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#time to make blue
x-martina-krane · 7 months
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Selection like in The Matrix 😵‍💫
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stromblessed · 5 months
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Mizu, femininity, and fallen sparrows
In my last post about Mizu and Akemi, I feel like I came across as overly critical of Mizu given that Mizu is a woman who - in her own words - has to live as a man in order to go down the path of revenge.
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If she is ever discovered to be female by the wrong person, she will not only be unable to complete her quest, but there's a good chance that she'll be arrested or killed.
So it makes complete sense for Mizu to distance herself as much as possible from any behavior that she feels like would make someone question her sex.
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I felt so indignant toward Mizu on my first couple watchthroughs for this moment. Why couldn't Mizu bribe the woman and her child's way into the city too? If Mizu is presenting as a man, couldn't she claim to be the woman's escort?
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However, this moment makes things pretty clear. Mizu knows all too well the plight of women in her society. She knows it so well that she cannot risk ever finding herself back in their position again. She helps in what little way she can - without drawing attention to herself.
Mizu is not a hero and she is not one to make of herself a martyr - she will not set herself on fire to keep others warm. There's room to argue that Mizu shouldn't prioritize her quest over people's lives, but given the collateral damage Mizu can live with in almost every episode of season 1, Mizu is simply not operating under that kind of morality at this point. ("You don't know what I've done to reach you," Mizu tells Fowler.)
And while I still feel like Mizu has an obvious and established blind spot when it comes to Akemi because of their differences in station, such that Mizu's judgment of Akemi and actions in episode 5 are the result of prejudice rather than the result of Mizu's caution, I also want to establish that Mizu is just as caged as Akemi is, despite her technically having more freedom while living as a man.
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Mizu can hide her mixed race identity some of the time, and she can hide her sex almost all of the time, but being able to operate outside of her society's strict rules for women does not mean she cannot see their plight.
It does not mean she doesn't hurt for them.
Back to Mizu and collateral damage, remember that sparrow?
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While Mizu is breaking into Boss Hamata's manse, she gets startled by a bird and kills it on reflex. She then cradles it in her hands - much more tenderly than we've seen Mizu treat almost anything up to this point in the season:
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She then puts it in its nest, with its unhatched eggs. Almost like she's trying to make the death look natural. Or like an accident.
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You see where I'm going with this.
When Mizu kills Kinuyo, Mizu lingers in the moment, holding the body tenderly:
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And btw a lot of stuff about this show hit me hard, but this remains the biggest gut punch of them all for me, Mizu holding that poor girl's body close, GOD
When Mizu arranges the "scene of the crime," Kinuyo's body is delicate, birdlike. And Mizu is so shaken afterward that she gets sloppy. She's horrified at this kill to the point that she can't bring herself to take another innocent life - the boy who rats her out.
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MIZU'S ONE MOMENT OF SOFTNESS AND MERCY, COMING ON THE HEELS OF HER NEEDING TO KILL A GIRL TO SPARE HER THE WORST FATE THAT THIS RIGID SOCIETY HAS TO OFFER WOMEN, AND TO SPARE A BROTHEL FULL OF INNOCENT WOMEN WHO ARE THE CASTOFFS OF SOCIETY, NEARLY RESULTS IN ALL OF THEIR DEATHS
No wonder Mizu is as stoic and cold as she is.
And no wonder Mizu has no patience for Akemi whatsoever right before the terrible reveal and the fight breaks out:
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Speaking of Akemi - guess who else is compared to a bird!
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The plumage is more colorful, a bit flashier. But a bird is a bird.
And, uh
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Yeah.
I like to think that Mizu killing the sparrow is not only foreshadowing for what she must do to Kinuyo, but is also a representation of the choice she makes on Akemi's behalf. She decides to cage the bird because she believes the bird is "better off." Better off caged than... dead.
But because Mizu doesn't know Akemi or her situation, she of course doesn't realize that the bird is fated to die if it is caged and sent back home.
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Mizu is clearly not happy, or pleased, or satisfied by allowing Akemi to be dragged back to her father:
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But softness and mercy haven't gotten Mizu anywhere good, recently.
There is so much tragedy layered into Mizu's character, and it includes the things she has to witness and the choices she makes - or believes she has to make - involving women, when she herself can skirt around a lot of what her society throws at women. Although, I do believe that it comes at the cost of a part of Mizu's soul.
After all, I'm gonna be haunted for the rest of this show by Mizu's very first prayer in episode 1:
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"LET" her die. Because as Ringo points out, she doesn't "know how" to die.
Kind of like another bird in this show:
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czl · 1 month
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dungeon ponies
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somnimagus · 5 months
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My page for @sheikahzine; about Impaz's duty to her village, empty of people and full of memories.
[id in alt text]
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verflares · 12 days
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i thought i felt your shape, but i was wrong. really all i felt was falsely strong, i held on tight and closed my eyes. it was dumb, i had no sense of your size. it was dumb to hold so tight.
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ominouspuff · 2 months
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Fwoom (intimidatingly)
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bluerosefox · 20 days
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Family Resemblance
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I had another 11pm brain worm.
Enjoy
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Daniel Wayne, the younger toddler brother of Bruce Wayne and the son of Martha and Thomas Wayne had been kidnapped the night their parents were murdered.
Daniel had been snagged the moment their killer heard people headed to the alley and Bruce in his state of shock didn't realize it until it was far to late and could only scream in horror (from everything) as his baby brother is crying his name. (If you wanna make it even more heart wrenching, make it Danny's first time being able to say Bruce's name right and/or Bruce had said some mean things to Danny earlier after he accidentally broke something of Bruce's, something like 'I wish youd go away' or 'I never wanted a brother, you're such a bother!')
Bruce is being held by Alfred as some police officers are chasing down the Wayne's parents killer while some stay behind to see if they could do something.
Minutes turn to hours and as they wait, praying the police at least found Danny, Bruce is ridden with guilt. From his parents death to allowing his brother to be kidnapped.
Eventually the police return to give Alfred and Bruce the news. And it's not good.
The killer escaped and Danny was nowhere to be found.
And it would take many years before he would be found.
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Bruce gets a call from Damian during school hours one day. When he answers he is greeted with Damian demanding him to get to the school and explain himself.
Confused Bruce asks what does he mean and Damian responds with
"The two new students in class today are the spitting images of you and I father! Either they are poorly created clones or you have more hidden blood children!"
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Meanwhile the very students being discussed are calling up someone too
"Ellie? Dan? What's wrong? You better not have made too much chaos already, I just paid for the uniforms for that place."
"DAD! I THINK ANOTHER ONE OF THE FRUITLOOPS FAILED CLONES SOMEHOW SURVIVED!"
"What?"
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kagoutiss · 21 days
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pelican town, ‘72
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ninemelodies · 5 months
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this scene. this fucking scene. when i watched this the first time it really struck me how much 14 has grown. 10 wouldn’t have let that argument go. they would’ve kept pushing buttons until one of them stormed off. but 14 stops, cuts himself off mid-sentence and walks away to take a breath.
“no,” he says. no we’re not doing this. no it’s not my fault. no it’s not your fault. it’s a shitty situation and they’re both stressed and afraid.
and then he apologizes even though he didn’t start the argument and he didn’t spill the coffee. and it was definitely donna’s fault but sometimes being best friends means you let things go and you lie a little because your friendship is more important than being right
AND THEN HE COMFORTS HER. without her asking and without her initiating it.
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secondbeatsongs · 5 months
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hey, don't cry
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tumblr is the new pdf! ok?
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expelliarmus · 4 months
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gatoiberico · 2 years
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thinking about how reigen saying mob's actual name is rarer than rare steak
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yrsonpurpose · 3 months
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🥺
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factual-fantasy · 2 years
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So in light of the partly disappointing Mario movie trailer, I felt the need to draw my favorite interpretation of the Mario brothers.
They’re 50% squishy, 50% anxiety, and 100% “I love my brother more than anything in the whole world and I would die for him in a heart beat”. With some “I’m so stupid in love with this super tall lady and I have no idea what to do about it” sprinkled on top. :}
Also Italian to English translation:
Luigi: “Mario how do you talk to women”
Mario: “I have no idea”
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torvagatai · 10 months
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Firstprince + textposts
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future-crab · 3 months
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It's been said before, it will be said again, but it's still worth saying: the fact that art centering on straight romance is allowed to just be bad, but art with queer romance in it always has to be indicative of A Serious Problem With the Way We Tell Queer Stories makes being a queer person making queer art deeply stressful
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