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#I apologize if it's not you expected.
honehonn3honey · 7 months
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"A story doesn't need a theme in order to be good" I'm only saying this once but a theme isn't some secret coded message an author weaves into a piece so that your English teacher can talk about Death or Family. A theme is a summary of an idea in the work. If the story is "Susan went grocery shopping and saw a weird bird" then it might have themes like 'birds don't belong in grocery stores' or 'nature is interesting and worth paying attention to' or 'small things can be worth hearing about.' Those could be the themes of the work. It doesn't matter if the author intended them or not, because reading is collaborative and the text gets its meaning from the reader (this is what "death of the author" means).
Every work has themes in it, and not just the ones your teachers made you read in high school. Stories that are bad or clearly not intended to have deep messages still have themes. It is inherent in being a story. All stories have themes, even if those themes are shallow, because stories are sentences connected together for the purpose of expressing ideas, and ideas are all that themes are.
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poorly-drawn-mdzs · 9 days
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Average Drama Enjoyer observes some peak drama.
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i-am-a-fish · 11 months
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I'm high, I'm gonna go make another blog, I'll be right back give me an hour
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cosmicwhoreo · 5 months
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Sounds like a YOU problem...
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myrddin-wylt · 1 year
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why would yall encourage me??? anyway I made more in-universe hetalia memes.
bonus meme on which I refuse to elaborate
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demaparbat-hp · 3 months
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the audacity you literally have to make a GENOCIDE SURVIVOR (whose entire culture was decimated by the fire nation) proudly work for the imperial fire nation army in some fuckass au? zutara shippers are never beating the colonial apologism allegations.
Woah, okay, I wasn't expecting this. I'm a firm believer that people should, first and foremost, treat each other on the basis of respect, so I'll do my best to explain this to you, clearly, and with the benefit of the doubt in mind, okay? I'm a nice person like that.
First of all, I'm working under the assumption that you haven't read these posts, and thus don't have all the information I've shared about the AU. I've been as clear about this subject as I can be, especially in my replies but, for the sake of fairness, I'll say it once again again:
I do not condone nor find it moraly correct to justify a victim of war joining the side of the ones responsible for her people's genocide.
I try to view this AU, and war in general, through a mature, realistic lense. Turning Katara into a victim with glorified Stockholm Syndrome isn't really my style. It's honestly insulting and deeply disturbing for me, as a creator, a woman of color born in a country that has a very, very long history of colonialism, and an empathetic human being, that anyone would believe me capable of thinking like that.
That being said, I know I really shouldn't, but would you like me to give you a step by step response?
(...) proudly work for the imperial fire nation army (...)
Okay, like I said before, I'm going to assume you saw only the artwork, didn't read either the tags or the two separate, in depth posts about the characterization and plot in this AU I made literally twenty four hours ago, and drew your own conclusions instead.
First of all: Katara doesn't proudly work for the Fire Nation army. That's her cover, as it is Zuko's. She joined Zuko and his crew, all traitors to the throne and good, honourable people, under the pretense of hunting the Avatar. Truly, they're destroying the Fire Nation military from within. And are, most definitely, not proud soldiers of the Fire Lord.
Katara hates the Fire Nation. But if joining a Fire Nation crew is what she needs to do to end the war, she will do it.
And, honestly, these are not excuses. But context is important, and it's not healthy to draw conclusions from the title instead of actually reading the book, if you know what I mean. It could get you in trouble some day.
And, please, I'm begging you—this has been talked about a lot, and I don't really like drama all that much, so I won't even rise to the accusations of condoning a non consented, colonialist and abuse apologist relationship.
That's just rude.
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can-a-tuna-fish · 3 months
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I love that Michael says “I was fully prepared to watch you suffer” like he hasn’t been laying around looking at the wall like this every night for weeks.
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boinky-spoinky · 2 months
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🌙 Going to bed, will finish digital art shenanigans tomorrow night, night! 🌙
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jounosparticles · 5 months
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reply to the tags of your reply to my previous ask: PLEASE RANT TO ME ABOUT THEIR RELATIONSHIP!!!! i want to hear. they rot my brain too and im glad that i found someone who's also suffering the suegiku takeover
OKAYOKAY YAY!!!!! this will be fun >:)
a huge suegiku analysis:
okay in the last ask you mentioned how tetchou stabs jouno for fun and sillies and stuff which happened to make me think a lot about how tetchou acts decently different around jouno than others.
tetchou is typically rather formal in the way he acts in a way? as in he's very straightforward, generally composed and calm in his words, and polite to anyone he's dealing with.
an example of this is when he still treated the cafe owner kindly despite him being an "accessory to terrorism" in jouno's words.
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basically, in most situations, he remains very composed. even when he's up to his sillier antics (like when he was watching ants or doing pushups during a meeting). he's direct and straight-faced almost always around most people. he doesn't act that way to be seen as silly, it's just who he is (and i love it).
i would imagine he could act this way for many reasons. it is most likely him being professional, likely as a reference to the irl tetchou who had samurai lineage; making him act with the tone and professionalism of samurai.
despite his professionalism, maybe he has difficulty being expressive around most people, or maybe he doesn't want to be expressive around people by choice.
but this is where he's different around jouno.
firstly, i'll talk about the times he's stabbed jouno. this has happened twice, and both were to de-escalate jouno from his tendancy to mentally torment people.
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the wording in these panels implies this is a regular occurrence. which is a little funny to me hehe.
anyway, we see by the way that he acts around others that usually he de-escalates situations by talking first instead of acting. he will turn to violence if he believes it's needed, but typically he talks first. we see this when he confronts kenji verbally before attacking.
yet with jouno he doesn't bother to tell him to stop first, instead opting to jab him. remembering that the hunting dogs have enhanced physical strength, a small stab wound probably isn't a huge deal for them.
because of this i think the stabbings are tetchou partially teasing jouno. him messing around like that isn't something he does with anybody else but he seems to enjoy pissing off his partner.
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also. stabbing him directly in the ass? gay as hell. jouno following up by saying "don't poke my ass every single time" implies that his ass specially gets jabbed a lot. hmmmm
anyways
another example of this is when tetchou smirks/chuckles at jouno insisting that he's the greatest hunting dog. the small laugh was most definitely to bother jouno.
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mmmm theyre both so pretty.
once again, tetchou pushes aside his composed self and being intentionally silly only really happens towards jouno.
arguably, this can be shown again in the pushups scene.
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tetchou acting unbothered and then calling jouno's weight "just right" while he continues to exercise seems like a combination of him trying to (jokingly) annoy jouno as well as his tendency to not acknowledge his own actions as bothersome or odd to others.
anyway to sum up this segment: tetchou is only seen intentionally bothering and teasing jouno and nobody else. he acts much differently towards others but seems to let his professional guard down around only his partner. this shows a great layer of trust and comfort between the two!
oh. but im not done talking about this. not at all.
the other huge display of emotions for tetchou was everything that went down with kenji.
as displayed throughout most of tetchou's appearances, he's incredibly justice-orientated. he has a tendancy to put justice above everything. here's a couple panels showing this:
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ooog tetchou is so pretty. i love that left panel so much
using his own logic here, he should have went after bram after having found him. tetchou even admitted that, but there was one other thing more important to him than that. jouno.
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starting here, this panel takes place after bram and aya escape. at this point, tetchou had assumed the agency was using bram to control people; meaning it wasn't just kenji he technically had business with at that time.
i will also preface this by saying the book's influence likely had an impact on tetchou attacking kenji before they could finish talking.
however, the book's writing didn't stop tetchou from insisting on finding jouno before taking down the agency. his worry towards jouno's whereabouts made him change his stance on justice as well as deterred him from prioritizing taking down the agency.
now that he's talking to kenji, i'd like to start it by showing that he seemed genuinely grateful and happy when kenji initially offered to help him find jouno.
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as well in the anime, his eyes soften when kenji offers to help.
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after talking to kenji for a brief moment, he opts to attack instead of continuing. this seems out of character for tetchou; he even apologized to kenji before saying he needs to find jouno as quickly as possible.
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the fact that he apologized, combined with how we've seen him treat people in the past shows that this isn't typically what he resorts to.
also, in the anime we can see the gloss his eyes slightly shaking as he says this line, which could display worry, sadness, or anger towards whatever could be happening to his partner.
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he seems almost distraught, which is a huge contrast to his typically-composed self.
and, of course; there's the fact that mid-fight tetchou had to tell kenji that jouno is a good person despite what people think.
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he looks genuinely sad here, as if he's speaking from his heart. jouno has very-clearly put up a tough exterior that he uses around everyone, but tetchou goes out of his way to defend him even when he absolutely doesn't need to.
he could have stayed silent or just said he wants his coworker back, but he insisted on stating that jouno is a good person.
it's also important to note that nobody else tends to speak kindly of jouno, which puts a lot more depth on their closeness to each other. tetchou sees through jouno's words and actions and knows that he is heavily misunderstood.
and of course, we have tetchou directly saying that he will place jouno above justice despite knowing what the right course of action should have been.
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he is putting jouno above the very thing he basis his career as well as his morality on. that's how worried he is. that's how much he cares.
and in this panel, we see he's extremely angry towards kenji's lack of response.
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lets compare this to the first time tetchou fought the agency.
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in chapter 61, when he was fighting the agency alongside jouno; he kept a more menacing/intimidating look as he attacked. when he was not attacking, he kept calm-looking despite being pissed off. compared to when he was fighting kenji in chapter 100 and looked infuriated. even the different fonts used for the dialogue puts further emphasis on this.
now, i'm going to jump ahead to the end of tetchou and kenji's fight. tetchou recognizes his mistake and asks kenji to kill him.
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it's important to note that his reasoning as to why he should have chased justice was because he doesn't think jouno would have condoned his choice.
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he specified it again, even opting to call jouno his friend. also note how white his eyes are here, meaning his intent was pure and he genuinely felt awful for misjudging what jouno would have wanted. he cares so much that he was asking to be killed for misunderstanding what was the correct course of action.
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and then after kenji insists on helping him find jouno instead, he smiles in relief before the two pass out.
one last small note is that we've only ever seen tetchou smile three times throughout the manga so far, and all of them were mentioned here and involved jouno.
to sum it all up: tetchou, who is typically very composed and justice-orientated, is willing to throw aside his entire stance on justice for jouno. he lets his professional guard down around his friend, allowing them to tease each other and be silly as well, which he doesn't appear to do around others often. this shows that the two have a close bond and genuinely care so much about each other.
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as for jouno, i don't have as much to say however there definitely is a few things i'd like to touch on.
firstly, despite claiming to hate tetchou a lot, jouno still uses a respectful honourific (-san) whenever he refers to him. i'm not a japanese speaker so please feel free to correct me if i'm wrong but there's a good chance jouno would opt to not use an honorific at all if he genuinely detested tetchou as much as he claims.
and when it comes to teasing, jouno does it much more often than tetchou does (however he also messes with more people, it's just a personality difference between the two).
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clearly with the way they act around each other, jouno does not actually hate tetchou. i think they like to bother each other by play-bullying.
also, noting on jouno's criminal past, he was given an easy oppurtunity to be thrown into the DoA where he could be incredibly powerful and would likely not face any consequences for his actions had he joined.
we know he declined fukuchi's offer because he found joy in saving innocent people. but i would the influence of the other hunting dogs helped set him into that place of mind. tetchou seems to be the one he works with most, so there's a good chance he takes a lot of inspiration from how tetchou handles justice.
another thing i noticed with jouno is that his displaying of emotions is almost an inverse of how tetchou acts. jouno keeps smiling a lot despite who he's speaking to. in contrast, he can keep a straight face when interacting with tetchou a lot.
of course, that could make it seem as if jouno is unhappy around tetchou, but i would argue it's the opposite.
some people will force a happy expression to appear unassuming or kind (or in a lot of jouno's cases, intimidating). so him allowing himself to maintain a straight face around tetchou could mean that he is comfortable enough around him to not feel the need to express everything. he doesn't need to keep his guard up around tetchou.
jouno almost always keeps a very happy or calm composure around enemies, likely as an intimidation factor. yet he allows himself to express frustration and annoyance around the hunting dogs in general, and most often with tetchou. i'd like to imagine this just shows his security in his partner.
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jouno talking to an enemy, for reference ^ i also just really love this page hehe
the last thing i'll mention here is a lot of speculation on my behalf. however i think that jouno seems like the type to push away those close to him. i kind of perceived his supposed hatred towards tetchou to be a combination of joking around as well as possibly a defense mechanism to try and avoid keeping people close?
my main reason in stating that is that he's claimed to not like any of his coworkers yet still opts to not betray them and still works well with them. if he truly hated tetchou, he probably wouldn't allow them to work together. he likely says such things to avoid being liked too much, and these actions proved to work since tetchou acknowledged that everyone sees jouno as cold.
yet through all that tetchou still knew he was good despite the exterior, which makes them well-suited for each other.
anyways: i feel like these two really do treat each other much differently than they treat the other people around them. that puts a lot of emphasis on their bond and closeness in general. they can be silly around each other, they can get through arguments no problem, they make a great team, and clearly care about each other a ton! they mean so much to me <3
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i love my sillies :)
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thelaurenshippen · 1 year
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this happened
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sticks-and-souls · 7 months
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Anakin & Letting Go
I always found it to be a little skeptical that Anakin could become a force ghost after it took Yoda, Qui Gon, and Obi-Wan learning and training how to do it, and I always thought “really? Anakin? Finding that level of peace and letting go?” But after this episode, seeing the care and lesson that he imparts upon Ahsoka that he learned so painfully, I understand it from him so much better. Vader was so stuck in his complete self-hatred that he allowed nobody who had known him before as Anakin to reach him (most notably Obi-Wan and Ahsoka) because of the overwhelming extent of his shame. It took his son, who had never known him and yet who still stood before him and believed in him, loved him, sacrificed himself for him, to call Anakin back from the depths of Vader. And this Anakin, let everything go to save his son and to allow his son to save him.
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And it felt so impactful to get to see this mature post-Vader Anakin reaching out to Ahsoka to teach her this very hard-earned lesson that he took the very hard road to get. Because she has Vader in her. She is everything Anakin taught her, and we saw the behaviors that led Anakin to becoming Vader—the fear of losing his most cherished relationships—reaching out of Anakin very early in the clone wars (and before) and the two of them are both very aware that he imparted those lessons on her. And then we've seen across this season—and overtly in her clone wars flashbacks—that she believes she is inextricable from these traits.
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I’ve always loved Anakin as a fictional character, getting to see his earnestness, his flawedness, and his intensity (to borrow Huyang’s very accurate adjective), but this episode brought a level of humanity to him that has moved me so deeply. Life is HARD, loss gets forced on all of us no matter what, and the lessons that we learn through mistakes that we made can be extremely painful because acknowledging and taking responsibility for hurting people is actually really painful for humans (not owning up to our actions is the emotionally easier choice and George Lucas has stated time and again that the Dark Side is about taking the short-term easier choices). But it ultimately means that learning from your mistakes is an actual choice you have to MAKE. And this is the core of Anakin’s lesson. He is teaching Ahsoka that she has to choose which lessons he has taught her that she will live by, but more than that, that she is empowered to be able to choose. Yes, she has everything that he taught her—the good and the bad—but she is not condemned to live out all of the lessons. 
And the beauty of it isn't just the lesson, but that Anakin gets to be the one to teach it to her. The betrayal that she experienced in discovering his fall, the taintedness that she has been portraying that she feels about herself, gets specifically addressed because if he figured it out, then she definitely can too. If he is more than just Vader, then she is too. And THAT is what the "Is that what this is about?" line is actually about. It's so so important that we get to see pre-Vader, Vader, and post-Vader across her vision because the point is that yes, Vader is a part of him, and that brilliant shot of the two of them glaring Sith eyes across the blade at each other did it's job in conveying that Ahsoka is capable of that darkness too, but you are not only the darkness. You get to choose. ("You're more than [death and destruction] because I'm more than that"). And more to the point, you have to choose. Because if you don't specifically choose to fight the dark, then you're ultimately choosing to fall into it. "Fight or die."
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So for Anakin to be able to reach out to her one more time, to be able to love her the way he, as Vader, had refused to the last time when they met on Malachor, and to open with “you’re never too old to learn”, because god if he didn’t learn that the hard way too. And to be able to pass on to Ahsoka how to actually let go because he himself had only just finally been able to learn it as well, feels so powerful and poignant.
And that look of pride and wistful sadness that he gives her at the end? That both she and Luke were able to learn so quickly what took him so long? And that maybe, he may have helped save her from the worst traits that he imbued upon her? That’s him having let go of his own shame. He feels grief, he feels guilt—we can see it on his face—but what has happened has happened and he has accepted that, and finally learned that letting go doesn't mean it didn't happen, it means it doesn't have to define your actions going forward.
And finally, it’s also him letting go of ahsoka. By teaching her that she will choose her destiny, he has to accept that he cannot control it either. And he has. “There’s hope for you yet.” 
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So yeah, Anakin learned to let go, and getting to see him here, in this headspace of acceptance and peace, practicing and understanding what it means to be a Jedi, was so unexpectedly cathartic and revelatory for me as viewer. 
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vs 
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front-facing-pokemon · 2 months
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ashenberry · 8 months
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[ID: 3 images featuring Agent Phoenix from I Expect you to die. He has brown and grey hair slicked back and shaved on the side and brown eyes. Image 1: Agent Phoenix is in a wheelchair with a cigar in his mouth. He is wearing a black suit with an orange tie and grey waistcoat, as well as black gloves and jeans and grey shoes. He is smiling and looking off to the left and is against a red background. Image 2: Several sketches. From top to bottom: Sketch 1: Agent phoenix with his hands clasped together making a :3 face. behind him is an explosion with :3 over it Sketch 2: John Juniper with a hand to his chin saying, "wow you just sat there and listened to the whole [evil monologue]. i honestly didnt think that would happen" while agent phoenix sits below surrounded by lasers. there is a note saying ," could not figure out how to skip the monologue" and a clapperboard near his feet Sketch 3: Agent Phoenix chewing gum while levitating a mug towards himself. The handler in the background is saying, "i swear to god if you keep putting pre chewed gum in your mouth im gonna strangle you with my bare hands" Image 2: More sketches. from top to bottom Sketch 1: Agent phoenix holding a paper while smoking a cigar and thinking, "god i love smoking". in the next panel the paper is on fire and his expression is shocked. there is a note saying, "paper caught on fire :(" Sketch 2: The handler and Dr Prisim having a conversation Handler: Roxana you've seen Agent Phoenix in action you know we can help Dr Prism: Not this time, Reginald Agent phoenix is in the corner looking up with big eyes thinking, "divorce" Sketch 3: Agent Pheonix has both of his arms outstretched strained using telekenis while Dr Prism exclaims, "How are you doing that?! Thats Incredible!" End ID]
hello all 5 ieytd fans how we feelin
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thinking about ed’s “apology” being a series of minimizations — “perhaps some of my actions, maybe all of my actions, maybe me, myself, maybe I, me made some of you feel somewhat — whatever that nasty, dark stuff was that brought us here, it’s in the past. all i wanted to say at the end of the day is that we’re trying to move the culture forward”
how haltingly he admits to the blame, how he still moves the blame onto “dark nasty stuff” that “brought us here” instead of “my actions. what i did” and then immediately moving onto “it’s about just moving on and not thinking about it anymore” essentially.
thinking about how ed could say “hello Mr. Latch, it’s not your fault you’re broken, no. you didn’t break you. you were just trying to do your job, weren’t you?” to a door but cant say it to izzy. ed “i didn’t apologize for jack shit” teach, izzy already rewriting his trauma to excuse ed and place blame onto himself. Ed, going around to fang and allowing lucius to push him off the ship. he tried to make up with lucius and fang (who had already forgiven him) but noticeably hasnt been alone w izzy
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thinking about ed saying “let’s move past it into the future” and izzy later saying “not moving on is worse” instead of/than acknowledging the actual trauma. idk idk
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i dunno why i keep thinking about these scenes together. I think it has to do with the repeated word, but could be about how Izzy is blaming himself for his actions and Ed is being very gentle and understanding to a door latch he’s fixing, and not the man who he shot.
(ultimately, i do think he’s working on it, he’s getting there. but he isn’t there yet. it’s still early days, though.)
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