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#this all makes me think about those kids who try to be there for their parents as much as possible
roosterforme · 2 days
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Covering the Classics Part 8 | Bob Floyd x OC
Summary: Now that Anna knows what Bob's hands feel like when he's holding her close, she doesn't know how to stop herself from going back for more. But she's unwilling to even humor Bob when it comes to what he wants the most.
Warnings: Fluff, angst, adult language, masturbation, eventually 18+
Length: 5300 words
Pairing: Robert "Bob" Floyd x Female OC (this story is part of the Beer Boy/Sugar and Jake/Jessica universe)
Covering the Classics masterlist. Check my masterlist for more!
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"I'm waiting for you to thank me."
Bob looked up to see Nat in front of him with a little smirk painted on her lips. He'd been spending the last twenty minutes trying to act normal, something he forgot how to do after Anna kissed him in the kitchen. Because it wasn't just a kiss, it was everything. It felt like she really wanted him.
"Thank you for what?" he asked cautiously.
Nat laughed heartily like he'd just told a very amusing joke. "For pushing you and Anna together. Bradley told me the situation, and that woman was jealous of me touching you. Her face was all pinched, and her lips were pressed into a tight line. Jealous. She wants you. And my god, she's hot. What the fuck do they do at San Diego State? Only interview you if you've got your PhD and a modeling contract?"
Bob knew he was blushing, and he was happy she wasn't calling him out on it. His friends were all talking about him and Anna behind his back at this point, trying to figure out what was going on. "We kind of just made out in the kitchen," he muttered, glancing across the yard at Anna who was talking to Jess and still holding the can of ginger ale he gave her.
"Yes!" Nat said with absolutely no subtlety, slapping Bob's shoulder. "Oh fuck, the two of you will have the cutest kids! Freckles and strawberry blonde hair!"
He had to close his eyes against the idea of it, willing the flush in his cheeks to subside. When he opened them again, Anna was looking right at him. Her gaze was a little unsure, and he was starting to get afraid she wouldn't let him drive her home later. But he wanted to walk her up to her door. He had been thinking about it since the very first time he drove her home.
"It's not like we're together or anything," he muttered.
"Yet," Nat told him, looking so certain. "Not yet."
It was getting late, the sun dipping lower in the sky. The temperatures would start cooling down once it was dark, and Anna was only wearing shorts. Bob's eyes easily found those freckles on her thighs once again. Her skin looked so damn soft. He wondered if he would feel goosebumps beneath his fingers if he traced that pretty pattern, gently connecting her freckles with an imaginary line. He had to swallow hard as she started heading his way.
Nat squeezed his wrist and muttered something about work, and then she vanished into the house. With Anna standing right in front of him, Bob wished he could just lean in and kiss her the way Jake always did with Jess, and the way Bradley always did with his wife. He wanted it. With Anna.
"I'm getting a little chilly," she told him. "I guess I overestimated how warm autumn was going to be in San Diego. It's still better than New Jersey though." She was talking to him like she hadn't been rubbing the front of those little shorts against the fly of his jeans barely an hour ago, and now he was sweating.
"You should wear jeans next time," he replied before realizing how stupid he sounded. "Not that you should be covering your legs or anything like that! You have very nice legs. Nice freckles? I just don't want you to be cold."
He cradled his forehead in his hand while Anna laughed softly. "I'll wear jeans next time. Do you think you could give me a ride home soon?"
"Sure," he promised immediately. "Absolutely."
"Great." Then she turned, and Bob heard her saying goodbye to Jessica. Why was he so awkward? Why was that exchange so weird? How was he supposed to make Anna want to kiss him again when he could barely string two normal sentences together?
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Anna was trying to make a quick getaway, craving another few minutes alone with Bob. His truck was cozy, and she knew it would feel warm. His voice was sexy, and so was the way he moved. She wanted to kiss him again, even though she knew it was a terrible idea.
"Take some leftovers!"
"No, I'm fine," Anna told the hosts as Bradley tried to talk her into taking some of the extra burgers home. "But thank you." She was terrified that Jess may have said something about how sad Anna's lunches were; she had been doing her best to hide her current financial state from her friends, but she must have slipped up somehow.
"Well, will you come over for dinner one night? I love cooking for Sugar, but I always end up making way too much food."
Anna looked down at her feet. "Sure. I could do that. Jake invited me over there, too. I know he always cooks for Jess."
"Okay," Bradley said, his voice a little rough and his face annoyed when Anna looked up. "I'm a lot better at cooking than Jake is, first of all. Second of all, why don't you have dinner at his lame ass condo, and then let me know what he cooked. Then I'll cook a much better version of it for you and Sugar one night."
She was trying not to laugh; she knew they were competitive, but she didn't know it was quite this bad. "That sounds great, Bradley. Thanks for inviting me over today."
He just waved her off. "You're always welcome. You're one of us." He said it so casually before he started scraping the grill and cleaning it up, Anna just stared at the pattern of his tie dye shirt for a few seconds. He considered her part of this group now? This ridiculously cool friend group? If she thought about it for too long, she knew she would start crying. 
"Thanks," she whispered, turning and running directly into Bob's solid chest.
When she looked up at him as her fingers grazed along his shirt, he asked, "You ready to head out?"
"Yeah." Anna felt the slight pressure of Bob's hand at her lower back, guiding her toward the door.
"After you," he said softly. 
Anna had to walk inside the house and past Natasha, who she had clearly embarrassed herself in front of before. But the brunette just waved goodbye like she was completely unfazed by the events from earlier. Like it was totally normal for Bob and Anna to be together, heading out front to his truck as the setting sunset turned the sky orange.
Bob pulled the door open and helped her into his truck, and Anna thought maybe it was okay for this to be normal? To get a ride home from Bob after kissing him in her friend's kitchen? To have a painfully unrelenting crush on him that made her feel like perhaps love was a choice that you made for yourself? 
She watched him walk around the font of the truck, his glasses catching the last rays of sunlight as the streetlights started to warm up. He was beautiful. He climbed into the truck gracefully and looked at her bashfully. She was the reason he wasn't more confident right now; she knew it, and she was annoyed with herself for it.
He cleared his throat quietly and said, "Before I forget, I have your copy of Papillon." Then he reached for the glovebox, his knuckles brushing her bare knee. "Sorry," he whispered, pulling his hand away immediately.
Anna's heart was in her throat. How was she supposed to tell him that she liked it when he touched her, even by accident. He reached for the glovebox again, this time making sure his movements kept him clear of her leg. "It's okay," she told him, breathing deep. "I didn't mind it."
The only answer she got was Bob carefully handing her worn out book back to her. There was another little note folded up inside which made her remember she never read the one that was in Wuthering Heights before she left it in her office at work. He started the engine. The drive back to her place was too long, and too short at the same time. She was surprised to find that he was heading in the right direction without a reminder about her address. As the sky darkened, Anna tried to listen to the music playing on the radio, but all she could really hear was the sound of her own heart pounding. 
When Bob parked the truck in front of her building, she watched him squeeze the steering wheel with both hands while he stared out the windshield. "Anna...when you say you didn't mind it when I touched you...what does that mean? And what happened back at the cookout? Am I allowed to kiss you now? Or am I supposed to just figure out how to get over you?"
She fumbled with her seatbelt, heart thundering at the sound of his unsure voice. She wanted to ask him why he even liked her, because she had literally nothing to offer someone like Bob Floyd. But instead she said, "I meant I like it when you touch me. Even if it's by accident."
He turned to look at her, and when he saw she was crawling across the seat, his eyes went wide, and his hands slid from the steering wheel. "Anna." He inhaled a sharp breath when she planted one hand between his thighs, brushing his jeans with her fingers. She couldn't stand him thinking she didn't want him for another second. He was all she wanted. Somehow moving to San Diego got her some actual friends and a job she liked, and now a decent man with only green flags was into her, and she just couldn't make him think she felt otherwise. Even if they couldn't be together.
Bob's hands were planted on the seat at his sides, and he wasn't moving an inch as Anna straddled his legs. It was dark out, but she could see his gaze dip down to her cleavage before he met her eyes. When he spoke, his voice was deep with need. "Is it okay if I touch you now?"
"Please."
Anna's little cry of delight echoed through the cab of the truck as soon as Bob's hands settled on her bare thighs. His touch was light yet intentional, and it just left her wanting more. He was running his thumb along the frayed edge of her denim shorts, teasing her as he whispered, "I want to kiss you."
She didn't answer. Instead she reached for him, letting her fingers sink into his silky hair, leaning closer until her lips met his again. The kisses in the kitchen had been a little frantic, forcing her to get over the fact that Bob didn't want Natasha. He wanted Anna. But this was something different. Languid and slow. Needy yet decisive. She wanted to touch the rough stubble of his cheek, so she did. She wanted to feel his bottom lip tugged gently between hers, so she did. Then she parted her lips and tasted him.
The scrape of her nails along his jaw had his fingers sliding up inside the bottom of her shorts, and she wished she wasn't wearing them at all. She wanted to know the feel of his hands everywhere. "Anna," he murmured against her lips. She tugged on his hair and kissed him a little rougher, but she gasped and gave up control as soon as his big hands found their way over her shorts to her hips and yanked her snug against him. There was no more polite distance. No more breathing room. Just his hard body pressed to her soft one.
Bob's glasses were cool against her cheek, keeping her grounded as his fingers met the skin of her lower back while he tasted her tongue. His touch tickled her, and she rolled her hips forward, earning a grunt of pleasure from him. "Please," Anna whined, like it was the only word she even knew. Then her mouth was back on his. Bob's fingers traveled an inch higher, and she ground against him, but this time he broke the kiss.
When he tipped his head back, he looked bashful in the glow from the streetlights. She could feel him. He was getting hard for her, and it was delicious. Her brain supplied every suggestive line of poetry it had ever absorbed in her lifetime, and all she wanted was to make him get harder. 
She was ready to start unzipping his jeans when he eased his hands away from her body and whispered, "Will you let me walk you to your door? I've been wanting to do that for weeks."
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It was slow going, trying to get to Anna's apartment door. They kept stopping to kiss, even going so far as to end up with her body pinned between his and the wall in the stairwell. Her soft laughter as he kissed the side of her neck echoed through the enclosed space, and then she said his name.
"Bob."
Actually, it was more like a whine, and it reverberated off of the walls beautifully. "Yes, Anna?" he whispered, letting her lace their fingers together. He wanted to do this all the time. He wanted to be her boyfriend. 
She just made a strangled sound as he kissed as many of her freckles as he could get his lips on before pulling her away from the wall. Then they finally made it upstairs to her door. If she invited him inside, he wasn't sure what she would expect. As much as he was ready to skip all of the pleasantries, he knew he needed to do this just right.
"Oh," she whispered, seemingly to herself as she unlocked her door. But she didn't turn the knob as she looked back at him over her shoulder. Her pretty brown eyes flashed with concern, so he took a step away, but then she just looked sad. 
"Everything okay?" he asked. She nodded. "Will I get to see you this week? I'd love to buy you a ginger ale at the Hard Deck. Or Chippy's."
She bit her lip before abandoning the door and wrapping her arms around his neck. She was all rough kisses on her tiptoes, and Bob was ready to turn the knob, head inside and deal with the consequences later. But she ran her tongue along his bottom lip before pulling away from him just as quickly. "I need to...I'll see you later, Bob."
In a flash, she squeezed herself in through the smallest gap imaginable, and then she gently closed her apartment door behind her. Bob stood there for a minute, his cock still half hard in his jeans as he stared at the spot where Anna had just been standing. She was giving him whiplash at this point, but maybe he sort of liked that kind of thing.
He quickly adjusted himself in his jeans before heading back downstairs and out into the cool night. He was going to have to ask Jake or Bradley how long he needed to wait before asking Anna out. They would know what to do. And he had Nat back now as well. He had enough resources that he would figure it out.
But the next day after work, they all seemed to make everything more confusing for him. 
"So did you finally fuck her then?" Bradley asked casually as he put deodorant on in the locker room.
"Well, no," Bob muttered. "We just made out for a bit."
"Kids these days," Bradley muttered, shaking his head. "Well, did you at least thank Nat? For coming to your rescue?"
Bob sighed, knowing this man was going to be no help after all. "I already talked to Nat," Bob replied as they walked out of the locker room. 
Of course Natasha was in the hallway and did a double take. "Did I just hear my name? I've been so popular since I got home yesterday." Her smile slipped into a look of excitement. "Did you fuck the redhead?"
Bob cradled his forehead in his hand. "Her name is Anna. And no, because I'm actually trying to date her."
"Why not both?" Nat asked, leading the way out to the parking lot. "Give that girl what she so desperately wants."
Bob was scared Anna was going to pull away again. He hadn't heard from her at all since last night when she disappeared into her apartment. He wasn't sure if he was supposed to be texting her or not today. It was like he was living in a choose your own adventure story, but somehow none of the options were correct.
He turned right toward his truck while Bradley and Nat both turned left, but then he realized that Jake had parked next to him and was already in his own truck talking on the phone. Bob tried to sneak past, but Jake put his window down and said, "Jess wants to know what's up with you and Anna."
"Is she on the phone?" Bob asked, tossing his bag into his own truck.
"Hi!" came Jessica's voice through Jake's bluetooth. "What did you do to Anna? She was practically singing when she showed up at lunch today."
Bob immediately scrambled toward Jake's truck and stuck his head in the window. "She was?"
"Yes. And she was having a hard time paying attention. You know how she gets when her head is in the clouds."
Jake met Bob's wide eyed gaze and smiled. "You should go to her office hours," the other man drawled. "That's like a green light for fucking on her desk."
"Hey!" Jessica complained through the phone while Bob grimaced. "Jake, keep your mouth shut about it. But yes, Bob, you should go to her office hours. She'd probably really like that. It shows you're thinking about her."
Well Bob was almost never not thinking about Anna, so maybe it wasn't a bad idea. "Take her some flowers," Jake added. "Seriously, man, she'll be handing you her panties within a minute."
"Hey!" came Jessica's voice again, and this time Bob ducked into his own truck, not wanting to hear any more of that conversation.
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Monday was a bit of a blur. The first thing Anna did when she got to her office was grab her copy of Wuthering Heights from her shelf. The note she forgot to read from Bob made her smile right away.
This book made me feel like it's okay to be completely caught up in another person to the point where you forget where you are or what you're doing. Also, I'm going to think of you every time I see a dog eared page for the rest of my life.
She whimpered softly. There had been a similar, slightly more intimate note tucked inside Papillon when she checked it last night after she squeezed herself into her depressingly tiny apartment in embarrassment. She would never be able to invite Bob inside for anything. Not for a cup of tea, and not for a sleepover.
After that, Anna spent the entire night on Sunday reading her favorite poems and touching herself. Sky Writing seemed to have fallen in love, based on his new post. That idea wasn't surprising at all. Anna was convinced he was the perfect man, so it was just a matter of time. But the thing that did surprise her was the way he wrote about a certain woman with red hair. Late into the night, she was laying in her tiny bed with her fingers inside the font of her underwear, picturing Bob as she read the words to herself.
It was almost too much. Her lips were still a little bit puffy on Monday from all the making out, and she felt sated if only by her own touch. She knew Bob's beautiful hands would be so much better, and she was still thinking about them when she went to find her friends at lunchtime. 
Tuesday wasn't much better. The only damper was that she hadn't heard a single word from Bob. Nothing. She hadn't texted him either, because what was she supposed to say? Hi, I think I could fall in love with you, but I'm not allowed. Can we still make out? That would be the worst idea in the world.
"She's got her head in the clouds again."
Anna blinked a few times and realized she was sitting by the weird tree with the warm sunlight on her face. Her uneaten sandwich was in her hand, hovering halfway to her mouth, and she had been staring off into the distance. "Sorry," she muttered, finally taking a bite. Her lunch didn't even seem as sad today as she thought about Bob's hands on her thighs. 
"Can you blame her?" Jessica asked. "She kissed Bob."
"Not one bit," the other woman said with a grin, as if Anna wasn't even there. "He's a damn catch. Sweetest man ever."
Anna rolled her eyes and said, "As if you aren't married to the human equivalent of a golden retriever."
"Oh, so she is paying attention," Jessica said with a laugh. "We thought you'd blasted off for planet Bob with no return ticket."
"Your astrophysics jokes are the worst," the other woman said, and Jessica pretended to pout.
"Listen. All I know is that he's a great kisser, and that his hands fit really nicely right here," Anna said pointing to her back and her hips. Both women squealed in delight. "But I can't take things any further with him."
"Why not?" Jessica demanded. "The two of you have been playing this game since you met at the bookstore. And also since you met again at the Hard Deck."
Anna thought about Kevin and all of her money that she'd never see again. She thought about her manuscripts she'd put on hold to work three jobs. She thought about how she'd willingly given up Princeton for him.
"I don't want to drag him down to where I am," she whispered, running her finger along the condensation on her can of ginger ale. "I can't be in a relationship." That's all she wanted to say about Bob and Kevin right now, still too afraid to tell her friends everything. So she cleared her throat and asked, "What's with the cooking rivalry between Bradley and Jake? It's like an episode of Chopped." That seemed to open a very controversial can of worms, but at least the focus shifted away from her personal life.
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Bob didn't even know what kind of flowers were the right ones to get, and once again, everyone else gave him useless information. 
"I rarely get flowers for Sugar. I usually just grab some good beers on my way to pick her up from school, and that's enough to seal the deal. Then I get to drink the beer I like while my hot wife goes dow-"
"We get the picture, Bradshaw," Jake said loudly. "Bob, just get some cheap flowers and save the money to make her dinner one night."
"Do not get her cheap flowers!" Natasha chimed in. "If the two of you weren't attractive looking," she said, pointing to Bradley and Jake, "Sugar and Jessica would have bailed before they bothered to uncover actual brain cells underneath the pretty hair." Both men looked startled before eventually nodding in agreement. "You need to get good flowers and plan to invite her for dinner. Not one or the other," Nat finished, pounding her fist into her other palm. "No wonder Bob never gets laid when I'm not around to straighten everything out."
"Can we not talk about that?" he mumbled, adjusting his glasses. "And it's not like I just want to...get laid. By just anybody."
"Yeah, yeah," Natasha said, tapping away on her phone. "You're a romantic. Go get her flowers like these ones."
Bob examined her screen when she held it up for him. He memorized the red and orange blooms the best he could, and soon they started to remind him of Anna's hair. "Got it," he told her, turning toward his truck before anyone else could tell him something that may or may not end up being useful. He'd get the flowers and then invite her over. He wasn't as good at cooking as Jake or Bradley, but he'd try anyway. He was mostly out of practice since he didn't have anyone to cook for, really, but they both offered to send him their favorite recipes. 
The florist was nice and listened to him ramble about orange and red flowers for a minute before putting together something that was even prettier than he could have imagined. The sixty dollar price tag shocked him, but it didn't stop him from also grabbing a book from the front window of the shop next door. It was a new one he'd been wanting to read himself, not quite one of the classics that Anna seemed to favor, but he figured she wouldn't have read it yet. He'd let her borrow it and dog ear all the pages up, and then he'd read it and think about her the whole time.
But when he got to the San Diego State University campus, he sat in his truck and stared at the clock on his dashboard. It was 6:32. She had office hours until 7:00, so he really needed to head in there. Doubt was creeping in now, because they left things off at a weird place. He had no idea what Anna really wanted from him, if anything. If she told him no or hesitated today, he was going to have to start sorting out his feelings for her and dismantling them bit by bit.
It was 6:47 by the time he finally made his way through the academic building on his way to Anna's office. Several people turned and looked at him in his khaki uniform with the huge bouquet of flowers in his hand, and this would have been a lot less stressful if Anna was actually his girlfriend and not a woman he thought might never be that. When he reached the hallway that smelled like freshly baked bread, he found her small office right away where it was tucked back from the main walkway. The door was ajar, and he could hear her voice, so he stood there in the hallway a little awkwardly, trying to fight the urge to run back to his truck.
The door opened another inch, and Bob could see Anna's fingers and her burgundy painted nails peeking out as her voice got louder. "Here's a copy of the extra study guide. Don't forget there's a quiz on Monday. If you can ace that, then I think you'll be in better shape for the final. And try not to be too hard on yourself, Hemingway can be a bit of a challenge for anyone."
"Thanks, Dr. Webber."
The door opened all the way, and a young man filed out with a frown on his face, and then Anna was just standing there right in front of Bob. Her hair was in a loose braid, her lips had some sort of purple-ish gloss on them, and she was wearing some snug jeans and an SDSU sweatshirt. "Bob," she breathed, and it sounded like music. Her gaze raked over his uniform and the vibrant flowers before returning to his face, brown eyes more vulnerable than he ever thought they should be.
"Hi, Anna." He couldn't think of anything better to say as she backed up a step into her small office and nodded her head once for him to join her. After two of his long strides, Bob was practically bumping into her desk. Then she closed the door and leaned against it, hands tucked behind her back.
She cleared her throat, but her voice was still soft as she said, "You look nice in your uniform."
"Thanks," he replied automatically. She could have said anything, and he would have thanked her.
"Those are beautiful. Are they for me?" she whispered, eyes falling to the flowers again.
"Of course they are."
Bob watched her eyelashes brush her cheeks as her eyes fluttered closed. "You didn't have to do that. Flowers are so expensive."
"I got you a book, too," he said, sliding it out from behind the bouquet. Her eyes snapped open so she could read the title, and he said, "It's a new release, so I was hoping you didn't preorder it or anything."
Anna's cheeks were growing pinker by the second, making her freckles look more prominent. He was about to ask if she wanted to come over for dinner one night when she launched herself across the three feet of empty space, colliding softly with his body. Bob dropped the flowers and the book onto her desk just as she kissed him, her arms coming up to wrap around his neck.
She kissed him like they did this all the time, and his hands went right to her waist where they fit perfectly. "Thank you," she murmured against his lips. "Nobody ever got me books before you."
The words before you echoed in his brain. He didn't want there to be an after. He wanted this to be the real deal where neither of them had to be in a relationship where they weren't constantly trading books back and forth with someone. 
Anna kissed him until his glasses were crooked, and she raked her fingers through his hair until he was sure it was a mess. And somehow she ended up pushing him back until he was sitting on the edge of her desk with his long legs splayed apart. He knew he was in trouble; he could feel himself slipping already. She let her hands trail down the back of his neck, over his shoulders, and down the front of his shirt. She adjusted all of his pins and touched his name tag along the way as her lips barely brushed his. Her fingers moved so slowly, he thought maybe he could get himself under control, but it was no use. He was hard in his pants, and her exploratory hands weren't stopping.
"Anna."
All that did was make her kiss him harder again.
"Please."
All that did was have her pressing the font of her jeans to his khakis with a little gasp. Maybe the guys had been right about this kind of thing after all. Maybe visiting her during office hours was all it was going to take to get to the next level. Her fingers made it all the way down to his thighs, scraping along just inches from his erection, and Bob was afraid he was going to embarrass himself. He thought about icebergs and refrigerators and the Arctic Circle, but nothing alleviated the aching heat under his skin as Anna licked his lip and almost nudged the tip of his cock.
But then she said the most devastating sentence he could think of. "Bob, I really like you. But we're just friends, okay?" Then she kissed him again like she hadn't spoken something so harsh, and he thought maybe he imagined it. "Just really good friends who make out with each other."
"Fuck," he grunted, trying to get control even as his hands kneaded the bare skin of her lower back. "Anna." He swallowed hard and pulled his mouth away from hers, examining her wide eyes. Her teeth sank into her pouty bottom lip when he said, "I was going to invite you over for dinner later this week."
"As friends?" she whispered, her hands still planted on his thighs. 
Bob nodded like an idiot, because once again, he was going to agree to anything she said right then. "Sure."
She kissed him softly and said, "Okay."
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But is it okay? Is it really? Next up, let's see how this dinner goes. We might need Nat to fully step in and take care of business again. Also, I love Bradley and Jake in this chapter so so so much! Thanks @beyondthesefourwalls
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274 notes · View notes
lygma-nygma · 2 days
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Honest to god Titans Tower is probably the funniest thing that's ever happened in comics to me? Like, there's so much to unpack here it's insane?? The tear-away stripper Red Hood costume? The knock-off Robin costume with the stupid ass yellow tights that somehow looks worse than if Jason just rocked the bare thighs? The way Jason is drawn like he is fully 35 with two stepkids and a mortgage? Jason inventing fanfiction about Tim and Bruce's relationship in his head because he refuses to believe Tim actually stalked his way into being Robin?? Trying to mimic his crowbar death by beating Tim with his own staff but I as a reader am entirely unable to take it seriously because of those stupid fucking tights-
And then you get to Tim's side of things and he says like, all of 5 things the entire time and three of them are a coded 'fuck you'. He has absolutely no time or respect for Jason's pity party and it's actually hysterical because Jason cannot stop yapping. Meanwhile, Tim is like, definitely losing the fight which makes it funnier?? Then the ending?? Jason scrawling "Jason Todd was here" on the wall in blood (or red paint meant to look like blood, up in the air) and signing it with a handprint like he's a middle schooler who just discovered Creepypasta???? Ripping the 'R' off Tim's costume when he's literally already unconscious?? Zipping away from the scene thinking "damn I actually like that kid, wish I had friends tbh"??
And then it's literally never brought up again.
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rebeliz7 · 3 days
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Dangerous
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Pairing: Wanda Maximoff x Reader / Natasha Romanoff x Reader / Wanda Maximoff x Natasha Romanoff
Request: 32 & 64 prompts for Wanda or Natasha or maybe both😏
32. “If you interrupt me one more time, so help me god.”
64. “You’re not taking me to bed. ever.” “Who said it had to be on the bed?”
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“If you interrupt me one more time, so help me God.” Natasha threatens you, annoyed and left eye twitching. 
She’s not being serious, at least not entirely, but you still raise your hands in surrender and lean back in your seat. 
However, her eyes stay firmly locked with yours, and you have to smile at how worked up she seems. She rolls her eyes when you smile, just like you were expecting her to, and the meeting moves along. 
You weren’t interrupting her exactly, but it’s become intensely apparent that your presence annoys the hell out of Natasha. Whatever the reason.  
Not that you go out of your way to annoy her, that’s not the case at all. The thing is, and you’ve been aware of this for a while now, you make her nervous. So nervous that she doesn’t know how to deal with you. 
No one else seems to be aware of that little fact, although the entire Avengers Team lives together for the time being. But Natasha knows that you know, which makes her angry. 
Irrationally so, you must say. 
“She’s gonna get you one of these days.” Clint warns you in a low voice. 
“Yeah, but not today.” You joke, and Clint laughs softly to himself. 
“You don’t wanna push Nat. Trust me.” 
“Oh I'm not worried, trust me.”
The meeting ends on a neutral note, since Sam and Bucky lost track of their target on their latest mission. A team needs to fly out to Mexico to lend a hand and things will get a move on again. 
Steve and Clint are going, and so is Shuri. This is not Shuri’s first mission, but you take it upon yourself to get her as ready as she can be before they fly out. 
She’s grown on you, in a 'younger sister' sort of way. You guess it's because she’s younger than you, and so amazingly smart, that her awe for everything you guys do endears her to you greatly. 
“Don’t get killed while I’m gone.” She tells you as you walk her into the hanger, and you’re tempted to laugh. 
“You’re going on a mission with Barton, you’re the one that should be worried. I’ll be fine right here.”
“True, but Natasha is about to kick your ass into a coma if you keep pushing her.” She reminds you, and you huff indignantly. 
“Why does everyone think she can kick my ass that easily?” You ask loudly, just as Clint comes out of the jet with a pointed look. 
“Because she can.” He deadpans. “And she will if you don’t give her some space.”
“I didn’t hear any of that.” You pointendly tell him while Shuri gives you a goodbye hug. “Still trying to process this lack of faith from both of you in my fighting skills.”
“Keep it up.” Clint tells you with another look.
“That’s what she said.” You joke, and you hear Shuri laugh too. Clint chuckles and shakes his head at you, probably thinking that you’re gonna get your ass kicked for real.  
“There’s a kid here!” Steve shouts from the jet, and you run back inside before that lecture reaches your ears.  
When you walk inside the kitchen you find Wanda by the stove, stirring a red sauce and your spirits instantly pique up. 
“Can I have some?” You ask, coming up behind her. She yelps in surprise, and you press a kiss on her cheek. 
“You scared me.” She smiles, her cheeks tainting red at your proximity, and you lean against the counter as she turns off the stove before checking on the pasta. “Can you set the table? This is ready.”
She’s a pro at this, and you can't resist her cooking. 
“It smells really good. My mouth is watering already.” You tell her as you set out two plates, and her cheeks grow redder. 
You smile to yourself, and can’t deny that you’re almost inclined to kiss those cheeks again, but you resist the urge. You and Wanda didn’t exactly date, but you did sleep together a few times, and you thought of asking her out properly, but the timing was never right so nothing real ever came up from it. 
Then she moved on -with Vision of all people- and you moved on too. Not that anyone was supportive when you started dating Emma Frost, and maybe you see their point now. Emma was a wild ride, to say the least. 
Shaking your head to get rid of the memories, you pass Wanda the plates. 
“Can you get another one?” Wanda asks you. 
“This isn’t dinner for two?” You ask as you go to take down another plate, and she shakes her head. 
“Natasha is here too. She went to take a quick shower, so she'll be here any minute.”
You smile to yourself. 
...
Natasha is tempted to bolt the moment she sees you’re going to join them for dinner, and you grin when you meet her eyes. It must be infuriating that you can so easily tell what goes through her mind, when she’s spent her entire life training to be unreadable. 
You know she hates it, and often wonders how you’re capable of doing it. To be quite honest, you have no idea either. You just have this sixth sense when it comes to her, that lets you read her like an open book. 
But, you keep your mouth shut all through dinner. You behave, while Wanda and Natasha chat away. You even get seconds, and fill their glasses with more wine when they get low. 
All in all, you don’t annoy Natasha at all while you eat, and you even offer to clean up while they move to the living room with a second bottle of red to continue their conversation. 
You put the dishes in the dishwasher, wipe down all the surfaces, and when you’re done you take a beer from the fridge with the intention to leave them to it. 
“You can join us.” Natasha calls out, just as you take your first sip. 
“You sure?” You ask her, and she rolls her eyes, her go-to reaction whenever you open your mouth.
“As long as you keep the innuendos to yourself, we’re okay.” She sips her wine delicately then, and you -a mere mortal- become entranced with the shape of her lips, and the sensual way in which she drinks. 
“Sure.” You clear your throat, and drink almost half of your beer in one go. 
You’d be lying if you said that you’ve never thought of Natasha in other, much more naked circumstances, but you’re aware that that is never gonna happen, and you’re okay with it. 
“You’re uncharacteristically quiet.” Wanda notices after a while when she comes back with yet another bottle of red, and another beer for you. 
“I don’t want to annoy the pretty lady over there.” Natasha groans at your response, which only makes you smile. You almost can’t believe how easy it is for her to become agitated in your presence. 
“You gotta try harder than that.” She deadpans, and Wanda takes the seat next to yours instead of sitting in front of you, like she was before she went to the kitchen. 
“I’m not annoying, am I?” You ask Wanda, and she gives you this smile that you immediately feel drawn to. 
You breathe in deeply as she gives you this look that makes hot electricity run through you, and runs her fingers through your hair. You do miss her, especially when she’s looking at you like this and her fingers are in your hair.
“You’re quite charming.” She says, and you think she might reciprocate if you were to kiss her right now. 
“You see?” You look at Natasha, and she rolls her eyes, but not with malice. 
“Maybe I just don’t like you.” She says before sipping her newly refilled glass of wine, and you clutch your chest in mock offense. 
“You wound me.” You scoff while smiling, but deep down you do feel hurt by her words. Not a lot, but still. 
“Natasha likes you.” Wanda tells you then, and you’d think she’s joking if the look on Natasha’s face wasn’t so telling. 
“She does, huh?” You ask, mostly to yourself. 
“I thought there were things we agreed on not sharing with anyone.” Natasha reminds her, and Wanda shrugs lightly, the glass of wine close to her lips as she smiles. 
“What happens in the bedroom stays in the bedroom?” She asks, and with a start you realize that she’s slightly drunk, and oversharing is -unfortunately- her one obvious tell. 
That’s how everyone found out that you two were sleeping together a while ago, and right now she’s just revealed that she and Natasha are a little more than just friends.
“I swear to God, if you even think of saying anything right now.” Natasha threatens you, and you laugh, your comeback at the tip of your tongue. 
“She likes you too.” Wanda tells Natasha, her finger pointing at you, and you choke on your beer. 
“You’re not seriously trying to play matchmaker here.” Natasha’s grin is otherwise telling of how amused she’s finding this entire exchange. 
“What? It's not like I even had to look inside her head to know that.” Wanda says, and you finally put your beer down after getting your coughing fit under control. “I’m not wrong, am I?” 
She has the audacity to shoot you a smug look, as if she wasn’t throwing you under the bus here.
“Well, no.”
“Great.” Natasha sneers. 
“Okay, now hold on.” You speak up as Wanda laughs, and you take the glass of wine from her hands. She’s had enough to drink. “There are different levels of liking someone.”
“Educate us, please.” Wanda is trying to hold back laughter now, and you really - she’s just - she’s such a little shit.
“Well, I wouldn’t exactly kick Nat out of my bed. But, I’m not interested in anything more than that. No offense.” You add quickly.
“None taken, and you’re not taking me to bed. Ever. So don’t worry about it.” Natasha tells you, and how can you not take that one? Sometimes she just makes it easy for you. 
“Who said it had to be a bed?” You retort and her face turns red, and you’re not sure if she’s about to kick your ass or just shoot you on the spot.
However, you’re not expecting her to walk over, and kiss you dead on the lips. Which is exactly what she does. 
When she pulls back Wanda is laughing, and you’re pretty sure you’re dreaming. 
“Cat got your tongue?” Natasha asks when you finally open your eyes, and you swallow with difficulty. 
Without waiting a beat you pull her back in, kissing her again, a bit more forcefully than she did first, and she kisses you back in earnest. A part of you isn’t sure of what’s happening, but the other part of you is enjoying this turn of events quite a bit. 
“Well, well, well.” You comment when she pulls back, as if she’s finally realized what she was doing. If you’re smiling like a lunatic it’s only because you truly can't help it. 
“Is anyone going to kiss me?” Wanda asks, and you break eye contact with Natasha to look at her. 
“Come here, you needy monster.” You pull her onto your lap, and she straddles you with ease and familiarity. A pretty smile on her pink lips as she cups your face, and you wrap your arms around her waist. 
Kissing Wanda is still heaven. You’re once again submerged in her world, and you still find it incredibly addictive. She bites your bottom lip softly as she rocks her hips forward to meet yours, and you can’t help but let your hands wander. 
Grabbing a handful of her ass you pull her closer to you as she deepens your kiss, and you can taste the red wine on her tongue. Her breath is hot as she breathes heavily into your mouth, and your mind becomes fuzzy with want.
“Such a good kisser.” Wanda says against your lips, and you smile sweetly. She’s so adorable, especially from this angle, and the way she scrunches up her nose makes you want to kiss all over her face. 
“Better than me?” Natasha asks, and to your surprise you turn your head to find her sitting right next to you. 
“I’m not sure.” Wanda says with a false thoughtful look, and hidden smile. 
Natasha doesn’t give her a verbal answer, instead you watch the redhead grab Wanda by the neck, and pull her down for an intense kiss that has Wanda moaning in a matter of seconds. 
You watch them kiss while holding Wanda’s hand, and your throat dries up. You watch, and realize that this is actually happening. You watch until you can’t anymore. 
Grabbing a hold of Wanda’s arm you pull her back to you, and kiss her hungrily. She’s still moaning, her hands now desperately pulling off your shirt, as you do the same with her sweater. 
You hear Natasha softly chuckling next to you, but you’re already too wrapped up in everything that Wanda is to care about the world, let alone Natasha’s smug laughter. 
“I’ve missed your lips,” Wanda says as she pulls back slightly, a tipsy smile on her extremely kissable lips. 
You smile while your hands squeeze her bare waist, and you don't hold back from kissing her again. You’ve missed her lips too, and you hope she can read between the lines. 
Her hands in your hair pull back lightly, exposing your neck as she moves to place heady kisses all over it. You’re breathing rapidly now, your hands massaging her breasts, as she licks a path up your throat, still pulling on your hair. 
“Kinda feeling left out here.” Natasha’s voice breaks through the fog in your mind, and Wanda sits back on your lap, as she tries to get her breathing under control. 
“I’m not sure of what's happening exactly.” Wanda says as you inch closer to her. Your hands are still on her, touching every inch of her exposed skin as you can, while she combs back your hair. You kiss her upper breast, careful not to leave any hickies, despite desperately wanting to. 
She gasps, and you look up to kiss her lips, focusing on pinching her nipples now as she rocks her hips forward. 
“You want to stop?” You ask after pulling back only the necessary amount to be able to ask her that. 
“No.” She shakes her head, her hand gently caressing your cheek as she looks into your eyes. “I think I want you both.”
Instinctively you look towards Natasha, who is still holding her glass of wine, and sipping the red liquid delicately as she observes the two of you. 
“Do you - ” Wanda grabs your chin, making you look at her. “Do you want me?” She asks, and you move to pull her ever closer to you. As if that’s possible.  
“Always.” You nod quickly, and as you kiss the corner of her lips she turns to look at Natasha with the same question. 
“You don’t ever have to worry about that.” You hear Natasha say, but you refuse to stop kissing every single inch of her skin to look. 
“I don’t?” Wanda asks breathlessly, your mouth doing wonders on her neck, while your hands reacquainted themselves with the rest of her body. 
“You don’t.” Natasha says, and she sounds much closer now. Her voice is more sultry than you've ever heard it before, and you pull back, if only to see the look on her face. 
You watch her take Wanda’s outstretched hand as she stands, and pulls Wanda on her feet as well. You swallow with difficulty as you watch her kiss Wanda softly, lips merely ghosting over each other. 
However fleeting the kiss though, you see Wanda’s legs quiver and Natasha’s arm wrapping around her waist to keep her upright. 
“Bedroom?” She asks her with the confidence of someone who already knows the answer, and Wanda nods, as if in a daze. 
You watch them walk away, and you try to calm your racing heart, but it’s difficult when Wanda turns to you from the hallway. 
“You coming?” She asks you, and you’re pretty sure that your brain short circuits. 
You stand up, picking up your unfinished beer, and down it in one go before you nod, and walk towards her. 
“That's what she said.” You stupidly joke, and Natasha rolls her eyes expectedly, but now you see that the edge in her eyes isn’t entirely hate. 
“Incorrigible.” Wanda smiles as she grabs your hand, and pulls enough for you to fall into step next to her. 
“You’re dangerous.” You murmur close to her ear as you wrap your arms around her from behind, and she throws you a side glance, feigning innocence. 
“I have no idea what you mean.” She says, and Natasha chuckles lightly as she unlocks the door to her bedroom. 
“Sure you don’t.” She says as she pulls Wanda in for a demanding kiss, and you close the door behind you. 
Well, you think to yourself, Natasha might actually end up killing you after all, but at least it’ll be pleasurable for the both of you. 
...
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frozenhi-chews · 3 days
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I need to talk about his fight because HOOO BOI. I'm in a rambly mood and Starlo's fight and some of the things he says makes me CRY.
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LIKE THIS ONE!! ESPECIALLY THIS ONE. Just before his fight, right after he lost his friends, all alone, no one there. You walk up to him and one of the first things he says to you is "Are you still my friend?" AUGH
Despite what just happened, his posse disbanding and his friend telling him off, he hopes that you still are. After him literally dragging this kid around, because this was a massive day for him, he wants at least ONE friend. GOSH.
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These two also get me. "All my sacrifices, all the naysayers. Those didn't matter cause what I had was special."
It makes me belive that no one thought he COULD be a sheriff, especially as a kid. He was just a kid with overly ambitious dreams and imagination, fueled by the stories he had watched on those VCRs. He didn't care. He didn't listen. I mean, if the story that he lassoed was true (and since it's Undertale and crazier things happened, I'll definitely belive it) then he definitely proved them wrong. Then again this is after he became North Star.
He had ambitions, dreams even, and made sure that those actually happened. He freaking founded The Wild East! Like holy crap my guy. What he had was special...
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AND THIS. "We all tout justice but...true Underground status is only secured through pain. 'Monsterkind's hero' is a title soaked in blood." Even he's starting to doubt this. As he's facing a child he's trying to take the soul of. Maybe that's the reason why he thinks that? Trying to get his reputation back, only to then realize, is this worth it? He just wanted to be respected, revered, seen as a cool sheriff whom everyone adores. And facing this child, he's realizing that it's going to be painful.
Is his reputation really worth it to kill this kid? He even lassoed them, like jeez man. He wanted to make things better so badly (cuz this is the lowest he's ever been). And it hurts. He genuinely enjoyed messing around and having fun with Clover. HE DID NOT WANT TO DO THIS
Also he knows what blood is. Probably from the Westerns. Just. Thought that was interesting.
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AND. GOSH. HE DOES NOT WANT TO DO THIS. At the lowest point, about to kill a child, wanting to fix things, and he's not even sure if this'll work. "One. I've got one bullet left. I'll make this count." He says as he shakily holds his six-shooter.
And then you surrender. "What. What are you doing? This isn't fair..."
I can imagine his voice cracking at that point. It was fair, weapon with weapon, then Clover sets the gun down and it wasn't fair on Starlo. And he recognized that. He knew that lassoing the kid wasn't right, but the kid putting down their weapon? It really isn't fair. Surrendering to the one who was just trying to kill them. Starlo knowing the sheer amount of guilt he'd feel if he continued. Just. GAAAHHH I love this fight so much-
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thewertsearch · 2 days
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GG: aaaaa please dont tell anyone i told you about him! […] CA: settle dowwn jade youre radically underestimatin the amount of shit i dont givve about this […] CA: i got bigger ships to sink and soon wwhen im good and ready me and my luminous fuckin science stick havve got a date wwith jack noir
Seems like Eridan's planning to join Vriska.
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Correction - he's planning to rejoin Vriska.
If he's trying to restart their kismesissitude, he's going to be sorely disappointed. Vriska is out of his league, and not just as a romantic partner. She's a god, and he's an angry kid with a wand who represents no threat whatsoever to Noir.
CA: wwhys this matter so hush hush anywway GG: he didnt want me to tell my friends who he really was […] GG: he was so nice, and it really did feel like i was talking to family, so i really dont think he was making it up
I think your intuition is correct, but that doesn't mean he's specifically your grandson. After all, 'family' is a term which can encompass all sorts of relationships.
GG: i couldnt help but try to imagine his parents… GG: and more interestingly……. GG: his grandfather :O
Even if he is your grandson, that doesn't necessarily mean he has a grandfather. As far as I can tell, there's no reason why the Veil's DNA-mixing machine couldn't merge the genes of two women.
For all we know, Pen-Pal could have four biological grandmothers!
CA: that gun i just gavve you is somethin of a hatchright to the kid CA: happy i could play a role in your dirty stinkin lineage GG: like an heirloom? i guess it could be GG: do you even have those? if you dont have parents how could you? CA: no wwe dont knoww our direct forebears and im pretty sure any attempt to seek out or evven inquire about the supplier of your genes wwould be a fine wway to get yourself killed
I didn't think a troll's genes had an individual supplier.
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Based on the fact that their genetic material is combined in the Mother Grub, I've been assuming that each troll is created from a large number of 'parents', whose DNA is mixed in the Mother's stomach.
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Obviously, our Sgrub trolls are going to be an exception to this rule, since the game presumably cloned them from twelve Guardians - but Eridan seems to be implying that all trolls have an individual parent.
This doesn't align at all with what we know about troll reproduction. There also seems to be a certain amount of secrecy surrounding this process, since Eridan thinks you'd be killed for looking into it. Is there some sort of conspiracy at play?
CA: but wwevve got our lore and it says wwe all got indivvidual ancestors wwho contribute to most of our genes abovve and beyond wwhat the grubs slurry does
Alright, that makes a little more sense. So trolls are derived from a large mixture of DNA, but they have one true 'parent' who contributes the lion's share of genetic data.
Maybe an embryonic troll starts off as a clone of this parent, and other trolls' genes are slowly spliced into it as it develops.
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Again, for the Sgrub trolls, things are a little different. We have reason to believe they were cloned in sets of three, implying that each of them has three genetic donors. Perhaps, then, they each inherited the majority of their DNA from one of these trolls - their 'ancestor' - and only share a small number of genes with the other two.
These ancestors have been mentioned before - quite a while ago, now - and I think they may be the key to solving a major mystery of the Hivebent arc.
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Namely, Aradia mentioned her ancestors, and seemed to believe she was following their orders. When Scratch's plans started to reveal themselves, I assumed that he was the one directing Aradia, and was only pretending to be these unseen forebears.
With this new revelation, however, I'm forced to reconsider my stance. What if the Voices were those of the ancestors?
What if Aradia was being instructed by the troll Guardians all along?
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softpine · 21 hours
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can i just word vomit for a min...
there was a point in late 2023 where i felt like i overstayed my welcome on simblr and i planned on just wrapping frozen pines up as quickly as possible and moving on. continuing to write when it's clear that the audience for it is dwindling felt so embarrassing that i almost didn't even want to put effort into it anymore, because i was afraid it just looked pathetic (obligatory disclaimer: no one made me feel this way, you're all so lovely, it's just the nature of seeing a community change over 7 years). writing already feels very personal to me and it's becoming increasingly harder for me to put my work out there (again, for reasons unrelated to simblr and entirely related to mental illness 🤙🏻). i know my story is so long that it deters new readers, and so sporadic that it makes old readers drop off with time. this has really been bothering me lately because i don't know what i can do to fix it. i don't think there IS anything i can do.
but. okay. don't make fun of me for saying this. dan and phil returning to youtube kinda changed my mindset? they may be pulling a fraction of the views they got in their peak, but they're happier than they've ever been and they're working on things they actually want to do, not things they think will be particularly popular. seeing that has made me realize that it is possible to keep finding joy in a community that has largely moved on without you. obviously my little blog is nowhere near the same scale, so this feels kind of silly, but i've been thinking about all the things i used to do on simblr that were never fun for me, i mainly did them because i knew they would get notes or because i felt like i had to do it. making cc, lookbooks, sim requests, reshade help (oh my god the reshade help), lot downloads, etc. they DID get notes, but i can't imagine spending my time doing any of that stuff ever again tbh.
on top of that, it makes me sad to scroll through my dash and realize that i don't recognize most of the people i see anymore. i still talk to some wonderful people here who i consider friends and that's invaluable to me (💖), but the broader community aspect is something i no longer feel a part of. and believe me, i know i'm at fault here because it's not like i'm going out of my way to talk to new people or participate in trends like i used to. i don't blame anyone except the passage of time!!
frozen pines, and simblr by extension, played such a gigantic part in my life when i needed it the most. and that's not to say that i don't still care about it, because i absolutely do, but it's a different kind of feeling. i've always promised that i would give frozen pines a satisfying conclusion rather than silently abandoning it someday, and though i do intend to keep that promise, i know it's possible that i might never get there. but i don't want to let my own insecurities get in the way of something i really enjoy doing. writing is an intrinsic piece of me that i'll never quit doing, but sharing my writing on tumblr is something that can't (and shouldn't) last forever. i know that. but i'm going to enjoy it to the fullest while we're all still here together 💞
to anyone who's still reading my silly story after all these years (especially those of you who still check in on my blog even though you're not on simblr anymore): thank you thank you thank you THANK YOUUU. you don't have to change a single thing about what you're doing. this is not me fishing for compliments or putting down an ultimatum, this is just me trying to make sense of my feelings.
but with all this being said, i've decided to quit simblr and start my own exclusive streaming service for $60 a year, i hope you'll all support me as i increase my production value 😌
(just kidding. ily. okay that's all)
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yanderes-galore · 1 day
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Platonic Hiccup Haddock III with his sister? Thank you
Sure! Sorry for the long wait, I wasn't sure what direction to take this so this is me thinking of small scenarios.
Yandere! Platonic! Hiccup with Sister! Darling
Pairing: Platonic
Possible Trigger Warnings: Female Darling, Obsession, Overprotective behavior, Manipulation, Fear of Loss, Clingy behavior, Jealousy, Slight stalking, Hellicopter brother, Dubious companionship.
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I like to imagine maybe you're the younger sister of Hiccup or are similar in age.
You've been raised alongside your brother and father, believing your mother is dead.
Your father is naturally overprotective of you, which probably makes Hiccup overprotective of you.
Ever since the "death" of your mother, Hiccup has been taught to watch over you.
This overprotective behavior is no doubt why later in life you don't get a dragon for awhile.
Platonic! Hiccup is no doubt just him being a helicopter brother to you.
Hiccup seems like the type to worry about every little thing when it comes to his sister's safety.
For example, he'd fuss over your protective gear before you eventually ride a dragon.
He'd want to pick a dragon he knows can protect you rather than one you want.
He's a bit paranoid when it comes to you.
However... he's still a brother.
He tries to support you, he even takes you on rides with Toothless if he knows Toothless will be gentle.
He often has Toothless help train your dragon so Hiccup knows they're safe.
Even when you both find out your mom is alive, Hiccup doesn't relent.
In fact, he even tells your mom how well he protected you.
His worries only get worse when your father dies, anyways....
You just know Hiccup is one of those overprotective brothers who judges who you're around.
He's no doubt used to when you both played together as kids.
That and he just... wants to make sure your friends and potential partners are safe.
I feel Hiccup wouldn't isolate you... but he'd insert himself into your conversations.
He makes it clear to people that he's looking out for you.
Much to your dismay.
He's naive to the fact you may not like him around all the time.
He's so used to betrayal and playing protector that he forgets he's supposed to let you be independent.
To him, he feels he'll always be part of your life.
It hurts him when you try and push him way.
You're not kids anymore.
He seems to have trouble understanding that.
He gets a bit jealous when you have a life of your own, speaking with friends and maybe even finding a partner.
He tries his best to bottle it for you, to have you happy.
But he can't help but have Toothless follow you or one of his other friends check in on you.
There's times he has to hold back on telling off those around you... seeing them as "bad influences".
He probably means well... yet at some point he should learn that he has to let you go.
A platonic yandere Hiccup would focus more on his sister's safety than her happiness.
He feel you're happiest with him.
Which makes him threaten and judge your social circle.
You can tell him off, yet he may just ignore you.
In his eyes, you're his sister... he's your protector and you should rely on him.
Which unfortunately just drives you apart... making him try harder... which causes more harm than good.
Sure, you two originally got along.
You originally did everything together.
Hiccup is so used to that, so deep in his delusions... That he may socially isolate you on accident.
However, to him? It doesn't matter too much...
He'll promise to be the best for you as your brother... just please stop ignoring him...!
"Did... did I do something wrong...? I just want you safe, I swear! Please don't look at me like that!"
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melrosing · 6 hours
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the thing that annoys me the most about the bullying claim among the stark sisters is that they talk about how much it affects Arya that she thinks she’s ugly and such and like she does, but she’s so much more worried about being “bad” she killed a boy. She’s also going through poverty and war and starving and being introduced to cults/bands of “justice” by murder
but nooooo she totally is more affected by being called horse face despite being compared to SOOOOOO MANY PRETTY PEOPLE AND THAT MEANS SHES GOOD (never mind that good looking=good person should NOT BE YOUR BASIS)
I think most people, and especially girls, know exactly how it feels to worry about your appearance and feel ugly and unattractive, and I get that this is a particular pain for Arya, who apparently has never been called pretty except by her dad one time in AGOT, in an offhanded comparison to her aunt Lyanna. I don't think attractiveness is the most important thing to validate in any child, but I do think that it is good and nice to affirm to your child that they have their own beauty, so that they can then negotiate their relationship with that word from a safer place in adulthood.
It's not about telling your child they don't look a certain way (e.g. no good telling Brienne she's a normal height and her nose is hardly crooked at all), but that the way they look is something unique to them and something they should take pride in, regardless of what others say. Like I think it's an OOC moment in the show, but I think it's sweet when Olenna tells Brienne she looks 'marvellous' or something. She's not saying 'you look like bella hadid', she's saying 'I love the way you look!' to a woman who has received nothing but insults (despite looking like fuckin. Gwendoline Christie lmao). that is nice. it's not the most important compliment anyone can receive, but it embraces divergence as positive.
as it goes though, Arya is a pretty girl and it's just weird that the adults found countless compliments for Sansa and none for Arya. and that's why I find it so bizarre that everyone wants to pin Arya's self-esteem issues on Sansa, a prepubescent child!! like, would Arya have taken these insults so hard if Cat had stepped in and said 'don't listen, you're a lovely girl and your father says you look just like your aunt Lyanna! sansa i am telling you off for calling people names'. children are always going to call each other mean names! it is one thing that is practically guaranteed to happen in any sibling relationship, and anyone who says otherwise is an only child or lying.
but it is much harder for a child to manage that hurt if they're getting called those names, and society seems to be reifying to truth of them at every turn! Septa Mordane is calling her ugly! Cat is calling her a mess! Ned has never complimented her till AGOT! etc! she has never received a compliment before! so how on earth can you say 'and Arya's self-esteem issues can all be traced back to the playground bickering between she and Sansa and Jeyne' when Arya is obviously getting the same message from what seem like far more authoritative sources! is it not worse that those sources are all complimenting Sansa all the time and never Arya? does that not make it worse when Sansa acts like a child about it? like!!
and yeah I agree that there are other more painful insecurities Arya is struggling with. I do think at least part of the reason that this argument keeps coming up in fandom is that people keep trying to claim that Arya's story is similar to Brienne's, in that she IS ugly according to society's standards and that's ok! which isn't true, Arya is canonically a pretty kid with a dirty face and unbrushed hair. that's all it is. so if we could just accept that, there'd be no excuse for the insistence that this is an important aspect of Arya's story.
because it isn't. like im sorry but the ugly duckling means nothing when there are plenty of people who don't grow up to be swans. they get called ugly as children, and they get called ugly as adults. look at Brienne: she has suffered far, far worse prejudice as a result of her appearance in childhood, and she doesn't get the catharsis of growing up pretty to show them all how wrong they were. Brienne has been treated like a fucking monster for how she looks, all of her life. this is a character for whom her appearance IS actually an important theme, and it will be meaningful to see her realise it's a strength, and find love etc. I'm sorry but Arya growing up to be beautiful doesn't mean shit to me lol. I fully accept it's canon, but it is not a meaningful story beat, in a story with people like Tyrion, Brienne and Sam. Arya's story has so many more fascinating themes about identity, trauma, justice, war, friendship and family. if Arya was pretty all along, why should I care?
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Idk if you have talked about this (you probably already did) but I'm just curious, in your opinion what is the kids aren't alright about? Have you done any analysis on the song?
i probably Have analyzed it but i can't find it and its been so long so. will Happily ramble here about what i think its about <3 tbh this is the most beautiful ask i could ever get thank u <3
since you asked what i think tkaa is about, i'm not gonna do this in the normal way i analyze songs, which is a more line-by-line style to paint a picture of the whole story of the song, but instead just wanna like. ramble fksjdnf about it and what it means to me
i think the entire meaning of the song can be summed up by the line, "and in the end, i'd do it all again / i think you're my best friend", which really is to mean that i think that the overarching theme of the song is that life can be worth repeating and going through again for the people that you go through it with. connection and relationships give life incredible meaning, even with the bad things, even with sorrow and darkness, love makes it worth it- i'm yours, when it rains it pours, stay thirsty like before, as the song goes. when the storm comes, as the rain starts pouring and destruction closes in on you, wouldn't it be more comforting to have somebody beside you? facing the chaos with their hands in yours? wouldn't it be worth going through the storm again (stay thirsty like before) just to have those moments with the people you love?
and normally when i analyze songs, i very much try to stay away from analyzing them in a way that is very personal to pete/the members of the band just because... i don't wanna be presumptive! but, this song feels like one of the few that i Can't look at separate from pete and the band. no song feels more like a love letter to the band, and even to the fans, than the kids aren't alright. this band has known each other for over half their lives, they have been best friends and brothers for longer than they haven't been. every up and down each of them have gone through since they met each other, they have gone through together, they have seen their darkest sides and deepest depressions and through it all have Still chosen to love each other and stick together. as the rain has come and poured on them, as the storm that is life shipwrecked the band and sent them stranded in seemingly opposite directions, the love remained. the found each other again, because they were willing to do it all again for each other. their love and friendship is the purest embodiment of the song, and is the thesis of fall out boy as a band, to me. even through destruction and overbearing egos and inner turmoil each of them were experiencing that we are likely to never know the depths of- they Chose that their bonds were worth it, their bonds made life worth living and fighting for.
i feel that spirit, that life is worth fighting for if you have someone/something you love to Live for, is perfectly encapsulated by the lyrics, "and it's our time now if you want it to be / maul the world like the carnival bear set free"- if you want, life is ours for the taking regardless of the rest of the world. carnival bears were often mistreated and repressed, beaten down for acting in their nature, if one were set free they would finally truly be Free to be how they wish to be. in the context of the song, because we have each other, we can take the world on how We want, we can be who We want to be, Together. This is also something that i think is the thesis of fall out boy- the band of underdogs for underdogs, fighting for a space in the world to be safe and express themselves how they want to, and because they've found each other and an audience that Understands them, they can maul the world like the carnival bear set free. they are mauling the world, with every song released and show performed, they're taking on the world on their terms as a united band of best friends. and with their fans behind them, that spirit is embodied tenfold, making this song not only feel like a song for the band, about the band, but Also about the fans and for the fans.
before coming to any sweeping conclusion, i wanna talk about the bridge, because i feel like it is the last piece that does fully show what i think the song is about in totality. The bridge goes, "sometimes i just want to sit around and gaze at my shoes / and let your dirty sadness fill me up just like a balloon"- other than the carnival bear line, i believe this might be my favorite lyric of the song (which is saying a lot in a song of banger after banger line), as i feel the imagery it paints is just so heartaching and melancholy in such a beautiful way. there's a lot here in these lyrics, from how in the genius annotations pete annotated this line with a still of someone's shoes and a bunch of guitar pedals on the ground- something he would no doubt gaze down at when gazing down at his shoes while recording or performing, hammering home the meaning of this song being about/for the band and the fans. they share their sadness with each other, with the fans (to an extent), and the fans share their sadness back- music is always a reminder of the bond we all share in our heaviest moments, as is the guitar pedals being present when gazing down at your shoes in sorrow or guilt. another point i want to make is about "gaze at my shoes" perhaps being a play on words about "shoegaze" as a genre of music defined by guitar distortion and effects and a dreamy/ethereal feel- connecting the picture, the lyrics, the meaning of the band and fans always being there and music being a connection between us all, in a way. essentially, i feel this lyric is just a very melancholy, beautiful way to say sometimes its very easy to just wallow in your feelings, but having somebody with you to help take on your sadness, having these connections and these bonds, can make it lighter.
to try and find a way to summarize it, i really do just think the kids aren't alright is about love. in its purest form, it's about love. loving other people enough to live for them, finding the bonds and connections that give meaning to a meaningless existence, allowing yourself to feel pain in equal measure with pleasure. these are things that make life what it is, without these things life would be numb, meaningless nothingness. in the purest way, i believe the kids aren't alright is about what it is to be human and to love with reckless abandon, to be free to be and feel and love even if pain is present. Because pain doesn't diminish the love or light you can experience in life, and allowing yourself to believe anything less is to deny yourself a instrumental piece of the human experience.
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adamsrcnan · 21 hours
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i'm thinking about jean and his magnets and postcards again and it seriously breaks my heart. the way he pulled out that first postcard and his heart sank when he saw the writing was blotted out and how he desperately spread them all out trying to find any still salvageable. and then the bear missing a piece and the hope that maybe the missing bit was at the bottom of the box but there was nothing there so it would never be fixed. like they knew it was his favourite and purposely left it irreparable.
and i need to know so many things!!! like when was the first time kevin gave him each of them?? what made him think of jean and pick them up?? what had he written on the back of the postcards??
what did jean think and feel when kevin first gave him them??? did he clutch them desperately in his hand?? bc it had been so long since anyone had given him anything after he'd been snatched from his home and come to the nest empty handed and reduced to a number. did he immediately display them proudly in his room?? or did he keep them hidden at first?? afraid that riko or someone else would take them away from him.
why was the bear with the beret his favourite??? what if it's because kevin handed it to him a stupid smile on his face saying "this one reminded me of you" and jean looks at it skeptically and says "why?? bc of the beret and i'm french?" and kevin just snickers a little and jean rolls his eyes and kevin says something teasingly in french newly taught by jean and jean feels something pull at his chest and he clutches the magnet tighter and says a curt thank you but every time he looks at it he'll remember how kevin smiled at him and how for a second they felt like normal kids and not helpless caged animals. and then he gets them back and they're broken and ruined but they're the only thing he's truly owned in so long so of course he will keep then forever even if he can't bear to look at them anymore. even if the thought of them damaged and destroyed makes him sick to his stomach.
and then!! and then there's jeremy who notices when jean's gaze lingers on the magnets on cat and laila's fridge and gets all excited when he spots jean's collection and tells him they can make room on the fridge and isn't aware of the sadness jean probably has to force down when he tells him they don't stick anymore and how jeremy automatically assumes it's because they were well-worn and sentimental bc he has no idea how much they meant to jean and how they were used as a way to get to him to hurt him.
my heart hurts it really hurts thinking about it. i really hope the trojan's start gifting him some and he starts a new collection and idk maybe jeremy learns the truth about what happened to them and tries his best to fix them up again or even searches desperately to find the same ones and maybe kevin hears about it too and starts sending jean new ones whenever he travels so that one day jean will think of those old ones or even see them up on his fridge or in a drawer and he won't feel an ache in his chest anymore.
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miloformula123fan · 3 days
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Could you do fic for Peter 'Bono' Bonnington with wife teacher!reader? She's stressed about work and he just shuts her up with kisses and gets caught by the team. And they teased the couple endlessly. Just something fluff and cute. Thanks!! :))
Haha im gonna be honest i see bono as such a sap for his partner, and so that’s how i will always write him
(unless y’all want a part 2 of the love language fic)
sorry i feel like it's short
Please keep requesting - y'all have awesome ideas we agree on a lot of stuff :) - my guidelines are here, and if you want some prompts, they are here.
also feel free to come in and start chatting to me in my asks, would love to get to know y'all better
and if you want to be added to my taglist lmk :)
peter bonnington x wife!teacher!reader
---
“I sometimes feel like none of them care. I mean actually I know none of them care, one of the boys, Brayden, straight up asked me ‘miss why does the past matter? Surely the future matters more’ and while I was explaining that we have to study the past to make sure we don’t repeat the future, he was trying to flirt with the girl next to him.” Y/N sighed, Bono and her had found a small secluded area before the race began. But Y/N was really stressed out from work and so Bono had offered to let her vent about it.
“Aww, baby, I’m sorry…” Bono snuggled closer to his partner, wanting them to feel as loved as he could.
“If you ever get a job application from a Brayden Jackson that went to the school I’m teaching, immediately deny him please. It’s just annoying that very few students care, except for the A level students, and the school doesn’t care about me, particularly if we’re taking my recent working hours into account.” Y/N laughed, trying really hard to not let her tears spill.
“I can provide for you darling…you can quit your job, travel the world with me… I know that that’s not what you want to do. I know you love teaching for those few kids who do actually like history, but I hate seeing you so burnt out.” Bono comforted her, wiping away the stray tears that had fallen past her eyes onto her cheeks.
“But it is worth it for those few kids who come through the ranks, who do care. It’s worth 10 of the asshole kids for one of the kids who cares…but the hours are starting to get to me, I’m thinking about trying to find a better job, one that actually cares about me, and not just the kids, but then, I have to quit my job, and then I’ll be unemployed for a bit, until I find another job, and trying to find one of those jobs is hard to find and highly competitive…” Y/N looked even more stressed than she had when she had begun venting and her husband hated seeing her like this.
Bono couldn’t listen to her stress and just planted a kiss on her lips. And then when she looked slightly surprised, he did it again, littering kisses all over her face and lips. She started looking slightly surprised but ended up giggling by the time that Bono stopped his kissing assault for some air.
“What was that for?”
“Just because I love you.”
Bono resumed his kissing of his wife, enjoying her little giggles and smiles. Until he realised that not all the giggles were coming from the woman next to him.
He lifted his head and met eyes with James V, James A, Toto and Lewis all standing over the couple, all trying to hold their laughter in.
“Uhhh, hi?”
“Hi!”
“Hey”
“Hello”
“Morning Bono.” They all responded.
“Uhhh, I kind of thought this was a private corner, what are you all doing here?” Y/N had hid her face in Bono’s shoulder and was giggling at the situation.
“You’re late for pre pre-race briefing so we thought we’d come looking for you.”
“And-”
“And we can clearly tell that you’re busy but we would like to see you in the pre race briefing as soon as you’re um finished.” - Toto started ushering the other guys away
“Yeah, will do, see you guys soon. Now where were we?” Bono asked mischievously as he turned back to his partner, not even looking to see if the others had left fully.
---
“Hey Bono, is the wife coming down this weekend?”
“Uhh, yeah, yeah she is. Why?”
“Oh we made a little spot for you 2 to ‘canoodle’ and you won’t be disturbed.” James A’s grin was way too big for this to be an innocent kind thing, so bono slipped off the chair and followed him down the hall towards the supply closet.
Bono’s face blushed as he saw the little sign reading ‘Y/N and Bono’s smooching corner’ with a photo from their wedding also pasted on the piece of paper.
“Really?”
“Yeah man, your wife is great, but like we really don’t want to catch you snogging again, okay?”
“Okay” Bono replied in a weak voice, pulling out his phone to take a photo to send to Y/N, knowing she could have a good laugh about it.
---
taglist: @leosxrealm, @tallrock35, @wolf-knights, @janeholt3, @pear-1206
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21
24
27
And
30
LET'S FUCKING GOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOO
thank you so much, I shall answer these prompts NEOW
21: Fics you wish you could find more of?
Oooohhh more fics involving Gwen, that's for sure. When she's written right she's one of the strongest, most relatable characters imo, 'cause all she wants is for the world to be right and just and kind and everything wants to prove her wrong, but she won't back down from her views. I would also adore more Elyan, just in general. And complete rewrites of the show 'cause the one I'm reading right now is so good I might do one as well. Also modern au's where they're all like secret badass spies or smth, 'cause those are so fucking cool (i am accepting fic recs for ALL of this, please feed me y'all)
24: Everyone knows that fandom doesn’t like uther but what are your feelings about gaius?
I think 1) we need more concrete info about how he was when he was younger, but 2) i think he is severely complicated and wanted what was best of merlin and morgana, but failed the two while also giving them a ton of love. With morgana, he just didnt want her to pursue her power lest she become uther's next victim, cuz gaius cares for the pendragon siblings like his own. With merlin, he was just trying his best with his overpowered nephew, who alos has a destiny regarding his people's genocide's son, and he just doesn't know what to do half the time, kinda like merlin. I didnt like how he lied to merlin n morgana, how he gaslit her and how he made merlin hide and become so anxious abt his magic (and we see what that looks like season 5), but i get it. I really get it. I dont know what i wouldve done if one wrong move could mean the death of two kids he considers his own. I bet he was scared all the time and hated himself for it.
27: Modern Merlin headcanons, if any?
OH BOY. OHHHH BOY. So many. It really depends on what au i have for modern merlin, but I'll give you a few generals:
he's a teacher of sorts; i like the idea that he's kinda collecting magical anomalies and teaching them how to understand their powers and being, since he knows what its like to be afraid of urself, so he's a personal magic teacher. I also rly like my magic elementary school au, since its merlin teaching magic to a bunch of kids, which is adorable
he has officially one cat, a black one called Midnight, that accidentally became immortal along the way and now hes severally attached. I say officially since hes also friends with any other animal that he might come across and they recognise him if he passes them again. disney princess fr
he's figured out his gender and he can turn into a woman if he wants; she looks exactly like merlin, same height, same weight n muscles, the hair is longer cuz merlin likes it that way and her voice is deep and gorgeous
his favourite weapon is a staff or any long distance fighting weapon of the sort; also he looks cool as fuck fighting with it, but thats just a bonus
I'll stop here but i have SO MANY MORE
30: Side character death that makes you the maddest?
Elyan. There was, quite literally, no need for it. I was gonna say Lancelot, since we did not get enough of him, but his death made sense for his character. Elyan? What the fuck was that? It was just for pain and nothing else. What did it add to the story if not just a sad funeral scene and thats it? It just felt like they wanted him gone n found a way, and that pisses me off. I feel like him saving gwen and living would've given such a complex situation when she turns evil, 'cause what if she "confides" more n more in her brother, creating a rift between arthur n elyan, which then creates a rift between arthur n the knights, which would just isolate him further n make him suffer, which is what morgana wanted!! we couldve had protective brother elyan! I think i just wanted more knights in general.
Thank you so much for this ask, I yapped a fuck ton but it was funn
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toriangeli · 1 day
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One of my favorite things about how Anne Rice writes historical fiction: she doesn't sugar-coat her characters.
As in, there was never going to be any way all these vampires going back 6000 years were going to align with modern sensibilities. They're not savory. They suck.
First off, any male of status from before the Great Depression probably did, in fact, look at an underage girl and think, "she LOOKS like she could grow up cute and interesting, but do I want to wait to ask her dad and risk someone else calling dibs in the meantime?"
Lestat: Killed majestic, beautiful animals that were only trying to feed themselves. To save the lives of people who were counting on him, yeah, but still.
Marius: Literally from ancient Rome, lots of ideals from that time, pederastic relationship with Armand, see above disclaimer about males from prior to the Great Depression.
Armand, Santino, most of the de Landens: I do feel like the Children of Darkness/Satan wouldn't have been founded in our time, as evidenced by Lestat so easily disbanding them with basic Enlightenment talking points, so I think it counts.
Louis: LITERALLY OWNED SLAVES. And not in a bullshit "but I treat them so nice and they'd just be owned by someone mean if not for me!" way, he legit believed this was what black people were for. Until he became a vampire and all humans looked equal(ly foodlike) to him.
Gabrielle: Let other people raise her kids while she became a library hermit.
Maharet and Mekare: Cannibals. Oh, sorry. Respectful cannibals.
Khayman: Nnnot even gonna be sarcastic about this one. He was as much a victim of it as Maharet and Mekare, hence them not blaming him in the slightest. But people today would be put on trial for following an order like that one, so I figure it belongs here.
Daniel: idk probably unprotected gay sex. It was the 70's.
Claudia: Gets a pass. She was five. All the bad shit she does is unrelated to her time.
Mael: Helped keep a vampire captive for years, then proceeded to kidnap someone and force them to become a vampire, all because "idk we're kooky druids and it's our religion."
Everard: Laughs at Benedict for being kidnapped and having his blood stolen. Victim-blaming at its finest.
Akasha and Enkil: I mean, we know what they did, but everyone hated them in their own time, too, so.
Eudoxia: Jesus Christ.
Davis: HAS NEVER DONE ANYTHING WRONG EVER IN HIS LIFE. /protects him forever #theonlyinnocentvampireprobably
And you know what? I'd take the worst of these over Bill Compton, Damon Salvatore, or Whassisface Cullen fighting for the Confederacy because "the greater good." Like bro. At least the dickheads above are being honest about it and we can judge those parts of them appropriately. You're trying to make us think you were doing something honorable by being vague. We know what you were really fighting for, and so do you.
Moral of the story: If you're gonna be evil, trying to be sneaky about it only makes it worse.
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Arlecchino’s story quest just revealed how old Lyney, Lynette, and Freminet are. (Spoiler kinda)
Tl;Dr: late 20s
“I wish Genshin would give us solid numbers for character ages!” Sometimes they do. And those numbers give us ages of other characters too, if you pay attention. And yeah, I know the Genshin community doesn’t like to read, but you don’t even have to do much reading for this.
And let me preface this. When you go through this much work to “justify” characters being adults some people will say it’s just “an excuse to sexualize minors”. No. This isn’t even about that.
This is about me being absolutely sick and tired with the teenagers with careers trope.
First of all, what we know:
Childe is the YOUNGEST of the Fatui Harbingers.
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Childe woke up the whale when he was 14 years old, and that was 20 years ago. He is 34 years old.
Arlecchino became the Knave at 17 years old.
The Hearth siblings came to the house within a few months of Arlecchino gaining control.
Lyney and Lynette met a magician named Caesar who over 10 days, helped them hone their stage magic skills
Caesar died 10 years ago.
Toddlers can’t do street magic.
Honestly the last couple of points aren’t even needed, but they’re helpful to solidify this number. You’ll see.
Let’s do some basic Arlecchino math first.
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Again, she’s canonically older than 34, but if you want her and the siblings to be as young as absolutely possible, we can start there. (Maybe she’s a few months older than Childe. Idk)
34-17=17
Absolute bare minimum, Arlecchino has been the knave, and the siblings have been in the house for 17 years.
And quite frankly, I don’t think the “kids” were embryos when they joined.
But now that we have a minimum, let’s get a maximum to cover our bases. I’m going to use the serial disappearances as a marker here, because given what we know about her she would definitely look into that sort of thing. So she can’t be much older than 37.
So, when did the siblings join the house?
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First of all, let’s get a few facts from earlier involved. Cesar died 10 years ago. That means he died while they had already been in the house for 7-10 years (depending on Arlecchino’s age.)
And a widely overlooked fact that personally I think needs to be taken into account more often, is that TODDLERS CANT DO STREET MAGIC.
But I get it, this is an anime game. And for some crazy reason some fans are convinced that characters should be as young as they can possibly be.
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So let’s be just, the most generous that I could possibly be here and say those kids right there are 6 years old (anime 6 year olds don’t act like real 6 year olds so I’ll give you that), and it’s been an EVENTFUL couple of months worth of mastering street magic, trauma, and joining the House of the Hearth.
6+7=13 13+10=23
So the absolute bare minimum you are being silly at this point age for the siblings is 23, and depending on how old you think Arlecchino is, up to 26.
Personally, I feel like Freminet can help us out here, but we’ll have to apply just a teensy tiny bit of real world logic if we want to get anywhere. So,
How old was Freminet when he was sent to the house?
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Freminet was very close with his mother, he was incredibly skilled at fixing and building things, to the point where he would help bring in money for the family for a few years before he was dropped off at the house with the old Knave where he’d notice other children with depression who he’d seen kill themselves.
Now I ask you, does that sound like a toddler? If you’re going to look me in my eyes and try saying he was sent to the house at 5 or 6, when the earliest of memories are being DEVELOPED, you’re not just silly, you are high. There’s really only so much disbelief I can suspend here.
Let’s be generous and say he was 8 years old. You can still have your over developed anime 6 year old, but at least it gives a few years for him to have been tinkering and making happy little memories before the trauma.
Again, using the youngest possible Arlecchino age,
8+17=25
So baby brother Freminet is bare minimum 25 years old.
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In conclusion, let’s use those concrete numbers here to make an age range for the House of Hearth siblings. (I could absolutely give you my personal head canon timeline, yes. Will I? Maybe if you ask nice. But this is about cold hard numbers)
You’re absolutely fucking kidding yourself here ages: 22 for Freminet and 23 for the twins.
Low end: 25 for Freminet and 26 for the twins.
Reasonable maximum (the oldest I think they could be in the flashback is 13) 32 for Freminet and 33 for the twins!!
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📚 🔮 🎨 i love u
Love you too!!! 😍💖🌸
📚 Is there a fanfic or fanfic writer you recommend? Aaaargh, you know that I forget any opinion I've ever held the second anyone asks me for one! There's so many incredibly talented ppl in this fandom, and so many fantastic fics, how am I to choose one??? Here's some I've read and loved recently:
hunter's moon by mourningshowers: a very intriguing werewolf AU with a cool, unique spin on pack dynamics, and stunning prose - the descriptions of ppl's scents in particular stuck with me, they're so vivid and evocative! butter, sugar, and northern mockingbirds by @thefreakandthehair: the most perfectest, soft, mushy, sweet bakery AU. If you're in need of a fic that will leave you feeling all warm and fuzzy and happy inside, this is a definite rec! Never coming down (with your hand in mine) by @eyesofshinigami: the latest instalment in their omega!Eddie series, which I adore. If you're into a/b/o and omega Eddie, give this one a read!
🔮 Any advice for writers working through burnout or writer’s block?
Some things that work for me, personally:
Just write! I sit myself down, set a word count (100 words, 200 words, doesn't matter, it's about getting started) and don't get up or hop on socials before I have written that word count down. Maybe I'll find my flow and keep going, maybe I'll think it's garbage and leave it for the day. I never delete what I wrote, even if I hate it. Instead, I come back a day or two later and look it over with a fresh pair of eyes. Most of the time, I'll realize that it doesn't suck as bad as I thought it did.
Write something small! If my large WIPs seem too daunting atm, I'll try a microfic or drabble - something small and relatively low effort. Those also have the added bonus that I can yeet them out immediately after they're done, and the reactions I get usually give me the serotonin boost I need and motivate me to write more. (Bc I'm an attention whore like that! XD)
Let the brain run idle! I take a walk. I craft or doodle something. I play with my kid. I watch a movie or go out with friends. The main thing is, I don't write. I try to not even think of writing. That's often when my best ideas hit me out of nowhere.
🎨 If someone were to make fanart of your work, what fic or scene would you hope to see?
I am blessed enough to have a bunch of incredibly talented mutuals who have made so much wonderful, gorgeous, incredible art of my work. I look at it daily, it makes me feel so incredibly loved and cherished. I couldn't wish for more! That being said, if someone asked me, I'd probably pick for a scene from Someone who cares because that's my oldest fic (my baby, my firstborn, etc.) and it doesn't have any art yet.
Fic writer asks
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uncanny-tranny · 8 months
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I think another aspect of conservative thought people need to understand is the idea that it's all about dominance.
The reason why sayings like "we don't want to trans your kids, we want trans kids to live" is because, in the conservative mind, you are replacing their dominance with your own. It can never be about what is best for others, it is always about expressing absolute power and control.
Natural selection, at its ideal, will weed out the people who "shouldn't live." If their existence is a threat to the already-established hierarchy, then it's obvious that they shouldn't exist in order to challenge hierarchy.
While this certainly isn't a "conservative-only" mindset, it's a trend I have noticed more in conservative spaces. This is why I don't always think it's helpful to go on about how, "Oh, we don't want to threaten your worldview. We just want people to live 😊". You will fundamentally be threatening their power in their minds. Therefore, nothing you say can truly take away from the anxiety, fear, and anger at losing control that may be instilled.
#politics#transphobia#transphobia tw#used the whole 'we want trans kids to live' because i personally think it's a good example..#...but isn't the sole example of such...#...take for instance the gay marriage debates from the early 2010s...#...'if we legalize gay marriage it's ONE STEP CLOSER to them taking OVER america and legalizing [horrible thing]!'...#...that is the anxiety of Losing Control and Losing The Divine Hierarchical Power Bestowed To You Personally By Gd Himself...#...i'm not saying all of this to dissuade people from educating people. but i want people to be aware of this dynamic...#...and to decide if they can (or should) personally go up to bat for others to educate people...#...i don't think you will go very far if you try to educate people without understanding on SOME level how their thought process will be...#...because it is likely that you are educating somebody who is going to see the world VERY differently...#...and they will often interpret what you are saying VERY differently than how you intended it to be interpreted...#...again while this isn't solely a conservative issue (believe me i KNOW) i notice it much more in those spaces...#...and since i am in spaces that WANT to educate people about this i think it is apt...#...it isn't a bad thing to want to educate. but again it's not helpful to just assume others are going to interpret you the way you want...#...it's definitely why i stopped making so many posts about educating others. i just don't think i can do it well...#...or at least in a way that doesn't Feel Threatening (even if it Isn't A Threat)
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