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#they got a chance to love
stevenrogered · 1 month
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Can we also talk about how Buck has feelings for Tommy...who is literally a carbon copy of Eddie?
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hairmetal666 · 9 months
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Steve has this bar he loves in Chicago. It's a little bit dive-y, a little bit dirty, but it's quiet. A good place for when he needs to clear his head.
Only, tonight, the place is packed. Music pounding from the jukebox, no space at the bar, patrons at the dartboard and pool table. In three years he's never seen it like this.
He has a second to wonder what's going on before he sees exactly who is going on, and for him to catch Steve looking.
"Stevie!" Eddie Munson cries. He leaps from the bar top, the people below scrambling away from the stomp of his big black boots.
He hasn't seen Eddie in years. Can't actually remember the last time. Max and Lucas's wedding? Robin and Nancy's baby shower?
Steve considers booking it out of there, escaping in the crush of the crowd. By the time he has the thought, though, Eddie's already pulling him into a hug.
He's excited to see his friend. He is! Really. He loves Eddie. But that's kind of the problem.
Steve fell in love and Eddie left town.
Well, maybe it wasn't so dramatic as all that. It wasn't until six months after they packed the last box in the back of Eddie's van that Steve could name his feelings for what they were. And by then, Corroded Coffin were building buzz and Eddie had a huge whole life outside of the people he saved the world with.
Over the years, as Eddie's fame grew, he came around less and now they hardly see each other. They still talk from time to time, Steve still buys all the band's records, and Eddie's still close with all the kids, Nancy and Robin too.
Eddie releases him, those big eyes bright, a pure and genuine smile stretching his face. Steve's stomach twists, heart skipping a beat.
"Gotta be honest with you, man. Never expected to see Steve Harrington in a place like this."
Steve snorts. "There's lots of place I go you wouldn't expect."
Eddie's smile wobbles, Steve thinks. It's gone in a blink, though, and Eddie laughs. "I'm sure you do, sweetheart. Have time for a drink with me?"
Eddie navigates to the bar, returns with two beers in hand. He presses his palm to the small of Steve's back, directing him to the single empty table in the corner as far from the jukebox as possible.
"How's life treating you, Stevie?" Eddie asks after a sip. "Nance told me the store is doing really well."
"It's good, yeah. Finally turning a profit. Wasn't sure about Dustin having us add a game section, but he was right. It's really taken off."
"Oh, he told me," Eddie smirks.
Steve rolls his eyes. "I'm sure that he did. He hasn't let me hear the end of it."
"That tone," Eddie says, voice soft.
"What brings you to Chicago?" He asks to hide the way all the fucking love he feels for this man is bleeding out of him.
"Not really supposed to be," he laughs. "Flight got diverted to O'Hare, can't get another one until tomorrow. Have to make it to LA in time to play a show."
They both know Eddie loves it; the rush, the adrenaline, that comes with performing, to making it to shows at the very last minute. It's how they got here in the first place.
"Working on new music?"
Eddie leans back, dimples popping with the pleased lift of his lips. "Oh, Harrington, you don't even know what we have in store." He leans over the table and launches into tales of rehearsals and writing. Steve drinks his beer and can't take his eyes off his friend, Eddie the sun Steve orbits around, helpless to his gravitational pull.
"So, Stevie," Eddie says, once there's no more to tell about music. "You seeing anyone?"
Steve hides his cringe with a chuckle. Picks up his beer to buy time and finds it empty. "Not anyone of note."
"C'mon, how is that possible? You're easily the hottest guy in this place."
He grimaces. "That's a low bar."
"Oooh, still bitchy after all these years." Eddie snickers, takes a swig from his bottle.
"Shut-up."
"Seems like it's been a while since you dated."
"You interrogating my love life now, Munson?"
"No, not at all. Just curious."
"Okay, who are you dating? Still that guy from People?"
"Gossip," Eddie frowns.
"Anyone else you got your eye on?"
"No one new," Eddie says. He stares at Steve hard for a second, like he wants to dig into his brain, like it holds the answer to all life's question.
"There is someone, then." Steve tries to ignore the jealousy licking down his spine. Eddie isn't his and never will be.
Eddie picks at the label on his now empty beer. "Not--not really." He licks his lips, leaning over the table again. "Is there a reason you don't seem to date anymore, man? It's just--you wouldn't hurt for options, right?"
Steve freezes, trying to figure out a way to answer that won't end up breaking his own heart. "Ah, it's--you know, things got busy with opening the store and everything. Stopped being a priority."
"Are you lonely?"
"Are you?" He snaps before he can stop himself. "Sorry, I'm--sorry."
"Yeah, man. I'm lonely as hell." Eddie answers as though Steve didn't give him an out.
"I--you ever have someone where the timing is always wrong?"
"Think it's a hazard of my profession. Who's yours?"
"What?" Steve clunks his bottle too hard against the table.
"The one that got away?"
"It's--it--I--it doesn't matter."
Eddie's smile is all jagged edges. "Nancy?"
"God, no. Nance and I are good with being friends. No lingering feelings there. Who's yours?"
"Ahh," Eddie sits back a little, eyes glittering with an emotion Steve can't place. "The best boy I ever met. Can't get over him, can't forget him. I think they guys are going to start banning my 'pathetic gay yearning songs'. Gareth's words."
Something in Steve's chest crumbles to dust. There's someone. Has always been someone. Of course. Eddie is beautiful and hot and charismatic and fucking famous. And Steve is--just a guy who runs a struggling bookstore with a couple of his best friends.
"That's--I'm sorry it didn't work out." He's trying to stop his voice from breaking, from giving Eddie any hint of what he's feeling, just knows he has to get out. "Listen, man, thanks for the beer. Great to catch up. You should hit up Robin and Nancy the next time you're in town. I gotta get going."
"Wait, Steve--"
"See you around."
He doesn't wait. He pushes through the people, and races out the door, into the crisp Chicago fall air. He squeezes his eyes closed, practices his breathing exercises, tries to relax the clench of his teeth, ease the screaming in his lungs.
Three steps away from the building is as far as he gets before he hears, "Steve, please wait." A hand catches his hip, holding him in place.
"Eddie, I don't--"
"It's you," Eddie says. His face is pale, stricken. "You're the one who got away, Steve."
"What?"
"I've never been able to work up the nerve to confess. I've been trying for years, but. Too afraid of losing you to tell the truth."
"Years?" Steve's brain is trying to wrap around what's happening. That Eddie has feelings for him? That he's the source of the pathetic gay yearning?
"God, since 1986, at least."
Steve doesn't know what to say; what to do. He's been waiting for this moment so long, and his brain goes on pause.
"It's okay if you don't feel the same," Eddie rambles. "Hell, I'd be surprised if you did, but--"
"You're mine too," the words tumble out.
"What?"
"You're the one who got away. For me. You're mine."
"Steve," Eddie breathes. "Is this--are you serious?"
"Pathetic gay yearning and all."
Eddie's laugh is a bright spot in the darkness, relief and happiness mixed with the hope of what's next.
Steve can't help but giggle. "We're so dumb," he says.
Eddie looks at him with a raised eyebrow before bursting into giggles of his own. "So dumb, Steve, oh my god."
"It's been a decade!"
"Fuck," Eddie cackles.
They collapse against each other, chests heaving with their mirth. As they catch their breath, Steve nuzzles against Eddie's neck, relishing the closeness. It's easy for him to change the angle so their lips meet in a kiss frantic with ten years of longing.
"Your place or mine?" Eddie asks once they part.
Steve laughs. "You think I'm that easy, Munson?"
"Oh, Steve," Eddie smirks. "I know it."
"Asshole." Steve presses a kiss to his jaw. "How many songs did you write about me?"
Eddie smiles so hard his dimples pop. "All of them, baby. Every single one."
Steve rests their foreheads together, body fizzing like freshly uncorked champagne, "Take me home, Ed."
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hazel-callahans · 8 months
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are you gonna tell isabel?
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tragedyofromance · 4 months
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Dean Winchester really pined for that angel in the baggy trenchcoat didn't he?
praying to him every night, carried his trenchcoat like he was Ennis del Mar, went down on his knees in church top pray to him, begged God to bring him back, carried his bloody handprint around.
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animepopheart · 7 months
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★ 【@pixiescout】 「 仕立て屋で 」 ☆ ✔ republished w/permission ⊳ ⊳ follow me on twitter
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i think it would be funny if people occasionally arose from the dead. like if that was a real-life one-in-a-million but well-documented Thing That Sometimes Happens, and the entire legal system around death (laws on inheritance & marriage & murder etc) had to include caveats for the unlikely-but-scientifically-possible event that the dead person in question might spontaneously self-resurrect, even years or decades after death. it would raise so many inconvenient and absurd possibilities
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bixels · 8 months
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Now that Ghibli's new movie is coming out soon, I've been thinking about anime films and wanna talk about my favorite animated movie ever, Tokyo Godfathers.
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TG is a 2003 tragicomedy by Satoshi Kon, following three unhoused people––an alcoholic, a runaway girl, an a trans woman––who find a baby in a dumpster and set off across Tokyo to reunite her with her parents.
If you like the sound of that, go watch it because the rest of this post is spoilers and I have FEELINGS about this movie.
URGHH, the fact that only two moments of true kindness, generosity, and care given to the three protagonists without any expectation of reciprocity are given by a Latin-American immigrant couple and a drag show club full of trans women. The fact that, despite her loud and dramatic personality, Hana is the glue that holds the team together and the heart of the whole movie. The fact that this movie pulls no punches at showing the violence and inhumanity committed by "civilized Japanese society" against the unhoused. The fact that Miyuki craves to be loved by her parents and ends up seeing Hana as her true mother. The fact that Miyuki starts off accidentally using transphobic language against Hana, but slowly begins calling her "Miss Hana" out of respect. The fact that, according to Kon, Hana's role in the story is as a mythological trickster god and "disturb the morality and order of society, but also play a role in revitalizing culture." The fact that Hana so desperately wants to be part of a true family, yet is willing to sacrifice her found family so they can be with their own, and is rewarded for her good deeds in the end by becoming a godmother. The fact that, throughout the movie, wind and light have been used to signify the presence of god's hand/influence (this movie's about nondenominational faith––faith in yourself, faith in others, faith in a higher power. Lots of religious are referenced, such as Buddhism/Hinduism, Christianity, and Shintoism), and in the climax of the film, as Hana jumps off a building to save a baby that isn't hers, a gust of wind and a shower of light save her from death. The fact that god saves a trans woman's life because she proved herself a mother, and that shit makes me CRY.
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hilacopter · 2 months
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JEWISH CONVERTS (YES THOSE IN PROGRESS ALSO) AREN'T "racefaking jewish" YOU STUPID FUCKING ASSHOLES
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luxaofhesperides · 6 months
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Dancing in the rain ; requested by @wandixx!
He hadn’t been expecting the Signal to chase after him. It is, after all, well after midnight, and he had seen the vigilante out earlier during the day. 
Maybe the Bats are understaffed tonight, he muses as he leaps over the rooftops, a wild grin on his face. Being on the other side of a chase is a lot of fun, he’s discovering. He can see why Selina enjoys it so much.
Though, it probably has to do more with who’s chasing her than it is the chase itself.
But Danny’s become a bit of an adrenaline junkie after a few years of being a hero, fighting ghosts and governments. He’s not a hero anymore, especially not in Gotham, but being Catwoman’s partner in crime is way more fun than being responsible for everyone’s safety.
It’s like he’s doing anything bad, either. Selina can steal whatever she wants; if they couldn’t protect things against her, then should they really have it? Danny doesn’t focus on jewelry or gems. No, he takes ghost artifacts or items contaminated with ectoplasm back to the realms where they won’t cause problems to any humans. There are enough ecto-contaminated people in this world, solely from Amity Park. Best not to let that number grow.
So here he is, leaping over rain-slicked rooftops and only using a little bit of flying to keep ahead, holding a cursed pocket watch that a ghost had requested he return to them, with the Signal chasing after him, disappearing into shadows and popping up unexpectedly. 
“Stray! Get back here!” Signal yells, and Danny takes a moment to spin on his heel to face the vigilante to stick his tongue out at him, then backflips away.
“I didn’t even steal anything important!” he returns, tossing the pocketwatch in the air ahead, then jumps up to catch it and scales his way up to the roof of the next building. 
“Seriously,” Signal says, suddenly in front of him. “Stop running and we can talk this out.”
“Woah!” Danny tries to get around him, trips over his own feet, and crashes into the Signal’s chest. 
“Careful, there.” He looks up to see the Signal’s smile, and he absolutely can not be blamed for having his half dead heart skip a beat. He’s in the arms of a hero who’s smiling at him so sweetly, what’s a guy to do? “Ready to talk now?”
Danny goes intangible for a moment, smoothly sliding out of the Signa’s grip. “Nope,” he grins, starting up the chase once again.
The rain isn’t very strong, and the drops feel cool against his face as he runs, getting a little more air with each jump as he uses more of his flight to keep ahead. He can hear the Signal chasing after him again, heavy footsteps that start and stop unpredictably as he travels between shadows. 
Just to be safe, Danny stashes the pocket watch inside his chest, leaving his hands free to grab onto the rough brick of the walls and scale them up, aiming to go higher and higher. Maybe if he finds a good building, he can dramatically fall off the edge and fly away invisibly. 
“Got you!” 
The Signal pops up out of the wall and grabs Danny, who yelps and tries to pull his arms away. The Signal is too strong, and his tight grip on Danny’s wrists is warm against the chill of the rain. 
They stand there for a moment, just staring at each other as they try to catch their breath. And then, “Is that any way to treat a guy?” Danny jokes, trying one last time to pull his wrists free.
“It is when it’s you,” the Signal replies. “Man, you sure know how to run.”
“I’ll be sure to put that on my resume for my next heist.”
“Seriously, can we talk?”
Danny eyes him curiously. The other Bats mostly tried to take back whatever it is he’d stolen that night, occasionally trying to get information from him. None of them had outright asked to have a chat with him. The Signal at least has some manners, compared to the rest of him. There’s no harm in sticking around for one conversation.
It helps that the Signal is cute, especially when he had saved Danny a few weeks ago. 
Sue him, he’s a bit soft on the Signal. Wouldn’t anyone be with their favorite hero?
“Alright,” Danny says, relaxing. “Go ahead. Talk.”
“Great! Okay, um.” The Signal bites his lip and Danny should really look away, but his eyes are fixed to his mouth. He doesn’t speak for a solid minute, during which Danny really begins to feel the chill of the rain. “Can I get less comments from the peanut gallery?” he says suddenly.
“What?” Danny laughs, confused.
The Signal sighs. “My comms are on. The others are being annoying. If they wanted to ask you questions, they should have caught you first.”
“Oh, protecting me from the big bad Bats? My hero,” Danny says sweetly, pretending to swoon. Except, the Signal follows his movements, releasing his wrists to catch him by the waist, holding him steady. Danny’s breath hitches, and from how close they are, he has no doubt that the Signal heard it. They freeze for a moment, then the Signal dips him like some fainting Victorian maiden.
“Well, I certainly wouldn’t mind sweeping you up in my arms.” The smirk on his face only lasts a moment before he grimace and says, “I shouldn’t have said that on open comms. Man, they’re annoying. It’s not my fault I know how to flirt.”
Danny…
Well. Danny short circuits for a moment, running the words over his mind again, then blushes so hard he’s sure there’s steam coming off his cheeks. “You’re flirting?” he squeaks. “With me?”
“Flirting,” a new voice confirms, making them both jump, stumbling against each other as Black Bat hops down onto their rooftop. “Both shy and silly. I’m better.”
“You can’t even ask out Spoiler,” the Signal retaliates.
“She can’t even WHAT?” Spoiler yells as she also vaults herself over the alley below to join them. “You want to ask me out?”
Though she doesn’t say anything, Danny can practically feel Black Bat’s glare through her mask. The Signal winces, then says, “Oops.”
“Man, you can keep yourself busy, clearly Sig doesn’t need backup,” Spoiler says. “I need to go on a date with Black Bat. The rest of you suckers are on your own!” And then she grabs Black Bat’s hand and grapples away.
There’s a beat of silence, then Danny and the Signal share a glance and start laughing. 
“Well,” Danny says, “Good for them! Good for them.”
“They’re probably just going to Bat Burger.”
“And are you going to be treating me to a burger any time soon? I should be compensated for this conversation, you know.”
“Please, if I was taking you out on a date, it wouldn’t be to Bat Burger. I’d take you out dancing.”
It sounds like a date his dad would take his mom on. It sounds nice. Danny smiles and leans in closer to the Signal, taking hold of one of his hands. With the other, he puts Signal’s hand on his waist, then brings his own up to the Signal’s shoulder. 
“Why not dance with me now?”
Danny leads them in a few clumsy turns of a waltz, silently thanking Sam for forcing him to take a few ballroom dance lessons with her. The Signal seems a little dazed, following his lead, and when he lightly squeezes Danny’s waist, he shivers. 
Catwoman should be done with Batman soon. They had agreed to meet up at the newly opened Vintage Boutique in Diamond District, and he intends to beat her there. 
Reluctantly, Danny pulls away from the Signal with one final spin, and hops up onto the edge of the roof. “If you can find me during the day,” he says, “Then I’ll dance with you again. See you around, Signal!”
And with that, Danny hops backwards off the roof, free-falling towards the ground before he lets gravity lose hold of him and slips into invisibility, flying up just as the Signal peers over the edge, searching for him.
Unable to help himself, Danny floats closer until he can give the Signal a quick kiss on the cheek, then flies off, grinning wildly. 
He certainly can’t wait to see the Signal again. 
Maybe if he hired a few guys to pretend to rough him up while Signal’s out patrolling…
Well, either way, this cat is already half dead so he can jump straight to satisfaction bringing him back. And, hopefully, back into Signal’s arms again when they won’t be interrupted by other Bats. 
He’s already looking forward to it.
. . .
[send me a ghostlights prompt!]
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crescentfool · 3 months
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judgement day 🌕
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vos0q · 7 months
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Domi made a trip to Claire’s xD specifically for Noé? Specifically for Noé.
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chio-chan2artbox · 2 months
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Realization hit him hard
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dreamofbecoming · 1 year
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listen i know we all love steve “completely ignorant of queer culture to the point that bisexuality is a surprise” harrington being roasted and educated in turns by robin and eddie, yadda yadda, good stuff. i read “they made a horror version of rocky?” in a fic recently and cackled. also a big fan of “he knew he was bi from the start and just never talked about it” as a trope, love it excellent well done
but what about steve who realizes after starcourt that the most important person in his life now has this thing that’s a major part of her life that he knows nothing about, and what if he fucks it up? what if he says something ignorant or rude by accident, and hurts her? what if he loses her because he didn’t know the right thing to say? what if he can’t keep her safe because he doesn’t know what to look out for? absolutely fucking not, this steve says
and listen she’d never say anything, because she can tell that he can tell how much she likes teasing him and teaching him things, so he plays dumb, and she thinks it’s very sweet. but she notices when the zines she keeps under her bed that she buys at that one secret bookshop in indy when she can sneak away on family trips start going missing, always one at a time, and replaced in a few days with another disappearing. and she finds the new ones he must have gone to buy the weekend she was at her aunt’s house hidden in the back of his closet when she goes to steal one of his sweaters. and she notices when he slips more of her queerer movie recommendations into his personal take home pile rather than the movie night stack when he thinks she’s not looking.
she doesn’t notice when he drives to indianapolis after she tries to explain to him why she can’t just ask out a cute girl, tries to impress on him the fear attached to every moment of attraction that he simply has never had to feel, but later she finds a crumpled receipt from a diner in one of his jacket pockets when she’s looking for his keys, and the address is across the street from the bar the gorgeous woman at the bookstore told her about, the one she memorized the address of but hasn’t worked up the guts to think about visiting, and she knows he must have gone looking for a place like that, must have been trying to understand, must have been scoping it out to make sure it was somewhere she could feel safe, after she told him she never had.
so when eddie nearly pops a blood vessel when they clock each other and she mentions that steve is the only person she’s ever come out to before, her hackles come up. because she gets it, she does, he’s only known king steve until recently, so it makes sense that he would be afraid, be concerned for her safety.
but steve is her person, and no one- no one- has ever made her feel as protected or as cared for as he does. no one has ever tried as hard to understand her, no one has ever put so much work into making her feel safe and seen and loved. and she thinks maybe even if no one else ever does, that’s ok. because she has steve, and more importantly steve has her, and that means no one gets to question his ally credentials in her presence without a dressing down to remember, no matter how well they mean or how recently they helped save the world.
(and maybe she’s not as surprised as she could be when he figures out bisexuality all on his own, because she’s been reading all the same pamphlets he has, after all. and she’s seen the way he looks at eddie, i mean come on. maybe no one else has noticed, but then, nobody knows steve harrington like she does.)
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pippuns · 1 year
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pre-transmigration cumplanes because they are the most divorced guys who never met
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ruporas · 1 year
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bound to want (part two) /// part one rest of pages under READ MORE after ID
[ID: 23 page digital comic of Vashwood from Trigun Maximum. The comic is in a limited palette of a dark blue, light pink, white, black, and a light beige color for Vash's skin and a mid-brown color for Wolfwood's. This comic is the second part to "Bound to Want" and is spoiler-free. The first part is linked here.
It begins with a panel close up of Vash's expressions. The sky colored in dark blue can be seen behind him. He has a neutral expression, but he holds a slight frown and the reflection of his glasses covers one side of his eyes. Wolfwood says, "Hey. What's with the distance?" In the second panel, the shot widens to show both of them, a clear physical distance separating them with Wolfwood walking ahead and Vash trailing a little behind. Vash responds, "What? I'm just walking a bit slower today..." Wolfwood looks at him with a an irritated expression, clicking his tongue. Wolfwood says, "I was going to wait for you to start... But yer just running away away."
Vash is seen looking away, unable to hold eye contact with Wolfwood as he continues, "You've been avoiding me since that night. Did ya think I wouldn't notice? It's about that dream, right? Tell me about it already if you're going to be moping like this." Vash looks slightly downwards, his brows furrowing and he starts to walk ahead of Wolfwood without looking at him and responds stiffly, "I really don't want to talk about it..." Wolfwood looks at him with a surprised expression, but doesn't probe.
A panel close up to Wolfwood's eyes as he watches Vash go on ahead before he follows suite with an irritated sigh. The panels are overlapped by Wolfwood's hand holding the bottle of the Bride with motion lines, indicating a transition in time.
A wide shot of Vash and Wolfwood in a room now. Vash is seated, his back turned away from the viewer, while Wolfwood's body faces the viewer with his eyes looking towards Vash. He rests the bottle of the Bride on the table with a "clack" and his other hand holds two shotglasses. The background is coated in a light pink.
A panel shows a close up of Wolfwood's face, his eyes looking downwards to Vash as he says, "Let's drink." Next to this panel is Vash looking up at Wolfwood, his brows furrowed and a slight frown. The bottom half of the page is a wider shot with Vash's body turned away from the viewer as he says, "I'm not going to talk about it." Wolfwood responds, "You don't have to." as he sits down.
A wide panel of Wolfwood holding the shotglass, pouring in the drink as he continues, "I'll talk." The next panel is a profile view of Wolfwood, his eyes looking down at the now filled shotglass as he continues to say, "You're..."
"... upset with me." Vash can be seen next to this speech bubble with narrowed eyes, looking towards Wolfwood. The panels are all coated in with a dark blue background. Wolfwood continues, "I can't be certain why since yer not telling me a thing -- but it's probably... my bad." The panels show Wolfwood about to bring the shotglass to his mouth but he turns way as he continued to speak, his eyes not on Vash. The bottom page shows him looking away completely with a guilty expression as he says, "I'm sorry.
If you can ever tell me why, I can try and adjust to make it more bearable. But if you're just trying to get rid of me--" The panels follow Wolfwood's certain expression as he says this, "I don't intend to leave you. I can't... and I won't." A panel shows Vash's wide-eyed expression, surprised upon hearing this, and then his eyes soften as Wolfwood again concludes with, "I'm sorry."
Vash's inner thoughts begins, a boxed speech at the center of the page and panels of his eyes, his brows furrowing again and a resigned, but frustrated expression. His thoughts starts, "Stop. I shouldn't be happy hearing that. And why are you apologizing? I should be the one to..! I can't let anything like that happen to you. You deserve to live a long steady and peaceful life. I want to be optimistic. I want to protect you, but I might end up doing the opposite." The text surrounds Wolfwood from Vash's perspective, the other man drinking out of his shotglass, his eyes downcasted.
"I shouldn't have you. And you won't leave." Behind these text is a panel of Wolfwood's eyes finally looking over to Vash. Vash's thoughts continues,  "It's so unfair." When Wolfwood sees Vash, his eyes soften and he frowns. The last panel shows the lower half of Vash's face, but tears begins to flow down his cheek. Wolfwood's hand is already reaching to wipe at them as he starts to say, "You know..."
A wider shot of Vash and Wolfwood, Vash slightly leaning forward with his mouth tightly shut, and tears steadily continuing to flow out of his closed eyes. Wolfwood continues to wipe at them with his hand as he continues, "This isn't a dream anymore. I don't know what you saw for you to be this shaken up, but whatever happened, you'll overcome it, right? If not you, I'm here too. You'll be okay, Spikey. So..." Wolfwood's expression grows more tender, "Have a little faith in me... and come back already." The dark blue starts to fade.
The wide panel has the dark blue background faded and replaced is the light pink. It shows Vash in full up to his shoulders, his eyes are still tears littered, but there's light in them as he says, "Wolfwood..." making eye contact with the other. The next panel shows Wolfwood's tender expression, his eyes and brows fully soften and he has a small smile on his lips, finally seeing the other return a level of sincerity with him.
The next panel shows the bottom half of Wolfwood's face and his hand is offered towards Vash for a dance as he says, "C'mon. We don't have to talk, but this is okay, right?" The background is now white and a ribbon flowing across the page separates this panel from the next sequence. Vash's inner thoughts continus, "I've spent too long avoiding this. It's scary to want after I've taken so much from others." A sequence close up of their hands is shown, with Wolfwood's outstretched hand on the right and Vash's reaching hand on the left. Vash gently places his hand in Wolfwood and at the bottom, Wolfwood wraps his fingers across Vash's.
Throughout the page, a dark blue ribbon starts to flow around the both of them with confetti raining alongside the effect. Vash and Wolfwood are hand and hand, dancing together with Wolfwood as the lead. The viewer can see a peak of Vash's expression, full of fondness but also a hint of sorrow as he looks down at Wolfwood. His inner thoughts continue, "I don't deserve this. I don't deserve you. But why is that even though I have these burdens, I still want to love you. I still want you to be by my side."
With a close up of their mouths, Vash's thoughts continue, the text covering his mouth, "Wolfwood, I--" Wolfwood's speech bubble covers Vash's text as he completes his sentence, "want you." Vash's eyes widen for one panel and in the next, his eyes spark, a blush appearing on his cheek and the confetti flows and spark. Tears ease up on his eyes again.
"Want me too already, Spikey." Wolfwood has leaned in enough to rest his head against Vash, a hand of his on Vash's neck, holding his nape and another hand pressed gently against his back. A ribbon separates this panel from the next, a mix of confetti flows across the page, as Vash envelopes Wolfwood in a hug too, holding him and his hand gripping tightly onto his back.
This page is just the ribbon flowly throughout the page on the white background, one white ribbon and the other a dark blue. Near the bottom, the ribbon envelopes each other in a loop. A conversation of Vash and Wolfwood is held over these ribbons, Vash starting to say, "What if I hurt you? What if you..?" Wolfwood responds, "You? How could you hurt me?" Vash, "You know what I mean... You see it everyday..." Wolfwood responds, "If you think I'm going to kick the bucket so easily, I suggest you look at me more closely from now on, idiot. I'm not that easy to get rid of."
The next page has the ribbon criss cross over the top of the page. Vash and Wolfwood can be seen in their dancing position again, Wolfwood now resting a hand on Vash's shoulder, as Vash takes the lead. Vash continues, "Well, I know that... I tried." Wolfwood responds, "But you won't anymore... since you want me... around, yeah?" Wolfwood's head cocks to the side, smiling with assurance, cheeks flushed. Vash looks at him with a wide smile and fond, loving eyes. The confetti flows across the bottom of this page and as it eases into the next page, it starts to disappear.
Vash responds, ".. Yeah... I do..." as he pulls Wolfwood into a hug again. Wolfwood says, "Not going to run away anymore, are you?" Vash says, "No... I trust you." A panel shows Wolfwood's turning away slightly with a shy expression, muttering "Geez..."
In a more simplified style, Wolfwood is seen gripping Vash's cheeks now with his hand, "Though... You do remember you avoided me for two weeks straight, right? How are you going to make that up to me?" Wolfwood asks. Vash responds with eyes closed and a pucker of his lips. A vein of irritation appears on Wolfwood's face. Wolfwood starts to squeeze at Vash's cheek with both hands, shouting, "Now that you've recovered, you're trying to be funny, huh?!" Vash says through the squished cheeks, "I'm just happy..."
The next page opens with a closed up panel of Vash's widen eye as Wolfwood's hand moves from squishing his cheeks to gently holding them and Wolfwood leans in. The inner thoughts starts again, "There's a chance I'm not making the right choice... My dreams, my fears of losing you, it will never go away. But you said you won't let it happen... And I want to hang onto your words closely this time. After all, if it's anyone who can make me believe, it's you."  The white ribbon from previous pages flows across the page and it visibly ends at the bottom of the page, enclosing the two of them as they share a gentle kiss with Vash holding Wolfwood's face, a tear in his eye.
The next pages starts with Wolfwood saying, "You cryin' again?" Vash responds, "I'm just grateful..." Wolfwood responds, "But you've always had me." Vash responds, "Being like this is different from staring at you from behind all the time though..." The two can be seen together again, Wolfwood pressing his elbows against the table with Vash leaning over him. Wolfwood is easing the tears out of Vash's eye again, just like earlier. A close panel of Vash's fond expression is seen as he says, "Thank you, Wolfwood." Wolfwood looks up at him with a small smile, gentle eyes. Confetti starts to flow lightly across the page as text starts to appear against the white background, "I'm the one who's grateful...
That you'd embrace someone like me, when I'm not fit to hold you in the first place... But I know better than to hesitate. The moment I acknowledged it, I knew I'd spend the rest of my life loving you. So, have as much of me as you want, Vash."
The final page shows the confetti gently falling down the page and at the bottom shows Vash and Wolfwood pressing their foreheads together, Wolfwood's hands cupping the side of Vash's face gently, and both of them smiling brightly with each other. ID END]
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#vashwood#trigun#trigun maximum#vash the stampede#nicholas d wolfwood#its done.... after 2 months.... collapses on the ground#theres a lot of things i would prob change about this but. its so sappy that it makes me a little happy where it ended up#they deserve a little sap too!!! and in the end this is the closest they could get to a first confession#through want! want in each other's life and company since they both have this strained relationship with keeping people permanent in their#lives... and the people or things that are tied to them in the long term tend to be something that harms them.#and as the saying goes -- good things never last! and im sure they prob gave up trying to find a good thing for a long time#vash managed to be found after the moon accident and got his good thing for a bit but even he prob knew itd come to an end eventually#ironically it was wolfwood that ended it. but he really just planted smth new for vash... and now they have some security#or at least vash does. or at least just for this one moment#a moment of bliss and feeling like they are deserving of love is so Fluctuating for vashwood#and ultimately i think wolfwood could only push onwards to initiate because he sensed there was smth vash wanted. and its just#naturally in wolfwood to give to those that he love#but anyway anyway.... i like to think in a sweet universe -- they had the chance to confess like this and got a little bit of time to#enjoy and share their company in this manner. to be a little less restrained and love each other freely#ruporas art
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macchitea · 7 months
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haven't drawn them in so long aaa
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