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#this one was actually hard to write
erraticprocrastinator · 2 months
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A reminder to all my lovely fellow writers: progress is progress, even when it isn't. Writing four thousand words in a session is progress. Writing a hundred words in a session is progress. Removing an entire scene because it doesn't flow well is progress. Rethinking your plan for the plot in order to get unstuck is progress. Development looks different for every writer and every story.
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wasyago · 8 months
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i imagine it's quite chilly in the black sea (for the lack of sun and color), so they're wearing slightly warmer clothes now uwu
+ thoughts
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poorly-drawn-mdzs · 4 months
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Turtle Takedown Teamwork.
[First] Prev <–-> Next
#poorly drawn mdzs#mdzs#wei wuxian#lan wangji#tulu xuanwu#Something about changing the action sequence to something gentle is hilarious to me.#The lesson here is “Be nice to turtles. They are gentle creatures. And many are very endangered.”#don't get me wrong here; I love this scene a lot. LWJ's string technique is one of my favoyrite things.#We do get a fair amount of LWJ fighting but I always loved how the theme of strings comes into play.#There is actually a lot to unpack with LWJ being associate with 'strings'.#The musicianship: Of dedication and rigor in one's practice.#The tension between following along a path or composing your own way forwards (playing what has been written vs composing)#A string is a tightly coiled/taunt entity; The same tension that makes it sing so beautifully can be it's downfall if pushed too hard.#And as a non-musical string - something that binds. Be it to his sect and family or how he binds his fate to WWX -#LWJ cannot exist without his binds. It is not something which ties him down though. It keeps him together.#And he himself *is* a bind. He 'ties wwx down' in ways that are initially negatively viewed ('come to gusu' - feels like: come be trapped)#But later it is shown how (despite being introduced as a free spirit) WWX truly wants to be bound to something and someone.#Marriage is a bind he wants. He wants to be tied and grounded by LWJ.#It's starting to sound like innuendo. Let's call his fondness for being literally tied up smart thematic writing.#Finally. Sex scenes that are important to the plot and characters
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obsob · 2 years
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sending emails but sniffling and whimpering after typing each word
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ohno-the-sun · 3 months
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Yippee newest chapter of Under the Surface is done! I hope you all will enjoy this one
Art is scene in the fic lol
Also I made a playlist for it check it out if you like
Has vibes, character arcs and spoilers so fun
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crybaby-bkg · 1 year
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Trainer Bakugou who you're a little terrified of the first day you're paired with him. when asking for a trainer at the gym, you had expected the friendly redhead who always looked so sweet and encouraging and cut as hell. you weren't expecting his grumpy looking blond counterpart, who was all glares and shouts for his clients to keep pushing themselves.
you were hesitant at first, before you quickly realized that it was all a ruse, for the most part. he pushed those who needed that extra encouragement, but was more lenient to people like you who simply wanted a professionals guidance. so, after a few weeks, you liked him for the most part, and his looks damn sure made it easier to cozy up to the big guy.
the only issue you've been having with Bakugou though are the...coregasms, as you've seen them been named on social media, that you keep experiencing. the first time, you weren't sure what it was, why your stomach and pelvis kept tightening up. you couldn't have...climaxed, or anything. you hadn't even been touched!
but, as the weeks go by, and the workouts get more strenuous, they've become harder and harder to subside and ignore, and so had Bakugou's commands to keep going when you suddenly stopped. you can only lie and say its cramps so many times before he realizes that something is up.
you're midway through a good morning, when that familiar feeling starts tightening in the pit of your gut. you clench your eyes shut, shaking your head a little, as if you could ward off the impending feeling. bakugou notices though, frowning at your almost pained expression in the mirror, walking up behind you to stop you as you pull yourself back up. his hands are on your waist, and as you come up, you feel his bulge glide over the curve of your ass, and something in you snaps.
you gasp, buckling over, one hand on your knee as the other reaches back for bakugou's hand to keep you up as your thighs shake. you can feel yourself spasming, clenching and unclenching around nothing, secretly wishing you had something that could fill you up, something that you felt throb against you as bakugou leaned over your form.
"Another coregasm, huh?" he asks you lowly, his lips brushing your ear as you bite your bottom lip to hold back your moan. your eyes buck open though, when his words sink in, head tipping back to look at him in the mirror, only to find his gaze already on you.
"You knew every time?" you ask quietly, panting now that its finally starting to pass over you. but bakugou doesn't let you up from this position, especially since the area you're in seems to be desolate for now.
"It's hard to ignore how pretty you look when you cum, sweetheart." Bakugou seals his words with a firm press to your ass, his cock rubbing the seam, and you can practically feel the heat and veins of it through your thin bottoms. you groan under your breath, getting lost in the feeling of him grinding against you, when he suddenly speaks again.
"You still feel it?" he asks, voice low as he looks at you through his lashes. you nod, biting at your bottom lip as you meet the steady rock of his hips, watching how he smiles before slotting his lips against your ear.
"Want me to help make it go away?" and he does, in the employee locker room after hours. he makes it go away, and rebuild, and go away again and again until you're hoarse and your legs are weaker than they typically are on leg day. bakugou helps the ache go away, but not for that sweet redheaded coworker of his, whose fists have fucked his cock the entire time of watching bakugou rail you over the locker room bench again and again.
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jventureart · 2 months
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You ever think about
Group baby
(Captions in alt, textless below the cut)
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choccy-milky · 29 days
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bruh i need to vent about a rude comment i got on my recent chap and also about clora, cuz its something thats been on my mind for a while now. it has spoilers to my most recent chap tho so im putting it below
so in my most recent chap clora gets hit by the killing curse but thanks to seb sacrificing himself for her, it doesn’t work/she survives. and I got a rly rude comment about how that’s super cringe and that clora is a "shoe horning of every possible manifestation of Mary-Sueism I have ever seen." theyre dropping my fic after almost 500k words bc apparently THAT’S where they draw the line and that "just somehow pulling it out the bag and surviving a killing curse from the power of love. In simpler terms, it’s absolutely cringe worthy" and "forgive me if I rolled an eye at the yet again invincible nature of Clora Clemons-the-one-eighth-Veela-extraordinaire"
BUT LIKE LMAO TELL ME U DIDN’T READ/WATCH HARRY POTTER WITHOUT TELLING ME. that’s literally what happens to harry??but its only cringe when it happens to our "mary-sue" clora? like yeah sure love magic might be a bit cringe but IM LITERALLY JUST PULLING FROM THE SOURCE MATERIAL. of all the things to take issue with in my fic and interpretations, theyre taking issue with something that’s canon BAHAHA.
and since im on the topic of clora being mary sue can I just say I hate the misogyny/internalized misogyny that i've seen some people (NOT A LOT, THANKFULLY) treat her with. like i get it, im not pale and blonde and as conventionally pretty as clora is, but even if I was, is that a reason to hate me?? and does being beautiful and well-liked = mary sue? bc as far as I know, mary sue is a chara who is just naturally amazing at everything and doesnt need to try hard and theyre just inexplicably great for no reason (like mc in the base game BAHHAA) if anything the mary sue in MY fic is seb LMAO (but hes a boy so its ok). like clora has worked hard and studied magic all her life due to being a squib and wanting to make up for not being able to DO it. she isnt good at flying, seb is still better at her than duelling, shes really short sighted when it comes to doing/thinking whats best for others and can be a huge idiot.... and like. the only guys that have even shown interest in clora on a real scale have been seb and leander (and then lawley for blackmail purposes, and also bc he hates seb) so its not like literally everyone is falling over themselves for her?? like her interactions with the main cast of boys (ominis, garreth, amit) theyre all indifferent to her LMAO but still, the fact that shes pretty and guys here and there might look at her and go o shes cute! doesnt make her a mary sue SORRy thats just called being attractive idk its just annoying that ppl automatically see a nice kind beautiful female character without any VISIBLE flaws and go SHES TOO PERFECT!! MARY SUE!! WAH IM JEALOUS! and like I get it bc when I was younger I probs would have been annoyed by clora as well due to my own insecurities and internalized misogyny but hey, how about u just realize that’s ur own problem and your own jealousy, and not a real one HAHAH anyway ive since evolved bc I used to be a ‘not like other girls’ type girl back in highschool. trying to be super tomboy-y bc I thought being feminine was cringe and too basic but now ive embraced it and love girly things and dresses and charas like clora who are still strong and showcase their strengths and weaknesses in subtler ways, and I want to smooch her and make out with her. get behind me clora ill protect you🤺🤺🤺
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lazycranberrydoodles · 10 months
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its prosecutor jiang wanyin!!!! oh fuck!!! / gifs + au rambling below the cut / follow for more mdzs x aa crossover stuff :3
all the gifs i made (poses traced off franziska):
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hes so similar to franziska when you think about it. theyre both deeply insecure tsundere adoptive younger sibling of successful main characters. who carry whips. something something edgeworth choosing death and wwx actually dying also
his share code is HWFEFF if you wanna use him in a trial! you can't share backgrounds but heres the scenery from the donghua i used.
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the easiest way to put custom stuff into objection.lol is to send it in discord and then use the link from opening it in your browser :)
a whole lot of AU stuff
the art im making is for if mdzs was an ace attorney game, playing from WWX's POV to solve various mysteries/cases over the course of the plot. so this scene would be from turnabout goddess, which would loosely cover the dafan mountain mystery.
cases include:
Turnabout Revenge (Mo Manor, quick introductory first case)
Turnabout Goddess (Dafan mountain, the good times flashback)
Turnabout Saber (the man-eating castle (omg hiii nhs))
The Blind Turnabout (Yi City arc)
Turnabout Deviation (the Koi Tower conference, Empathy on NMJ ala turnabout memories or beginnings. opening cutscene is his qi deviation)
The Blood-Soaked Turnabout (second Burial Mounds siege, flashbacks: Xuanwu, Sunshot, YLLZ, Nightless City massacre)
Turnabout Lotus Seeds (testimony about JGY, tree scene, golden core reveal, bathtub scene. opening cutscene could be JGS' death but that would make it canon rather than ambiguous)
Turnabout Confession (Guanyin temple)
the problem with splitting novel!mdzs into turnabouts is that flashbacks are a huge chunk of the book but they don't have mysteries/ cases to solve so they've gotta be lumped together with present day stuff. imo? many of the flashbacks would likely have to be abridged so they could be retold ala DL-6, SL-9, or the fourth grade incident, where characters talk about it over some pieces of art. this is really difficult when theres a metric ton of unspoken, complex, and signifcant history between every character lmao
there's not as much of a problem with the cql timeline but i have not finished it. so.
the opening cutscenes in ace attorney always show the murder and/or the murderer plotting. the first cutscene of the game would be MXY summoning WWX, muttering about getting revenge on his family (it would also be good for him to mention the yllz being dead because that's how the novel starts.) cut to WWX's POV as he wakes up covered in blood and the investigation segment begins.
for investigations of monsters (goddess, saber, etc) the cutscene would be a scene of some poor throwaway cultivator getting their shit wrecked.
it would be cool to make a breakdown for JGY but again I need to review that scene cause I don't know who I'd base him on. maybe Vasquez or Dahlia.
tell me your thoughts!! i'm working off of a mdzs summary/ skimming the novel because i don't remember it too well so if i get anything wrong please yell at me
Jin Ling's sprites & Nie Huaisang's sprites / masterpost
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aimbutmiss · 2 months
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Crocodile couldn't digest Mihawk and Buggy getting closer at first. Everything about their shift in dynamic bothered him.
It was another boring late night when he first realised the two were closer than he anticipated. He was sitting in his office, staring at the papers in front of him in futile effort. His eyes were refusing to focus and let him read their content. He had lost track of time once again, as he did almost every night. Overworking came as naturally to him as breathing. He slowly got up from his seat with a sigh as he realised he couldn't get work done in his state, so he might as well get some sleep to work tomorrow.
Work, work, work. That's all he'd ever known. Because even when the whole world is against you, hard work always paid off. Blood, sweat and tears never betrayed you like people did. He had always lived his life according to this ideal, and he didn't have any plans to change it anytime soon.
He walked out of the office to make his way to his sleeping quarters, but stopped in his tracks as he was passing by the library. The sound of chatting and laughing was hushed, but still obvious in the silence that covered the island during the night. Normally he couldn't care less about some crew members doing God knows what, but his tiredness made it harder to think. So, he couldn't ignore his curiosity as instincts took over, his feet acting on their own. He tried to listen in, walking closer to the tent walls separating them. He quickly realised it was the clown and hawk eyes on the other side, which was ridiculous. What were the two of them doing in the middle of the night at the library? It seemed they were talking about stupid, random things. He heard something about nail polish, utterly useless.
Crocodile would have left after satiating his curiosity, but something kept him in his place. That something was the fact that the two men addressed each other by their names. Mihawk and Buggy. Not hawk eyes and the clown. Since when did hawk eyes respect the clown enough to address him by name? So, he kept listening in instead of leaving, even though he really should have gone to sleep by then. The conversation shifted... to how soft hawk eyes' hands were? Weird. Then it was completely silent. Even weirder. It took everything in Crocodile to not barge into the room to see what his colleagues were doing. But he didn't care, he didn't have any reason to. So he just left, not caring if the other two could hear his angry stomping through the thin tent walls.
Over the next week, he was hyper aware of every interaction the two had. The soft lingering touches, the quickly exchanged looks, the sheer amount of care hawk eyes seemed to have for the clown... it all baffled him. What did Mihawk see in that mess of a man painted over with an even bigger mess? And why did it bother him so much? They were two adults, they could do as they pleased and it would be none of his business. But something kept eating at his insides whenever he saw the two together. It was probably because whatever arrangement they had going on went completely against his initial plans for Cross Guild. He thought he would be using Buggy with Mihawk by his side, and the man would support him. And that was indeed the case at the beginning, the two of them bullying the clown relentlessly, just for fun sometimes. But the swordsman just had to go betray him and go soft. He really didn't get it. What could Buggy have done to do a complete 180 on this man?
When he reluctantly approached Mihawk about it, discreetly of course, the man simply said they had a book club. What a ridiculous excuse. "Do all book clubs entail fucking each other?!" Crocodile wanted to ask but bit his tongue. He had no proof of a sexual relationship going on between the two, but the signs were alarmingly increasing. He saw Mihawk walk out of Buggy's tent one morning! But again, it was none of his business...
The late nights he spent in his office slowly turned from working overtime to thinking about what the two men were doing. There were very few things that could make him stop thinking about work, so that meant this situation was getting out of control. Crocodile hated losing control. He had to do something, but he didn't know what. He didn't have the right to stop whatever the two were doing, but he clearly couldn't just ignore them either.
While Crocodile was losing sleep over this, his struggle was not hidden from the watching eyes. Everyone realised there was something wrong with the man. He was much more irritable than usual, so everyone was acting more careful to try and stay in his good graces, but it was getting harder and harder every day. It was affecting crew morale, and therefore a lot of the Cross Guild functions. Buggy and Mihawk were enjoying watching Crocodile struggle with his feelings at first, but when they realised it was starting to affect their business they decided to cut their fun short and try to get the man to stop ignoring his feelings.
Easier said than done.
It took a lot to make the man see they liked him. In the end, it was the small things accumulating over time like hawk eyes offering to give him a massage after a long meeting, the clown offering to polish his hook, Mihawk making him breakfast, Buggy feeding the fruitwanis... Crocodile was confused to say the least, but he would be lying if he said he didn't enjoy the extra attention and care. He couldn't help but reciprocate the acts, being a lot softer with them both. It hit him one random evening, when they were having dinner together.
"Are you two courting me?"
Buggy and Mihawk shared a glance and broke into laughter.
"Thank fuck, I thought he'd never catch on."
"Took you long enough."
Let's just say they made up for all the lost time that night.
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cuubism · 10 months
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literally just smut, dreamling, prince/knight dynamic, uh. lowkey virginity kink. lowkey degradation kink. yeah.
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The war camp is dark, the tent only barely lit by a few scant candles, but Hob is wide awake.
It had been a fantastically successful battle, that day. Much needed after a string of losses. They’d absolutely destroyed the enemy, Hob’s only just managed to clean most of the blood off himself—and he’s still riding that high hours later, blood pumping, restless energy racing as he occupies himself cleaning his armor and his sword.
Technically, he could get someone else to do these menial tasks. He’s a knight, he’s of high enough rank to request it. But Hob’s always believed a man should tend to his own weapons, should know every piece of them. It’s the same reason he takes care of his own horse, and his own tack.
Besides, the repetitive motion of the cleaning is taking the edge off.
There’s another thing that can cut the edge of the battle high.
Sex.
How fortunate, then, that Hob is on good terms with so many of the working ladies of the camp.
Not that it’s really so hard to be on good terms. The bar is so low that simply not behaving like a total dick seems to do the trick—but the fact remains that when Hob calls for one of the messenger boys who hang around outside to send for whoever’s working that night, he knows someone will come by. He pays them well, he gets along with most everyone, and it’s really not that hard to get one’s prick wet under those circumstances.
He’s just finished oiling the final leather straps on his armor, is hanging it up to await the next fight, when he hears the entrance flap of the tent, to his back, swish open and shut again. The rush of cool night air into the warm, close space.
“Be right with you, luv,” he calls, tying off the last strap, and a deep, sonorous voice responds—
“Please, take your time, Ser Gadling.”
Hob whirls around, nearly falls over like a buffoon he goes so fast. Standing there is not one of the working girls he’s come to know. It is, in fact, Prince fucking Morpheus, dark hair tousled by the wind, wrapped in a long velvet cloak that sparkles like stardust where the light catches it.
“My prince,” Hob stammers, trying to decide whether he’s meant to bow and managing only a dip of the head. It’s Prince Morpheus’s fault, this awkwardness, Hob would have managed with perfect politeness the sudden arrival of one of his siblings, or even the King himself. It’s only Morpheus that fells him so. “I—”
“—called for a whore?” Morpheus finishes, quirking a brow. Hob can only describe the look in his eyes as mischievous.
Anything Hob might have possibly managed to say is derailed by the rush of interest to his dick. That look, that phrase in Morpheus’s pretty, proper mouth— and what is he implying—?
“That’s… not the word I’d use,” Hob finally manages, throat tight. “Did. Did you need something, my prince?”
“As I’ve said,” repeats Morpheus, taking a fluid step closer to him. And he’s— he’s fucking barefoot in the grass. Lord have mercy. “You called for a whore.”
Hob should step back. Instead he’s rooted to the spot. Paralyzed by a swirling mix of fear and arousal. “That’s not— you’re not—”
Morpheus keeps advancing on him, liquid and predatory. The deep vee of his robe suggests he’s wearing nothing underneath. He’s got some kind of glitter under his eyes. And he’s— he’s so beautiful. Hob has always thought so, especially on that one blessed night when—
“Do you think me not a whore?” says Morpheus. He says it with allure, almost pride, not shame. “Do you think, my knight, that I have never slunk into some lord’s bed to steal secrets? That I have never used my body to seal an alliance, when my words were not sufficient?”
Hob should be horrified at the thought of his prince debased so. Instead, the image of Morpheus on his knees flashes through his mind, and he bites the inside of his cheek to keep from whining. “That’s not— the same,” he manages.
“Is it not?” Hob’s ankles hit his bedroll and he trips back, falling on his ass and bracing himself on his elbows, and Morpheus follows him, crawling up Hob’s body in a long, sinuous movement, the velvet of his robe soft wherever it touches his skin. “People can make sex their trade for coin, but it is different when I offer myself up in exchange for goods or laws or partnerships?”
If that’s all the case, Hob should find out what Morpheus wants with him now. Instead he asks, breathless, taken in by Morpheus’s eyes, “What did you trade for, then, my prince?” Maybe Hob doesn’t care what Morpheus wants with him. Maybe he only cares that Morpheus wants him. “When you let a foreign king bed you, did you use your mouth?” He touches Morpheus’s lips with his fingertips, and Morpheus smiles, sharp and pleased. “Or did you let him fuck you?”
The thought is as jealousy-inducing as it is arousing. Hob has no right to be jealous about his prince. But.
“What I needed to,” says Morpheus. “I have learned how to bait my lures. Many kings, I have learned, like to ruin pretty young men. Do you know—” he taps a fingertip along Hob’s lips “—how many times I have ‘sold’ my virginity? Played the hapless youth desperate for an older man to teach him, to use him?”
Fuck. Fucking hell.
“And did you learn?” Hob asks, hyperfocused on every point where their bodies are touching.
Morpheus tilts his head at him, suddenly all innocence. “Learn what?”
And, well. He does know how to bait his lures, it turns out. Even knowing he’s sinking his mouth onto a hook, Hob growls and flips them, pushing Morpheus down into the sheets. Morpheus lets out a startled breath that Hob’s pretty sure is affected but still succeeds in sending a thrill through him, and a powerful sense—careful, delicate, don’t hurt him. Even though the small part of Hob’s brain that’s still checked in to reason knows well that Morpheus is the one truly in control of whatever’s going on here.
“Should I teach you, then?” he asks, dragging a hand through Morpheus’s hair— so soft. “Show you how good I can make you feel?”
“Please,” Morpheus breathes, wrapping a delicate hand around the back of his neck. Hob really hopes he isn’t going to get drawn and quartered for this. Might be worth it, though. He doesn’t want to die, but if there were a way to go… “Hob, please.”
Fuck, his name in that wanting mouth.
“Got my mouth on you last time,” he muses, the sense memory of Morpheus’s prick on his tongue rushing through him, the hard press of the palace flagstones on his knees, “think I can show you something new, now.”
“I defer to your experience,” Morpheus breathes, as Hob pulls open his heavy velvet robe. As he’d thought, Morpheus isn’t wearing anything under it, and the thought of him walking through the camp like that to get here makes Hob want to bite something. Morpheus makes him so base and irrational.
Hob hadn’t gotten nearly this far last time. Had simply pulled open the ties on Morpheus’s breeches, let his prince tug on his hair as Hob took him in his mouth. Now, he has Morpheus fully unveiled to him, like a gift, like an offering, and, just like an offering, Morpheus stretches, arches his back, long limbs in relief and his cock laying hard against the crease of his thigh. He’s so pristine, always tucked away in his palace, where Hob has been out in the trenches—literally—getting sun-tanned and rough and dirty.
Although. Not so pristine as Hob might have thought. Apparently.
“You’re beautiful,” Hob tells him. “Your body is beautiful. I can’t wait to show you what I can do with it.”
Morpheus shudders, keeps playing along with their little facade of inexperience. “Will you ruin me for other men, Robert Gadling? Defile me, destroy my reputation so no respectable lord or lady will ever dare take me as their spouse?”
“You came crawling to my bed, pretty thing,” Hob says. Nips at Morpheus’s belly, which makes him cry out, such a pretty, keening sound, and then soothes where he’d bitten with lips and tongue. “You’ve been wanting it, I think. Someone to take you down, someone to fuck you.”
“Perhaps I simply wanted to reward my favorite knight,” Morpheus says, trailing off into a groan as Hob leaves another mark low on his pelvis.
“Should have told me you were the prize for valor,” Hob says. “I’d have killed twice as many men. Come to your bedroom still covered in the blood I spilled in your name.”
Morpheus actually moans at the image. “I’d have had you that way. My knight.”
“You can have me now.” It’s tempting, to do as he did last time, and take Morpheus into his mouth. But Hob wants to do something different to him. And he has the sense that Morpheus wants something different done. “Go on. On your belly.”
Morpheus’s breath leaves him in a shuddering rush, but he does as Hob says. Hob runs his hands down over his smooth back, his ass, his wiry thighs, kneeling between them and pushing them further apart. Morpheus whines, moving his hips in little circles to get the barest amount of friction on the sheets.
“You need it so badly.” Hob parts Morpheus’s cheeks with his thumbs, rubs over his hole, and Morpheus keens. “Don’t you?”
“Yes. Yes, Hob, show me—”
Hob swipes the oil from the bag beside the bed—because yes, he is prepared for these sorts of things, if not specifically for his prince showing up—and dips his fingers in. Rubs them together to warm it, then slides one finger into Morpheus, without pause, straight to the first knuckle.
Morpheus lets out a choked gasp, fingers clenching in the sheets. The sound makes Hob’s cock twitch where it’s already straining in his breeches. “Hob—” he moans, strangled, “Hob, I—”
He starts to lift himself up, and Hob pushes him down with a hand on the back of his neck. Morpheus struggles for a moment and then goes boneless under him. Hob releases him and strokes his hair. “Good boy. You want it, don’t you?”
“Y-yes,” Morpheus says shakily, pushing back on Hob’s hand when he starts working that finger inside him. “Please. Please.”
“I’ll take care of you,” Hob promises. Having Morpheus, his prince, his beautiful prince, splayed out under him like this is heady. If he weren’t so focused on Morpheus’s reactions, he might have lost his grip on his own arousal already. “But you’re mine.”
He slides another finger in, and Morpheus moans raggedly. Hob doesn’t know if he’s truly getting overwhelmed or if he’s still trying to play the clueless virgin, but either way it’s burning through Hob’s veins. He gets Morpheus writhing on his fingers, achingly hard in his own pants, taking each of Morpheus’s pleasured, crying moans as its own prize.
Morpheus is shaking, panting, as Hob pulls his hips up, undoes the laces on his own breeches to pull out his cock, lines himself up. Morpheus presses his face into the bed, fingers tight in the sheets. Hob touches his lips to the base of his spine, tastes the sweat there. “My prince?”
Morpheus swallows hard and it still doesn’t seem to clear his throat. “I am ready.”
So Hob braces his hips and pushes in, one long slow slide. He groans at the same time as Morpheus moans, so ragged it’s almost pained. “Fuck you’re tight.”
“Well,” says Morpheus, “you are the first to have me so.”
Even aware that Morpheus is only playing at it, the words make Hob feel like he’s clinging to sanity by a thread. “You’ve been waiting so long, haven’t you?” he manages, as he starts to move, still holding Morpheus by the hips. Morpheus sighs at the slide, thighs trembling. It’s enough to make Hob obsessed. Morpheus is so tight and hot, Hob really doesn’t know how long he’s going to last, but he’s determined to give Morpheus just a bit of that ruination first. “Waiting for the right cock to fill you?”
Morpheus pushes back on him with a whine. “Yes.”
“Kept yourself as a prize for me?”
“Yes. Hob.”
Hob reaches around to take him in hand, and Morpheus cries out, bucking into his touch, pinned in place. Hob moves faster, each thrust pushing Morpheus into his grip, his breeches scraping roughly over Morpheus’s bare thighs, and it feels so base to have him like this, still clothed, taking him like a casual whore when he’s a prince. It feels wrong. But so good.
“How’s it feel?” he asks, voice gratifyingly steady. “For your first time?”
Morpheus lets out a wordless groan. Then, “Good. So much. I—” he trails off again, losing his breath. And this, too, is gratifying, reducing Morpheus, usually so eloquent, to broken sentences and simple words.
“Good, love.” Hob soothes a hand over his hip. “That’s good.”
But before Morpheus can settle, Hob increases his pace, pounding into him so hard and fast that Morpheus loses what remains of his balance and is held in place only by Hob’s hand on his hip, his arm wrapped around his belly. Each thrust pulls a sharp gasp from him, his face pushed into the sheets— and Hob’s nearly insensate with how good it is, but still he manages to pull Morpheus off in time with each thrust.
“Hob—” Morpheus chokes, “Hob, I’m—”
“You can come, love. I want to see you.”
Morpheus comes with a bitten-off cry, spilling over Hob’s hand. He’s so beautiful like that, Hob’s formal, perfect prince—crumpled in pleasure, eyes screwed shut, hair damp with sweat. It’s a collision of every illicit thought Hob’s swallowed down when he’s looked at him. In the palace, on campaign, at times when he was meant to be guarding Morpheus and when he wasn’t. He can’t last long thinking about that, seeing that, so he bends low over Morpheus’s back and kisses the back of his neck. One small, tender touch in this game of roughness and transaction, one touch before Morpheus inevitably swans back out of his tent, back to his writing and his diplomacy and his other diplomacy, and— fuck—
Hob holds Morpheus to him as he comes, wishing he could say, don’t go back to anyone else. You’re mine now, come to me. But those aren’t his words to say.
Morpheus slumps down to the bed, boneless and satisfied. Hob follows him, breathing hard against the back of his neck, finally releasing him from under his weight. Morpheus only winces a little when he pulls out, and Hob yanks off his own shirt and uses it to wipe off Morpheus’s stomach, between his thighs. Morpheus sighs, tipping his head back, a tiny smile on his face, then turns to face Hob, leaning on his arm.
Hob’s swiftly learning how weak he is for that smile on the face of the usually unreadable prince. He trails an exploratory finger along Morpheus’s jaw, up his temple, into his hair. Morpheus closes his eyes at the touch, slow and sleepy.
“Was that better than your many transactional trysts?” Hob asks. “Or do I have work to do?”
“I would not know,” says Morpheus, a self-satisfied little smile now curling on his lips. “Considering those did not occur.”
Hob blinks hard, mind going blank. “What.”
“I spun you a story, Robert,” Morpheus says. His voice is sex-rough, his hair a mess, his gaze drags over Hob’s body with a proprietary touch. “And it is a fun story, is it not? Plying secrets from between the sheets, returning home victorious when one was thought to be had. And,” he drags a fingertip down the center of Hob’s chest, “coming back to the bed of a lover. One whom one wants to be with. To be made his again.”
Hob is still stuck on this. “Wait, are you telling me you made all that up?”
Morpheus smirks. “Do you truly think that my words would ever be insufficient to obtain what this kingdom needs? Do you think I need to use my mouth other ways to get treaties signed?”
Well, when he puts it like that.
“It was a compelling story, though,” Morpheus muses as Hob continues gaping at him. “You seemed compelled.”
“Morpheus, why?”
“I wanted to see how my favorite knight would respond to knowing other men had had me,” he says, and keeps dragging his fingers through Hob’s chest hair in self-soothing patterns. Then his expression shifts from clever to almost shy. “And. I thought that if you knew the truth, you might defer too much to me. Treat me only like your prince.”
Hob’s stomach swoops. “And… what’s the truth, then?”
“That evening at the state dinner, when someone meant me harm and you saved me…” his voice holds a note of wonder now. “That. Was the first time that I had ever.”
“What?” He can’t lie to himself, the thought of being Morpheus’s first, for real, does spark something in him. But also. Morpheus is a prince. And Hob had been…
“I had never before had cause,” Morpheus explains. “I was uninterested in marriage. And I never found anyone worth threatening my reputation over. Until…” His lips purse, stressed now. “And I wanted you so. And. You wanted me.”
Hob is speechless, running through every second of that night in his mind. Sweeping Morpheus into his arms and out of the way of a blade. Morpheus’s wide eyes staring at the slice in Hob’s arm, the blood welling there. Blinking and finding himself crowded into a side hall, Morpheus panting into his mouth, the hunger of his pretty lips, heat and adrenaline running through Hob’s body, pushing Morpheus against the wall and sinking to his knees in front of his charge, his dear, his prince to worship. The tears that had pricked at Morpheus’s eyes as Hob had taken him all the way down.
Christ.
“Does that bother you?” Morpheus asks, uncertain now.
“I’d have shown you a better time then if I’d known,” Hob says, because doesn’t he deserve to be properly taken care of? “In an actual bed.”
Morpheus lets out a little huff of a laugh, expression easing. “I enjoyed it.”
“And then…” he lets his hand come to rest low on Morpheus’s waist. “You came back for more.” He kisses Morpheus and swallows his pleased sigh. “Hungry little thing.”
Morpheus’s breath shudders, and he clings to Hob’s hair, his shoulders. Hob’s about to roll on top of him again and kiss him properly, maybe more once they’ve recovered themselves, but pauses as a realization sinks in. “Wait. Does that mean—”
“Yes, Hob. You were the first man to fuck me.” He sighs. “Use that information against me if you wish. It is out of my hands, now.”
Hob is reeling with shock, and even more so with arousal, heat flashing through his body at the mere thought that all Morpheus had pretended at, newness and learning and raw, unpracticed want, had been, at least somewhat, real. And he had let Hob have that. Catch it. Had trusted him.
“Never,” Hob swears, kissing his cheek. “I would never. You’ll be my secret. Besides. I don’t think anyone would ever believe me even if I said. Me, with you? A prince? And a gorgeous one at that?”
Morpheus runs his hands over Hob’s shoulders. “You are handsome. And very gallant. I do not see what you mean.”
“Well, that’s flattering. And I won’t tell you to take it back.”
Morpheus runs his tongue over his lower lip, eyes dark where they trace over Hob’s jaw, shoulders, chest. “I have. Wanted you from afar. For a very long time.”
Obligingly, Hob kisses him, and sweeps his hands over Morpheus’s lower back, drawing him close. “You’re a prince,” he says, breathless again with want for this wonderful being. “You can have whatever you want.”
“So,” Morpheus nuzzles at his jaw, “I may steal my way into your bed? You would not mind that, Ser Gadling?”
“Sneak in, or stay, I won’t mind. I’ll give you all my secrets.”
Morpheus hums. “And your loyalty?”
Hob thinks he means it playfully, a continuation of his ruse from before—but it comes out much more serious. His gaze finds Hob’s with a deeper wanting than when he’d swanned into Hob’s tent, all draped fabric and fluid lines of desire.
“You have it already,” Hob murmurs, and Morpheus’s pleased sigh as Hob kisses him is a balm to his soul. “My prince.”
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coffinwoodx · 24 days
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i implore everyone to read Kim Kitsuragi’s Book Report by TwiExMachina on ao3 it is one of the FUNNIEST FICS i’ve ever read it left me REELING from how hard i was laughing. it’s amazingly well characterized like i could 100% see it fitting into actual Disco Elysium gameplay i just cannot stress this enough. it was so good so..
i recommend it :>
it’s based on another fic about Harry writing a self-insert Dick Mullen erotica featuring everyone’s favorite lieutenant. essentially, Kim finds it and confronts Harry
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"Do you think Philza's okay?"
Fit rolls over to look at Pac, his roommate staring up at the ceiling. He reaches over, cautiously offering his hand. Pac, of course, takes it just as hesitantly.
"Cell's back, maybe after you, and you're worried about Phil?" Okay, so Fit is worried too, but his point is well made. Pac had only told him some of the situation, in whispered tones and terrified whimpers a few hours ago, and he was worrying about someone who was at least safe?
Pac turns his head, and looks Fit dead in the eye. "You're with me. I know you won't let anyone hurt me. But who's with him?"
"He's safe enough," Fit says. "Physically at least."
"He just didn't seem, ah," Pac struggles with his words for a moment. "Well?"
"It's not really my place to say," he replies. "But he's Philza. He'll be fine."
"Will he?" Pac asks, fretting already. "If the Federation is inside his head, making him see things..."
It's a worry Fit has too, one he really doesn't want to think about. He wants to pretend that his old friend is fine, that going and murdering blazes and magma cubes will have fixed everything. He needs to believe it, because the alternative... The alternative is there's nothing he can do.
"Do you really believe him?" Pac asks. "That there was a book there."
"Yes."
"Why?"
Fit sighs, and sits up. He turns on the lamp and stretches, looking around his room of missing texture flooring and ugly walls - the safest place he could think to bring Pac when he heard the news.
"It's not the first time," Fit says. "Phil... He swears it was a dream, that he was just sleeping. He wasn't. Tubbo and me? We checked every corner of his house. He wasn't there. Then he takes us to where he thought he was taken and he swears there's nothing weird about it? But it's full of parrots - they shouldn't have spawned there. Tubbo even found an avocado sapling."
"Philza has a lot of avocados," Pac agrees. "You think the Federation took him?"
"I'm not sure, it's not their usual behaviour," Fit frowns. "But I don't know who else it would be?"
"The codes?"
"Maybe." Fit cracks his head to the side. "But I know Phil. Whatever he saw? It terrified him. And anything that scares Philza Minecraft is nothing you ever want to see."
"Should we ask him if we can visit?" Pac has a calculating look on his face. "I can cry scared all over again, I just need to remember why. And his bunker is very safe. They might look for me in your house, but they'd never think of his."
"Why? Is my company not good enough for you?" Fit is mostly teasing.
Mostly.
"No! No, no, no," Pac waves his hands in a desperate attempt to be understood. "I just... I'm worried, you know?"
"Yeah..." Fit sighs. "Yeah, I'm worried too... I'll ask him."
Pac nods, and Fit types.
You whisper to Ph1LzA: Can I bring Pac over? We might need to stay the night.
Ph1LzA whispers to you: sure mate
Ph1LzA whispers to you: is everything okay?
You whisper to Ph1LzA: We'll explain when we get there
That's the end of that; Fit shows his communicator to Pac, who agrees.
"I'm not really faking the tears," Pac promises, already tearing up. "I just don't think about it, and then it isn't real."
Pac's not the only one acting like that, Fit presumes; Philza's constant denials even with evidence in front of him... Whatever the fuck happened in that forest, it's nothing good. Something so terrible believing his memory is at fault is somehow better.
"To Phil and Missa," Fit reminds Pac, not really needing it.
They warp together, and at the same time.
---
Philza is waiting at the top of the hatch when the pair arrive. To most people he would look entirely normal, but Fit can see the way his eyes flitter as he waves. Pac waves back, while Fit gives his traditional "oi!!!"
Philza laughs, and leads them down into the basement.
"What's up?" he asks the two of them. "Need more toast or something? I thought you were both asleep."
"No, um," Fit looks to Pac, realising they didn't quite work out what to say.
"Bagi told me more about the murders," is what Pac says, his voice dropping very quiet as he does. "She thinks... We think someone from my past is on the island."
"Shit," Philza closes his eyes for a moment. "How bad is it?"
"Last time I saw him," Pac's pace picks up; Fit squeezes his shoulder as he sees panic come in. "Last time... He nearly killed me. And the messages..." Pac grabs the hand on his shoulder and squeezes it back. "Some of them might be addressed to me."
Philza doesn't ask questions, he just glances around his children's bedroom, then looks at Fit. Fit meets his eyes.
Philza sighs, and caves.
"Alright," he says. "Do you want to sleep in Chayanne's room? I can adjust the door to just the three of us, Missa, and my eggs for now."
Fit knows it isn't for Pac's sake that Philza is changing the doors, he knows it for sure.
They get their beds set up, tucked behind the chests where a casual observer cannot see. Philza doesn't have a bed, but Fit makes them for him and Pac, placing them tucked away.
"Would you stay with us?" Fit asks, before his old friend can slip away.
Philza looks genuinely surprised by the request, "why, mate? I'll just be in the eggs' room."
"Safety in numbers, right?" Pac asks, glancing between the two. "I would... Feel safer if you were here too."
Fit knows its a manipulation tactic to convince Philza to stay, to make sure the old crow is not alone. It still rings so very true - and so very against everything ingrained within Fit's soul.
It's fine. For a few nights he can manage it, if its what his two closest friends need.
"Alright," Philza hesitates, but comes over and sits on the edge of Pac's bed. He takes off his backpack, and leans his scythe just in reach. Pac and Fit take the opportunity to remove their prosthetics, hastily reattached to travel over here, and stretch.
When Philza stands again, both of them can see how unstable he looks.
"Let's push our beds together," Fit says. "If we put Pac between us, there isn't an angle they can get him from."
Philza looks at Fit, and knows exactly what he's doing. Still, Philza crafts up a third bed, and squishes it between the two.
He nearly falls as he walks around to do it; Fit catches him, helps him steady, but is brushed off before he can say a word.
"Alright," Philza says. "Pac in the middle then. You won't get too warm, will you?"
"I'm Brazilian," Pac says. "It's always too cold here now Mike is gone."
They both see how heavily Philza drops to the bed, curling himself back to Pac and defensively ready. Fit, on his side, curls close to Pac - his one arm over him.
It's not really a surprise how quickly Pac falls asleep, with the sheer trauma and strain of the day on his back. He quickly falls into dreams, and Fit can only hope they are kind.
"Phil," he asks, once he knows Pac is asleep. "Won't you sleep?"
"You needed a guard," Philza says.
"You know we don't. You and I? We'll wake if anything so much as tests the hatch."
It's true, and they both know it.
Philza, however, doesn't speak.
At least, not for a long time; Fit considers conversation a lost cause and is about to give up and call this good enough when he hears Philza again, voice broken just like it was in the garden.
"If I sleep, will I wake?" is what Philza asks, whispered almost silently. "How will I know when the world is real again? What will I see this time?"
"I'll make sure you wake up," Fit promises, because he can. "And I'll do something to make you absolutely certain its really me."
"Promise?"
Philza sounds so weak, so small like this. Fit... Fit cannot stand it, not at all. He reaches a little further, and manages to put his hand on Phil's shoulder.
Philza's own hand reaches over, clinging to it.
"I promise," Fit says. "We'll wake you if we leave. We won't let anything weird happen, its just sleep."
Philza turns, and his eyes do not seem to trust Fit. But they are also exhausted, and desperate, and terrified.
"Go to sleep, Phil. I won't until you do."
"I'm sorry," Philza whispers, sounding absolutely broken. "Thank you. Both of you. I know... I'm sorry."
Fit squeezes his shoulder again.
"It'll be alright," Fit replies. "I've got you. I've got both of you. It's going to be okay."
Nothing else is said before they eventually fall asleep.
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scribefindegil · 7 months
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Some thoughts on unreliable narrators as I procrastinate on writing several tricky scenes with unreliable narrators:
Every narrator is unreliable. Just like there's no such thing as 'objectivity' in journalism or academia, there's no such thing as a truly reliable narrator. The narrator's viewpoint is limited, they're shaped by their culture and personality and experiences, they overlook things and make assumptions. It's all a matter of degree. But usually we talk about "unreliable narrators" when the gap between what the narrator says and what the reader/author believes to be true is prominent enough to be narratively significant.
Where is the gap?
Unreliable narrators are not all duplicitous. In fact, many are telling the truth as they understand it. But some are not! This is by no way a comprehensive taxonomy of narrators, and even within a single story there are likely to be shifts and overlaps, but here are some Types I find helpful to consider:
Oblivious The reader doesn't get crucial information because the narrator simply was not paying attention. Maybe they were missing context. Maybe they were bored. Maybe they were distracted by a hot girl (Gideon I love you). Alternatively, the reader gets clearly false information (especially about how other characters are thinking or feeling) that the narrator wholeheartedly believes to be true (Breq I love you).
Repressed You the reader can tell that what the narrator's telling you they think/feel and what they actually think/feel are not the same, but the narrator themself has no idea. For narrators that lack self-awareness and don't understand why they do the things they do or for narrators that are really good at not looking at things that make them uncomfortable.
Liar (internal) The "Sure, you keep telling yourself that, buddy" version, where the narrator is on some level aware that they're lying to themself but doubles down on it anyway. Tends to involve a lot of rationalizing or misdirection. It's very common for a character to have a realization about something important partway through a story (that The System is corrupt, that they're in love with their best friend, that their actions are actually more self-serving than altruistic, etc) that makes them switch between Repressed (passive internal conflict) and Liar (active internal conflict). Or, you know, they might have a realization and not immediately start lying to themself about it, but where's the fun in that?
Liar (external) Usually shows up in first-person stories or in-universe writing, since it requires the narrator to be aware that they have an audience and be attempting to intentionally mislead them. In this case, there is a deliberate disconnect between what the narrator's understanding of events and the account of it they're giving for the purpose of spin or deception.
Coerced This is where the gap comes from an external factor, usually magic or sci-fi nonsense that messes with a character's mind and changes their perception of themself and/or reality, (eg they can't talk/think about a certain subject, they've had their memories altered, etc). It's a different flavor than the other sorts of unreliability and can overlap with any of the others depending of how aware the character is of what's been done to them.
How Obvious Is The Gap?
Another thing to consider is at what point, and to what extent, a reader becomes aware that a narrator is unreliable. Is it clear from the beginning? Is it played as a reveal? Is is a slow dawning realization? Is it something that you could overlook on a first readthrough that only becomes obvious once you put the pieces together? All of these can be effective, but it's good to know going in. If you want the narrator's unreliable nature to be a reveal (that is, there's a point where the reader realizes that they're lying and that recontextualizes the whole story), you're going to approach it differently than if you want your readers to be screaming about the dramatic irony from the beginning. If your point is that the reader shouldn't actually know how much of what the narrator's telling them is true, that's going to look very different than a story about a narrator who has an on-page realization about one of the big things they've been lying to themself about and has to navigate the consequences.
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I'm in love with your drawing of Wally and Howdy fighting over the arm. I love how mad Poppy is. Her saying "is2g" gave me the idea that she starts cussing more the longer she has to deal with this bs. And I'm also imagining Frank leaning against Eddie's hat saying "oh Eddie we're really in it now"
10 out of 10 artwork. Good job. No notes.
it has been Well Received it seems! i'm very pleased, i was hoping i wouldn't be the only one who found it funny ahaha
and i couldn't resist:
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fishyfishyfishtimes · 14 days
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My study partner and I got to weigh our rainbow trout, and wow have they grown! They came to us weighing an average of 10 grams, and only in a month’s time even the smallest fish have doubled in weight! There were some very hefty guys too, from a randomly selected group of fish the biggest weighed 81 grams, a massive amount of growth considering how small they were before! We’re aiming for an average weight of 100-150 grams, so we’re well on our way there.
To weigh the fish, we put them under anaesthesia so they wouldn’t be too stressed about the situation or thrash around in the weighing bucket. Here’s a picture I took of some rainbow trouts still coming to from said anaesthesia, absolutely zonked:
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You can see some drastic size differences between different rainbow trout individuals. Not to worry, every fish recovered and was swimming normally with their buddies after a few minutes!
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