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onceuponapuffin · 3 days
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Fanatic Intervention Part 7!!!
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It will not surprise you at all, dear Reader, to learn that Aziraphale keeps very little in his kitchen cupboards. There is no stove or oven, and the only thing in the fridge is milk (for his tea no doubt). When you start opening cupboards, you find one pack of custard creams, and a second one of chocolate digestives. Well, it will have to do. You find yourself a small plate and fill it half and half before heading back into the shop just in time to say goodbye to Anathema and Newt.
As they leave, you turn to the supernatural entities in the room.
“So,” You say, “If we’re going to the States, then we have a few problems. First, I don’t have my passport or any ID at all, so airport security is going to be fun. Second, I have no money. Third, I’m gonna need a Walmart or something because I don’t even have a toothbrush, my dudes. Fourth, these,” You indicate the cookies, “are fine for a snack, but overall they’re not gonna cut it.”
“You just leave the airport security to us,” Aziraphale replies. You make a note that he glided right past ‘my dudes,’ they’re getting used to you already. Dammit. “As for the rest of it,” Aziraphale continues, “I suppose a trip to Tesco’s is in order.”
Crowley produces a shiny black credit card from nowhere and hands it to you. “We’ll take the Bentley,” he says. He starts to stand, but you shake your head.
“Nuh-uh, you both stay here,” You say. Crowley raises his eyebrow.
“You realize we can take care of ourselves,” he says, “We’ve been doing it for a few millennia.”
“I’m not talking about that,” You say, “Look, what we’re going into is really dangerous. And I know that your pattern is to just wait to talk about things until you’re in the clear, but that’s not a good idea anymore. I mean, I get that I’m not exactly an expert, but I read just as much as you do and I’ve heard a million stories by this point in my life, and in NONE of them do people ever say ‘I’m so glad I never told them how I feel’ - you know? It’s always ‘I wish I would have’ or ‘I should have told them every day.’ So Muriel and I will go ask Maggie to take us to Tesco, and you two need to talk. Please. While it’s safe, while you have the chance, before things get dangerous and possibly deadly.”
Crowley and Aziraphale are silent. You notice that they aren’t looking at each other. Well, you’ve done your best. Now you need to trust them.
At this point, dear Reader, you are probably thinking to yourself ‘well I would snoop and spy on them while they talk! I want to watch them make out!’ But here is the thing – in this world they are real people, not characters. It’s one thing to say that you would creep on them from the other side of this fiction, but when they’re very real and looking at you in person, things are a little different. For one thing, you realize that real people deserve things like boundaries and privacy, especially for sensitive conversations.
And so, you take Muriel over to Maggie’s shop, where you explain that Mr. Fell has sent the two of you on an errand and you need to stop for dinner somewhere and have no idea where anything is. You flash her the credit card and say ‘It’s all on me,’ and she conveniently agrees with a look on her face that says something like ‘least they could do after all that shit they put us through.’
So the three of you go for dinner at the nearest Weatherspoons, where you and Maggie eat while Muriel watches in morbid fascination. Then you all take the bus to Tesco where you buy yourself a small wardrobe, and manage to coax Muriel into some light blue jeans and an argyle jumper so they look a little less like the Beacon of Gondor. You quickly find out that Muriel has an adorable fascination with fuzzy socks, novelty mugs, and coloured pencils. Of course, you enable their fascinations with a happy heart, and as an afterthought, you grab them a small pot of orange daisies from the flower section. It will give them something alive to tend to while you’re gone. Muriel appreciates the thought. All in all, it’s a long but good time.
You don’t know about the talk, and you’re worried about asking when you get back.
THAT BEING SAID
You and I, dear Reader, not actually being in that world, are allowed certain privileges.
The bookshop is silent for a long time. Both of them are thinking, digesting, processing. Feelings are hard to feel, and harder to put into words. Especially when it has been made clear, twice now in the span of a number of hours, that you absolutely need to put them into words.
It isn’t until after Crowley notices you, Muriel, and Maggie heading down the street that he stands up and begins to pace. A few more minutes pass before he speaks.
“So...uhm...are you going to go first or should I?”
“Are we...are we actually going to do this? Have this talk I mean?” Aziraphale has been shelving books to try and take the edge off. Now he puts down the book in his hands and absent-mindedly fidgets with his ring.
“Well, I mean we don’t have to,” Crowley says, aiming for non-chalance and missing ever-so-slightly, “No one can actually make us.”
“Yes, except it feels very much like everyone is trying to.”
“Trying is the key word there.”
“That’s true enough I suppose.”
The silence returns and stretches. It is anything but comfortable. The air is full of words that they have been told they should say, words that perhaps they want to say, but words that have been dammed up with fear and uncertainty for so long now that they’ve become very hard to un-stick. After a while, Aziraphale clears his throat and speaks.
“I, erm, I suppose you had better go first.”
“Me, right, okay.” Crowley clears his throat now and stops his pacing near the desk. He looks down at the scattered papers and books, the pens and photos and newspaper clippings. The assorted clutter of Aziraphale’s life. Looking away makes it easier to start. He takes a breath. “Um..right...well...we’ve known each other a long time. We’ve been on this planet a long time – you and me, I mean. I’ve always been able to rely on you, and you’ve always relied on me,” another breath, “We’re a team, yeah? A group of the two of us. And...erm...we pretend that we aren’t. Always have. Safer that way I guess.” He looks up at Aziraphale. The angel isn’t looking at him, but he nods anyway to show that he’s listening. Crowley continues. “And I mean...I’ve tried not to think about it much before but...but it would be nice, I mean, UGH” He takes off his sunglasses and rubs a hand over his eyes as though he can massage the words and make them easier to say. “I mean, I would like to spend...mmm….I would like to spend the rest not pretending anymore. Be an us. I mean,” suddenly the dam breaks, and Crowley finds the words come tumbling out, “If Gabriel and Beelzebub can do it, we can. We don’t need Heaven or Hell, they’re both toxic. We can be an us, on our side. You and me. What do you say?” He looks at Aziraphale without reservation now. His angel looks back at him, eyes wide. When he does speak, it’s with a smile and a small nod of acknowledgment rather than agreement.
“That was very well done Crowley,” he says. This isn’t an answer.
“Nnyeah, thanks. Your turn though.”
“Right, I suppose it is.” Aziraphale takes a moment to gather himself. After hearing Crowley be so open about this, he feels more resolved himself to do this properly. He faces Crowley and folds his hands to keep himself grounded. “Crowley,” he begins, “I...I wish that this conversation were happening under better circumstances. Although it’s been pointed out that ideal circumstances aren’t a promise that we can wait around for. Well, the thing is that I would like the same thing. Very much in fact. My biggest concern by far is for your safety because, well, frankly I don’t see the point in saving the world again if you’re not around to enjoy it with me. An us, as you said. You and me.” He smiles. Crowley smiles.
“Guess we’d better save the world together then. And try not to die.”
“Yes, quite.”
“Aziraphale?”
“Yes, Crowley?”
“You’re my angel. No one else.”
“And you, my wiley serpent. No one else.”
The shop bell dings.
“We’re baaaaaack!” You sing as you waltz through the door, shopping bags in hand. Muriel follows after you, carefully carrying their daisies. “Did you miss us?”
When you eventually get the courage to ask them about their talk later, you get a “ngk” from Crowley, and a “We’ve said all that needs to be said, for now.” from Aziraphale. And that, you suppose, will have to do.
❤️ ❤️ ❤️ ❤️ 🖤
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byerseason · 3 days
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why byler is the only logical way to end stranger things: a personal opinion
long post incoming. i've been thinking about what else can they do other than canon byler or is there any logical way which would please everyone. but i genuinely can't find any logical ending.
first of all, let's see the options i heard from people who doesn't think byler is gonna happen.
not adressing will's love for mike, mike never finding out about it and will's arc simply focusing on supernatural part : well, we all know that's impossible. not after spending a whole season to show us his deep love for mike. also it's confirmed that an emotional arc for him is what is gonna tie up the story.
"his love for mike was for him to explore his sexuality, he's gonna have another boyfriend." : they could easily show it to us without bringing mike into it. the byers moving to california was a perfect chance for it since it's a place better than hawkins when it comes to LGBT, they could easily give him a love interest, include him to their journey to find el just like they included argyle and give him a good character arc in s5, just like robin in s4. well, they didn't.
"mike is gonna reject will" : okay, then what was the reason of making him fall in love with mike? did the writers want to write a horrible story for the only gay child in the group? especially after showing us how miserable he feels about mike and how much he loves him? no.
now let's look deeper at the character arcs. my biggest reason to think byler is the only logical way is: will byers
i don't think i have to mention how much will suffered throughout the show and how he needs the happiest ending. they left season 4 at a point where everything about that love triangle is unresolved and they're obviously going to do something with it.
we all know mike is the one who understands will the most. he always been, since the very beginning. we've been shown that their bond is different and special. in a scenario where mike rejects will, we all know this is gonna be ruined. will is not gonna magically bury his love and go back to being besties with mike. and for mike, it's not possible for him to ignore will's love for him and stay friends as nothing happened. it would ruin their friendship for absolutely nothing.they can't simply take the only one who understands away from him.
will said he wants to spend the rest of his life with mike for two times. even if he doesn't have any hope, he desires it. so why giving him a love that he will never have? in this scenario will's character arc is literally "the gay kid always thought he will never have love just because he is gay, he thinks it's wrong and he is a mistake, well yes, he was right! he will never find the love and just watch the other straight people have it. thanks for watching stranger things." will's arc should be an arc where he is proven wrong, where he understands it's okay to love, where he is loved the way he loves, purely. otherwise his character arc is gonna be useless. where did we leave will in s4? he was thinking there's no chance for mike to love him and he has zero hope-- he ripped off the band aid. if mike rejects him the character arc and all the build up in season 4 becomes useless. he was at zero, and he is still at zero.
like i said giving him an arc where he is loved the way he loves was easy to be done without mike but now it's too late. they made it super clear that will doesn't want to be loved, he wants to be loved by mike. mike hurts him yet he still thinks mike makes him feel like he's not a mistake at all. that's not a simple crush. that's pure love. as a writer of a show you don't spend too much time to sympathize the characters love to the audience -something you never did with your other characters, at least not as much as will- you don't show them pouring their heart to a gift, just to waste it, just to make the character feel the worst they can feel just to make the person they love happy. will loves mike such a way that he prioritizes his happiness over his. this is what is gonna pay off.
the second character whose character arc needs byler: mike wheeler
mike has always been the most complicated character of the show, but most of his actions have no explanation other than him dealing with his own feelings. the show introduced mike as the leader of the party and i think it's okay to say he was one of the main characters in season 1 & 2. what happened after s2? a crazy character downfall. the audience started to dislike him and think he is useless. he didn't have any character development in the past 2 seasons. why? why? why?
because we all just watched him struggling. dealing with something inside of his mind that we don't know.
let's talk about a scenario where byler doesn't happen. this makes all mike's arc about being a love interest since s3. no development, no explanation for his behavior in the past 2 seasons. of course mike is traumatized and never talks to anyone which effects his behavior a lot. but there's still an unanswered question. why is he distancing himself from will specificially? the writers showed us that they understand each other the best, they know each other the best and notice if somethings wrong, so why is he distancing himself from the person who he needs the most as a best friend?
this is where we start to think if the problem is will himself, for mike.
why did we make will fall in love with mike just for mike to distance himself from will for no reason and make will upset? did we want will to suffer for no reason or create an empty storyline?
if mike is not how we think he is, he is going to end the show with an empty character arc who is nothing but a love interest, a side character. if mike ends up how we think he is, he is going to be the best onscreen representation of internalized homophobia. people think he is useless or just an asshole but he will turn out to be a perfectly written character who has his own arc.
people love to say "gay people didn't exist in 80s, byler would be unrealistic." which is completely wrong. gay people DID exist in 80s and they DID find love. did they have peace? they didn't. this is why mike and will are gonna be a real representation. we watched all the real struggles they went through. even if we don't get to see them as a couple, they will know they love each other by the end and that's what matters. and there's nothing unrealistic about it.
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trashcigs · 2 days
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what they notice first ・ 피원하모니 crush!neutral reader + word count 0.9k genre fluff, crushing cw not proof-read — more 👩‍🦰
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keeho, your appearance
heart eyes, heart eyes, heart eyes. keeho just admires you, you're just so ethereal.
treasures photos of you like a soldier going to war. photobooth film strips will be decoed on his bedroom walls, will keep Polaroids of you two on the back of his phone and have the most horrendous (your words not his) goofy .5 photos of you in his camera roll ( he really loves them tho )
when you look away from him to choose a pastry at your favourite cafe, he's looking admiring you through his sunglasses. he loves everything about you, he constantly tells himself that God has favorites.
keeho feels like the entire world is slowing down whenever he looks at you. means every single word, whenever he calls you gorgeous or pretty
will melt into a puddle if you compliment him too
taeyang, your facial expressions
finds the way you move intriguing, laughing at your facial expressions every chance he gets
theo is also very expressive with his emotions, so to see someone who also can't hide them is so endearing to him.
loves the facial expressions you make whenever you find something you like or remember an important detail to a story. the slightly audible gasp, the hand over your mouth, the eyes widening and then darting towards him
when someone you don't like passes the both of you in the library, the disgusted look you both give the person and then each other. barely finding being able to hold in your laughter after seeing the other.
usually ends up finding himself on his bed giggling over the way you gave him a very warm and loving expression, kicking his feet under the duvet and giggling like mad man
jiung, your smile
jiung likes to think that your smile was the first thing that captivated him. he's the type of person who would be having a terrible morning but the moment he sees you smile its suddenly the best day of his life.
he usually finds himself smiling when you're smiling, cheek in his hand, his lips curved up -- eyes like crescents. looks like the snoopy image, stares at you like you hung up the stars. he always does whatever he can to see it, whether that be telling awful jokes, or mimicking anime characters anything that would crack a smile on your face he will do
its even worse when you compliment his gummy smile. completely faltering when you wave goodbye and send a soft smile his way. my friend, he's a goner 🙏
intak, your laugh
intak immediately finds his eyes darting towards you after saying a crappy joke, just to hear and see you laugh
and omg when you do, he's never been happier. will laugh along but only because your laugh makes him so giddy. it's so bad that he recognizes your laughter from distance. he just knows that voice is coming from you.
your laugh is a perfect melody, has never failed to put him into a good mood. he's pretty proud knowing that he can make anyone laugh at his jokes, but for you? he wouldnt mind trying a bit harder
intak thinks your laugh is the most majestic melody bestowed upon this very earth ( his words not mine). when he scrolls through his camera roll to see a video of you laughing at him for losing in a game of basketball at the arcade, he needs to grab the nearest wall before his legs give out on him.
and he's so bad a hiding it. grinning from ear to ear amd eyes turning into crescents whenever he hears you laugh. ( he'll try to turn away because the sound of your laughter is still ringing in his ears and making him giggle like a school girl i front of you)
soul, your eyes
soul really adores your eyes. it's always so full of love. he usually finds himself gazing your way too often. he thinks he's being subtle but you can him bending his neck looking your way every once in a while.
but when your eyes meet he feels the cloud parting and the sun rays shining on him your eyes, finds himself gazing into your ways way too often. when your eyes meet he feels the clouds parting and sun rays bestowing upon him, his body floating to the heavens above.
looses himself too easily, whenever you're arguing and he needs to look up at you he falters. he can't argue with someone who has big beautiful eyes. whatever you say gorgeous
loves how expressive your eyes are , leaning on his hand to stare at them from afar
watches the way your eyes crinkle over the smallest things, they way they shine when he gets one of your favorite snacks!
he definitely has a emoticon dedicated to your big beautiful eyes.
jongseob, your hands
it's the way your hands hold so much warmth that he has the urge to lean into your touch, even if it's for a few seconds ( maybe when he gains the courage )
whenever both your hands brush against each other, seob tries to act slick and nonchalant but his body completely betrays him dating his eyes between your hands your face, and the book in front of him. wondering if you had noticed, if you did it on purpose, if you felt disgusted but will mutter w a small sorry and when you reply its okay he tries to hide his smile behind a book.
does find himself looking at your hands, wondering what it would be like to hold them if they were brushing through his hair if they were on him. he's usually the first the notice if you've done anything with your nails
and compliments you on the new nail sets, the colour, or even the gems. will send you inspo photos for your next visit to the nail salon. ( when you invite him over he loses it )
additional note: jongseob seems like the person who loves to make handmade gifts, bracelets, necklaces, rings -- anything. when he sees you wear them tho he does a doubke take, ( hold his hand n he's sure he can die in peace right then and there
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taglist ???
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steveharrington · 12 hours
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major hornets nest moment here but i must speak my truth. its so fascinating to me how will byers was clearly written with the driving motivation and intention of making him a beloved fan favorite character and instead he falls so flat that, if you asked the average casual viewer of the show who doesn't engage in the fandom like, say, your coworker, the odds of him even being in their top five of favorite characters is pretty low.
will's disappearance kicks off the plot, singlehandedly. the first episode is literally called the vanishing of will byers. his name is shouted so much in the first season that most people would recognize the reference if you used the right cadence and desperation that winona ryder does. after not being featured much in season one, you'd think season two would've just like launched will/noah schnapp into stardom with how much more screentime he's given and how dramatic his plot is that season. but instead the fan favorites of season 2 were by and large el, hopper, dustin, steve, max, even bob who's barely there. that's not to say that there AREN'T will fans out there (and online i understand there are like entire armies dedicated to him/byler, but i'm talking about the average opinion of viewers as a whole, not just in fandom spaces) but think about all the stranger things merch you see in stores, the halloween costumes, the characters that appear in promotional materials when the show has partnerships with brands....will is so rarely featured. idk if any of yall ever got the chance to visit the stranger things pop up shop in any of its various locations, but there was such little mention of will in the stores theming or merchandise that it was almost funny. actually it WAS funny, to me, someone who does not care for him
i think the flop can be attributed to many things. one, noah schnapp is just not a very good actor and he doesn't have the same appeal in his performances that millie, sadie, caleb, gaten, priah, or finn do (although finn i've noticed is also kinda falling out of favor from majority audiences). one could argue that noah schnapp intentionally isn't given much to do, which is true and i'll circle back to that, but the decline in his acting between seasons 2 and 3 is truly a sight to behold. when he's not like tied up and screaming, he reallllllly struggles on the smaller scale performances compared to the other cast members his age. he doesn't really have the charm that gaten does or the humor that priah does or the depth that caleb does. (i don’t feel bad about saying this, btw, given noah schnapp’s behavior)
back to the vanishing of will byer's screen time. my beloved prettymuchit's eric striffler commented on how diminished will and mike's roles in the story have become in s4. "noah schnapp is below the grips on the call sheet" is my fav line, but he also makes an observation on finn's role that i think is soooo accurate. when mike and will are kneeling down next to the pizza dough freezer and watching el just kinda twitch while she fights vecna in her mind, eric and his co-host miles say "this is so embarrassing! finn's like, 'oh so gaten's fighting the monster? and i'm kneeling next to a tub at a pizza place? i used to be this show" and i think the same exact sentiment can be superimposed onto will
but i think this happened naturally, as the nature of the show is to shift its focus from character to character. not to mention the duffer brothers' obsession with tweaking their story to give audiences what they want. i've always held the belief that there isn't one main character of stranger things, rather a rotating circle of characters depending on the season you're watching. season one is mike, season two is hopper, season three is el, season four is max imo. again that's a little subjective and arguments could be made to swap those a little, but overall i think those characters stories and point of views take center stage during each of their respective seasons. by season 3, the duffers wanted to kick things up to a larger scale. the UD is no longer targeting just will, it's targeting the entire town. this works because a THIRD season in a row where this one kid specifically gets possessed would just be bonkers, so they kinda had to let him take a backseat. i'm not sure why they didn't let will be more involved in the mystery-solving portion of season 3....to this day that decision baffles me, but what's done is done and the will that everyone watched in season 3 literally just kinda follows everyone around and gets a small little slice of a plotline about wanting things to go back to normal, but alas
it like totally worked, though. though there are MANY complaints commonly made about season 3, i've never heard anyone offline complain that there wasn't enough will byers. i think the group in s3 that had the most success like, commercially, would be scoops troop and then a bit farther back i think most audiences enjoyed hopper/joyce/murray's dynamic. i think if there had been a huge outcry in the minimizing of will's role, the duffers would've backpedaled immediately. they aim to please. they can't even commit to killing of a main character out of fear that audiences will lose interest if we permanently lose hopper or max, so they just do some creative writing that allows them to milk the emotional consequence of those characters deaths without actually writing them off. if audiences on a large scale demanded that will be center stage, he would be. but they dont!
final point: i think will gets fucked over by the duffers obsession with romance. in season one, two of will's strongest dynamics are with his mom and brother. which like, yeah. theyre his immediately family and he is 12. but in seasons 2 and 3, jonathan spent all his screen time with nancy and from 2-4, joyce has spent all her screen time either with hopper or in the pursuit of finding hopper. these characters are written together as a package deal, typically. it was refreshing and unexpected to see jonathan get a whole season with a friend of his very own and his siblings, but they barely took advantage of that. jonathan and will get ummmm one (1) scene to talk about their emotions in a fucking 20 hour season. it's hard for will to be a main character when he rarely gets to interact with the people that make up the other half of his main dynamics.
as for byler, im of the belief that it will not be endgame because i just don't think they're going to break up mike and el at this point. i could be completely wrong and stand corrected, but im like 90% sure lol. i do think that will's s4 storyline resonated with a lot of people. even eric striffler! i think the issue is that the vastttt majority of people who watch this show above the age of like 15 do not feel invested about the romantic relationships between any of the kids. because why would they!!! theyre literally in middle school for 3/4 of the show. you would be hard pressed to find a vocal will stan online who doesn't also dedicate 90% of their engagement with the show to byler. which makes sense, because most if not all of will's scenes revolve around mike to some degree. but according to neilsen, the majority of stranger things audience is consistently in the 18-49 age range season by season. its more likely for adult audiences to identify with adults (or characters who are narratively treated like adults, like steve and nancy) than with any of the kids. esp when the kid in question, despite being written as the focal point of the show, has less relevant plotlines, less interaction with other characters, and an actor who just doesn't deliver on charm the way his fellow younger costars do
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fairytale-poll · 3 hours
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FINALS!!!!!!!!!!!!!
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Propaganda Under the Cut:
Ponyo:
determined 5yo girls are more powerful than god
PONYO!!!!
As a child i did not even realize this was a little merm adaptation, but it really reads. She is sooo strange and other worldly and the movie absolutely captures that dreamlike fairy tale vibe
Ponyo a roughly five-year-old magical goldfish who can transform into a frog-type thing and a human girl. She's the eldest daughter of the literal goddess of the sea and a former human sailor given immortality. She falls in love with the five-year-old boy who cares for her and is thrilled to explore his ordinary yet magical world. She's bouncy, exuberant, and joyful. She loves ham. She doesn't have to give up her voice.
ponyo ponyo ponyo little fishie in the sea!
Little fishy
THEY LOVE HAM
Bug:
Their a bug that falls in love with a human they rescue and becomes human, but even when they don't get to keep their human body, they still get to be with their love. It's a sci-fi fairytale musical.
Little Mermaid meets Starship Troopers musical starring awesome puppets and the most trans coded main character ever. Please. Please vote Bug Starship I love him. Go watch Kick it Up a Notch from Starship. Go watch Status Quo from Starship. You will understand.
He's a bug and he lives in space on a bug planet but he really wants to be a starship ranger which you can only be if you are a human and then one day a spaceship lands on his planet and so he goes to an evil bug called Pincer who then helps him become a human. And Bug falls in love with a human on the spaceship and it's very sweet. The musical and storyline are based on the little mermaid story, the creators themselves called it "the little mermaid but in space". Bug wanting to be a human/a starship ranger and achieving that and falling in love with a human is very much like the little mermaid
Starship is a musical that can only be described as The Little Mermaid meets Starship Troopers. It follows Bug, an alien bug who dreams of being a Starship Ranger, a galactic explorer/soldier, but the rigid confines of bug society keeps him trapped in a job he hates. He reaches a Starship Ranger named February from the hive and immediately falls in love with her. In order to be with her and pursue his dream, he makes a deal with a giant scorpion named Pincer who through sci-fi bs gives him a human body. Near the end of the second act he sacrifices his human body and returns to his bug body, and saves the day and wins February's heart. It's truly the ultimate Little Mermaid. He has multiple songs, and his bug body is portrayed by a puppet!! Vote for Bug!!
“It's a big, big, universe So many dimensions And unanswered questions Not to mention Life What an invention Life There's no choice involved in what you are given One mind, one voice, one body to live in It's a short, small thing we lead With so much potential Pointless or essential Which one can I be? Where do I fit? Where do I stand? Who are they to say what I am? And how can I stay inside this awful world I know? I need a way out I need an escape I'd rather be dead than to live in this place I wish that something or someone could just take it all away Someone take me away” dear god….. can anybody hear me…. (song from starship)
They are the purest little mermaid adaptation done in the most unuque way. An alien insect gets turned into a human, a race he has always loved and admired, to be with the woman he fell in love with. Also just a great musical.
Bug's whole arc is so so in tune with that of the little mermaid. He is an alien who has fallen in love with humanity through a crashed spaceship and trades his place in the hive for a chance to be with both with the human he's falling for and to be a Starship Ranger. He body swaps with human in a cryogenic pod! It's literally sci-fi Little Mermaid!
Don't stick to the status quo and pick the fairy tale!! it's what HE would want!!!
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respectthepetty · 20 hours
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do you happen to have any other bls with toxic kings up your sleeve? i’m as giddy as you when it comes to ming! i’m newer to bls, so there’s a good chance i haven’t seen whatever you suggest.
Anon, I have an entire roster of toxic characters because
I LOVE TOXIC BITCHES!
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Like 2 Chainz rapped on one of my favorite songs, "I love bad bitches, that's my fuckin' problem" which is why I HATE when a story won't allow characters to be toxic. Like we all know the character IS toxic, but the story keeps telling us he isn't that bad or he is only that bad because reasons. Regardless of the reasons, the character is a bad bitch so why not just let him fucking own it, which is truly the reason Only Friends pissed me off so much.
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Case and point, my favorite characters were Ray and Nick. Ray was calling Sand a whore every two seconds and throwing money at him, while Nick was recording non-consexual sex tapes, yet the narrative wanted me to think they were just sad dudes who were slightly problematic.
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NAH! Nick straight up said he was trash! THEY WERE TOXIC just like everyone else in that damn show!
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Which is why I liked Kang in Dangerous Romance because I don't feel like the narrative eased up on his toxicity. In fact, I feel like the story said Sailom was into it with that master/servant scene at the very end.
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So in order for me to love a toxic character, they must 1) be considered toxic by the story, and 2) stay toxic, so I'm going to give you a list of ten of my favorites, but know that spoilers are coming your way too. Also know that I do not recommend anything, ever, so these are not recommendations. These are merely my favorite toxicitos.
Mis tóxicos favoritos
presented in no particular order
Todd - Not Me
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This man had his lover (it's canon to me) beat into a coma. Then, he went and grabbed that man's twin brother and made him take on his lover's persona all so he could overthrow his competition and be the number one evil capitalist. And then, AND THEN, he was excited to see his lover, Black, return even though he knew that meant he was probably going to die. Honestly, his entire relationship with Black was toxic, and I desperately need more of it. Not Me 2: Blackout when? WHEN, GMMTV?!
Rio & Kido - The Novelist Series
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Rio blew Kido in front of an old man in broad daylight, so they could get a book deal. That's just one of the many fucked up things these two did together, but they were even worse apart. Rio lied to a college student for months about his arm being injured and writing pornographic novels just to turn on the college student and fuck him because . . . he was bored? It's deeper than that, but it kinda ain't. Rio and Kido did toxic shit to feel alive and that's my special brand of toxic. I will never make excuses for them. I like them this way.
Yai - Big Dragon
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The very beginning of this show, as in the very first scene, is Yai and Mangkorn having sex AFTER Yai drugged Mangkorn in hopes of sexually assaulting him and recording it. AND MANGKORN IS INTO IT! Yai tries to steal Mangkorn's phone and ruin his life too, but Mangkorn is so in love with Yai, that he is willing to play along with whatever Yai does including fighting Yai. This is one of my favorite BLs for a multitude of reasons, but the biggest is because instead of trying to tame Yai, Mangkorn just decided to match his toxic energy! I love that for them.
Songpol - Club Friday
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Bank plays toxic very well, which is why he has two characters on this list, even though this show isn't technically a BL. Club Friday is already a hot mess express, so to be the most toxic character in a show filled with toxic characters means that Songpol was TOK-SICK! He cheated on his boyfriend with multiple men. When his boyfriend left him for a woman, he showed up outside of that woman's house calling her a whore. He then went to their wedding just so he could fuck his ex in a bathroom (on his wedding day). He continued to hook up with his ex, and sent a video to his ex's wife of them having sex, only for her to tell him to move into the house and continue having sex with her husband! AND THAT'S ONLY THE SECOND EPISODE! He was serving telenovela villain, and I want him back.
Vegas - KinnPorsche
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The scene: Vegas' beloved hedgehog has just died and he has carried out a tiny funeral for him while the bodyguard he has been holding hostage AND TORTURING comforts him, but instead of sitting in that grief, Vegas tells the bodyguard that the bodyguard is probably turned on by seeing Vegas weak, then proceeds to fuck him. Skipping over the fact that Vegas drugged Porsche, killed Tawan, got Big and Ken murdered by extension, and a plethora of other horrible shit, Vegas was a HUGE red flag from the very beginning, and I wanted him to choke me so badly. *bites knuckles*
Charn - Laws of Attraction
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He had his reasons, but the story and his husband didn't let that be an excuse for his toxic behavior. He tried burning down Tinn's house, with Tinn and his grandmother in it, and Tinn was very upset about it. Not enough to not sleep with Charn, but enough to get his point across that if Charn wanted to burn something down, he needed to focus on burning down the oppressive heteronormative government, so we could all have basic human rights. Toxic, but for the cause.
Chalothon - The Sign
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I knew he was a problem because the way he handled his patients, but he truly proved how toxic he was when he told Phaya he would kill Tharn before letting Phaya have him. I'm mad that the show made him good in the last episode, with most of if being off-screen, but I'll always remember how he committed psychological warfare on Phaya for eleven episodes in hopes of making Phaya seem crazy, and actually made Tharn, Phaya's soulmate, question Phaya's sanity.
Mol - 180 Degree Longitude Passes Through Us
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The only woman on this list and she isn't even queer. That's how toxic this chick was that she made it on a this list being a heterosexual, which was a major part of her toxicity. She is a top-tier gaslighter to her son. She doesn't actually consider Inn her friend. She uses feminist rhetoric to be homophobic. She manipulates every situation in her favor by using tears. I could write a list just about her being lead paint toxic, but the most fucked up part is that she got to ride off into the sunset with her son in the passenger seat being miserable, which is what she wanted. No other BL parent could reach her level. Korn and Gun from KinnPorsche exist, yet this woman would eat them alive without hesitation, then go throw a party for herself. She really is that bitch.
Yong Jie - HIStory 4: Close to You
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I'm not going to bullshit around him being a whole ass problem. This motherfucker is the most controversial pick on this list, and I am well aware of why he is hated by the people, but the story told us he was the devil. The show treated everything he did like stalking, physical assault, and sexual assault as horrible, and he got knocked out for it. HIStory 4 is my favorite BL, ever, and part of it is because the story let this toxic motherfucker BE toxic. I love how much I hate him, and I love how much the story allows me to hate him.
So - House of Stars
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This show was a mess, so I was not expecting this man to come out as THE toxic king to rule over every other toxic character. What made him so toxic is that I had no idea just how toxic he was until the exact moment I realized it, and that's why he is one of my favorites. He was sneaky. He was playing everyone against each other. He was letting the bodies stack up. He was Tan from Dead Friend Forever without anyone figuring out he was Tan. One person realized part of his plan, but even then, that person was not aware of how committed to the bit So was. This smile was the very last scene of the show, and it really proved that this boy ruined everyone's lives only to walk out of it completely unbothered. You know, king shit.
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yanderes-galore · 21 hours
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Here is my other request: it's a scenario for a platonic Pop (HTF) that wants reader as a new kid. After Cub died for good, Pop lost his sanity to grief, guilt and loneliness, to the point that nothing in his life mattered anymore. Honestly, i think he wouldn't even mind if his paws were covered in blood. Now, entering Yandere territory. Imagine if this Pop found reader, who is in their twenties. The bear meets a kind, gentle and friendly person who ends up captivating him to the point that he starts to act like a father to them. Maybe it's fate giving him another chance. Now, he promises that he will never let anything happen to his new child, even if his claws and fangs are dripping with the blood of more people. (possible scenario: Lifty and Shifty try to rob reader, only to find a broken and angry bear who has nothing left to lose. The result: two mutilated raccoons. You can put as much gore as you want).
OH BOY! Haven't touched Happy Tree Friends in a while. Time to go back to what I do best... psychotic bears.
May have spelling/grammar errors, it was no properly checked for errors.
Projections
Yandere! Pop Story
Pairing: Platonic
Possible Trigger Warnings: Gender-Neutral Darling, Obsession, Fear of loss, Mind break, Blood, Gore, Death, Major character death (Cub is dead, so are Lifty and Shifty), Manipulation, Violence, Overprotective behavior, Stalking, Murder, Disturbing descriptions, Dubious companionship.
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The death of a child is never easy for a parent. Even if you've seen it countless times... Waking up like it's some nightmare... The trauma sticks with you. Pop thought losing his son would be just another one of his nightmares....
No... life decided it would like to be cruel to him once again.
Pop first lost his wife... now he lost his dearest Cub in a freak accident. The bear still couldn't process the amount of blood on his own fur. He remembers he couldn't stop shaking... his eyes twitching as he stares at the blood on his paws.
Even as he woke up in the morning, it was all still the same. He woke up alone. No wife, no kid, just him.
Just him and the memory of holding his son... Both covered in blood.
Pop didn't think he'd recover. He was tired of these nightmares involving death. All he ever saw was blood deep in his mind and it led the bear to constant nights of suffering.
Pop doubted he'd even be a parent again. He doubted he'd even get to feel the joys of that anymore. No... he was a failure, just a bear undeserving of his own name.
However... then life decided it wanted to play nice again.
Out on a walk, Pop met you.
You were an adult who had been partaking in college. You were at the park to catch some fresh air after studying and came across Pop. Being respectful, you offer chat to the bear.
Pop was hesitant at first but eventually joined you on a bench. From there, Pop learned you were kind... gentle... and friendly. You cared to listen to what he's gone through and you two managed to become good... friends...?
Pop wonders if Cub would've grown up to be just like you if he was alive. The thought brings tears to his eyes for just a moment, yet you manage to distract him from the pain. You... You were such a sweet angel.
Perhaps you were sent to him as a second chance.
A chance to be redeemed as a parent and mentor.
Since your meeting in the park, Pop has offered himself up as a mentor for you. He became someone you could rely on as you worked through college. Part if him wonders how Cub would've done at college....
Unbeknownst to you, you became a replacement for Cub. In Pop's eyes, you were his new kid. A kid he'd do anything to protect...
Anything as long as it meant you lived a safe and happy life.
Pop never took his eyes off you. He had your number in his phone and tried to be near you at all times. He even decorated your nickname in his phone.
Pop often invited you to bowling, he offers to play Tetris with you... He even asks if you like barbecue. He wants to prove he can be a good father figure for you. He's trying his hardest to embrace this second chance he was gifted with.
Although, the true test came quicker than he thought.
Pop never liked Lifty and Shifty. The two raccoons were no good crooks who took advantage of others. He didn't think he could hate them more.
Until he caught them robbing you in an alley.
After that... all that was left was red.
Pop never saw you cower into the corner as he lunged at the two raccoons. Pop never heard himself roar as he tore into their flesh. He barely even tasted the metallic taste of blood in his mouth.
The alleyway becomes painted red. The squeals and screeches of raccoons rings out before going dead silent. The smell of gore stings in your nose.
Pop's onslaught only stops when he hears sobbing. Your sobbing brings him back to reality. To him it sounds like the cry of a baby...
His baby.
Pop snaps back, spitting out chunks of flesh as he looks down. Once again... he's covered in blood... and it's not another nightmare. The taste is all real and he stares down at the mangled and gouged corpses of the raccoons who tried to rob you.
His wide bloodshot eyes snap to you. You're crying... screaming... but he saved you. Those raccoons can't hurt you anymore.
They're dead forever... just like Cub... just like his family...
But he has you now... and you have him.
"Sweetheart..." The bear finally speaks, coming closer as you try to scurry away. "It's all going to be okay... they can't hurt you anymore."
You try to run, but the bear quickly pulls you into his arms. You struggle and gag at the feeling of blood and gore in his fur. You want to go home.
"Just relax..." The bear coos. "Papa bear is here now... just calm down."
Eventually you relax yourself in an attempt to appease Pop. He smiles softly... his smile bloody. You convulsed in disgust again before Pop sighs.
"Let's get you home, baby..." Pop chirps, dragging you out of the alleyway.
"We both need to get cleaned up!"
You follow him reluctantly... Too tired and stressed to fight... although you begin to assume you aren't going to your home tonight.
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narrans · 3 days
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My Borrowed Son | 16 | Friends and Curiosities
Chapter Sixteen | Friends and Curiosities
Parker couldn’t believe it. Within such a short amount of time, he suddenly had a dozen followers and friends on his page.
Sure, he didn’t know them personally, but everyone was welcoming and polite – two things he was eager to report to his mom when she expressed concern. The miniscule boy also made sure his mom knew he was being safe, not giving out too much personal information, and that the topic of his condition hadn’t even been brought up.
One person commented on his profile picture being interesting, which was a picture of Parker standing in front of his computer screen, but he just explained it was a background and that he wanted to showcase the platform he was publishing on. Karl was the kid’s name, and evidently he and Parker were the same age.
All in all, Parker was pleased with his interactions and the people he was meeting. Lots of them had advice and things for him to check out, and he liked all of the things he was seeing.
There were sketches of space and vast mountains as well as the everyday interactions. There were hundreds of stories from writers just like him.
It felt nice. It felt like some kind of community with people supporting and helping one another. A sense of satisfaction filled the young teen every time he checked his notifications and saw he was getting the chance to meet someone new.
“Just look here, mom,” said Parker eagerly as he showed his mom the latest post he made. “It has almost fifteen likes!” He looked up into his mom’s features and saw her beaming with pride.
“That’s so great, Parker,” she complemented. “Are you going to post your latest story from Mr. Tamplin’s class?”
“I… think so. I don’t know yet though. It doesn’t feel done,” he replied, feeling his cheeks getting warm. The latest story he came up with for Mr. Tamplin’s class was a fiction fantasy story about a sprite named Tal’el. It essentially was his backstory for the Dungeons and Dragons campaign he and his friends started.
Basically, he was a small fairy-like person who was a poison master for his people until he decided he wanted to go out adventuring and exploring. The Dungeon Game Master said it was fine if he played a smaller character, thankfully not questioning why he would want to do such a thing and found a special class for him to play as.
The story actually won a young adult author award for his class and Parker had Mr. Tamplin to thank since it was he who tutored him through his writing slumps. He was now refining it for his literature class.
“Well, don’t be scared to post it sweetie. You’re such a great writer and can do whatever you set your mind to,” encouraged his mom. “Now before you get sucked into checking your notifications, finish your homework and get ready for bed. You have a long day tomorrow.”
“Yes, momma,” Parker replied, rolling his screen back into place in the main area. The structure walls rumbled as his mom closed the outside walls to his home. It was hard to believe it had been a whole month since he “moved in” to this new space.
Parker loved it, in a weird way.
Not to sound ungrateful, but having his own space to roam around, especially in a space that felt suited to him, made him feel just a little bit normal. He liked that he was usually at eye-level with his mom instead of having her loom over him. Just the thought made him shudder involuntarily, and he wasn’t sure why.
It made him feel guilty every time the sensation seized him.
But, now was not the time to dwell on that. It was time for bed.
Parker walked into his room and rummaged through his dresser to find his oversized space t-shirt and elastic band sleep shorts. Then, he went back to the computer and finished submitting his assignments. The words filled the page and Parker hoped that his paper on the evolution of technology was going to be good enough to get him the grade he needed.
Parker’s other assignments were a breeze. Math was simple enough and the biology project about documenting the growth of plants was going smoothly. It was his other project, his story for his literature course, that he was worried about. It was his same story that he was using for his channel, but it was more a mild fear of rejection and lack of perfection.
His online friends liked it, but would his teacher? His followers?
Parker sighed and leaned against the wall before slinking down further into the chair. His eyes focused on the blinking line in front of him as he stared at the end of the fifth chapter he had been editing. Something about this story felt particularly personal, but Parker remembered hearing once about how writers put more of themselves than they’re aware of when they’re making characters and stories.
Perhaps this was just part of that feeling?
The teen sighed and stretched when, suddenly, his lights flickered up above him.
Confusion injected itself into his mind as he stared at the wired lights on the ceiling. His eyes flicked over to the wall switch.
Perhaps just a fluke?
The notion was dismissed when the lights flickered two more times, all of his lights dimming and glowing systematically.
Something raised the hair on the back of Parker’s neck. He felt like he was on pins and needles, the anticipation of a drop while suspended in mid-air. Cautiously, the curious teen stood up and walked over to the switch, examining it closely.
It was still up and wasn’t jiggling or loose.
The lights flickered again.
It felt like he was in a spooky movie, of which Parker had only ever seen one in his life along with a couple of older “thrillers” like Alien and Jaws. Even those movies were censored because his mom didn’t want him to get too spooked.
Was there something wrong with the plug?
Parker glanced at the window at the back by the stairs and, just for a moment, he could have sworn he saw something.
It looked like the quick flick of a shadow.
It was quick and Parker wasn’t even sure if he knew what he saw. He did just step out of his room after all, and he had been staring at his computer screen, which he knew sometimes made shadows appear when there weren’t any.
He held deathly still, his entire body locking up like a perfect figurine. His body fell naturally into the position as he slowly crouched and laid his hand against the floor, as if he could detect any trembling or motion.
He didn’t get a chance to investigate for long though. Before he could make his way to the stairs in his crouched position, there was a knock on the table that made Parker nearly jump out of his skin.
“Parker? Are you going to bed soon?” Parker’s entire body shivered as he pushed himself upright and heaved in a few deep breaths. Every nerve in his body felt electrified. While his heart continued to thrum rapidly, he cleared his throat and called over his shoulder to his mom as the sides of the walls began to open.
“Y-y-yeah, mom. I’m ready for bed,” said Parker. He glanced up at the lights stayed on without the slightest hint of a flicker. The walls opened fully and, instantly, Parker saw his mom’s brow furrow quizzically.
“Everything okay? You look a bit pale,” she said. The maternal instinct in Amanda kicked in and she reached forward and pressed the tip of her finger against Parker’s forehead. He shied away from it, which was typical teenage behavior, but something else felt off about Parker that Amanda couldn’t quite place.
“Y-yeah. I’m fine. I just…” Parker stopped short. It felt like something physically squirmed in his mind, preventing him from saying something about the shadow and the lights. He shook the notion loose, confused as to why this instinct flared up in him, and proceeded with his thought. “I just saw the lights flicker and got spooked.”
“Oh?” Amanda replied as she glanced over and looked down at the power strip that fed electricity into Parker’s Place. Nothing looked off about it to her, but she still knelt and glanced around the ground.
Still nothing.
“Well,” she sighed as she stood and walked back over to the front of Parker’s tiny home. “I don’t see anything. It looks like it’s all plugged in, but we’ll check on it tomorrow. Okay? For now, it’s bedtime.”
“Yes, momma,” replied Parker as he walked up to the edge and accepted the kiss on his torso that his mom gave him. With that, Amanda smiled and watched as Parker curled under the blankets, forming an almost imperceptible lump in the bed. “Goodnight momma. I love you.”
“I love you too, Parker. Sweet dreams my love.” Amanda closed the walls and secured them tightly before tiptoeing out of the room and to her own room to turn in for the night.
Just in the other room, Parker laid there with his heart still fluttering nervously. Everything in him was still on edge, and the curiosity of what was going on with his lights was really bothering him. Parker enjoyed a good mystery or puzzle, but he generally liked ones he could solve.
This one wasn’t solved yet.
For what felt like a couple of hours, Parker tossed and turned in his bed as a mixture of homework assignments and curiosities about the power outlet swirled like a mist in his mind. The more the young teen thought, the more it annoyed him that he didn’t have the answers.
He had had enough.
Parker pushed himself up and decided to go and check out the source of the flickering lights. If it was a cable going bad or possibly the breaker being loose, he needed to get a new one as soon as possible. It would be terrible if he was in class and his power went out. His mom said they would do it in the morning, but Parker knew himself; and he knew he couldn’t sleep if he didn’t at least go and see it for himself.
He couldn’t afford to not check it out with his presentation tomorrow.
The teen stepped noiselessly through his house and exited the front door. As he walked around, he noticed a few things that just seemed, in a word, natural.
Sound was amplified. The darkness in the corners of the room seemed brighter. He could feel every tremble in the desk from his footsteps.
As he made it outside, a choice presented itself to him. For a moment, he considered going down the climbing line he installed himself on the backside of the desk.
But he knew if he slipped on the rope and got hurt, which he never did, his mom would make him take down the line.
He decided to risk it.
It was late. She was asleep. Parker was as sure footed as a goat and knew he would be fine all the way down. The temptation was also too great for the teen to resist. Plus, it would be a lot faster.
There was something about the experience that was, in a word, liberating. The free fall. The catch. The feel of the rope in between his fingers.
It felt natural.
The urge to climb and fall and hide never failed to fascinate parker. Whether it was something his condition genetically programmed him to do so or if it was some personality trait he possessed, he didn’t know.
What he did know was the sensation was addictive and he was itching for a good climb.
Parker snagged the line in between his fingers and leaned over the edge of the desk. There was a mild sense of vertigo that swelled inside him, but he loved it. The weightlessness seized him as he let himself slip over the edge, hands and feet firmly in place and secured on the line.
The line burned against the teen’s palms and against his legs as he quickly descended. It felt like something a secret agent would do, and it felt epic.
The moment Parker’s feet hit the ground, he felt himself instinctually look around and crouch low. Silently, he stepped across the planks of wood that constructed the floor and walked toward the power strip that was only a few feet away. The whole thing was four times Parker’s size, but he navigated through the wires with ease.
His hands worked quickly to check the buttons and reset panels, and the teen could find nothing wrong with any of it.
Perhaps something is up with the electrical cover in the wall? Parker wondered silently. He jumped over the stiff cord that led to the wall and approached the trim on the wall which had small notches in it, so he didn’t need to snag a ladder.
As he approached, Parker noticed something by the very base of the electrical cover that made his hair stand on end.
It was a drill bit.
Flat head.
It was a tad bit rusty, and Parker didn’t recognize it from his mom’s kit that she used to help construct his space. He approached and picked it up, realizing it wasn’t as heavy as he thought it would be. In his hands, it was about twice the size of the drill that his mom used, and he realized he could probably carry it around easy enough; but where did it come from?
I don’t think this is mom’s drill bit. How’d it get here?
Parker glanced up at the electrical cover and felt his heart skip a beat as he noticed the screw for the wall socket was protruding from the wall ever so slightly.
His entire body was shaking now, but he wasn’t sure why.
Had his mom messed with the electrical cover with some old tools that she forgot about?
It didn’t seem like her.
Parker stepped up on the trim, balancing precariously and using the cord to stabilize himself, as he pushed on the very bottom of the electrical cover.
With almost no effort, the piece wiggled free and the screw clattered to the ground. The end looked a lot shorter than the others. He knew because he helped his mom replace the covers a few weeks ago.
The young teen took a few deep breaths to calm himself before he dared to peek inside. Engulfing darkness belonging to the wall consumed his vision. There was something exciting and enticing about the darkness in front of him.
It felt, in a word, familiar.
But why?
Parker felt his head beginning to throb as his mind stirred some fragmented memory, but it was hazy and distant.
What really set the teen on edge, however, was when he dared to push himself up onto the ledge to peer better into the wall and noticed something else that made his insides fill with nervous energy.
There was something that looked like a pencil mark. Two lines with a triangle on top followed by a little check mark on the inside. To Parker, it looked like a kid’s drawing of a house with a check mark inside of it.
Was this something his mom did?
Or was this some kind of construction mark?
What was this?
What did it mean?
The teen stared at the marks and then back to the darkness of the wall. Just like the shadows of the room when he stepped out of his house, the looming abyss of those narrow spaces between the walls didn’t seem very dark. It almost seemed inviting.
There was something about that confined space between the drywall and the studs and exterior boards that made Parker feel like he was back in his space. It was familiar.
But why?
Parker hadn’t realized that he had been learning forward to the point where he was barely hanging onto the edge of the electrical cover and leaning into the walls. It took the sound of his foot skidding against the wood and nearly tumbling headfirst into the space in front of him.
Startled and shaken, Parker pulled himself back out of the entryway into the walls, forced the electrical cover back onto its perch, and hurried back to his room. He was in such a tizzy, the young teen didn’t even realize he had gone straight to the secured line he left and climbed up it in record time, ignoring the staircase mere feet away.
His little feet barely made noise as he scurried back to his room, securing the door and slipping under his covers without so much as a squeak.
Parker’s mind was racing. What was that he just saw? And what was that weird draw he had toward the walls?
Hopefully, his mom would have the answers.
First thing in the morning, he would ask her. She would make everything better, right?
~~~~~^*^*^*^*^~~~~~
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transprincecaspian · 23 hours
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SESSION ONE: WELCOME TO BAROVIA
This is the re-cap/write-up of our first session in CURSE OF STRAHD: HUNTED, a campaign run by our dungeon-master ONYX and played by a total of six people around the table. In this session the party first arrives in the plane of Barovia and meets each other, before heading toward the nearest village (also Barovia).
As a note, the character known as Luca does not show up in subsequent sessions as the player bowed out of the campaign and we brought in someone else to take their place in session 2.
View the cast HERE.
For now, though, here is the start of the STORY SO FAR. / (MOBILE LINK)
The session opens with everyone centering in on a clearing, in the woods just south of Barovia.
Melchior and Giselle had met earlier in the day; Melchior introduced himself to her as a werewolf hunter, and seeing that Giselle was lost, agreed to take her to the village of Barovia so that she could start to get her bearings. It's late, and they've just set camp. Suddenly, an elf bursts into the clearing--Lune--and only pauses for a moment to tell them to "run" before they move along, faster than anyone the other two have ever seen before.
Before Melchior and Giselle have a chance to decide what to do, there is another interruption. Falling from the sky is Crafine, the kenku, followed quickly by Vayagol, a cleric who lands on top of them. As the group struggles to get their bearings, with Melchior offering healing word to Crafine, they realize that Giselle has already run off after Lune.
Eventually, the party catches up and gathers together underneath a tree. Up in the branches, Lune is helping Luca (bloodhunter) and an injured hunter, Bernor, down from the tree. Luca is covered in blood down the front of his shirt, and Bernor is limping along with his crossbow.
Crafine's sense power ability reveals a mass of undead encroaching upon the group from every direction except to the north, so everyone heads north. The mists, which seem to be chasing them, funnels them over the bridge and into the village of Barovia. Although to outsiders, the edge of the town is dilapidated, with abandoned houses and shuttered windows, those native to the plane state that it is always in such a state. The party takes note of a mansion nearby, welcoming with warm lights in the windows, though Melchior is disinterested in seeking help there.
Luca goes to seek help in the inn (Blood of the Vine), but the locals are frightened by the encroaching mists and so no help comes. Despite Melchior's warnings, Giselle makes a run for the mansion and prompts the party to follow. They find themselves trapped within Durst Manor, as the fog closes in and gives them nowhere else to turn. Melchior and Luca hint that this might be by design, alluding to a mysterious baron, and the party goes inside to investigate what might be going on within the manor.
Just inside, in the foyer, the party encounters two children: Rose & Thorn. The two children inform the party that their parents are gone (but insist that they will return), and that a monster "lives in the basement, but is haunting them through the walls". Despite Melchior's reticence, the party agrees to help them out. They decide to leave the children with Bernor guarding them, armed with a crossbow in the foyer, while everyone else explores the lower level of the house.
A short rest is taken, and then exploration begins. It appears as though life has frozen in place: the kitchen appears to have been freshly used, a mess with food and dishware scattered everywhere, and there is a hot feast out and waiting in the dining room. No one partakes of any food, though there is some theft of the silverware after Melchior reveals that he is a werewolf hunter, and that werewolves are a threat in Barovia. He says that a table setting is unlikely to do much damage to one of the beasts, but thefts occur regardless.
Upon not finding much on the first floor, save a bungled attempt to open a locked cupboard and an aside that Vayagol might not hear from her god here, the party decides to head up into the second floor. Melchior recognizes the people in the painted portrait at the top of the stairs, and correctly identifies the face of Gustav Durst, the former master of the Durst Manor and whose family used to rule Barovia. He recognizes Elizabeth Durst, his wife, who is scowling down at the baby cradled in Gustav's arms. The two children in front of them, who he states seem to be Rose & Thorn Durst, are smiling unawares.
In the library, Lune discovers a secret passageway; within, they find runic books on the shelves (which neither Melchior nor Crafine had the time to try and translate). Also within the passageway was a skeleton, that had clearly been killed by acidic darts, clutching a letter. The letter reads as follows:
My most pathetic servant, I am not a messiah sent to you by the Dark Powers of this land. I have not come to lead you on a path to immortality. However many souls you have bled on your hidden altar, however many visitors you have tortured in your dungeon, know that you are not the ones who brought me to this beautiful land. You are but worms writhing in my earth. You say that you are cursed, your fortunes spent. You abandoned love for madness, took solace in the bosom of another woman, and sired a stillborn son. Cursed by darkness? Of that I have no doubt. Save you from your wretchedness? I think not. I much prefer you as you are. Your dread lord and master, Strahd Von Zarovich
Lune opens up the chest on which the skeleton was propped up, and retrieves several items: three identified scrolls (bless, protection from poison, spiritual weapon) and three more scrolls that have yet to be identified. In the study portion of the library, Melchior reads through the first page of an open journal that was left out near the fireplace, and locates a silver key within the desk emblazoned with the symbol of a windmill; he recognizes this windmill from his travels.
Across the hall in the music room, Luca effortlessly serenades Giselle with enchanting piano music while she dances along. Crafine and Melchior enter the music room to investigate, so Giselle steps outside to talk to Vayagol. While this is happening, Lune travels upstairs to the third level of the manor alone, triggering an attack on the party by animated armors that suddenly spring to life.
In the ensuing combat, much is revealed, such as: Giselle is capable of casting magic, despite her previous claims that she is unable to do much more than to cook or paint. Melchior spies Luca drawing his own blood in combat, and his eyes turning a bright electric blue. Crafine almost falls unconscious, but Vayagol dashes over to him to heal his injuries before he is lost.
the party calls for a long rest.
in the library, Luca reveals to Crafine the truth that he is a dhampir, and that his blood is electrified(?) He alludes to some fonder familiarity between himself and Bernor. the pair of them play cards with the children, teaching Rose & Thorn how to gamble.
in the servants quarters, Melchior is carefully embroidering red thread into a large sheaf of spare black cloth. he tells Vayagol that his mother taught him how to do, and gestures to the red flowers embroidered onto his shirt. he implies that the flowers are of traditional significance, and promises to teach her the art of embroidery at a later time.
in the hallway, Lune speaks to Giselle, who is sticking close to them out of fear from the recent attack and feeling safer with them. Lune learns that Giselle was not lying to the party, but she has only recently come into her powers. Lune ponders over the amulet around their neck before taking their meditative rest.
end long rest.
after the long rest, Crafine and Luca realize that Bernor and the children are missing. Alarmed, the rest of the party is quickly roused, and everyone agrees to ascend to the third level of the house. (Luca and Giselle first investigate the third floor, but Melchior writes them off and convinces everyone else to keep going). The third story is unlike the first two: it is decrepit and aged, walls peeling, cobwebs strung along corners and dusty furniture. Crafine locates a hidden stairwell hidden in the far wall. the party splits at this point.
Melchior, Luca, Crafine, and Vayagol enter the northern room. In this room, they find another dead body--a man, but no one knows whom. They tear this room apart with perception checks: Crafine locates a safe in the nearby wall, and Melchior locates the key locket hidden within the bed. Within the safe is a jewelry box with an expensive looking pendant and three non-magical rings; Luca takes the pendant, and Crafine tricks Melchior into handing over the rings. Vayagol reminds them that they are supposed to be looking for Bernor and the children.
Melchior notices that Crafine is additionally wearing a wedding ring.
In the southern room, Lune and Giselle open the door and are set upon by a specter who does not want to permit them entry into the room. Both of them attempt to calm the spirit enough to enter the room, but fail. They do get the specter to indicate that the missing children are another floor up, on the fourth floor, accessible only by the recently discovered secret passage.
On the fourth floor, the party locates the bedroom of Rose & Thorn Durst. It is discovered that the children they previously met on the first floor were not the real spirits, but an entity mimicking them. Through questioning the children, it is inferred that Strahd likely killed their parents at a dinner banquet, and the children were left to starve alone upstairs.
During this discussion, Melchior becomes visibly distressed and leaves the room; although he occasionally interjects with questions, he is mostly pale and sick-looking for a time.
The dollhouse in their room reveals that passages to the basement are missing that should have been there. The house is sentient, and was hiding the basement access from the party (either to protect us or to protect itself). Crafine wraps up the bones of the children to properly bury them; additionally, he and Giselle both allow themselves to be possessed by Rose & Thorn. Lune takes the dolls of the children at Melchior's behest.
Before they descend to the basement, Crafine and Melchior have an argument at the top of the stairwell. Melchior insists that attempting to fight the creature within the manor is futile, as everything within Barovia is subject to the will of Strahd Von Zarovich: their best attempt would be to flee and chance with the mist. Crafine argues that it is the coward's way out, and that there is no other way but to the basement. Despite his reservations, Melchior makes no attempt to leave the group.
During this argument, Melchior bares his teeth at Crafine, revealing sharp canines; Luca notices this and asks Melchior if he is also a dhampir, something which Melchior affirms. Luca shows off his ability to spider climb on the ceiling.
As they descend, Crafine moves slowly, allowing for some to get a chance to converse. Melchior and Luca discuss dhampirism (with a few interjections from Crafine), in which Melchior agrees that they are strange kindred, but does not reveal what he hungers for (Luca is revealed to be a classic bloodsucker). additionally, it comes out that Crafine is in his 40s, with two children between the ages of 20-23. Luca is revealed to be physically 24, but due to his dhampirism, he is also up into his 40s. Melchior is simply 24, Giselle is 18, and Vayagol is 19. Lune does not offer their age.
Melchior keeps getting tripped by Something as they continue to head down the stairs. Crafine is using his sense powers skill repeatedly, fretting over a consecrated presence that has repeatedly occurred. As it keeps showing up from behind, he begins to shuffle the party members in front of him on the stairs so that he can narrow down from whom it is coming. Surprisingly, the cleric, Vayagol, is not the source of this consecrated energy. It is narrowed down to either Giselle or Lune, before Melchior, now at the front of the group, is violently shoved down the stairs.
As he recovers and gets his bearings, the rest of the party catches up to him. Melchior accuses Luca, who had been behind him, of being the one to push him. Luca denies this and the two bicker until Crafine puts an end to it, saying they need to keep moving.
Melchior indicates the group should go to their right, and lead them to a crypt. Underneath the Durst Manor is the Durst Family Crypt, which Melchior notes with no small amount of alarm seems suspiciously empty. As they head south, they find the four empty tombs of the immediate durst family: Gustav, Elizabeth, Rosevalda, and Thornboldt.
Crafine puts the bones of the children into their respective tombs (and Lune lays their dolls to rest with them), and the spirits pass on. Crafine and Giselle are no longer considered possessed.
As they head further into the crypt, Melchior is attacked by a hidden creature referred to as a grick. Thankfully, it is quickly disposed of, with Lune making the killing blow.
END OF SESSION ONE.
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A Goodbye to The Bad Batch
I don’t even know what to say first. Because this is goodbye, but it is also everything but. But I suppose I should start at the beginning.
Just a couple of years ago I found my love for Star Wars. My entire life, as far back as I can remember, my dad has tried to get me into the fandom. Now, he’s not a fan the exact same way some of us are, he’d only watched the saga and the Mandalorian, funnily enough I was the one to introduce him to The Clone Wars and beyond, but it’s been a joy in his life for a very long time. I was never interested in it when I was little, but then I got a little older and Star Wars started to capture my interest.
One random weekend, I believe in 2021 or 2022, I decided that I was going to watch all nine saga movies in those forty-eight hours, and then start on my goal to watch every show and the additional movies.
This is, without a shred of doubt, one of the greatest decisions I have ever made, and one that I will never regret. I would not be the person I am had I not given Star Wars a chance.
It would sound ridiculous to anyone anywhere else, but this has become such a safe place for me that I know I can be honest.
Everyone finds that one thing that makes them happy like nothing else. A person, a hobby, a place, a fandom. Mine is the galaxy far, far away that lets me escape from my life whenever I need to.
The Star Wars fandom has its faults, and there is so much hatred.
But more than anything, there is love like no love I have ever experienced before. The love between fans and our love for these movies and shows is something I never expected to have in my life. But somehow, for some reason, it has all found a permanent place in my heart, and I couldn’t be happier.
At this time, the first season of The Bad Batch had just been released. I was branching out, watching The Clone Wars and then jumping to The Book of Boba Fett, though I’m not sure why I chose to watch everything in such a completely random order.
But then I started The Bad Batch.
I had no idea what Crosshair, Tech, Wrecker, Hunter, Echo, and Omega would come to mean to me.
I have dealt with a lot in the last few years. Nothing compared to others, but depression finds a way to wedge into your life. I love to be alone, but I don’t like to be lonely, and I have managed to isolate myself to a point of misery.
I found more comfort in The Bad Batch than anything else in my life, and I will never forget the joy The Bad Batch brought me in these last few years.
I began to write when I found Star Wars, and I was inspired to do so by The Bad Batch. Before, I had never felt so compelled by any one piece of media to add my own part of it to the world, until this. Writing has become another escape, one that gives me an outlet to continue the stories of characters left behind.
What I already knew has been reaffirmed, the lessons I have learned remain with me, and will even after this is over.
That it’s okay to feel afraid, because everyone does, and to make mistakes, provided you learn from them.
That feeling out of place for one reason or another does not make you unworthy of love, and having limitations with affection isn’t something you need to apologize for.
That being goofy, having fun, finding joy in the dark places, is just as vital a part of life as anything else, if not what we need more than anything.
That taking time for yourself, to make sure you don’t fall apart, even while taking care of others, is important.
That our worst moments can be one of two things, what consumes us, or what we grow from.
That being a young woman is not a detriment to your worth, intelligence, talent, or any other aspect of life, but is in fact what makes you strongest.
That what makes us unique and our faults are a part of who we are, but they do not define us, and we are so much more than the ideas people have of us.
My only regret is not making friends when I had the chance. I’m bad at that, opening up and putting myself out there, and I shy away from talking to new people because it makes me uncomfortable. But I wish I had been able to put that aside before it was too late and found people who love The Bad Batch the way I do to continue talking to, even after the show ends.
But to all the people who have supported me and who I have supported, thank you for being part of my Bad Batch experience.
It's very difficult to believe that this is it.
Though The Bad Batch has not been around long, it feels like it has, because as long as I have been watching Star Wars, The Bad Batch has been in its active run, and I’m so grateful I got to be here when it was.
I know that even when the credits roll for the final time, when the greater fandom forgets the show that they never really understood the way we have, I’ll be here, and hopefully, so will all of you. I think that the family brought together by The Bad Batch will endure, even if we go quiet for a while.
We’ll stick around, for the day the Batch comes back. Because I know they will.
Thank you Clone Force 99, the Bad Batch fandom, Dee Bradley Baker, Michelle Ang, the Kiners, and everybody who played a part in telling this story.
The impact The Bad Batch has had on my life has been profound, and I wouldn’t give it up for anything. It’s been a wild ride, and I have enjoyed every second of it. It has been a privilege to be a part of this piece in the ever growing history that makes up Star Wars.
Goodbye, Bad Batch. Until next time.
“Change takes getting used to. You’ll see. Just give it time.”
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junkanimate · 23 hours
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EHY I'VE BEEN READING A LOT OF FANFICTIONS LATELY
I know, who would have guess?? Anyway I wanted to send some appreciation all around to some of the fanfics I've read, because writers need some more appreciation in general.
so, in no particular order:
✨Here's a list of fanfics I've read/I'm reading that I think they're pretty good✨
Solid Stone Turns To Clay by @randyzorra - MK fic
A solid Johnshi fic set in a pirate au, I'm absolutely obsessed with it. It's a beautiful slow burn, where Johnny is a disgraced bounty hunter who's trying to regain his fame by stealing The Shadow, legendary cursed ship. Ship that so happens to have a certain someone as her captain. Honestly not only I love the romance, but also the friendship between Johnny and Kung Lao and Johnny and Baraka.
Beware that this fic is tagged as explicit, so check the tags carefully
Back There by houndhead - MK fic
Ehy, have you ever thought that Raiden wasn't there when the others went to Outworld to find Shang Tsung? Yeah what if they never told him what happened back there because of good ol' classic trauma? I'm in love with this concept and houndhead explores it in a very interesting way, showing us how each character would act after experiencing what happened at the lab. I also really love how the characters interact with each other, in the last chapter Tanya and Tomas are just perfect.
Raise The Blade (Make The Change) by cherrycola94 - MK fic
A very fun Johnshi fic that's written a little bit like a script, it has some added scene set before the game, some exploration of the canon through a Johnshi lense, ad finally it continues as a post canon, with a very fun story. While I was reading it I could see in my head the scene perfectly, like it was actually a movie. The second chapter has an AMAZING SCENE, like I was so in love that I have a wip of that scene. I should come back and finish it honestly. The new chapter had exactly the kind of scene I was craving for recently, I'm so happy they wrote it!
But I lowered my sword when you held me and swore (you'd stay, stay, stay) by @necromanticzz - MK fic
It's a johnshi fic with a Kenshi pov, where Kenshi has so many walls up doesn't want any help but Johnny just seems to be able to go through them without any problems. Honestly I also advice the other fic necromanticzz wrote about them, the way Kenshi gets chracterized in both of them is just *chef's kiss* perfect, beautiful, amazing. The two fics are just my favourite in the way Kenshi is written, applause all around, love it.
Koffee Shop Kombat by @loujitsushotsoup - MK fic
Because a classic coffee shop au is always needed. We have multiple ships, different writing styles between chaptes, changing with which character's pov we are following, and I love the creativity that was put in it. You maybe saw this post where I drew one of the scenes in this fic, so YOU KNOW that I mean it when i say that I love this fic. And I'm a big sucker for coffee shops as a setting, really love them in real life as well.
Cole's Chilli Recipe by @before-time-had-a-name - Ninjago fic
Another fic where I drew one of the scenes and it's because it deserves it. It's a lostshipping fic, very sweet, very cozy, honestly Cole and Geo make me incredibly emotional everytime and this fic also straight up picked me up and squashed me. I saw in some of the reblogs on my post that people went to check out the fic and I'm so happy about it because they deserve his work to be checked out. And honestly if I can give her more spotlight I will take the chance. Go check out this fic, it's very cool.
Here Comes Casey Jones by Invader_Sam - TMNT MM fic
Very sweet rasey fic that takes place post movie, with the turtles going to highschool and Raph meeting for the first time Casey Jones. What can I say? I just really love Rasey, and I love they're both clearly crushing on each other but they're not really saying it. And the fact that there's no unecessary teenage angst, they just really like each other, and I love that for them ❤
Think Of It As War Paint by less_depresso_more_espresso - TMNT 2012 fic
Another Rasey one, short and sweet, where both of them honestly are giving so much gender in my humble opinion. It's hard to explaning it without just saying all the fic, so we could say it's about them just chilling on a roof.
A Garden Across Our Collarbone by PittedPeaches - LMK fic
I think everyone and their mom already know this fic, and if you don't it would be my honor to talk to you about it. This for me is THE spicynoodle fic, it was one year of my life and honestly at the end of it I cried. This is a soulmate au, where demons sometimes have soulmates, and when that happen it's like they share skin, so they can write stuff on their body and it will appeared on the skin of their soulmate. It mostly starts like a rewriting of seson 1-2-3 by Red son's pov with this new dynamic, and then it becomes a new original timeline. The way this fic is everything to me, every chapter was an incredible experience, I fell in love with this fic at every chapter. So many beautiful scenes, written so beautifully, as I said this fic was 1 YEAR of my life. It was also a very difficult year, and I'm honestly so happy that this fic was there for that time of my life.
Desde el Principio by ShippingMyWorld - Nicktoons United fic
Okay idk If you saw me reblogging a bunch of Nicktoons fanart like two days ago, but just so you know I'm totally going into the rabbit hole of this fandom and I will be lost for a while. Now, this is a Danny Fenton/Manny Rivera fic, the tag has only two fics and both of them are from this writer.
I wish I had this commitment in my life, to just being THE ONLY one creating a specific content for something and still having the motivation of doing it
I read this fic last night, I finished it at 5 a.m. and I do not regret it at all, this was amazing
I actually recommend reading both fics because they are very good, I'm giving a shout out to this one because I think it's the one that made the biggest impact to me personally. ShippingMyWorld you did it, you converted me, I ship this now.
And that's the list, thank you so much to every fanfic writers that give us such amazing art everyday, you're the backbone of fandom!
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acourtofthought · 2 days
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I’ve got this bad feeling that SJM is going to announce the next book as an “Azriel book” only, not giving any other info. It would be the ultimate marketing move, since it hype both the sides of the fandom.
I know that for you the next one will be the Elucien book ( AND IT IS the most rational choice because all the major plot lines are connected to them and their journey), but I fear that it will be Gwynriel.
It’s just that in the last years we had his pov and he featured in Hofas, so I feel that Sarah is setting him as the new main character.
The problem with this is that I can’t really see what his book will be about in terms of development of the story, since his only personal connection with a place in the story is the Illyria. So we could have to read 800 pages of an healing journey with some secondary events on the background that set the next book.
In the meantime, Elain will have a conversation with Az where they understand that between them there can’t be anything, maybe after a period of secret “forbidden” romance. We could also have some Elucien moments across the book.
Personally, I find it a very boring plot, but somehow that woman can make me read anything she writes despite I hate most of her characters ahah. But I fear that this is how she has planned to do.
And if I’m right (hope not), the book will be announced as Azriel’s, and the whole fandom will be on fire.
And that’s it, I just wanted to share my fear with you, since you are the strongest pillar in the temple of “Elucien book next”, hoping you could reassure me that my fears won’t come true and I can sleep sweet dreams.
I love your resilience against E/riel harassers, stay strong!!!💪🏼
I think the biggest discord in the fandom would come from SJM / Bloomsbury announcing that it's Elain's book next without confirming the love interest. If they announce Az being next then I think that would be a big indicator that Gwyn is his sharing in his POV because E/riels, Elucien's, and Gwynriels tend to agree that the debate is between Elain getting the next book (with an Az POV), Elain getting the next book (with a Lucien POV) or Az getting the next book (with Gwyn POV). Most arguments do not claim Az will get the next book with an Elain POV. Though I'm sure there will be those who argue regardless, we've still got people claiming Bryce and Hunt won't end up together.
As far as who is next, I think all opinions are valid because they're based in some sort of logic. SJM definitely gave Az more attention since SF as well as a POV bonus and that's a good reason to think he's next. But.....it doesn't really guarantee it. Eris got a lot of attention in SF too yet he's probably not getting a book anytime soon and Nesta received more attention than even Az in HOFAS and she already had a book. She's connected to both Az and Gwyn so there's a chance that still suggests a Gwynriel book next however she's Elain's sister and the reasons Nesta was built up in HOFAS, her possible connection to the Starborn fae, is something that could indicate Elain and Lucien. Nesta is an Archeron and a Made fae by the Cauldron. Elain is an Archeron and a Made fae by the Cauldron. If Nesta has the Starborn tattoo then it's logical to consider that Elain could share one as well. And we know Lucien, through Helion, probably has a connection to the Trove.
Though Az got a bonus chapter, Lucien had a POV back in ACOWAR. Though Az was built up in SF / HOFAS, Elain and Lucien were built up in ACOWAR / ACOFAS. Some will claim that because Az had recent buildup it means he's next but when we look at the below from an interview SJM did, recent buildup doesn't actually mean anything:
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Yrene towers was in a TOG novella, set before the events of the TOG series but she played no part in books 1 - 5. Chaol was in books 1 - 4 but was completely absent in book 5 (same with Nesryn). Yet they were all given main POVs in book 6.
Sarah spoke about how everyone thought she hated Chaol after a time because she suddenly took her focus off him but she went on to say that "No! I always knew the story I wanted to tell for him but I just had to wait until it was time!" That is something that could easily be applied to Elain and Lucien's characters right now. So many have said she's forgotten about them, she got bored with them, she's more excited for Az's story. But what if, just like Chaol and Yrene, she's been biding her time, setting them to the side until it was time to pull them off the shelf? Sure, that could mean they'll come after Gwynriel but it also doesn't exclude them from being next just because Az played a larger role in Nesta and Cassian's story.
As far as plot, I do think Elucien makes the most sense. SF and HOFAS dropped hints as to what Az's book might be about but those things are not actually plot issues at the moment. The Illyrians are not a bigger threat than Koschei. The threat of new villains entering their world from outerspace is now in their peripheral vision but not something that's actually presented itself as a problem. But Koschei stealing Vassa back is a concern. The NC needing Springs army is a concern. Beron is a real concern. Koschei and possibly the remaining queens are a concern.
Unless the Valkyrie and the Illyrians are going to tie into Elain and Lucien's book, I am still unclear on how they'll set up Elucien's story. Unless Koschei is going to be tied into time travel, I'm not sure why a time travel plot in the next book would make sense. And you summed it up perfectly with how you mentioned that once again, another ACOTAR book would feature two characters healing journey's, their individual plots but with "secondary events in the background that set the next book." Elucien's plotlines are already well established, from ACOWAR through SF and they were not resolved in Nesta's book, they played the backdrop to Nesta's main story. Having those same plots play in the background again with no resolution seems extremely drawn out.
To me it would make the most sense for Elucien to restore Spring, bring the life back to the land where it's dying, defeat Koschei, stop Beron and secure peace through the treaty. At that point the IC can turn their focus to the Illyrians, continuing the formation of the Valkyrie and protecting their entire world from threats from outside it.
But.....these are SJMs books and only she knows what her grand vision is for the series so I could be way off base!
Edit: forgot to add thank you! ❤️. I hope you start having sweet dreams again soon!
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nightmareinfloral · 6 months
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I get so pessimistic about the current comics industry because is there even a way to try and save it or are we doomed to have these instagram post stories about the same five characters forever while the rest fade into relative obscurity
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yamanoskk · 2 months
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The real mastermind, the unpredictable subordinate, and the 'spies'
My fanarts of the new casts in Touhou 19!
Overall, I do enjoy the game! Really adore all of the new casts, the new music are cool and the story is interesting! Really nice to see more of the old casts come back in here too!
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torgawl · 6 months
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i keep thinking about how “is this what justice means to you, answer me neuvillette”, despite having been used in a case all those hundred of years ago, was probably a question that haunted - and still haunts - neuvilette during the entire time he has been chief of justice. i keep thinking about how they highlighted his struggles through time with both carole and wriothesley's trials. how guilty and powerless neuvillette must have felt for not being able to support and save those he recognised as vulnerable and victims before a system that corrupted their fates but that he wasn't able to change despite his position. the theme of being a casualty of a system no matter if you're the victim or the perpetrator in its eyes. the way neuvillette took, in both cases, things into his own hands. even if it was too late to fix the hurting carole and those who cared for her went through, even if it was too late to save her life; even if it was impossible to change wriothesley's past, his verdict and subsequent imprisonment; neuvillette went above and beyond, making use of his influence, to allow both melusines and wriothesley the opportunity of a better future - to melusines by making sure they weren't discriminated, to wriothesley by supporting his attempt at a second chance in life. i think part of the reason he's so intriguing is our awareness that this internal conflict he's bound to have is so complex. you have a chief of justice, or a judge, that is supposed to be imparcial and follow the law stictly confronted with situations of social injustice, unable to protect those who rely on him. you have someone who understands better than anyone what it means to be an outcast, being able to relate to those who are ostracised and have their pain weaponise against them. you have, in vautrin's case, a friend who cannot even showcase his own pain and is still expected to fullfil his juridical duties despite being personally related with those involved in the case. someone who people constantly turn to but whom he feels like he has no right to turn to himself. it's about the conflict between his feelings and his duty, between what's expected of him and what he can actually do. i think that's why the end of his story quest is so emotional and why it's so heartwarming to have him realise he isn't an outcast anymore, that he has a community there for him too. because a system is a system and he will probably never be able to save everyone, because yes he isn't human, but it doesn't mean he doesn't deserve to belong or that an active demonstration of love towards individuals and people he can relate to rather than the theoretical concept of humanity isn't meaningful. in fact, i'd it's a lot about that, about finding ways to be kind and how community gives meaning to life; how personal relationships and targeted kindness can shape society, or at least i think so
#i don't know if this makes sense but i like how character's stories in fontaine are interconnected in the perfect way that they're used to#give depth to each other while also existing perfectly independently#i forgot to add navia's story to the post but that's also another scenario used to characterise neuvillette#the same way wriothesley's backstory exists independently but it's also used to give depth into neuvillette's character and his motivations#the same way navia and clorinde's probably will as well#i always headcanoned (is that a verb 😂) neuvillette and wrio's friendship stemming from neuvillette trying to atone to his silence during#wrio's trial. i think it makes sense. i think it probably meant a lot to wrio too to have someone be so trustworthy after everything he#went through the betrayal from his adoptive family and his only aid through his life being the melusines who aren't human#and neuvillette being that sort of comforting older figure especially probably feels familiar to wrio#i have no idea what i'm trying to say actually i have a big headache at the moment and i feel almost delirious but i just love the concept#of neuvillette as a character and i think a lot about his friendship with wriothesley how it began and the grief and guilt neuvillette#probably still carries#but also about how he also gets the chance to a brighter future and how he achieves it so naturally without even realising#how he never expected anything from his compassion even if he saw it as duty and didn't interpret his own kindness as anything other than#his own responsabilty towards others#like idk am i making sense???#he's just so cool 😂#like yeah there's a layer of there's no reason he would have any animotisity towards humans because they're not at fault for the primordial#one's actions but from that to actually actively being so empathetic and compassionate goes a bit of a long way?!#okay i'm over i'll shut up this is probably si confusing i apologise if anyone read this mess shsjhs#this is also influenced by my tbk brainrot because loving others actively is a big theme and i just think that's beautiful actually#genshin thoughts#genshin impact#my post
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lord-squiggletits · 7 months
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On my Pharma apologism bullshit again
So like, I've made posts in the past about how Pharma's trauma at the hands of Tarn/the DJD and his refusal to call for help makes sense given what we later learned about Tarn/the DJD's capabilities for isolating and brutally murdering targets. Basically, I said that it makes sense that Pharma is largely treated as a villain by the narrative because the present-day of the story takes place entirely during Pharma's madness/villain arc and that's the only function he has in the story: as a super tertiary villain that's not meant to be Super Deep. Since a lot of Pharma's character is stuff that you can only infer via retroactive lore scattered throughout future series, and the narrative never brings it up so you have to put the lore together yourself, it makes sense that Pharma's first/present-day characterization as a "mad doctor" is how he's primarily remembered.
But honestly, I still have to call bullshit on Ratchet immediately assuming Pharma was evil and working for the DJD. You don't have to sympathize/apologize for Pharma based on later lore that only we as the reader are subject to; you can find signs of it literally throughout MTMTE 5-6, the same issues that introduce Pharma and treat him as if he's simply a mad doctor/evil Autobot.
We establish that the facility of Delphi is on "the edges of DJD territory"
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As characters introduce more details about the DJD, we find out a lot of "fun" facts about them:
They specialize in "extreme punishment" aka torture, as wee see a mech who looks like they've been completely stripped of armor and literally has their guts hanging out
They punish Decepticons who defect or turn traitor
Just witnessing the aftermath of what they do is enough to traumatize people (the Swerve line is played as a joke of how he was upset he couldn't talk, but the root cause of him not being able to talk was being traumatized by seeing the DJD's work)
Multiple Decepticons, including Drift who just earlier in MTMTE 5, tried to play off his fear of the DJD, say that they would rather be killed or euthanized than face the DJD
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And, most importantly in regards to Pharma... the DJD were literally going to kill everyone at Delphi and destroy the whole facility if Pharma didn't comply with Tarn's demands.
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And also: Delphi is harboring an ex-Decepticon who defected to the Autobots, aka one of the very people who the DJD are employed to track down and kill in the most gruesome of ways.
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So in other words, not only would the DJD have wanted to kill everyone at Delphi simply for being Autobots, it also stands to reason that they would have inevitably come to Delphi at some point in time because they would've come for Ambulon and, presumably, Pharma's deal with Tarn was the only thing keeping Ambulon safe (as we can extrapolate since his t-cog deal was keeping everyone at Delphi safe).
Though of course, the characters in the story (I'll focus on Ratchet for now) aren't privy to all of this. But I still find it rather callous of Ratchet to react the way he does
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Considering that before this conversation, he already knew the points mentioned above (including having the personal experience of Decepticons/Drift telling him they'd rather die than meet the DJD)
And what rubs salt in the wound is that later on Ratchet acknowledges that
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For most of his life, Pharma was a fantastic doctor.
Later on in certain flashbacks we also find out that Pharma and Ratchet worked together at the DMF before the war even started and continued to work with each other throughout the war (such as when they saw all the dead Wreckers cadets), dating their friendship as having lasted at least 4 million years long. So basically, Ratchet has an intimate knowledge of Pharma from them being friends virtually their entire lives.
Then Ratchet sees Pharma go from "a fantastic doctor" to a raving lunatic killing his patients and just....... doesn't notice anything amiss with this? The ONE PERSON IN THE UNIVERSE who was closer to Pharma than anyone else just didn't question this sudden, radical change in Pharma's demeanor? Even after knowing about the DJD being on Messatine? Even after being personally told that people would rather die than face the DJD? And Ratchet's first reaction to the whole situation is to say angrily to Pharma "You harvested organs on behalf of the DJD?!" as if it was some sort of choice Pharma did willingly.
It's not so much Ratchet being mad about Pharma killing people that gets to me, it's the aspect of how Ratchet was Pharma's best friend for 4+ million years, used to be inseparable from him at one point, and should therefore have known Pharma well enough to understand when he was acting out of character, both in regards to betraying his medical ethics and in regards to behaving erratically and acting stark raving mad.
Like really, this is just a personal thing, but as someone who HAS a best friend that I've been friends with for almost half my life at this point (and soon we'll have been friends for longer time than we didn't know each other), I can't fathom treating her the way Ratchet treated Pharma here. Anger and a feeling of betrayal, sure, but assuming the absolute worst of Pharma and not giving a single lick of care towards the circumstances all pointing flaming arrows to a sign that says "PHARMA WENT INSANE FROM BEING BLACKMAILED BY THE DJD"? That's just low, man.
TLDR: I thought that the sympathetic Pharma lore wrt his fear of/paranoia about the DJD was only established retrospectively, but it turns out the signs of Pharma being forced/driven mad by the DJD were there literally from the start of the Delphi arc and Ratchet just didn't give a shit about it I guess.
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