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#Government Printing Office
deadpresidents · 2 months
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the job of President was too big for Warren G. Harding and if there was an instruction manual, he couldn't find it.
I don't have anything to add to your totally unsolicited statement (everyone knows I just love being sent random, anonymous opinions) that had literally nothing to do with anything I've written recently.
BUT...believe it or not, there actually kind of IS an instruction manual for the Presidency. Jimmy Carter used to have a copy of this massive book in his office at the Carter Center titled "The Duties of the President of the United States of America".
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In his wonderful 2004 book, Fraternity: A Journey in Search of Five Presidents (BOOK | KINDLE | AUDIO), Bob Greene writes about being shown the book by a Secret Service agent while at the Carter Center:
On a table was a huge hardbound book, and on its cover were the words: The Duties of the President of the United States. [The Secret Service agent] flipped it open. "Try learning that in two months," he said. I suppose I had never thought about it; I suppose it had never occurred to me that there was a manual. Because that is what this book was: an enormous volume filled, in minute detail, with the duties for which the President, as decreed by law, is responsible. Not the vague, all-encompassing responsibilities spoken of in civics books (or the Constitution), but the daily, department-to-department staff-office-by-staff-office tasks over which the President, at least in theory, has oversight. The book was like a combination motorcycle-repair manual/computer guide/university-doctorate-level encyclopedia; it was not bedtime reading or narrative history, it was nuts and bolts. It informed a President -- especially a newly elected President, getting ready to take office -- what was expected of him.
I'm dying to have a copy of that book. I haven't found it being sold anywhere over the years. I'm assuming that it was specifically printed and bound for the President. It looks like books that I have that were published by the Government Printing Office. They all are black hardcover books with gold print for the title, so I'm guessing that they are probably given to Presidents or important staff members in the Executive Office of the President. But I very much would like a copy. Hopefully the fine folks at the Government Printing Office or the National Archives sees this post and thinks that I deserve my own copy.
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oh god It's looking at me
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artificial-librarian · 7 months
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satanachia666 · 7 months
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Printer’s Devil at the Queensland Government Printing Office (2010) 😈🩶
George St. in Brisbane, Australia 🐨🇦🇺
🔥 Photos by John Robert McPherson
Photo 1: Wikimedia Commons
Photo 2: Wikimedia Commons
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absolute-immunities · 8 months
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🥲
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uwmspeccoll · 2 years
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Science Saturday
We had a patron come in this week to do some research with the Medical and Surgical History of the War of the Rebellion (MSHWR) and we were impressed by the range of image reproduction techniques represented. The six volumes contain etchings and wood engravings, multi-colored charts and graphs, lithographs and chromolithographs, as well as multiple types of photographic reproduction (including heliotype and albumen photographs). I’ve taken the liberty of sharing some of the less gruesome images but encourage those with a morbid sense of curiosity to give us a visit and see for yourself!  
Published in Washington D.C. over nearly two decades by the United States Government Printing Office (which underwent a name change 2014 to the Government Publishing Office), the MSHWR was issued in three parts, with each part consisting of a Medical and Surgical volume. Both the Medical and Surgical volumes of Part 1 were first published in 1870, with the final installment coming in 1888. Both of our Part 1 volumes are from the second printing in 1875, while the volumes from Part 2 and 3 are first printings. Production of the first five volumes was overseen by Surgeon General Joseph K Barnes. The surgical volumes were compiled by George A. Otis. The first two medical volumes were compiled by J. J. Woodward, well known internationally as a pioneer in micrography. Both Barnes and Woodward passed away before the completion of the work, and Charles Smart took over for Woodward under the direction of the new Surgeon General, John Moore.
This monumental work documents clinical records, surgical reports, case reports, and statistical reports on both battlefield injuries and camp diseases in both the Union and Confederate Army during the Civil War. The Journal of the American Medical Association (JAMA) considers it “among the most remarkable works ever composed on military medicine and surgery” and that it is likely “the country’s earliest comprehensive medical monograph.” Not only is it a leading source of medical data from the time period, but the inclusion of case studies and surgical reports, with both patient and surgeon named, has made the MSHWR an important resource for personal histories and genealogical research. As noted, the array of image reproduction techniques also make it great point of reference for those with an interest in the history of printing. 
Find more Science Saturday posts here. 
-Olivia, Special Collections Graduate Intern
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slityclayloam · 14 days
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Well I completely fucked up my car registration forms and my tax is due in two weeks!!! I have never sent a cheque in my life and now I have to send one as I fucked up so badly!!!! I didn't even know we still had cheques in the uk!!! My bank is only open for 4 hours a day!!! Where the fuck am I going to get a cheque book from in time for the car tax!!! Oh god!!!
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bleu-guacamole · 16 days
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Guess who forgot taxes are do tomorrow and now is frantically running around because they have to tell the government that they don’t owe the government any money but the government already knew I don’t owe them a single fucking cent so who am I doing this for!?!!?
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the-warlock-syndicate · 8 months
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Alright US mutuals, if you are interested in, morbidly fascinated by, or anxiously doomscrolling through AI news, including Stable Diffusion, Llama, ChatGPT or Dalle, you need to be aware of this.
The US Copyright Office has submitted a request for comment from the general public. Guidelines can be found on their site, but the gist of it is that they are taking citizen statements on what your views on AI are, and how the Copyright Office should address the admittedly thorny issues in rulings.
Be polite, be succinct, and be honest. They have a list of questions or suggestions, but in truth are looking to get as much data from the general public as possible. If you have links to papers or studies examining the economic impacts of AI, they want them. If you have anecdotal stories of losing commissions, they want them. If you have legal opinions, experience using these tools, or even a layman's perspective of how much human input is required for a piece of work to gain copyright, they want it.
The deadline is Oct 18th and can be submitted via the link in the article. While the regulatory apparatus of the US is largely under sway by corporate interests, this is still the actual, official time for you to directly tell the government what you think and what they should do. Comments can be submitted by individuals or on behalf of organizations. So if you are a small business, say a print shop, you can comment on behalf of the print shop as well.
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foone · 7 months
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why are printers so hated? it's simple:
computers are good at computering. they are not good at the real world.
the biggest problems in computers, the ones that have had to change the most over the time they've existed, are the parts that deal with the real world. The keyboard, the mouse, the screen. every computer needs these, but they involve interacting with the real world. that's a problem. that's why they get replaced so much.
now, printers: printers have some of the most complex real-world interaction. they need to deposit ink on paper in 2 dimensions, and that results in at least three ways it can go on right from the start. (this is why 3D printers are just 2D printers that can go wrong in another whole dimension)
scanners fall into many of the same problems printers have, but fewer people have scanners, and they're not as cost-optimized. But they are nearly as annoying.
This is also why you can make a printer better by cutting down on the number of moving elements: laser printers are better than inkjets, because they only need to move in one dimension, and their ink is a powder, not a liquid. and the best-behaved printers of all are thermal printers: no ink and the head doesn't move. That's why every receipt printer is a thermal printer, because they need that shit to work all the time so they can sell shit. And thermal is the most reliable way to do that.
But yeah, cost-optimization is also a big part of why printers are such finicky unreliable bastards: you don't want to pay much for them. Who is excited for all the printing they're gonna be doing? basically nobody. But people get forced to have a printer because they gotta print something, for school or work or the government or whatever. So they want the cheapest thing that'll work. They're not shopping on features and functionality and design, they want something that costs barely anything, and can fucking PRINT. anything else is an optional bonus.
And here's the thing: there's a fundamental limit of how much you can optimize an inkjet printer, and we got near to it in like the late 90s. Every printer since then has just been a tad smaller, a tad faster, and added some gimmicks like printing from WIFI or bluetooth instead of needing to plug in a cable.
And that's the worst place to be in, for a computer component. The "I don't care how fancy it is, just give me one that works" zone. This is why you can buy a keyboard for 20$ and a mouse for 10$ and they both work plenty fine for 90% of users. They're objectively shit compared to the ones in the 60-150$ range, but do they work? yep. So that's what people get.
Printers fell into that zone long, long ago, when people stopped getting excited about "desktop publishing". So with printers shoved into the "make them as cheap as possible" zone, they have gotten exponentially shittier. Can you cut costs by 5$ a printer by making them jam more often? good. make them only last a couple years to save a buck or two per unit? absolutely. Can you make the printer cost 10$ less and make that back on the proprietary ink cartridges? oh, they've been doing that since Billy Clinton was in office.
It's the same place floppy disks were in in about 2000. CD-burners were not yet cheap enough, USB flash drives didn't exist yet (but were coming), modems weren't fast enough yet to copy stuff over the internet, superfloppies hadn't taken over like some hoped, and memory cards were too expensive and not everyone had a drive for them. So we still needed floppy disks, but at the same time this was a technology that hadn't changed in nearly 20 years. So people were tired of paying out the nose for them... the only solution? cut corners. I have floppy disks from 1984 that read perfectly, but a shrinkwrapped box of disks from 1999 will have over half the disks failed. They cut corners on the material quality, the QA process, the cleaning cloth inside the disk, everything they could. And the disks were shit as a result.
So, printers are in that particular note of the death-spiral where they've reached the point of "no one likes or cares about this technology, but it's still required so it's gone to shit". That's why they are so annoying, so unreliable, so fucking crap.
So, here's the good news:
You can still buy a better printer, and it will work far better. Laser printers still exist, and LED printers work the same way but even cheaper. They're still more expensive than inkjets (especially if you need color), but if you have to print stuff, they're a godsend. Way more reliable.
This is not a stable equilibrium. Printers cannot limp along in this terrible state forever. You know why I brought up floppy disk there? (besides the fact I'm a giant floppy disk nerd) because floppy disks GOT REPLACED. Have you used one this decade? CD-Rs and USB drives and internet sharing came along and ate the lunch of floppy disks, so much so that it's been over a decade since any more have been made. The same will happen to (inkjet) printers, eventually. This kind of clearly-broken situation cannot hold. It'll push people to go paperless, for companies to build cheaper alternatives to take over from the inkjets, or someone will come up with a new, more reliable printer based on some new technology that's now cheap enough to use in printers. Yeah, it sucks right now, but it can't last.
So, in conclusion: Printers suck, but this is both an innate problem caused by them having to deal with so much fucking Real World, and a local minimum of reliability that we're currently stuck in. Eventually we'll get out of this valley on the graph and printers will bother people a lot less.
Random fun facts about printing of the past and their local minimums:
in the hot metal type era, not only would the whole printing process expose you to lead, the most common method of printing text was the linotype, which could go wrong in a very fun way: if the next for a line wasn't properly justified (filling out the whole row), it could "squirt", and lead would escape through gaps in the type matrix. This would result in molten lead squirting out of the machine, possibly onto the operator. Anecdotally, linotype operators would sometimes recognize each other on the street because of the telltale spots on their forearms where they had white splotches where no hair grew, because they got bad lead burns. This type of printing remained in use until the 80s.
Another fun type of now-retired printers are drum printers, a type of line printer. These work something like a typewriter or dot-matrix printer, except the elements extend across the entire width of the paper. So instead of printing a character at time by smacking it into the paper, the whole line got smacked nearly at once. The problem is that if the paper jammed and the printer continued to try to print, that line of the paper would be repeatedly struck at high speed, creating a lot of heat. This worry created the now-infamous Linux error: "lp0 on fire". This was displayed when the error signals from a parallel printer didn't make sense... and it was a real worry. A high speed printer could definitely set the paper on fire, though this was rare.
So... one thing to be grateful about current shitty inkjet printers: they are very unlikely to burn anything, especially you.
(because before they could do that they'd have to work, at least a little, first, and that's very unlikely)
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cutieacefuck · 1 month
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had a dream where Matthew Lillard was running for a government office and his tagline on posters said "with Scooby-Doo ass villains like these, why not rely on a true member of the Mystery Gang" and in very small print on the bottom "I was also a serial killer in case that doesn't work out"
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saddayfordemocracy · 6 months
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How the Watermelon Became a Symbol of Palestinian Solidarity
The use of the watermelon as a Palestinian symbol is not new. It first emerged after the Six-day War in 1967, when Israel seized control of the West Bank and Gaza, and annexed East Jerusalem. At the time, the Israeli government made public displays of the Palestinian flag a criminal offense in Gaza and the West Bank. 
To circumvent the ban, Palestinians began using the watermelon because, when cut open, the fruit bears the national colors of the Palestinian flag—red, black, white, and green.  
The Israeli government didn't just crack down on the flag. Artist Sliman Mansour told The National in 2021 that Israeli officials in 1980 shut down an exhibition at 79 Gallery in Ramallah featuring his work and others, including Nabil Anani and Issam Badrl. “They told us that painting the Palestinian flag was forbidden, but also the colors were forbidden. So Issam said, ‘What if I were to make a flower of red, green, black and white?’, to which the officer replied angrily, ‘It will be confiscated. Even if you paint a watermelon, it will be confiscated,’” Mansour told the outlet.
Israel lifted the ban on the Palestinian flag in 1993, as part of the Oslo Accords, which entailed mutual recognition by Israel and the Palestinian Liberation Organization and were the first formal agreements to try to resolve the decades-long Israeli-Palestinian conflict. The flag was accepted as representing the Palestinian Authority, which would administer Gaza and the West Bank.
In the wake of the accords, the New York Times nodded to the role of watermelon as a stand-in symbol during the flag ban. “In the Gaza Strip, where young men were once arrested for carrying sliced watermelons—thus displaying the red, black and green Palestinian colors—soldiers stand by, blasé, as processions march by waving the once-banned flag,” wrote Times journalist John Kifner.
In 2007, just after the Second Intifada, artist Khaled Hourani created The Story of the Watermelon for a book entitled Subjective Atlas of Palestine. In 2013, he isolated one print and named it The Colours of the Palestinian Flag, which has since been seen by people across the globe.
The use of the watermelon as a symbol resurged in 2021, following an Israeli court ruling that Palestinian families based in the Sheikh Jarrah neighborhood in East Jerusalem would be evicted from their homes to make way for settlers.
The watermelon symbol today:
In January, Israel’s National Security Minister Itamar Ben-Gvir gave police the power to confiscate Palestinian flags. This was later followed by a June vote on a bill to ban people from displaying the flag at state-funded institutions, including universities. (The bill passed preliminary approval but the government later collapsed.)
In June, Zazim, an Arab-Israeli community organization, launched a campaign to protest against the ensuing arrests and confiscation of flags. Images of watermelons were plastered on to 16 taxis operating in Tel Aviv, with the accompanying text reading, “This is not a Palestinian flag.”
“Our message to the government is clear: we will always find a way to circumvent any absurd ban and we will not stop fighting for freedom of expression and democracy,” said Zazim director Raluca Ganea. 
Amal Saad, a Palestinian from Haifa who worked on the Zazim campaign, told Al-Jazeera they had a clear message: “If you want to stop us, we’ll find another way to express ourselves.”
Words courtesy of BY ARMANI SYED / TIME
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gootarts · 9 months
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as of 8/3, the most recently updated version of this post is here (it's a reblog of this exact post with more info added)
as a lot of you know, limbus company recently fired its CG illustrator for being a feminist, at 11 pm, via phone call, after a bunch of misogynists walked into the office earlier that day and demanded she be fired. on top of this, as per korean fans, her firing went against labor laws---in korea, you must have your dismissal in writing.
the korean fandom on twitter is, understandably, going scorched earth on project moon due to this. there's a lot currently going on to protest the decision, so i'm posting a list here of what's going on for those who want to limit their time on elon musk's $44 billion midlife crisis impulse purchase website (if you are on twitter, domuk is a good person to follow, as they translate important updates to english). a lot of the links are in korean, but generally they play nicely with machine translators. this should be current as of 8/2.
Statements condemning the decision have been issued by The Gyeonggi Youth Union and IT Union.
A press conference at the Gyeonggido Assembly will occur on 8/3, with lawmakers of the Gyeonggi province (where Project Moon is based) in attendance. This appears driven by the leader of the Gyeonggi Youth Union.
The vice chairman of the IT union--who has a good amount of experience with labor negotiations like these--has expressed strong support for the artist and is working to get media coverage due to the ongoing feminist witch hunts in the gaming industry. Project Moon isn't union to my knowledge, but he's noted that he's taken on nonunion companies such as Netmarble (largest mobile game dev in South Korea) by getting the issue in front of the National Assembly (Korea's congress).
Articles on the incident published in The Daily Labor News, Korean Daily, multiple articles on Hankyoreh (one of which made it to the print edition), and other news outlets.
Segments about the termination on the MBN 7 o' clock news and MBC's morning news
Comments by Youth Union leaders about looking into a loan made to Project Moon via Devsisters Ventures, a venture capital firm. Tax money from Gyeonggi province was invested in Devsisters in 2017, and in 2021, Devsisters gave money to Project Moon. The Gyeonggi Youth Union is asking why hard-earned tax money was indirectly given to a company who violates ESG (environmental, social and governance) principles.
Almost nonstop signage truck protests outside Project Moon's physical office during business hours until 8/22 or the company makes a statement. This occurs alongside a coordinated hashtag campaign to get the issue trending on Twitter in Korea. The signage campaign was crowd-funded in about 3 hours.
A full boycott of the Limbus Company app, on both mobile and PC (steam) platforms. Overseas fans are highly encouraged to participate, regardless if whether they're F2P or not. Not opening the app at all is arguably the biggest thing any one person can do to protest the decision, as the app logs the number of accounts that log on daily. For a new gacha such as Limbus, a high number of F2P daily active users, but a small number of paying users is often preferable to having a smaller userbase but more paying users. If the company sees the number of daily users remain stable, they will likely decide to wait out any backlash rather than apologize.
Digging up verified reviews from previous employees regarding the company's poor management practices
Due to the firing, the Leviathan artist has posted about poor working conditions when making the story. As per a bilingual speaker, they were working on a storyboard revision, and thought 'if I ran into the street right now and got hit by a car and died, I wouldn't have to keep working.' They contacted Project Moon because they didn't want their work to be like that, and proposed changes to serialization/reduction in amount of work per picture/to build up a buffer of finished images (they did not have any buffer while working on Leviathan to my knowledge). They were shut out, and had to suck it up and accept the situation.
Hamhampangpang has a 'shrine' section of the restaurant for fans to leave fan-created merch and other items. They also allow the fans to take this merch back if they can prove it's theirs. Fans are now doing just that.
To boost all of the above, a large number of Korean fanartists with thousands of followers have deleted their works and/or converted their accounts from fanart accounts to accounts supporting the protests. Many of them are bilingual, and they're where I got the majority of this information.
[note 1: there's a targeted english-language disinformation campaign by the website that started the hate mob. i have read the artist's tweets with machine translation, and they're talked about in the second hankyoreh article linked above: nowhere does she express any transphobic or similarly awful beliefs. likewise, be wary of any claims that she supported anything whose description makes you raise eyebrows--those claims are likely in reference to megalia, a korean feminist movement. for information on that, i'd recommend the NPR/BBC articles below and this google drive link of english-language scholarly papers on them. for the love of god don't get your information about a feminist movement from guys going on witch hunts for feminists.]
[note 2: i've seen a couple people argue that the firing was for the physical safety of the employees, citing the kyoani incident in japan. as per this korean fan, most fans there strongly do not believe this was the case. we have english-translated transcripts of the meeting between the mob and project moon; the threats the mob was making were to......brand project moon as a feminist company online. yes, really. male korean gamers aren't normal about feminism, and there's been an ongoing witch hunt for feminists in the industry since about 2016, something you see noted in both the labor union statements. both NPR and the BBC this phenomenon to gamergate, and i'd say it's a pretty apt comparison.]
let me know if anything needs correction or if anything should be added.
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ozzgin · 3 months
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Yandere! Android x Reader (I)
It is the future and you have been tasked to solve a mysterious murder that could jeopardize political ties. Your assigned partner is the newest android model meant to assimilate human customs. You must keep his identity a secret and teach him the ways of earthlings, although his curiosity seems to be reaching inappropriate extents.
Yes, this is based on Asimov’s “Caves of Steel” because Daneel Olivaw was my first ever robot crush. I also wanted a protagonist that embraces technology. :)
Content: female reader, AI yandere, 50's futurism
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You follow after the little assistant robot, a rudimentary machine invested with basic dialogue and spatial navigation. It had caused quite the ruckus when first introduced. One intern - well liked despite being somewhat clumsy at his job - was sadly let go as a result. Not even the Police is safe from the threat of AI, is what they chanted outside the premises.
"The Commissioner has summoned you, (Y/N)." 
That's how it greeted you earlier, clacking its appendage against the open door in an attempt to simulate a knock. 
"Do you know why my presence is needed?" You inquire and wait for the miniature AI to scan the audio message. 
"I am not allowed to mention anything right now." It finally responds after agonizing seconds.
 It's an alright performance. You might've been more impressed by it, had you not witnessed first hand the Spacer technology that could put any modern invention here on Earth to shame. Sadly the people down here are very much against artificial intelligence. There have been multiple protests recently, like the one in front of your building, condemning the latest government suggestion regarding automation. People fear for their jobs and safety and you don't necessarily blame them for having self preservation. On the other hand, you've always been a supporter of progress. As a child you devoured any science fiction book you could get your hands on, and now, as a high ranked police detective you still manage to sneak away and scan over articles and news involving the race for a most efficient computer.
You close the door behind you and the Commissioner puts his fat cigarette out, twisting the remains into the ashtray with monotonous movements as if searching for the right words.
 "There's been a murder." Is all he settles on saying, throwing a heavy folder in your direction. A hologram or tablet might've been easier to catch, but the man, like many of his coworkers, shares a deep nostalgia for the old days. 
 You flip through the pages and eventually furrow your eyebrows. 
"This would be a disaster if it made it to the news." You mumble and look up at the older man. "Shouldn't this go to someone more experienced?" 
He twiddles with his grey mustache and glances out the fake window. 
"It's a sensitive case. The Spacers are sending their own agent to collaborate with us. What stands out to you?" 
You narrow your eyes and focus on the personnel sheet. What's there to cause such controversy? Right before giving up, departing from the page, you finally notice it: next to the Spacer officer's name, printed clearly in black ink, is a little "R." which is a commonly used abbreviation to indicate something is a robot. The chief must've noticed your startled reaction and continues, satisfied: 
"You understand, yes? They're sending an android. Supposedly it replicates a human perfectly in terms of appearance, but it does not possess enough observational data. Their request is that whoever partners up with him will also house him and let him follow along for the entirety of the mission. You're the only one here openly supporting those tin boxes. I can't possibly ask one of your higher ups, men with wives and children, to...you know...bring that thing in their house."
You're still not sure whether to be offended by the fact that your comfort seems to be of less priority compared to other officers. Regardless of the semantics, you're presently standing at the border between Earth and the Spacer colony, awaiting your case partner. A man emerges from behind a security gate. He's tall, with handsome features and an elegant walk. He approaches you and you reach for a handshake. 
"Is the android with you?" You ask, a little confused. 
"Is this your first time seeing a Spacer model?" He responds, relaxed. "I am the agent in your care. There is no one else." 
You take a moment to process the information, similar to the primitive machine back at your office. Could it be? You've always known that Spacer technology is years ahead, but this surpasses your wildest dreams. There is not a single detail hinting at his mechanical fundament. The movement is fluid, the speech is natural, the design is impenetrable. He lifts the warm hand he'd used for the handshake and gently presses a finger against your chin in an upwards motion. You find yourself involuntarily blushing. 
"Your mouth was open. I assumed you'd want it discreetly corrected." He states, factually, with a faint smile on his lips. Is he amused? Is such a feeling even possible? You try your best to regain some composure, adjusting the collar of your shirt and clearing your throat. 
"Thank you and please excuse my rudeness. I was not expecting such a flawless replica. Our assistants are...easily recognizable as AI."
"So I've been told." His smile widens and he checks his watch. You follow his gesture, still mesmerized, trying to find a single indicator that the man standing before you is indeed a machine, a synthetic product.
Nothing.
"Shall we?" He eyes the exit path and you quickly lead him outside and towards public transport. 
He patiently waits for your fingerprint scan to be complete. You almost turn around and apologize for the old, lagging device. As a senior detective, you have the privilege of living in the more spacious, secured quarters of the city. And, since you don't have a family, the apartment intended for multiple people looks more like a luxury adobe. Still, compared to the advanced way of the Spacers, this must feel like poverty to the android.
At last, the scanner beeps and the door unlocks. 
"Heh...It's a finicky model." You mumble and invite him in.
"Yes, I'm familiar with these systems." He agrees with you and steps inside, unbuttoning his coat.
"Oh, you've seen this before?"
"In history books."
You scratch your cheek and laugh awkwardly, wondering how much of his knowledge about the current life on Earth is presented as a museum exhibit when compared to Spacer society. 
"I'm going to need a coffee. I guess you don't...?" Your words trail as you await confirmation. 
"I would enjoy one as well, if it is not too much to ask. I've been told it's a social custom to 'get coffee' as a way to have small talk." The synthetic straightens his shirt and looks at you expectantly. 
"Of course. I somehow assumed you can't drink, but if you're meant to blend in with humans...it does make sense you'd have all the obvious requirements built in."
He drags a chair out and sits at the small table, legs crossed.
"Indeed. I have been constructed to have all the functions of a human, down to every detail." 
You chuckle lightly. Well, not like you can verify it firsthand. The engineers back at the Spacer colony most likely didn't prepare him for matters considered unnecessary. 
"I do mean every detail." He adds, as if reading your mind. "You are free to see for yourself."
You nearly drop the cup in your flustered state. You hurry to wipe the coffee that spilled onto the counter and glance back at the android, noticing a smirk on his face. What the hell? Are they playing a prank on you and this is actually a regular guy? Some sort of social experiment? 
"I can see they included a sense of humor." You manage to blurt out, glaring at him suspiciously. 
"I apologize if I offended you in any way. I'm still adjusting to different contexts." The android concludes, a hint of mischief remaining on his face. "Aren't rowdy jokes common in your field of work?"
"Uh huh. Spot on." You hesitantly place the hot drink before him.
Robots on Earth have always been built for the purpose of efficiency. Whether or not a computer passes the Turing Test is irrelevant as long as it performs its task in the most optimal, rational way. There have been attempts, naturally, to create something indistinguishable from a human, but utility has always taken precedence. It seems that Spacers think differently. Or perhaps they have reached their desired level of performance a long time ago, and all that was left was fiddling with aesthetics. Whatever the case is, you're struggling not to gawk in amazement at the man sitting in your kitchen, stirring his coffee with a bored expression.
"I always thought - if you don't mind my honesty - that human emotions would be something to avoid when building AI. Hard to implement, even harder to control and it doesn't bring much use."
"I can understand your concerns. However, let me reassure you, I have a strict code of ethics installed in my neural networks and thus my emotions will never lead to any destructive behavior. All safety concerns have been taken into consideration.
As for why...How familiar are you with our colony?" The android takes a sip of his coffee and nods, expressing his satisfaction. "Perhaps you might be aware, Spacers have a declining population. Automated assistants have been part of our society for a long time now. What's lacking is humans. If the issue isn't fixed, artificial humans will have to do."
You scoff.
"What, us Earth men aren't good enough to fix the birth rates? They need robots?"
You suddenly remember the recipient of your complaint and mutter an apology. 
"Well, I'm sure you'd make a fine contender. Sadly I can't speak for everyone else on Earth." The man smiles in amusement upon seeing the pale red that's now dusting your cheeks, then continues: "But the issue lies somewhere else. Spacers have left Earth a long time ago and lived in isolation until now. Once an organism has lost its immune responses to otherwise common pathogens, it cannot be reintegrated."
True. Very few Earth citizens are allowed to enter the colony, and only do so after thorough disinfection stages, proving they are disease free as to not endanger the fragile health of the Spacers living in a sterile environment. You can only imagine the disastrous outcome if the two species were to abruptly mingle. In that case, equally sterile machinery might be their only hope.
Your mind wanders to the idea. Dating a robot...How's that? You sheepishly gaze at the android and study his features. His neatly combed copper hair, the washed out blue eyes, the pale skin. Probably meant to resemble the Spacers. You shake your head.
"A-anyways, I'll go and gather all the case files I have. Then we can discuss our first steps. Do feel at home."
You rush out and head for your office. Focus, you tell yourself mildly annoyed.
While you search for the required paperwork - what a funny thing to say in this day and age - he will certainly take up on your generous offer to make himself comfortable. The redhaired man enters the living room, scanning everything with curious eyes. He stops in front of a digital frame and slides through the photos. Ah, this must be your Police Academy graduation. The year matches with the data he's received on you. Data files he might've read one too many times in his unexplained enthusiasm. This should be you and the Commissioner; Doesn't match the description of your father, and he seems too old to be a spouse or boyfriend. Additionally, the android distinctly recalls the empty 'Relationship' field.
"Old photos are always a tad embarrassing. I suppose you skipped that stage."
He jolts almost imperceptibly and faces you. You have returned with a thin stack of papers and a hologram projector.
"I've digitalized most files I received, so you don't have to shuffle a bunch of paper around." You explain.
"That is very useful, thank you." He gently retrieves the small device from your hand, but takes a moment before removing his fingers from yours. "I predict this will be a successful partnership."
You flash him a friendly smile and gesture towards the seating area.
"Let's get to work, then. Unless you want to go through more boring albums." You joke as you lower yourself onto the plush sofa. 
The synthetic human joins you at an unexpectedly close proximity. You wonder if proper distance differs among Spacers or if he has received slightly erroneous information about what makes a comfortable rapport. 
"Nothing boring about it. In fact, I'd say you and I are very similar from this point of view." He tells you, placing the projector on the table.
"Oh?"
"Your interest in technology and artificial intelligence is rather easy to infer." The man continues, pointing vaguely towards the opposing library. "Aside from the briefing I've already received about you, that is."
"And that is similar to...the interest in humans you've been programmed to have?" You interject, unsure where this conversation is meant to lead. 
"Almost."
His head turns fully towards you and you stare back into his eyes. From this distance you can finally discern the first hints of his nature: the thin disks shading the iris - possibly CCD sensors - are moving in a jagged, mechanical manner. Actively analyzing and processing the environment. 
"I wouldn't go as far as to generalize it to all humans. 
Just you."
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unpretty · 2 months
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i got approval like a year ago to start working on a version of our local government office's website that wasn't made by me in notepad in my first month on the job. except i haven't actually made any progress whatsoever because i'm too busy doing my actual job (accounting, not remotely web dev) and dicking around on tumblr. so i got this clever idea to ask if i could work on it at home sometimes. what i do is i request pto and then at home i dick around in wordpress for an hour and print a screenshot to attach to my timesheet. if i can convince my boss (still uses a typewriter and one of those calculators with the little roll of paper on it) that making it look like that took eight hours i don't have to use any of my vacation time. i have not had to use any of my pto since i started doing this.
which is all well and good but i've actually made more progress in one hour increments than i did trying to set aside whole days at the office for website bullshit. this has unsettling implications for how much time in my day is taken up by tuning out my coworkers and trying to look busy. it wouldn't be so hard except my coworkers cannot comprehend that it is possible to be busy while not interacting with the public (my job does not involve interacting with the public). so the only way to avoid a sales pitch for nail wraps, or, worse, getting volunteered to decorate the st patrick's day tree (they bought generic white led trees with the idea that they were neutral enough to be decorated for "all the holidays") is to type constantly and aggressively on the loudest keyboard in the world. which is easiest to accomplish by using keyboard shortcuts to browse the internet at high speed. not having to do this at home seems to be saving me about seven hours per work day.
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john-get-the-salt · 6 months
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Packed Lunch (w/spencer reid)
Imagine: One morning Spence is in a rush to leave for work and forgets his lunch. You know he gets cranky when he gets hungry, so that only leaves one option.
Contains: secret relationship becoming not so secret anymore, funny Rossi, cute domestic Reid
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It'd been exactly 39 minutes since Spencer left for work and you hadn't moved a muscle, standing and glaring at the bag sitting on the counter. It wasn't that the bag itself had offended you, as it was in fact just a harmless brown paper bag. What did offend you, was that it wasn't with Spencer like it should be. The packed lunch was no good if Spencer didn't pack it with him to work.
He'd been in such a rush leaving that morning that he zipped out the door without it. Whenever he stayed the night at your place you made sure to pack him a lunch, knowing that he wasn’t always the best at caring for himself.
Forgetting to bring lunch wasn't usually a big deal for most people. You knew that the federal building where he worked had a cafeteria.
But this was Spencer Reid you were talking about. And Spence hated the cafeteria food. On the occasion he forgot his lunch he'd just go the entire day living off coffee and whatever snacks were hidden in his desk. Then he’d go back to either his apartment or yours, starving and with a nasty headache.
This meant without his lunch he would most likely not be eating today. And as you thought about how stressed and overworked he'd been lately, that did not sit well with you.
So it was decided. You would drop his food off.
He was just in the office for the day as far as you knew, so you were moderately sure you could just leave it with the front desk or something and have them take it up to him.
The two of you had been dating for several months but agreed to keep it secret from his coworkers for now. Spencer was adamant that in his line of work he could never have any secrets, and for once he wanted to have something all to himself. You couldn't even begin to understand how he did what he did, so that was an easy request to grant.
You had since then discussed telling his co-workers about your relationship as you two became more serious, but the right time hadn't come up yet. Plus it made you giggle when he told you the tales of his co-workers trying to set him up or making fun of his lack of romantic life.
This all meant you couldn't just stroll into the building and announce to everyone that you were dropping food off for your boyfriend, Spencer Reid. You would need to quickly and discretely drop the food off and then be gone without a trace.
No harm in that at all. Right?
You quickly got dressed and grabbed the lunch. Living within walking distance of the BAU headquarters was extremely handy, especially today. It was a nice day and you enjoyed the weather as you walked.
It only took about 15 minutes before you were pulling the doors to the government building open, immediately being hit with a rush of cool air. The inside was full of people who looked like they really meant business in their fancy suits and stern faces. You sudden felt self conscious in your normal ‘civilian’ attire, and scurried up to the front desk to get this over with.
The lady at the front desk seemed disinterested, and barely looked up when you stopped in front of her.
"Can I help you?"
"Hi, yes. I was hoping I could drop off this food for my boyfriend. He works here and forgot it this morning and he always gets cranky when he's hungry and-"
"Ma'am we don't deliver food."
"I know I just-he's going to be hungry and I can tell you what department he works for and maybe someone could run it up to him real quick."
She pulled open a binder from her desk, sighing heavily. "Can I get his name and your name?"
"Oh, um, his name is Spencer Reid, and mine is but I don't work here I'm-"
"Here. You're already a registered visitor."
She handed you a clip on badge with Visitor printed on it in big bold letters. "Give that to security, then elevators are to the left and there's a directory on the wall. Have a good day."
Before you could even argue she was dismissing you and addressing the person in line behind you. So you forced your feet to move and head towards security. You felt like a fraud walking amongst agents and other government workers, and you kept your gaze down to avoid eye contact. After your purse got checked and your visitor badge got scanned you shuffled to the elevators.
You paused in front of the directory on the wall, squinting at the dozens of names listed. Where the fuck was the BAU?
You must've looked as confused as you felt, as someone stopped beside you.
“Ma'am? Do you need help finding something?"
You turned towards the voice, coming face to face with a kind-looking older man.
"Oh! I do actually, if you wouldn't mind."
"Of course, what department are you looking for?"
"Um, the BAU?"
"Well I can definitely help you there."
He pressed the elevator button and the two of you waited for a moment before the doors opened and the elevator emptied. He gestured forward and you gave him an appreciative smile before stepping in. He followed along with a few other people. It remained quiet as the elevator rose and stopped at occasional floors, people getting in and out.
Eventually it stopped at floor 6 (totally making this up idk) and the man announced this was the stop.
You followed him off the elevator and onto a floor that was still busy, but nearly as much as the lobby. Straight ahead, down a little hall, were a set of glass doors with BAU printed on the front. You chewed on your lip as you stared the door down, contemplating.
How were you going to casually drop Spence's lunch off without creating suspicion? You couldn't exactly just walk right in and hand it to him without people questioning who you were.
"Can I help you find anyone in particular?"
"Oh no that's okay, you've helped plenty. I don't want to keep you from your business."
"Please, what kind of gentleman would I be if I didn't help?"
This was so not the plan. But what other option did you have? You hadn't accounted for this scenario, you were positive you wouldn't make it past the front desk. But now here you were, and you needed to make sure this food got to Spence. Plus it probably wasn't smart to aimlessly wander around an FBI building. With your luck someone would think you were a terrorist or something. And you were not a terrorist.
"I didn't think you were, but my confidence in that is now wavering."
Oh my god. You said that last part out loud. To an FBI agent.
“Oh god I’m so sorry, I did not mean to say that out loud. I swear I’m not a terrorist. I have this terrible habit of saying dumb things when I’m nervous.”
Could this get any worse? All you wanted to do was drop your boyfriends lunch off and now you were talking about terrorism with an FBI agent.
To your relief, the man just chuckled. “Don’t worry about it, I’ve heard plenty worse. Now who are you looking for?”
At this point you were ready for the earth to just swallow you whole and you were deeply regretting ever leaving the apartment.
“Spencer Reid,” you said simply as you held up the bag in hand. “I have his lunch.”
“Spencer? He’s just through these glass doors, follow me.”
At this point, you didn’t care who saw you. You didn’t care that it sounded like this man knew Spence, and may or may not think you are a terrorist.
You just wanted fo give Spence his lunch and get the fuck out of dodge.
Following the stranger through the glass doors, you found yourself in a much quieter area. The entrance led out onto a catwalk from where you could see clusters of desks below you and a little coffee bar against the wall.
"I'll just set the lunch over here-"
"(Y/N)?"
You looked up at the voice and found your boyfriend standing below you at a desk, a concerned look on his face. He left the group of people he was standing with and jogged up the steps towards you.
"Hey, is everything ok? Did something happen? Are you ok?" His eyes were wide with concern, words coming out fast as he glanced over you. His hands automatically reached for yours, something the two of you did without thought.
"I'm fine, my love. You just forgot your lunch," you held up the paper bag. "I tried to drop it off at the front desk but the lady just gave me this pass and told me to bring it up. Then I almost got lost but this nice guy stopped and helped but I was so nervous I accidentally said something about terrorism and I know I shouldn't drop by unannounced but I also know how cranky you get when you're hungry and I-"
"(Y/n)," he cut your anxious rambling off, smiling in relief that everything was ok. "Thank you."
You smiled back up at him, relieved he wasn’t upset. "You're quite welcome. And I must say I feel so official with my badge even though I absolutely do not belong here."
He laughed. "I think you fit right in."
"Well I-"
"Reid?"
You both froze and became suddenly re-aware of the current setting. You looked up at your boyfriend with wide, worried eyes.
Spencer sighed, though that dopey smile of his remained on his face. "I think our secret is out."
He intertwined his hand in yours and together you turned towards the voice. Standing with varying looks of confusion and smugness were a group of people you recognized as his co-workers.
"Who's this?"
Spencer cleared his throat. "Um, guys this is… my girlfriend."
You gave a hesitant wave, trying not to shrink under the intimidating gazes. The office was quiet for a moment, before someone else burst into the room
"Did Reid just say girlfriend?!"
"That's correct, babygirl," one of them spoke up. "Pretty boys got himself a girlfriend."
The blonde gasped, before rushing forward and grabbing you into a hug.
"It is SO nice to meet you!"
You laughed as you hugged her back.
“It's lovely to meet you too, Penelope. All of you.”
She released you and you turned towards the rest of the team.
“Spence is always showing me pictures and talking about you guys, I hope you understand us wanting to keep it quiet for a while. But I've been really looking forward to meeting you."
A man with a stern look in his eye stepped forward, holding out a hand. "Aaron Hotchner," his eyes seemed to soften as you shook his hand. "Nice to finally meet you."
That broke the rest of the team out of this trance and they all gathered forward to formally introduce themselves. You shook everyone's hands and giggled as they ogled at the fact that Spencer had caught himself a girlfriend.
You learned, with a laugh, that the man who'd helped you find your way was in fact David Rossi, one of Spence's coworkers. I’m your anxious mess you hadn’t recognized the man.
You explain to everyone that you were just dropping off Spencer's lunch, but you weren't getting away that easily.
Penelope and JJ convinced you to stay, and you all spent the lunch break sitting around a conference table chatting. Hearing stories about Spence on the job had you cry laughing and you happily indulged his friends in some stories of your own.
The entire time Spencer kept a tight hold of your hand, smile never wavering as he watched his favorite people laugh together.
His family.
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