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disneytva · 11 months

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Disney Channel and Disney Television Animation Set Series Order For Centenary Animated Comedy “STUGO” Slated For 2024

Today, during a special presentation at the Annecy International Animation Film Festival, Disney Television Animation revealed a brand new animated series called “StuGo” for the Disney Channel and Disney+ on 2024 as the 100th Disney Television Animation series.

“StuGo” focuses about six overambitious middle schoolers who are tricked into attending a fake academic summer camp by a mad scientist. Now they’re stuck for three months on a wild tropical island with mind-reading manatees, giant fighting fungi and fashion-forward mutants — less academia than they’d hoped for, but a lot more adventure.

The newly announced cast includes Tania Gunadi (”Penn Zero Part Time Hero”) as Pliny, Zosia Mamet (”Star Vs The Forces Of Evil”) as Merian, Gabourey Sidibe (FX’s ”American Horror Story” franchise) as Francis, Charlyne Yi (Cartoon Network Studios “Steven Universe” Franchise) as Larry, Zach Reino (”Big City Greens” franchise) as Chip, Deborah Baker Jr. (”Grace and Frankie”) as Sara, and Lorraine Toussaint (”Big City Greens” franchise) as Dr. Lullah.

“StuGo” is created by Ryan Gillis (”The Wonderful World Of Mickey Mouse”,”Pickle And Peanut”) who also serves as executive producer of the show, Sunil Hall (Dreamworks Animation “The Mighty Ones”,”Pickle And Peanut”,”Gravity Falls”) serves as co-executive producer, Craig Lewis (”Wander Over Yonder”) serves as story editor.

StuGo is produced by: Titmouse Inc. in association with Disney Television Animation

#StuGo #Ryan Gillis #Disney Channel #Disney TVA 100th #Disney TVA 100 #Disney TVA

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seeksstaronmewni · 1 year

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5 years ago I drew Star Butterfly overreacting to The Salty Barnacle’s captain a la Bugs Bunny in the Merry Melodies short “Hair-Raising Hare” for National Drawing Day.

Not typical of Star’s behavior; I know, but... I like it. I like it.

Tweet version here.

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gyarucoded · 6 months

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reviewing loki s2 ep4 (major spoilers!)

i was bit hesitant thowards this ep cuz i started noticing how this season parallels the previous one, which went very downhill after ep3 however, i think it seem to get better this time? 🤔🤭 this is so far my fav episode and hopefull they'll keep this energy for the last 2 eps. ok let's get into it:

i don't think this was timed like this on purpose but love how we're 3 days away from halloween and this episode fits with it so well. i could be biased as a horror fan but i loved the eeriness (is that even a term?)

brad you stupidass why are you listening to ravonna when she clearly doesn't care about any of your lives on the time line 😭

ooouu the box scene 😧 not miss minutes' psycho ass smiling like she's getting creepier each ep- also as someone who watches gory movies i expected to see what was left of all the prisoners but then i remembered disney tries to keep shit as "family friendly" as possible altough i am not complaining cuz it's a lot more cinematic to just hear the blood droplets & it leaves space for our imagination!

why does it feel like b-15 is lowkey the true leader of the tva now? i can definitely vibe with that.

"which way, wizard?"

B-15 is strong af for not throwing up at *that* scene but ig she has seen more gruesome sights before.

i just know ppl gonna ship o.b, casey & victor as a poly-couple and i'm a 100% there for it lmaoo

even sylvie calling it "bromance" like miss ma'am's gay radar was going havoc, and her smile when HWR death was mentioned plss🤚 😭

i know sylvie meant well when she snapped at mobius for yk, "not reading the room" but i still felt kinda bad for mobius cuz i can deffo see him as the stress eater-type.

loki mentioning thor !!!!

the parallels between thor & jane and loki & mobius hmmm.....hmmmm...

what sylvie said about anhiliation & starting from scratch reminded me of thanos in endgame, sry baby 💀

well despite of that, still think sylvie is in the middle of her positive character arc/development

we're also witnessing loki's growth !! (notice how in 1x04 mobius told him to grow up?) he's possibly even more mature then he was in the sacred time line but that was due his sctripted fate of being a "loser" that sabotaged him from more rational choices but now he's free to think & do what he wants n i love that for him.

goodbye miss minutes i assure you that nobody's gonna miss yew. 💁‍♀️

now why did x-5 had to ruin that wholesome moment this badly ><=$^[_=

despite of sylvie & loki not fully agreeing on moral issues and stuff, i enjoyed them working together, it was finally sylvie's turn to show off her magic 😋

loki was so soft & reassuring with victor timely only for him to be spaghettified ?? i knew they'd probs kill him off but i didn't expect it to be such a weird & immidate death 😭 kinda sad cuz i don't think they'll bring that version of him back.

idk how to feel about ravonna getting pruned. not sure she'll get redeemed cuz it's too late for that now but pruning doesn't kill an invidual so it's likely that her story doesn't just end here.

love the soundtrack in this series generally but in the latest episode it's outstanding ! natalie holt truly added her whole 🐱 into this ost 🙏

the cliffhanger is absolutely killing me, i'll have to absorb all the theories until next friday like i fr cannot wait ngfddjfsvbm

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popculturebuffet · 7 months

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Disney 100th Birthday Special: Top 12 Disney Television Animation Shows

Happy Birthday all you happy people! And it's a very special birthday as it's the 100th anniversary of a company that, while I routinely mock on a regular basis for impaling themselves about a dozen time a year, has brought me a lot of joy. It was a 100 years ago that the wonderful world of disney began and 100 years later it's still bringing us some of the finest and funnest animation around and will likely continue for a hundred more as they create a whole disney planet serving up mickey shaped foods for all time around a disney owned star.

So before we can look forward to happiest dystopian future off earth, I thought hard about what I wanted to do for the 100th. I've covered disney a LOT on this blog: season 3 of ducktales AND the arcs for the two seasons before that, seasons 2 and 3 of both amphibia and owl house, classics like the Lion King and A Goofy Movie, a whole year worth of house of mouse reviews, shorts, various comics great and donald being pro illteracy.. the list could go on for an entire article itself.

So while I had PLENTY of options, from a shorts marathon to another movie, I decided the best way to honor this occasion was by focusing on a portion of disney near and dear to my heart: Disney TV Animation.

Way Way Back in the 1980s, DisneyTVA was formed by fresh faced executive overlord Michael Eisner. Eisner was looking to expand his new empire, and found a clever way to do it. See at the time while there were certainly good cartoons, most had the budget of a paper clip and a piece of string. It's why Disney took this long to get into the game: Walt thought he just coudln't get the quality needed on a tv budget and while he WANTED to at some point, he passed before that could happen.

Many laughed at this decision, citing it as a huge money sink waiting to happen.

Yeah critics not taking animation or kids watching it seriously isn't new and assuming they'll just watch anything is laughable. Yes low budget shows like Transformers got plenty of views... but transformers also put in high quality voice actors and intriguging designs. Take both of those and make the animation bouncier, and kids would notice.

And they did: The first Disney TVA show, Gummi Bears, was a massive success, leading to the planet sized one that was Ducktales and a whole legacy of classic shows.

There is a double edged sword here though: While most of these shows are high quality and well loved.. Disney tends to.. ignore they exist. They don't make merch, think adult and teenage fans aren't a think, and when it comes to merch don't usually tend to make it for these shows during or after their runs. There are exceptions and they are reviving stuff.. but disney has a bad habit to prefer cashing in on nostalgia than on what they have now unless it fits their narrow perameters

For me though.. Disney TVA is home to some of the best, most game changing shows in the medium. From shows I grew up with to shows that sadly just ended, Disney has made a ton of shows permeanntly embded in my heart. My doctor says I should get that removed but what does he know. At this studio are creators who are passionate, create unique works, and work very hard to stand out. Even when shows get slapped with the dreaded 2 season limits, they still stick in our hearts not just because of that nostlaagia pop disney wants, but because they were just that good and still hold up into adulthood. I've covered a lot of this library, owe my career to these shows and will never sotp being impressed by them.

So out of the 42 i've seen I whittled it down by 30 which was way harder than it sounded down to the very best. A few shows like Gargoyles I sadly just.. hadn't watched, so if something's missing it was either that or a very hard cut. Whlie the top 8 was shockingly easy, it was hard to narrow this list down to the very best. I'd also like to point out that this is my opinon: feel free to send me your own lists, i'd be curious to see how your own personal experinces shaped yours. But for now this is mine... and this is my top 12 best disney telvision animation shows.

12. The Weekenders Created by Doug Landale 2000-2004 4 Seasons, 76 episodes

Our #12 is a childhood faviorite of mine.. and also one of the two shows your most likely to hear me bitch about disney+ not having. IT'S BEEN ALMOST 4 YEARS.

But bitch complaning about disney being disney aside, the Weekenders is a charming classic that needs more eyes on it and it's weird I haven't covered frankly.

At any rate Weekenders is a slice of life show with a good yet simple hook: it follows 4 middle schoolers, Tino, Carver, Lor and Tish, as through their weekends from Friday after school to monday morning. It allows for the show to do pretty much whatever it wants, and what it wants is to be a fairly lowkey slice of life show. The only really zany element that I can remember, or that I saw in ToonrfiqTariq's excellent retrospective of the series, which you can find here, is main character Tino, a sarcastic but kind guy played by voice acting royalty James Marsden, talking to the audience zack morris style, which is really just a neat way to move things along so it's not that obtrusive. I highly recommend that retrospective by the way. Tariq is awesome and it helped jog my memory on the show.

The series is a fairly low stakes affair: our heroes have a fairly typical problem, they talk it out or deal with it as the weekend goes on, and at least once an episode they go for pizza at an ever changing pizza restraunt with a fun new gimmick each episode, something I loved already as a kid but love even more NOW as an adult knowing that gag was likely a LOT to do. Keep in mind they had to draw new backgrounds, exteriors, and a new costume for the guy running it every time. It's the kind of joke you think a series would've given up on for those reasons but nope, every episode has one.

Weekenders is a throughly charming slice of life show, helped by it's characters: In addition to tino we have the egotistical Carver (Phil LaMarr) thickheaded jock Lor (Grey DeLise) and immigrant nerd and vegtarian Tish. While the four coudl've easily fallen into their sterotypes there's just enough depth to the cast to make them work. Tish in paticular was my faviorite, not only being one of the first immigrant stories in a show I saw that was largely respectful and not just

It's a great show I genuinely wish I had more to say about. Find it somehow if you can, it's entirely worth it.

11. Phineas and Ferb Created By Dan Povmire and Jeff "Swampy" Marsh 2007-2015, 20XX- 129 Episodes, 2 Movies, Upcoming Revival

At a time when kids animation wasn't in the best place, Phineas and Ferb was the smash hit we all badly needed. Done by vetran creators and Rocko's Modern Life Alums, Phineas and Ferb was a fun, creative show about two boys who simply wanted to make the best out of summer... and happened to be child progidys only limited by their immgination, so they could do anything and the utterly catchy theme song helpfully outlined it. Having only watched the first three or four seasons, I still don't know if they ever found Frankensteins' Brain. It was over there.

While the a-plots with the boys were great most of the time and had a great supporting cast: Helpful scout Isabella, shrill voiced nerd Baljeet and bully turned buddy Buford, the real draw for most of us was the b-plot: each episode the boys Platapus Perry would sneak out, don a fedora and foil the plots of his arch enemy and best buddy Heinz Doofenschmirtz, an awkward mad scientest who rather than therapy decides to deal with the many, MANY traumas in his life by building various inators and talking to Perry. Their shenanigans inevitibly undo whatever our heroes did in time for their mom to never notice and just think their sister Candance needs help as she tries to bust them.

The show mostly used this loop for it's lengthy run, ocasionally mixing up the setting by visiting the kids grandparents or with a special, but it mostly went like this. This started as the shows strength as the repitition allowed them to REALLY play with the formula: lampshade it, subvert it, and play with it. Sometimes Perry would go to foil doof but it ended up being something benign like Doof trying to do a party for his Daughter or go on a date. Sometimes the boys would genuinely be trying to help Candance or she'd have her own concerns outside of bustin making her feel good. The show packed this with tons of lampshade hanging, catchy songs (after an early one made the network want it once an episode), and genuine heart. It's hard not to root for Phineas and his optimism and genuine cheer. Depsite "driving our sister insane" being a main lyric.. the kid has nothing but love in his heart for his sister and that simple goal of just wanting to do something fun or help someone each day makes this one of the sweeetest shows around.

So your probably wondering why it's so low. And it's really simple: it's constant status quo.. kind of wore it out for me. After a while there was no real reason for Linda NOT to know the boys were doing this. We never got any indication she'd care beyond "Maybe wear a helmet" or "Have candace watch you", neither of which would really STOP what they do every day. While Across the Universe was a great movie it having a MASSIVE snapback at the end is what eventually got me out of the show. It was hard to invest when the show wasn't willing to really change anything. In hindsight I do get some shows just function better as status quo shows and my bitterness has lessened and it's why this show ended up making the list: it's status quo could be frustrating.. but no one had more fun playing with it at the time than these two kids. And the hunchbacked old man what fights/is common lawed married to their platypus.

10. American Dragon: Jake Long Created by Jeff Goode Developed by Eddie Guzelian and Matt Negrete 2005-2007 2 Seasons, 52 Episodes AmDrag was part of the teen superhero boom on kids shows in the 2000's. Classics like Danny Phantom, My Life as a Teenage Robot, El Tigre and more came about at this time, with disney only dipping it's toes in twice with this show and another we'll get to soon enough.

That said.. American Dragon is an excellent show, mostly down to it's core: The show follows the titular Jake Long, a guy who on surface, from rapping part of his theme to his frosted tips to his skateboard comes off very much like an energy drink came to life and starred in it's own show. Which given the 2000's i'm very suprised never happened. But jake is somehow likeable.. he's a bit arrogant sure, but his arrogance is only in his skill: He genuinely does try his best as protector of new york, cares about his friends and cares heavily about his crush Rose. He's got a heart to him beneath the layers of axe body spray and Dante Basco's standout performance, what would easily have been his defining role as a VA had avatar not come along soon after, helps make this guy feel human.

What also helps boost it's show is it's myth arc. Like Danny Phantom a year before it, AM Drag breaks from the style of the time to have a dedicated arc and continuity. There's plenty of monster of the week stuff, some better (like the oracle twins, easily my faviorite side characters , who also have the fun gimmick of one being super cheery yet predicting horrible things and the other being jaded but seeing only good, with their powers being why (If you see every good thing that you'll ever get it makes it hard to enjoy them and if you see every possible horrible thing that happens to you, it makes the other stuff easier to swallow), some worse, and that can be a weaker part of the show.

But it's core arcs are what make the show it's most intresting. For the first season and a half we have the shows best: Jakes battles with the huntsclan, the foot clan.. if they were violent racists who slaughter magical creatures. Granted we don't SEE that on screen but the show does a good job showing us that no, that's what they are.

This itself would likely work.. but what makes it special and standout for the time it came out.. is the wrinkle they throw in: Huntsgirl, the Huntsclan's #1 guy and sidekick to the huntsman.. is Jake's crush Rose, a fairly well adjusted kind girl who simply dosen't know what she's been indoctrinated into, thinking Dragons are evil. This is a nice change of pace as at the time most relationships with teens and tweens in cartoons were either between some popular slab of cardboard of the characters best friend.

Instead Rose SEEMS to be the cardboard type.. but not only has depth outside of the hood, but the fact the audience can easily tell who huntsgirl is, Mae Whitman has a distinctive voice after all and as usual does a fantastic job only adds the tension: We know who rose is, but Jake doesn't and early on we don't know how much of her is real. And once the secret breaks we get the drama of both dealing with not only being on opposite sides but Rose realizing she was on the wrong one.

The arc after, focusing on a dark dragon isn't as strong in comparison, but it's also not entirely fair given they likely though they'd have another season and a half to wrap it up proper. That being said the series also has an interesting arc with Jake's overachieving younger sister, who goes from knowing about the dragon thing (his whole family does minus his dad for.. some reason) and showing some powers.. to being a dragon herself and often her brother's sidekick.

The show had it's weaknsesses, outside of the big bads there was never really much of an interesting Rogue's Gallery, Trixie felt a bit flat as a character, and again there was no good reason Jake's dad shouldn't know so we got stupid groundings and such. But we also got a compelling enemies to lovers arc with a lot of tension, a nice mythology, and profressor rotwood, Jakes teacher and magic hunter, a fun butt monkey for the show. It's a solid show that i'd love to see get a revivial.

9. Wonder Over Yonder Created by Craig McCracken 2013-2016 43 Episodes

Wonder Over Yonder is one of Disney's more infamous cancelations. Despite being DisneyXD's #1 show they not only barely promoted it, I wasn't aware the second season was going on till it was almost over and still need to get around to watching it, Disney cancelled it. Despite being well loved Disney cancelled it. It's not the worst cancellation on this list, that comes later, but it's still a pretty dang bad one. The fact they didn't put the show on Disney+ for some time dosen't exactly help.

Why Disney hated this show so much I'll never know as Wonder is one of the most heartfelt and creative show's disney put out. And keep in mind as I said i've only seen season 1. I know it gets even better with season 2's dedicated story arc and the introdcution of lord dominator. I've seen the musical number.

Wonder took inspiration from, of all things, dr. seuss, with Craig being an admitted fan of 60's and 70's astetics already, it just flowed naturally as we got the tail of a gentle tumbleweed whose kind and thoughtful to everyone he meets wether they desreve it or not and his tough as nails steed and best friend sylvia. The rolls are easily the best of Jack McBrayer and April Winchel's long careers, nicely contrasting each other in perfect ballance: Sylvia fights the battles wonder can't win with kindness or is too oblvious to realize he's in, Wonder wins fights simply by being too cheery and oblivious to beat.

Over their journey's they repeadtely run into our other main characters, Lord Hater, played by the awesome Keith Fergeuson, an over the top skeletial manchild who badly wants to be taken seriously but is too impulsive, stupid, and easily angered for him to actually achieve that depsite the help of Commander Peepers, his #2 and put upon lackey. Add in tons of great sets, fun scnearios and creative uses of animatoin and you have something unforgitable. McCracken really loves to play with storytelling here, from your standard genre breaks to simply taking a conventional tale like a kinight rescuing a princess.. and turn it into our heroes accidently assitating a stalking jerk and said princess easily clocking him one before they can all unite to save him. The show had so much fun with it's cast and heart in it it's really hard not to like and while it sadly ended too soon what we got... is something magical.

8. Clerks the Animated Series Created by Kevin Smith 2000 6 Episodes Like most of you are as you read this entry, I was suprised to find Disney TVA made this. To date this is Disney's only adult animated series, and the fox acquisition giving them a full studio for that tells me it'll likely stay this way unless they do something actiony for disney +. It's also far and away the shortest lived show on this list. only airing two of it's 6 produced episodes, neither of which was the actual first episode. ABC didn't like what they got, they buried it, standard corprate procedure, and thanks to DVD and Comedy Central airings the show went from quickly forgotten weird relic to one of the best animated adaptations out there and one of the poster children for shows too good to last.

I grew up with this show. Since I was too young for the kevin smith movies my brother was obessed with, the series was the first Kevin Smith related thing I ever watched and it's stayed with me since. The show's short.. but it's 6 episodes are absolutely STUFFED with great jokes. I could honestly spend the rest of the article quoting this series, from "Hey, it's ted danson" to "Why are we walking like this" to "The weed of crime bears bitter fruit you old hag!".... and that's just the second episode. Admitely in terms of tone, Clerks TAS.. is nothing like the movie. The original Clerks was a fairly low key film mostly driven by our leads Dante and Randall's conversation and the various people who came in. It was a character piece about being stuck in a dead end job, about ignoring rules versus blindly following them, and about two stoners who were in it for 5 minutes but became the backbone of this cinematic universe because their the best.

Clerks the Animated Series instead is a gleefully wacky romp where our heroes can't say fuck but do get into sitcommy hyjinks, from clipshows, to a rival buisness across the way, to the deadly motava virus, to a pastiche of the last starfighter turning into a pastiche of the bad news bears then a pastiche of temple of doom. As you can tell this show is kinda nuts and really just Kevin Smith getting to be all kinds of redicluous in the funniest way possible. He replaced being able to say fuck and talk about sex with hyjinks and turned randall from a charming if assholish slacker into one of the best dumbasses in animation. The show is a near constant laugh riot, beautifully animated too. It also naturally has the boys, with Jay and Silent bob still getting in lots of neat antics even if they can no longer deal on screen. Clerks the Animated series is one of the funniest shows there's ever been and I highly recommend seeking it out.

7. Milo Murphy's Law Created by Dan Povemire and Jeff "Swampy" Marsh 2016-2017, 2019 46 Episodes

Meet the show disney somehow treated WORSE than the last two. I swear when I put this list together I did not realize these three would be clustered together.

But yes, when I said there was a worse cancelation I meant it: Milo Murphy's Law was the dwampy duo of Phineas and Ferb.. and got utterly buried because Disney was mad it wasn't the mega hit that show was, forgetting that was also a fairly slow burn, or that you kow THIS IS A DIFFRENT SHOW. So they not only barely promoted the second half of season 1.. but then just sat on season 2 for a full year, with many an episode airing elsewhere long before that and released it over a few weeks. They then just.. straight up ended production to make a phineas and ferb movie. In fact despite a full soundtrack apparently existed only ONE song's gotten released from the show in full thanks to said movie's soundtrack. To say Disney screwed this show over is putting it lightly.

And it's a huge shame this show got buried as it did as Milo.. is freaking awesome. I mean I gave it a shot from episode one simply because it had Weird Al attached. Even if i'd gotten burned out on the previous show, i'll give anything Al's in a shot.

And that shot was worth it as from the first episode to the last, Milo is a truly charming show with, say it again ya'll, "a truly unique premise" . Disney has a knack for those don't it?

MML follows Milo Murphy, a happy go lucky 6th grader who meets new kid in town Zack.. who soon finds out Milo has a family curse, based on, of course, Murphy's Law; if something can go wrong, it will. So the universe bends over backwords to try to murder this tween and anyone around him... hence why while everyone likes Milo well enough, only his feisty hustler best friend Melissa really hung around before Zack took a chance on his new pal.

What makes the series great though is that Milo... dosen't ever angst about having murphy's law. You'd think with his life being a constant never ending string of disaster dominos, the guy would give up or we'd have one episode of him bedguging all he's missed out on. Instead.. Milo sees his life as an adventure, enjoys in the shenanigans he gets into and simply packs his backpack to be prepeared and keep his spleen in tact. He's a sweet, kind, optimist who helps people no matter what and dosen't let his curse get him down or stop him from living his life. It's milo that makes the show this good, having to both work around his jinx as well as many an adventure coming from people's reaction to him: From his love intrest Amanda intitally avoiding him due to being a perfectionist only to let him in more once she realizes what a kind guy he is, to the local security guard played byc hristan slater being an absolute dick to him, we see how it impacts his life.. but how he also enjoys his life regardless.

The series also has it's own perry equilvent, Dakota and Cavendish, who genuinely drive the seasons story arcs, two time policeman and ambigously gay duo who try to prevent pistachos from being destroyed.. then do the opposite once i'ts clear it'll cause the end of the world. They add to the story.

What puts this show up here, and way above phineas is that it's not afraid of change: the basic status who dosen't, but the show has a story arc for each season, characters grow and change with Zack getting more used to the chaos around his bestie, the relationship with amanda I mentioned, and most importantly Dakota and Cavindish finding out about milo fairly early on and vice versa, allowing their plots to intersect. It's also really damn funny.

Honestly the show's only this low because the top 6 are REALLY that good.. and because season 2 kinda crams Dr. Doofinschrmitz in there on what feels heavily like an executive mandate. Sometims he cab be a bit overbearing.. but the show's still up this high because frankly, Doof was the best part of his previous show and still gets a LOT of great material, paticuarlly this bit.

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Also his friend there is Jeff. Jeff is a man who lives underground. He's great. And this series is, badly underated. I can't wait to see these characters again as it's been directly said that while their tabling it for the first two seasons apperances by characters from the previous two shows aren't off the table for hamster and gretel, they just learned from this one to wait, but while I wait.. what we got.. is still damn magical.

6. Kim Possible Created by Bob Schooley and Mark McCorkle 2002-2007 4 Seasons, 82 Episodes, 2 Movies, 1 Live Action Reboot Film

Kim Possible was one of my faviorite shows as a kid, and for good reason. Even over two decades later, the show still holds up as a smart, hilarious, and well done spy show. I also will gladly count it as part of the teen superhero boom as it hits a lot of those tropes too.

The setup however is nicely unique: Rather than work for a big spy orginzation (Though she does freelance in a few episodes for SHIELD expy Global Justice), or for money or what you'd expect from a world class adventuerer and super spy, Kim is just an above average teen whose fairly smart, popular and really damn good at both gymnastics and kicking people who does the job because it's the right thing to do and her organization is really just four people: herself, Wade, a child progidey who finds jobs for her, Ron, her best friend, eventual love interest, and overly panicky but loveable goofus, and Ron's pet Rufus who counts because he saves their lives quite a bit simply by being in ron's pocket and being smart enough. He's also a naked mole rat and the reason I know those exist.

While the show has a strong supporting cast with screen legends Gary Gole and Jean Smart as Kim's Rocket Science and Neurosurgeon parents, her annoying twin brothers, her sarcastic best girl friend monique, her annoying rival bonnie and my personal faviorite her authorative yet still resonable and utterly hilarious teacher Mr. Barkin, played by my boy Patrick Warburton, one of it's biggest strengths is Kim's Rogue's gallery.

Like I said with americna dragon a lot of the weakness for these teen hero shows is that they genuinely only have one or two major foes that are actually you know.. memorable. In contrast Kim has a LOT of intresting and fun villians of the week, not a huge pool but enough to keep it intresting with plenty of fun one offs. The main one is Dr. Drakken, played by John Dimaggio in one of his best parts and Shego, played by Nicolle Sulivan in her best role, an over the top , hammy shortsighted blue mad scientest and his snarky assitant who does most of the punching and is easily kim's physical equal. The two show up the most out of Kim's rogues, and while this on paper could get reptitive the two's banter is great, they play off our heroes fantastically, and they frankly never seemed to run out of great schemes for Dr. D to do.

There were other greats too, my personal faviorites being Senior Senior Senior and Senior Senior Junior, character actor Ricardo Montalban in his best role as a rich old man who after accidently blacking out paris, takes ron's suggestion he had all the makings of a super villian to heart and using his vast wealth to arch our heroes for fun while Junior.. badly dosen't want any part of this. Ther'es tons more I could gush about from DNAmy to the bebes, to my boy Frugal Lucre, a guy who works at a wallmart expy and barely spends money on his arching suplies.

The show's other weapon is it's writing: it's clever, hilarious, and the main duo are incredibly likeable: Kim is incredibly compitent but just as prone to teen angst as anyone her age, while Ron is incredibly panicky and goofy but far more compitent than he seems or he thinks himself to be. Our leads, Kristy Carlson Romano and va god Will Fridle in my faviorite role of his, have an effortless chemstriy between them, even before it turns romantic. You see how valuable their friendship is and how much they need each other even when they bicker.. and it turning romantic just feels.. natural. There's a risk there, and i'll likely go more into tha twhen I eventually cover so the drama (Either later this year if I can squeeze it in or early next year), but needless to say their the gold standard for friends to lovers and I love them.

The show is just.. damn good and worth checking out if you haven't. It's on Disney+ , all of it including the reboot film which is.. alright. not as good as the series but thanks to great casting and the creators involvment , still solid. Call it, beep it, reach it, it's a masterpiece and I badly hope those revivial rumors are true as i'd love to see this cast as adults.

5. Amphibia Created by Matt Braly 2019-2022 3 Seasons, 58 Episodes

Anoyone whose seem this blog before probably saw this coming. I mean I covered two whole seasons of the show and deeply love it's main cast. And Maddie. God bless my creepy frog daughter. So it being this high up isn't a huge shock.. but damn if it dosen't deserve it. Amphibia isn't perfect: some of the one off episodes, even those important later, aren't the best... but the show still plays one of the best long games in animation. The character arcs are well set up from the get go and we follow our lead Anne Boonchuy from reckless and irresponsible teen plunked into a frog world to a strong empathetic heroine who has to save both worlds from a tyrant and his abusive computer dad. Along the way there's betrayal, slice of life shenanigans, and lots of cleverly done worldbuilding. And some padding. There's just a touch padding. But the strong character arcs not just for Anne but her friends (With Sasha being my easy faviorite but Marcy not exactly far behind and complex and engaging enough to get her own spinoff journal), found family and even her earth family. It's a beautifully done three act story: what seems like a lonnnng time spent in the rural town of Wartwood ends up not only buliding up the show's supporting cast but characters who are vital to the world's salvation later. The second season shows how far anne has come while also building out the world, continuing Sasha's arc as she spirals further and giving us the glory that is marcy, cumilating in season 3, a fantastic season that reverses the premise to amazing effect and ends with a truly satisfying conclusion.. even if SOME of the getting there is messy. Hey it's #5 for a reason.

IT's a well built, hilarious, and heartfelt human into swamp water story, and one of my faviorites. I only don't say TOO much as I want anyon ewho hasn't to try this themselves. Amphibia is a masterpiece and if you haven't seen it it's WELL worth the binge with one of the best voice casts in animation (Something that's really true for everything from far out), really choice world building, and a satsifying ending. This section may of been short but damn if i don't love this show with a lot of my heart.

4. Gravity Falls Created by Alex Hirsch 2012-2016 2 Seasons, 40 Episodes

Another fairly obvious pick.. but one I weirdly HAVEN'T covered on this blog. I'll really have to fix that next year. Still just because something's obvious dosen't make it any less true. Gravity Falls is easily one of the most influental animated series of the 2010's, right up there with adventure time in kicking off the animation renaissance of that era and several of it's crew, including Matt Braly from the previous entry and a certain someone else coming up, going on to make stellar shows of their own.

It's rep and influence is well earned: Gravity Falls, like, as i've realized writing this, EVERY show on this list has a very simple elvator pitch: two kids spending the summer with their weird elderly uncle at his toursist trap get into paranormal shenanigans: Dipper as he tries to unwrap the mysteries of their temproary home and Mable as she tries to make friends, find a boy to smooch and genuinely ambles through life. She also gets a pig.

The simple setup belies not only a fairly intriguing mystery with a truly amazing twist halfway through season 2, but a fun arc villian in LIttle Gideon, the con artist next door, town hero and phony psychic, but a one of a kind, memorable and all time great vilian in Bill Cipher, a little triangle man who also happens to be a mad nightmare god trying to get into our dimension whose Chucky levels of deeply disturbing and terrifying as he is incredibly funny and charastmatic.

The rest of the cast is no slouch: Dipper and Mable are incredibly likeable, Wendy is great, played by personal faviorite of mine Linda Cardenlli and criminally underused and Soos, voiced by Hirsch along with Stan, Bill and MANY other characters, is a loveable dum dum 20 something who treats our heroes like surrogate siblings.

The real star of course, and the show stealling heart of the show is Stan Pines, the kids corrupt uncle and one of the most hilarious, and once we learn his deal heartbreaking and suprisingly complex, characters in all of animation. This show is on this list on it's own merits but woudln't nearly be so high without stan, a constant laugh machine, quote factory and powerhouse performance by Hirsch, who despite being new to voice acting steps into it like he's done this for decades. From teaching a bear to drive, to wondering if it's wrong to punch a child to "yes yes burn the child" and of course his greatest folly

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Stan constantly boosts the show by existing. Add in strong character ties, a compelling mystery and, like most shows this high up a hell of a finale, and you have a true classic that understadnably changed animation forever.

Also i'm pretty sure Stan killed at least two people in that clip. No one ever talks about that. I mean I knew he had a body count but still.

3. Recess Created by Paul Germaine and Joe Ansolabehere 1997-2001 4 Seasons, 65 Episodes, 4 Movies

Recess is the oldest work on this list, ending just before KP and American Dragon started (though it'd air long into their runs as this show ran forever and rightfully so). It was also part of my childhood, airing long after it finished and being tender the whole way through.

Recess is a masterwork: while many a show stuck with me from childhood this is one that thinking back I can remember the episodes vividly, and given my memory is spotty that says something. It's a show with a lot of style, having it's characters dressed out of the 50s and 60s, with a cold war subtext I never had, but keeping it in the present to relate to kids when it's airing. It creates a vibe tha'ts both of it's time (the monstickers ep is very much of the pokemon boom), and timeless (kids STILL collect pokemon cards and despite some morons best efforts have recess and still form little clicks).

It takes two simple things kids grapple with, unfair teachers and authority figures and cliques and social circles and simply blows it up to be as big as it was in our heads: I remember having epic duels with the kids I played with , wars, whole conflicts and recess meets things on that level: the world of recess is one where the playground has a lineage of kings, the kindergartners are a feral tribe, two kids can reguarly acess shovels, and the local snitch is some sort of combination of gollumn and a weasel while keeping it just grounded enough for adults to relate to. Where rebelling against authority involves elaborate heists.

It's a perfect kind of show for kids: it meets them on their level, as it did when I was a kid.. but is smart enough that as an adult you can still enjoy it. It helps that most of the cast is three dimensional:

TJ is a loveable scamp.. but a good chunk of his schemes aren't just to stick it to the man or get some reward for him and his running crew, but to help kids. TJ's just as likely to break out of detention as he is to help a kid this week simply because they need it. He'll even help Randall, the local snitch I mentioned, despite his better judgment, simply because it's the right thing to do. He'll have to be talked into it because.. it's Randall. Randall sucks, But he'll do it. Spinelli is the tomboy of the group and will fight everyone, but has a good side to her and struggles with being a girl when she relates more to being masculine, something that's only become more relevant with time and can be read a lot of ways. Mikey is the big kid.. but a soft kind giant who deals with being sterotyped for his side. Vince is the sports kid... and okay most of his plots are around that, but we do get neat bits like him being ashamed his brother is basically urkel and having to learn his brother still slaps because unlike Urkel he dosen't harass women. Gretchen is a massive nerd, and the first role in Ashely Johnson's long and storied career, but also gladly paticipates in the schemes, has a lot of heart, and struggles.

And finally we have my boy Gus, the new kid at the start and the one I related most to being a nerdy nervous wreck myself: but he's gladly accepted into the rest of the gang, and finds a home at long last after moving around his whole life. He's got layers to him: he's a military brat, he's never really had stablility int erms of friendship, and he's often put upon, having to deal with King Bob being a jerk to him for being the new kid or bullies. Yet he's got a good heart despite being the nervous one of the group the biggest heart of them and will gladly stand up for himself when the chips are down.

Not only are these 6 fleshed out and relatable.. but they have a wholesome friendship. They'll fight sometimes, kids do, but despite being vastly diffrent people who on paper shoudln't really be hanging together.. you never doubt they like each other or would drop everything to help one another. Mostly because a good chunk of episodes are just that. Gretchen and Gus are never picked on by their friends.. teased a little, maybe , Spenelli be like that, but these six kids love and respect each other on level that's just heartwarming. You never doubt for a second these six are friends, even with Gus not having their shared history. He just fits because they like him, he's willing to do what's right, and he's a good kid. TJ is brave and noble, Spnelli is tough but dosen't punch down, Vince is cool, Mikey is insightful and kind, Gretchen is smart and clever and Gus ahs a good heart. You see the good they see in each other and it shows our diffrences.. make us better. There may be cliques at recess, but when the chips are down, TJ can get them to work together.

The series also just had a knack for creating really memorable episodes that feel entirely relatable: a trading card style boom leads to TJ becoming a rags to riches tycoon, swinger girl who always swings trying to do what all kids did and reach the other side leads to a tale about things we can't explain when she seemingly dissapears, a simple punishment leads to TJ"s teacher psychologically torturing him, a fake swear word leads to an ENTIRE COURT CASE, all stuff that's somehow realistic. The show's premise was a tool box that allowed them to tell a ton of diffrent stories, a lot of which with really adult, meaningful lessons, and the show never really got old. It only ended because Disney's attempts to continue it simply didn't work out and even with the 5th grade eps as an epilogue, it has a hell o a finale in the movie. The whole run's on disney+ and I.. really need to revisit it.. and to review it next year if possible.

2. The Owl House Created by Dana Terrace 2020-2023 3 Seasons, 43 Episodes

Let's face it even if the article image hadn't tipped my hat here.. this one being high up .. was a given. I've gushed about this show at length, covering it as season's 2 and 3 ran out, written fanfiction on this blog, and since I started doing them the show's always ranked decently on my 20 best animated episodes lists I do each year, and will likely have a spot this year for the finale. My love of this show is something I don't remotely hide and have no reason to. So it being #2 on this list is an obvious pick.. but one i'm happy to be obvious with. In fact with these last two their pretty nearly tied in my heart and it was one inching out the other.

And the weird thing is.. I didn't even watch all of season 1. I watched the first half much as I could, but while I liked it I didn't get really heavy into it. The characters were charming, the designs great and it was nice to have a show where Wendy Malick was not only voice acting, but had a MAJOR role that really let her show off her chops. I've always loved her and it was a lot of fun to get a roll this good. It was also nice to have Alex Hirsch back. The show wasn't without style, a compelling lead, a hell of a romantic arc or other attractions.. but it wasn't till later in season 1 when classicsl ike encahnting grom fright and the finale REALLY made the show into what it became.

This lead to season 2.. which is one of the best seasons of television i've ever seen, and tha'ts with the fact that halfway through they had to massively reorganize the plot to fit into 10 episodes and 3 specials, something that's only really noticable in hindsight. And i'm not hyperbolizing: the show was good before.. but season 2 enriches everything, giving the characters more depth, paticuarlly king who goes from an afterthought in season 1 to the emotoinal core of the season and Alex Hirsch's best roll... which given Stan above says a LOT. Season 2 takes the foundations of the show and really plays with them, with pretty much everyone getting a deeper character, the school stuff forced into season 1 downplayed into just showing up as needed, allowing for way more story freedom and belos increased presence and hell of a true self reveal giving us one of Disney's greatest villians. Add in hunter as a new main cast member and best good soft boy, and you have a riviting saga that kept me enthralled the whole season. Even the weaker episodes add something, and the result is something that can't be topped: a show tha'ts funny, heartfelt, unmistakably queer and unquestionably well crafted.

It also managed to pull off one hell of an ending, not only introducing my murder child who learns his lesson the collector, but doing so with only three specials to wrap up what they shoul'dve had a season to. It's a show that like Gravity Falls before it is bound to really shake up animation and influence many a show to come an dI can't wait to see the results. A true epic about finding yourself, religious indoctrination and eldrich owl and tube shaped parasites, this show is something that may never be topped and was an utter joy while it lasted. Hoot.

1. Ducktales Based on DuckTales by Jim Magon /Uncle Scrooge by Carl Barks Developed by Matt Youngberg and Francisco Angones 2017-2021 3 Seasons, 69 Episodes Like #2... #1 is a show my love of has been transparently obvious: Covering season 3 started this blog, i've covered seasons 1 and 2's story arcs, and done a ton of other duck stuff from a full three cabs retrospective, to donald shorts to the very duck adjacent goofy movie. While I haven't done as much duck content this year, a shame really, and still need to finish my life and times retrospective some day... my love of Disney's Ducks has been something i've had since college and this series not only revitalized it but sent it into the fucking stratosphere with the gold standard for reboots. DuckTales is the only show here based on an existing IP, but still manages to be super creative with it. Matt and Frank took nearly 100 years of Duck stories (not hyperbole, Donald turns the big 1-0-0 himself next year), taking from the legendary barks comics, the worthy successor rosa comics, the giant pile of European duck comics, the shorts, the movies, anything Donald , Scrooge or the Boys had been in, every bit of the disney afternoon, and everything else they could shove in to creat the defintive duck universe: Something that fully and lovingly respects what cames before but uses it all to create something fresh and wholly it's own. The cast is a nice mix of reinventions of old characters and brand new ones just as good if not even better.

This can be seen well with the core cast: Scrooge only gets changed slightly, but those slight changes were BADLY needed: Scrooge is still a guy with flaws: he can get far too focused on the goal ahead and not the human cost, is egotstical as all hell, and disconected from the common person. He can raid a tomb better than anyone, sorry Indy and Lara, but god help him if he tries doing an interview or produce a film. It's a nice ballance: he's out of touch and crotchety as usual, but far less of an abusive asshole. It's also clear that while the bin stores a lot of his treasures, and he won't take one if it's owners need it, being more than happy to give Djinn his family's lamp for instance, with it only being a whole thing because Louie sold it. It paints him more as a historian than a theif and robber baron, while still keeping the nice flaws that make him who he is: he's still cheap, he just won't underpay his staff and in fact mostly recurits people other employers give up on for being too weird.

The rest of the cast is given a more extensive but needed overhall: My boy Donald is less of the likeably selfish ass he usually is, instead a loveable dad who still destroys everything he touches, but spends the first two seasons living entirely for his kids. He's more mature while still being the idiot we love.

Everyone else.. is a huge change as I said. The biggest and best.. is the boys. Usually Huey, Dewey or Louie are a hive mind of goody goods.. or obnoxious boys. Depends on what the story needs. It always annoyed me that when you have three characters there their not at all distinct and there's no real need for them. Thankfully the creators of this show understood that and thus evolved the boys into three seperate people: Huey is more like the barks comics versions, a junior woodchuck, close to his mom and uncles, and exitable.. but with a nice fine pace of neurodivergence and anxiety that not only makes him relatable to me but a fairly likeable kid: one scared of change but with all the potetial in the world. Dewey takes ab it after the more sterotypically 80s moments of the boys in the show, being a rad dude with a penchant for acting out.. but instead of a sexist bully or jerk like the boys could be, Dewey is a pure theater kid who badly wants attention and has no impulse control. He's basically Hank Venture , age 12 and i'm here for it. Finally Louie takes the boys more scheming moments from the comics and shows and boils it down into a gen z slacker who wants to work smater not harder, and not work at all if needed, who evolves from heartless lazy schemer and evil triplet to a keep observer whose just mildly shady.

While the barks 5 are all acounted for we also get nice overhauls for the ducktales three original core characters: Webby gets the best, going from just "small baby child babY" to a hyperactive girl who is easily near scrooge's level in adventureeing.. but has no idea how to socalize and still loves sparkles. She's empathetic, brave, and a contrast to what woudl turn out to be her old man: instead of growing to shut people out , she starts out badly wanting to let everyone end. Beakley likewise gets a glow up from "old lady stertotype whose constantly flustered" to "badass british former secret agent, only sane man and gender swapped brock sampson" , with Launchpad being made a loveable doofus, but still compitent since Donald's here to be the everyman.

The cast.. only gets better as it goes: Ducktales took a huge leap and decided "Hey what ABOUT the triplet's mom" turning della from a question mark that was answered all of once across nearly a century.. to a character just as vallad as her brother and uncle who have said near century on her: Della is Donald's opposite: brave, confident.. but a mess herself and stuck on the moon for half the series. Paget Brewster does a phenominal job.

I emphasise the series characters.. because tha'ts it's heart: it has solid plots, revamps and what not.. but it's a giant, instnatly loveable cast of characters: The side cast is MASSIVE pulling from all over duck history: Fehtry makes his debut, Gladstone is taken from easily one of my most hated characters in the comics to a far more loveable schister, Rockerduck finally debuts, Glomgold is turned from "Scrooge but evil" to someone badly trying to copy scrooge and the most glorious weirdo in all of fiction. Seriously Keith Fergusons glomgold is fucking majestic, and while he's never really a major threat his overinfalted ego, lack of planning, obessions with sharks and bombs and general haminess made him one of the best parts of this. You also get Magica as a genuine threat , and a mess later, Scooge's parents having a more active roll, Fenton having more of his own personality and weird swing for the fences complete and utter makeovers like Doofus Drake going from doofy kid to a very weird child who needs therapy, Donald's neighbor nemisis being his therapist or taking the zombie from voodoo hoodo, one of th emost racist and questionable things in duck comics history.. and instead making him into an unstopable juggernaut frankenstein curse ont he rich.

And of course the original cast.. is impecable. My adopted Daugther Lena is the clear standout, having covered her whole story arc on here and loving the character a lot, A cool teen TM who ends up being a traumtized girl badly needing a home, her stoic and neurodivergent sister violet, the egon to her venkman, fuckboy Mark Beaks, great final boss Bradford, gay icon Storkules, gay icon Selene, everyone's least faviorite dick Zeus.. I really coudl go on for some time and easily could but this article has taken a while. The show just had a knack for memorable loveable characters and making this world feel truly alive and humungous and scope, with gorgeous art designs.

It also had a great throughline, with Scrooge going from a man who pushed everything a way.. to the man who truly has everything, everyone growing along the way, and a finale that while a bit messy and leaving us hungering for more, really got to the hart of the show: a family that comes together after being torn apart and adds a LOT to them. It's a show unlike any other, and was truly the dream of a life time.. and I coudln't put anything else at #1. Thanks for reading.

#ducktales #the owl house #recess #kim possible #amphibia #american dragon jake long #the weekenders #clerks the animated series #milo murphy's law #gravity falls #wonder over yonder #phineas and ferb

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coolchevistianofficialsite · 1 year

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What was your first reaction when you found out that Big City Greens/Harvey Beaks/Jellystone! alumnis and creators of those shows will lead the Disney Channel Animation lineup after 10 years of serialized shows by Gravity Falls alumnis?

When i knew about those shows on development on early 2021 and my reaction was these.

Super happy for @chgreenblatt and his Harvey Beaks alumnis to pave the way of Disney TVA at Disney Channel on the 2020s as a rare case of animation snowball effect after HB was canceled at Nickelodeon.

The guy and his crew deserved it and i hope his and their alumnis shows from HB/BCG & JS! people get a greenlight PR this year and that one of them becomes the 100-Disney TVA show to air on 2024 as part of their 40 Anniversary.

#question #anonymous #c.h greenblatt #monica ray #chris houghton #shane houghton #cheyenne curtis #amy hudkins #raj brueggemann #harvey beaks #big city greens #jellystone #disney #disney television animation #disney tva

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daughterofdiya · 4 days

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//Alright, I think I've got a decent amount of time between the recent Disney TVA leaks to finally get around to watching the entirety of the 2nd season of Velma now... Besides the trailer I am 100% spoiler-free, and any posts I make about it will have spoilers tagged accordingly.

Feel free to blacklist the tag until you've watched the full season as well. See y'all in 5 hours. :D

#Self-passionate spirit (Nunof Yerbizness)#Season 2 spoilers

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oceanusborealis · 6 months

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Loki: Heart of the TVA – TV Review

TL;DR – It starts from 100 and then blasts ahead from there. ⭐⭐⭐⭐⭐ Rating: 4.5 out of 5. Disclosure – I paid for the Disney+ subscription that viewed this show.Post-Credit Scene – There is no End-Credit Scene. Loki Review – After a strong opening, last week’s 1893 was the first time I had pause to wonder if Season Two might not be on as firm a footing as I had first thought. But you can’t…

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angelbunny-arts · 8 months

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I would like to know what your boundaries are when it comes to interacting with you.

are you ok with requests or questions that don’t have to do with your works

are you ok with receiving headcanons that are not relevant to or may contradict with what you already have

how many asks are you comfortable with receiving at one time.

Are there other things that you want us to know about fan interaction that I didn’t think to ask about

I’ve done a few requests from things I’ve never seen or played! For example someone asked me to draw Noelle even though I’ve never played deltarune. As long as the request is sfw and it’s a canon character I like the challenge>:D

I also think headcannons are very snazzy, I think receiving ones from strangers that are not in the same fandoms that I currently post about (I’m my case, mcyt, Disney TVA, tbhk and genshin at the moment) is a little odd and would be out of place since that’s pretty much the extent of my knowledge and I wouldn’t have much to say on it? But honestly pop off on stuff I am familiar with I would love to hear them !!

I don’t think I have a limit lmao I love answering asks it’s my favourite part of this webbed site!! just don’t do anything crazy with it like send me 100 asks of intricate complex philosophical questions or whatever, but like you can ask me as much as you’d like tbh (coughcough especially if it’s about my aus) the only thing is is that if I get uncomfortable and ask for you to stop, please don’t keep pushing whatever you wanted to ask, it’s happened before.

I don’t think so!! Just don’t be a creep, keep it sfw, respect other people, and you’ll be fine here^^

#bunny talks:0 #bunny gets asked stuff

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alister312 · 3 years

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i don’t think lumity is why TOH got cancelled

at the risk of having the fandom jump down my throat, i just wanna say-- i don’t think we should blame TOH “not fitting the Disney brand” ENTIRELY on Lumity

this is gonna be long so inserting a read more here

don’t get me wrong! i’m sure Dana Terrace’s relentlessness in fighting for queer main characters was a contributing factor. however, and i say this as both a Lumity shipper and a queer person myself, the TOH fandom has a nasty habit of putting on blinders for everything in the show that doesn’t involve Lumity also amity generally but the fandom’s lowkey racism isn’t today’s topic lol

so! my reasons as to why i believe it isn’t entirely Lumity/homophobia that got TOH booted is that 1) Terrace said it herself that it wasn’t the queer themes. could she be lying due to an NDA or the already shaky fate of s3? yes, however, i’m inclined to believe her. 2) the decision to cancel after s3 was apparently made “before Agony of a Witch premiered”, which means the only openly gay thing that had happened so far was Enchanting Grom Fright. i don’t know if canon Lumity had been confirmed/approved at that point so if it wasn’t, it wouldn’t have factored into the decision. 3) Disney is trying hard to capitalize on the LGBTQ community right now. sure they’re homophobic in the ways that matter but you can’t deny that they are trying very hard to make us spend money on their movies with constant “FIRST GAY CHARACTER!!” talk. faux progressiveism is where the majority money seems to be right now, for better or for worse. Lumity might be taking it further than they like, but i think they know the queer fanbase is desperate to spend money on merch and Bob Iger LOVES profit

now, i’m sure many of you are wondering “well if it wasn’t Disney’s homophobia that made them claim TOH didn’t fit the brand, what did?” i’ve got some guesses. first off, let’s look at the reasons Terrace gave. 1) the series is too serialized. i think there’s some weight to this claim. while Amphibia is also very serialized, it has enough episodes unrelated to the overarching plot that Disney can air without alienating new viewers. most TOH episodes that air regularly are from s1, which Terrace has said before doesn’t align with her vision as much and are less serial. so having shows with episodes that they can play whenever with no context is preferred by Disney. again, this claim that a serialized narrative doesn’t fit the Disney brand seems to make sense. 2) the audience skews older. this is a real issue for many cartoon creators working with major networks these days. most notably, Owen Dennis claimed that Cartoon Network cancelled Infinity Train because it was shifting its focus to adults and there was no entry point for children. TOH’s equal focus on developing Eda as much as Luz might have ultimately hurt it. this could also explain why Ducktales 2017 got the boot, as i believe the creator has mentioned that Disney was always unhappy when they wanted to make episodes that focused solely/majorly on Scrooge and other adults. and lastly... 3) COVID-19 and the need for budget cuts. let’s face it folks... TOH has always been Disney’s least favorite. it hasn’t had any Theme Song Takeovers (when its sister show Amphibia has had 3), Chibi Tiny Tales, OR been featured in Broken Karaoke. however, The Ghost and Molly McGee already has 2 Chibi Tiny Tales and it just premiered. yes, King got featured in Chibi Tiny Tale, but that cameo lasted like three seconds. yes we got “Owl Pellets” and “Look Hooo’s Talking” but compared to Amphibia and Big City Green’s many shorts (aka the other main animated shows airing alongside TOH), it’s nothing. TOH was always doomed to be the martyr.

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ask-artsy-oncie · 3 years

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Actually I’m going to make my own post about it.

TOH fans, I feel for you, I really do, because it always sucks when this happens, and it sucks even more when the motivation is based in bigotry

but you guys, especially the younger guys, really need to learn to stop constantly pitting this show against other shows. I think in general it’s just not a good mentality to have in towards the TVA industry, regardless of what show you’re a fan of, but I’ve been noticing it a lot with TOH - first it was its achievements, and now it’s its marketability.

The TVA industry in general is really fucking hellish. There’s a lot I could say about it, but it would just derail the post. Regardless, while it especially sucks when shows get canceled for being “too progressive”, it’s really important to note that, had the show been devoid of anything of that nature, it’s very, very likely that a network exec would have just found another excuse to end it.

A LOT of shows have been screwed over for little to no obvious reason. Ratings don’t always play a role, sometimes a network will push premiers to shitty timeslots or side-channels or streaming services to kill ratings as an excuse to end the show. Sometimes executives change over the course of a show’s airing and this new exec doesn’t like the show for whatever reason. Sometimes the creator is hard to work with. Sometimes the network just decides they don’t care (a lot of the times they just don’t care).

Almost every - if not every single show I’ve seen fans compare TOH to has been screwed over, cut short, or otherwise got extremely mistreated by its network. I know it’s a cynical take, but most animated shows are in the same, sinking boat, and it really doesn’t matter if that boat is rainbow-colored or not.

It is 100% super important to talk about how going to great lengths to properly represent a marginalized demographic can be a death wish in the entertainment industry as a whole - and how that impacts TVA (which is typically geared towards younger audiences) especially - please, don’t let any word of this post discourage you from doing so. The point here is to better recognize the realities of the TVA industry and to avoid pulling others down to hoist yourselves up. Disney made a horrible decision, and a lot of it was motivated by bigotry. All that is true. Can we talk about it without displaying that we know little to nothing about the very industry we’re supposed to be discussing?

I’m getting really tired of seeing so much discourse spreading around about the TVA industry by people who don’t seem to care to much for actually learning about the TVA industry. If you’re really passionate about something, I think it’s important to take the time to really learn about the context through which it exists.

#toh #the owl house #television animation #disney #i think the TLDR of this would be along the lines of #PLEASE DON'T STOP TALKING!!! BUT PLEASE SPEAK WITH KNOWLEDGE!!!#I'm super passionate about the TVA industry and if conditions were better I'd be 100% working in it #but there are so many. SO MANY goddamned problems with that hell hole of an industry #I just wish people would understand that

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cactus-joke · 3 years

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the thing i will never wrap my head around is introducing sylvie as a frankenloki & then giving her absolutely no depth despite her being the key protagonist of season 1... like mike must hate women for the fact that

1) all the tva women of color are sidelined immediately (at least the two w the most prominent & interesting roles/backgrounds) for a white ladies development

2) you can count all the tva lady agents we see onscreen w one hand

3) frankenloki aka sylvie has a bunch of gaps for a character like where’d she get blonde hair dye. if ure hellbent on revenge why are u making stops at wallmart 2 get a box of hair bleach. where’d she get asgardian leather but SPECIFICALLY for her top (she’s wearing baggy pants & combat boots w that ensemble??? which as i say it also sounds like those corny wattpad “put my hair in a messy bun, wore my combat boots” fanfic outfits 😭), why and how did she get the AoA loki horns, she didn’t have them when she was taken. if she hates the loki association why’s she wearing the horns & the color green which is... the biggest target to be perceived as loki

4) if she’s an important part of the self love metaphor romance why does she always make this face “😐🤨🤢😐🤨😐” when loki talks (berating him & betraying him in the end aside ofc!)

5) why do we not know her nexus event? why do we not know why she chose the name sylvie? why does she have no prominent character traits outside of having a vagina? why is she cis? why did she get taken at the tender age of an elementary schooler but not when she was born if her crime was being born a girl?

6) has mike waldron ever met, spoken to, or seen a woman? has he engaged in critical, intelligent conversation with anyone, really?

7) can i be emotionally compensated by disney for simultaneously the most BORING (how do you make.. the god of mischief & tricks... boring is beyond me) and convoluted overstuffed show for wasting my time?

I don't know that Mike hates women, but I do think, based on his interviews and the resulting product he made, that:

1) It was certainly a choice to make the two prominent black female characters slaves to a fascist organization and one essentially a leader of it. A choice I don't think anyone involved in creating this show spent a second to think about.

I don't think they were necessarily sidelined on purpose, however. I just think it's an inevitable by-product of the show's terrible pacing and even worse writing. That scene one between B-15 and Renslayer, a scene I think was ultimately a waste of time, made me think that they probably did want to highlight at least those two characters on their own merit. They failed, of course, in the end, and with the set-up I think the intention or lack of intention doesn't really matter since we get what we get, you know?

It's not really a shinning example of giving your characters of color time and care, either, but I do have to highlight B-15's moment of doubt, a scene I think Wunmi Mosaku absolutely killed (seriously, everyone needs to check out her other work, she is effort and talent personified.).

Besides that, if you ask me, no character in this show has any real development anyway, including Sylvie. It is an uneven display of screen-time because obviously she's a main over everyone else but, like, can it even be said that Sylvie particularly benefited from it? I don't really think so. As you said, she has no depth, she is just an empty girlboss fantasy, and the diversity in general in this show feels empty to me.

2) I didn't really even want more TVA foot soldiers to be women. It wouldn't be a diversity win so much as just more empty pandering and Marvel's typical (military) propaganda fuel.

Anyway, I'd like to highlight some youtube creators of color who make great in-depth videos on this issue:

Khadija Mbowe: Color-blind vs. Identity-conscious casting and examining Hamilton and Malcom & Marie

Town of Tawiah: Performative Diversity and Colorism in Film | Dear White People Review, My Wife & Kids,HTGAWM & More

Cheyenne Lin: GOOD Representation Matters | Colorism and Casting

There's obviously way more, but these videos are a good starting point to expand on this topic from people who know what they're talking about. I put a link to their videos while the link on their names will lead you to their respective channels.

3) Sylvie's whole appearance is bullshit from the get-go. They deliberately used comic book references on her to confuse us and make their dumbshit twist of: oh, see, she actually is a Loki variant!

I remember seeing a post essentially saying whoever thinks Sylvie is a Loki variant with 100% certainty is media illiterate lmao, so I guess it worked on some people.

So, you know, IMO, it doesn't matter that it doesn't make sense for her to wear Loki's signature colors and the iconic AoA head-wear, she just does because fuck you.

Also, "if ure hellbent on revenge why are u making stops at wallmart 2 get a box of hair bleach." lmaooo - she just wanted to be her own person, you know, visually, but only with her hair and nothing else :)

4) Sylvie so very clearly doesn't even like Loki all that much, certainly not as much as he likes her (she is a girlboss after all, "she's got shit to do!"). It would be funny if it wasn't tragic. I do feel bad for Larry from accounting :(

5) I'm guessing we don't know her nexus event because they kinda never bothered to define what it was and they don't care. Maybe Renslayer saying she doesn't remember her nexus event was supposed to be this moment of like cold truth, or an attempt to hurt Sylvie because she knows but won't tell her, or, you know... actually, who cares.

6) I think Mike has spoken to women and I think he's had plenty of intelligent and critical conversations at his level. Which is a relative zero to a generous one. Perhaps two on a good day.

Idk though, jokes aside, his writing on this series is childish and lazy, his view of Loki is boring and reductive, his original script he used for this show is absolute shit, and that's all I can really say for sure.

7) I wish. The show really is boring when it isn't actively infuriating. It still boggles my mind how this mess even happened. Like, I knew the show would be bad, but this bad? Man oh man.

#reply #goddamn shitshow #loki series critical #loki series negativity #loki series criticism

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disneytva · 11 months

Photo

Just throwing out there, the 100th show won't involve any Multiverse stuff with all the characters of the studio..... It's a more slice-of-life series.....probably something made by Cheyenne Curtis (”Star Vs The Forces Of Evil”,”Big City Greens”,”Amphibia”,”The Ghost And Molly McGee”)

ICYW: The list ahead for the 100th Disney TVA series now goes by this

#96 - DISNEY JUNIOR PLAYDATE WITH WINNIE THE POOH - LATE SUMMER

#97 - DISNEY PRIMOS - FALL 2023

#98 - DISNEY DUFFY AND FRIENDS - 2023

#99 - DISNEY JUNIOR - ROBOGOBO - 2024

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thinkingaboutyoungroyals · 3 years

Text

Dear Owl House fam,

A friend of mine wrote a letter to Disney that outlines reasons why they should not end The Owl House. He requested that I post it here in hopes that other fans will also write to Disney and, if you want, use this as a guide or template so feel free to use it!

Let’s all try to save The Owl House while we can!

.........................

Dear Disney, and the Executive that Hates the Joy of The Owl House,

You may have noticed that there has been a great deal of outrage about your decision to cancel The Owl House. There are many reasons why people are so angry; hence, you should reconsider your decision. Some of the reasons are:

● This show has already won multiple awards, including multiple Emmys (pretty much the best award a show could possibly get), and a Peabody Award, which is a highly coveted honor.

● Your audience isn’t solely made up of toddlers and 5 year olds. Kids grow, and teenagers and adults are the ones with actual money. If your work grows and develops for older kids to teens, to adults with nostalgia, and adults with kids, you have increased the size of your market. You can sell merchandise to more people for longer. I don’t know if you noticed, but there are characters in The Owl House that would make for great plushies (Ex. King and Owlbert).

● The Owl House celebrates diversity in all its forms. The lead character is a girl of color. She has a single mom. There’s a character whose gender is non-binary, something that is basically NEVER represented. A character has 2 dads who love her fiercely, like any other parents would. Inversely, it also shows that there can be abusive parental pressure. So many dynamics, and such diverse representation really matters.

● The show genuinely shows a love for education, and pursuing your interests, instead of letting other people decide for you. Finding your own way to learn, and growing at your own pace.

● Cancelling a show without even consulting the writer is a dirty and underhanded trick. Allowing someone to state their case is the bare minimum in terms of respect. Cancelling a show that has a plot because it’s difficult to rerun is wrong, because if someone sees an episode and gets curious, the entire series is on Disney+, and they can look it up. Last I checked, getting people to use Disney+ was a huge piece of the Disney money-making machine.

● The pandemic has made things hard for everyone, no doubt about it. But cancelling a show of such high quality is wrong. 8.2/10 rating on IMDB, 100% on Rotten Tomatoes, 2 of the most trusted sites for rating movies and shows. To put that into perspective, that’s higher than Titanic 1997 (One of the top grossing movies of all time), EVERY Harry Potter movie (One of the highest grossing franchises of all time), Frozen, and Miraculous: Tales of Ladybug and Cat Noir, to name a few.

In conclusion, I STRONGLY request that you reconsider your position, and allow The Owl House to continue to tell the stories of characters that people can relate to, a magical realm that’s perfectly imperfect, and the strong message that people (adults and children alike) can choose their own destiny.

Sincerely,

Your name

Disney addresses:

Disney TVA 811 Sonora Ave.

Glendale, CA 91201

Walt Disney Television Corporation

500 South Buena Vista Street FGW #3052

Burbank, CA 91521

#the owl house

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valkyrieandstrangeridingaragorn · 2 years

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At this point I'm not seeing MoM if Sylvie is in it I'm 100% done with the character. I always wait a few weeks before I see movies anyway so I always know some spoilers going in. I don't want to watch anything Walnuts has touched. He's gross he has gross ideas.

For what it's worth I've been asked to write reviews after I've seen it and I've got tickets for May 6th so on that day I'll let you know if there are any cameos from her or Mobius or anyone from the series.

There is nothing confirmed and all we know for now is pure speculation. Personally I think it would make more sense to have TVA Loki show up instead of her, not everyone is watching the Disney+ shows and the Loki series had a steep decline in viewership after ep2, so they would be shooting themselves in the foot if they had her show up when a big chunk of the audience wouldn't even know who she is. But we'll see.

#multiverse of madness #doctor strange

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coolchevistianofficialsite · 4 months

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So what would you love to see for Disney TVA's 40th next year? asking this in terms of celebration from Disney themselves

I would love to see more greenlights for new shows many from BCG crew members, in terms of reboots i think there should be official PRs for the TaleSpin and Recess reboots but specially would love to see series greenlight order for C.H. Greenblatt - Disney Channel series, i think he really deserves to find sucess at Disney.

Speaking of D23 Expo, would love to see Disney Legends Awards giving awards to Tad Stones, Bob Schooley, Mark McCorkle, Rob LaDuca, Bob Roth , Bill Motz, Paul Germain, Joe Ansolabehere, Dan Povenmire, Jeff Swampy Marsh, Jose Zelaya, Bobs Gannaway, Craig Gerber,Mark Seidenberg, Paul Rudish and Noah Z. Jones for their contributions on the studio over it's 40 years.

Would love to see something akin to Once Upon a Studio, my perfect idea would be Mickey and the entire characters of the studio getting ready to welcome to StuGo, Sam Witch, North Woods, Dog & Frog, Fantasy Sports, Neon Galaxy, InterCats, Rhona, Witchverse, Dusty Dupree, Cookies & Milk, North Woods, Tiny Trailblazers casts on a big party for the 100 series and next 100 shows.

Finally would love to see Very Important House getting revived this time for Disney Channel as next year is also the 10th anniversary of the pilot getting picked up for Disney XD

Finally something like Wish did with it's end credits with each show created at Disney TVA on the credits of The School Of Sensitive Souls.

#question #anonymous #disney television animation #disney tva

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discoscoob · 3 years

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"What Loki got wrong – and Doctor Who got right Redeeming a villainous character isn’t easy but the Disney Plus series could pick up a few tips from the BBC’s flagship series.

We all love Loki – the God of Mischief, Lord of Chaos, a wannabe tyrant and murderer with a twinkle in his eye and a spring in his step. So where on Earth (or rather, in the multiverse) did he go during his eponymous Disney Plus series? When Loki was first proposed, I was intrigued to see a Marvel spin-off that focused on an amoral, self-serving character. But over the course of its six episodes, we saw Tom Hiddleston abruptly deliver a reverse heel-turn, transforming a character that had always skirted in grey areas of villainy into a fairly bland, heroic type who just wanted to save the universe.In the final episode, Loki was offered the chance at universal war and chaos, a throne or a quiet home life in the background. The mind boggles that someone who tried to rule the planet just a few weeks before and apparently revelled in disorder would so quickly plump for the third option, no matter how nice his new friends were. .Maybe Loki needs more ‘good’ characters to bounce off for him to play the fun bad boy, as he had in the Thor movies. Maybe creating a Marvel series with a morally ambiguous lead, à la Rick and Morty, was never on the cards. But there was a way that Loki could have redeemed its central character without completely compromising what made him interesting in the first place. In fact, it’s been done before in a different series.A few times over the course of Loki, viewers had compared it to Doctor Who, mainly because of its general time-travel premise (what are the officious TVA except Time Lords with a dental plan?) and especially after episode three saw Loki and Sylvie (Sophia Di Martino) trapped on a dying world. In fact, many commented that Loki did ‘Doctor Who’ better than Doctor Who itself, thanks to a higher budget and bigger stars. (Though did Loki have a sonic screwdriver? I think not. Case closed.)And I actually think Loki could learn something from Doctor Who, more specifically, from a storyline that saw an iconic villain try to change their ways with Cast your mind back to 2017 and Peter Capaldi’s final series as the Twelfth Doctor. A major throughline of those episodes was the Doctor’s attempt to redeem his old nemesis The Master, then played by Michelle Gomez as Missy. Initially reluctant (and not before a few final backstabs), Missy did end up playing the hero, only to be cut down by an alternate version of herself (AKA her predecessor in the regenerating role, John Simm) before she could reveal to the Doctor that she’d finally come over to his side.Crucially, during this process Missy was often as unpleasant, irascible and darkly funny as she’d ever been at her most villainous, regularly still insulting and belittling the Doctor and his friends even as she did gain more empathy and something of a moral code. She didn’t just completely gain a new personality, in other words, and the story was more moving and believable as a result.Of course, Loki is changed by what happens to him over the course of his series – the “journey” he goes on, as Jonathan Majors’ He Who Remains puts it, is needed to put him in the position where he’s willing to take over the TVA himself. But what we see him go through on screen doesn’t feel like enough to justify such a change in the character – or why the show would choose to make him so much less entertaining.If Loki had always been how he appeared in the finale, he wouldn’t have lasted as long as he has in the MCU, let alone get his own spin-off. Make Loki fun again! It probably doesn’t help that we’ve seen an onscreen version of Loki’s journey already which did a better job, with the ‘older’/original Loki’s arc in 2017 Marvel movie Thor: Ragnarok making a much better case for his gradual turn from self-interest to semi-heroism, though still with a trademark blend of arrogance and style (including bellowing “Your saviour is here!” as he rescued the people of Asgard).Maybe it helps that, in that film, he plays second fiddle to Chris Hemsworth’s Thor. Maybe Missy’s story only worked in Doctor Who because she wasn’t the main character, and similarly had the good

Doctor to bounce off (though if someone does want to make a Missy TV show, I’m in).Whatever the reasoning, something still feels a little off about this newly heroic Loki variant. Time for, if not a pruning, then at least a bit of a redirection if season two is going to find its glorious purpose"

reading this article rolling my eyes first off Missy went by a different name, also was not really a redemption of the master but that version of the master e.g missy which still don't know where this version is suppose to happen cause imo missy was the master but unlike the master had more redemptive qualities, wanting to be the doctors friend again/wanting to change but never getting the chance/past version didn't want to change, while this version feels like always on a path of redemption to the be killed off and the master comes back still evil, most likely missy version of the master will never be mentioned again/ never see this version again. also have they watched the Loki show, he literally learns he dies in the future, his stuck in a unfamiliar place by a very powerful organisation, also his self serving persona has always been a façade mostly, people can suddenly want to change which imo Loki hasn't really wanted to as Thor as pointed out about him going round in circles and him never seem to want to change in Ragnarok he was still not really change even though he shown he can be a better person, he also betrayed thor show still self serving. but Loki in the series makes sense his perception would change, his lost him home, his free will, Thor, learns he died/dies, and can't back to his timeline, but find it unbelieveable that Loki whole attitude would change... i think people need to pay more attention/don't really understand Loki, also he is still fun 3 episodes in just because his not acting like a clown and shown to be vulnerable and shown be more genuine and wanting be a hero doesn't mean they completely stripped his personality, hopefully we see his fun personality back next series. the reason he lasted in MCU so long is not just because his fun etc but because his a complex character, if i remember correct his fun personality didn't really come out until the dark world and then ragonorak in Thor he was angry and bitter and avengers was angry and bitter and wanting to rule earth. also we saw his fun personality up until episode 3 as slowly began to stop clowning around and become more genuine through Sylvie, also good friends didn't just change Loki, it was already in there it was a journey he always destined to go down as saw in the films which now some what reset in the series for another journey but thing is Mobius and Sylvie not just better Loki but his also bettered Mobius and Sylvie, also makes sense he change his self serving behaviour as learns even gets the throne or what he thought was his glory purpose he still not be truly happy, just like Sylvie and just like Mobius at The TVA. i feel some just don't really go into who Loki character is or just like his boring now if his not there being smug or clown or him finally actually being genuine = bad telling of redemption ok *rolls eyes*

I 100% agree! Reading that made me roll my eyes too, until I got to your part of the anon, that was a relief to read.

#loki #loki series

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