at some point it's just like. do they even fucking like the thing they're asking AI to make? "oh we'll just use AI for all the scripts" "we'll just use AI for art" "no worries AI can write this book" "oh, AI could easily design this"
like... it's so clear they've never stood in the middle of an art museum and felt like crying, looking at a piece that somehow cuts into your marrow even though the artist and you are separated by space and time. they've never looked at a poem - once, twice, three times - just because the words feel like a fired gun, something too-close, clanging behind your eyes. they've never gotten to the end of the movie and had to arrive, blinking, back into their body, laughing a little because they were holding their breath without realizing.
"oh AI can mimic style" "AI can mimic emotion" "AI can mimic you and your job is almost gone, kid."
... how do i explain to you - you can make AI that does a perfect job of imitating me. you could disseminate it through the entire world and make so much money, using my works and my ideas and my everything.
and i'd still keep writing.
i don't know there's a word for it. in high school, we become aware that the way we feel about our artform is a cliche - it's like breathing. over and over, artists all feel the same thing. "i write because i need to" and "my music is how i speak" and "i make art because it's either that or i stop existing." it is such a common experience, the violence and immediacy we mean behind it is like breathing to me - comes out like a useless understatement. it's a cliche because we all feel it, not because the experience isn't actually persistent. so many of us have this ... fluttering urgency behind our ribs.
i'm not doing it for the money. for a star on the ground in some city i've never visited. i am doing it because when i was seven i started taking notebooks with me on walks. i am doing it because in second grade i wrote a poem and stood up in front of my whole class to read it out while i shook with nerves. i am doing it because i spent high school scribbling all my feelings down. i am doing it for the 16 year old me and the 18 year old me and the today-me, how we can never put the pen down. you can take me down to a subatomic layer, eviscerate me - and never find the source of it; it is of me. when i was 19 i named this blog inkskinned because i was dramatic and lonely and it felt like the only thing that was actually permanently-true about me was that this is what is inside of me, that the words come up over everything, coat everything, bloom their little twilight arias into every nook and corner and alley
"we're gonna replace you". that is okay. you think that i am writing to fill a space. that someone said JOB OPENING: Writer Needed, and i wrote to answer. you think one raindrop replaces another, and i think they're both just falling. you think art has a place, that is simply arrives on walls when it is needed, that is only ever on demand, perfect, easily requested. you see "audience spending" and "marketability" and "multi-line merch opportunity"
and i see a kid drowning. i am writing to make her a boat. i am writing because what used to be a river raft has long become a fully-rigged ship. i am writing because you can fucking rip this out of my cold dead clammy hands and i will still come back as a ghost and i will still be penning poems about it.
it isn't even love. the word we use the most i think is "passion". devotion, obsession, necessity. my favorite little fact about the magic of artists - "abracadabra" means i create as i speak. we make because it sluices out of us. because we look down and our hands are somehow already busy. because it was the first thing we knew and it is our backbone and heartbreak and everything. because we have given up well-paying jobs and a "real life" and the approval of our parents. we create because - the cliche again. it's like breathing. we create because we must.
you create because you're greedy.
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A Persuasive Argument - dpxdc
"Great!" Danny says, clapping his hands together to get everyone's attention. The dinner table falls silent as everyone looks towards him. It's a full house today and, honestly, Danny's a little nervous. "I'm sure you're all wondering why I gathered you here today."
"It's dinnertime. In our house." Duke mutters, while doing a very bad job of concealing his yawn. He holds his fork poised over the braised beef, but, just like everyone else, still looks towards Danny before tucking in. It's intriguing enough to wait.
"Yeah, no one misses Alfie's dinner." Dick says, with a brilliant smile that Danny can't help but return.
"Precisely! What better time to talk to you all than when you're all actually here!"
"Wait, I thought you came round to work on our English essays?" Tim asks, blinking owlishly.
"I'm afraid I've lured you here under false pretences, Tim."
"This is where I live."
"I would still really appreciate help on that essay though, I mean, what the hell is Hamlet even about? I just don't get that old time-y language, like 'Hark! A ghost hath killed me!' - absolute rubbish, what does that even mean?"
"The ghost never kills anyone in Hamlet, he's there to tell Hamlet that he was murdered. Have you actually read it?"
"No, but it sounds like you have. Tim, I want this guy to help me with my essay instead. I know for a fact that you haven't read Hamlet, either."
"So? We don't need Jason, I've read the Sparknotes."
"Hi Jason, I'm Danny, pleasure to meet you, summarise Hamlet in three sentences or less."
"Am I auditioning to help you write your essays? I can't believe you’ve gone through your whole school life without reading it, it’s good!"
"Hamlet, along with a number of other classics, was banned in our house because it portrayed ghosts as intelligent and sympathetic beings rather than evil, animalistic beasts. I didn’t even get to see The Muppet's Christmas Carol until last year with Tim! It was surprisingly good, and I hate Christmas because everyone always argued and it sucked. But we're getting off topic. I—"
"No, no, please go back to that, because what the fu—"
"Boys, please." Bruce interrupts, looking to the world as if he wants to hang his head in his hands. "Danny, you were about to say something?"
"Oh, yeah, Mr. Wayne! Thanks!"
"Please, call me Bruce."
"Well, that very succinctly brings me to my point, because I'd actually really like to call you dad."
Nobody says a word. Nobody even blinks, all as shocked as the other, watching open-mouthed as Danny pulls his laptop out from beside his chair. Bruce can definitely feel a headache coming on.
"Before you say anything, I've prepared a 69 slide PowerPoint presentation on why you, Bruce Wayne, should adopt me, Danny Last-Name-Pending. Please save your questions, comments, and verdict until the end, thank you."
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Okay, so, crisis averted. Both of them, really. Red Robin had not asked or attempted to get any more of Danny's drink and the World Ending Crisis was less World Ending and more World Threatening. Either way, no one is hyped up in lethal amounts of caffeine and the world is in no more pieces than it had been before.
That brings attention to a new problem, though. It's uniquely Danny's problem and Constantine and Zatanna and Deadman won't stop laughing at him. He's also pretty sure that Raven is laughing at him in the privacy of her mind, so that's making him feel worse.
The problem is that every single hero that had been at the meeting a week ago that was not a part of the JLD has been overly concerned about him.
So what if he half died when he was fourteen and therefore will never look over either fourteen or eighteen? So what if he consumes enough caffeine to kill an elephant within a few minutes? What is he gonna do, die? That's not a real threat as long as he only fights as Phantom.
Ignoring the fact that he can, in fact, get hurt to the point of near death as Phantom. It's not like anyone knows that, though! Besides, ghosts run on god rules. They can't die, only fade when forgotten. People aren't likely to forget about most ghosts, though, even if they can't remember their names.
He's not gonna share that, though. Let Batman keep his contingency that won't work because the only contingency that will work for Phantom is the one he made himself. Tried and tested! He's marked it off of his Bingo Card.
Anyway. Heros and their kids/proteges have been trying to track him down for the entire week. He can't risk even leaving the House of Mysteries because the Supers are all probably listening out for him and they can't hear him through magic. It sucks. He just wants to go get a cup of coffee as Danny. The second he leaves, though, the Supers will be on him like bloodhounds. He'd leave as Danny, but the rest of the JLD don't know what he looks like as Danny and he'd like to keep it that way, thank you very much. Being stuck as Phantom was going to start causing issues to his human half if he doesn't get to leave soon.
Should he risk it? Is coffee that won't kill him really worth risking the Supers finding out his civilian identity? Sure, they wouldn't tell anyone, but he didn't like the idea of someone being able to pick him out of a crowd when all he wanted to do was blend in. It's why he avoided Gotham and Bludhaven, actually, but that's both self explanatory and another story for another time.
"You're still here?" Zatanna sat on the couch beside him. "You're normally gone by now. You can't not be tired of us yet."
He sighed and sunk down into the couch slightly. "Believe me, I'm tired of being stuck here, but I can't leave. I can't leave as a human because you guys don't know what I look like and, no offense, but I'd like to keep it that way. I can't leave as I am now because Superman will be on my ass quicker than I can blink!" He whined this time, "I just want a cup of coffee."
"What about your special brew?" Raven asked, coming into the room.
"I want to drink coffee as a human. That stuff will kill me if I drink it as a human."
"At least you know your limits."
"That sounded like a dig at someone, Z."
"It was."
"Why don't you just go out under a protection spell?" Raven offered, "We could cast one over you and you could leave. Superman can't hear through magic, so he won't be able to tell. Neither will Superboy."
Danny thought for a second. "You're a genius, Raven! Has anyone ever told you that?"
"A few times," she blushed.
"Well, it needs to be said more!"
Zatanna laughed. "Alright, kid, let's get you outside before you drive yourself crazy."
Practically vibrating in place, Danny waited for the protection spell to settle over him. The second it did, he was out the door and wandering the streets of whatever city the House of Mysteries decided to drop him as Danny instead of Phantom.
"Who are you," was not the question or voice he wanted to hear the second he stepped into the open as himself.
"Danny," he squeaked out through his absolute panic. He didn't dare turn around.
The sound of fabric moving minutely clues him in to the second person behind him. What the hell were these two doing out? It's the middle of the day and there's no attacks going on anywhere in Gotham!
"Where did you come from?" Robin asked.
Oh shit, oh shit, oh shit! This was really bad! Why did the House drop him *here* of all places? Does it *want* him to die again? It was very painful the first time, thank you very much! "Illinois?"
"Was that a question or an answer?" Why is Red Robin here now?!
"An-an answer?"
"Ah, you guys are scaring the little guy!" That was Nightwing. They're surrounding him! Why is Nightwing here? This is Gotham, not Bludhaven. "Give him some room to breathe."
They did not, in fact, give him room to breathe. Maybe coming outside was a bad idea. If he gets out of this no more dead than he already was, he was going to move to the middle of nowhere and become a hermit. Smallville is a town in the middle of nowhere, right? He'll retire as Phantom and move to Smallville until the people get suspicious and burn him as a witch-!
Maybe moving to a big city would be a better idea. Or locking himself in the basement of the House of Mysteries. Yeah, yeah that's a good idea.
"-even listening?"
Oh shit. They were still talking to him! Now is not the time to panic! "Gottagobye!" And then he was running.
Good job not panicking, Danny.
Part 1 Part 3
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there are a lot of posts out there that are positive and healthy coping mechanisms for handling the holidays. this is not one of them :)
i think there's like. going to be times in your life you will be stuck in a social situation that you cannot escape from gracefully. i do not know why the internet doesn't believe these times exist. it's not always just that your physical safety is at risk - sometimes it's legit like "i just don't currently have the energy or time to put in the effort of responding to this." sometimes it's a coworker you hate so much. sometimes it's just like, fine, you know? like you know you can handle your aunt when she's cheerily horrible, but if you actually set a boundary around her, it's going to be weeks of fallout with your father.
i don't know why people think the answer is always just "cut them out!" or "don't let them get away with that!" because ... the real world is tricky and complicated. i think kind of a lot of us have an internal "radiation poisoning" meter for certain people. like - i'm talking about the ones who are absolutely giving you gradual ick damage. like, you can handle them, but you'll be exhausted.
and yes. you absolutely should listen to your therapist and the good posts about handling others and set good boundaries and take care of yourself. prioritize peace.
HOWEVER :) ...... since im often in a situation with a Gradual Sense of Ick person i cannot just "cut out" of my life (without losing someone else precious to me) - i have sort of developed the most. maladaptive form of mischief possible. because like, if i'm going to have to listen to this shit again, i like to have a little bit of private fun with it.
now! again, i am physically safe, just mentally drained by this man. you should only do this with people you are not in danger with. which leads me to my suggestions for when your Unfortunate Acquaintance shows up and says oh everyone pay attention to me.
my favorite word is "maybe!" said as brightly and happily as possible. whenever the Horrible Person starts in on a topic you do not want to go further with, particularly if they make a claim that you know to be inaccurate, do not respond to it. you and i have both tried to actually argue with this person, and it hasn't gone well, because this person just wants the drama of an argument. however, "maybe!" gives them literally nothing to go on. it is incredibly disarming. they are used to people having some response. they know they can't prove what they're saying, and maybe! treats them like the child they are. it dismisses them in the politest way possible.
i like to say maybe! and then, in their stunned silence, immediately change the subject. this is because i have adhd and i will have something unrelated to talk about, but if you can't think of topics fast enough, i recommend just pointing to something and saying, "isn't that lovely?" because fuck you let's bring in some positivity.
by the way. that second trick - of pointing to something and stating an opinion about it? - that just works on its own, like, 70% of the time. i picked it up from teaching preschoolers. it's an intentional "redirect". it stops children crying and it also stops grown adults from finishing their explanation on why women belong in kitchens. dual wielding!
keep it silly for yourself. i absolutely do not care if people think i'm fucking stupid (it's more fun if they do) and as a result i will purposefully misunderstand things just to see how long it takes them to realize i've completely removed them from the subject at hand. when they say "women aren't funny" i get to be like. "which women." "all women." "all women in america?" "no in the world." "like the mole people? the people in the world?" "what? no. like, alive." "oh are we not counting the mole people?" "what the fuck are you talking about." "you don't believe in the mole people?"
similarly, i play a personal game called "one up me." my Evil Acquaintance literally knows this game exists (my family & friends caught onto it and now also play it) and it always fucking gets him. i don't know why. you have to be willing to be a little free-spirited on this one, though. the trick is that when they make one of those horrible little bigoted or annoying comments they are always making, you need to go one unit weirder. not more intense, mind you - just more weird. "you don't look good in that dress." "yeah, actually, my other dress was covered in squid ink due to a mishap at the soup store." "you shouldn't wear such revealing clothes." "wait, what? oh shit. sorry, your son tears off strips when no one is looking and eats them. i swear it was longer before we left the building."
the point of "one up me" is to completely upend this person's narrative. we both know this person likes setting up situations where you cannot "win" and then they really like telling other people how badly you handled it. in a usual situation, if you respond "please don't say something that rude", you're a bitch. but if you let it happen, you're letting yourself be debased. they are not usually expecting door number three: unflappably odd. because what are they going to say when they're telling everyone how badly you behaved? "she said my son eats her dresses" ".... okay?"
if you can, form an allyship with someone whomst you can tagteam with. where they can pick up on your weird "soup store" story and run with it.
the following phrase is amazing and can be deployed for any situation: "oh, be nice :) it's the holidays!" i do not know why this works as often as it does. i'll say it for the most random shit. i think this is bc most of the time these people know they're being impolite, they just like to fight.
godbless. when in doubt, remember that you could always start stealing their pens.
the whole point of this is - if you can't escape. maybe see how long you can just be. like. a horrible little menace.
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