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#[also haven't posted one like this in a while
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Context-Full Patent Art
Every now and then I see people in the comments who seem to genuinely want a better idea of what one of the posted bits of art here was supposed to be patenting. Giving that context myself doesn't seem in the spirit of the blog, but I absolutely want to encourage people to do the legwork to go sniffing around for original sources.
It's something I have to do a lot in my day job, something I've learned to enjoy, and the thing that led me to start Context-Free Patent Art a dozen years ago in the first place.
Let's start with today's post, which is a perfect example of art that raises more questions than it answers.
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Almost every post on this blog has a header detailing the date of the patent or application and the number, which you can find on the top right. In this case, this image is from Patent Application # 20020022516.
Longtime Context-Free Patent Art fans might remember this image from when it was first featured here over a decade ago. I figured that a lot of the people following the blog now haven't seen some of the gems from years ago, so I'm going to be doing re-runs of some of my favorites this week. There's a bunch more I think would be good to bring back, so I'll use the vintage cfpa hashtag in the future so you know when a duplicate post is intentional (as opposed to me just forgetting I've posted a thing before, which happens a fair bit).
Back to the matter at hand though, if you're ever curious, the US Patent and Trademark Office has a super-handy patent search function. It's pretty easy to find from their main site (uspto.gov), but you can also just bookmark this link to the basic search form:
Check out the search results, click on the link for the .pdf, and you'll get the complete patent/application to peruse at your enjoyment.
In this case, you'll find the patent being applied for covers a method of "Advertising inside electronic games" and you'll learn that:
In FIG. 1, girl 10 is climbing onto a hamburger 11 like one sold at a fast food restaurant. However, in the displayed image, hamburger 11 is as large as girl 10. The person playing the game will therefore perceive hamburger 11 as fantastically large. That unusual scale will help to burnish the image of hamburger 11 in the player's memory as well as draw his attention to it while he plays the game.
Not shown in FIG. 1 are other characteristics which electronic games could apply to hamburger 11 which cannot be shown in unanimated line-drawings. Hamburger 11 will compress as girl 10 steps or pushes on it. That action will be accompanied by squishing and slurping sounds...
Yeah, the explanations are weird too, sometimes.
Sorry for all the words, I just wanted to make it as clear as possible to people that if they're ever curious about stuff they see on Context-Free Patent Art, it's usually pretty easy to find out what the deal is.
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copperbadge · 1 day
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Immediate Writer's Block
Had a comment on another post where I thought I'd probably need more space than the notes in which to respond, so:
constant-state-of-self-discovery Oh I get the envy I feel it right now how the fuck do you manage to write without impassable writers block after 5-9 sentences because I haven't fucking figured it out lol
I do have some advice on this!
I think most writers get blocked from time to time, it's normal and my general strategy is just to wait it out, but if you're frequently blocked after only writing a very little bit, I think the problem is one of two things: either you don't know what you want to achieve with the scene you're writing, or you don't know what should happen next within the scene to achieve that goal. If you frame "I'm blocked" as "I don't have an answer I need" then often you move from just sitting there, sweating and staring at a blank page, to thinking productively about how you're going to get where you're going. It's the difference between not knowing an answer and not knowing an answer but knowing where to look for it.
An invaluable piece of advice for this, which I think I picked up from someone who got it off a National Novel Writing Month messageboard, is "When in doubt, ninjas attack." It's not meant to be literal, you don't need to have ninjas or fight scenes just because you don't know what to do, but it helps to get the creativity flowing again. If you don't know what should happen next, or you know but you're having trouble actually writing the scene, it can be very helpful to induce a moment of uncertainty or surprise -- to have a metaphorical ninja attack. One time I did this literally -- the POV character was just on the road somewhere and I didn't know how to get them from a pastoral country road to their actual destination in an interesting way, so I had them get attacked by highway bandits and have to fight them off, which also allowed me to demonstrate that the character had significant unarmed combat skills. But it can also just be like, two characters who are having a boring conversation can be interrupted by a third person, even just a stranger asking for directions, or there can be, IDK, an explosion, or something goes missing, or etc.
Sometimes it also helps to leave it alone but keep it in your mind and go do something else -- listen to a podcast, take a walk, read a book, not because those things are distracting but because all our inputs eventually feed into our brain and come out as reactions. If you're thinking about your book while you're wandering around a park, something you see in the park might have an impact on it. If you've got YOUR story in mind while reading someone else's, you might be more inclined to look at what they're saying and see what you think of it, how it might play into your work.
And honestly, sometimes you just gotta go past it. I'm working on the next Shivadh novel right now and it opens basically with Simon the chef getting into a spat with his love-interest-to-be over some cheese. He want the cheese, she won't sell him the cheese, so they get off to a very contentious start. But I suck at writing conflict especially when it's basically "A character I like is being pompous and another character I want people to find likable is being stubborn and somewhat unpleasant". I've been stalled on it for a while. But I know where the scene ends up, like I do know what the goal is, so I just...skipped it and went on to writing a scene I like better, where they meet a second time and actually discover each others' identity and that they're about to be forced into the grownup equivalent of a school project. Once I've gotten dug deeper into the story I'll come back and write it, and by then I'll have the benefit of knowing the love interest a bit better.
So yeah -- I think a lot of breaking a writer's block, especially when you don't need rest but are just stumped about what to do, is to twist and look at it from another angle. It's not that you don't know what to write, or don't want to write what you know you have to -- it's that you don't have the correct answer to a question, or you need to leave that part alone to ferment and come back to it later. At least, for me.
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shiki-jin · 2 days
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YOUR CELESTIAL MAJESTY • SAGAU
(part 0 here)
was listening to TruE on loop while writing the last part of this, it's genuinely such a good song ugwvdya
also can you spot the contradiction ;D it's plot relevant i promise
not proofread, dont bully me ill write a thesis on why youre a meanie
you had long deleted genshin, since you had other things to do. you had wanted to go back to the game for a while now, now that you were less busy, but there was just one little problem.
it was now taking up nearly triple the amount of space that it was when you uninstalled it. around 300 whole gigabytes.
jesus christ, what phone can even handle this???
your phone, apparently. because as you opened the game to see if maybe a miracle would happen and that if maybe they would just, like, remove half of the things in the game, it just… kinda loaded?
no installing new files, no checking for anything, no nothing…. just an immediate pan to the gates of celestia.
you decided to check if it was the right genshin since this was just way too weird, but countering your judgement, every link you found led you to the same game, leading you to believe it not to be a bootleg or an illegal version.
guess i’ll trust it then.
you clicked on the gates which opened smoothly, and your screen turned white. then, the symbols of the seven elements appeared in gray.
and then the game just… opened. no loading time, once again. no getting stuck on the geo symbol, nothing. nada. just a smooth entrance into what you had to assume to be teyvat — but your surroundings didn't really support that claim.
the grass was brown and just looked off, the sky was gray. a darker shade than, say, mond’s walls, but it was like one of those game crashes.
well, except you could still move around.
you moved your current character around (the traveller? since when were they the only one in your team?) and decided to open the map after not figuring out where you could possibly be.
hold on, this is springvale? since when?
eveything looked dead, like it had been rotting for a century. you tried to ignore it though, and teleported to the inside of mondstadt. surely this was just some glitch, right? one that would fix itself if you teleported?
maybe the world loaded incorrectly, maybe the fact that nothing took time to load meant that it couldn't load, maybe this or that, maybe…
maybe this really was how the game looked normally. you hadn't done any quests though, so you wondered if it could be restored.
you took a screenshot of the your surroundings — the stone, worn down and dirty. the houses which looked to be in a horrible state, and… the npcs, all sickly and pale, like they were starving.
you went to reddit (yes, reddit), and posted the screenshot, asking if it was normal.
you closed the game and decided to take a nap, too tired to really deal with this shit any further.
while you slumbered, people replied to your post.
╰┈➤ lol me too anon, me too
╰┈➤ isn't the game closed or wtv? how'd you get this wtf
╰┈➤ they're trolling
╰┈➤ o makes sense oops
╰┈➤ So we’re all still mourning huh
╰┈➤ jokes aside that's a super impressive edit ngl
you remained unaware of the truth, but you'd find out soon enough.
actually, you'd find out now, apparently…
what the fuck?? why is my bed so hard now?
you groaned and forced your eyes open, seeing a dark, nearly black sky.
the only light was a single star, lingering right above you.
“since when was i outside...?"
a voice spoke to you, answering your question.
“you always have been, have you not? but would you like to head inside, my lord?”
... huh? i recognize that voice...
p.s. place your bets on who it is, i’m thinking of one specific character but if there's a fan fav i'll make it them instead since i haven't written anything beyond this point (⁠・⁠_⁠・⁠;⁠)
p.s.s. don't expect updates to this series too quickly, i wish i could write as quick as i think of ideas but sadly that's not the case orz
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mhaikkun · 3 days
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sappy post incoming, but this is just me yapping like always!!!
you know, after receiving that ask from The Anon, I think my entire world has changed
at the time when I first read it, I think I was just so flooded by emotion that I didn't truly register what it said, even if I read it like three or four times before I eventually answered. I think I still feel overwhelmed as we speak
it has inadvertently caused 800 people READING the ask on twitter to look at my work and decide "hey, this anon was really on to something! I should follow this artist too!"
I'm about to really get busy with work this year, which means I won't be able to draw for myself as much. as a result, I've been rushing to put as many of my ideas to paper as I can while I have the time. it's also been an incredibly happy coincidence that I've been enjoying media again to the point where it inspires me to make things. in case you didn't know, I haven't felt this way about any piece of media since 2018 and it made me really sad. it definitely got in the way of my desire to make art, coupled with the severe burnout I suffered from my first ever office job and the things I endured during the pandemic. I could probably count on one hand the number of times I drew for myself (and not for work) in a span of 4-5 years.
but now every day when I wake up, I feel so happy. even when I'm tired, even when I have nothing left in the pantry to cook lol. happy to be an artist, happy that people see and even sometimes LIKE the things I share, happy to be me. which is really really nice when you haven't felt that way in so long. it's great!!!!
anyway eat your meals and get enough sleep! life is long and you are living it!
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zeroeightzeroone · 15 hours
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Hiyaa,
I have a request?
Producer!Bang chan x reader
Established relationship
Angst/comfort
Bang chan is in a bad mood so when he's at the studio he shouts at a co-worker he's close to/ 3racha member.
The co-worker/3racha member leaves and bumps into reader (who was already on the way to the studio? Because they haven't spent time together in a while?) and like hints at chan's bad mood.
Reader enters studio and chan starts to get mad but like reader is like "can I sit on your lap?" and he's like ❔ and she's like "you can continue working, can I sit on your lap?" and he's like "... Yeah?". Then it's fluff fluff fluff because fluff is the best 💯💯🚫🧢. Like a lot of fluff.
Oh also can you work in the reader saying something along the lines of "I get your frustrated but can you please not speak to me like that?" 🥺
And like chan gets more at peace/ relaxed/ less frustrated and apologies to coworker/ member and yeah and they all live happily ever after
creative differences - bang chan
genre: angst, comfort, eventual fluff
pairings: idol/producer!bang chan x fem!reader
warnings: chan is snappy, use of profanity
notes: thank you so much for your request <3 i hope i did it justice. this may also be the longest fic i've posted on this account with a little over 4.3k words
wc ~4.3 | moodboard
。・:*:・゚★,。・:*:・゚☆ˏˋ°•*⁀➷ 。・:*:・゚★,。・:*:・゚☆ˏˋ°•*⁀➷ 。 。・:*:・゚★,。・:
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since their debut, the company had already set expectations that the boys would have at least two comebacks a year–one in the first half of the year and another in the latter half. if they wanted to have more than two, they could, but two was the absolute least. the first comeback of this year for the boys went off without a hitch, resulting in topping multiple charts and receiving a handful of music show wins. however, the process for this second comeback of the year was already off to a rocky start, and the road ahead only looks winding and increasingly difficult.
the boys of 3racha have been in the studio every day for the past couple of weeks brainstorming and trying to put things together for the upcoming release. but they all seem to be hitting walls, or the ideas clash due to the amount of stress and pressures looming over their heads. so many people are counting on them–the members, producers, choreographers, and the jyp entertainment team, stay. and as the days in the studio pass, with the boys not agreeing on songs, arrangements, mixing, and more, the weight on their shoulders increases as well.
bang chan, the leader of stray kids and 3racha, felt the pressures even more so than changbin and han did.
currently, the three boys find themselves in chan's room inside the jyp entertainment building; chan is seated on the rolling chair in front of the multiple screens and mixing boards, while changbin and han are seated on either end of the couch. the three of them with their phones, laptops and notebooks opened up as they continue to brainstorm and discuss. but much like weeks prior, the progress isn't progressing, the progress is lacking or non-existent.
letting a deep sigh slip past his lips, han's eyebrows furrow in frustration as he scratches over old bullet points and writes new ones in his notebook, looking for ideas that could work. changbin is scrolling through his notes app and audio recording app, intermittently bringing the speakers at the bottom of his phone closer to his ear to hear the audio better as it's turned down to not disturb the other two, changbin tapping his fingers on his knee as he listens with his lip pursed in a tight line. chan is doing a mix of what the two are doing; writing and scratching out old and new ideas in his notebook, scrolling through his notes and audio recording apps to find something that they could work with, as well as filing through the production hardware on the system to find any drafts that could also be used to at the least, spark some inspiration.
at one point, chan feels like he's going to tug his hair out by the roots as he runs his fingers through his locks haphazardly. he's reaching the end of his patience; they've been working for weeks, and they can't even find a starting place for the comeback–he feels as if all the old material he finds in the apps aren't good enough, that they won't exceed the expectations or hype of the last comeback, that it won't even reach those expectations. it's frustrating chan to no end as he feels like he's reaching a dead end.
with a sigh, chan turns in his chair to discuss with han and changbin who are on the couch. when changbin notices this, he glances at han from the corner of his eye, surveys the atmosphere, and runs a frustrated hand through his hair.
"we need to figure something out," chan splutters out, his mind quite frantic, "we have to have some ideas–at least something?"
he looks between changbin and han on the couch, their faces look just as discontented and their minds are frantic but blank at the same time–mirroring chan's own face and mind. chan shuts his eyes in an attempt to calm down his bubbling emotions as he leans back into his chair.
"we could look through the demos again?" han throws a suggestion onto the table.
"which ones?" changbin questions.
han shrugs while at the same time he says, "all of them?"
"why would we look through demos we already vetoed?" chan scoffs, "that would be a complete waste of time."
"it's just a suggestion," han restates, this time his tone laced with hints of irritation, "maybe one of those vetoed demos could actually work; we just need to rework it."
"this isn't the first time we've gone through the demos in the past couple of weeks," chan reminds, "if one of those demos could actually work, we would've found it on the first or second round of looking."
"what demos are you thinking of specifically?" changbin asks han, who shrugs.
"i don't know, but what harm is there to look again?"
chan groans in agitation, not understanding why han is so adamant about looking through the demos again: "this would probably be the fourth time–why waste our time with a fifth? we want to make progress, looking for a fifth time is a complete waste of time."
the older boy's tone is sharp, prompting an eye roll from the youngest in the room, his arms going up in protest: " hey. it was just a suggestion–at least something to get the ball rolling." he reiterates chan's words from the beginning of the conversation.
"how is doing something that hasn't worked the past four times for a fifth going to work? if it didn't work a majority, if not, all the past times–it's not going to work," the tension in the room continues to build.
"wouldn't it be better to start from scratch instead of looking through ideas that we already decided weren't working?" changbin chimes in.
at this, han starts to feel like the two older boys are ganging up against him, and he defends himself quickly, "once again, it was just a suggestion. i don't see either of you suggesting anything."
changbin scoffs, "did I not just suggest starting from scratch instead of looking through rejected ideas?"
han turns his head to face changbin on the other end of the couch, "haven't we also been trying to start from scratch these past couple of weeks? that also hasn't been working–if it did, we wouldn't be having this conversation!"
"how are we supposed to start from scratch if we have no ideas?" chan asks in a matter-of-fact tone.
"if we look through the old demos, put some together or play around, then maybe we can find ideas," han speaks slowly as if he's trying to enunciate his point to drill it into the other two's heads, "it's better than sitting at our notebooks and laptops and writing down, absolutely nothing."
han's method of slowing down and enunciating seems to have gone through changbin's head as he begins to see han's point. if they can't conjure something up from nothing, they might as well try to conjure something up from their old demos or many recordings of melodies that have come to mind in the past. putting things together could trigger some inspiration.
"no, i think han has a point here," changbin states, "if we have no foundation or starting point, we can't build anything on top of it. at least with the old demos, we can continue to build off of what we have."
a deep breath expels from chan's lips as he listens to both han and changbin bounce words of agreement off each other for this working with old demos plan.
"again," chan says slowly, "if it didn't work the past four times, why would it work now? the odds are not in your favour."
"but there's still a chance it could work," han argues, "if there's a chance, why not take it?"
chan tongues at his cheek, "because we have a deadline. we can't keep grasping at straws that are obviously not working."
"starting from scratch and coming up with absolutely nothing is also not going to help us meet the deadline."
"so you want to create an album of demos we've rejected? you want to release a subpar album?" chan taunts.
"that's not what i'm saying," han shakes his head.
"that's what i'm hearing!"
"look, hyung," changbin steps in, "just listen to us for a second."
"i'm listening," chan snaps, "and i disagree. we have a standard to reach, one to exceed. i'll be damned if we release something below that."
"why the hell would we release something below standard?" changbin scoffs, running his hands through his hair and over his face in exasperation. letting his hands linger on his face as he leans forward, elbows on his knees.
the youngest in the room snaps at chan, "the fuck? is this you saying you lack faith in our producing skills? that we can't rework old demos to produce something that not only hits that standard but exceeds it?"
the sharp change in han's tone and volume alerts changbin, who realizes this conversation–well now it's an argument–is getting out of hand. chan and han are practically at each others throats and they're both too headstrong but stubborn at the same time, neither of them will back down. obviously, avoiding conversation wasn't going to get them anywhere, but at this point, where emotions are high, and egos are even higher, no meaningful or productive conversation regarding the album will be shared. changbin realizes he needs to jump into action to diffuse the situation before it becomes a screaming match between the two heated bandmates.
"i'm saying we have a standard, we have expectations to uphold," chan speaks slowly, his voice deeper as he's practically sneering at han, "one that the company has for us, stay, everyone."
han snarls back, eyes throwing daggers in chan's direction, "i know that. i know that damn fucking well. i'm out here trying to innovate some sort of progress toward this album, progress that we have been severely lacking for the past couple of weeks. other than rejecting our ideas, what the hell have you been doing?" he raises his chin at the older boy in a provoking manner.
"han–" changbin starts but is quickly cut off by chan.
"what the hell have i been doing?" chan spits out the question, han nods, "i've been making sure all our releases since debut continue to surpass these standards–this upcoming album is no different. don't come into my studio questioning what the fuck i've been doing."
"hyung–" changbin tries again to no avail.
"maybe you should leave," chan hisses, and changbin's eyes widen, darting between the two other boys in the studio with fires in their eyes, "and come back when you have suggestions that aren't going to waste my fucking time."
"look, guys. hannie, channie hyung–" changbin is cut off again when han rises to his feet, jaw clenched as he stares down chan in front of him, eyes narrowed.
"fine. i'll leave," he declares, "this is a waste of my time. i'll come back when you've got your head out of your fucking ass and you're open to listening to anyone other than yourself."
chan spins back around in his chair, eyes rolling back in anger as he clenches his fists on the table. behind him, han is quickly packing up his laptop and notebook as changbin gulps, wracking his brain to think of who to attend to right now. when han stomps to the studio door, swinging it open and stomping out into the hall of the company building. changbin is quick to follow after him, leaving everything but his phone, keys and wallet in his pocket the whole time as he follows after han, shutting the door behind them, leaving chan to his own thoughts alone. he chooses to follow the younger boy to try to calm him down and ensure he's safe wherever he plans to run off to.
meanwhile, you're a couple moments away from the elevator reaching the same floor the three boys are on. your hands clasped in front of you as you keep an eye on the digital sign that changes with each floor, rocking back and forth on your heels to pass the time. you haven't seen your boyfriend in quite a while due to your conflicting schedules, work and life getting in the way of a relationship, but you were grateful for those moments in between the chaos where it was just steady love and happiness. you learned to cherish those small moments instead of grovelling over how much time you can't spend with your boyfriend–obviously you get sad once in a while when you're away from him but choose not to dwell on it. thankfully, tonight is one of those nights where you can spend your time in the comfort of your boyfriend's presence. but he has no idea that you were even planning on coming to the company building, he has no idea of this little surprise you've organized.
when the elevator dings, stopping at your floor, you exit quickly but you make your way down the hallway slowly. your head moving from left to right as you read the numbers on each door, ensuring you landed on the correct floor and were going in the right direction. when you hear footsteps and your eyes dart to changbin and han walking down the hall in your direction, a wave of relief washes over you until you catch a glimpse of the concern on changbin's face and the anger on han's. they notice you walking towards them belatedly, almost running into you, but you catch their attention before any collision.
"hey guys," you greet softly, concern written on your features at the sight of the two boys. eyes looking between changbin whose eyes are drooped with worry and han, who you can feel the anger radiating off of, "what's going on?"
they both exchange small greetings with you. given han's current state, his greetings are shorter and more reserved. his mouth shut and jaw clenched again once he's greeted you.
"creative differences," changbin says to which han scoffs, rolling his eyes, "ok well, that's how it started, but long story short, we got into an argument, and hannie walked out."
"we?"
changbin nods, "yeah, hannie, chan hyung and i."
your lips purse in a tight line when the second name rolls off changbin's tongue: "if you don't mind, could you explain what happened?"
not wanting to get into too much detail as changbin doesn't want further rile up the already upset han, he gives you a quick run down of the main points of the argument between the 3racha boys–mainly chan and han. you keep your mouth shut the whole time and nod, listening intently to changbin explain while han stands with his arms crossed over his chest, a prominent pout on his lips and his eyebrows knit together.
"you're on your way to see, channie hyung?" changbin asks for clarification and you nod, "okay, obviously after what i told you, he's in a really bad mood right now so proceed with caution. angry chan is scary chan."
you thank changbin for letting you know what happened from their perspective, bidding short goodbyes to both the boys as han and changbin decide to make their way back to the dorms. han needs some time to unwind and collect his thoughts after the spat with chan. you continue to walk down the hall, turning a corner and finding the room number that felix sent you earlier–103.
you knock on the door softly but hear nothing from the inside; you knock once again and hear nothing. you sigh and decide to turn the knob, letting yourself in.
chan heard the knocks; the first one sparked his annoyance, and the second continued to heighten it. the sound of the door being opened caused him to bark at whoever decided to come in when, through his silence, he clearly didn't grant the permission to.
"what the hell?" he mutters to himself before he barks out, turning in his chair, "complete silence after knocking is not an invitation to come in, fuckin–"
when chan fully turns in his chair to face the direction of the door, the words get caught in his throat at the sight of you. he assumed it might have been changbin, han or a staff member, but seeing you standing there took him by complete shock. you shut the door behind you and give chan a small wave that he reciprocates hesitantly, still trying to let it sink in that you're actually in the room with him and that he isn't hallucinating due to how long it's been since the last time he's seen his girlfriend in person. you move to sit on the couch that was once occupied by the two other 3racha members; now, one side is occupied by changbin's laptop and notebook while you sit on the opposite end. chan turns his chair, following your every move.
when you sit down, take the pillow and place it on your lap, you smile up at chan again, "hi."
"hey baby," chan speaks slowly, "what are you doing here?"
you hum before answering, "well, we haven't been able to see each other in a while cos of our schedules but some time opened up for me today, so i wanted to pay you a surprise visit."
chan feels his heart warm at the gesture, but he's still quite irritated and agitated from the argument with han and changbin. the lack of progress for the upcoming album, along with the plethora of expectations looming over his head and his patience begins to dwindle again.
"that's nice, but i don't really have time for this right now," chan's tone is stern, his voice deep in warning, "i've got so much shit to do for this upcoming album, and nothing is fucking–"
"can I sit on your lap?" you ask, cutting chan off and causing him to furrow his eyebrows together in a mix of confusion and irritation–irritated that you had cut him off but confused about whether he had heard you right.
"what?" he deadpans, blinking at you.
"can I sit on your lap?" you repeat, and now he knows he definitely didn't hear things.
"did you not hear what i said?" chan holds back from snarling at you in frustration. "nothing is done for the album, and i don't have time to take a break."
you nod, hearing his words but adding, "you can continue working. i just want to sit on your lap while you do."
chan opens his mouth to refuse, but his eyes lock with yours–your shiny, beautiful eyes with a perfect array of colours decorating the irises, gazing up at him with a splash of hope in the depths of love in your eyes. that's when his mouth snaps shut again, probably looking like a fish when it opens again, but this time he says:
"yeah? sure."
the bright smile that stretches on your face feels like a reward to chan. you make your way over, placing yourself on his lap while facing him; thankfully, chan's chair is big enough for you to practically straddle him in a comfortable position. you wrap your arms around his shoulders and nuzzle yourself into his neck.
"you can go back to work now," you say, your voice muffled from the pressure of your lips against his skin.
chan can't help the lopsided smile that makes its way to his lips. he also can't help the way his whole body seems to relax with your touch; the longer he feels the warmth radiating off your body onto his, the more he feels the tension in his muscles deteriorating slowly. the feeling of your body pressed against his, his arms outstretched to continue typing or writing in his notebook, feels comforting.
moments pass when chan's room is quiet, and the occasional noise of chan typing on the keyboard, picking up or placing his pencil down to scratch down who knows what in his notebook. at the same time, you're still perched on his lap, your arms comfortably draped around him, and your face nuzzled in the crook of his neck and shoulder.
chan isn't sure if the arguing with han and changbin or if the feeling of you in his arms sparked some ideas to come out of him and onto paper, but he would like to say both. despite the heated atmosphere and half-hearted words thrown around, he doesn't want to feel like that argument was completely unnecessary and a waste of time; instead, he wants to see it as a bump in the road that shows him how he can continue to improve as a friend, producer, bandmate and a person as a whole.
meanwhile, you're thinking about how comfortable you feel in the position your in right now, and how you could probably fall asleep at this moment. sure, maybe your back will hurt when you wake up, but right now, you feel your whole body relax in your boyfriend's arms. a couple moments later, your eyes are half open and you felt yourself falling asleep, but you jump a little in shock when you feel both of chan's hands sprawled on your back. his hands rub your back gently and comfortingly before he circles his arms around your body and pulls you closer. a deep sigh escaping his lips as he holds you, his eyes falling shut for a few seconds. chan turns his head, kissing the side of your head on your hair.
"thank you," he whispers, placing another gentle kiss as his hands rub circles on your back again.
you respond in a small, quiet and slightly sleepy voice, "for what?"
chan shrugs, "for this. being here."
you nod, pausing for a moment before you say, "i ran into changbin and han in the hall."
you feel your boyfriend tense up in your arms. you begin to reciprocate his comforting action as you trace circles on his back with the pads of your thumbs, his muscles relaxing under your gentle caresses. you continue to speak in a soft, timid manner that only chan can hear since your lips are so close to his ear.
"i know you're under a lot of stress and pressure preparing for the album," you begin, "i get that you're frustrated, but can you please not speak to me like that?"
the man feels his heart drop listening to your words. his mind rewinds back to when he heard the door opening, and how his first instinct was to bark and scold whoever came into the studio uninvited. chan remembers how you blinked and gave him a small smile, trying to hide your surprise, but it was evident in how your eyes widened the slightest bit for a split second before returning to normal.
you and chan sit in silence; he's dwelling on your words while you're still tracing circles into his back with your thumbs. chan wants to say that he didn't know you were the one coming into the studio, to use that as a defence, but he knows how weak that is–that regardless of who came into the room, he shouldn't have let his frustrations blow over, flipping out and greeting them by raising his voice. sure, his emotions were high, which is a factor in how he acted earlier, but he can't use that as an excuse to get away with snapping at people who have nothing to do with what he's emotional about.
you feel chan nod, and he says softly, "i'm sorry." you go to say that it's okay, but chan interrupts, "it's not, though. even if i didn't mean to speak to you that way, i still need to figure out how to regulate and control my emotions."
"you're human," you say, "when emotions are high, it's hard to find a way to keep them under control all the time. but the fact that you recognize your mistake–that's a lot more than many people can say."
chan pulls you even closer against him, if it's even possible, "i'll try my best though. i'll speak to you at a normal volume, respectfully and saying sweet things. that's what my girl deserves."
your cheeks heat up at the way chan calls you 'his girl'.
"thank you," chan repeats.
this time, you pull away, sitting up straight to look at chan's face, your eyes meeting his soft ones. his hands rub up and down your sides slowly, a slight smile on his lips. you cock your head in confusion, "for what?"
"you always know the right thing to say," chan moves one of his hands up to tuck a strand of your hair behind your ear, keeping his hand on your cheek gently and the pad of his thumb swiping over the skin, "i love you."
you're blushing even harder now, "i love you too."
chan uses the hand on your cheek to guide your face so your lips meet his halfway for a sweet kiss. after quite a while, a smile breaks out on your face at the feeling of his soft pink and plump lips against yours. your hands move to hold either side of his neck, and the two of you spend the next couple of moments sharing tender kisses and giggles in between.
in the midst of all of the kisses, you and chan are gazing down at each other when he brushes your hair away again. this time, he opens his mouth to speak with flushed cheeks, "i'm starting to think han and his suggestions were right; it'll be better to build on something we already have and improve on it than to force ourselves to start from scratch and continue to hit a dead end."
you brush chan's hair out of his forehead, and he continues.
"my head was too far up my ass to consider his suggestion," chan purses his lips together, and his eyes flash with regret as he recalls the words thrown around between him and the younger producer earlier. chan lets himself linger in his head again before voicing his concerns, "do you think they'll forgive me?"
you nod.
"really? you're not just saying that?"
you nod again, and this time, you explain, "as long as you can identify and acknowledge where you went wrong and what you did wrong, and sincerely and genuinely apologize–which i know you feel sincerely and genuinely apologetic for–i believe they'll forgive you."
chan's eyelids flutter quickly as he thinks, nodding as he fully processes your words. still, a wave of nervousness washes over him at the possibility that han and changbin won't forgive him.
"they're your brothers," you snap him out of his thoughts, "brothers fight, but at the end of the day, they still love each other."
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3hks · 1 day
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Writing Character CHANGE
Character development is absolutely CRUCIAL to a story, but having spent more time thinking about this topic, I came to the realization that I misunderstood a lot of points other people have made when teaching how to write character development.
There are a lot of factors that play into character development, but in this post, I'll cover some overall, but the main thing concerns any change to your character! (Which is also a huge part in development, really.)
So with this post, I'll be teaching you MY personal tips regarding this subject!
*The Basics*
Before we really get into the developmental stage, there are some things you want to establish, in which I'll explain later!
A couple of flaws.
How your character views themselves at first.
Your character's morals/ideals and how they think.
These things may vary, but you want your readers to be able to at least roughly predict how your character will act during specific events!
*Change*
Character development is just about how your character changes throughout the story. I like to say that there are several different ways one may change, (we'll get into that later on) but your character should NOT stay the same as the same person during the exposition and during the resolution!
"During character development, your character should grow."
This is a common piece of advice; your character needs to grow. And while I've assumed for the longest time that I understood what it meant, it never truly clicked.
While they will use words such as grow, what they really mean is that your character should mature. By the end of your story, your character may not always end up as a better person. When I say mature, I mean that they have reflected back on their life and have understood the consequences that came with their actions (if any) or how they could've done things differently.
Your character will not always end up as a better, fixed person, but they should understand their world and themselves better.
*Negative/Passive Change*
Alright then, so how does a character develop if they don't necessarily change for the better? Well, I'll get into that!
No matter what, your character should have learned a lesson through their experience. Even if they haven't exactly improved as a person, there should be a moral they can learn from what they have gone through.
If not, then did they really grow?
Additionally, how did their qualities negatively impact themselves? If they are bad traits, then it needs to be clear. And the best way to achieve this is by demonstrating how it hurts your character! However, it is rather uncommon for a character to undergo little to no change after a story!
*Positive Change*
Let's circle back to the basics, real quick. Remember how I said that before any development takes place, your character should be anything but perfect? That same thing applies to after the change.
Do NOT create a flawless character by the end of your story. Instead, focus on one or two flaws that get fixed as the story continues. These don't have to be huge, life-changing imperfections, but they can be minor ones that still shape their life in one way or another.
"Fixing" too many shortcomings can make your character seem, well, out of character, producing a character development that's more forced. The same thing applies if you're attempting to FULLY alter a fault that's just too big. The change will be too noticeable.
What am I talking about? Here's an example!
Imagine a character who's incredibly closed off to other people, wanting to ensure that he never gets too close to others.
That's a pretty sizable flaw, no? By the end of your story, you do not want to completely change because you need to preserve character, but you can change it a bit. Does he have a few friends now? Does he understand that there are some people worth trusting?
He may still be closed off to majority of people, but at least it's not everyone, and that's a realistic change.
*Different Changes*
As I continue to read more stories and watch more shows, I have realized that character development is not always about fixing flaws or personality, but it can extend far past that line.
So listen up, because I feel like no one really talks about this.
Your character can change their IDEALS, MORALS, and how they VIEW THEMSELVES.
Hear that? If your character has strong morals, they will hardly stay the same as they reach the end. Remember the requirements I mentioned at the beginning?
See how it connects now? There is SO much more to character development than changing a few imperfections. Like I said in the start, your character needs to grow and mature. Things like new morals or ideals assist with that!
*SUMMARY*
In order to start character development, you need a couple of flaws, an idea of how your character looks at themselves, and their morals. This is because those are the main parts of you character that may change through time.
Growth = Maturing (gaining a better sense of who they are and the world they live in.)
NOT ALL CHARACTER DEVELOPMENT IS POSITIVE!
For negative or passive change, make sure to clarify how their imperfections affected or hurt them and have some sort of moral that follows.
YOUR CHARACTER SHOULD NOT BE PERFECT!
They should not be perfect in the beginning, and not perfect in the end! Do not 'fix' too many traits because you want to preserve character.
I think that's all! It's quite the post for something so simple, eh? But hey, character development is absolutely PIVOTAL to a story so I hope I at least explained the 'change' part of that well!
Happy writing~
3hks <3
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llyfrenfys · 2 days
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In which I try not to be That Guy TM when it comes to Irish ancestors: An exploration of ancestry, diaspora and culture
Because of The Horrors TM in my life atm I've been looking into my biological family tree. I'm adopted but estranged from my adoptive family and I never met my biological family since I was adopted just short of my 2nd birthday. I've been tracing my ancestry for about 3 years now and it's genuinely quite stress relieving to me. It's also fun and challenging from a research standpoint - putting together my own family tree gave me the skills to write articles like this one I wrote in 2022 about historical Welsh queer people, for example.
Lately, I've been finding out more about my Irish ancestors while an adoptee (and thus not knowing any of my biological family) - but also doing this as a Celticist and tired of people doing the 'my sister's friend's cousin's father's mother was Irish' thing. This has created an almost unbearable tension between curiosity at my own ancestry while trying not to be That Guy who finds out about one (1) Irish ancestor hundreds of years ago and is weird about it.
Especially since mine are quite distant ancestors - my great, great, great grandparents were born in Dublin and in a tiny village in County Down called Dunnaman (near Kilkeel). However, they were Irish Catholics and emigrated to Liverpool in the 1870s - all of their subsequent children and grandchildren were born in Liverpool and all of the above + great grandchildren were raised Catholic - including my grandmother (who died before I was born). So there was an obvious attempt to maintain that heritage. There's even evidence my great, great, great grandmother at least spoke Irish (which, as she was born in County Down, would have been Ulster Irish).
The problems with uncritically throwing oneself at an ancestor's nationality:
Now, not all North Americans of Irish (or Welsh, Scottish, Italian, Scandinavian, German etc.) descent do this - but there's a very vocal set of North Americans of Irish descent who find awe and interest in their ancestry - which is actually quite a positive thing! - however, due to either temporal or cultural disconnect, they may end up doing or saying things (and not necessarily with bad intentions) which can have a negative impact on the Irish and the Irish language (or [nationality] and [language(s) associated with that nationality].
I'm reminded of the time an American commented on a Welsh language rights post I made in support of Welsh speakers, but they accidentally ended up using a white nationalist slogan by mistake. It can be a minefield - and with regards to Ireland specifically, mistakes like that can be so much worse. To literally give my own (mild) example, today I decided to relearn Irish (since I haven't spoken any in years since being taught basics at undergrad) and picked up a blank notebook I bought at Tesco the other week, while completely forgetting the inside cover of the notebook was orange. I was planning on decorating the notebook anyway and painted it a different colour. While I know that nobody would really hold it against me if I didn't change the colour, I just know that walking around with an orange notebook filled with Irish I'm relearning because of interest in my Catholic ancestors could be a confusing set of messages, at the very least. If you don't understand why this is, look up the meanings of the colours on the flag of Ireland.
Which is to say, even those of us in Northern Europe who have significantly greater physical proximity to Ireland than North America (and therefore should know better) still can and do get things wrong. And not just benignly wrong like in my case.
The tendency for some North Americans of Irish descent (Canada isn't exempt from this) to conflate Irish ancestry with a contemporary connection to the modern countries located on the island of Ireland as a whole can have results ranging from 'a bit weird' to 'jesus fucking christ'. As a Celticist, I've seen far, far too many Americans of Irish descent try to weigh in on modern Irish politics without any background knowledge or tact at all - and naturally they stake their claim on modern Irish politics entirely on the premise of having distant Irish ancestors. Or, even worse, things start to get all phrenological.
'Irish blood' and the nonexistence thereof:
'Irish blood' is continually evoked by some to validate their sense of 'Irishness' and the obsession with '[insert nationality] blood' is a distinctly North American phenomenon- likely related to or an offshoot of the concept of 'blood quantum', in which enrolment into some Native American nations and tribes is determined by how much 'Native blood' a person has. Notably, many people who would ostensibly have been described under this system as 'full blood' were registered by the US as 'half blood'. This is a method of genocide intended to wipe out tribes and nations by imposing strict measures of who does or does not qualify to enrol into a tribe or nation. This concept seems to have been extrapolated over time (in a North American context at least) into the idea of descent from other nationalities' being measured in a similar or adjacent way. This is how you end up with some North Americans declaring they are '1/8 Italian and 1/4 Irish' on their dad's side etc. While in Europe (where these nationalities hail from, crucially) this practice is seen as a really weird way to describe your ancestry. In general, it's simply 'my 4 times grandfather came from Spain' or 'my great great grandfather on my dad's side came from Finland' etc. if it comes up at all. For various political reasons, many Europeans with descent from multiple other European nationalities may choose to omit to mention descent from certain nationalities, especially if in recent history there has been conflict between their birth nation and an ancestor's nation. The most famous example of this is literally the British royal family changing their surname from the German Saxe-Coburg and Gotha to the more 'British sounding' Windsor in 1917 due to the onset of the First World War.
Where it gets really weird (and also very offensive and rude) is when cultural stereotypes get invoked alongside the whole 'blood' thing in usually quite damaging and/or disparaging ways. I've seen way too many North Americans of Irish descent claim they're alcoholics because they have 'Irish blood' or even worse, claim it's normal to domestically abuse their spouses because of it!! (Genuine thing I have seen btw). Same goes for claiming to be a naturally good chef because of 'Italian blood' and so on. As a general rule, people from the place where your ancestors were from don't generally like to be inherently be considered drunks or prone to violence due to their nationality. Or have weird and inaccurate idealisms projected onto their language or cuisine.
Aren't there any positives?
It wouldn't be fair to make a post like this without mentioning some of the positives that can come from interest in an Irish ancestor. Like I mentioned at the start of this post, I myself felt inspired to relearn Irish because of my own Irish ancestors. I was taught the Connacht dialect at undergrad, however, since my ancestor was from County Down, I'm going to try and learn Ulster Irish instead. One doesn't need Irish ancestors to learn Irish of course - when I learned I wasn't aware I had any Irish ancestors. But being inspired to learn Irish because of an ancestor can't hurt and directly increases the number of Irish speakers in the world (provided you keep at it). This is a net positive for the language as a whole.
Similarly, people who have educated themselves on Irish politics because of their ancestry and genuinely learned something are also a positive thing to come out of discovering Irish ancestors. In my experience, these people are the kind of people I enjoy talking to about being a Celticist because they actively want to learn and respect the cultures being talked about. Which is huge to me!
Conclusion:
As a Welsh speaker whose national identity is more-or-less Jan Morris-esque, my Irish ancestry is an interesting facet of my ancestry I simply didn't know about before. And being an adopted person, I can sympathise with the general sentiment of a lot of white North Americans of feeling disconnected or alienated from any ancestral heritage. The conditions which create That Guy TM as described above rely on that sense of alienation to propagate a very ineffective, tactless and often very insensitive approach to Irish and other European cultures. But the important thing is that that approach can be challenged by people genuinely interested in their ancestry who are also conscientious of the living versions of the cultures their ancestors hailed from.
For me, that means learning Irish in a dialect my ancestors are likely to have spoken. I also visited the library today to check out some books on the Irish emigration to England and the sociopolitical reasons behind that emigration. I know the broad strokes, but the details are desirable to know to get a better idea of the why and how the country of my birth had a hand in creating the conditions which led my ancestors to emigrate in the first place. I think the world would be a better place if people took the time to understand the history and politics of ancestors which don't share their nationality.
As always, reblogs and thoughts are welcomed and encouraged!
Thank you for reading to the end - and if you'd like to support me, please see my pinned post. Diolch!
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dullard · 2 days
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ok heres my wakfu/waven oc sorry i wrote so much. In a few minutes ill add the text written on the image under a readmore. and also probably more text than that. sorry
The text on the image:
Siamont -Waven-era -runs orphanage -mute, no tail -Before Waven's great wave, he was a Sufokian fisherman along with his dad -He lost his younger brother (who he sort of raised) in the wave -With the influx of orphans post-wave, he started an orphanage -He's used to Sufokia's relative acceptance of less "humanoid" races. As a result, he doesn't want to associate with the countries because they tend to exclude or oppress "monsters" (He takes anyone @ the orphanage) (Arrow pointing to top drawing) -He's very patient with all children, but he has none for threats to them (mostly pirates) (Arrow pointing to his tail tuft in the left drawing) His tail was amputated when he was a child. Sufokian rogue pirate mafia incident. This trauma was why he initially stopped talking, he just never really started again. He still doesn't really like rogues. (Arrow pointing to him smiling nervously in the right drawing) Wishes the little iop would stop hitting crabs with a rock but she's so proud of herself he doesn't want to interrupt.
More text no one asked for:
He's very gentle with kids and has a small island orphanage that scrapes by on donations and goodwill. At high tide, there is no sand and the building (ramshackle. Siamont's been adding onto it and building it himself, mostly. As a result, it kind of looks like a boat, actually) looks like its floating on the water, but at low tide there's plenty of space for kids to run and hunt for extra food like molluskies and cwabs. Most of the kids' clothing seems to be repurposed from pirates. If you ask, the kids will tell you he sends the little ones off with the older children to take care of them before handling pirates by himself. Because they don't have much to steal anyway, there haven't been groups of pirates big or strong enough that he couldn't handle it, getting by without major injuries.
He takes on any kids at all that need help. This means trools, puddlies, taurs, and other less-humanoid "monsters." He does try to get children of those groups with their own kind if he can, but twelvians have a less communal child-rearing style, so most of the kids in the orphanage longer-term are twelvians.
Also, he tends to keep people in each of the cities aware that his orphanage exists. Many parents come looking for their children they lost track of during or after the wave. Mostly, this is where donations come from.
As a kid, he tended to be the "babysitter" for quite a few fisherpeople's kids, including his younger brother. He's just always liked kids, although he was less gentle when he was also a child himself and had a tendency to yell and get angry, which he doesn't have anymore.
Sufokia has a lot of pirate rogues who have a mafia-type hold on the Sufokian economy (source: wakfu game lol). He and his younger brother were getting into normal kid trouble and stuck their noses where they didnt belong. A pirate stomped his tail under his boot to stop him fleeing, and they toyed with him for an hour or so before letting him go (in spite of a lot of "well, he might talk- he could be a spy" type talk). His tail had to be amputated, and he just didn't really talk much after that.
His younger brother was studying to be a lawyer as he wanted to finally get some of the more open rogues behind bars for crimes that were hard to address to them. Siamont considered him to be the family's pride and joy, while his brother appreciated Siamont taking on the family profession with their dad and helping him pay for school. Their dad died sometime before the wave. Their mother was not present in their childhoods, and their dad didn't really talk about her much.
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I need to stop putting off this post, I'm kinda scared to post this since I'm not really a fan artist and I don't do it often. But it's 5 am and I need to finish what I've started.
Anywho here's my grian fan art
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This is me just mapping out what he would look like in my style. I kinda messed up trying to convey the oversized sweater.
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Thought I'd go straight into some angst lmao, 3rd life grian after the catus ring. Though after I added his hair it kinda doesn't look like grian anymore.
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"I'M GOING TO KILL EVERYONE"
I kinda want to explain myself here, but at the same time, I don't. I don't want people going and watching the series this is from because it's bad, and seriously triggering. Idk I have a lot of thoughts about the series, and it's had a lasting impact on me.
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I haven't done any character design in a while so I kinda went crazy on this one. I like the outfit and all, but I feel like it may be too revealing for Grian. Also tried to make the hands do an evo sign lmao
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I don't really like this one, he could look more tired tbh. I also forgot to erase the massive ass I gave him.
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Lastly, grian is just being himself. Also, did I tell you I kinda headcanon him to struggle with facial expressions? Like bc the actual Minecraft skin is so soulless. So like most the time (mostly after the watchers) he's just dead pan all the time. Like his voice is expressive just not his face. I find it really funny.
I did one more but I seriously don't like it and it's embarrassing so I'm not posting it.
That's it
You can go home now
(I fell asleep so it's no longer 5 am as I post this)
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md-confessions · 3 days
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Trigger Warning for abuse since I am going to be talking about it a lot.
My honest reaction to TSM anon's confessions/posts trying to justify J's treatment of N. (They're so ass)
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Ok so uhh... Anyway I'll try to debunk some of the points:
First of all: yes the fuck she is abusive! Search the damn definition on Google or the dictionary, it's exactly what she's doing, like beat for beat.
Let's start with two examples: one from the manor and another from copper-9.
J kicking N in the manor flashback: for context N and V had literally just bumped into each other, made a spark and both were trying to clean up the mess they made, then comes in Ms. Tenth letter of the alphabet with a kick to N's face for like no fucking reason whatsoever.
J stepping on N's chest while he clearly struggles: In the pilot during the scene that introduces the Alphabet squad during J's introduction she has her foot on his chest while saying he's useless, terrible and if she could, she'd kill him herself and N is very clearly struggling to even breath.
Those two very clearly ARE abuse, the second one even has a tinge of verbal abuse!
Ok so TSM tried to justify both these actions by us not knowing the full context.
The context of the kick is that: there is none, that kick was completely unprovoked, so J had absolutely no reason for kicking N aside from him being in her way from the "move it moron" line, and she changes up her attitude completely at Tessa being there, her visor showing those hollow eyes that drones show when worried or scared.
But even if you say "oh but N was in J's way so she kicked him out" but she could have just, you know, MOVED A LITTLE BIT TO THE RIGHT?!?!? And also that does not excuse kicking a person in the face.
Context of the second scene is: THERE IS NONE, ONE AGAIN! The reason that scene exists is to show that A. J is abusive towards N, and B. J is a hypocrite! Let me explain, A is very self explanatory, stepping on someone's chest and verbally abusing them is very clearly well... Abuse and B is to show that even though she calls N useless, N has shown throughout the rest of the series he is a very competent fighter, arguably better than his fellow DDs and also that even though J was pretty much insulting N for being weak, she got killed by a Angsty bisexual 18-year-old with a pen and a Railgun made out of like, scrap.
I don't know how you can genuinely look at those scenes and go "J isn't an abuser" even though yes she fucking is.
Also I dead ass forgot that second post aside from the "why would Cyn put N in the squad if his abuser?" Part, which has a very simple explanation: it wasn't Cyn, it was Mr. Solver of the absolute fabric itself! It used Cyn as a host, Cyn wasn't in control, she prob has been dead for a long ass time.
The solver is sadistic and it likes fucking with the alphabet squad, take V as an example: it allowed V to keep her memories, just to make V's trauma even worse.
The solver thinks it's funny to traumatize people so why wouldn't it think putting a person in the same team as their abuser wouldn't be?
Anyways I've been typing this since 5:30 AM, and now it's 6:50 and I got school so I'll stop here, if you got anything else to add put it in the reblogs ig...
Final note: I haven't been abused myself (not that I remember) so I can't really fully grasp the concept, but still, J's treatment of N is like, the dictionary definition of Abuse, I'm very bad at understanding other people and their emotions and I'm not super great at analysing characters but this shit is so obviously abuse seeing TSM over here trying to say otherwise is giving me a brain aneurysm.
Anyways have a good day/evening/night or whatever time of day it is :D
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lorcandidlucienwill · 19 hours
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Haven't read all your posts on it, but I definitely agree that Lucien would be a great ruler. Elain I'm on the fence about, not because I think she'd be a bad one, I think she has the capacity to be a very generous and diplomatic ruler, but because I feel like she wouldn't actually want to be a ruler? She seems content to live a peaceful life with her loved ones and chill with her plants
I also know she wants to travel a lot which could be great for her being an ambassador/diplomat for the courts, but it also might mean she wouldn't want to be chained to a singular court. That being said I don't remember much about her character so I might be way off 💀
Idk if you already addressed this before, but I'm curious on how/if you think Elain would enjoy being in such a position of power
From what we know about Elain, she really feels tired about staying on the sidelines.
“Why?” Elain demanded. “Shall I tend to my little garden forever?” When Nesta flinched, Elain said, “You can’t have it both ways. You cannot resent my decision to lead a small, quiet life while also refusing to let me do anything greater.”
I don’t think Elain is content where she is; she is actively trying to scry in Nesta’s place and getting frustrated that the Inner Circle constantly underestimating her.
Obviously it’s a huge jump to become a queen, but we also have to keep in mind that this is fantasy and these are standalone books so they will be going faster than normal.
So I can confidently say, with Lucien to help her (because he’s familiar with Prythian), being a ruler is something that she’d be willing to embrace.
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kay-then-i-guess · 2 days
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This redesign page of my Roleshuffle AU Techno has been sitting in my drafts for a while, so let's talk my Techno design! I already have a post discussing why I made him based off an overworld pig, so check that out first if you haven't seen it. I can't really summarize it.
Something I'm doing to show "the voices" getting louder without having to use text is making his pupils get bigger, and potentially have little red glints. I know normally the more insane a character gets, the smaller their pupils gets, but I wanted him to appear a little more animalistic. While the small pupils give a very manic, crazed look, I wanted Techno to look completely focused--almost too focused. As aforementioned, animalistic. I probably won't get to the point of what actual pig eyes look like (fully black with the whites in the back), but I do want to get a similar idea across. This choice also makes him look less aware of any dialogue going on, which I is something I've been trying to do with "the voices". No thoughts, only Blood For the Blood God.
Also! I swear during a Techno stream he had a skin with a blue sweater. Maybe I dreamed it, because I couldn't find it anywhere, but I distinctly remember his chat teasing him for it, with him responding "It's a sweater!" But I digress. Perhaps I just imagined that.
Below is the original design I had for him, and was one of the first design sheets I did (if not the first ever; I don't particularly remember). I was originally not leaning into such a cartoon-y style, but I really got into that style as I started actually making the comic. (His mildly realistic teeth in that top left image haunts me.) In other notes, I think either because of the way I did his legs originally or the way I did his head originally (both were a bit elongated), he didn't look short. Part of that is because if you measure out his full-body shot, every portion of him is roughly the same length. I.E. his head is the same length as his torso, and his torso is the same length as the legs. If you take any character design course, one of the things they'll probably note is that for unique character designs, it's a good idea to mess around with proportions (both length and width). It's tough to figure out, but once you have that idea in, you can make your characters look more unique. For instance, while Techno's longest bit is his torso, in width, he has smaller legs and a bit smaller head. On the other hand, Ranboo's longest bit is his legs, and in width, the widest part is his head (if you count his little floppy-ear-thingamajigs). I really struggled implementing this tip for a while, but woooo, once I did, my designs got a lot better. I still could stand to put it in more, to be honest haha.
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Also, personal note: I didn't mean to go on such a long break, but finals have been rough (3 essays, all at least seven pages...yikes). Anyways, I'm going to have a lot to catch up on, but I AM NOT DEAD. The comic will go on! It just might take a bit, and I thank all of you for your patience! :) (Also, I'm still running character asks if you're interested!)
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makeandshift · 2 days
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Hasan S/O // relationship launch
this has been stuck in my head for days now, so here it issss 🥰
Her stuff just slowly but surely starts appearing in the background of his instagram posts, on his stream.
Hasan initially just acknowledges it with a short 'Oh yeah, that ain't mine' and that's it.
Eventually she, or rather hints of her, start appearing as well. A hand giving him a plate of food from just off camera, him muting himself and clearly talking to someone, Kaya being returned from a walk even though Hasan has been right there this whole time.
Everybody knows exactly what is going on and just plays along while chat is freaking out and trying to collect all the clues they can find.
A while later he starts mentioning ✨his girl✨ in conversation. Other people also start mentioning 'Hasan's partner' and from the way they talk about her it is clear that they haven't just known her for a few weeks. Like this thing has been going on for a while.
First time he actually mentions being in a relationship is him announcing he won't be streaming because he's going on a little anniversary trip with his girl.
Probably accidentally mentions his girl's name and tries to ignore it happened but eventually just rolls with it because the cat is out of the bag now anyway.
Totally lets her decide when and how to 'reveal' her face, if she even wants to at all.
The man can't keep himself from being all sappy and clingy with her though. She decides to appear on his stream or on the pod? She's sitting there with his arm around her the entire time, getting kisses on her temple, forehead or cheek at least once every hour.
unhinged alternatives:
Austin totally forgetting that nobody knows about this relationship yet and spilling the beans on stream or on the pod.
Hasan doing another Chadvice and just casually introduces one of the people there as his wife.
Hard launching the relationship by posting their wedding pictures.
IRL stream that is Hasan and QT trying to plan out a nursery. When someone in chat asks why the hell they are doing this, he just says 'Because my wife is pregnant you dumbass'.
Face reveal stream, but instead it is on Will's stream. Bestie!Will is still my fav, sorry don't make the rules.
A Fear& episode titled 'Hasan is no longer single' and them not saying anything about it until like three episodes later.
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firenati0n · 19 hours
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fic pride friday
yeah it's not friday idc idc thank you to @kiwiana-writes @anincompletelist @anchoredarchangel for the tags <3
Rules: Post your favourite line or passage from as many of your published works as you’d like. Let yourself feel proud of your creations! Tag as many people as you post snippets, so your fellow fic friends can be proud, too.
i only have 7 fics so I'm using snips from all of them...maybe this will motivate me...hoping it helps :)
snips below the cut so it's not a pain on your dash lol. also they're in order of posting, so if you haven't read something just scroll on by lol:
from our world, mine and his alone (the midnight train to go) aka cracky brain worm fic:
In a poorly executed non sequitur, he settled to comment on the first thing he could think of. Fatal error.  Deep breath in. “By the way. Digging the cardigan, Henry. Very…” He rifled through his extensive vocab for literally any appropriate adjective. Refined? Boring. Professional? Practical, but also boring.   “Very…?” Henry raised an eyebrow, long fingers wrapped around a cup of tea. Earl Grey, Henry had said a while ago, but Alex couldn't be sure. He had been terribly distracted by said fingers, wondering where else those fingers could— What Alex’s distracted, useless worms in his left temporal lobe decided to supply him with as a response was: “Slutty-English-Literature-professor core.” Alex was going to jump off the train. He was going to change his name. He was going to get a lobotomy, as a treat. 
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from An Amateur's Guide to Piping That Cream and Beating That Meat aka thirst trap tiktok au:
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and my favorite part is the end when henry makes a bold ass move on alex through an old tiktok comment while he's sat across from him LMFAOOOO king shit:
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from each time we touch / i wanna take too much aka fingers in mouths dreamy fic:
Eyes still closed, Henry kisses Alex's thumb, a soft touch, and Alex sucks in a sharp breath. He presses his thumb inside for a second, resting it on Henry's tongue. Henry's eyes open, slow and steady, and he grasps Alex's hand gently, pulling his thumb out and wrapping his long pale fingers around Alex's index and middle finger instead; pulls them into his mouth, closing his lips around Alex's digits. Alex lets out a stuttered gasp as he leans into the touch, his fingers sliding in a little deeper. The sound of his shaky exhale sits for a second, heavy in the silence. The air around them crackles. There's a weight on Alex's chest, pressing and pressing and pressing, until he can barely get a breath in or out within the inches of shared space between him and Henry. Henry swirls his tongue around Alex's fingers, and his eyes are clear as ever as they bore into Alex, a challenge. And who is Alex to deny him anything?
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from keep me up all night / i wanna scratch your surface aka lovely prose all over fic:
Alex is determined to give him the world, even if it’s narrowed down to a strip of smooth skin just below Henry’s clavicle, a constellation of purple and red hues littered in places no one can see, in spots wandering eyes can’t reach. Alex’s heart pouring out of his mouth, sliding past his tongue and right onto Henry’s skin, the universe contained in Henry’s rib cage that protects the air they share in impassioned exhales and the heartbeat that intertwines with Alex’s when they’re like this; a sacred harmony of bodies and spaces. He’ll never tire of this.
and also this:
Alex does his worst, and then some; a reminder that they get to have this. It’s theirs, and it’s the universe in Henry’s ribcage, and it’s the moonlight reflected in Alex’s eyes, and it’s the world narrowed down to bruises on a pale canvas and bite marks on golden skin. Marks that they can run delicate fingertips over, press into with devotion; tucked away for safekeeping in the morning, their starkness harsh in the sunlight. There are no eyes worthy of Henry in the daytime.
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from cause you're classic, and i'm reckless aka ryan gosling / rachel mcadams inspired actor au:
When Alex was called up for his award, he felt himself go right back to where he was on day one of rehearsals—transparent, with his heart on his sleeve and voice a little wobbly. Being recognized for his accomplishments felt so novel, so intense, so foreign. After fighting tooth and nail to proudly sport his biracial and bisexual identity, he was thrilled to be accepted for who he was, and told he was good enough for the masses, his intersectionality a standout and not something to hide; good enough for Henry as a costar, holding his own opposite an industry darling. He couldn’t keep the tremor out of his voice as he accepted his trophy, thanking everyone for their hard work on this movie, the studio for backing a movie about unapologetic queer love, and Henry for being his faithful guide and cheerleader in a new landscape for Alex, giving him space to be his authentic self free of judgment and fear of failure. He’s so, so grateful for this. He will never stop being grateful; after pouring his heart and soul into this movie, he got so much back in return, and then some. He’s completely rearranged, made up of brand new parts next to his old, rusty ones; a patchwork heart beating erratically yet earnestly, hands that have traversed new spaces and swaths of skin, people pouring themselves back into him and sanding down the rough parts, caressing the scared ones. Alex feels not just reborn, but also like the person he always was deep down, just waiting to have a chance to emerge with all his heart to show for it.
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from who truly stuck the knife in first aka spy au aka sexually charged wrestling:
Alex averts his gaze, rolling onto his back to gaze at the cracks in the ceiling. The thing is. The thing is, Alex doesn’t know where the fuck to go from here. Between the barbs and the knives and the tension and the rolling around on the floor and the bed in a sexually frustrated heap, Alex didn’t take a second to consider he could have this, could have Henry in a way that mattered. Now that it's just within reach, he's scared it's going to slip away from his fingers and into the night if he holds on too tight, wants too much. He’s spared the need to respond by the sound of a crackle coming from Henry's laptop, then clothes rustling as someone groans. Manu’s bug is up and running, the man probably fielding a killer hangover and hazy memories of Alex and unbuttoned shirts and hands wrapped around throats. Alex clears his throat, scraping away any remnants of lingering affection. “Back to work, Foxy,” he says with a cheeky grin. Before he can help himself, though, he leans into Henry, planting a sweet kiss on his parted lips. Henry sighs into him, cupping his cheek with a tenderness Alex hasn't felt in a long while. He tastes like a future Alex dreams of having one day. For now, that's enough. It has to be.
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from and all i can taste is this moment, and all i can breathe is your life aka angel!henry fic aka city of angels au with a happy ending:
Henry forges on, the words pouring out of him, spilling all over the cliffside for Alex to see. “It is a sin worth committing, a fruit worth eating—at least I’ll get to taste you. You will never be a lapse in my judgment. You are my salvation, through you I get to reclaim myself. Isn’t that beautiful, isn’t that everything you’ve taught me about life and love and humanity?” Alex gazes at him, mouth slightly agape, taking in Henry’s impassioned words. Alex has spent his life fighting for others, extending himself beyond his limits. Now it’s Henry’s turn. “Darling, I’ve spent years, centuries even, pondering the question of what makes you human, what sits in your core. After all this time, the answer is unchanging—it’s love. Love, and care, and the unflinching determination of the human condition. With this, with you, I’ve experienced the absolutely soul-crushing realization that our hearts are built to endure when you have hope.” Henry’s voice wavers a bit, but he presses forward, determined to make the words land. “You are my hope, the hope I never thought I’d get to have, the hope I never thought I deserved to keep. With you, I want to endure.”
xoxo roop
open tag but also some no pressure tags : @wordsofhoneydew @cha-melodius @cricketnationrise @hgejfmw-hgejhsf @whimsymanaged
@nontoxic-writes @alasse9 @ships-to-sail @leaves-of-laurelin @myheartalivewrites
@sherryvalli @ninzied @rmd-writes @suseagull04 @inexplicablymine
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orbleglorb · 1 day
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blaseball in the tumblr universe, part 5
(parts three and four may be needed for context)
the images are dividers showing that there is a new post or a new reblog on the same post.
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anonymous asked:
So what do you think of telesonas? Like I get that being a telephone person hybrid isn't exactly exclusive to you and your siblings (in theory anyway), but it still feels really weird to me.
☎️ official-jessica-telephone
you guys are doing this on purpose now
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🐟 offishial-jessica-telephone
i concur
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☎️ official-jessica-telephone
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ID: a simplistic drawing of a person sitting at a desk with an expression of thinly masked agony on their face. /end ID
125,294 notes
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🦆 peripheral-duck 🔁
🌲 caffeineplacebo Follow
i want to study at Seattle University
i will visit the needle and use public transport. i would watch iCarly on Nickelodeon all night while drinking Starbucks Frappuccinos with my roommate and their polycule. i'll have fresh small business coffee and a pastry every day that's worth 15 dollars. i would go to grunge band concerts every night and go to every Garages concert. i am also more likely to meet baristas, The Garages, Mike Townsend, and Kurt Cobain's Ghost.
i wish i was washingtonian :(
484,732 notes
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☕️ eyesinthedark11 🔁
☕️ eyesinthedark11
she salmon on my cannon til i flood
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🕳 soulscream-generator Follow
Soulscream detected: HEAOOHEAOOAAOIIOAOIIOO
#omg hiii #twirls my hair
64 notes
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anonymous asked:
sorry everyone's being weird :/ might be an odd time, but out of sheer curiosity, what's your favorite blaseball team? i haven't seen you post about any one team
☎️ official-jessica-telephone
not a bad time at all! i'm a flowers fan but i've been poking around dale and georgias fan spaces too. i won't "officially" switch teams or anything (flowers fan until i die atp) but i like hanging around both teams
#telephone calls #thank you! :]
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anonymous asked:
you've mentioned that you live in dallas, but you're a breath mints fan. do you not like the steaks? are they mean irl or something?
🔻 triangulargoober Follow
omg no not at all!!! the steaks are great, the few that i've met are suuuper kind and just really amazing! i'm a breath mints fan because spearmint is keeping me hostage in the fresh dome basement
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👁 spearmint
GO BACK INTO YOUR CORNER AND PUT THE GAG BACK IN YOUR MOUTH.
824 notes
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tenebraevesper · 1 day
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Knuckles (My Thoughts)
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So, I have watched Knuckles, the 2024 show that basically came out yesterday, and before watching it, I have heard a lot of mixed opinions, ranging from ''the show is great'' to ''the show is awful, I hate it''. I had figured I might as well add my thoughts to the fray.
There will be spoilers in this review, so if you haven't watched the show, you had your warning.
So, for starters... this show is absolutely bonkers, and I definitely enjoyed watching it! X3
Honestly, I feel like there was a pretty good mix of comedy and action, and while there is some over the top acting, it didn't really take away from my enjoyment. It was a pretty wild ride from start to finish, and I kinda want to know what the writers were smoking during some scenes, because there were moments where things just get a bit surreal.
The show is also peppered with a lot of emotional moments, but I'll get to that bit in a moment. So far, I think people were right when they called this Sonic the Hedgehog, but it's Knuckles and Wade instead of Sonic and Tom.
The main crux of the show is that Knuckles has a bit of a crisis. He has found the Master Emerald, he has found friends in Sonic and Tails... and the only reason he's on Earth is because of that promise to them, as he clearly doesn't feel like he is at home... yet. So, how does he deal with that struggle?
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Well, Pachacamac tells him what to do. Not gonna lie, even though I had expected him to appear, I was still baffled, because Pachacamac in this show is basically Oogway, Mufasa and Mr. Miyagi rolled into one. Clearly, Knuckles still holds great admiration for him, but let's remember that this was the guy who hunted down Sonic and Longclaw, leading to the mutual massacre. And now, he's a ghost that Knuckles can talk to, a lá Tikal. Kinda weird, but I think this is also the moment the show doesn't give a damn about being grounded.
Pachacamac suggests Knuckles that he should continue the legacy of the Echidnas, with Wade Whipple becoming his new protégé. Knuckles knows Wade is a loser, but he accepts, especially given Wade's determination to show everyone and their mother that he isn't some kind of loser and will become the bowling champion at the tournament in Reno, Nevada. So, he and Knuckles go on a road trip there while also being hunted down by two rogue G.U.N. agents, who want to deliver Knuckles to The Buyer, a guy who formerly worked for Robotnik and wants to use his quills to power his weapons.
Now, I will first start with the negative stuff that I noticed during the plot. Yes, people were correct, the second half of the show does focus a lot on Wade and his family rather than on Knuckles. Should it focus more on the titular character? Absolutely! Am I disappointed with what we got? Ehh... not really. Not gonna lie, I was actually quite invested in Wade's family drama.
Honestly, I can't really think of any complaint aside from the lack of Knuckles' screentime. Maybe it would've been better if the show focused on Knuckles bonding with Sonic and Tails, but it was always advertised as a Knuckles and Wade road trip, so I can't say I was lied to (not to mention, we had a whole movie of Sonic, Tails and Knuckles bonding). I suppose that another thing to add to it is the abrupt ending, although we do get a post-credits scene with Knuckles and Wade going to their next adventure, and the fact that they just don't address some plot points (like we don't know how the Wachowski family reacted to Knuckles' absence).
Well, that's my negative thoughts on the show, what's the positive stuff?
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First of all, Knuckles himself - he is absolutely awesome every moment he gets! His character is on point, and he gets a lot of goofy, but also very wholesome moments. He also works very well with Wade, their personalities bouncing off each other and their interactions can turn from hilarious to absolutely heartwarming, especially when bonding over their respective lives.
I think that's a really strong point of this show - Knuckles helping Wade, in his own way, to overcome his insecurities, while just being his Echidna Warrior self. At the same time, he also learns about simple things in life, like ''what his jam is'' (to no one's surprise, it's the show's theme song, The Warrior by Scandal) or about Wade's family's traditions, as well as finally accepting that Earth is his home.
Also, Knuckles and Wade's mother beating up the bounty hunters was one of the best scenes in the show, hands down.
As I said previously, I also got quite interested in Wade's family life. I really like his mother, but his sister is a bitch, even if she stands by Wade's side. His father, not gonna lie, Pistol Pete gets the same amount of hate from me as Locke... Huh, maybe they did base Wade's father on one of the most hated characters from the Sonic Archie comics? After all, both abandoned their sons for a ''greater purpose''. In any case, it was satisfying seeing Wade beating his father in the bowling tournament and use what he learned during his journey.
Furthermore, this show is peppered with many lore bits, but the most jaw-dropping is this one:
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So, if you guys don't know, this is Iblis, one of the Big Bosses of Sonic the Hedgehog (2006), alongside Mephiles, and basically the main reason Silver the Hedgehog and Blaze the Cat went back to the past to save the future, with Silver fighting Sonic due to the belief that he was responsible for the apocalyptic wasteland that is Silver's future. Both Iblis and Mephiles are halves of the sun god Solaris, who was defeated by Super Sonic, Super Shadow and Super Silver.
So, in this show, in this story told to us via a rock opera arranged by Pachacamac and starring an... unconscious (dead?) Wade? *shrugs* So, yeah, in this story, apparently, Knuckles defeated Iblis with the Flames of Disaster, aka beating him up with flaming fists.
Not gonna lie, that's metal.
Also, another lore bit that is dropped is how a different alien visited Reno for a bowling tournament in 1974, which tells me either two things:
One possibility is that it was Shadow who appeared at the bowling tournament, which is but funny and pretty awesome, and now I have an image of Shadow, Maria and Gerald Robotnik wearing those bowling T-shirts.
The other possibility is that Black Doom dropped after making his deal with Gerald and decided to sign up the Black Arms for a tournament, which is just plain hilarious.
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So, yeah, overall, I liked the show. Is it the best? Not really, but it is something I'd rewatch if I want something fun and wholesome.
#Sonic Cyber Revolution (Masterlist)
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