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#Atlas Gauntlets
backstabber128 · 1 month
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Here's a whole bunch of overdue WIPs bc I accidentally started sketches and a random comic idea out of nowhere 💀👌
I can't wait to post the complete versions though, I went out of my comfort zone so I'm excited to see how it pays off 🙏
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aurumnexus · 1 year
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◄  Ep 4 - Ayo, where that camera pointed  ►
More HD screenshots: here Please reblog if you save or use
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reubenyeoart · 1 year
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Commission - Piltover Protector
A full body commission for a client as a Christmas present for their friend, of their friend’s sona dressed as the Arcane version of Vi from League of Legends!
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someone actually made an exact replica of Caitlyn’s rifle. and yes.. it folds.
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@.volpinprops: Finished! Caitlyn's rifle from Arcane, made for @sew_angry
Bonus:
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books-in-a-storm · 7 months
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Currently Reading 💛
Acer & Gauntlet
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constructedparadox · 1 year
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Brawlhalla dropped this Avatar crossover event and I'm about to goddamn treat myself
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embershroud108 · 2 years
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Thinking about Vi’s now incredibly precarious legal status, and how if her role in the original hextech gemstone robbery, and the fact that she’s Jinx’s sister, ever come out (because why wouldn’t they on this nonstop trauma train?) someone (*cough*Jayce*cough*) is going to want to put her on trial. 
Bonus points if Jinx ever uses any of this as blackmail material.
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runin-reads · 2 years
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The internet romanticism of narrative foils
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atlasifyllm · 2 years
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crying screaming throwing up shitting my pants as i have another turquoise dressed up as red son sketch in the works and then remembering that red son is introduced with a metal arm
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Netflix Avatar the Last Airbender S1 - Overall Thoughts [SPOILERS]
I am a longtime fan of Avatar the Last Airbender. I did not watch it in its original 2005 run, but I discovered it in around 2010 after my good friend R.S. recommended it to me. It's been my #1 favorite TV show ever since and I have rewatched it more times than I can count. I was cautiously optimistic about NATLA.
Now, having watched the whole first season of NATLA, and looking at the season as a whole, I think the best word to describe it is uneven. I can't say that I loved it, and I can't say that I hated it. But there were things I really liked about it and things that really did not work for me. Overall, I enjoyed watching it -- if only to dissect what did and did not work about the adaptation -- and would want to watch more.
WHAT WORKED
Everything to do with Zuko and Iroh. I found myself going back through just to rewatch all of the Zuko and Iroh-related scenes. I thought Dallas Liu really nailed Zuko -- from tantrums about his journal being stolen to incredible action sequences to the boyish vulnerability of worrying about the laces on his gauntlets. He took an iconic character and made him his own. NATLA added some incredible scenes and lines to my favorite duo: Lu Ten's funeral (coupled with orchestral version of "Leaves from the Vine"); Zuko's first war council; Iroh choosing to go with Zuko on the boat; the 41st Division; Iroh putting a blanket on Zuko. And I liked that NATLA emphasized that Iroh needed Zuko in the wake of Lu Ten's death as much as Zuko needed Iroh after his mother left.
Daniel Dae Kim's interpretation of Ozai. Ozai in ATLA is kind of one-dimensional. Daniel Dae Kim's Ozai adds a deeper layer to him in that he genuinely seems to think he's doing legitimate parenting -- even going so far as to visit Zuko after burning his face and remarking, glibly, that he'll recover ("but he'll never heal," says Iroh). It adds an even more monstrous angle to his cruelty because Kim's Ozai seems to think he's doing it for his children's own good. This post perfectly encapsulates my feelings about why I thought the agni kai between Ozai and Zuko was an excellent addition to NATLA.
Zuko/Aang. These two bonding over goat hair brushes was the scene I never knew I needed. The way Aang managed to wrest a little smile out of Zuko in that scene before Zuko blew up at him for criticizing the Fire Lord? And the way that tied into the "Compassion is a sign of weakness" scene from the agni kai? Great character work.
WHAT DID NOT WORK
Dialogue. I already observed at length my dissatisfaction with the clunky, exposition-dumping dialogue in my episode-by-episode writeups. It certainly wasn't as bad as the Movie-That-Shall-Not-Be-Named, but . . . there was no art or subtlety to it, and no trust in the audience. A disappointment.
The GAang did not feel like family. The lack of breathing room in the 8-episode season meant that all of the "filler" episodes that fleshed out the relationships between Aang, Katara, and Sokka were sacrificed. I am not saying NATLA needed to recapture each of the filler episodes. But they needed to build the foundational bonds between the main trio with showing not telling and they really didn't. They separated them for big chunks of 2 episodes. And, really, they just felt like traveling companions. That took all of the emotional heft out of, well, everything related to Aang, Katara, and Sokka. I mean, frankly, the kid actors did a better job establishing the "family" dynamic just by being themselves in their press interviews than the show did with the characters.
Aang did not run away from responsibility. I am not one of those people that's just mad that the show wasn't exactly like the cartoon. No. What I mean is, even putting aside the cartoon, even if you just look at NATLA itself: their own themes were undercut by never showing Aang actually running away from responsibility. Each avatar seemed to be berating Aang for doing something he was never actually shown to be doing.
Katara. I really don't think this one is on the actress. Katara felt like a fundamentally different character from ATLA's Katara. It's not to say an adaption is not allowed to have their own interpretation of a character, but... I just did not understand NATLA Katara. There was no passion, no rage, no overbearing nurturing. She was... I don't know what she was. Traumatized, yes, but nothing grew out of that trauma? Meek, until the plot demanded that she suddenly become a waterbending master without any guidance other than a waterbending scroll? The "younger sister"? More than any of the main characters, I'm not sure what NATLA was trying to say about Katara at all. And, as a result, I'm afraid the word to describe it might be uninteresting. And given that she is the heart and soul of Team Avatar, this one was really tough.
Despite the fact that a lot of NATLA did not work for me, I still enjoyed it because the things that did work for me, well, really worked. So. I'm here for all of the Zuko/Iroh scenes!
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bpdthinker · 11 months
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vi and the atlas gauntlets
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backstabber128 · 18 days
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Here's some fluff sketches to further prepare us all for the angst that awaits in season 2 🙏❤️‍🩹
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aurumnexus · 1 year
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◄  Ep 4 - He got the gorilla grip  ►
More HD screenshots: here Please reblog if you save or use
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mollysunder · 4 months
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In Arcane, there's an ongoing interpretation that smoking is an action that represents power, all influential figures in Zaun (Vander, Sevika, Silco) do it. I don't think we spend much time examining promethean like element to it though. What I mean is that the powerful smoke, but when another character takes their fire the thief is then/will be elevated in society.
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Marcus takes Vander's pipe and douses the flames. Immediately after Vander is deposed by Silco and Marcus will be promoted to Sheriff.
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Vi knocks out Sevika's cigarillo as she ambushes her for their first fight. Later Sevika struggles to light Silco's cigars (using Finn's lighter), and Vi is on the path to becoming an enforcer with close connections to Piltover Councilmen/Sheriff.
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The less talked about version this is where Enforcers with Zaunite-like accents (similar to Benzo's) drop their cigarillos on screen in the shock of Jinx's fire. Everyone except for Caitlyn, who doesn't smoke dies immediately after in Jinx's explosion. I wonder how the narrative will elevate Jinx's position after that? I wouldn't count Jinx's Shimmer boost as it because that would be like saying Vi's Atlas gauntlets are how she's elevated in prominence.
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bestworstcase · 3 months
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You've said before that RWBY's writing can be non-formulaic other than the 3 Act structure that it follows. What is it then that makes RWBY's story and writing so different (especially from more typical pop culture writing) in that regard?
to be completely honest i think a significant factor is that rwby is written by people who care about telling a story and have a very clear vision of what story they want to tell that they are resolutely sticking to no matter what. rwby is pretty remarkable in its sheer indifference to 1. what the fandom wants and 2. mass market appeal. paraphrasing but isn't one of the writers on record saying that they keep an eye on the fandom and if they see a lot of people not getting something they try to make it more obvious in the text? <- i think about this all the time.
bc like. before V9 i tried really hard to manage my expectations because i didn't feel sure, at all, that i wasn't just reading around a bad case of protagonist-centered morality—like i could count on one hand the number of people besides me whose writing on salem aligned with my interpretation and what i thought was going to happen thematically in V9 was so DRASTICALLY different than what the fandom largely seemed to expect and when you're that far off the common thinking then it's kind of like, is it really everyone else who's wrong or is it just you?
and then it turned out i was right. i was in fact so right that i underestimated how hard V9 would go on delivering what was set up in the first eight volumes.
which is fucking mind-boggling to imagine from the writers' perspective. the fucking guts it take to have a finger on the pulse of this fandom and not budge an inch on what this story is about!
<- being formulaic is safe. it is easy. it's palatable. for all that everyone loves to complain about unoriginality, there are a lot of people who just want to be entertained by something familiar. rwby doesn't give a damn whether you like it or not, it's going to keep being the story that it is, you know?
so they're very willing to take creative risks. that's really the heart of it. but there are a few specific like, technical aspects of the narrative that make rwby what it is:
#1, the narrative status quo gets turned on its head not just once, but repeatedly. the fall of beacon, the lost fable, the fall of atlas, the ever after. and by my count there are at least two more key changes before the story ends. it's not all that common for stories to upend the narrative status quo once, let alone multiple times, but rwby is a story about change and the structure of the narrative reflects that. (this also synergizes quite well with the three-act structure.)
#2, the characters are wrong about all kinds of things in all kinds of ways, constantly. some of them lie. some of them make very confident, very wrong assumptions. all of them are working with incomplete information. the ancient immortal character who's spent millions of years alone is cryptic and awkward. half the cast belongs to the keeping secrets cult. the goddamned avatar of knowledge is an unreliable narrator because ruby asked specifically for ozpin's side of the story. the narrative blithely informs the audience in V5 that "truth is hard to come by" is an important enough theme to say it out loud and then throws the lost fable down like a gauntlet. good luck.
#3, related to the above, in most stories the heroic characters know (or learn) and believe the story's themes and the villainous characters reject the theme and embody the anti-themes. in rwby, theme/anti-theme is decoupled from narrative role: ozpin is on the heroic side, but he represents many of the story's anti-themes (fear, distrust, lack of faith in humanity, blind obedience of authority); salem is the main villain and notional big bad, but she believes the theme—so much so that the fandom regularly quotes her soliloquy to express the core theme: "even the smallest spark of hope is enough to ignite change," and "there will be no victory in strength." this opens the door to a lot of really interesting character complexity and is critical for making "salem wins by negotiation" narratively possible at all.
#4, the story takes fairytales seriously. what sets rwby apart from a lot of "deconstructed fairytale" stories is that the point of taking the fairytale logic apart is not to be clever or edgy or grimdark or hyperrealist or cynical about it; the conceit is a tragic, broken fairytale that keeps going forever until it's mended because fairytales are not real but they are true. rwby rejects the moral and emotional simplicity of fairytales in order to weave a fairytale about lifelike characters rather than archetypes. that's a lot rarer than darker and edgier retellings or irreverent parodies by a wide margin.
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princesssmars · 1 year
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bakery babe
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a vi x reader
you asked vi why she doesnt use more pet names with you. you then start to regret it.
a/n: lets go sapphics. but fr i love her and her tag is dry but getting better but i need to contribute this stupid idea. the idea of vi bringing those back breakers home is funny.
contains: mostly fluff with some spice/nsfwish in the end (they makeout and alludes to them taking a trip to pound town). me being a simp. vi being a simp. YOU being a simp. enjoy.
(f/d) - fave drink | (f/s) - fave snack
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"why do you only call me babe?"
vi's head perks up at your question. youd both been in the living room of your small apartment on the edge of piltover and zaun, big enough for the two of you but still nice and cozy. it was a day off for vi from her job securing both of the cities safety, and youd decided to just spend it together in each others company at home. it’d been silent in your living room while you read and she cleaned off her gauntlets until your question.
throughout your entire relationship, vi had only called you “babe”. you didn't have a problem with or the way it sounded especially because her voice was gorgeous but that's not the point, but you knew she was a giant flirt and a general tease. she called caitlyn “captain cupcake”, she still liked to tease jayce by calling him "pretty boy"; she had multiple nicknames for everyone. so the singular one for you made you wonder.
the other woman's brow raised. “i don't understand. does it make you uncomofrtable? do you not like me calling you babe?”
“no, no, i do!” you raised your hands, waving them quickly in front of you, “it's just that's the...only pet name you use. i thought after hearing you with others you'd be more…creative, i guess.”
her eyes widen and a smile graces her face. “more...creative, huh? yeah, i can do that.”
good god.
strike one
about two weeks later, you found yourself in the kitchen cooking a somewhat complicated dinner for you and your lover. these past few days vi had been working extra hours at the department after some of silco’s old goons started causing trouble in the undercity. which was horrible because of the harm they were causing to innocent people, of course, but also because your poor girlfriend came home at such late hours in the night looking exhausted. you insisted she take some more days off or work less hours, but vi was nothing if not hardheaded.
so, knowing she wouldnt back down on working hard, it was only right you did this nice thing for her. hell, you even went down to jerichos' to ask him for the recipes for vi's favorite dishes.
a while into cooking, you hear the familiar sounds of the front door closing and the atlas gauntlets falling in place on the floor. the sound of vi’s heavy footsteps move towards you until you feel her strong arms wrap around your stomach, her face resting on your shoulder. you briefly move a hand to brush through her hair, making her hum. “rough day again?”
she groans loudly, smiling when you laugh at her. “when is it not a rough day at this point? i swear it's like every damn hour I have to deal with some stuck-up piltie who thinks im too stupid to help or an asshole zaunite who thinks im just a traitor or a liar,” she sighs. as she talks, you continue cooking the dinner while listening to her rant about her day. “and then I nearly got in trouble for telling some asshole at the precinct off! he's lucky I didn't kick his ass. but whatever, it's over now. i'm just glad to be here with you, sweetheart.”
you stopped stirring. “sweetheart?”
vi paused then laughed behind you, gripping onto you tighter. “well-yeah, you said I wasn't creative enough, so i'm trying stuff out. what do you think?”
you turn from the dinner to face her, wrapping your arms around her shoulders and looking into your girlfriend's pretty blue eyes as she looks at you oh so lovingly. “i think it's cute. i love it. use it more.”
“im glad you like it, sweets” she smiles, laughing at your demand and then moving to kiss your cheeks and your lips before turning you back to the stove. “so, whats for dinner?”
strike two
you and vi were walking around the market in piltover, looking for some new clothes and furniture for your home. it was a warm sunny day, and sometimes you caught vi stopping and basking in the sunlight. growing up in the lanes, day and night were almost interchangeable thanks to the altitude, but now that she spent most of her time outside and not in a cell, the pink haired girl blossomed. the cutest part was how her freckles had grown in numbers and darkened in color.
after walking, observing, and buying things for a few hours, vi tugs your arm to sit on a stool at a pop-up cafe, waiting for one of the workers behind the counter to become available to you. you're just glad to be off of your aching feet for a moment, finding comfort in vi holding your hands in hers.
" 'm sorry we've been walking for so long. theres just so much i want to get here." vi apologizes, bringing your hands up to her mouth to press kisses on to them.
you beam at her soft words and actions. "its fine, shortcake. i know you didnt get to buy much when you and pow were younger. our walls n shelves are a bit bare, so get whatever knick-knacks you want."
vi's scarred lips turn up into an appreciative smile before she cups your cheeks and presses kisses onto them, smiling even harder at your giggles. she was such a pda lover, but what could she say? you were a catch, and she loved to show you off.
"hi! can i get you two anything?" a cheery voice pips up from your right, making your love pull away from you to face the barista.
"hello. i'll just take a coffee, but my lil pumpernickel here will take a (f/d) and a (f/s), thank you."
vi, like the little shit she is, casually turns her head back to you after placing your order. as your expression grows more and more confused she struggle to contain her amusement.
"p...pumpernickel? are you serious? what does that...thats just bread!"
"yeah but it sounds cute, right?"
strike three
the way you fell for this girls charms were unreal. itd scare you if it didnt pay off in the best ways.
before this youd both been out with friends, enjoying yourselves in a booth at the last drop. the night was filled with stories from your younger days, friendly teasing, and laughter. but as the hours ticked on and the drinks kept coming, you noticed that vi became more flirtatious and teasing, whispering in your ear and raising her hand slowly up your thigh.
all of that led you to now, pressed againt the door of your apartment with a very eager vi pressing into your front while pressing wet kisses on your neck.
"mmhh..v-vi, baby, lets move this to the bedroom, yeah?" you whimper, dually pressing your hands on her shoulders to push her off and pull her in closer.
she hums, squeezing her arms tight against your waist. "hmm, i dont know, hun. i think we should stay riiight here. we wanted to christen every part of the house, remember?"
"god, youre a pervert." you groan, partly in due to playful annoyance and partly because she literally bit you on the most sensitive part of your neck. when you turn your head to reprimand her she captures your lips in a heated kiss.
her kiss is all consuming, causing your legs to feel weak and your brain dizzy. shes taking all of you, and youd gladly give her anything and everything.
she pulls away, her eyes still closed as she pants to catch her breath. "fuck, you taste so damn good, muffin."
you involuntarily let out a small moan, causing both of your eyes to widen.
after a few seconds, vi starts to smirk.
"so, its muffin, huh?"
"oh my god, shut up." you groan, going to lean your head on the door before you feel her rough hand grip your chin to look at her.
"nuh uh, im gonna have a lot of fun with this. god, i shouldve tried calling you this weeks ago if i knew itd make you sound like that."
you sigh, feeling slightly embarassed but admittedly more turned on. you hated it and loved it at the same time. "are we gonna do something orr are you just gonna tease me all night, you jerk?"
the brawler laughs to herself, quickly moving her arms below your ass and on your thighs so you can wrap your legs around her waist.
"dont worry, muffin, i plan on eating every bit of you tonight."
lets just youre. really glad you asked that question.
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so many italics. so much horny. what is wrong with me no one look at me.
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