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#Let's make more!
lala1236 · 17 days
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Summoners!!!!!!!!
So...it's me again and I want to encourage our enthusiastic fandom to keep creating more content for artw, even if Storytaco keeps starving us of content! I encourage everyone to create edits, make more bots on Chai and characterai and write fan fiction! We can't die yet!!!!
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inkskinned · 10 months
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because sometimes there are invisible tests and invisible rules and you're just supposed to ... know the rule. someone you thought of as a friend asks you for book recommendations, so you give her a list of like 30 books, each with a brief blurb and why you like it. later, you find out she screenshotted the list and send it out to a group chat with the note: what an absolute freak can you believe this. you saw the responses: emojis where people are rolling over laughing. too much and obsessive and actually kind of creepy in the comments. you thought you'd been doing the right thing. she'd asked, right? an invisible rule: this is what happens when you get too excited.
you aren't supposed to laugh at your own jokes, so you don't, but then you're too serious. you're not supposed to be too loud, but then people say you're too quiet. you aren't supposed to get passionate about things, but then you're shy, boring. you aren't supposed to talk too much, but then people are mad when you're not good at replying.
you fold yourself into a prettier paper crane. since you never know what is "selfish" and what is "charity," you give yourself over, fully. you'd rather be empty and over-generous - you'd rather eat your own boundaries than have even one person believe that you're mean. since you don't know what the thing is that will make them hate you, you simply scrub yourself clean of any form of roughness. if you are perfect and smiling and funny, they can love you. if you are always there for them and never admit what's happening and never mention your past and never make them uncomfortable - you can make up for it. you can earn it.
don't fuck up. they're all testing you, always. they're tolerating you. whatever secret club happened, over a summer somewhere - during some activity you didn't get to attend - everyone else just... figured it out. like they got some kind of award or examination that allowed them to know how-to-be-normal. how to fit. and for the rest of your life, you've been playing catch-up. you've been trying to prove that - haha! you get it! that the joke they're telling, the people they are, the manual they got- yeah, you've totally read it.
if you can just divide yourself in two - the lovable one, and the one that is you - you can do this. you can walk the line. they can laugh and accept you. if you are always-balanced, never burdensome, a delight to have in class, champagne and glittering and never gawky or florescent or god-forbid cringe: you can get away with it.
you stare at your therapist, whom you can make jokes with, and who laughs at your jokes, because you are so fucking good at people-pleasing. you smile at her, and she asks you how you're doing, and you automatically say i'm good, thanks, how are you? while the answer swims somewhere in your little lizard brain:
how long have you been doing this now? mastering the art of your body and mind like you're piloting a puppet. has it worked? what do you mean that all you feel is... just exhausted. pick yourself up, the tightrope has no net. after all, you're cheating, somehow, but nobody seems to know you actually flunked the test. it's working!
aren't you happy yet?
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yourangle-yuordevil · 5 months
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That time in ancient Greece when Aziraphale needed a speedy horse and accidentally invented the pegasus
VS.
Whatever Crowley had going on in medieval times
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beldaroot · 21 days
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there has been more moments than i can count in the past seven months where i felt destroyed by all the death and carnage i've seen due to the colonialism and imperialism of the world. but there was something in particular about hind's death that made me think the world would stop turning bc how could anything continue given how gruesome and inhumane her death was? and yet, the world did not stop. and i thought we were once again left to remember her story only in our minds as she became another number, as her murderers went on killing unpunished, and as her mother grieved with rage when all she wanted was to keep her daughter warm and as safe as she could manage in this man-made hell on earth.
however, hind, a girl who only got to experience her kindergarten graduation, is now being immortalized in universities across the nation. her story did resonate to the masses and we will not let her be forgotten nor forgive those complicit in her death. real justice would be having hind alive, but these students are showing that they will stop the world and burn the status quo it upholds to the ground if it means her people can truly be liberated.
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deancaskiss · 1 year
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rb to have a super gay 2023
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ambrosiagourmet · 4 months
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I think one of the biggest tragedies of Laios & Falin and their relationship is how much his actions impact her life. But like. Specifically how much they WOULDN’T impact her life as much if they weren’t both stuck in such a shitty abusive situation.
This part of the Falin-tries-makeup daydream hour comic is what got me thinking about it again because truly it just... it seems like such a like an offhand comment that I'm sure Laios didn't mean to be cruel or anything. That's just like. A little kid not thinking about what they are saying. ESPECIALLY when the kid in question is Laios.
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But man they depended on each other SO much as kids. Too much. It really feels like they didn't have any other source of positive reinforcement, or anyone else to share themselves with. So of course an offhand comment like that has a huge impact on Falin.
Or this little bit from one of the flashbacks:
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This tears me apart. Do you think it tears him apart to think about? I think it does. I think Laios holds every small failure to care for Falin against himself.
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And then there's the Bigger stuff. The way that him coping with his own trauma ended up impacting her.
Like his interest in monsters. Like him going to find a ghost, and accidentally revealing Falin's magic to the whole village in the process.
Like him needing to leave. And leaving her behind.
He shaped her life so much, and he carries so much guilt for it. And again, there should have been other people there to help. The same things that made Laios need to leave home are the things that made his leaving so hard on Falin. She ate alone after that. She shouldn't have had to eat alone just because Laios wasn't there.
She was 9 when he left for school, and he was 11.
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Nine. And Laios feels like he failed her because he didn't stand by her through this better. As an eleven year old.
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Both of these kids deserved so much better from the world.
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theoldkyokodied · 8 months
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The Allegiance of the Ascended Vampire and the New God of Magic
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oobbbear · 5 months
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I want to post this here too because I’ve seen it happen a few times
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Please understand that there are cultural differences and language differences, if you see this happening let the person clarify what they meant, that person might just not be familiar with words the western side of the internet use
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watchingwisteria · 6 months
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listen there really was just something about how in the book, snow’s 3-page descent from hesitant lover boy to deluded psychopath happens entirely in his mind. lucy gray gives him no indication whatsoever that she suspects him, that she’s going to leave or betray him. he’s just sitting quietly in the cabin waiting for her to return when that seed of calculated suspicion, which he has needed to survive the capitol, takes a hold of him and chokes the life out of any goodness left inside him. it really drives home your terror as a reader that “oh my god did he kill her? did she escape? what happened to her? why would he even think that?” in a way that when the movie had to adjust for visualization it lost some of that holy shit this guy has lost it emphasis.
#seeing some discourse and im not saying lucy grey didnt know#im saying she never dropped the kind of hints that she knew like she did in the movie#or if she did snow isnt worried about them until he very suddenly is consumed by them#snow is not concerned about whether or not she believed him. of course she did! hes snow!#but then shes gone…. for a while……#and its the sudden immediate drastic unravelling that comes across so clearly in the book#that i knew wouldn’t translate to screen yet still cant help but miss#the hunger games#coriolanus snow#tbosas#lucy gray baird#not a crime or anything just a note that i cannot stop thinking about#the ballad of songbirds and snakes#this is all from memory of reading it quite a while ago. so maybe 3 pages is an exaggeration#but i remember it happening VERY quickly and without much external cause#like we as the reader have no indication as to whether shes nearby or not.#snow has no idea either. he just SUSPECTS. and his suspicion breeds the hatred that has been bubbling inside him all this time#he hates how she undoes him. he hates that he WOULD run away with her if shed let him keep his secrets#and he HATES more than anything that she makes him WANT to tell his secrets#he wants to be vulnerable and reveal the ugly nasty parts about himself and still be loved#but he does not let himself and it is everyone’s downfall#he chooses cruelty bc it is easy and familiar and makes him feel more powerful than the vulnerable give and take that real love requires
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stromblessed · 6 months
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Mizu, femininity, and fallen sparrows
In my last post about Mizu and Akemi, I feel like I came across as overly critical of Mizu given that Mizu is a woman who - in her own words - has to live as a man in order to go down the path of revenge.
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If she is ever discovered to be female by the wrong person, she will not only be unable to complete her quest, but there's a good chance that she'll be arrested or killed.
So it makes complete sense for Mizu to distance herself as much as possible from any behavior that she feels like would make someone question her sex.
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I felt so indignant toward Mizu on my first couple watchthroughs for this moment. Why couldn't Mizu bribe the woman and her child's way into the city too? If Mizu is presenting as a man, couldn't she claim to be the woman's escort?
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However, this moment makes things pretty clear. Mizu knows all too well the plight of women in her society. She knows it so well that she cannot risk ever finding herself back in their position again. She helps in what little way she can - without drawing attention to herself.
Mizu is not a hero and she is not one to make of herself a martyr - she will not set herself on fire to keep others warm. There's room to argue that Mizu shouldn't prioritize her quest over people's lives, but given the collateral damage Mizu can live with in almost every episode of season 1, Mizu is simply not operating under that kind of morality at this point. ("You don't know what I've done to reach you," Mizu tells Fowler.)
And while I still feel like Mizu has an obvious and established blind spot when it comes to Akemi because of their differences in station, such that Mizu's judgment of Akemi and actions in episode 5 are the result of prejudice rather than the result of Mizu's caution, I also want to establish that Mizu is just as caged as Akemi is, despite her technically having more freedom while living as a man.
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Mizu can hide her mixed race identity some of the time, and she can hide her sex almost all of the time, but being able to operate outside of her society's strict rules for women does not mean she cannot see their plight.
It does not mean she doesn't hurt for them.
Back to Mizu and collateral damage, remember that sparrow?
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While Mizu is breaking into Boss Hamata's manse, she gets startled by a bird and kills it on reflex. She then cradles it in her hands - much more tenderly than we've seen Mizu treat almost anything up to this point in the season:
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She then puts it in its nest, with its unhatched eggs. Almost like she's trying to make the death look natural. Or like an accident.
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You see where I'm going with this.
When Mizu kills Kinuyo, Mizu lingers in the moment, holding the body tenderly:
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And btw a lot of stuff about this show hit me hard, but this remains the biggest gut punch of them all for me, Mizu holding that poor girl's body close, GOD
When Mizu arranges the "scene of the crime," Kinuyo's body is delicate, birdlike. And Mizu is so shaken afterward that she gets sloppy. She's horrified at this kill to the point that she can't bring herself to take another innocent life - the boy who rats her out.
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MIZU'S ONE MOMENT OF SOFTNESS AND MERCY, COMING ON THE HEELS OF HER NEEDING TO KILL A GIRL TO SPARE HER THE WORST FATE THAT THIS RIGID SOCIETY HAS TO OFFER WOMEN, AND TO SPARE A BROTHEL FULL OF INNOCENT WOMEN WHO ARE THE CASTOFFS OF SOCIETY, NEARLY RESULTS IN ALL OF THEIR DEATHS
No wonder Mizu is as stoic and cold as she is.
And no wonder Mizu has no patience for Akemi whatsoever right before the terrible reveal and the fight breaks out:
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Speaking of Akemi - guess who else is compared to a bird!
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The plumage is more colorful, a bit flashier. But a bird is a bird.
And, uh
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Yeah.
I like to think that Mizu killing the sparrow is not only foreshadowing for what she must do to Kinuyo, but is also a representation of the choice she makes on Akemi's behalf. She decides to cage the bird because she believes the bird is "better off." Better off caged than... dead.
But because Mizu doesn't know Akemi or her situation, she of course doesn't realize that the bird is fated to die if it is caged and sent back home.
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Mizu is clearly not happy, or pleased, or satisfied by allowing Akemi to be dragged back to her father:
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But softness and mercy haven't gotten Mizu anywhere good, recently.
There is so much tragedy layered into Mizu's character, and it includes the things she has to witness and the choices she makes - or believes she has to make - involving women, when she herself can skirt around a lot of what her society throws at women. Although, I do believe that it comes at the cost of a part of Mizu's soul.
After all, I'm gonna be haunted for the rest of this show by Mizu's very first prayer in episode 1:
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"LET" her die. Because as Ringo points out, she doesn't "know how" to die.
Kind of like another bird in this show:
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unionfish · 1 year
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forget fast fashion in 2023 the only viral trend i wanna see is workers unionizing
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griffinkid · 2 months
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I've seen "I don't know how to play with toys anymore" a few times lately and just wanted to point out-
Playing with toys looks different for everyone, even actual children!
Playing with toys can look like: 🧸🪁🚂
Taking pictures of your toys and writing captions for them
Brushing or grooming soft toys or toys with rooted hair
Ordering or sorting your toys by colour/species etc
Making up stories, poems or comics about your toys
Dressing or accessorising your toys
Imagining your toys talking to you or each other, forming opinions of their own, etc
Drawing your toys
Taking your toys for a walk outside, even in a backpack or pocket if you don't want to carry them openly
Making lists of the toys you have and where you got them etc
Feel free to add your own ideas
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arabella-s-arts · 3 months
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Scenes/Things in Supernatural that genuinely don't make sense to me if Dean was straight:
The confession booth scene.
Sam just rolling with the fact that Dean's siren is a guy while still thinking sirens infect people through sex.
Dean being flustered by several men: Gunner Lawless, Aaron, Doctor Sexy, etc.
All the parallels between Destiel and other couples. (A big one being "last night on Earth" bc how do you do that accidentally.)
Having all the gay jokes be on Dean instead of Sam.
Paralleling Sam meeting his childhood celebrity crush with Dean meeting Gunner Lawless.
The boner Dean got when Cas cleaned up.
Dean gulping after Cas does an impression from a Western movie.
Charlie, a lesbian, calling Castiel "dreamy."
The way Mary looks at Dean and Cas when they hug.
Dean wondering why everyone assumes he's gay, while Sam not caring.
The logic that Charlie can't flirt with guys because she's only attracted to women, but then having Dean flirt with the guy for her.
Dean seeming disappointed when learning that Aaron's flirting was fake.
The amount of time Dean and Cas spend staring at each other.
Dean canonically having an orgy with Crowley.
A woman saying that she knows when someone's pining for someone else to Dean, just for us to learn that Dean was never in love with Amara.
The set design and script choices that lead to a cross in the background while Dean said "I do." to Cas after he came back to life.
Edit: To the people who say I can't use the siren as an example because the siren is supposed to be his brother, and therefore his siren being a man doesn't work. If you reread that bullet point, then you will realize that I didn't put it down as just simply Dean's siren being a man. I recognize that the siren is supposed to be his brother. It's the fact that Sam still thinks the siren infects people through sex, not knowing that it's actually through saliva when he realizes who the siren is. So when he sees that Dean's siren is a guy, he had to assume they had sex, and he does not seem surprised by this at all.
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uncanny-tranny · 8 months
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Learning to internalize the message above, but art is in all of our bones. If you feel afraid to create art because it won't be "good enough," it's worth it to explore why you feel that fear. Creating art is one of the basic impulses of people, and if you want to create art, then you absolutely must.
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nikkisticki · 10 months
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RULE
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bigfatbreak · 3 months
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dad villain au: did emilie just. not consider at all that adrien was literally dying at the time. wow
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she's in the habit of deciding when Adrien's suffering is acceptable, and if it is, she'll just fix it later.
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