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#yes. interpret the subtext
stil-lindigo · 1 year
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the calamity.
a comic about being seen.
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i vote that next year instead of reading Dracula we do a Jeeves & Wooster Book Club. those two never got the rabid tumblr shipping fandom they deserved (disqualified for the sheer technicality of being published a century too soon). we must correct this injustice
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echo-s-land · 8 months
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French queer playlist because why not
Comme ils disent by Charles Aznavour (1972) | about a gay man, he cross-dresses too. Don't really know how to explain that one. It's great, it aged really well (Aznavour was a straight man but he had several queer friends)
Sans Contrefaçon by Mylène Farmer (1987) | wasn't actually written with trans masculinity in mind, but it's a trans masc anthem at this point
Ziggy (un garçon pas comme les autres) by Céline Dion (1991; the original cover/song was in 1978 tho) | girl falls in love with her friend, a gay teen - is sad for herself but doesn't insult him or anything
College boy by Indochine (2013) | a song I found not so long after figuring out my own queerness so it has a special place in my heart. lots of cw for the visual clip (homophobia, bullying, conservatism, police violence, religious hypocrisy, physical assault, crucifixion)
J'ai le droit aussi by Calogero (2014) | gay teenager wants to live like he wants, is scared of other's view/judgement on him (including his parents)
Mohammed je t'aime by Gargäntua (2015) | being gay in the hood is like everywhere else - it may not be a good idea to be public about it. lots of cw for the visual clip (physical assault, homophobia, internalized homophobia, suicide). I hope one day Gargäntua will make a song about Mohammed finding happiness because he clearly deserves it if not for the trauma in this song
comme les autres by keen'v (2015) | gay man (teen?) coming out to his father, father is homophobic
C'est toi qu'elle préfère by Alice et Moi (2017) | sapphic anthem at this point; unrequited love
Normal by Eddy de Pretto (2018) | gay man responding to an homophobe (honestly i find it very satisfying)
Grave by Eddy de Pretto (2018) | the singer is an openly gay man, he talks to a wide range of different gay boys/teens/men and are telling them to not worry when they discover their homosexuality; that it's okay
Séduction by Joanna (2018) | bi woman falls in love with another woman
Ta reine by Angèle (2018) | wlw.
Amour censure by Hoshi (2019) | Hoshi is an openly lesbian singer; the song denounces homophobia
Immoral & Illégal by Gargäntua (2022) | 'Everything I love is immoral and illegal' - if that's not a queer feeling. More seriously, it's more me deciding to interpret the song this way then the song being about queerness. Still, whether you listen to this song and think about addiction, queerness, or any marginalized community, well.. well you can't change my mind about it having (intended or not) queer subtext
La mort avec toi by Gargäntua (2022) | literally 'partners in crimes', I decided it was queer for various reasons but you may not think like me
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I don't know about you, but for a website that claims a lot of neurodivergent folks, this whole "every story has a specific, correct secret set of hidden meanings and if you can't figure them out you're just an idiot and should be mocked and shunned for it" interpretation of reading comprehension really puts my hackles up.
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sarafangirlart · 19 days
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Rick Riordan made Hephaestus have a cuck fetish and also in his books Hitler might be the demigod son of hades and it's confirmed that Harriet Tubman is the daughter of Hermos
…what?
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marinsawakening · 2 months
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I have lost 'don't be pedantic' fight once again, so: it annoys me when people straight up state fakiru is canon, because that's a gross oversimplification. There is certainly romantic subtext between Fakir and Ahiru, but unlike Rue and Mytho, they never textually get together, so how 'canon' it is depends on how you define 'canon' to begin with. Furthermore, it's also really easy to interpret the romantic subtext as platonic. This is because Princess Tutu, for the most part, distinguishes very little between romantic and platonic love. In this show the boundary between the romantic and the platonic is fluid. The exact nature of Fakir and Ahiru's relationship and feelings for each other is up to interpretation, and intentionally so. So talking about fakiru as if it's unambiguously canon without acknowledging the inherent ambiguity simplifies the show and is not an accurate representation of their relationship. Also it annoys me personally.
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doodlingleluke · 1 year
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Not to sound like I have tumblr brainrot but sometimes talking to older trekkies who have never interacted with specific parts of the fandom is wild like. I`m just supposed to move on with this conversation knowing that you watched all of ds9 assuming elim garak was cis and straight.
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bytebun · 11 months
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the-monkey-ruler · 9 months
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Would give me right eye for a rewrite where everything is the same except monkey king is super gay for the majority of the story. Still prefer he lets go of attachments and becomes a buddha in the end.
I mean there are some media he def has closer relations to his male counterparts than any women counterparts! Might have some luck there as I think the movies are being more cheeky with Wukong's lack of care with social graces. But I have yet to see an openly gay interpretation of with even with some of the closer relations in some movies.
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loumauve · 1 year
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apparently kissing sb of a certain gender makes you have that sexuality so now I'm unsure what the fuck I am. does that mean I have to identify as pan now bc that asshole kid kissed me when I was 11 even tho I just wanted to look at the tiny turtles in his fish tank? and bc one of my exes identified as nb at the time we were dating, and bc I kissed a girl a few times while we were dating?
does that also mean I can no longer identify as ace bc I had sex at least once?
some of y'all are so fucking stupid I stg
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edgelordtozier · 2 years
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st fans on tik tok are so incredibly dumb it’s so frustrating
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percheduphere · 3 months
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LET'S TALK ABOUT "HE'LL MAKE IT BACK"
Special thank you to @mmobiuses, @starrose17, and @stevenrogered whose gifs make-up the lion's share of this post. Thank you to all the other amazing gif artists as well, without you, my metas won't be possible.
This might come as a surprise to a lot of people, but I actually wasn't big on Lokius until Season 2. I thought Loki and Mobius made a cute ship in Season 1, but that was the extent of it. In truth, I lost interest in the Loki series by the S1 finale and had 0 interest in watching S2. I didn't give the series another try until I saw positive reviews on Tumblr. I therefore started watching S2 when S2E4 dropped.
LOKI SEASON 1
Enjoying the potential love story between two characters is a deeply personal and subjective experience. So take what I say as my personal experience observing Loki and Mobius's relationship.
I fully believed Mobius loved Loki in S1 in the platonic sense. Tom Hiddleston has given a few interviews on Loki's and Mobius's relationship and seems to believe in this sentiment as well [see 5:30-7:30 and 10:57-11:00]).
That is to say, in S1, I didn't feel, "Oh, my god ... he loves him." It was more, "Yes, he loves him", there is no question, his actions prove it.
There is wiggle-room for unrequited love in the S1E4 interrogation scene, but the jealousy Mobius exhibited could have just as easily been a combination of anger on behalf of his murdered colleagues and platonic jealousy.
However, I felt the first hint of unrequited love from Mobius occurred during his goodbye scene with Loki in S1E5. Specifically, this look:
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I had no expectations for that look to pay off in any way. Season 2 surprised me.
LOKI SEASON 2
S2E1 is amazing episode because, through subtext, it reframes how Mobius's S1 emotions may be interpreted with stronger evidence for romantic motivation. In this episode, there appears to be a subtle, gradual build-up to the moment that Mobius's love for Loki may be viewed as fully romantic. Let's break down the episode and look at the progression:
First, learning that Loki is at the TVA: *sigh* I can't find the "Loki's here?" gif.
Second, and perhaps the most infamous, the reunion and whole-body support Mobius provides Loki in the TVA War Room (physical comfort):
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Third, Mobius bringing Loki somewhere safe and quiet, assuring him that "it's okay" (emotional comfort):
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Fourth, Mobius insisting that Loki's condition must be fixed, not once but twice, in two different scenes. A third (writer's magic 3s!) instance occurs in the Heart of the TVA, just before the gangway scene (prioritizing the other):
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Fifth, Mobius's admission that Loki's timeslipping looks horrible, and he can't look at it anymore. He repeatedly stresses to Loki how serious this is (emotional and physical empathy):
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Sixth, Mobius taking Loki to exact right person who can help. This is particularly significant, because Mobius is the only person in MCU canon who has verbally expressed concern for Loki's physical well-being and took immediate action to stop the pain (act of service):
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Seventh, the third time Mobius prioritizes Loki's wellbeing. He scolds Loki and reminds him they have only one shot at getting his timeslipping corrected before the temporal radiation becomes too high (prioritizing the other):
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Eighth, Mobius interrupting Loki, insisting that he will make it back. The subtext here is that no other outcome is acceptable or thinkable for Mobius (emotional comfort):
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Finally, Ninth, the clincher: "He'll make it back." (self-comfort)
This scene is everything to me. Moments 1 through 8 build-up to this singular moment. Let's do a micro-analysis on it.
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After Loki timeslips, the camera stays on Mobius. It tracks him as he kneels down to pick-up the time sick, the last thing Loki touched. The camera then pans up as Mobius rises.
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@stevenrogered, THANK YOU for this gifset. It's literally the only one I could find that captures the camera tracking Mobius after Loki disappears, and this is my all-time favorite Mobius scene.
Mobius stands for a moment, motionless, and the camera holds on his facial expression. He's staring at where Loki WAS for extended period of time (keep this in mind for later). He's holding his breath. He's worried, scared, and hopeful, not for himself and the danger he faces on the gangway, but for Loki.
Finally, he exhales as he says to himself, "He'll make it back".
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This entire sequence--particularly the moment when Mobius picks-up the time stick and holds it in silence--made me feel, "Oh ... Oh ... he loves him."
The camera stays with Mobius, capturing his reaction to this high-stakes situation for a significant amount of time (@loki-us, maybe you can get this timed starting from the moment Loki disappears and Mobius starts to kneel to pick-up the time stick?). Cinematographers don't do this type of hold unless they want to illicit a strong emotion from the audience regarding the character we are focusing on in the moment.
My insides swooped, which rarely ever happens when I view film or television.
And this camera hold, this pregnant pause, is mirrored by Loki's stare in S2E5:
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madlori · 22 days
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Ship dysphoria
Ok so a bit of time has gone by, and the 9-1-1 fandom is settling into a bit of an...existential crisis?
Because 90% of this fandom is built on Buddie. Buddie has always been the strongest driving force. We love our other blorbos, but it's Buddie that usually drives us feral.
Except...Buck/Tommy. OMG. It is WORKING for a lot of fans. (and JFC we cannot settle on a ship name. Tevan? Kinley? I'm gonna stick with Buck/Tommy)
A LOT of fans are having a "I'm a devoted Buddie shipper, why do I like this so much??" moment and it can almost feel like a betrayal, or that you're deserting the ship (the ship that, remember, Oliver told us to stay aboard).
And I think I can probably speak for everybody when I say that the last thing we want or need is a ship war in this fandom, something we haven't ever really had but which has torn other fandoms apart.
So I'm gonna put on my veteran-of-many-fandoms hat for a second and tell you a thing:
It's okay to ship Buck and Tommy. It's ok to do that and still ship Buddie. It's also okay to leave Buddie behind if it's not working for you anymore. It's okay to just tolerate Buck and Tommy and not really care about it, and stay focused on Buddie. You are allowed to ship however it works for you, and you are not limited to one and only one ship. If you decide you don't think Buddie will happen and you're going to cut your losses, that's okay, too. It is not a reflection on your character or something. You don't swear an oath of fealty to a ship.
We don't know how long Tommy will stick around, but Buck will still be bisexual. He may date another man. He may date a woman again. You can ship those things too.
But why is this ship hitting me so hard? I never thought I'd like Buck with another man! I'm so confused!
I get that. There are some reasons why that might be.
There is something very appealing about a ship that's canon. Some of you might never have had a canon queer ship, but the pull is strong. There's no guessing, no interpreting, no subtext-examining. It's there, it's real, you don't have to wonder if you're just overinterpreting things. Yes. Buck and Tommy kissed and are going on a date. Even if that's all it ever is, you'll never be accused of "seeing things that aren't there." Don't discount that.
Tommy, even in just 1.5 episodes, is a LOT more integrated into the firefam than any of Buck's previous girlfriends. Tim talked about not wanting him to be "siloed off" away from the main cast and that was exactly the problem with his prior girlfriends. Tommy is friends with Eddie. He knows Christopher and has hung out with him. He spent most of that loft conversation reassuring Buck that his place in Eddie's life was secure. He feels more like part of the gang than any other ones. That makes it easier to see him in Buck's life.
The mere fact of Buck's queer awakening is so monumental for so many of us that the character who helped him get there is going to naturally earn our affection immediately, and it's going to make you want that relationship to succeed, even if it's ulitmately not endgame for Buck. You want to see Buck have a good experience the first time out with a man. Of course you do.
And we just want to see Buck make out with a hot beefy firefighter. That is so valid of us.
Anyway. There is no need for a crisis. You can love Buddie with your whole heart and still be excited about this pairing, and want to see how it goes, and read fic about it. I may be writing a lil something myself.
You're good, fam.
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angelsdean · 5 months
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I need people to understand how S&P (standards and practices) works in television and how much influence they have over what gets to stay IN an episode of a show and how the big time network execs are the ones holding the purse strings and making final decisions on a show's content, not the writers / showrunners / creatives involved.
So many creators have shared S&P notes over the years of the wild and nonsensical things networks wanted them to omit / change / forbid. Most famously on tumblr, I've seen it so many times, is the notes from Gravity Falls. But here's a post compiling a bunch of particularly bad ones from various networks too. Do you see the things they're asking to be changed / cut ?
Now imagine, anything you want to get into your show and actually air has to get through S&P and the network execs. A lot of creators have had to resort to underhanded methods. A lot of creators have had to relegate things to subtext and innuendo and scenes that are "open to interpretation" instead of explicit in meaning. Things have had to be coded and symbolized. And they're relying on their audience to be good readers, good at media literacy, to notice and get it. This stuff isn't the ramblings of conspiracy theorists, it's the true practices creatives have had to use to be able to tell diverse stories for ages. The Hays Code is pretty well known, it exists because of censorship. It was a way to symbolize certain things and get past censors.
Queercoding, in particular, has been used for ages in both visual media and literature do signal to queer audiences that yes, this character is one of us, but no, we can't be explicit about it because TPTB won't allow it. It's a wink-wink, nudge-nudge to those in the know. It's the deliberate use of certain queer imagery / clothing / mannerisms / phrases / references to other queer media / subtle glances and lingering touches. Things that offer plausible deniability and can be explained away or go unnoticed by straight audiences to get past those network censors. But that queer viewers WILL (hopefully) pick up on.
Because, unfortunately, still to this day, a lot of antiquated network execs don't think queer narratives are profitable. They don't think they'll appeal to general audiences, because that's what matters, whatever appeals to most of the audience demographic so they can keep watching and keep making the network more money. The networks don't care about telling good stories! Most of them are old white cishet business men, not creatives. They don't care about character arcs and what will make fans happy. They don't care about storytelling. What they care about is profit and they're basing their ideas of what's profitable on what they believe is the predominate target demographic, usually white cis heterosexual audiences.
So, imagine a show that started airing in the early 2000s. Imagine a show where the two main characters are based on two characters from a famous Beat Generation novel, where one of the characters is queer! based on a real like bisexual man! The creator is aware of this, most definitely. And sure, it's 2005, there's no way they were thinking of making that explicit about Dean in the text because it just wouldn't fly back then to have a main character be queer. But! it's made subtext. And there are nods to that queerness placed in the text. Things that are open to interpretation. Things that are drenched in metaphor (looking at you 1x06 Skin "I know I'm a freak" "maybe this thing was born human but was different...hated. Until he learned to become someone else.") Things that are blink-and-you-miss-it and left to plausible deniability (things like seemingly spending an hour in the men's bathroom, or always reacting a little vulnerable and awkward when you're clocked instead of laughing it off and making a homophobic joke abt it)
And then, years later there's a ship! It's popular and at first the writers aren't really seriously thinking about it but they'll throw the fans a bone here and there. Then, some writers do get on the destiel train and start actively writing scenes for them that are suggestive. And only a fraction of what they write actually makes it into the text. So many lines left on the cutting room floor: i love past you. i forgive you i love you. i lost cas and it damn near broke me. spread cas's ashes alone. of course i wanted you to stay. if cas were here. -- etc. Everything cut was not cut by the writers! Why would a writer write something to then sabotage their own story and cut it? No, these are things that didn't make it past the network. Somewhere a note was made maybe "too gay" or "don't feed the shippers" or simply "no destiel."
So, "no destiel." That's pretty clearly the message we got from the CW for years. "No destiel. Destiel will alienate our general audience. Two of our main characters being queer? And in a relationship? No way." So what can the pro-destiel creatives involved do, if the network is saying no? What can the writers do if most of their explicit destiel (or queer dean) lines / moments are getting cut? Relegate things to subtext. Make jokes that straight people can wave off but queer people can read into. Make costuming and set design choices that the hardcore fans who are already looking will notice while the general audience and the out-of-touch network execs won't blink and eye at (I'm looking at you Jerry and your lamps and disappearing second nightstands and your gay flamingo bar!)
And then, when the audience asks, "is destiel real? is this proof of destiel?" what can the creatives do but deny? Yes, it hurts, to be told "No no I don't know what you're talking about. There's no destiel in supernatural" a la "there is no war in Ba Sing Se" but! if the network said "no destiel!" and you and your creative team have been working to keep putting destiel in the subtext of the narrative in a way that will get past censors, you can't just go "Yes, actually, all that subtext and symbolism you're picking up, yea it's because destiel is actually in the narrative."
But, there's a BIG difference between actively putting queer themes and subtext into the narrative and then saying it's not there (but it is! and the audience sees it!) versus NOT putting any queer content into the text but SAYING it is there to entice queer fans to continue watching. The latter, is textbook queerbaiting. The former? Is not. The former is the tactics so many creatives have had to use for years, decades, centuries, to get past censorship and signal to those in the know that yea, characters like you are here, they exist in this story.
Were the spn writers perfect? No, absolutely not. And I don't think every instance of queer content was a secret signal. Some stuff, depending on the writer, might've been a period-typical gay joke. These writers are flawed. But it's no secret that there were pro-destiel writers in the writing room throughout the years, and that efforts were made to make it explicitly canon (the market research!)
So no, the writers weren't ever perfect or a homogeneous entity. But they definitely were fighting an uphill battle constantly for 15 yrs against S&P and network execs with antiquated ideas of what's profitable / appealing.
Spn even called out the networks before, on the show, using a silly example of complaints abt the lighting of the show and how dark the early seasons were. Brightening the later seasons wasn't a creative choice, but a network choice. And if the networks can complain abt and change something as trivial as the lighting of a show, they definitely are having a hand in influencing the content of the show, especially queer content.
Even in s15, (seasons fifteen!!!) Misha has said he worried Castiel's confession would not air. In 2020!!! And Jensen recorded that scene on his personal phone! Why? Sure, for the memories. But also, I do not doubt for a second that part of it was for insurance, should the scene mysteriously disappear completely. We've seen the finale script. We've seen the omitted omitted omitted scenes. We all saw how they hacked the confession scene to bits. The weird cuts and close-ups. That's not the writers doing. That's likely not even the editors (willingly). That's orders from on high. All of the fuckery we saw in s15 reeks of network interference. Writers are not trying to sabotage their own stories, believe me.
Anyways, TLDR: Networks have a lot more power than many think and they get final say in what makes it to air. And for years creative teams have had to find ways to get past network censorship if they want "banned" or "unapproved" "unprofitable" "unwanted" content to make it into the show. That means relying on techniques like symbolism, subtext, and queercoding, and then shutting up about it. Denying its there, saying it's all "open to interpretation" all while they continue to put that open to interpretation content into the show. And that's not queerbaiting, as frustrating as it might be for queer audiences to be told that what they're seeing isn't there, it's still not queerbaiting. Queerbaiting is a marketing technique to draw in queer fans by baiting them with the promise of queer content and then having no queer content in said media. But if you are picking up on queer themes / subtext / symbolism / coding that is in front of your face IN the text, that's not queerbaiting. It's there, covertly, for you, because someone higher up didn't want it to be there explicitly or at all.
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andy-wm · 7 months
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I have thoughts about the Tiktok JK deleted
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<<I realise its a few days ago now and you might be wondering 'what tiktok?' but I've been writing in snatches when I have a few minutes so it took a while. Anyway, here it is...>>
A few posts I've read have suggested JK did the silly>sexy Tiktok challenge backwards. That he did sexy>silly instead. That he was being random and funny.
I disagree.
What he did was unexpected, a little left of centre, and for the people who can read subtext, not random at all but very very clever.
I'll tell you why, (It may not be what you think) but first I need to vent about two things:
1. Give the man some credit. He knows what he's doing.
There are some who love JK but who see him as a naive innocent. He is not. He isn't a child or a himbo.
Saying he did the challenge just because it's trending, and he reversed the order of the content for a bit of a joke, is insulting to him as an artist. It would suggest he has no forethought or understanding of himself or his (global) audience, and his decisions are made on impulse with no idea of the consequences.
He's very intelligent and has plenty of experience with digital media and creating content. Besides being involved in producing complex visual narratives as part of BTS for the last ten years, he has directed and produced seven highly polished and professional GFC videos. And don't forget the MVs for Life Goes On. For the October issue of Vogue Korea he took on the role of Creative Director. That's a pretty big deal. So we can assume he knows what he's doing.
If he produces content in a particular way, it's because it enables him to communicate what he wants to communicate.
2. You may not understand the message. That doesn't mean there's nothing to understand.
A heads up to people who can't work it out... your inability to grasp meaning doesn't equate to 'no meaning exists'. Suggesting that people who recognise what he's doing are reaching or delusional is an insult to both the audience who can read this situation, and to Jungkook, who is sharing his message.
Consider a system of writing you can't decode. Lack of comprehension doesnt mean the writing is meaningless, it means you don't understand the language.
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Even if you believe you understand what's being said, please recognise that context may play a role too, that it could reveal a richer and deeper message. Don't just assume the easiest (laziest) interpretation is correct.
(You may have guessed, someone suggested I was 'behaving like the cult' when I pointed out that JK's tiktok was more than being funny ... and now I'm mad 🤣)
Vent over. Now back to he topic at hand...
💜💛
What was he was really doing? And why is it not at all random?
Let's take a step back to recall what army has been saying about this...
Almost every interpretation i read suggests he reversed the order (silly>sexy becomes sexy>silly). The reason given is that his tiktok only makes sense if the order is reversed, and this idea is backed up by the caption saying "I go the other way".
But the 'reversed order' theory is based on a hereronormative perspective of what's sexy (and a stereotypical perspective of silly.)
So consider the content of his tiktok from a queer point of view...
For a man in a relationship with another man, the idea that he's with all those women is silly.
It's silly to believe he's got a girlfriend - or several. It's silly to think the womens' names in the song are relevant to him.
He posted this tiktok at a time when he's releasing music that fits the western pop norm of boy + girl, and when rumours of him dating several women at once are rife. The timing is not a coincidence and nor is the choice of background song for this.
All these assumptions and rumours are pretty silly, JK is telling us.
Now let's talk about the second part, the sexy part. Yes it may look silly on the surface, but we have seen him and Jimin make dorky faces at one another when they're flirting. It seems to be the visual equivalent of calling Jimin 'Jiminssssi'.
It's just another way they create distance and avoid 'getting caught'.
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Maybe sexy for Jungkook actually is lying on the couch in your sweatpants making corny faces at your boyfriend.
Remember that he puts out 'stereotypical sexy' on command as part of his job so maybe that doesn't feel very sexy to him. Maybe that's work.
In my view (I know this is subject to interpretation) they've been together for years now. This is not the first flush of love. When you've been with a partner for a while, sex is (hopefully) more fun and less serious. Maybe it's about having the confidence to be wholly unselfconscious.
(My partner makes a Pepé Le Pew face at me when he's goofing. No, i don't know why either... 🤣🤷)
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But wait, what about that caption?
What about 난반대로 간다?
My beautiful Korean friend (who sadly has zero interest or care about jikook) confirmed the literal translation:
"I go the other way"
"I take the opposite direction".
It's not "it goes the other way" or "this goes the opposite direction". He's referring specifically to HIMSELF.
Jungkook goes the other way.
But it's more than that according to my friend.
It's a bold statement:
"I don't follow the mainstream."
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It reminds me of his tattoo ...
RATHER BE DEAD THAN COOL
He doesn't do things just because everyone else is doing them.
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"I don't follow the mainstream."
OK. HOLD UP.
This is where it gets interesting.
Then why would he do something as mainstream as a trending tiktok challenge? Especially something as vapid as this challenge?
And why would he tell us DURING that Tiktok challenge that he DOESN'T follow the mainstream?
And then delete it.
Creating content takes time.
And we know he's a busy man.
He's about to release an album. He's doing live performances. He's prerecording for music shows. He's overseas right now... for the fourth time in a month! Does he have time for this??
And he DELETED it...
Did he just WASTE all that time?
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No, he did not.
He deliberately chose to do this.
He did it knowing ARMY studies every action, every video, and every media release.
He did it knowing ARMY would already have copied the video before he took it off his profile.
He said on Stationhead that he knows ARMY has it, and is sharing and posting it. He's FINE with that.
So he took the time to create and upload that video. He wants it out there.
He just doesn't want it on HIS page. That's an important part of the story.
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So lets go back to the caption.
"I take the opposite direction"
"I go the other way"
"I don't follow the mainstream."
*Said boldly* remember. It's a loud statement, captioning an otherwise pointless very mainstream trending challenge.
So if he's not referring to tiktok itself, or to uploading challenges, what could he be referring to?
...
...
There's only one thing left: Himself.
I take the opposite direction
I go the other way
I don't follow the mainstream
Essentially... I swing the other way.
There's no way a queer man would make that statement and not fully recognise the message he's sending.
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As for deleting the video, I'd say he knew it was too risky to leave on his profile, being a celebrity in Korea. He's managing his brand. Deleting it also gives him plausible deniability. He can say he made an error. As I said, he's very intelligent. He knows ARMY will see it and share it. He knows that those of us with a queer eye will hear the message loud and clear.
🏳️‍🌈🏳️‍🌈🏳️‍🌈 And we do hear it. 🏳️‍🌈🏳️‍🌈🏳️‍🌈
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Anti-destiel Wank (sorry but I have to)
If you hardcore ship Destiel, please just scroll on by. Please.
Ok, I'm gonna get myself in trouble, I'm sure, but I gotta get this off my chest...
Destiel may be a perfectly fine ship,
but,
IT'S JUST A SHIP.
In the actual context of the show there IS NO ROMANTIC OR SEXUAL TENSION/RELATIONSHIP BETWEEN DEAN AND CAS.*
Full fucking stop.
Subtext can be interpreted in ANY WAY YOU WANT. It is subjective. You will find whatever you look for in it. Please stop waving subtext interpretations around as if they were objective facts, they aren't. Subtext, by its very definition, relies on implied meaning and understanding, this means it is a subjective interpretation of the media that varies from viewer to viewer. The inherent variations are what make it fanon/headcanon instead of canon.
If you see tension of that sort there and it makes you happy to postulate the what if, then go ahead, that is what fanon and head canon and fan fiction is all about. But if the fact that the tension you think you see isn't being addressed in actual canon makes you grumpy, maybe you need to take some of the fanatic out of your fanning. If you are beginning to think the show creators are actively trying to repress Dean's "true sexuality and feelings" because they are evil, you might need to consider that you've dug in too deep.
Because, like I ship wincest. Yeah, I said it. But I am aware that canon doesn't actually include any level of sexual or romantic (in the modern sense) relationship between Sam and Dean. Wincest is not canon.
Now, are Sam and Dean the real "love" story of the show? Yes, yes they are. That has always been 100% the entire point of Supernatural, the great love story of two brothers struggling to save the world together. It's about family and everything that means, but at its heart, it is about Sam and Dean WInchester. Not all kisses and cuddles and sex kind of love, but love nonetheless. Full stop.
Now, the fact that Destiel is such a popular ship is not surprising to me in the least. Jensen and Misha are two gorgeous guys who share a lot of chemistry on screen and off. And, it is canon that Cas loves Dean. That has been evident since Lazarus Rising (4x01) when Cas was introduced. Castiel's love of Dean Winchester has been his character's main motivation all along and culminated with Cas sacrificing himself to save Dean, after telling him that he loved him in Despair (15x18)
But Dean's main motivation has always been to watch out for his brother. And though Castiel became Dean's best friend, he still comes second to Sam. Nothing against Cas, he just isn't Sam.
So why are so many people so absolutely convinced that Destiel is so real within the context of the story?
Well, I'm pretty sure that it is the same reason that they are so opposed to the idea of wincest.
As we all know, incest is bad, mmmkay? Incest is probably one of the biggest, strongest, cultural taboos we have. So it makes perfect sense that the idea of two blood-related brothers having sexual or romantic feelings for each other is considered icky. It's so off putting that it is a complete no go for even fantasizing about for most people. And that's probably a good thing, tbh, incest should be taboo. But where does that taboo spring from? Why is it so deeply off limits? There are several reasons, but the two main ones are:
That incest can lead to inbreeding.
That incest too often involves molestation or rape of children.
Both of these are seriously bad enough that we all pretty much collectively agree to avoid incestuous relationships. But, do either of these two reasons really apply in the case of Sam and Dean?
The short answer is no. Primarily this is because they are fictional characters that are being played by unrelated actors. But to humor the objectors we'll look at it closer.
We can take the first one right off the table. As two cis men, neither of them is capable of becoming pregnant, so outside of the mpreg (male pregnancy) or gender bending subsets of fanfic tropes, this is not applicable.
The second reason only becomes an issue when talking about the characters earlier in their lives, pre-show or flashbacks. Weecest or teencest, or whatever, are things, but these typically have separate ship names for a reason, because even when dealing with fictional characters this squicks a lot of folks who are otherwise down with the wincest ship. So most content is tagged or labeled as its specific flavor, so anyone can find it or avoid it. But wincest that involves adult Sam and Dean (the specific pairing I'm referring to in this post) doesn't apply to the second reason listed above.
So there really is nothing morally wrong with Sam and Dean having sex with each other. I know that statement is going to bother a whole lot of people, but it is true. Just because something is taboo does not automatically make it morally wrong. Being gay used to be taboo in our culture, and is still taboo for way too many people, even though there is nothing morally wrong with homosexuality.
Now, I wasn't in the fandom back at the beginning of the show, but I've heard tell that the very first Sam/Dean fic was posted just a few hours after the pilot episode aired. A few hours, that's all it took for some highly motivated fan to type out a story where they were more than just brothers. The story is called Reunion. If you watch the pilot, even with your anti-incest goggles on, the chemistry between Jared and Jensen is palpable throughout. There is a reason the show lasted for 15 years, and that reason is that Sam and Dean just work on screen so well together. So if it only took one episode for that ship to be born, what did all the future destiel shippers do? Well I imagine they felt somewhat uncomfortable for the first 60 episodes.
Flash forward to season four and the introduction of Castiel. Finally there was another male character for fans squicked by the notion of sweet, sweet brother loving to focus on! Cas was clearly fixated on Dean more than Sam, which followed the plot since Cas had been instructed to rescue Dean from Hell. As it would turn out, the brothers were destined to be the meatsuits that Michael and Lucifer wore to the big prize fight to determine the fate of the world. Prepping Sam for Lucifer involved him consuming demon blood, which made most of the angelic host view him as an abomination, a factor that Cas had to learn to get past in his relationship with the younger brother. But Dean was ready to go right out of the box, no assembly required for Michael. Castiel, and many of his angelic brethren, as well as a lot of Demons, seem to be drawn to Dean in a way that they just aren't drawn to Sam. Is this fair? Hell no. But I mean, look at him! Jensen has sexual tension with literally everything he comes in contact with, people, food, his car, the man oozes sexual attraction. Don't get me wrong, Jared is a sexy fucking ball of sunshine, and our Sammy is a damned attractive man, but he tends to be more repressed and less openly sexual than his brother, so it is what it is.
Where was I going with this? That's a good question. I got a bit distracted, sorry. Oh right...
At its root, destiel is a reactive projection. There is undeniable tension between characters in the show. Since all of the main cast are male, that tension is highly homoerotic. The two main characters, who are undeniably emotionally enmeshed and co-dependent with each other (a very well established canon fact btw), happen to be blood-related brothers. Oh no! Where is all that tension coming from since we cannot admit or accept that it's coming from them? Ah ha! Here is a new male character that we like, yes, it is obviously coming from his interactions with one of the brothers, even though he wasn't in the first 60 episodes. Yes, it all makes perfect sense now, all that tension was merely foreshadowing.
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I've read through all the destiel subtext posts. I've gone back and watched all the scenes they reference multiple times with the express purpose of finding destiel. I'm telling you it is just a fanon ship. Which is 100% fine and good, ship that ship, just stop declaring it more canon than canon, because it's not.
And if you don't like fictional incest, cool, cool, you don't have to. But the underlying sexual tension existed in the first 60 episodes prior to Misha being cast on the show, so it was coming from somewhere. And it'd be cooler if you learned how to scroll past people shipping wincest, like I'm sure you do for all the other weirdass, squicky shit that people post all over the internet. But if it makes your heart beat a little faster to imagine that Dean and Cas have eyesex but that Dean and Sam don't, that's fine. I think it's delusional because neither ship is actually canon and both are 100% A-Ok in fanon, and honestly Jensen doesn't seem to be able to control his eyes, which is not something anyone should feel bad about (it's fucking marvelous) but you do you.
*Castiel does love Dean. He confessed as much, but Dean did not reciprocate. What I am referencing is a mutual romance or attraction, which does not exist.
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