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#will keep interpreting this post the other way however
garfrigerator · 7 months
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do you know how many times i have seen this post since i saved it when i was like 13. do you know when i realized it refered, not to how much you love & think about asoue, but to how your life is unfortunate.
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lxvvie · 7 months
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A relationship with Ghost would consist of the following (and here's the sequel!):
Being mutually attracted to each other but it's 98012334823 years before you make things official.
Price, Gaz, and Soap essentially going "FINALLY!" and welcoming you to the group with open arms because it's about damn time Ghost found some happiness of his own.
You and Johnny double-teaming Ghost to poke fun at him.
Realizing that Ghost actually has a pretty wicked albeit deadpan sense of humor. You can especially see it with Soap. Can and does encourage Soap to do the thing rather bluntly because he and Gaz have a betting pool going.
Simon being your silent but everpresent protector whenever he's with you. He likes to be in the background observing his surroundings. His eyes never leave your form, though.
Finding out he's quite the handyman. Simon likes keeping his hands busy.
Giggling and/or guffawing whenever he says the word knobhead or taco.
Never failing to become flustered at the way he looks at you. Simon emotes with his eyes more than anything. His gaze is powerful.
Learning to interpret his grunts. They actually vary depending on his mood.
Ghost having to buy boxer briefs (men's boxers are friggin' COMFORTABLE, you hear me?!) and hoodies more than usual because you almost always take his old ones. He doesn't mind as much as you think he does. In fact, he likes it when you wear his clothes. He just won't ever say it. Much. He will, however, show you how much he likes it...
Realizing that for all his size, Simon moves in silence. You've lost count of the number of times he's scared you.
Ghost having no problems entertaining you, especially when it comes to random ass conversations. Some of his responses, especially when said in a deadpan tone, are unintentionally hilarious.
Never failing to be impressed by the way he can multi-task, especially when you're talking to him. You tested it once because you thought he wasn't listening. He was. He repeated the last thing you said to him verbatim. Oh.
(Referencing this post) Ghost knowing he's in hot shit when you call his full name, complete with a middle name that changes every. fucking. time. To date, he is Simon Marie Amadeus Atherton Riley. Soap caught the Marie part and now he has the rest of 141 convinced that's Ghost's middle name.
Ghost learning the importance of self-care. Whenever he's in hot shit, it's almost always because he's pushing himself or won't allow himself the opportunity to rest.
Giving each other space when necessary. Ghost absolutely needs space to decompress when he gets home and afterward, you two are inseparable.
Using each other as human pillows. Whereas Johnny becomes The Soapurrito™, Simon tends to sploot on top of you. Especially when he's dead tired.
Texting him random ass questions and depending on the answer, Simon is yet again in the doghouse.
Talking about potential tattoos he can get. He shot down the idea of getting your name tatted on his lower back because... no.
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iberiancadre · 2 months
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I've talked about this before but I have a deep dislike of sentiment like this within "leftist" circles, regarding unions. And it's practically always from USamericans, go figure.
(Before anyone interprets this post on bad faith, which is inevitable, I am not against being in a union and I am not telling people not to join a union, it's the most inmediate form of protection workers have and that is, in fact, good)
It's this overbearing insistence on joining unions, treating it like the best (and only) way of achieving workers' liberation, and I think that shows either a bad understanding of what unions are or a bad understanding of how capitalism works. Unions are bargaining bodies for workers, that's it. They aren't revolutionary, and they aren't going to kill your boss. And I want to really hammer in this point. They aren't revolutionary. Precisely because their role is to bargain, and to achieve better conditions within the system of salaried work.
You are never going to "liquidate the ownership class" by getting longer breaks, paid holidays and an excellent health plan. Keep in mind, bargaining with the capitalist is necessary, and that in itself isn't non-revolutionary, not necessarily. But the only purpose of a union is to bargain. I really don't think people get this. A union's only purpose is to bargain, it is to negotiate. Negotiations also necessarily imply compromises and unsatisfactory deals. Unions are not a magic key to not being exploited, and they especially are not the way to liberation.*
I think this is especially prevalent in the US because of two things:
Their labor movement is so fucked that any kind of opposition to capitalism is by default radical. And therefore some people feel it's enough to just tell people to join a union. However, this isn't unique to the US and many places have it much, much worse
Living in the imperial hegemon makes it very easy to ignore any other place outside of their little sphere. People can go years engaging in left-of-DNC circles but without ever leaving their USamerican community, they end up not knowing who James Baldwin is, to give a topical example. This affects the US labor movement by allowing them to ignore other places' struggles, so it's very easy to see anything they do as the horizon of political action. They only need to look to their own country for examples in action, and the truth is that the labor movement in the US has been largely very mild. In the cases when it has not been mild (notable exceptions include the Black Panthers), it's largely forgotten, demonized or revised in bigger circles.
So you get people who call themselves communists just for being unionists. But a communist is someone who identifies the core of exploitation to be the very structure of capitalism and work and attacks it. You are not a communist, however, for believing the core of exploitation is your shit boss who refuses to pay for dental.
And what's funny is that 90% of what people on here claim to be communist and anti-capitalist is just the norm on most of the world. People will hype up the DSA or VoteSocialist2024 as if they're breaking ground, and then you read their programs and they're just socialdemocrats. They are nothing more than reformists, just another manager of capitalism.
My father works for one of the biggest textile manufacturers and distributors in the world, and unionization is the norm, it's a "union job" but it's still shitty and exploitative. There are in fact 3 unions, and they engage in petty electoralism within the workplace, only sometimes actually protecting worker's rights, and that's a country-wide norm. This is what unions end up becoming when they become established, especially with a friendly government in place.
CCOO was a union created in the late fascist dictatorship in Spain, and they were genuinely fighting (with guns!) against the dictatorship. And the moment the dictatorship ended and they became the largest union in the country, they slowly became less and less radical, and more complacent. Last year they signed a labor reform that legalizes highly precarious and inconsistent forms of work contracts. That's not "liquidating the ownership class", that's just social-democracy when it doesn't need to be the opposition anymore
To wrap up, a note on syndicalism, anarcho-syndicalism, etc.
Unions are by their very nature an organization that only operates within one aspect of the life of the working class, the workplace. Sure, it's the main one and the part that defines us as a class, but it isn't the only one. In order to actually "liquidate the ownership class", you have to take power by force, and that will have to involve intervening outside of the workplace. What syndicalists used to claim is that unions can be the base of a socialist society and organize the entire working class to destroy capitalism. However, at that point, you have created a party and called it a union. And not only a party, but a myriad of them, each with their own characteristics and desires. So a multi-party system. I will not get into the viability of multiple parties in socialism in this post, but they are not unions in anything by name.
Footnote under the cut:
*I know I'm repeating myself a lot these days on this topic, but if you live in an imperial core country, there is no way to have prosperity (as the example above puts it) without some of that wealth coming from imperialism. It does not matter if your particular country never had colonies, it does not matter if your country is stereotypically nice (fuck the Nordic countries). And no, the expoliated wealth does not only remain within the capitalist class, there is always at least some circulation of wealth from the capitalist to the workers within any welfare program. If your workplace can afford to have long breaks, that is at least in part because your capitalist is profiting from the exploitation of the third world, and because the entire economies of imperial core countries uses the wealth extracted to support their deficits and to stabilize their currencies.
It's not a hard concept. If you can understand that it's basically impossible to manufacture batteries for renewable energy without exercising violence on places like the Congo, it's not that hard to understand the same is true for most things.
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thedarkdisgrace · 1 month
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Ok, follow up post to the original cause I wanted to actually offer my analysis/interpretation on this.
I feel like this is a right/left brain analogy 🧵
Dazai covering his right side, the side supposedly responsible for the emotional & artistic things. It says alot about his mindset, accurate for that time.
It’s intriguing, then, Kouyou covers the “logical” side
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I feel like this lends to why Chuuya & Kouyou do get along well. While both Chuuya & Kouyou are no doubt very intelligent (Asagiri literally refers to Chuuya as a genius) they both still lean very much into their emotional side as well. Even if Kouyou seemingly does so less.
Kouyou reveals herself, however, not only in her care for Chuuya but we mainly see it how she handled the situation with Kyoka.
She could have insisted Kyoka come back without ever changing her mind but when Dazai presents her with a way to save Kyoka from dark, she agrees quickly.
Kouyou clearly cares & wanted to help & protect Kyoka even if she went about it poorly. She was trying to help based on her past experiences, lest we forget that she tried to leave the mafia herself once, for *love* no less. She also tends to get emotional when talking about her past or her wish to help Kyoka.
But once she was presented with another solution, a far better one, she didn’t do “what’s best for the mafia”. Kouyou agreed to what was best for Kyoka & that was definitely a more emotional choice.
This is an area where Chuuya & Kouyou align. So, of course they would get along.
Chuuya always seems to find the balance between his logic and emotion. However, he can easily & often does lean more into his emotional side first, then his logical side.
It’s similar for Kouyou, even if we don’t see it as much from her.
Back to Dazai then, when he left the mafia & the cover on Dazai’s “emotional side” was gone Dazai seemed to also move more towards that balancing of the two sides.
He started off heavily relying on his logical brain & struggled emotionally. Often feeling numb or apathetic mostly, hence his suicidal ideation.
Then he meets Chuuya & this shifts. Chuuya forces him to experience new feelings. As Chuuya is a living breathing example of most things Dazai felt the world lacked. It opened Dazai to the idea that there is more to the world, there is more to *people*. Chuuya intrigues Dazai enough to make him want to live a little longer again. Chuuya gave him a reason to keep going, a promise of more.
From the moment he met Chuuya, it was a process of letting more & more emotions seep into his mind & his heart. We see how he feared for Chuuya in 15 even after they just met, even though Dazai *knew* it was a plan.
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I might even venture to go as far as to say Dazai may not have feared for someone else’s life that hard before. It was a burst of unrecognizable emotions to him. After this, he only had more & more emotion seep in as the years went by. In Storm Bringer he was ready to sacrifice the city to give Chuuya a choice.
That relationship opened Dazai up to others later, namely Oda & Ango. Which only further encouraged the intermingling of his logical brain and his emotions. Then reaching the point at which the bandages were finally removed entirely and then he, like Chuuya, moved to striving to find the balance rather than relying on one side.
Bringing us back to current Dazai as he is still attempting to find that balance.
He still leans more towards his logical side. This, of course, in contrast to Chuuya who, while intelligent, more easily leans into the emotional.
Yet another thing between them that completes & balances each other. Soukoku will always pull the other back when drifting too far.
So, of course, Soukoku complement each other & it benefits them both.
Having Kouyou on Chuuya’s other side I think also does help Chuuya stay grounded while in the mafia. Chuuya isn’t one to lose who he is but I think having someone else who he knows *cares* like he does helps.
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Now, additionally, if we apply this to Beast, I think this also says alot about beast Dazai & why Asagiri says beastzai would be the hardest for someone to portray.
Because *this* Dazai, is perhaps *too* far into his emotional side. He’s always intelligent but in beast, his actions aren’t fully logical, they’re emotional.
He appears cold & calculating as always but he saw another version of himself suffer the great loss of a best friend & allowed his emotional desire to prevent that from happening take control. Thus, his emotional side takes over, thus him covering the opposite side from canon Dazai, he’s covering his “logical” side.
I feel like this is the main difference between all the various Dazai we’ve seen.
PM Dazai relied heavily on his logical side, especially before meeting Chuuya. He rarely took emotion into account unless it involved the 3 people he actually cared for. We see him make emotional choices when it involves Chuuya, Oda, and Ango. Dazai did seem to let more and more emotion seep in over time as a result of knowing them, however, leading to that moment the bandages are removed.
Beastzai is leaning far too heavily into his emotional side, getting lost in it even. Acting solely on an emotional desire rather than a logical one. His desire to prevent a tragedy. He only was using his intellect to further that emotional desire.
Canonzai went through a steady progression, meeting Chuuya starts to open him up, this extending over time to Oda & Ango, leading to the cover on his “emotional” side being taken off.
But beastzai skipped all of that, all the *progression* to that point for canonzai & so beastzai just got all these intense emotions he never experienced before all at once when he saw canonzai’s memories & therefore he sunk far too deep, too quickly into his emotions.
Now current/ADA Dazai is the balance of the two extremes, and seemingly the closest to happiness.
ADA Dazai uses his logical brain as always but he also actually takes emotion into account as well and has more people he actually cares for now.
I think that says alot to the theme of bsd, leaning into that “everything is grey” dynamic. Everything is about the *balance* of things. Showcasing that anything in extremes in either direction doesn’t work.
Anyway, just some thoughts I had and interpretations of mine. Take them as you want, as always.
Oh and just to be clear, I don’t think Dazai was ever “emotionless”, even at his worse. Even if he was numb and apathetic. He was also lonely.
Just saying the more people he came to care about (Chuuya, Oda, Ango then later the ADA) the more he was able to feel a variety of emotion.
My original post:
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svsss-fanon-exposed · 1 month
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Exposing SVSSS Fanon: 25/∞
VIOLENCE AS COURTSHIP IS A PART OF DEMON CULTURE
Rating: CANON
A nearly universal trope, especially in Moshang fics, is the fact that courtship is performed through violence in demon culture, and that the misunderstandings between the pair are because of cultural differences. The fact that demons mistreat the targets of their affection is canon, however, it is important for fans to note that this sort of characterization and worldbuilding is rooted in racial and ethnic stereotypes.
This is one of the most-requested topics I've ever written on this blog, and I took a long time to think about how best to approach the subject in a way that both keeps to the intention of this blog (referencing canon & providing quotes) as well as raising awareness to the very real problematic aspects of what is a well-loved and often-used trope in fanon that I don't think most western fans are aware of.
First, the canon analysis:
“If you hold unique feelings for a certain person, how can you make them understand your intentions?” Luo Binghe asked. Obviously, no one dared to tear down Luo Binghe’s facade and expose him directly, but this question was really very…unsuited to the demonic approach. After a long moment, not a single person had answered. In fact, the answer was so simple that any normal human could have given it to you. If you liked someone, you should just tell them. Unfortunately, there was not a single “normal” person on the scene—and aside from Shang Qinghua, there also were no “humans” either. Mobei-Jun thought about it. With the paths his mind was given to take, there was no telling how he had interpreted “unique” feelings. “Beat them up three times a day?” (7 Seas, Ch. 26)
Most of the fandom remembers this passage, and some may think that this is where the interpretation of violence as courtship comes from-- however, that is not the case. This passage might actually not refer to courtship at all-- while that is one possible interpretation, Mobei-jun could also be interpreting "unique feelings" to mean something different than "romantic feelings," since Luo Binghe didn't specify romance directly.
The "violent demonic courtship" idea actually originates much earlier in the novel, just after the invasion of Qiong Ding Peak:
In truth, Shen Qingqiu didn’t intend to tease; he thought himself very straightforward. The one who’d tampered with Luo Binghe’s dream realm was Sha Hualing. Though she did have some harmful intentions, her underlying motive was obvious. Naturally, she was driven by a young girl’s secret yearning for love. Otherwise, she would have directed her aggressions toward others, not specifically Luo Binghe. Demons were compelled to viciously bully the person they liked. Only if the object of their affections failed to die would the demon accept them. If their target died, that meant they were useless and not worth nursing any lingering affections for. (7 Seas, Ch. 3)
This, in fact, has somewhat more serious connotations than the way I have often seen it interpreted in fanworks-- it is not merely beating up a potential partner, but pushing them to their limits, nearly driving them to death, and it is certainly implied that it is not uncommon for the object of a demon's affections to actually die.
Now that the canonical basis of the idea has been established, let us move on to the second, and arguably more important part of this post: the racism.
I would like to add a disclaimer here-- I am going to discuss this in hopes of raising more awareness in the fandom, but I am not North/West/Central Asian myself, so I will only mention things in brief and somewhat generally-- if anyone who belongs to the affected cultures would like to make corrections, or more detailed explanations, or any other additions to this post on this topic, I greatly welcome that, as I feel it is an important issue that should be addressed.
In Chinese fiction, particularly fantasy genres like xianxia/xuanhuan/xiuzhen, but also in historical and wuxia fiction, there is a pervasive, prevalent tendency for authors to use racial and ethnic stereotypes against Central, Northern, and Western Asian cultures such as Mongolian & Arab cultures in their worldbuilding regarding the North, while stereotypes against Southeast Asian cultures are used in worldbuilding regarding the South. These stereotypes are most typically applied to villains and villainous groups, and are so widespread as to be ubiquitous within the genre. MXTX has used these tropes before-- notably with the Banyue people in TGCF, with adaptations of both TGCF and MDZS including design stereotypes, such as CQL's portrayal of the Qinghe Nie (combining their tendency toward violence and 'unnatural' cultivation method, with design traits typically associated with Northern/Central Asian cultures).
It is worth noting, though, that most authors do not intentionally use these traits as racist stereotypes in their worldbuilding, especially when regarding a non-human species-- in the same way that western fantasy authors use goblin and orc characters and tropes without realizing or acknowledging their racist origins and connotiations, these stereotypes have simply become genre tropes without that direct connection to their origins. Nonetheless, it is still worth noting-- and worth trying not to fall into the trap of leaning into stereotypical traits in fanworks' character portrayals.
Stereotypes include but are not limited to barbaric and brutish cultural traits, association with animals/having animal features, dark or corrupt magical/spiritual practices, certain types of braided hairstyles & other fashion choices, and originating from the far north or south.
Some of the prejudice and stereotyping of Northern Asian cultures likely originates from the fact that in the past, China was invaded and subjugated by peoples from the north (under Mongolian rule during the Yuan dynasty, and under Manchurian rule during the Qing dynasty) as well as having many conflicts with these peoples throughout history. In fact, the Qing dynasty only ended in the early 1900s, so some of this oppression is still in recent memory-- nonetheless, people belonging to ethnic minorities in China are still affected by this negative stereotyping today, so regardless of the origin, racism is still racism and should be addressed, and China today is a majority Han Chinese nation-- even if Han Chinese are considered a minority and affected by systemic racism in other places in the world.
Additionally, many tropes specifically applied to the southern demons, but also used for demon culture as a whole, are tied to stereotypical portrayals of Southeast Asian culture, which is rooted in a long history of Imperial China's invasion and oppression.
All of those stereotypes listed above apply to SVSSS' demon culture. Even in Mobei-jun's name-- 漠北 meaning "northern desert," which is the real-world name for a region in the north of the Gobi desert in Mongolia.
Therefore, it is important to remember that though violence-as-courtship in demon culture is canonical within SVSSS' setting, it nonetheless originates from harmful racial and ethnic stereotypes. It would be a good idea for fans to keep this in mind when creating their fanworks, and to treat the topic with sensitivity-- but I will leave any direct suggestions on how to handle this to those who are actually part of the affected groups.
--
(thanks to @flidgetjerome for additional notes regarding SEAsian stereotyping and author intent!)
Also, to be absolutely clear: I am not saying that svsss’ demons are specifically coded as any real ethnic group— it’s only that in many ways the portrayal is similar to the common portrayal of various ethnic groups in cmedia. I don’t believe they are specifically meant to parallel a real life group, unlike for example TGCF’s Banyue— but it’s worth questioning why these traits, why these characters.
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moonkissedvisions · 1 month
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PAC ♡ 𝐂𝐡𝐨𝐨𝐬𝐞 𝐚 𝐦𝐢𝐫𝐫𝐨𝐫: 𝐓𝐡𝐞 𝐢𝐦𝐚𝐠𝐞𝐬 𝐨𝐟 𝐲𝐨𝐮𝐫𝐬𝐞𝐥𝐟 𝐭𝐡𝐚𝐭 𝐲𝐨𝐮 𝐩𝐫𝐨𝐣𝐞𝐜𝐭 ✧・゚: *✧・゚:*˚˖𓍢ִ໋🌷͙֒✧˚.🎀༘⋆
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☾ ⋆*・゚:⋆*・゚:⠀ *⋆.*:・゚ .: ⋆*・゚: .⋆ please read:
Hey! welcome to another reading. This reading includes the following questions, I drew one card for each of them: -How do you see yourself? -How do you think others see you? -How do you project yourself to others? -How can you improve your projection/image? -Who/How are you, really? Use your own intuition and discernment to read my interpretations. Remember that this is a general reading so not everything has to resonate. This reading was only made for guidance and entertainment, it´s not a replacement for professional advice of any kind. I use a Rider-Waite deck and you can ask me about the cards if they aren´t named in the reading. Check out my other readings at the end of this post and consider liking/reblogging/following if you liked this one.
ʚ♡ɞ Now, look for your pile and hope you enjoy it. ʚ♡ɞ
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♡ Pile 1
How do you see yourself?
You see yourself as a joyful person who likes to have fun and juggle many things at once. You view yourself as adaptable, dynamic, and fast-paced. You strive to maintain balance in your life. Perhaps you see yourself as someone who is too agitated, trying to keep everything together but struggling with a bit of messiness. You are worried that you can't always solve every problem or you aren't versatile enough. You are practical and you tend to take too much at once, but you know you are good at that.
How do you think others see you?
You believe that others perceive you as a resilient and strong individual who has gone through many challenges in life. You think they see you as a warrior who can endure any obstacle that comes your way. You also believe that you excel at setting boundaries and people recognize your persistence, ability to push forward, durability, and unwavering stance on important matters.
What do you project?
You project that you are struggling emotionally. maybe you suffered from heartbreak recently and that's why others see you struggling. When you experience heartbreak, loss, or betrayal, it can be difficult to hide the impact it has on you. Often, others can sense that you are not feeling your best. This may be due to your facial expressions, gestures, and body language projecting your sorrow, depression, or grief. However, others may also sense that you possess the strength to endure emotional pain and anguish, and that you have the capacity to cope with difficult times and emotions. Despite the challenging circumstances, they can see that you are getting through it.
How can you improve your image?
To build a positive image, focus on developing self-confidence, optimism, and a sense of self-assurance. Recognize your own strengths, resilience, and determination, and celebrate your successes and progress with others. Cultivate a positive self-image by showcasing your talents, achievements, and skills, and don't be afraid to reward yourself for your hard work. By accepting love and attention from others, you can build strong and supportive relationships that will help you achieve your goals and thrive in life. Remember, with dedication and perseverance, you can create a positive image that reflects your true potential and inspires others to do the same.
Who/How are you?
Whether it's in the present, past or an ongoing experience, you may have encountered a sense of loss, betrayal, heartbreak or any other kind of ending that has left you feeling defeated, physically and mentally exhausted, unable to react, powerless, discouraged, and sad. It's a feeling that things have come to an end and a new beginning is approaching. You may feel resigned to this situation, and it may have taken you by surprise. Someone or something may have hurt you deeply, and you may feel like there is nothing you can do about it. But with time, a new beginning will approach, and you'll be able to start your life anew. ♡
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♡ Pile 2
How do you see yourself?
You perceive yourself as someone who is often lost in thought, too absorbed in your mind to notice what is happening around you. Perhaps you are moody, bored, or indifferent. You don't seem to experience gratitude or joy for anything in particular. You may overanalyze things and miss out on opportunities as a result. You see yourself as someone who is introspective and contemplative, but you struggle to feel content or fulfilled. You don't have a passion or feel emotionally connected to anything. You may be stuck in a negative/lack mindset and find it difficult to appreciate what you already have.
How do you think others see you?
You believe that others perceive you as a patient, moderate, balanced, and a calm person. You think that people see you as someone who enjoys going on adventures and embracing all kinds of experiences. Additionally, you think that others view you as open-minded, flexible, and capable of accepting diverse opinions and ways of living. You don't consider yourself as a person who thinks in black and white, but rather as someone who avoids extreme points of view. Perhaps you believe that people see you as someone who is not vengeful, holds no grudges, and is diplomatic and stable.
What do you project?
You exude calmness and balance while projecting emotional intelligence and the ability to empathize with people's feelings. You possess the skills to help others with their emotional problems and have the ability to connect with your own emotions and creativity. People feel heard and understood when they talk to you, and you have a reassuring presence that can comfort and uplift them. You healthily express your emotions and are unafraid of being perceived as sensitive or emotional. You have a strong intuition that enables you to read others' emotions accurately and know when someone needs support. You are a loving, artistic, and magnetic individual who is capable of dreaming big and inspiring others with your creativity and passion.
How can you improve your image?
Be ready to unleash your inner child by embracing your childlike wonder and free-spirited personality. Ignite your adventurous side and discover new horizons with an open and curious mind. Don't let a lack of enthusiasm hold you back - break free from routine and indulge your curiosity. Follow what intrigues you. Get out of your head, and look at the bright side. The key to finding your passion is to approach life with a playful attitude and a desire to explore new ideas. Don't take yourself too seriously and don't worry about making sense of everything. You don't need to get attached to something to find it fun. Work on your fears. As you embrace your journey, you'll inspire others to follow your lead and tap into their own sense of wonder. Let humor be your guide and start smiling more as you uncover all the exciting experiences that await you.
Who/How are you?
You possess a reflective, methodical, and calm personality. You are someone who doesn't rush into things and takes their time to contemplate and evaluate the situation before action. You are careful with your work and like to commit yourself fully to it. You are a perfectionist. Your introspective and composed nature allows you to think through things deeply and come up with practical solutions. You value your work and like to reflect on the outcome, which helps you learn from your experiences and grow. You are intellectually practical and don't take any risks without careful planning. You are a patient, dedicated, and meticulous individual who values quality work and likes to appreaciate the fruits of their labor.
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♡ Pile 3
How do you see yourself?
You see yourself as someone who possesses a remarkable collaborative personality that enables you to effortlessly blend the energies and abilities of all team members, resulting in outstanding project outcomes. Your ability to work in teams is a testament to your skill and capability. You are focused, dedicated, and driven to succeed, with a good eye for detail and a talent for employing practical skills to achieve your goals. Your meticulous planning and thoughtful consideration of all aspects of a project reflect your reliability and conscientious nature. You are aware of your strong work ethic, combined with your friendly and trustworthy demeanor. You are highly committed to your work, practical, and reliable which inspires confidence in your abilities.
How do you think others see you?
You may feel like others don't fully understand you or perceive you accurately. It's possible that you have an unclear sense of your own identity, or that your identity is constantly changing based on your emotions or what's currently going on in your life. This can make it difficult for others to get a clear picture of who you are, and you may feel misunderstood. You might even feel like you can't be your true self, or that there isn't a true version of you that you can show to people. It's possible that you feel like others see you as fake or delusional, or that they pick up on your insecurities and emotional struggles so their perception of you is clouded by emotional projections. You may worry that you confuse people or that they have false beliefs and wrong ideas about you.
What do you project?
You might unknowingly convey your inner feelings of doubt and unease to those around you. Perhaps you are currently low on energy, and those around you can sense that you are feeling defeated. You might be projecting an absence of assertiveness in your communication and actions, indicating that you are unsure of your ability to win your battles and succeed. It's also possible that you are projecting a lack of confidence in yourself and your boundaries, giving off the impression that you are easily giving up and that you don't stand up for yourself. Maybe others perceive you as someone who starts unnecessary conflicts and behaves recklessly. You may also be projecting a lack of experience and commitment, which could result in you frequently stepping back from challenging situations. Overall, you project insecurity and a lack of motivation.
How can you improve your image?
To improve your image, you must embrace the unknown and uncertainty with boldness, readiness, and vitality. Identify the factors that are holding you back and draining your energy. Instead of wasting your time and focusing on insecurities, learn to be assertive, spontaneous, and willing to take risks. Redirect your focus intelligently. Feel the fear, and do it anyway. Trust in your ability to overcome any challenge that comes your way. Don't hold back your wild side; be authentic and unapologetic. Take care of your health and engage in sports that will help you gain confidence and vigor. Expand yourself and seek ways to grow instead of limiting yourself. Remember, you are capable of achieving anything you set your mind to.
Who/How are you?
You may be currently undergoing a process of healing, or are considering such a journey. You are beginning to view your pain, struggle, and grief in a new light, and as a result, you are experiencing a sense of release from emotional pain. You are starting to feel more peaceful and serene, and you are gaining a deeper sense of self-awareness. You are recovering from a past event that has had a profound impact on you, and you are gaining hope and faith in your healing journey. You are engaging in various forms of emotional release, such as journaling, meditation, or talking to someone. You help others to heal by sharing your own journey. You are attuned to your feelings and learning to experience them, rather than trying to control or over-analyze them. You are someone who is overcoming emotional obstacles and developing a sense of self-acceptance and inner peace. Your journey of healing is a testament to your strength and resilience, and serves as an inspiration to others who may be going through similar experiences.
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♡ Pile 4
How do you see yourself?
You appear to be someone who possesses a strong sense of willpower. You are confident in your abilities to manifest your desires and you have all the resources at your disposal to achieve your goals. Your skills and creativity are impressive, and you possess the strategic prowess and focus to make things happen. You also possess a sense of empowerment and cunning, which makes you a natural leader with a flair for innovation.
Your persuasive and analytical abilities have made you a force to be reckoned with, and you are well aware of your power and influence. However, you may have noticed that this energy is not always directed in a positive direction. You may have used your persuasive abilities to manipulate, control, or deceive others, rather than using them to inspire and motivate. Perhaps you have struggled to channel your creativity in a way that benefits yourself and others, and as a result, you may have suppressed it altogether. You may also feel that you lack consistency in your endeavors, which can lead to wasted potential or a lack of progress. You may struggle to be honest and coherent with your thoughts and actions, which can lead to a sense of confusion or frustration. Despite these challenges, you deeply understand that you have the potential to overcome them and tap into your full potential.
How do you think others see you?
You believe that others perceive you as a deep and dynamic individual, characterized by a continual process of transformation and evolution in your life. You feel that they recognize your innate ability to undergo significant metamorphoses and serve as a catalyst for change. You sense that others regard you as someone who wields profound influence, capable of instigating transformative shifts within themselves and their surroundings. You believe that people perceive your resilience and profound depth, viewing you as a revolutionary figure who fosters renewal and facilitates healing processes. You think others see you as a radical person.
What do you project?
You appear to be experiencing a sense of detachment from your expertise and proficiency. You project that your level of engagement with your work has diminished compared to previous times. Your attention and organizational skills seem to be faltering, leaving others with a feeling of uncertainty regarding your reliability and dependability. It appears that practicality eludes you, and you are out of harmony with those around you, resulting in a lack of confidence in your abilities both professionally and in your daily pursuits. Your friends or colleagues may detect a noticeable disconnect, sensing that you are not resonating on the same wavelength as before and that your connection with them has weakened. Don't take this as a further discouraging message. Remember that this is also part of your journey so embrace it, and seek to realign at your own pace. You may be projecting this however it doesn't have to be the truth about you.
How can you improve your image?
Enhancing your image begins with embracing both your triumphs and setbacks, as they are integral parts of your journey toward personal and professional growth. By acknowledging and learning from your experiences, you pave the way for self-improvement and evolution. Make time for introspection, allowing yourself to release any burdens and cultivate gratitude for the lessons learned. Reclaim your power by reframing disappointments as opportunities for growth and resilience. Stay proactive in seeking out avenues for advancement and expansion. Re-center yourself by decluttering not only your physical surroundings but also your mental and spiritual spaces. Through this deliberate process of self-care and empowerment, you position yourself to thrive and radiate confidence in all aspects of your life. Remember that you can't grow new flowers until the old ones have decomposed into soil. Focus on growing new flowers, not in the decomposed old ones.
Who/How are you?
You have a vibrant persona thar radiates humor, making interactions with you a delight. You exude a carefree optimism that uplifts those around you. Your approach to life is characterized by a refreshing lack of attachment to material possessions, opting instead to savor experiences with an insatiable curiosity and boundless enthusiasm. You embrace each moment as an opportunity for joy and discovery. Recognizing the analogy of life to a perpetual celebration, you conscientiously cultivate an attitude of a gracious host, ensuring that every encounter is filled with warmth and vitality. Your capacity to maintain a lighthearted perspective, coupled with an unwavering focus on the bright side of life, reflects a remarkable depth of wisdom and resilience. You have an infectious smile and unforgettable laughter, and you embrace your childlike wonder.
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sunkissedchld · 4 months
Text
𝐏𝐈𝐂𝐊 𝐀 𝐂𝐀𝐑𝐃
𝒍𝒆𝒔𝒔𝒐𝒏𝒔 𝒚𝒐𝒖'𝒍𝒍 𝒆𝒏𝒄𝒐𝒖𝒏𝒕𝒆𝒓 𝒊𝒏 𝟐𝟎𝟐𝟒
the piles go from left to right. therefore, pile one has the silver airpods, pile two is the pink cord phone, and so on and so forth.
take your time to use your intuition to choose the pile that will best resonate with you. lastly, please don't be afraid to say if the message resonated or not; it helps me in determining if my interpretations are correct or not, and i appreciate any sort of feedback - even if it's "bad".
this PAC is a collab with @icanseethefuture333, so be sure to check out their post also!
good luck to you, reader 🌷
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𝐏𝐈𝐋𝐄 𝐈
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Signs:
"i don't forgive you", harboring anger towards someone, heavy fire (aries, leo, sagittarius) in birth chart, red, passion, danger, hera, broken marriages/family, non-committal, metatron, spiritual power, turtles, tigers, turkeys. broken headphones, "you're not listening"
Shufflemancy:
"Montero (Call Me By Your Name)" by Lil Nas X
"Another One Bites the Dust" by Queen
"Blow Us All Away" from Hamilton the Musical
"Intro" by J. Cole
"Angels We Have Heard on High" by Pentatonix
"Sorry, I Love You" by Stray Kids
Cards:
Four of Cups, Knight of Cups (Rx), Six of Swords (Rx), Two of Wands, Five of Wands, Seven of Coins, The Fool (Rx), Turtle (Rx), Tiger, Turkey
Reading:
For those who chose pile one, one lesson you will encounter will be in regards to you seemingly sitting on the sidelines in life. At one point, you may feel disconnected and apathetic about life; you may think, "what's the point of doing what I'm doing if I'm not seeing any results for it." There will be times when people will try to help you enjoy life more instead of being moody and unhappy with what you're doing, but J. Cole says it best when he asks, "do you wanna be happy?". Someone might literally ask you that (or people have done so in the past), and you often say "no" without saying no by not taking action to be happy. 
Those who chose this pile may have a lot of unresolved emotional baggage they refuse to acknowledge, but your lesson will be in recognizing that baggage and unloading it. You may have been resisting a transition period in your life for as long as possible, and in 2024 that won't be allowed anymore. Saying "no" to happiness will not be an option; you will be thrown into tackling your anger, former traumas, apathy about life, etc. head on. The only real thing you can decide at this point is whether or not you're going to plan for it now that you know it's coming or allow life to take you through it however ough that may be. 
You will be pushed to be competitive about what it is you want. There may be a lot of conflict, and you may even feel jealous of others at one point; you may think, "why is it that my growth and transition is so much harder compared to everyone else's?". There may even be a point during the year where you feel as if you're guides or the universe or whoever/whatever you believe in isn't listening to you, but the truth is everyone experiences growing pains, and you have to figure out how to persevere and get over your fears the same way everyone else does. As stated before, refusing to grow and transition is not an option, but your attitude as you experience it is a choice you make; you can make it easier or harder on yourself by having an open mind. 
This year, you will be going from being a turtle to a tiger. You will no longer be allowed to take your time in regards to things in your life that are keeping you from growing into someone who is healthier and happier: mentally, physically, emotionally, and everywhere else. You will be stepping into your own power and your attitude will determine if you step into it gracefully or not. Overall, your lesson will be in learning how to free yourself from your own chains.
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𝐏𝐈𝐋𝐄 𝐈𝐈
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Signs:
"be free", the sun, heavy fixed sign energy, ceres, gemini, pluto, neptune, feeling disconnected from venus placement, having trouble speaking, 111, manifestations, "coming in", "i'm walking", "be realistic", mercedes, goose/geese
Shufflemancy:
“Love Like Woe” by The Ready Set
“One Step At a Time” by Jordin Sparks
“Are You That Somebody” by Aaliyah
“This World” by Ateez
“Can You Stand the Rain” by New Edition
“What Comes Next?” from Hamilton the Musical
Cards:
Eight of Coins (Rx), King of Swords (Rx), Five of Wands (Rx), The Hanged Man, King of Coins, Seven of Coins, The Sun, Fixed, Ceres, Sagittarius (Rx), 111, Mercury (Rx), Venus (Rx), Neptune, Pluto
Reading:
If you chose this pile, your lesson for the year deals with your self-worth and self-determination. “One Step At a Time” by Jordin Sparks seems to fit your energy best for this next year. It seems some of this energy may be lingering from last year also, but during 2024 you may feel as if you’re doing a lot of work but receiving no benefits from it. Eventually, this lack of success and recognition could wear on you, and you could wonder if what all you’re doing is even worth it. With your work, it could seem as if you do so much, but it’s just not quite enough to other people - even if you’re trying your absolute hardest. You could end up feeling unappreciated and as if you’re not advancing anywhere. 
It seems someone could be turning people away from you. For some people, this is a literal person who you may get along with, but you don’t really confront them when it comes to what they’re doing. For others of you, this is the universe purposefully blocking things from you because you’re trying to speed up the time you get certain things, and it’s telling you, “this isn’t how that works”. Regardless, there is someone or something in a higher position keeping you from reaching the success you think you deserve. This conflict will frustrate you throughout the year, and it could prove difficult for you to deal with. 
With the Hanged Man and Five of Wands (Rx), you’re being asked to compromise and re-think why you think you deserve recognition or success in a certain way. Is your reasoning valid or in good faith? Is your way really the only way you can gain what it is you’re wanting? Is what you’re wanting the best for you? I’m reminded of the meme (I guess is what it is) where a little girl is holding a small teddy bear or something, and Jesus is asking her to give it to Him, and she’s refusing, but the audience can see that He has an even bigger teddy bear for her; I feel like this will represent how your success for this year will be. You may have one view of how you want it, but that result keeps getting pushed back or thwarted because you’re thinking too small. 
The action of patience will be your most important lesson this year. “Can You Stand the Rain” fits really well for this closing part of the reading. You will be learning how to wither the storm of seemingly being overlooked and having your ideas of abundance not being given to you how and when you want in exchange for even better and more success to meet you at the end. As is always said, “patience is a virtue”.
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𝐏𝐈𝐋𝐄 𝐈𝐈𝐈
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Signs:
222, swan, itchy left palm, losing items, “i’m so sorry”, prominent sagittarius and/or gemini placements, heavy mutable energy, neptune dominant or many aspects to neptune, ducks, water, lust for nostalgia, being lost in your memories
Shufflemancy:
“In Love with Another Man” by Jazmine Sulllivan
“needy” by Ariana Grande
“Halazia” by Ateez
“Home” by Todrick Hall
“6 Foot 7 Foot” by Lil Wayne (feat. Corey Gunz)
“Put It On Da Floor Again” by Latto (feat. Cardi B)
Cards:
Queen of Cups (Rx), Six of Cups (Rx), Ace of Wands, Ten of Coins, The Sun, Six of Coins, The Emperor, Memories (Rx), Mutable (Rx), Sagittarius (Rx), Planetary Retrograde (Rx)
Reading:
For those choosing pile three, your lesson during the year will relate to you recognizing yourself more. Those who chose this pile may feel disconnected from their emotions or feel very emotionally drained last year and entering the new year. You may be very used to letting people utilize you in their lives however they want while when it comes to you needing people, they often are away or too busy to care about you. You could be prone to co-dependent relationships where you feel like you need to be needed or of help to someone and they to you, but you let them give you the bare minimum while you give your all. 
Earlier, I thought you might be someone who doesn’t like remembering things or has a hard time with their memory, but it’s actually the opposite! You’re someone who loves to get lost in the past and what used to be; the song “Could’ve Been” by H.E.R feels relevant. For some reason the energy for this pile feels very connected to a relationship that you may miss during the year. It seems you will eventually come to the realization that you’re losing yourself to the past and recognize you need to garner up the willpower to keep going for the present. You will gain the energy to begin doing things for yourself instead of for the sake of pleasing others. You will be recognizing how important you are to yourself, and/or you will be building up that importance. 
During this year, you will be building a new foundation where you do things for you. You will be focusing on your own growth and prioritizing self-care. You will learn how to put your happiness above other people's, which might be an issue you have been avoiding for a while. Rather than relying on others for emotional stability and to qualify your self-worth, you will likely end up doing a ton of introspection to discover what makes you happy solo. If you’re someone who is chronically in relationships, you may take a well-needed break in order to discover yourself like you’ve been putting off doing. 
Overall, your lesson for the new year involves being your own rock so to speak. You will be learning how to set boundaries to protect yourself from people who are no good for you because they want to be like vampires in using you. Instead, you will focus on yourself and your ideals, wants, desires, and emotions. Your lesson this year will be learning how to focus on you.
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𝐏𝐈𝐋𝐄 𝐈𝐕
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Signs:
having a lot of conjunctions in natal or solar return chart, heavy fixed energy, being born on a new moon, heavy uranus energy, “i don’t forgive you”, heavy fourth house placements and energy, “i don’t forgive you”, (oak) trees, miracles, unicorns
Shufflemancy:
“Focus” by Ariana Grande
“Hello” by J. Cole
“Lonely St.” by Stray Kids
“On It” by Jazmine Sullivan (feat. Ari Lennox)
“Another One Bites the Dust” by Queen
“New Money” by Leikeli47
Cards:
Ace of Cups, Four of Coins, The Devil, Temperance, Knight of Coins, King of Cups, Judgement, The Fool, Conjunction, Fixed, New Moon, Uranus, 4H, Trees, Miracles
Reading:
Those choosing this final pile, your lessons this year may relate to embracing new beginnings and a fresh start. For you, I’m reminded of all these rituals people are engaging in as we all enter the new year: eating black eyed peas, not washing clothes, having someone with money enter the house first, eating grapes under a table at midnight, and everything else. It seems you’re in the energy of “new year, new me”! With that, your lessons seem to relate to putting that quote to the test and seeing if you’re actually ready to embrace what comes with newness. 
You could be losing things and people this year; maybe you fall out with certain people in your friend group, or you lose your job, or you graduate from school, or you’ll find a whole new group of friends. In general, the concept of not getting so attached to things or people to the point where you’re unwilling to separate from them comes to mind. Not that you can’t also develop strong attachments and relationships! But, when it’s time to let a situation or person go do not spend so much time trying to get them to stay. “When it’s time to go; it’s time to go”. 
Do not become obsessive about things and people you come into contact with this year. The phrase, “there’s a time and season for everything” is very important! “Be flexible” is the best advice I could give for those reading this pile. Being flexible does not entail not working hard though; find a balance between being hardworking and putting in effort and also being open to change and loss. There is a major emphasis on balance and being in control when it comes to your emotions but also overall this year. 
Overall, your lessons deal with being open to the change that comes with a new year and declaring that you’re ready for new things. You still need to put in work and go about life and strive to achieve what it is you want - in relationships, friendships, work, your daily life, and more, but you also need to be willing to let people and things go when the universe tells you they’re no longer serving or helping you. Truly, be open to the new beginnings you’re saying you want. 
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Note
Just like how kalim embodies scarabia's mindfulness in his own way, how do you think other boys embodies their respective dorms spirit?
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For the sake of ease and consistency, I will be using the official TWST localization's terms for each dorm's core value.
Please note: these are my personal interpretations; even the definitions of each dorm’s “spirit” is not explicitly defined within official TWST materials, so I’ll be running with my own definitions before covering each NRC student. Additionally, since I’ll be covering 22 characters in this post I may not have time to get into painstaking detail for each one.
***Main story spoilers (including late book 7) below the cut!!***
The Queen of Hearts' Spirit of Strictness
Literally speaking, strictness refers to following rules or beliefs exactly. There is rigid enforcement of these rules or beliefs, and very few, if any, exceptions or mercy granted.
Right off the bat, it’s easy to see how Riddle aligns with the spirit of strictness. He is the embodiment the law in Heartslabyul, serving as both judge and executioner to his students. Riddle insists that the rules—no matter how nonsensical—be followed, and he does not hesitate to unleash his wrath and collar those who step out of line. He is strictness itself. Beyond book 1, we do see Riddle trying to be more patient and flexible—however, the fact remains that he upholds rules and continues to have trouble with circumstances where he has to think independently or without a set of instructions to refer to.
Trey is known for frequently indulging others and behaving in a manner which some may call kind. The twist here is that Trey’s strictness is present in the “big brother” role he adopts when dealing with his peers. He’s generally more lenient than Riddle, but Trey often alludes to the fact that he shouldn’t be underestimated or thought of as a nice guy. There are moments when Trey gives others their comeuppance for misbehaving (such as in his dorm uniform vignettes, where he deprives first years of cake for complaining about his same-y baked goods). The thing is, most don’t see it coming because he’s typically so… nice. When he wants to be stern and put his foot down, he certainly can—it just isn’t something that happens a lot, since he’s more mild-mannered than his classmates.
Cater is strict with his public image, specifically how his peers view him. This is most obviously seen in his obsession with social media. He's constantly taking pictures and posting, being heavily involved on Magicam—a space where he can control the narrative about the type of person he is and the life he has. Cater keeps up this front in real life as well, acting cheery and sociable with his classmates while masking a far less motivated and sad side to his character. (This is implied in his Lab Wear vignettes, where a mandrake he infuses with his own magic becomes gloomy and huddles into itself.) There are occasions when Cater expresses that he is lonely or that he wishes he had more friends growing up, but he never fully opens up about his true nature. He strictly keeps that part of himself locked up tight and is seemingly afraid of what others would think of that persona.
Like Cater, Deuce is strict with himself. In Deuce's case, this arises from a past of delinquency and the desire to reform and to be an honors student that his mom can be proud of. Because of these goals, Deuce tries very hard to excel in class (but often falls short) and to behave in a way that he believes honors students would. This means changing the way he looks (he let his natural hair color come back in; it used to be bleached blonde), the way he speaks (not using foul language), the way he dresses, and, most importantly, the way he acts. Of course, his temper gets the best of him at times and his delinquent self bubbles back up (like in book 1 when the eggs were ruined), and Deuce is currently working on better repressing that.
Ace is probably the most carefree and the least stereotypically "strict" of the Heartslabyul group. Instead of having a focus on enforcing rules, Ace is usually the one breaking or defying them. How, then, does he embody the Queen of Hearts' spirit of strictness? I believe it comes through in some of Ace's most iconic scenes: the ones where he is calling others out on their bull crap. Time and time again, it's Ace that is bluntly telling others what they're doing or saying is hypocritical or wrong, or that they haven't truly taken accountability. He does this no matter who he is facing, be that his own dorm leader (book 1), an undead bride (Ghost Marriage), or Malleus Draconia himself (Endless Halloween Night). Ace has his own set of morals and beliefs, and he speaks them loud and clear without imposing as harshly as Riddle does.
The King of Beasts' Spirit of Persistence
Persistence is when one continues their course of action in spite of difficulty or opposition. In other words, there is an obstacle in the way of achieving a goal, and one persists in the face of that obstacle.
Leona is a somewhat strange case to make for persistence because initially he comes off as a very lazy character. We quickly learn that though he appears unmotivated, he’s comfortable scheming and thinking multiple steps ahead to cut out difficult or unnecessary work. There’s no doubt that Leona has had a challenging childhood, feeling like he was always being compared to his brother and never recognized for his own talents. We feel the effects of Leona losing this hope as late as book 6, when Leona says that Jamil is capable of change, unlike himself. Some fans even speculate that Leona’s dialogue implies he has fallen into depression as a result of frequently being dismissed and put down in spite of his efforts to be seen. Even when Leona is dealing with such trauma, he cooks up a plot to return his dorm to glory and to support its future. He, the lowly second born prince, wants to prove himself and his team of misfits, as being worthy of respect and admiration. When the plans fall through, Leona is quick to give up (which seems to go against the idea of Savanaclaw’s persistence). However, I would say this is part of his character growth in book 2. Later in the main story, Leona also throws in the towel quickly—but it doesn’t contradict his development; he knows when to strategically retreat in book 6.
Ruggie comes from an extremely impoverished background. He has had perhaps the least “cushy” life out of the entire NRC cast. Even so, Ruggie was able to study and work hard enough to earn decent grades, get multiple part-time jobs, and pick up many useful survival skills. He’s street smart and knows that what he lacks in strength he can make up for by sticking to someone who is strong (Leona). (Their relationship is mutually beneficial!!) Ruggie knows that just having money isn’t sustainable in the long run, so he’s hauling ass now to make something of not only himself, but also for all the people in the slums.
Jack embodies persistence through the events of book 2. At first, Jack tries to get Leona to see reason by letting him know that he genuinely is a figure Jack admires. He’s put in a moral dilemma when Leona argues that even if they play dirty, he has good intentions. If Jack interferes, he is messing with the future job prospects of his dorm members. Jack wrestles with the question before ultimately coming to the conclusion that he has to tell others about it—and, what’s more, put his own pride as a lone wolf aside to confront Leona and stop to his machinations.
The Sea Witch's Spirit of Benevolence
Benevolence may refer to meaning well or general kindness and compassion. It involves a willingness to help others and caring for them.
Azul, being at the head of the operations at Octavinelle, passes himself off as a benevolent man who will listen to your woes and grant your wishes. In fact, he does—but at a price. The shady ring he’s running is NOT wholly benevolent; the deals can definitely come across as malevolent in book 3 (when Azul wrote the contracts in such a way that the loopholes could fuck clients over). The deals themselves (assuming no foul play), however, are neutral since both parties agree to the terms. Contracts are written with the idea that they will benefit the clients. And Azul is, of course, also seeking out benefits for himself, as that is the nature of business dealings.
Jade represents a kind of benevolence associated with acts of service. He’s Azul’s right-hand man and information broker—furthermore, much of how Jade presents himself alludes to being a butler or some other supportive role. Jade just generally behaves in a way which benefits others. He acts demure and servile, then uses the trust he has gained through service to ply what he wants out of others. Jade does it so sweetly and so expertly that his prey don’t usually notice, or willfully overlook it, being far too impressed by his abilities to fixate on his ulterior motives. This strategy works even on notoriously stern individuals such as Vil (Jade Dorm Uniform vignettes).
Floyd gives “free hugs” :) is… well, ironically, the “kindest” of the trio in a weird way. While this is highly dependent on his mood, the fact of the matter is that Floyd is the easiest to read in terms of “telegraphing” his actions. If he’s in a bad mood, he usually will not hide it. You know what you’re signing up for as soon as you see him. He also typically doesn’t put forth an effort to manipulate or to scheme like Azul or Jade would; Floyd would prefer to be direct and get it over with already. That, in a sense, is the mercy that he offers: something swift and plain to see.
The Sorcerer of the Sands' Spirit of Mindfulness
Mindfulness is a state of being aware of oneself and the present moment. A mindful individual can aknowledge and accept one’s feelings, thoughts, and bodily sensations. Mindfulness may also extend to being aware of others and perceiving their own states of being.
Kalim is not viewed as the most intelligent or crafty of leaders, but where he shines is in his ability to welcome and to bond with his dorm mates. His emotional intelligence is extremely high, which proves itself to be a useful skill in getting to know others and to earn their trust. Kalim has made a name for himself in Scarabia because he is always there to listen and lend a helping hand to his dormmates. He is unabashedly open about his own emotions too, crying when he is sad and trying hard when he is frustrated or dissatisfied. He often asks to know what is wrong when he senses upset within his classmates and wants to do what he can to rectify those situations. This is peak mindfulness--not only is Kalim acutely aware of his own emotional state, but he's also pretty consistent with sensing those in others (the one big exception here, of course, is Jamil). Sometimes Kalim can be blindsided by his own blind faith in others or his overeagerness causing him to blurt things out unintentionally. He's definitely not perfect in this regard--however, there's plenty of room and willingness to grow and to learn (something which Kalim has expressed both in book 5 and in birthday vignettes).
Jamil more readily fits in with a less savory interpretation of mindfulness. He thinks ahead and uses what he knows of others to manipulate them or put himself in an advantageous position. This notably occurs in book 4 (when Jamil plans to use the feedback of Yuu and the Scarabia members to dethrone Kalim), as well as in events (like Beans Day, where he plans to entrap Kalim when Kalim cooks a fragrant lunch that Jamil purposefully packed for him). He uses what he notices or knows about others (Azul’s shadiness, rumors about Lilia being a bad cook) to avoid interactions which could be less than beneficial to him. Jamil’s main fault is that he fails to recognize people’s strengths (something which Leona calls him out for in book 6), and instead focuses mainly on their weaknesses, shortcomings, and how those could be exploited (mostly because he’s in a position where he cannot outright act in certain ways without suffering some consequences). Jamil is aware of these potential consequences and finds or plans workarounds for them. However, he is also mindful in a more conventional sense too. He’s usually the competent one in Scarabia’s leadership and fulfills the organizational tasks that Kalim doesn’t. The duo is like sun and moon; they balance each other out.
The Beautiful Queen's Spirit of Tenacity
Simply put, tenacity is determination and endurance. One is persistent in maintaining, adhering to, or seeking something valued or desired. Each of the members of Pomefiore knows what they want, and they are stubborn in their pursuit of it.
Vil makes it clear in book 5 that he wants to win VDC/SDC, thereby proving to himself and to the world that he is capable of more than playing the part of a “villain”. He already had high standards for himself prior to book 5 (exercising, doing skincare, maintaining a healthy diet, etc.), but you can see how single minded Vil is toward this one goal. He drives his team members hard and even cancels a major job offer from his manager so he can dedicate all his time and energy into seizing the win. And how many times has Vil lost in the past??? Countless, I bet. Yet here he is, trying again and again, even when he knows that happy endings aren’t guaranteed and his efforts may not bear fruit after all.
Rook pursues any and all things beautiful!! He used to just be content admiring beauty, but with Vil’s prompting, Rook soon also found value in beautifying himself. It means Rook can also put beauty out into the world, and helps him better appreciate other works of art. This man is infamous around campus for his… admittedly creepy and unnerving habits. He follows people around, documents them in photographs, memorizes their personal details, etc. His keen eye has also earned him praise though—Vil can comfortably rely on him for honest feedback, and Neige recognizes him as a dedicated member of his fan club. Rook is nothing if not determined and dedicated to his craft.
Epel is tenacious too, but in a way that Vil would not approve of in all circumstances. Epel is stubborn in his thinking and refuses to let go of his hometown roots. He’s very proud of where he comes from, so he puts up a fight with Vil when Vil demands that Epel address his upperclassmen more politely. Epel sees the command as a threat to himself, and a challenge to the hometown he loves. Additionally, it takes Epel a while to reevaluate his deeply ingrained views on gender norms. He’s all-around very strong-headed!
The King of the Underworld's Spirit of Diligence
Diligence is when one is involved in careful and persistent work or effort. This principle generally governs all of STYX, the blot research organization operated by the Shroud family. Their job is a thankless one—they do such important work, yet it isn’t recognized by the general public due to STYX’s secretive nature.
Idia, as the temporary acting director of STYX in book 6, gets involved in their research. There’s many Phantoms kept in the STYX facility, so there are many safety precautions in place and care taken to ensure no one is harmed. (Ironically, it was Idia’s lack of diligence that led to Ortho’s passing.) Outside of book 6, one can say that Idia has a diligent personality, at least when it comes to his hyperfixations. He becomes dedicated to media that captures his interests to the point where it actually incentivizes him to leave his room (Ghost Marriage) and overcome his meek stutter to speak confidently and lecture people (first Halloween event, his Dorm Uniform vignettes, etc.).
I believe Ortho is diligent in being Idia’s emotional support both before and after Ortho is officially recognized as a separate student. He cheers Idia on and encourages him to touch grass socialize, wishing nothing but the best for his big brother! Ortho wasn’t always like this either; he used to be quite stiff and monotone, and had to learn how to emulate emotions by carefully observing and absorbing media. His motivation in book 6 is also fueled by diligence—Ortho worries about what he can do to support Idia’s wishes, and this is ultimately what drives him to taking over STYX and unleashing the Phantoms. Then, in Fairy Gala: What If, Ortho stubbornly tries to come up with his own ideas regarding the theme of evolution rather than rely on others for answers. He works hard to developing his own concept and is able to put on a show-stopping performance with it!
The Thorn Fairy's Spirit of Nobility
To be noble can refer to strength of character, mind, and/or literal position, birth, rank, or social status. No matter which definition you go with, I think they could all apply to the members of Diasomnia.
Regarding noble status, Malleus and Silver are both princes. Lilia and Sebek may not be nobles themselves, but they (in addition to Silver) serve royalty and have close personal connections to people in high places, be it via friends or via family. Diasomnia is very well-connected.
Beyond superficial nobility, one can say that those in Diasomnia are noble in character as well. To begin with, Lilia has sacrificed himself for his country on multiple occasions. This isn’t limited to going to battle, but also ferrying his princess’s egg to safety, traveling the world for knowledge on dragon eggs, and going so far as to give up his own life force to hatch Malleus. And what does Lilia get for all of this? Banished from the capital, screamed at, shunned—all because he is a nobody, a bat of no status. Despite this, Lilia does not become bitter nor hateful, he instead opens his heart and mind to the world and seeks to instill others with the same wisdom. Through all the tragedies he suffered, Lilia rose stronger than ever rather than sinking to the same levels as the narrow minded senators that rebuked him.
Silver is, perhaps, the most overtly noble in character. He extols the virtues of listening and getting along with others, often serving as the peacemaker between parties (typically between Sebek and their peers, but we’ve also seen Silver smoothing things out between all of NRC and diurnal fae). He also assumes the best of others and is ready to leap into action to protect them at a moment’s notice. His kind and gentle nature attracts many forest animals to him, who can likely sense the purity of Silver’s heart.
Sebek’s brand of nobility isn’t geared at others in general but rather is pinpointed on one person (that being Malleus). He is noble in the sense that he dedicates himself to his prince. It’s no secret that practically everything Sebek does is to “live up” to perceived standards so as to not shame Malleus or the Draconia royal family—from doing well academically to dressing neatly and throwing himself into training… Sebek’s passion and eagerness is what makes him stand out. It could also be said that he fiercely defends his friends and those who have earned his respect (albeit maybe not worded in the most tactful ways). That, too, in a sense, is honorable.
Finally, we have Malleus. What can be said about him that hasn’t already been said? He is the prince of a nation, so there are many people looking to him for leadership. As such, Malleus must always conduct himself in a manner that puts his country’s best face forward and expects the same of others. Indeed, he reprimands Sebek for behaving in poor taste and instructs him to apologize to Leona, the prince of another nation. However, what is most telling about Malleus is his impetus for Overblotting. He deludes himself into thinking “this is what is best for everyone”. In his mind, he frames forcing everyone into dream states so they can stay forever and have their happily ever afters as the “good” and “noble” thing to do. He’s definitely not doing this for himself, he argues, it’s a gift for everyone. And throughout book 7, Malleus tries to gaslight others into this belief too 💀 when bro’s already convinced himself of this and refuses to see otherwise—
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runningfrom2am · 5 months
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Hi, how’s your day been going? Hoping it was amazing. I just saw your post about needing inspo for Coriolanus fics! I’m not sure if you are taking requests but if you are Could you maybe do a touch-starved Coryo fic? Something fluffy/angsty where Coryo can finally fulfill those needs and be himself and vulnerable with the reader. Thanks!
as long as you need me - c.s
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pairing: coryo x fem!reader
wc: 1.7k
tags/warnings: fluff, hurt/comfort, he just needs you and you just want to help.
requests (currently closed- feel free to send whatever but it will be a while before I get to them!)
nav / coriolanus snow masterlist
a/n: ahhh thank you for sending this in! it was so fun to write like stopppp i just want to give him a hug omg. also thought i'd post this to hold y'all off until i post the next part of LTPF. anyway, enjoy!
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You had a very stable grasp of the limits of your relationship. What was appropriate, and what was not. You were quite shy, and Coryo always carried himself with a high level of decorum. You would eat together at lunch, and he would walk you home most days. The weekends, your study dates, were always your favourite. He was significantly more relaxed, but you could still tell he was just a little tightly wound. By now, you've just learned that's who he is. Not overly affectionate, but he cares for you and you care for him. 
"I can't stay late today, I'm sorry." You said, genuinely feeling bad for having to turn down the request. In your junior year, you started tutoring for younger grades at the academy and it is something you thoroughly enjoyed.
"I have a test tomorrow! Why can't you stay? Just for a few minutes- I just have a couple of questions." The first year, Aelia whined.
"My boyfriend is supposed to walk me home and he has a tight schedule, but I'll tell you what, I can meet you in the library in the morning before class. That way it will still be fresh in your mind, yeah?" You grinned, and she seemed satisfied as you agreed on a time, not knowing that a few of the girls in your grade were listening in.
"Y/N," Clemensia decided to approach you as Aelia walked off, Arachne and Livia following close behind. "Did I catch you telling someone that you have a boyfriend? Did I hear that right?"
"Oh, well, yes." You answered sheepishly, gathering your things to put in your bag before your next class.
"Really?" Livia chimed in, and you just nodded. "Okay, well, spill. Who is it? Do I know him?"
"Um..." You looked around, deciding what to say. You weren't necessarily keeping it a secret, but you just hadn't felt the need to tell anyone you went to school with. "It's Coriolanus. Snow." You cleared your throat, unsure why you even added his last name. It's not like the name Coriolanus was abundantly common.
"Shut up." Clemensia laughed slightly, eyes widening at you. "You're joking, right?"
"No... We've been together for almost seven months now."
"I just... wow. We had no idea. Seven months! I feel like I've never seen the two of you get closer than two feet apart." You weren't sure whether to interpret this response as teasing or genuine shock- so you just gave them an awkward smile and a small nod before walking away.
At the time, you had never considered how your lack of affection in public could be confusing to people- not that it mattered. Rumors had spread quickly after that, which was to be expected when Livia and Arachne were involved. However, PDA just wasn't your thing. General displays of affection weren't really your thing, either. Both of you always had a lot going on, and having been together for almost a year by now, you knew that you loved him and he loved you. You didn't have to prove it to each other or to anyone, there was no pressure for anything to change. On your end, anyway.
Coryo, on the other hand, was feeling something shift. Leading up to the reaping and more importantly, to the prize. You both were in the running, being in the top twenty-four of your class, and you had no doubt that Coryo was a shoo-in, but you didn't know how extremely anxious it was making him. The now constant thrumming of his heartbeat in his chest and his shaky hands were always less around you, and he can only dream of how much better it would be if he could just hold you.
These days, he'd wake up expecting you in his arms due to a particularly calming dream only to be disappointed. He respected you a great amount and wouldn't want to push your boundaries, however unspoken. Still, he wasn't sure how much longer he could go about his day-to-day without testing his theory that holding you could cure his fears, or at least let him forget about them for only a moment. He would happily take just a second of peace.
Coriolanus usually greeted you outside of your unshared classes, seeing that you tended to stay a few minutes late to ask questions or polish off your notes. He couldn't wait to see you, he needed to.
"Coryo." You smile, walking out of your lecture hall to see him waiting.
"Hi, Love. How was class?" Your boyfriend greets you, joining you on your walk towards the exit of the school.
"It was good. Though, I find the topic of the rebellion kind of redundant at this point." You say, books tucked against your chest under folded arms. "Is it not too soon to discuss it in a history class? I mean, I literally remember what it was like to live in a bomb shelter."
Your joke seemingly lands on deaf ears as he just hums, placing a hand on your lower back to guide you out of the building. This wasn't totally unusual, but with the way he was pushing you, albeit gently, was telling you that something was wrong.
"Is everything okay?" You ask him, looking up at the boy next to you as you reach the bottom of the academy's front steps.
"Fine." Coryo nods, attempting a reassuring smile that he isn't aware falls short.
"Okay, well... If you want to talk about anything, I'm here for you, you know. Always."
"I know. Thank you, Love." He drops his hand from your back to hold your free one, turning in the direction of your apartment.
The next afternoon, you're in the same class, one of the rare ones you don't share with Coryo, taking down notes from the lecture when there's a knock on the door, followed by it creaking open. You pay no mind, taking the opportunity to catch up on everything written on the board.
"May I borrow Y/N, please?" Your boyfriend's voice is scratchy and shakey in a way unfamiliar sounding to you, making your head snap up. You'd never seen him cry before. "Only for a moment."
Your teacher dismisses you, likely on account of your and Coriolanus's mutually spotless records and his red-rimmed eyes. Clearly, you were needed urgently. You leave your bag and your books, ignoring the whistles and heckling of some of your classmates as you rush to the door.
Coryo had reached his breaking point. He was writing his third paper of the week, unable to focus on that and get his mind off of how unlikely it was he would get the prize if the Dean had any say. Sitting in the library, the world had started turning around him. People were talking, laughing, even, and he couldn't take it anymore. The floodgates opened and he had rushed out of the room. He couldn't go home, his attendance would be affected and he'd be throwing away the prize most definitely. He had nowhere to go, except for to you.
You close the door behind yourself, thankful that the hallway is completely deserted during class time. "Hey, what's going on?" You ask, and before you can get a good look at him he's pulling you into a crushing hug, shaking around you.
You're shocked for a moment, pulling yourself out of your head to hug him back. Whatever is bothering him must be bad. He'd hugged you before, but never like this. "Hey, it's okay..." You whisper, rubbing his back. "Let's go outside for a second, yeah? Get some air?" You offer, gently prying yourself from his grasp to look at him.
Coryo can't speak, overtaken completely by the tears flowing down his cheeks and the anxiety flooding every inch of his body. He feels like he could be sick, all he knew that he needed was you. He just nods, trying to regain his composure, if only for the couple of minutes it takes to get outside.
"Okay. Let's go." You smile, trying not to show how worried you are as you wrap an arm around his back, still holding him close to you as if he has a broken ankle and you have to carry him. So far, his theory was proving to be correct. Just having you at his side was calming to him, and mentally he's cursing himself for not voicing his fears to you before they broke him.
As soon as the door of the rarely used back exit to the school is closed, he's essentially collapsing onto the ground, tucking his knees up to his chest and crying into his hands. You're quick to join him, draping an arm over his back and trying to grab one of his hands to hold. Your brow is knit with worry, rubbing his shoulder as he allows you to take one of his shaking hands. "Coryo..." You say softly, trying to get him to look at you but he won't. "What's happening? Talk to me, you can trust me. I just want to help."
He sniffles, looking up at you. "What is it?" You ask again, hoping to prompt any kind of information out of him. When he doesn't answer, you curve your approach to yes or no questions, hopefully, to make it easier on him. "Is someone hurt? Is it Grandma'am? Did something happen?"
He shakes his head slightly with every question, once again avoiding your eyes as he looks down at the ground, occasionally trying to cough out the knot in his throat.
"...Do you want to talk? Or do you just need a hug?" You realize, leaning in so he would look at you again.
He pulls you closer, wrapping both his arms around you awkwardly due to the way you are both sitting. "Just need you here." He mumbles, hardly audible as he buries his face in your shoulder and neck.
Relieved to hear his voice again, you place a hand on his hair and on his back, holding him tight. "I'm here, Coryo. As long as you need me."
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pigdemonart · 1 year
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Battle Subway Depot Agents (by pig-demon)
When I made designs for these guys last year I didn’t really think they needed colored references/master post, but since then I’ve drawn them a lot! Also people have added them to their fanfics and drawn fanart! So I figured it was time I made a post for easy ref. :]
These designs are obviously free to use, just give credit (and link me your work if you're comfortable, because it makes me happy to see!) All I request is to stay respectful to their pronouns and skin colors, ya knooow… 👍 note: The pokemon on their cards are all companions, not the ones they use on the Battle Subway. Except Jackie...the litwicks are just there to fill space/give them company.
More info under cut:
Edit: Important disclaimer:
These are again my designs/interpretations for the agents. Please don’t treat them as canon or as the only, quintessential designs for these literal background npcs. Many people have done takes on them before and after me, even back in 2010. It feels silly to ask, but due to past experience, I ask that you please DONT hunt down anyone that does a different take on the depot agents!! 👍
Tags:
I'm gonna start tagging them individually, but for now all Depot Agent comics and art on this blog are tagged under Depot Agents.
Height chart:
I’m not too strict about heights, so I don’t really care about actual measurements. Here’s an approximation of what I tend to visualize though:
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Sexualities/Gender Identities: I don't have official labels for each and every agent because I like keeping things fluid for characters to develop these traits on their own. However, as a queer person, I enjoy designing characters who are also queer, therefore I can safely say none of these characters are straight. The ones who are set in stone are Ramses (gay man), Cloud (lesbian woman,) Jackie (non-binary.) Furze uses he/they pronouns but their gender is undetermined. I also welcome anyone giving the agents a different gender identity to suit them (as long as it's done respectfully.)
Notes about each agent...
Cameron:
- Cameron dyes parts of his hair blonde and keeps other parts in black. This is because he is a big fan of Elesa and her fashion choices.  - Though there have been a few occasions to meet his idol, he is always way too nervous to approach her, feeling deep down that he'll mess up somehow. - He practices modeling poses in secret. He loves flourishes and flare, but is simply too insecure to put it on display. - Of his coworkers, he gets along the best with Furze. He's the easiest to talk to because Furze will do most of the talking. - Cameron is easily intimidated — even mean Pokémon can make him nervous. Though, his two worst fears are being left in a room alone with Jackie, and being left alone in a room with Isadore. - He takes advantage of his height to sometimes hide behind some of his coworkers. - Cameron is much better at Pokémon battles than he gives himself credit for. Emmet and Ingo were pleasantly surprised by this, since Cameron was promoted to fit a temporary role on the Battle Subway. They happily made him a permanent member when he proved himself capable. - His Dwebble (Pebby) is secretly very strong, and rushes to protect Cameron when it can. Cam sometimes thinks Pebby helps him feel more confident in himself too.  - If he stumbled into any of his coworkers outside of work, he would simply explode of embarrassment. - He is the youngest child and only son of his family. He lives in his own apartment in Nimbasa.
Cloud:
- Cloud (like Ramses) knew the twins when they were very young. - She used to be an ace trainer in her youth, even going so far to compete in the Pokémon league. Winning and becoming the champ was the most important part of her journey, but something happened along the way that changed that outlook. - It seems with age, her competitiveness has mellowed out. However, she maintains an intense energy when battling.  - Her favorite types are Psychic and Flying types. Swoobat (Sweetie) is her ace.  - Her favorite hobby is baking, and she often bakes sweets for the crew. She knows all their favorite flavors by now! - She prioritizes keeping a friendly relationship with all her coworkers and thinks of them fondly. She considers Ramses family after all the years of working together!  - She is a big fan of Brycen's movies and can recite the lines. - She lives with her wife in Anville. - Cloud loves doing maintenance work both at home and in Gear Station. She enjoys bringing her own tools and industrial flashlight.
Furze:
- Furze only has one volume setting (mid loud,) but he finds himself feeling right at home when talking to either one of the twins. - Furze has ADHD, and this is reflected in some of his habits, most visibly is his fidgeting when sitting still for too long. - He rides a bike to work every day. When he is late, Cloud clocks in for him so he doesn't get in trouble. - This is a kind of a guy that sits crouched gargoyle style on chairs. Only outside of work, of course. Bad posture could get him in trouble. - While working on the Battle Subway, there will be times Furze feels sorry for his opponents and offers to quietly let them pass anyways. This...has also gotten him in trouble. :[ - He went to the same elementary school as Isadore in Castelia. Though Isadore seems to have forgotten their short-lived acquaintance, Furze has not. This is part of the reason Furze claims they are in fact good friends!!! - Furze is the middle child of a big family. He lives with his mom and takes care of her, along with his many Darumakas and Darmanitan. All of his Pokemon have famous trains names. - He collects model trains. Naturally.
Isadore
- Isadore had plans to become the station master the moment he was hired as a depot agent, but alas... (sad trumpet sound.) - As a youth, he was more interested in science and engineering over Pokemon battles. He enjoys the strategizing aspect, at most. Not so much the competitiveness. - In addition, his Pokemon are all rescues and not used for battling. He's had his Watchog (Winston) since he was in his late teens. - His Electrode (Gregor) and Voltorb (Leonard) were rescued from the likes of Team Plasma. - Isadore admits he understands Pokemon better than humans. This has been apparent his whole life. - In spite of acting like a sitcom villain, Isadore cares about the management of Gear Station and the safety of the passengers to an incredible degree. He sees it as a personal life goal to assist in the management of Gear Station, as well as the success of the Battle Subway. - Though it pained him to become a subordinate to the twins, he begrudgingly accepts it for the greater good. - His almost militant efficiency certainly made up for his years of antagonizing the twins before they became the bosses. Ingo and Emmet understand this better than anyone. - Isadore keeps tabs on all of the staff members. So he very well knows all their birthdays and makes it a point to celebrate it. This is by no means a -happy- or -festive- event. It's just customary. - Like Furze, he was originally from Castelia, but now resides in Nimbasa. Isadore's only family is his mom and she lives in his childhood home with their Stoutland. - Isadore would have probably been voiced by every glasses guy ever J. Michael Tatum had he not already been cast as dear Emmet lmao
Jackie
- Jackie is a mystery and they like keeping it that way. When they talk, it's practically impossible to determine what is a lie or truth, especially if the subject is themselves or their background. - They love scaring Cameron the most and will ask to be paired with him whenever possible. They claim Cameron is their "favorite coworker," while Isadore is the least favorite. - It's plain to see why -- Jackie is the only one that doesn't passively tolerate Isadore's tirades. - Though my comics sometimes may allude to Jackie being a ghost/supernatural, this is not confirmed nor canon. I just personally enjoy toying with the concept. : ) That being said...
- Item #: SCP 7453
- Object Class: Euclid
- Special Containment Procedures: The ████ ██████ is ██████ within ████-██████. - Ingo and Emmet choose to not question anything about Jackie, since it's clear they're one of the more efficient workers. However it can be a safety concern... - Cloud and Ramses have worked with Jackie for a long time, though they've forgotten somehow. They believe Jackie is a new hire since they appear to be young. - Anyone trying to make sense of Jackie's employee records simply can't bring themselves to any conclusions. It's better to ignore the inconsistencies. - Jackie has never been seen to leave Gear Station. Jackie has never been seen in anything but their uniform. Jackie has never been confirmed to eat, drink or blink. Jackie knows your secrets. Jackie thinks it's... amusing.
Ramses
- Ramses sometimes misses having a full head of hair, but he thinks his signs of age make him look distinguished. (he is correct.) - Ramses is sort of the "mom friend," making sure everyone's concerns are heard, as well as trying to keep the peace whenever a conflict might arise. - If another coworker is feeling low, Ramses will try to cheer them up with a lighthearted joke or offer advice if they'd like it. - When the twins were promoted to bosses of the Battle Subway, Ramses cried because he felt so proud. - In most circumstances, he is a very simple and logical man. He is quick to find solutions and tries not to fret over the little stuff. It's not good for his heart after all. - His ace is his Pikachu (Musa,) though the mouse is more of a lap pet now. At home, he also has an Audino (Sara) and a Manectric (Nubi) who keep Ramses' husband company. His Klinklang (Moli) is the only one of his personal pokemon that accompany him to work nowadays. - Ramses considers Cloud family. They are best friends and love having family gatherings outside of work. They also gossip a lot, and don't mind when Jackie decides to join. - Ramses jokes about looking forward to retirement, but really doesn't want to leave until he is physically incapable of working anymore. Gear Station is like a second home to him.
In-Game Quotes
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The most important reference of all are their in-game quotes, of course, so I'm adding it to the post. A lot of their personality traits can be extracted and interpreted from these few lines. And I personally love that about Pokemon NPCs -- there's a lot of room to explore and play with. Some appear very obvious. Cameron practically announces that he isn't ready for the battle that's about to ensue and seems genuinely surprised to win. Furze comes out the gate talking about the subject they actually care about, which is their job and their love for trains. The two of them are very easy to understand. Now, Ramses lines allude to a gentle and simple personality. He views himself with humility, and maybe even with a bit of humor comparing himself to a train and to his opponent to a station. If he loses he shows no signs of disappointment, he just accepts defeat with one last honest quip. It s also amusing to see the Depot Agents all use train metaphors to describe themselves since it falls in line with how Ingo and Emmet talk.
In comparison, Cloud does the same thing calling herself the terminal instead. Immediately, she is way more daring, though still keeping a sense of professionalism. To me, it's obvious she is competitive as she even admits she was expecting to win ("Ah...I didn't see it coming.") Jackie's lines are fun since it's up to interpretation if they are being literal or lying. It's almost like they are more interested in confusing/creeping out their opponent than actually beating them. To me, it gives off a mischievous vibe. Isadore's opener "There are only two roads in life." is a curious one because it almost feels like he is trying to be philosophical. Definitely a guy who views himself as an intellectual, regardless if that’s true or not. I like to think it's a saying he really believes in, and it applies to his life. The road he likes (long route) vs the road he hates (shortcut) -- fighting tooth and nail to become boss vs biting his tongue and accepting Ingo and Emmet as the Subway Masters.
Those are just my thoughts on how I write these characters. Please have fun playing with these lines too!
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The Rite of Profane Ascention and Projected Shame: A Meta Analysis of Authorial Intent and Bias in Interpretation
If you are an Astarion enjoyer you are probably familiar with the following sentiments:
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The crew member we can attribute this reading to would be Baudelair Welch, and they are not Astarion's main writer, rather the Senior Narrative Designer for Baldur's Gate 3. Astarion's creator and lead writer was Stephen Rooney, Rooney does attribute great assistance from Welch, however.
Welch was not initially part of the team, only being hired after the release of Early Access. As Welch as recounted the story, they saw Astarion during EA, wanting to become a part of the BG3 writing staff to enforce a particular narrative. The one that we are familiar with.
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To better understand Welch's perspective on the concept of "Objectifying Fictional Characters" we must take a look at the indie game they developed during their time at Larian.
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Don't Wake Me Up is a text based adventure game that puts you in the shoes of a game developer who is making a vampire dating sim. The twist being that the vampire character you created resents you for having romantic feelings for it.
While discussing the fact they wouldn't be adding "Good Endings" to their game, Welch describes their experience of having romantic feelings for fictional characters, often over real life people. A trend that, to their apparent frustraition, continued into their adulthood. I get this sense of shame, this desire to experience a more normative relationship with romantic feelings.
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In a way, I feel kind of bad for Welch. I am a selfshipper, I think fictosexuality and genuine romantic interest towards fictional characters is morally neutral. However, my sympathy stops when Welch uses this to guilt their readers into feeling a certain way over narratives they don't have total authority over. Only very recently have people started to be cool about selfshipping, and phrases like "parasocial sexualization of fictional characters" does nothing to aliviate that stigma.
Hearing how the other staff talk about the endings, they do not share Welch's perspective more focused on player choice and the evolution of Astarion's Character through the player's eyes rather than a meta commentary on the relationship between player and character. As a roleplaying game, this is very much purposeful. Larian gives you the tools to tell the story you desire. To quote Neil Newbon,
"You might find him scary, and you should [...] but other people might really like that ending [...] going, actually I always saw Astarion going that route."
This a lot of meta context. Context that is not as blatant within the text as many who ascribe to this interpretation would want you to believe.
As a roleplaying game, BG3 gives you the option to depict your player character in a multitude of ways.
Is your player character a reluctant accomplace, determined to stay by Ascended Astarion's side no matter the cost? The game gives you that ability.
Do you see your character as an unwitting victim, a damsel to Ascended Astarion, a prisoner in a gilded cage? The game rewards this perspective in kind, the "freedom" lines coming to mind.
Or, perhaps your player character is mutually obsessed, a willing and enthusiastic participant in Ascended Astarion's villainous shenanagins. The game has options and responses that reflect this role as well. He is giddy, and gushes over how much fun you two will have if you lean into it.
A companion to this post, the poll I made measuring people's ending preference and weather not they were spoiled, is loosely tied to this. My methodology was, admitedly, a bit off. I neglected to add a neutral option, and of course my sample size is limited.
However, my theory was that among people that preferred keeping Astarion as a Spawn over Ascending him were exposed to spoilers, and my follow up question was meant to measure weather or not Welch's commentary had an effect on that.
Taking a look at the poll, the overall preference is for the Spawn ending, however, amongst Spawn enjoyers, they were often spoiled for his ending. I didn't get much feedback though, so weather or not this perception of Ascention had an effect on their choice remains conjecture.
What is interesting, however, is that through the polling process, (and the poll is still in progress at the time of posting this, so keep that in mind), the spilt between the other options were relatively even.
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Make of that what you will.
Looking at all of this together, and from my perspective, I cannot see ascention as the "bad ending" , sense much of the argument for that perspective uses Welch's words as if they were gospel. To me, a bad ending is zombie astarion, or blowing up Gale in act 2, or letting Lae'zel perish at the Creché. I will however call it the EVIL ending. Ascended Astarion IS a villain, but I think the distinction between "bad" and "evil" is an important one to make. I cant see it the way Welch does, because I simply have an idiological opposition to their veiwpoint, a sentiment I feel is shared by many AA enjoyers.
I want to end this by stating very directly: this is not an attack on Welch as a person, rather a cirtique of of the bias inherent to the way they write and interpret fiction. A bias, I feel, people should be aware of.
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icypopz · 3 months
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with an expressionless + calm s/o  ♡
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↬ from anon ; if it's okay, could i request marius and vyn with a female reader who is mostly expressionless and calm and very hard to impress or fluster?
↬ notes ; marius von hagen (lu jinghe), vyn richter (mo yi) x gn!reader
↬ from ice ; hihi first post of 2024 !!! also i switched it to gn!reader, i hope that's okay :> marius is so silly ueueue,,, also i'm not sure if i interpreted the prompt correctly i hope u like it ! T_T
↬ warning(s) ; none
please reblog ! it helps a lot :)
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[ marius von hagen / lu jinghe ! ]
marius and you make quite a pair. while he's rambunctious and whiny, often acting like an overgrown child around you, you're his polar opposite - calm and quiet, watching his tantrums with only the barest hint of a smile. people tend to wonder how you put up with him, but the truth is that the two of you balance each other out and bring out the best in one another; you're the ying to his yang.
whenever he's upset about something like the old men in the pax board of directors nagging him, marius will always come rushing to complain to you. he adores how you offer him a listening ear and a third-party opinion, and your tranquility always helps chase away his irritation. he always says you're like the sun pushing away the storm clouds of his anger. as the heir of pax, he's grown up around people always attempting to gain his favour, so marius really appreciates your ability to judge any situation objectively, even those involving him. it's a breath of fresh air to actually get scolded by you whenever he does something nonsensical instead of always being praised no matter what he does.
as for you not getting flustered easily, rest assured that marius will still try his absolute hardest to do so. when his usual trademark playful smirks and winks don't seem to work, he has to up his game, switching to super lame pickup lines which succeed only at making you laugh instead of flustering you (he still counts that as a win). however, he loves seeing even the smallest changes in your expression, such as you being unable to meet his eyes after he peppers kisses all over your face, or you burying your face in his shoulder after his hands travel under your shirt... even if you aren't as audacious with your expressions as he is, marius loves you wholeheartedly for who you are.
more content utc !
[ vyn richter / mo yi ! ]
vyn is actually quite similar to you, he's not the type to have wild expressions or wear his heart on his sleeve, so the two of you get along really well. he needs to be calm in his field of work in order to get people to open up to him, and you're just naturally a very serene person. even vyn feels at peace when he's around you, as being around you is a welcome break from his hectic life running the giannovyn mental health research center.
as a psychologist, vyn is well-versed in analysing body language or facial expressions to determine what someone is thinking. however, since you aren't a very expressive person, vyn becomes more attuned to your needs by communicating verbally with you instead of just assuming based on your body language. you both rarely argue as the two of you prefer to discuss your disagreements in a calm manner instead of getting too heated and saying things you don't mean. vyn also does his best to always ask you for your opinion on everything, from dates to presents, and in this way he manages to keep you as the world's happiest romantic partner.
you not getting flustered easily isn't something that bothers vyn, because he himself isn't someone who actively teases you that much. however, he adores seeing even the slightest changes in your expression when he does something for you, like when your nose scrunches up because you're trying not to cry happy tears, or your wide eyes when he surprises you with another grand gesture - it all feels like those are special sides of you only he gets to see. and that is exactly why vyn always goes over-the-top in extravagant preparations for you, whether it's growing your favourite flowers in his garden or baking you the perfect pastries - he loves you so much that he does everything he can to see your happy smile.
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✧ thank you for reading ! if you have a request, feel free to send it in 🌠
© icypopz 2024. do not repost or modify in any way.
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alsostheon · 5 months
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Spiritual Pollution in Hellenic Polytheism
In Helpol, we have three concepts known as lyma, miasma, and agos.
To some, humans are seen as naturally pure beings, but because we are living mortal creatures, spiritual dirt can cling to us and make us impure.
Here, I will discuss these three types of pollution
(Disclaimer: Some of this information comes from my own personal interpretations, and therefore may not apply to the beliefs of everyone)
Lyma
Lyma means "something to be washed away". Itis generally just physical dirt. It isn't much of a big deal when it comes to spiritual matters. However, it is still best to be free of it when approaching the gods.
Miasma
This is where things get complicated.
Miasma is essentially general spiritual pollution. Miasma is something that is completely unavoidable and should not be shamed (well, depending on the cause). Miasma is mainly caused by things related to life and death. This includes sex, childbirth, visiting a cemetery, blood, sexual fluids, etc.
However, miasma has different degrees of severity. More severe miasma comes from acts such as rape, hubris, murder, etc.
Miasma also spreads from people to people. If you walk past someone on the street who just came back from a funeral, their miasma will cling to you as well. This also highlights how unavoidable miasma is. But usually, this kind of indirect miasma is not as bad.
We are not allowed to approach the gods in a state of miasma. Luckily, miasma is not difficult to get rid off (excluding the more severe cases listed above).
All you need to do is wash your hands.
If you get a cut on your leg, the blood is miasmic and therefore you can't approach the gods. But all you need to do is wait for the bleeding to stop, wash away the blood, wash your hands, and then you're good to go.
There is a debate I once had on whether miasma prevents us from praying, giving offerings, and participating in festivals. To me, the answer is yes, but not with prayers. Let me explain why.
In a very simplified description of a certain myth, Orestes killed his mother. This caused him to enter a state of severe miasma and a state of agos (which I will explain later). Long story short, he prayed and asked Apollon to help purify him, in return for a grand offering later on. Apollon heard the prayer and came to help purify Orestes.
In this example, we see that Orestes was still able to pray to Apollon in the worst state of miasma, but promised to give offerings later on.
This implies that prayer is not an issue with miasma.
Here is another example: You don't need to wash your hands when talking to someone, but you should wash your hands if you want to give that person food.
In a similar way, in my opinion, you don't need to wash your hands for a casual prayer, but you should wash them before giving an offering. Although, I also prefer not to pray when I know I am in a miasmic state.
However, this is my own interpretation and others may have different views.
There are other ways to cleanse miasma such as khernips, incense, and scapegoats.
Ocean water is also said to cleanse miasma extremely well.
Agos
Agos is a cursed state and is the most extreme form of spiritual pollution. However, agos is not easy to get.
If you commit a horrible act such as murder, you will be in a state of extreme miasma. However, when the gods notice your crime and get enraged (keep in mind that it is usually not that easy to anger the gods), the miasma evolves into agos.
Miasma is a naturally occurring thing, but agos only comes from the wrath of the gods.
Agos is difficult to remove and is a pretty big deal.
Luckily, you don't need to worry about agos unless you're a horrible person who commits heinous acts.
Aaaand that is my interpretation of spiritual pollution in Helpol. I hope this post can be helpful to you!
Blessed be!
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drchucktingle · 9 months
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DECONSTRUCTING DAMASCUS #1
hello buckaroos chuck tingle here to talk on my book camp damascus. i am very ADVERSE to spoilers and even though i LOVE discussing art i never want to discuss a book too soon, gotta give buckaroos a chance to read. i have been trying to find a balance of WHEN and HOW to have these talks because there is a lot to discover in camp damascus, and i finally think i have found safe way to do this.
i am going to write some posts talkin about various subjects relating to camp damascus themes and symbols and ideas. i will title these posts DECONSTRUCTING DAMASCUS and give them all the hashtag: "deconstructing damascus". if you do not want to be tempted you can go into your tumblr settings and MUTE hashtag "deconstructing damascus" until you are ready to come back and trot in this way.
i am also going to put all spoiler content below a READ MORE line so that buckaroos will not stumble upon it. you must click below to open these words up.
(EDIT: PART 2 IS HERE)
(EDIT: PART 3 IS HERE)
(EDIT: PART 4 IS HERE)
alright buckaroos lets trot. WARNING: SPOILERS BELOW
DECONSTRUCTING DAMASCUS #1: NEVERLAND
camp damascus is about SEVERAL things thematically, but i think in BROAD STROKES you can narrow this story down to two ideas. the first is about control through infantilizing victims of religious or conservative organizations, keeping them 'young and naive' forever, and the second theme is about taking a story and using the same text to pull out whatever viewpoint you want. in other words, there are MANY readings within a story and us readers see whatever story we want.
i will dive deeper into these topics in later DECONSTRUCTING DAMASCUS talks, but both of these concepts relate in some way to THIS discussion, which is the story of peter pan and neverland
camp damascus is about text having many interpretations, and so as a sort of META ART PIECE i wanted camp damascus to have many interpretations. i did this by creating thematic layers on top of each other in the SAME STORY, like a cake. in the case of camp damascus we have BIBLICAL LAYER, FAIRYTALE LAYER, and LITERAL LAYER.
today we are going to talk about the fairytale layer.
peter pan is the story of wendy darling, who is whisked away to a magical place known as NEVER NEVER LAND by peter pan, who is an eternally young boy. nobody ever grows up in never never land. in camp damascus we have rose darling, who is a resident of neverton, a small town in montana where all of to children are kept young and naive to their own true adult nature for as long possible. this is done in many ways, for instance all of the KINGDOM OF THE PINE kids act and talk like teenagers when they are technically adults (rose is 20). they are all still in high school due to intervention of the church. the practice of oppressing someones natural sexuality and growth into adulthood a way of keeping them young and 'innocent'. the KINGDOM KIDS are perpetually stuck between childhood and adulthood. when you are reading the book, there should be something about this age and behavior discrepancy that feels a little strange.
to capture this effect i also tried to create a book that was both categorically YA (young adult) and adult horror. there are topics and conversations and situations that should feel like you are reading a 'younger book', then moments of violence and layers of complex themes that feel like an adult book. it should straddle this line in an uncomfortable way.
now to the story itself. camp damascus is NOT a retelling of peter pan in any way. the plots are not the same at all. however it uses peter pan as a literary allusion in order to discuss the themes listed above. these references are to reinforce the idea of keeping buckaroos young and under the churches control by any means necessary.
many do not realize that the original peter pan character was quite a bit more sinister than the cartoon version. here is a quote from the original text about HOW neverland worked to keep the lost boys young:
“The boys on the island vary, of course, in numbers, according as they get killed and so on; and when they seem to be growing up, which is against the rules, Peter thins them out; but at this time there were six of them, counting the twins as two.”
yes CAPTAIN HOOK is the big villain, but peter pan himself is just as brutal. this is where we get PASTOR PETE BEND, the current head of camp damascus. in his own way he is HIP AND COOL AND ETERNALLY YOUTHFUL just like peter pan, but he also falls into the roll of a ruthless captain who will do whatever it takes. to pull apart his name we have pete, as in peter, and bend. what is another word for bend? hook.
kingdom of the pine members wear a red band round their left wrist, which is where the hand of their prophet as severed. you can also note that when pete bend he uses a weapon he uses his left hand, which is pretty notable for someone who is right handed. consider where a certain captains weapon is permanently affixed.
also working for kingdom of the pine and camp damascus, under the direct orders of pete bend, is DR. SMITH. dr smith is a jolly henchmen with a white beard and glasses. despite his drab office he sits in a blue and white striped chair. i should also point out that a version of the name smee is smeeth. just SAYIN.
WILLOW is another interesting one. after her time at camp damascus she gets into photography. she turns to NATURE and TRUTH and as she takes these photos her finger is steady and rhythmic like a clock. click. click. click. click. click. could these photos eventually be the downfall of pete bend?
when we see willow early on she is drinking for a coffee mug with a certain reptile on it. her last name is crogall, which translates to the name of a specific animal in scottish gaelic. rose also goes to meet willow where she lives, one town over from neverton in a little village named lebka rock. i will let the buckaroos figure out what that means.
there is actually much more than this (who is saul for instance?) but i think i have said all that buds need to know to enjoy this layer.
thank you for reading. FEEL FREE TO REBLOG but try not to put spoilers in the tags. i will talk on OTHER aspects of CAMP DAMASCUS soon and i hope this has inspired you to look at the text in a brand new way. LOVE IS REAL
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halcified · 3 months
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teru & socialization
i've posted about this before but something ive been thinking about a LOT is mp100's themes of loneliness (and eventual connections). i think this is an aspect of teru's character (in particular) that gets left out because it's not as explicit but i've been wanting to do a deep dive on it for a while and i finally sat down to do it. just a warning, this post is gonna be LONG.
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these two panels are from chapter 16 of the manga (which i'm using for my evidence because i. dont want to scrub through the anime LOL). initial sentiment: teru uses his powers to cheat having friends/a good social life and wouldn't have that if he tried earnestly. this is a fair interpretation of the scene. with what we know, at this point of time (as in within the teru-mob fight) teru would not be able to connect with other people earnestly, due to his mindset. which i think is a fair interpretation, HOWEVER:
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(from chapter 17 ^^) the first panel shows teru's expression to be strained and the second is visibly unhappy. this puts the first set of panels into a different context, that maybe underneath all of this, teru doesn't WANT any of this life that he's built. keep in mind that i'm analyzing this with teru's possible autistic tendencies in mind & you dont have to believe he's autistic, im not your dad, but i do find this a pretty meaningful indication of masking if he were
(note: yes, the strain can definitely be read as comp-het, and i would agree but that's not relevant so go read this post on that instead)
even if the rest of these panels show teru content with his life, i think these expressions are pretty vital to how we read his life especially because we know so little of it. think about it, if you were a kid desperate for affection because you couldn't get it anywhere else, especially not in a way that would come off as "mature" or "unaffected", wouldn't you also look for validation in your popularity? even if it aligned you with people who you consider fundamentally different to you? my point here is that teru can't not stand out-- it's in his nature-- and we are shown how he tries to blend in & receive attention in the only way possible to him; which is to say that he molds himself into something that is palatable, likeable, and superior to other people. if he's nothing, like mob, he has spent his entire life covering up for it. if he fails socially, like mob, he has to be good at everything (even if he cheats to do so) so that everyone else can look past it.
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(side note for my teru angst enjoyers: this is a panel of his mom. the mom who he hasn't seen in years. doesn't it make sense that, if he hasn't heard his mom say he's proud of him for literal years, that he would overachieve in response? not related to the autism thing i just have the teru bug. also don't be misogynistic in my notes both his parents suck we just get a singular mention of his mom)
so if teru couldn't meaningfully have friends before mob, that could very easily be because of his past mindset, right?
...except, we don't.. really... see him make other friends afterwards.
but, the awakening lab, right?
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(ok i lied to you sorry there is one anime screenshot and thats because it stood out to me while i rewatched it earlier this month. sorry.) id like to bring attention to this screenshot during the cultural festival because the awakening lab can definitely be seen as a direct contradiction of this and i'd like to point out a couple things:
1) in this scene the shiratori brothers are in another room 2) them and the other three are friends with ritsu (or at least close enough acquaintances to want to see him).
considering this is one of the only times they appear together for Fun i am more inclined to believe this is an encounter where they went together because they all would've gone separately anyway. this isn't to discount the possible bond that these characters might have, but thats the thing. we... aren't really shown that they're friends and enjoy spending time together outside of this screenshot, where two out of six of the members are not even present. not to mention that teru is still placing himself in a role separate from his peers. despite stripping the superiority away, teru is still the awakening lab's mentor, not friend. teru still views himself as fundamentally different in a context where his psychic powers don't make him that way.
...except with mob. i bring this placement of power up because where he is the awakening lab's mentor, teru declares mob to be his rival, or, in other words, teru is just like him. he is accepting that mob and him are the same. (and if we view mob from an autistic lens... so on and so forth)
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as if to hammer in that point even further-- in the summer vacation omake, teru explicitly states that "summer break is just a super long, super boring stretch of alone time." i'm not sure of the timeline here, but guessing from the hair, we're at least post season 1. which gives us explicit confirmation here that teru is spending the break alone despite his relationship to the awakening lab. his connection to mob is a lifeline here because mob is one of the only people who can intuitively understand teru's isolation without judgment
(also, on that point of teru's autistic tendencies: teru does and says a LOT of things that would raise other peoples eyebrows and doesn't seem to notice.
here we get teru actively admitting to his home life, right in front of reigen, WHO COULD CALL CHILD SERVICES ON HIM? this genuinely made me rethink this character entirely. teru's filter is... minimal. he isn't constantly volunteering information and generally minds his own business, but if you ask? Well.
teru is a social person, but to say he is proficient in understanding social situations seems... wrong. teru views his loneliness as boring because, despite being fairly open, does not actually allow himself to think about his own feelings and how they affect him. this loneliness is boring because he doesn't have enough of a reference to realize its not
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if we are taking pre-mob teru to be a version of himself who is masking, or at the very least someone who is faking a lot of stuff in a less autistic sense, the fight with mob changes teru to the point where he no longer hides himself. in the same way that mob was able to shake teru's fragile superiority complex i think the change in appearance marks the end of the self teru had built up. from this point on we see him become a lot more... Him. his appearance and his fashion choices are, presumably, completely normal to him and we get no indication that he believes otherwise despite the reactions it gets-- which is... well, i wouldn't be writing this post if i thought it was one of his most neurotypical traits.
in fact, he seems... pretty oblivious to what other people think of him. which is an interesting distinction to make considering the intelligence we Know he possesses (which is not to say that you are unintelligent if you don't pick up on social cues, just that its common for media to depict it that way.) these traits are made pointedly, even if unintentionally, separate, ESPECIALLY when you note the amount of characters who Do ruminate on or stare at teru's appearance.
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some examples. i don't even think this is all of it-- case in point.)
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desceros · 3 months
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me: [looks at calendar, gets a wicked idea, looks into the camera] happy springtime, turtle fam! who's ready to celebrate the season?
...mating season, that is. hehe. [dodges the tomatoes]
so! i had the idea that it would be super fun to have a community-wide event where we all have a prompt and then everyone fills it in their own way.
...i then decided all the prompts i came up with were too good not to use, but also none of them were Good Enough to use exclusively, so i changed my mind and the prompt is now just MATING SEASON. with a few suggestions at the bottom of this post if you're looking for some.
since spring is coming upon us, i hereby invite everyone to join in the vernal festivities... which in turtle parlance, of course, means only one thing: write, draw, whatever your version of "mating season", then join me on march 1 to post it with the tag #TMNTSpringShellebration. we then shall browse the fine selection of our mutual artistic efforts, and basically just have a good time as a community.
here are the prompts i came up with as starters-slash-things-to-include if you're looking for a place to get started. feel free to use these at will, or use them to come up with something of your own:
“Please don’t make me explain this. It’s humiliating as is.”
Oops, Looks Like Mating Season Came A Week Early This Year
“…In all of my mating seasons, this has never happened before.”
“I told you not to come by! It’s mating season!”
Probably should have expected it to be different now that he’s not going through it alone.
Because of Shenanigans, you have to wait. Wait… Wait… ok now.
They’re not the right person for mating season… but they’re the one who’s here, so…
“Show me where it hurts."
so yeah! see you all on march 1 for the, uh, spring shellebration. party popper emoji
questions i imagine will be popping up and i hope will clear up here before my askbox swells beyond capacity under the cut to keep this post from being Way Too Long. also it's really not that serious it's just an excuse to write slash draw for everyone Please Don't Take This Thing Too Seriously It's Not That Serious:
"can i participate?" yes! it's literally just an invitation to do something. nothing fancier than that. no need to be following me or in my friend group or whatever.
"can i write (insert fic idea here)?" yep! so long as it's related to the idea of mating seasons, it flies. reader insert? hell yea. oc? hell yeah. solo turtle and his favorite pillow? go for it.
"can i draw (insert art idea here)?" yep! uh. i know tumblr has the cops watching for sin bin material, but you art people know how to deal with that. and if you don't, uh, ask the other art people. im just a feral cat in a trench coat
"how do i participate?" write/draw/collect songs for/whatever. then, on march 1, post it and tag it #TMNTSpringShellebration. also, for funsies, keep it hush hush what you're working on so we can all be super shocked when the day comes! except, y'know, that you're planning on joining in. totally do that.
"when do i post it?" march 1. whenever on that day. waves hands around in a vague gesture at time zones not mattering. seriously don't take this so seriously it's just me wanting to create cool shit with my friends with a little more structure to it
"does it have to be horny?" i mean. it's an event about mating season. so by definition it's going to be at least a little horny. but however you interpret it is cool. even if it's just. idk. leo sitting sweatily in a chair looking longingly at a glass of water bc he's thirstier than usual. be smart about things, people. i'm not your dad.
"which tmnt verse is this for?" whichever one you want it to be for!! rise! bayverse! 2007! your fan iteration! your friend's fan iteration! your mortal enemy's fan iteration! yes!
"will you be reblogging everything?" absolutely not, but this isn't an event About Me. i am incidental to the thing. it's about Us. coming together as a community. for horny turtles. puts my hands on your shoulders. do it for you. for your friends. for the community.
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