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#who was hopeful for the joseph gordon-levitt one
tanktopgallavich · 5 months
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🌛Weekly Tag Wednesday - Sleepover Edition!🌜
Thanks for coming up with this game @mybrainismelted! Thank you to @deedala, @lingy910y, @metalheadmickey, @transmickey, @suzy-queued and @such-a-barbarian
Ok pocket friends, tonight we are having a sleepover!  So grab your pj’s, your teddy bears, and your fuzzy slippers, and let’s have some fun!
Name: ri or sometimes ri ri
Location:  i'm shipping up to boston - the dropkick murphy
We’ll start with some easy ones! Is there a celebrity you think you look like?  If so, who:  i've been told i look a few celebrities, but that is irrelevant because if they ever make a biopic about my life, i want to be played by natasha lyonne
Do you still have stuffed animals in your bed?  nope, the few i have left are on a shelf in my childhood home
Who is your celebrity crush?  for the guys, i have accepted that i have a perpetual crush on pedro pascal. i think i only find him physically attractive 50% of the time, but damn, he has the best vibe 100% of the time. joseph gordon levitt is also a hottie. for the ladies, right now, it's ming na wen and natalie dormer 
Have you ever accidentally sent a naughty message to the wrong person? thankfully, i have not. BUT i once sent a super "fangirly" text to a coworker instead of my friend and it was very embarrassing.
Have you ever snorted your drink out your nose on a date?  i've only done this once in my life and happy to say it was not on a date.
Have you ever peed in a public pool?  maybe as a kid.
And we will close it out with some Shameless Characters Bang/Marry/Kill: Ian/Mickey/Kev: bang mickey, marry ian, kill kev
Fiona/V/Svetlana: bang fiona, marry v, kill svetlana
Frank/Kermit/Tommy: what a lose-lose-lose situation lol. ugh, i guess bang tommy, marry kermit, kill frank (no way i'd bang frank after all that we've seen him do 🤮)
Karen/Mandy/Sandy: bang sandy, marry mandy, kill karen
Jimmy/Sean/Gus: bang sean, marry jimmy, kill gus (pouring one out for jimmy-steve, the best guy for fiona)
Thanks for coming to my sleepover! Hope you had fun, we are having banana pancakes for breakfast. (adding chocolate chips to these pancakes to create my go-to weekend breakfast)
tagging some cuties: @juliakayyy, @francesrose3, @ian-galagher, @sleepyfacetoughguy, @heymrspatel, @michellemisfit, @mmmichyyy, @gallawitchxx, @gardenerian, @crossmydna, @whatthebodygraspsnot, @vintagelacerosette, @thisdivorce, @too-schoolforcool
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louisepalanker · 5 months
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My Norman Lear story begins at Metromedia Square where I finally landed a much coveted job as a studio page. These jobs were said to be our gateway into show biz land and, gratefully, the legend proved true for me.
At Metro-Tape, (Sunset and Van Ness) I was a studio page for The John Davidson Talk Show, Gimme A Break, The Family Ties pilot, numerous telethons and all of that year’s Norman Lear sit-coms, including Diff'rent Strokes, The Facts of Life, One Day At A Time, and The Jeffersons, where a girl named Louise quickly and proudly earns the nickname, Weezy.
I was a page for one year during which the entertainment industry dreams of a kid from suburban Buffalo were realized every day I drove my silver Honda hatchback onto the studio lot.
I was responsible for seating the studio audiences, running errands (James Brown needed clear nail polish before he would sing on the Davidson Show. I found some,) and filling in where needed in offices around the lot.
At Christmas, I received a free turkey coupon from Metro-Tape, (Not a great gift fit for me and my toaster oven) and one state-of-the-art Dustbuster from Norman Lear. Yes, his Christmas list extended to include the studio pages. The dust-buster went to my cousin Trish as the maid’s room I inhabited offered only one electrical outlet. She reports that it can still bust the hell out of some dust.
Within a year, I was offered a job at PM Magazine which led to writing for Rick Dees and co-founding Premiere Radio. One of my many privileges at Premiere was interviewing celebrities, which led to one day, years later, a chance to speak with Mr. Lear about his new sit-com, The Powers That Be.
Despite the opportunity to properly thank him for my Dustbuster, It was not going well. I had run through any questions I may have prepared and was beginning to think that he really did not like me when he suddenly began interviewing me.
Where was I from? What did my job consist of? Did I hope to become an actor? I told him that I wanted to write sit-coms. He asked me to send him a script.
Wow. That turned quickly. A friend and I wrote a spec script for The Powers That Be. We were called in to meet the producers. It was there that Mr. Lear pulled me aside and said, “What have you written by yourself?” My spec scripts were stale so I went home and wrote a Seinfeld spec and sent it in. I then received a phone call from Norman Lear who said, “You don’t need to write with anyone else.” OH. MY. GOD!
I was called in to pitch story ideas for The Powers That Be. My memories of this are quite vivid. I’m sitting around a conference table with maybe 15 people. One of them keeps falling asleep. I’m boring him. I better rush. Norman Lear asks me why I’m talking so fast. I can’t point and say, “Because that guy is asleep,” so I slow down. Another fellow is listening to each of my story ideas, nodding and then offering, “We did that on Maude.” OH. MY. GOD! How did I arrive in this room with these people! Astonishing.
About a week later, The Powers That Be was cancelled by NBC with episodes yet to air. You should know that David Hyde Pierce and Joseph Gordon-Levitt were on this show. Two of our finest three named actors! Also, John Forsyth, and Holland Taylor! What the hell, NBC! Also, the show brilliantly skewered modern D.C. politics, featuring a Senator, his anorexic daughter and her suicidal congressman husband. So good.
This is one tiny window into how Norman Lear walked through life. He was consistently sharing his great gift and offering opportunities to the next generation.
Having him and his important voice here on Earth with us for 101 years has been a lesson and a blessing. Mr. Lear, we are so very grateful.
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whatsonmedia · 1 year
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The 7 best new and returning TV Shows in 2023
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We already have a list of 7 new and returning TV shows that should be put right on your must-watch list, so we can assure you that 2023 will be a fantastic year for TV shows. With new programs like the BBC's touching drama Best Interests and HBO's epic and horrifying The Last of Us in January, there is something for everyone. Along with returning favorites like You and Sex Education from Netflix, Clarkson's Farm is back on Prime Video. 1. Sex Education season 4 For more crazy antics and coming-of-age drama in 2023, Asa Butterfield, Gillian Anderson, Ncuti Gatwa, Aimee-Lou Wood, Emma Mackey, Connor Swindells, Kedar Williams-Stirling, and Mimi Keene will all be back. The critically acclaimed teen drama's final season is anticipated (*sobs*), but it will also feature Schitt's Creek actor Dan Levy as Maeve's new Ivy League tutor Thomas Molloy. https://youtu.be/goke5cXZ3Ro 2. You season 4 As Joe, played by Penn Badgley, reluctantly turns into a detective in London after learning that he might not be the only murderer in town, he is accompanied by Ed Speelers (Downton Abbey), Charlotte Ritchie (Fresh Meat, Feel Good), Adam James (Vigil), and Charlotte Scott (Fresh Meat, Feel Good). Netflix will start streaming You season 4 part 1 on February 10. https://youtu.be/Xp30pyRW23U 3. Velma Release on January 12, HBO US broadcaster Max; UK broadcaster TBD Featuring: Constance Wu, Sam Richardson, and Mindy Kaling The most intelligent member of Scooby-team, Doo's Velma Dinkley (Mindy Kaling), has her origin tale in this animated series for adults. There is no news yet on whether Velma, a longtime LGBTQ+ icon and recently confirmed queer character, will be portrayed as such in Kaling's project, despite the fact that we know the show will contain a "love triangle". So let's hope. https://youtu.be/lHdtsWn7sgE 4. Daisy Jones & The Six Release: March 3, 2023, Prime Video Riley Keough, Sam Claflin, and Suki Waterhouse appear in the series. This miniseries, which was produced in the form of a mock-doc episode of MTV's Behind The Music, follows a fake rock band as they erupt and ultimately implode in 1970s Los Angeles. Expect plenty of sex, drugs, and rock 'n' roll since it is based on Taylor Jenkins Reid's best-selling book, which was partially inspired by the real-life highs and lows of Fleetwood Mac. https://youtu.be/s9kwIlRJNy0 5. Secret Invasion Availability: early in 2023, Disney+ Ben Mendelsohn, Kingsley, and Samuel L. Jackson are the stars. Ben-Adir Do you recall Captain Marvel's shape-shifting aliens, the Skrulls? They will be the main subject of this new superhero program, which will depict a more nuanced and subdued side of Samuel L. Jackson's Nick Fury. As a "crossover event series," there is a good chance that other beloved Marvel characters will make a surprise appearance. https://youtu.be/qZVTkn2NjS0 6. Masters of the Air Release: Apple TV+ in 2023 Featuring: Barry Keogh, Callum Turner, and Austin Butler This miniseries about World War II has a solid resume. Tom Hanks and Steven Spielberg serve as executive producers, and Cary Fukunaga of No Time to Die The director Joji Fukunaga is one of them. A talented ensemble of up-and-coming performers, led by Elvis actor Austin Butler, portrays the valiant "bomber boys" who fought the war in the air. https://youtu.be/aDyDg04x1W0 7. Poker Face Starring: Natasha Lyonne, Joseph Gordon-Levitt, Adrien Brody; release date: January 26, Peacock (US); broadcaster in the UK TBC This detective drama was conceptualized by Glass Onion director Rian Johnson and offers a fascinating idea. The lead role of Charlie Cale, a sleuth with an uncanny ability to detect deception, belongs to Natasha Lyonne (Russian Doll). The 10-episode season has a "case-of-the-week" structure, making it a potential Murder, She Wrote replacement for the streaming era. https://youtu.be/UH5uGZ9SW7A Read the full article
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ragemyfeelings · 3 months
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Hey,
It's been a little while since I posted something on here, so I thought I re-introduce myself because... why not?
My name is John, I am 22 years-old, I'm Brazilian and I write songs since 2016. I publish them online and share it with my friends and random people on the internet secretly hoping that one day someone (a music producer or a record label manager) sees me and say: ''Hey, I really like your stuff. Would you be interested in making a collab?''
But... I know that my dreams ain't rare. And yes, I am quoting ''You're on Your Own, Kid'' by @taylorswift! She's the reason why I started writing in the first place. And I mean that from the bottom of my heart, I wouldn't have kept going throughout so many years even though nobody's ever paid attention to me if it wasn't for her. She inspires my every move as an artist and a person, and I'm sorry if I sound cocky by referring to myself as an artist but that's my way of manifesting.
Anyway... I only ever publish lyrics of my songs since there are no vocal recording of them. I consider myself to be a nice vocalist but unfortunately I've never had the opportunity to take vocal lessons or record any of my stuff in a professional studio. But someday I hope that changes.
My former artistic name was ''Johnée'' but I was forced to change last year when the Genius website deleted my account (and all my 23 lyrical albums) for no reason. Now I am a part of a one-man band called ''Slaves of the Feeling'' named after one of my favorite songs I've written.
Last year I published my (their) first album called ''HEARTCORE'' and I'm excited to share more soon...like...really, really soon.
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Here's some of my favorite lyrics of mine:
''Crush someone's heart in my hands Play the piano with bloody fingers Stab them with my pen, one for every song I've written I was a teenage serial killer Filled with rage and bones to pick with I might've poisoned some of the things they said to make me a victim Maybe I'm not a saint but I'm more sinned against than sinning And it was just corn syrup''
— What Do I Know About Love
''Funny boy, I see all your true colors I could never paint you wrong in my songs Hard-luck stories no one's ever bought it You've got skeletons in your closet and I'm sorry I became one I hope you find someone who makes you feel like you don't have to be so strong all the time And you make them laugh but then life happens and it makes you cry You know the punchline''
— funny boy
''Stepped on the scale and realized I've failed to lose the weight of you I wanna be less like myself and more like the guys you're into Just a mullet wouldn't do it, I hate the way my body looks And I'm afraid to ask the mirror 'cause he might tell me the truth I skip dinners to get thinner but he's prettier on the inside, too
Everyone else left it, how did we come to this? You're not Joseph Gordon-Levitt and I don't listen to The Smiths Sad was just an aesthetic, now it's my reality All the voices in my head are laughing at me''
— Someone's Girlfriend
''I know it's controversial but I want it all to be over There's only so much one can put up with It's been twenty-one years, six months and fourteen days of being me I'm wholeheartedly not playing the tortured artist I thought this was what every other person feels I can hardly put it into words Do I really deserve this pain? The things I've done for love, I know that no one understands''
— To The Women Who Raised Me
''Thought I could start over with a clean slate But it turns there's still so much on my plate I could shed the layers but I can't replace the original shape When you try to escape your past, you re-do the steps That's the path to take When you least expect, you're back at this place The more you make your way back, the further it gets All the emotions you avoided All the things that were left unspoken ''I know you're scared to be open 'cause you've already been broken'', they say But they don't understand, do they? I'm easily discouraged, a simple ''but'' is all it takes For me to walk away I don't wanna give my hopes up But I'm just not cut out The fear of missing love really gives you something to think about And I'm sorry to the ones I've hurt trying to figure out''
— clèrambault
''There isn't a lot of perks in being a wallflower I sing in the shower but people can't come to my shows Sometimes I wanna throw in the towel But I believe in the power of ''what you water grows'' Maybe I'm a loser, but I'm not a coward I choose to fight even though I'll always get a bloody nose When the cupid aims, I just follow the arrow I stay awake past the witching hour waiting for love''
— Grenade
I'll see you soon. 💌🏹
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greensparty · 7 months
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Movie Review: Flora and Son
Irish filmmaker John Carney has very quietly become one of the best directors of the now. The Irish director made a name for himself internationally with the charming little indie film Once about a busker and an immigrant making music (and so much more) together. His later film Begin Again was sort of like the Hollywood remake of Once, but I really liked how it was a love letter to NYC and showed someone getting back on their feet and finding something that motivates them. I included it in my Best Movies of 2014 list. His last feature film Sing Street was my #1 Movie of 2016. That coming-of-age film set in 1985 Dublin, was a perfect film start-to-finish: A love letter to music, music videos, and first love that remains optimistic despite the harsh realities. After working on the TV series Modern Love, Carney is back with the Sundance hit Flora and Son, which is opening theatrically and on Apple TV+ today.
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movie poster
Eve Hewson plays Flora, a rough-around-the-edges single mother in Dublin, who lives in her small apartment with her teenage delinquent son Max (Oren Kinlan). She is advised to find Max a hobby to keep him from petty theft. When she finds an acoustic guitar in the dump, she gets it fixed. He resists the guitar, but she decides to take an online guitar class from Jeff (Joseph Gordon-Levitt), a would-be rock star now teaching guitar from his home in California. I'm not going to say much more, but if you've seen any of Carney's work, it's no spoiler to say that the theme of music being something that can bring people together is very present here.
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Hewson and Kinlan are Flora and Son
This is a movie you try to resist and say "it's sappy", etc, but at a certain point, you just can't resist its charm. The main reason why is because of Eve Hewson. She is a revelation! I had only seen her in small supporting roles in movies like This Must Be the Place and Bridge of Spies, but boy does she run with this role and make it her own. I am going to address the elephant in the room in that she is the older sister of Elijah Hewson, the lead singer of Inhaler (check out their excellent album Cuts and Bruises that I got to review earlier this year) and she is the daughter of the singer for the biggest Irish rock band on the planet (do I really have to say?!?). But this is far from stunt casting - winking at the audience that the daughter of one of the greatest songwriters of the now is playing a woman trying to learn to write a song - but it's not! Her performance all in her eyes - that longing, hoping, and hiding it behind her potty mouth (quite a few laughs I might add). This is a serious star-making performance for her. Joseph Gordon-Levitt brings his trademark charm to what could've been a one-note character. But equal praise is on Carney himself. Next to Cameron Crowe, no other director working today LOVES music like he does. You can feel it in every scene and every shot. His love of music isn't just in the background, it's in the foreground. Just try not to get choked up as Flora watches an old clip of Joni Mitchell (even if you're not a fan). But like his other movies where music is the connection that brings people together, it truly works in magical ways here and has a lot to say about how people connect in the age of zoom and skype.
For info on Flora and Son
4.5 out of 5 stars
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tomorrowedblog · 7 months
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Friday Releases for September 29
Friday is the busiest day of the week for new releases, so we've decided to collect them all in one place. Friday Releases for September 29 include The Creator, Gen V, We Buy Diabetic Test Strips, and more.
The Creator
The Creator, the new movie from Gareth Edwards, is out today.
Amidst a future war between the human race and the forces of artificial intelligence, Joshua (Washington), a hardened ex-special forces agent grieving the disappearance of his wife (Chan), is recruited to hunt down and kill the Creator, the elusive architect of advanced AI who has developed a mysterious weapon with the power to end the war… and mankind itself. Joshua and his team of elite operatives journey across enemy lines, into the dark heart of AI-occupied territory… only to discover the world-ending weapon he’s been instructed to destroy is an AI in the form of a young child.
Saw X
Saw X, the new movie from Kevin Greutert, is out today.
John Kramer (Tobin Bell) is back. The most disturbing installment of the SAW franchise yet explores the untold chapter of Jigsaw’s most personal game. Set between the events of SAW I and II, a sick and desperate John travels to Mexico for a risky and experimental medical procedure in hopes of a miracle cure for his cancer – only to discover the entire operation is a scam to defraud the most vulnerable. Armed with a newfound purpose, the infamous serial killer returns to his work, turning the tables on the con artists in his signature visceral way through devious, deranged, and ingenious traps.
Deliver Us
Deliver Us, the new movie from Cru Ennis and Lee Roy Kunz, is out today.
When a nun in a remote convent claims immaculate conception, the Vatican sends a team of priests to investigate. Concerns grow that an ancient prophecy is about to be fulfilled: that a woman will give birth to twin boys - one the Messiah, the other the Anti-Christ - and the ensuing battle will determine the fate of the world.
Flora and Son
Flora and Son, the new movie from John Carney, is out today.
Single mom Flora (Eve Hewson) is at a loss about what to do with her rebellious teenage son, Max (Orén Kinlan). Encouraged by the police to find Max a hobby, Flora tries to occupy him with a beat-up acoustic guitar. With the help of a washed-up LA musician (Joseph Gordon-Levitt), Flora and Max discover the transformative power of music.
Heist 88
Heist 88, the new movie from Menhaj Huda, is out today.
A criminal mastermind (Courtney B. Vance) decides to pull one last job before going to prison and recruits a group of young bank employees to steal $80 million dollars in a daring and brazen assault on the U.S. banking system.
The Kill Room
The Kill Room, the new movie from Nicol Paone, is out today.
The Kill Room is a dark comedic thriller follows an art dealer (Uma Thurman) who teams with a hitman (Joe Manganiello) and his boss (Samuel L. Jackson) for a money laundering scheme that accidentally turns the hitman into an overnight Avant-Garde sensation, forcing the dealer to play the art world against the underworld.
Nowhere
Nowhere, the new movie from Albert Pintó, is out today.
Pregnant, alone and drifting in the sea, a woman trapped in a shipping container tries to survive after fleeing a devastated totalitarian country.
Gen V
Gen V, the new TV series from Craig Rosenberg, Evan Goldberg, and Eric Kripke, is out today.
Set in the diabolical world of The Boys, Gen V expands the universe to Godolkin University, the prestigious superhero-only college where students train to be the next generation of heroes. Beyond the typical college chaos of finding oneself and partying, these kids are facing explosive situations… literally.
COCOON
COCOON, the new game from Geometric Interactive and Annapurna Interactive, is out today.
From Jeppe Carlsen, the lead gameplay designer of LIMBO and INSIDE — COCOON takes you on an adventure across worlds within worlds. Master world-leaping mechanics and solve intricate puzzles to unravel a cosmic mystery.
We Buy Diabetic Test Strips
We Buy Diabetic Test Strips, the new album from Armand Hammer, is out today.
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eli-i-23porfolio · 11 months
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My Top 10
This list is incredibly biased by my childhood preferences and how sentimental these things are to me. I don’t want anyone to think that I am an overgrown child. I hold things that have a sentimental value to me at a higher regard than what’s “objectively” better. Production quality, budget, date of release are things that never matter when you make something that means something to someone. 
However this list is not ordered in terms of what’s my favorite because I can never pick one favorite media out of everything that’s out there.
Number 10 - Tamako Love Story
This is one of my favorite animes I watched during quarantine. I was always drawn to love stories. This movie is beautifully animated and has a very nice story and conclusion to the story introduced in the show that came before Tamako Market. 
The Official Trailer That Aired in Japan
Number 9 - The Breakfast Club
I really love this movie even though it does have it’s questionable parts, some jokes that wouldn’t be considered okay today. Regardless this movie really does mean something to me because it was one of the movies I watched before I moved to the US that introduced me to how high school was going to be. Of course that was not the case for me at all but it did help me dream and hope for a better school experience than the one I had in Turkey. 
The Original 1985 Trailer
Number 8 - Jujutsu Kaisen
This anime is also one of my favorites because i watched it during quarantine. But it means more to me because I was in an online community that talked about the show every week a new episode came out. I would be waiting for a new episode to air so I could go online and talk about it. I made a lot of friends that way, people my age, and I really liked hearing other people’s opinions. It made the show more meaningful and real to me. 
Jujutsu Kaisen Opening Theme Song 
Number 7 - Carry On
This is one of my favorite books. I loved reading it, it was tense, full of lore, and had great characters and one of the best and worst endings I’ve ever seen. I think it’s one of the only books I finished in one sitting. It was 530 pages long. 
A Really Cool Fanmade Trailer That’s Sadly In Spanish
Number 6 - 10 Things I Hate About You 
Again this is one of the movies that I watched and believed the US to be like. I idolized this movie, thinking the exact same thing would happen to me. It didn’t but watching this movie always makes me feel better, no matter how much I’ve memorized it up until now. I also love the actors in it, Heath Ledger, Joseph Gordon-Levitt, and Julia Stiles.
The Original 1999 Trailer
Number 5 - Markiplier
Unlike the other things on this list, Markiplier is a real person, who’s my favorite Youtuber ever. I watched him alongside Jacksepticeye when I was small, from age 9 and so on. I never stopped watching him, even after seeing how he changed throughout the last 9 years, I still enjoy his content a lot. And if I ever do stop watching him, I will have so much respect for him for being such a great person and content creator.
His Latest Theatrical Movie Trailer
Number 4 - Spider-Man: Into The Spider-Verse
This movie is one of my favorite animated movies of all time. The animation is incredible, after watching videos about the process of making this movie I was so impressed. The artstyle and the color palette makes it so fun to watch. The voice acting is so good. Not to mention I have always been a Spider-Man fan, more specifically Miles Morales fan after having read the book about him. 
Official 2018 Trailer
Number 3 - Persona 5 
Persona 5 is a Japanese RPG game that is about a group of Japanese high schoolers who fight demons at night. It’s very anime-like. The game itself takes about 100 hours to complete. It took a very very long time to come out, because of Atlus’ perfectionism. Because it had mature themes I couldn’t play it when I wanted to, in seventh grade. Therefore I watched a youtube playthrough. That whole year I would watch it whenever I could. I loved the characters and the story. And I loved going online and seeing art that was made by fans about the game.
Official Trailer
Number 2 - Life Is Strange
Life Is Strange is my favorite game of all time. If I wasn’t so sentimental about it, it wouldn’t even be on this list. This game came out a day before my 10th birthday. I begged my parents to let me buy it after seeing the trailer. And I played the first part of the game a million times. The art style, music, voice acting, and the heart of this game is so amazing. Especially the music and the visuals, it’s basically a visual dessert. It has gotten its criticisms over the years and I understand and agree with them completely but it still makes me so so happy that I can never imagine ever forgetting it.
Official Trailer
Number 1 - 6Teen
6teen is number one on this list because unlike everything else on here, I have been actively watching this show in the last few weeks. It helped a lot as background noise when I did homework but still is so fun to watch. I first watched this show in my junior year and I have loved and rewtached it so many times since then. The show has so much heart and has such realistic characters that it’s scary. It makes me sad now how I never experienced being sixteen the same way they did but at least watching the show helped me feel that. 
6Teen Theme Song
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we-eternal-rp · 2 years
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most wanted MFCS and the deities you could see them as? i have a Weakness for the more obscure deities and gods
☄ —  anon !
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    i’ll try my best to curate a list of my favorite obscure deities and the mfcs to go with them !! 
POTHOS — the god of sexual longing, yearning and desire.      + joseph gordon-levitt, jonathan daviss, paul wesley, raymond ablack, laith ashley, rami malek. 
PYRIPHLEGETHON — the underworld river of fire and its god, he is one of the five infernal rivers-gods of the realm of hades.      + justice smith, daniel kaluuya, milo ventimiglia, thomas doherty, cody christian 
SILENUS — the older rustic god of wine-making and drunkenness, the foster father of the olympian god dionysus, a known friend of oxylus.      + lewis tan, tom hardy, dane dehaan, tyler posey, idris elba, keanu reeves. 
MORPHEUS — a daimon, the leader of the oneiroi, and a messenger of the gods who delivered messages to kings in their dreams in a human form. known to hypnos, who was his teacher for a time.      + thomas brodie sangster, dane dehaan (again), evan mock, justice smith (again), peter gadiot, robert sheehan. 
     i hope this was enough ! let me know if you would like more options <3 
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bidrums · 3 years
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[ID: two tweets, one from user Finn Wake to Neil Gaiman, one from Neil Gaiman in response. The first tweet reads “Why sell out? Just stand by your work or do you lack the intestine fortitude? It irks me more that you just don’t even give a fuck.” The second tweet reads “I give all the fucks about the work. I spent 30 years successfully battling bad movies of Sandman. I give zero fucks about people who don’t understand/haven’t read Sandman whining about a non-binary Desire or that Death isn’t white enough. Watch the show, make up your minds.” end ID]
I can’t begin to describe how happy this response made me. Like many people Death is my favorite character, and I’m not going to lie and say I was a bit anxious about her casting. But Kirby Howell-Baptise is an excellent choice, and I’m super pumped about getting to see her throwing bread (/hj). Not to mention Desire is literally nonbinary in canon, that’s part of their deal. 
And yeah, people are going to complain and be assholes, but seeing the creator of the work so firmly putting his foot down and telling people doing bad faith takes to stfu is awesome to see. Especially for something as influential and well-loved as Sandman. Good Omens showed that the integrity of Neil’s work is very important to him and he will fight to maintain it, and he’s obviously doing the same for Sandman behind the scenes and to people’s faces. Sandman’s near and dear to my heart and has impacted my life for the better, and every new thing we learn about it is proving that it’s the same thing to the people making it. It’s awesome.  Plus, there’s something very satisfying in seeing one of your favorite authors tell someone they’re being a jackass about a series you love. But that’s just a bonus.
@neil-gaiman​, if you ever see this I hope you know your efforts to make a Sandman that is good are definitely showing, and lots of people are pumped to see the final product. And Stephen Fry is the most perfect casting choice in the history of casting choices
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lizardrosen · 6 years
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why does Arthur have such good chemistry with literally everyone in Inception?? it’s not fair and I feel personally attacked
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admirableadmiranda · 2 years
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Do you think Jiang Yanli blame Wei Wuxian for Jin Zixuan's death? If so then why did she still want to sacrifice herself for him? (Love reading your take on JYL character on one of your asks, you're right people often too extreme on their view of her but you just saw her as who she is)....
Ah thank you very much anon! Sometimes the discourse around Jiang Yanli just gets depressing. No one will let her just be a girl. She has to be perfect or despicable, not just a girl who grew up in a miserable family and understandably wanted a way out.
As for this question anon...while I cannot speak for the adaptations, the book actually does answer this for us.
She doesn't know. She's not completely foolish, she knows her shidi and her husband and she knows that something must have happened that she doesn't understand. She wants to talk to him, she wants to find out what happened.
It has been three days since her husband died when Nightless City begins. She has had no time to process what happened. I believe that she was pretty much running on instinct and emotion that last scene. She thought (correctly) that Wei Wuxian had come to see her, and went chasing after him to find him having to fight three thousand cultivators all baying for his blood. It is all emotion and hot blood on the side of the men calling for Wei Wuxian's death, someone literally shot him in the chest while he was trying to talk to them. Why do we expect that she would be much calmer than they are? I can attest, the higher the emotional strain in everyone around you the more likely you are to respond. It is hard to keep your cool when everyone is reacting.
While CQL utilizes slowdown and silence and the book takes the time to go into her thoughts, this all happens very fast. She likely does not have time to think about what she's doing, she's just gotten Wei Wuxian to calm down and talk to her and then someone comes up to stab him in the back and she doesn't hesitate. She pushes him out of the way and gets stabbed through the throat. And then Jiang Cheng- having been right there the whole time proceeds to lie to her son and claim that a man who was supposedly already burned to ashes killed her in cold blood. But that's a rant for another time.
She sacrifices herself for him because she doesn't want him to die. It's as simple as that. It's like at the end of Looper, when Joseph Gordon-Levitt sees Bruce Willis about to kill an innocent child who is calming down from a telekenetic fury. "I didn't like the future I saw, so I changed it." What she can see in that moment is that if she does nothing, Wei Wuxian will die.
And she doesn't want that. So she changes it. Her last act in the story is that of love.
I hope this helps clarify your feelings too, Anon. It may have been a spur of the moment action, but in a moment in which everyone is trying to kill Wei Wuxian for having the temerity to say "Maybe we shouldn't kill these people for no reason," she chooses to protect him, not the ones against him.
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makeste · 3 years
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BnHA Chapter 307: The One With Shindou
Previously on BnHA: Endeavor and Hawks (and Jeanist too, although he didn’t really do anything, but BY GOD, WHAT IS UP WITH HIS NECK) held a press conference and were all, “everything you’ve heard is true, so we would just like to say, from the bottom of our hearts... our bad.” U.A. opened its doors to the public as an evacuation shelter. Deku and All Might told basically EVERYBODY about OFA, which is absolutely wild, and yet somehow we hardly paid any attention to this at all. Mostly because the chapter ended with Deku being all “I WALK A LONELY ROAD, THE ONLY ONE THAT I HAVE EVER KNOWN” and peacing out of U.A. to embark on a solo journey of angst. So this is either gonna be the best or the worst thing that ever happened to this series, so TIME TO FIND OUT WHICH IT IS.
Today on BnHA: Horikoshi is all “so who do you guys want to see next? Deku? Bakugou?? Well how about SHINDOU?” Shindou is all “hi :) I’m Shindou :) :) remember me :) :) :)?” Horikoshi is all “I’m so sorry for depriving you guys of Shindou for so fucking long, how about an ENTIRE CHAPTER ALL OF HIM” and then he REALLY FUCKING DOES IT because, I don’t know?? Did we make him mad?? Am I being punished for something I did in a past life?? It really is, honest to god, seventeen whole goddamn pages of Shindou, punctuated by a few pages of Muscular, and topped off with one (1) whole appearance by Deku at THE VERY END. And we don’t even get to see his face. I am beside myself lmao I’m sorry you guys, you can skip this recap if you want. Or just skip straight to the end, because movie 3 promo.
“long time no see” now what could this mean?? can’t think of too many characters this phrase would apply to right now. although I can think of one big one, and I know that fandom has been trying to manifest his deadbeat ass to finally show itself for years now. could it finally be that time? if Hisashi shows up and debunks DFO a big chunk of the fandom is probably going to riot lol
(ETA: why oh why did I get my hopes up like that lmao. I’m pretty sure Hisashi doesn’t actually exist and Deku was either immaculately conceived, or the stork really did bring Inko a lil green baby from the cabbage patch.)
anyway, so the chapter is opening on this random scene of CRIME and DISARRAY
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was this all done by that big villain from the previous chapter? utility poles knocked down, random holes in the sides of buildings, and it looks like this one car pulled over in a hurry and the driver just hopped out and ran
who are these people talking
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OH NO, OH GOD
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I am immediately struck by the urge to push Shindou off of this ledge. is that mean? probably that is mean, but also fuck this guy lmao. every year you cheat someone out of their well-deserved spot in the popularity poll, and every year I want to punch you in your stupid face for it
bah. and how are you doing, Tatami. love that hero name even if you do have arguably the dumbest superpower in the entire series
listen, though. here I am shitting on these Ketsubutsu kids for no good reason, and I’m sorry about that, and truthfully it’s mostly because I just want to see Deku and/or Kacchan and so it’s hard to give a fuck about anything else right now. BUT, I will immediately cease and desist ALL of my complaining if this means we also get to see my best girl Ms. Joke, omg. Horikoshi please
sdlkfjlskalk
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FUCK YOU SHINDOU OMG. I’M SORRY GUYS I CAN’T HELP IT, EVERYTHING ABOUT HIM IS SO EMINENTLY PUNCHABLE AND DETESTIBLE. IT’S LIKE SOMEONE COMBINED WESLEY CRUSHER WITH JEAN RALPHIO
but LSKJFLEK at this random reminder that Bakugou refused to shake his fucking hand. like, that’s his “fun fact” apparently lol. it’s what he deserves
also living for this “cringe” here, too. fuck you Shindou. I am so, so sorry to any Shindou fans out there you guys because I’m just going to be like this the entire time he’s here. the hate is flowing through me
how has it been three whole pages and I still have to look at his stupid face
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anyway so it seems like the kids are having to pick up the slack for Old Man Samurai and all those other assholes who retired. I’m guessing the U.A. kids will be seeing a lot more action as well
but in the meantime let’s hope no villains attack here all of a sudden, because all Tatami can do is make herself shorter while Shindou creates an earthquake to bring the entire building down around them dflkjslk
these guys don’t particularly want to go with them and I can’t say I blame them
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so now Shindou is saying that yeah, they can probably handle the looters and such by themselves, but it’s a different story when it comes to the Noumu and the escaped Tartarus prisoners. Shindou how dare you make a reasonable point that I can’t immediately argue with
he says that one of the escapees was sighted in the area, so that’s why they’re trying to evacuate everyone
and the guy disagrees and says he doesn’t trust the heroes and thinks they’re pompous
fdskljk. fucking...
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ME: Horikoshi can we please stop and get Deku HORIKOSHI: we have Deku at home THE DEKU AT HOME: 
Horikoshi. please. we get it, the civilians don’t trust the heroes anymore. I UNDERSTAND. I COMPREHEND THIS. so unless there is some other point to this scene I respectfully ask that you hurry things along because omg
did Tatami always have this habit of speaking in meme language and such? I thought that was Camie’s thing but hey
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listen, I’m here for anyone who’s willing to drag this man down into the depths of the earth. I would just also rather not spend the entire fucking chapter on this oh my god. Horikoshi do you have any more of those chapters where things happen in them?? those are good, I like those
YESSSSSS FINALLY
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so whoever’s on the other end of the call (ETA: it’s that rock-looking guy who can harden anything that he touches. why does BnHA have so many hardening powers) is telling them to run because there’s apparently a villain heading right for them, oh my
WHO IS HE
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depending on who it is I can’t promise I won’t be rooting for them over you, buddy
ohhhhhh shit
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huh. well that’s... hmm... but on the other hand...
okay lol no, I know it’s bad. Muscular fucking LOVES murdering kids. not even Shindou deserves that. I’m sure he has a family that loves him and stuff. and Tatami seems like a sweet girl. they don’t deserve to be murdered
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that is the question isn’t it? are we really going to spend the entire chapter with Limbs-Retracting-Girl and her boyfriend, Joseph Gordon-Levitt from (500) Days of Summer??
YES OMG
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YES PLEASE CALL YOUR SENSEI. my god do you know what I would give to see Ms. Joke take down an S-class villain??
(ETA: all I’ll say is that we were robbed here, you guys.)
now Tatami is running away while Shindou stays behind omg
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Horikoshi I know I said I hate the guy, and I do, but my god. seems I don’t hate him half as much as you do you. been nice knowing you Shindou my man
are you serious Tatami really ran all the way back up here to try and evacuate these guys one more time
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SHE’S SUCH A GOOD PERSON omg if you assholes don’t listen to her you deserve to get murdered
BRO
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HORIKOSHI DID YOU REALLY FUCKING DO IT I CAN’T BELIEVE IT
LOL OKAY NO, SO FAR HE’S ONLY MESSED UP HIS FACE
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WHAT A SHAME WHAT A TRAGEDY. THE WORLD MOURNS
okay but seriously, now he has to be dead
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r.i.p. Shindou. he died doing what he loved, talking a lot and being utterly useless
then again, damn Shindou are you really gonna come out here and be a badass?? gonna make me eat my words there kiddo?
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I have absolutely no idea if I should expect this to work or not. all I know is that this is page 14, and so it would seem we really are going to spend the entire fucking chapter on fucking Shindou. this beautiful chapter had so much potential, Horikoshi. and now look at it. I hope you’re happy
nope it didn’t fucking work at all lmao
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IT’S JUST LIKE I SAID. r.i.p. you pretentious handsome lump
OHHHHHH SNAP
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DEKU YOU DIDN’T HAVE TO LOL. anyway but it’s good to see you!! it’s good to see ANYONE other than these guys sob but especially you
FINALLY SOMETHING COOL OMG
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somehow Horikoshi actually made the bunny mask look badass?? I don’t think this is sustainable, but I am here for it while it lasts
Shindou should by all rights be nothing but A HANDSOME PASTE at this point lol but WHATEVER. it’s BnHA; getting smashed into walls and cliffs has more or less the same consequences as being set on fire. slap a band-aid on it and you’re good to go
we are REALLY ENDING IT HERE huh
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well. and that’s it. I just did not care about any of that lmao. a rare dud of a chapter. well, but we’ve had something like ten in a row that ranged from “pretty good” to “amazing”, so I guess that’s fair
anyway I feel like I owe you guys something other than endless bitching and moaning, so! BONUS:
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now this is more like it
first of all, I’m absolutely living for this promo’s “YEET THE CHILDREN OUT OF A HELICOPTER” vibes. FUCK YEAH WE’RE HEROES BITCH
is Deku wearing a jetpack/parachute?? let’s hope he is because I’m assuming he doesn’t have Float yet, so if that’s not a jetpack then it is a LONG WAY DOWN kiddo
these maniacs actually got Deku to wear something other than his red shoes holy fuck. I’m speechless. are we sure that’s not an imposter??
Shouto has the funniest falling position I’ve ever seen. I’m assuming his left arm is not in fact tucked under his leg like it appeared to be at first glance?? like, wtf is the outline of your body right now Shouto
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this is what I think it is after careful analysis, but at first I thought this kid had some hidden contortionist abilities
and then there’s this guy
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I MISSED YOU YOU BIG GOON. loving the new gauntlets!! and he’s changed up his impractical metal neck thingy into arm thingies! but most importantly, ARE THESE WHAT I THINK THEY ARE
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ARE THOSE WEENIES. KACCHAN. KACCHAN HAVE YOU GONE NATIVE OMFG
and meanwhile, look who’s with them! Endeavor makes perfect sense of course, but Hawks is a very welcome surprise. does this mean we can expect to see Tokoyami too? because I would fucking love that
lastly, so this confirms the whole “world heroes” thing! which we all pretty much guessed anyway lol. I wonder if this movie will take place in another country (fingers crossed). the city in the background doesn’t look particularly familiar, but this image probably wasn’t meant to be analyzed in that way lol. anyways, looking forward to this so much, PLEASE GIVE US A TRAILER SOON omg
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detectivereyes · 3 years
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Feel the Heat Burning You Up
Summary: TK and Carlos’ weekend getaway does not go as planned when storms confine them to the house. Oh, and TK is also fairly sick. 
Notes: for one of my dearest friends, @morganaspendragonss​ on her birthday 💗 hope you have a wonderful day, holly!! thank you for always blessing the fandom with your incredible fics, especially all the ones you’ve shared with us this month!!!
holly also requested the fainting square on my bthb card back in march, who said “if it’s still available, could i request fainting for your bthb card? xx” — so this is me finally filling it. and to the two people who requested the remaining squares (also in march)... soon, i promise 💗
beta’d by @marjansmarwani and @aliceschuyler
“Sorry, I know this isn’t exactly what you had in mind when we made plans to get away for the weekend,” TK says from his spot lounging on the sofa in the living room of their log cabin. The room is full of comfortable furniture, the cabin small but still seeming spacious, perfect for the getaway weekend that Carlos had planned meticulously for weeks. 
Carlos breaks his stare from the window painted with rain drops. “What, you mean being rained-in at our cozy cabin, unable to leave because all the roads are flooded? It’s exactly what I had in mind.”
TK playfully rolls his eyes and gestures for Carlos to come join him on the couch. The other man makes his way over, sinking into the spot next to TK and curling up into his side, snuggling in close. 
“Should we put a movie on?” Carlos asks.
“Can we watch 10 Things I Hate About You?”
Carlos groans; it’s the third time TK has asked to watch this movie on the trip. So far Carlos has managed to talk him out of it each time since they watch it all the time at home and he wants to put on something new. “I don’t know, are you going to spend the whole movie talking about how hot young Heather Ledger and Joseph Gordon-Levitt are?”
“I can make no such promise,” TK laughs and leans onto Carlos’ shoulder. 
Carlos frowns as he feels the heat against his skin, even through the shirt he’s wearing. “Hey,” Carlos turns to face him and cups his face. “Are you feeling okay? You feel warm.”
continue reading on ao3
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danwhobrowses · 3 years
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Star Wars Visions - Review
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So I finally finished watching all of Visions, the ambitious anime project set in a Star Wars loose if at all canon, and I truly had a good time with it, as a fan of anime and Star Wars I was curious how they would deliver.
Spoilers for Visions, watch it then come back here to read what I thought about it. Reminder: This is my own personal opinion
So as I said, really enjoyed this experiment Disney decided to take, the 9 episodes weren't all flawless but they weren't awful either, so I'm gonna go through what I liked and disliked about it.
We'll start with the negatives, since they're few, picky and it gets it out of the way.
What Wasn't Great
Runtime A veiled negative has to be many episode's runtimes being too short, some only lasting 10-15 minutes. Before watching I was expecting all to be at least 30 minutes, so it was a shame that none lasted that long.
Episode 2: Glorified Music Video I think Episode 2 was perhaps the weakest episode of the nine for me, because it was all building up to a song. I think it probably leaned a bit too much on existing characters like Jabba and Boba, as well as Tatooine, to carry interest, so it was a bit of a low point.
Episode 3: Studio Trigger keep their balls away from the wall Episode 3's The Twins wasn't bad, it just lingered a bit too much on the less fun things. Studio Trigger had made a name for themselves for striking visuals and absolutely batshit crazy fight scenes that ignore all manner of physics with the likes of Promare, Kill La Kill and Darling of the Franxx (and kinda Gurren Lagann, the company was made as a result of that so it's like a Studio Ghibli thing with Nausicaa) but The Twins didn't have enough of the major fight scene for my liking, given how most of what we saw was in the trailer. Maybe it's the fault of the trailer, but it did feel like you could just watch the trailer rather than the episode, which is a bad thing.
Episode 7 too, but it also lacks bravery The Elder was also a good episode, but it too lacked in the final fight, the ending being very abrupt. The Elder also had a problem in that they wasted their good characters, but also failed in stakes. Had the padawan been killed instead of simply being wounded by a lightsaber slash to the belly it probably would've worked more, since we were shown that the Elder is precise in his cutting and it would've served to increase the urgency of the master fighting him too. The fight was short and out of the characters we lost it was the most important character that bit the dust.
The Episode Order could've been Better My final criticism has to be that the order of the episodes felt like it could've been better. Starting with The Duel was right but following it up with Tatooine Rhapsody brought the mood down, likewise putting The Elder after T0-B1 was perhaps too jarring a theme switch. The bigger sin was probably ending with Akakiri. Akakiri was good, but it was a downer and you don't really finish a Season 1 on a downer because you want people to feel excited for more rather than feeling bleak about it; with the options of Lop & Ocho, The Elder, The Village Bride and The Ninth Jedi (which would've been my pick for episode 9) it was an odd choice to pace the episodes in such a way - even when knowing that people would binge in this order. FYI if you wanted to know how I would've ordered the episodes it would've been The Duel -> The Elder -> The Twins -> Lop & Ocho -> Tatooine Rhapsody -> T0-B1 -> The Village Bride -> Akakiri -> The Ninth Jedi
This way we start strong with Sith-heavy episodes that grip with combat, we have the Duel to set us off, we show off the Elder to sell the Dark Side's strength, which blends into the Twins and that sibling relationship blends into Lop & Ocho, we use Tatooine Rhapsody as an intermission of sorts but then carry the lighter theme with T0-B1, whose artistic elements and worldbuilding leans into the Village Bride. We make Akakiri the penultimate since we show the Jedi succumb to the Dark for love in contrast to the Elder where the Jedi succeeds by steeling emotions, before finishing strong with Ninth Jedi.
What Was Great
Anime is perfect for Star Wars Star Wars has of course delved into animation before; Clone Wars (both), Rebels, Resistance and Bad Batch, but never like Anime. So Visions was allowed to shine by showing off everything anime can offer which more realistic CGI and live action could not. Bright colour grading, physics-defying movement, as well as unique character and lightsaber shapes.
(Mostly) Not Wasting Time While I have criticized some episodes for not making the most of things, and not having enough time, but many episodes would last 12-15 minutes and still feel like they had a coherent storylines with no gaps in getting to know the brand new characters or a lack of important information and investment. It is a testament to the good writing of the episodes that episodes got so much from such little time.
We're Left Wanting More In spite many episodes' brevity, the good writing also provided us stories with great potential to be fleshed out. Who wouldn't want to learn more about these new characters? See most of their adventures? The franchise potential from certain stories' one episode makes the experiment an unequivocal success.
The different styles add to the story Using a different anime studio for each story allowed each episode to stand out in their own way, and lean on different areas of importance. The Duel for instance applied a Kurosawa aesthetic which made the audience anticipate samurai themes. As much as the animation will get props for its visuals, environments and character design we should also give a hat-tip to the amazing music, especially in The Village Bride, and the voice acting from both JP and EN. We had some recognizable faces on both sides with EN having Joseph Gordon-Levitt, David Harbour, George Takei, Neil Patrick Harris, Allison Brie, Simu Liu, Karen Fukuhara, Lucy Liu and Taemura Morrison reprising as Boba, while on the JP side we had names familiar with One Piece (Zoro - why you gotta be a sith Zoro!, Brook, Tama, Kiku), DBZ (Goku), Naruto (Hidan, Tayuya and if you count Boruto; Chocho and Kawaki), Jujitsu Kaisen (Itadori, Megumi, Nobara) and more. The different styles also allowed a greater freedom to lore between studios, I know the lightsaber colour thing was done in High Republic but I did like how in the Ninth Jedi Kara's lightsaber started out translucent (I actually preferred it that way), while not diverting too far away from the canon.
The Samurai style episodes were the strongest While some episodes leaned on other elements of Star Wars, the best of the bunch kept true with the correlation force users had with samurai. The Duel, Village Bride and Ninth Jedi - alongside Akakiri, Elder and kinda T0-B1 - had strong showings by maintaining their force user characters as samurai or samura-esque, which only added to the themes of the episodes too.
Its success will hopefully entice more Studios and Directors A positive for the future is the fact that there is a future. Visions has plenty of mileage as both a series of one-off stories or stories that can be expanded upon, and its success will mean that more will be on the cards. Imagine now what other studios may want to try their hand at their own story in this universe? And what it does not only for the franchise but also the animation studios themselves, because this in itself becomes a bridge for fans on either side to be introduced to the other; new anime fans, new star wars fans, everybody wins.
Conclusion
Visions provides an alternative in Star Wars media outside of live action but also away from the CGI tv shows, but it has started off strongly almost as well as The Mandalorian and in my opinion better than the Bad Batch did. My favourite episode was probably the Ninth Jedi, but Village Bride and the Duel are close runners up, soon followed by Lop & Ocho, I hope very much that the stories these ones started especially can be fleshed out and maybe even greenlit for their own series, while also curious about what more Star Wars can deliver.
All in all, good job for everyone, they took a risk and it paid off.
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giuliadrawsstuff · 3 years
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Amend.
As you might remember I recently watched Amend on Netflix, Will Smith’s documentary about America’s 14th Amendment and its repercussions (together with the deeply rooted white straight male dominance) on the history and rights of African-Americans, women, lgbtqia community and immigrants. There are lots of other American stars (like Randall Park, Joseph Gordon-Levitt, Mahershala Ali, Daveed Diggs, Bobby Cannavale, Pedro Pascal, Laverne Cox, Helen Hunt, Samuel L. Jackson and Samira Wiley) speaking too, plus several historians and judges. I’m not American, but all those words and events really resonated and got me thinking about people behave and related towards those who are different from them. Following a drawing that came naturally while watching it I decided to do 4 pieces about it, one for each group of people. I hope you like them. Let me know what you think and spread the word to watch it, it’s important.
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ratingtheframe · 3 years
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So 2020 sucked... but the films didn’t! The top twenty films of 2020 (in my humble opinion).
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AT LAST. This godforsaken year is over and as we venture into a new year, let's hope and pray that the art’s industry finds a way to build themselves back up again, in a way that is safe and necessary for them to bring us the entertainment we so crave. It has been a crazy and unprecedented year for the film industry, a year that it has never seen with losses of an estimated $5 Billion at the end of March. Some of the most anticipated blockbusters of all time had to be put on hold and postponed for hopefully next year with No Time to Die, A Quiet Place II, Wonder Woman 1984, Dune and Black Widow being a slim few that never got onto a silver screen this year. However, there is no reason to fret or relinquish the loss film has had this year, as hopefully next year once we’ve had a better understanding of this virus, these films along with many others will have their audience. Amongst the postponed releases, many films have been resilient to the virus and still managed to gain a spot in the cinema despite the circumstances. 
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Christopher Nolan’s Tenet was the only multi-million dollar film to be released this year and even though the risk of release could have meant nothing for the film, it still managed to rake in a staggering $361 million, an expected profit for a film of its size. However, despite the film's success, Nolan made it clear that this shouldn’t be taken lightly and that the safety of film consumers comes before the profits themselves. 
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Even though we will have to be more cautious in the cinema, films will return, once we have regulated safety measures in cinemas and film festivals to ensure that customers can feel comfortable. For now, HBO has planned to put many releases from Warner Bros. straight onto its streaming platform as well as in the cinema next year, in an attempt to prevent the spread of COVID whilst still being able show the films we’ve been craving. There’s no telling what next year will bring, what the Oscars will look like or if filming for the next Batman film will ever end, however it's clear to see that the film industry has shown resilience amongst this pandemic and will continue to do so in years to come, no matter the challenges.
Here are twenty of the films that made it to the cinema (or streaming platforms) this year, that proved the durability of the film industry during this time. 
20. Tenet directed by Christopher Nolan 
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We can all agree that Chrisopher Nolan’s Tenet should be handed the award of Most Confusing Yet Entertaining Film of the Year, or ever made in fact. The sci-fi epic adventure that sees its lead (named “the protagonist) travel back in time and then forward in time and then back in time again (?)... yup, I didn’t get it either, but I’m not the only one seeing as Robert Pattinson who played alongside John David Washingston hadn’t a clue what was going on either. And he was in the film. However, despite the film's confusion, it doesn’t make it a bad or “lazy” film, for every aspect of this film from lighting, sound design, casting, direction, stunts WAS ON POINT and those elements are truly what sets this film apart. The story may have been perplexing but at least there was one. 
19. Nomadland directed by Chloé Zhao
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It is such a shame that Nomadland may not get the audience it deserves due to the COVID-19 pandemic as it is a truly moving and rich film. The Nomads are a group of real Americans who’ve hit the road in various mobile homes after the Great Recession in 2008 caused millions to be homeless and redundant. Frances McDormand plays Fern, one of these Nomads and child of the road whilst the film follows her simple, yet melancholy journey across Western America.  Chloé Zhao has been tipped several times for an Oscar with Nomadland after winning the Golden Lion at this year’s Venice Film Festival. Let’s hope that if this goes onto the Academy Awards, Nomadland will find the audience it so craves. 
18. Uncut Gems directed by the Safdie Brothers 
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YES, Uncut Gems came out THIS YEAR, which is an insane thought seeing as I saw the film in a packed cinema before it was released onto Netflix. The Safdie Brothers, Josh and Benny brought us Uncut Gems this year, a declining tale of a man’s test with fate and the many many second chances he gets at life, only to f*** all of them up. Adam Sandler plays Howard Ratner, a pawn shop owner and frequent gambler. This is Sandler’s best ever role and the multifaceted, gritty work of the Safdie Brothers (Heaven Knows What, Good Time) really brought something brilliant out of him. 
17. The Half of it directed by Alice Wu
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The Half of It wins the Most Surprising Film of the Year. A highly credible film directed by Alice Wu, The Half of It is EVERYTHING we want and need in this world. In fact, it’s everything we kind of already have in this world, but hardly see on screen. Non white leads, queer non stereotyped relationships, unpredictable endings; The Half of It was an all rounder for me. Some may roll their eyes at the amount of diverse elements to the film and see it as a way of gaining brownie points, but why does that have to be a thing? Why can’t having active and authentic representation across all films just be normal rather than political? If anything, it should be encouraged. The story was brilliant (and made me cry) as it had so many layers to it as well as the characters.
16. 7500 directed by Patrick Vollrath
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Definitely the wildcard of this list, 7500 is an Amazon Studios film starring Joseph Gordon Levitt. I’ll admit, my hopes weren’t high, but after taking the time to watch this film I was truly blown away. And who KNEW Joseph Gordon Levitt could be so deep and in tune with his emotions on screen. He plays a pilot whose plane gets hijacked mid flight. There. Enough said. I could hardly BREATHE throughout this film in apprehension of what was going to happen next.
15. Kajilionaire directed by Miranda July
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2020 thus far has been the best year for female filmmakers. From Céline Sciamma’s Portrait of a Lady on Fire, Josephine Decker’s Shirley, Rose Glass’ Saint Maud and Miranda July’s Kajilionaire, a clear cut foundation has been carved effortlessly for female filmmakers this year. Miranda July’s Kajilionaire especially rocked my senses a little as I saw so much unfamiliarity yet beauty within this film. A simple storyline that follows Old Dolio (Evan Rachael Wood), a young woman trying to feel more connected with her parents. A certainly bittersweet tale that has this rose tinted like vibe to it that attaches itself to the visuals and music of the film, that make everything feel light and playful. This contrasts well with the story itself as being sad and melancholy, further proving the fact this film is more than face value. Face value films have never gotten us anywhere and its films that go beyond entertainment that truly last in the industry. 
14. Bombshell directed by Jay Roach 
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Bombshell is a PERFECT title for this film; a film that left me angry, sad and questioning the immorality that is still prevalent in the mostly male dominant society we live in. Charlize Theron, Margot Robbie and Nicole Kidman (best trio ever) star as three news anchors on Fox news whose lives are brutally torn apart when the Head of Fox News, Roger Ailes is accused of sexual harassment on many different occasions by female members of the workplace. Despite the silence being now broken, these three women still face a whole load of other problems that come in speaking up against a powerful, white and rich male. Threats of permanent job losses, victim blaming and a weak image are the consequence of speaking up about sexual assault as a member of Fox news. The brand itself has an incredibly misogynistic view of women and continues to have an idealised image of how women should be on the news with those working at Fox actually admitting it brings in viewers. Women with tons of makeup and dresses shorter than is comfortable is Fox news and Bombshell went above and beyond exposing this scandal that truly shook American broadcasting forever. 
13. Borat Subsequent Movie Film directed by Jason Woliner 
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Borat Subsequent Movie Film wins the award for Most Jaw Dropping Film of the Year, as its protagonist and creator Sacha Baron Cohen, went above and beyond to show us the true dark depths of America. Ballsy, outrageous, jaw dropping, scandalous; every bold word can be used to describe this film and the lengths it went to get right to the heart of American society. The ugly heart. By now you should be aware that the ex president’s attorney was shoved right into the firing line after he was taken into a hotel bedroom by a reporter who happened to be an actor. Rudi Gulliani was left red faced after Borat bursts into the hotel room proclaiming the young reporter is his daughter, with Gulliani still unaware the entire outrageous event had been caught on camera. And not just any camera. A MOVIE camera. A true triumph in free speech and comedy, Borat Subsequent Movie Film will live on forever as the most outlandish film there is.
12. Miss Juneteenth directed by Channing Godfrey-Peoples 
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A real eye opener into current American society using a touching story between mother and daughter as a backdrop. Turquoise is a single mother struggling to get by and support her daughter Kai through the Miss Juneteenth pageant, held annually in Fort Worth, Texas. A real competition, the Miss Juneteenth pageant promises one lucky young woman of colour a full scholarship to a black historical college of their choosing. Turquoise desperately wants this for her daughter as it’ll give her the opportunities in life she never had. A truly moving and authentic film, this scored 100% on Rotten Tomatoes which is a highly impressive and deserving score.
11. The Trial of the Chicago Seven directed by Aaron Sorkin
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Aaron Sorkin’s lyricism in words was again brought to us on screen this year with his depiction of the Chicago 7 (eight if you count Bobby Seale); seven men who were accused and put on trial for eliciting the Chicago riots of 1968. When in actuality, the police themselves had more to do with riling up the protestors than anyone else, even pushing a crowd of protestors through the front window of a restaurant to make it seem like they had vandalised the property. If anyone was going to make such a film, Sorkin would be the one to do it as with any event or idea he covers, Sorkin’s words as a writer MAKE YOU CARE. Even when you had no recollection or understanding of something, the way Sorkin depicts these events on screen has you absorbed into the story till the last second. An incredible and powerful story and a film that I could constantly go back to in order to learn about the injustices of American politics.  
10. The Devil All the Time directed by Antonio Campos 
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I feel like The Devil All the Time still hasn’t got the recognition it deserves. There is something incredibly powerful and priceless about having a group of exceptionally talented people come together to create something for screen. This film wins Best Casting of the Year (if you don’t count Dune) as the likes of Tom Holland, Robert Pattinson, Eliza Scanlen, Sebastian Stan, Bill Skarsgård,  Mia Wasikowska, Harry Melling, Riley Keogh, Jason Clarke and Haley Bennett graced our screens in this dark and ominous tale. Any story that is set in a small town and is about stories interweaving is bound to be interesting and thought provoking in it’s telling, with this adaptation being no different. The star of the show was Robert Pattinson’s thick Tennessee accent along with his clean yet filthy character interpretation of a perverted priest. Not one line in this film was thrown away and every single moment held a weighty tension, further confirming to us each character’s downfall by the end. An amazing adaptation and something you will reeeeeally enjoy.
9. Soul directed by Pete Docter 
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What was supposed to be Pixar’s second release of the year, Soul is Pixar’s most highly executed film to date. The amount of detail and care the animators and creators of Soul had taken to this picture is INSANE; insanely beautiful. With the black community going through so much this year, having something like Soul be put out to audiences shows support of this ever changing and growing movement. Even though having black representation on screen isn’t on the top of everyone’s priority list, it’s still important that the effort is there in order to really show what the world is like on screen and to cater to more audiences. Soul itself had everything; diverse, three dimensional characters, a clear and heart warming story and comedic, uplifting points that only strengthened the important message of this movie; life itself.
8. The Lighthouse directed by Robert Eggers 
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Again, another film that came out right at the beginning of the year, Robert Egger’s The Lighthouse was a whole new world that we had never seen before. Shot on a Panavision Millennium XL2 using a lense from the 1930s and black and white film, The Lighthouse was a decrepit, eerie and brilliant movie to watch throughout. It just makes me satisfied as a viewer when a director not only creates a film, but creates one that is so beyond anything we’ve ever seen and could likely have been made in an entirely different era altogether. Robert Pattinson KILLED IT in his role as a surly drunken sailor alongside Willem Dafoe, whose Irish accent was enviable. Overall a highly executed film that exudes brilliance and a creative mind.
7. The Hater directed by Jan Komasa 
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I would say The Hater is the second wildcard on this list. It’s a Polish drama that hasn’t had a lot of rep in the media, however, this doesn’t detract from the film’s execution and drama. A real downfall story that sees a jealous ridden man go from a media intern into illicting terrorism. Like, HELLO how does one go to such an extreme? The only way to find out would be watching the film...The film really spoke to the dangers of social media and the ease of getting someone to insight violence onto someone else, all through a computer. My mouth was hanging on the floor during several moments of this film and I can 100% guarantee the Netflix film will have the same affect on you.
6. La Belle Époque directed by Nicolas Bedos 
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La Belle Époque (or “The Good Times”) wins the award for Most Heart Warming Film of the Year. A surprisingly unique concept that follows a man trying to relive the best moments of his past after his wife wishes to divorce him. A company that specialises in creating your past memories offers him the opportunity to go back to the time when he and his wife first met, using actors, set design and music to recreate the moment. The French film emits a strong sense of nostalgia throughout with brilliant music and set design. It’s just one of those films that heavily expresses the idea of “what if” within a film whilst answering it boldly through its unique story.
5. Ema directed by Pablo Larraín 
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Ema took me a few days to fully absorb and appreciate as an experimental film, rather than one with a clear cut narrative. It's a film that expresses an idea, a feeling as opposed to a story which is completely okay and doable in this day and age. Ema is a liberating, freeing and psychedelic world of a film, with the message of the film being wrapped up in Ema’s attitude as a woman and the way she sets fires to things wherever she goes. Literally, as the opening sequence is of her setting alight a basketball hoop. There is some strong, vivid imagery within this and the MUSIC...definitely the best sound track I’ve heard this year. Ema’s in my top five for its uniqueness, rawness and the weird sense of liberation it gave me after watching it.
4. Saint Maud directed by Rose Glass
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Probably the biggest breakthrough film of the year and despite the pandemic, Saint Maud certainly got the rep it deserved. An entirely new perspective of horror was brought to use in troves in the form of this Irish film created by first time director Rose Glass. I cannot express how brilliant and revolutionary Saint Maud was for its simplicity, story and filmmaking techniques. An ambitious and all round brilliant film that sits prettily in my top five films of the year.
3. Portrait of a Lady on Fire directed by Céline Sciamma
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Portrait of a Lady on Fire wins the award for Best Foreign Language Film and it still hurts to think it never even made it to the Academy Awards this year. One of the most moving and earthy films that I’ve seen this year, Portrait of a Lady on Fire is a slow, sensual and ambiguous picture that shows a love story between two women through the form of art. I became quite obsessed with the music of Antonio Vivaldi after seeing this as the time period and music intertwined really well in this film. Exceptionally made and incredibly raw, Portrait of a Lady on Fire went straight for the heart in this film by also putting the grievances of love at the forefront of this film. 
2. Parasite directed by Bong Joon Ho 
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You are probably extremely bored and tired of hearing of the success of Parasite as a breakthrough picture, however there are an abundance of reasons for it! Winner of Six Academy Awards including Best Picture, Parasite really pulled the rug beneath the Academy Awards feet and certainly proved that no matter your race, it's the story that sells and that will bank you an Academy Award. A wonderfully crafted story, one that could have been found in theatre or even opera and those sort of structured narratives are what really grab people’s attention. 
1. Another Round (Druk) directed by Thomas Vinterberg 
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And finally, my favourite, Most Enjoyable Film of the Year had to be without a doubt, Thomas Vinterburg’s Druk, which I had the pleasure of seeing at the BFI London Film Festival this year. The theatre-like structure of a narrative has been implemented seamlessly into this film and even if structure means nothing to you, you can feel when a film has been crafted differently to bring about a dynamic and earthy narrative. I’ve previously watched two films of Vinterberg’s; Festen and The Hunt and even though those two films hold a high rating, Druk is definitely Vinterberg’s best film yet. Extremely entertaining whilst also carrying a rather dark side to it, Vinterberg sells you the best and worst of two worlds whilst exposing the effects of alcohol consumption. 
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And that’s it! 2020 in films! If you agreed or disagreed with anything on this list or think something else should’ve made the list that came out this year, be sure to leave me a comment on this post or via instagram on @ratingtheframe. It’s crazy to think that this obsession of mine turns two years old next year and there are still so many amazing pictures to be seen! And as always, you will find each and every one of them right here on @ratingtheframe.tumblr.
Bring on 2021!
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