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ozzgin · 3 months

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The wonderful wizard Ozz. I have had this concept stuck in my head like a worm!

Could you imagine a Darling escaping from their Yan, not to run but just to feel the rain on their skin? I've been consuming this prompt like a heroin addict and I can't seem to get enough!

If I were to expand your prompt, I quite like the idea of a Yandere that can't really go full yandere because Reader is just too willing. He loves yandere content and can very much relate, but none of the escalations can happen if, well, the object of his obsessive affection doesn't protest in the first place. Is it too far fetched from what you'd imagined? Let me elaborate:

Yandere! Male x Willing! Reader

AKA: When you want to be a Yandere, but your Darling unfortunately cooperates.

The Yandere has been stalking Darling for months. Journal entries, walls plastered with photos (and the occasional creepshots), recordings. He just can't get enough of his Darling. He loves everything about you and can barely function throughout the day, fantasizing about your life together.

Enough is enough and he finally decides to make you his. He's been consuming media of similar tropes, with obsessed men pleading for a chance and having to force their way in because of rejection and fear. He's prepared for everything. Your tears, your trembling voice, your hands pushing him away. He finds you, approaches you and confesses his feelings, knuckles white as he grips his fists in anticipation. Your eyes widen for a moment, before narrowing in a smile. "I had no idea! Sure, I'll go out with you." Huh? Wait. This wasn't...this wasn't in the plan. Somehow he'd been certain you'd refuse. He must've mumbled the last part out loud, because you respond with "Why would I say no?"

A very good point indeed. You will change your mind, however, once you learn the extent of his love. You're holding his hand and following along as he takes you to his place, completely and utterly unaware of what you're about to witness. He can't truly be your boyfriend if he has to hide his very nature, after all. You might be disgusted, frightened, offended. He can already hear your screams, demanding explanations. It's all out of love. "It's okay if you don't understand", he mumbles to himself, watching your frozen body as you gaze into his room. You take a couple of steps towards the nearest wall, tracing the hundreds of images with your fingers. "Wow. You never mentioned being into photography", you remark, impressed. "It's like an exhibition! But...you might have to work on your angles", you blurt out, a little embarrassed, pointing to one of the creepshots. "This isn't very flattering. Did you take it in a hurry? It makes my legs look disproportionate." He can only stare, taken aback. "S-sorry" is all he manages.

Okay, but don't imagine your life will continue as usual. You've only seen a glimpse of his adoration. Now that you're officially dating, he cannot allow anyone else to have access to you. You have to understand, he cannot protect you properly if you're not under his watch all the time. As much as he cherishes you, he will have to be rough if needed. That's what he tells himself as he shoves the required tools in the trunk of his car, speeding towards your apartment. Once there, he fidgets on the sofa, considering his speech. You seem to be just as uneasy - perhaps you're predicting what's to come? - casting your eyes down and giving short answers. "I think you should move in with me." He states solemnly. You gasp and throw a hand over your mouth, and tears quickly well in the corner of your eyes. "How did you...how did you know?" You say between sobs. Huh? "I didn't want to burden you with my problems, seeing as we just started dating...but my landlord won't renew the lease. I was so scared I'd be homeless."

He clicks his tongue. This isn't very yandere, more like the average couple experience. You bring the final moving box to his car, fitting it in the trunk. "By the way, what's with all the rope?" you ask. "Just move it aside", he sighs. How can he explain it? He's been training, sweating and bleeding for a marathon and right before the whistle, they handed him the first prize. His muscles are aching for the sprint that never happened. Of course he's grateful to have you at last, but somehow he feels like he hasn't proven his dedication properly. You just don't get it, do you? How sickening his love is for you.

As the days pass, he eases into his role of...how does one even call it? Pseudo-captor? When you found his journal, you blushed and confessed how no one before him put this amount of effort into knowing you. All the male contacts from your phone vanishing? It was about time you cleaned up your acquaintances and it was nice of him to help. The AirTags he's hidden in your bags and pockets? You appreciate his safety concerns. Nowadays, with all these perverts freely walking the streets, you can never be too sure.

One morning he wakes up to an empty bed. He jolts up, dazed. Could it be his wish was finally granted? You must've gotten tired of him and tried to escape. Oh, silly little Darling love. You should've known there's no more walking out once you said yes. He checks his phone and pounces out, ready for the hunt. As he sprints along the street, he finds you suspiciously close to his home. Not very smart of you to...what are you even doing? Your hands are raised up, fingers fanned out under the pouring rain. You notice his presence and turn to face him with a wide, childish grin. "I haven't done this since I was a child. When was the last time you felt the rain on your skin?" Only now it occurs to him he's been running in this downpour and his clothes are soaked. He was too focused on finding you.

"I thought you escaped", he almost whispers. "Escape? From what?" You tilt your head in confusion. He places his cold, large hands over your cheeks. "Do you comprehend I'm very much obsessed with you? I'm not joking around. You're never, ever leaving me. You're stuck here forever. I mean it. I really do. I'd rather kill you with my own hands than let you go. Because I love you." You take a moment to admire the intricate patterns of his irises, pupils dilated in a spiraling madness. By the end of his erratic oration, he's panting and digging his nails into your skin.

"I know."

#yet another parody I'm so sorry #yandere #yandere x darling #yandere x reader #yandere x you #male yandere #male yandere x reader #yandere headcanons #yandere scenarios #yandere imagines #yandere obsession #obsessive love #tw yandere #yandere oc x reader #gender neutral reader #gn reader

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mortalityplays · 1 month

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You need more free art.

I quit my job yesterday. Well, actually I quit my job eight weeks ago, but they finally released me yesterday for good behaviour. Don't get me wrong, I love what I do - but I do it for the wrong reasons. Working for major charities, you learn very fast that 'I want to make the world a better place' is a phrase you use to ask people for money, not to give them things. I was an ass-backwards fit for that world.

You need more free art. I need more free art. Everyone has felt the shift in our media landscape over the last ten years, away from access and towards nickel-and-diming the human experience. That lack of access is making life and culture worse for all of us, across the board. Paywalled news sites leave us less informed, attacks on the Internet Archive leave us less capable of research. Algorithmic social feeds and streaming walled gardens trap us inside smaller and smaller demographic bubbles, where we are increasingly only likely to encounter ideas that have been curated for us by marketing departments. Hasty efforts to resist AI commodification have only led to more artists locking their work away and calling for even more onerous systems of copyright law. This is not good for us.

We all need more free art.

So what am I going to do about it?

This is a question I have been asking myself for years. It's easy to sit here feeilng frustrated and thinking 'boy I hope SOMEONE does SOMETHING'. It's harder to take action in a world where I still have rent to pay. But hard doesn't mean impossible. Sometimes hard just means time-consuming, frustrating and slow. And sometimes it's worth doing something time-consuming, frustrating and slow because...I want to make the world a better place.

I'm going to do this:

1. From April 1st, I am relaunching as a freelance writer and editor.

This is the one that will (hopefully) help to pay the bills. I am a very good and experienced editor. I've worked on hollywood movies, I'm a member of the Chartered Institute of Editors and Proofreaders, I have clients who have been coming to me exclusively for more than 10 years.

Alongside bigger contract jobs, I am going to refocus on offering my services to small-press creators at a reduced rate. That means you, graphic novelists. That means you, itch and amazon writers. I want to help you develop your work, the same way I help large organisations. You can learn more about what an editor even does and what kind of pricing you can expect here.

2. I'm also going to start giving shit away. Like, constantly.

Next week I'm going to launch a new free shop. If you're unfamiliar, a free shop, giveaway shop, swap shop, etc. is an anarchist tradition of setting up a storefront where anyone can take what they like for no cost. Offline, this often means second-hand clothes, tools, furniture, food etc. Online, I am going to be giving away digital art. Copyright-free, no strings attached. It will (eventually) feature everything from print-res posters to zines, poems, tattoo flash, t-shirt designs and anything else we come up with.

Yes, I said 'we' - while this is a curated collection, it will feature work from a variety of credited and anonymous artists and activists, all of whom have agreed to give their work away to the public domain. Some of it will be practical, some of it will be political, but a lot of it will be decorative or personal. This is, in part, a response to recent difficulty I had finding somewhere that would print a one-off joke poster for a friend that featured the word 'faggot'. Enough. No middlemen - no explaining ourselves. Just print our shit and enjoy it.

I'm very, very excited about this project. I'll have more to say about it closer to the launch, but you can expect it to go live on March 27th.

2.2 I forgot to mention the ACTUAL LAUNCH GIVEAWAY

To celebrate my launch, I am going to be giving away a ton of physical prints. When I went looking for my old stock to see if it was worth setting a new (paid) storefront up, I realised I had way more old work in storage than I thought. This will be announced in its own right on Monday, but this is why I've been hinting you should go follow my Patreon.

On April 1st, I will pick 8 random patrons (from across all tiers including non-paying followers!) and mail them a bundle of assorted prints and postcards. The prize pool includes A3 and A4 posters, packs of A6 postcards, and printed minicomics that I've previously sold for up to £12 each.

You don't have to be a paying subscriber to enter - this is strictly no-purchase necessary. It is purely and entirely a celebration of the concept of GIVING ART AWAY FOR FREE.

3. PORN, YOU PERVERTS

Because I still have to pay to stay alive, I am going to be subsidising all this free art with the introduction of Fuck You Fridays. Starting from March 29th, I will drop a new 18+ short story on the last Friday of every month, over on itch.io (yes I know my page is desolate right now, don't worry I'll get there).

The first edition, Go Fuck Yourself, is about, well - telling your boss where to stick it. Julia has had it with her millionaire man-child manager, and is just about ready to let him know what she really thinks. It's a short and steamy 5k words, with a gorgeous cover illustration by @taylor-titmouse, and you can pick it up for $3 starting from March 29th.

4. ANOTHER BIG SURPRISE

I'm keeping this one under wraps for now, but April 1st will also play host to one more (FREE) launch. If you've been following me for a long time, you might remember the other significance of this date (no not April Fool's day, though that is certainly thematically relevant to this entire effort). That's all I'll say right now. Watch this space.

tl;dr: I'm sick of paywalls and career ladders. I'm literally putting my money where my mouth is. More free art for everyone and I'm not kidding around!!!

#announcement #please reblog let's make this HAPPEN

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broodingheroine · 2 months

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list of weird things I want to hear in a case file in tmagp:

baker (or just a person making their own bread) getting progressively more paranoid about the bubbles in their sourdough starter being sentient

teenager on some sort of social media talking about how the clothes pile on their chair looks at them in the dark

very cliche tree branch shadow tapping on someone's window in the middle of the night but it's actually an evil tree

I want more haunted theaters. It can never be overdone.

musician finds the one out of tune key on their piano deeply disconcerting to the point of obsession

someone gets a splinter and can't quite seem to get it out..... they keep digging for hours

avalanche. being stuck under the snow and not being able to tell which way is up.

story of someone who got stuck in an office building all alone and couldn't find the exit but there's just enough details similar to the oiar building that it freaks someone out.

worm sex part 2: electric boogaloo

someone with frost bite who couldn't stop rubbing their arms even though the skin was getting shredded from the ice particles :) flesh

everytime someone gets their picture taken, even if it's a candid, the result is them staring dead into the lense. even if they were turned the opposite direction when it was taken. they avoid cameras now.

someone's voice cannot be recorded and they start to question whether or not they're real.

furbiez.

someone who realizes everyone they've ever known has forgotten them. kind of an inverse not!them where they're the only one who knows themselves.

apartment complex finds body in their water tank, people had been drinking corpse water, one of the tenants obsesses over it and starts putting more bodies in the tank to get the ✨️flavor✨️ back.

love induced cannibalism and I want that shit genuinely romanticized. like i want it portrayed as if it's the most reasonable thing on earth to consume your loved ones.

time loop. except the person in the time loop is there so long they get desensitized and start just having fun with it. the time it finally stops looping is when they've done the most heinous thing they could think of and then they have to live with it.

might add more if they occur to me

#tmagp #the magnus protocol #some of these are goofs some of them are things that genuinely disturb me #guess which is which

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norrizzandpia · 4 months

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Hiiii, could you do something with lando wanting to be protective of reader like her being afraid of something happening and him hugging her tightly to make sure she is safe w him 🫶🫶🫶🫶🫶

I need this man so bad and this just fueled that

Safe With Me, Love (LN4)

Summary: When a man at a club makes Y/n uncomfortable, touching her, grabbing her, Lando’s the first to stop it.

Warnings: attempted sexual assault, lando almost getting into a fight, verbal abuse, language, lando gets super angry, but major fluff at the end and all is well

Note: i am in no way trying to glorify sexual assault with this at all. What happens to a multitude of women around the world and incredibly disgusting, my heart goes out to all the victims of any kind of sexual assault.

There’s a loud boom from the speakers as Lando and Y/n sidle up next to each other in the dimly lit booth Max had secured for the night. Shot glasses and other drinks are scattered across the surface of the table, the majority of the liquid having been consumed by their friends who had tagged along. Max F and Pietra dance together on the floor while Oscar and Max V are left to grimace at the touchy exchanges between the couple left in their seats.

A dangerous hand high up on Y/n’s thigh has Max V gagging into Oscar’s shoulder, “When do you guys stop?”

Lando’s hazy eyes give him a quick glance before retreating back to his beautiful Y/n, “I don’t stop. She tries to make me, but let’s be honest, I never will.”

Oscar rolls his eyes and Max V throws back the rest of his drink. The two men get up and flee the area in a panic when Lando starts kissing her neck softly, knowing the boy is quite affectionate when he drinks. Y/n is a bit farther than her boyfriend on the drunk spectrum, making her more prone to accepting his PDA-filled advances. She snickers into his ear when his tongue lightly traces her skin and her hands dance in his hair when he whispers how much he loves her.

Y/n and Lando could not be more clingy when they’ve consumed alcohol. Everybody knows this. From the fans and media to their families, the couple has had multiple drunken exchanges where they were more than comfortable sharing how much their physical connection was just as strong as their emotional one.

“Have I ever told you how pretty you are?” Lando says as he pulls back, eyes roaming her face as his breathing turns shallow as if he’s completely taken aback by her beauty.

Y/n blushes, “Lan, if I had got a penny for every time you told me I was pretty, we would be billionaires just off that money, not even with your racing income. Pennies.”

Lando smiles at her as his head lulls to the side. Her back rests against the cushions of the booth while his is turned to the rest of the crowd, his entire front facing her with his hands on her hips, “Good. You should be told how pretty you are every second of every day.”

Her hand lays across his bicep as they look helplessly at each other, drunken smiles and breaths hitting the other’s face from the close proximity. In the midst of the deafening music, their moment is quiet and it reaffirms Lando in his idea that every day he would fall in love with his girl all over again.

His eyes are overwhelming and his look of love makes Y/n want to giggle and squeal, she needs a moment to herself. Lando’s face falls slightly when she mentions needing to go to the bathroom, “Let me go with you.”

Y/n stands from the booth and shakes her head at him with a light grin, “No, baby. I’ll be fine. I’ll be back in five minutes tops.”

He’s persistent, his hand clutching hers still, “No, Y/n. Stay.”

Puppy dog eyes and a pouted lip threaten Y/n’s plan to calm down from Lando’s eyes, but she perseveres.

“You wanna know the truth?” She pops her hip out and stares down at him, his body warming at her sassy position.

He nods, “Always.”

She leans down to his ear and whispers, out of slight embarrassment and the fact that she doesn’t want him to genuinely see the effect he has on her, “You’re making me all flustered and I need to regain my composure.”

When she pulls back, Lando’s mouth has fallen open slightly in a smile with his teeth sticking out a little bit from his top lip, “Oh, well… Then, go right ahead.”

She nods at him before he loosens his grip and she disappears into the crowd. His eyes try to stay on her frame, wanting to make sure she gets to the bathroom, but clubs are always packed and the moment her hand leaves his, his sight of her is lost.

He tries to ignore the sinking feeling in his stomach.

—

Throwing away the used paper towel, Y/n exits the bathroom and is immediately slammed into a hard chest. She reels back, discreetly checking the stranger’s shirt for any makeup stains. When she finds none, she lets her natural kind demeanor shine through.

“Oh, I’m sorry about that. I didn’t see where I was going.” She gives, the man staring down at her in a way that puts her off.

He doesn’t say anything, just looks at her, but when she tries to move past him, his arm comes to hold her bicep.

“What’s your name?” He asks. Alarms sound off in her brain at his tightening grip, panic settling into her skin and suffocating her. He’s not much taller than her, maybe 5’6, if that. Though, with her short stature, he still intimidates her with the way he slightly towers over her. Lando would tower over him, she tries to tell herself.

Where’s Lando? Get to Lando.

His fingers on her arm don’t allow for that, however.

A smirk finds its way onto his grimy face as he repeats, “I asked you what your name was, sweetheart.”

Her eyes avert to the floor, “Uh, Y/n.”

Immediately, she knows she’s made a grave mistake. She’s not stupid, just completely lost at the way fear has enveloped her body. She knows she should never give out her name to strangers that grab her without her consent, she just is completely gone to the racing thoughts in her head.

“What a pretty name,” He speaks, grip relentless, “What’s a beautiful girl like yourself doing here alone?”

“I’m not alone. I’m here with my boyfriend and his friends.” She smiles, hoping that the mention of her boyfriend will scare him off.

Happy endings aren’t always guaranteed, though.

The man moves closer, his breath down her face, “Aw, how cute. Who’s your boyfriend?”

In a leap of faith at the power of Lando’s name, Y/n murmurs, “Lando Norris.”

The man keels over with laughter, his grip staying put on her arm however, “Oh, love, how sweet. Are you one of those fan girls that think they have a chance? Lando Norris would never go for someone like you. No offense.”

Offense taken, bitch, she thinks.

Trying to defuse the situation, Y/n lightly pulls at her arm, “None taken. If you can let me go, that’s be great.”

Suddenly, his hand has maneuvered her against the wall, his face right next to her neck as he breaths her in. Turmoil floods Y/n when his other hand comes to trace up and down her thigh, trying to hike it up to his waist but failing when she clamps her legs together.

He whispers in her ear, “Don’t be a bitch. Everyone at this club would take one look at you and know you’re an easy slut. Let me get a taste of what everyone already has.”

Her eyes drown in tears as she tries to seek out help as they rest right outside the bathrooms. However, as ironic as it is, the usual busy bathrooms are ghost towns in the moment a man tries to sexually assault her.

He finally gets her thigh to wind around his waist when his strength overpowers her body and Y/n is taken back to the moments when Lando would manhandle her in bed. What she used to think was the biggest turn on has now turned into something horrifying and painful.

“WHAT THE FUCK DO YOU THINK YOU ARE DOING?!” There’s shouting from the end of the hallway and the man invading her space moves off her in an instant. Her face whips around to meet Lando’s fiery one, his body stalking toward the man as Max V, Max F, and Oscar follow in tow. All four men are looking enraged, faces burning red at the scene they had just witness whilst Pietra turns around and bolts toward the front of the club. In her loud mind, Y/n knows it’s because Pietra is going to get security.

Lando reaches the man, grabbing the collar of his shirt and shoving him against the opposite wall. He screams in his face, “DON’T YOU DARE TOUCH MY GIRLFRIEND LIKE THAT. WHO THE FUCK DO YOU THINK YOU ARE?” He spits in the man’s face, “YOU’RE FUCKING DISGUSTING.”

Three burly men return with a distraught Pietra, pulling Lando off the strange man and immediately removing the man from the premises.

With the absence of him, Lando is quick to pull Y/n into his arms, feeling her melt into him. Nobody says anything as he holds her tightly, turning her away from the group so his back faces them and she can cry into his chest lightly with some kind of privacy. His hands clamp down around her body while she grips his shirt. There’s whispers of reassurance and love as he tries to soothe her nerves.

“Get me out of here,” She chokes out, letting her hands drift under his shirt to feel the warmth of his bare skin.

Lando nods as he kisses her temple, “Of course, my love.”

He leads her through the overstimulating crowd and out of the club where the man has been handcuffed and shoved into the backseat of a cop car. An officer approaches her as she’s curled into Lando’s body, asking her for a statement, but, with Lando’s credibility and fame, he speaks softly with the man and asks if he can get her statement another time.

“I think she just needs to go home right now.” He says as Y/n stays hidden in his chest.

Her cowering and shaking strikes a cord in the older man’s heart, “Yes, of course. That’s completely fine. Can I get your number so I can call later tomorrow? Does that work?”

Lando nods, “Yes, that’s perfect,” He lists off his number, the officer taking it down in his notebook. When the last number is drawn, he wishes the couple a calm night and retreats back to his partner.

Y/n tries to hang on to Lando as he tries to pawn her off into the passenger seat of his car. When her hands won’t unclasp from his waist, he leans down and meets her eyes.

His hand lightly rubs her knee, almost hesitant in not wanting to scare her anymore. He looks up at her before softly speaking, “I’m not going to leave you. I promise you that. After that, I will never let you out of my sight ever again. We’re just getting in the car to go home, baby. That’s it. I’ll be right next to you the rest of the night.”

She nods, looking down at her hands in the silence while Lando closes the door and jogs to the other side of the car, getting in.

The car ride back is quiet as Lando lets his hand roam over her thigh. Even though it’s a call back to what the man had done to her in that secluded corner of the club, she doesn’t feel fear or uncomfortable. All she feels is love and security as his fingers lightly trace over the moles and bumps of her leg. Lando’s hands, all of Lando, will never not be a safety net for her, she knows that.

Nothing could make her afraid of him.

He’s delicate with her as they walk to his apartment, an arm tightly around her waist as they wait in the elevator. When they reach his door, he sets her in front of him, between him and the door, as he unlocks it. When it opens, she walks in first and goes straight to the softness of his bed. She falls onto it, letting out a small groan at the comfort, before he catches up with her, his body looming over hers and smiling.

Her mascara must be running down her cheeks and her eyeliner must be smudged across the entirety of her face yet Lando’s face shows what it always does: the love he has for her beauty. Even in her worst moment, he thinks she is the most beautiful thing he has ever laid his eyes on.

“Can I get you out of your clothes? Unzip your dress and take it off along with your heels?” He’s clear and precise with his questions, not wanting to throw her a curveball or something that gets misunderstood.

She nods with a small smile, but Lando stays still, “I need words, pretty girl.”

She blushes in the midst of it all, “Yes, Lan, you can.”

“Perfect” He states before letting his hand gently coax her to sitting position, gliding down her back as her zipper trails with it. When his hands shimmy her dress down her legs, he throws it across the floor, moving to her feet next. He kisses her ankles softly as his fingers work slowly to unbuckle the shoes. When he gets them off, his girlfriend left in a bra and underwear, he moves to the dresser a few feet away. She sits there, exposed, and, while she feels as though she should be on complete alert or scared, she feels at peace. She watches as Lando rummages through his drawer, seeking out his pajamas for her, and she feels nothing but protected and completely loved, accepted by the man before her.

When he returns, her favorite hoodie and sweatpants of his in hand, he helps her into them. When she’s cozy and dressed, he changes into his pajamas in front of her, almost as if he’s trying to put himself at the same level as her. She had undressed in front of him, he undressed in front of her. He didn’t want her to feel as though there was some sort of power dynamic going on, no matter how far that was from the truth of what she was genuinely feeling.

When they’re both comfortable, he leads her into the bathroom and sits her on the counter, his body between her legs before he wipes her makeup off and does her skincare for her. If she wasn’t so emotionally exhausted from the night, she would’ve showered him in praise and a bit of teasing for knowing her routine perfectly, with each step being very clearly memorized. But, this wasn’t an ordinary moment, so she kept quiet as he took care of her. They brushed their teeth together, Lando’s hand keeping its place on her hip in a simple reminder that he was there no matter what.

And when they reached his bed once more, falling under the sheets and heaps of pillows and blankets, Lando brought her into him once more. Her head snuggled into the crook of his neck and his hands trailing up and down her back, he whispered soft words in her ear.

“I love you.”

“I’m so proud of you.”

“There’s nothing I wouldn’t do for you.”

“You are my entire life.”

“I will always be there to protect you.”

His words seep into her skin just like anxiety had hours before during one of the worst moments of her life. Though, this time, instead of worrying what would happen happen next or who would come to save her, all she could think of was the soothing hands on her back and the calming words of the man she would never stop loving.

Lando was it for her, if she hadn’t known that before, she knew it now. As he continued to hold her, never once letting her go throughout the entire night, she found solace within him.

And when morning came, the dreaded phone call from the officer who sought out her statement, Lando sat next to her with his hand in hers and his unwavering support shining through.

There genuinely wasn’t anything he wouldn’t do for her.

He’d bury a body for her, kill for her.

Preferably, if she allowed him, kill the man who had touched her without consent.

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cybernaght · 9 months

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The fandom echo chamber: fanon, microanalysis and conspiracy brain

As someone who has been in fandom spaces, on and off, for 20 years, I find some fascinating trends popping up in the last decade that I thought to be fandom-specific but clearly aren’t. So, I would like to do a little examination of where those things come from, how they are engaged with, and what it says about the way we consume media. This is a think piece, of sorts, with my brain being the main source. As such, we will spend some time down the memory lane of a fandom-focused millennial.

This is largely brought about by Good Omens. But it’s also not really about Good Omens at all.

Part one. Fanon.

The way we see characters in any story is always skewed by our very selves. This is a neutral statement, and it does not have a value judgement. It’s simply unavoidable. We recognise aspects of them, love aspects of them, and choose aspects of them to highlight based entirely on our own vision of the universe.

Recognition comes into this. There is a reason so many protagonists of romance novels have a “blank slate” problem. Even when they do not, we love characters who are like us or versions of us that we would like to be. And when we say “we”, I also mean, “me”.

(I remember very clearly this realisation hit me after a whole season of Doctor Who with writing which I hated utterly when I questioned why I still clung so incredibly hard to Clara Oswald as my favourite companion. Then I looked at myself in the mirror. Oh. Well. That would do it, wouldn’t it?)

Then, there is projection, and, again, this is a neutral statement. Projection exists, and it is completely normal and, dare I say it, valid way of engaging with — well, anything. Is the character queer? Trans? Neurodivergent? Are they in love? Do they like chocolate? Are they a cat person? Well, yes, if this is what the text says, but if the text does not say anything… You tell me. Please, do tell me. Because, in that moment of projection, they are yours.

And then, there is fandom osmosis, and that is the most fascinating one of them all, the one that is not very easy to note while you are inside the echo chamber. It’s the way we collectively, consciously or not, make decisions on who or what the characters are, what their relationships are, and what happens to them.

(Back when I was writing egregiously long Guardian recaps on this blog I actually asked if Shen Wei’s power being learning actually was stated anywhere in the canon of the show. Because I had no idea. I have read and reread dozen of fanfics where that is the case, and at some point through enough repetition, it became reality.)

We are all kind of making our own reality here, aren’t we?

Back when things were happening in a much less centralised manner - in closed livejournal groups, and forums of all shapes and sizes - I don’t remember there being quite as much universally agreed upon fanon. Frankly, I don’t remember much of universally agreed upon anything. But now, everything is in one place: we have this, and we have AO3, and it’s wonderful, it really is so much easier to navigate, but it’s also one gigantic reality-shifting echo chamber, with blogs, reblogs, trends, and rituals.

Accessibility plays its part, too. If you were, say, in Life on Mars (UK) fandom between seasons, and you wanted to post your speculation fic, you had to have had an account, and then find and gain access to one of the bigger groups (lifein1973 was my poison, but ymmv), and then, if you feel brave you may post it, but also, you may want to do so from your alt account if you wanted to keep yours separate, and then you would have to go through the whole process again. And I’m not saying that fan creations then were somehow inherently better for it than fan creations now (although Life on Mars Hiatus Era is perhaps a bad example - because some of the Speculation Fic there was breathtaking), but there is something to say about the ease of access that made the fandoms go through a big bang of sorts.

(I mean, come on, I can just come here and post this - and I am certain people will read it, and this blog is a pandemic cope baby about Chinese television for goodness sake.)

The canon transformations that happen in the fandom echo chamber truly are fascinating to witness as someone who is more or less a fandom butterfly. I get into something, float around for a bit, then get into something else and move on. I might come back eventually when the need arises, but I don’t sustain a hiatus mind-state. This means that when I float away and return, I find some very intriguing stuff.

Let’s actually look at Good Omens here. Season two aired, and I found it spectacular in its cosy and anguished way; deliberately and intelligently fanfic-y in its plot building; simple but subversive, and so very tender. (I will have to circle back to this eventually, because, truly, I love how deliberately it takes the tropes and shatters them - it’s glorious). And, to me - a person who read the book, watched the first season, hung around AO3 for a few weeks and moved on - absolutely on-point in terms of characterisation.

So imagine my surprise when the fandom disagreed so vehemently that there are actual multi-tiered theories on how characters were not in possession of their senses. Nothing there, in my mind, ever contradicted any of the stated text, as it stood. This remained a strange little mystery until I did what I always do when I flutter close to an ongoing fandom.

I loaded AO3 and sorted the existing fic by popularity. And there it was, all there: the actual earth-shattering mutual devotion of the angel and the demon; willingness to Fall; openness and long heart-aching confession speeches. There was all of the fanon surrounding Aziraphale and Crowley, which, to me, read as out of character, and to one for whom they became the reality over the last four years, read as truth.

Again, only neutral statements here. This is not a bad thing, and neither this is a good thing, this is just something that happens, after a while, especially when there are years for the fandom-born ideas to bounce around and stew. I can’t help but think that so much of what we see as real in spaces such as this one is a chimaera of the actual source and all the collective fan additions which had time and space to grow, change, develop, and inspire, reverberating over and over again, until the echoes fill the entirety of the space.

Eventually, this chimaera becomes a reality.

Part two. Microanalysis

Here are my two suppositions on the matter:

1. Some writers really love breadcrumb storytelling.

Russel T Davies, for instance, on his run of Doctor Who (and, if you are reading it much later - I do mean the original one), loved that technique for his seasonal arcs. What is a Bad Wolf? Who is Harold Saxon? Well, you can watch very very carefully, make a theory, and see it proven right or wrong by the end of the season.

Naturally, mystery box writers are all about breadcrumb storytelling: your Losts and your Westworlds are all about giving you snippets to get your brain firing, almost challenging you to figure things out just ahead of the reveal.

2. We, as humans, love breadcrumbs.

And why wouldn’t we? Breadcrumbs are delicious. They are, however, a seasoning, or a coating. They are not the meal.

Too much metaphor?

Let’s unpack it and start from the beginning.

Pattern recognition colours every aspect of our lives, and it colours the way we view art to a great extent. I think we truly underestimate how much it’s influenced by our lived experiences.

If you are, broadly speaking, living somewhere in Western/North-Western Europe in the 14th century, and you see a painting in which there is a very very large figure surrounded by some smaller figures and holding really tiny figures, you may know absolutely nothing about who those figures are, but you know that the big figure is the Important One, and the small ones are Less Important Ones, and the tiny ones are In Their Care. You know where your reverence would lie, looking at this picture. And, I imagine, as someone living in the 14th century, you may be inspired to a sense of awe looking at this composition, because in the world you live in, this is how art works.

If you, on the other hand, watch a piece of recorded media and see the eyes of two characters meet as the violins swell, you know what you are being told at that moment. You don’t have to have a film degree to feel a sort of way when you see a green-tinged pallet used, when cross-cuts use juxtaposing images, or notice where your focus is pulled in any given shot. This stuff - this recognition of patterns - has been trained into us by the simple fact that we live in this time, on this planet, and we have been doing so long enough to have engaged recorded media for a period of time.

As humans, we notice things. Our brains flare up when they see something they recognise, and then we seek to find other similar details and form a bigger picture. This often happens unconsciously, but sometimes it does not. Sometimes we do it on purpose: finding breadcrumbs in stories is a little bit like solving a mystery. It allows us to stretch that brain muscle that puts two and two together. It makes us feel clever.

So yes, we love breadcrumbs, and, frankly, quite a lot of storytelling takes advantage of this. It’s very useful for foreshadowing, creating thematic coherence, or introducing narrative parallels and complexity. It’s useful for nudging the viewer into one or the other emotional direction, or to cue them into what will happen in the next moment, or what exactly is the one important detail they should pay attention to.

Because this is something media does intentionally, and something we pick up both consciously and not, it is very hard to know when to stop. We don't really ever know when all of the breadcrumbs have been collected. It becomes very easy to get carried away. There is a very specific kind of pleasure in digging into content frame by frame, soundbite by soundbite, chasing that pleasure of finding.

But it is almost never breadcrumbs all the way down. They are techniques to help us focus on the main event: the story. I truly believe those who make media want it to reach the widest possible audience, and that includes all of us who like to watch every single thing ever created with our Media Analysis Goggles on and those who are just here to enjoy the twists and turns of the story at the pace offered to them. And I think, sometimes in our chase to collect and understand every little clue we forget that media is not made to just cater for us.

One can call it missing a forest for the trees. But I would hate to mix my metaphors, so let’s call it missing a schnitzel for the breadcrumbs.

Part three. The Conspiracy Brain.

If you are there with me, in the midst of the excited frenzy, chasing after all those delicious breadcrumbs, then patterns can grow, merge together, and become all-encompassing theories. Let’s call them conspiracy theories, even though this is not what they truly are.

So, why do we believe in conspiracy theories?

One, Because We Have Been Lied To.

All conspiracies start with distrust.

If you are in fandom spaces - especially if you are in fandom spaces which revolve around a queer fictional couple - especially-especially if you have been in such spaces for a period of time, you have most certainly been lied to at one point or another.

We don’t even have to talk about Sherlock - and let’s not do that - but do you remember Merlin? Because I remember Merlin. Specifically, I remember the publicity surrounding the first season, with its weaponised usage of “bromance” and assertions that this whole thing is a love story of sorts, and then the daunting realisation that this was all a stunt, deliberately orchestrated to gather viewership.

And, because we were lied to in such a deliberate manner for such an extensive period of time, I genuinely believe that it forever altered our pattern recognition habits, because what was this if not encouragement to read into things? Now we are trained to read between the lines or see little cries for help where they might not be. Because we were told, over and over again, that we should.

(Yes, I think we are all existing in these spaces coloured by the trauma of queer-bating. I am, however, looking forward to a world where I can unlearn all of that.)

Two, Cognitive Dissonance.

The chain reaction works a bit like this: the world is wrong - it can’t possibly be wrong by coincidence - this must be on purpose - someone is responsible for it.

Being Lied To is a preamble, but cognitive dissonance is where it all originates. In so many cross-fandom theories I have noticed a four-step process:

A) this is not good

B) this author could not have made a mistake

C) this must be done on purpose

D) here is why

(Funny thing is, I have been on the receiving end of the small conspiracy spiral, and it is a very interesting experience. Not relevant to this conversation is the fact that a lot of my job revolves around storytelling. What is relevant is that my hobbies also revolve around storytelling. And one of them is DnD. Now, imagine my genuine shock when one of the players I am currently writing a campaign for noticed a small detail that did not make a logical sense within the complexity of the world, and latched on to it as something clearly indicating some kind of a secret subplot. Their thinking process also went a bit like this: this detail is not a good piece of writing — this DM knows how to tell stories well — this is obviously there on purpose. It was not there on purpose. I created a clumsy shorthand. I erred, in that pesky manner humans tend to. And, seeing this entire thought process recited to me directly in the moment, I felt somewhere between flattered and mortified.)

This whole line of thinking, I think, exists on a knife’s edge between veneration and brutal criticism, relentlessly dissecting everything “wrong”, with a reverent “but this is deliberate” attached to it like a vice, because it is preferable to a simple conclusion that the author let you down, in one way or another.

Three, Intentionality

I believe that there is no right or wrong way of engaging with stories, regardless of their medium, and assuming no one gets hurt in the process. While in a strictly academic way, there is a “correct” way of reading (and reading into) media, we here are largely not academics but consumers; consumption is subjective.

However, this all changes when intentionality is ascribed.

The one I find particularly fascinating is the intentionality of “making it bad on purpose” because, as open-minded as I intend to always be, this just does not happen.

It certainly does not happen in long-form media. Even in the bread-crumb mystery box-type long-form media.

When television programs underdeliver, they also underperform, and then they get cancelled.

If all the elements of Westworld Season 4 that did not sit together in a completely satisfactory way were written deliberately as some sort of deconstruction for the final season to explore, then it failed because that final season will now never come.

(There will likely never be a Secret Fourth Episode.)

And look, I am not here to refute your theories. Creativity is fun, and theorising is fantastic.

But, perhaps, when the line of thought ventures into the “bad on purpose” territory, it could be recognised for what it is: disappointment and optimism, attempting to coexist in a single space. And I relate to that, I do, and I am sorry that there is even a need for this line of thinking. It’s always so incredibly disappointing that a creator you believed to be devoid of flaws makes something that does not hit in the way you hoped it would. It’s pretty heartbreaking.

Unfortunately, people make mistakes. We are all fallible that way.

Four, Wildfire.

Then, when the crumbs are found, a theory is crafted, and intentionality is ascribed, all that needs to happen is for it to catch on. And hey, what better place for it than this massive hollow funnel that we exist in, where thoughts, ideas and interpretations reverberate so much they become inextricable from the source material in collective consciousness.

Conspiracy theories create alternate realities, very much like we all do here.

So where are we now?

I am not here to tell you what is right and what is wrong; what is true, and what is not. We are all entitled to engage with anything we wish, in whichever way we wish to do it. This is not it, at all.

All I am saying is… listen.

Do you hear that echo?

I do.

#fandom thoughts #fanon #good omens #good omens 2 #bbc sherlock #merlin bbc #think piece #it's been years and I still have no idea how to tag #conspiracy theories #fandom content #all fandoms

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aethelwyneleigh27 · 16 days

Text

Toothache

How does one go "You're Too Sweet For Me" to "My Baby's Sweet As Can Be"?

Synopsis: Simon Riley finds himself stuck in a situation, growing feelings for his roommate who's so annoyingly caring, domestic, sweet and too good for him. What happens when he let's himself indulge in the sweetness rather than cage himself in the bitter life he's been told is the only one he's deserving of and the only life he's known?

Apologies to this mess of a lyricfic, I couldn't help it even though this was supposed to be a relationship analysis..

MEN WRITTEN BY ANA HUANG ARE GONNA BE THE DEATH OF ME. Alright back to our original programmed schedule with Hozier. ALSO SURPRISE! THIS CONTAINS 3 HOZIER SONGS as an apology for not posting these past two weeks due to me enjoying holidays, reading, prom dress picking and wanting to stab myself because of life, there's the added bonus 👀

My CoD Masterlist

My Simon Riley x You Playlist

Also reader in this one had a lot of characterization, she's me fr, so AFAB?Reader, Fem!Reader, Short!Reader, Reader is VERY feminine with fashion, soft-girl-sunshine!Reader and Chubby?Reader. Y'all have no idea how hard it is to write without a personality and physical intimacy in romance, I tried but failed 😭

Warnings and Disclaimers: Mentions and details on sexual content ahead (is this considered smut? Idk anymore). Not detailed smut but vivid memories of sexual intercourse (especially the dialogue) with Simon. Again, this is a safe account for all ages because I'm not a MDNI acc, you are responsible for your own media consumption. DO NOT GO ON MY DMS, INBOX OR REPLY TO MY CONTENT TO TELL ME YOUR AGE. I don't need to know that and let's strive to not make each other uncomfortable. Mentions of questioning of religion or rather belief on afterlife??

Pink, bold and italic: Lyrics

Italic: recalling past events

Little snippet of an image of how I imagined he'd hold you, courtesy of the one and only @ave661

"It can't be said I'm an early bird, it's 10 o'clock before I say a word. Baby, I can never tell, how do you sleep so well?"

Simon Riley was never a man to live the life he was taught to in the military, it was out of habit for him to not leave his room until around noon. Then there was you, his roommate, he didn't exactly calculate how much it would affect his personal life to save money through rent by willingly letting someone within the same living space.

He'd find himself with not even a wink of sleep, hearing your footsteps through the thin walls, hearing the lock on the windows outside click open.

"You kept telling me to live right, to go to bed before the daylight. But then you wake up from the sunrise."

He'd always hear you, quite frankly it was like nagging on the constant.

"Simon you shouldn't do that, you'll hurt yourself"

"Simon please go get some rest"

"Simon.."

He'd swear he'd rip his own ears out every time his name falls from your lips from how sweet and chirpy it sounded and yet deafening silence would consume him whenever you aren't around.

"You don't gotta pretended, Baby, now and then. Don't you just wanna wake up dark as a lake? Smellin' lika bonfire, lost in the haze?"

Something about you makes it so tempting for Simon to give in, I mean it would be a one time thing, wouldn't it? So soft, so pliant, he set himself up for an addiction. It wasn't healthy, he knew this, he'd convince himself of the fact that he would end up hurting you.

Just too different, it repeated like a mantra in his head. He was bitter, brooding and didn't find any sense of pleasure in living. Why'd you think he has the job he chose? It's all he knew, till you skip your way into his life, giving him the sweetness he was deprived of.

"If you're drunk on life babe, I think it's great. But while in this world, I think I'll take my whiskey neat"

Drowning himself in alcohol, a trait Simon promised himself he wouldn't ever do when he was young, setting his glass down with a small thud from the wooden table. But what would the kid version of him know about life. He didn't have healthier options of coping with what seems to be his dilemma.

But then there you were, sweet little thing coming home at the late hour in that skimpy dress of yours. Revealing too much to the eyes of those who wish to have you for themselves with just one look. Where did you go that night?

"My coffee black in my bed at three, you're too sweet for me"

Desperately trying to keep himself awake and at bay from his thoughts of you. Drowning himself in now two cups of straight black coffee to help him focus.

It was odd, you got used to the scent, was strong with a lack of sweetness but it calmed you down knowing he was around.

How he'd corrupt you, he wanted to shatter that rose tinted glasses of yours to save you from himself because being with him would change you. Selfish but he doesn't want that, you were utter perfection..

Simon further delved into his feelings, what the fuck was wrong with him?

"I aim low. I aim true, and the ground's where I go. I work late where I'm free from the phone and the job gets done"

Grumbling, Simon walks back into the apartment in the middle of the night. You heard a thud, you come out of your bedroom, yawing from you incomplete sleep.

"Si..? Are you hurt? What happened?" You asked in a soft tone, careful not to agitate someone would could possibly be pissed off.

Simon stays silent, glaring at you as his eyes was only thing visible because of his balaclava. Your soft gaze intimidated him, because why would he feel that squeeze in his heart?

"But you worry some, I know but who wants to live forever, babe? You treat your mouth as if it's Heaven's gate. The rest of you like you're the TSA, I wish I could go along Babe, don't get me wrong..."

The only thing Simon heard was a sigh from you and nothing more, you walk up to him, each footstep feeling louder than that last.

Something Simon didn't expect you to do was wrap you arms around his waist, tiny thing you are that your head only goes up to his chest. Your body against his, basking in the warmth in contrast to the cold weather he had to deal with coming home.

"You know you're bright as the morning, as soft as the rain, pretty as a vine, as sweet as a grape. If you can sit in a barrel maybe I'll wait, until that day.."

You took care of him that night, to his reluctance and stubbornness. Despite refusing, he had no choice, he wouldn't want a soft thing like you on his ear the whole night till he agrees. You were persuasive in your own irritating way.

Sitting on the edge of the tub of the warm bath he's in, washcloth in hand. Touch was so gentle, why was it so soft? Why's it so warm? "It's the water you fucking idiot" his subconscious screaming at him. In denial.

Why is his heart beating so fast..? He wants to stab it to stop the feeling..

"I'd rather take my whiskey neat, my coffee black and my bed at three. You're too sweet for me"

Using both your hands this time around, one gently holding his chin with your fingers while the other wiping away at the eyeblack he had. Every scar on his face felt the graze of your finger.

The slow blinks, your eyes on his. Before any conscious thoughts consume Simon, he lifts his arms from the warm water and wraps them around you.

Your nightgown was now damp but you couldn't care less, now with the man you were pinning over, foreheads against the other.

"Si.." you softly whisper. That nickname will be the death of him, you'll be the death of him. He crashes his lips on yours, not wanting to let go till you both were panting. You were too fucking sweet, your lips, your skin, everything. He wanted a taste and he got it...

"My lover's got humor, she's the giggle at a funeral. Knows everybody's disapproval, I should've worshiped her sooner"

Another sleepless night wasn't uncommon for someone like Simon.. however this aching feeling wasn't, he doesn't know where it's from or what it's about. Not until he heard you in the kitchen, letting out a giggle even though you knew better.

"If the Heavens ever did speak, She's the last true mouthpiece. Every Sunday's getting more bleak. A fresh poison each week "We were born sick"

That sweet fucking voice, like the angels speaking to him themselves. "Oh- I'm sorry Si, did I wake you up?" You asked, turning around to the sound of his footsteps.

That tiny nightdress of yours, a reminder of the night you spent together, that morning you slept in his bed.

Lashes beautifully displayed on the delicate skin of your under eyes. Soft noises while your chest was peacefully moving up and down with every breath.

"She tells me, "Worship in the bedroom". The only Heaven I'll be sent to, is when I'm alone with you I was born sick, but I love it Command me to be well. A, Amen, Amen, Amen"

"Simon.. Ahh~" you moan out softly, your body writhing underneath him. It felt hot, sweaty despite the well ventilated room, so intimate from something that was supposed to be the farthest thing from domestic.

"Shhh, you can take it sunshine.. You don't want the neighbors to hear us, do you?" Simon whispers, callous hand covering your mouth with as little pressure possible, you whimper at his words.

Closing your eyes to lose yourself in the pleasure you've never felt before. Your body being worshiped with gentle hands and soft kisses that leave marks by the very same man who kept distancing himself from you, now he'd stop at nothing for your pleasure.

"Take me to church, I'll worship like a dog at the shrine of your lies. I'll tell you my sins and you can sharpen your knife, offer me that deathless death. Good God, let me give you my life."

"Simon.. no more–" you whined. Scratching his back hard enough to leave marks without being aware, he'd always imagine what those pretty pink nails could do to him.

"Just one more, please sunshine.. you remember our safe word right?" Simon asks for you to nod softly, you didn't have energy to take anymore. "I told you I'll make you feel good, didn't I? So be a good girl for me and take it, hmm?"

Your eyes roll back at his praise, your legs shake with one after another wave of pleasure running through your body. This man was starved.. insatiable.. who would be able to resist such a request? Not you.

"If I'm a pagan of the good times, my lover's the sunlight to keep the Goddess on my side. She demands a sacrifice, drain the whole sea, get something shiny"

It took everything in Simon not to worship the ground you walked on that night, he wasn't trying very hard, was he? Because always.. at the end of the night, you're in his bed, his mind, his life.

Was it really a sin? To want something you don't deserve? Simon stayed up that whole night, not a wink of sleep while thinking of whether this arrangement should continue. Every bone and organ in his body telling him to be selfish, take what was something that wasn't his to take.

"Something meaty for the main course, that's a fine looking high horse. What you got in the stable? We've a lot of starving faithful that looks tasty, that looks plenty, this is hungry work"

Simon's gaze, never faltering on your sleeping figure that he refuses to go anywhere but his own arms. He tries to close his eye to compose himself, free himself from the emotions you emit from him.

His efforts were to no use, all he saw was the image of you, sweetly smiling, those doe eye staring right through his soul.

"No masters or kings when the ritual begins. There is no sweeter innocence than our gentle sin In the madness, in the soil of that sad earthly scene. Only then I am human, only then I am clean"

You were getting too close for your own good, Simon knew that, he'll be damned if he let's himself hurt you. So he does what any stupid man would do, avoid you like the plague. Did it mean nothing? Were you just some fling, never to be talked about again?

Fuck you Simon Riley, he made you feel loved in bed like no man ever has or ever will, completely ruining your chance of ever thinking of anything else and that was just a hook-up session? Maybe this one time you can let yourself be delusional, was there really something more? Only one way to find out.

"Oh, oh, Amen, Amen, Amen, Take me to church, I'll worship like a dog at the shrine of your lies. I'll tell you my sins and you can sharpen your knife, offer me that deathless death. Good God, let me give you my life"

You caught him, fucking finally, after days of waiting and trying to get him at the perfect time. "Si.." you whispered softly, you didn't know where to start. He took a quick glance at you before looking back at what he was doing.

"Simon Riley, don't fucking ignore me. Not after everything that happened those nights" You said, it was stern but he needed to hear it. It made him stop, think about what had happened.

Before he could generate a response, "Why?" You asked. It was a vague question, why was he ignoring you? Why does he feel this way? Why does he love you yet refuse to act on it?

"Take me to church, I'll worship like a dog at the shrine of your lies. I'll tell you my sins and you can sharpen your knife, offer me that deathless death. Good God, let me give you my life.."

"You don't deserve a man like me, you deserve one who is like you, optimistic, sweet, fucking beautiful and alive.. A man who's not damaged, scarred, has blood on his hands and haunted by his past. A man who's not afraid to show his love for you. A man who won't put his burdens on your shoulders and a man who will take care of you instead of the other way around. That's what you deserve and I can't give that"

Everything felt like it came to a stop, were you hearing that right?

"You have no idea how much you contradict yourself, Si. How are you so sure that you haven't given those things to me already? You might not be like me but "like me" isn't what I want.. I want you, every flaw, every beautiful scar. Not once before your silent treatment have you hurt me, it's frustrating yes, but you are worthy of that. Every struggle, frustration and mistake, every bit of your love is worth all of that. I want you to see that Si, your actual true worth rather than what some psychotic fucker decided to torture you with"

"Boys, workin' on empty. Is that the kinda way to face the burning heat? I just think about my baby, I'm so full of love I could barely eat"

"Si?"

"Yes, Sunshine?"

"I love you" You whispered after smothering him in a plethora of kisses. Never has anything made Simon melt more in his life than his wife say that. Doesn't matter how long it's been, how much the both of you have been through or how much frustration the both of you were going through..

It will always stay the same, the feeling those three words give him, like the first time, every moment feels that way. Familiar, finally.. Home.

"There's nothing sweeter than my baby I'd never want once from the cherry tree. 'Cause my baby's sweet as can be, she give me toothaches just from kissin' me"

He always thought about how unfaithfulness was such a struggle between some people, he thought about how good he has it constantly, reflecting back on what he used to have to how now this is something he never thought he'd have or deserve.

"When my time comes around, lay me gently in the cold, dark earth. No grave can hold my body down, I'll crawl home to her"

When a man finds himself in the verge of embracing death's arms, what causes the struggle? What causes him to fight that pain, to keep on going? Not once has this crossed Ghost's mind.

No. He's not Ghost, he's Simon. Your Simon.

And you're expecting your Simon home, fuck everything else, he'll give the biggest "fuck you" to death itself and crawl home to you because he'll be damned and he'll experience everything he has in his life over and over again just to hold you again.

"Boys, when my baby found me I was three days on a drunken sin, I woke with her walls around me. Nothin' in her room but an empty crib and I was burnin' up a fever I didn't care much how long I lived, but I swear I thought I dreamed her. She never asked me once about the wrong I did."

It should matter, the amount of blood on his hands. Not once did you judge him for it, what the fuck was wrong with you? Giving a monster such as him a bath like he was some innocent stray kitten, although this time around it was far more messy. The dried blood caked underneath his finger nails.

Flashing him a tired smile while you wiped off the blood that made the water in the tub a hue of brownish-red. Taking your hand in his, his lips brushing against your knuckles. The way you looked at him was enough to make him cry.

"When my time comes around, lay me gently in the cold, dark earth. No grave can hold my body down, I'll crawl home to her"

"Fucking get up" Simon repeats to himself, "She needs you, she loves you" despite how many times he's convinced himself you didn't due to the voice of his father in his head, it felt like a knife twisting in his heart imagining how it would be for you without him.

How much you cried the night he came home a day later, you told him yourself, practically sobbing while clutching your aching chest and him with your other arm how you weren't ready for Price to show up at your doorsteps holding Simon's belongings.

He won't let that happen.. he can't...

"My babe would never fret none, about what my hands and my body done. If the Lord don't forgive me, I'd still have my baby and my babe would have me"

Simon knew it, no one would ever love him like you do. No one would show him the same acceptance, devotion, care, concern and love. It wasn't healthy to be so attached dependently to someone in love.

He couldn't help it, it felt so right, everything with you did. Never a judgmental one, at least towards him. Always first to hold him, the first to ever take away the heavy guilt that weighed his heart and shoulders down after he'd done something he knows he'll go to hell for, if it's even real

"When I was kissing on my baby and she put her love down soft and sweet In the low lamplight I was free. Heaven and hell were words to me"

Every inch was kissed, not a part wasn't worshiped. "So fuckin' beautiful, so sweet. All for me, hmm?" Simon mumbled against your skin, suckling on the soft sweetness that he so claims. All hickeys, no bruises.

Fuck, he'd not just survive but thrive on just you. No other sustenance, your supple thighs he adores to cover in purple, your neck, your lips and your skin that he often compares to sugar syrup in his head.

"When my time comes around, lay me gently in the cold, dark earth. No grave can hold my body down I'll crawl home to her"

The question was, was it worth it to live an eternity of lifetimes filled with suffer to be with you in at least once? The only answer to ever graze Simon Riley's lips was the word "yes", the day that changes is the day that he'd be the biggest bull-shiter the world has ever known.

Simon opened the door to your shared home, "Daddy!" A loud squeal wakes him up from his dread of what he's seen on the field.

"How's my little sunshine been? 'Ave you been good to your momma while I was gone?" Simon asked, carrying the little girl in his arms.

"Yes! Momma said we'd go to the park tomorrow as a reward for me helping out!" Little one saying it so proudly, Simon couldn't help but smile, beaming with pride as his little girl grows up to be what he recognizes as a good person.

"Simon..? You're finally home, I missed you so much" You said, peeking out the laundry room. You walked out, quick to give him a peck on the lips.

"I love you Si.."

"I love you too Sunshine"

Also this is a very long fic.. I expect long feedback.. @connorsui 👀

Does this make sense? Idk anymore it's like almost midnight and I'm running on a few hours of sleep. GOD MY PROM DRESS LOOKS SO GOOD, I CAN'T WAIT.

Taglist: @wishesforyou @puff0o0 @simping4konig @simp4konig @blingblong55 @azereus @rustic-guitar-notes @shadofireshinobi @thelightdjinnofpalestine @09maruchan @anonymuslydumb @skeletalgoats @icarustypicalfall @ghosts-cyphera @fawnchives @connorsui @capuccino192 @miss-gms-and-the-rotten-womb @celestialhole @the-second-sage @starryylies @everlastingmoonlightsworld @keiva1000 @iexiam @drewsmusee @konigceo

Trying out new dividers as well by @anitalenia

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greynatomy · 3 months

Text

too late

alexia putellas x reader

i know nothing about medical stuff except for the ones i’ve watched on grey’s anatomy

happy valentine’s day i guess

request here

———

The echoes of the heated argument lingered in the air as you paced around your living room. The tension between you and Alexia had reached a breaking point and you have no idea what to do next.

Alexia had left you alone in this big house — which isn’t really anything new — to god knows where. The trophies and medals that lined the shelves, displaying the accomplishments of your longtime partner, stares back at you like souvenirs.

Photographs covering the walls, showing the memories of the love she once held for you. Your fingers tracing the edges of the frame, heart heavy with doubt and sadness.

‘Where did I go wrong?’ You asked yourself.

That was almost three months ago. She had apologized and promised to make changes. The first week was a bliss. She’d wake you up with breakfast in bed, leaving breakfast in the kitchen when she had early training. Random dates throughout the week. You were living the dream.

Then, she won the world cup.

Interview after interview. Appearance after appearance. She was away more times than home. You don’t quite remember the last time you’d both slept in the same bed and woken up together.

—

It was Friday and you were in the kitchen waiting for Alexia to come home from training. You’ve cooked her favorite meal that Eli had taught you to make. You told her you had something to talk to her about so you hoped this meal could lighten the mood a bit.

Thirty minutes had passed so you thought she was just running a bit late.

Then an hour passed.

Another hour after that.

You’ve put away all of the food and prepared a plate for when she gets home to just reheat. Changing into your pajamas, you lounge around in the living room and check your phone. Right when you open up your social media, you were met with videos of your girlfriend and her team at a club.

You try to remember if Alexia had told you if she was going anywhere after practice, but she didn’t.

‘She probably just forgot.’

Hours later, Alexia came home to find you asleep on the couch. She stumbles into the bedroom and knocks out.

—

You’re at home in bed, staring into nothingness. You couldn’t do anything. At least not the things you used to be able to do. Even breathing became difficult.

Alexia was out so much she never noticed how much you’ve changed, how different you looked. She barely spared you a glance. When you do catch Alexia at home, she’s already asleep. You barely notice though because she’s been sleeping in the spare bedroom.

You slowly walk to the kitchen, steadying yourself against the walls. Grabbing a glass, you start to fill it with water when all of a sudden your vision starts going in and out.

Collapsing to the floor, darkness consumes you.

—

“Can I talk to you for a moment?” You ask as Alexia walked through the front door.

“I’m not even fully through the door and you’re already asking me to do things?”

“It won’t take long. It’s just something I have to tell—”

“Ay dios mío! I’m hungover and I just want to sleep. Talk to me tomorrow.”

Alexia walks away to the spare bedroom, knocking out instantly.

—

Alexia is at Mapi and Ingrid’s place with the rest of the team for team bonding. Alexia had an arm around one of Mapi’s friends that she invited over, the girl practically in her lap.

“Hey, Ale! Where’s the missus? Didn’t want to come today?” Mapi questions taking a seat next to Ingrid.

“Ooh, yeah! I miss Y/N, how is she doing?” Pina asks, the girl saw you as a big sister.

Alexia tenses, not knowing why. The girl on her shoves her arm off of her, moving to a different seat making Alexia frown in disappointment.

“Uh, she’s just at home probably. I don’t know?” She shrugs.

“What do you mean you don’t know?” Mapi asks, eyebrows furrowed. “You were with her yesterday.”

“I was?” Alexia was confused because she definitely wasn’t. She was at some girl’s pla— her eyes widen. “I was! Yeah. She didn’t feel that well so she wanted to stay home. Yeah.”

Mapi and Ingrid share a look but drops the subject.

The team bonding became crazier that it was supposed to be. People were tipsy and Mapi was surprised they haven’t been yelled at by the neighbors yet.

“Alright.” Mapi stands up, catching everyone’s attention. “Me and Ingrid are going to run to the store, grab a couple things cause we’re running low.”

Everyone bid them goodbye, Ingrid following behind her girlfriend.

“We’re not running low on anything.” Ingrid states as Mapi starts driving.

“No, I just needed an excuse.”

“Excuse for what.”

“To check on Y/N.”

“She’s not home though. Told us herself.”

“Yeah, but it doesn’t hurt to check. And we both know damn well Ale wasn’t with her yesterday.”

Arriving to yours and Alexia’s house, they knock on the door. Not getting a response, they try again, no response.

“Hey, Y/N? Are you home? It’s Mapi and Ingrid.”

After a couple of minutes with no response, Mapi uses the spare key she was given a long time ago. Stepping inside, it was quiet. The place was clean, almost too clean. It didn’t look like someone had lived in the place at all with how clean it looked.

Walking further in, Ingrid looks into the kitchen, finding a glass shattered on the floor. Walking around the kitchen island was a sight she didn’t want to see.

“Oh my god, María!” She immediately lays you on your back, placing two fingers on your neck. “There’s no pulse! Call the ambulance!” She starts slapping your face lightly, hoping to wake you up. “C’mon, Y/N. Open those eyes for me.”

“Here. Move.” Mapi pushes Ingrid away, handing her the phone. “You call for them. Wake up, Y/N. Don’t go yet.” She starts CPR, tears start flowing from her eyes, some dripping onto your face. “C’mon! Just wake up, damn it!”

Mapi doesn’t know how long she’s been doing CPR, but paramedics rush into the house, taking over. Ingrid pulls her into her arms where they break down, missing the looks that the paramedics gave each other.

They drive close behind as the ambulance speeds through the streets of Barcelona. Arriving at the hospital, Ingrid doesn’t bother to turn the car off, rushing to where you were being unloaded.

“What do we got?” Doctors rush out to the ambulance.

The paramedics just give a look to the doctors who immediately understand.

“Time of death…”

“Wait! What do you mean time of death? She-she’s fine right?”

“What’s your relationship to…”

“Y/N.”

“Y/N. What’s your relationship to Y/N?”

“She’s my friend and I need to know what’s happened.”

“I’m sorry. I can’t give out any information, but I saw she has a wedding ring on. Can you contact her husband?”

“Wife. She has a wife.”

“Okay, can you contact her wife for us?”

Ingrid is the one to make the call. Mapi watches as they roll you inside the hospital.

“She’s on her way.”

Ten minutes later, Alexia arrives to the hospital, walking to where Ingrid and Mapi were now sitting at the waiting room.

“What happened?”

“I don’t know. They won’t tell us but they’ll tell you cause you’re her wife.”

“Y/N Putellas. I-I’m her wife and I need to see her.” Alexia asks, no demands when she goes up to the nurse’s counter.

“Mrs. Putellas. I can take you to her body.”

“Body? What-what do you mean body.”

“Just follow me.”

Walking into the room, a bed is seen in the middle of the room, a white sheet covering it.

“What’s this?”

Alexia walks up to the bed, hand hovering over the white sheet.

“Take your time.”

The nurse carefully pulls the top part of the white sheet to reveal someone — you.

“Oh my god.” Alexia gasps, not expecting to see you in this state. Mapi turns around in Ingrid’s hold, hiding her face in her chest, Ingrid also looking away. “What happened?”

“I can help with that.”

Turning towards the door, a doctor stood just outside.

“May I come in?” Not waiting for a response, he walks right in. He walks towards where your lay, staring at your features. “Mrs. Putellas lived longer than I expected.”

“Okay, can we stop being so criptic and just tell me what’s going on?” Alexia was losing patience. She has no clue what’s happening. She was having a great time and now she sees her wife lying dead right in front of her.

“Y/N Putellas, age twenty-eight, was diagnosed with stage four cancer three months ago. There was nothing that could be done as it was caught very late. All we could have done was make sure she was comfortable.”

“But she refused to be admitted into the hospital to make sure that she was still at home for her wife, no matter how much I protested.” A new voice was heard by the door. Your sister. “Her wife that leaves when she’s still sleeping. Her wife who would rather be out partying than notice how sick she was, fighting for her life. Her wife that doesn’t fucking love her!”

Your sister was now face to face with Alexia, finger stabbing her chest.

“No, no, no.” Alexia mumbles. “That- that’s not true. I love her. I do! Why didn’t she tell me?”

“She tried to.” Your sister stated, voice now void of emotion. “She tried and you brushed her off.”

“Why didn’t she tell me?” Mapi spoke up for the first time in a while.

“Because it didn’t feel important anymore after the many times that Alexia brushed it off.”

“She visited us just three days ago. She was fine.”

“She wasn’t. I think she knew she didn’t have much time left, so she had me drive her around so she can say her goodbyes.”

—

“Alright. Last house.” Your sister stated as she parked the car by the curb.

“Yeah.” You exit the car, slowly making your way to the front door. After knocking on the door, you take a step back. The door opens revealing Mapi.

“Hey, Y/N! What brings you by?”

“Uh, nothing. Is Ingrid here by any chance?”

“Yeah, let me call her. Ingrid!”

Ingrid stands next to Mapi.

“No need to shout. Hey, Y/N. What’s up?”

“Uh, well.” You clear your throat in anxiousness. “I’m gonna go somewhere in a couple of days and just wanted to see you both before I go.”

“Oh? Where are you going?”

“Just- just to take some time for myself.”

“Well, I hope you have fun wherever it is you’re going.”

You give them a smile. “Thank you.” As they were closing the door, you push it back open, wrapping your arms around Mapi tightly. Your breathing is ragged and you can feel the tears forming in your eyes. “You’re my best friend and you know that I love you right?”

Taken aback, she wraps her arms around you in return. “Yeah, you’re my best friend and I love you too.”

“You too Ingrid.” You now wrap your arms around her. “I’ll miss you both.” You step away, walking back down the driveway, giving them one last smile.

The couple don’t think much about the weird interaction, closing the door as they watched your car drive away.

—

Mapi and Ingrid broke down even more, now knowing that your goodbye was the goodbye.

“Tried to say goodbye to you too, but you were nowhere to be found.” You sister shrugged, getting tired of speaking to Alexia now.

“Why don’t you look depressed?”

“I’ve got to spend my time with her. I’ve had time to prepare for the inevitable.” Giving them all a face, she moves to stand where you laid. “I’m gonna talk to whoever about the arrangements and stuff, I’ll leave you guys alone.”

Seeing how Alexia was unable to take her eyes off of you, Mapi and Ingrid decide to give her some time, leaving the room and closing the door behind them. Now all along, Alexia hesitantly steps up next to your bed, hand hovering over yours.

In the dimly lit room, her voice shaky as she uttered, “I don’t even know where to begin. I don’t know if you can hear me, see me, but I never thought I’d see you like this. I never thought I’d hurt you like this.”

She grasps at your hand, squeezing it to stop the tears from streaming down her face.

“I’m too late. Too late. I never realized how good I had it and I see it now. You are— were the best part of me and I was too blind to see it. I took you for granted and I can’t apologize for it.”

The room remained silent, save for the soft hum of chatter outside. Alexia’s heart pounded, waiting for a response that she would never get. Bending down, she gives your forehead a kiss, letting her lips linger for just a moment.

“I’m sorry and I love you.” She whispered before exiting the room.

Arriving at home, Alexia’s emotions finally hit all at once. She couldn’t step any further away from the front door. She couldn’t hold back the tears any longer. The weight of her emotions become too much and the dam finally broke inside of her. Silent sobs racked her body as the vulnerability she had hidden so well crumbled away.

As the tears cascaded down her cheeks, memories of lost moments and shattered dreams replayed in her mind like a haunting film. Each drop carried the weight of unspoken words and broken promises, a wretched reminder of a love that once felt invincible.

The scars on her heart remained, the permanence of lost loves carved onto it, wondering how to face another day haunted by the ghosts of what could have been.

#woso x reader #woso #greynatomy #woso imagines #woso imagine #woso community #fcb femeni #alexia putellas #alexia putellas x reader

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stardustizuku · 2 months

Text

Unfortunately I came across a very strange and misinformed video about Black Butler.

It’s not good. Don’t watch it. Unless you wanna ruin your day, in which case have fun.

Despite it all, I watched it. What left me wondering, however, was how off the mark the person who made the video was on, well, everything.

From their insistence that the Book of Circus Arc theme or point is non existent, to reading Ciel’s character so badly they genuinely thought the Green Witch Arc did nothing for his character development.

While baffled, it also made me think on how someone could read Black Butler so badly.

Sure, you can say that there’s no real way to read or interpret something “in the wrong way” but interpreting The Hunger Games as a pure battle-royale action story would make you believe it’s bad.

“Why are we focusing so much on how the capitol preps them?” Or “Why isn’t Katniss winning everything?” Or “I wanna know more about the rebellion” All questions that miss the actual point of the story - which is criticizing (not solving or ignoring) the way that media distracts us from violence via spectacle.

The same thing applies here. While there is no “right” way to consume media, there’s things that the author makes clear they wanna focus when creating a story. Things that, if you understand, make the story you’re reading actually make sense.

And in Black Butler there’s three things that you have to understand to properly get what Yana is saying.

Sebastian is the protagonist

Ciel and Sebastian’s relationship IS the story.

And that relationship is, fundamentally, a positive one.

A quicker version of it would be:

Black Butler is a love story from the POV of Sebastian, and you have to ship it to get it

- but that’s not entirely true.

You can still look at it as a complex but ultimately positive rship and get in broad strokes of what it’s conveying. It doesn’t have to be romantic. Although, it helps much more than a platonic framing.

(That said, interpreting their rship as father and son, still isn’t the best way to go about it. Mostly because by its very nature of “soul consuming” their relationship is extremely sexually charged. And hey, if you’re into that I don’t judge. However, if you’re desperately trying to interpret their rship as NOT romantic to the point you fall back on heteronormative patriarchal ideals of nuclear familiar as framing device, I don’t think this interpretation bodes with you)

Now, having all that ground work:

Why do I say these are the key components to understand BB?

Okay so, first,

1. Sebastian is the Main Character. The protagonist.

There’s a lot of people who wanna argue against it, claiming he’s either the villain or the antagonist. Both wrong.

He does not function as an antagonist. Even if, and an emphasis on if, you consider Ciel to the protagonist, Sebastian isn’t a narrative antagonist.

If you wanna go back to Creative Writing 101, be my guest. An antagonist is directly defined by the protagonist. It’s the opposing force. If the protagonist wants A, the antagonist wants to stop them from getting A.

Sebastian’s catchphrase is “Yes, my Lord”. He never opposes Ciel, in fact quite the contrary. By the mere fact they’ve created contract, it means that they’ve both agreed in the inevitable outcome.

People want to frame Sebastian as the villain, because Ciel having his soul taken by a demon, would be a BAD END in the context of their moral compass. They see Ciel as a frail victim of abuse, who’s being tricked by Sebastian, who wants Ciel’s soul.

Which is an. Interpretation. A bad one. But still one.

The narrative (and whether the narrative fits your personal moral compass and lack of critical thinking is irrelevant) treats Ciel as an agent in his own destiny. The abuse he suffered was the moment in which he had no control. It’s only after he meets Sebastian that he can rid of both his guilt and his despair, and do what he wants.

In this case though, it’s revenge.

The famous “Asthma” scene shows this. If Ciel is taken back to his past, he becomes helpless. Swarmed with pain and memories that make it so that he can’t even react. Sebastian is his saving grace. If Ciel didn’t have him, and the power he wields to rebuilt what’s broken, he would crumble once more.

If Ciel has a panic attack, because of all the pain he has, Sebastian picks him up and says “you are not a helpless child anymore, you are not a victim anymore, you have the power to do anything. So, what do you wanna do?”

Ciel’s answer is to kill them.

A proper analogy would be to say that, if Sebastian offers a gun, Ciel pulls the trigger. They are both at fault. Sebastian, strictly speaking, is not here to directly cause Ciel’s downfall, but as a tool Ciel uses to plunge into the abyss.

If, again if, you were to frame Ciel as a protagonist, Sebastian falls closer to the “Voice of reason” character. Not a literal voice of reason, but a literary one. If you have a protagonist and an antagonist exchanging ideals, the Voice of Reason serves to engage with the protagonist on their own ideals.

That said, Ciel isn’t the protagonist. The story quickly falls apart if you interpret it as such.

Things such as Ciel’s character arc being…shall I say odd?

It’s not that his character arc isn’t there, but it’s never lineal. His goals stay the same, the only thing that happens is that we start to peel back the “why”s of his goals. Throughout the series it’s never about Ciel understanding himself better, he knows who he is, he knows what he wants, he knows why he wants it. He doesn’t ever need to uncover these, but simply remember them. Because it’s always about the audience understanding Ciel.

He knows he wants revenge.

In the Circus Arc: He knows that he needs Sebastian because without him, the pain of the abuse he suffered would be too much to bear. But WE are introduced to it.

In the Book of Atlantis: He knows that with this new lease he does not want happiness and peace, he wants revenge. The one being told this is the audience.

In Green Witch Arc: He knows that their revenge isn’t for his family, the real Ciel or guilt. It’s because he wants it. He’s angry, he’s upset, and this is entirely for him. The one being told this is the audience.

Except. Not really. The one either discovering or remembering these key moments - is always Sebastian.

Sebastian is the one who reassures him that he now holds the power of a demon to override the pain. Sebastian is the one who remembers that to override that pain, Ciel wants revenge. And Sebastian is the one who discovers that that revenge isn’t built out of grief or guilt, but for himself.

We are witnessing it all, through the eyes of Sebastian.

This is why we have an extremely vague idea of who Ciel is, Sebastian does not have the whole picture.

If you haven’t been reading this manga with your eyes closed, you’ll realize we have a better grasp at Sebastian’s character than that of Ciel. We get a lot of insight on how he thinks and what he values through light hearted dialogue he has with the servants. You even see the character development in these little interactions.

Think about how when he first arrived to the mansion he magically created food with no regards to taste, but when he meets Bard he states that food is created to see whoever will eat it, smile.

That is character development, more than you will be able to see from Ciel.

Because Ciel’s character, while not static, doesn’t go from point A to point B. Mostly, cause it doesn’t need to. He went through that when he lost the real Ciel and got Sebastian. Everything we are watching is the falling out.

Now, given the fact that I’ve told you that it makes more sense for Sebastian to be the protagonist/main character, and that he 100% isn’t either a villain or antagonist in ANY of the interpretations you can get:

Do you believe me?

If you don’t, you’ll probably believe Yana herself.

This is from the first Volume, where Yana herself describes the process of making Black Butler. The primary idea behind the creation of BB was a butler as a “hero”.

If you go back to the introductory chapter, you notice that Ciel is barely mentioned. He’s simply the one to give Sebastian impossible tasks and standards that Sebastian must find how to overcome.

Ciel is properly introduced until the NEXT chapter. The second chapter has this formula too, introducing Lizzie as a problem to overcome. Although, to Sebastian the best way to “get rid of the problem” is simply to indulge her.

The issue here being that the problem isn’t as simple as a business meeting but something directly tied to Ciel and Ciel’s past. Each time that Sebastian has to solve a problem, it chips away at Ciel. While with Lizzie he shows a persona, once he’s alone with Sebastian he acknowledges the toll it took on him. It serves to build Ciel as Sebastian’s master, and how some problems aren’t as simple as discarding a tablecloth.

The third and the fourth, are a unified narrative, with a similar premise to the first chapter. Ciel gets kidnapped and Sebastian must find a way to retrieve him without raising suspicions.

If the first chapter is to set up what Sebastian must do as a butler, the third and the fourth serve to set up what he must do as a demon.

The entirety of the volume, and up to Book of Circus Arc, is about how Sebastian tries to follow the increasingly absurd orders that Ciel has - it is not about Ciel trying to solve them.

That’s how they work, we follow Sebastian for the most part, because he’s the one having to come up with the solutions.

If anything, in early Kuro, where the emphasis was more on a slice of life conflict, Ciel is the antagonist. He’s the one creating problems for Sebastian to solve.

What’s more, in the second volume, the very first chapter is one from Sebastian’s POV. So far, we hadn’t gotten an entire chapter from Ciel’s POV. In fact, I would find it hard to point to a single chapter where Ciel is the POV throughout. The reveal of real Ciel and the flashback is the closest contender.

But once we move past early Kuro, and into Book of Circus, this set up changes.

It’s fairly easy to assume that Ciel is the main character, because from this point on the conflict of the plot sorta surrounded him. We spend a lot of time with him and with his story. The enemies start being people directly tied to Ciel and Ciel’s trauma. Rarely, if at all, we get to see Sebastian before he met Ciel.The framing device for the story, is Ciel.

This is where point 2 gets intertwined.

2.- Sebastian and Ciel’s relationship IS the story.

The story begins at the point where Sebastian and Ciel met. Who Ciel was before he met Sebastian, informs why he’s the way he is when he does. You have to know all he went through to understand why he’s a brat, why he lashes out. However Sebastian’s past doesn’t matter…because Sebastian himself doesn’t care much for who he was, before he was “Sebastian”. That’s also part of the narrative.

Unlike Ciel, he doesn’t seem opposed to revealing information from before the contract. He talks about how pets from where he is from are gross, he talks about how he knows how to dance because of other places he’s been to, and alludes to the life he's lived before.

Just that, to him, they're footnotes.

He makes allusions to a very bland, uninteresting life, up to the point he meets Ciel.

That’s why we don’t know more about his past.

As for why we focus on Ciel’s story…okay maybe we need Creative Writing lessons 102

I studied Dramaturgy for about 3 to 4 years. And something you notice is how play-writing is the quintessential story telling. It’s making it work with the bare bones of a story.

Some other mediums have more finesse, more depth, or more spectacle - all amazing things that work for whatever they’re created for. But understanding a play, how and why it works, helps understand the fundamentals of any derivative story telling medium.

Particularly, conflict.

Conflict is dialogue and dialogue can take many forms. A story, in its essence, is a dialogue between two opposing ideas.

Take Batman, for example, who embodies the ideas of justice and order. On his own, he’s not a well rounded character.

If you ONLY present him, in a vaccum with nothing else, you don’t have a character. You have a list of characteristics that you’re supposed to know.

You only know who he is when you have dialogue with another character.

I say Dialogue, but it doesn’t necessarily mean spoken language at one another. Dialogue can mean fist fighting, playing tabletop games, talking to other people about the other, or even just a competition. The idea is to simply to compare and contrast both ideas.

If you want an example on how tabletop games serve as dialogue, watch the video “Well, Someone Had to Explain the Liar’s Dice Scene” by Lord Ravecraft

Another example, were we to retake Batman, you have him fight Joker. Who’s the embodiment of chaos and randomness.

In the following picture, you get far more information than the one previously shown. While the Joke fights with daggers and fake guns, Batman only uses his fists. He doesn’t use the tricks that Joker does. His serious demeanor, contrasted with Joker’s glee at the dangerous situation. The fact that Batman has a deathly grip on Joker’s shirt, while the Joker doesn’t, which shows a desperation to catch him.

You are being shown, through a dialogue, who Batman is.

It’s so much easier and much more effective to explore a character through another character.

This is the reason why Shonen has a tendency to make incredibly good gay ships. If you want to explore Naruto’s personality, and his feelings of inferiority, you HAVE to have him interact with Sasuke.

If you wanna understand Hinata’s passion for volleyball, you have him enjoy himself the most with the only other crazy motherfucker who’s as obsessed with volleyball - Kageyama.

And I think that originally, Yana had this problem.

Sebastian was the protagonist, but she had little room to develop him as a character in the confines of the manor, dealing with random enemies.

She likely tried to create Grell as someone of the same stature as Sebastian. Someone who could be this other person to engage dialogue with and show or allude to his past a bit more.

The problem being that Sebastian didn’t care for his past. Or really, engaging with anyone. He sees everyone as below him, but when confronted with Grell who isn’t below him, he doesn’t wanna talk to her.

So you’re stuck in conundrum.

How do you have dialogue with a character, that as a character trait, doesn’t really wanna have dialogue?

Well, Grell also solves the problem. Because only the moment she gets him to start any semblance of a dialogue - is questioning why he’s serving Ciel.

And this is the moment when it’s perfectly cemented that the focus of the story is their relationship.

Why is Sebastian here? Why does he stay? What did he see in Ciel that made him want this extremely convoluted contract?

THATS the dialogue.

THATS the conversation we’re having in Black Butler.

We need to know Ciel because understanding who he is, let’s us know WHY /Sebastian/ is here.

Then slowly, with the introduction with the Undertaker, we find out Sebastian’s conflict.

Which is…

He’s scared of losing Ciel. It becomes apparent with the constant imagery of the Undertaker taking away Ciel and at some point even obtaining r!Ciel’s body, that he’s worried it might happen.

But he can only be worried that Ciel might be taken away if he wants to stay near Ciel.

And that’s his character arc.

Realizing that he actually likes Ciel, cares for him and the role he plays a butler that he doesn’t want this to end.

In the first chapters, he doesn’t feel a need to protect Ciel anymore than what’s strictly necessary. Just don’t die, that’s about as deep as his involvement in chapter 4 gets.

But by the Green Witch Arc, he feels a need to protect Ciel from ANY harm.

This is why I also said

3.- Their relationship is fundamentally a positive one.

In broad strokes, Sebastian to Ciel is the person who allows him to survive. He’s not worried about giving up his soul since he’s already dead. While Ciel to Sebastian, is someone who’s making him have fun. He’s slowly becoming more and more attached to Ciel and the life he has with Ciel.

Their relationship is not that of just a predator and prey, but also of master and pet.

In the terms that Black Butler itself would call: Sebastian is a wild wolf acting like a collared dog.

Ciel is aware that the wild beast will eat him at the end of the day, but if he clings hard to leash for now, he might just be able to have Sebastian maul his abusers.

Sebastian as a dog, currently finds that he enjoys being a chained dog.

(This is demonstrated in the Green Witch arc where he quite literally says, he doesn’t wanna be a wild beast and prefers to be a butler)

And much like the actual DOG Sebastian, Ciel constantly interprets his attempts to get close and protect him, as an act of aggression.

This push and pull of Ciel’s perception of Sebastian and Sebastian’s true motives is what feeds the story.

And the briefs interludes were that isn’t the case (what other people call the “plot”, but I would refer to as the connective tissue) such as Sullivan and Wolfram, the other servant’s past, the grim reapers and the like, serve as a parallel to Ciel and Sebastian relationship. Either to signify how they care for each other, highlight their weaknesses or fears, or explore how they feel.

It’s no surprise that Sullivan and Wolfram are parallels to Ciel and Sebastian. A sheltered sickly child who seeks the protection of a cold hearted machine that only knew how to kill, but who eventually found he cared for her genuinely.

Undertaker and Claudia’s relationship being heavily paralleled with them, even though we aren’t 109% sure what they had but heavily implied it was a romantic attraction from the undead supernatural creature and a Phantomhive.

Everything is a parallel.

That’s why, like the approach of the terrible original video, is flawed.

Trying to interpret Black Butler as action scene after action scene, with mystery after mystery with the only connective tissue being the mystery of who burned down the mansion - is missing the trees for the forest.

That’s not the point.

And if you’re too much of a prude to engage with gothic horror in its gothic horror game, I see little point as to why you even bother to engage with it at all.

A lot of people, including the person who create the video, simply refuse to acknowledge Black Butler IS the story of Sebastian and Ciel as a close and positive relationship, romantically and sexually charged. The reason for it being that they’re “put off” by it.

Part of me wonders how much that is genuinely true, and how much is just performative outrage. It’s like ignoring the fact that Cersei and Jami are in an incestous relationship and try to frame it as “platonic love”, because the idea of it is THAT off putting.

But regardless of that, if you don’t like the fact that it’s as canon as canon can get, I would reccomend you don’t engage with the story at all.

As I’ve explained, the entirety of the series is about them. If you refuse to see Sebastian and Ciel as, at the very least, a duo that cares deeply for the other - you aren’t reading Black Butler.

I have no idea what you’re reading.Perhaps your own biases and subconscious stigma with British aesthetic. At that point, watch the fucking British Royalty Gossip Magazine. You’d find more substance there.

Just don’t be like the person in the video, please? Don’t play dumb. Don’t ignore the fact that Yana is a Shotacon, don’t ignore the fact Sebastian is a hero, don’t ignore the fact that the entirety of the story is based on Sebastian and Ciel’s dynamic.

Because if you do, you are ashamed. You are ashamed of what this story is about. You don’t wanna engage with the text, you want to engage with yourself. You wanna project into Ciel whatever traumas and experiences you have, for the sake a vanity project, where you come out as the morally superior.

You don’t wanna talk about Black Butler, you wanna talk about how good YOU are. How you “don’t sin” by watching it “without all the gross unholy stuff”.

Which is the exact opposite of what BB is about.

So, if you don’t want to, save us all the humiliation fetish and leave.

#Kuroshitsuji #black butler #sebaciel #essay #loli speaks

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chirpsythismorning · 11 months

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This is everything the Stranger Things writers have posted publicly about the WGA strike:

TIMELINE

May 3rd:

Stranger Things writer Caitlin Schneiderhan tweets picture from personal Twitter account of sign from the strike that reads 'Pay us or Steve Harrington is toast'

May 6th:

Official Stranger Writers Twitter account makes post on behalf of the Duffers Brothers. They have since pinned this tweet to their profile. "Duffers here. Writing does not stop when filming begins. While we're excited to start production with our amazing cast and crew, it is not possible during this strike. We hope a fair deal is reached soon so we can all get back to work. Until then -- over and out. #wgastrong

Bonus:

May 12th:

Stranger Things writer Kate Trefry posts picture from personal Tumblr account of sign that reads, 'Byler won’t write itself'

As far as I know, the two writers that posted on their personal socials are the only writers from ST that even have personal accounts that are public, whereas the rest of the writers do not.

What does make me take a pause though, is that, while yes they did post these pictures from their personal accounts, which is about as official as it gets, they also cryptically did not include themselves in said pictures...

This just got me thinking about how Stranger Things is quite literally Netflix and vise versa. They are practically one in the same, where one without the other just doesn't make sense.

While this conflict of interest might run deep for many writers out there fearing to speak out against their employer, for us, the consumers, the fans, we as a collective have so much more power than we realize.

In contrast to the writers, streamers can't just fire their consumer base sometime down the line, out of spite for speaking out. Without consumers, neither Stranger Things nor Netflix would be what it is today.

We have the affordance of being able to speak up the loudest of anyone. And so why wouldn't we take advantage of that?

There are so many people out there protesting: writers, actors, others in the industry and even outside of it who are also taking a stand, many who need support so that they can continue to fight in the upcoming days, weeks, months, without being deterred by corporations that are making them feel greedy for demanding a contract that at most, asks that they be paid fairly.

And so I want to encourage anyone that is reading this, but fellow fans of Stranger Things especially, who have so much power in this strike when it comes to getting Netflix's attention, to consider taking the time to do whatever you can individually + with the masses as a community in order to best support the strike.

Follow the Strike! If you're active on various social media already, please be sure to follow the official accounts advocating for the strike via Instagram (@writersguildwest/@wgaeast), via Twitter (@WGAWest/@WGAEast). Engage with posts from folks that are out there daily, many with whom you can find by following tags like #WGAStrong, #WGAStrike and #WritersStrike. Although most fans are not able to join in picketing themselves, we can at least recognize all of those out there's individual efforts and do our best to show that we're paying attention and listening!

Spread the word! Show support any way you can by sharing posts and articles about the strike, or even fun memes to inform others in a more engaging way. This is the official site for the WGA strike if you want to learn more about what’s going on before diving in! And make sure to stay up-to-date here as things continue to unfold!

Donate! The Entertainment Community Fund is endorsed by the WGA for anyone that wants to support those affected by the strike financially. And this thread on Twitter is an incredible resourse, as it provides an ‘easy, one-click, stress-free, accessible-to-all-budgets’ ways you can support folks on the front lines.

Also! Consider donating through this link for the Entertainment Community Fund, where the money donated still goes directly to that fund, this is just an organizing page for Stranger Things fans specifically! By allowing fans to see how much of an impact we make as a collective, in real time, this could encourage even more ST fans to want to contribute. In a best case scenario, if this GoFundMe were to reach impressive proportions of donations from fans, that could lead to news outlets reporting on it, which could allow an opportunity for even more eyes on the strike, while also even more importantly being able to provide financial support to those that need it.

Trend! On social media, use #StrangerFansforWGA to trend or even just to reach other fans also looking to come together to support the strike!

While I know this post probably wont reach anywhere outside of Tumblr, I want to make a point to encourage those of you that are on other platforms to inform fans in those spaces about the strike and what they can do to help!

We might not all agree on everything, but I think we can agree on at least one thing... @Netflix & all major streamers and networks out there, who are still refusing to make a fair deal: PAY YOUR WRITERS!

In the mean time, if you're interested in working on different ideas for initiates we can carry out as a fandom, please reach out to me! I might only one person and I might not have all the answers and solutions, but I do know that with more of us working together, our odds of making an impact are much greater!

Over and out!

#byler #stranger things #strangerfansforwga #wga strike #writers strike #st writers #duffer brothers #twitter #tiktok #reddit #netflix #PAY YOUR WRITERS #I am more than happy to discuss ideas for how we can come together as a fandom to have an impact #things we can do and work together to accomplish #anyone that already has personal initiatives for fans related to the strike please reblog with details if you want and i will share!#i know some fans were donating funds in exchange for artprints with their owrk #stuff like that is wonderful #supporting artists regardless is so important and so anything like that I would love to know about!#also i would not be against getting money for blimp to fly over netflix calling out ted sarandos #blip...#full disclosure i have just donated $29 to the entertainment community fund through the gofundme!#right now we are over halfway to the $500 goal #hoping the gofundme can reach its goal sooner than later #that way the money can be allocated instead of just sitting there #to those that can't donate!? No pressure!!!#this is just meant to be an option for those that want to and are able to at this point in time #a lot of the fandom brings so much value to these spaces #with the time and dedication we all put into supporting the show FOR FREE #I believe we can use that skill to our advantage #and that arguably has just as much value and impact as money

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art · 2 years

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Creator Spotlight: @velinxi

Hello! I’m Xiao Tong Kong, better known as “Velinxi.” I’m the creator of the webcomic Countdown to Countdown and have been doing freelance artwork since I was a teenager. I love telling stories with my illustrations! Tumblr was where I first got my start as an artist, specifically a small fandom artist as a hobby… and now I’m somehow here! When I’m not trying my best to stay awake in front of my tablets, I’m usually cooking, gaming, or sleeping. Sometimes all three, in my dreams.

Check out our interview with Velinxi below!

Did you originally have a background in art? If not, how did you start?

Yeah! I’ve basically been on track to become an artist since I was a child. I went to a middle school with an emphasis on arts and a high school specializing in it. I went to SVA briefly for computer arts but dropped out to pursue freelance and webcomics after my first year.

Over the years as an artist, what or who were your biggest inspirations behind your creativity?

My biggest inspirations growing up were Yuumei and Shilin Huang, two titans on DeviantArt back in the day. They still inspire me today, but the list of inspirations has grown exponentially over the years, including artists, movies, entire art movements, etc.

What was your thought process behind the creation of your webcomic, Countdown to Countdown?

Well, Countdown to Countdown started as a passion project back when I was 15, in high school, and pretty depressed. I just wanted to draw whatever story I thought was cool, inspired by my favorite media at the time. There was a very loose beginning and outline, but I was truly just writing as I drew the story. That’s why I had to stop the comic in 2018 and restart from scratch the year after. Now, the story has a set story and a clear outline. It still has similar roots, characters, and themes of neglect, abuse, and escape—but I think the story is a lot easier to follow now. It’s got an artstyle I can actually keep up with in the long run. The origin of why CTC exists also remains the same: I simply wanted to make a story I wanted to read for myself. Which happens to be about two dumb boys with superpowers navigating a hostile world that wants them dead or caged—together.

Have you ever had an art block? If so, how did you overcome it?

Oh, all the time. It’s part of the process. Personally, though—I just have to draw through it. Every month on my Patreon, I have my patrons vote on a theme I have to draw by the end of the month, and I try my best to make it as interesting as possible. I draw quite a few—tens even, of doodles or compositions for each of these themes to try to make something that tells a story while still being aesthetically pleasing and clear. I think pushing myself like this helps with art block, really. I also do remember to take breaks and simply consume other media I like! It gets the inspiration juices flowing.

Advice you would give to an aspiring creator?

If you do one—your first webcomic should be a short, fun, messy thing. It’s not often you can get it right the first time, but you’ll certainly learn a lot through sheer experience. This goes for a lot of things in art, to be honest.

What is a medium that you have always been intrigued by but would never use yourself?

3D Animation. I briefly learned it at SVA, and I think that’s enough of that tech for me. I accept that there are some things that are truly beautiful if done right, and I am too simple and lazy for it.

What is your goal for the rest of this year?

Get Countdown to Countdown book 2 finished! And live HAHA

Who on Tumblr inspires you and why?

@yuumei-art on Tumblr, still! They’ve been a huge inspiration for digital artists and storytellers online for years. I have no doubt that many digital artists of my generation have been influenced by them, and they’re still here, making beautiful art and stories. It’s a thing to behold.

Thanks for stopping by, Velinxi! If you haven’t seen her Meet the Artist piece, be sure to check it out here. You can also follow her for more amazing art over at her Tumblr, @velinxi!

#creator spotlight #artists on tumblr #velinxi #xiao tong kong #countdown to countdown

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forevermore05 · 2 months

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The number of fans I've seen turn their back on Kataras's character due to the Southern Raiders episode is astonishing and incredibly painful. In fact, it makes me wonder how people cannot consume media critically when the objective of the show is to create nuanced and well-rounded characters that almost reflect normal human beings like you and me. However, when a character who is usually good and who is usually nice and good exudes negative emotions and quite valid ones. How would you feel if you found your mother's murder? Enraged and upset and if you have the power that Katara has I feel that many of us would use it. However, I seen many fans get on a moral high horse and absolutely turn her back on her even after this episode was done. I understand that people are upset at the "you didn't love her as much as I did." Quote said by her to her brother. However, I want you to think about one thing. Imagine being the reason why your mother was killed. You were the one who was supposed to die that night. But your mother replaced your fate. Katara will always love her mother differently because her mother gave her life twice: once when she was born and the other where she protected her daughter by lying that she was the last water bender. She feels guilty for her mother's death. I've seen so many people permanently hate her character after this episode and it feels like people cannot generally understand a well rounded character. I feel that many people tend to coddle the other characters and their trauma, but when it comes to Katara people simply just don't care. Everyone decides to play the trauma olympics , with all of the characters , without understanding that they're all incredibly traumatized and comparing trauma does not help anyone's mental health. But for her it's a complete joke. There's memes and people laugh. In fact, whenever she does bring up her mother It is meant to help others and to be able to help bring comfort to their pain. She doesn't do it out of the luxury of grieving for herself.

#katara #avatar the last airbender #zutara #zuko x katara #pro katara #i love katara #she deserves better

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scificrows · 8 months

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i like to make fun of murderbot for being all "i hate everyone, i don't care about anything or anyone, fuck off" while simultaneously caring very much about the people around it and the situations it finds itself in. i love how it "accidentally" ends up caring quite a lot about the friends it makes along the way. but i think something that i tend to forget is that murderbot actively decides to care - at least at some point in its story.

idk, as a person that struggles with depression, this paragraph from artificial condition really resonates with me. prior to all systems red, murderbot had contracts. it had routine and it had protocols. it knew what it had to do to just get by, how to perform so no one would notice it had disabled its governor module. it was deeply depressed, yes, but it was functioning (for lack of a better word). in artificial condition, murderbot's routine is gone. it cannot go on in that state of numbly going-from-contract-to-contract, putting in as little effort as possible, consuming media to cope. that option is gone because it escaped (and note that escaping the company was not an active choice, it kinda happened to it). murderbot has two options now: it can either gather all its energy; actively do something new and difficult and distressing; change something in its life and try. or it can let the numbness and the emptiness take over and stop trying. if murderbot wants to survive as a rogue secunit, it has to try. no matter how difficult that is. the wording in that paragraph really hits home for me. the way the non-caring sees an opportunity to slip in and to take over. does murderbot even care? does anything really matter? is anything really worth the hassle? wouldn't it be so much easier to just let your mind slip away a little, to go numb, to be passive, to watch media and wait for things to happen to you? wouldn't it be nice to stop thinking and struggling and feeling complicated things? to stop making an effort? you've been dealing with a lot lately and maybe it's time to just shut down. maybe you'll just take a little break. just slip deeper into this chair and start the show. time flies when you're not paying attention. trying is exhausting. who cares if you don't do the things you wanted to do, you were supposed to do. it'll be fine. let's just ignore those things for now. just let the non-caring take over. just stop thinking. you can deal with the aftermath later. just watch your shows. who cares. but murderbot cares. it decides to care. it decides to fight with all it has and i think that is so brave. and i think in the later books caring is less of an active decision for murderbot. once you start caring, it's easier to keep going than to stop; and murderbot, for all its "i'm a grumpy rogue secunit, leave me alone" behavior, knows just how important caring is. so it's not that it doesn't know what's happening; rather, it lets itself care. tl;dr: caring is not the default for murderbot, it's just the more difficult of two options. and it decides not to take the soft option. it decides to struggle. it decides to care. and so it does.

#sorry i'm rambling i'm a little depressed rn (hah) and i've been thinking about murderbot again #at least writing this got me out of the adhd/depression paralysis :) yeah this might be self-indulgent so what #the murderbot diaries #murderbot #𓄿 #i just love martha wells' writing for things like that #and i love murderbot as a character so very much #also i'm pretty sure some of this could be read in a way i did not intend #i'm not trying to say that depressed people have the option to just not be depressed #or that it's as easy as going “okay well i can either care or not care... i guess i should care! done!”#listen i know it's not like that; i know that first hand #but murderbot had just enough energy and fight in it to try and it had people in its life that cared about it and helped it #and it managed to get out of that deep dark hole #and we see it struggling with trauma etc in the later books #things are not magically better #just yeah #okay imma add #tw depression #tw suicide #(this is not about suicide though; this is about sitting on the couch while the dishes and the laundry pile up #and watching netflix because getting up and taking care of yourself and calling a friend or going outside are too difficult)#(but i can see how this might hit a little close to home if that is something someone's struggling with&better safe than sorry)#also sending lots of love to everyone who this resonates with

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