at some point it's just like. do they even fucking like the thing they're asking AI to make? "oh we'll just use AI for all the scripts" "we'll just use AI for art" "no worries AI can write this book" "oh, AI could easily design this"
like... it's so clear they've never stood in the middle of an art museum and felt like crying, looking at a piece that somehow cuts into your marrow even though the artist and you are separated by space and time. they've never looked at a poem - once, twice, three times - just because the words feel like a fired gun, something too-close, clanging behind your eyes. they've never gotten to the end of the movie and had to arrive, blinking, back into their body, laughing a little because they were holding their breath without realizing.
"oh AI can mimic style" "AI can mimic emotion" "AI can mimic you and your job is almost gone, kid."
... how do i explain to you - you can make AI that does a perfect job of imitating me. you could disseminate it through the entire world and make so much money, using my works and my ideas and my everything.
and i'd still keep writing.
i don't know there's a word for it. in high school, we become aware that the way we feel about our artform is a cliche - it's like breathing. over and over, artists all feel the same thing. "i write because i need to" and "my music is how i speak" and "i make art because it's either that or i stop existing." it is such a common experience, the violence and immediacy we mean behind it is like breathing to me - comes out like a useless understatement. it's a cliche because we all feel it, not because the experience isn't actually persistent. so many of us have this ... fluttering urgency behind our ribs.
i'm not doing it for the money. for a star on the ground in some city i've never visited. i am doing it because when i was seven i started taking notebooks with me on walks. i am doing it because in second grade i wrote a poem and stood up in front of my whole class to read it out while i shook with nerves. i am doing it because i spent high school scribbling all my feelings down. i am doing it for the 16 year old me and the 18 year old me and the today-me, how we can never put the pen down. you can take me down to a subatomic layer, eviscerate me - and never find the source of it; it is of me. when i was 19 i named this blog inkskinned because i was dramatic and lonely and it felt like the only thing that was actually permanently-true about me was that this is what is inside of me, that the words come up over everything, coat everything, bloom their little twilight arias into every nook and corner and alley
"we're gonna replace you". that is okay. you think that i am writing to fill a space. that someone said JOB OPENING: Writer Needed, and i wrote to answer. you think one raindrop replaces another, and i think they're both just falling. you think art has a place, that is simply arrives on walls when it is needed, that is only ever on demand, perfect, easily requested. you see "audience spending" and "marketability" and "multi-line merch opportunity"
and i see a kid drowning. i am writing to make her a boat. i am writing because what used to be a river raft has long become a fully-rigged ship. i am writing because you can fucking rip this out of my cold dead clammy hands and i will still come back as a ghost and i will still be penning poems about it.
it isn't even love. the word we use the most i think is "passion". devotion, obsession, necessity. my favorite little fact about the magic of artists - "abracadabra" means i create as i speak. we make because it sluices out of us. because we look down and our hands are somehow already busy. because it was the first thing we knew and it is our backbone and heartbreak and everything. because we have given up well-paying jobs and a "real life" and the approval of our parents. we create because - the cliche again. it's like breathing. we create because we must.
you create because you're greedy.
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thinking about how the scene where Izzy shoots himself and misses isn't actually just about "haha, see, he's not dead, he just missed", it's about how it is about Izzy Hands dying. it's about how old Izzy Hands, the toxic, tragic image of a golden age pirate, is dead; it's about how he had to kill the part that was perpetuating the horrors and the abuse to save the crew.
had he not done that, Izzy Hands wouldn't have been able to get up on the deck, because old Izzy Hands would have to abide by the rules of common sense and reality. he'd have to die tragically at the hands of the man he loves. he'd have to rot for what he's done. but he does the one thing that he wouldn't in season 1: he becomes part of the crew, and that crew never abided by real life logic. Izzy Hands climbs to the deck on one leg with a poorly treated festering stump and stands as tall as he can, in the most unrealistic fashion, and he lives.
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today, my coworkers’ refusal to see me as a man put one of our patients in a position where they felt unsafe for the third time. i’ve been at this job for less than two months total. i don’t even care about getting misgendered anymore, i just want the people we’re supposed to be taking care of to feel comfortable around me.
i work at a hospital where we have to supervise our patients in a lot of vulnerable situations. there are safeguarding rules in place for certain things that male employees aren’t allowed to be present for when it comes to female patients. and yet, the people training me and telling me what to do have repeatedly put me in situations where i’ve been forced to do things that the female patients aren’t comfortable with me doing. and because they have repeatedly failed to teach me the rules for doing my job as a man, i have no way of knowing when i’m crossing one of those lines unless one of the patients tells me.
i’ve had to watch a victim of SA stare at me in abject terror as my coworkers asked her to strip naked with me still in the room. it took several minutes for her to even be able to speak enough to ask if i could leave the room. i found out after that she broke down crying the moment i walked out. my biggest regret is that i didn’t realize what was happening fast enough to leave before she ever had to say something, because she shouldn’t have had to say it. i never should’ve been allowed in the room in the first place, because that’s not something male employees are supposed to be present for. but i didn’t know that yet, because i was training and i thought surely, they wouldn’t train me to do something that directly violated their own safeguarding rules. that moment was the first time, and it’s haunted me ever since, but it wasn’t the last time. not only did it happen for the third time today — it almost happened for the fourth, and would have if someone hadn’t spoken up to say they should pick someone else. i care for these people so deeply, it’s why i took this job, and i’m so tired of hearing the fear in their voices when they have to ask me not to do something i never should’ve been told to do.
i’m very used to the personal discomfort of being misgendered. i willingly deal with it a lot at work as well as in other situations, not because i’m in the closet (at this point in my medical transition that would be impossible), but because it’s such a frequent occurrence with my coworkers that we would never get anything done if i took the time to correct them every time. but to see it get to the point of causing such visceral discomfort in other people? people i’m supposed to be taking care of and keeping safe? that’s something else entirely, and i’m fucking exhausted.
and after all of that, some of them still look at me like i have two heads when they tell me what to do and i say “i can’t do that, only female employees can” because i’m learning now. clearly i’m already seen as a man by our patients, but my coworkers would still rather put them in an unsafe situation than just train me as a man.
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“Hey, I need to get married for bullshit Infinite Realms reasons, you two in?”
“Tt, of course.”
“Sure thing! Do we need to get going for that like, right now? Or later?”
“Eh, like in a couple of hours? The Observants are demanding some Royal Ball or something and they pulled out some stupid old laws out of their collective asses that if I’m not married by the time it starts they can assign me spouses of their choosing, can you fucking believe that shit?”
“Woah, what the hell? Can they even do that?”
“I was under the impression they were only permitted to observe.”
“Right? It’s total crap, but apparently there’s like this super old law on the books and they didn’t bring it up until now when there’s like no time left to try and force me to marry someone they pick.”
“They are training to gain influence over you?”
“Eh, more like they’re trying to get control of my Dad by way of me. But still fucked as hell.”
“So why do you need to marry both of us? Or do you just need to marry one of us and we should play rock paper scissor for it?”
“Technically I only need to marry one of you, but I don’t want them pulling out any loopholes or something. So, it’d be great if one of you could be my consort for my role as Queen of Mirrors, and one could be my consort for my role as Crown Princess. You two can figure who’s who on that all that, I’m good with whatever.”
“Oooh, can I be consort for the Mirror Court? I can annoy Kon more that way.”
“I am amenable to that. Grandfather will have a fit when he learns that I can cut his access to the Pits off at my discretion and there’s nothing he can do about it.”
“Awesome, okay are you two good for meeting up at like, three? We can pop over to my Lair and get everything sorted out there.”
“Works for me, my only class til this afternoon is at one and the professor already said we’re cutting out early because she has to go out of town this weekend.”
“Four would be more agreeable if possible, I have to take Titus to the vet for his checkup.”
“Okay let’s aim for four then. It’s just signing some paperwork, making some quick blood-slash-ectoplasm pacts and swearing a couple binding oaths… Should only take like five or ten minutes?”
“They’re not gonna make you have a huge royal wedding or anything?”
“Nah. Dad keeps things pretty chill so as long as the paperwork is all in order we’ll be good. Though once Auntie Dorathea finds out she’s absolutely gonna make us have one. She loves planning weddings. Swear its what she makes her hoard out of somehow.”
“So long as we have a say in some of the proceedings I have no issue with that eventuality.”
“Same, it sounds like it’d be a fun way to annoy the Observants even more.”
“Don’t for get all the weirdos trying to be my suitors and all that bullshit.”
“We have an accord then. We can reconvene at the usual place.”
“Awesome, you two are the best! I gotta jet and let everyone know and get the ball rolling on the paperwork stuff. See you guys at four!”
With that, Nomad - Stella Phantom, Crown Princess of the Infinite Realms, Queen of Mirrors, Core of the Speedforce and ghostly hero of the Titans and the Justice League - tore a rip in the fabric of space and time and darted out of the room the same way she came. Through the mind-bending tear in reality the eerie, eye-searing green of the Infinite Realms glowed in all its unsettling glory, Phantom Keep a glittering expanse of night sky made solid in the distance.
Jon waved at her cheerfully as Damian gave a nod of farewell before both silently turned their attention back to their respective tablets as the portal closed behind their friend and teammate and the glimpse of the Ghost Zone disappeared again. Completely unbothered by the conversation just held or the life changing implications that came with them.
Jon was humming as he tapped away at something on the screen before him, Damian propping his head up on his fist in vague boredom as he frowned down at the information he was reading.
The rest of the room Nomad had left behind was caught in a frozen, stunned silence in the wake of the baffling conversation they’d all just been witness to. All eyes in the room darted between Flamebird and Pheonix seated calmly at the end of the table, then to the space where Nomad had disappeared to, back to the young men, and then towards the head of the table where Superman and Batman sat looking bewildered and a bit on the verge of heart attacks.
The short status update meeting was about to become much, much longer it seemed.
Though a lot more entertaining.
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I’ve mentioned it before but I’m a fucking sucker for unhealthy dependent relationships. There’s just something about them that is so. Chef’s kiss 👌
Anyway I’m still thinking about how Law was so attached to Cora and was so traumatized by his death that he literally devoted thirteen YEARS of his life to revenge killing Doflamingo. Even though all Cora ever wanted was for Law to just be free and live his life happily. And Law spending all his time in a hateful revenge spiral is literally the exact OPPOSITE of what Cora wanted for him. BUT WAIT THERE’S MORE. If the thirteen years of endless devotion to avenging his savior wasn’t enough Law 1. Named his pirate crew the Heart Pirates in honor of Cora, 2. Covered himself in permanent heart-themed tattoos in honor of Cora, and 3. Fashioned his Jolly Roger to be a mockery of Doflamingo’s and ALSO to honor Cora. Homie is a walking memorial for a man he only really knew for six months and again crafted the most intricate plan known to mankind to murder Cora’s killer. Because losing Cora fucked him up THAT much. Because even though Cora set him free, the moment Doflamingo shot him Law was chained to the memory of a man who no longer existed. Law literally fashioned his entire life down to his own appearance after Cora and it makes me so insane. I cannot even imagine what went through his head after Dressrosa I mean how do you move on after a thirteen year grudge is put to rest. What is he supposed to do now. Avenging Cora was literally his entire existence, his entire reason for living for half of his life. He needs therapy probably. If Cora somehow ever did come back to life Law would lose his fucking mind. The dependency is SO unhealthy and I am SO here for it
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its kinda crazy that yall will apply real world politics and situations to gotham when it comes to jason and his ‘vigilantism’, but never choose to take that angle when analyzing any other bat character’s
brother eye from batman? hello? does constant nonconsensual surveillance seem like an ethical way to keep an eye on supposed allies or stop crime in real life? does beating people up until they comply with u (under fucking duress) seem like the ethical way to produce testimonies and confessions?
but nah, one speech from jason in utrd and yall are up in arms about how nothing he’s saying is actually conducive to lowering crime rates.
at the end of the day, it doesn’t fucking matter who’s right and who’s wrong regarding these morals in real life because the dc universe is so fucking far from reality in the crime that the justice system has to deal with. there is no point in arguing a reality standpoint if its not going to be applied to vigilantism in the bat comics as a whole.
and on the topic of fiction, the willful ignorance as to how jason’s story also portrays a victims revenge/justice is just boring at this point. how are themes in a narrative not coming through to you. especially when doing literature analysis for any of these comics.
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