Ghostflower and their family Head cannons ८,,◐⩊◐,,ა
BTW!!! FULL CREDITS TO: @seven-eleven-slushie!!
⊹- Charlotte is nerdy and smart just like miles when miles was her age
⊹- Charlotte is interested in Marine animals and has posters and so much stuff of Marine animals
⊹- Max is was also just like miles when he was his age, he always does graffiti and Miles and Gwen arent happy about it.
⊹- The kids love hanging out with Mayday and whenever mayday visits she always bakes them red velvet cookies
⊹- When Charlotte was a toddler she would always play dress up with the spider band and make them wear princess dresses
⊹- Max never invites his friends to his house because once Gwen tried to be cool and used slang wrong and it embarrassed Max a lot
⊹- Once Miles was picking up Charlotte from school and he started blasting Jojo siwa "im gonna come back like a boomerang" and she started crying on the spot
ALIEN is about a megacorporation coercing some salvagers into transporting a dangerous creature without telling them what it is, all because the creature could be a great bioweapon for them. When a survivor of this failed transport mission wants reparations, they screw her over to avoid a scandal.
ROBOCOP is about another mega-corporation experimenting with a cop's body and declaring him their property, trying to reduce him to an obedient killing machine who can maintain the status quo for them.
JURASSIC PARK is about a rich billionaire going all out to make a dinosaur-themed amusement park, not caring about the real-world implications of resurrecting giant lizards. He also underpays ONE guy to maintain the entire park's security systems so predictably, that one guy betrays him at a crucial moment.
The best movies weave their politics with plot & character, so you can enjoy them as entertainment but can also notice the themes. Movies without themes wind up being all spectacle and no substance, just noise and color like Michael Bay's Transformers franchise. Yeah, they make money, but they'll be forgotten in 2 generations.
Okay, yes, the culture of car worship that's present in a lot of post-apocalyptic media is deeply silly, but it doesn't make sense to give the Mad Max series in particular a hard time for it. The infrastructure required to enable that culture of car worship – and the human cost of maintaining it – is kind of a central plot point in several of the Mad Max films. The implications, they are being interrogated.
I feel like Pacific Rim, Mad Max: Fury Road, and Dungeons and Dragons: Honor Among Thieves are kind of a perfect trifecta of action movies. They’re not necessarily Oscar material but they’re all great at being the kind of thing they are trying to be, they’re all entertaining but not afraid of being genuinely emotional, and they’re all generally not hampered by dumb sexist action movie nonsense because their main female characters have their own arcs, are not designed for the male gaze, and the main M/F relationships are platonic.
More things like this please!!