the risk of ruining their current relationship. 'Unless it is…' Her confession is all the final push Tim needed : he has been ready to talk about this and risk everything since that second kiss. He knew what he wanted since then, he just didn't think it was in the cards… But now that she is opening the door a second time, he's not holding back. His sigh… He's gathering his courage before asking her out to dinner. And his grin! He is absolutely elated. And it matters so much that he's the one taking that first step… 'Rules matter, Boot'… But 'some things matter more'. She matters more. He told her earlier that she deserves a relationship that is worth the effort, so it fits perfectly that he would assure her that this one is worth the risk. That THEY are worth the risk. And how heart-warming is it that after all the heartbreak he went through, he doesn't hesitate to take that leap of faith with her… The fact that Lucy was the one who helped him heal along the way and get to this point, just makes all of this even more beautiful.

Her little 'yes' is so adorable… She comes off a little shy at first, becoming more assertive. Tim couldn't look happier, flashing his trademark Lucy Smile… Before experiencing the biggest whiplash when she suddenly says no. The way he's instantly shutting himself off, using his hands almost as a barrier between them, sitting a bit straighter and away from Lucy… How she reaches for his thigh to stop him and reassure him that she hasn't changed her mind… She simply remembered that she is still in a relationship - a detail they both tend to forget in the heat of the moment… And she's right : she needs to break up first. For Chris. And for them. They deserve to start their romantic relationship on a clean slate, with no regret, especially after almost jumping to bed together… While Tim agrees with her, it's clear that he isn't completely convinced either : it's like he is afraid she may change her mind. It's really when she tells him to ask her again, 'after', that he fully grasps that she is just as committed as him. Well, that and how she lights up. That last shot of them, with her little shimmy (the one she always does when she's excited) and his bashful smile while looking down is the cutest thing… It's so soft and full of promises and hope… and the perfect tone to end this scene.

#the rookie #chenford #chenfordedit #tim bradford #lucy chen #5.08 #Anatomy of a scene - Chenford Edition

[hayatheauthor]

Everything You Need To Know Before Editing Your Manuscript 

Finishing your manuscript is a big accomplishment, but that’s only the start of your writing journey. Now that you have a manuscript to work with it’s time to start your editing process and perfect your story. Editing might sound easy enough, but it involves a lot more than just correcting your SPAG.

If you’re a new author unsure about how to start editing your manuscript, here’s everything you need to know, from a self-published author. 

Self-Editing: The First Step 

Editing your own work can be both challenging and rewarding. When you take on the role of a self-editor, you gain a deeper understanding of your writing and the opportunity to refine it to its fullest potential. Self-editing helps ensure you cut down on noticeable mistakes before sending it out to an actual editor so that you can receive more productive feedback. 

I would honestly hate having to pay someone just for them to tell me ‘you misspelt xyz’ which is something I could have caught with a quick read-through. Once you’ve finished your manuscript here’s how you can start off with some self-editing: 

1. Take a Break Before You Start

After completing your initial draft, it's crucial to distance yourself from your work. Give it some time to breathe. This break can be a few days or even weeks, depending on your schedule. When you return to your manuscript, you'll approach it with a fresh perspective.

2. Read Your Manuscript Aloud

One of the most effective self-editing techniques is reading your work aloud. This process helps you identify awkward sentences, pacing issues, and grammatical errors that might go unnoticed when reading silently. It also allows you to hear the flow of your writing and the nuances of your character's voices.

3. Focus on SPAG (Spelling, Punctuation, and Grammar)

Before delving into more complex edits, address SPAG issues. Look out for common mistakes such as typos, subject-verb agreement errors, and misused punctuation. Utilize grammar and spell-check tools, but don't rely solely on them.

4. Assess Overall Structure and Flow

Consider the broader structure of your manuscript. Does the plot progression make sense? Are there any plot holes or inconsistencies? Verify that your story flows smoothly from beginning to end. Ensure that transitions between scenes and chapters are seamless.

5. Dive into Character Development

Characters are the heart of your story. Analyze each character's arc, motivations, and growth throughout the narrative. Ensure that their actions and dialogue are consistent with their personalities and the story's themes.

6. Refine Your Writing Style

Pay attention to your writing style and voice. Is it consistent throughout the manuscript? Make sure your unique voice shines through, and refine your prose to eliminate unnecessary repetition or verbosity.

7. Trim Excessively Long Sentences

Long, convoluted sentences can confuse readers and disrupt the flow of your narrative. Identify and break down lengthy sentences into more manageable segments.

8. Seek Feedback

Consider sharing your work with beta readers or critique partners at this stage. Fresh perspectives can uncover blind spots and provide valuable insights for improvement.

Remember that self-editing is an iterative process. After completing these initial rounds of edits, repeat the process as necessary until you're satisfied with the manuscript's quality

Types of Editing

When editing their manuscript authors often direct their focus to the way things are written and then call it a day. However, SPAG corrections are only the start of your editing process. Unsure of other ways to better your manuscript? Here are some types of editing I think every author should consider when self-editing: 

SPAG Editing (Spelling, Punctuation, and Grammar)

SPAG editing, often considered the foundation of all editing, involves meticulously combing through your manuscript to correct spelling, punctuation, and grammatical errors. This stage is essential for ensuring the clarity and professionalism of your writing.

Tips for Effective SPAG Editing

Use Spell-Checkers Wisely: While spell-check tools can catch many errors, they're not foolproof. Pay close attention to context; for instance, "their" and "there" are both valid words but have distinct meanings.

Proofread Carefully: Rely on your eyes and proofread your work systematically. Reading backward, from the end to the beginning, can help you catch spelling errors.

Punctuation Matters: Proper punctuation enhances clarity. Study punctuation rules, including the use of commas, semicolons, and quotation marks.

Avoid Homophone Confusion: Homophones, such as "your" and "you're" or "its" and "it's," can trip up even experienced writers. Double-check these tricky pairs.

Consistency is Key: Be consistent in your use of tense, style, and formatting throughout your manuscript.

Consider a Style Guide: Depending on your project, adhere to a specific style guide like AP Style, Chicago Manual of Style, or your publisher's guidelines.

Line Editing

Line editing is where the magic of storytelling truly begins to shine. This stage of editing goes beyond correcting surface-level errors and focuses on enhancing the overall writing style, clarity, and impact of your prose.

Tips for Effective Line Editing

Sentence Structure: Evaluate sentence length and structure. Vary sentence lengths to maintain reader interest. Look for run-on sentences and fragments.

Word Choice: Opt for strong, precise verbs and nouns. Eliminate unnecessary adverbs and adjectives. Avoid clichés and overused expressions.

Consistency in Tone: Ensure the tone of your writing remains consistent throughout the manuscript. Be aware of shifts in tone that may disrupt the reader's experience.

Show, Don't Tell: Replace telling phrases with descriptive scenes and actions to immerse readers in your story. For example, instead of saying "She was nervous," show her trembling hands or racing heart.

Dialogue Polishing: Make sure your characters' dialogue sounds authentic and serves the story. Remove redundancies and refine conversations to convey subtext effectively.

Eliminate Repetition: Identify and eliminate unnecessary repetition, both within sentences and across paragraphs.

Read for Rhythm: Pay attention to the rhythm of your writing. Read your sentences aloud to ensure they flow smoothly and have a pleasing cadence.

Example: Line Editing in Action

Before: "He walked slowly into the dark room, and it was filled with an eerie silence."

After Line Editing: "He tiptoed into the dark room, which echoed with an eerie silence."

Line editing transforms a plain sentence into a more evocative and engaging one.

Plot and Structure Editing

Plot and structure editing is where the big picture of your manuscript comes into focus. It involves assessing the overall narrative flow, character arcs, and thematic coherence of your story. This stage ensures that your readers will be captivated by your tale from beginning to end.

Tips for Effective Plot and Structure Editing

Plot Evaluation: Review your plot to identify any inconsistencies, gaps, or unresolved subplots. Ensure that your story has a clear and engaging trajectory.

Character Arcs: Analyze the development of your characters. Verify that they experience growth, change, or transformation throughout the story. Characters should face challenges and evolve as a result.

Pacing: Assess the pacing of your narrative. Balance action scenes with moments of reflection. Avoid overly slow or rushed sections that may disengage readers.

Transitions: Ensure smooth transitions between scenes and chapters. Use transitional elements like hooks, cliffhangers, or thematic connections to maintain reader interest.

Foreshadowing: Check for effective foreshadowing to create anticipation and intrigue. Ensure that events and revelations are set up in advance to make them more satisfying for readers.

Climax and Resolution: The climax should deliver on the story's promises and conflicts. The resolution should tie up loose ends while leaving room for reader interpretation.

Character Development Editing

Character development editing is the key to creating characters that readers will connect with, empathize with, and remember long after they've finished your book. This type of editing focuses on making your characters three-dimensional and integral to your story.

Tips for Effective Character Development Editing

Character Profiles: Create detailed character profiles that include physical attributes, personality traits, backgrounds, motivations, and flaws. Refer to these profiles as you edit to ensure consistency.

Character Arcs: Analyze each character's journey throughout the story. Ensure that they experience growth, change, or development in response to the plot's events.

Dialogue Authenticity: Pay attention to character dialogue. Each character should have a distinct voice and speaking style that aligns with their personality.

Internal Conflict: Explore each character's internal conflicts, desires, and fears. These internal struggles add depth to their characterization.

External Conflict: Consider how characters interact with one another and their external conflicts. Ensure that their actions and decisions are in line with their personalities.

Consistency: Maintain consistency in character behavior, beliefs, and values throughout the story. Avoid abrupt character shifts unless they are well-motivated and explained. 

Style and Voice Editing

Style and voice editing is the stage where your writing truly becomes distinctive and memorable. It involves refining your unique writing style and ensuring that your narrative voice shines through consistently.

Tips for Effective Style and Voice Editing

Identify Your Writing Style: Reflect on your writing style. Are you descriptive and poetic, or concise and direct? Understand your natural tendencies.

Consistency is Key: Ensure that your writing style remains consistent throughout the manuscript. Abrupt shifts in style can be jarring to readers.

Narrative Voice: Identify your narrative voice. Is it first-person, third-person limited, or omniscient? Make sure your chosen narrative perspective aligns with the story's needs.

Character Voices: Pay attention to the unique voices of your characters. Each character should have a distinct way of speaking and thinking, contributing to the overall narrative texture.

Finding a Professional Editor

Writing a book is a deeply personal journey, but when it comes to the final steps of polishing your manuscript, it's essential to bring in a fresh perspective. This is where a professional editor comes in. They can help transform your work from good to outstanding, ensuring that it's ready to captivate readers. In this section, we'll explore how to find the right editor for your project.

When to Consider Hiring a Professional Editor

While self-editing and feedback from beta readers and critique partners are valuable, there comes a point when seeking professional editing assistance is crucial. Here are some key indicators that it's time to hire a professional editor:

After Self-Editing: Once you've gone through multiple rounds of self-editing and received feedback from beta readers, it's time to consider professional editing. You've taken your manuscript as far as you can on your own.

Before Publishing: Professional editing is essential if you plan to publish your work, whether traditionally or through self-publishing. It ensures your manuscript is in top shape, ready to impress agents, publishers, or readers.

For Complex Projects: If your project is particularly complex or requires specialized knowledge (e.g., technical writing, academic papers, historical accuracy), a professional editor with expertise in that area may be necessary.

Types of Professional Editing Services

Professional editors offer various types of editing services, each addressing different aspects of your manuscript. Here's an overview of the most common types:

Developmental Editing: This type of editing focuses on the big picture. Developmental editors help you shape your story, refine your characters, and ensure your plot flows smoothly.

Line Editing: Line editors dive into the nuances of your writing. They focus on improving sentence structure, style, and narrative flow, making your prose shine.

Copyediting: Copyeditors are meticulous about grammar, spelling, punctuation, and consistency in style and formatting. They ensure your manuscript is error-free and conforms to industry standards.

Proofreading: The final stage of editing, proofreading checks for typos, formatting errors, and minor issues that may have been missed in earlier rounds of editing.

How to Choose the Right Editor

Finding the right professional editor is a crucial step in your publishing journey. Here's how to make the best choice:

Research: Look for editors with experience in your genre. Explore their portfolios and read client testimonials. A track record of successful projects is a good sign.

Sample Edit: Many editors offer a sample edit or consultation. Use this opportunity to assess their compatibility with your manuscript. Check if their editing style aligns with your vision.

Communication: Clear and effective communication with your editor is paramount. They should understand your manuscript's genre, themes, and your specific goals for the project.

Budget: Get quotes from multiple editors and consider your budget. Editing can be an investment, but it's essential to find a balance between quality and cost.

Contracts: Before starting the editing process, sign a clear contract that outlines the scope of work, deadlines, fees, and any additional services. A well-defined agreement protects both you and the editor.

Choosing the right professional editor is a partnership that can significantly impact the quality of your manuscript. Take your time, do your research, and find someone who truly understands your work.

Editing Tools and Software

In the digital age, writers have access to a wealth of editing tools and software that can significantly simplify the editing process. These tools not only help catch grammar and spelling errors but also provide valuable insights into your writing style.

1. Grammarly

Grammarly is a widely recognized and user-friendly tool that checks your writing for spelling, grammar, punctuation, and style errors. It provides real-time suggestions as you write in various platforms, including web browsers, Microsoft Word, and Google Docs. Grammarly's premium version offers more advanced features like style improvements and plagiarism checks.

2. ProWritingAid

ProWritingAid is an all-in-one writing assistant that goes beyond simple grammar checks. It offers in-depth reports on readability, overused words, style issues, and more. The tool integrates with popular word processors and even has a Scrivener plugin for authors who use this writing software.

3. Hemingway Editor

Named after the renowned writer Ernest Hemingway, this tool helps you simplify your writing. Hemingway Editor highlights complex sentences, common writing errors, and suggests alternatives to improve readability. It's particularly useful for authors aiming for clear and concise prose.

4. Scrivener

Scrivener is a comprehensive writing and editing software designed for authors. It provides a flexible workspace to organize your manuscript, research materials, and notes. While Scrivener isn't an editing tool in the traditional sense, its robust features can streamline your editing process.

5. Google Docs

Google Docs is a versatile cloud-based platform for collaborative writing and editing. It offers real-time collaboration, commenting, and revision history tracking. Authors can easily share their work with beta readers, critique partners, or professional editors.

6. AutoCrit

AutoCrit specializes in helping authors improve their fiction writing. It analyzes your manuscript for issues like pacing, dialogue, and repetition. It provides recommendations to enhance your storytelling and writing style.

7. Hemingway App

Similar to Hemingway Editor, the Hemingway App identifies complex sentences, adverbs, and passive voice in your writing. It offers immediate feedback to help you simplify and clarify your prose.

8. Evernote

Evernote is a powerful note-taking and organizational tool. While not an editing tool per se, it's indispensable for keeping track of ideas, research, and notes during the writing and editing process.

9. Reedsy Book Editor

Reedsy Book Editor is an online tool that helps authors format their manuscripts for publishing. It's especially handy for self-publishing authors looking to create professional-looking ebooks.

Common Editing Mistakes to Avoid

Editing is a critical step in the writing process, but it's essential to be aware of common editing mistakes that can hinder your progress. By recognizing and addressing these errors, you can refine your editing process and elevate the quality of your manuscript. Let's explore some of the most prevalent editing pitfalls and how to avoid them.

1. Editing Too Soon

One of the most common mistakes writers make is editing their work too soon after finishing the first draft. While the enthusiasm to refine your manuscript is commendable, it's crucial to give your writing some distance. Take a break before diving into the editing process. This allows you to return to your work with fresh eyes and a more critical perspective.

2. Neglecting the Big Picture

Focusing solely on grammar and spelling (SPAG editing) during your initial editing rounds is a mistake. While these aspects are vital, it's equally important to assess the overall structure, plot, character development, and style of your manuscript. Neglecting the big picture can result in a polished but fundamentally flawed story.

3. Overediting

Yes, you read that right—overediting can be a problem. Constantly revising your manuscript without a clear plan can lead to a never-ending editing cycle. Strive for a balance between thorough editing and knowing when your work is ready to be shared or submitted.

4. Ignoring Feedback

If you've enlisted beta readers or critique partners, their feedback is invaluable. However, it's a mistake to ignore or dismiss their insights. Be open to constructive criticism and use it to refine your work. Remember that not every suggestion needs to be implemented, but each one should be considered thoughtfully.

5. Relying Solely on Editing Software

While editing tools and software are powerful aids, they are not infallible. Relying solely on automated editing tools without human oversight can result in errors going unnoticed. Always use these tools as supplements to your own editing process, not replacements.

6. Rushing the Final Proofread

Proofreading is the last line of defense before publishing. Rushing this step can lead to embarrassing typos and errors slipping through. Take your time to meticulously proofread your work or consider hiring a professional proofreader for the final polish.

7. Neglecting Style Consistency

Consistency in style, tone, and formatting is vital, especially in longer works. Neglecting these aspects can create a disjointed reading experience. Create a style guide or checklist to maintain consistency throughout your manuscript.

8. Dismissing Your Gut Feeling

Sometimes, you might receive feedback or advice that conflicts with your vision for your manuscript. While it's essential to be open to suggestions, don't dismiss your gut feeling entirely. Ultimately, it's your story, and your voice should shine through.

9. Not Celebrating Progress

Finally, don't forget to celebrate your editing milestones. Writing and editing can be long and challenging processes. Take moments to acknowledge your accomplishments and keep the motivation flowing.

Beta Readers and Critique Partners

I want to finally end this blog post by talking about beta readers and critique partners. While some people might argue they shouldn’t be mentioned in an editing blog I think it’s important to also include them. 

As an author, it's easy to become deeply immersed in your work, making it challenging to spot its flaws and areas for improvement. This is where beta readers and critique partners come in—a fresh set of eyes and perspectives to help you refine your manuscript.

Why Beta Readers and Critique Partners Matter

Objective Feedback: Beta readers and critique partners offer an objective viewpoint on your work. They can identify issues you might have missed due to your familiarity with the story.

Diverse Insights: Different readers bring unique experiences and preferences to your manuscript. This diversity of perspectives can highlight both strengths and weaknesses in your writing.

Identifying Weaknesses: Beta readers and critique partners can pinpoint areas that might not be immediately apparent to you. Whether it's character inconsistencies, plot holes, or pacing issues, their feedback is invaluable.

Tips for Working with Beta Readers and Critique Partners

Select the Right Readers: Choose beta readers or critique partners who have an interest in your genre and can provide constructive feedback. A mix of avid readers and writers can offer diverse insights.

Clear Guidelines: Provide clear guidelines or questions for your readers to focus on while reading your manuscript. This can help you receive specific and actionable feedback tailored to your needs.

Consider Diversity: Seek feedback from a diverse group of readers to get a range of perspectives and opinions. Different backgrounds and tastes can lead to well-rounded feedback.

Be Open to Criticism: Be prepared to receive both positive and negative feedback. Constructive criticism is essential for growth, and it's a sign that your beta readers care about helping you improve.

Take Your Time: Don't rush the feedback process. Give your readers ample time to read and provide their insights. Rushing can lead to incomplete or superficial feedback.

Ask for Specifics: Encourage your beta readers or critique partners to provide examples and specifics in their feedback. This makes it easier for you to understand and address their suggestions.

I hope this blog on Everything You Need To Know Before Editing Your Manuscript will help you in your writing journey. Be sure to comment any tips of your own to help your fellow authors prosper, and follow my blog for new blog updates every Monday and Thursday.  

Looking For More Writing Tips And Tricks? 

Are you an author looking for writing tips and tricks to better your manuscript? Or do you want to learn about how to get a literary agent, get published and properly market your book? Consider checking out the rest of Haya’s book blog where I post writing and publishing tips for authors every Monday and Thursday! And don’t forget to head over to my TikTok and Instagram profiles @hayatheauthor to learn more about my WIP and writing journey! 

#hayatheauthor #haya's book blog #haya sameer #haya blogs #writers on tumblr #writer community #writer tools #writer blog #writer stuff #writer wednesday #writer tips #creative writing #writers of tumblr #writerscommunity #writeblr #writing community #writer spotlight #writer things #writing prompt #writing tools #writing stuff #writing #writing life #writing inspo #writing help #writing advice #writing inspiration #writing ideas #writing things #writing tip

[andreal831]

TVDU: Vikings in the Americas

I do a decent amount of research for my fic (which is more than the TVDU writers can say) so I thought I would share some.

For my story, You're On Your Own, Kid, it is based on the Mikaelson's human life. This is a period for TVDU that I find very problematic, specifically how whitewashed it is.

The Mikaelsons would have been one of the first Norsemen to come to the Americas as the first recorded instance of 'Vikings' coming to this area was about 980. Even then, they predominantly landed in areas like Greenland and would not have moved so far away from the coast as where Mystic Falls is supposed to be located. It wasn't until around 1,000 that they sailed further south and landed in what we today refer to as the United States. That being said, the writers have always found geography to be more of a guideline than a rule. Even Elijah mentioning wild horses he remembered from his childhood is inaccurate. During this period, horses were not native to North America and were not reintroduced until the 1400s.

But the problematic part is how whitewashed their village is. Everyone we see in the flashbacks is white, except for Ayana and they give no explanation of why she is the only woman of color in the village (where is the rest of her family?). Even the werewolves who were supposed to be native to the area (*cough* indigenous erasure*cough*) were shown to be white. The show later goes back and shows the Lebonair pack to be indigenous but doesn't explain how Ansel and his pack are white.

And yes, it would make sense for them to settle in an area where other Norsemen have settled, but that raises the question of who they were training to fight. Like most white colonizers, it was likely they were raiding and fighting the indigenous people of the land. We even see a scene where Klaus goes to show someone mercy and he looks as if he could have been an indigenous person.

Many Vikings who came to the 'New World' traded with indigenous people, but here we see Mikael keeping the land by force. To me, this is an unnecessary choice by the writers when Norsemen had a history of trading, they didn't have to be murderous colonizers.

We also see a lot of modern-day stereotypes/assumptions placed on the village. Like Rebekah not being able to hold a knife, when in fact the Norsemen actually valued their women and many of them learned to fight. While women were still viewed as inferior to men and it was very much a patriarchal society, the representation we see in TVDU is more of a European-centric view of women.

Additionally, Vikings were not all warriors. Most of them were farmers. Yes, they wielded swords when necessary and as a culture idolized their warriors, but for the large majority of the time, they spent their time farming or fishing. This is especially true before the religious conflicts between England.

When they did fight, much of their success was due to their navy (which would not be very helpful in land-locked Virginia). They also have such a fierce reputation because the English believed them to be 'barbaric' much like they described the natives when they colonized the Americas.

Elijah mentions that Mikael was a wealthy landowner when we first learn about his family. Land he likely stole from indigenous tribes. Additionally, who is farming all of this land? Vikings were known for taking slaves from lands they raided (we even see this is how Dahlia and Esther are taken), which here would be indigenous people. While Mikael is not a character that is glorified, the indigenous erasure is wildly problematic.

I know it is just a fun CW show, but a little research and sensitivity on these topics would have been appreciated. Throughout the show, we see the (white) Mikaelsons living quite lavish lifestyles but the show fails to acknowledge the people that got them there.

#tvdu #the mikaelsons #the originals #the vampire diaries #tvd #klaus mikaelson #elijah mikealson #finn mikaelson #kol mikaelson #rebekah mikaelson #mikael #esther #vikings #long live the mikaelsons

[chirpsythismorning]

Was this really necessary?

A lot of fans complained about s4 being too overpacked with unnecessary filler. But I would argue that almost everything was important (yes even the Russia scenes, but that’s another conversation for another day).

Especially when it comes to scenes you thought had no significance at all, it’s entirely possible, and even likely those kinds of scenes hold the most meaning beyond what is presented on the surface.

If you ever found yourself thinking certain wording came off almost hokey or out of place at times, it’s bc they were probably trying to find a creative way to hint at something deeper, completely separate from the moment in the present, and believably, so that fans can overlook it at the time temporarily, only to eventually look back in the future when all is revealed and go holy shit nvm it was right in front of us.

And in scenes that we called pointless filler…

It’s actually genius.

You get people to underestimate you, only for it to be revealed that you gave them all the answers right in front of them. Unfortunately fans were too busy complaining it was pointless to notice.

This sequence in particular comes to mind:

Mind you, this isn’t the first time cow imagery has followed Joyce around. I’ve been focusing on the owl/deer imagery lately. But during that time I was reminded of a few notable cow decor items throughout the Byers and when Joyce is in the frame… Combine that with the pregnant belly comment, combined with the brother and sister watching Joyce, combined with the scene that was directly before this of Will and El as she cries over her Hopper diorama with the song Crib playing…

And in case it went over your head…

#byler #stranger things #stranger things theory #twelvegate #willel twins #willel literal twins #joyce + hopper = willel twins #+ jon #st5 predictions #pregnant with an explosive device... #funny how ppl said scenes like joyce in 4x01 were pointless #bc idk maybe it's just me but that all seemed like double meaning going right over our heads... #and yeah the Russian scenes are fucking crazy #twelvegate wise

[altraviolet]

I have to ask while I’m not at my shyest—

How are you able to achieve writing the more dramatic scenes without making it seem too dragged out to sound unnatural? Like each scene, no matter how small, has its own unique depth that’s so comprehensible, and flows so nicely with every other connecting paragraph.

I remember having trouble trying to give characters their own downtime scenes, because whenever I read them out loud they sound too rushed. But if I use too many big words it doesn’t sound… natural anymore…

If that makes sense?

Do you just drag out the situation with “fancy” and long words, or is there a more thought out system I’m not experienced enough to know about yet?

This is an interesting question! Thanks for asking :D

>But if I use too many big words it doesn’t sound… natural anymore…

Yup yup, correct. You don't ever want to use big fancy long words to drag out a scene. In fact, your goal should never be to drag out a scene. The scene should be exactly as long as it needs to be. What does that mean, exactly? It means your scene should impart all the information it needs to impart while still feeling complete, but without feeling like it's dragging.

Quick example: you have a scene where two characters need to talk to each other. The goal of the scene is for one character to tell the other some important information. The way they arrive and depart from the location of the scene isn't important. The convo is the most important thing.

It would be very easy to write this scene and have it be too short. As in, literally too short to even make sense. But I'm wondering if what you're actually asking about is a term called "underwritten." An underwritten scene, in this example, would feature two characters who speak lines at each other, and you have no idea where they are, what they're feeling, or what's going on around them. In contrast, an overwritten scene, in this example, would have the characters' conversation go on for way too long. They would talk about all kinds of unimportant things. There would be all kinds of unnecessary description about the table they're sitting at, and what the room smells like, and what each character is wearing, and what the music in the background sounds like.

A properly paced and written scene will have the necessary information (the point for the scene to exist) and an appropriate amount of description (to ground the reader in the location so they know what's going on).

If you have an underwritten scene, you need to add some details. But you don't want to just start throwing long words in there. You have to add details that make sense. Bonus if the details serve more than one purpose. So, for example, say you have 2 characters sitting at a table. There is a tablecloth. If one of the characters is nervous, you can have them folding the edge of the tablecloth nervously. This tells the reader that 1) there is a table with a tablecloth, and 2) the character is nervous. You can do that with many details. If the character hears background music, you can note whether they find it annoying or pleasing, or if it reminds them of something relevant to the conversation. The important thing here is to pick details that add to the scene. They should tell us something about the characters' thoughts or moods or intentions. Yes, of course, you will need some details that purely describe the location... but what if you described the location from the character's point of view? What do they notice? Telling the reader what the location looks like through the characters's eyes is wayyyy more powerful and interesting than just stating plain facts.

Here's an example of the reader looking at the location of a scene through Tailgate's eyes:

Tailgate tried very, very hard to ignore the angry, black monster hunched on the end of the couch. He tried very hard not to see its weird, smooth biolights that slowly shifted from blue to purple and didn't have any white dots like a normal mech's. Tailgate tried very hard not to hear its hissing laughter, when it deigned to laugh. If that was laugher. Was that laughter?

In this paragraph the reader learns:

that Tailgate is heckin' afraid right now

how he views Soundwave (as a monster)

the fact that he can't stop looking at SW (giving the reader details about SW's biolights means Tailgate has been looking at them)

Tailgate isn't sure if SW's laughter is laughter. that's how alien/scary SW is to him

Tailgate is giving us a point of view we don't see often: how SW looks to others. This paragraph is written very differently than most of the rest of the fic because we are seeing through Tailgate's point of view.

One thing you can do to help lackluster scenes is give them more than one reason to exist. For ease of example, I'm gonna give out some names here. Alice and Marina need to have a conversation. That is the point of the scene. But if Marina notices Alice looks sickly, then the scene is serving two purposes. You don't need to have 2 tiny scenes of "Alice and Marina talk" and then later "Marine finds out Alice is sick." Both things happen in the same scene. You can have multiple things happen in the same scene, and this helps to fill out the scene and keep it interesting. Note- I'd recommend it be many small things happening, not many big things (though that can be appropriate sometimes).

Here is an example of the very beginning of a chapter from Echo Garden, where the point of view is firmly rooted in a character and the reader learns many small things:

Even though Brainstorm had given him ample time to prepare for a laboratory invasion, Perceptor was still put off by it. He swiveled his lab table around and rearranged the holo screens away from any prying eyes. Beyond the transparent graphs and equations, the alt-dimensioners sank into their seats.

In 3 sentences the reader learns:

point of view character: Perceptor

location of the scene? in the lab he shares with Brainstorm

what is Perceptor doing? Perceptor is working on something.

how does Perceptor feel right now? annoyed. and he's concerned about people looking at his work. he moves his table and rearranges his holo screens "away from prying eyes"

other relevant details? the alt-dimensioners are also there: when they are mentioned later in the scene, it won't feel sudden/surprising. in fact, the reader probably feels that they'll be an important part of the scene. the reader feels this way because they've been mentioned in the first paragraph with the POV character

That one paragraph did so many things! And the introduction to the scene continues along a few more paragraphs, which ground the reader deeper into Perceptor's point of view. None of the details in the scene feel unnecessary and no big words were needed.

So, with all that in mind, you've asked me how I construct a scene so that it feels like it's the proper length. This is generally what I do:

-identify which characters need to be in this scene

-identify why they need to be in this scene

-identify the location

-is how they got there important? if so, write that in. is how they leave that location important? if so, write that in. if not, just start the scene as soon as possible to the action it contains

-if possible, have the scene have multiple purposes. a convo happens, a deep dive into emotion happens, decisions are made, plans are made

-when editing, reread and see how it sounds. if the detailing is sparse, throw a little bit in (not too much). if the location is confusing, put some grounding details in there. if some of the dialog is confusing, smooth it out

-make sure the scene makes sense from beginning to end. characters don't make nonsensical leaps of logic in conversations. characters don't move in unnatural or impossible ways through the location.

-make sure the scene contains all the info I need it to contain

-edit a whole bunch more

Whether you're writing a dramatic scene or a downtime scene, the theory is the same: you need to make sure all the necessary details are there and that everything makes sense. The writing process is not different between the two. For me, what's different is the emotional intensity I feel on the inside while writing, and the abstract thinking that I do while fleshing out the scene. It's a lot easier on the mind to write downtime things than dramatic things xD

Here are some videos you can check out =)

Alex Donne explains what underwriting is and how to help fix it. This is explained in the context of writing a novel, but you can adapt everything to fic:

Quotidian also has a video about underwriting (and overwriting):

If you're underwriting, you need to add in more details. This video, also by Quotidian, is absolutely amazing at teaching what kind of details to add:

I highly recommend both of those youtube channels! Check 'em out :D

Hope that helps! Best of luck writing your scenes. You got this 👍😎

#sphnyspinspin #scenes #writing advice #long post #very long post #underwriting #details

[slayingfiction]

Preliminary Editing

Hi! There are 4 stages of official editing: 1. Developmental/structural editing, 2. Line/stylistic editing, 3. Copy editing, 4. Proofreading. These are tips to do before these stages.

Here are some ways to edit your book as you work from your first to second, third, fourth, etc. draft, before you start officially editing, or better, hiring someone to do it for you.

Start by going through chapter by chapter, and rewriting all the prose you find cringy, or that you don’t find flows well. Cut any information and scenes that you find unnecessary, or that has no value in the story.

Add all the small details you forgot to add, or only thought of after writing the chapter. Every single event in your story should be able to be tracked back to a specific moment that caused the cascading event, and therefore the consequences.

Add or change all details so that the story is cohesive, and there are no plot holes. Your MC has OCD? Make sure the entire story they are exhibiting those symptoms. Your MC has a pet? Make sure you know where they are at all times, and what they are doing, even out of scene.

Change your verbs to ensure you are always using the same conjugations. I usually mix past and present during first drafts. :(

Go over all dialogue to make sure all dialogue is representative of the characters speaking. From personality distinctions, mannerisms, dialects or language barriers.

Add description, the 5 senses, where you feel it should be more descriptive, or find different ways of describing your story, instead of always using the same words or adjectives.

Improve writing by being more concise with your words. Example, remove all “very ****” and get better adjectives or adverbs. Take out ‘very fast’ and replace it with quickly or hastily, rapidly, swiftly, or instantaneously. You can also remove most instances of words like possibly, may, might have, likely, probably. They did or they didn’t, just choose one.

Double check the accuracy of all the information you’ve used. From fighting styles, to when people need their passport, or how your world delivers communication in a technology free world, etc.

Share your work. Beta reader, or alpha reader. It doesn’t matter, get someone to look over it to point out any problems you may not see and then adjust accordingly.

Repeat as necessary until you are ready to do the 4 stages of official editing.

When you have feedback, try not to take it personally, though you almost always will at first. Be proud of yourself for the work you have accomplish, and know that it’s not done, so it’s ok to not be perfect. I promise you, as likely it is that someone doesn’t like your story, it’s just as likely someone will love it. Just find your people.

You don’t need to do all these steps separately, but also don’t do them all at once, or you will likely miss some details. Try to do 2 to 3 full preliminary story edits before the official ones.

Happy Writing :)

#writing tips #story writing #writer #book edit #writer things #writing advice #writing community #writers #tumblr writers #writers on tumblr #writing life