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#where they each think the other betrayed them
lightlycareless · 23 hours
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omgggg, that Toji x reader (*plus* Naoya) was incredibleee, ignore me if you want, I know you made Toji chosing to keep distance from reader and Megumi permanently BUT what if one day he ends up finally seeing Megumi, either personally or by pictures/videos 🥺 We know Megumi it's the spitted image of him, I mean, Gojo's face when he saw him for the first time said it all 😅 And also knowing his baby has the Ten Shadows technique (I cant stop thinking about how proud he was in the canon manga/anime 🥺 he always KNEW from the start Megumi was blessed/gifted, since his first breath, the fact Toji named him is not random) making the entire Zenin clan eat their shit
Heya anon!!
I'm so glad you liked it heheheheheheh a oneshot that I didn't intend to write but it just happened!! aren't we glad it did? lol
I didn't mean to ignore you, I was only focusing on other things first 😅 oof, I still have lots of request to go through, which I plan to do it slowly but surely...
Anyways, I might've not gone down that route, however... why not something angsty? I mean 😏I've had this in my mind so... yeah 😏😏😏😏😏😏😏
Warnings: mentions of infidelity. Pregnancy. Naoya is, unfortunately, a prick. this is the oneshot anon is talking about. 100% read that first hehe. this is an AU from that, so the second part doesn't count??? I guess. excuse the proofreading. also I haven't written toji that much so please excuse my oocness as well ahahahahha :')
Happy reading!
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As much as the three hoped to ignore the bases of your pregnancy, behave as it didn’t rise from an adulterous act, a direct transgression to the principles of the Zen’in, and keep it a secret, it wouldn’t take long before the guilt in each other’s mind began to weight heavy on their mind, ultimately betraying them and revealing the truth to the light, excusing the angered elders to finally get rid of two birds with one stone.
“Where—Where does this accusation even come from?!” You gasp, blood turning cold at the implication—at the notion of the truth. “Do you know the gravity of such words?!”
“Better than you of the act, it seems.” Another accuses. “We were quite aware of the rumors surrounding your ill-fitting behavior, but we never believed it would actually extend to this point!”
“I—I won’t tolerate neither of you disrespecting me!” you cry. “Nor will Naoya for that matter!”
But calling for his aid would no longer prove sufficient, for Naoya, too deep in his own insecurities by that point, had come to the disheartening conclusion that this situation had gotten way out of hand for a simple diversion.
A supposed act of mercy.
He shouldn’t have let this happen in the first place, should’ve respected what you and your marriage represented, what meant to him, and discard his pity for Toji—the man has been alone most of his life, what difference would that make that now?
But he didn’t, he allowed you to go to Toji—no, he handed you over to him, thinking he was doing something right for his cousin, or perhaps something deep inside him was allured by the sick idea of you being with another man and now, he was suffering the consequences.
Consequences he did not like, not one bit—because it got too real for him: you were now pregnant, with Toji’s child, and not his.
And this only highlighted what he considered the pitfalls of this relationship, a strike against his ego and the supposed inability to beget children, a rumor that grew bigger and bigger by each passing day, spreading like wildfire to the point where even outsiders became aware of it.
Which, for a prideful man like Naoya, was only a nightmare.
He loved you, he really did—Naoya never envisioned spending the rest of his life with anyone else…
But he loved his pride more, and when his clan began to actively confront him about it, he couldn’t take it anymore.
And thus….
“…Naoya?”
“This marriage was broken before it even started.” Your husband would say, unexpected words that pierced straight to your heart. “My family advised me well in avoiding you, but I falsely believed I could achieve differently.”
“What—what are you even saying?” you breathe. “What do you mean by—by differently?”
And… where does everything you lived with him stand?
The time you spent with him, the sweet nothings he’d whisper into your ear, to love you both swore to one another, reminding each other that there was no one else that compares…
And that you were the only woman who has ever made him feel this way—loved— and would do everything in the world to make happy…
Was it… all … a lie?
All for… nothing?
Or were you the only one that actually believed the other’s words?
“I cannot look past these transgressions.” Naoya continues. “You’ve left me no choice.”
“But you—you made me do this!” you gasp. “I never—I never wanted to be with anyone else! All this time, my heart only belonged to you!  How could you—how could you abandon me after all we’ve gone through together?!”
Naoya doesn’t say anything else anymore, instead, he simply turns around, exiting the room to leave you in the hands of the vengeful elders who did not hesitate to do what they had long desired—banish you from the estate.
Swiftly yet cruelly, you wouldn’t be able to take anything with you, not even a change of clothes or even money (you didn’t even ask for much, just enough to survive the week) as you were forced to face a new life of your own—alone, pregnant.
Going back to your family was also out of the question; the shame that you’d bring upon their name was one the Zen’in didn’t not waste time to remind them of—at the end, there was only so much your father and siblings could do against the invasive ways of the elders, and perhaps, a part of them deep inside, were also disappointed that you’ve succumbed to such foul thing.
And so, you were tossed onto the street, with nothing more than the clothes you were wearing, whatever you had for savings throughout the years, managed to take it out before either clan could close your account—but most importantly, with a broken heart you believe will never heal, not after the grave wound your husband’s indifference inflicted on it.
The pain you couldn’t even mourn properly due to all the things you had to worry about now.
The first thing you did was search for a place to stay, though getting one was proving to be an almost impossible task.
Thankfully, you were allowed to keep one other thing, maybe it eluded their minds when all this was happening, but you’re not going to question why when it was going to help you pay for a roof.
Naoya’s ring, your wedding ring, was something many would consider expensive, the kind of flashiness expected from a prestigious family like the Zen’in.
You remember a time when any kind of ring would’ve been enough for you to marry him. You didn’t need anything extraordinary to commit your life and heart to him.
That’s nothing but a far cry from what you felt now.
It still hurt to pawn it, but it was the only way you could accommodate yourself and the unborn child inside you, in the only area you could afford with what you got, for even then many suspected that your ring… well, had dubious origins.
When was the last time you even had to worry about the costs of living? Food, clothes, water…?
Many years—it had to; ever since you got together with Naoya, he’s been the one that took care of you.
You just had to say the word and he’d disappear all of your worries—even from the simplest of wants, Naoya indulgingly obliged.
It was a happy life you eventually considered for your child—imagining how happy they’d grow to be without a single worry, solely focusing on what they’ll have to play that day, or how to escape their over doting parents.
A long-gone dream, tossed to the side as a nightmare quickly took its place.
Did Naoya ever mean the words I love you?
Or was he doing all this just to keep you there, complying, just in case someone better came along, just like his clan wished would happen?
There mere thought of his devotion being nothing but an act tightens your heart with sorrow once more, gifting you the tragic notion that perhaps, all this time, you never knew your husband…
Maybe ex-husband, by this point.
All that was left from those moments, the slightest semblance of that marriage was this baby, created from what you thought your unconditional devotion to him, turning out to be your very own downfall.
The only one that would know of these struggles would be your baby, the one to accompany you through the darkest point of your life, hopefully to a brigther dawn.
And yet… you’ve never felt so alone.
Time surprisingly, went quicker than you anticipated, though not as easy as you would’ve wanted.
Life in your new home was still very difficult to get used to, even when it’s been months since… that.
But with the job you managed to get (whatever place hired pregnant women—they’re supposed to be at home, some would say, you didn’t care.) and some extra jujutsu work you did on the side, you managed, enough to give you a, not exactly comfortable, but just enough lifestyle.
As long as you sacrificed all the things you once considered granted and turned them into luxuries: such as warm showers, take out, and the sweets you liked to indulge once in a while; your pregnancy has been horrible because of that, and that’s without considering the medical bills you’re struggling to pay as well.
But if that wasn’t enough, your noisy neighbors presented issues of their own as well.
You’re not going to deny that your presence there was like moths to a flame, starting from your somewhat suspicious acquisition—all cash—of the small house you were living in.
From there, your loneliness, alongside your pregnancy; single mothers were unheard of, or rather, highly criticized, thus, all eyes were on you, down to your smallest movement.
Yet, even then, as annoying as they were, you were ok as long as it meant you never get to see those that hurt you ever again.
However, what you want isn’t necessarily what’s going to happen, and that would be reminded of one fateful night with an unsuspecting knock, just after you were getting ready to go to bed.
It wouldn’t be the first time someone came to bother you, but it would be the first time someone did so at this hour, and with such insistence that far from worrying you, it made you angrily storm at the entrance, ready to demand who’d be so inconsiderate enough to visit you so late at night!
And you’d get your answer soon enough, in the most shocking, horrifying, if not sorrowful manner you could’ve possibly anticipated, prompting you to close the door as soon as you saw his face, or attempted to, his reflexes much faster than yours.
“Get—get away from me!” you shrieked, hands trembling as you did your best to hold the door shut against his overwhelming strength— but even your husband has admitted that in terms of power, he excels like no one else.
“Y/N—” he breathes, somewhat amused that you’d been able to hold him off as much as you could, though eventually he was able to break free from your grasp and enter your home, you step away from him soon after.
“What are you even doing here?!” you gasp. “No—that doesn’t matter! I don’t want to see you! I’m not going back!”
“I’m not here to take you back” He quickly responds, eyes falling down to your stomach, making his face soften at the subtle bump evident through your clothes—with this sight, he knows he can’t take you back.
“Then—then why are you here, Toji?”
Perhaps Toji needed to see through his own eyes, what the whispers went on about at the estate regarding your absence.
He wasn’t there when it happened, promised himself to be far away from you as soon as your pregnancy was announced to the estate.
Toji would’ve normally taken this opportunity to act on retribution against his family, rub it on their face that the future of the clan came from him, a low life.
But he couldn’t bring himself to do so when you cheerfully paraded around the halls, happy to finally be forming a family with your beloved husband, even though it wasn’t of his making.
For the first time in his life, he thought himself to be too cruel for having planned such atrocities against the only person that has never been rude with him, always welcoming him with a smile on your face, or at least whatever you permitted when not following Naoya around like a lost puppy.
And the baby… well, he won’t deny that he was glad that his child would have a vastly different life from his—with you as his mother, it couldn’t be any other way.
Or so he believed.
Even when promising to keep away, he still attempted to check in on you, especially now that you were pregnant, whenever he had to go to the estate that is. That day was no be no exception, begrudgingly coming back to see what else he could scam out of his family to ensure his living outside.
Toji’s slyly scanned the hallways for your figure, the briefest indication of such, either through your giggle, staff, or even his cousin’s annoying voice—there were moments where he imagined how delightful it must’ve been to have you by his side, instead of Naoya’s; to be receiver of your laughter instead of that man who clearly didn’t deserve you.
But even if it was with him, he still found comfort in the fact that you were around, there.
Not like now, gone from Naoya’s side.
In fact, you were nowhere to be seen! Not with your staff, not eating by the gardens, or even indulging in one of your husband’s idiocies.
Nothing.
And no one had seen you either.
Or more like didn’t want to say, that much became evident when he stomped his way towards a nearby staff member, demanding your whereabouts, only to be responded with a fret falsely feigning ignorance, or foolish diplomacy.
At the prospect of your disappearance, Toji felt his blood run cold, almost like the estate lost whatever little warmth it had, worsening each time he asked another servant, and he’d get the same answer.
The implications behind your absence were growing heavier in his mind, to the point it sunk his heart to his stomach…
And propelled him to the one person who would undoubtedly know where you were.
“Naoya—Where is Y/N?!” Toji commands the moment he sees the heir, the young man instinctively flinched at the sight of his angered cousin, almost as if he knew what was running through his mind and attempted to make a run for it, only to be stopped by the collar, dead on his tracks. “Do not run away, coward! Answer me!”
“She’s—she’s not here anymore.” Is what Naoya manages to squeak, but Toji doesn’t need to be reminded the obvious.
“Where. Is. She.” He hisses, the worst of his assumptions slowly becoming a reality. “What have you done to her?!”
“What—what needed to be done!” Naoya gasps. “I—I couldn’t allow it!”
Toji doesn’t remember much after Naoya told him that the clan decided she was better off on her own—only that the heir was on the floor, bloodied and whimpering while attempting to cover his face, either trying to control the throbbing of his skin, the blood from spilling anywhere else, or perhaps even shame.
No. It couldn’t be the last. To have done something like what he did required a shameless man to do so.
Nonetheless Toji didn’t bother to find out nor to be reprimanded, quick to assert what needed to be done and heading out the estate; he couldn’t even bother cursing those that had done nothing but the worst after the worst, each time a new low, for his mind solely pertained in finding you.
It took him a while to do so, as expected, but he knew it was only a matter of asking around for a woman that simply didn’t fit to do the job—and such, here he is now.
“I want—needed to see you.” Toji takes a step closer.
“Get—get away from me.”
“No, I’m afraid I can’t do that.”
“You were fine doing that before—what’s so different from now?” You spat.
“This is different, Y/N. You’re alone—and you need me.”
“I’m not alone—I don’t need you.” You gasp. “Get away from me or I’ll—I’ll call the police!.”
“If you don’t need me, then the baby does.”
It’s like he struck a nerve with his words, because soon after tears would begin to fall down your cheeks, revealing that the sight you attempted to portray, the strength you so fiercely put up against him, was nothing but a façade, a way to hide the fact that indeed, you needed help.
Exhausted from facing all these uncertainties on your own, afraid.
But not anymore, not when Toji was here, more than willing to step in, as seen in the way he swiftly holds you in his arms when he sees you almost faint from distress, attempting to comfort you as you continued to cry.
“Get— get away from me…!” you’d say again, still fighting against his hold. However, he doesn’t fight it, he simply allows you to vent, taking in all the pain and hatred your heart harbored from the moment you were kicked out of the estate. “Don’t touch me!”
“I’m not leaving” Toji insists, he feels you trying to squirm your way out from him, but his strength doesn’t allow it. “You can struggle all you want, but I’m not leaving you on your own—”
“What difference does it make to you? Your family abandoned me to my luck! And even forced my family to do the same!” you breathe, Toji’s eyes widen—he did not know that; his fury for the Zen’in grows, but this is not the time to deal with that. “They don’t care if I die on the street!”
“I know.” He murmurs, holding you tighter against him.
“And I—And I tried my best to—to move on, but I can’t! I can’t do it!” you sob. “I’m so alone, and scared, and—and ashamed! I don’t want to live like this anymore!! I don’t want to die!”
“…I know.”
“Why—why is this happening to me?! All I ever wanted was for—was for Naoya to love me. I never wanted anything else! I never wanted money, I never wanted to hurt anyone either! I just—I just wanted to live a happy life with him, to make him happy!
But then he—he tossed me away, at one thing he didn’t like, he acted like I didn’t even matter! He didn’t even put up a fight to defend me! he just—he just let them hurt me, like what we had was—a lie!
 Did he never—did he even love me?”
Speechless, all Toji could do is continue holding you as you kept on pouring out your feelings, hearing the heart wrenching sound of your sobs that just kept reflecting how wounded you were by Naoya’s betrayal, the transgressions of his family, and the disappointment of yours.
And all because of something you didn’t even suggest in the first place. It was him who made his way into Naoya’s mind, and eventually, it was Naoya who pushed you into it, regardless of what happened later.
He wanted to do it; you know?
He wanted to go back there and murder them for all they’d done against you.
But when he left that place one last time, he promised he would stop thinking about himself, and start doing what is right—what was needed.
If Naoya wasn’t to step up and be a man, then he would.
Toji would gladly throw away his own pride, his own anger and thirst for vengeance, just to see you safe and happy once more.
Things your husband, could simply not—but he… he’d do it in a heartbeat.
“I promise you.” Toji would reassure you once carefully placing you down to the bed after tiring yourself from crying, followed by a gentle kiss on the top of your head.
 “I swear, Y/N— I will not let my family do the same things they’ve done to me to our child. Even if it costs me my life, I will do everything in my power to keep the two of you safe.”
And unlike your husband, he means it.
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Yes, a second part is coming :) just gotta put this one out first hehe.
Anyways, it's not exactly what you asked but I think it's going there??? I mean Toji STEPPED UP and was like OK imma take care of my baby mama. also, here Naoya .I. put it where it fits. ugh, can't say we're done with him...
agihajkgksa I'm excited for what's to come, I haven't written this level of angst in a while!! oof!!!
Thank you so much for your patience and for sending this ask :> I'm super happy you've like my oneshot so much!! I hope you'll be able to like this too!!
Take care, and see you soon! ❤️❤️
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loveyazy · 1 day
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Hi! So I haven't read acotar (well a little bit but it didn't hook me) but I've been reading your posts about the upcoming book and I'm so curious, I don't know these characters but the second hand gossip is fun and I'm rooting for them lol when does the book come out? when will it be announced who the protagonists are?
JSHDKAKJSD I had written so much on my phone but then I closed all the apps and I lost it so hopefully I can remember most of it still.
The thing is it's OBVIOUS it's going to be Elain. She has even said in this interview x at 25:00. I don't know why people genuinely think GWYN is going to be the next book 🫠. Her purpose was to help Nesta. Outside of that, there is not much left to tell of her story. It's done. TBH, I completely forgot she even existed after I finished reading ACOSF. Like I kept seeing posts about her on my insta discover, and I was like who tf is Gwyn? 💀
Also just... ELAIN IS THE THIRD ARCHERON SISTER. How can it NOT be about her when Feyre had the first three and then Nesta had the fourth? Like it's so painfully obvious. Anyone who thinks otherwise is just delusional.
Even if it's not Elain and it happens to be Mor, it's NOT going to be Gwyn before Elain LMFAO.
But this is why I think it's going to be Elriel and not Elucien.
Firstly, Koschei the Deathless. The story follows Ivan marries his THREE SISTERS to THREE WIZARDS.
Ivan saw his three sisters wed to the first suitors who came across them—wizards in the form of birds.
Hmmm THREE SISTERS. BIRDS >>>> BATS. 👀
Eventually Ivan goes on to defeat Koschei with the help of his sisters and their husbands.
And then we have another Koschei retelling. The FOX and the FIREBIRD. Listen Sarah was not subtle with the names. Vasalisa >> Vassa. Lucien had a fox mask in ACOTAR, making him the obvious fox. You can read more on it here but I'm going to do a quick summary.
A king has a garden that produces one gold apple a day, but it was stolen every night. He promised half his kingdom to whichever son could catch the thief. He has three sons, and they all tried to catch it. The third son saw the firebird and shot at it, and hit the bird in the wing, but it escaped and left behind a golden feather. The king wants the fire bird and promises whoever brings the fire bird alive would get half the kingdom and be the heir. So they all go out to find the Fire Bird, and they all encounter a Red Fox.
The fox approaches each prince, and asks for something to eat, but the first two shoot at it. The third prince shares his food. So the Red Fox takes him to the palace where the fire bird is and tells him how to grab the fire bird by putting it in the wooden cage, not the golden. Well, the prince says how can a lovely bird be in a wooden cage and proceeds to put it back in the golden, but then basically sounds an alarm and he gets arrested. The King tells him to bring him back a golden man.
The fox says he'll help the prince, but of course the prince is a dumbass and goes I'm gonna choose the pretty one instead of the one the fox told me to choose and he gets arrested and this king says bring back Princess Goldilocks from the Golden Palace in the Black Sea.
Anyways it goes on and the third brother is betrayed by his other two, and the fox brings him back to life. In the end he gets the kingdom, the firebird, Goldilocks, etc. The fox is very instrumental in this story.
SPOILERS AHEAD IF YOU HAVEN'T READ ALL OF ACOTAR
We have hints that Lucien and Vassa are very close. They talk to each other. Plus they live together along with Jurian.
Plus if it was going to be Elucien there would be hints that Elain even had romantic feelings for him. Even a little attraction. She doesn't. She literally stares at a boiling tea kettle until he leaves because she doesn't want to spend any time with him.
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She wants nothing to do with him. And yes sure she says she doesn't want a male, but remember that she is still dealing with the traumatic events of being forced into the cauldron and being changed.
This though, happens a year later with Azriel...
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Imagine seeing this in the most recent book, and thinking they're like siblings. Sounds like the antis have some sort of incesty weird freaky ass sibling relationships. 😬
This also happens in the book, which I believe is during the same time? But Az's was a bonus chapter and this was available to everyone.
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Elain is not herself around Lucien. I don't understand how anyone can see their relationship and think that's going to be endgame. This was the most recent book.
Even before ACOSF, Nesta and Cassian had this in the previous book that alluded to their romance.
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But there is absolutely nothing to allude to any sort of Elucien romance. Elain wants NOTHING to do with Lucien. And honestly, I don't blame her. Who would? He was a part of the most traumatic thing that ever happened to her.
I'll never understand Elucien shippers. If you like Lucien, why would you ship him with someone who wants nothing to do with him? If you like Elain why would you ship her with someone she wants nothing to do with?
I'm 10000000% convinced the Elucien shippers are just Gwynriels who ship them so they can have their ship justified, but most of their evidence is just their headcanons, and them not being able to read between the lines and interpreting things very wrong.
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melbatron5000 · 2 days
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The confines of a story
Any time you play a game, you need to know the rules. A puzzle has a border, you can't smash the pieces into a spot they don't fit with a hammer (I mean, you can, but it won't look right when you're done), etc.
My mental assumptions are that we are following the rules of stories as told in both novel form and video form. I'm not going to list ALL the rules associated with storytelling in both forms, because whole books and classes have been written about them and the parameters are way too big.
How do I know these rules? Well, I write novels, too. I'm not Neil Gaiman, (and I'm not going to go so far as to say I'm anywhere near his level, looking at you, Magic Trick OP), but the people who've read my books say they like them, so I think I do okay? I never went to school for any of it, but the library was and is my best friend, and I've read as many books and taken as many workshops as I can on this topic. Am I an expert? Nah. I know some stuff. There's always more to know.
So anyhow, some rules:
Rule one: the story has to be generally satisfying and not make people feel betrayed or angry. Hurt is fine, angry at the characters is fine, tricked is fine, but the reader can't feel betrayed or totally let down by the author at the end of the story. It's impossible to avoid this entirely, but most people in general have to agree that the story isn't a betrayal of the reader. The author needs to keep faith with their reader as best they can.
Rule two: in mysteries, all the cards need to be on the table at some point. Misdirection or downplaying of important information or use of double-meaning words are totally fair tactics, but the answer has to be there to be sussed out by a clever observer. (I got really mad when I tried to read murder mysteries for a little while. I figured this rule out very quickly on my own, and I could always spot the killer by the end of the second chapter. I gave up on murder mysteries. HOWEVER, another author I admire wrote a classic murder mystery-style book, and when I spotted the killer in chapter two like always, she had arranged matters so that the killer's motive was shrouded in deep mystery. I burned through that book to find out WHY he dunnit, and when the main character helped the killer escape at the end, I was troubled but satisfied.) But mah point is, all the pieces to the puzzle need to come in the box.
Rule three: (which isn't really a rule so much as an observation and something I myself struggle with), writing fiction can be very hard because people are naturally not good at knowing that other people do not know what they know. You know? Psychological studies have shown that when a person knows something, like where an object is, they develop this sort of assumption that the object's location is OBVIOUS, or that other people also know where the object is or can easily guess it, no matter how hard a time they had guessing it themselves before they were told. So not only do newer writers sometimes struggle to maintain what various characters do and don't know at different times in a story, readers can also struggle with the same thing. Gotta keep your eyes peeled for what information each character actually has, and also keep in mind how easy it is to be fooled when you think you have all the facts. I notice Neil and John taking advantage of this in Good Omens a lot -- the lies that Crowley and Aziraphale tell to the other angels and demons seem really obvious -- but that's because we know they are lying and what they're lying about. When we are lied to, we fall for it as easily as those angels and demons, because we assume we know what's going on. Watch out!
Rule four: you can't break the rules. If you're going to make a wild, avant garde, ground-breaking story, that's pretty much the whole point of the entire story. Twists are fine, emphasizing or de-emphasizing expected tropes or ideas is fine, subverting a trope is fine. Otherwise, you have to stick to ideas, formats, plots, structures, etc., that have come before. For example, just as I started seeing metas about the POV characters in Good Omens 2 jumping around, I had remembered an episode of the X-Files from way back where an "alien landing" is told from three characters' perspectives. When told from the POV of the alien conspiracy-believing kid, the story gets really weird with all kinds of wild things happening. When told from doubting Scully's perspective, it gets very boring and mundane. POV jumping is nothing ground-breakingly new. There won't be anything ground-breakingly new.
Rule five: it has to make sense. Mark Twain once said, "Of course truth is stranger than fiction. Fiction has to make sense." Once upon a time, a friend of mine who liked to embellish stories told me all about his new fiancee, who he'd met and proposed to all in a few months, who was head over heels for him, a gorgeous red-head, one of triplets. I never met this mystery woman, and then one day he called me to tell me she had died very suddenly and dramatically. I had my suspicions that she wasn't even real in the first place, so I made consoling noises and asked him when and where the funeral was so I could be there for him. I expected to be put off, told some crazy reason why there wouldn't be a funeral or it hadn't been planned yet and I would somehow mysteriously not hear about it until it was over. Instead, he gave me a date and location immediately. I was taken aback. I was even more taken aback when I arrived at the funeral to meet this woman's family, including the remaining red-headed pair from her triplet set, and hear all about what a whirlwind romance she'd had with my friend. If that had been a novel, I would have shut the book and told the author to give me a break. Books and TV and movies and plays can't push the consumers' credulity too much. Readers have to maintain their willingness to suspend their disbelief. It can't get too crazy. What's too crazy? Hard to say, it's kind a of a "I'll know it if I see it" sort of thing. And some people are certainly more willing to go along with something wild than others. The author can only try their best to maintain faith. To tell a story that can be believed.
Anyhow, I dunno if that's helpful at all, but it's sort of the litmus test I'm using to gage all my questions and theories. And what I'm using to shuffle in the metas and theories I like from others.
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ruporas · 11 months
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special operatives (silly interaction beneath read more)
[ID: Digital Art in color of Trigun Maximum, characters included are Wolfwood, Elendira, and Legato in a casual meeting situation. The piece consists of orangey yellow lighting and purple shadows. Wolfwood sits on the left side, facing Elendira who’s on the right. He’s seated on a plain wooden chair with one knee up and he’s holding the strap to his Punisher in his left hand while his right sits against his thigh, He has an irritated expression as he speaks to Elendira. Elendira is sitting in a fancier seat, her right arm rests against Wolfwood’s propped up knee, her left hand holds her suitcase. She’s sitting cross legged with an amused expression. Legato can be seen in the back at the center of the image in his mobile body case, one of his eyes shown to be glaring at Wolfwood. End ID]
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[ID: Sketch, uncolored comic. Elendira says to Wolfwood, “I’m not telling you to dedicate yourself to him, but just accept the situation at hand. We could get along better if we were on the same page.” Wolfwood responds, “Don’t peg me me for an optimist. I’m not dumb. But, I’m also not going to just live in resignation. Plus, I don’t have any interest in getting along with ya.” Elendira coos, “Aw, you sure? I have a wonderful shoulder to cry on when the weak people you’re trying to protect eventually dies in the coming months. Though, I guess it’s fine. Someone like you might just die before then anyway...” She snickers in her hand while Wolfwood is speechless and just glares. Legato is faintly drawn in the back, glaring at Wolfwood, muttering “worthless” repetitively. End ID]
#trigun#trigun maximum#nicholas d wolfwood#elendira the crimsonnail#legato bluesummers#YES they were together in scene canonically for only 1 Measly chapter. Yes legato dipped like 2 seconds later but listen#trigun has such a fun cast and such a vague sense of time that i love to just throw in whatever Chances of the gung hos meeting outside of#canonic time... i mentioned before but i do think ww just runs into them on occasion from town to town#this illust would have to take place after the remembrance of july though ofc since that was when ww first saw elendira... which is still#the funniest ww ever bc he was so Shocked. LIKE AGHAST... BC IT WAS ELENDIRA THE CRIMSONAIL. he was starstruckk it was so cute#elendira of all people deserve that kind of reaction though im glad that they hyped it up with ww of all people. bc its like wow even ww is#kind of intimidated! even though he gained his grips like 5 seconds later to talk back to her. which is why i think theyd have a funny#dynamic. and legato is just there. he does not care about them but he also hates them and it's fun to think about how that'd extend to#wolfwood after knives specifically left the gung hos up to him and then explicitly didnt say shit after giving ww a special little mission#it also is just like. legato is pretty passive in trimax until someone is actively betraying knives or when its vash#and ww also does not give a shit about legato bc he also is like. vaguely aware he'd lose in a fight. so all i make them do is stare at each#other passive aggressively. TRISTAMP on the otherhand is ridiculously insane for making legato genuinely hold enough aggression towards ww#to literally activate his character arc in the season sgmkdsgm cannot wait for final phase where legato not only deeply detest vash but also#bears a similar aggression towards ww. actually im not sure whether i should be Excited for that or not but it would be an interesting#ruporas art
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hackfurs · 4 months
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developing a side character and i ended up liking him more than the protagonist lol i even gave him one of the protagonist's love interests. but it's way more sad and angsty-er this way so it's worth it (:
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creativesplat · 11 months
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That scene from A Tale of Two Stars, from Stan's perspective.
#I imagine its pretty darn scary having your carer/ grunkle beaten up by this random dude from a portal that your grunkle liked#also the 'you didn't tell me you had kids down here' bit Ford looks so guilty like#like he knew he just full on attacked this man - which in his mind is morally fine - but in front of kids? that's where ford draws the line#and stan just looks really sad when he looks at scared Mable#also the r-i-n-g bit is the tinitus caused by Stan's ears slamming into the ground/ dislodging his hearing aid ( and totally#not me deciding that adding the goofy (but still scary) dialogue because it would ruin the tone and also because I hate writing in bubbles#also you all know I had to add the bloodied nose from the story boards what sort of person would I be if I didn't? ;>#when they tell the story it certainly affected Mable but I imagine Stan's joy at seeing his brother being reciprocated by a punch really#imprinted on her I think#she's not scared of loosing dipper until she sees the grunkle she trusts (enough to potentially doom the world as of the last episode)#be so so wrong about his brother - when you see a grown up getting betrayed or being wrong it really impacts a child y'know? so yeah#but I love ford being so caring about children even when he hates his brother and wants nothing more than to slam him repeatedly into a wal#he sees children and immediately changes his attitude#is that because of his parents do you think? did he and stan see or experience physical abuse? is that why he cares so much about these#children not seeing their grunkle getting hurt? Did he see his mother hurt or stan? we all know Filbrick wasn't the best dad ever so...#because as much as stan and ford are jerks to each other they care about Mable and dipper from the moment they saw them and that's just ...#I love them#also I am so surprised by how easily they accept ford into the conversation like I get it for narrative purposes but#someone just attacked your boss/dad or your grunkle/grandpa and even if there were just massive secrets revealed and its like a celebrity (#aka the author) he still punched your boss/dad/grunkle in the face and pinned him to the floor#did no one want to stop that or...#but for real I love how quickly Mable is like 'hey this guys odd and I love his fingers “a full finger friendlier than normal” my heart#anyway I had to draw it so I did#your welcome!#lol#grunkle stan#grunkle ford#dipper pines#mable pines#stanley pines
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skhardwarevers1 · 1 month
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anyways “just don’t leave me alone wondering where you are” Program and “I am stronger than you give me credit for” Vista
#Could also be Moon & Tera they’re both equally as sad#But I’m gonna just. Let that sink in.#Even in the early phases (Hansel/Gretel) they were designed specifically to be a stronger more logical machine and a human-esque creation#Vista was never meant to be as strong mentally or physically as Program could#but they pushed through anyway. The perceived imbalance between them will always get me#Vista/Gretel thought Koeia liked Program/Hansel more because he served a purpose#Program/Hansel thought Koeia liked Vista/Gretel more because they were like her “daughter”#And later Program ends up putting aside their differences to look out for them#“For the greater good” my ass! He cared about their well being more because he knew they were supposedly “weaker” than him#but realizing there wasn’t much of a difference between them in Koeia’s eyes made him feel compelled to shield them from some things#He figured that they were meant to be like siblings#he wanted to be their sibling#They wanted to too but they didn’t want to be inferior#They felt that Program was better than them in every way. It was him that made the project possible after all!#Clearly he /must/ be better right?#So they’re stuck in a weird spot of not having known each other for years and only perceiving what they thin other was compared to themself#And then being thrown into a situation where they’re trying to make it out together#Even as early as before the incident Program was looking out for Vista#Program felt threatened by Clay sometimes and would try to tell Vista to get out#Him attacking Clay was his way of trying to help#Which only fucks up Moon a little more when Procyon starts taking that same “helping” role and gets Clay…you know…speared….#And they feel so betrayed it sends them into an entire spiral of barely knowing who they are anymore#Anyways I didn’t meant to rant bye bye#S.K thinks#I hope this changes someone’s perception of Moon as a whole. Just one person I’ll be happy with that
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introspectivememories · 8 months
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jonjay is very hallmark-esque in the sense that jay would move to a small countryside town to find himself and he hates it at first because this town has nothing but the sweet farmer boy takes him under his wing and shows him the beauty of slow living with bonus points for a scene where jon is like "i hope you choose this place. i hope you choose us" and timber is very rom-com coded in the sense that they would have a big blowout fight where they both storm out of the apartment, complete with a "BECAUSE I LOVE YOU, THAT'S WHY!" before running back to each other and kissing in the rain
#do you see my vision?#jay is a city-boy through and through but i think he'd try it#farmer!jon with his overalls and big biceps and his southern drawl that doesn't work on jay cause he's gamorran#they have a scene where jay's learning how to make pie and jon comes up behind him and is like 'no roll it like this'#and jay turns his head back to look up at jon and jon looks down from where he's explaining and they're both so close.#if they both just leaned in they could kiss#jon who feels betrayed when jay's time in the small town is up.#'why are you so mad? you knew this was temporary.'#'i thought we had smth jay. i thought we were smth.'#meanwhile timber#is going through the worst fight of their lives. and it's over smth unimportant but it's been building up for a while#and one day they just set each other off and they both say some hurtful things#'then why are we even doing this? if this is so exhausting then why are we even doing this?'#'BECAUSE I LOVE YOU! because for some unfathomable reason my heart wants you and only you! and i wish you wanted me too.'#and one of them storms out uncaring of the other calling out for them. and one of them sits out on the apartment steps all day waiting for#the other to come back and it's not till night that the other shows up.#whoever's sitting on the steps launches themself at the other and the downpour has started and they're both drenched but i doesn't matter#they have each other.#'you waited?' / 'of course i did' / 'i'm sorry.' / 'shut up.'#dc#timber#timbern#jonjay#jayjon#bernard dowd#tim drake#jon kent#jay nakamura
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deadtwice · 8 months
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FRIENDSHIP.     childhood friends  /  work buddies or coworkers  /  family friends  /  friends with benefits  /  smoking buddies  /  adventure buddies  /  fake friends  /  recently friends  /  party buddies  /  friendship of need  /  dying friendship  /  circumstantial friendship  /  partners in crime  /  old friendship  /  [ your muse ] is the good influence  /  [ your muse ] is the bad influence  /  [ my muse ] is the good influence  /  [ my muse ] is the bad influence  /  opposites attract  /  ride or die  /  frenemies  /  roommates or flatmates  /  penpals  /  exes to friends  /  enemies to friends  /  other
ROMANCE.     childhood sweethearts  /  [ your muse is mines ] childhood crush  /  [ my muse is yours ] childhood crush  /  exes  /  exes to lovers  /  forbidden lovers  /  highschool sweethearts  /  secret relationship  /  opposites attract  /  long distance  /  unrequited [ from your muses side ]  /  unrequited [ from my muses side ]  /  unrequited [ from both sides ]  /  skinny love  /  friends to lovers  /  enemies to lovers  /  spurious relationship  /  power couple  /  newly entered  /  soulmates [ metaphorical ]  /  soulmates  [ literal ]  /  awkward  /  turning toxic  /  toxic love  /  cheating [ on your muse ]  /  cheating [ with your muse ]  /  other
ANTAGONISTIC.     dangerous to each other  /  dangerous to others  /  unpredictable  /  rivals  /  petty  /  developing into sexual or romantic tension  /  based off family matters  /  based of off circumstance  /  based of professional matters  /  based off misunderstanding or lies  /  conflict of ideology  /  betrayal  /  hero - villain dynamic  /  enemies  /  fight club  /  friends turned enemies  /  lovers turned enemies  /  exes turned enemies  /  other 
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averysjameson · 2 years
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"eye to eye, it was hard not to remember that when jameson kissed a girl, it wasn't tentative. it wasn't gentle. it wasn't real, i reminded myself."
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"i needed... something. it didn't have to mean anything. there didn't have to be feelings involved. "fine," i said, my voice rough in my throat. "let's call off the bet."
i expected him to kiss me then—to take advantage of my moment of weakness, to push me back against the wall and wait for my head to angle up toward his, wait for a yes. he looked like he wanted to. i wanted it."
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"he doesn't want me," i told max. "not really. he wants the mystery. he wants to keep me close until he can use me. i'm a part of the puzzle to him."
"but...," max prompted, "would you like to be used by him?"
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"nothing ever feels real to you," i whispered, but the magical thing was that i didn't care. this didn't have to be real to be right. "this... us..." i let my lips hover over his. "it doesn't have to be anything other than what it is. no messy feelings. no obligations. no promises. no expectations."
"just this," jameson whispered, and pulled my body tight to his.
"just this." it was better than riding on the back of a motorcyle going a thousand miles an hour or standing on a rooftop fifty stories tall. it wasn't just the rush or the thrill. i felt completely, utterly in control. i felt unstoppable."
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"what am i doing?" i asked max, feeling like i was in a maze now. "jameson and i are..."
"what?" max probed.
i shook my head. "i don't know." i knew what jameson and i were supposed to be: adrenaline and attraction and the thrill of the moment. no strings attached. no messy emotions.
so why did i feel like i'd betrayed him?"
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aka just some of the moments where avery feels like she can't have all of jameson, will never have all of jameson, but she will take whatever he is willing to give her. she can't want him, not like she previously did because she believes he doesn't want her. so she'll want him like this. she'll have him like this if this is all he's willing to give her. they'll be friends who kiss, friends who have undeniable chemistry but no strings attached. they have an understanding: no mess, no one gets hurt. it isn't real. but as avery said, even when it's not real, it doesn't mean it's not right.
this entire time, as skye put it, she was already his.
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bibiana112 · 2 years
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Hey do you ever think about how in the timeline(s) where Akane is in the K suit, she’s the one convincing Clover to betray Tenmyouji because ‘no one in their right mind would trust a stranger’ while he allied unhesitatingly, apologized for presuming they would trust him, and remarked that he didn’t expect it to hurt like that? Because I do
No actually, I mean I probably noticed that at some point and went damn girl but I never really *thought* about it until now like yeah. There's. There's some stuff going on there I'm gonna have to refer you to Grace for this one she's the vlr gal my only thought here is how insanely in character Akane is at all times there's like not a single tell that actually all these three people do know each other poor Junpei there recognizing Clover and Alice but not being recognized back damn him and Clover should be besties this timeline sucks man
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hauntingblue · 19 days
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I loved this movie about nami and her ex situationship reconciling and also anti capitalism
#i have one question are the episode 0 of movies just fanservice am i reding this right. also zoro looks jealous and petty#can they in like love action make zoro chastize sanji bc he is an ally and not just letting him sound jealous and petty like i enjoy both#but clarificaiton sometimes you know. like sanji stop that its dehumanizing and disrespectful also i want you#why are they worried about money when they are in a casino. nami was great at playing cards wasnt she#franky and luffy bonding sumo time.... nami gets the title hell yeah lmao i have been saying she is the strongest#omg the children sellong flowers... dont tell me luffy is going to defeat capitalism in this movie. hell yeah#i was gonna say cant believe they let luffy bet but he does have good luck tho. the stomach ache lmao#sanji is so stupid akdjsksks the guy who likes pain also....don't let sanji think too much about it omg the golden dust....#zoro is going to be executed sanji and luffy are unlucky and all of them are broke and in debt. damn. how are you broke as a pirate even#nami and carina ex situationship talking about trusting each other again looking at the sunset... exactly#that was such a nasty betrayal and nami trusting her again so easily and fast like damn.#also what is the cp0 koala and sabo doing there like damn. jesus even#also what is absalom doing there....#and WHO let luffy infiltrate. FRANKY GOT IMPALED!! gold is really malleable and not resistant and strong like this is getting me out of it#sanji got a cleaning man fit instead of a cleaning lady fit so why is usopp wearing one ajdjaka.... i mean he is the crews babygirl....#also second movie where zoro gets kidnapped. the peoples princess.#omg they are in the pipes. also why is there pipe for the entry of seawater in a boat. maybe i don't know enough about boats#franky getting luffy out of the fan.... cradled like baby jesus for an instant#omg they have been bamboozled BY CARINA?????? OMG AGAIN??? NAMI!!!! OH NVM!!! WHAT???#luffy didnt know they were doing all this cause he would have fucked it up akshaua him being thrown half dead out of the tower ahsuakaia#this reminds me of super mario wii where bowser turns into a bigger bowser when you kill it. damn#also another good guy turned villain because of tragedy. two in a row#the kid with the metal pipe omg... sabo is coming#i heard hikken and the voice was so similar i wondered why ace was there.... for a millisecond he was there..... 😞#the red hawk and everything..... should we all kill ourselves.... omg carina didnt betray her actually#tesoro dumb asf for taking nami look how he is going down after that lmao didnt expect gear fourth tho. damn#still thinking about how gold isnt that strong so this shouldn't be necessary but alas shonen be shonen. luffy saving namis gf too <3#talking tag#watching one piece#watching one piece movies
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monsterblogging · 1 month
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"I know JK Rowing is a terrible person but her books are so good-"
You sure about that?
I mean, just for a start, have you taken a good look at her fantasy creatures lately? A whole bunch of them are straight-up based on malicious and dehumanizing stereotypes about actual people.
Remember the werewolves? And being a werewolf was made into a kind of metaphor for having AIDS?
And you know how AIDS was first associated with gay men? And how conservatives back in the day were claiming gay men were preying on children in order to convert them to gayness?
Remember how Fenrir Greyback preyed on children in particular? Yeah, she put that subtext in there. She was an adult in the 90's. She knew damn well what she was doing.
Remember the house elves? Remember how most of them loved to serve and needed to have a home and a master or else they just wouldn't know what to do with themselves?
Did you know that's literally what slavers in the American South said about the Black people they kept enslaved? Go look up the happy slave myth.
Do I even need to get into the goblins and the antisemitic tropes they're based on? No, folkloric goblins were not gold-hoarding bankers waiting for their chance to stab humanity in the back.
"But the characters are so good!"
Are you kidding me?
Most of her characters are pretty one-dimensional, including Harry. Her idea of making a morally complicated character is giving a tragic past to a bully. Numerous characters are little more than stereotypes. (Looking at Fleur right now.) Literally anybody, including you, can easily make dozens of characters just as good, if not better. (It doesn't exactly take a lot of character designing skill to go, "hey, actually, having a sad backstory doesn't make it okay to bully children" or "hey, maybe I should not base a character on the first stereotype that pops into my head.")
"But the rest of the worldbuilding!"
Sorry, but her worldbuilding is just as basic as her characters. Magical castles and secret passages are stock tropes. Magical people who keep their true nature secret from humanity is the premise of pretty much every White Wolf TTRPG. Most of her fantasy creatures are just common European fairy tale and folklore creatures with shitty stereotypes projected onto them.
I'm not saying "basic worldbuilding bad." I'm saying, you could do just as good, if not better, with minimal effort.
Also there's her magical bioessentialism, where only Harry's abusive blood relatives could provide him with supernatural protection from Voldemort. Rowling thus effectively declared that non-biological family isn't quite real family, and that abusive biofamily can give you some essential thing that a loving, supportive family that isn't related to you just can't.
The Hogwarts houses are one of the most insidious elements of her worldbuilding. The idea of being sorted gives you a little dopamine hit because wow now you have a li'l niche where you belong!
But the actual function of the houses and sorting system and the House Cup is teaching children to see each other as rivals, and ensure that the most toxic views of the upper class get passed on to every new batch of kids sorted into Slytherin.
Hogwarts effectively prepares children for a dystopia where magic serves to distract its citizens from how nightmarishly awful it is. Economic inequality is so bad that people like Arthur and Molly Weasley can barely afford to put their kids through school, casual sadism is just an accepted norm in everyday society, and non-humans are second class citizens. Rowling sorta acts like she thinks this is a bad thing with certain lines she gave to Dumbledore, but in the end, her special boy protagonist becomes an auror; IE, a defender of the status quo. So.
If you've never seen it, Lily Simpson's video goes into even more detail on how the worldbuilding of Harry Potter is actually incredibly fucked up, and how it betrays small-minded attitudes on Rowling's part. There's no separating the art from this artist, because Rowling's rotten values pour out of nearly every page.
youtube
Yes, there are many things in Harry Potter that evoke feelings and inspire people, but there's absolutely nothing in it that this series has a monopoly on. You can find those same experiences in much, much better media.
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starcurtain · 24 days
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2.1 Penacony Spoilers!
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I know the scene after Ratio's "betrayal" can be read a lot of ways but I am shocked I haven't seen more people interpret it as Ratio being so worried about Aventurine that he couldn't stay away even though he was supposed to.
We know:
1) Ratio absolutely knew Aventurine's plan from start to finish, both his gamble to create "death" in the dream and with the three cornerstones. (Wish people would stop underselling Ratio in their analyses; "Three chips are enough" is a direct enough clue that, genius as he is, Ratio would never miss.)
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2) In his own words, Ratio was acting according to Aventurine's instructions while in Dewlight Pavilion and with Sunday and felt that he did a good job not giving them away.
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I think most people are on the same page up to there, but then I've seen a lot of people interpreting this scene after Aventurine leaves Sunday's mansion as Aventurine being genuinely angry at Ratio (possibly after having gaslit himself into thinking Ratio was actually betraying him).
But this doesn't make much sense to me because:
1) Ratio actually has nothing to gain by selling Aventurine out to Sunday. They're on the same side in this mission. Information about a Stelleron on Penacony wouldn't be news anyone with a brain like Ratio's and why would he need someone else's research on Stellerons when he already has ties to the Genius Society through Screwllum and Herta, as well as the Astral Express where the Trailblazer is actively housing a Stelleron?
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2) One of Aventurine's most notable lines of dialogue is how it's perfectly fine and expected for "friends" to use each other and backstab. This is his default understanding of partners--why would he suddenly be mad about something he expected from the start?
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3) If the betrayal wasn't already planned and was just a possibility based on Aventurine's understanding of Ratio, why would he ever have revealed there were "three chips" (aka three cornerstones) in play? If even the betrayal over Topaz's stone wasn't planned, just assumed, why would Aventurine reveal the existence of the third stone? He would gain nothing from doing so.
Instead, I think it makes a lot more sense to interpret Aventurine's frustration with Ratio in this later scene as annoyance over Ratio taking an "unnecessary" risk:
1) As far as Sunday knows, Ratio had just very seriously betrayed Aventurine, completely selling him out and essentially sending him to his execution.
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2) In the scene afterward, Aventurine is out in public in the middle of Penacony where The Family's eyes are always watching, yet Ratio walks right up to him to check on him. Why would someone who just sold you out come up to you immediately afterward to check on your health?!
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3) It's only natural that Aventurine would pump the brakes and go "Wow, didn't think you'd show yourself after you just betrayed me, remember?" Because that's the act they are supposed to be keeping up! They're still being monitored; it's not safe to break character!
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But Ratio is a genius, right, so why would he break character here? From the standpoint of the ploy itself, revealing to the Family that he and Aventurine were still on the same side would only jeopardize the plan, not help it.
The logical explanation, then, is that Ratio went to Aventurine here because he felt like he had to.
He had to check in and make sure the situation was still under Aventurine's control.
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(In fact, the entire exchange through the middle of this scene is Aventurine and Ratio confirming the rest of their plot in a veiled manner: Ratio brings up the plan and mentions what's concealed in the gift money bag, Aventurine confirms the cornerstone is good to go; Ratio asks what his next step will be; Aventurine says he's going to do the insane thing of handing out cash while looking pathetic [aka fishing for Sparkle]. Ratio essentially asks if he's crazy enough to take the final gamble with his own life, which Aventurine confirms, and then Ratio sets them up for the finale by gifting him the doctor's note.)
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Ratio was willing to risk ruining their entire plan--something Aventurine does seem to be frustrated about at first--just to ensure Aventurine still felt all right about the situation.
He needed to deliver his note demanding Aventurine stay alive.
He needed to tell Aventurine to come to him if the situation got too painful to bear.
In short, Ratio was worried enough that he could not stay away even though, for the sake of their plot, it would have made significantly more sense for him not to appear. The gain of breaking character was worth more to him than the risk of being caught.
You honestly don't even have to take this in a shipping context. The real point here is that Ratio is an incredibly good person who wasn't okay with Aventurine's self-sacrificial plan and who felt morally compelled to check on a person in pain. He's a healer through and through, and ignoring Aventurine in this condition--ignoring someone who was taking so much risk on themselves--simply wasn't possible for him, no matter the danger it posed to the plan.
But for those who do ship Ratio and Aventurine... I hope more people will come to see this scene as another example of Ratio's genuine concern for his mission partner! He did not have to appear here at all; it would have made much more sense for him to leave Aventurine to his own devices to uphold the illusion of their "betrayal." He showed up in this scene--very likely against Aventurine's expectations--because he was concerned for Aventurine's situation and wanted to ensure Aventurine knew he could fall back on Ratio's support at any time if the plan went awry.
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tl;dr: I wish people would stop interpreting this scene as the aftermath of a betrayal. Aventurine wasn't ticked off with Ratio in this scene because he felt like he'd genuinely been backstabbed; he was ticked off because Ratio was literally breaking their pre-established "betrayer" character just to be fussy over Aventurine's safety and well-being. (Okay, and to double check on the plan, but let's be real, the first part was definitely more important. 👌)
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yandere-writer-momo · 1 month
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Yandere Short Stories:
Limerence (Prequel)
Yandere Rebellion Leader x Princess Reader
TW: Yandere behaviors, mentions of past SA (on yandere’s part), murder, death, blood, a man slaughtering your entire family to be with you, etc
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(Your name) quietly sobbed into her knees, her body curled tightly into a ball on the floor of her closet. The loud screams of the servants ring out through the hallways. Not a single doubt in her mind that the castle staff were being slain like cattle by the rebel troops.
When did everything go wrong? Would she soon join the rest of the castle’s inhabitants when the troops inevitably found her? Would they be merciful or would they gut her like a fish?
(Your name) didn’t want to think about it too much… she just hoped her death would be quick and painless.
Crack! Slam! Her door was splintered apart with brute force that made the closet doors shake. (Your name) quickly covered her mouth before she screamed out in fear. She didn’t want to alert the intruder of her whereabouts…
(Your name)’s breath hitched when she spotted a pair of leather shoes that stood outside the closet door through the crack of the door. Oh god… this was it.
(Your name)’s arms flew up to shield her face but strong hands quickly moved her arms out of the way so soft lips could be lovingly pressed against her soft cheeks.
“It’s okay… it’s me.” A smooth voice hummed softly while he continued to pepper (your name)’s face in kisses. “It’s Adonis.”
(Your name) reluctantly peeked her eyes open to see if his words rang true. Adonis’s chocolate curls were wild and his sea foam green eyes were filled with admiration. This was indeed her handsome childhood friend who stood before her.
“A-Adonis?” (Your name)’s brow furrowed in confusion. Why on earth was her stepmother’s personal servant here and why did he press kisses all over her like she was his lover? Didn’t he belong to her stepmother?
Adonis hummed in reply, his actions failed to cease while his hands now cupped her cheeks. “Yes, darling. It’s me… I’m here to get you out of here.”
(Your name) was shocked to be pulled into a warm embrace. Adonis’s muscular body did little to soothe her nerves, quite contrary. Adonis’s hug felt like a cage.
“Where’s my stepmother-“ (your name) nearly squealed when Adonis nipped at her neck. An angry red mark now visible on her smooth skin. “Adonis, what was that for-“
“She’s not in the picture anymore.” Adonis inhaled deeply to try to calm himself before he lashed out any further from the mention of his despicable mistress. “She interfered in our relationship for far too long.”
Relationship? What was Adonis talking about?
“Adonis?” (Your name) then noticed the speckles of blood that covered his tan face in shock. Blood?! Adonis wasn’t bleeding so whose blood could that be… no. Did this mean Adonis betrayed the royal family?
No… Adonis had been with her family for over a decade. They grew up together! Adonis and her were always such good friends! So why would he slaughter her family in the name of love?
“I love when you say my name, darling.” Adonis bent down and pressed his full lips against yours in a tender peck. “We no longer have to worry about what others think. I abolished this unfair system.”
(Your name) felt tears run down her face as Adonis continued to ramble. His sea foam green eyes lit up with madness. “We don’t have to sneak around anymore! You and I can finally be together, the way we were always meant to be.”
Realization sunk into (your name) at Adonis’s words. Did he mean the moments the two of them would run into each other in the rose garden at night? The nights where she’d have nightmares of fire and death while he would be slipping out of her stepmother’s chambers? The times she’d sit beside him on the bench and listen to each other’s woes? Adonis and (your name) always had a friendship since they were children… to think he interpreted her kindness for love was astounding. What on earth made him think she loved him?
“I’m so happy to finally be free. I no longer have to touch that vile woman ever again.” Adonis gave you a bright smile. “You were my shining light through this entire ordeal of my servitude. Without you, I’d be so lost.”
Adonis pulled her towards the window of her tower to gesture to the various fires set ablaze on the castle she once called home. The same scenery she often saw in her nightmares have become a reality.
“I destroyed it all. You’ll no longer have nightmares and I’ll no longer have to be intimate with our enemy!” Adonis gave you a bright smile when he took your smaller hands in his large ones. “This is the biggest gesture I can give you to express my utmost feelings to you. I’d set the whole world ablaze if they opposed us. It doesn’t matter the extreme, because I’m willing to go to any length to be with you.”
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diveinyouastro · 5 months
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ִֶָ𓏲࣪𖹭ASTROLOGY NOTESִֶָ𓏲࣪𖹭
● Scorpio venus- gets sexualized alot. Many people would fantasize about these people but will not let them know. MANYYYY have crushes on them. (I'm one of them👀)
● Capricorn + Scorpio placements- are either very naive and easily influenced/manipulated or the manipulator themselves. BUT the way their mind worksss.. ufff... they get shit done, they have solutions to e.v.e.r.y.t.h.i.n.g. Can become a lawyer cuz mann you can't win against them. Everrrr.
● Capricorn/ aquarius or earth sign placements/degrees- you would rarely see them support astrology. They'll show interest if you're telling them everything good about their sign, as soon as you get to the negative part.... out the door🚶🏻‍♀️
● In synastry if you have- venus square north node/ venus square saturn, venus square neptune, venus square uranus.... its not going to be a long lasting relationship. Cuz venus, the planet of love, is literally denied its main role. Degrees matter too, more than 5, can work. Less than 5, probably not.
● sagittarius placements- go from being fun and adventurous to being serious and mature. As the grow older, they start understanding life on a deeper level. Also, sagittarius placements are quite lucky (see where it is placed or where jupiter is placed.)
● Neptune/pluto/lilith/mars- on the ascendant, doesn't matter the aspect, GAIN ATTENTION WHEREVER THEY GO. People be turning their heads to look at you. You're random people's crush. And those who feel threatened by your presence, tries to spread false rumors about you or tell you that you're 'too bossy' 'too much' too this and that. They're just jealous cuz you got the IT factor in you and you not only gain everyone's attention but also their crushes 😌.
● Taurus placements- they have a very soothing voice. Their voice gain everyone's attention around them. Even if its noisy, as soon as a Taurus start saying something, everything gets quite. Its just the way they talk, they can have a deep or soft voice, but the way they speak is very beautiful.
● Libra placements- are superrrr nice. They're always there for you. They feel nice and happy when the people close to them are happy. Since libra is the sign of balance, they know when to be nice and when to be a bitch... so don't ever walk over them, You won't like it.
● I think aries and Capricorn placements- are the only placements that fear failure ALOT. Like ALOT. Even if they don't have a way, they'll make one. They have to do something, they can't just sit and relax, their soul won't let them.
● 12th house placements will know things beforehand due to overthinking. They would know if this friend of them is going to betray them. They start feeling uneasy somewhere in their body. With the 8th house placements, once they trust, they give their trust to you 100% and they usually gets backstabbed. Then they stop trusting people completely.
● Underdeveloped Scorpio placements- if your crush is a scorpio or has prominent scorpio placements, please stay away. They are usually involved with someone but keep it hidden. You won't know it until and unless they tell you, which they never. So its better to keep your heart safe than knowing at the end that they were involved with someone all this time.
● (in synastry) Underdeveloped scorpio venus and pisces venus- toxic, manipulative and narcissistic together. They talk shit about their close friends with each other. They turn against their friends. They develop, a kind of, superiority complex.
⋆⋅☆⋅⋆Dark side of underdeveloped placements:
▪︎ Capricorns- rude af. Very mean for no reason. They think they are the main character. No honey you're just a bitch.
▪︎ scorpios- fucking cheaters. One person is not enough for them. Very toxic. Will body/slut shame you behind your back. Oh and secrets??? What are those? Now everyone knows them.
▪︎ Aries- can yall stop playing victim card and become more mature and responsible please? What's with yall crying and throwing a tantrum to get your point proven right? Ridiculous. Also stop guilt tripping people.
▪︎ taurus- why do you feel good when someone has less than you?? Why do you judge people when you yourself are negative.
▪︎ Gemini- yall try so fucking hard to get attention. Yall really dont get a hint that your crush doesn't wanna talk to you huh? You irritate alot of people around you. Very pick me energy with this. And no youre not know it all.
▪︎ Cancer- these bitches ruin 'THE CANCER' reputation. They go around lying about everything. Share someone else's secrets'. Puts blame on the other person.
▪︎ leo- yall need to be humbled very bad. Everything depends on your mood and self esteem huh? Yall throw people's past on their face in front of everyone when yall get pissed. Istg you feel better and satisfied when someone is put down in front of you.
▪︎ aquarius- please shut up with the false conclusions. Yall never accept your fault. You fuck up someone's mind then tell everyone they're crazy for acting like that.
▪︎ pisces- no not everyone is in love with you. Get out of your head please. Stop messing with people's feelings' and mind. Stop being avoidant. Stop being a bitch.
▪︎ virgo- DONT force your thoughts on someone else. Dont criticize them for having their own thoughts. Anyone can have different thoughts. And stop trying to subconsciously control people. You make people walk on egg shells.
▪︎libra- stop being 2 faced. Youre not everything a person desires.
▪︎ sagittarius- you make people fall for you then use them and throw away. Say it with me bitch...... people 🔪 are🔪 not🔪 for🔪 fun🔪. Also even if you have everything, yall still act like you got nothing. You dont help people. You only care about yourself.
—–- ⋆⋅☆⋅⋆ ––—
Thank you 🩷
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