#there definitely was at some point in early Christianity

[and-her-saints]

Im sorry if this is silly, but like. I connect with catholicism in a lot of ways, in its prayers, its concepts, its aesthetics, etc. But i have a hard time with just. Trinitarianism. It doesn't make sense to me no matter how hard i try to make it make sense. How do i, like, get over this?

hiii! not silly at all!!! i feel like we all have dogmas that confuse us at the beginning. for me, it was the Immaculate Conception. could not wrap my head around it.

the Trinity is a doctrine from the very early Church. and despite the Council of Nicea (325 a.c.) having produced the Creed, many saints and theologians through the years have struggled and wrestled with the doctrine. whoever tells you “it’s easy, it’s clear to understand, you’re just not having enough faith” is honestly being incredibly rude.

St. Agustine of Hippo, one of the most influential theologians and Doctors of the Church, had a hard time with the Trinity as well!!! you are not alone!!! the (medieval) folktale goes that when St. Agustine was leaving Manichaeism and slowly converting back into Christianity, he went out for a walk near the sea to ponder about the Trinity. He could not wrap his head around it. During his walk, he saw a young child digging a hole in the sand. Quickly, the child ran back to the ocean, collected some water into a vase, and went and poured it into the hole. St. Agustine was perplexed. The child did this again, and again, and again. St. Agustine approached the child, and asked him: “My son, what are you doing?” The child turned around and said: “I’m putting the ocean in this hole.” St. Agustine laughed and said, “That’s impossible, the magnificent ocean cannot possibly fit into this tiny hole!” and the tale goes… that this child, who was no ordinary child but an Angel of God, said to Agustine: “I will sooner fill this hole in the sand with the ocean, than you will be able to understand the Holy Trinity.”

When we speak about Mysteries of the faith, like the Mystery of the Trinity, it’s not meant to be the easy answer. It’s not something you “get over,” like a stone on the road. I think it’s more about inviting these uncertainties and questions into your relationship with God. Wrestling and fighting as much as you need. But allowing some Mysteries to be. It’s alright to have questions and doubts, these are not character faults. If anything, in own personal opinion, every single doubt I’ve ever had has been the beginning of a new and exciting new journey of discovery.

Now, unto more solid theological advice. To me, the argument I find most compelling is one of St. Agustine’s points On The Trinity. This whole idea is about digging deep into the reality of God to us as Christians, and the Truths about God we find in 1 John 4:7-21. “God is Love,” we say, but what does that have to do with the nature of the Trinity? I am no theologian, but the way I understand it, is that the Trinity is the response to the statement: “God is Love.” God is Love, therefore, God must love. God must be Lover (the Father), Love (the Holy Spirit) and the Beloved (The Son). How can there be Love, with nothing to Love? The Trinity is the dance in which God loves God, at the same time of God BEING Love, without the whole ordeal being entirely self-serving, stagnant, or exhaustive. This is just the tip of the iceberg, but I am quite in love (badum-tss) with this outlook.

I have not personally read this book, but it is on my TBR, it is Richard Rohr’s “The Divine Dance: The Trinity and Your Transformation” (2016) I’ve heard wonders about it. It’s definitely not theology heavy, as far as I’ve researched (for that, I think St. Agustine’s On The Trinity might be best) but it could be an approachable glance at what the Trinity/mysticism about the Trinity looks like.

I hope this kind of helps you out!

#anon #anon ask #ask #the trinity #catholic books #book recs #christianity

[callisteios]

Orthodox also have nuns and monks, but my knowledge ends at the strictly male-only monastic community at Mount Athos

Ok well not to be rude to the Orthodox Church but I was mostly right. Plus I think I would have a hard enough time joining Catholic nuns as a non catholic, don’t you have to be Greek or Russian or Serbian to join an Orthodox Church?

Please tell me more about what the men are doing on Mount Athos though

#i am none of those things #and if we’re being honest I’m a massive fan of Catholicism #i love the whole polytheism of it all #wait is there also an Ethiopian orthodox group or am o crazy #there definitely was at some point in early Christianity #well as always thank you for your nun tips #exceptionally helpful #if not also very confusing #ask #anon

[txttletale]

Can you elaborate on what you think would be the minimal needed changes to fix what you see as an issue in Civ? Civ has done fairly large shifts in some mechanics before, and "civ like" is still an interesting game space that can scratch certain itches

yeah i mean as i said, the baked-in racism arises from a certain set of core assumptions that i think lock it into that position, which are that civ is a

1) symmetrical

2) 4X

game about

3) 'real world civilizations' (deeply loaded terms ofc but that's how civ envisions them)

4) trying to 'win the game'

5) with a global

6) and transhistorical

scope

so, in its role as a symmetrical (1) game with victory conditions (4), civ as a text has to take positions on what constitutes a 'successful civilization'. as a (2) 4X game this definition also has to include some variation on the profoundly loaded eponymous Xs, 'explore, expand, exploit, and exterminate'. furthermore, as a (1) symmetrical game with a global, transhistorical (5, 6) scope, it has to necessarily create a model of what 'a civilization' looks like and apply it to every 'civilization' it wants to include, at all points in their history.

this all kind of naturally leads into civ being a game in which the colonial european imperialist powers are the default 'civilizations' and all other cultures are basically just like them -- a game where technology progresses linearly and innovations are made in the order they were in european imperial history -- a game where all cultures fundamentally work in the same way and hold similar values, a game where all religions are based on christianity (i mean, just look at civ vi's system, where every religion has a 'prophet', 'apostles', 'missionaries' and 'inquisitors'), a game where not only do cultures have teleological overarching 'goals' but where these goals are shared and these goals are fundamentally based on imperialist visions of 'victory'.

to drill into some specific examples: you can't play a game of civilization without founding cities. you will constantly be founding cities. when you're playing as 'the mongols' or 'the cree' or 'scythia', this makes no sense! these were peoples who historically had rich culture, science, arts, and certainly a notable military history, but were (to varying degrees, at varying times in their history, i don't mean to create a new and similarly heterogenous absolutist category here) nomadic!

similarly, to advance in civilization you must invent 'the wheel'. 'the wheel' is necessary to many later innovations, while of course the andean peoples represented by the playable 'inca' never made significant use of the wheel because the lack of suitable pack animals and environmental factors meant that it did not, in fact, prove a suitable tool for transporting large quantities of heavy goods. for an even more glaring example, a lot of early military technology is locked behind 'horses', which is pretty absurd considering that several of the game's playable civilizations, in the real world, developed plenty of military technology despite living on a continent without any horses!

so having established what i mean by 'the issue', which is that the game's core assumptions lock it into imposing a eurocentric, imperialist vision of 'civilization' onto cultures where it doesn't make sense, here's a few different jenga blocks you could pull out to resolve it:

SID MEIER'S EUROPE

the pillar you knock out here is #5. keep the game engine and core assumptions just as founded on eurocentric imperialist societies as they are now, and just make it about european empires doing imperialism. now, i think we can immediately spot some problems in there -- how are we going to represent the rest of the world? after all, this kind of just creates a situation where, either as NPC factions or as outright exclusions, all other cultures in the world are deprived of any meaningful agency in "history". this one just kind of gives you a new problem and also from a gameplay standpoint results in a game that just Has Less Stuff On It. i think this is a bad one

SID MEIER'S ELYSIUM

now here's one you can get if you knock out pillar #3. keep the same assumptions and gameplay and transhistorical global narrative scale, but remove the 'real-world' aspects. you can get real silly with it and add fantasy stuff to it, or you can be a relatively grounded 'our-world-but-to-the-left' situation. now to some extent this already matches a lot of the features already in civ games: after all, unless you specifically load in a 'true start location earth' map, you're usually playing on a strange parallel world with semiplausible but wholly original continents! now, you also need to get some fucking Nerds and Geeks working at your company to build out your fictional world, or you'll just end having pointlessly pallette swapped a bunch of factions that are now just Schmance, Schmina, and the Schoman Schempire, and not really have avoided the issue. but if you do that, and invent a deep and rich fictional history to riff on, then you could create something really cool and incorporate alt-tech or fantasy or retrofuturistic elements or all sorts of cool shit.

the downside of this is that it makes your game less accessible and appealing to a lot of people. a big part of (at least the initial) appeal of civilization is pointing at the screen and saying 'hey i recognize that thing!'. it is instantly more accessible to someone who isn't super invested in strategy or fantasy dork shit to say to them 'you can be BRAZIL and nuke FRANCE while at war with CHINA and allied to BABYLON'.

more importantly than that, i think some parts of the historical theming (because let's be honest, it is ultimately theming, i don't think civ is interested in 'history' in any serious way) serve a pretty load-bearing role in the game's information economy. it's a pretty tall order to ask a player to remember the unique abilities of dozens of factions and unique wonders, and the historical background makes it a lot easier. e.g., it is a lot easier for a player looking at wonders to remember 'the pyramids need to be built on desert' or 'broadway will help me make more culture' than it would be for them to remember the requirements/effects of 'under-eusapia' or the 'wompty dompty dom center'. i think this is one of the number one things that, if subtracted, would meaningfully create something that is no longer 'sid meier's civilization'.

SID MEIER'S ALPHA CENTAURI

now if you cut out #3 and #5 and #6 on the other hand... sid meier's alpha centauri is not technically an entry in the civilization franchise, but i think most people correctly consider it one. it has similar 4X gameplay to the series, and its (very bad) spiritual successor beyond earth was an official entry. instead of 'civilizations', the playable factions are splinters from a colony ship that fell into civil war as soon as it landed, each one representing a distinct ideology. now, y'know, this doesn't mean it's free from Some Problems (the portrayal of the Human Hive in particular is some of the worst apects of 90s orientalism all piled together) but i think they're problems it's not at all locked into by its design!

SID MEIER'S THERMOPILAE

by cutting out #5 and #6 -- making a civ game about a particular time and place in history you could achieve something much more richly detailed in mecahnics while also being able to handwave a lot more homogeny into it. giving the same basic mechanics to, say, every greek city-state in the peloponnesian war is far less ideologically loaded than giving them to every 'historical civilization' someone who watched a few history channel documentaries once can think of. it also lets you get really into the weeds and introduce era-and-place-specific mechanics.

the scale needs to be smaller conceptually but it doesn't really have to be smaller in terms of gameplay -- just make maps and tech trees and building more granular, less large-scale and more local and parochial and specific. this also gives you the advantage of being able to do the opposite of the last two options and really lean hard into the historical theming.

if this sounds like a good idea to you, then good news -- old world does something pretty similar, and it's pretty good! worth checking out.

SID MEIER'S LOVE AND PEACE ON PLANET EARTH

what if we take an axe to #2 and #4? instead of putting all these civilizations into a zero-sum game of violent expansion, make it possible for several civilization to win, for victory goals to not inherently involve 'defeating' or 'beating' other factions. now, that doesn't mean that the game should be a confictless city-builder -- after all, if you've decided to be super niceys and just try and make your society a pleasant place to live, that doesn't mean that the guy next to you isn't going to be going down the militarist-expansionist path. hell, even if all you want to do is provide for your citizens, a finite map with finite resources is going to drive you into conflict of some kind with your neighbours in the long run.

to make this work you'd have to add a bunch of new metrics -- 'quality of life', for example, as a more granular and contextual version of the 'happiness' mechanics a few games have had, or 'equality', game metrics that you could pursue to try to build an egalitarian, economically and socially just society where everyone is provided for. after all, why shouldn't that be a goal to strive for just as much as going to mars or being elected super world president or whatever?

SID MEIER'S DIVERSE HISTORICAL CONTEXTS

ultimately, all cards on the table, if i was made god-empress of The Next Civ Game, this is the option i'd go for: jettison #1 as much as practically possible, introduce as much asymmetry into the game as you can. some civilizations keep the established settler-city model -- others are nomadic, building their units in movable 'camps' -- maybe the 'colonial' civilizations, your USA and Brazil and so on, can be like the alien factions from the alpha centauri DLC, only showing as NPCs at the appropriate point in the timeline when other civs are colonizing other continents, or putting you into an accelerated-forward version of the game if you choose to play as one.

you could combine this with a more interesting version of humankind's civ-choosing system, where you lock certain civilization choices behind specific gameplay events. this would let you do crazy shit with the balancing -- imagine an ostrogothic kindgom civ with crazy strong abilities and units that you could only choose to play as if your capital is overrun by barbarians, or a hungarian civ that requires you to have started as a nomadic civ and invaded somewhere, or a soviet union civ that requires you to lose a revolution, or a usamerican civ that requires you to split off all cities on a foreign continent from your original civ -- you could add so much variety and so many new and bizarre strategies into the game with this!

as for the universal aspects of tech and the narratives of linear progression contained within, there are lots of approaches that already solve this! stuff like stellaris' semi-random branching tech paths, or endless space 2's circular tech web, could allow civilizations to take tech paths that make sense for them, rather than imposing one single model of 'technological progress' on the wole world.

obviously there's limits to this, right -- civilization isn't going to be a detailed historical materialism simulator any time soon. but i think abandoning the idea that every faction has to play fundamentally the same and introducing some severe asymmetry as well as choices that you can make after starting the game would work wonders to wash out some of the racist and colonialist assumptions built into the game's foundation, while also (imo) creating a more fun and interesting game.

#ask

[adventuringblind]

Misinterpreted

Charles Leclerc x Reader

Genre: Fluff and Crack

Summary: She couldn't see what everyone else could. Not until it hits her all at one.

Warnings: enemies to lovers, a whole lotta blushing

Notes: Thanks to the requester for this idea!! Sorry it's so short...

Masterlist // Request Form // My Website // buy me a Ko-Fi

It's not like she meant to hate him. She just couldn't see what everybody else was.

Charles is just another person like the rest of them. Yet people still fawn over him like he's been sent from the god's.

At least, that's what she thought growing up. Going through karting and the feeder series with Charles was torture. She was just there, trying to carve her way into formula 1. He had everyone chanting his name, loved by many, the future golden boy of Ferrari.

She'd made it a point to stay far away from him. Simply because she never saw the point of conversing. Definitely not because she is terrified of speaking to people in general.

"Watcha staring at?" Max sidle's up next to her and wiggles her eyebrows. She squeaks out a noise and lets herself calm down from the startle. Leave it to her teammate to know what she's doing.

"None of your business."

"Really? Because it looks to me like you're staring at Charles."

She violently hushes Max. "Shh! Someone could hear you!"

Max rolls his eyes before smirking at her. He looks pointedly at the Monegasque with a mischievous glint in his eyes.

"Don't you dare-"

He whistles, successfully grabbing Charles' attention. He smiles and waves him over. "You'll be fine!"

She can feel the blush spreading across her face. Her hand slaps Max's shoulder playfully. She moves to make an escape, like she has to be anywhere else but here.

Max grabs her wrist, looking playful, but there is that look in his eyes that says he will force her if she doesn't comply. Needless to say, she sits back down. Her eyes fall in love with the dirty grey of the cement ground.

"Hello you two!" He sounds so happy for this early in the morning. She briefly looks at her watch.

Correction: He's so happy at two in the afternoon. Why is he even happy at this time? Charles, apparently.

"Charlie! We were just talking about you." Max jabs an elbow into her side.

"All good things, I hope. I know I'm not a favorite to some." She can feel his obnoxiously pretty eyes burning holes into her.

Max barks out a laugh, then looks between the two of them. "Okay, I can feel the tension. Which is saying something, since normally I'm the one creating it."

Charles gives a wary look to the female still sinking into herself. "I wouldn't be opposed to lessening the tension."

"Great! I'll send her your way tonight at eight."

"Sounds like a plan."

Charles leaves the two alone finally and she sobs in relief. "Why are you crying? I though you liked him!"

"I do! That's the problem."

~~~~~

Max drags her to some restaurant, sits her at the table with Charles and threatens to ram her off the line if she tries to leave. He followed through with his last threat. She's not willing to risk Christian's wrath for her pride.

She attempts conversation with Charles. It feels awkward and tense. The regret and insecurity rattles around her mind. Why is he even here? He could be off doing other things with people he actually likes.

"Why do you dislike me? I've been wanting to ask you for years so I could apologize for whatever I did."

And.... what? She stares at him in disbelief. Unsure of how to explain that she didn't have an interest in anything but racing until she got to F1 and finally realized how ethereal he looks?

"Didn't know you thought that way!" Charles is glowing.

"Did I say that aloud?"

"Yeah, but it's nice hearing such a compliment you."

She hides her face behind her menu, only to have Charles take it away from her. He reaches further and gently pulls her gaze towards him-

She's going to combust. This is how it ends. Death by forced and prolonged eye contact.

"So, if I asked you out again, would you say yes this time?"

She nods her head yes. A little too enthusiastically.

#x reader #f1 fic #formula 1 #fanficion #f1 fanfic #racing #max verstappen #charles leclerc x reader #charles leclerc fic #charles leclerc imagine #charles leclerc fanfic #charles leclerc #charles leclerc f1 #charles leclerc x y/n #charles leclerc x you #charles leclerc x female reader #charles leclerc fluff #cl16 one shot #cl16 x you #cl16 x reader #cl16 imagine #cl16 #ferrari racing #forza ferrari #ferrari #ferrari f1 #scuderia ferrari #cl16 x y/n #f1 #max verstappen f1

[bonesandchalamet]

a Monaco Grand Prix - t.holland

masterlist

pairing: Tom holland x mercedes intern!fem!reader

warnings: some flirting + possible minor errors

a/n: inspired by the Monaco gp today! combining my love for Tom and formula 1 into this! if you like formula 1, you can find my sports masterlist on @thatsdemko 🥰

“you can’t just be nice and give him a tour?” your boss, Toto Wolff, gives you a glare that’s almost killer. one that you know will bite you in the ass, if you don’t just take the opportunity to show the famous celebrity around the paddock.

you know it’s part of your job. if you want your placement to be permanent, you’ll have to do whatever the boss says, and that being showing a famous prick around the Monaco paddock.

you nod, “I’ll do it.” you swallow the nervous jitters, as you turn out of the Mercedes hospitality to the one and only Tom holland making his way through media, other formula 1 interns, and press.

he’s headed to you with his security guards. a bright pearly white smile on his face as climbs the steps, hand extended, “ah you must be y/n! I was told you’d show me around.” his British accent brings warmth to your ears as it visibly spreads to your cheeks taking his hand in yours.

you’ve completely forgot why you didn’t want to do this in the first place. after having met the Tom holland, you’d do anything your boss asks you to do.

“right this way, Mr. Holland, let me show you our new and improved cars for this weekends race.”

—

each spot you took him to came with a variety questions and expression, god he was cute, was all you could think about. he was attentive and listened to your tidbits and nerdy jokes, he could tell you really loved your job and took formula 1 as serious as it was.

“and this is the Red Bull garage, legally I’m not allowed in there or else I’ll be reported for spying. but go on in, I’m sure Christian Horner would love to see you.” you gesture for the actor to step inside the garage and join the couple of other famous people you could see from where you stood.

as badly as he wanted to step in and have the cameras pointed on him, he didn’t mind keeping a lower profile and decline the offer to do so, “if you can’t go in then I definitely shouldn’t.” he laughs pulling out his phone to show you his Lewis Hamilton lockscreen, “I’d be murdered in there.”

“that makes two of us.” you giggle, pulling out your phone to show him the picture of you and Lewis on your first day. he’s a bit jealous as a claims, but you’re sure he’s had more opportunities to meet him than you have. considering you rarely see the drivers— except for Mick Schumacher.

“ah I’m hoping to get a picture with him like that too!” he carefully taps his finger against your screen to get another look at the picture; two of you smiling from ear to ear in Bahrain.

“I don’t have the privileges to get you to meet him, but considering your fame status? I’m sure by the end of this weekend you’ll see him more times than me.” you gesture for him to follow and he keeps up as you pass the McLaren, where Oscar piastri and lando norris are doing final placements.

“what if I want to see you more by the end of this weekend?” he asks, the words slipping off his tongue before he can filter them out. his hand flies over his lips; security guard chuckling at his intrusive thoughts winning. flirty words were easy for Tom, but he didn’t expect to find himself using a line on you this early on the tour.

you can feel the red hue quickly spread to your cheeks, it’s more noticeable than the last time he got your attention that way. he moved into your field of vision turning to face you, rather than the cars, “I mean I could always use a tour guide around Monaco?” he shrugs, hand finding the nape of his neck as he nervously plays with the hairs there.

“ask me when I’m off the clock, then legally I can answer.”

—

you thought he would’ve forgotten by now. it was hours after you gave him his own private tour of the paddock, and somehow? he was still there.

most people— fans, media, press, and other members of formula 1— had vacated the paddock following an early rise tomorrow for the big race, but not Tom. he’d stuck out waiting around, taking pictures with the few fans left, and even getting his picture with the infamous Lewis Hamilton.

“I see you finally got your picture.” you say as you make your way down those same hospitality steps to close the gap of where he stood off to the side.

“yeah, but I didn’t get that guaranteed tour of Monaco yet?”

“will I get paid by the end of the tour?” you raise an eyebrow watching his words stumble out of his mouth, words not even forming sentences you tripped him hard, “I’m joking, Tom, but I get off of work tomorrow late, so your tour will have to wait.”

he nods eager, but still slow enough to not show much of his excitement, “I can wait until then. I’ll find you here tomorrow evening?”

“deal, and I don’t take checks as a form of payment.”

#tom holland #tom holland x oc #tom holland x you #tom holland x y/n #tom holland x fem #tom holland fic #tom holland fanfiction #tom holland fluff #tom holland imagine #tom holland imagines #mercedes amg f1 #tom holland fiction #tom holland x reader #tom holland fics #tom holland one shot #tom holland blurb #tom holland drabble #f1 fic #formula 1 fic #tom holland fanfic #peter parker x y/n #peter parker x you

[trippingontheescalator]

Snape Headcanons

He's bad at geography. Sure, he knows this super rare, obscure potion ingredient can only be found in this one area in Laos, but ask him to find Laos on a map he won't have a clue. There was a time he dreamed about seeing world, but he quickly realized he would never get the opportunity and so doesn't see any purpose in learning geography.

A lot of the Marauders' claims about him, like knowing curses as a first year, are exaggerated, but the one thing they're right about is Snape was very nosy. Part of it was because it was useful; knowledge is power, after all. He could trade gossip with his fellow Slytherins, or use it to keep one step ahead of the Marauders (or taunt them with it). But most of it is just his natural curiosity. He's a people watcher. He doesn't often understand people, is bad at human interaction, so he watches from a distance.

Severus knows half the first years think he's some sort of vampire and he revels in it. He knows exactly the kind of image he creates, dressing up in those long black, swishing robes, the spooky dungeons with the jars full of animal body parts. His taste is 33% Mad-Scientist-Run-Amuck, 33% Sad-Victorian-Boy-Dying-of-Tuberculosis, 33% Tacky-Post-Halloween-Discounted-Decor, and 1% Lucius's-Increasing-Despair-to-Make-Severus-Into-a-Functional-Human-Being.

In addition to potions and reading, Severus also does a lot of writing. He's been working on-and-off on a novel since he was fifteen. At this point, it's almost 500,000 words long. One of the few ways he's able to express his thoughts and feelings is through fiction. The main character was heavily based on Lily, especially in the early stages when they were still friends, but as he grew older he put more of himself into the character and now she's become the version of himself he wishes he could be. The night before he kills Dumbledore he burns the entire thing.

Severus knows the DADA position is cursed. Everyone knows it's cursed. He still asks to teach it every year because he also knows that it's the only way he can escape Hogwarts, and he's willing to risk death to do it.

His feelings for Lily have gone through the entire spectrum. At times, she was a sister to him, especially the years before Hogwarts. He used to be incredibly jealous of Petunia, wished he could be Lily's sibling and live in their house and have their parents. It became romantic as a young teenager, especially since she was the only person he felt safe enough with for his pubescent mind to fixate on and explore his budding sexuality. Later, as he became friends with the other Slytherins in his year, it was strictly platonic but nonetheless a very deep friendship. They were both trying to control the other, and Severus was especially worried that Lily would end up like Eileen if she gave into Potter's charms. After his failed apology, he grew angry and resentful and he tried very much to hate her (but he couldn't, not even after she married Potter). And then, after her death, it circled back around to brotherly. He liked to remember those early years best of all, and his devotion to a better cause after her death parallels that of Dumbledore's after Ariana died.

Look I know there's a lot of confusion about godparents, and HP didn't help by being coy about religion, but a godparent isn't a legally appointed guardian. Like, they definitely can be if the parents want that (as it appears to be the case with Sirius Black), but that's not the default. A godparent sponsors a child's baptism and is in charge of their spiritual upbringing, making sure they know their catechism, etc (hence the god part of godparent, its a Catholic/Anglican thing). And the most widespread religion in HP does seem to be Christianity with Christmas being celebrated and whatnot (though I do headcanon the purebloods have their own Druidic/Christian hybrid religion going on). With that being said-- Severus Snape is Draco's godfather. He's also Merula Snyde's godfather. And Pansy Parkinson's godfather. And, like, the godfather of 10 other kids of former Death Eaters. Severus Snape climbed the Death Eater ladder; he was one of Voldemort's favourites during the First War and these other Death Eaters were like, "Damn. I got to get on his good side. Please sponsor my child's baptism."

#severus snape #pro snape #pro severus snape #snapedom

[valyrfia]

I am VERY skeptical about the RBR Charles thing but they (see: Charles, RBR personell of all kinds) keep being SO WEIRD AND SUSPICIOUS about it

Yep yep yep. I go through cycles of being completely convinced and then calling myself delusional, but the fact remains that Max changed his tune on being teammates with Charles recently, Charles keeps talking about Max in interviews praising BOTH his performance and the car, Christian Horner is posting Max and Charles on Instagram as is the RBR account. I genuinely believe Red Bull are at LEAST trying to seriously poach him.

I'm still unsure as to whether they're working towards 2024 or 2025 (as Red Bull have proven with the recent talks with Lando, they're more than happy to buy out someone's contract), but I am leaning more towards 2025, and I believe that Charles at RBR is a real, serious possibility in 2025. Let me explain why.

First, Checo still has a contract through 2024 and while Red Bull aren't always great with honouring contracts, I think the recent popularity and love they've witnessed first-hand for Checo in Texas and Mexico might change their mind on letting him go early. Ultimately, Red Bull Racing is marketing for Red Bull, and Checo obviously brings in sales in North America, and them mistreating Checo might lead to a sales dip in that region. This is why I think, despite the media frenzy, RBR are highly unlikely to drop Checo for 2024. There is no way that RBR is renewing Checo's contract, but at least he can see it out and they can part ways without much damage to either of them at the end of the F1 2024 Season.

Charles's current contract with Ferrari is also up at the end of the 2024 season. Again, even though 2023 has been absolute dogshit for Charles and Ferrari, I don't see that contract ending early. For one, Charles has apparently been promised that the 2024 car will be developed according to his needs and preferences, and it is ridiculous to leave a team who has made you that promise, even if that team is as flakey as Ferrari. I think Charles is waiting to see if the team does change in 2024 before he pushes for contract renewal. It's important to note here that contrary to popular opinion, I believe the ball is completely in Charles's court here when it comes to renewal. He is the Ferrari golden prince, he is Ferrari in a way that no driver really ever has been before, I think it was evident in Monza this year most of all. Carlos drives for Ferrari, and Charles is Ferrari and you could see it in the way that the tifosi treated them. They love Carlos, they adore and worship Charles. This is how Charles managed to convince them to build a car for him in 2024, and it's how I believe Charles is putting off the contract negotiations. This is a key point. Carlos's extended media team and family have complained several times about Carlos not being able to begin contract negotiations because of Charles in some way and Ferrari unwilling to negotiate with Carlos until they've settled Charles (I think this is due to the fact that they only intend to keep one of them and they'd like it to be Charles, but that's an essay for another day). So Charles has himself in a position where he doesn't have to commit to the team unless he sees that it is going to grow in the way he wants it to.

To quote Charles, "I view it in a way that whenever I won’t believe in the project anymore, that probably will be the time when I’ll have to go away. Because it’s in these kinds of situations that you don’t get the best out of yourself, that you don’t help the team as much as it needs to be helped. But this is definitely not the case at the moment. I believe in the project as much as I’ve ever believed in the project before. Especially since Fred arrived. So for now it’s clear. Then it’s also clear that I want to win. But I believe in this project and I’m sure we are working in the right direction.”

So maybe 2024 happens and Ferrari brings a championship-contender car, in which case Charles signs with Ferrari, they get rid of Carlos and probably bring in Alex Albon as a n2.

But I'm not interested in that outcome, I'm interested in what is (in my mind anyway) the far more likely outcome, sheerly due to money and Ferrari internal politics (which again, whole other essay!) which is that nothing really changes for the better at Ferrari. Maybe Charles gets a win by sheer luck and a slightly better car, but overall the strategy continues to not favour him, and Charles in general loses faith in what he refers to as the project. And we know from Charles himself that when this happens, this is when he goes away.

So I've presented an argument for why Red Bull are going to let Checo see out his contract, I've presented a strong possibility for why Charles might be looking to leave Ferrari at the end of 2024. Now I'm going to try and convince you of why out of all the options it'll be Charles joining Red Bull.

First of all, from Charles's point of view regarding teams. I'm going to rule out Alpha Tauri, Haas, Williams, Alfa Romeo, and Alpine, either because they're junior teams or I don't see them willing to fork over huge amounts of money to get Charles onboard. This leaves Mercedes, McLaren, Aston Martin, and Red Bull.

Out of all the non RBR options, I'd say that Mercedes is the most likely, but both their drivers are signed until 2025. There is always a possibility that Lewis Hamilton decides its time to leave the sport and buys himself out of his own contract, but I think that's not likely to happen next year.

Similar to Mercedes, both McLaren drivers are signed until at least 2025 and both look likely to honour that contract. Red Bull have tried to poach Lando multiple times, and Lando doesn't seem too keen on it yet, so we can assume that he intends to at least see his current contract out. Aston Martin is slightly trickier because I see them as being willing to fork over the millions needed to get Charles Leclerc to drive for them, but on the other hand they don't look close to producing a championship car, and Charles Leclerc is not switching away from Ferrari to not win a championship.

So, this leaves RBR as Charles's best destination for 2025 were he to leave Ferrari. Not only do they have a seat opening up, but they also have shown themselves capable of constructing recent championship-winning cars, and outclass every other team almost every weekend on strategy at the moment. Now that we've established that Charles's team of choice would be RBR, the final point of the argument has to be establishing why Charles would be RBR's driver of choice over let's say, Lando or Daniel.

To me the answer is simple, as so eloquently illustrated by my great friend and scholar Nat (@tsarinablogs) in her The PR of Lestappen in 2023 Essay (also known as Lestappen Gate 2023), Charles is not just good at PR, he's brilliant, and Red Bull isn't a racing company, it's a marketing venture. Having Charles on board would be their greatest asset and Charles has done much to make himself desirable, from being personable in almost all fan interactions to building a solid digital following, to being sometimes sneaky and subliminal with his sponsorship messaging (him always putting on APM Monaco immediately after a race, even before the podium and interviews, hell even Charles and Privateplanegate yesterday), to signing with a literal US entertainment agency. I cannot stress enough how the timing of the WME signing is not accidental, this is Charles making himself be seen as a highly desirable PR asset. Charles has the second highest following on social media out of any current driver, second to only 7 TIME WDC WINNER LEWIS HAMILTON. That sort of audience, and the kind of exposure it can bring to your team and your brand is insane.

Also, as an addendum to Nat's essay using something she herself brought up to me yesterday: any PR for RBR is good PR because it means that Red Bull as a concept is sticking around in people's heads, which means they're more likely to notice and buy the drinks off the shelves. Extrapolating from this we can see that Red Bull signing Charles would ultimately be better marketing than Red Bull signing Lando just because of the absolute uproar it would cause. Whether you think that Red Bull saved Charles from Ferrari, or Charles betrayed Ferrari for Red Bull, or Charles saved himself from Ferrari, or Red Bull as the Big Evil Team poached the Prince of Ferrari, there's a compelling narrative in there and people will talk about it for years to come.

Finally, not to talk about the driving aspect of motorsports, but Charles is the best fit for Red Bull driving-wise as well. Him and Max have spoken in the past about how they both prefer very similar types of car (ie. strong oversteer, borderline undriveable to anyone else) which would make car development much easier for the team. Christian Horner has also been pretty candid about wanting two n1 drivers à la Lewis and Nico (although without the toxicity), and whether you believe that Charles matches Max in equal machinery or not, Charles's racing record is a lot stronger than Lando's or Dan's (the two other possible competitors for the RBR seat). Charles fits the bill, driver-profile-wise, of the complement to Max that Christian Horner is looking for.

So, long story short, I am watching Ferrari VERY closely these next few months. If the SF-24 doesn't make Charles happy, I am going to make a bold claim that we will see Charles Leclerc driving for Red Bull in 2025.

#charles leclerc #lestappen rbr #red bull racing #Lestappen Gate 2023 #lestappen #screwderia ferrari #anon #f1 essays

[pluckyredhead]

Can you please say more about the Lanterns' politics?

I am so glad you asked me about this because I've been thinking about it since I reblogged that post but also I'm definitely about to get yelled at lol. ANYWAY THIS IS GOING TO BE LONG.

Tl;dr: John is the only one with a coherent political position or an up-to-date voter registration.

Hal:

So something interesting about Hal is that his stories are often very political but his character is not. With one extremely obvious exception, he rarely talks about politics; rather, he serves as a means through which to tell political stories, usually unintentionally.

What do I mean by that? Well, for example, in the Silver Age, his love interest would occasionally be possessed by a misandrist space jewel that would force her to attack him, but always lose because women are inherently inferior to men and prefer to be subjugated by them anyway. That's the original Star Sapphire concept. It's wildly misogynistic, but it doesn't mean Hal the character is misogynistic. But it's also a very political story, even if I don't think the writer was deliberately trying to make a point so much as...being an average, thoughtlessly sexist guy living in the 60s. (Carol continues to be the subject of mindbogglingly sexist writing and art well into the 2000s. Fucking comics.)

And so you have Hal Jordan, whose love life was ruined by his girlfriend getting promoted above him and who called his best friend by a racist nickname for decades; Hal Jordan, poster boy for chest-thumping post-9/11 kneejerk patriotism; Hal Jordan, lightning rod for a certain kind of regressive bigoted fanboyism. Choosing Hal as the Lantern for a particular story over John or Kyle has come to signify something very specific, but none of that is necessarily reflective of what Hal himself believes.

So what about Hal himself? Well, when we first meet him, he's the epitome of privilege: a white, straight, cis, Christian (I know he's canonically half-Jewish now but that's only as of the past decade or so), ablebodied, upper middle class (Geoff Johns retconned him to have a working class background, but in the Silver Age, he had one uncle who was a millionaire, another who was a judge, and a successful politician brother) man with a flashy job. Privilege tends to lean Republican; even if he is from California, I suspect Hal voted for Eisenhower in 1956.

In GL/GA, the word "Republican" isn't used to my recollection, but Hal is definitely presented as...I'm going to say conservative by I mean lower-case C. He doesn't have deeply held political beliefs, but he's traditional. He doesn't question the system, because he's never had to. He resists things that challenge the way he's always understood the world works, and that's very relatable - most people do! And he will absolutely argue with Ollie, who certainly isn't always right about everything. But he's also willing to listen, and have his mind changed, and certainly reachable via appeals to compassion and fairness.

Once the "relevance" trend of the late 60s-early 70s was over, Hal's stories default back to ostensibly politically neutral, although obviously nothing is actually politically neutral. In the late 80s and early 90s he's the most unpleasant version of himself, and that has political manifestations, like when he allows John to be imprisoned in apartheid South Africa for a ridiculous and unnecessary crime Hal himself committed. It's extremely fucked up, but again, it's less because of Hal's actual opinions and more because Christopher Priest wanted to write about apartheid, even if it does make Hal look incredibly, horrifically racist.

Then jump to the mid-2000s and Green Lantern: Rebirth, and you might imagine that losing his hometown, getting possessed by a giant space bug, becoming a supervillain, dying, and becoming the embodiment of God's vengeance might have some effect on Hal's politics, but that is not what Geoff Johns is here to write. Johns is writing a Hal who teleported in from, like, 1967 - no nuance allowed. He's a summer blockbuster that walks like a man. He's a Baja Blast. He's never had a coherent political thought in his life. In his defense, he has had more and goofier concussions than any superhero I can think of and his brain is smooth like an egg. Still.

Anyway, all of this is to say that I think Hal tends to default to center right positions but can be easily coaxed over to center left. That said, he has never not once in his life had his shit together enough to vote in a single election, not even for his own brother.

Guy:

So Guy's deal is a little bit complicated because his most vocally political era was also in part due to severe and personality-altering brain damage.

When Guy was originally introduced in the 1960s, he had the pleasantly bland personality of all superheroes. Many years later, he suffered a series of major injuries, torture, and a lengthy coma, and he emerged from the coma in 1985 with the aggressive, abrasive personality he's best known for today. Justice League International took that even further, using him to parody the jingoistic, red-blooded American action hero of the 80s.

This version of Guy is a vocal fan of Ronald Reagan and despises the USSR. He's pro-war, proudly xenophobic, and treats women badly enough that it crosses the line into repeated sexual harassment, both physical and verbal. (To be fair...ish, this last also applies to Wally West and arguably a number of other men, and was always played for laughs. It was gross all around.)

Again, this is partially a manifestation of his brain damage. There's also a running gag in JLI where if he gets hit on the head, his personality changes to this cloying, timid, gentle one, sort of halfway between a child and a flamboyant gay stereotype. Hit him again and he goes back to Asshole Guy. I'm not going to pretend I don't find some of the gags funny, but it's obviously all highly problematic, and not just from a medical standpoint.

That said, I don't think we can dismiss Guy's politics or his usual personality as simply a manifestation of brain damage. We see in later flashbacks that he developed the abrasiveness as a defense mechanism from growing up in an abusive home, and as he matures through the 90s, he doesn't actually become a significantly different person, even after his Vuldarian healing factor kicks in and heals his brain. (It's a thing.) I think it's more accurate to say that the brain damage probably affected his impulse control, his filter, and arguably even his paranoia levels.

All of which is to say that as much as I would love to go "Guy's better now, so he's not a Republican!"...that dog won't hunt. I think a really good canon writer could make the case that Guy is pro-union-style working class and also a former teacher so he's at least center left, but as of now canon evidence is pretty firmly on the red side. It doesn't help that the GLC has been written as fetishistically pro-cop and pro-military since Johns got his grubby hands all over it. I will happily ignore the New 52 retcon that Guy was a cop, and you could even try to argue that he dislikes cops because his brother was a corrupt cop who became a supervillain, but I think it's much more likely that he identifies with cops as a Corps member. Although I don't think he would have any patience for killer cops. ("You were afraid for your life even though you were the only one with a weapon? Then fucking quit, coward.")

All of that said, I think Guy is similar to Hal: defaults to center right, can be talked into center left on certain issues but he's more stubborn about it. (They would also both be enraged by Jan 6 and disgusted by the current Republican party - I can't quite argue that Guy Gardner is a Democrat but Green Lanterns don't have any patience for traitors or cowards.) It's also kind of a moot point because he never knows what is happening on Earth and hasn't voted since his pre-coma days.

John:

Oh John Stewart, thank god for you.

John was introduced as an explicitly political character in an explicitly political story. The first time we see him, he's stepping in to defend Black men from a white cop, citing his own knowledge of the law to do so. He shows a much more perceptive and informed perspective on the issue's main plot (a racist senator running for president) than Hal does. Even in the little moment above, we see that he's sensitive to exactly what it means for him, a Black man, to be taking on this role.

None of this is a surprise, since we'll later learn that John's parents were civil rights activists. Not only would he not have had the privilege Hal and Guy did to assume his existence was politically neutral, he was explicitly educated about political realities and progressive advocacy from childhood. He's well-informed, he's passionate, and he's going to tell you when you are being fucking stupid.

John isn't immune from the GL cop/military...thing, although I can't blame Johns for that - it was the cartoon that made him a Marine, and the comics followed suit. But that's never outweighed his origin or his upbringing. Like, he's friends with the DCU's fictional version of Nelson Mandela.

This one is straightforward: John is a staunch progressive. He is, however, in outer space 90% of the time, so he's always at least a little bit out of date. I imagine every time he comes back to Earth he spends the first 24 hours watching the news in abject horror.

Kyle:

Kyle doesn't talk about politics a lot, but when he does, he lands pretty much where you'd expect a young California-born artist living in New York City to land: to the left. My read on Kyle is that he hasn't really thought any of his politics through, which makes sense - he's a character who is led by emotion over reason every time. He doesn't have John's carefully thought-through arguments or knowledge of the law behind him. I feel like when something political upsets him, he's more likely to splutter angrily than make a coherent argument (which: same). When he's given the time to think things through and speak from the heart, though, he can be very eloquent, like in his speech to Terry after Terry accidentally comes out to him.

It's also worth pointing out that his solo appearances were mostly in the 90s, which were prone to avoiding politics or only addressing them in a halfhearted both sides-y way like the story above.

That said, I don't think he ever actually does anything about his political opinions. He never votes in midterm or primary elections, and probably only voted in a presidential one because Alex dragged him along one time. I feel like Donna tried to do the same when they were dating and that was when Kyle realized he'd forgotten to change his voter registration from California to New York. Jennie wasn't responsible enough to Mom him into doing his civic duty, and he's been in space pretty much nonstop ever since, so...

Simon:

In that other post, I said Simon's experiences should have radicalized him, but instead he was created by Geoff Johns. Simon is a Muslim, Lebanese-American man who came of age in the post-9/11 era, and was wrongfully convicted of terrorism and waterboarded at Guantanamo Bay. His reaction to this was...to put on a ski mask and wave a gun around. Like, it's been a while since I've read these issues, but aside from the "ripped from the headlines!!!" of it all, I feel like Simon's experiences largely don't inform his actions or perspective except that he's super angry (fair enough).

The thing about Simon (and Jessica) is that he hasn't been around very long, and most comics don't have characters directly expressing political opinions. It's not a coincidence that these characters are in chronological order and each write-up is shorter than the last. I can think of about three times where Kyle has ever said anything I can interpret as political, and he's been around for 30 years. Simon only has a third of that history. So while one could certainly extrapolate what Simon's opinions are likely to be, I can't think of any canon where he actually says them.

Jessica:

Jessica has even less to go on in terms of explicitly political comics. You'd think she wouldn't like guns because of what happened to her friends, but she has one of her own and doesn't seem bothered by Simon's. I'd imagine she has opinions on immigration as someone whose family is from Mexico and Honduras, but it never comes up. If I were writing for DC, I'd make both Simon and Jess leftists, but as for actual canon proof? I got nothing.

I will say that she probably avoids political discussions because anxiety, and I bet she got really good at voting by mail during her years not leaving the house. She probably votes by mail from space. Maybe John's not the only one with an up-to-date voter registration.

Kilowog:

#green lantern #hal jordan #guy gardner #john stewart #kyle rayner #simon baz #jessica cruz #meta

[thearchercore]

I don’t know why people act so surprised about us believing Lestappen Gate had some merit as if it hasn’t been confirmed that RBR has reached out to Charles AT LEAST 3 times in his career (early-mid 2021, 2022 after Silverstone, and 2023 in May)… like it’s not without merit. Especially with all the little things going on not just on social media but Charles’ interaction with Christian at the entrance of Brazil or Mexico where he literally WAITED in front of all the fans (and Netflix) to greet Charles like oh! It’s not completely unbelievable. I know it was always a stretch but people act like it was completely insane and had no merit to it.

it definitely was an elaborate mutual scheme to help charles negotiate a better contract while also introducing him to the team and offering him what he could get -- if ferrari failed him again and he had to activate his exit clause/get bought out.

i fully believe charles is going into 2024 more confident because his new contract is better than the older one, more flexible. and he also has a realistic backup in red bull that he could rely on if ferrari majorly fails.

it was all a game of chess, a quiet one, but as you pointed out, moments like charles and christian talking together, or max and charles suddenly publicly hanging out, it was all part of it

#lestappen gate 2023 #charles leclerc #lestappen

[wardenparker]

At First Sight

Alan McMichael x female Reader

Rating: G for General Audiences, but this blog is always 18+! Word Count: 3.1k Warnings: Alcohol, flirting, period manners, fluff, scheming family members, undesirable dance partners. Summary: Alan's sister Eunice is finally engaged and their mother is throwing a grand ball to celebrate. It is the last place that he wants to be...until he meets a young lady who wants to be there just as little as he does. Notes: It's been so, so very long since I wrote anything solo. Please be kind -- all errors are my own, and this is definitely not beta read. It's just a little piece inspired by my downtime at work and countless rewatches of Crimson Peak. Alan deserves some happiness, so I wanted to give him a bit. If there's interest I'll try to write more for these two, but I'll understand entirely if there's not. Thank you so so very much for reading! Dedicated to @julesonrecord for her tireless patience in putting up with me babbling about this character and how he deserved better. And to @ruflirtingwithme for always letting me keep Wade in my pocket wherever I go. There's a bit of him in this as well, for sure.

Despite the tailoring of his tuxedo, the familiar weight of the costume, and the well-traveled ballroom he finds himself standing in, Alan McMichael shifts uncomfortably. He’s lost weight this past year, worry and injury taking their toll, and the tailor assured him that it could barely be seen but took his jacket and the waist of his trousers in anyway. He isn’t as fit as he once was. He isn’t as strong. Not since he followed Edith up that mountain in England, only to bring her back down again to dual hospitalizations and true exhaustion. The doctors at the sanatorium don’t allow him to visit anymore .They say it causes episodes of hysteria. 

So now they must live inside their own heads separately, and his mother has taken that as meaning it is time to push him to move on. “It’s for the best.” His mother had said. But Alan couldn’t be sure. Still, he was forced to resume his everyday life, and now it has been a full year since that fateful trip to Crimson Peak. 

Eunice’s engagement has been a blessing to distract Mrs. McMichael. Her ploy to whisk her daughter off to New York City in the early summer had paid odd and now Eunice is engaged to the son of some banker who claimed to have an ancestor lead the charge at the Battle of Cowpens. They were all, Mrs. McMicheals told everyone in earshot, quite proud.

Now it was Alan’s turn to once again have marriage prospects pushed on him, and he stood in the ballroom ready to receive guests alongside his father with a false smile and a belly full of dread.

* * * * * *

“I thought you didn’t like Mrs. McMichaels?” The question hands in the air as you finish getting ready for the ball this evening. Spending the Christmas holiday in Buffalo with your aunt and uncle had been your brother’s idea – trying to see that you were taken care of without directly saying that having you in his house would be a burden. So you had reluctantly agreed, giving most of your staff the better part of three weeks off and taking only your maid with you to Buffalo. 

It’s not that I dislike her entirely, dear heart,” your aunt Joan insists. “I adore her soirees.”

“How foolish of me.” It takes all your strength not to roll your eyes but your maid recognizes the expression and smiles privately. “I ought to have known. You and Uncle Christian will want to stay until daybreak, won’t you?”

“Certainly.” Aunt Joan quips, appraising herself in her vanity mirror. “Her cook makes the most divine fruit crepes.”

You could point out that her usual overt piety discourages desire and gluttony, but at near seventy years of age, your great-aunt has earned a little indulgence from life. Instead you hum a non-committal agreement and pick up your gloves., “Then it will be well worth staying until breakfast,” you encourage, offering her a smile instead. 

“Indeed.” She seems most pleased at the prospect and shoes your maids away with finality. “Your dance card must be full tonight, child,” she warns with an alarming hint of mischief in her voice. “If we want you engaged before the worst of winter snows threaten to keep us all at home.”

* * * * * *

The McMichael’s ballroom shimmers with candlelight and each guest who is announced at the door is another jewel in the crown of the evening. Mrs. McMichaels flits about like a bird with a rare and precious seed, showing it off to everyone around her, and the guests who have eagerly arrived first bask in the shared glow of witnessing such good fortune. Fortunately, very certainly it is a fortunate thing, your Aunt Joan and Uncle Christian do not believe in arriving early to parties. They believe in leaving their home at the time the party is listed as beginning in order to appear both desirably busy and aloof, which means that your trio is squarely in the second half of arrivals to the McMichael house this evening. Even if it is only by a measure of twenty or thirty minutes, the less time you must spend with eligible men being foisted upon you, the better. 

“Mr. and Mrs. Christian Tate,” are announced along with your name, and Aunt Joan practically shoves your out in front of them to make sure you’re seen. Not that anyone would have noticed you otherwise, so perhaps it’s wise. The peacock colored gown you chose shimmers softly in the gaslight, but the ballrooms of Buffalo do not have the large, expansive windows and glass doors that you are accustomed to in Newport. It is all mahogany and walnut paneling here, and all the ladies but you – in their pinks and creams and honey yellows – knew better. You will be lost in wainscotted corners in your deep blue, green, and purple hues. Though perhaps it is for the best. This is not your society anyway. You have no intention of ending your time in Buffalo engaged no matter what Aunt Joan might intend.

The two gentlemen at the center of the ballroom could not be anymore obviously father and son, but where the father jokes and jovially signs dance cards at praise of his skills in the country dances, the son seems dour and aloof. His pinched smile does not precisely forbid conversation but it certainly does not encourage it, and he all but sighs in resignation when your Uncle Christian seems happy to see him.

“My wife’s great-niece,” you hear him saying, just before you are shuttled forward again. “Visiting from Newport for the holidays.”

“A pleasure,” the man intones, though you cannot think he means it.

“Is it?” You offer your hand only because your aunt clears her throat so pointedly. But it is at this point that the skyscraper with blonde hair you are being introduced to chuckles. The sound is broken but warm, and you are not so displeased with being here that you miss the way his blue eyes sparkle like aquamarine in the flickering light. 

“Perhaps,” he muses, catching the dance card dangling from your wrist before you can take your hand back. “Perhaps you are the first young lady to arrive tonight not to simper and curtsy over the supposed honor of being my mother’s guest. And perhaps I can recognize a fellow soul was was strong-armed into attending.” He looks tired, the heaviness of it hanging deep in his handsome features. Because yes, he is handsome. Intriguingly and admirably so. But that isn’t what is drawing you in to him like a rope tied into your ribcage that tugs you forward whenever he speaks. It’s something else. “Perhaps we will be allies tonight, you and I.”

“Allies?” You watch his hand as he claims both waltzes on your dance card, the first gentleman to do so and claiming what are arguably the most intimate of dances. “How terribly Napoleonic of you,” you droll in response.

He laughs again, a little more deeply, and shrugs his shoulders. “I would avoid the elder Mr. Davies if I were you,” he advises, clearly demonstrating his intent as that very ally he has claimed to be. “His wife passed last spring leaving him with three young children. He has become so desperate for a wife that he is inclined to propose to almost any new young lady he meets.”

“How very concerning for the young ladies.” You murmur back, glancing over at the man being subtly pointed out to you. He is squirrelish and balding, all the hair on his head seeming to have fallen to the bushy mustache adorning his upper lip. “Is there anyone else I ought to be wary of?”

“Oh, a dozen at least.” The mischief returns to this man-shaped mountain’s eyes and he offers you his arm. “It is well worth discussing. Perhaps over punch?”

“Mr. McMichael, I think you are using me as an excuse to abandon the receiving line.” You hum in amusement, not really able to say you blame him for such a thing. Or that you mind.

“Perhaps.” His grin has a shade of mischief and guilt to it. “But perhaps you are using me to avoid the attention of other guests who might bore, annoy, or otherwise rankle you, or even step on your shoes. Which I’m sure are quite beautiful and not to be defiled. This arrangement seems better for us both, don’t you think? I can promise you with surety that it has been more than a decade since I trod on a lady’s slipper at a ball.”

“I had intended to feign lightheadedness from the crowded ballroom halfway through the night,” you confess with a sly expression all your own. “Perhaps I still will. Or perhaps this mischief will prove diversion enough all on its own.”

* * * * * *

There have been many dances in your life that have made you terribly glad for the barrier of gloves between you and the man leading. Whether it was their manners that were unsuitable, the sweat of their palms, or some unsavory odor lingering around them like a drought-stricken pond, there seemed always to be some partners with whom dancing was as undesirable as an overturned stagecoach. 

Tonight you fear it might be you. 

Dr. McMichael — Alan, he has insisted that you call him Alan — is a divine dancer. The grandeur of his stature does nothing to inhibit his grace and as he twirls you both about the ballroom you have the oddest sensation of floating that has ever been. But as if grace and poise were not enough, the man has a damning and wicked sense of humour as well. It has taken only the smallest encouragement from you to earn you scathing reviews of the other partygoers from you. The descriptions have you nearly in hysterics in his arms, but worse yet is the way that he smiles. It is a sly and puckish expression that makes his eyes light and sparkle in the candlelight, and every time he aims it at you, you can feel yourself sweat in the most unbecoming and unladylike way. 

Moist palms or a damp dress back do not make for a desirable partner, and all you can do is hope desperately that your gloves and corset are providing ample barrier so that he has no idea how deeply those smiles and jokes and bright eyes are affecting you. 

“I must sound deeply cynical,” he comments after a pause. He has just told you the story of the two Misses Shrewsbury and their positively ghastly attempt at conning the attendants of a seance he attended in Albany some years ago. “I am not. Or at least I do not mean to be.”

“Is it society that you disapprove of? Or faith?” Neither question is a judgment on your part, but you tilt your head to him conspiratorially as you dance. “I have found myself weary of both in the past, that is why I ask.”

“It is neither,” Alan admits, though he does so with a wistful sigh. “I think perhaps I yearn for times past when I reveled in dancing and philosophical pursuits. When the contents of conversation at a dinner party provided fascination for days afterward.” Subtly, so that you can feel it but it is not seen to the plain-eyes observer, he shrugs. “Life soldiers on, I suppose.”

“It does.” You cannot dispute that, and you would not try. You know the trudging on of time as well as any other touched by tragedy. “May I ask what changed? Or is that impertinent?”

“It is not impertinent.” He casts his eye around the room then back down at you. “But I am afraid it is not polite, either. I would not shock you so, to tell it all. I will only say that I lost my dear friend very recently.”

“Then I am very sorry to hear it, but I have every belief in your humanity. Your taste for society, your faith, and your fascinations will return.” The look on his face says he wonders how you can be so sure, and you half-smile. The hint of sadness in your eyes keeps it from becoming full. “Take the word of an orphan of two beloved parents, Dr. McMichael. You will come back to life again after the loss of your friend. It may simply take time.”

“Alan,” he presses softly, reminding you of his insistence. “And I am sorry to hear of your sadness, as well. But it seems that perhaps God or the ghosts of our past have seen fit to introduce us tonight. Whichever it is that you believe in.”

“Whichever it is, I welcome their intervention.” It seems to you at this point that he does not care much for spiritualism or ghosts of any kind, so you will not speak your mind on that topic. As for God? His guidance has not been the one you sought in many years. No, tonight you will not give credence to any of it, if only to keep the mood light and perhaps make Alan laugh again. “I think, however, that I shall ascribe it entirely to my great-uncle. As he was the one to see us introduced.”

“So he was.” As the song ends, Alan bows quite deeply in deference to his admirable partner. “I believe I shall have to thank him for it.”

* * * * * *

“Why don’t I know the girl your son has been doting on all night?” Mrs. McMichael is behind her fan to her husband from the edge of the dance floor, inspecting the dancing and overseeing the needs of all her guests. Her guests. Which is why she is so perturbed not to be able to identify this young woman immediately. “Who is her family? She must be with one of your business associates, yes?”

“Let Alan flirt.” Edwin McMichael waves one hand dismissively, not even looking in his only son’s direction. “It’s good for him. He’s been too dour for too long.”

“I don’t care if he flirts.” Ellen ruffles, her lips pursed and ready for an argument. “So long as he flirts with the correct young ladies.”

“How do you know she is not correct?”

“Because I do not know who she is or who she came with.”

“She is Christian Tate’s great-niece.”

Ellen’s nose wrinkles. “The orphan?”

“The orphan with an eight million dollar inheritance and a palatial cottage in Newport in her name.” Mr. McMichael raises one eyebrow as he peers down at his wife, knowing precisely the sort of affect this news will have on his wife. After all, she married him for his fortune — why should Alan not marry a fortune as well? “Let Alan flirt. It makes him smile.”

* * *

He finds you again later, outside of the ballroom when you’ve wandered away to breath air that hasn’t come from the mouths of five other people first and doesn’t smell distinctly of stale cigars and brandy. He finds you when you are slumped, unladylike, in the window seat of his father’s library gazing out the window at the snow as it drifts lazily down from the pitch-black sky. 

“I thought you’d run away on me.” His voice is light but the undercurrent of worry, or else embedded sadness, is there if you listen. Like a weariness that had taken hold in him sometime since the loss of his friend that he had not been able to shake. Rather than apologizing for it or paying it any mind, Alan simply holds out one of the delicate cups of mulled wine that he brought with him when he went in search of you. “I’m very glad to see that isn’t the case.”

“I had to make myself scarce from the quadrille,” you admit, having the good sense to look at least a little sheepish about it. “That Mr. Davies…the one you warned me about? He caught sight of the fact that I had been left out of the dance before and attached himself to me.” Though the conversation could not be considered so terrible to be characterized as harrowing or torturous or anything as dramatic as all that, you still had not enjoyed his overbearing presence and unfortunate lack of manners. “I’m afraid that I feigned a headache to excuse myself.”

He laughs. Truly and thoroughly, and from his belly. Alan McMichael laughs so entirely that you bury your face in one hand after you accept the offered drink from his hand and you sigh audibly. “I’m sorry…” he chuckles, gasping for a dramatic sigh when he can catch his breath. “ It’s just that you’re so terribly apologetic and sweet about it. No one would be cross with you for avoiding an impertinent man old enough to be your father.”

“I see you have not met my Aunt Joan.” With a dutiful but resigned sigh, you stand from your place of respite and sip the rather delicious drink that he has brought you. At precisely 4:02 in the morning it is both horrifyingly too late for such a drink and far too terribly early – a dichotomy that delights you. “She has done her best to see me partnered with every single man here tonight. It is only my ill luck that I encountered the only desirable partner so early in the night. To dance together a third time would expose us both to comment.”

“So?” Alan sips his own wine and gazes down at you curiously, wondering whether or not you actually give a damn about all of this convention and these rules that seem to have been mutually agreed upon by the same people who determined what food is served at each course at formal suppers. That is – someone very long ago and far away that no one can remember any longer. “I’d like to dance with you again. And you just said that you’d like to dance with me. So who gives a damn if someone talks about it?”

“Won’t your mother be cross with you?” He had said something earlier about his mother wanting him to dance with just every young lady at the ball tonight. And you know for certain that he has not just as you have not danced with every single man. 

“My mother is routinely cross with me.” He admits, enjoying a laugh at the truth of it. “I try not to let it disappointment me too much.”

It is all you can do to consider him – broad shoulders stretching that jacket of his and bright eyes sparkling with mischief, the tilt of his smile and the invitation of his outstretched hand – before you are sighing in a rather dramatic show of resignation that barely shields the actual delight written on your face. “Very well,” you acquiesce, taking his hand and giving his fingers a gentle squeeze. “Let us be the object of idle gossip tomorrow. Let tongues wag. I will be gone in a week anyhow and that will be the end of it. For tonight, at least, we shall have a bit of fun.”

______

Master Tags: @pixiedurango @chattychell @winter-fox-queen @lady-himbo @artsymaddie @princess76179 @paintballkid711 @missminkylove @pedrosbrat @ew-erin @sarahjkl82-blog @sharkbait77 @justanotherblonde23 @lv7867 @recklesswit @mylittlesenaar @f0rever15elf @gallowsjoker @steeevienicks @athalien @sherala007 @skvatnavle @thatpinkshirt @jaime1110 @girlimjusttryingtoreadfanfics @goodgriefitsawildworld @greeneyedblondie44 @littlemousedroid @harriedandharassed @churchill356 @ajathegreats-blog @haylzcyon @beardsanddetectives @kirsteng42 @ladykatakuri @adancedivasmom @madiebear @tanzthompson @emilianamason @bigsdinger @xocalliexo @pedr0swh0r3 @avaleineandafryingpan @charlyrmv @avidreader73 @iceclaw101 @loveslide @elegantduckturtle @becsworld @julesonrecord @its-nebuleuse @itsrubberbisquit @mikeyswifie @guelyury @lizzie-cakes @for-a-longlongtime @vabeachazn @purplerain04 @weho2kcmo

Alan Tags: @nrthernsong @inept-the-magnificent @trulybetty @justcallmebirdie @jefferson-in-the-tardis @thesluttylittleknee @munsonownsmyass @laurfilijames @hudson-bay-girl @ruflirtingwithme @rhoorl @scorpio-marionette @absurdthirst

My Masterlist!

#Charlie Hunnam #Charlie Hunnam character fanfiction #Charlie Hunnam fanfic #Alan McMichael #Alan McMichael x you #Alan McMichael x reader #Alan McMichael x female reader #Alan McMichael x f!reader #Crimson Peak #period romance #just some flirts #I don't even know what I'm doing

[limeade-l3sbian]

Some time ago, before I cut contact with my dad, I would often contemplate his mindset. Not of why he was so lackluster in all manners of fatherhood but about his unbiased, objective few of me as a girl and, now, a woman.

On some obligatory level, I know my dad loves me. I think his perspective of what makes someone a “good Christian” demands this of him. And in a small percentage of the time we spent together, he might love me for the child he knew. And to hear that a father loses interest in his daughter when she grows up/develops the ability to defy and to think is not a new experience. There were telltale signs of it coming so I was fully prepared. But I expected a casual indifference when we got to the point we are now. He would lie about me to the family and retain his desperate image of a father “trying his best.” Like I said, I saw it coming years before.

But it didn't really play like that. Because while he definitely began to detach, there was this frustration and rage in his eyes when he spoke to me. When I called him out. When I didn't just shrug off what he said. He was so angry when I threatened to stop talking to him for a while and followed through. As a child, he couldn't understand why I chose to live with my mom in a homeless shelter over staying with him and his now ex-wife. And there are a handful of family facts and personal history that I won't just spill but I know for a fact play a part in this. I was more interested in his objective perspective of me, like I said.

And to be frank? My dad loves me in a very superficial way, but in no way likes me. My family is the type that say “blood is thicker than water” no matter what. Generations of abuse and neglect founded on the back of “respect” that is inherited rather than earned. My mom was the first to make me challenge that, and I think my dad resents her for that to this day. 

When I was younger, I considered him cool. Especially since he seemed supportive of my feminist ideology that I garnered very early on by just being with my mom. My thoughts then and now? How can a woman's place only be by a man's side when my mom has given me as much of the world as she can without one? I just wasn't buying. But he always told me he wanted me to be independent and strong. So I can give him that credit. No one in my life ever told me I couldn't be whatever I wanted to be, and that is a real blessing I don't take lightly.

But his support had a veil of contrasting expectations. I didn't have to wear makeup…but I should have my hair pressed or braided. I could wear pants instead of skirts…but you need to ask your mom to teach you how to shave. The role models he thrusted upon me were strong figures still deeply layered under a presentation that was appealing, especially to him. To him, they were still “women.” Strong but ever willing to submit. 

And his support always came with imaginings. When I inevitably became rich, he would joke that I could get him things. When I won a writing award as a kid, he didn't drive me home for twenty minutes until he finished boasting to his friend about me. He thought I was the most intelligent person he'd ever met. If I could just stop being so disagreeable and more presentable then the world would be my oyster.

And as an adult, hearing him speak, I could finally understand why my average intelligence seemed like such a world shattering achievement. Because to my father, I was intelligent in spite of being born female. I immediately thought back to all his interactions with women. How they were either dismissive or lewd. How he rolled his eyes when my stepmom would demand basic respect from him. And I'd laugh with him. [Go ahead and insert infamous quote about how it will not save the daughter.]

His perception of women was secondary. Adam's rib. He wanted to raise me as Eve and felt (and feels) cursed that he was bound by blood to Lilith. And the only Christian thing to do is spend the rest of his life trying to change me. And when I came out, that thin smile of support from him told me that he felt his ability to control not just slipping, but being yanked. I did not recognize men as authority. His only card he had and has left is that we are bound forever by blood.

But I don't care about blood. The water of strangers and women in my life and in this community has carried me further in life than blood ever has or, at this point, ever will. 

#don't judge me if anything got autocorrected #i was on my way to work and wrote this on my phone

[cellarspider]

20/?? Special delivery

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We return to a movie that has never been to medical school, Prometheus. 

Here it is. The scene that everybody remembers because it gave a fair few people the screaming heebies. This is their version of the chestburster scene–except for the less impactful, literal version of the chestburster scene we’ll get later, I mean. This one, though, this one, they got it right.

Content warnings for gore, nudity, nude gore, exhaustive discussions of the place of chestbursting in franchise history.

But first! I saw a tag with a desire to see the scene with David and the star map. To spare everyone from watching the rest of the movie to get there, here it is!

[See previous post for lengthy description of the events. I didn’t talk about the music in this before though! It really adds to the sense of wonder in this scene. It reminds me of Daft Punk’s Overture to Tron Legacy (2010), another beautiful and flawed movie. Given the modern use of temporary music in editing that definitely sneaks into what directors demand of scores, there’s a chance this was a direct influence. In terms of the “oh wow, space!” feeling it gives me, I’d also mention the Star Trek TNG opening theme.]

Anyway! On with the horror.

In Alien, the creature’s life cycle was developed by writer Dan O'Bannon, who had two major ideas for its early appearances: sexual, reproductive threat directed at a male character, and Crohn’s disease. O’Bannon had Crohn’s, and he said that inspired the idea of a critter chewing its way out of a man’s guts. 

That personal connection has been lost through subsequent media, in part because the series has continued to use the same creature and the same method of killing, minor deviations like in Covenant and tasteless ones like AvP Requiem notwithstanding. The chestburster is a thing that can only ever really work once in a movie. The first time is relatively drawn out, made a setpiece of the movie, and is a horrifying plot twist for anyone who goes in blind. After that? Drawing it out may risk becoming meaningless gore or boring, so most movies have chosen to just have the little bugger pop out within seconds. It’s the sideshow before you get to the main event, despite being the iconic scene of Alien.

Prometheus’ equivalent scene wins back a fair amount of tension by altering the details of the event, if not the general arc of it. It certainly hammers on the reproductive horror aspect, but loses the original subversion of targeting a male character. Which is a shame, because male-targeted reproductive horror is still boundary-pushing. From the world of horror gaming, Outlast: Whistleblower produced some notably panicked reactions from male players when they encountered the emasculating, specifically reproductive threat of Eddie Gluskin. (Content warning for gore, death, forced feminization, misogynistic language, censored nudity.)

Regardless, we have The Chestburster Scene again, but now it’s in the back half of the movie, and happens to the main human protagonist.

I find it very odd that this movie is so self-consciously iterating over things that were first done in Alien. It’s like watching a devout Catholic pray at the Stations of the Cross.

Speaking of crosses

Before we get to the main event, there’s the first actual attempt at character work between David and Shaw in the movie, as we’re in the final act. David confiscates Shaw’s cross as she wakes up from her post-boyfriend-barbeque faint. “It may be contaminated,” he says.

Shaw’s christianity is one of the few character traits in the film that ties into one of the themes, and has its own arc. She’s giving up her cross to the person who killed her partner, a metaphor for a crisis of faith which is so blatant as to barely be a metaphor at all. And, given the general arc of how these things go, means she’s going to get it back at some point. The context for it is going to be confusing and disappointing, frankly.

And it’s especially weird given the other metaphor going on simultaneously: David runs some scans on her, and declares she’s three months pregnant. This is a non-virgin virgin pregnancy. She is Alien Mary. This, then, is the narrative reason why Shaw is infertile–so that she could be the Mary figure, and, more practically for the plot, have foreknowledge that something was wrong. 

Except it really didn’t have to be that way to make this work. While christian allegory and the creation of life are themes in this movie, Shaw’s infertility was handled with zero grace. And honestly, the movie could work without it–Shaw and Holloway did not have romantic chemistry, as far as I could tell. Lean into that! Just say they haven’t had sex in ages. This scene would actually flow better, because Shaw explicitly objects that she only had sex with Holloway “ten hours ago. There's no bloody way I'm three months pregnant.”

Which again hammers in how stupid fast this movie has been racing its characters toward their doom, but I’m immediately distracted by David pronouncing “it's not exactly a traditional fetus.”

It certainly isn’t. It’s an alien squid, placed there by the holy spirit of black goo. She’s all set to give birth to Squesus. 

I think that’s the only worse way he possibly could’ve said it.

David, frankly, gets some of his worst dialog of the movie here, because he is infected by The Plot for a bit. “It must feel like your God has abandoned you,” he says, after sedating her, “to loose Dr. Holloway after your father died under such similar circumstances.” Which leaves one momentarily with the wild mental image of Dad Shaw sacrificing himself to a flamethrower-welding corpo, but no, David means ebola. David found this out via that dream-watching tech that exists solely to be a mildly unnecessary plot point. Blessedly, this is the last time we see any mention of it.

It’s very strange, how the movie is stuffed full of plot and edited so tightly around the plot that characters barely have room to breathe, yet what it prioritizes as plot-relevant is so scattershot. This failing is also inflicted upon the part of the otherwise very effective Chestburster: The Prequel scene.

Shaw attacks the people who come to take her away to cryo, running in her underwear to the PAULING MED-POD the movie very loudly announced earlier, so that you wouldn’t forget it exists. She tells the PAULING MED-POD that she needs an emergency caesarian. The PLOTPOINT MED-POD informs her that it’s only formatted for male patients.

I’ve seen many people complain this makes no sense. It’s in Vickers’ quarters,  why would she have an expensive medical device that she can’t fully use? Others counter that no, it makes sense, because the med-pod was actually installed for Peter Weyland, thus justifying its male specificity. He’s a selfish bastard, he got it for himself, plot hole avoided.

…Except that doesn’t address the more fundamental problem: What does this add to this scene, to balance out the fact that the audience is now distracted by this information? It slows Shaw down a bit as she figures out how to cue up a foreign body extraction from the abdominal cavity, adding to the tension. But you don’t need that to be what draws out the scene. Maybe the PAULING MED-POD has a slow boot-up sequence. Maybe someone follows her there, and she has to fight them off, possibly killing them in her panic. A dead body in the room would solve an actual logical problem with a later scene.

It’s frustrating, because the pacing of this scene is actually excellent, as is its premise. Shaw has to forego anesthesia and make do with self-administered local painkillers, because the prosthetics and CG teams have done a bang-up job making her stomach writhe unpleasantly, making it very clear that whatever’s in there is mobile enough to be a danger to her, even if it’s removed. 

The pods instruments are mostly CG, but its combination of unhurried routine and abrupt, industrial roboticism adds to the uncomfortable nature of the scene. Sound design is also important here, with all sound effects well-chosen, and mixed to imply claustrophobic closeness and how trapped Shaw is.

The creature itself? Eh. It’s a slightly phallic squid, and squids were already slightly phallic to begin with. They added on a slightly vaginal mouth, which is also a lateral move--squid mouths already look quite a lot like an unworksafe orifice with a beak tucked away in it. Unless you're looking at Promachoteuthis sulcus, whose inner lip structures fold into patterns that look distressingly like human teeth.

Honestly, this is freakier than the actual prop. Good job, Promachoteuthis sulcus. You're only 25 mm long, and a delightful tiny terror.

...But the fact that Shaw’s stuck in the pod with her flailing squid-child is what actually adds another minute of fear and wince-worthy pain, as the almost comically brutal medical staple gun closes her incision and the pod slowly opens up.

She tries to kill it with what appears to be a soothing mist of decontamination spray. This is the one other stumble of the scene, because it’s just… I mean, look at it.

It’s just been spritzed with Febreze. There’s nothing that leaves you wondering if the thing’s still alive for later, you know it’s still alive.

But overall, a well-done scene. The standout horror scene of the movie, which is light on scares. That sparsity wouldn’t even be worth mentioning if the movie were going for slow tension, but with its strange blend of existential quandaries and unremarkable horror tropes, it takes a very strong, singular scene to feel like the tension has actually paid off. I don’t think it completely balances out the deficits of the rest of the horror, but it very nearly manages it, and does manage to be memorable.

Next time: An entirely underwhelming horror scene, and the movie takes another swing at having themes.

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Citations for alt-text rambles:

https://www.theguardian.com/film/2019/aug/30/memory-the-origins-of-alien-review-francis-bacon-greek-myth-dan-o-bannon-sci-fi-classic-film 

https://www.stanwinstonschool.com/blog/aliens-chestburster-mechanism-behind-the-scenes 

https://avp.fandom.com/wiki/Seegson 

https://stackoverflow.com/questions/3314219/how-do-u-v-coordinates-work 

https://en.wikipedia.org/wiki/Surgical_staple (medical gore cw)

https://sites.uw.edu/pauling2020/ 

https://www.paulinamarket.com/

Overflow Ramble #1

A shot of the screen on Chekhov’s g–I mean the PAULING MED-POD, showing the text “EMERGENCY PROCEDURE”, and that it is “AWT VERBAL CMD”. The med-pod turns out to be a Weyland product, because all corporations in Alien movies are either Weyland, Yutani, or Seegson, if you’re particularly unlucky (cite 3). 

They made the mistake of putting more actual words on here, and so I’m squinting at the top right corner at “CARDIAC STRESS TEST”, “ELECTROCARDIOGRAPHY” AND “MECH ALGN TCH”, which means the pod appears to think she needs to have her heart checked or her wheels aligned.

But what I find funniest is that there’s coordinate sliders in the center bottom: X/Y/Z and U/W. You know where I recognize that from? 3D modeling. U/V/W are used as an alternate coordinate system in that context (cite 4). Somebody was designing this, thinking “well, we need more buttons. Where can I get more buttons?” and then looked at the horrid mass of options and sliders in their modeling software and realized they had the answer.

Overflow Ramble #2

A close-up of David’s hands, holding a sample container and placing Shaw’s necklace inside. Two details, one of them insane, the other just plain funny: First of all, this is a different set of hands than the one when David was messing with the black goo–there was a small but notable blemish on the fingerprint that wasn’t there, proving once again that hand and arm doubles are one of the odder things you don’t think about in film production.

Second: The container is turned so that the label on it is facing away. This allows you to see the necklace, but it also highlights a completely flat Braille label, reading “PN#ZTZouSthe#Z”, which is obviously very informative.

But the real reason why the label is facing away is because it almost hides the fact that the label says “PRODUCT CODE” on it, which means he may have just put Shaw’s necklace in an empty peanut butter jar.

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#Prometheus 2012 #Prometheus (2012) #finally some well done scenes #though the plot still does not leave them unscathed #Youtube

[blamemma]

OMG emma, I swear I have been writing an Engineer!Max/Driver!Daniel story for the LONGEST time, I’ll try to summarize where it’s at here:

Okay so, let say Simon retires as Danny’s engineer a little early (sorry Simon ily) and Max starts as Danny’s race engineer in mid 2016. At first Danny thinks it’s a joke right? Like there’s no way this 17-yr-old kid is gonna be as good as Simon?? Except Max is GOOD. Better than good, actually. He’s the best. Because it’s MAX (and Max is Max). 2017 is a little bit of an adjustment period for them but then they GET IT RIGHT in 2018 and Helmut gets his wish: Danny wins the WDC that year and then his random RB teammate (idk who it would be and it’s not important for the story) wins it in 2019.

RB are on top and everything’s great. Danny and Max are so flirty on radio and F1 Twitter is losing it after every interaction between them, rumours are also abound in the paddock about them. But Max eventually ends up a little put out that everyone thinks they’re sleeping together (they most definitely ARE) because he also wants to be taken seriously, not always in the background, attached to Danny’s wins and loses.

He wants to prove himself basically, that he’s a good engineer because he just IS a good engineer and that it’s not just because it’s him and Danny. So in 2020 he jumps to Mercedes in a shock-exit a-la-Danny-to-Renault. Even more shook-ness he actually helps Lewis re-take the WDC that year, and the vibes are just RANCID at the final race. Like, Max is there with Lewis and Mercedes and can’t even look at Danny and Christian trying to console the team after the loss. F1 Twitter found dead, etc. etc. Danny hasn’t had a win in two years at this point (since he and max cooled things off in 2019) and finally snaps, and it’s announced by the next season that he’s moving to McLaren in 2021 (queue the ominous music)

There’s like six chapters of Max just sitting in Mercedes watching Daniel struggle in McLaren and just the LONGING and PINING is too much for everyone. They maybe break at some point before Danny leaves the grid and have really tender, desperate sex where Danny literally tells Max: “I miss you, I can’t do anything without you. You ruined my whole fucking career and my life, you know that?”

Cut to Danny being signed as RB’s third driver and then Max getting a call from Christian since he wants BOTH of his golden boys back. They’re in some office in Milton Keynes when Christian asks him outright: “how much?” and Max just stares at him because it’s not about the money at all. It never was.

“Of course, I would only come back to work with Daniel again.”

And Christian, to his credit, doesn’t even look surprised.

END SCENE!

ok u need to let me know when u publish this because i am hooked!!!

#anon #asks

[creature-wizard]

"True Christians don't do X!"

Look. There is just no objective way to define what make a "true" Christian. Any definition you give comes from your own personal biases.

Also, there's a bunch of people who would claim that you aren't a true Christian based on their own biases.

What are ya gonna do about it, have yet another "nuh-uh! nuh-uh! no, you!" slapfight? Are you going to have another tiresome debate in which you're both absolutely certain that you're the ones with the Real True Objective Understanding of the Bible? Ahhh yes, that's worked out so well for us all so far, hasn't it?

There's just no point in trying to quibble who qualifies as a "true Christian" or not. None whatsoever. It doesn't solve any problems, much less the problem of certain groups of Christians particularly hateful and destructive.

"Oh but not all Christians are like that-"

Oh buddy, I know this. In fact, I probably know much more about the diversity of practices and beliefs among people who profess to believe in Jesus as the Messiah than you. Which is, in fact, one more reason why I'm against this whole "true Christians practice/believe X-" rhetoric. You have no idea just how many Christians you're dismissing out of hand simply because their Christianity doesn't work exactly like yours.

You have no idea how deeply chauvinistic you're being by assuming that you practice the most objectively correct version of Christianity. Yes, this includes your assumption that being a Christian involves reading the New Testament. Christianity didn't begin with the New Testament; it began with a group of people who decided that this one guy was the messiah. People were Christian for hundreds of years before the New Testament was even a thing, and the New Testament only represents a tiny fraction of what early Christianity was like.

"Okay but X opinion isn't in the New Testament!"

Are you sure? Like, have you read the New Testament lately? Like, do you even know what's in the Gospel of John aside from John 3:16? Do you really? Are you just unaware that the Gospel of Matthew puts collective culpability for Jesus's crucifixion on all Jews for all time? The fact is, there are some garbage takes in the New Testament, because the books and letters New Testament was written by a bunch of people, some of whom had some pretty garbage opinions about some things.

If you genuinely think it's really messed up when Christians are racist and antisemitic, or generally bigoted in other ways, maybe instead of whining "not all Christians!" at the people who call this out, maybe ask yourself what you can actually do about these problems. How can you fight these hatreds that other Christians are perpetuating?

If you won't do that, then you never really cared about racism or antisemitism. You only care about your religion's public image.

#christianity #christians #racism #antisemitism

[thegaybluejay]

Okay hi I’m back with another ramble-y ATLA character analysis since this is low key my brand on here lmao-

Today I want to talk about Zuko from the lens of someone who also had to deconstruct. This will be long, but please bear with me!

I was raised in a very white conservative evangelical Christian bubble where literally EVERYONE I knew for the majority of my childhood and teenage years thought mostly the same way. There was a lot of othering and shaming of anyone who thought too differently. Even if it was sometimes said more passively than cruelly, there was always that underlying tone. “The others/the people outside of our group/the worldly ones are lost and need our help because we’re better than them!”

While I strived to not be cruel, my beliefs were still harmful. I lost a few friends when I got to my mid-late teenage years because I didn’t yet know how to challenge what I’d been taught.

I see so much of myself in Zuko.

Zuko was surrounded by propaganda his entire life. He was steeped in it - steeped in the blood of those that the system he supported/represented had hurt and killed.

Anger is a huge part of all of this. While my anger was never quite as outward as Zuko’s (I hid it fairly well and was always known as the “pretty good kid”), I can still so heavily relate to his anger. His anger at always falling just short of being good enough or perfect enough. His later anger at himself for not understanding how fucked up the system was sooner. His anger at the people that failed and hurt him. His anger at realizing how he failed and hurt other people. All of it.

I also understand his backslides in Book 2 and early Book 3. When you begin tackling the first layers of harmful shit you’ve been taught, it can quickly become so tempting to just call it quits and go back. You almost start to romanticize the simplicity of life before you began this journey. The rules and goals were so straightforward back then, and deconstructing is messy as hell. Even if you were deeply hurting in your old life, at least you weren’t so damn confused. You used to know your next steps, but now everything is in disarray and you don’t have a direction to rebuild in yet. Going back almost feels like it would be a survival tactic, a way to have a sense of control again. Zuko definitely 100% needed to atone for what he did in Ba Sing Se because it hurt others, and while I’d like to think I would’ve made a different choice in his shoes, I also get it on some level. The confusion stage sucks, and it’s not always linear either.

But then.

One day, something just clicks. You eventually deconstruct enough that you truly come to full terms with how fucked up it all is. And you realize that you don’t belong there anymore, and the version of you that DID belong was just a facade. The blinders fully come off, they’re never going back on, and a spark lights in you that prompts you to make a big change. The deeper you go, the more urgent this deconstruction becomes in your mind because holy fuck I have to do something about this. I want this shit out of my brain for good and I want to help make things better. I want to learn who I am and finally live that out.

THAT is one of the most pivotal points in the journey, and I loved seeing it within Zuko’s arc when he comes to this realization after the war meeting in Book 3 and leaves to join the Gaang. I also loved that they didn’t trust him the first time he came to them - both he as an individual and the system that he had once supported/represented had hurt these people, and it took some real apologies and some time to build up trust. It also wasn’t done with half assed centrism either - it was “I acknowledge that this system is completely broken and wrong and I will do everything in my power to help gut it from the top-down and restore it with love”.

This leads to another pivotal point in the journey - instead of being motivated by fear like you were when you were deep in the indoctrination or by the raw anger you first felt as you initially left, you start to be motivated by love. And it’s the most freeing thing.

It was so cool to see Zuko learn that, while his anger was a helpful tool (ie: the confrontation with his father and his overall anger at the corruption he saw in his nation), he couldn’t be fueled by it any longer. He had to find another motivation to keep going, and he was then taught by the Sun Warriors and the dragons how to be motivated by light and life and love and also how to use those alongside an anger that was finally righteous.

And with this, he was ready to fight. To fight for a cause he knew to be good. To fight arm in arm with his newly acquired family. To fight to fix what his nation had done to the world and to itself. To fight for love and peace instead of division and hate and destruction.

And wow is it a beautiful journey.

TL;DR - Zuko’s story is so powerful to those who are deconstructing and I love him so much! I also just enjoy doing character analysis hehe.

(I really love talking about ATLA, so if y’all want me to analyze other characters or even plotlines through a specific lens, feel free to submit an Ask and I will happily do so!!!)

(Also, quick ending note - this is just my personal experience with deconstruction! Other people’s retelling of their own deconstructions may be different from mine, and that’s totally okay!!)

#atla #avatar the last airbender #zuko #prince zuko #character arcs #i really love zuko guys #deconstruction #deconstructing christianity #exvangelical