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#use your illusion albums
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songbirds-sweet · 4 months
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An article from July 1992 from the Toronto Sun my dad found with Metallica and Guns N Roses!
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axlrosebaby · 9 months
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no just listen to me. guns n roses. fucking listen close. guns. n. roses.
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Guns N' Roses - Garden of Eden
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lbat1901 · 5 months
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Use Your Illusion
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sanstropfremir · 1 year
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"like the whole bts thing as parasocial friends instead of boyfriends is genius but oh god the damage it id" can you elaborate on this? idk if i wasnt into kpop back then or what but what happened 😅
oh there wasn't actually like, an 'announcement' about it or anything lol. so basically bts' whole new marketing strategy post their failure to hit big as a hiphop group was that they were self-produced 'anti' idols with an emphasis on 'loving and accepting yourself' and 'making a supportive community'. which, on the surface, those are not bad things. kpop fan communities are often support systems for those involved, and you should try to at least be neutral about yourself. and there has been a distinct lack of community and community building in the western world + with the age of the internet and people are desperate for it, even if it's not something that people are cognizant of, so just on paper, it isn't a horrible idea. HOWEVER: when that push for community comes directly from a company, the company and the community get capitalistically intertwined and there becomes no way to separate the two. plus, it makes an extremely toxic community, as we've all seen, because the foundation of it is based on capitalism and consumption, while simultaneously hiding the fact that it's based on consumption, because fans will do overtime defending the company because the company pushes the community branding.
the other big part of this is pushing them as 'authentic' and 'real'. obvs this is straight up just not true, BUT it heavily appealed to western and intl fans who on the surface don't really understand the kpop model (it's also the western pop model but marketing™️) and who had orientalist views that kpop is 'manufactured' by the company and therefore 'not real music'. by presenting bts as these anti-idol figures that are 'fighting against the industry' (this was a big part as well), you hit a tonne of the demographics that wouldn't be caught by typical boy group marketing and it's precisely engineered to catch western fans. and a lot of those fans are not going to be familiar with how the industry works, and because bts' content is numerous and separated from the industry, it creates a closed loop where those fans never interact with any other groups' content and feed back into 'the community' perpetually.
also they pretty notably have done very little 'racy' content compared to other groups of their age. esp since they started doing their western push they've been pretty buttoned up, which i'm not gonna begrudge anyone who has personal boundaries about that kind of thing, but it IS unusual to family-friendly brand an entire group like that, which further enforces the "they're your friends" narrative.
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bishopsbox · 3 months
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source: bishopsbox
Guns N' Roses: Use your illusion II (1991). Cover art by Estonian-American artist Mark Kostabi.
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♛ THE RETURN OF THE WHITE QUEEN ♛
⁙⁙ 𝔸𝕃𝔹𝕌𝕄 𝔸𝔼𝕊𝕋ℍ𝔼𝕋𝕀ℂ ⁙⁙
ᴜsᴇ ʏᴏᴜʀ ɪʟʟᴜsɪᴏɴ 𝟷 - 𝟷𝟿𝟿𝟷
⁙⁙requested by anonymous⁙⁙
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GUNS N’ ROSES-LIVE AND LET DIE
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timmurleyart · 2 years
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Good ol’ Guns N’ Roses.🌹💀🔫🎩💀🎸
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tteokdoroki · 4 days
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𐙚 🪷 TRUTH OR DRINK katsuki bakugou .ᐟ
⋆˙ᝰ about ! “you love me, you take care of me. that’s the most romantic thing you’ve ever done f'me." with the release of your husband's newest album and the announcement for his latest tour, the two of you are invited on set to film a special kind of promotional video for newlyweds. hopefully, this married couple leave without a hangover. ( 4.8K )
warnings ! minors blank and ageless blogs do not interact. sfw, fluff, suggestive, angst if you squint, celebrity!au, all characters are aged up to 20s, mentions of sex, mentions of alcohol, drinking, newlyweds, exes, some family issues, long-distance, idol!bakugou, fem + model!reader - not beta read!
aali’s love letter ! happy birthday bakugou! another splendid year for our lord saviour dynamght !! i posted this late boo but its out!! i hope you guys are still able to enjoy <3 ty to @cuntcure for helping out n motivating me !! - m.list ⋆ read on ao3 ! ִ ࣪𖤐₊ ⊹
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“fuck, we’re really doing this, huh?”
across from you, katsuki bakugou shifts uncomfortably  — ruby red eyes darting around the plain white set. studio lights glare from all directions, illuminating the slight sweat that beads at the blonde’s hairline. artificial lighting, bright and made to capture everything, refracts of the pearling perspiration and almost creates the illusion of a halo around the crown of your partner’s head. almost as if he’s an angel.
reaching over the small table that the producers have set up between you both, you grasp at katsuki’s rough fingers, toying with them as if to test the waters before you hold them fully — once he’s comfortable enough to accept your physical affection. his palms are warm and a little sweaty, but that doesn’t stop you from giving them a gentle squeeze. 
“it’ll be fun,” you whisper, keeping your voice low and calm as the production crew continues to contrastingly flit around you in preparation for the shoot. “and it’ll be great promo for your album!” lifting his hands, you press a kiss to the blonde’s knuckles as though you’re sealing a promise, ensuring that they’re not empty. you smile reassuringly and bakugou returns it awkwardly, drawing back just a tad when a member of production sheepishly approaches the table to set down three different bottles of alcohol, two shot glasses and a pitcher of pineapple and coconut juice as your mixer of choice. 
glass bottles of whisky, rum, and vodka glit under the white light too.
“we can back out at anytime,” comes your soft reminder once the crew member retreats to check the sound mic and cameras along with some other staff. “i want you to be comfortable.” 
bakugou shakes his head, this time, bringing the backs of your hands to his lips — pale blonde lashes fluttering as he shuts away ruby framed eyes and takes a breath to calm himself. “wanna do it. like y’said it’ll be good. fun.” when he opens his eyes again, he’s looking at you with a toothy smirk that never fails to send a shiver down your spine and butterflies in a flurry through your tummy. “besides, we haven’t been able t’do somethin’ like this together in a while.” 
nothing beats your grin after that and with a few more touch ups to your make up ( the both of you ) — you’re ready to begin filming. 
“okay guys!” the director on set claps their hands. “wanna start us off? who are you and what are you doing here today?” 
you give katsuki’s hands one last comforting squeeze before his crimson gaze slinks towards the camera that’s now rolling, fixating on its blinking red light as it matches his stare. “‘m katsuki bakugou ‘nd this is my wife,” he juts his head over to you gently, muttering your name with love laced between each of its syllables. 
you too turn to face the camera, award winning smile settling gracefully on your lips. “and today we’re playing truth or drink!” you squirm excitedly. “we’re really happy to be here! thank you for having us!” 
“i’m not.” 
“katsuki!” 
with a laugh behind the camera, the producer speaks again. “so, you’re some pretty special guests. what do you guys do? how long have you two been married?”
bakugou rolls his eyes at the enthusiasm. “i’m a singer-songwriter slash idol or whatever you wanna call it…and i’m on tour right now. so buy my album or you’re shit.” 
“and i’m a fashion model slash content creator. we’ve been together for like…five years? married for half a year? a year?” musing out loud, you switch your gaze from the camera to katsuki — letting him know with your eyes that he’s doing a great job.
“eight months, three weeks ‘n two days.” he corrects you seriously, causing sweet laughter to bubble up on your lips. 
“sorry, folks. eight months, three weeks and two days.”  you retort jokingly. bakugou rolls eyes ruby framed eyes again.
“okay, so still pretty new. let’s start with a shot, shall we?”
ever the gentlemen, your husband  pours you a decently sized shot using a drink he knows you like without even asking. he even tops it off with a mixer because he knows that sometimes you can’t get past a bitter aftertaste if the alcohol is too strong. once done with yours, he fills up his own glass before clinking it against yours — both of you knocking back the shot with practised ease. 
“god, that shit’s strong.” the pale blonde grimaces. 
despite having a facial expression to match, you somehow make light of the situation. “really puts hairs on your chest, doesn’t it, kats?”
“you like my tits naked and juicy, shut the hell up,” smirking cockily, katsuki slides your shot glasses to the side and toys with the stacked white question cards in front of him. “her words not mine.” 
“anyways…first card please.” 
doing as he’s told, katsuki flips the first card over — skimming the letters written in bold on the other side before he slams it back down. “‘m takin’ a shot.” 
the shoot has barely begun and you already find yourself bursting into fits of adoring, amused giggles. “no! it’s not even your question to answer! you have to read it, it’s the first card!” you whine playfully.
“alright, fine,” flipping the card over again with a dejected air about him, bakugou announces the question to both you and the camera. “when was the last time we had sex and where did it happen?” 
“oh god.” you pinch your brow.
“told ya. no shots, it’s the first card. y’gotta answer it, babe.” bakugou teases as he casts the card aside, leaning back in his chair slow and sexy like while he watches you hungrily. it’s like making you embarrassed has made him forget that he’s on camera. 
sighing through your nose, you pout at the camera and producers who watch eagerly. “on the way here.” 
“on the way to this shoot? oh my god!” 
“yes! omg. shut up, this is so embarrassing. katsuki don’t laugh!” you practically wail as the set bursts out into laughter. “god, okay. it was on the way here and in the back of the SUV with the partition up. don’t ask me how we had time. katsuki always makes time.” 
said katsuki wiggles two fingers towards the camera knowingly and chokes back a raspy chuckle when you frown in response, scooping up your own card. “next question,” your say as your gaze skims the card. “who is your least favourite parent in law? oooh, spicy.” 
“definitely her dad,” your husband points a thumb in your direction without hesitation but mouths his words straight into the camera. “you’re a piece of shit by the way.” 
the producer pipes in. “can we elaborate?”
“my dad was never the most supportive of my career…but claims everything i have is because of him. it sucks, he's a narcissist and we don’t really speak because of it.” you answer truthfully, attempting to shrug the weight of your familial situation off. you know that most girls dream of having their father walk them down the aisle on their wedding day…but it’s just not in the cards for you. sensing your anger, your hurt and your pain beginning to rise to the surface, katsuki takes the card from you and grasps at your hand — eyebrows raised earnestly into his hairline while he checks to see if you’re okay. a small, wistful smile plays at your lips and you give your partner a gentle nod. “it’s okay though, my mum, mitsuki and masaru have been great parents. katsuki’s mum and dad kept me grounded throughout our engagement, pretty much designed all of my wedding outfits. they were all custom.” 
“outfits? as in multiple?” 
“ah yes! mitsuki insisted that i had changes throughout the day.” you beam, a giddiness replacing any negative emotion you once felt. your future mother in law had done everything in her power to make you feel like a princess on your wedding day — to this day it made you feel extremely grateful for your positive relationship with bakugou’s family.
“they still fuckin’ spoil her, ma styles her for a lot shoots,” the blonde scoffs but the adoration dancing in the almost brown flecks of his carmine eyes tell a different story. “no seriously, ma ‘n pa love you so much. you’re like the daughter they never had.” 
“aw, that’s so cute. i’ll cry.” 
katsuki’s turn to pick a card rolls around again, but he doesn’t let go of your hand the entire time — index finger toying with your engagement ring. “what’s was the most stressful part about planning a wedding?” he reads. “oh, definitely the micromanaging from other people. shit pissed me off,” your husband answers almost straight away, already preparing to fix himself a shot when the producer asks him to elaborate. 
he shakes his head and the producer turns to you. “our managers thought that they could have a say in our ceremony since it was like the celebrity wedding of the year,” shrugging, you fix your own shot which makes your spouse grin. “we ended up having one public and one smaller, private wedding to say fuck ‘em. and no, they didn’t fire me for this.” 
“so a follow up, when you announced your engagement to the world what was a difficult thing you dealt with publicly?” someone from behind the camera asks.
pursing your lips, you look to katsuki for an answer. “the fan wars? some of my fans were…are still caught up on my ex and others think the great singer katsuki bakugou is too good for an influencer like me.” 
“they don’t know shit. you’re too good for the world baby, i don’t deserve you.” 
“corny ass,” you snort directly into the camera’s shot. “i’m sure that’s one of his song lyrics.” 
“is fuckin’ not!” bakugou pouts, though he’ll deny that he was later. “pick another damn card.” 
he pushes the pile towards you once more and you cheekily swipe one from the middle to make the video a little bit more interesting for those watching from home when it comes out. hopefully the viewers get a laugh out of bakugou calling you a cheater and you sticking your tongue out at him in retaliation — he pinches it back. 
“ouch! owie, okay! okay, let go!” flipping the card so that the text is facing you, you begin to read it out loud slowly — nearly bursting out into an incredulous fit of giggles at the question printed in thick black letters. “this is so ironic, baby you’re gonna love this one,” katsuki raises a brow, intrigued by the coy smile you’re barely trying to hide now. “i dare you to call an ex and remind them that you’re happily married.” 
a small silence echoes throughout the studio as you stare at one another, waiting and waiting, until a loud, raspy and haughty laugh rips through bakugou’s throat. 
“what’s so funny?”
the blonde sat opposite you, still as handsome as the day you first met him — with glittering gem eyes that sparkle under the studio lights and a toothy smile that never fails to melt your heart, suddenly grows shy. a rose tint spreads its way over the bridge of his nose and his cheeks that have lost their youthful roundness, katsuki blushes softly but laughs with his entire body — only just embarrassed by the secret he's about to reveal to his most dedicated fans and the rest of the world. 
leaning forward on the table, elbows on the edge, while you tuck your chin in the seat of your palm — biting your lip in amusement. “do you wanna tell them or should i?” 
“i wanna take a fuckin’ short first. can i?” katsuki asks, almost innocently. he knocks back a glass of dark, bitter whisky once he gets the go ahead. “she’s my first. my first everythin’. girlfriend, time, wife—“ 
“i sure hope i’m your first and only wife, kats.” you cut him off swiftly, a mischievous lilt layered thick on your tone.
he slings an arm over the back of his chair, waving you off lovingly. “—you know what i mean, sweets.” bakugou shrugs in the direction of the producers. “i don’t have an ex to call.”
“okay, we’ll have your wife call one.” 
at the film crew’s suggestion, your voice raises an octave, notes of surprise littered through out your melodic voice. “me? who would i even call?” you can’t help but snicker, trying to reach for the juice used for mixer so you can plan your escape route out of the dare. 
your husband snatches the bottle from your reach, holding it protectively against his broad chest. “call shindou.” he grunts out low but highly amused. 
“oh no, i’m not doing that. let me take the shot katsuki.” comes your instant response, tone turning slightly serious.
“who’s shindou?”
“her ex.” 
“my ex.” 
the both of you announce in unison, though you’re a little less entertained by your menace of a blonde husband — still guarding the drinks as he chucks the used question card to the side. 
“why not?” 
“cause it’ll be mean? he still hasn’t recovered from finding out i’m dating the idol he used to train with. yanno, the one who debuted over him.” 
bakugou clicks his tongue cockily.  “he’ll get over it. call him. c’mon, it’ll be funny and you love making me laugh.” 
“alright fine but you have to swear you’ll answer the next one.” you turn to the camera. “he’s right though, his laugh is the prettiest in the world.” 
bakugou blushes as you pull out your phone and scroll to the bottom of your contact list, surprised at yourself for not blocking and deleting the number. holding up the sleek device for everyone to view, you jab a thumb into the speaker button and watch with baited breath as it begins to ring throughout the studio.
“hello, yo speakin’,” a voice a little higher pitched than your husband’s filters through the speaker. it’s familiar, but doesn’t hold any of the comfort that bakugou brings. it’s been years since you ended things with your ex, the relationship was rocky and full of miscommunications and mistrusts before either of you skyrocketed to fame. there’s no malice between you both or a reason to cause katsuki why worry, you hope, but talking to yo shindou nowadays is akin to talking to a stranger. 
giving the camera an awkward thumbs up, you reply shyly. “hi shin, what’s up?” 
“oh hey sweetheart, this is a nice suprise.” your ex purrs through the line. you click the buttons side of your phone to turn up the volume — making sure his every word is picked up by the mics in the room. 
bakugou chimes in, clearly looking for an opportunity to show off. “hey asshole, don’t get too excited.” 
“hello to you too kats, what can i do you for princess?” 
“shin, don’t call me that. also we’re shooting truth or drink right now — newlyweds edition with kats. they wanted me to call, tell you i’m married or something… which i’m sure you know by now.” explaining in a rush, you push at bakugou’s forehead, right between arched, dark blonde brows to keep him and his laughter at bay. 
“it’s all anyone can talk about these days, especially when i’m on set. married couple of the year.” 
the producers mouth to you to ask shindou a question, in which you almost miss underneath the sounds of your newlywed husband suppressing snarky jokes and giggles. “they’re telling me to ask you if you’re happy for me ‘n kats. you don’t have to answer—“ 
“i am. happy for you. katsuki, as big as of an asshole as he is, makes you way fucking happier than i ever did. he’s good to you, but you’re better to him. the world wants to see you guys grow old together… i hope it stays that way or else i’ll have to swoop back in—“
cringing along the millions that will be watching in the near future, you slice through his words politely before bakugou can blow a gasket. “thanks, shin. you’re sweet.” 
“anything for you, sweetcheeks—“ 
“alright, alright. you’re pushin’ it now, freak. r’member i’m the one clapping these sweet cheeks and i’ll always be a better fuck than you—“ abruptly, your newfound husband snatches up your phone — growling possessively down the line as if to ward your ex off. 
“okaybyethankyou!” squealing you hang up the phone and breathe a heavy sigh of relief, head banging on the table in front of you as you try to hide your flustered face. “that went better than expected.” 
the blonde before you shrugs nonchalantly as if he wasn’t seconds away from reaching into the phone and tearing shindou’s head from between his shoulders.  “i do love an opportunity to show you off, rub our marriage in people’s faces.” alas, he pours you both a shot, adding a mixer to yours, sort of as a reward for making it through the call. “kay, next card,” he swipes one from the top of the pile once more, carefully murmuring its contents into the studio’s cool air. “can the both of you name one person you would have invited into your marital bedroom on your wedding night? see if you’re both thinking of the same person. easy. on three?” 
“sure! one, two—“ you count, the temperature of the room raising as it awaits your big reveal. “kirishima.” 
“kirishima.” katsuki says at the same time before smirking cockily at the film crew. “next!”
you join him just as your foot flirtatious slides up his leg from underneath the table. “kats says eijirou is packin’, by the way.” your husband’s smile fades into an embarrassed look, everyone in the room laughing along with you. of course he’s seen it. of course you’ve talked about this before. “anyway, my turn! most romantic thing i’ve ever done for you? c’mon now kats, you can think of something. i’m pretty sweet.” 
reaching for your hand for the nth time during the shoot, bakugou laces his fingers with yours — decadent dark red eyes instantly drawn to the big rock on your engagement ring and the simple gold wedding band that sits above it as he recalls everything you’ve ever done for him. every gesture; every text, every act of physical touch or service. it would be hard to choose just one romantic thing.
the silence as he ponders almost fills you with dread, a nervousness fluttering about in your chest like a butterfly whose wings are beginning to fail them. they’d have to edit this part out if he couldn’t think of anything. 
but then, those plush pink lips that kiss you and call for you, part gently and a soft sentiment escape’s from between them. “you love me,” is all bakugou can say, eyes wide and genuine. “you take care of me. that’s the most romantic thing you’ve ever done f'me…and, if we’re talkin’ specifics, you remember that time just before my album came out? before our wedding? i was fuckin’ stressed ‘n i was always locked up in the studio, trying to figure out the track list, the final song…” 
you nod slowly, exhaling deeply through your nose. “yeah?”  the background noise from the crew, cameras and mics wither away until it’s just yourself and bakugou in the room — holding hands as though you’re one another’s life lines. 
“it was three am ‘n you were in another city for a shoot but…you still made the drive over to have dinner with me. to make sure i ate,” the tip of katsuki’s rough and calloused thumb brushes over the bumps formed by your knuckles. “just to help me run through things even though i was freakin’ the fuck out and you had a flight to milan the next day. you ate with me and that meant a lot.” he seems wistful as he talks, forgetting that the world will be able to see his heart beating all tender like when the cameras are put away and the footage is polished up.
perhaps he doesn’t care if the world sees him being so vulnerable with the woman he loves on screen. they’ll usually find such openness hidden between the lyrics of his songs. so, perhaps it’s the little alcohol running through his system. nevertheless, quiet love and appreciation seeps from katsuki bakugou’s pours into the quiet atmosphere of the set, the emotions crash over you in waves that you welcome — almost reducing you to tears brewed just for him.
“you asshole,” you sniff, lacking all the spite the insulting nickname carries. “i didn’t think that night  meant so much to you… i just wanted to see my baby. wanted to make sure you were okay.” 
cocking his head to the side fondly, the blonde singer uses the back of his hand to wipe at your free falling tears you hadn’t realised were there. bakugou doesn’t let go of you the entire time. “don’t cry sweets, you know i hate t’see you cry.” 
watery laughter bubbles up on the seam of your lips. “don’t tell me what to do,”
“you said she drove from another city, would you guys say that distance made things difficult for you?” 
“sometimes,” you answer the director truthfully. “while we were engaged we’d plan our wedding across different time zones. when i was awake walking for fashion week he was sleeping in his studio making songs.” you explain, looking to katsuki to confirm.
he nods along with another squeeze of your hand. “it was hard yeah, but we got through it. now she has my ring on her finger ‘n she’s stuck with me.” 
“send help.” you mouth to the camera.
resuming the game, you snatch up a card and secretly hope that the question is a little more light hearted than the previous. “has my line of work ever made you jealous? oooh, good one,” adding the card to the ones already discarded, you squirm in your seat — excited to know your husband’s answer. “no shots! i want you sober and honest.” 
“i’ve hardly had anythin’ to drink!” katsuki snorts. “what’s the sayin’? a drunk man’s words are a sober man’s thoughts? let me have something.” 
“no! i want sober words and sober thoughts, that’s the aim of the game, stink.” 
katsuki rolls his eyes so hard you fear they might drop out of his skull. “spoiled brat,” he mumbles begrudgingly, sucking his teeth. “okay before anyone says anythin’, i’m a secure guy. i trust and value my girl’s word above anyone else’s. i love seein’ her on billboards in every country i visit, on magazines at every airport I’ve ever flown from…”
“it feels like there’s a but coming.” 
“wait for it…” you hum gleefully.
“but i hate that one cover shoot you did with that nerd, izuku, for vogue. that’s it. never do that shit again.” bakugou finishes, crossing his arms over his chest like a petulant child.
nearly leaping out of your seat, you point at your husband — bewildered. “i knew it! you said it didn’t bother you!”
“of course it did! he had his grubby arms wrapped around you! he stinks.” 
“you did not just call izuku stinky, he’s got a feature on your album!” 
“his feature can kiss my ass,” you know that bakugou is only half serious, the two have written some beautiful songs together and the cover hardly meant anything — izuku models from time to time as well. it just so happens you also work for the same brands. “my turn again, rate my proposal on a scale of one to ten. how good did i do?”
“nine point five.” you nod assertively, speaking to your audience with love bursting through your heart. “he proposed to me at his first sold out concert, like literally stopped singing and apologised to all of his fans because he had something important to say. that’s when he asked me, in front of his entire world. kats’ is real private so it meant so much to me…”
the blonde leans back in his seat but brings your hand to his lips, pressing a kiss directly to your wedding rings. “only nine point five? cheeky fucker.”
“it’s only ‘cause your genius-self decided to chuck my ring into the crowd?” you scoff. 
“oi! i have good aim, you’re just shit at catchin’ things!” katsuki scoffs back, nudging you with his foot under the table. 
“back to the game love birds.” 
the two of you put your playful little spat on the back burner and you grasp the next card. “how many years into our our marriage do you think we’ll stop having sex—?” 
“never,” katsuki cuts you off, looking directly into the lense as he jabs a thumb in your direction. “i can’t ever get her off my cock. she’s fuckin’ insane.” 
heat flares up underneath the surface of your skin in embarrassment. “fuck you.” 
“right after this shoot, sweetheart.” he winks right back at you before nodding down at the cards. “last two, yeah? did your life turn out as expected?”
chewing on your bottom lip, you give the question some thought. life has an unpredictable nature, no matter who you are or where you come from. if someone had told you a year into your college degree, that you’d be in front of sorts of cameras as a profession for the rest of your life — you wouldn’t have believed them. if someone had told you that you’d find the love of your life shortly after, you would have called them a liar too. your past has been heavy, a dark cloud you never thought you’d be able to escape — hauntingly daunting.
and even though you know that it’s a burden to place the weight of your happiness on someone else’s shoulders — but you know that katsuki has always been your golden, blinding light at the end of the tunnel. he’s something you never expected, but someone you entirely deserve after everything life has thrown at you. 
“no, it hasn’t,” you whisper softly, ever so slightly distinct. your lover leans in, watching you curiously from over stacked question cards and bottles of barely touched alcohol. “i never expected to be so famous so young, that a silly little dream of mine could come true. that i never expected, i still can’t believe it…but, it’s like… meeting you. falling in love with you, on top of all that? it’s like i was destined to be with you, kats. you’re my soulmate. i knew that from the start.” 
just like you earlier, emotion wells up inside katsuki. it breaches the cavity of his chest, slows down the rate of his heart and lungs and brings a slight shine to his beautiful blood red eyes. he sniffs but doesn’t dare look away from you — reading deep into your soul despite knowing the pages of it off by heart. “i feel the same,” he mumbles, reaching over to cup your face even with all of the cameras around. “i never expected to go on tour, sell albums and make music…but i feel like my heart always knew you were waitin’ for me.” quietness fills the space between the two of you, neither of you needing to say much. you cup the wrist of his hand that touched your face, leaning into his palm and pressing a kiss to it. “we’re so fuckin’ corny.” 
“you love it.”  you reply instantly. “i love you.” 
“see?” katsuki asks the production crew as he draws the last card for both of you — holding it out for you to read. “cornball.” 
“it’s cute! she’s cute and corny!”
“what about the rest of our marriage do you look forward to most?” since the video shoot is coming to an end, and you hardly want to cry any more, you both decide to make your answers short and sweet. “i look forward to spending forever by your side, taking over the world one continent at a time.” you gush, meaning every single word, smiling adoringly. 
“ditto, can’t wait to grow old with you, brat.” bakugou mirrors your expression and finally, finally ends the shoot by pressing the ghost of a kiss to your awaiting lips. you feel warm knowing how comfortable he’s grown over the course of filming, even more so at all of the truths he’s given you tonight. 
“that’s a wrap! thank you so much guys!”
katsuki salutes the camera, finishing up for you. “we’ve been the bakugous playin’ truth or drink. buy my album, see me on tour, buy a magazine with my wife’s beautiful face on it. like and subscribe.” all the while, you reflect on everything that you’ve learned about your husband whilst filming — that he loves you a lot more than he lets on, that you have his heart for all of eternity, that nothing in this world and cause his love for you to waver, 
and as your matching wedding bands continue to gleam beneath the dimming studio lights, you only hope that he knows that you feel the exact same way about loving him too.
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꒰ end. — all rights reserved © tteokdoroki 2024. do not copy, repost, translate, feed into ai & recommend elsewhere.
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kenpiercemedia · 2 years
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Guns 'N Roses Announce "Use Your Illusion" Part I and II Boxed Set For November
Guns ‘N Roses Announce “Use Your Illusion” Part I and II Boxed Set For November
The Press Release: UME/Geffen celebrates Guns N’ Roses’ incredible musical legacy with GUNS N’ ROSES – USE YOUR ILLUSION I & II, the ultimate box set for the band’s 1991 multi-platinum releases Use Your Illusion I and Use Your Illusion II. Set for release on November 11, 2022, GUNS N’ ROSES – USE YOUR ILLUSION I & II SUPER DELUXES feature a total of 97 tracks, 63 are previously unreleased.…
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simplyjake · 3 months
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Enha hyungs w / idol!reader !!
summary: tbh its pretty self explanitory, fem!reader
a/n guys maybe at one point ill write for maknae line but also idk so dont hold me to it, not proof-read
Heeseung
Let’s say ur in aespa
So rmbr the drama challenge they did
Instead of winter it was you and karina right
OUUUU ik he was giggling when you asked him to do the challenge with you
At the end of the challenge he puts his arm around u 
He looks at u like you hung the stars one by one
Heeseung pls this is gonna be posted later
ITS WORSE AT AWARD SHOWS
When you are on screen performing 
He has the biggest heart eyes and a slight smile pls
Its like he dgaf if yall get caught
Definitely interacts with you in public when he can
He wants to see all those ship edits
Invites you to his concerts and you invite him to yours
Once bought like 500 albums so he can get all of ur pcs and inclusions
Ur honor he was being silly!
And in luv w you!!!
Jay
Okay stayc member i see u
He learns how to play ur songs on guitar
Such a cute supportive bf
You guys have sm matching things tgt
Phone cases, hats, jewelry and more
Surprisingly no one has caught on yet.
He lurks on stayc twt for updates when hes away on tour
Even tho he can just text u himself
You accidentally left your jay signed album in the open on live
EVERYONE WAS FREAKING OUT
“Omfg yall since when did y/n and jay know each other”
” Wait but the signed album? Do yall rmbr when we caught them w matching hats but no one batted an eye WHAT ABT THIS”
Call jake for the dating rumor damage control selfie
Anyways he has all ur albums and you have all his
He found out you voted for him during Iland days and sobbed
Staycs number 1 fan, will fight ANYONE for that title
JAKE
Worse than heeseung when it comes to hiding things
Oh lord here we go
“My girl- i mean my friend” its rover.
On live streams he uses this to promote your group without looking suspicious 
“Have you guys heard le sserafims comeback? It’s so good”
“Oh Y/n? Yeah her part was amazing as well”
When he sings your part of the song it has u blushing on the other end of the phone
Once you were on a live, you forgot to let jake know
You were showing some photos that youre gonna post on instagram and all of a sudden
Is this love by Bob Marley aka the ringtone you have for jake
And his contact name “yunie<3” pops up
Quickly you decline the call and look sheepishly to the camera
Hoons time to do the selca damage control.
He accidentally liked a y/njake post on twt on the main acc tho
Ruh roh 
Sunghoon
Definition of nonchalant 
Nonchalant king if u will
Well besides that one time when he was mcing
And your group purple kiss was with him and wony
He was definitely getting side eyed by the fandom after sending you quick glances and a smile!!
Other than that baby hes an illusion
He dont know you
Well at least to the cameras, he doesnt know you
Otherwise hes the sweetest bf to ever bf
Sends you flowers to your dressing room after performances
Always claps whenever you guys win an award
Once a camera was pointed on him at an award show during your song
But he pointed to ur group telling them to focus on yall instead
UGH i love supportive bf hoon!!
Ofc your one of enhas biggest supporters as well
No one knows this but you have a secret sunghoon fan acc
He thinks its cute, a way to publicly say u love him
Without it actually being public yk
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ladyamanda123 · 3 months
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You guys….my head just EXPLODED
🤯🤯🤯
Okay bare with me here because my thoughts are literally chaos right now! Going to try and take you through the ninja katana that just happened to my brain!
1. Everyone has been focusing on this album being white. Taylor wore a white dress, Taylor used the 🤍, etc etc
This has been bothering my photographer mind since I very first saw the cover. That cover is not black and white. That cover is Sepia.
Rep is Black and white…..Folklore as well (though more muted and grey than stark black and white like Rep)
Poets is Sepia!
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Now obviously there is no Sepia heart emoji so it could be that simple BUT Taylor is a mastermind and she doesn’t do accidents. The Sepia toned album cover is not white and that immediately drew attention to it when everyone is focused on the white aspects (which also lended itself nicely to the Rep TV/Poets bait and switch)
2. So I decided to go learn about the history of Sepia and quickly came across this very interesting article. I started reading. Immediately aspects of this colours history started setting off lightbulbs 💡
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Sepia comes from the Cuttlefish’s defence mechanism. When under attack the cuttlefish releases a cloud of ink to distract the predator and make a swift (SWIFT!!) escape!?!?
Already we have the ink tie in specifically mentioning jet black (like the octopus and squid) but the cuttlefish’s defender cloud is sepia……this album is a defence mechanism so she can distract the predators (hetlors/the press) to make her escape to safety. It’s the bait and switch. The distraction. The decoy.
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This was already enough to have my jaw on the floor…but wait! There’s more!
3. Sepia’s use in photography…
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This love story began in black and white…in Reputation.
🎶I once believed love would be black and white….but it’s golden (Daylight)
This cover photo is very clearly Daylight after the long and tortured Midnight….now she only sees Daylight!
Sepia has come to represent a by-gone age….
Everyone thinks that Kaylor is over and done. Just an ended friendship, a burned bridge, no longer relevant…but the act of making that relationship look old was actually used to preserve that love and allow it to be long lasting!
There’s also the very obvious photography connection with the Polaroids significance to Kaylor.
Also note the nod to 1920s….along with the Clara Bow track pointed at that era here’s another possible link to the roaring 20s
Another link to Daylight coming after Midnight…the opening of the Karma music video shows the Midnights album which turns into a golden sunlight over the golden Taylor statue. Midnight to Daylight.
So as if all of this wasn’t already enough I kept reading and the next paragraph made me scream…..
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The Wizard of FUCKING OZ you guys!!!!
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(Side note that we have the Blake/Taylor Dorothy and Ariel combo call back here as well! Worth noting maybe Daddy I Love Him will shed some light on this Halloween Party…we know our 🎃 anon wanted us focusing on Halloween! Maybe this evening was significant in the story!)
So everyone thinks of it as black and white but it’s actually Sepia…..yes yes go on…..
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So you’re telling me to create the illusion (🎶All eyes on me your illusionist) of sepia to colour they were using a body double. A double! A bait and switch! A stand in! Like every single beard relationship and every single Karlie stand in we have been seeing lately! Blake at Beyonces premiere….Keleigh at the Golden Globes, Keleigh as the bride, etc etc etc.
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Slight of hand, more illusions and bait and switch imagery to make the art work and the magic happen.
Holy Shit!!!
I need to go pass out now!
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Link to the Sepia article:
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Guns N' Roses - Live and Let Die
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youremyheaven · 1 month
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Rahu & Ketu: Abuse & Addiction
TW: drug overdose, death, suicide, abuse, childhood abuse
Nodal influence can be very destabilising and intoxicating. They're opposites but as they say the extremes of anything is a meeting point for it's opposite, so Rahu & Ketu share many similarities.
Rahu & Ketu are both shadow planets, Rahu is the head whereas Ketu is the tail. This in itself reveals much about the nature of the two. Rahu is over immersed in the world whereas Ketu is completely cut off from it.
When I say Rahu is over immersed/over stimulated, I don't mean they're profoundly connected to reality, I mean the opposite, they're deeply immersed in Maya/illusion that they often have no sense of reality. Rahu is the head, imagine if you lived in your head all the time? You'd be in your own la la land, disconnected from what is actually happening around you. This is Rahu energy. Without your body, you cannot use your senses, you cannot fully feel alive or experience reality. Rahu being the head means you're cut off from what is "real". You only live in your head and what happens in your head is very subjective and completely illusory.
They are so deeply immersed in an illusory world. This can manifest as substance addiction, video gaming, fame, material success, internet addiction, overly obsessed with "binging" content, maladaptive daydreaming etc, any experience that disconnects you from what is "real" and immerses you in something that feels very real but isn't real. Both Rahu and Ketu people suffer from addiction, Claire had mentioned that Nodal influence can make someone prone to addiction but why Rahu and Ketu are addicted tend to be very different. Rahu is overstimulated, they always need more of everything. There are people who spend 10 hours a day just watching YouTube videos or IG reels or whatever, that's because they need that much stimulation, since they live in their heads. Their minds need that kind of fodder to thrive off of. Once you start using any kind of substance, your brain builds a tolerance for it and you have to start using higher and higher doses to get the same high. When a Rahu native accumulates wealth, they start indulging in it but nothing is ever enough. They never feel "full", they don't have that fuse in their brain that flares up and says "this is enough". Basically they never know when to stop, they just keep going and going and going with anything they immerse themselves in. People play video games for 3-4 days straight without leaving their game set up. They don't ever feel satisfied. This is scary because "feeling full" is our brain's way of asking us to stop. Without that mechanism, we would overindulge and overdo everything which is what these natives do.
This is also why relationships are so tricky for Nodal people. They give too much and immerse themselves to the point where it's detrimental to the relationship. You either feel like you're losing part of yourself to it or the other person feels like you're consuming their energy too much (which makes them feel drained). Moderation does not exist for Nodal people either they're completely detached or they're completely obsessed.
Its similar to Jupiter energy in the sense that Jupiter is also very expansive and has the ability to immerse itself in everything and give so much but Jupiter has other principles that firmly ground it in reality as it is not a shadow planet like Rahu. It is not suspended in an illusion, Jupiter natives give so much or do so much because they have the internal space to do so, not out of a tendency to immerse themselves in Maya/illusion. Jupiter is the opposite, they see through Maya and find it hard to consciously part take in it.
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Taylor Swift- Ardra Moon
She works harder than anybody in the biz. Her concerts are like 3 hours long and she does like 40-50 shows on average. She's ALWAYS doing THE most. She releases a new album every 2 years or so, has other projects etc this is a positive manifestation of Rahu energy because it allows you to be deeply immersed in your craft and your world but it also means you live in a bubble and you are cut off from "real life".
Ketu is the tail, it is cut off from reality and feels profoundly disconnected to reality. It is hard for these natives to feel like they relate to anything. This is why Ketuvians struggle with addiction. They use substances because they want to feel something, want to feel tethered, want to feel connected. They have to use higher doses because it helps them feel heightened emotions when they usually don't feel anything at all.
Ketu is connected to spirituality because natives who feel disconnected from the real world to this extent find it easier to immerse themselves in the occult and in esoterica. It is more abstract and requires you to think non-logically, i.e, experientially, but this is something Ketuvians have a hard time with, they themselves feel very "abstract" or like they aren't real or don't exist, so while they're intrinsically drawn to the esoteric, they feel untethered/ungrounded by immersing themselves in it too much. They need something they can cling to, they need something solid that they can attach themselves to.
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All Rahuvian nakshatras belong to the Shudra caste, specifically the Butcher caste, this is very interesting because Shudra is the lowest caste (Mleccha is "outcaste" which means it exists outside the system entirely), to be Rahuvian means to operate on the lowest level. Butchers have to slaughter meat to make a living, that is unpleasant and brutal work, and only if they are disconnected from it can they keep doing it. They cannot be too focused on what they actually do because then it will be hard for them to do their tasks. They're not repulsed by it because they're disconnected from it.
2/3 Ketuvian naks are also Shudra caste whereas Ashwini is the only Ketu nak that is upper caste as it is a Vaishya nak.
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(table by me hehe)
Rahuvian naks are found in all 3 ganas (Swati is deva gana, Ardra is manushya gana, Shatabhisha is rakshasa gana)
2/3 Ketuvian naks are Rakshasa gana (Mula, Magha) with only Ashwini being a Deva gana nak
I feel like Ketuvians are always made to feel like the bad guy / people villainize them a lot. They're the "ugly ducklings" who have to "win" approval as they're never accepted for who they are.
Rahu needs to immerse itself in something because its sensory perception is limited and they need to really indulge to grasp what is "real". Its very common for people with heavy Rahuvian or Rahu in a malefic placement to experience hallucinations or feel like their grip on reality is very thin.
Ketu has nothing perceive with at all. Its like being completely lost in the shadows or the dark. There's no perception taking place at all, it makes the natives inwardly drawn because its truly hard for them to absorb from their surroundings unlike Rahu which absorbs easily and fully. Rahu is over immersed whereas Ketu lacks immersion at all.
Lets look at the yoni animals of Rahu & Ketu naks respectively
Rahu: Ardra -dog yoni, Shatabhisha- horse yoni, Swati-buffalo yoni
Ketu: Magha-rat yoni, Mula- dog yoni, Ashwini-horse yoni
one common theme is that all these animals are abused, mistreated and exploited
(rats are the go to animal for lab testing, dogs are valued for their loyalty and are at the mercy of their owners, horses are made to endure so much labour, buffalos are farm animals)
all of these animals are also associated with dirt/filth in some way or another which is perhaps why people with Nodal influence often have a dishevelled appearance. They're bad at taking care of themselves.
Both horse yoni & dog yoni are divided among Rahu & Ketu naks whereas the yoni consort for Swati is Hasta (Moon ruled) and Magha is Purvaphalguni (Venus ruled).
Horses are very strong but very fragile animals. They start walking almost immediately after birth, they sleep standing up but they require a lot of attention and care as their health tends to be very fragile. Even though horses are associated with working hard, its not exactly innately part of their nature, it's just that they've been domesticated into being that way. It represents a very powerful active energy, as horses can be highly temperamental and unpredictable.
Dog yoni on the other hand, makes a person very needy and eager to please others. Dogs depend on the affection of their owners and without it they feel unhappy. Both these nakshatras have obsessive tendencies and a people pleasing nature. They're also two nakshatras who endure abuse the most.
I've noticed that a lot of people tend to have both nodes in their chart and I wonder what its like to house such contradictions. On one hand you're extremely involved, on the other, you're supremely detached.
The entertainment industry is one where people with Nodal influence really thrive but also often, self-destruct themselves. Its immensely hard to balance these energies since Rahu heightens whatever is in it, the way Jupiter expands whatever it touches. Both planets make you feel manic but in different ways.
Addiction is the result of an overactive nervous system and a coping mechanism. Ketu feels cut off from society/life/the world so in order to feel connected, it over indulges. Rahu needs something that will help them fully lose themselves, idk if I'm explaining it properly but you know how the best movies you've watched are the ones where you feel like you were in them experiencing those things with the characters? Its like that
There is an unhappy pattern of Rahu & Ketu influenced people being abused, I have especially noted this among child actors but also others.
Taylor Momsen- Swati Moon
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Her parents signed her up with Ford Modeling when she was just 2 years old. "No 2-year-old wants to be working, but I had no choice. My whole life, I was in and out of school. I didn't have friends. I was working constantly and I didn't have a real life."
This theme of not experiencing "real life" or reality is very prominent in the lives of Rahuvian and Ketuvian people. It can be interpreted in many ways according to the context but there is always a sense of being deprived of what was "normal" or "real" as a result of which these natives had to live in their imagination or indulge in other things.
Like the child star who worked their whole life playing other people (acting is very Rahuvian) or the loner kid who spends all their time immersed in movies or video games because that feels more "real" to them.
Fame is also an inherently Rahuvian experience bc it's an illusion & a prison.
Judy Garland- Ardra Rising, Mula Moon
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She was emotionally abused and controlled by her mother who got her addicted to drugs by the time she was a teenager. She was also sexually abused by the studio executives she worked with. Judy had a very tough life.
Aaron Carter, Ardra Moon, Mula Rising
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Aaron Carter claimed that as a teen musician, his family spent $500 million of his money on 15 houses and 30 cars. He claimed that when his parents sold the houses, he didn't get a cut of the profits. He also alleged that his dad shot a .44 magnum near his ear — which resulted in him going 70% deaf in one ear — to force him into signing a $256,000 check.
Being heavily tattooed (more examples at the end of this post) is also a very Nodal thing to do.
He unfortunately passed away in 2022 from an accidental drug overdose. This is also a very unfortunate pattern among Nodal celebrities.
Macaulay Culkin- Shatabhisha Moon, Magha Sun & Mercury
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 Macaulay Culkin's father Kit managed him during his childhood career. Macaulay has shared that his father was controlling and had him on a very busy filming schedule in the early '90s. He added his father made him stay up every night to study the lines he would have to say the next day. Macaulay asserted that his father was "such a crazy person" that he forced him to do SNL without cue cards when he hosted the show at 11 years old. Macaulay has explained that he felt his father was jealous of him because “everything he tried to do in his life I excelled at before I was 10 years old.”When Macaulay stopped acting after his 1994 movie Richie Rich, he told his parents, “I’m done, guys — hope you all made your money because there is no more coming from me.”His parents were never married and after he stopped acting, his mother filed for custody. Macaulay ended up taking his parents to court to stop them from controlling his $17 million in earnings. Since then, he and his father have been estranged.
I feel like the "child star gone wild" is a trope meant specifically for Nodal people
Keke Palmer, Magha Sun & Mercury, Mula Moon
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Palmer shared on IG:
"Due to traveling and scheduling both of my parents had to stop working to support my career and be present for my three siblings, leaving me with the financial responsibility around age 12. Which I took great pride in because I knew what it would do for generations to come and a huge blessing that I could even help out. However it caused me a lot of pain because I essentially had to abandon my childhood feelings and desires, becoming like a parentalized child, which is something some of you can probably relate to in your own way. This was something that I have had to continuously work through because I am grateful but often feel like.. I missed “IT”. Life can be such a tragic comedy because how funny is it.. that now becoming an actual parent, and the responsibility I’ve always carried being more valid now than ever, has in fact given me the chance to feel what it’s like to be a kid again, I get a chance to explore a lot of the things I missed out on with my son, His freedom is like, the most priceless gift to me. He is already teaching me so much, it’s like he awakened the little me inside that I thought was long gone."
Ketu dominance = being your own parent, being neglected by your family or having to be your parent's parent.
Michael Jackson, Magha Sun & Mercury, Shatabhisha Rising
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From a young age Jackson was physically and mentally abused by his father, enduring incessant rehearsals, whippings and name-calling. Jackson's abuse as a child affected him throughout his grown life. reading about the lives of the Jackson siblings and how severely they were all abused is very perspective altering and sad
Mary Kate & Ashley Olsen, Magha Moon, Ashlesha Rising (inc the ashlesha placement bc its another nak often subject to control and abuse)
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“With what we were doing in business when we were younger, I don’t think it ever felt like we were actresses,” Mary-Kate “Because we spend so much more of our time not in front of the cameras, building a brand. Ashley agreed, saying: “I always looked at myself, even as a kid, as a business woman.” Mary-Kate said she wouldn't wish her childhood on anyone, and said she felt like a "monkey performer." 
they quit acting in the mid 2000s and rarely make public appearances and god only knows what they endured in the business bc neither of them will talk about it.
Sarah Michelle Geller, Ashwini Sun conjunct Ketu, Shatabhisha Moon
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Sarah herself enjoyed the path she'd ended up on, she has rules in place for her own daughter. Recalling the "industry abuses" she experienced as a teenager in Hollywood, she said she hoped she'd "set up a safety net for these actors that I didn't have," but that she and husband Freddie Prinze Jr. have "rules in place" that mean daughter Charlotte "can't be in front of a camera until she graduates high school."
Kylie Jenner, Swati Moon
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Kylie started appearing on her family's reality show when she was 10
In 2016, she told her sister Kim in an episode of the show: "I feel like I've had anxiety for too long. I feel too much, I care too much, I read too much. Some people are born for this life and some people aren’t. I just know I’m not supposed to be famous.” in an old IG post she said: "I’m proud of myself, my heart, and my strength. Growing up in the light with a million eyes on you just isn’t normal. I’ve lost friends along the way and I’ve lost myself too sometimes. My first tattoo was 'sanity' to remind myself everyday to keep it. I’ve struggled with anxiety my whole young adult life." "I know I don't want to be famous forever. There's gonna be a time where I feel comfortable, I'm at a good place in my life, and I just stop."
Natalie Wood, Ashwini Moon
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The late Natalie Wood was forced into acting by her mother, Maria, who missed her chance to become a performer and instead focussed her efforts on pushing her daughters to stardom.
While young Natalie had a natural talent for performing, it seemed that her reason for going to movie sets was more to please her mother than to quench any desire of her own. 
Bella Thorne, Mula Moon
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"I was sexually abused and physically growing up from the day I can remember till I was 14. When I finally had the courage to lock my door at night and sit by it. All damn night." She has also stated that she only started acting as a child to support her family.
Drew Barrymore, Shatabhisha Sun
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 Drew's mother took her to clubs and allowed her access to drugs and alcohol, ultimately leading to her institutionalization at the age of 13, and emancipating herself at 14. Drew described fame at such a young age as "a recipe for disaster."
Edith Piaf, Mula Sun & Mercury, Magha Mars
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Born in Paris practically on the streets, she struggled from day one, the daughter of street performers. The mother, a singer, eventually abandoned both Edith and her father for a solo career. Piaf spent her youth entertaining passers-by, receiving little formal education in the process. She often accompanied her father's acrobat street act with her singing and at various times was forced to live with various relatives, in alleys or in cheap hotels. An aborted love affair left her with a baby girl at age 17, but little Marcelle died of meningitis at 2 years old. Devastated, Piaf returned to the streets she knew, now performing solo. Her fortunes finally changed when an impresario, Louis Leplee, mesmerized by what he heard, offered the starving but talented urchin a contract. He alone was responsible for taking her off the streets at age 20 and changing her name from Edith Gassion to "La Mome Piaf" (or "Kid Sparrow"). Piaf grew in status entertaining in elegant cafés and cabarets and became a singing sensation amid the chic French society with her throbbing vocals and raw, emotional power. From 1936, Piaf recorded many albums and eventually became one of the highest paid stars in the world.
Later in life she became an addict and died in poverty at the age of 47.
Brittany Murphy, Swati Moon & Venus
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she was a child star who was managed by her controlling mom. she battled with eating disorders and drug addiction. rip britt.
Justin Bieber, Shatabhisha Sun conjunct Saturn
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Justin shot to fame at a very young age and was severely exploited by his management/everybody around him
Now here are some heavily tatted celebs and their placements
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L to R
Rihanna- Shatabhisha Sun
Paris Jackson- Ardra Moon
Cheryl Cole- Ardra Sun & Mars, Shatabhisha Moon
Demi Lovato- Magha Sun
Jungkook- Magha Moon, Mula Rising
Ruby Rose- Swati Rising
Machine Gun Kelly- Ashwini Sun
The 27 club refers to a phenomenon where several musicians have died by age 27, many from an overdose. Unfortunately many of them have Nodal influence.
Brian Jones- Shatabhisha Sun
Jimi Hendrix- Mula Rising
Amy Winehouse- Mula Moon
Kurt Cobain- Shatabhisha Sun, Ardra Moon,
Janis Joplin- Ardra Moon, Mula Mars, Asc conjunct Ketu (in Dhanishta)
Jim Morrison- Ketu conjunct Rising (in Shravana)
several other celebrities who have died from overdoses also tend to have prominent Nodal influence
John Belushi- Mula Rising
Phillip Seymour Hoffman- Mercury in Ardra 2h, Mars conjunct Ketu in Swati
Prince- Shatabhisha Moon, Ketu in Ashwini
Whitney Houston- Shatabhisha Rising
River Phoenix- Magha Sun conjunct Ketu, Swati Ascendant conjunct Jupiter
Elvis Presley- Shatabhisha Moon
Margaux Hemingway- Ashwini Rising
Nodal planets are shadow planets and it can be very difficult for these natives to manage this energy as it is energy without a source, Rahu & Ketu don't have physical form or existence, that is a lot of uncontrolled energy to possess within yourself. Many people turn to spirituality and other esoteric sources and good Rahu & Ketu influence is vital and necessary to study or gain access to gnosis, study astrology or other occult matters but when this energy is imbalanced in their chart, these natives are more prone to self-destruction than any other planetary dominance simply because the unbridled energy is impossible to contain and requires some kind of coping mechanism. I have dated several Nodal men and they all dealt with varying degrees of addiction to varying substances and they all spoke about "wanting to feel more real" or how "nothing feels solid". I will try to focus on the positive manifestations of the Nodes on a future post.
thanks for reading<333
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