#the movie obviously disagrees with me anyway | Explore Tumblr Posts and Blogs

lowkeyremi · 8 months

Note

Dating the teacher P2 plsssss <3 (if you want to do a part 2)

I was actually thinking about doing part 2 I just wasn't sure when, thanks for prompting me to do it :)) also sorry this took me so long, my motivation is still slowly coming back, which also explains why this is so short

"Mom I swear the hot cocoa's good! Just try it!!!" Denki tries for the 5th time? You think it's the 5th, you started tuning him out because you're nervous.

It's christmas break for Denki, and you decided that it's finally the time for him to meet your boyfriend... his teacher.

"I'm good hon, I promise." You offer him a smile and he returns it.

"Okay! Anyway, I'm excited to meet your boyfriend. He's nice right? If he isn't I don't think we'll get along. You deserve to be happy after being alone for fifteen years." Denki's been chatting your ear off about Shota for the past two days (since he got back home). He doesn't know it's Shota though.

Denki made one of those ugly sweaters for him, so he could match you and your son. He wants to be a "happy family" his words not yours, you thought the two of you were a happy family, but Denki had said, "we're happy but not complete! Do you know what I mean? I don't know just ignore me." His words repeated in you're head for awhile.

It's true that you're happy.. but are you complete?

You're pulled out of your thoughts when the door bell rings. You can feel your stomach drop, "I'll go get it!" Denki runs to the door, you spring up off the couch and follow after him. He opens the door, "Good evening, Denki."

"Mr. Aizawa?!" Denki yells in surprise. His body twists to look at you.

"Are you sleeping with him to get me good grades?" Denki asks, and you open your mouth in shock.

"Denki! What the hell are you talking about? You get good grades because of your effort!" Aizawa quirks a brow at Denki's question.

"I'm so sorry Shota, come in." Your child is still in slight shock at the fact that you're dating his teacher.. teacher!!!!

------

The first couple of minutes are awkward. Shota's sitting next to you on the couch and Denki's sitting on the single seater furthest away from the couch. He doesn't say a word while the movie's playing. Obviously he's not too interested in it, he must be thinking you presume.

Shota rubs his large, warm hand up and down your thigh, an attempt to comfort you. "He'll come around, don't work yourself up over it." He whispers into your ear. You really wanted to cry, in your mind you'd hope everything would go well but with the way your son is distancing himself from you... must mean he doesn't approve, right?

"I hope so, I really want him to like you, Sho." Those comforting arms of his wrap around you. Shota Aizawa is the world's best cuddler, and anyone who disagrees can fight you.

"Mom."

Those nerves which just settled jumped sky high once again, "yes, baby?"

"I'm uh- happy for you. Hope you didn't get the wrong idea. I was just kinda shocked y'know. Like, Aizawa sensei of all people.." he trails off not finishing that sentence.

"I can assure you Denki, that I treat your mother well. Just as I take care of all my students. I'm sure you must think I'd be the last person to be domestic." Shota's voice is smooth as always and you calm down a little bit. Nervous breath slows into something somewhat normal.

"That's exactly what I was thinking! You're always in that sleeping bag and stuff. And you're mean sometimes!" Denki whines slightly and you take the opportunity to slip into the kitchen.

You'll let them talk, man to man... or man to boy? You'll never accept time aging up your baby boy.

The kitchen smells delightful, it's just cold enough for chicken noodle soup, so that's what you've decided to make. It's a recipe passed down in your family but you like to add your own little twist which makes it special.

If anything goes with chicken noodle soup it's grilled cheese. The cheese melts perfectly with the bread while it's cooking on your greased griddle. It's only been about thirty minutes since you escaped the living room and you hear Shota and Denki laughing together.

That weight on your shoulders has suddenly been lifted and relief settles in. Thank God, you were scared things would go south.

"Mom, you have to keep him. He told me he took you sky-diving for your birthday! I would have never expected him to go sky-diving but he went because you wanted to." A big smile cracks on your face when you see that glimmering shine in Denki's eyes.

"Hey Mr. Aizawa does that mean I can call you Shota outside of school?!"

"Shota, dad, whatever fits the bill, kid." Shota wraps his arms around your waist and places his chin on your shoulder. (i think i have an obsession with men hugging you from behind)

"That smells so good, pretty mama." He breathes out evenly. Your own breath hitches at the new nickname.

But of course your ever loving son ruins the moment, "ewwwwww disgusting! Can you flirt when I'm not right here?! I might barf in my chicken noodle soup."

Somehow you and Shota roll your eyes in sync and Denki snorts.

"I love you mom and dad." He says softly.

That fucking does it, the tears spill. Happy ones at that. Your son has accepted Shota into his life. You expected it'd at least be a few months, maybe years before he'd start calling him dad, but you figure with no father figure in his life, having one right now must mean the world to him.

"I love you too my sweet little boy." Shota wipes those tears with his big scarred hand.

"I'm actually not little I'm about sixteen years old." He argues.

"You've still got a few months until you're sixteen."

#bnha #mha #bnha x reader #mha x reader #bnha aizawa #aizawa shota #aizawa shouta #shota aizawa x reader #aizawa shota x reader #shota aizawa #shouta aizawa #aizawa #aizawa x reader #aizawa x you #aizawa x y/n #my hero academy

231 notes · View notes

pevensiegiigi · 8 months

Text

My problem with the Prince Caspian movie

The reason i love CN:Prince Caspian is because of how Andrew Adamson squeezed the emotions out of Peter. From the frustration of being an adult locked in the life of a child who wants to return to his land/country, the happiness of returning to that place he loves so much, the sadness of knowing that it was destroyed, the anger of knowing that a descendant of his destroyers would be the one who would ascend to king of his country and the guilt for being forced to leave Narnia again with no possibility of return.

My post is not to talk about those emotions, but i wanted to mention them anyway.

My post is to talk about my dissatisfaction with how everyone in the movie mocks Peter's words and orders, ignoring the title of high king. Except Edmund and Reepicheep; the rest, from Lucy and Susan, who are his royal sisters, to Trumpkin, Caspian, and Glenstorm, who are his subjects, disrespect his title of high king.

First Trumpkin by not addressing him with respect throughout the film, mocking his nickname, berating him for "leaving Narnia" and then making a fool of himself in the Stone Mountains when they searched for Caspian.

He is followed by Caspian, who equally disrespects Peter's position. Caspian is a prince from distant lands who intends to rule lands that he does not know, wanting to review the words dictated by the great king.

There's that scene where Peter suggests infiltrating the Telmarines' castle and Reepicheep asks, "What do you suggest, Your Majesty of him?" and both Peter and Caspian respond at the same time, a staring match ensues between the two which Peter obviously wins. The thing is, Caspian shouldn't have answered Reepicheep's question in the first place because the rightful King of Narnia was present let alone challenge him with his eyes because, I repeat, HE IS THE GREAT KING OF NARNIA and, not least, peter is Older than him. . . Maybe he didn't know it or maybe he did, but humanly Peter at that time was 31/32 years old although he would look like a child and as if that were not enough in the years of Narnia, Peter is 1300 years older than him, while Caspian was around 17 Just years, so...

Peter's plan to infiltrate the castle would have worked if Caspian had followed Peter's orders and we all know that, but no. He completely ignored Peter's order to go to the door and Susan supported that disobedience, don't get me wrong, but i'll tell you how it is. It's not just Caspian's fault that the infiltration failed, if Susan had supported Peter instead of Caspian, everything would have worked out and Cornelius would have been released at the end of the infiltration.

Caspian's most obvious disrespect towards Peter was challenging him to a duel in front of his people when Peter called him a usurper and it's not entirely a lie, he really was a usurper. From the moment he thought he was the leader of the Narnian rebellion, even knowing that he had called the old monarchs, he became a usurper, or at least it was for me. I understand Caspian will get mad at being called a usurper, but he called Peter irresponsible as if Peter wanted to leave Narnia when he didn't and then dared to duel him on HIS EARTH!?!?!?! The least he deserved was execution.

Third, Glenstorm. The mere fact that he was looking at Caspian as if he was waiting for his orders to follow the ones he received from Peter is disrespectful.

Lucy when she pretended to embarrass him by reminding him that it was Aslan who defeated the white witch, not him. I UNDERSTAND that being her sister he has every right to reproach her if she disagrees with something because he is also Monarch of Narnia, but why didn't she do it in private? At that moment, she took away from Peter part of the authority over the others.

I'm a little glad that at the end of the film in a scene they let us see how Peter showed that his title of Great King and his nickname of magnificent, he didn't have them just for decoration. However, it bothers me that throughout the movie they tried to make him look stubborn when he was just angry and outraged.

Peter is the character in the entire saga that carried the most weight and yet he did not complain about what Aslan gave him, his greatest wish was to return to Narnia and stay there for the rest of eternity, which he achieved.

That's why i love the movie 50% and hate it 50%.

#peter pevensie #chronicles of narnia #narnia #the chronicles of narnia #prince caspian #trumpkin #lucy pevensie #susan pevensie #edmund pevensie #cs lewis #no character is perfect #I'm just a little angry after watching the movie #Peter deserves much more love than he gets #I love all the characters it's just my opinion

163 notes · View notes

sxs-kav · 19 days

Text

I saw Frozen Empire, so obviously I have to talk about it. Spoilers ahead.

Also disclaimer that these are my personal feelings, so if we disagree that's okay too!

So, overall I would rate the movie as good. Not my all time favorite in the franchise, I think that will always go to the original, but I enjoyed it. The story could have used a little work in some parts, but hey, nothing is perfect.

Favorite part of this whole movie: one Dr. Raymond Stantz, hands down. He is so cute as an old man-child whose enthusiasm hasn't waned the least bit over the years. Honestly, in Afterlife he seemed like he'd become cynical, but here his true nature really rang through. And I adore him being a mentor for Phoebe and the other younger characters, while also getting into mischief with them. That little sparkle in his eye when Phoebe asks "Aren't you retired?" No, Ray is never retired, he will always be ready to suit up.

I also loved in the police station when Phoebe was standing up to Dickless Peck, Ray had this face like he was so proud, like he could see Egon in her, memories of him saying "YOUR MOTHER!" 😆

The other thing I liked about the movie was the expansion of the Ghostbusters as a business, with the research lab. First off, I love that Winston, the one who didn't even believe in ghosts when he was hired, is now almost like the CEO of the company. But also, it opens up more possibilities for this new era and allows for more playing with the world building. Though I feel like it was a wasted opportunity to put in some easter eggs for TRGB. Unless the ghosts featured were in the (*shudder*) Q5 episodes, I didn't recognize any of them from the show. Then again, I guess they're newer ghosts so that wouldn't make sense, but maybe they could have been similar kinds of ghosts. Just as a small reference.

Other favorite parts include:

-The near-lesbian romance between Phoebe and Melody

-Ray smuggling the Mini Pufts from Oklahoma (because of course he would)

-Also just the Mini Pufts in general (why are they so violent?)

-The way Ray's face lit up when Peter came to the firehouse

-Peter being proud that Ray quit smoking

-Peter's unwavering faith that Ray's idea is good and will work, and saying they all trust him

-The library ghost (did they never go back to get her???)

-Gary saying the words to the theme song

-Janine in uniform!

-Slimer eating the pizza with the posesser ghost in it

Now, onto the areas that I felt were not as strong. First of all, I found it wild that Phoebe was being ousted by everyone without any kind of fight. She's the one that started the whole thing up again, she's got the passion, she's got the brains, she's got the glasses and the curls! Her mom says a grand total of NOTHING to defend her in Peck's office, and they all just accept that she can't be a Ghostbuster anymore. Yeah, they don't want to get sued, but it's just weird to me that they don't even seem like they feel that terrible that she got benched. Callie and Trevor are very callous about the whole thing. Only Gary seems like he gives a shit, and he's not even her dad. The way Phoebe's benching ended wasn't all that satisfying either. It would have been nice for the other three to maybe struggle a little without her, realize they need her to balance the team, and try to find a way to get her back. Winston was really the one that got Peck off their backs in the end, no thanks to anyone else (also, I'm pretty sure in that scene, someone in the crowd yells 'dickless' 😆).

Side note, I really don't like Callie's character that much. I think she's self-centered and doesn't seem to care about the kids' feelings unless the situation becomes dire. Maybe she does deep down, but mostly her attitude about everything stinks. Idk, I wouldn't care if she wasn't in the movie at all.

Anyway, back to the plot. I liked the idea of Phoebe's plotline. I wish they'd gone all the way and had her and Melody kiss, I really thought that was coming when she separated from her body. But I have an issue about that particular moment. The decision to suddenly put herself in the chamber like that seemed to come out of nowhere, at least I thought so. They made it like Melody was supposed to be the one tricking her into doing it, but she really never said anything to convince her. Phoebe just decided on her own to try it. I know she mentioned a couple of times wondering what it would feel like to be a ghost, but it wasn't a strong enough buildup to such a risky move. Honestly, when she asked Ray about him wanting to be a ghost, coupled with Winston saying Ray was going to get himself killed, I thought they were foreshadowing killing Ray (and thank God they didn't!).

They also hint at Phoebe specifically being the one that needs to be used but why? Anyone could have been tricked into the chamber and been controlled by Garaka for the chanting.

But moving on from that, the other issue I have is with the firemaster. He was a little too good at controling the fire after what, a couple of hours of practice? I think the character could still work, he could still be a quirky weird guy, but I think I would have made him more of a reluctant inheritor of his grandma's powers. Maybe he struggles with it at first and he figures he can sell the artifacts to Ray to get rid of the responsibility. Then later he can finally accept his fate to help beat Garaka when he starts believing in himself.

Those are the only major parts that I felt could have been tweaked. Besides that, I would have loved to see Slimer and Ray get a moment, just as a nod to their friendship in the show, but I guess they want to stick to one continuity. Of all the things they could have referenced from the show, though, it had to be the Junior GB 😆 It was just a throwaway line, but still, I don't want to remember they were a thing.

Tl;dr, the movie was good and there were a lot of parts I really enjoyed. For the parts that were weak, I'm confident there will be another in the future, so hopefully they'll keep improving.

Also, who the hell voted for Peck to be mayor? I bet he rigged the election.

#ghostbusters #frozen empire #peter venkman #ray stantz #egon spengler #winston zeddemore #phoebe spengler #janine melnitz

32 notes · View notes

joyswonderland1108 · 1 year

Text

Letter

I hesitated to write this post, i did say in another post that i decided to post it later (wow that’s a lot of “post” in the same sentence lol) so i can say that this has been sitting in my drafts since hours ago but i guess i’ll just post it anyways. As you can guess it’s about “Letter”

So as you may know, Jimin brought us a surprise which is a hidden track called “Letter” with JK doing background vocals (The Jikook subunit we never knew we’d get, well close enough i still see it as a subunit i don’t care sue me), thing is, i’ve seen some “theories” going around it about how “It’s a letter to us 🥺” or “It’s a Jikook song” and well.. I don’t agree with either one of those, why? i’ll tell you

Yes despite being a Jikooker i’m not a crazy cultist to come up with theories where i just stop seeing Jimin and JK as two individuals, we don’t do that in this house. So reason why i disagree is because this album is supposed to about Jimin all about himself, about facing himself, about growing out of a toxic past, leaving it behind and taking new fresh steps full of acceptance of who he truly is, he said it himself he didn’t want to have any collab because it wouldn’t make sense for someone else to sing about what HE feels.

Now “Letter” is supposed to come after “Like Crazy” English Version, well not really after it but it’s part of it, and i know that not everyone is smart enough to understand the message, many ignored the purpose of the album completely and the clear messages written ON THE ALBUM to interpret it but let me just rewrite it (i know damn well the homophobes will turn a blind eye to this) On Jimin’s album this is what’s written

Key sentence : The reflection of myself in an unfamiliar appearance. Despite people freaking out about “OMG i thought they were going to kiss” “It’s a break up song and the girl is supposed to be his gf/ex-gf”

(Okay i know i’m now talking about Like Crazy while the initial post said i was going to talk about Letter but trust the process)

While Jimin did say that Like Crazy was based on the movie, it also wasn’t LITERALLY based on it, there’s this general idea, a story each can relate to it their own way and that’s what Jimin did, In an interview this was his reply

Key word : Ambiguous.

Jimin isn’t making an OST for the movie so why would anyone think he’s taking the literal story for his song? Going back to what he said about his reflection and the girl that made people go crazy without doing the minimum effort to understand, she basically represents Jimin himself, they walk towards each other but never collide because they are reflections

And to give you more insight about this, this is basically coming from “The Four Carl Jung Archetypes”. Carl Jung identified four main archetypes: the persona, the shadow, the anima or animus and the self. These are a result of collective, shared ancestral memories that may persist in art, literature and religion but aren’t obvious to the eye. These recurring themes help us understand the Jungian archetypes.These Jungian archetypes represent a journey from an unconscious state to individuation: a merging of the conscious and the unconscious.

What people also failed to notice is the very clear queer-code in the MV, from the colors, little details, clothings, etc.. As someone said on Twitter “This feels exactly like how my gay ass feels when i’m in a bar surrounded by straight people”. The outfit :

Which has Robet Michael Mapplethorpe in it

Now this one is my very own interpretation so take it with a grain of salt but this

Personally to me, him sitting between a woman and a man kissing says a lot to me. It’s the fact that he’s in the middle.. I’m not going to further explain those who get it get it, those who don’t don’t. But that’s my own personal interpretation i’m just slipping it in here.

Now that this is out of the way let’s go back to “Letter” this whole talk about “Like Crazy” is mainly because to me Letter is related to it since very obviously both tracks are one technically speaking. So while people think it’s a letter to Army but i’m over here like “If it’s a letter to Army, why is it hidden? Why would they make it so that it’s only accessible to people who have the physical album? I thought the purpose of an Army dedicated song was for it to be OFFICIALLY out for all Army to listen to” because yes despite that being uploaded online by other Army but if we all decided to be petty and selfish af, this won’t see the light of the day on the internet and that defies the whole purpose of a song for Army.

As i said above this album is about himself, he’s talking about his own struggles so saying that this is an Army song as if Army are a struggle too is a bit.. And that also on his very first solo album where he’s supposed to focus on sharing a message about himself. When Hobi decided to dedicate a song to Army he didn’t put it in JITB it was a separate single, Joon didn’t have no Army dedicated song in Indigo either because again their solo Albums are about themselves, it’s a journey to share with us their individuality and their own colors. Jin didn’t have much of a choice he had to leave for MS there wasn’t enough time for an album or maybe he himself didn’t really feel the need to make an album and his main focus was to make a song for Army which he did and gifted us Astronaut. (GOD I MISS JIN)

The lyrics too, i as Army and as Jimin’s FAN, it didn’t feel directed to me. “Now I'll be the one to hold you, When you want to cry, So you won't trip and fall” or even “Because we don't know what days await us, Though it's scary, though we're afraid, Never forget that we're together” those feel like something related to himself as well, let’s also not forget that technically speaking it’s related to “Like Crazy” too which i explained above, why would anything Army related be scary? Why would we be afraid? What is there to be afraid of? Also how will Jimin hold us when we want to cry?

I also said that i disagree on the fact that it’s a “Jikook song” i don’t know how to explain precisely but some people seem to interpret it as THEIR song whereas even if Jimin is actually singing about his relationship with JK it’s still about his OWN feelings, his OWN promises, his OWN confession, despite JK doing the background vocals in which they harmonized so very beautifully kudos to them, i still think it’s all about Jimin, yes there might’ve been a reason why he chose JK himself for that or maybe they chose that together because really it could’ve been anyone and JK could’ve done the background vocal to any other song in the album yet it was on this one. He really did a lot of effort to open up to us so i really hope people see it as his pov on everything.

I made a post relating the song to There for You from GCFT and yes quite honestly to me it feels like a response to “I’ll be there for you but you gotta be there for me too” and yet again it still goes back to the same thing, it is Jimin’s OWN reply. I also noticed how Army songs didn’t have other members in them (well i mean Army songs in this solo era) so again why would this be an Army song if JK was in it? I don’t even know if all of this makes a lot of sense, can’t say i’m the best with words but i tried to convey how i see it.

Oh and let us be reminded that this was his reaction to knowing we found out about and and so cheesily saying that he won't tell us about it for now lol

Boy what are you all giggly and shy for?

🧐

(Tagging this under Jikook because i don’t trust the rest of the fandom that much)

#jikook #Kookmin #minkook #mingukkie #park jimin you are so precious #jungkook i love you for the spoilers and thank you for beautifully harmonizing with boo

217 notes · View notes

system-of-a-feather · 3 months

Text

Man finally got around to watching the "Mr. Monk's Last Case" that I've been meaning to watch since it came out and I always forget just how relatable Monk is to me and how it really just hits home a bit too much how Monk lives and views himself

Like I'm sure a lot of people read the show like its a "haha OCD so funny" gag and I know some people get really mad because "OCD is treated like the butt end of the joke and no one with OCD is actually like that" but it really never felt that way to me as someone who has OCD - particularly because I cope with it the same way.

I totally understand the people that do not relate to it, OCD has a wide way of presentation and an even wider way of coping with it and that is not taking into account co-morbidities, the one in particularly that I think is most important when judging Monk - is C-PTSD and the MAIN one, while not directly mentioned, autism.

Cause the way they DO handle Monk's mental health, both in the original series (which I've watched at least 5 times over in my life) and the newest movie, while silly and haha at times, has always been so realistically done to me that it unironically is the only show or series or movie or game that had nearly made me physically cry because when it DOES get real into Monk's mental health, it gets pretty real, arguably too real.

I think if you are to talk about it as JUST OCD and treat this as "media representation of the average individual with OCD", people are right to say that its not good because I agree, Monk isn't the average individual with OCD and it does play into harmful stereotypes and generalizations of OCD. Monk is advertised as that a lot, so that advertising I disagree with. But if you actually watch the show, the show does little to hide that he has co-morbidity with PTSD / C-PTSD and while they don't outright say it, he is obviously autistic.

And as someone who's dad is has C-PTSD, Autism, and OCD and as someone who ALSO has C-PTSD, Autism, and OCD.... It's really really really fucking accurate and hits home. Something my mom, who lived with THREE people with that matching set of co-morbidities, loves and agrees is super relatable to how it was like living in our house.

And that is where it really gets me when people say "its a bad representation of OCD! OCD doesn't looks like that" cause... yeah it does, for at least three people I know with OCD. Are we a specific minority within the group of OCD? Probably, but we still have OCD.

I dunno man, episodes with Monk's mental health being talked about gets me in ways few things do and I will die on the hill that Monk's shit is very well done and accurate albeit to a specific subset of people with OCD.

And also on the point of it "being the butt of the joke"...

For me, my OCD and literally all my mental health conditions are often used as the butt end of the joke. And I'm not saying that people are wrong for being upset, but chronic mental illness symptoms after you get really used to them and adapt your life to them and just embrace your unique way of living.... it's kind of hard to not find a lot of the quirks in light humor?

Like my fiance always said it about his year with severe Chrons "at a certain point when you are in the hospital having shit come out both ends, you just have to laugh at it cause thats funny shit right there."

I don't think I would have survived recovery with any of my mental health disorders if I didn't take some of the quirks that came out of my adapted life style to be funny and love them anyways.

As long as there is a balance between "this is a serious thing that gets in the way of a persons life" which they DO do very well in Monk, I see very little issue at exploring the kinda funny things living with a chronic mental health condition does.

#mr. monk #mr. monk's last case #mr monk #mr monk's last case #monk tv #mental health #mental health in media #ocd #actuallyocd #actuallyautistic #ptsd #cptsd #c-ptsd

27 notes · View notes

radiohead-spiderman · 3 months

Text

Annabeth Chase vs Hermione Granger (this is half serious pls do not get upset at this)

We don’t even have to have the Percy vs Harry argument because we, for the most part all agree, that Percy Jackson wipes the FLOOR with Harry “private school” Potter, however, I’ve seen a lot of people compare Annabeth and Hermione and I wanna look more into that, I am a die hard Hermione AND Annabeth fan so ZERO ill will shall be spoke of either of them(unless need be)

I could point out how their general personalities are different but I’m going to start with their trios, starting with, Grover and Percy would NEVER treat Annabeth the way, that Ron and Harry treat Hermione, let me explain,

If Annabeth were to try to dismantle an unjust system built on the mistreatment of house elves, Percy and Grover would’ve IMMEDIATELY been on board, along with the fact that they’d praise her for it. When Hermione was trying to dismantle the way house elves were treated and tried to fix it, Ron and Harry just kinda went “You’re trying to change an unjust system that treats house elves as sub servant?? Well NERD NERD, it’s this way for a reason NERD, your stupid puke badges are DUMB” obviously I’m paraphrasing and being slightly dramatic, but that was basically it.

Before I get yelled at, yes, Hermione had her flaws, yes, Hermione sometimes sucked, HOWEVER, Ron and Harry treated her like dog shit sometimes, that’s not a controversial take or me hating on either Ron or Harry, that’s just canon. You could argue that Percy and or Grover treated Annabeth bad sometimes, but to counter that, no??? They had spats, yeah, sure, WHO doesn’t but NOT to the extent that Ron and Harry were literally ignoring her for, (checks my notes) telling McGonagall about the wizard equivalent of a Ferrari that Harry received with zero clue who it was from, while a serial killer was running loose.

Romione vs Percabeth, Percabeth OBVIOUSLY wins, however, I like Romione so I will be pointing out the positives in it as well as the negatives, while I’ve seen people argue that Romione is unhealthy or toxic(though they’re often dramione shippers??? The call is coming from inside the house) I’d however disagree, Hermione and Ron had a build up, and, by the end of the series(BOOK not movie) they were like THE most compatible of Hermione’s love interests, excluding maybe Viktor, they’re not unhealthy nor were they toxic, all of the arguments and everything that we saw and or read was setting it up, Ron and Hermione, objectively are the most compatible of BOTH of their other love interests, that’s not to say that they’re the healthiest ever, but I’d say their relationship is fairly healthy.

Percabeth is everything to me, and one of the healthiest written relationships I think I’ve ever seen, so, no deep diving into it, here I don’t think.

Anyways, moving on, the “Hermione vs Annabeth” or “Annabeth would totally win against Hermione” debate, I have reached a conclusive consensus,

They wouldn’t fight.

They just wouldn’t, sure, put them in a fight to the death and Annabeth Chase is winning, but still, they just wouldn’t fight.

#stop trying to make my girls fight #they would talk about their interests together #they would never fight because two smart hot people would resolve their differences without violence #stop trying to make smart hot people fight guys #I still love Ron and Harry don’t attack me for this they were dicks in the third and fourth books though #anyways this is why Rick Riordian is a better author than JKR #I love you Annabeth Chase #I love you Hermione Granger #screw jkr #SCREEEWWWWWW jkr #annabeth chase #hermione granger #percy jackson #Percy Jackson and Harry Potter #harry potter #I’ve read both PJO and Harry Potter #ron weasley

31 notes · View notes

thegeminisage · 7 months

Text

star trek: the motion picture rewrite

star trek the motion picture was bad so i'm fixing it. here's how

problem #1: everybody got interesting setups and nobody got any payoffs.

problem #2: ilia and decker were just not that interesting (sorry ilia and decker) and they either needed to be more interesting or have less screen time or both.

problem #3: it took more than half the film for the enterprise to even leave earth. this seems like poor pacing, which the overall film also suffers from.

problem #4: those damn 20-minute cgi scenery sequences. enough is enough.

sorry in advance but this post won't make much sense if you haven't seen the first star trek movie, "star trek: the motion picture." i don't have the time or patience to re-explain the entire plot! the novelization also ties into this but i do explain some of that.

MAIN PLOT

it wasn't a GREAT plot but i'm keeping it mostly the same, except a few changes:

the enterprise leaves much earlier in the film. all the interpersonal drama can happen ON THE WAY to v'ger and it would make very little difference to the main script and series of events, but the reminds that they're only x hours away from interception would help keep things tense and moving along. also, it would get spock in here earlier. we went a LONG time without seeing him.

the engines can still fail at the outset and get fixed by spock, but it's kind of weird that he shows up out of nowhere. i would change this to kirk leaving him messages - and spock finally answering at the exact right moment (more on this in spock's section)

less of those long cgi sequences, obviously. the enterprise deserves all the fanfare in the world but we do have other stuff to do. maybe we can learn a little about v'ger through the ilia-probe in bits and pieces before we get there rather than learning all at once at the end - the book sort of did that and it was better. but i think we just need to cut them to allow time for a LITTLE more interpersonal drama - the balance of interpersonal stuff to plot stuff was WAY off, even after you consider how the tos episodes are somtimes

i don't think decker should fuck the probe.

the book and movie seem to disagree on whether the ilia-probe really "is" ilia or a very convincing copy. i think we would do better to leave it open, as scifi so often is, because both answers feel slightly wrong to me

kirk just taking the ship at the end and going "ok thattaway" was heartwarming but lacks any semblance of logic. rather than beaming down to debrief, though - in case they don't let him go back up - i'd like to see him doing a power move where the required personnel for his debrief come to HIM. and THEN when the dust clears he can go "thattaway"

CHARACTER ARC: KIRK

there's a lot more on this in the book than the movie, but kirk begins this story three years post his five year journey. in the movie he's framed as "washed up" but the book sometimes implies he's "damaged." starfleet offered him the promotion to admiral to keep him out of space because his was the first ship to come back relatively intact after a five-year and they're using him as a poster boy for their pro-space propaganda. (kirk wholly disagrees with "intact"; he lost a total of 94 crew members over those five years and objects strongly to his new legendary fame.) it's worth noting that bones begged him NOT to take the promotion and he and some other officers actually RESIGNED over it.

also, for the first year back on earth, starfleet totally just SENT HIM A WOMAN? to like keep him distracted and "happy." he got honeypotted into not going back out into space. how many planets have tried to trap people by making them happy? how many times has kirk refused to stay in such a place because it leaves him nothing to strive for? and then, irony of horrific ironies, he was trapped on earth. he doesn't realize this woman was basically sent to pacify him until the very beginning of the film/book. anyway, this woman's name is lori, she's gonna matter just a little bit later. after she left, kirk got pushed into a desk job he was utterly fucking miserable in. he notes that it was the only time he ever ignored bones's advice and he suffered greatly for it.

when the "intruder" (v'ger, obvs) is revealed to be approaching earth (via brain implants? stupid, let's just switch to everyone seeing it on TV), kirk, for totally normal reasons, jumps at the chance to take the enterprise away from decker ostensibly because he's got more experience but also because (the book gets into this) he feels like he's been jerked around on a string for the last three years by the admirals (specifically he names nogura to give us a face but they were all in on it) and also that he's totally dead inside. he has to guilt trip bordering on BLACKMAIL nogura into letting him back aboard (ie bringing up the fact that he placated kirk with a woman and sweet promises instead of like...actually caring about his PTSD). we're keeping that part because it's sexy and fun.

the question the movie seems to be asking is, "is jim kirk too old and feeble to captain the enterprise again?" i would like to posit instead we go with "is jim kirk too DAMAGED to captain the enterprise again?" they really put him through the wringer in season 3 in particular and that total nervous breakdown from the romulan espionage episode was supposed to have been REAL before they changed it, so i'm sticking it in that three year timeskip instead. in the book, jim fucks up several times - can't figure out his seatbelt, gets lost, and notably fails to be able to save his former honeypot lori and his new vulcan first officer (off-brand spock) during a transport malfunction - they get rearranged horrifically and then die right in front of him. rather than frame this as jim being old and out of practice i'd like to frame it around the totally untreated PTSD of space and his five-year finally catching up to him.

the book ALSO gets into how jim feels more at home in space, how being away from it gives him physical symptoms almost like withdrawal, and how he felt he has been brought back from the dead and out of a miserable, meaningless life when stepping aboard for the first time. IMPORTANT FOR LATER.

at the same time though i think we might greatly benefit from mixed feelings - perhaps JIM HIMSELF has wondered if he was too damaged to get back out there - if, after everything, part of him wasn't a little hesitant to go back out into the unknown and risk putting himself through the kind of hell he got put through in some of those later tos episodes. maybe he wanted the captaincy to prove it to himself, yes, but also it was something he was determined to do (even though part of him was a little worried about doing it) because he thought he was the only one that COULD. there's a hidden element in this film of facing one's fears to benefit emotionally, so it would be important to squeeze something like this in, even if it's only in hints or light implications.

the ultimate answer to jim's question of course is that he ISN'T too damaged to be back out in space, especially not if spock and bones and the others are out there with him. but to get into that we have to move to...

CHARACTER ARC: DECKER AND ILIA

i'm putting these 2 together because (sorry) i don't care very much. side characters in trek are always supposed to just highlight the main characters anyway, right? again, i'm so sorry. anyway so. in the movie and especially the book, ilia is pretty constantly sexualized - deltan females and their pheromones or whatever - and she has very little personality. decker is mostly just mad (justifiably) that kirk stole his job after 18 months of prep and sad that ilia got zapped, but we feel neither of these things very strongly. the movie doesn't even MENTION decker's father killing himself in space* which is a huge waste of potential when you consider the name of the game re: kirk's arc, at least in the book, is PTSD.

*matt decker, will decker's father, is the captain from doomsday machine (consider this a spoiler warning): when a giant machine showed up and engaged in battle with his ship, the constellation, he evacuated his crew to a nearby planet and stayed behind, planning to go down with the ship. unfortunately the machine was a planet-eater, and ate the planet his crew was on, so his crew all died while he listened to them beg him for help, and he later tried to suicide bomb the machine with the enterprise and then later one of its shuttles, which tragically ended in his mostly-pointless death. kirk did at least use the idea to suicide bomb the machine with the damaged constellation and have himself beamed out just in time though, and he had the record made that matt decker died in the line of duty, omitting some of his shadier actions so as not to stain his memory or whatever.

ANYWAY, i think the only way to make decker and ilia interesting is to foil them with kirk and spock. decker is who kirk was before his five-year: smart, capable, ready to take on anything and chomping at the bit to get out there and bite off as much as he can chew and then some. also, he's emotionally distant from women because of his status as captain/his need to not be tied down so he can explore space.

ILIA on the other hand is more like spock - she has limited telepathic abilities, she is othered and sometimes sexualized by the people around her because of her VULCAN BIOLOGY sorry because of her race, and she has a passion for learning and pursuits of intellect. and also a semi-formal telepathic link with decker - they had met before, and were preparing to bond (the way a vulcan might), and then decker more or less got cold feet and left her at the altar because his own passion for being in space left him unable to commit. but she WENT AFTER HIM (important for later) and wound up as the enterprise navigator.

for decker, instead of showing kirk up once near the beginning, apologizing, and gradually learning to get along with him, i think i'd like him to be showing kirk up a lot - being subtly snide when kirk can't work his seatbelt, for example. this film has no real antagonist aside from an incomprehensible alien entity, but we could bring a little humanity to it by having decker justifiably resent not only being confronted with ilia again but also having his captaincy snatched away from him after EIGHTEEN. MONTHS. of prep. that's some serious bullshit.

but, while decker IS younger and more familiar with the enterprise's redesign, while he's had more recent space hours and suffers from none of kirk's PTSD, what he lacks is experience - this was the whole basis of kirk taking the fucking ship to begin with, and the movie as it is kind of totally invalidates that plot point. to that end, near the end of the film when they're in v'ger, i would make a bigger deal out of kirk knowing better than to perform the scan - because that's what got the klingons killed (when v'ger interpreted their scan as hostile). decker, shaken, realizes his own hasty decision would have resulted in all of them dying horrifically, and rather than kirk grudgingly respecting decker first, we get it the other way around - decker grudgingly respecting kirk, and kirk returning that respect after decker stops being an asshole. this does the job of helping the AUDIENCE respect kirk after spending so much time wondering if he was indeed too washed up and damaged to do the job, and it helps to begin to warm us up to decker too.

also, it would be fun to have decker overhear bones arguing with kirk or spock or even talking to chapel or something, to know that kirk was thought too washed up EVEN BY THE ADMIRALS (who decker does respect bc he doesn't know better yet), and then for decker to realize later kirk got jerked around - and maybe realize, once he begins to see kirk as a person instead of an obstacle, that something like that might be in his own future even if he succeeds in almost every possible way, as kirk had. we might even use this to get into decker's dad basically killing himself after losing his crew - it can go other ways than right for captains. it can also go so, so, so wrong. (this would require some exposition, though, since we can't expect everyone to have both seen the episode and remember the details.)

another moment that wasn't used to its full potential is when decker basically has to honeypot the ilia probe - this is extremely difficult on him emotionally, and kirk knows all about the perils of emotionally difficult honeypot missions (sorry that i'm linking to this twice). i think decker realizing kirk has done this same kind of thing like a zillion times and that's part of what led to his breakdown gives him respect not just for KIRK but for the position of captain itself - he would have no choice but to do this to protect 500 lives, if it were him. you don't get to tap out when you're captain. and this is good for kirk too, because in sympathizing with decker (and the horrific situation of having to honeypot the image of his dead lover) he can learn to sympathize with himself, and forgive himself for being at less than his best during his own worst moments - some of them during the five-year, some of them after, when he felt weak and without purpose. it also gives him the job of connecting the audience to decker - through him, through thinking of decker as a younger version of him, we can forgive decker for being an asshole earlier and sympathize with his pain. and he becomes someone we root for.

as for ilia - i think she should have gotten to yell at decker rather than passively act like he wasn't even there and hide her pain. her pain at being left behind and betrayed and having to find her own way could mirror spock's (more on this in a sec) but it could also mirror v'ger and its abandonment issues, even though she was abandoned by a boyfriend and not god. there's only so much you can do with truly misogynistic writing but she could've been likable!! her sitch and spock's are the same and she gets to complain while he refuses! even one iota of a personality would have helped so much.

ALSO, on that point, at least one conversation between her and spock would have done a lot to make her more interesting too, because then she would be adjacent to him. spock, too, left his home planet to chase after a space captain he was in um a relationship with, and that bit of kinship ("your answers are not here") could lead to a bonding moment - i think spock would respect what she's doing and that would lend her a lot of credit in the eyes of the audience. much like v'ger, much like spock, ilia has left her home to find out who she is, and part of that answer lies within emotion, within the people she loves: in this case, decker. i would also, if we HAVE to fridge her (DO WE?? more on this in the ending section), choose to have her take a blow meant for decker - her last act being one of love, because the film IS ultimately about love's importance, even in spite of all the pain it also causes (see: decker in his grief).

which leads us to...

CHARACTER ARC: BONES

we have to have a brief interlude here for bones. unfortunately, bones in this movie is little more than an extremely loveable afterthought. while fixing his ENTIRE deal is out of the scope of this tumblr post, what i WOULD do is give him more screentime by having both his AND spock's lives upended by the same event: kirk, the Main Character(tm), choosing to take the admiral stripes and "abandon" them.

i think theres enough evidence in tos to argue the case that bones places a lot of importance on jim and spock's lives - he claims to hate space, but he never resigns, and he finds meaning in taking care of them, even if (to my own interpretation), he can sometimes feel like a third wheel to their legendary "friendship" (so legendary that it's historically important both in-universe and in real life). when kirk agrees to "retire" and let starfleet make him their poster boy because he has PTSD and burnout, bones CANONICALLY objects to what starfleet is trying to do to him so strongly that he literally resigns. again, kirk notes in the book that "retiring" is the only time he ever ignored bones's advice and he came regret it deeply. so kirk needs bones back - in the book, he says outright he needs bones back because he, gaslit, cannot trust himself to be making solid calls emotionally, and he wants bones to call him out if he steps out of line.

for fun, i think bones should be a little more pissed about being "drafted" and like genuinely grumpy rather than fond and gruff - at least, until kirk apologizes. he tells bones all about being yanked around by the admirals and being honeypotted and how much he regretted not listening to his advice...and the gaslighting, not bones's medical expertise, is why kirk feels he needs bones now - why all of earth needs him, because this is a mission to save the entire planet. i think bones LOVES to be needed and especially by jim and/or spock, and he of course has a natural desire to caretake, so after the apology he could soften up to "gruff." he found meaning in what he was doing on earth, but he finds meaning in this too, and kirk telling him that of COURSE he can leave if he wants solidifies his decision to stay, even at the end of the film when the immediate threat has passed. put simply: he loves kirk and spock, and, like them, he wants the three of them to stay together, even though they previously broke his heart.

i think also that once spock comes aboard this gives bones a second job, which is to poke holes in spock's outward unemotional demeanor, which he genuinely is doing from a place of love (since it was bones who said the release of emotions is healthy). instead of standing around and being a lovable and nostalgic set piece, this would give him an actual purpose and an arc, even if his arc (healing spock via negging, healing jim via not gaslighting people) is holding up the other characters.

and speaking of spock...

CHARACTER ARC: SPOCK

post five-year, spock goes back to vulcan to undergo the kolinahr, a ritual meant to purge all remaining emotion from vulcans. he does this because he detests his human half and the many weaknesses and challenges it brings him etc etc but i also would like it if he does this because kirk retires - he has no logical, ready-made excuse to be around kirk and bones anymore, and just like kirk, he truly felt at home on the enterprise, where people valued him for his skill and what he could do rather than what he was (or wasn't). (this sentiment from spock is semi-canonical - it's in william shatner's tarsus iv novel, collision course.) kirk and bones are both an important part of his support system and it is crumbling without any way to save it - of COURSE he chooses not to feel emotion rather than face that pain. every human being ever has wished at some point or another they could numb themselves rather than hurt, and spock is half human, too. (that said, i would also not complain if kohlinahr was spock's way to escape the trauma of what the five-year did to HIM, making him feel emotions differently than what he believed was acceptable, changing him fundamentally as a person, and kirk only agreed to resign because space wasn't worth it without spock aka because he got dumped, but this is a minor detail.)

while on vulcan, kirk, equally adrift, sends him messages (this does admittedly make more sense if kirk only resigned because spock did) - but spock is potentially kind of mad at him (if kirk resigned first) and also trying not to feel anything, so he ignores those and goes out into the desert to get rid of all his gross icky feelings. when the masters read his mind and see that jim accidentally contacted him telepathically (which...girl WHAT was that all about did they bond fr during amok time) and that "his answer is not here," he reads or listens to all the messages at once (maybe including the deleted one spock prime had from aos...ouch), gets emotional (or resists, but it's a near thing), and realizes that if he can't purge kirk from his mind he has to at least find out why. the last message can be about the intruder (v'ger) and their fucked up engines, spock can feel reluctant concern and race to the rescue.

spock is initially very very cold to his old shipmates because he is trying to hold onto his logic and not allow the emotion back in his mind, but absolutely nobody is having this. like in the movie, kirk and bones drag him away to the lounge to interrogate him (he should admit to feeling kirk telepathically here just as he did in the book - i don't know that i'd go into the whole bond business in this movie because that's just writing fanfiction and is also a lot of exposition but i would never deny fanfic writers their fodder).

later, after talking with ilia, who did a brave thing (in spock's eyes, anyway, because he is terrified of what HE'S doing) by chasing down her man to give him an earful, spock is troubled, which prompts bones to start going IS THAT AN EMOTION I SEE MR SPOCK? (and make him more troubled). i think spock grieves ilia's death in his own way because of how much like him she is, or was. all of this culminates in his choice to attempt to mind-meld with v'ger, in the end - if he isn't a human and isn't a vulcan, WHAT is he? if he can't live with the emotion and he can't purge it, what is he supposed to do? if he dies in the mindmeld so be it, but at least he will have been useful - iirc, i think it was roddenberry or leonard nimoy who said that was always a primary motivation of his.

of course, AFTER the mindmeld, he does indeed realize that logic is pointless without emotion, and that he's been adrift not BECAUSE of his emotions but because of his refusal to deal with them and his refusal to feel. so spock, too, will decide to stay at the end of the film.

side bar on the scene where spock cries for v'ger: it's kind of dumb because v'ger is so unknowable. i think spock crying could be a bigger deal - maybe with happiness, as he holds jim's hand, or maybe when he thinks they're all gonna die (kirk says when he sees spock crying "it's not for us" but like what if it was though). i'd prefer him to cry after he finishes laughing post mindmeld of course but either instance could work.

and finally...

THE ENDING

i don't mind the ending in its plot - that v'ger really was just looking for its creator, as a child looks for its parent - but i really want the question of whether or not the probe IS ILIA to remain open. if you make an exact copy of a person that truly believes it is the original, is it? if it's indistinguishable from who ilia used to be even to itself, is it ilia? i like leaving this open because i DON'T like fridging her, but i also think it stretches believability to have this machine magically extract a consciousness and put it in a robot when we had a whole episode of s1 revolve around this exact same plot twist (is chapel's now-android fiance really still her fiance just because he thinks he is?)

it should be spock's idea to have a human join with v'ger - it was the joining with humans that ultimately led to HIS feeling emotions he was unable to ignore, which ultimately led to his understanding and acceptance of emotion and its value in general. spock would see the ilia probe as still being ilia, but in distress, as he was when he came aboard the enterprise, as v'ger is now. and he knows what fixed him (holding jim's hand lol sorry i mean accepting his emotions) and what would fix her.

and then of course decker does join with her - volunteers, insists even. i think he takes the chance on optimism and hope - something kirk lost along the way due to various traumas - but also because this film is about the importance of love, and he can't bear to live without his, even in facsimile. it's partially a sacrifice too though - decker's life and body as he knows it in exchange for the earth's safety - because that's what kirk would have done, what he HAS done. he did learn from kirk after all.

and kirk learns from him too - decker, who by now will know about the awful years the brass put kirk through prior to the start of the film, would tell kirk to give 'em hell, like it's something that can actually be done, because at his heart he's an optimist, and that's something kirk sorely needs emotionally at this low point in his life. a very gen-z-saving0the-millennials moment. (apologies to both gen z and millennials.)

so after the dust has settled, kirk, who has just saved earth, can basically ask for anything he wants, and what he wants is not to get sent out to pasture again. so that leads into him refusing to leave the ship and letting the admirals and everyone else who wants to debrief him come to HIM instead of him going down - he finally has back what he needed, which was simply control and agency over his own life, and his loved ones - since spock and bones decided to stay aboard. i would have liked some challenging action moment prior to the ending with the ilia-probe and decker included, a moment to highlight that kirk has still got it (kind of like his badass moment in the deadly years where he saves the ship in .2 seconds once they cure his dementia). but insisting that they see v'ger directly and not deal with its probe is okay too.

FINALLY, after we've established that kirk is In Control again and not just like, stealing a starship, we can do his scene where he begins a new five-year mission, and when directing sulu, says, "out there - thattaway."

THEMES

HOPEFULLY this ties together the various themes and foils in everybody's arc - the main ones being the importance of dealing with emotions, even painful ones, the importance of love, and the question "who am i?" - the theme of seeking answers

kirk wants to know who he is - is he still a starship captain who braved the unknown and returned alive? he tried to numb himself (or rather starfleet tried to numb him) after his five-year mission with a woman and a desk job and it didn't help - he had to risk getting back out there to do himself any good at all.

spock asks if he is a vulcan or a human, and seeks to answer the question by purging emotion, but must answer it by accepting the emotion instead - and he learns this from v'ger, who is asking the same question and cannot answer it without emotion anymore than spock could. spock is and always will be both vulcan AND human and no amount of resistance on his part can change that.

bones feels adrift without loved ones to take care of - who is HE if kirk won't even listen to his advice not to "retire" - and of course he is someone who takes care of others. which is a little sad because it's not a deeper arc, but it sort of rhymes with his whole deal in tos and there ARE five other movies. there's also a little bit in there about being willing to try again after your heart's been broken, which is also something kirk and spock are struggling with, to have the trio's arc rhyming with each other.

decker asking who he is - is he a real captain or a psycho case like his dad and kirk, is he someone who could have been ilia's husband - and ilia wondering if she is someone who could have been his wife, and later the PROBE wondering if it's truly ilia or not. MORE questions that have to be answered by overcoming fear of emotional pain - decker takes the chance and joins with her to answer both his own question, and the probe's - and, of course, v'ger's.

THIS CONCLUDES. my movie rewrite. i am so glad to have gotten it off my chest, which is the main reason i wrote it, but i don't think it's terribly popular...so if you actually read this whole thing you're a rock star. okay BYE!!!

#liz makes stuff #liz's star trek stuff #liz's meta #star trek #star trek the motion picture #star trek: the motion picture #star trek tmp #personal #star trek blogging #WHEW. that too so long. barely finished in time. wrath of khan SOON!!!#tmp lb #tmp #st ep edits

33 notes · View notes