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#we own the future // coining
andthebeanstalk · 11 months
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Today my therapist introduced me to a concept surrounding disability that she called "hLep".
Which is when you - in this case, you are a disabled person - ask someone for help ("I can't drink almond milk so can you get me some whole milk?", or "Please call Donna and ask her to pick up the car for me."), and they say yes, and then they do something that is not what you asked for but is what they think you should have asked for ("I know you said you wanted whole, but I got you skim milk because it's better for you!", "I didn't want to ruin Donna's day by asking her that, so I spent your money on an expensive towing service!") And then if you get annoyed at them for ignoring what you actually asked for - and often it has already happened repeatedly - they get angry because they "were just helping you! You should be grateful!!"
And my therapist pointed out that this is not "help", it's "hLep".
Sure, it looks like help; it kind of sounds like help too; and if it was adjusted just a little bit, it could be help. But it's not help. It's hLep.
At its best, it is patronizing and makes a person feel unvalued and un-listened-to. Always, it reinforces the false idea that disabled people can't be trusted with our own care. And at its worst, it results in disabled people losing our freedom and control over our lives, and also being unable to actually access what we need to survive.
So please, when a disabled person asks you for help on something, don't be a hLeper, be a helper! In other words: they know better than you what they need, and the best way you can honor the trust they've put in you is to believe that!
Also, I want to be very clear that the "getting angry at a disabled person's attempts to point out harmful behavior" part of this makes the whole thing WAY worse. Like it'd be one thing if my roommate bought me some passive-aggressive skim milk, but then they heard what I had to say, and they apologized and did better in the future - our relationship could bounce back from that. But it is very much another thing to have a crying shouting match with someone who is furious at you for saying something they did was ableist. Like, Christ, Jessica, remind me to never ask for your support ever again! You make me feel like if I asked you to call 911, you'd order a pizza because you know I'll feel better once I eat something!!
Edit: crediting my therapist by name with her permission - this term was coined by Nahime Aguirre Mtanous!
Edit again: I made an optional follow-up to this post after seeing the responses. Might help somebody. CW for me frankly talking about how dangerous hLep really is.
#hlep#original#mental health#my sympathies and empathies to anyone who has to rely on this kind of hlep to get what they need.#the people in my life who most need to see this post are my family but even if they did I sincerely doubt they would internalize it#i've tried to break thru to them so many times it makes my head hurt. so i am focusing on boundaries and on finding other forms of support#and this thing i learned today helps me validate those boundaries. the example with the milk was from my therapist.#the example with the towing company was a real thing that happened with my parents a few months ago while I was age 28. 28!#a full adult age! it is so infantilizing as a disabled adult to seek assistance and support from ableist parents.#they were real mad i was mad tho. and the spoons i spent trying to explain it were only the latest in a long line of#huge family-related spoon expenditures. distance and the ability to enforce boundaries helps. haven't talked to sisters for literally the#longest period of my whole life. people really believe that if they love you and try to help you they can do no wrong.#and those people are NOT great allies to the chronically sick folks in their lives.#you can adore someone and still fuck up and hurt them so bad. will your pride refuse to accept what you've done and lash out instead?#or will you have courage and be kind? will you learn and grow? all of us have prejudices and practices we are not yet aware of.#no one is pure. but will you be kind? will you be a good friend? will you grow? i hope i grow. i hope i always make the choice to grow.#i hope with every year i age i get better and better at making people feel the opposite of how my family's ableism has made me feel#i will see them seen and hear them heard and smile at their smiles. make them feel smart and held and strong.#just like i do now but even better! i am always learning better ways to be kind so i don't see why i would stop
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solarpunkani · 1 year
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You know what, while I'm doing hot takes. And this one may be obvious considering I'm actively contributing to hosting the Solarpunk Aesthetic Week event but like.
Dear everyone who's constantly deriding the aesthetic portions of the solarpunk movement/genre; do you just not understand that being able to visualize the future you want is immensely important to being able to work towards it? Being able to get other people on board with it?
When I first got interested in Solarpunk, it wasn't for the hot leftist takes about the top ways to dismantle the government for the people, or top tips on how to build your own solar panel apparatuses. What brought me in? Visions of a hopeful future. I learned and began to love the rest as I dove deeper into solarpunk circles, but there is no denying that my first intro to it--and likely many people's first intro to it--was via the art and aesthetic spheres. The term 'solarpunk' was literally coined to refer to the aesthetic movement, and we've been building up from there ever since.
'When are people going to realize the aesthetic parts don't matter and what really matters is praxis--' dude, the aesthetic parts do matter. Inspiring people does matter. Showing people visions of a hopeful future is immensely important, it's why so many people join this movement. We see glimpses of what a hopeful future could look like, through beautiful art or riveting stories, we're inspired by things like stained glass and organic designs and statues and fashion concepts--and then we think to ourselves 'how can we help make this future happen?' And we learn the praxis and we work towards the goals and we share it with others because that's just how we work.
Seeing isn't always believing, but sometimes in order to believe in something with your whole heart, it helps to be able to visualize what you want. For yourself and for others.
So yes. The aesthetic parts of solarpunk do matter. Thank you for coming to my TEDTalk.
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mayhemories · 1 year
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Neteyam x readers kids to lovers eventually, before WOTW bc I carnt handle his death
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Eywa, A Sign
Ohhh it kills me, I love this boy. He died for what? Pandora Jesus better resurrects him next time, or I will have words with Mr Cameron. Not sure if I did your request justice, hope I did <3 
Pairing: Neteyam Sully x Reader (James Cameron’s Avatar) 
Requested: Yes | No
Warnings: None? Just straight fluff. Reader is an orphan trope/parental death. Mentions of death. 
Words: 1.58k
Author’s Notes: Neteyam is roughly 18/19 here, Reader is 18, Lo’ak and Kiri are 17, and my girl Tuk is still the same. Set before Way of the Water. 
Please note that the reader utilises she/her pronouns. If you’d prefer male or gender-neutral pronouns in fic I’m more than happy to repost a male or gn version of the story, otherwise include any pronoun preferences in the request box!
Read below the cut
Many Na’vi died following Toruk Macto. Either due to the impact of the battlefield violence or, their wounds upon return to their clan. Your parents, two brave Omatikaya warriors, died at the hands of the Sky People during a routine raid on supply shipments. 
Jake and Neytiri were quick to take you under their care, love and protection. Practically becoming one of their own. Being a few months younger than Neteyam and a year older than the twins, Kiri and Lo’ak, you slipped right in.
Jake was never afraid to reprimand you like you were his own, either. Like the time you were twelve, Lo’ak eleven:
“Now what did I tell you two?” Jake had you and Lo’ak lined up against the wall of the clan stronghold, sprung by the Olo’eyktan from the moment you came sneaking back in after curfew. 
“Don’t be in the forest after eclipse-” You and Lo’ak mumbled under your breaths, knowing that Jake wouldn’t let up.
“Yes! That’s right, don’t be in the forest after eclipse!” he said, exasperated, holding his hands above his head, dragging them down across his face. “And where were you two knuckleheads?” His face was annoyed, though his eyes were soft. We were his kids, god forbid anything happened to us. 
“Look dad (y/n) had nothing to do with it, it was all me-” Lo’ak started, but you finished,
“Sir, Lo’ak didn’t want to go, I wanted to go.” You and Lo’ak shared a small smile, he was your brother, through and through. 
Jake shook his head, hands on hips. 
“Go, go, both of you. Wash up.” He was stern, but as you two skxawngs ran past him you saw the gentle smile lay on his lips. 
As you got older you noticed Jake becoming harder and harder on his boys. For whatever reason Lo’ak almost gave up on pleasing Jake, felt like he could never be enough for him, a spec of dust compared to Neteyam’s glittering gold. Maybe that was why, why he was so impulsive and reckless, consistently. Any attention being good attention for Lo’ak. Regardless of his intentions, you liked that about him. He encourages your sense of adventure like a brother should, was always there to catch you when you fall. Neteyam and Lo’ak were different sides of the same coin, both living to please Jake in one way or another. Jake saw himself in Lo’ak and that scared him, you knew that,
But Neteyam…shit, Neteyam. 
You always saw Neteyam differently. As kids, he felt too cool for you to be around. This developed over time as you, yourself developed. As you felt awkward and out of place in your body, tail giving away every thought and feeling, Neteyam got taller, got broader, got sweeter. As an awkward teenager, your little soft spot evolved into a full-blown crush. You kept it under wraps sure, Lo’ak teasing you here and there but he never thought anything serious of it. Shit, you tried not to think anything of it. He was the future Olo’eyktan, he was the future of the clan. 
Now, freshly eighteen you were considered a woman: A relatively fierce Ikran rider, bow made from wood of the tree to replace the Hometree that was lost to the Sky People, a hunter. You surpassed any ritual trail of clan-life easily, save for one. Save for probably the most important one. 
Finding a mate. 
So, here you were, kneeling on the beautiful deep green moss surrounding the base of the Tree of Voices. The tree was glowing purple, fading to a light pink and back again, streaks of white travelled up and down the tendril of the tree, where you’ve made the bond. The hum of the ancestors created a white noise in you mind, helping to create a true vision. Praying to Eywa always gave you a sense of calm, like all anxieties were being blown right through your body, energy settling itself back into the world. 
“My dear All-Mother Eywa, I come to you now for guidance, for advice.” You started, clamping your eyes shut to encourage any kind of vision, so that you may see into the realm beyond that of physical sight. 
Neteyam knew it was wrong, to listen to your private prayers with Eywa. But he did not make a move to leave his advantageous spot, hidden amongst trees and rocks, he could watch you freely. His whole life felt like it revolved around you, and your alluring presence, strong heart, strong mind. 
Neteyam officially became a man the year prior, it was expected of him as the future clan leader to have already chosen a woman. And, in some ways he had. It had always been you, it was always you. Neteyam loved you, and it was never as a sister as Lo’ak has. When you were children you would play family. Neteyam was the dad, you the mum, Kiri and Lo’ak the kids. Neteyam knew from a young age that he didn’t want to play family with anyone else. 
He assumed Neytiri always knew, too. She never pressured him in claiming a mate, or even talking about it. Jake, well he was less switched on when it came to Neteyam’s shy nature. He was always pestering Neteyam about it-
Jake had flown Neteyam and himself to a floating mountain so that him and his first born son could speak freely: “Look, I’m not even saying you have to mate straight away! But at least court someone Neteyam, you’re the future of this clan-” Jake started, but for the first and last time in his life, Neteyam cut his father off.
“I am waiting for (y/n)!” Neteyam yelled, holding the bridge of his nose, anticipating that Jake would come back with a raised voice as he most often did. It did not come. Instead Jake closed the distance between him and his son, wrapping his arms around his beautiful baby boy, who wasn’t a baby anymore. Neteyam loosened, wrapping his still lanky arms around his father. With his chin resting on Neteyam’s head, Jake chuckled:
“Well then, wait for her as long as you need.” 
“I love her.” Neteyam admitted quietly. 
“I know you do, kid.” 
Neteyam shook the memory from his mind, and focused back on your kneeling, praying figure in front of him. 
“My mother Eywa, what am I to do?” You felt exasperated, lost. “I… I am afraid that the one I love does not love me Eywa.” 
Neteyam’s chest tightened, although he always knew it was a possibility that you may not want him, he tried his hardest swaying anyone else’s decision in the matter. The glares he had sent to all the young na’vi during their teen years, and at your own ceremony of womanhood, Neteyam made it clear with growls and possessive hovering that he was waiting for you. Although, maybe he could’ve made it clearer to you. 
“Great Eywa please, please show me a sign that Neteyam and I will be named mates.” you whispered, scared to admit his name in the scenario, aloud. 
Neteyam felt like he could vomit. He slowly approached you, kneeling beside you, as if he were beginning to pray, himself.
You could feel his heat, his being as he sat down, you didn’t need to open your eyes to confirm. Besides that, you could feel all the blood drain from your body and rush back up to your cheeks and ears. Clearing your throat, you decided that this was a good a sign as any. 
“Neteyam” You opened your eyes, his beautiful warm honey ones already locked on your face, “how much of that did you hear?” 
Neteyam hung his head in shame, shaking some of his braids from their resting places, blood rushing to his cheeks. 
“I am so sorry, I know I shouldn’t have listened to your private words spoken with Eywa.” Neteyam spoke softly, like he always did with you. “But I could not help it, especially knowing you have not chosen a mate yet.” Neteyam spoke around a lump in his throat, “I needed to know why.” 
Your mind was rushing a million miles per minute. But fake bravado was something that Lo’ak taught you, and something you could hide behind.
“You know, you haven’t chosen anyone either. My ceremony was last week, yours was last year.” You said, catching his eye again, with a slight smile on your lips. Neteyam laughed. Shit, you loved that sound. You could die happy now, hearing his laugh. 
“I have chosen,” your stomach dropped at his words, though sensing your anxiety Neteyam wove one of his hands with yours, and pinned you to the spot with his warm eyes. “I just had to wait a year for her to choose me too.” 
And all at once it felt like Eywa had breathed life into you, and Neteyam. Like your soul was made of milk and honey and you were going to flow on forever. 
You kissed him, your hands cupped his beautiful face, his slender fingers settling on your waist, nestling between beads and cloth. 
He came out of the kiss laughing, needing air. You let out a laugh too, keeping your foreheads together. 
“I see you.” You whispered, still scared that if you speak too loud this dream will dissipate into the colours of Pandora’s jungle, floating away from you entirely. 
“I have only ever seen you,” Neteyam said, smiling. His silver freckles set alight from the glow of the Tree of Voices. 
Happiness was simple.
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gibbearish · 2 months
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so this post has been made unrebloggable now (shocker) but ive been feeling the need to address it since i saw it on my dash multiple times, so let's explore how lying on the internet works. more specifically, how blending truth, lies, and omissions to whip uninvolved people into anger works, because i think this is an excellent example and that pointing out the misinformation and the tactics used to spread it here is important, both in correcting the specific falsities but also in helping recognize similar tactics in the future.
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so here we have several things that are technically true: staff has been very openly shitty to trans women for a long time and them banning predstrogen is clearly part of that, there is currently a movement regarding discussing transmisandry/transandrophobia, transmisogyny and transphobes sending transphobic asks is by far nothing new, and baeddel is/was a slur. however, among all of this are half-truths, unprovable speculation, or outright lies made to make you believe these events are originating specifically from transmascs.
firstly, the transandrophobia movement has been drastically misrepresented here in the same way it has been for the whole argument, "they're just trans MRAs" has been repeated so many times now that i'm gonna be hearing it in my dreams when i'm 80. i can understand not being willing to address the nuance of that whole discourse in one post that isn't directly focused on that, i'm certainly not, but in this example it's not unwillingness to address a complicated topic, it's a deliberate misrepresentation to frame one side of the discussion as The Evil Bad Ones That Can't Be Trusted. additionally, this post IS about that discourse and is just pretending it isn't to mislead a wider audience, so refusing to address it at all beyond this brief mention is deliberately misleading people about the goals of the group because They're The Other Side Of The Discourse. "transmisogynists" is used as a buzzword here, it doesn't actually refer to Anyone Who Hates Transfemmes, it refers to Transmascs Who Discuss Transmasc-Specific Oppression Using A Word They Coined To Point Out That Queer Spaces Have A Big Problem With Masculinity and just. doesn't tell you that's what it means, relying on the structure and framing of the post to create the Transmisogynist = Transmasc association in the audience's head so op doesn't have to say it outright (and of course the implied Transmasc = Transmisogynist association that follows because creating THAT association is the Actual Point of this post). the mentions of transmascs in this post are designed to look like afterthoughts, op says "typically those who espouse transandrophobia" to make it look like they're saying there's other people they're referring to here too, but almost everything in this post draws from the transandrophobia discourse. some random cis transphobe in texas has never heard the term baeddel in their entire life much less used it in a debate about transphobia, this is an intercommunity argument through and through, but op is trying to mask the fact that they're just referring to "transmascs who disagree with me specifically" and make it look like it's part of a wider trend. and again, i'm not going to go into the nuances of transandrophobia here, but i highly recommend reading some of the theory on it by @nothorses (x) and @genderkoolaid (x) because the "theyre just trans MRAs" argument kinda just collapses under its own weight as soon as you look into it even a smidgen. i've linked a couple broad overviews there but they both discuss it frequently and in-depth, specifically nothorses has a pinned post linking to many different discussion threads that i would recommend checking out if you do want to learn more about what the actual conversation surrounding these words is.
so, after framing the movement this way, they go on to say that the reason predstrogen was banned wasn't /just/ because staff has a long and established hate boner for trans women, but because the transandrophobia movement was teaming up with TERFs to mass-report her and other transfemmes, and implies that this is part of a deliberate conspiracy between Transandrophobia Truthers™, TERFs, and staff. you'll notice that there are no, say, screenshots of transmascs saying theyre deliberately reporting her or of that they're working with TERFs, behind-the-scenes lists of people who reported a certain account, or any evidence for this beyond "she was a trans woman, they're trans men who hate trans women, she got banned, so these must be related". which i find especially funny now given that photomatt has continued melting down about this since it happened and made it pretty clear it yknow. was just part of staffs ongoing hate campaign against trans women that has been going on much longer than the transandrophobia debate? and that maybe the fact that The Literal CEO is having a personal meltdown about this might explain where that could be coming from or at least why it's been allowed to continue for so long, moreso than any individual users reporting someone could? but i digress.
who reported what account is completely unprovable as a casual user unless people directly admit they did it, so to bring it up like this begs the question of what actual reasoning they have for saying it beyond trying to tie a current display of bigotry into an unrelated discourse. that's not to say it's impossible people who discuss transandrophobia were wrongfully reporting her, because again, thats something we have no way of knowing, and the internet is a shit place so i wouldn't be surprised. but given the circumstances and the rest of the lies here, i have my doubts about this being an actual yknow. Thing That Happened rather than just another lie to make people mad at transmascs. now one could make the argument that op wasn't saying transmascs are /deliberately/ teaming up with TERFs/staff, that "teaming up" was just a poor choice of words to refer to multiple groups who happen to have the same goals in mind at the same time but aren't actually coordinating with one another, but given the deliberate misinformative slant of the rest of the post and the overall phrasing in this section, i have trouble extending that grace. regardless, however, that doesn't change that who is reporting who isn't something verifiable, so stating it here as a confirmed fact is disingenuous at the absolute best, and a lie chosen specifically because it's unprovable at worst. if op /does/ have proof that transmascs have been teaming up with TERFs to get trans women banned, not including that with this post is just uhhhhh dumb, and if op /doesn't/ have proof then Why Would You Go Around Telling People That's What Happened Unless You Were Lying To Them On Purpose With Ulterior Motives.
next, op goes on to discuss the rise of the term baeddel. now as i said before, the truth here is that it certainly was a slur and certainly can still be used as one, again the internet is a shit place so i would be a fool if i tried to say "no one is using this as a slur". however, this is once again a drastic misrepresentation of the situation. baeddel's rising use is due to certain trans women reclaiming it and aligning themselves with the original group's politics, namely that femininity is good and masculinity is bad (aka terfism 101), with the added caveat that by abandoning femininity for masculinity, transmascs are evil and betraying devine womanhood and their community by putting more Evil Manhood into the world. of course that in turn is a drastic oversimplification of their politics and i highly recommend checking out this post with an actual in-depth exploration of the history (and without my added flavor), but the important part to note here is that this is not a term transmascs just Started Using one day because they hate transfems so very much as is implied here, its use is directly tied to a group of people saying "hello, here is what i am, and here is what this word means about what i believe," so others went "ok, these specific beliefs are called this." bringing up the fact that it historically was a slur is misdirection here, when you look closer this is almost a 1 to 1 translation of TERFs crying that TERF and radfem are slurs because People Don't Like Their Politics And Therefore Them, so the name for their politics is used negatively, so therefore it's a slur. that argument just has a little more oomph behind it this time because It Was A Slur Originally. and again, that isnt to say no one is now using it as a slur, the rate of decay for online discourse is ridiculous so it being boiled down to and used as "evil transfemme" has certainly already happened, but to act like /every/ use of it is a slur is literally just a lie, when you self-identify with a term based on your shared politics with the original group then you do not get to claim everyone using that term to describe those politics is doing so exclusively to attack you. also this part is entirely speculation but given that op's url is basically just. baeddel switched around to dae bel, i would hazard a guess that they perhaps are indeed aware of the origins of its re-use? but again, that's entirely unprovable and based just on wordplay, but like. given the Everything here i wouldn't be surprised. now, there's definitely an argument to be made about calling users baeddels based just off of their politics when they don't personally self-identify with it, if that constitutes calling someone a slur and if TIRF should be used instead, but crucially, that is not the argument being made here. the argument being made is "ANY AND ALL use of this term is calling someone a slur," and that literally just Isn't The Case.
finally, to tie the whole post off, op reminds us 1) if you hear anything bad about any trans woman ever, it's probably a lie to make her look bad, and 2) if you hear anyone say anything about transandrophobia, disregard everything else they have to say because they hate trans women. not "be critical of the things you see or get sent" or "be on the lookout for things following a certain pattern," a unilateral "anything bad is probably fake and anyone who uses the bad words is probably evil." that is not something someone does if they are genuinely trying to raise awareness of an ongoing trend, that is what someone does when they want you to turn your brain off and be mad at a group no matter what they say.
so yeah, in summary, do be critical of the things you see and be on the lookout for certain patterns, because sometimes people will just Lie to you. or, sometimes people will tell you portions of the truth while leaving out crucial bits so that you'll come to the conclusion they want without anyone being able to say they lied to you without typing up a thirty paragraph long hell post. transmisogyny is absolutely a problem on this site and there are 100% valuable conversations to be had about it and its presence within the trans community, but this post is not that. this post uses real transmisogyny and the wrongful termination of a trans woman's account as set dressing to say that it was all because of evil transmascs who run the trans community behind the scenes conspiring to take out transfemmes, so you should ignore anything they have to say because All of it is secretly motivated by transmisogyny. they're never discussing transandrophobia because it's something that actually effects them, they're doing it to hurt trans women by saying they have it worse. they're never telling you about shitty things a trans woman did to spread awareness, they're lying to make her look bad, or even if it's true they're only talking about it as part of a hate campaign because she's trans, they wouldn't care otherwise. they're never using a specific term because People Use That Term For Themselves, they're calling someone a slur because they hate trans women. there's always an explanation you can think up that ties it back to transmisogyny, and op says that instead of assessing all of what someone says and the context behind it to determine if that's what's happening, you should assume transmisogyny is the answer and refuse to engage any further as soon as you see a word you've been told is bad.
this post is discourse recruitment masquerading as a public service announcement that doesn't offer you any routes to actually learn more about what's going on, it just tells you Here's What's Happening, Here's Who's Evil And Should Be Ignored, And If You Disagree You're Also Evil And Should Be Ignored. content of the actual post aside, i think anything framed that way should be taken with a MASSIVE grain of salt and this would have raised my alarm bells even if i wasn't already pretty familiar with the arguments, people who genuinely want you to know something just because it's good to know will give you options to learn more or encourage you to actually use your critical thinking to assess things, not tell you to sit down and shut up and ignore anyone who disagrees with them.
anyways i guess tldr
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kathaynesart · 2 years
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PSA: Don’t smoke, kids!  I actually almost did not include the flashback with Future Donnie for a number or reasons, but decided I wanted to give a little look into my interpretation of his character.  Also I like drawing his eyebrows.  More of my thoughts after the link. 
BEGINNING || PREVIOUS || NEXT MASTER POST
The major purpose of this story is to show the lead up to the first scene in the movie as well as the immediate aftermath while remaining as canonical as possible.  Having seen future Mikey and Leo in the movie (even if just for a few minutes) it gave me a decent grasp on their character arcs and what they needed to go through to become those people.  We never see that for either Donnie or Raph so I am forced to take more liberties for where I “think” Donnie might have ended up. Where as Leo by the end of his arch shifted to one of hope and grounded idealism, I see Donnie being the opposite of that coin.  He’s the realist. Yet he also puts the most unrealistic expectations onto his own shoulders, pushing himself to be constantly at the helm of their colony and keeping track of the Kraang’s forces as well as ways of combatting them.  Thus no sleep and horrible habits. 
Also, didn’t know if this needs a trigger warning?  It’s all just robotics but...                          
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A DC X DP IDEA #26
History hates Lovers
Imagine dis…
When Batman got lost in time it was said that he made some signs or even some symbols that send a message in the future. For example, a portrait that looked exactly like him or even a cave painting of a bat that looked too modernized to be from the early cavemen.
But it seems that we have forgotten that every change that he made whether it was just standing in a portrait as a background has a severe consequence in the time stream. The butterfly effect rests on the notion that the world is deeply interconnected, such that one small occurrence can influence a much larger complex system. The effect is named after an allegory for chaos theory; it evokes the idea that a small butterfly flapping its wings could, hypothetically, cause a typhoon.
Small changes could result in another and entirely new timeline, whether the changes were small enough that people don’t notice or large enough that people merely conceived it as normal.
But at the end of the day it still changes, so how did the timeline remain stable as it is?
(I am no expert in time travel so don’t get your hopes up, I do enjoy a good time travel or time travel -fix it fic in A03)
Bruce didn’t know where and when he is right now. Still weak and disoriented from the consent way he fell from each timeline. One moment he could be in the middle of a group of cavemen and then he was at the edge of a town in the Middle Ages. 
He kept sending messages subtle as they may be, as long as they survived the passage of time and arrived to his future. He just hopes that his teammates can see his messages, especially with the flash in their midst who had both knowledge and experience in time travel.
He tried to fit in every time he tried to send a message as the last thing, he needed was to change the time. 
But little did Bruce know the little messages he kept making and sending, despite their subtleness still created a butterfly effect. It makes some of the people in the period who were supposed to be in time to some event pause and take a look at the mysterious symbols and signs that Bruce made. Thus, making them late or even have some delay, thus creating a large domino effect that started small. From insignificant people, people who are just literally background characters who just have a very short greeting or meeting with someone in the event made the entire timeline crack.
Clockwork was looking at the time stream due to the fragile situation at hand. CW knew that this event was crucial for the Red Robin’s growth as a detective and vigilante. But the small cracks are turning into something unchangeable, CW knew that this was the only communication that the Dark Knight could send as well it was his way to get back to his own time.
Yet CW can see the cracks getting larger and larger, with each move that the Dark Knight made creating more holes in his known future. Usually, such events as the Dark Knight's faces don’t create any consequences or even affect the time stream of the said dimension as it was meant to be. An event unavertable in the end is more justifiable than the means.
But due to the Flash family going back in time as well the countless time traveler visitors made the time stream in that dimension week and prone to break in any given time. It was just a surprise to CW that it lasted so long.
CW found a solution in the form of his apprentice/ grandson, Phantom. Despite the young ghost being an Ancient of Space as well as the King of Infinite Realms he still needs a mentor to not only guide him to his new duties as an Ancient but also his responsibilities as the future High King.
Space and Time are two sides of the same coin thus CW ended up being the mentor of the young Phantom. 
Clockwork sent Danny to not only seal in the cracks in the flow of time but also want some great-grandchildren, if you heard the last part then you heard nothing from me.
Danny didn’t know he was getting in when Clockwork sent him out to another errand at another time. He should have gotten used to CW’s vague and cryptic errands through time when he was a teen, but as he was sealing another crack from time, he saw something that shouldn’t be in the period. A man clearly from out of time trying and failing to fit in, though he may have fooled the locals but he had been traveling and fixing time since he was in high school. 
At first, he looked perplexed but if CW didn’t mention anything then he won’t do anything.
But slowly Danny realized that whichever period the guy was in, it was where the next set of cracks would be, so Danny decided to follow the guy.
Bruce may still be weary and tired from the constant falling through time but even in his tired state can see that there is someone following him.
Every era there that man was, seemingly walking around aimlessly but then he noticed that he kept a good distance away from him.
Eventually, it led to and confrontation between the two males.
Danny who explained that despite having the power to travel through time cannot help Bruce as his little messages are creating small cracks in the time stream and are merely there to seal up the cracks, but offers news that he will get back to his own time.
Bruce who is just wishing for human contact that relates to him as well in the verge of going off to the Flash to stop going back in time for another chance to eat a breakfast that tasted better than before.
The two began conversing with one another and slowly fell in love.
Bruce is the first one to fall hard, Danny whose light-heartedness brought Bruce out of his shell. It had only taken a few conversations with each other to lose his shield around his heart. Danny both accepted both Bruce and Batman within him. Danny’s smile lights up Bruce’s world, at first Bruce tries to hide his feelings to Danny so as not to lose his only companion throughout the ordeal.
The two began dancing around their feelings and Bruce in an out of character of him sent a love letter and a poem to Danny when the ghost was needed somewhere else to seal the crack.
As old as I am, I have had the most dreadful experiences in love. I have a very dark past and I'm a damaged soul. My past experiences have groomed me into believing that there's no such thing as true love, but with you, I feel different. You make me fall in love with myself too. You always make me smile, and I'm scared. I'm scared to fall in love and get broken again, I'm scared to give my all, only to be used again, to get shamed and embarrassed. I've seen how careful and caring you are around me, but sometimes you give me a cold shoulder, and it's small things like these that break me. Please bear with me and be fragile. I come from a very painful past where I had to be a woman and have no say. All this love and affection is a little scary to me because I'm not used to it. I'm falling for you and I'm falling hard. I hope our love story has a happy ending. Know that I will always love and cherish you.
 (Mmakoma Kamogelo. "My Confession." Family Friend Poems, September 6, 2016. https://www.familyfriendpoems.com/poem/my-confession-2)
Danny who received the letter burned red from reading the poem to the point his freckles were the only thing prominent on his red face, Danny knew that this man was from the future and couldn't help but feel a little bit insecure. That man, the Batman is someone out of his league but sends out a letter and a poem of his own.
Published by Family Friend Poems September 2016 with permission of the Author.
My love for you is uncontrollable.
 My feelings for you are unstoppable.
 Can't go a day without thinking about you.
 Without you, I'm not complete.
 With you, my heart finds its beat.
 My heart is filled with joy because of your love.
 You are my strength, and without you I'm weak.
 Before you came into my life, I was
 Hopeless, lonely, sad.
 When you showed up, I knew that you were sent to me. (Namely CW, Danny just knew that old Ancient did something)
 You are always here to support me.
 Your smile makes me shy,
 And sometimes I wonder where you have been all this while,
 But I'm just glad that I managed to get you in my life...
 YOU FILL MY HEART WITH JOY!
(Mmakoma Kamogelo. "My Confession." Family Friend Poems, September 6, 2016. https://www.familyfriendpoems.com/poem/my-confession-2)
When the two realized both were pinning to one another began sending each other little love notes, in the form of short poems to full-blown letters.
Both males whenever received a letter when one was apart, collected and hid it in a box to reread each stroke of the letter from the other, and whenever they were together, they just spent the entire day basking in each other’s presence.
Their little note exchange didn’t stop whenever Bruce fell to another period, Danny just followed him and started a new exchange mail of letters.
Of course, both used pseudonyms in their letters ranging from initials to fake names using only the letters from their names.
When Bruce was saved by Red Robin, he felt relieved as he could now stop falling into another period but another shock as he didn’t get to say goodbye to Danny.
Bruce knew that someday it come, but he was going to offer Danny the future with him. He is going to offer Danny the world, but it seems that it was never meant to be.
Maybe that’s why his past self never met Danny, too disappointed, too dejected to meet him once again.
It has been a few months since he came back to his future, it was another family outing organized by Dick.
It was a museum featuring the latest found by archeologists, as Bruce was surveying case to another case, he fell upon a worn-out parchment with his handwriting.
Wide-eyed, Bruce looked closely at the exhibit and found that the description said the letter was about a man named “Brooks” confessing his love in the form of a short poem to a woman named “Daniella” who had the same feelings as him but had other responsibilities to fully go where he is.
Bruce began looking at the other exhibits and there along rows and rows of his letter exchange with Danny from different periods. 
Jason and Tim who were a few cases away from him began having a heated discussion with a stranger about the supposed woman in the letters being a man the entire exchange is between a pair of male couple, and the so-called Historians are hiding the fact that it was between men.
Bruce was about to interfere with the upcoming verbal fight when a stranger beside him commented that “Daniella” probably missed “Brooks” as the last letter and poem to the exchange when “Daniella” noticed that “Brooks” is no longer responding is…
(By E.E. Cummings)
i carry your heart with me(i carry it in
 my heart)I am never without it(anywhere
 I go you go, my dear; and whatever is done
 by only me is your doing, my darling)
                           I fear
 no fate (for you are my fate, my sweet)i want
 no world(for beautiful you are my world, my true)
 and it’s you are whatever a moon has always meant
 and whatever a sun will always sing is you
 here is the deepest secret nobody knows
 (here is the root of the root and the bud of the bud
 and the sky of the sky of a tree called life; which grows
 higher than the soul can hope or mind can hide)
 and this is the wonder that's keeping the stars apart
 i carry your heart(i carry it in my heart)
 (E.E. Cummings. "[i Carry Your Heart With Me(i Carry It In]." Family Friend Poems, https://www.familyfriendpoems.com/poem/i-carry-your-heart-with-me-by-ee-cummings)
Bruce is startled as he doesn’t even notice Danny’s last letter to him when he takes a good look at the stranger…
There he is, Danny in his early 30’s looking at him with softness and deep love in his eyes and a gentle smile. As if he hadn’t waited centuries for Bruce to appear once again, and what looked like willing to wait once again for him.
PS: If someone out there wanted to continue or make a fic about this you are free to do so, don’t forget to tag me though.
PPS: As you can see, I have never fallen in love and please mind my poor and lack of love life in my life to relate to my work.
PPPS: I decided to post a bit early, I've got something going on to the actual February 14.
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Winter's King 3
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No tag lists. Do not send asks or DMs about updates. Review my pinned post for guidelines, masterlist, etc.
Warnings: this fic will include dark content such as noncon/dubcon, cheating, violence, and possible untagged elements. My warnings are not exhaustive, enter at your own risk.
This is a dark!fic and explicit. 18+ only. Your media consumption is your own responsibility. Warnings have been given. DO NOT PROCEED if these matters upset you.
Summary: You are a maid to the Duke of Debray, a lord of the Summer Kingdom. That is, until the king of Winter appears with his particular air of coldness. (Medieval AU)
Characters: Geralt of Rivia
Note: wooooo, friday!
As per usual, I humbly request your thoughts! Reblogs are always appreciated and welcomed, not only do I see them easier but it lets other people see my work. I will do my best to answer all I can. I’m trying to get better at keeping up so thanks everyone for staying with me.
Your feedback will help in this and future works (and WiPs, I haven’t forgotten those!) Please do not just put ‘more’. I will block you.
I love you all immensely. Take care. 💖
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Despite the unease of the king’s proximity, you drift down into a hollow sleep. The sort that is grey and empty and dizzying. When you wake, you’re alone. The bed is sparse and spacious as you lay tucked in the blanket, snug around your figure. You slide your arm up as you feel a cool graze along your scalp. 
You fix your cap back on your head, wrinkled from being caught beneath you. You roll onto your back and tug at the blanket until you can sit up. As you do, you notice the yellow beam around the silhouette at the window. The king’s hair shines brilliantly in the sunlight. 
You rub your cheek, hot from friction with the pillow. You look down at the blanket rumpled around your waist. You kick if off and climb off the mattress. There is no time to be sleeping. By the slant of the light, you know it’s due time to rise. You turn to tidy the covers, pulling them taut, corner to corner. 
You brush smooth your apron as best you can, a dent left diagonal down the skirt. You turn and glance towards the door. You don’t dare leave without dismissal, nor do you wish to break the king’s peace. 
“You slept heavy,” he says without moving, “you must have needed it.” 
“Your highness,” you croak through a dry throat. “I didn’t...” 
“Didn’t what?” He wonders. “All must rest, even the mice and meagre.” 
You bow your head and fold your hands. You stay as you are as he lowers his own head and his arms move as he fusses with something. There’s a soft tear and he brings something to his mouth. He turns and leans against the curtain, crushed to the stone by his weight. 
“And they must eat,” he offers a morsel of salted meat. 
“Your highness, it is generous--” 
“But you mean to deny me,” he challenges. “Does modesty serve you as well as you serve others?” 
You don’t know how to answer that. You press your lips tight and once more lower your chin. You wring your hands and markedly stop yourself. 
He crosses the room with slow, long strides. He stops before you. The morning light limns his thick body through the white fabric of his nightshirt. He brings the strip of jerky before you, holding it below your nose. 
“I do not trust a turncloak to feed me from his trough,” he intones, gently leaning the meat to your lips. “A king must worry about such things, but not a servant. Who would ever need taint their food, if they let them any at all.” 
You look up at him. His eyes blaze down at you, stunningly gold, like sparkling coins. He prods with the strip and you open your lips to let it slip through you nibble through the thick morsel until a piece breaks off and he rescinds the rest, taking a bite of his own. 
“It’s the last of my elk, and stale at that,” he explains, “in the hinterland, we do eat more than salt, but on campaign, we must eat what we have.” 
You chew, watching him as he turns to pace. He makes you curious. He is a fearsome man, even in only a night shirt, but he thinks overly much. 
“That summer maiden will not like the cold,” he mutters as he rounds the tub then comes back to you. Half the strip remains. He offers it, “take it.” 
You do as he bids. He watches you intently as you hold the jerky and you bring it close to your lips. You stop, “thank you, your highness. You are a generous king.” 
“No, I am a prudent king. Not always generous, not always cruel, only when the moment calls for one or the other,” he stays before you, eyes torrid as they cling to you. 
“Well, you’ve been generous to me, your highness,” you say before you bite into the meat. It is heavier than what you are used to but tasty nonetheless. 
“Prudent,” he repeats, “so I must send you away. Send you back.” He inhales, his broad chest lifting, making him appear even larger, “you have done your duty admirably, little maid.” 
You chew, making a face as you can’t answer for your mouthful. He inclines his head towards you. 
“No,” he shakes his head, “say nothing more. Eat and go. There is still a war to be won before I claim my kingdom.” He puts his back to you and marches back to the window, adding in a grey tone, “...and a wife.” 
His last words are so quiet, so dull, you hardly can discern them. He leans on the window ledge as he stares off beyond the walls. The sun rises around him, casting him in gold. You swallow what’s left of the elk strip and shuffle to the door. As you open it, you hear a sigh, and you close it behind you without glancing back. 
The king does not sound pleased with his nuptials. So is the fare of nobles and their titles. Often the very status that brings them privilege brings them just as much misery. A handmaid only need worry about her next task. 
⚔️
Lady Jazlene is far more satisfied with her imminent union. She is aflutter as you enter her chambers. Merinda watches with dulcet irritation. The duke’s daughter flits around, throwing silks and satins. Lady Rezlyn watches her from a cushioned bench, a goblet in hand as she tuts and tisks at very choice. 
“Mother,” Jazlene tosses down layers of goldenrod yellow, “if none should do, a new dress might be cut, yes?” 
“A new dress? Of what fabric? We are in wartime, dearest,” Rezyn scoffs. 
“And yet you have your reds and your citrus,” the younger accuses. 
“I need wine to steel my nerves and citrus to fill my stomach. You needn’t a dress to live. You have many and more,” Rezlyn snickers. 
“Mother, I swear you do goad me. He is a king. And the war should end soon. There must be silk to be had,” Jazlene whines, and what of jewels? Pearls? Emerald? Sapphire?” 
Merinda shifts, you can sense her thoughts and the little whispers she’s hoarding away for you. She always has the sharpest quips about the pair of ladies and their whimsies. You do agree with some but you can no more blame them for being frivolous noblewoman than you can yourself for being a simple maid. 
Jazlene continues her storm around the chamber. Her nerves are contagious, you can feel a similar stirring in your gut. Perhaps she realises the same as you do. All she knows is about to change irrevocably. 
You try to think of what it will be like when she is married. She must have the same thoughts. You can’t quite picture it. Geralt sitting where Rezlyn does, perhaps he too holds a goblet, Jazlene rambling over her skirts and gems and all the things she wants. You don’t imagine he’d listen for long. Then again, you don’t know the king at all. Not enough to presume you would know. 
Lady Jazlene puts a string of rubies around her neck and preens in the mirror. She points to you then her hair. You come forward and set to pinning her hair. Lady Rezlyn rises and you peek at her in the mirror. She scowls at her wine. 
“Enough fussing, your father wishes us to see the king to break our fast,” the elder holds out her goblet and Merinda comes forward to take it. “And I need more wine.” 
Jazlene shoos you away and stands. She hangs her shoulders and drags her feet, “mother, I will be a queen soon. You cannot order me around so.” 
“Not as yet,” Rezlyn warns, “you have much to learn of being a wife before you worry so much of queendom.” 
Jazlene huffs and pushes her shoulders back. She looks at her reflection once more, posing and posturing. She curves her lips in a wry smirk. 
“Queendom,” she trills, “oh mother.” 
“Yes, yes, don’t get ahead of yourself,” Lady Rezlyn stomps over to her daughter and takes her by the wrist, “you must first think of how to please your husband. As I can tell, it won’t be an easy task, and yet he is as any man is. He is... still a man.” 
“Oh mother,” Jazlene giggles. 
“Look at you, you are marvelous,” Rezlyn pets her daughter’s cheek. “He is a warrior; he holds his shield close but he cannot resist your beauty.”  
The mother keeps hold of her daughter and leads her to the doors. You and Merinda follow at several paces. A habit to keep from trodding on their skirts. The enter the corridor and tension coils around them. The descend to the great hall and to the west wing where the dining hall resides. 
Lord Dustan stands by the head of the table. On most days he would sit in that chair but he only paces around it, tugging at his little triangle beard. You rarely see him so restless. Often, he is as careless as his wife and daughter. 
“Husband, I thought we were to break fast--” 
“Yes, yes,” he waves off his wife’s words, “the king has yet to awaken.” 
You stand by a statue, just to one side of the door. You cannot see the opening around it. You find comfort in its shadow, content to go unnoticed. You wonder if anyone looked upon you, would they see your thoughts. The king is awake but why hasn’t he emerged? 
“What about the marriage?” Rezlyn asks, “a contract?” 
“Wife, if I say it is to be, it is,” Dustan retorts, “must you ever heap upon me?” 
“It isn’t my intent. I am only making certain our daughter’s future is secured. That our family name is to prosper. Husband, I ask in the interest of your profit.” 
“You ask too much,” the duke hisses. 
Before he can receive his wife’s sharp response, sturdy footfalls approach and mute their conversation. A shadow casts through the doorway and you know by the silhouette it can only be one person. King Geralt enters, unassuming in his mail and black clothes. His silver hair is half up, a braid down the back of it. He has his sword strapped to his back. 
“Your highness, the cooks are preparing breakfast--” 
“There is not time for you to sit and gorge,” the king snarls, “there is a war to be won. There is no advantage in waiting on word of your deceit to spread.” 
Dustan has the grace to look ashamed. He twitches and paws at his overcoat, “I... your highness, I would need time to prepare for my departure.” 
“You need mail and a sword. You have a barn full of horses. Mount it and we will be away.” The king insists, “my men march within the hour. We will remember who our allies were when the day is won.” 
“Y-your highness, I--” 
“That is the trouble with summer lords. You think war is played across a board,” the king growls. “war is won in blood and steel. If all you can offer me is words, I am not interested in this contract.” 
“Your highness, I will ready. At once,” Lord Dustan kicks his heels together, “you are right. My spurs are ready.” 
The king drones grimly. He sets his shoulders and opens and closes a fist. Jazlene looks at her mother then steps forward. 
“But your highness, our marriage--” 
“That contract will be met when I have my terms. When my kingdom is forged complete, then I shall have a queen. No sooner than that,” he grits at her. 
“Ah, yes, certainly your highness, then you shall have my favour to ride with,” she pulls a handkerchief from her bodice, “to comfort you in the battles to come.” 
She waves the cloth at him and he says nothing. He grunts and turns to her father. He grabs the duke by his scruff, “let’s hope you can sit a saddle. Carriages are not built for war.” 
King Geralt turns, dragging the Duke of Debray like a stray cat. The king’s golden eyes flick over to you and his jaw ticks. He raises his chin just slightly as he passes, putting his eyes straight only as the meet the corners. He stalks from the room with his blithering ally in tow. 
Jazlene presses her knuckles to her forehead and whines, “mother? Am I to wait anon for my husband? What shall I do? War, war, war! Does it ever end?” 
“Daughter,” Lady Rezlyn sweeps around the table to grab her daughter by the shoulders, “there is no use in bawling. Do not be a child. You are of an age--” 
“Of an age where I should be married!” Jazlene blusters. “How can I be calm when I am promised what I have always wanted and then it is snatched away?” 
“The king will return. As will your father,” Rezlyn shakes her daughter, “King Geralt has made it this far, do not think he will falter now. And when he has claimed victory, he will return to keep good on his promise.” The Lady of Debray lowers her voice, “do you think that your father would break his oath on a chance? That he would gamble. No, he sees what the other lords deny. King Waleran is routed. This war will not last much longer.” 
“Truly, mother?” Jazlene bats her lashes, “how do you know?” 
“Trust your mother,” Rezlyn speaks as though her daughter is no more than a child. “Your father has risked his neck to claim you a king. Do not doubt him.” 
Jazlene considers her mother, searching her face, and pulls her into an embrace. She lets out a shrill squeal and pulls back. Her cheeks round with glee. 
“You’re right mother, this is a blessing. This will allow us time to alter a dress fitting for such a wedding.” 
“Don’t forget a coronation,” Rezlyn adds coyly. 
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I made some funny comics a little while ago about the potential effects of Fukuzawa's ability on Chuuya's, and how it perhaps could make it revert to a pre-Arahabaki state.
I realized later that some of you lack the context for where that came from, and that I might be creating confusion, so this is a (hopefully) comprehensive walkthrough of things we learned in Storm Bringer that lead to this conclusion.
tldr; The lab created "Arahabaki" by manipulating an ability into a destructive force. That ability existed before the lab, and the nature of that ability is heavily implied to be the power to enhance other abilities through touch.
Explanation and sources below (so you can judge yourself) ⬇
- spoiler warning for Storm Bringer, hopefully written in a way that you'd understand even if you haven't read it yet -
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In Storm Bringer, Chuuya meets the scientist that was responsible for Project Arahabaki, Professor N.
Project Arahabaki, N explains, was the Japanese government's secret project to create an ability singularity they could have control over and freely use as a weapon.
What are singularities? Singularities are what happens when abilities clash in specific ways and create a new, unforeseen reaction. The easiest way to create a singularity is to pit two contradictory abilities against each other to create a paradox; examples included the ability to always deceive and the ability to always perceive the truth, and to have two ability users who can see into the future (*coughs* Oda and Gide) try to one-up each other. The result is usually much more powerful than the original abilities on their own.
Some singularities are said to have been explained as god-like interventions, because of their often destructive nature. This is what inspired the name "Arahabaki", after the mythical being (here's a post of the subject and I'll it link at the end too) These events are described as very rare.
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Like mentioned in that passage, there is another way to create a singularity: to have a single ability user use their ability in a way that contradicts itself. This is what the lab was trying to do.
For that explanation, Professor N gives an example. He first shows a video of a child, whose face is hidden from the camera, holding a coin (described as having a certain melancoly to it), with a moon and a fox engraved on it. The video is from one of the lab's tests. The child is made to recite some activation lines, which are directly taken from one of Nakahara Chuuya's poems, Upon the Tainted Sorrow (which does mentions a fox, as a fun fact).
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The coin then starts glowing, the glow turns into a black mass, and from there the experimentation goes bad: the coin starts attracting things and absorbing them, the space gets distorted, the child's vitals flatline, panic spreads and someone calls for an emergency stop, we hear a scream. The video ends.
N explains that the child in the video had the ability to enhance the ability of others. That child then used that ability on themselves, effectively enhancing the enhancement which enhanced the enhancing, in an infinite loop. That loop created a lot of energy; the surplus of energy was so intense its mass deformed space (physics!) and it created a black hole.
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Here's where it gets tricky: N claims that child died during that accident, that the child was absorbed by the black hole created by their ability. We never actually learn their identity.
But N is a lying liar who lies; he said about one and a half truths the entire book. The only reason he was telling them any of this was that he thought he'd get rid of all of them within the next few minutes. His objective was always to regain control over Chuuya, his pet project.
Plus, during the epilogue, we learn that Chuuya was assumed to have died during the war. That's what his parents think. That's what is officially recorded.
Furthermore.
Project Arahabaki was based off French research papers; someone else had done this kind of experimentation before, and their result was Verlaine.
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Verlaine's gravity-manipulation is a singularity. Better yet: Verlaine also has a Corruption state, named Brutalization. Their abilities are the same, because the lab copied the techniques that were used to create Verlaine when they worked on Chuuya.
Here's a passage of Dazai nullifying Corruption, at the very end of SB:
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"The self-contradicting skill, which was supporting the energy of a singularity". This passage confirms that the source of Chuuya's ability is, in fact, like the child's and Verlaine's, if any doubts remained. "[...] weakening the singularity's output. It wasn't long before it returned to its normal state, and the Gate closed." The Gate refers to releasing Arahabaki, it's basically a limiter, just like the passage above when talking about Brutalization. When Dazai nullifies Corruption, he gives that limiter the opportunity to come back and seal Chuuya's power away again, but does not stop the singularity, only allows it to go back to its stable state.
From all that, we can say that Chuuya's ability wasn't always gravity manipulation, but that it was another, unconfirmed ability that was exploited in such a way that it became a permanent, stable singularity that allowed him to have control over gravity.
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Bullet point recap:
Chuuya's gravity manipulation comes from a singularity, like Verlaine, like that child;
You need a self-referencing/self-contradicting ability to create that singularity;
Such an event is rare;
There is a substantial amount of time spent describing a "random" child that was experimented on during the war;
That child created a black hole through their singularity;
That singularity was activated using a passage from Nakahara Chuuya's poems, while holding a coin that references it;
That child supposedly died;
Chuuya's parents think he died during the war;
N is a pathological liar with an agenda.
So no, there is no "confirmation" that Chuuya's ability was ability enhancement before the lab took him. But an author writes a story with an intent, so I am asking what Asagiri's intent was when writing all this, and if perhaps we weren't indirectly given the answer already.
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What is Arahabaki (Fifteen and Storm Bringer lore, with too many citations)
My own perceived timeline of the true events behind Storm Bringer (was originally gonna be part of this part, also with too many citations)
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trans-axolotl2 · 1 year
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I've been reading Cripping Intersex by Celeste Orr and one concept that I think is absolutely crucial and one of the best resources I've found for understanding my own experiences as an intersex person is the term Compulsory Dyadism.
Dr. Orr coins the term: "I propose the expression 'compulsory dyadism' to describe the instituted cultural mandate that people cannot violate the sex dyad, have intersex traits, or 'house the spectre of intersex' (Sparrow 2013, 29). Said spectre must be, according to the mandate, exorcised. However, trying to definitively cast out the spectre via curative violence always fails. The spectre always returns: a new intersex baby is born; one learns that they have intersex traits in adulthood; and/or medical procedures cannot cast out the spectre fully, as evidenced by life-long medical interventions, routines, or patienthood status. And the effects of compulsory dyadism haunt in the form of disabilities, scars, memories, trauma, and medical regimens (e.g., HRT routines). Compulsory dyadism, therefore, is not simply an event or a set of instituted policies but is an ongoing exorcising process and structure of pathologization, curative violence, erasure, trauma, and oppression." (Orr 19-20).
They continue on in their book to explore compulsory dyadism as it shows up in medical interventions, racializing intersex + sports sex testing, and eugenic and prenatal interventions on intersex fetuses. This term makes so much sense to me and puts words to an experience I've been struggling to comprehend--how can it be that so many endosex* people express such revulsion and fear of intersex bodies and traits, yet at the same time don't even know that intersex people exist? Why is it that people understand when I refer to my body in the terms used by freak shows, call myself a hermaphrodite, remember bearded ladies and laugh at interphobic jokes--yet do not even know that intersex people are as common as redheads? Understanding the term compulsory dyadism elucidates this for me. Endosex people might not comprehend what intersex actually is or know anything about our advocacy, but they do grow up in a cultural environment that indoctrinates them into false ideas about the sex binary and cultivates a fear of anything that lies outside of it.
From birth, compulsory dyadism affects every one of us, whether you're intersex or not. Intersex people carry the heaviest burden and often the most visible wounds that compulsory dyadism inflicts, as shown through often the very literal scars of violent, "curative" surgery, but the whole process of sex assignment at birth is a manifestation of compulsory dyadism. Ideas entrenched in the medical system that assign gender to the hormones testosterone and estrogen although neither of those hormones have anything to do with gender, a society that starts selling hair removal products to girls at puberty, and the historical legacy of things like sexual inversion theory are all manifestations of compulsory dyadism. For intersex people, facing compulsory dyadism often means that we are subjected to curative violence, institutionalized medical malpractice that sometimes includes aspects of ritualized sexual abuse, and means that we are left "haunted by, for instance, traumatic memories, acquires body-mind disabilities, an ability that was taken, or a 'paradoxical nostalgia....for all the futures that were lost' (Fisher 2013,45)." (Orr 26).
Compulsory dyadism works in tandem with concepts like compulsory able-bodiedness and compulsory heterosexuality to create mindsets and systems that tie together ideas to suggest that the only "normal" body is a cisgender one that meets capitalist standards of function, is capable of heterosexual sex and reproduction, and has chromosomes, hormones, genitalia, reproductive system, and sex traits that all line up. Part of compulsory dyadism is convincing the public that this is the only way for a body to function, erasing intersex people both by excluding us from public perception and by actively utilizing curative violence as a way to actively erasure intersex traits from our body. Compulsory dyadism works by getting both the endosex and intersex public to buy into the idea that intersex doesn't exist, and if it does exist then it needs to be treated as a freakshow, either exploiting us to put us on display as an aberration or by delegating us to the medical freakshow of experimentation and violence.
Until we all start to fully understand the many, many ways that compulsory dyadism is showing up in our lives, I don't think we're going to be able to achieve true intersex liberation. And in fact, I think many causes are tied into intersex liberation and affected by compulsory dyadism in ways that endosex people don't understand. Take the intense revulsion that some trans people express about the thought of medical transition, for example. Although transitioning does not make people intersex and never will, and the only way to be intersex is to have an intersex variation, I think that compulsory dyadism affects a lot more of that rhetoric than is expressed. The disgust I see some people talking about when they think about medical transition causing them to live in a body that has XX chromosomes, a vagina, but also more hair, a larger clitoris--I think a lot of this rhetoric is born in compulsory dyadism that teaches us to view anything that steps outside the sex dyad with intense fear and violence. I'm thinking about transphobic legislation blocking medical transition and how there's intersex exceptions in almost every one of those bills, and how having an understanding of compulsory dyadism would actually help us understand the ways in which our struggles overlap and choose to build meaningful solidarity, instead of just sitting together by default.
I have so much more to say about this topic, and will probably continue to write about it for a while, but I want to end by just saying: I think this is going to be one of the most important concepts for intersex advocacy going into the next decade. With all due respect and much love to intersex activists both current and present,I think that it's time for a new strategy, not one where we medicalize ourselves and distance ourselves from queer liberation, not one where we sort of just end up as an add on to LGBTQ community by default, not even one where we use a human rights framework, nonprofits, and try to negotiate with the government. I agree with so much of what Dr. Orr says in Cripping Intersex and I think the intersex and/as/is/with disability framework, along with these foundational ideas for understanding our own oppression with the language of compulsory dyadism and curative violence, are providing us with the tools to start laying a foundation for a truly liberatory mode of intersex community building and liberation.
*Endosex means not intersex
Endosex people, please feel free to reblog!
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mswyrr · 4 months
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why did president snow laugh as he died?
imo because katniss proved dr gaul and him wrong in the end. and he loved it. how wonderful, to be wrong and know the future will be better. what a wonderful way to be destroyed, how epic. knowing that justice doesn't sleep forever, that it does actually exist, that lucy gray was right and some things are "written in the stars," even if it is killing you - it means the world isn't the shithole you convinced yourself it was.
his granddaughter isn't going to be forced into her own Games or tortured or etc. there is life after him and it's better and good for it. good for katniss for refusing the darkness and fear and paranoia and survival-justifies-anything that consumed him. even though it tempted her.
imo i see them as very similar people as teens - and 80something him keeping his word to never lie to katniss is what was left of the boy who cared so much about being "honorable" (like katniss cares about "owing" and being honorable). and that one single solitary spot of light left in him is katniss' dark side telling her the truth nobody else will - about coin, about what is coming. and she uses that to set panem free from what his descent into darkness made it and what coin would make it. and he's glad to be wrong. it's freeing.
as poet jack gilbert put it "If the locomotive of the Lord runs us down,/ we should give thanks that the end has magnitude."
or to quote the kind of folk songs collins references throughout THG:
Well, you may throw your rock, and hide your hand Workin' in the dark against your fellow man But as sure as God made black and white What's done in the dark will be brought to the light
You can run on for a long time Run on for a long time Run on for a long time Sooner or later, God'll cut you down Sooner or later, God'll cut you down
if fate/god/lucy gray's ghost sends an angel to cut him down, well -- how marvelous that is, how strange and unexpected after a lifetime of believing heinous bullshit is all there is, all people can ever aspire to. and the end had magnitude.
[this meta is inspired by @lonelyroommp3's lovely video of Donald Sutherland's comments on snow's pov on katniss]
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Not gonna lie, with the Spot’s upcoming time mucking shenanigans as suggested by the flashes of the future in Miles’ vision, I would not be surprised if the dimensional collapsing theorized by Miguel to come from averting too many “Canon Events” will turn out to be a side effect of something the Spot will either do himself or set up to screw with Miles.
Particularly, with how much his origin monologue to Miles and Jeff centered around the idea that he made Spider-Man and vice versa, note how incredibly well that mentality would dovetail with Miguel and the Spider Society’s belief that the “Canon Events” are what made them Spider-Man.
@kindaorangey has a good post pointing out how the Spot’s mindset of “filling the hole with more holes” is a pretty apt metaphor for the way Miles, Gwen, and likely the other spider people diving into the identity of Spider-Man as a crutch for dealing with the isolation caused by said identity, but suffice to say, OP and @sir-adamus had these tags which I'd like to use as a jumping pad:
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For this, we can analyze Miguel and Spot as two sides of the same coin, where Miguel’s side is about allowing canon events to play out through inaction, and Spot's side could potentially lead up to (as a side effect of his grudge against Miles) actively ensuring that only those canon events happen, with any deviations that don't fit into their views being cast aside.
The former position projects personal traumas as absolutely necessary and destined to happen onto others, the latter position rejects any possibility that things could go differently in a quite literal manner. But in the end, both ultimately are about "filling in the hole with more holes" and dictating what Miles "should" be like.
Miguel doesn’t think Miles is a real Spider-Man and that him becoming Spider-Man was a mistake that never should have happened, all from his obsessive mentality surrounding Canon Events. He and by extension the other Spider-Men stuck in their hole of guilt and fatalism, surrounding themselves with other Spider-Men stuck in their holes of trauma and grief to where they have formed an echo chamber that tells them Miles cannot save his father's life and that they cannot do anything to save people anymore.
And in the Spot's case, the metaphor already came from him, but it's all about obsessively centering his new, lonely existence around being not just A, but THE nemesis to Miles' Spider-Man. He lost everything and has nothing except his connection to Spider-Man. To fill that hole, he's not only only making himself a villain that Miles will actually respect. He's going to try his damnedest to make sure that Miles reaches his full potential as Spider-Man just like he talked about in Mumbattan, and fill the hole with more holes in Miles' life until Miles is devoid of everything except the Spot.
Given the flashes of future events in Miles’ vision, if and when the Spot inevitably hears about Miguel's theory of Canon Events, it would only be fitting if the Spot retroactively becomes responsible for all the previous dimensional destruction the Spider-Society dealt with. And thus, Miguel's theory obsession would be its own recursive creator.
A vicious cycle of telling themselves that things have to happen a certain way, of blaming uncontrollable circumstances on something they think they can and should control, and of refusing to let go of the spiral they've fallen into.
After all, Miles already had an Uncle Ben-type event and the Spot is trying to set up a Captain Stacy-type event. Since the logical conclusion to the themes of Miles choosing what kind of Spider-Man he wants to be and not allowing preventable tragedies to happen would be that Jeff lives, well…
It would only be narratively fitting for the Spot to try to set up a Gwen Stacy event later down the line.
Because if Miles being bit and the Spot getting caught up in the collider wasn't destiny, if the intersection of their lives was simply due to circumstances they had no control over, if the dimensional collapses weren't because preventing Canon Events is inherently destabilizing to reality in of itself, then Miguel and the Spot would have to look inwards and actually try to figure out how to fill the holes in their lives.
So Miguel tells himself that what he does has to be done, that only he is strong enough to do it, and that everyone should follow his lead and stop caring.
As for the Spot?
If he fails to kill Jeff and Gwen, and when it's proven to everyone else that Canon Events are not required lynchpins of reality like Gwen found, he might just decide to try to make them actual lynchpins across time and space.
Or at least, making it so that the only realities that can exist are ones where those events happen.
Aka trying to forcibly changing the multiverse so suffering huge tragedy becomes an inherently integral part of Spider-Man the concept, rather than a mere possibility. So many Spider-Men and their dimensions getting hurt in the crossfire, and all in the process of targeting Miles Morales specifically.
Truly, it would be quite resonant if and when the Spider-Society let and help Miles get to save his Captain and Gwen Stacy. Beating the Spot would no longer be about the concept of stopping a threat to the multiverse and their canon events, but about metaphorically ending the cycle of suffering and finding a way to move forwards beyond the guilt. They probably can’t actually change the past, but with this, they can fight to prevent it from happening to others.
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lutiaslayton · 5 months
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Hey everyone! Just thought I'd make a quick post to let you know that...
The complete, definite, will-not-be-edited-again-in-the-future, FINAL translation of London Holiday, is finally here for your enjoyment!
AND it comes this time with an in-character fan-translation that DOESN'T read like Google Translate!
For those who didn't know, Professor Layton and the London Holiday is an official prologue to Diabolical Box; it's a short slice-of-life story in which Luke and Layton are just having some good time solving puzzles, and at the end, they receive the letter from Schrader which starts the events of DB. This game is not really lost content per se, but it's still part of the more obscure Layton media, since we non-Japanese fans have no legal way of playing it ourselves unless we buy the Japanese version of DB.
This isn't really some breaking news or anything, but I still thought it was worth warning you that this is it -- if you wanted a fancy in-character translation, you finally have it!
I will make a small shoutout to @call-me-rucy who helped every now and then with the more accurate translation when I had doubts on how a few idioms here and there were meant to be interpreted. Thanks again for your help, and sorry for using you like this xD I do wish I could send you DMs for reasons other than just asking for your Japanese knowledge hahaha
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When I say that this won't be edited again, I mean that the only way this web page will ever be further edited in the future is if someone else shows up at some point and asks me to change something. Perhaps I took too many liberties in the fancy fan-translation compared to the original text in one or two specific occurrences, or perhaps someone will want to translate this transcript into another language that isn't English, in which case I would absolutely accept to add it! (and you would be credited for that additional translation, obviously)
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I heavily suggest you take a look at it if you haven't already, because it provides quite a bit of lore and funny/wholesome moments! We notably get the full story of how Schrader heard about, and then tried to acquire the Elysian box (...story which contradicts the fact that he would already own it in Eternal Diva, by the way), but it's not the only fun lore crumbs this prologue to DB gives us :)
Also, for the fans of the puzzle theory -- I suggest you take a look in particular at what Luke says when he solved puzzle 09. It sure is intriguing that he would mention walking from island to island on foot as if he were... Physically doing it?? Or at least had the impression that he could experience it somehow???
Heh, puzzles and hint coins have mind powers anyway, for all we know perhaps some of them can trap you inside your own mind for a bit while you're solving them. Deliciously horrifying, so much potential for fanfics/comics and lore analysis. So shameful that nobody would have thought of taking advantage of this by throwing puzzles at someone with the specific intent of slowing them down by trapping them in a trance for a bit. smh, Level 5. smh.
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cosmerelists · 12 days
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The Other Four Horsemen of the Apocalypse But Make It Cosmere
As requested by @round-hatches-are-terrifying. :)
In the Good Omens novel, the Four Horsemen of the Apocalypse (War, Famine, Pollution, and Death), who are bikers, are followed by four other biker dudes who chose their own names to be, uh, equally ominous:
Grievous Bodily Harm, Cruelty to Animals, Really Cool People, and Treading In Dogshit (formerly All Foreigners Especially The French, formerly Things Not Working Properly Even After You’ve Given Them A Good Thumping, never actually No Alcohol Lager, briefly Embarrassing Personal Problems, and finally People Covered in Fish)
So let's say we had other Horsemen on various Cosmere planets. What would they be named?
1. Roshar (Stormlight Archive)
The Main Horsemen: War, Famine, Desolation, and Death
The Other Horsemen: Man-Eating Giant Crabs, Running Out Of Stormlight Right In The Middle of the Weeping, Ill-Conceived Boons, and Reified Gender Norms (formerly Men Reading, formerly Predicting the Future But Not Like Storm Wardens Do Because That's Just Math Basically, briefly just Predicting the Future)
2. Scadrial (Era 1) (Mistborn)
The Main Horsemen: Famine, Pestilence, Ash, and Death
The Other Horsemen: Child Abuse, Dangerous Piercings, Trying to Keep Literally Anything Clean, and Getting Hit in The Head With A Coin Like Every Night Because of Those Blasted Mistborn Flying About Everywhere
3. Scadrial (Era 2) (Mistborn)
The Main Horsemen: War, Famine, Pestilence, and Death
The Other Horsemen: Social Unrest, Rich Bastards, ACAB, and Getting Hit in The Head With A Coin Like Every Night Because of Those Blasted Coinshots Flying About Everywhere
4. Nalthis (Warbreaker)
The Main Horsemen: War, Famine, Death, and Second Death
The Other Horsemen: Undead Squirrel Attacks, Being Out of Breath, The Haunting Realization that the Gods Who Live Among Us Are Actually Pretty Daft, and All Foreigners But Especially the Idrians
5. Threnody (Shadows for Silence)
The Main Horsemen: Fire, Blood, Running, and Death
The Other Horsemen: Fortfolk-Acting-Too-Big-For-Their-Britches, Withering-That-Does-Not-Kill-You-But-Does-Make-Life-Just-That-Much-Harder-Forever, Ghost-Grandmother, and Adonalsium-May-Remember-Our-Plight-Eventually-But-For-Now-It-Is-Pretty-Bleak-Out-Here-Guys
6. Komashi (Yumi and the Nightmare Painter)
The Main Horsemen: Nightmares, Famine, Pestilence, and Death
The Other Horsemen: Artist's Block, Being Straight on a Planet Where Even the Lighting is Bisexual, AI Art, and A Stiff Breeze Coming At Exactly The Wrong Time Noooo My Rock Stacks
7. First of the Sun (Sixth of Dusk)
The Main Horsemen: Bad Death, Worst Death, Quick Death, and Slow Death
The Other Horsemen: Mainlanders, Mainlander Capitalism, Kids These Days, and Suspicious Invaders (?) From Outer Space
8. Sel (Elantris)
The Main Horsemen: War, Famine, the Shaod, and Death
The Other Horsemen: Aggressive Proselytizers, Stubbing your Toe, People Who Do Not Accept The Word of Shu-Dereth And So Seal For Themselves Their Own Inevitable Doom, and I'm With The First Guy Who Said Proselytizers (formerly People Covered in Slime)
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steddieunderdogfics · 17 days
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This week’s writer spotlight feature is: @thefreakandthehair! With thirty-nine works in the Steve/Eddie and Stranger Things tags on Archive of our Own!
In an underdogfics first, we have TWO nominators!
Our first nominator recommends the following works by @thefreakandthehair:
this is my month, I can feel it. october, baby!
never been afraid of any deviation.
scar-crossed lovers.
the answers are all inside of this.
Our second nominator, @sidekick-hero, recommends the following works by @thefreakandthehair:
over the hills and far away
meeting you was coming home.
make no plans and none can be broken.
rounding third, sliding home.
what's mine is yours (to leave or take)
Lex's brain is full of very creative scenarios, reading her writing is like reading an anthology of short stories but it's with all of your favorite characters! You get to see what they'd do in this AU or that AU, I love the exploration. It's like she's made a stew and it's simmering on the stove and you realize you're so hungry for stew as soon as you see it. <3 -- anonymous
Lex writes characters that come to life on the page while you're reading her stories. It makes it so easy to get invested in them, to feel with them and root for them to get their happy ending. She's one of these authors I would follow anywhere, any trope, any setting and universe, I am here for it. So I think more people should get to find her stories and be treated to the magic. -- @sidekick-hero
Below the cut, @thefreakandthehair answered some questions about their writing process and some of their recommended work!
Why do you write Steddie?
How can I possibly give just one reason! These two burrowed themselves into my brain like little gerbils with no hope of ever getting them out. I mean, was I supposed to hear ‘dontcha big boy?’ and be normal about it? But in all seriousness, they’re two sides of the same coin and those oppositions in character are super fun to play with!
What’s your favorite trope to READ?
It was tough to choose, but friends to lovers keeps coming up!
What’s your favorite trope to WRITE?
If I have to choose a particular trope, hurt/comfort would be the closest fit, but in the sense of healing past hurts together as a unit.
What’s your favorite Steddie fic?
This question sent me into an existential crisis and the best I could do is narrow it down to three, and even that was nearly impossible. In no particular order: We’ll Know For The First Time by KikiZ; carve your name into my chest by hexiewrites; and more recently, Among the Wildflowers by ParadimeShifts.
Is there a trope you’re excited to explore in a future work but haven’t yet?
Rivals to Lovers in my football AU! I’ve been so excited to get moving on that one.
What is your writing process like?
Oh, I wish I had a better one. I start with a skeleton outline, pop on some music, and then pick and choose which part of the outline sparks joy in that moment. I rarely, if ever, write chronologically so I just write what feels good in the moment and then go back with a scalpel to create connective tissue.
Do you have any writing quirks?
Definitely writing out of order, I think! And if there’s one thing about me, it’s that someone is gonna have an introspective moment looking up at the stars. Someone told me it’s like my calling card and they’re not wrong.
Do you prefer posting when you’ve finished writing or on a schedule?
I like a bit of both. I like to post on a schedule for multi-chapter fics but only after it’s either completely done or mostly done so that there’s no pressure to it.
Which fic are you most proud of?
Over The Hills And Far Away incorporated some personal bits of my past that were equal parts cathartic and difficult to write at times, so I’d have to say that one! It’s really satisfying to take experiences that you regret or that didn’t end the way you’d hoped and give them a different ending in fiction.
How did you get the idea for never been afraid of any deviation?
The Eddie Month prompt for that day! Me and my co-mod for the event, nostalgicbones, included Bad Reputation by Joan Jett as a prompt and as I was listening to it, it got me thinking about how Eddie is someone who cares for those in less than ideal situations— maybe even to the point of weaponizing his own bad reputation to protect someone. In this case, that was Steve!
When writing the answers are all inside of this, what was something you didn’t expect?
I didn’t expect it to become multiple chapters! That one is part of my So Much For Stardust series (that I haven’t forgotten about, I’ve just been busy with big bangs) so it was based on The Pink Seashell interlude from the album. I still don’t know exactly how a 1-minute interlude turned into a 15k multi-chapter fic, but it was super fun to let go off the rails!
What inspired scar-crossed lovers?
Also a So Much For Stardust series fic, the first one in the series, actually. I heard Heaven, Iowa for the first time and wrote this based on that song in a day. My brain just kept rotating it around like a rotisserie chicken until I wrote it.
What was your favorite part to write from scar-crossed lovers?
This is ironic because I’m not an angst-writer by nature, but writing about the slow deterioration of Eddie’s van as a symbol for the passage of time was really fun to do. Bittersweet, but it was one of those things that I didn’t realize I was doing until I was in the middle of it and once I realized, I just carried it throughout!
How do/did you feel writing never been afraid of any deviation.?
Excited! It was the first time that I wrote pre-s4 steddie (which is wild that in two years, I just wrote that for the first time last fall?) and it was so fun to do!
What was the most difficult part of writing the answers are all inside of this.?
Probably balancing the kids’ voices in the first chapter while still creating tension between Steve and Eddie.
Do you have a favorite scene and/or line from any of your fics?
It isn’t one of the fics listed here, but in no better version I could pretend to be tonight, I loved writing the line “Something about Steve feels like home, and Eddie is only familiar with houses.” Hurt/comfort, my beloved.
Do you have any upcoming projects or fics you’d like to share/promote?
I’m planning on taking a break from big bangs for a bit to focus on some super neglected WIPs, so there are a few upcoming fics I’m excited about! My Football AU, an ASMR Artist!Eddie x Insomniac!Steve AU, and I’m working on a fic called Pickup Note with sidekick-hero and firefly-party that I cannot wait to dive into fully.
Outside of these questions, Is there anything YOU would like to add?
Just thank you so much for all that you do with this blog! The ship truly exploded overnight and there are so many incredible stories that I’ve completely missed just because they’ve fallen through the cracks. I really appreciate what you’re doing here and the undertaking that it’s been!
Thank you to our author, @thefreakandthehair, and our nominators, anonymous and @sidekick-hero! See more of @thefreakandthehair works featured on our page throughout the day!
Writer’s Spotlight is every Wednesday! Want to nominate an author? You can nominate them here!
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raayllum · 7 months
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So we know that dark magic and star magic are primarily represented by purple. Purple is the colour of Viren's outfit's gemstone, the tips of Claudia's hair, and the initial colour their eyes glow before they become black when performing dark magic. Purpley dark magic is what turns Avizandum and Viren to stone.
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Additionally, we see a similar but decidedly different shade of purple for most things we can (assume) are star magic.
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So dark magic (and star magic) are both typically purple, like our favourite Startouch elf. So what the fuck is up with the Red?
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Now, it's possible that this is just for colour contrast and red having a long history of representing danger and it doesn't mean anything deeper. Fair enough. However, the only possibility is because... It has to do with Blood.
Now, plenty of the dark magic spells we've seen include blood (the little bug pal transfer, Claudia's breathing underwater spell, the revenge spell in the first place). Kim'Dael uses moon and dark magic in drinking blood to prolong her lifespa and her powers. Old concept symbols for dark magic used to, quite literally, just be a droplet of blood.
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But...
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And that Viren's visions of Claudia only come out to play when she's using a spell that involves her own blood, to boot.
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(Side note: the wave perspective here looks very similar to Janai's first person vision of being disintegrated / burned alive by Aaravos. Moving on.)
Anyway, where am I going with all this? I don't really know, to be honest. I think there's a decent amount of evidence that Viren used star (and dark) magic to save Soren's life when he was a child. The associative overlap between Star and dark magic is just about undeniable at this point, even if using the latter didn't let a Startouch elf literally control and channel his magic through you like a puppet.
But I do think there's evidence that Viren possibly used blood related magic - his own blood? - in order to save Soren in the past as well. (Puts a new emphasis on a pure heart being needed for read the scroll that leads to a Star-connected unicorn, eh?) Similar blood practices (ancient again) that Kpp'Ar might've participated in too.
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And that Callum may be called to in the future if the coins or quasar diamonds are more complicated than they seem.
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turtleybeachin · 14 days
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idk I'm just thinking out loud about some moments in this first half of HDD 2024, specifically the dreams that Simeon, Diavolo and Barbatos have of their ideal futures.
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Simeon's dream future seems to surprise and maybe even unnerve him a bit, and he acknowledges seeing "the shadow of Lord Diavolo's influence" in his own dreams. And then kind of politely shuts down MC asking about it or any further conversation in that sly angelic way he has of sidestepping the real question and nudging the topic along.
I feel like it's just such a cool fucking moment of foreshadowing and Simeon sort of-- seeing himself through Lucifer in that moment as well? Simeon mentions in OG Season 3 when we visit the Celestial Realm in the Fae trickery that Lucifer was already at that time starting to doubt, starting to question, on the path to falling because of his time spent with Diavolo. Because Diavolo's dreams and goals were starting to taint Lucifer's angelic unquestioning. Because Diavolo's influence was growing within him.
And now Simeon sees proof that Diavolo's dreams and influence are growing in him, too. That his ideals are starting to mimic Diavolo's. And he realizes in that moment that, oh. So this is what Lucifer felt too, then. It wasn't one sudden change, it wasn't any noticeable influence that showed up overtly, but it's just that little festering beneath that makes you question Father's designs. He finds himself wanting free travel between the realms, including the brothers' ability to visit and return. He wants to "bring about the dawn of a new era" together. And that scares him.
It's not a bad dream at all. But it isn't an angel's.
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And then you have Diavolo and Barbatos, and I don't have a full thought formed on them yet but there's something there about how their futures are simultaneously two sides of the same coin and also complete opposite goals?
Diavolo dreams of RAD's exchange program growing to a huge success, angels and humans aplenty visiting and studying and thriving alongside the demons there. He's in his RAD uniform, the music is upbeat and happy, he wants to take time to relax with MC later. He's thrilled at the idea of a future when peace between the realms is so close and clear and attainable.
Barbatos dreams of Diavolo as king. Diavolo on a throne, in demon form, referred to as "Your Majesty" and with more mysterious music playing. He's happy to serve "a model ruler" and is proud of Diavolo leading the Devildom. He looks forward to seeing Diavolo fill that role in reality in due course.
And both things can simultaneously be true. Diavolo is, after all, the de facto ruler of the Devildom while also overseeing his academy and exchange program currently. He is both the work-avoidant goober and the serious powerful leader. But it's just somehow interesting to me the way the two futures they see focus on one facet of who Diavolo is and what he's destined for.
Something something can't have it all something something something. 🤷‍♀️
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