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#whoops long answer
thatpunnyperson · 10 months
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According to NBC here in the US, the missing titanic sub has been found. As debris. Off the bow of the Titanic wreckage.
And it looks like the sub suffered what we all suspected, and what was undoubtedly the more merciful of the two options: a catastrophic implosion from the pressure.
Also, more info has come to light about the fishing trawler with the hundreds of migrants that sank cataclysmically off the coast of Greece, indicating that the greek coast guard knew about the vessel AND how much trouble the vessel was in, and were towing it at a speed that made it capsize, at which point they unhooked the tow line and watched the trawler sink without helping the passengers to safety. Despite a bunch of other ships trying to help as well throughout the whole ordeal.
So a lot of people are dead, all because of regulations (and the lack thereof) regarding sea-faring vessels and rescue protocols. People shouldnt be allowed to make a business charging a ton of money for a ride on an uncertified, unsafe, un-seaworthy ship going deep into the ocean with no distress beacon or tether to the mothership. People also shouldnt be allowed to enact laws that criminalize the ferrying of refugees, which then force the refugees to hitch rides on fishing trawlers, and which also prevent people from helping those fishing trawlers full of refugees due to fear of legal consequences.
Hopefully BOTH of these events spark changes on an international scale in terms of what is legally allowed to be sailed, who is legally allowed to be the passengers, and what the rescue protocols are in the event of disaster for any seafaring vessel, illegal or not. It shouldnt be just the global 1% who get 24/7 search parties and remote-operated submersibles helping rescue them.
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jounosparticles · 5 months
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reply to the tags of your reply to my previous ask: PLEASE RANT TO ME ABOUT THEIR RELATIONSHIP!!!! i want to hear. they rot my brain too and im glad that i found someone who's also suffering the suegiku takeover
OKAYOKAY YAY!!!!! this will be fun >:)
a huge suegiku analysis:
okay in the last ask you mentioned how tetchou stabs jouno for fun and sillies and stuff which happened to make me think a lot about how tetchou acts decently different around jouno than others.
tetchou is typically rather formal in the way he acts in a way? as in he's very straightforward, generally composed and calm in his words, and polite to anyone he's dealing with.
an example of this is when he still treated the cafe owner kindly despite him being an "accessory to terrorism" in jouno's words.
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basically, in most situations, he remains very composed. even when he's up to his sillier antics (like when he was watching ants or doing pushups during a meeting). he's direct and straight-faced almost always around most people. he doesn't act that way to be seen as silly, it's just who he is (and i love it).
i would imagine he could act this way for many reasons. it is most likely him being professional, likely as a reference to the irl tetchou who had samurai lineage; making him act with the tone and professionalism of samurai.
despite his professionalism, maybe he has difficulty being expressive around most people, or maybe he doesn't want to be expressive around people by choice.
but this is where he's different around jouno.
firstly, i'll talk about the times he's stabbed jouno. this has happened twice, and both were to de-escalate jouno from his tendancy to mentally torment people.
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the wording in these panels implies this is a regular occurrence. which is a little funny to me hehe.
anyway, we see by the way that he acts around others that usually he de-escalates situations by talking first instead of acting. he will turn to violence if he believes it's needed, but typically he talks first. we see this when he confronts kenji verbally before attacking.
yet with jouno he doesn't bother to tell him to stop first, instead opting to jab him. remembering that the hunting dogs have enhanced physical strength, a small stab wound probably isn't a huge deal for them.
because of this i think the stabbings are tetchou partially teasing jouno. him messing around like that isn't something he does with anybody else but he seems to enjoy pissing off his partner.
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also. stabbing him directly in the ass? gay as hell. jouno following up by saying "don't poke my ass every single time" implies that his ass specially gets jabbed a lot. hmmmm
anyways
another example of this is when tetchou smirks/chuckles at jouno insisting that he's the greatest hunting dog. the small laugh was most definitely to bother jouno.
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mmmm theyre both so pretty.
once again, tetchou pushes aside his composed self and being intentionally silly only really happens towards jouno.
arguably, this can be shown again in the pushups scene.
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tetchou acting unbothered and then calling jouno's weight "just right" while he continues to exercise seems like a combination of him trying to (jokingly) annoy jouno as well as his tendency to not acknowledge his own actions as bothersome or odd to others.
anyway to sum up this segment: tetchou is only seen intentionally bothering and teasing jouno and nobody else. he acts much differently towards others but seems to let his professional guard down around only his partner. this shows a great layer of trust and comfort between the two!
oh. but im not done talking about this. not at all.
the other huge display of emotions for tetchou was everything that went down with kenji.
as displayed throughout most of tetchou's appearances, he's incredibly justice-orientated. he has a tendancy to put justice above everything. here's a couple panels showing this:
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ooog tetchou is so pretty. i love that left panel so much
using his own logic here, he should have went after bram after having found him. tetchou even admitted that, but there was one other thing more important to him than that. jouno.
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starting here, this panel takes place after bram and aya escape. at this point, tetchou had assumed the agency was using bram to control people; meaning it wasn't just kenji he technically had business with at that time.
i will also preface this by saying the book's influence likely had an impact on tetchou attacking kenji before they could finish talking.
however, the book's writing didn't stop tetchou from insisting on finding jouno before taking down the agency. his worry towards jouno's whereabouts made him change his stance on justice as well as deterred him from prioritizing taking down the agency.
now that he's talking to kenji, i'd like to start it by showing that he seemed genuinely grateful and happy when kenji initially offered to help him find jouno.
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as well in the anime, his eyes soften when kenji offers to help.
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after talking to kenji for a brief moment, he opts to attack instead of continuing. this seems out of character for tetchou; he even apologized to kenji before saying he needs to find jouno as quickly as possible.
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the fact that he apologized, combined with how we've seen him treat people in the past shows that this isn't typically what he resorts to.
also, in the anime we can see the gloss his eyes slightly shaking as he says this line, which could display worry, sadness, or anger towards whatever could be happening to his partner.
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he seems almost distraught, which is a huge contrast to his typically-composed self.
and, of course; there's the fact that mid-fight tetchou had to tell kenji that jouno is a good person despite what people think.
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he looks genuinely sad here, as if he's speaking from his heart. jouno has very-clearly put up a tough exterior that he uses around everyone, but tetchou goes out of his way to defend him even when he absolutely doesn't need to.
he could have stayed silent or just said he wants his coworker back, but he insisted on stating that jouno is a good person.
it's also important to note that nobody else tends to speak kindly of jouno, which puts a lot more depth on their closeness to each other. tetchou sees through jouno's words and actions and knows that he is heavily misunderstood.
and of course, we have tetchou directly saying that he will place jouno above justice despite knowing what the right course of action should have been.
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he is putting jouno above the very thing he basis his career as well as his morality on. that's how worried he is. that's how much he cares.
and in this panel, we see he's extremely angry towards kenji's lack of response.
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lets compare this to the first time tetchou fought the agency.
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in chapter 61, when he was fighting the agency alongside jouno; he kept a more menacing/intimidating look as he attacked. when he was not attacking, he kept calm-looking despite being pissed off. compared to when he was fighting kenji in chapter 100 and looked infuriated. even the different fonts used for the dialogue puts further emphasis on this.
now, i'm going to jump ahead to the end of tetchou and kenji's fight. tetchou recognizes his mistake and asks kenji to kill him.
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it's important to note that his reasoning as to why he should have chased justice was because he doesn't think jouno would have condoned his choice.
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he specified it again, even opting to call jouno his friend. also note how white his eyes are here, meaning his intent was pure and he genuinely felt awful for misjudging what jouno would have wanted. he cares so much that he was asking to be killed for misunderstanding what was the correct course of action.
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and then after kenji insists on helping him find jouno instead, he smiles in relief before the two pass out.
one last small note is that we've only ever seen tetchou smile three times throughout the manga so far, and all of them were mentioned here and involved jouno.
to sum it all up: tetchou, who is typically very composed and justice-orientated, is willing to throw aside his entire stance on justice for jouno. he lets his professional guard down around his friend, allowing them to tease each other and be silly as well, which he doesn't appear to do around others often. this shows that the two have a close bond and genuinely care so much about each other.
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as for jouno, i don't have as much to say however there definitely is a few things i'd like to touch on.
firstly, despite claiming to hate tetchou a lot, jouno still uses a respectful honourific (-san) whenever he refers to him. i'm not a japanese speaker so please feel free to correct me if i'm wrong but there's a good chance jouno would opt to not use an honorific at all if he genuinely detested tetchou as much as he claims.
and when it comes to teasing, jouno does it much more often than tetchou does (however he also messes with more people, it's just a personality difference between the two).
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clearly with the way they act around each other, jouno does not actually hate tetchou. i think they like to bother each other by play-bullying.
also, noting on jouno's criminal past, he was given an easy oppurtunity to be thrown into the DoA where he could be incredibly powerful and would likely not face any consequences for his actions had he joined.
we know he declined fukuchi's offer because he found joy in saving innocent people. but i would the influence of the other hunting dogs helped set him into that place of mind. tetchou seems to be the one he works with most, so there's a good chance he takes a lot of inspiration from how tetchou handles justice.
another thing i noticed with jouno is that his displaying of emotions is almost an inverse of how tetchou acts. jouno keeps smiling a lot despite who he's speaking to. in contrast, he can keep a straight face when interacting with tetchou a lot.
of course, that could make it seem as if jouno is unhappy around tetchou, but i would argue it's the opposite.
some people will force a happy expression to appear unassuming or kind (or in a lot of jouno's cases, intimidating). so him allowing himself to maintain a straight face around tetchou could mean that he is comfortable enough around him to not feel the need to express everything. he doesn't need to keep his guard up around tetchou.
jouno almost always keeps a very happy or calm composure around enemies, likely as an intimidation factor. yet he allows himself to express frustration and annoyance around the hunting dogs in general, and most often with tetchou. i'd like to imagine this just shows his security in his partner.
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jouno talking to an enemy, for reference ^ i also just really love this page hehe
the last thing i'll mention here is a lot of speculation on my behalf. however i think that jouno seems like the type to push away those close to him. i kind of perceived his supposed hatred towards tetchou to be a combination of joking around as well as possibly a defense mechanism to try and avoid keeping people close?
my main reason in stating that is that he's claimed to not like any of his coworkers yet still opts to not betray them and still works well with them. if he truly hated tetchou, he probably wouldn't allow them to work together. he likely says such things to avoid being liked too much, and these actions proved to work since tetchou acknowledged that everyone sees jouno as cold.
yet through all that tetchou still knew he was good despite the exterior, which makes them well-suited for each other.
anyways: i feel like these two really do treat each other much differently than they treat the other people around them. that puts a lot of emphasis on their bond and closeness in general. they can be silly around each other, they can get through arguments no problem, they make a great team, and clearly care about each other a ton! they mean so much to me <3
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i love my sillies :)
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hcnnibal · 2 months
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not that it’s exclusive to autism but re: a2 going nonverbal…….. have i just been violently projecting on him this entire time or…….
or!!!
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2aceofspades · 3 months
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Do Leo and Usagi hate each other in the post apocalyptic future?
Not really...? They just have a bit of unresolved tension. I have a lil storyline in my head where they kinda split up a little before the apocalypse started. Usagi went back home for a few years and Leo obviously stayed behind. Usagi would have eventually caught word of what was happening in New York with the Krang and the resistance and makes the journey back to rejoin Leo. I think Usagi kind of 'convinces' himself that Leo could use the help from an old 'friend' (wink wink) and uses that as his excuse to rejoin him. In reality, Usagi misses Leo very much and wants to support him...aw.
Anywhizzle, they left off on rough terms, so Usagi's main focus was originally just to help out Leo and possibly join the resistance if necessary, not to re-kindle a relationship. However, both of them never really let go of their feelings for each other when they were apart, so they do end up getting back together. In my lil story, I imagine that they aren't actually very public or open about being back in a relationship. Especially with Leo now being the leader of the resistance, he doesn't really have time or energy to spend on an open relationship and Usagi understands and respects this. However, they do manage to find time to spend with each other and talk and do normal couple stuff to 'recuperate' away from the war. Usagi stays and doesn't leave his side, and knowing me and how I write 'stories', things will probably not end well or happily ever after for them. Then again, this is all just a lil ramble of a story that probably won't happen...so yeah
Sticking this here just cuz~
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(:
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nerdalmighty · 2 months
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hey! so, i just recently started playing baldur's gate 3 after seeing people put it all over my dash for months--and you're one of the people i've seen reblogging a lot of posts about it LOL. so if you don't mind me asking, i was wondering what kind of character do you/did you play as? and do you have any sort of backstory for your tav that you'd like to share?
Hoooooooooooooh my god thank you so much for asking. I have a friend who comes over to watch me play on Thursdays and I make a powerpoint every week to catch her up on what she missed - this week's powerpoint literally has slides about my Tav's background (more on those later). This is about to be long, I'm about to drop ALL my lore so buckle up! AND THANK YOU FOR PUTTING UP WITH MY BG3 BRAIN WORMS!!!!! I'm glad they convinced you to play 😈
So to begin, I've been in my first ever dnd campaign with a group of friends for a little over a year now. I didn't know much about Baldur's Gate except that it was a dnd video game and that you could romance people. Me, being a Big Fan of Romance And Fantasy was like "okay well I'm in" and my friend actually let me start a game at his house. Through that, I met Shadowheart, Gale, and Astarion.
Backing up a bit to my character; I decided I'd put my character from my irl dnd campaign into the game since I already knew her whole deal. I get pretty overwhelmed with making decisions, ESPECIALLY with big open world games like bg3, so knowing who/what I wanted to be really helped me out.
In the campaign I'm in with friends, it's pirate themed, and I play a half-elf bard named Birdie Harp who's secretly half-siren (murder mermaid). To make a long story very short, she was born in the arctic and escaped her murderous pod during a coming-of-age trial where she also lost her siren abilities (hypnotizing voice, breathing underwater, etc).
I've watched a ton of Dimension 20 which is an actual play show on Dropout.tv (an "actual play" is where you watch other people run a campaign of dnd - like Critical Role, which a lot of people have at least heard of - HIGHLY recommend Dimension 20, as I find it incredibly funny and easier to get into than CR because of the episode lengths), and I knew that I really liked the silliness and theatricality of the bard class. I also loved the bards from The Owl House which helped influence my decision as well.
To be honest, Birdie is my first ever dnd character, so she's basically a self insert but with a MUCH more traumatic backstory than me (this IS dnd after all). As for the half-elf aspect, it was more of an "I want to be half mermaid, what's similar to that?" as opposed to a love for half-elves or something.
BACK TO BALDUR'S GATE - knowing I wanted Birdie to be in the game, I felt a lot less overwhelmed to come up with something entirely new - I knew a lot about the bard class having played one so I wanted to CONTINUE playing one (and I've learned even more since playing bg3!).
When I finally got my own game (I no longer play at my friend's house, but in the comfort of my own home), I recreated Birdie and started on my journey in earnest. I'm VERY MUCH someone who likes to be in control and know what to expect, so I've had guides and walkthroughs to help me the whole time - SUE ME! When it came to first meeting Shadowheart, Gale, and Astarion back at my friend's house, Gale actually immediately stole my heart - a kind, witty wizard who likes books and cats? Literally say less. I went home from that session with my friend fully thinking I'd be a Gale girlie until I really looked into the other options and saw The Vampire.
Blah blah blah, he's hot and funny, but he can also be incredibly soft, which really won me over in the end. So I've been romancing That Guy.
Through Acts 1 and 2, I wasn't all too sure about this version of Birdie's background - sure she COULD still be that half-siren from the arctic, but the game kept suggesting she was FROM Baldur's Gate. I LOVED the inclusion of the harpies in Act 1 and thought maybe that was a viable entry point for her backstory, but so far, she was kind of just... me? She was making the choices I wanted to make (and a few that I knew Astarion would like lmao), but she wasn't really her own entity apart from me except for her name. She also felt vastly different from that character I'd created for my friends over a year ago. For instance, my irl Birdie currently has a crush on a Gale-type character, but this Birdie is ass deep in Astarion (hey, sorry I said "ass deep in Astarion"). The thing I love about Baldur's Gate 3 is how you can really come up with your own backstories, since the in-game one for your Tav is so vague. It's totally fine to ignore tiny details in the game and mold them to your own headcanons for your Tav, but I was so unsure of what I wanted for this Birdie that I kind of internalized that she was from Baldur's Gate.
HEADS UP! The following has some spoilers for Act 3 and some side quests, so STOP reading if that's something you'd care to avoid (the last 3 paragraphs of this post are SAFE from spoilers):
When Act 3 finally rolled around (which is where I am currently, I only have the one playthrough so far because I become INCREDIBLY attached to things), I stumbled across the Water Queen's House in Baldur's Gate. Ah ha! Now this felt promising.
A temple dedicated to the Vengeful Sea Goddess, Umberlee, and her loyal Wave Servants to serve her. It's ocean themed, it has mermaid undertones, and their goddess is basically evil. Seems like the perfect place to FINALLY insert this version of Birdie. I wasn't 100% sure until I completed the Iron Throne mission and was faced with either handing a (mostly) innocent man over to the Wave Servants, or fighting to defend him.
Here are a few of the slides from this week's powerpoint that I mentioned all the way back at the start, starting with SOME background on the Wave Servants:
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Ass and Shart are what I affectionately call Astarion and Shadowheart (Also I got this beautiful "Birdie" art on Pinterest which originated from someone named Dantrelium on Reddit):
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Apologies for the small text here, but there are some more details about THIS Birdie here, which I literally made up/figured out earlier this week:
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Essentially, this Birdie was born at the Water Queen's House as Kittiwake Crest - Kittiwakes are common arctic birds, which I thought would be a nice little homage to the original character she was based off of. She was raised by the collective of Wave Servants there, the main one being Flood Tide Allandra Grey who seems to be head honcho at the Wave Mother's House (in this reality, she is).
Since Umberlee is such a vengeful goddess, I imagine she asked her Wave Servants to commit unspeakable acts in her name, mainly drownings, which THEY see as merciful, but I think Birdie always saw as horrifying. Who were they to decide the fates of others? I also think that the Wave Servants themselves were abusive during her upbringing to keep her in line (but much like how Nocturne was a light in the darkness for Shadowheart, I don't think EVERY Wave Servant was evil). GOTTA have a classic tragic backstory.
Upon researching Umberlee, I learned that most of her servants are clerics, so in my mind, that means Birdie was raised to eventually become one, with her official title eventually going to be "Seawind Kittiwake Crest." Is she still half-siren/mermaid though? Not entirely sure. This IS a magical world though, so I'd be inclined to say yes, probably.
But when we first meet the Wave Servants, they're singing beautifully for their drowned sister, Holli. I think Birdie REALLY loved music and singing with her sisters and secretly trained herself in bard magic when she should have been learning to be a cleric. It's also a classic trait of bards to hide their pain through humor, so I often imagine the type of stupid things Birdie gets up to to bring herself joy (my favorite headcanon being when you meet Skittle the Rat in Wyrm's Rock prison - he's a rat merchant who speaks exclusively in puns. I think Birdie and Gale would excitedly throw puns back and forth with Skittle while Astarion and Shadowheart begrudgingly (and affectionately) roll their eyes in the background).
Another thing I love about the game is how you can string together your own ideas of how companions react to things between big cut scenes. For example, in my head, in my game, Astarion has really become a Big Softy thanks to how fucking Stupid (affectionate) Birdie acts in life and has drawn him out of his shell, but also runs a tag team scam with her where she plays her lute to distract people while he loots an entire place. Gale is Birdie's partner in crime when it comes to tomfoolery and loves to joke and fool around with her (so long as it goes easy on his knees). And Shadowheart is basically a sister figure who flip flops between sassing with Astarion and joining in on the fun. THEY'RE JUST THE BEST, OKAY? OF COURSE I'M GONNA WALK AROUND WITH A BUNCH OF IDIOTS. I LOVE THEM.
Anyway, back to Birdie's backstory: she always hated the atrocities that were asked of her, and she was looking for a way out, but was too scared to take that step and leave since the Wave Mother's House is all she's ever known. One night, while stepping out to quietly dip her toes in the water, the Mindflayers captured her, and that's where we start Act One, all the way up on the Nautiloid. She changed her name to Birdie to distance herself from her previous life, fully took up the bard class, and the rest is history.
Back to that dilemma with handing over that (mostly) innocent guy or fighting the Wave Servants: with encouragement from the party, they convince Birdie to face her traumatic upbringing and fight the Wave Servants once and for all. At this point in Act 3, she's basically helped every single person with their problems except her own. Here's another slide featuring Ass and Birdie:
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That's right folks, Birdie faced her past! But the bad news is we don't get to see Astarion in this (audio from The Adventurous Adventures of One Direction):
(Video description - Astarion from Baldur's Gate 3 wearing the Wave Mother's Armor with the following audio:
Guard 1: Whoa, check it out.
Guard 2: Hubba hubba hubba.
Gaurd 1: Nice. I love dudes in skirts.
END VIDEO.) I don't want to tell you how many times I recorded that until I felt like I got it right lol. Also yes, I DID do a scum save where I handed the guy over ONCE just so I could see Ass in this outfit, but Birdie did canonically save Redhammer in my actual save file.
And honestly, that's BASICALLY it for now! My most recent save was after that battle, so I need to figure out if Birdie's going to go back with her party to confront the rest of (or most of) the Wave Servants, or if this chapter of her life is closed.
In an ideal world I'd LOVE to make one of those artsy gif edits of my Tav like this and this, but PS5s make it hard to download clips without uploading them to YouTube first which I don't really want to do.
Thank you SO MUCH for this ask, I had a blast writing it!! Sorry it's so long, I just love this game so much and LOVE talking about it. Please feel free to ask more questions OR chat with me about YOUR Tav! I'd love to hear all about them :)
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if your still doing the prompt thing how about 17, 23, 25, 29 with power!bottom claire being stressed and intern!reader offering to help but don't have any sexual experience so claire teaches them
Thank you so much for sending this in! I'm so sorry it took so long to complete, life got very hectic, but I have it for you now! I hope I've done this request justice <3
Afterhours
Ship: Claire Debella x Reader
Summary: When you, an intern working at the governor's office, offer to stay with the governor while she works late into the night, you find yourself in a situation you have only ever fantasized of.
Word Count: 5.8k
Disclaimer: 18+ ONLY, minors dni
Warnings: smut, hints at dark!Claire, pet-names, praise kink, degradation kink, fingering, oral, first time, virgin reader, legal age gap, power imbalance, mommy kink, begging, implied subspace
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It's an open secret at the office that Governor Debella is paranoid.
If the extreme vetting process to just simply become an intern is anything to go by, the woman could use some relaxation time.
After all, a single intern hardly would have the ability to take down the political powerhouse that Governor Debella is.
Or, that's what you think anyhow.
You knew you had been lucky to land the job, the experience and credentials that will pad up your resume and qualifications that will come from working here, but some days, all you can think about is how stressed the top boss constantly is.
Being a people pleaser, being a people fixer, you started to stay late, wanting to get as much work done as possible.
Sure, you're only a low level entry personnel, but what you do helps free up time for those above you to focus on more important things.
After a few weeks of being the last one in the office, Governor Debella notices.
“Don't you have someone to get home to? A boyfriend, or a pet, or something?”
You nearly topple back in your seat, startled by your boss’s boss’s boss’s boss (seriously there's a chain of command here, and you're merely a bottom feeder) not having heard her approach from behind.
“Governor!” You gasp, trying to recover. “Uh- I don't- I live with a few roommates, but they never care if I'm there or not. We're all very busy.”
Governor Debella frowns, and crosses her arms.
“There's no reason for you to be staying so late. You're an intern. You don't get paid overtime.”
You shrug.
“I don't have much else to do. Call it volunteer hours.”
(And god, doesn't that sound pathetic, especially because it's true.)
Her frown deepens.
“It's illegal for you to stay and work without pay.”
“Are you telling me I need to start going home at quitting time?”
The words spill from your mouth before you can think them through.
There's a moment of silence, and for a second you could swear it's hesitation on Governor Debella’s face.
“No.” She says, after a beat too long.
There's another, much longer silence.
You hate the quiet, and you find yourself breaking it.
“Then, er, what do you want me to do?”
Governor Debella blinks, and it draws your attention to the dark bags underneath her tired silvery-blue eyes, her makeup must having had rubbed off enough for it to begin to show.
You suddenly realize that perhaps it's just as exhausting for her as it is for everyone else to deal with her stress and paranoia.
“Would you like some company while you work?” You offer, a gentleness in your tone that you hadn't made the decision to speak with. “I could clock out and then just… Sit in your office with you if you'd like. I know how empty the building feels when everyone has left.”
This time, you know you haven't imagined her hesitation.
“I'm under contract, anyhow, Governor. If there's an additional paper you need me to sign, for security reasons, well.” You shrug. “What's one more?”
Again, there's silence, and then…
“Call me Claire, if you're really willing to sit and do nothing for hours besides for staring at my office walls.”
You're a bit shocked she's accepted your offer, and you stumble over your response.
“I- oh. Uh… Okay, um. Claire.”
The governor’s lips twitch, as if she's hiding a smile.
“But not tonight. I was just about to head out, which means you definitely should too. Security won't stick around once I leave, and the night shift…” Claire scowls. “I need to remember to get them replaced.”
It's the most you've ever heard her talk without snapping at someone to do something, let alone to you.
“Isn't that what your assistant is for? To remind you or to arrange that on your behalf?”
“That's only if I remember to tell him.” Claire mutters, before shaking her head. “Shut your computer down, you're not staying if I'm not in the building.”
She waits, hovering over your shoulder as you listen, and she walks with you out to the front of the building.
“You didn't park in the lot?” She asks, when you start to head towards home.
You can feel your face flush.
“I uh… I don't exactly get paid enough to own a car.” You refuse to look at the older woman. “Usually I just walk back.”
“It's two in the morning.” Claire sounds incredulous.
“I have pepper spray.”
“No. You're not walking home anymore.”
Claire has her arms crossed again, and an all too familiar glare is being leveled at you.
Before now, you always thought it was an angry expression.
You're beginning to wonder if maybe it's a stubborn one instead.
You sigh.
“Well short of driving me home yoursel-”
“That's exactly what I'm going to do.”
You barely manage to keep your jaw from dropping as Claire turns, clearly expecting you to follow her.
You suppose if you don't, you won't get too far before she can find you walking.
Or if not, possibly fire you over it tomorrow.
You push down your anxiety.
Don't worse case scenario. You scold yourself.
Claire drives a nondescript silver minivan.
“I have custody every other month.” She explains your unanswered question.
Ah, right.
Sometimes you forget that Claire just recently went through divorce, that she has two little ones to care for.
You remember how the media had dug it all up, how they aired her very private life for the public.
For a minivan, it's pretty nice.
When Claire turns on the car, a few loud notes play, before she quickly slams her palm against the knob that turns the car music on and off.
You raise an eyebrow, but don't say anything about it.
Instead you ask, “how are they?”
“My kids?”
She sounds mildly surprised as she reaches for her seatbelt.
“Yeah.”
You click yours in as she replies.
“They're… They're okay, all things considered.”
She puts the car in reverse, and you rattle off your address so she knows where she's headed.
Her nose wrinkles, and you're willing to bet it's because you don't live in a particularly nice area.
“You had to hire shadows- uh, bodyguards for them, right?”
Claire's hands clench the wheel, turning her knuckles white.
“I don't know of any other governor who's had their children's lives threatened.” She practically growls. “It scares them, but they won't say anything.”
“I'm sorry.” You murmur.
Claire glances at your pale face, and she takes a breath, forcing her body to relax.
“It's not your fault.” She shakes her head. “They're my kids. I'm their mother. I'm bound to be a bit overprotective.”
You choke back an unamused laugh.
“You would hope.”
Claire gives you a quick look, before returning her full attention to the road.
“What makes you say that?”
Oh crap, you didn't mean to invite Claire to dig into your life.
“Er… My parents… They weren't the best.” You mumble.
Claire frowns, eyes still looking forward.
“How old are you again?”
“Twenty-three.”
Claire hums.
“And how much are we paying you again?”
You rattle off the salary.
Claire hums again, and then there's silence for the rest of the short drive.
When she pulls up in front of your apartment, you say, “this is it.”
You undo your seatbelt and open the door, moving to leave.
“I'll have the paperwork ready for you on your desk by lunch.” Claire says.
At your confused look she huffs.
“For your extended night hours.”
Oh!
“Right, thank you. And thank you for the lift.”
Claire nods.
“If you don't have those papers past lunch break, hound my assistant. Don't take no for an answer, I might not remember to let Brian know to expect you to be a bother.”
The word bother echoes around your head, and you swallow down sudden anxiety.
“Sure thing. Good night, Governor-er- Claire.”
“Good night.” The other woman says, and you shut the passenger door firmly behind you as you sprint into your building.
—»•«—
You do have to bother her assistant the next day, and the stack of papers Claire presents you with is frankly ridiculous, but you pull out a notepad, read them through, and write bullet points of what you're agreeing to.
You sign, and initial, and date.
And then you binder clip it all together and drop it with a fairly solid thud onto Brian’s desk.
“Governor Debella will want these to be scanned and filed.” You say, even as an intern knowing the procedure for important documentation.
The man frowns at you.
“You're not done.” Brain says, and then seemingly out of nowhere, produces another stack of papers.
You groan, but your impatience quickly disappears as you stare at the sheet of paper, towards the end of the stack, that says how much of a raise you're receiving for signing on to be Claire’s personal intern.
Claire's personal intern.
$47,000
That was $15k more than what you had been making.
What the fuck.
You sign the papers, and don't say a word.
Slowly, as the day progresses, people trickle out, until you're the last one in the main office.
Brain looks at you as he leaves, and nearly walks into a wall trying to maintain his stare.
You head towards Claire's office and knock on her door.
“Come in.”
She sounds frazzled, and you realize you haven't seen her flying around the office today as you normally do.
“Everything alright?” You ask, taking note of Claire's disheveled state.
“No.” Is the simple answer you get, and you don't push as Claire continues to frantically scribble something out.
You glance around, familiarizing yourself with the private office you so rarely see the inside of, and take notice of a little seating area, with two arm chairs and a very comfortable looking couch.
In addition, there's what appears to be a bar cart, but it's filled with bottled water and sports drinks instead of alcohol, as well as a giant TV screen and what looks like a game console hooked up to it.
Somehow, you can't quite picture Claire playing video games while at work, and you have to wonder if perhaps she has ever been forced to watch one or both of her kids while working.
You don't want to become an annoyance, so instead of pacing the space, you choose to settle into one of the armchairs, curling up with one knee to your chest, the other dangling off the side of the chair.
You stare at the ceiling and let your mind wander as you examine the embedded ceiling lights.
“This is fucking bullshit.” Claire suddenly growls, and the sound of a pen clattering against the plastic wood of her desk sounds through the room.
“What is?” You ask.
Claire’s head jerks up, and for a moment, she looks surprised.
“You're so quiet.” She says. “I forgot you were here.”
You shrug, and don't say I’m good at that, I've had a lot of practice growing up.
You do say, “I didn't want to be a distraction.”
Claire hums.
She does that a lot, you realize.
“Well, maybe instead I can bounce this off of you.”
She gestures for you to come around to her side of the desk, and you quickly skim over what appears to be a proposal for a bill.
“Is it even legal for me to be doing this?” You ask.
Out of the corner of your eye you see Claire shrugging.
“You work for the government office this will be coming out from. It's not illegal, just out of the norm.”
You make a noise of understanding, going over the contents of it, frowning.
“What’s the problem with this?” You ask once you're finished giving the proposal a once-over.
Claire viciously stabs a single digit at some handwritten notes laying next to her keyboard.
“This section, this sentence, this paragraph, this fucking word is wrong, but the thesaurus is being useless-”
“Whoa, whoa.” You slow down what was sure to be Claire spiraling into more stress. “What's the most important thing to fix here?”
Claire blinks, pauses, frowns, then flips through her notes.
“Here.” She finally decides. “This entire section needs to be completely rewritten.”
You scroll to the right place on the computer screen and read it over more carefully.
“I'm pretty sure we can bullshit what you want to say here.” You murmur half to yourself. “It shouldn't be too difficult, most of the framework is here, it's just about closing the loopholes and rewording things to be less polarizing.”
“You make it sound so simple.” Claire grumps, leaning back in her chair and frowning as she crosses her arms.
You shrug.
“I bullshitted my fair share of essays, the difficult part to it is having a decent outline, which you already have.”
The other woman grumbles something under her breath before sitting up, shooing you away with a flick of her hand.
“Alright, well if it's that easy.” Her tone is disgruntled, but her fingers are already clacking against the keyboard, and you take that as your signal to return to the armchair you had been lazing about in.
At the end of the night, she drives you home again.
It becomes a routine.
For the next few months, Claire uses you as a sound board during the late hours, and you've taken to bringing either a book to read or an adult coloring book to do while you sit with her.
And then something big must have happened in her private life, because Claire is an absolute menace even to you one Monday, tearing through the office morale like a hot knife to butter.
You don't dare say a thing, even when she snaps at you later that night for being incompetent, and you just sit and take it.
She doesn't mean it personally.
You know that.
But by the time Thursday rolls around, her attitude hasn't changed, and you've found yourself retreating, becoming as small and invisible as possible in an attempt to spare yourself from Claire’s wrath.
You hear shuffling from where you're curled up on the couch, and you look up, and find Claire downing a shot, a bottle of amber liquid sitting on her desk.
“I know I've been an ass.” She says when she catches your eye.
“You've been stressed.” You excuse.
Claire shakes her head.
“There are better ways of releasing steam.”
“Well what do you usually do?”
You think this must be the first conversation all week that Claire is having civilly.
“Get high. Or have sex.”
Your mouth drops open at her blasé answer.
“And I haven't been able to do either.” She complains.
“Well, er. I could- I could help. If you wanted. To- um. To destress, I- I mean.”
You don't know why those words left your mouth, and the moment they do, you can feel your face heat up.
Sure, you've begun to have the occasional fantasy or wet dream about your boss, but that wasn't the same thing as implying you'd have sex with her.
HR is going to have a field day with you.
You're going to be fired.
You bury your face into your hands, and when Claire gently brushes her fingers against your back, you jump.
You hadn't heard her move.
“Look at me.” She softly says, and you shiver at how low her voice is pitched.
“There's a good girl.” She smiles as you listen, and the pulse of heat that shoots down your spine makes you feel dizzy.
Her hand comes up to cup your face, angling it upwards and forcing you to meet her eyes.
“Do you mean it, baby?” She asks, and you shiver at the pet-name, biting your lip as you grow more aroused. “You'll help mommy destress?”
Your eyes widen at the title Claire has bestowed upon herself, and you flush with embarrassment as the whine you've been fighting to keep down slips out through your mouth and escapes.
Your boss chuckles.
“Such a sweet thing. You had no idea what you were getting yourself into, offering to stay so late with me, did you?”
You frown, confused, despite your ever growing arousal.
“Wh-what do you mean?”
Claire smiles, but it's a sharp thing that causes gooseflesh to erupt along your arms.
“Please, doll. I've seen the way you look at me. And we both know how aware you are of how… Lonely, I have been.”
Her hand reaches out, and she brushes her knuckles gently against your cheek.
“Say yes.”
Her voice is pitched low, and it makes you shiver.
“Say yes to mommy, and I promise, you'll never have to worry about a thing again.”
Perhaps it should be your sign to leave right now, the possessiveness that practically drips from the governor's tone, but all it does is empty your head of thought.
“Yes.” You breathlessly say. “Yes, I'll help mommy destress.”
“Good girl.” She purrs, and when your lips part to allow a moan to tumble out, Claire gently presses against your tongue with two fingers.
When you stay still, frozen and unsure of what the older woman wants you to do, she furrows her brow and withdraws her fingers.
“Have you ever had sex before, honey?”
Immediately you can feel heat rise to your cheeks as you shake your head, shame rising in your throat.
“I- I'm a virgin.” You whisper, tripping over your words. “This is my first time…”
You trail off, embarrassed.
“Oh, sweetheart.” Claire coos, her eyes sparking with something that makes you feel a bit like her prey. “Budge over.” She says.
Mindlessly, you obey, scooting all the way down, and Claire settles back against the arm of the couch, and she lazily smiles at you as she slowly, tantalizingly spreads her legs.
You had no idea a suit skirt could stretch so much.
You had no idea how well it could hide the fact that Claire wasn't wearing any underwear either.
“Teach me how to make you feel good.” You're flooded by a sudden need to please this woman spread out before you, a sudden desire to watch her come undone because of you. “Show me how to touch you.” You beg. “Please.”
Claire chuckles deeply.
“You're going to be so perfect for me, baby.” She husks out, and you can feel how your pussy pulses, leaking wetness against the material of your underwear.
Unlike Claire, you're wearing a pair.
A niggling feeling of regret bothers you.
You wish you were easily accessible for your boss.
You want her to ruin you.
“Come here, honey.” Claire beckons you with a single finger, and you're obedient, crawling until you hover over her.
She reaches her hands up, and oh so gently cups your face with her hands, guiding your head downwards until your lips are just millimeters apart.
One of her thumbs softly brushes over your cheek, moving back and forth in a soothing sweeping motion, and her silvery-blue eyes gaze deep into your own.
The moment stretches, and you grow impatient of waiting, and despite your heart hammering against your ribcage, you close the miniscule gap between your lips and hers.
They're so fucking soft.
Claire isn't your first kiss by any means, but you deeply wish it were.
You're moaning into her mouth like you're a slut, and when Claire enters your own with her tongue, it's all you can do to keep yourself from falling atop of her as your limbs go weak.
Languidly, you make out with your boss, and as you do so, one of her knees makes its way between the apex of your thighs.
When you instinctively buck into the touch, Claire pulls away, and breathlessly laughs at you.
“Remember, doll. This is about mommy, not about you.”
Your head is spinning from the lack of oxygen.
You whimper, and bite your lip.
Her expression softens, and she reaches up to tuck an errant strand of hair behind your ear.
“Didn't mommy say that as long as you're with me, I'll see to all your needs? Make me feel good, and I promise, you'll get a reward, sweet thing.”
You drop your head against her shoulder, and the whine that escapes you causes Claire to reach up and stroke at your hair.
“Let me show you how to touch mommy, baby. Let me show you how she likes to be pleasured.”
It's not fair, you think. No one woman should have the right to say things like that in such a husky sounding voice.
Your pussy throbs.
You lift your head up, and shift your weight, settling back so that you're straddling Claire.
“Please mommy, teach me.” You beg, and the older woman groans at the plain desperation that drips from your tone. “Teach me how to make you scream for your baby.”
At the word ‘scream’, Claire's eyes light up, something that simultaneously sends a shiver of fear through your body, but also a shiver of anticipation.
“You want to make mommy scream, doll? Get off, and I'll show you how.”
Gracelessly you tumble off of Claire and onto the floor, and she shakes her head as she laughs.
“You’re adorable, sweetheart.”
She stands, and as she walks back to her desk, she strips, carelessly leaving her clothes crumbled on the floor.
As she settles back into her leather seat, she spreads her legs wide in a clear order.
Her gaze feels intense as she watches you wobble over to her, before you collapse, dropping to your knees, your legs unable to continue to support your weight.
Your head spins as the scent of Claire’s arousal overwhelms you, and you look up at your boss with wide, pleading eyes.
She chuckles, and her hand comes down to pet your hair, before they tangle and tug at you.
“M-mommy!” You protest. “I still don't know what to do!”
Claire groans, but she doesn't stop guiding you forward.
“You're smart, doll. I'm sure you can figure it out.”
You whimper, but don't protest further, and then the older woman's cunt is directly in your face, and you're powerless as you stick your tongue out hesitantly.
You give her a taste test.
The wetness that is slowly dripping from Claire is a bit salty, but mostly, it just tastes musky.
It isn't bad.
It's just… New.
You give Claire’s pussy a few more tiny little licks, trying to acclimate to her taste, and she tightens her hold on your hair.
“I thought you wanted to make mommy scream.” She bites out, yanking you flush against her pulsing center. “So do it. Mommy needs to relax, and you're going to help.”
Helplessly, you do as Claire commands, and you start lapping at her earnestly.
When she lets out an unrestrained moan above you, you can't help but moan in return, and Claire gasps.
She yanks your head back, her chest heaving slightly, pupils blown wide.
“I never thought you could make such sweet noises, baby.” She breathlessly says.
You feel heat rushing to your face, and Claire's free hand grips your chin when you try to look away.
“Neither did I.” You whisper, ashamed.
Claire tsks.
“None of that now, honey, mommy wants to hear you again. Moan for me.”
Your mouth drops open, and your mind goes blank as you try to process your boss’s demand.
Her grip tightens.
“I said moan for me, bitch.”
It tumbles involuntarily from your mouth, loud and uncontrolled, and Claire's grip on your chin turns painfully.
“Does that turn you on? For mommy to degrade you like the little fucking slut you are?”
The noise you make in response causes Claire’s eyes to glint as she smirks.
“Who knew beneath all that innocence was a whore.” She coos, before jerking your head forward in a clear demand.
You eat her out for what feels like ages, the taste of Claire filling your senses, and you grow progressively lightheaded.
You find your thoughts slipping away as you become utterly focused on not letting one drop of your boss’s wetness to escape your tongue, and you find your hands keeping her legs spread apart as you become more eager in your ministrations.
You feel drunk as Claire begins to make higher and higher pitched noises until finally, she goes so high, it's a shrill thing that your ears can barely withstand, and there's a wetness soaking your face that isn't from how vigorously you had been pleasuring her.
She hasn't told you to stop, though, and you find yourself not wanting to regardless, so you continue to lap at her until she harshly jerks your head away.
“Enough.” She pants, eyes closed, chest heaving. “Enough.”
Your head spins, and you feel dizzy as you stare, memorized by the woman above you.
You open your mouth, aware there's something you want to ask, but you can't seem to conjure enough words in your mind to even speak them aloud.
Silvery-blue eyes open, and the most self satisfied smirk you have ever seen curls at the edges of Claire’s lips.
“How precious.” She murmurs, before sticking her heeled foot out.
You hadn't noticed that despite shedding her clothes, the older woman had kept her shoewear on.
“Why don't you make yourself feel good, and put on a pretty show for mommy, hm?”
You slowly close your mouth, becoming aware it's been hanging open, and give your boss a confused look.
Claire sighs.
“That's right, you really don't have any experience. Could have fooled me, with how well you've made me cum, doll.”
You flush, uncertain if it's from the praise or from the degradation.
You watch as Claire carefully stands, and you're startled when she hisses, her left leg buckling from how loose and relaxed her muscles have become.
“Strip.” Claire orders, her knuckles white from how hard she's clutching at her desk. “And then lay back on the couch.”
You scramble, tugging your shirt off as you simultaneously attempt to undo the button of your pants, and you wind up tripping, falling to the floor.
Claire's laughter causes your face to heat up.
“Looks like my baby needs my help, hm?” She giggles, toeing off her heels so that she can walk properly.
You whine, and can feel tears pricking at the corners of your eyes with embarrassment.
“Aw, sweetheart.” Claire pouts. “Mommy thinks you're cute for being so eager. No need to be so sad over it.”
You whine again, but slowly force yourself to sit up.
“Mommy.” You whimper. “Jus’ wanted to feel good.”
The older woman’s amused expression visibly softens, and warm hands reach for you.
You stand with Claire's help, and she almost reverently helps you undress, gently kissing each newly revealed piece of skin.
“Look at this beautiful body, honey. Just so perfect for me.”
Unable to bear the compliment, you choose instead to bury your head against the upper part of Claire's chest.
She coos, and runs her fingers through your hair.
“Oh, sweet thing. Is my baby feeling shy?”
You nod against her, noticing the soft smell of vanilla.
You've never noticed it before.
You had thought it was maybe the air refresher in Claire's office, but no.
It's her.
Your head spins.
And you're so wet.
Claire's laugh rumbles against you, and she easily guides you towards the couch.
You only grow steadily redder as she pulls your legs apart, kissing her way up from one ankle, and then kisses her way back down the other, over and over until you're squirming with your need.
“Mommy, please!” You cry.
Claire groans, eyes fluttering shut for a few moments, before she pulls you close, hooking your legs over her shoulders.
When she noses at your clit, your hands find her hair, and she tsks.
“No, doll. I won't reward you if you pull at my hair.”
Reluctantly, you release your grip, and bury your fingers against the cushion of the couch instead.
“Good girl.” Claire praises, and you moan softly in response.
When her tongue presses against you, you shudder at the new sensation.
It's wet and warm and slightly rough, and–
“Oh, fuck!” You cry out. “Fuck, mommy!”
Claire's hands harshly grip at the sensitive skin of your inner thighs, making you whimper, but she continues to lavish her tongue over your clit, and you begin to squirm in earnest.
You've masterbated plenty of times, and have a few toys in your bedside drawer, but that is nothing compared to the older woman’s touch.
Within a few minutes, you're already near orgasm, and you chase the release, fighting the urge to bring your hands back up to tangle into Claire's hair.
And then right when you're about to reach that high, the moment before the waves of pleasure can overwhelm you, she pulls away, and you loudly sob.
“No, please.” You gasp.
Claire smirks, and you whimper at how lustful her gaze is, at how your wetness glistens on the bottom half of her face.
“You want to cum, baby?” She mocks you, pouting. “You want mommy to let you feel good? Then beg for it. I need to hear my cute little doll ask for permission first.”
You whimper.
“Please, mommy.” You can feel tears start to gather with how badly you want this. “Please let your baby cum, I wanna cum for you, I wanna feel good, please, please, please!”
“Hm…” Claire hums.
“Please.” The tears start to roll down your cheeks. “I wanna to cum, mommy. I want you to make me cum, please.”
You let out a sob of desperation when a single digit finds your swollen clit, and lightly begins to circle it.
“Please.” You whisper, your voice getting caught in your throat.
For a moment, you think your boss is going to deny you, and you open your mouth to continue to beg, when instead you gasp, two of Claire’s fingers suddenly stretching you open.
You let out a high pitch noise when she curls the digits, pleasure burning through you, and you buck your hips.
“Mommy, mommy, mommy!” You chant, unable to form any other thought, let alone words.
“Cum for me, princess.” Claire softly orders, and as if your body was designed to obey her every desire, you convulse, a scream tearing it's way from your throat as she continues to finger fuck you, the gushing wetness weeping from your pussy causing a squelching noise, and you writhe as you ride the high.
“Fuck, baby.” Claire groans. “I want you to come for me again.”
You squirm desperately, the aftershocks still pulsing through you, but Claire is stronger than your now limp body, and she thumbs at your clit, sending electric waves up your spine, causing your back to arch painfully.
“FUCK!” You cry out, unable to control your volume, and you can barely hear Claire's responding moan over the static in your ears as a new wave of ecstasy crashes over you.
You're gasping for air with how it steals your breath away, and when Claire collapses on top of you, you gladly welcome it, despite how it further suffocates your lungs of oxygen.
She smells so good. You think as you start to come back to your senses.
The scent of vanilla is still prominent, but it's now mixed with the smell of Claire’s sweat.
Somehow, it's more appealing.
The smell of sex still hangs heavy in the air, and you throb as your body unfairly grows more aroused again.
“Mommy.” You whisper.
Claire groans, burying her head further against your neck.
“You smell so good, princess.” She says. “And you look so beautiful when I fuck your brains out.”
A whimper catches in the back of your throat.
Claire finally moves, shifting until she's sitting upright, and you don't think she's ever looked as enthralling as does now.
Her cheeks are flushed, and you can clearly see faint freckles that are usually hidden under a layer of makeup that Claire must have sweated off, and her hair has gone from stick straight to gentle waves, a halo of frizz framing her face.
You lose yourself in her eyes, at how she smiles so tenderly as she helps you up and to the private attached bathroom in her office.
“Let's get cleaned up, doll.” She says, and you grin goofily at her.
Your head is still spinning.
She giggles, a light sound that makes you join in once a light snort causes her to double over.
“You're so cute.” She smiles, and you obediently spread your legs when she taps your thigh.
She gently runs the wash cloth in her hand over the sticky residue of your arousal, and you flinch every time she passes over your clit.
“You’re still so sensitive.” She breathes out. “Did mommy not satisfy you, doll? Do you want mommy to keep going until it hurts for me to?”
“I- ah!” You cry out when Claire firmly swipes the cloth over your swollen bud. “I just want to be good.”
Claire peers up at you, and you hold your breath as she weighs your words.
“Next time then, maybe.” She decides, and you aren't sure if your shoulders slump with relief or disappointment.
She finishes cleaning you up, before moving on to herself, telling you to wait as she does so.
You watch as her back muscles move with her motions, and you can't resist the urge to kiss them, to nip at them.
Who knew the governor would have such fairly well defined muscles?
“Baby.” Claire warns.
“Mmm… Mommy.” You reply, before darting the tip of your tongue out against her warm skin.
“Baby, if you want to go home, you'll stop.”
“But you're so pretty. I can't help it.”
Claire turns around, shaking her head.
“You're adorable, honey. Come on, let's get dressed so we can head home.”
Claire has to help you into your shirt and pants, and you don't notice when she pockets your underwear instead of giving it back to you when she spots it under the couch.
Before you leave, your boss insists on watching you drink a glass of water, predicting you'll be too tired to do so once she drops you off at home, expressing how important it is to her that you take care of yourself.
By the time you get to her car, you're stumbling with exhaustion, beginning to crash as the endorphin high wears off.
You can't keep your eyes open once she starts driving, and when you let out a huge yawn, Claire glances at you.
“Go to sleep, baby.” She soothingly says. “I'll wake you up when we get home.”
You're used to listening when she asks you of something, and so you don't think twice as you finally allow your eyes to stay close, and you drift off, Claire's warm hand on your thigh.
237 notes · View notes
mblue-art · 21 days
Note
Sorry for that question but I really curious!
What made you fell in love with Cross and Lust?
Tell us more!!
😳😳😳 hhuh what rreally,, , ,,, 😳 u wanna hear me yap abt my sillies, my beloveds,,, (i appreciate the enthusiasm tho omg 🥺🫶🫶🫶)
i want to have the yuris with lust and the yaois with cross I I MEAN HWHWAT 🧍‍♂️
UM.
haha anyWAY,, (oh gog this ended up long)
🍫—
cross checks so many boxes for me it makes me go insane. too good to be true. versatile(??)— like it's somehow way too easy to put him in Situations. (he's bf and husbone material??? just -20hp me now; that already kills me) he's. hh. gawddamn there's reasons why he won a utmv sans sexyman poll.
he's like a crush that you can't get out of your head no matter what you do, i'm so freaking down bad for him it's not even funny anymore. ever since simping for cross i have not been the same since. the man has changed me. the attraction/simp feelings hit me like a bat out of nowhere and i don't understand why it's so intense— i. hh.
,,i like when ppl make him dorky. stupidly silly (absolutely love shitpost shenanigans and would absolutely LOVE to get into silly shenanigans with him and with/without his bestie epic). fun to be around when he's deemed you as a good friend. stars, he'd give good hugs. strong, solid, and warm, the kind of hugs u don't wanna pull away from so soon. a little endearingly cringe. fanon simp cross is adorable and fun to mess around with. tsundere cross is adorable and fun to mess with. cute anxious guy under all that intimidating aloofness. when i say his smile is an absolute treasure, i mean that. his blush making him look like a grape or a glowing bulb is adorable and makes me wanna tease him more. anime protag/character vibes so strong i wanna have a cute bl/shoujo manga romance with him type shit yk.
then there's times when he's The Hot Dude and i think it's illegal if he's all confident and smug and dom actually (/hj) cause that makes me wanna fucking fite him HELLO? SIR? ILLEGAL????? (<- the fight or flight response of a tsundere towards a milder tsundere LOL).
-hp every single time. mf gets successful d20 rolls w/ rizz on me and i get a critical hit every time. it's a 50/50 either i fluster to death and become weak or i wanna fite his dumbass
i'll. i can fight him. i'll lose but i can fight him for sure. (why is he so cool⁉️‼️💢💢💢RRRRRRR)
he makes me feel things. lots of things. (mostly fluster but when i'm feelin sooper soff i jst wanna shower his skull in keeses. ima kissy lil guy)
tired cross makes me just wanna take care of him. want him to come home to me without any worry because he thinks i'm his safe space.
when he's being stubborn i want to tell him to chill out for a little while, take a break and watch some funny stuff while drinking choccy milk or eating his fav foods and be cozy. bapping him if he's gonna try to get out of this too soon. he's gonna get the free time he deserves n relax n get cuddles n kithes.
the way he can gently hold my hand and look at me with a sincere look in his eyelights and say something genuinely affectionate feels like cupid shooting an arrow through my soul, but also feels like a balm. (a promise of loyalty and faithfulness.) (a kiss on the forehead? a cherry on top.)
well now i can't be mean to him with all the nice he's saying and doing. i just want nice things for him o(-< (even if he's a bastard sometimes lol<3 all circles back to the silly) (silly is always important)
💜—
i love lust. so so so much. the fanon interpretation of him, anyway.
(don't get me wrong, i absolutely adore the feminine slay content of lust; but am i wrong for yearning for more masc lust content?)
i like my lust sans respectful, goofy, sans-like, an absolute sweetheart, and a caring, wonderful life partner. under the flirty personality and charm(ing looks), is a sans behavior that made me fall deeper. (he makes me feel very gender too) (ohmygofd yeah no he actually makes me think of gender sometimes rauauagrrgh<3/pos). i don't have to worry about showing my cring, weird side to him, because he's also a gremlin,, o(-< he doesn't have to present himself all nice and pretty all the time (although he's always pretty in my eyes). he can be comfortably himself; with me 🥺
i want to be his safe space.
i want to see him heal and be happy and be happy with me and give him all the love i can give and care for him and make him soso happy i just want him to feel SO sosososo loved, he deserves so much more
he's the only one who's able to get a certain reaction out of me; to pull flowers out of my heart. to pull out words of love and devotion and appreciation, heart bursting with affection only for him.
for him, i would try. i would live for him. i wish someone like him (the him i've created from interpretations and headcanons) was real irl.
i want to not care i don't care if he's a gorgeous well-known person that people fawn over, or if he's a campus crush, etc.,
i want him to think i'm worthy enough to keep in his life. for him to know how special he is to me, for him to know how much i want him in my life as much as i want him to keep me in his.
my immediate reaction when i think of him is: 😊💕💜💜💜eeeee kicks and giggles and flaps hands teehee
i love him so much i get a heart-on for him (/silly but it is true sometimes; love him so much it aches (in a good way))
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sleepanonymous · 6 months
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Heya! I just got into Sleep Token and I'm enamored! Do you know of any links to posts or anything that talk about the characters and their personalities onstage? I'm having trouble differentiating between III and IV (I know II is the drummer) and I want to learn more about them!
Also, is it pronounced Two, Three, and Four, or Second, Third, and Fourth?
Hi and welcome! 😊 Glad to see a new fan of the band. For the sake of clarity, I'll answer your second question first. The Sleep Token lore technically dubs them all Vessel 1, Vessel 2, etc. so it's my understanding that fans started calling the other band members Two, Three, and Four, and used Roman numerals for their monikers.
TLDR: This Weblink has almost all of Sleep Token's lore, and This Video also has almost all of Sleep Token's lore. The easiest way to tell III and IV apart from each other is by their instruments and height. III plays bass and is taller than the rest of the band. IV plays guitar and is shorter than the rest of the band (except for II, he is the shortest of the four).
I'll be honest, I also had trouble differentiating between III and IV when I first got into the band. Up until very recently, they wore similar outfits, too, which made pictures difficult to tell them apart. You can always tell via the instrument they're holding (if it's visible). III is the bassist and IV is the guitarist. Another way to tell depends on which side of the stage they are standing on. 85% of the time III is stage right, in front of the choir (Vesselettes) and IV is stage left, in front of II's drum set. My favorite way to tell them apart (before it just became secondhand nature to know which was which) was if the musician had a bun under his mask or not. IV's hair is relatively concealed beneath his mask, but III has longer hair and puts it up into a bun to keep it all in place under his mask during rituals.
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The neck of III's bass is kind of in the way of the back of IV's head in the second photo, but here are two examples of the bun shape that III has. This is also a good way to tell them apart if they're standing next to each other, or, in this case, kissing. III is extremely tall and will always be taller than any other band member unless he's crouching or leaning over. If the two aren't standing near each other, you can always use Vessel as a measuring stick.
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The photo on the left probably isn't the best reference, but trust me, III is about 5 centimeters taller than Vessel, he's just leaning back. The photo on the right also probably isn't the best since Vessel and IV are both just dark shapes lol, but at least it's obvious that Vessel is taller than IV.
The band as a whole is anonymous so you might not find much in the way of personalities, even of their stage personas. If you're willing to read up on the Sleep lore itself, you can do that here (this is a link to boolintunes.com). Or, if you'd prefer to watch a friendly, lecture-style video, there is this one here on YouTube. Persona-wise the most concise I can give you is this:
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Vessel is very emotional. That is evident by the lyrics he writes, but doubly so when he is in front of an audience. He will cry, he will laugh, he will do silly dances, and he will hype up his bandmates. It's evident that he loves what he does, but he is also extremely humble about it. All of the love his fans give him he makes sure to give back 110% (the fact that he manages to do it without speaking is impressive in itself).
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II is a beast, like no joke. This man has got to have started playing drums before he could walk, I swear. He, like Vessel, obviously loves what he does, has a blast, and also gives zero fucks while doing it. He will sit at his drum set and kick out beats while drinking Red Bull and Diet Coke through his mask 🤣🤣 During moments in songs where there is little to no percussion he'll often stand up and react to the lyrics Vessel sings. He also comes to the front of the stage at the very end of rituals to hype up the crowd and hand out his used drumsticks and sometimes even a drum head.
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III is the most animated of the guys. I will often refer to him as the "main character" of Sleep Token because he is always front and center. This has also earned him the fandom nickname of Bassy Boi. I've seen him do everything from windmill headbang, to run in place, to high kick, to jumping up and down for 30+ seconds straight. He also has a knack for yelling at fans. There is a compilation video on YouTube here for reference. Also! Something I forgot to mention earlier in telling III and IV apart: III almost always has on his iconic checkered socks in the most recent shows.
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IV (at least the current IV) is probably the most reserved and collected on stage (fun fact, there were two other IVs in Sleep Token before our current IV, I wrote about that here), In earlier shows he played with the band, around 2021/2022, he used to be fairly shy. Sometimes IV would stand off to the very side of the stage and let Vessel and III have all the attention. Luckily he's seemed to get past his shyness and has become much more of a crowd pleaser. He'll often do things like serenade the crowd (a bit like II does, only a lot closer since there's no drum set in the way), get roped into Vessel's or III's chaotic stage antics, or, you know, tease pulling his mask off in front of an entire music festival crowd.
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tiredofsatansbullshit · 10 months
Note
I haven't said anything crazy to you about Jason in awhile, I want to change that but don't have any ideas.
*insert long-winded original rant in the same style as the Dicks closet hetero accuser saga or the locked out of Red Hood thirst page saga*
Uuuh let's see if I can come up with one
Jason doesn't technically have a drivers license. He has a license for his motorbike which is all he uses most of the time but he does drive a car occasionally without a license for it. He's never been pulled over so it's fine.
Until one week where for some reason Bruce, Dick and Alfred are unavailable and so Jason has to start fetching Damian and Duke from school in the afternoons. Everything was fine until Damian and Duke started fighting over them and Jason attempted to break up the fight, leading to none of them noticing the cop car they just speeded past (they were going 40 over the speed limit) and none of them had seatbelts on and Jason's hands weren't on the steering wheel.
They realised once the cops lights switched on and started chasing them. Instead of pulling over, Jason sped up. Finding the whole thing hilarious, Duke started live streaming the whole chase. They ended up driving all the way to Bludhaven, where they were stopped by a very pissed off Nightwing who, on the live stream, lectured and then arrested Jason Wayne. It took Bruce three hours to show up to pay the bail.
There's gifs of Jason flipping off Nightwing as he's being put into the back of a cop car trending for weeks
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beelzeebub · 1 year
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you most definitely have already got this ask lol but I would love to hear more about what you picture the plot of Goncharov (1973) is (and what your opinion on the very popular gonchrey ship as well!) I am so tempted to get a poster you would not believe-
Ok so about the ship Gonchrey or Goncharov/Andrey (who si played BY HARVEY KEITEL). In my own lore, Goncharov is the main protagonist and Andrey is the main villan (it's kinda obvious from the poster lol) so I'd totally get why people ship them bc people tend to ship heros with villains. But with everyone having their own interpretation of who the chracters are, I can't comment on other people's view of them.
And now the lore! I’m sorry if this sounds stupid or doesn’t make sense, I’m writing it in a hurry and I will extend upon this in future. Also, this is not a Martin Scorsese story. It’s a mine, let’s be honest. I’m not saying this to brag but I’m not all that interested in pretending this film is real. For me, they’re just my OC’s from a funny poster I made for my mutuals. I’m saying this because I’m not trying to emulate writing of the great Martin Scrosese who I love very much. I’m just some rando person who likes mafia and gangster things. Hope that makes sense.
Oh and before I begin, no clock, boat or bridge scenes or anything of that sort is in my story. All these things were created by someone else and don’t fit in my story.
The story takes place in Prague, Naples and New York
Some info about Goncho and Andrey:
So Goncharov is the main protagonist of the story. Not much is known about him, his origin is very mysterious but it is later revealed the crime boss Andrey had his whole family murdered for owing him money and Goncharov is of polish-italian origin (I'm not sure what I want his real name to be yet). In the story Andrey is about 10 years older than Goncho in order for this to work, the actors are the same age but the eyepatch ages Andrey up so it works. Murdering Goncho’s family was one of Andrey’s first things he did after his rise to power. And so basically the story is about revenge. Andrey is half czech and half italian and he operates from Naples but his crime ring works all over the world. 
If you asked Andrey how he gained all his wealth and power, he would tell you it was through hard work and that he came from virtually nothing. That's a lie as his family was very well off. The extend of his wealth can be also attributed to all the blackmails, murders, abductions, frauds, thefts and other crimes he and his crime ring commited. Maybe these are the things that constitute as "hard work" to Andrey. Andrey is also a classist and something of an ethnonationalist as he often refers to himself as full blooded italian and rarely admits his half slavic origin.
Here’s some info about Katya and Goncho’s relationship from other ask (some info about Sofia too):
In my own lore, Katya is very much in love with Goncharov but is also tempted by Sofia. To Katya, Goncharov and Sofia also represent two very different ways of living. Goncho is a smuggler but an honest one and Sofia works for her boss Andrey’s crime ring. Being with Goncharov means living a dangerous life on the run but somewhere down the line there is a possibility of settling down and living life through honest means. Being with Sofia means choosing a simpler, cushier life, a life of luxury but it also means being forever part of the crime world. Who will she choose? I don’t know and neither does Katya :)
Also, I’m toying with the idea of Katya being married to Goncho (simply becasue I tagged her as Katya Goncharova a couple of times lol) but I don’t know yet :))
Info about Mario and Ice Pick Joe:
Mario and Ice Pick Joe grew up together in Sicily and were both very poor. They are not related but share somewhat of a brotherly bond. Joe’s darker side started to show from a very early age. He loved to kill and dissect small animals which sometimes freaked up Mario (although he never judged him for his impulses). Joe also talked about joining mafia from an early age, it seemed like a natural thing to do. He never imagined himself as anything else than a criminal. Mario is academically very smart. Joe often said to him that someone this smart could go study and make something of himself through honest job. But Mario was a very cynical person from an early age and thought that the only way people like them can escape poverty is through dishonest means. Also, Joe is just a joy to be around (if you’re not the animal or a person he’s dissecting), he’s funny, great cook, loves music, unassuming but charismatic. And it’s not just a front, he really is like that, he has two sides, one of them is very dark. Mario, as smart as he is, lacks the charisma and is aware of that. He is brooding and sulking and cynical. Lacks the social capital ... and friends (except for Joe of course). He also likes to go to casinos and gamble, not because he needs the money, but he likes winning and he likes the fact that other people’s social status can’t help them there. He’d never admit this to you but he secretly wants friends and wants to be liked but he is just so goddamn unlikable to the majority of people that no amount of wealth can help him with that. Mario was also always ashamed of his humble origin. When the two of them joined the crime world, they joined Andrey’s crime ring. Joe is very loyal to Andrey because he sees him as someone who gave him a chance and saved him from poverty. Joe became Andrey’s best hitman and is free to act on his darkest impulses. Mario became Andrey’s accountant, handling money. But unlike Joe, Mario resents Andrey because Andrey is a big classist and often and not so subtly lets Mario know that he would be nothing without him. In the story, Mario befriends Goncharov (the met in a casino) and will have to decide whether he betrays his boss or not. And will he be able to convince his best friend Joe to work against a man he is very loyal to?
The Naples side of my story is probably my most developed part as of now. I still don’t have everything figured out.
How Ice Pick Joe got his nickname:
Ice Pick Joe's favorite weapon of choice actually isn't an ice pick, despite many people assuming that's the case. He doesn't have a favorite weapon or a torture method. He likes them all. His nickname refers to one specific event that took place shortly after after he joined Andrey's crime ring. One of Andrey's highest ranking lieutenants was suspected of stealing money and giving up information to a rival crime lord. He was subjected to many hours of interogation and torture but still he would not confess. Then Joe asked to try. The only thing he took to the room with him was in ice pick. Nobody really knows what happened in there but it took less than 15 minutes for the lieutenant to confess how much he stole and what information he gave up. Andrey then used this information and destroyed the rival crime lord. This event prompted Joe Morelli to gain an immense amount of respect within the crime ring and ever since that day everyone called him Ice Pick Joe.
Info about Katya and her brother Valery:
Katya and her older brother Valery were born in Moscow but moved to Moldova after Katya's birth. Their moldavian mother died during Katya's birth and their russian father was very abusive but mostly absent. Valery is 20 years older than Katya and he basically raised her on his own. Valery became a high ranking officer in the militsiya (soviet police) at quite an early age, mostly due to his efficiency. He soon became disillusioned by the brutal soviet regime and defected to the USA, searching for a better life for him and Katya. He became a weapon smuggler and that's how he and Katya met Goncharov. Valery and Goncharov fell out during an event where Valery thought Goncharov had betayed him after a heist gone wrong (he didn't betray him, it was misunderstanding). He also hates Goncharov because Katya fell in love with him and choose to leave with him.
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ikemenomegas · 1 year
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in light of gojo's unsealing, ive thought about diff cute scenarios
gojo being the type of person to get his mate's phone and snap hundreds of pictures of his face
this would probably never happen given gojo's privacy when it comes to his marriage but in a different world i can see this happening Gojo naming his alpha as "mochi seller' on his phone and Itadori seeing the message pop out from the lock screen and accidentally somewhat outing gojo's rs when he asks him in front of the other students why the mochi seller sent an ily message
the tender moments where gojo lets his infinity down or lets his alpha inside his infinity and he gets to relish in the warmth of their skin
the sappy things gojo's alpha has to sometimes do whenever gojo gets too rowdy and they need to placate him for whatever reason (re: alpha reading a map together with nanami scenario)
gojo sending his alpha a picture of two rocks by the sidewalk with the caption: 'us'
gojo asking his alpha if they would still love him if he was a worm and the alpha saying: "no<33"
Awww! These were really cute anon! Very happy ending which I feel like we're going to need a lot of in the coming weeks...
(Also I ran with it but why is their name "mochi seller" haha)
[Ao3 link for those who prefer chapters]
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⬖ Photomaton
"Device storage insufficient, please move or delete files to make room?" you read, nonplussed.
Nobara sighed. "Sensei, I showed you how to do that weeks ago."
"I did do it." You frowned, opening up your files. Why were there so many pictures...
Nobara rolled her eyes at you and beat a hasty retreat when your hand went to your mouth as your face went warm.
There were rows and rows of photos, none of which you had taken.
Most of them were selfies, but some of them were obviously the result of Satoru propping the phone up and attempting to pose for the camera.
He must have been swiping your phone every time you left it sitting out or went to sleep. He didn't rest much, but there were so many, more probably than you'd been able to take in the last five years.
There wasn't much thought for such things when you only saw one another a handful of days every month. The focus had gone to managing the present, not on taking pictures. You'd only really thought to regret it after that terrible Halloween, when you worried you'd never see him again.
Some of the photos framed Satoru inside one of your homes. Others were almost ugly shots, taken way too close, or blurred with motion artifact. There were pictures of him haloed in the night glow of streetlights or washed out in the halogen light of a konbini. There were those made grainy with low light and some that took your breath away because he was nice looking.
Furtively, you looked up but were alone and you silently thanked your student's exasperated impatience. A few of the photos showed just too much skin to be exactly proper.
You thumbed down. The pictures were a story all their own revealing some of what Satoru did when alone and you savored the honesty. You had to keep apart from one another for so long.
The last thing in the camera roll was a video.
It opened with the shuffling sounds and the wobbling display of someone walking. Satoru wound around furniture in the darkened interior of your apartment.
"I'm home. You're asleep right now," he said lowly, "probably won't be later. I don't know how most people can sleep so much." He spoke half to himself, the deep night laying over his words like velvet.
There was the sound of the door to the little balcony opening and then the faint tinkle of the glass bells hanging from the eaves.
"Must be nice," he mused, "you get to miss a lot."
The image on the screen steadied as he rested your phone on the rail. The familiar view of the city resolved as faint golden starbursts of light. The rustling of Satoru's clothing faded until all you could hear was the faint rush of night wind and his breathing.
The video went on for over a quarter of an hour. You scrolled your fingers across the screen. He didn't move, the picture stayed the same. You leaned against a wall and listened to the last few moments, your heartbeat low and slow, your breath in sync with his from some time both here and long ago.
Satoru spoke, amused over the night-sounds:
"Don't delete this. I'll know."
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⬖ Daifuku
"Good job," Gojo congratulated his dust-stained students as the veil fell.
Maki and Toge glared while Yuuji gave him a tired thumbs up from where he was laying on the ground.
"Dinner is on me tonight." Gojo ignored their halfhearted grumbling. "Decide where you want to go."
He anticipated a larger than normal ding to his wallet, but they'd earned it (and it wasn't as though he couldn't afford it). Beating this curse was no minor feat and it had been a particularly crafty one, which was why Gojo had gone with them just in case.
The students made noises of acknowledgement with varying levels of anticipation, but to no one's surprise, Yuuji was the first to roll over and dig around for his phone.
He tapped the screen and groaned.
"Sensei, mine's dead. Can I use yours?"
Gojo unlocked it and passed it over without a thought. He wasn't particularly hungry, the kids could figure this out without his interference for once.
"Um, Gojo-sensei?"
"Hm?"
"Why is a "mochi seller" reminding you to stop at the pharmacy and sending you heart emojis?"
With uncanny synchrony, Maki and Toge's heads turned to look at their teacher.
The phone in Yuuji's hand buzzed faintly.
"I love you?" he read, sounding alarmed.
Toge's eyes went a bit wide but a grin that curled a bit too much at the edges and showed teeth took over Maki's face.
"Text back," she said, scrambling to her feet.
With all her quickness, she swooped in and snatched the phone when Yuuji hesitated.
The phone buzzed once more.
"I'll be home by 8:30, probably," she read.
Gojo took advantage of Maki's triumphant look to slip the device from her grip.
"I knew it!" she pointed at him. "I knew you were hiding something."
"Grown ups hide lots of things," he replied blithely. He was confident none of the students could tell that moment had been more like someone walking over his grave.
It was not as though he intended to hide his relationship with you. Hide implied shame, concealment on the other hand had been security and was harder to let go of. There would come a moment when the kids prised the truth from him. He was not about to have that moment with his kids now, or hopefully ever, because they accidentally read his texts out loud.
Maki reached for his phone and he easily tipped out of her way, walking off and heading towards a neighborhood he knew (and the students did not) had a lot of very good restaurants.
He was silently very thankful when the implied threat of no food at all distracted the students. Or at least had Yuuji barreling past Maki and kindly dropping the matter in favor of promising to "only look at the map this time, was there a good katsudon place nearby?"
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⬖ Goose Down
Satoru spotted you hunched over a rail with your umbrella open overhead, held in the crook of your elbow.
He could tell from the set of your shoulders that the summer sun was getting to you, despite the cursed tool taking a majority of the pressure off.
Your energy was butter yellow and burnt red and lithium pink, mixing slowly around your body as you slowly cycled power into the umbrella and the short sword held loosely in your hands.
Satoru ducked around a corner and took a peak at your face. Your eyes were closed.
Smirking quietly to himself, he crept around, Infinity a barrier between himself and the world. For just a little longer...
You jumped when he dropped it, nearly dropping your sword and automatically holding the umbrella high enough for him to fit under it.
"Hah-"
"Speechless?"
You gaped at him, mouth hanging open.
He nodded as if you'd just confirmed it. "This is what they don't tell you about marriage. Making someone's heart race is important even after the wedding. We'll probably be together forever at this rate."
You mouth closed and then went a little wobbly.
"It's hot," you finally said, miserably. "And it's too sunny."
He couldn't hold back his laughter as he stepped closer and folded himself around you. Your scent tingled pleasantly in his nose and your skin was warm from both heat and light, like a sun-warmed blanket.
"Oh," you said faintly, "you're cool," and you all but melted against him.
"You could just go inside," Satoru said. "I sent the students off on an adventure. We wouldn't be bothered."
"That sounds nice," you murmured, but didn't make any move away from him.
He didn't either. He didn't feel much like letting go yet.
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⬖ Orange Kazoo
Sometimes, you reminded yourself through your already strained patience, Satoru just needed to be left alone to make noise.
For a moment, you considered begging him for just a little peace, but you knew he was doing this for your benefit. Shibata Kin was a difficult pill to swallow.
"I never expected anyone to send Six Eyes to join us."
It was the weakest and most recent of Shibata's barbs. The oily way he said it and the implication that anyone would dare to subordinate Satoru to this boot licker rankled.
Satoru crinkled the package extra loud on a bit of melon bread and smiled. "I was in the neighborhood."
He took a bite, chewed and swallowed while you flipped through the mission report on a clipboard.
You sighed, exhaling your worry, and handed it back. "Let's go then. It looks like all the victims disappeared from the same place so we should start there."
That place was a building that straddled a moderately busy subway station and stacked part of a shopping mall, a cluster of private clinics, and a cram school all on top of each other.
Satoru trailed behind through the store, stopping at kiosks and chatting with saleswomen, picking up and putting down objects.
You could feel Shibata's irritation transform into something far less internal as he turned to you.
"He's like a child," he remarked coolly. "Sure we shouldn't just ditch him? The curse doesn't sound that hard to deal with since I've got you."
When you ignored him, he kept talking.
"He shouldn't even be here," the man drawled.
You shrugged. "Well he is."
Shibata sourly appeared to swallow whatever else he wanted to say. You turned around to see where Satoru had gone to. The thought of being stuck with the bitter other sorcerer was worse than waiting for them to pick their bickering back up.
He waved a stuffed cat in sunglasses at you and nodded eager agreement when you pointed out a cute little sparrow holding an umbrella on a shelf behind him. Sometimes, it was best to just humor Satoru and play along.
When you turned back, Shibata Kin was gone.
Since you were all concealing your residuals from the curse you expected was in the building, you had no idea where he went.
You looked over your shoulder. Satoru was gone too.
Well.
You tapped your fingers over your pocket and then decided to let them go. Satoru always seemed to know where to find you and Shibata had called you here as backup. You should probably go kill what you were looking for before it nibbled on him.
Many fewer curses than you expected lingered in the shopping mall. They were bizarre places with as many secret passageways as an ancient castle. Away from the popular shops and crowds, it quickly grew quiet and the bright gleam of displays gave way to more neglected halls.
On your way, you passed a small bank of capsule machines. You crouched down, and smiled faintly to yourself. Abandoned in the furthest reach of the shopping mall, almost near to where a service entrance lead to another stretch of winding halls and tunnels, the items here were both ancient (by city standards) and ridiculous.
Packages of candy that still held their shine but were likely far past their expiration date sat beside tiny figurines of a frog-shaped toddler in a little red hat. You grimaced back at those and moved on.
Near the end of the row was a machine that sold tiny musical instruments, plastic and paper and probably terrible sounding, but it wasn't expired food or frog children. You stuck a few coins into the slot and turned the dial.
An acid green ball spat out from the slot.
You picked at the latches on its side while you found your way further and further into the little used corridors.
There was a flash of something, like a burst of camera illumination from behind a door on your right.
You slipped through it, pulling your blade free from its sheath at the small of your back, and emerged into a tunnel that looked to be connecting to the nearby subway station. Not far ahead, the darkened path split into two.
You flipped the sword around so its blunt edge rested against your forearm and sprinted, dashing across the intersection.
A blur of motion came at you. As it grazed by, you snatched at that movement and sprang into the air, high enough to crouch on the ceiling of the tunnel.
The curse was a near perfect twin of the one a little ways down the way the attack had come, which should have maybe been your first hint. The one that had come at you was grinning, its face a rictus mockery of a theater mask.
They both sat, crouched like toads. You feinted toward the one that had come towards you, and at the last minute flew down to the other, its mouth bent in a painted looking frown.
It backed up in surprise, but not far enough and your blade nicked through the face, which was hard like dense wood. The air around your other hand shimmered in heat, as you struck for the thing's cavernous eyes.
It emitted a furious, scolding gurgle that almost reminded you of some of the window teachers from high school, and swallowed the burst of heat before it could crackled around it into full flame.
You hardly had time to reinforce your body with cursed energy before you were blasted from two directions, letting the momentum carry you and trying to wrap the more opposing forces and the roaring sound of displaced air into your own cursed energy. But something about it resisted you, and you were unable to absorb as much of the attack as you usually would.
A racking shiver radiated through your body right before you were caught by a broad hand on your back.
"Hi," Satoru said sweetly.
"Hi," you panted, automatic, eyes still fixed on the curse.
"What's going on?"
You looked up at him with incredulity.
Hoisted in his other arm was the limp body of your other companion.
Satoru's head cocked to the side, curious as he looked at the curse.
"I don't know yet. I hit it and then--" the mask of the frowning curse was ash blasted and the notch from your first strike still there, but it was not as damaged as expected.
You regained your footing and stood upright.
"If I give it another go I think I can figure it out."
He tilted his head.
You sized up the two curses waiting outside the reach of Satoru's infinity.
"Oh." You reached into your pocket and handed him the green orb.
"What's this?"
"Dunno," you said with a faint smile. "I got it for you."
"Aww, you shouldn't have."
Maybe not. Satoru thinks gachapon are funny, you should show him the line of machines if you get out of here the same way you come in, then he can choose something himself. You still have a few coins on you.
You flew at the grinning curse, both hands on the hilt of your blade, cursed energy flashing into a point a good six inches out from where the metal itself ended.
You held, crystalizing your own movement for a moment and stared deep into the thing's empty eyes.
It twitched, and then its arm moved and you slashed downward, intending to cleave the limb away.
The blade hit, you knew it did. You were able to dodge the attack you anticipated from the smiling curse. The frowning curse in front of you struck back, almost at the same time.
You pulled on some of the reserved momentum you'd held back in your initial strike and barely twisted out of the way.
You lifted the gleeful cackles of the twinned curses from the air and tried to twist them into a crackling rope of flame to surround the grinning one again. As you had expected, the damage did not seem to completely take and you were forced to duck when a bolt of heat tried to sear your back, culminating in another blast that shook the tunnel and thew you once more.
"That's enough."
Satoru appeared at your side again, pulling you back behind the shield of his power when the curse's retaliation threatened to cut through you.
"This one's a bad match for your technique," he murmured thoughtfully.
"Is it reflecting through the faces?" you asked, catching your breath.
He hummed.
Absently, you realized you could scent the sharp, fresh smell of citrus on his breath - the smell of the biting orange flavored candy you'd shared with him on the train ride here.
"If it reflects yours too--" you trailed off. What you did was firmly in the realm of the "real" and Satoru's abilities were not. If this curse were to reflect back blue, or red, or heaven forbid purple... well you'd never seen or asked up until if Satoru could stop his own techniques. It seemed a tactical oversight in this moment.
Satoru stepped forward.
"Stabilize him," he instructed flatly. He'd tossed Shibata Kin's still body where he had been standing barely a minute before.
The curses had moved closer and pressed together, beginning to meld into one another before your eyes. The damage you had already done was fading further.
You knelt at Shibata's side, shaking back your sleeves. "You know this is going to poison him."
You carefully set two fingers underneath his right collarbone, and three a few ribs below his heart on the left and focused in on the flickers of electricity that powered a human body.
"Oh well." Satoru's grin was a baring of teeth. "He'll get over it better than being dead."
You could sense the arrhythmic flutter of Kin's heart, like the popping scatter of an overloaded lamp, like a fractured version of that flash you had sensed earlier.
"You know he was trying to set you up right?" Satoru asked as he batted away an experimental chunk of rubble the curse tossed his way with a flick of his wrist. The stone was aimed right for the face of the smiling curse and even as it hit, it seemed to bounce back, hitting Satoru's shield and falling to the ground.
You sparked a bit of your energy to pure electricity, sending it jumping from one side of Shibata Kin's chest to the other.
"It crossed my mind," you admitted, murmuring as you concentrated. "But I didn't pursue the thought."
Satoru snorted. Yes, alright it was more likely you'd decided thinking about it too hard was going to distract you from the mission but you were here anyway.
You counted the pulse of electricity between your fingers to your own heartbeat until Kin's matched, or at least matched better than before.
When you pulled your hands away, Satoru cracked his knuckles. It looked like he was going to go in for physical attacks.
"You might need to manage the tunnel," he said.
Yet another reason this was a bad match up, not just for you but for him. Satoru did best in wide open spaces where he had room to move and didn't need to worry too much about collateral damage. Dropping a ton of rock on your heads and collapsing the buildings above sounded like a thing that could happen.
You had barely pressed your hands to the ground when Satoru was off like a shot.
The curse wasn't that strong - a high end second grade or low level first grade at best given that it wasn't itself attacking to provoke a response - but it split into those two halves of itself and reformed again as needed to minimize the impacts Satoru rained upon it or flank him.
Limitless lay against his skin between each strike so he remained unmarked, but the cavernous space still rocked with noise and dust shook from the gaps between tiles. You steadied it best you could, absorbing the oscillations and dampening the noise.
It did not take long for the frowning curse to realize what you were doing and send the smiling one racing for you. With one hand on the ground and one on your sword, brimming with unspent potential, you raised the point.
"Nah ah." This seemed at once to you and the monster charging your way. Satoru appeared in its path and bodily kicked it away.
It did not take long after for the twinned curses to be dispatched. Although the only reason you weren't holding your breath is because you were gritting your teeth with the effort of holding the ground together and trying not to shake apart yourself.
Satoru in motion, in a fight, particularly when physical constraint demanded more of his ingenuity, was always a sight to behold.
He came back to you looking unfairly dewy post exertion, with his hair in a sort of windswept disarray, the fabric around his shoulders bunched up. He shrugged out the wrinkles and dusted off his hands.
Your briefly pressed a hand to his knee after you steadied the last tremor from the ground.
"Thank you."
Satoru tapped his forefinger twice against your temple as he walked by. "A feedback loop between you and that thing would have been very messy."
You stood up, swaying slightly.
Even though Satoru would have happily dragged Shibata to the exit point, you insisted on tugging him upright and at least moving him through the air to a place where the three of you could safely rest and call a car.
You had settled him against a wall and were calling Akari when he finally stirred.
"What happened?" Shibata asked weakly.
You turned around to look at him and from Shibata Kin's tepid expression and the sound of shifting cloth behind you, you assumed Satoru must have copied your movement.
Still, you gave him a faint smile and couched down beside him. He didn't have the strength to move away as you grabbed his wrist and felt his pulse. It was thready, but he'd be good enough to get the rest of the way above ground until an actual doctor could take a look at hime.
"We're all alive," you explained unnecessarily.
Shibata Kin's eyes moved from your face to over your shoulder. Sweat beaded his brow and upper lip.
From behind you came a buzzing hum, somewhat approximating a sad tuba. Waa wa wa waaaaaaaa, it trailed off.
Satoru had a the wide end of a grape purple kazoo held between his teeth, his sunglasses already exchanged for the bandages he'd had wrapped around his eyes.
Only just in time, you ducked your face into your shoulder and hid a smile.
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⬖ Pet rock
You were walking down some quiet residential street, trying to match the map to the trail of the curse you were tracking. It was not very intelligent, but it had a pernicious little ability to draw other curses to it under the banner of a powerful command. You'd been swatting third and fourth grades out of the air as you chased it, trying to wear down its arsenal.
It wasn't a terribly good strategy however and the thing had been winding its way through side streets to buy time. If you could get in closer, you could chop away at more of its train of screaming fears, maybe get a head start on the main peril. Thus the attempt at navigating and figuring out its destination so you could cut it off.
At least Hirano-san would be happy. Maybe. Culling curses required balance; they were their own little ecosystem. As long as the things aren't eating anyone, a certain amount of apex predators in an area could be a deterrent, like the old practice of putting powerful relics out like roach traps. Have the inevitable critters fight and eat one another rather than their human hosts.
A notification popped up over the map, and then another after it.
You felt your shoulders drop as you recentered yourself with a faint smile.
At your hotel later that night, you recalled that Satoru had sent you a message. You fell onto the bed, wrapped up in the hotel bathrobe.
It was... nice, knowing that someone was waiting at home for you. Or if not at home, he was still busy as ever, out there in the world somewhere, thinking of you. Weirdly normal.
The message was a picture. You blinked up at it. Two little rocks and a flower growing out of a crack in the pavement to shade over them.
>> ?
Almost immediately you saw three dots appear.
<< it's us!
Is it? you thought skeptically, looking at the picture again.
The dots again.
<< You don't think so :(?
Your phone was buzzing in your hand before you had even a moment to answer.
It startled you enough to drop the phone.
Owww
"You took so long to answer. This is photography, are you discouraging my new passion? It could go on a greeting card."
The word salad was meaningless and silly, weightless.
"I dropped you on my nose," you said, eyes closed as you rubbed the spot the corner of your case had hit.
"Were you that surprised by it?"
A pause.
"It's cute." The notion of it and the fact that he'd sent it to you was cute.
"It is cute right?" His voice was bright but not overly loud through the phone, for which you were grateful, already settling into warmth. "The flower is poisonous too."
You curled up on your side and held the phone close. Maybe he'd get lucky and you would find something cute to send back to him.
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⬖ Puddle jumping
a/n: You have no idea how much googling I had to do to figure out what the prompt meant. I am not on the tick-tock app lol or, I've found, a fan of this meme... the implication that girlfriends ask useless questions as a rule seems sort of meh. So I mostly kept to my original response to this which was "i don't know what that is and honestly probably neither does alpha"
Satoru was herding you down the sidewalk, occasionally listing one way or the other to get you out of the way of other pedestrians. Sometimes he did it for the simple fascination of how you swayed along by him like you were on a tether. Even while you eyes were all but fixed skyward, you stayed roughly the same distance from him.
It was the first day of sun after days of rain and also one of the first days he had off with you in so many apart. He had been too restless the day before, back off a bad mission that had more to do with the desperate unpredictability of people than the intrinsic darkness of curses. You had not resisted him when he drew you out, stifled by the low clouds and humidity and longing for openness. Even with Infinity blocking the rain, it had felt like being closed in again.
Relieved of their burden, the clouds had gone from iron grey to diaphanous white and pealed up and away in swaths like billowing curtains. This is what you were watching - their retreat from the earth. They had come so low they wrapped around skyscrapers and telephone poles on their back to their usual place.
Satoru watched the drowned earth. You had cut through a tree lined walk. The rich soil was churned and muddy and the long bodies of worms that had been washed out or crawled up were strewn about.
Your and Satoru's steps made no mark as he stretched Infinity over and around the two of you. Neither of you tread upon those blind, waterlogged creatures.
Satoru stepped behind you to allow a cluster of high schoolers to pass and hid a faint wrinkle of his nose as they squealed and ran by, realizing they were stepping on some of the remains.
Your umbrella was folded and carried at your side, and you tilted your head back at him, looking a little sun-drunk. He smiled at you. He could see the reflection of the sky in your gaze.
He adopted a pout, snickering internally as you immediately seemed to regain some awareness and a wary anticipation entered your expression.
"Would you still like me if I was a worm?" he asked.
You blinked at him. "Is this one of those things you learned from the kids?"
He slouched a bit, crowding into your space. "Would you still love me if I was a worm," he wheedled.
"Are you turning into a worm?" you asked, slightly panicked, hand going to his arm as though to check if he was going as wet and floppy as the poor things on the ground.
"I'm going to turn into one if you don't answer my question."
The last of the distracted fog lifted from your eyes as you shook yourself. You took his hand and pulled him close to let another couple pass you on the walk. They inclined their head in thanks.
There was no rush to get where you were going and you tugged him along a smaller path that cut under a row of thick-branched trees so you could walk side by side unimpeded.
"I still liked you when you were a semi-sentient six sided die," you pointed out, smiling slightly.
"It's not the same," he whined a bit, drawing out the words in a sing-song fashion.
"Isn't it? I'm not sure a die eight kilometers under the ocean is more useful than a worm."
"Hmph."
"Although I really hope the worm thing is hypothetical."
"Why?"
"Because with our luck that would mean I'm a worm too."
Satoru huffed a faint sound of amusement. "Nooo. You'd still be some kind of bird." He patted your back. "Don't worry I'll make sure to crawl out late so you can still be in time to eat me all up."
"... Are you propositioning me or telling me to hurry up?"
"Walk faster or I'll step on the backs of your shoes."
You did. The two of you walked faster and faster until you were all but chasing one another out of the park, laughing lightly as you dodged the spots of wet on the ground.
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karniss-bg3 · 7 months
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What do you think Kar'niss would do if he survives the death of the Absolute and all? With everything over and we'll say that he is by Tav's side until the end as well. Would he worship Tav as another kind of god/goddess, or... something else?
Hm this is an interesting question because there are so many variables at play. With the way Larian has structured the game it seems like all companions have the ability to shift toward good or evil. Of course I've not done a playthrough with Karlach, Wyll and Laezel in my party from start to finish but it's in the works. I know they can dip if Tav pisses them off too much but for the sake of ease, I'll just assume basic good versus evil. Act 3 spoilers head.
Good Ending: At first Kar'niss would've been very hesitant to join Tav and friends, likely even violent. It'd probably take a high persuasion roll to get him into your party. Tav just destroyed those he was loyal to, after all. The artifact could do well to block the tadpoles influence but Kar'niss' shattered mind is a different kettle of fish entirely. I imagine the first interactions with him would be aggressive and stand-offish. After all he was just ripped away from his new home and lost his "Queen". He's likely feeling disjointed, scared and a bit lonely without "Her" voice to bring him comfort. It'll be up to Tav to replace the Absolute's voice with their own. Not only that, but Tav could give Kar'niss healthy love and attention, help break through those years of abuse and build his confidence. It would be slow going because he has so little self worth and trust.
Then there is the matter of him being a drider. I don't think Kar'niss would want to stay in that shape, he likely longs to be a full drow again. That begs the question, does Tav find a way to transform him back or let him stay a drider? Since Tav controls the narrative it'll be up to them on if he switches back. To my knowledge the only way to undo a drider transformation is a wish spell which does exist in the BG3 universe. There could be other ways if Larian wanted to keep it simple but assuming Tav somehow finds someone with a spare wish spell then perhaps that is how he is changed back.
At the end, if Tav works toward this goal, Kar'niss would find more of his own voice. His confidence would grow and he'd learn to stand on his own rather than mindlessly following others at the drop of a hat. He'd be able to think critically and make choices not influenced by whispers in his ear. In other words, he'll -choose- to stay with Tav rather than feel he's obligated to. I don't think his mind will ever fully heal, it's taken too much damage to come back from the torture he's been through. Tav helps keep him grounded though, working with his short comings rather than against it. If Tav romances him then Kar'niss laments in the final cutscene: "When you found us--me, I was in a fog. My body moved as if controlled by magic, but I was not the one commanding it to do so. From the Underdark to Moonrise I played a pawn for the sake of someone else's power. I thought I was doing the right thing, I believed it in the very depths of my heart. They would've condemned me to death and, mind controlled as I was, I would've marched into the sword with my head held high. Not only do I owe my life, I owe my very mind to your aid. I was nearly forever lost, thank you for seeing more in me than an irredeemable monster. I want to remain by your side anywhere the winds take us. I love you."
Bad Ending: While not requested I figured I’d write it up for the sake of curiosity. It starts very similarly except Tav uses their tadpole to overwhelm Kar'niss with authority. Tav may even convince Kar'niss that they are the physical embodiment of the Absolute to keep his compliance throughout. Kar’niss is more agreeable at the start due to this, devout and eagerly awaiting commands. The more Tav chooses to cater to his psychosis rather than break him from it he becomes even more unhinged overtime. There may even be exchanges where Kar’niss seems to talk to himself and ignore Tav completely from time to time. He’s lost to the voices in his mind and the fervent beliefs that have followed him for sometime. When he does have moments of clarity his focus is on doing the Absolute’s will. It’s an obsession and he seems to want to talk about little else. Tav could romance Kar’niss during this time but something may feel off about the interaction. Kar’niss will worship Tav, do anything that is asked, but there is a sense that he is doing so out of blind devotion rather than true affection. It’s empty. His love is tainted by a belief and trust born from deception.
As their journey nears its end, Kar’niss’ mental state has declined to a point where his speech breaks in the middle of conversations. He may zone out and some of his party interactions out in the wild could cease altogether. He’ll refer to Tav as “Majesty” and little else. The perfect obedient pet. Assuming Tav goes with the ending to destroy the Absolute then that fogs up Kar’niss’ fate a bit. I don’t think the other endings allow a romance cutscene to play at the end but I could be wrong. I haven’t tackled them all just yet so I’ll stick with the tadpole annihilation ending here. Even though the tadpoles are gone Kar’niss’ mind is well and truly fucked. Any sense of self has been all but destroyed, leaving nothing behind but a temperamental fanatic in a worse state than Tav found him in. Any use of the word ‘I’ to refer to himself has dropped from his speech completely.
“Majesty, w-we survived. Have we done well? Our devotion is unending for you. Tell us where we shall go and it will be done. We have never known such bliss, such comfort. Our pledge to you will never falter so long as we still draw breath. You need more followers, an army fit for a God/Goddess, and we will provide it Majesty. Just...don’t forget about us. We are still your favorite, yes we are...no one else can love you like us. NO ONE ELSE! Our love for you knows no limits, we will give you everything you desire. We are ready to march by your side, to the ends of the world.”
These are just two of MANY possible outcomes for poor Kar’niss. I think Larian would make his bad ending tenfold worse than I could ever conceive and that will haunt my nightmares for sometime.
Sorry this is so long, my mind wouldn’t shut up. I hope this answers your question. Thanks for the ask!
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desertfangs · 4 months
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Reading through QotD and this somewhat obscure Armand/Daniel quote is driving me insane. “Oh, we shall go to the stars together! Nothing can stop us.” THEMMMMMM 🩷 Right before the concert and all Daniel can think of is how in love he is.
ANON yes this line is so good!! And he's so full of love, he's bursting with it!
And it's even better when you remember that it comes on the heels of Daniel asking Armand if he's happy with how he turned out. Daniel is manic and riding the high of finally being immortal. It's Halloween! It's the night of Lestat's concert! Everything is a spectacle to him, the way the street lights glint off windows, the kids racing by in costumes, the sounds. He's elated.
But also, Armand had always vehemently refused to turn him. They had horrible, vicious fights about it. We don't know exactly why he left six months before this but it's a solid guess that it was because he was fed up with Armand not giving him the blood and (imo) hoping Armand would chase him and finally relent. Victory is his!
But he worries that Armand isn't happy with him. He's so all over the place and Armand is trying to usher them safely to the show despite the danger to their kind is facing. Armand is focused on the task at hand and Daniel needs reassurance that he is okay, that Armand does not regret it, that this is what Armand wanted.
And this is the line in this book that I wanted painted on my wall. I want it illustrated and framed and hung above my bed! Because it gets me every freaking time:
"I love it well enough the way you turned out," he had whispered with a sudden irrepressible smile, the warmth still there. "You're my firstborn," he'd said. Was there a catch in his throat, a sudden glancing from right to left as if he'd found himself cornered? Back to the business at hand. "Be patient. I am being afraid for us both, remember?"
🥺🥺 I just. Even now I'm tearing up a little because it's so sweet, it's a genuine moment of emotion from Armand, who is actually overcome with love and pride for Daniel, even amidst this chaos. And it seems that for the time being at least, that is all the reassurance Daniel needs.
We shall go to the stars together! 😭😭
God, they deserve to. I know they have a rough road, but I do firmly believe they had some really good times together in those first few years before things got really tense, and even then, they had good nights, good weeks, good moments until they finally split.
This is why I really hope they have a lot more fun together in the post-canon era, after they reconnect and rekindle that love we see here. Their love is so powerful and special. This is why I love them together so much.
Thank you so much for sharing, ANON!
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catastrxblues · 3 months
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OH MY GOD HIIIIIIIIIIIIIIII HIIIIIIII HIIIII <33 HOW IS EVERYONEEEEEEEEEE
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multicolour-ink · 4 months
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Whatever you’re willing to tell us about the Dragon AU, I am more than willing to hear. Do they get to transform back?
I am happy to answer things about that Dragon AU ^^
Yes, don't worry, they do get to transform back.
Peach has to learn a spell through use of her own power, that allows the bros to change back. Luigi is turned back first, and is dazed and confused about what just happened. However, prior to this, Bowser was attacking the dragon bros as a dark beast. Luigi gets hurt, and Mario (still in dragon form and unable to recognise anyone due to his humanity having been lost through the draconification) thinks Luigi is dead, and his sorrow turns into a blinding rage. Unlike everything else, dragon Mario knows this green dragon is special to him. He needs to protect him, and now he's disappeared and he can't find him!
Luigi manages to distract the red dragon, and cries "Mario, it's me!".
And dragon Mario stops. This human, determined but still shaking like a leaf, reminds him so much of the green dragon...And then he realises...it IS the green dragon! He allows Luigi to hug his snout.
"It's ok bro", Luigi says. "I'm here. And so are you..."
And then Peach casts the spell onto Mario, and the red dragon transforms back into a human, his arms wrapped around his younger brother...
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abbeyofcyn · 7 months
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Heya! I’m going around and asking a bunch of my favorite Tmnt artists the same questions out of curiosity
How did you discover/get into Tmnt?
When did you start drawing/actively start trying to improve your art?
It was a warm summer's day in August 2022 when I was hiding in the darkness of my home. Oh how bored I was as summer slipped away and I wished to do something more than stare at the ceiling.
I opened Netflix after ages of ignoring it and then I saw.
A trailer.
Bright colours flashing on my screen. Action scenes so intriguing I had to know more.
But... it was tmnt and... well ugh I never cared for tmnt.
But it looked so good...
I could try? Maybe it wasn't that bad? I could always turn it off...
Anyhow flash forward to now and it seems I've got a new hyper focus that has hit me hard and got me to actually draw fanart and even worse...fanfics
----
As for drawing, my mum told me that I drew as soon as I could hold a pencil. I remember drawing daily for years until...hm...13 years ago? I gradually stopped and often didn't draw more than once a year with a few revivals here and there.
With some pushing from others I started drawing again at the start of this year and boy I never expected to draw almost daily again. Let alone fanart which I almost never drew! (I only have some very old final fantasy and kingdom hearts fanart)
I uh... should actively try to improve my art but unfortunately I don't like making mistakes and you need to make those to improve instead of only drawing what's already familiar and safe. I also wish I could get feedback but my rl friends just like everything and although that's super sweet it won't help me get better 🙈
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