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#I mean I always am
boyginas · 6 months
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Obsessed with men who have sharp canines... I need one to bite my neck, leaving marks all over my collarbones and shoulders too, so everyone knows which dogboy I now belong to. Seeing him cockily grin in a way that shows off how sharp his teeth are while he's coming inside me. When he whines after I grab his thick leather collar, I get another glimpse of his canines, and it somehow makes me even harder than just hearing him beg to fuck me.
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nat-seal-well · 4 months
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I've been in an Nat/Ava mood all week help
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sushiikando · 4 months
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i have some mothman doodles but idk whether to post or not......
context: a few are suggestive thas why (idk what to tag that stuff with so ppl not interested dont see it)
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laceheartts · 1 year
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instagram cinnamongrl222_
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daisyvisions · 1 year
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Confession: That clip of Sangyeon saying that he drank Eric's mango juice because he was being annoying is hot as fuck and I can't explain why but like every time I see it it makes me desire Sangyeon carnally. Okay goodbye. 🙃🫣
okay now you're making me think about this carnally when I never did NAURRR 😩 If I piss him off or annoy him I wonder... what would he do 👀
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endusviolence · 2 months
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Rowling isn't denying holocaust. She just pointed out that burning of transgender health books is a lie as that form of cosmetic surgery didn't exist. But of course you knew that already, didn't you?
I was thinking I'd probably see one of you! You're wrong :) Let's review the history a bit, shall we?
In this case, what we're talking about is the Institut für Sexualwissenschaft, or in English, The Institute of Sexology. This Institute was founded and headed by a gay Jewish sexologist named Magnus Hirschfeld. It was founded in July of 1919 as the first sexology research clinic in the world, and was run as a private, non-profit clinic. Hirschfeld and the researchers who worked there would give out consultations, medical advice, and even treatments for free to their poorer clientele, as well as give thousands of lectures and build a unique library full of books on gender, sexuality, and eroticism. Of course, being a gay man, Hirschfeld focused a lot on the gay community and proving that homosexuality was natural and could not be "cured".
Hirschfeld was unique in his time because he believed that nobody's gender was either one or the other. Rather, he contended that everyone is a mixture of both male and female, with every individual having their own unique mix of traits.
This leads into the Institute's work with transgender patients. Hirschfeld was actually the one to coin the term "transsexual" in 1923, though this word didn't become popular phrasing until 30 years later when Harry Benjamin began expanding his research (I'll just be shortening it to trans for this brief overview.) For the Institute, their revolutionary work with gay men eventually began to attract other members of the LGBTA+, including of course trans people.
Contrary to what Anon says, sex reassignment surgery was first tested in 1912. It'd already being used on humans throughout Europe during the 1920's by the time a doctor at the Institute named Ludwig Levy-Lenz began performing it on patients in 1931. Hirschfeld was at first opposed, but he came around quickly because it lowered the rate of suicide among their trans patients. Not only was reassignment performed at the Institute, but both facial feminization and facial masculization surgery were also done.
The Institute employed some of these patients, gave them therapy to help with other issues, even gave some of the mentioned surgeries for free to this who could not afford it! They spoke out on their behalf to the public, even getting Berlin police to help them create "transvestite passes" to allow people to dress however they wanted without the threat of being arrested. They worked together to fight the law, including trying to strike down Paragraph 175, which made it illegal to be homosexual. The picture below is from their holiday party, Magnus Hirschfeld being the gentleman on the right with the fabulous mustache. Many of the other people in this photo are transgender.
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[Image ID: A black and white photo of a group of people. Some are smiling at the camera, others have serious expressions. Either way, they all seem to be happy. On the right side, an older gentleman in glasses- Magnus Hirschfeld- is sitting. He has short hair and a bushy mustache. He is resting one hand on the shoulder of the person in front of him. His other hand is being held by a person to his left. Another person to his right is holding his shoulder.]
There was always push back against the Institute, especially from conservatives who saw all of this as a bad thing. But conservatism can't stop progress without destroying it. They weren't willing to go that far for a good while. It all ended in March of 1933, when a new Chancellor was elected. The Nazis did not like homosexuals for several reasons. Chief among them, we break the boundaries of "normal" society. Shortly after the election, on May 6th, the book burnings began. The Jewish, gay, and obviously liberal Magnus Hirschfeld and his library of boundary-breaking literature was one of the very first targets. Thankfully, Hirschfeld was spared by virtue of being in Paris at the time (he would die in 1935, before the Nazis were able to invade France). His library wasn't so lucky.
This famous picture of the book burnings was taken after the Institute of Sexology had been raided. That's their books. Literature on so much about sexuality, eroticism, and gender, yes including their new work on trans people. This is the trans community's Alexandria. We're incredibly lucky that enough of it survived for Harry Benjamin and everyone who came after him was able to build on the Institute's work.
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[Image ID: A black and white photo of the May Nazi book burning of the Institute of Sexology's library. A soldier, back facing the camera, is throwing a stack of books into the fire. In the background of the right side, a crowd is watching.]
As the Holocaust went on, the homosexuals of Germany became a targeted group. This did include transgender people, no matter what you say. To deny this reality is Holocaust denial. JK Rowling and everyone else who tries to pretend like this isn't reality is participating in that evil. You're agreeing with the Nazis.
But of course, you knew that already, didn't you?
Edit: Added image IDs. I apologize to those using screen readers for forgetting them. Please reblog this version instead.
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inkskinned · 10 months
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at some point it's just like. do they even fucking like the thing they're asking AI to make? "oh we'll just use AI for all the scripts" "we'll just use AI for art" "no worries AI can write this book" "oh, AI could easily design this"
like... it's so clear they've never stood in the middle of an art museum and felt like crying, looking at a piece that somehow cuts into your marrow even though the artist and you are separated by space and time. they've never looked at a poem - once, twice, three times - just because the words feel like a fired gun, something too-close, clanging behind your eyes. they've never gotten to the end of the movie and had to arrive, blinking, back into their body, laughing a little because they were holding their breath without realizing.
"oh AI can mimic style" "AI can mimic emotion" "AI can mimic you and your job is almost gone, kid."
... how do i explain to you - you can make AI that does a perfect job of imitating me. you could disseminate it through the entire world and make so much money, using my works and my ideas and my everything.
and i'd still keep writing.
i don't know there's a word for it. in high school, we become aware that the way we feel about our artform is a cliche - it's like breathing. over and over, artists all feel the same thing. "i write because i need to" and "my music is how i speak" and "i make art because it's either that or i stop existing." it is such a common experience, the violence and immediacy we mean behind it is like breathing to me - comes out like a useless understatement. it's a cliche because we all feel it, not because the experience isn't actually persistent. so many of us have this ... fluttering urgency behind our ribs.
i'm not doing it for the money. for a star on the ground in some city i've never visited. i am doing it because when i was seven i started taking notebooks with me on walks. i am doing it because in second grade i wrote a poem and stood up in front of my whole class to read it out while i shook with nerves. i am doing it because i spent high school scribbling all my feelings down. i am doing it for the 16 year old me and the 18 year old me and the today-me, how we can never put the pen down. you can take me down to a subatomic layer, eviscerate me - and never find the source of it; it is of me. when i was 19 i named this blog inkskinned because i was dramatic and lonely and it felt like the only thing that was actually permanently-true about me was that this is what is inside of me, that the words come up over everything, coat everything, bloom their little twilight arias into every nook and corner and alley
"we're gonna replace you". that is okay. you think that i am writing to fill a space. that someone said JOB OPENING: Writer Needed, and i wrote to answer. you think one raindrop replaces another, and i think they're both just falling. you think art has a place, that is simply arrives on walls when it is needed, that is only ever on demand, perfect, easily requested. you see "audience spending" and "marketability" and "multi-line merch opportunity"
and i see a kid drowning. i am writing to make her a boat. i am writing because what used to be a river raft has long become a fully-rigged ship. i am writing because you can fucking rip this out of my cold dead clammy hands and i will still come back as a ghost and i will still be penning poems about it.
it isn't even love. the word we use the most i think is "passion". devotion, obsession, necessity. my favorite little fact about the magic of artists - "abracadabra" means i create as i speak. we make because it sluices out of us. because we look down and our hands are somehow already busy. because it was the first thing we knew and it is our backbone and heartbreak and everything. because we have given up well-paying jobs and a "real life" and the approval of our parents. we create because - the cliche again. it's like breathing. we create because we must.
you create because you're greedy.
#every time someones like ''AI will replace u" im like. u will have to fucking KILL ME#there is no replacement here bc i am not filling a position. i am just writing#and the writing is what i need to be doing#writeblr#this probably doesn't make sense bc its sooo frustrating i rarely speak it the way i want to#edited for the typo wrote it and then was late to a meeting lol#i love u people who mention my typos genuinely bc i don't always catch them!!!! :) it is doing me a genuine favor!!!#my friend says i should tell you ''thank you beta editors'' but i don't know what that means#i made her promise it isn't a wolf fanfiction thing. so if it IS a wolf thing she is DEAD to me (just kidding i love her)#hey PS PS PS ??? if ur reading this thinking what it's saying is ''i am financially capable of losing this'' ur reading it wrong#i write for free. i always have. i have worked 5-7 jobs at once to make ends meet.#i did not grow up with access or money. i did not grow up with connections or like some kind of excuse#i grew up and worked my fucking ASS OFF. and i STILL!!! wrote!!! on the side!!! because i didn't know how not to!!!#i do not write for money!!!! i write because i fuckken NEED TO#i could be in the fucking desert i could be in the fuckken tundra i could be in total darkness#and i would still be writing pretentious angsty poetry about it#im not in any way saying it's a good thing. i'm not in any way implying that they're NOT tryna kill us#i'm saying. you could take away our jobs and we could go hungry and we could suffer#and from that suffering (if i know us) we'd still fuckin make art.#i would LOVE to be able to make money doing this! i never have been able to. but i don't NEED to. i will find a way to make my life work#even if it means being miserable#but i will not give up this thing. for the whole world.
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mikkeneko · 1 year
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PSA to fan creators who don't have a lot of regular contact with children: They are almost always bigger than you think. A 1-year-old baby may already be walking. A toddler is likely already hip-high. A 10-year-old may already be taller than at least one of their parents. A 14/15 year old may already have reached their adult height.
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stedebonnets · 6 months
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RIP Izzy Hands. You did not die alone. You died surrounded by friends and family. Belonging to something.
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anothersuperstition · 13 days
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my chemical romance albums but make them (a24(ish)) film posters
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uncanny-tranny · 8 months
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To any disabled person undergoing tests to find What's Wrong: I hope your results come back the way you hope and that you receive the help you need. I hope you are not denied care, I hope you are taken seriously even after this, and I hope that you will be taken care of compassionately
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erabu-san · 2 months
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playing w sparkle shoujo brush is so fun kskskss At first, I drew Collei being cute and Freminet was the one being confused and I don't know how I reversed it
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coffeecatcraze · 2 months
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I would just like to say how hard it hits me in the chest to see Charlie masking every time she's onscreen the day before the fight (including what we see on Vox's spy screens of course), except when no one is with her but Vaggie. Even during her emotional speech she tries so damn hard to keep that confidence up and smile on. But we do see her stop masking twice, when the only person watching her is Vaggie.
First:
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No one's really paying attention to her, and she's not smiling; she's worried. When Vaggie approaches her, she doesn't put on a happy face. She talks about her mom with the same smile as in the first episode (during a very emotionally vulnerable moment with Vaggie, might I add). It's not happy or confident. It's nostalgic, wistful, and sad, because her mom's absence is something very personal and painful for her. When Vaggie asks if they're ready, Charlie doesn't instantly start to smile or answer with confidence even though she usually would (even within that short beat of time), because her mask is off. She's not confident or optimistic. She's scared. She's not ready.
Then Pentious comes out and she's all smiles again! The mask comes back on when someone other than Vaggie is there.
Second:
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Of course, one of our favorite scenes. Charlie's alone when she breaks down, but when Vaggie shows up, she keeps the mask off. She admits how scared she is. When she does smile, it's not the big smile she's been throwing on throughout the day, and it's not strained either. It's soft, gentle, and real. She's not masking. Vaggie is genuinely making her feel better when she's finally letting herself fall apart, just by being there and reminding her that no matter what happens, she's already accomplished so much, and she's so loved.
Charlie is under a lot of stress and pressure. She's scared. She's not as optimistic as she's making herself out to be. She's giving everything she's got out there being a strong, confident, inspirational leader and friend in front of everyone, and it's only with Vaggie that she lets it go. She doesn't have to try to be strong. She doesn't pretend. She lets down her guard, because for her, Vaggie is that one infinitely special person who gets to see every part of her; the one person she can always be her honest self with.
There were plenty of times in other episodes when Charlie didn't mask her negative emotions around people, but that was when she didn't have anyone looking to her as a leader. She's running on adrenaline and the weight of people's expectations as Extermination Day gets closer, and she can't let the mask she's put on slip in public. She has to seem like she's totally ready for what's coming. But Vaggie is different.
The amount of trust and love Charlie has for her is staggering. She's under an insane amount of stress and pressure, and having Vaggie by her side is probably the only thing keeping her from completely falling to pieces. Seeing a relationship so full of deep trust and love is absolutely beautiful. <3
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jamiewintons · 2 years
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Okay, I need you guys to send me your spiciest Jamie thoughts 😏
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lgbtlunaverse · 7 months
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the wangxian + a-yuan "dads with an adopted son" thing is fine and enjoyable in fanfics honestly but I think we as a fandom are really not utilizing the idea of all of them in unconventional familial structures enough. Like, canonically it wasn't so much that wwx was a-yuan's guardian as that a-yuan was being raised collectively by the wens and wwx was adopted INTO the larger wen family. And lwj got attached to him through that. A-yuan just has these very attached weird uncles/older cousin figures that aren't related to him by blood at all but keep sticking around.
Just think of a modern AU with a lot less death where lwj does as he does in canon and keeps showering a-yuan in gifts as much as he can and when wwx is like "aiyah lan zhan you're gonna spoil him. Not everyone is as rich as you! What's his family supposed to say if they can't buy him all the stuff you do?" lwj just goes "Hm". And from then on out every year once a-yuan's birthday is near the extended Wen family members (well. the ones that are invited that is. No one wants wen chao at a birthday party) wakes up to a wechat payment from lwj.
Random wen cousin number 6 texts granny like
cousin 6: i just got 400 yuan????
granny: oh that's just wangji
cousin 6: i've never met this guy in my life???
granny: he wants you to buy a-yuan a nice birthday present!
cousin 6: how does he know my bank account???
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bacchuschucklefuck · 6 days
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while teen while goblin while aroace while injured while doing your best
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