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#these two hurt me so much
little-orcs-hurrarrumm · 10 months
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"I forgive you"
We heard it in s1 and now in S2. After every major fight these two have, when every single time aziraphale chooses heaven over his best friend, he tells Crowley "I forgive you". As if Crowley had done something terrible that needs to be forgiven, as if aziraphale must forgive him for what? For being a demon?
And I'm just waiting for that moment at the end of s3, when aziraphale finally realises that the real crime isn't betraying heaven, it's betraying the people who love you and who would give away everything to keep you safe. When aziraphale finally realises that all those years he got it wrong.
And then, when aziraphale confesses his love to Crowley, he will finally ask him
"Crowley, can you forgive me?"
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They both lost their team and their teacher....
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surreal-duck · 4 months
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I'll make myself look even cuter, so come find me, okay?
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essektheylyss · 24 days
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One thing that I feel is really interesting and often forgotten about Essek is that fundamentally, his characterization has been from the start based upon his desperation for external perspectives and connection, which, along with much of his narrative and mechanical positioning, means that he actually has an extraordinary and almost (but not actually, as I'll show) counterintuitive capacity for both growth and trust.
(Buckle in. This is a long one.)
In particular, I would argue, knowing now that many places where the plot touches Ludinus have long been marked for connecting back into the current plot, that he was quite possibly built as a prime candidate for radicalization by the Ruby Vanguard. He felt isolated from his culture, he was desperate for other connection, and he was certainly of the type to believe he was too smart to be drawn into such a thing, given his initial belief that he could control the situation and the fallout. If things had gone any other way, he easily could've been on the other side by now.
As such, he has been hallmarked by being fairly open to suggestion, perhaps for this reason, but the thing about that kind of trait is that it is both how people are radicalized and deradicalized. This is certainly true of Essek, who experienced genuine kindness and quite frankly strangeness from the Nein and was able to move from the isolation the Assembly had engendered to meaningful and genuine connection, largely propelled by his own internal reflection. By the time Nein are aware of his crimes, he's already begun to express regret to an extent and, furthermore, doubt in the Assembly, including explicitly drawing a line against Ludinus, even in a position where he was on his own and probably quite vulnerable.
Similarly, when the Nein reach the Vurmas Outpost some weeks later, he has moved from regret for the position he's ended up carrying a heavy remorse. This makes sense! He's fairly introspective, seems used to spending a lot of time in his own head, and was left with plenty to mull over. It's not some kind of retcon for him to have progressed well past where the Nein left him; it just means he's an active participant in the world who has done his own work in the meantime.
This is another interesting aspect to him. I've talked about this a bit before but I cannot find the post so I'll recap here: antagonists in D&D have significantly more agency than allied NPCs. Antagonists are active forces, against which the party is meant to struggle; allies are meant to support the PCs, which means they tend to be more passive in both their actions and their character growth. Essek was both built as an antagonist, in a position that gives him significant agency, and also was then given significant opportunity to grow specifically to act as a narrative mirror for Caleb's arc. Even when he becomes a more traditional D&D ally, he still retains much of that, though he occupies a supporting role.
I believe that this is especially true because of the nature of Caleb's arc, which I've already written on; the tl;dr of this post is that Caleb is both convinced that he is permanently ruined and also desperate to prove that change is possible. Essek is that proof, because he is simply the character in a position to do so. But this also means that his propensity for introspection and openness is accentuated! He has to do the legwork on his own, for the most part, because that's where he is in the meantime.
But he still ends the campaign necessarily constricted; he is under significant scrutiny, he's at risk from the Assembly, and he goes on the run fairly soon after the story ends. He spends most of the final arc anxious and paranoid, which is valid given the crushing reality of his situation. It would be very easy to extrapolate that seven years into this reality, he would be insular, closed off, and suspicious of strangers, even in spite of the lessons he's learned from the Nein and their long term exposure.
So seeing his openness and lightness now is surprising, but at the same time, given this combination of factors in his position in the narrative over time and his defining traits, it's not by any means unreasonable.
But one thing that I found so delightful is how much trust he exhibits, which is obviously a wild thing to say about Essek in particular, given much of what he learns is both earning and offering trust, which was something he says explicitly in 2x124 that he's never really experienced: "I've never really been trusted and so I did not trust." It makes up much of the progression of his relationship with Caleb, and the trust that he is offered by the Nein in walking off the ship is the impetus he needs to grow.
But I think it's easy to talk about trust when it comes to people who have proven themselves to you or to whom you've ingratiated yourself, and that's really the most we can say about Essek by the time he leaves the Blooming Grove. There is this sense in a lot of discussion of trust (not solely in this fandom) that it is only related to either naivete or love, but there's far more to it. Trust at its best is deliberate—cultivating an openness to the world at large is a great way to combat cynicism and beget connection instead. It allows a person to maintain curiosity and be open to experience, but it can be incredibly difficult to hold onto.
It is clear that the Essek we meet now is a very pointedly and intentionally trusting individual. He trusts Caleb and by extension Caleb's trust in Keyleth, as he shows up and picks up a group of strangers from a foreign military encampment and walks in without issue. He trusts the Hells to follow his lead moving through Zadash and to exhibit enough discretion so as to avoid bringing suspicion upon all of them. He trusts that Astrid will respond well to his entrance, but he also trusts himself and the Hells enough to execute a back-up plan in the case that she doesn't. In the end, he even trusts them enough to give them his name and identity.
He doesn't scan as someone who has spent half a dozen years living like a prey animal, afraid of any shadow he runs across in an alley, withdrawn into himself and an insular family, which would've been an easy route for him to take. He scans as someone who has learned the kind of trust borne of learned confidence and a trained eye for good will and kindness, which are crucial weapons one would need for staving off cynicism in his circumstances—as if he has survived thanks more to connection and kindness than paranoia and isolation. (If we want to be saccharine about it, he scans quite poignantly as a member of the Mighty Nein.)
So it is easy to imagine this trust and openness as a natural progression of his initial search for perspectives external to his own cultural knowledge. Though he makes those first connections with the Assembly to try to vindicate his personal hypotheses, he finds in them exposure to the deepest corruption among Exandrian mortals, which could've—and did, for a time—turned him further down that same dark path.
But it's also this same openness to exposure from the wider world that allows the Nein to influence him for the better, and in spite of the challenges he's certainly faced simply surviving over the past seven years, he seems to have held onto this openness enough to move through the world with self-assurance and a willingness to extend the kinds of trust and good will that he has been shown.
(I would be remiss not to mention that I was reminded about my thoughts on this by this lovely post from sky-scribbles and their use in the tags of 'light' to describe Essek's demeanor this episode, which is really such an apt word for it.)
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seryotonin · 1 month
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You do not know the medieval torture I had to go through to make this and I’m not exaggerating.
I gave Pearl a gun because dualies to me are very hard to draw and she looks like she’d have a real gun anyways.
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lunarharp · 3 months
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What led to this (orufrey comic, cw an uncomfortable/creepy scene)
#witch hat tag#orufrey#er.... i'm too tired to have anything to say..i worked several days on this.#wait.. didn't i say just recently here that i probably wouldn't ever depict 'what if alaira is qifrey's sort-of ex'. What's going on#i don't even remember deciding to draw this..it's all a blur..i'm not sure why i WOULD decide to draw delicate scenes in my head#that i wouldn't really want to share with anyone/discuss so why did i draw it...#some part of me really really wants to draw things that are more and more true to myself...#maybe because of my alienation with most romance/shipping/dynamics the rest of the world depicts.#orufrey really is perfectly suited to me - what i read in the text and what is in my head. well anyway#i am TIRED of drawing poses and angles and..maybe now i will actually take a break from drawing bc of the tediousness of Angles#btw it really is a 'stretch of time' . . . assuming witches graduate age 18-20#well orufrey are canonically 30-ish. they've only had agott around for presumably about TWO years (?) bc she took the test age 10#and it feels like oru moving in/unknown atelier acquisition/building (?) .. i guess that could be a year or so before agott at most#(she was the first disciple) so... ????????? What about the other 7 or so years ?!?!?!!?!?! Unemployed Brimhat Hatred era#that time is very nebulous. after qifrey went to the tower i feel like it's been implied he and oru drifted apart a little.#certainly they didn't live together at first... no way. that doesn't feel like how it is based on things oru has said about becoming Eye#idk. I'm tired now. i don't usually think of alaira as necessarily qifrey's ex and this being how things went in that 'sliver of time'.#i usually prefer the idea that they have their first kiss with each other in their 30s cause That's Just The Orufrey Lifestyle#just felt like making a more relatable alternative view of my own Cai Orufrey Canon one time. btw im a big monoshipper and it hurt a bit#let's leave it there. this is surely the most i've worked on a 'single' art - though now i realise just how much longer the fic took :')
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siren-of-agony · 5 months
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Answers to "please stop"
No.
I can't.
I won't.
I don't want to.
I don't know how.
I will soon.
But then how will you learn?
We're almost done.
It's almost over.
Ask me again!
Oh well, if you're asking that politely…
Fine. For now.
Only once I've come up with something more fun.
Only once you've come up with something more fun.
Or what?
I know you can go a little bit longer.
You know I won't.
I love it when you beg.
I hate it when you beg.
I'm so bored by your begging.
Not until you're too weak to ask me to.
But I don't have anything better to do.
I wish I could.
Alright! See? All you had to do was ask nicely.
I'm not doing anything.
What, exactly?
Just once more, I promise!
Just once more, I promise! (🤞)
You're doing this to yourself.
You wanted this.
You want this.
You know you made me do this.
Are you ready to give me what I want, then?
I will once you give in.
What will you give me in return?
Why should I?
You know there is only one way to end this.
You know there is only one way this will end.
(Answers to "it hurts")
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sysig · 6 months
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Puts the “plates” in “Fellplates” (Patreon)
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luxaofhesperides · 5 months
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For ghost lights prompts: eldritch/creepy/weird Danny + shy/flustered Duke + hand holding
Your ghostlights fics are giving me so much joy RN I cannot express how much, if this prompt doesn't spark a brain worm for it I get it but I'm excited to read all the others you may wind up posting
There’s a new kid at West Robinson High School. 
This normally wouldn’t be a big deal. They get plenty of new students, being an average high school; not prestigious like Gotham Academy, but not terrible like some of the schools in the lower South Side. New kids are hardly anything to make note of, but something about this student has everyone paying attention to him.
It’s not charisma. The guy doesn’t talk to anyone. It’s not attractiveness, because no one really knows what he looks like under the tattered hoodie he wears all the time. It’s not curiosity, not really, because the student body moves around him like he’s dangerous, not like they want to pry all his secrets out into the open. 
It doesn’t help that Duke sees things around him. 
He considers briefly telling someone about it, but then remembers having to argue for returning to West Robinson High School instead of being put in Gotham Academy and decides that Bruce can continue to mind his own business. It’s not like this new kid has done anything bad (yet) and Duke can handle investigating this on his own.
So he watches, catching glimpses of the new kid—Danny Fenton—in hallways during passing period, hiding away at lunch, disappearing into the streets as soon as the school day is over. They even share a class together, French Language and Culture, but Danny is always in the back corner, ignored and made invisible by everyone else. 
Well. That’s not quite true. 
There are shadowy figures that surround Danny and they never leave him alone. Even when he’s got his arms folded on his desk, head down, looking as if he’s asleep, these figures pull at the hood covering his head or reach semi-transparent hands down to pet his hair. And Danny reacts to them, lightly batting their hands away or turning his head away from them.
Duke has no idea what they are. Ghosts are his best guess, but he can’t confirm it. As far as he knows, ghosts are magic and can only be seen by magic users, which Duke very much is not. They do lead to cold spots, keeping the temperatures noticeably colder around Danny, and make the shadows darker, which only makes other students more nervous about being near Danny. 
Through his week of observing Danny, beyond the ghostly figures and visible unease he causes in everyone, what Duke learns is that Danny is lonely. 
No one talks to him. People barely look at him. Teachers avoid calling on him when they can. 
And Danny accepts it. He fades into the background, keeps out of the way, shrinks in on himself. 
No one else sees it. No one else wants to see him.
It’s breaking Duke’s heart, just a little bit.
He’s lucky that he’s not an outcast at school. With his meta gene awakening and his free hours taken up by Bats and fighting crime, it’s hard to have much of a social life, but he still has a few friends during the school hours he can hang out with. Danny doesn’t have anyone, and the more Duke sees how isolated he is, the more upset he becomes.
Which brings him to step two of his investigation: befriend Danny.
So what if he has some ulterior motives! He also just wants to give this guy someone to hang out with! What little glimpses of Danny’s face he’s able to get show him a tired teenager, worn down the way Alley kids are when they’re at the end of their rope and have nothing left to give.
Duke’s first attempts at befriending Danny fail so fast it’s almost funny. It’s as if Danny knows when someone is seeking him out, because every time Duke goes to where he is, Danny up and disappears, hurrying away and vanishing in the crowded hallways, or in the alley a few buildings past the school, or into the fucking restroom, which is always empty when Duke goes in after him. Trying to use his powers to see where Danny goes next doesn’t help either; all he sees is some glowing figure resembling Danny walk through walls, which is either due to Danny being a meta or from Duke’s powers deciding to be unhelpful.
He’s about to resort to Tim level stalking to finally have a conversation with Danny when his French teacher blessedly (and unknowingly) aids him on his mission.
“Find a partner, everyone!” she instructs with a clap of her hands near the end of class. “This is a translation project, and you’ll be doing them in pairs to check each other’s work and decide how to best interpret something into English. If you don’t have a partner in the next minute, tell me and I’ll assign you someone.”
The class is a flurry of movement just as the last word leaves her mouth, friends turning to each other or running across the room to make sure they’re partnered up before anyone else can butt in. 
No one looks at Danny. Which means Duke can just skirt along the wall of the classroom until he’s next to Danny, gently knocking on his desk to get his attention.
Danny looks up, and Duke sees a flash of blue before Danny averts his gaze, tilting his head down again. “Yeah?” he says, and his voice is much softer than what Duke imagined. He expected something hoarse and rough, a little deep, intimidating. Instead, it’s gentle and quiet and smooth. 
It’s a nice voice. It’s a shame that no one else has really heard it.
“Wanna be partners?” he asks, as if he’s offering a choice. They both know no one else is going to ask Danny, and if he wants to avoid talking to the teacher, then he has to work with Duke.
Danny sighs. “Sure.” 
And then he puts his head back down on the desk. 
Duke backs off. This is the best he’s going to get right now. Now that he’s got an excuse to spend time with Danny, he can take his time breaking down his walls and getting to know him. He watches as a figure from the usual group that hangs around Danny breaks away and gently brushes a hand against Danny’s arm. Then they turn to Duke and reach for him.
He moves without thinking, stepping out of the way. The shadowy figure fades back, almost invisible even to his eyes, and Danny’s turned his head to lay his piercing gaze on Duke.
…There’s no way that blew his cover, right? 
He didn’t just reveal one of his meta abilities from taking a single step to the side. No way. 
But Danny’s eyes are a deep blue that seem almost endless as he keeps his attention on Duke. It feels as if he’s staring into Duke, seeing more than what he wants to reveal. 
“Alright, looks like everyone’s found a partner! As you head out, be sure to grab a practice packet from my desk to work on some translation. There are due the next time we meet, and I will be handing out your individual passages once these have all been turned in.” Their teacher sets a large stack of papers onto the corner of her desk, then gets to work erasing the whiteboard just as the bell rings. 
Students grab their bags and rush to take one of the packets before heading out to their final class of the day. Duke stays behind with Danny, waiting for most of the class to leave before swinging his backpack onto his shoulder and grabbing a packet for both of them.
He hands one to Danny, who takes it with some hesitancy and a quiet, “Thanks.”
He leaves before Duke does, and though it’s only a second between his leaving and Duke stepping out the door, Danny’s already vanished from sight.
As soon as school ends, Duke heads for the Hatch, hoping a quick evening patrol will help clear his mind. It’s a quiet evening, though, so he’s left with his thoughts more often than not, staring out over the city long enough that Oracle asks him if he’s alright.
Against his better judgment, he says, “I’ve been looking into something, but I’m not finding much. Can you do some research on Danny Fenton?”
Oracle is already typing before he finishes asking. “What am I looking for?”
“Anything. He’s… strange. I don’t know if he’s a meta or just lightly haunted. But there’s something up with him.”
“Do we need to be keeping a closer eye on him?”
Duke considers. None of them ask Oracle to look into specific people unless they’re dangerous. But danger is not the sense Duke gets from Danny. It’s more like he’s hiding, shying away from the world, constantly on edge. “No. If anything, he might be in danger. Something happened to him, because no one ends up like that by living an average life.”
“I’ll let you know what I find. Turn in for the night, it’s quiet out and you’re too distracted to patrol properly.”
“You got it, O.” He salutes the nearest camera, knowing she’ll see it, and makes his way back to the Hatch to change back into civies and get started on his homework.
When he next goes into his French classroom, all the desk has been rearranged so they’re all in pairs, side by side. Already, patterns are filling up the desks, so Duke heads for the back and sits down where Danny usually hides away. He’s not here yet, which is making Duke realize that he’s never actually seen Danny walk into the classroom and head to his seat.
Did he just never pay attention? Has Danny always just slipped in unnoticed until attendance was taken? How did Duke miss that?
There’s movement in the desk next to him. Duke goes to say that he’s waiting for his partner, so please sit somewhere else, when he realizes that it’s Danny who managed to sneak in yet again.
“Hey,” he says after a moment, hoping his surprise is hidden.
There’s a pause, and then Danny returns, “Hey, Duke.”
That’s all they have time for before class is starting and their teacher goes around to collect homework. She then hands out new packets, each one a different section of L’Ecume des Jours, and gives them the rest of class to begin working on translating it. 
Duke is already dreading it as he flips through the three pages they were given to translate, stapled to each other beneath the two page instructions of how to format the final translation, how to document their previous translation drafts, and what to include in the reflection essay. 
There’s no way he can get all of this done in a week. 
On the other hand, it gives him a week to learn more about Danny. He needs to make the most of it.
“This is a lot,” he comments, hoping to prod Danny into conversation.
Danny shrugs.
“Can we work on this together after school today? Or do you have plans?”
“We can work on it today,” Danny says, voice barely louder than a whisper. He’s already scanning the pages, underlining certain words and phrases. 
Duke hurries to get to work as well, trying to parse out meaning from the text through single words scattered on the page. 
Qu’est-ce que vous faites dans la vie, vous? 
J’apprends des choses, dit Colin. Et j’aime Chloé. 
Duke nods to himself. He definitely doesn’t know French. Well, he knows qu’est-ce que. He knows vous. He know j’apprends and j’aime Chloé. Also dit Colin. Fairly simple, but with the missing pieces to the rest of those sentences, he really doesn’t know what’s going on beyond the fact that it’s a conversation and Colin loves Chloé.
When he glances at Danny’s desk, he’s shocked to see that his partner is already translating the first few lines into something that reads like normal English.
“Oh, wow,” he says, leaning over to get a better look, “You’re definitely better at this than I am.”
“I just like languages,” Danny replies, turning his paper so Duke can read it more easily.
“Have you been hiding your French skills this entire time? I could have definitely used your help before this.”
Danny goes still for a moment, eyes flicking towards his right where a shadowy figure has placed a hand on his shoulder. Then he turns to fully face Duke and says, “Better late than never. What do you need help with?”
“Everything.”
His immediate answer makes Danny smile, and he begins talking in that soft, soothing voice of his. He talks about not trying to translate everything into English immediately, but to understand the French and take it in as a whole language itself. He talks about getting the idea of the text first, the feeling of it, before trying to fit it into English. He talks about splitting up the text into sections to make it easier.
And then he reads the text, entirely in French, and Duke did not have a thing for voices or multilingualism before this, but he sure does now.
“Qu’est-ce que vous faites dans la vie, vous?” Danny reads, reaching the end of the first page. The syllables come to his easily, his French smooth and steady. “J’apprends des choses, dit Colin.” His eyes dart up, off the page, and fix Duke in place. “Et j’aime Chloé.”
Duke has never been happier that he doesn’t blush so visibly with his dark skin because he feels downright romanced. It’s a mix of the French, of Danny’s addictive voice, of their closeness, of how intimate this dark corner of the room feels, tucked away from the rest of the class.
“We can work on the other pages after we finish translating this one,” Danny says, leaning back at bit. 
Duke nods, swallowing to chase away the dryness of his throat. “Sounds like a plan!” 
They work in silence for the rest of the class period, and once the bell rings, Danny says, “I’ll wait for you by the bus stop down the street,” before he slips out of reach and disappears into the throng of students heading to their last class. 
He’s beginning to think that he’s in way over his head. Duke can handle being in the middle of all the action, risking his life, fighting for others. He can handle staring down rogues and criminals and Gnomon. He can’t handle feelings and romance and other such things. Those are much scarier than a criminal shooting at him. At least with the criminal, he knows what to do and doesn’t just freeze up like he did with Danny.
The school day ends faster than he’s prepared for. As promised, Danny waits for him by the bus stop down the street, where other students are also waiting. 
They don’t wait for a bus, though. Danny just meets his eyes and begins walking away, leaving Duke to follow after him, matching his pace so they can walk side by side.
The shadows in the alleyway seem to reach towards them as they walk down it. Something about it doesn’t feel right, so Duke tries to quietly use his powers and force them back. 
He only has time to think, Oh, that was a bad idea, before Danny is shoving him against the wall, getting them both out of the way as a shadow solidifies and lashes out at them. He’s kept in place by strong hands on his chest, and Danny’s eyes are glowing lightly as he hisses at the shadows, making them rear back and settle down once more. 
As if given permission to reveal themselves, more shadowy figures and strange movements in the shadows emerge, surrounding them. 
“Danny, I don’t mean to alarm you, but—”
“I know,” Danny says. “I thought you might be able to see them too. Which is not good.”
“Sorry, man, it’s not like I can turn it off.”
“It’s fine. Just be more careful. They like me because I’m like them, but you just register as a threat. Either that, or prey.”
“Great,” Duke replies weakly, “Those are my favorite things to be. Are we… are we safe to move?”
Slowly, Danny steps back, no longer pressed right against Duke. Nothing moves to attack him, but it might be due to the glare fixed on Danny’s face, eyes still glowing.
“They’ll leave me alone, so…” He reaches a hand out, looking away. The hoodie isn’t able to hide the way his cheeks go red. “Don’t let go and we’ll be fine.”
“I hope this isn’t to lead me to my doom,” Duke jokes nervously as he accepts Danny’s hand, holding it tightly. 
Danny wiggles his fingers, making him loosen his grip, and then their fingers are lacing together. Duke stares down at their hands, wide eyed, and hopes he doesn’t look as flustered as he feels. 
“Not to your doom,” Danny reassures. “Just a coffee shop I thought you’d like.”
“Well, then, lead the way!”
“Allons-y,” Danny replies. 
Stealing glances at him as they walk, ghostly figure and shadow shrinking away from them, all Duke can think is that he doesn’t need to worry about Danny being evil. His immediate instinct to protect Duke has proved that. He’ll keep the investigation going, though, to make sure Danny is safe from others that could hurt him. 
Strange and unsettling as he may be, Danny’s also a smart, kind person who deserves more.
Duke is determined to make sure he gets it.
And if he gets a crush along the way, that’s his business and his business only. 
It looks like Step Two: Befriend Danny is finally complete. He’ll figure out the other steps later. For now, he has an evening of French in a coffee shop to look forward to.
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gojosbf · 7 months
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the nanami kento who watched his best friend die because the system failed them the nanami kento who swore off the jujutsu world because he didn't want to see more deaths the nanami kento who still helped gojo teach kids because he was asked to the nanami kento who wanted to get married but when he wasn't a sorcerer the nanami kento who always provided constructive criticism with a bit of praise to keep the kids motivated the nanami kento who always looked out for kids the nanami kento who said being child is not a sin the nanami kento who treated yuuji like a normal sorcerer kid even though he was the vessel for king of curses the nanami kento who tried to hide the fact that the ones yuuji killed were transfigured humans because he did not want yuuji to feel guilty the nanami kento who never worked overtime except only when he wanted to finish off mahito so yuuji doesn't have to deal with him the nanami kento who was ino's idol because he did everything right the nanami kento who stopped nobara from joining him further in shibuya because she was a child the nanami kento who asked maki to stay back when daigon appeared because his grade was higher than hers the nanami kento who made sure megumi wasn't throwing away his life in protecting them the nanami kento who sent for shoko as soon as the situation got worse the nanami kento who wished he could visit malaysia for vacation the nanami kento who did not want to die as a curse, as a burden on yuuji even in his last moments the nanami "you've got it from here" kento
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gingerteaonthetardis · 5 months
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NICK & JESS in New Girl S01E03: Wedding
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galaxicnerd · 6 months
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fears of inadequacy
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shima-draws · 4 months
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Me when my crewmates call me out for unconsciously talking about my son too much:
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musubiki · 9 months
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SOME COFFY TO FUEL YOUR LIFEBLOOD 💙
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seagull-scribbles · 10 months
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I want you to tell ‘em that you love the way that they don’t stick out like sore middle fingers
[Continuation of this]
#TMNT 2012#casey jones 2012#raphael hamato#rasey#this is platonic again but I’m not against romantic subtext or whatever#when I was in school being able to do this with your hand was super cool and I often still do it with both#but I’ve met both adults and kids who’ve never seen it before and it freaks them out ahaha#anyway I was jus thinking of hands again and this is a warm up sketch#but i do think thee two would have heart to hearts on rooftops sometimes and really open up#maybe theyre sat next to eachother and raph looks at his thigh next to Casey’s and gets self conscious#maybe one of them was hurt in a fight (probably Casey) and theyre patching eachother up and they just start exploring their differences#or maybe its something as simple as raph asking casey if he was Tarzan and the scene with the hands and Casey’s like yo we can do that#or even more childish theyre just doing it to see who’s hands bigger because Casey’s sister has been doing it a lot and its fun#because let me tell you it doesnt matter how old the kids i work with are they all love comparing my hand with theirs#but i imagine Raphs eyes for a second would give away hes upset a little cause he’s definitely the most self conscience about being a mutant#so Casey would do this and be like ahh look see we arent that different really#raph could bend his fingers to emphasise how much shorter Casey’s are#and cause would say something like these digits might be small but theyre mighty#leading to a shove or even a thumb war or something#anyway ill stop gushing i have a comission to do xxx#OH OH OH THE BITE MARK ON CASEY IS BECAUSE A MUTUAL COMMENTS ABOUT EATING MY RASEY ART SO THATS THEIR TEETH but im not naming names....
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' ... In another world.'
'Why not this one?'
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