#The ultimate comfort songs of all time | Explore Tumblr Posts and Blogs

seokka0o · 8 months

Text

Riize as boyfriends (-In bed)

CONTAIN: Smut; High sex; possessiveness; unprotected sex;

Author: ALRIGHT, its finally done. I took a long time on this, but I think it's good.

Please, English it's not my first language so may have be some grammatical error♡ feedbacks always appreciated, hope enjoy.

Song recommendation: Everything by Kehlani

大崎将太郎 - Shotaro

Cute type of boyfriend

most of the time extremely needy, Shotaro provide attention

lots of affection and kisses, lots of kisses

You've known each other since you were kids

childhood best friends, so it's a relationship that grows from a lot of affection

you have secrets, years of friendship which makes the whole relationship very comfortable

even in moments of conflict you end up dealing very well with each other the other

Quiet boyfriend

he likes dates to ride his bike, walk to a park with you for ice cream

shotaro loves cuddles on the couch while you guys watch tv

short dialogues are usually just to make sure you're both still comfortable doing it.

but most of the time you stay there exchanging affection until you fall asleep he's a low maintenance guy so you wouldn't have a lot of issues, just some good quality of time and that's it

a very unique feeling that he conveys is pure summer

shotaro is someone who shines and that you feel, he loves you with all his strength

he likes to show and tell everyone how much he likes you, how ideal you are

"I love you, y/n my baby"

you are soulmates, he knows it, as do you

because you are childhood sweethearts and friends, consequently he was your first in everything,

first kiss, first love

And he was also the one who took your virginity, just like you took his

You're discovering yourselfs together so everything kind of becomes intuitive

the way you touch each other and whether it happens to be good or not.

With time shotaro will become more adept at a more delicate, more romantic type of sex

where you spend hours touching each other kissing, just to enjoy each other

Oral is something he really likes

being between your legs, feeling your heat, chipping you and hearing you make the most beautiful moans so it's definitely his favorite part

Enjoys tasting you

playing with your nipples while he do this, feeling you pulling his hair during intercourse, knowing your desperation for his tongue.

I see a relationship without power play a lot, shotaro doesn't like to exert any dominance on you

which makes him the ultimate vanilla connoisseur,

the kind to whisper sweets and cuddle while slow-fucking you

lazy sex in the morning or late at night because for some reason you woke up needy

he is one of the quietest when it comes to sexual relations in general

Shotaro is homely, not very dynamic, with good stamina, but he rarely puts up with extremely intense relations

everything for him is planned to be as delicate and romantic as possible, this all the time

Because of shotaro spending much more time on foreplay, especially preaching

French kisses, sometimes marking your skin with a few love bites, Shotaro is always sighing between kisses, dictating some sweetness still awkwardly

hands inside your clothes, he just wants to feel your skin while in contact with your mouths, that way he feels more connected to you.

송은석 - Eunseok

Typical protective boyfriend, likes to always be present and helpful

most likely you met him at your place of work or studies, he as someone not very popular but easy to get attention

I'm sure he would be interested first, because whatever Eunseok wants, he makes it his goal in life

meeting in libraries, cafes to pass the time

he would also like to spend time with you watching a movie at the cinema or going out to eat something you like together

He's not very affectionate, but he's great at words of affirmation, he always makes it clear what he likes and how much he likes you,

always presenting you with sweets and other things he buys around thinking how much it might please you.

always matching clothes because he likes to maintain this couple aesthetic that uses everything the same

from clothes to very specific objects

despite not being so good at expressing it he expects it from you, truly speaking

the kind that if you don't tell him you love him every day, he might feel really upset

as for relationships in bed, he's not the inexperienced or impartial type far from it.

He is a dom, without a doubt

Eunseok likes it when you ride him, he likes that feeling of your weight on him, the way you strain

moan so pleasurably, your sweaty, tired body, he appreciates that

He likes to have his fingers firm on your skin and mark you as his

because Eunseok's type of sex is more possessive, not in words but in actions

music playing in the background while he fucks you because he likes this “setting the mood” thing, he feels more immersed in it,

also because he always loves to spend a lot of time on foreplay

kissing you, caressing you, even talking a little, just to get you two more caught up in it, hours on end

Despite this hard and fast fuck, even when you're not above him,

He's fucking you with all the strength of his being, with his lips close to your ears so he can whisper the worst possible nasties to you, l

"You are so tight, but you always welcome me so well"

Pulling your hair to tip your head back and then biting and branding your neck like a madman,

turning you completely purple

Same thing on your legs, usually when he goes to suck you he always leaves his trail before making you lose your mind on his tongue.

Multiple orgasms, he enjoys watching you lose yourself and through it all you feel his gentleness touch

like him in everyday life he is not the type to show himself too much,

but in bed he tends to be much more expressive, moaning painfully, saying how much he likes it when you do him well,

when you have him around your mouth.

정성찬 - Sungchan

He's intense, not fickle at all, sungchan is like a bolt of lightning that will crash into your life out of nowhere and make you completely obsessed.

the ideal boyfriend type,

very charismatic and conversational,

where he likes to be in social circles and extremely friendly with everything and everyone

he would also be the one to be interested first,

even if it doesn't seem like it, he certainly noticed you even before you noticed him,

because the tactic from the moment he sees you is to get your attention at any cost

you will meet in some social environment, parties, meetings between friends and from then on the relationship will evolve very quickly

everything about him is authentic, sungchan wants to take you out, find common ground and connect with you

always very dynamic,

with him the encounters are the most diverse;

amusement parks, open-air cinemas, camping together, going to the beach and anything that might involve some good adventure

All sung chan wants is to be able to kiss you at sunset and be hugged talking the most diverse nonsense to make you laugh somehow.

He enjoys quality time, which builds up and makes the two of you more intimate with each encounter.

This man has structures that take a lot of effort to hold because he is big, VERY BIG and he knows it, and he will use it against you.

SungChan is very playful regardless of the type of relationship he has,

being between four walls with him I would say is an adventure, in the most diverse positions, you between his legs is where Sungchan knows paradise.

deep throat, its his favorite thing,

being able to grab your hair all over your head and fuck your mouth desperately, deep down your throat to make you choke on his dick

“yeah, get it all, baby”

The thick and subtle tone of his voice is capable of making the skin crawl,

makes you, Sung Chan's most faithful servant and the way he always seems to enjoy it when you suck him.

once he's inside you, his mouth is around your nipple, licking, sucking, nibbling,

being the worst kind of tease you'll ever meet, alternating slow and fast fucks to be able to control your orgasm at all times.

he can be very skilled, even though he can't always focus on more than three things,

when sungchan isn't making your nipple a bottle, one of his hands will be between your legs playing with your clit, rubbing it as he slides inside you

sungchan also likes sex in unusual places,

like inside cars, bathrooms, tents, anywhere he can be inside your clothes, he will be.

박원빈 - Wonbin

You'll like him first, definitely. wonbin is more like that neighbor of yours that you rarely see around,

but whenever you want to meet him he'll be right outside your house at the skate park with his friends and well, taming his man takes more than being good at people watching.

Once he's on your feet, he's all yours,he lives for you, wherever you go, whatever you'd do

He likes these meetings in more closed places, although he always takes you to the skate park, he also enjoys taking you to shopping

buy instruments, books, clothes, wonbin appreciates this thing with a more homely vibe

He's usually more willing to have a movie session at home, the two of you, fast food and of course, lots of kissing.

Because he likes it,

he always wants to be kissing you, taking your attention away from things to put it on his lap so you can kiss for a long time.

Wonbin is not the type to say I love you all the time, but he is the jealous one.

Anyone and everyone who tries to be too close to you doesn't make you very comfortable,

Even more so if you're not the type to have many friends, anyone beyond your bond doesn't like you, which makes you really clingy

He's jealous, sure, so he goes to bed too, when irritated by your friendly attitude towards other people,

even though he's visibly annoyed.

then he will fuck you, break you in two, fuck you hard ,

mark your skin in every space, hit you, be the sadist he hides inside

"are you dumb? I'm done saying I don't like this little game , y/n. you're mine and end of story!"

wonbin can vary a lot so I can see it switch easily

even so he's a constant headache,

wonbin usually doesn't have much inhibition, any situation is a situation for you to be fucking

whether it's in the bedroom, living room, kitchen, bathroom, wonbin doesn't care

when he wants it and he's sure you want it too and he'll just take off all your clothes and fuck you with no pressure whatsoever

what makes him a natural provocateur,

hands on your ass, between your legs, this in public, he doesn't want to wait until you get home,

when home alone wonbin is occasionally touching you inappropriately, whenever in this condition showing to you how hard you make him with little.

“bin…but I'm busy”; “I promise not to take up so much of your time”

poor desperate boy he just wants you to deal with the consequences of being so hot

mutual masturbation it's just another tuesday,

this one where you're watching a movie in the living room and then wonbin has his hand between your legs,

touching your intimacy, inviting you to do the same with him, so finally having your fingers around him of his dick, doing magic

This also happens in reverse,

WonBin feels like he could go crazy every time you let him watch you masturbate while he does the same with him,

the whole thing about not being able to touch you while you pleasure yourself is just the height of it.

sex with clothes, you on his lap desperately rubbing yourself while him receives all that stimulation,

keeping his eyes closed so he can focus on it as much as possible,

not being able to contain raising his own hips to try to fuck with your pussy covered, feeling all that difficulty of being inside you like a mega stimulus

those fingers work magic, great at playing instruments, great at sticking each one of them in you, wonbin knows how to hit the spot like a pro, like playing his own guitar he can make you squirt with such accuracy

홍승한 - Seunghan

At first glance he may seem very cold, the kind of shy person you normally have a hard time interacting with.

But he's the most affectionate kind of boyfriend you can have, the most dynamic too.

I would say that you both care at the same time, with him being the one to take the action

Within a setting such as college or with him being your friendly neighbor

Seunghan is kind, knows how to use words, knows when to be affectionate and careful with you

He likes to spend time hugging, kissing

not being the type to go out for extremely special occasions,

with him the tendency is for meetings to be more spontaneous,

which also leaves my thesis that he is also very adept at friends to lovers

Seunghan likes to have things in common with you, go hand in hand,

travel somewhere together and create memories

Photo walls of the two of you together, of each special moment, you can be sure that he is always calling or sending you a message to find out how you are, so he can miss you whenever you are not around.

and sometimes because he is not always there, he ends up becoming to needy

like that type of needy, he wants to touch you, he missed everything, especially your cute moans

Dom, no power play

seunghan likes to fuck you on top of his piano in the living room, that whole arty sex thing is what seems to captivate him

In general, he prefers it when you look for him,

when you are the one desperate for attention, so he can laugh in your face, say how needy you are and then give you what you want

sex under the covers because everything that sounds minimally forbidden excites him

which also leads him to fuck you a lot in semi-public places, sometimes in the presence of his friends without them noticing, seunghan likes this complicity

"shh..you don't want them to find out"

fuck you hand in hand, lips pressed together in a very heated kiss

because then he can make you lose complete control of the situation, kiss your earlobe and whisper in your ear.

When you're not in the mood for something deeper then that's fine, just sit back and relax, he'll suck you down,

put everything he knows into practice, make you come over and over again on his lips to show you how good he is at it.

dirty sex is totally his vibe too

dirtying you with his cum, face, body, his intimacy, whatever is within reach he will do, just to see you covered in his liquid

Cockwarming

Seunghan's intention with it is totally sexual, he wants to use it to tease you,

make you desperate to be fucked, but without permission to move,

even feeling his dick tilting inside you, showing how desperate he is too

이소희 - Sohee

This kid, there's something about him that gives off incredible energy, and he's easy to get attention

But despite all that, he's still the first to fall in love.

Really annoying, sohee likes to always be there and know what he's doing,

he also likes to fill you with the most diverse gifts,

all handmade, whether it's a wish, a song, a poem, a bracelet, anything that he feels that he will make you happy at least

Sohee is very friendly and even though you are in a relationship he always likes to keep it light,

always joking, wanting to make you laugh and he also loves it when you do the same because it shows that he has chosen the right person to like

Parties, dates, picnics, everything that involves activities outside the home he supports at all costs, because he doesn't like to feel bored

Matching hats of all kinds, especially with cat ears, because that way he can have as many photos as he wants of the two of you matching

Horror movies but just because he's scared, even more than you are and for sure the experience will be the funniest possible

When you are exchanging affection, he likes to be between your legs, lying on your chest,

to be able to receive affection on his hair, while he himself caresses your back under your clothes, all this in the purest silence,

because in the next situation he will be sleeping.

He's great at listening to your frustrations and helping you work them out,

if by chance you don't want that, then he can just listen and welcome all your problems with open arms, with you among them for a cuddle.

Quite especific type of sex

The biggest unknown within this group is certainly Sohee and the absurd change of behavior that he shows in his energy.

but for me he is the kinkest (?) person that exists within the group, this could also be linked to his need to be ridiculed, or even ridiculed you in bed,

so we can say he is a switch

he also loves to be put in that state of being treated like the dumbest human being in existence,

dumbfication is certainly his thing

his pretty face? Feel free to give a few slaps, the thick neck, put your fingers around it, you will see the most beautiful smile fall from his lips,

from pure satisfaction of the pleasure of feeling you thwarting around him while they commit these atrocities.

but don't think he won't either, not least because he's great at making fun of your face while you roll your eyes so desperately for stimulation

in moments where he is more peaceful sohee likes more relaxed sex,

usually when you are in a more romantic vibe, so he tends to be more funny, more prone to provide jokes in order to make you laugh during the fuck. a cute

he has a certain fixation on coming in your mouth after every fuck,

filling you with his liquid and watching you swallow,

sohee feels like he's the happiest man in the world in moments like that.

he's not really into extremely long foreplay

but he loves pillow talks, aftercare, it's those moments where you tend to connect with,

sohee is great at acts of service, even more so after explosive fucks like you tend to have

이찬영 - Anton

He's cute, the type that falls in love first, from a very young age he already liked you and has been building this into adulthood

Even though his methods are not the most accurate, they work for you.

You always go out for a bike ride together, sometimes each on your bike, sometimes you on the back of his

River baths, pool, waterfall, Anton always enjoys contact with nature, it's where he feels he's having fun, even more so if he's with you.

He's the perfect summer romance,

it's usually just the two of you, rarely with more people in the cycle,

not least because he can be a little territorial because of the little insecurity he has, so he avoids being too jealous, soon ceasing to be too much among friends when he's with you.

Anton likes to share ice cream, soda bottles with you while you sunbathe after all day biking and swimming

Kisses that taste like citrus candy, or lemon, because he likes to provide that kind of experience

Much because he appreciates skin-to-skin contact more than anything,

feeling you at all costs in hugs, caresses, kisses, his fingers will always be roaming your body in search of contact,

squeezing your skin and bringing you to close to him as much as possible.

HIGH SEX YES the idea of stoner!Anton lives in my mind for free

he likes to get in nature, take you swimming, go camping, take you to fuck in the woods and then you're high losing all sense of what you're doing

This boy is a softie, show him some tricks and he'll be all yours

even if it's tied to you sucking his dick, while the inhibited head is hyperfocal into the surreal feeling that is

Anton likes to fuck slow, at his pace, as he can have a hard time holding back at times.

he loves pulling your hair, just like he loves feeling you pulling his, hips in sync the whole time, wherever you are, he'll make that place your nest

anton is like a white canvas, because before you he was a virgin, so he likes to be taught, how he can please you, he is ready for that

the sound of nature in the background to decorate the scene along with their mixed moans

kiss him, hug him, tell him you love him, and then he'll tell you back sweetly,

with his pretty smile expended, sweaty bodies, that's all he asked for, be it night or day

now you have your secret place for it

sex in the pool, especially fucking you from behind,

while your body is leaning against the pool ledge,

only your breasts protected by his hands that play with your nipples as he fucks you so desperately,

water noise, lots of mess, but nothing more of you two together in that mixture of pleasure

he learns well, you make him the ideal fuck partner

3K notes · View notes

gamorxa · 2 months

Text

RESTLESS NIGHTS •°. *࿐

PAIRINGS— paul atreides x valkyrie!reader

SUMMARY—from a young age you’ve been paul atreides’ personal apprentice, your duty being to remain professional in protecting the life of the heir to the house of atreides. however, things change after a rainy night of comforting paul after he awakens from one of his terrible visions.

NOTE—this is my first time writing and publishing anything like this for a character, but after seeing dune two i just had to. expect more creations from me in the future. Constructive criticism is welcome, just keep it nice and kind. let me know how i did!

word count: 1.2k

Valkyries are very protective beings. In battle, their ultimate purpose is to carry the fallen warriors that perished in combat, and were worthy of eternal paradise, to Valhalla where their souls would reside in blissful harmony. However, there wasn’t just one type of valkyrie. A heroine valkyrie is what you were — the kind that only guarded the lives of those dearest to them. Your dearest was no one, but the son of the duke of atreides.

When you were first assigned to the house of atreides you just barely reached the ripe age of seven years old. In those times, your duty merely consisted of being the only company around his age the young boy had in his life. Innocent soft exchanges of giggles escaped from dimpled cheeks that ached from continuous smiles. Small pieces of grass littered the wild heads of curly hair the two of you possessed from previously rolling in the freshly cut grass the maintenance keepers recently trimmed. Within years, the grass turned to responsibilities, and the dimples into abstract bruises from the numerous sparing lessons shared between the two of you. Thus, your years of childish assignments were gone.

Now, you reside in the chambers next door to the young heir in case of any and all emergencies. You lie awake in your pristine silk sheets staring at the ceiling. The thunderous Caladan rain pelted down onto glass windows surrounding you, keeping you awake. This was your first night back from your annual trip to the emperor's headquarters where your sisters remain. No other planets you’ve ever visited didn’t have rain as loud as Caladan’s.

A loud groan breaks the song of raindrops singing along the windows.

You bolt out of bed and grab a dagger with the valkyries signature emblem on the hilt. Your hands turn white in contrast to your usual brown skin from how tight you hold it. Raising to the balls of your feet to remain as silent as possible, you trudge over to the door, leaving the comfort of your room. The marble flooring in the hallway tickles the bottom of your feet, but you barely notice due to your desperation to find the source the sound came from.

More thunder cracks. Another groan.

Your head sharply turns to the left toward Paul's room. Your body turns rigid.

Oh no.

Sprinting, you throw open his mahogany dark wood door making it slam into the back wall. There in rumpled sheets lies the source. His limbs are tangled in his blanket as he thrashes around in his bed, his face scrunched up in an expression of pure anguish. Wild brown curls surround him like a halo while the moonlight shines on his pale skin. He looks like an angel. A fallen angel.

“Paul,” you mumbled, letting your dagger slip from your hands.

He stirs in his sheets, letting out another low groan.

Rushing to the side of his bed, you dropped to your knees and cradle his face scanning the rest of body. Just in case.

“Paul!” you repeated.

He bolts up abruptly making your hands fall onto the bed. He’s panting as he looks around frantically before resting his eyes on you. His expression softens.

“Y/n?” His voice is raspier than normal due to the hours of restless sleep.

“It's okay, it’s okay,” you cooed. Your face filled with concern as you brush some of his wild hair out of his face. “I’m here.”

He sighs out the majority of the tension built up, rubbing his face from sleep with his trembling hands.

“More visions?” Your voice is so soft it tickles his ears creating a blanket of comfort. He doesn’t understand how a strong warrior could possess such a comforting voice, but that's one of the reasons he liked you so much. You never failed to make his worries disappear — not with a voice like that.

He only nods.

“Want to talk about it?” You rise from your spot on the floor to sit on the side of his bed making you at eye level and in closer proximity to the stressed boy. His eyes are slightly glossed over, and he’s avoiding eye contact as if he’s embarrassed.

“No,” he looks down in his lap before locking eyes with you, “I thought you were on your trip?”

You shake your head, “I came home early.”

Home. You saying it so casually almost makes Paul visibly melt.

“I missed you,” he whispers. His words hang in the air like a forbidden secret. Well, it was forbidden seeing as the relationship between the two of you was meant to be strictly professional. However, you two managed to lay on the thin layer of gray area in the matter.

You could only bashfully turn your head away towards the window. You hated how he’d say things like that in random moments. More so, you hated how much your cheeks would turn warm and your lips would scrunch to the corner of your face showcasing a deep dimple in the apple of your cheeks. The rain was still coming down harder without any plans to stop for the night.

The boy grabs your chin with his pointer finger and thumb and redirects your attention to his face. You could only look down at your lap before eventually looking into his eyes.

Desire. Burning desire is what his eyes scream as he looks at you.

You escape his hands and rise to leave a painfully lingering kiss on his forehead.

“Get some rest, Mr. Atreides.” You say, slightly teasing as you move to get off the bed. However, he reaches for your hand stopping your movements.

“Stay,” he pleads with desperation laced in his tone.

You hesitate.

“Please, Y/n, I need you.” His eyes are low and bright from the moonlight still coating the inside of his room. His blanket lies low on his waist hiding his boxers, and showcasing his chest of lean and faint abs from his weeks of training. He looked so…

“Fine,” the words slip from your mouth before you realize. Before you know it, he’s scooting over and raising the covers to allow you to easily slip into his sheets. They’re warm from his body heat making you release a sigh of breath you didn’t know you were holding.

He looks at your chest before shyly looking you in the eyes, “Can I-”

You tiredly nod your head and open your arms out welcomingly. The boy immediately goes to rest his head on your chest, wrapping his arms around your waist and tangling his legs with yours. This position feels completely natural and comforting from numerous other nights just like this one in the past. Your hands go to his curls and start massaging his head.

“Thank you,” he rasps out, barely staying awake, “I don’t know what I’d do without you.”

“Always,” you started, “I’ll always be here.”

You look down to find that the tired boy has already fallen asleep. With a small smile on your face you look up at the ceiling as more lighting cracks outside. You close your eyes assuming he missed your words.

He heard them. He always does.

#paul atreides x reader #dune x reader #dune part two #paul atreides #timothée chalamet #timothee chalamet x reader #paul atreides x black!reader #fluff #paul atreides x you #reader insert #dune movie

700 notes · View notes

stuck-in-the-ghost-zone · 2 years

Text

wrtv chulip playthrough my absolute beloved

#dont rb.#ultimate comfort videos fr fr #got me thru fall semester 2020 and now they just #bring me back to the blanket fort i made under my loft bed in my shitty dorm so i wouldnt have to #listen to my roommate yell at her on again off again high school age bf every other night #and i could just. turn on my fairy lights and work on my ant project and eat sprinkle sugar cookies #and all the fall leaves were orange and crunchy outside and it was chilly but my blankets were warm #and we could see the graveyard across the street from our window #and. idk. everything was. easier i think.#even though i didnt know it at the time #ive been so nostalgic abt the worst parts of my life today ive given myself Multiple headaches #anyway. gentlemans tea party best song ever to exist ever #mmmmmmmmmmmm wanna go back. but also i would do anything in my power not to relive that ever again #i just want. all the comfy parts and none of the bad stuff #i wanna take all the comfy moments in my life and hold them in my hands and be surrounded by them.#i wanna have a loft bed and blanket forts and fairy lights #and play portal 2 for my friends for the firdt time and watch the invader zim movie and listen to spirit phone #and discover creature feature for the first time again and relisten to the magnus archives while #sitting in one of the library chairs thst overlooked the busy crosswalk #and be able to come home to an apartment full of people who. when i had a panic attack in joann fabrics #and fully passed out at the cash register #they like. carried me back to the car and gave me water and drove me home #and told me i was dumb for not telling them i was upset but not in a mean way #bc i was dumb and i scared them and like. they wanted to take me to the hospital but i dont like doctors so i cried and we went home and #even though we had dinner reservations i told them i would be ok and to go without me #and they did . but then they brought me back breadsticks and chocolarte cake #and we sat on the couch under blankets and watched naruto #i miss maddes pierogi recipe i can never make them as good as she does #and like. man. i miss the fall trees #i miss. my loft bed

0 notes

hyunverse · 25 days

Text

when you know, you know ☆ hwang hyunjin.

hyunjin x gn! reader. fluff. hurt comfort. no warnings.

wc: 800 words.

song: margaret by lana del rey.

in the darkness of the night, he asks for your reassurance. super soft hyune.

“Why do you love me?”

Hyunjin whispers, his voice hushed akin to a nightingale’s, it blends with the darkness of the night. You feel his body shift closer towards you, his warmth blanketing you better than the cotton duvets could.

He waits, and you swallow as you try to put your words together. Hyunjin hasn’t been feeling the best, constantly letting his mind drift as his eyes stare at the wall. You know that with the right words, he’ll hopefully pull away from the awful headspace.

“Well,” you mumble, inching closer towards him to the point he could smell the mint in your breath. “I like the way your eyes light up whenever we visit your favourite bakery and you see that your favourite baguette’s fresh from the oven. When you run around with Kkami in your backyard and desperately try to get his kisses.”

You pause, looking up at him to catch sight of his softened expressions.

“I like it when we visit your parents and your mom lets you taste her food. You tend to dance around and giggle. It’s cute. I also love the way your eyebrows scrunch when you observe your painting. Or when you spill coffee on your shirt and pout at yourself.”

All of the words spill from your mouth in one breath — seamlessly, like you’ve memorized all of them and have been waiting for someone to ask. It leaves Hyunjin speechless.

“So,” his voice trails, “You love me for just me? Not for what I can give, but for me?”

You nod, reaching a hand out to push his bangs off his forehead, then lean in to kiss.

“Of course, I also like you for what you have to give. It’s like an added bonus. Ultimately, I love you for you and your little things.”

Hyunjin could only weep. A rivulet of tears traces down his cheeks as he sniffles. Through his tears, he tries to speak.

“I thought,” he sobs, “I’ll only be loved if I give something — if I keep giving. I didn’t know I could be loved for just me.”

The confession has your heart aching — like somebody had ripped your heart from your chest and squeezed it dry. Your hands reach to his face and wipe away his tears, but the tears keep coming. So, you wrap your arms around his neck and cradle him, and he nuzzles his face into your shoulder like he wants to hide away from the world.

“My baby,” you comfort him. His demeanours since the past week suddenly made sense — the extra hours he’d spend in the studio and coming home long after dusk. Seungmin telling you that he’d been staying back even after all the members had left. “Is that why you’ve been working so hard?”

You could feel him nod, and so you reach to his nape and gently massage — an attempt to comfort him. You wish you could do more. You’d take away all his pain and endure it by yourself if you could.

“You don’t have to push yourself too much, my baby,” you whisper, “I’m proud of you even if all you did was breathe.”

At that, Hyunjin pulls away. He looks into your eyes, his own a pale red.

“How did you know that you love me?”

You smile. Gently, you squeeze his shoulder. He could feel the affection in the action.

“I just knew.”

"You... just knew?" he repeats your words like a pre-schooler learning ABCs for the first time.

A fragment of your memory comes into mind — of the first time you told him you love him. Hyunjin was biting into a footlong baguette in his favourite cafe, happily dancing in his seat. The smile that plastered across his visage at the time was huge, it reached his ears and formed crescents under his eyes.

People say that it’s not hard to realize that you’re in love with someone. The feeling either hits you hard, or it seeps into your bones gently. Either way, you’d know.

When you know, you know.

You knew, then.

“When you bit into that footlong baguette in the cafe, I just knew. I was in love with you.”

This time, Hyunjin smiles. Like moonlight that brightens darkness, he smiles. Like you just put up stars in the sky for him.

Hyunjin remembers it too. It’s not easy to forget the memory, of how he stopped in his tracks and stared at you. How his heart fluttered in his chest and realization seeped into his bones, prompting him to tell you that he loves you too.

Another tear cascades down his cheek but this time, it’s from happiness. You giggle, reaching out to wipe the tear and to press a kiss on his nose.

“I love you, Hyunjin.”

Hyunjin looks at you like it's the first time someone has ever told him that.

“Say that again, please.”

taglist — @zoe8stay @starlostseungmin @bakugossanity @hwajin @sleepyleeji @skizzel-reblogs @jdopes-recorder @sherryblossom @cb97whoree @alyszaen @aaliyahxsx @jeonginsyoungestsibling @hyunluvxo @bokk-minnie @ghostyycat7 @fortunatelyhertragedy @yongbokkari @ameliesaysshoo @seoli-16 @jisungsdaydreamer @soobnny @seolboba @in2heartz @jehhskz @astraystayyh @mnwrld @hanjsquokka @pheonixfire777

networks: @k-labels @straykidsland @skzstarnet @kflixnet

#k-labels #straykidsland #hyunjin x reader #hwang hyunjin x reader #hyunjin imagines #hyunjin imagine #hyunjin drabble #hyunjin fluff #hyunjin angst #hwang hyunjin imagines #hwang hyunjin fanfic #hyunjin fanfic #stray kids x reader #hyunjin x yn #stray kids fluff #hyunjin drabbles #hyunjin oneshot #hwang hyunjin oneshot #hyunjin oneshots

840 notes · View notes

yourfriendowlbear · 4 months

Text

Boundaries

Astarion x gn!reader

Summary: A stranger approaches Astarion in your favorite tavern

Genre: slice of life, little bit of angst, mostly fluff

The tavern is cozy. Loud and lively and warm. There’s a fire in the fireplace. The bartender keeps the alcohol flowing plentifully. And you’re seated at your favorite table–in the corner, against the wall but still close enough to the action to enjoy the tavern atmosphere–with your favorite cold-blooded company.

Astarion has dragged his chair around to your side of the table, and he’s sitting close enough that you can feel the chill from his skin.

You’re comfortable, a drink in-hand as you both watch the tavern’s small stage. There’s a musical group clustered together–a fiddle player, a flutist, a man with a hand drum, and a woman playing a horn–and there are people dancing just in front.

Overall it’s joyous and raucous and fun, and though you’d originally had to practically bribe Astarion to come with you tonight, you can tell he’s enjoying himself all the same.

You both cheer when the band ends a song, and when they take a small break to chat with the crowd around the stage, Astarion leans back to say something to you.

But you never get to hear what he has to say, because at that exact moment, a man appears in front of you both. He’s handsome–strong jaw, piercing eyes, youthful energy–and his smile, though enticing, is predatory. A cat who has sighted a dove.

The man sizes you up briefly before turning his attention to Astarion. You can tell that the vampire knows what’s coming based on the way he tenses up. The stranger either doesn’t notice, or he doesn’t care, because he continues on without a care.

His opening line makes you roll your eyes. It’s cheesy and basic (“I saw you from across the room and I just had to come over and say hello.”) and he looks proud of himself when Astarion laughs and says “Oh, how positively quaint.” Poor sod can’t even tell when he’s being made fun of.

He’s shockingly persistent, asking questions, asking if he can buy Astarion a drink. For the most part, you’re sitting there, both offended because hello you’re right there and amused by Astarion’s polite but increasingly snarky responses.

Around the third time the man asks to buy Astarion a drink, things start to get significantly less polite. And when the band starts up again and the man asks Astarion to dance, the vampire practically growls out “No. Thank you, darling, but I’m much more comfortable here.”

As he’s saying it, Astarion shifts slightly closer to you, as if he’s trying to get physically away from the stranger. You can tell he’s annoyed from how tense his jaw is.

“Oh, come on. Have a little fun.” The stranger’s persistence has finally pushed you to your limit and you snap “Gods above, he said no. Take a hint and fuck off.”

The stranger scowls, but ultimately, he does leave, and you follow him with his eyes as he weaves through the crowd and out the door of the tavern.

After a moment, Astarion stands, moving his chair back to the other side of the table. “I can handle myself, you know.” His voice is soft, but you can hear the hurt in it. “I know you think I’m just some pitiable creature that can’t set his own boundaries, but I assure you, I can manage on my own.”

You frown. Of course, you don’t think that. And of course, you know he can handle himself. You were trying to help. But when you go to say that, he shoots you a firm glare, and your words die in your throat. Instead, you simply say “It won’t happen again.”

You leave shortly after, the band no longer holds your attention, and you want to give Astarion some space. So you head out into the night.

Bloomridge is the nicest neighborhood in the Lower City. The City had gifted you the house after everything, and while at first, you’d chafed at the idea of living in the quiet, sweet, more affluent part of the city. But you’d both grown to love it. The view over Grey Harbor is unparalleled, and it’s shockingly nice to have somewhere quiet to settle down between adventures.

Your feet have carried you home, but you don’t really want to go in yet–the night is covered in a beautiful, light fog, and there’s a lovely breeze coming in off the harbor–so you sit on the front steps and lean your back against the door.

It’s only a few minutes later that you see Astarion picking his way back up the stairs along the side of the city wall. He pauses in front of you, and you can see the pain in his crimson eyes before he sighs and sits beside you.

“I’m sorry,” you say softly.

Beside you, Astarion stiffens and inhales sharply. “Why are you sorry?”

“You’re right. I should have let you handle it. You’re more than capable.”

“I…” He deflates a little, and a confused frown creases his forehead. “I appreciate that you stepped in. Sometimes… sometimes it’s still hard to…”

He trails off, but you know what he means. Sometimes it’s still hard for him to enforce his boundaries. He tries, but 200 years of Cazador’s reign of terror don’t go away in a year. It can be difficult to walk the line between being firm and being outright rude (and as snarky as Astarion can be, he doesn’t always want to be rude).

These things take time.

You reach out and squeeze his hand, wordlessly telling him that it’s okay, that you get it, that he’s done nothing wrong. You’ll work on his boundary enforcement together. You have a lifetime together to do it.

#astarion x reader #astarion x gn reader #astarion x tav #astarion #astarion fluff #astarion fanfic #astarion headcanons #astarion fic #astarion romance #bg3 #baldur's gate 3

774 notes · View notes

moonlinos · 3 months

Text

Invisible string (pt. III)

♡ Pairing: Lee Minho × fem!reader

♡ Synopsis: After so many years of being closed off from the idea of love, you finally allow yourself to feel it freely with Minho.

♡ Genre: A ‘lite version’ of a soulmate AU, fluff, smut

♡ CW: Explicit sexual content (minors dni!), oral sex (female receiving), protected sex, swearing

♡ Word count: 16.4k

♡ A/N: A part of this chapter was almost shamelessly inspired by the song that inspired the plot in the first place, Invisible String by Taylor Swift. Also really inspired by my favorite Minho vlog, Lee Know Log 4 🩷

To those who have asked to be tagged in this story: would any of you be interested in being tagged in any new work I post later? Let me know! And thank you for reading and giving me such a great experience posting my writing here for the first time 🩷

← part II ♡ ⟳ part I

You spend the entire flight home processing everything that had happened during the trip; from Minho’s words, to your kisses and touches, to you ultimately acknowledging your own romantic feelings for him. Although it all felt sudden, it had been a long time coming.

As his car stops at the front of your house, Minho steps out and walks with you, your backpack in hand.

“I know you’re scared. I understand that even more now that I know about your past relationships,” he speaks softly as the two of you stop at the front door, “And I want you to know that I’m gonna be patient.”

You nod slowly, although the desire to answer him is still so prevalent in your mind, the words lodged in your throat and yearning to spill out. But you’ve made the mistake of jumping into relationships far too often, always driven by your emotions, and every time, the outcome has been disastrous. You don’t want that to happen with Minho.

So, you settle on a question that has been eating away at you.

“Why do you like me, Minho?”

His face twists into a deep frown before ultimately softening. Carefully placing your backpack on the step leading to the front door, he sighs.

“You shouldn’t have to ask me that,” he assures you, his rough hands touching your shoulders before moving down your arms to entwine with your own. “You don’t even realize how fucking amazing you are, do you? I’d move mountains, fight anyone and do anything if it meant I’d have the privilege to see you smile.”

And, just like that, you feel your lips stretch out into a small smile at his words. He grins at you.

“Just like that. I’d do anything to see that,” he says. “And you take care of your friends simply because you love them, never asking for anything in return. You collect plushies like me, you appreciate the criminally underrated flavor of lemon cake, and you worked at the same convenience store as me, and spilled coffee all over my notebook on the day we met. That’s why I like you; because you’re you.”

Tears threaten to well up in your eyes, so you quickly avert your gaze, focusing on your shoes. With a nod, you wrap your arms around Minho, taking in his scent and reveling in the comforting warmth of his body. Little did he know, you were just as willing to do whatever it took to keep him near you. He plants a chaste kiss on your forehead as you break away from his embrace.

“I’ll call you later, okay? Thank you for the trip.”

As soon as you step inside your house, Eunha is quick to come running towards you, her hands dirty with flour as she abandons her unbaked cookies on the counter and pulls you into a hug.

“I missed you so much,” she whines, “How will I survive living without you next year?”

You chuckle, watching as her lips turn into a pout.

“I’m sure we’ll suffer equally, if that makes you feel better.”

She fakes a sob, turning on her heels and heading toward the kitchen.

“Oh, Hyunjin is in a crisis, apparently,” she tells you, wiping her hands on her apron. “He called me three times just today to ask if you were back already.”

You let out a sigh. Hyunjin was more often than not either glum or vexed due to his trials and mishaps in finding love. He once joked that you two would end up having to marry each other with how things were going. You dreaded his reaction to the news of Minho soon entering your life in a new way.

“The hotel’s Wi-Fi was a joke, but I honestly didn’t even think to check my phone,” you tell Eunha, who giggles as she cuts her cookies into heart shapes. “What? Why are you giggling like that?” You ask her with a grin, approaching the counter.

She shrugs. “Nothing. I didn’t even think to check my phone,” she playfully mimics your voice, looking up at you, “I’m guessing you had fun, then?”

“I did,” you beam, “It was everything I thought it would be and even more.”

She raises an eyebrow at you. “Even more?”

“Even more,” you reiterate. “I had so much fun with Minho. I forgot how good it feels to just let go and allow myself to feel what I want to feel.”

Eunha’s lips curl into a small smile. She hums, lowering her head in a feeble attempt at pretending to focus on the cookies in front of her. “And what did you want to feel this weekend?”

“Like maybe I can finally fall in love again.”

Your friend lifts her head, her eyes wide. “Love?” she exclaims, “You, the girl who has spent every day since I met you talking about how love isn’t important, is wanting to fall in love?”

You chuckle at her reaction, shrugging dismissively. “In my defense, I had my reasons. Plus, some things made me change my mind.”

“More like someone,” Eunha teases, and you roll your eyes at her, but a smile spreads on your lips unwittingly. “I’m happy for you,” she beams, “and I think you should definitely fall in love again — not maybe.”

You sprint across the small kitchen space, circling around the counter to wrap your arms around Eunha and squeezing her as she lightly pushes you away, warning you about flour getting all over your clothes, but you don’t mind.

Because you love her, as you’ve learned this past weekend, and you don’t mind the mess when it comes to someone you love.

It’s only as you enter your room that you check your phone, which is filled with notifications from Hyunjin, much like Eunha had said. After ten missed calls, it seems he resorted to simply texting you.

Hyune: hey I know you’re in japan but can you answer the phone? Hyune: I promise I’ll be quick. just wanna talk to you Hyune: hear your voice idk I feel really alone rn and really bad idk lol Hyune: mingyu has his girlfriend over. can you believe they’re still together? Hyune: can you believe he has a girlfriend and I can’t even find someone to give me the time of day lol Hyune: can you believe every date I go to ends with me crying lol Hyune: sorry I’m being annoying and the messages aren’t even being delivered, you’re clearly having fun sorry Hyune: sorry Hyune: guess that’s why nobody can endure me for more than two dates Hyune: have fun 🤍 I love you

You feel your heart ache as you read his messages, answering with an apology. But before you can hit send on your second message, Hyunjin has already replied.

Hyune: it’s okay. I’m sorry I even sent those in the first place

Me: Stop apologizing Me: You know I love you and I’ll always be here for you Me: Where are you?

Hyune: at my dorm Hyune: staring at the ceiling

Me: I’m coming over

True to his words, Hyunjin is lying on the floor of his dorm’s cramped living room once you open the door. There’s a small canvas propped up against the wall, a myriad of shades of blue forming the shape of a face. Your best friend’s talent never ceases to amaze you, and you have to fight the urge to stand still by the front door for a few seconds simply admiring his new painting.

“Look at this sulking Pisces,” you click your tongue as you approach Hyunjin, who only opens one eye to shoot you a glance.

“I’m in a fragile state and this is how you greet me,” he all but pouts before sitting up as you sit cross-legged beside him on the floor. “How was the trip?”

You shrug. “It was fun. We only had one day to explore the city, so we didn’t do much,” you say simply, tapping your fingers on your thigh.

You don’t want to sit and talk about how much fun you had during a trip when Hyunjin’s puffy, bloodshot eyes are staring directly at you. He was sad, and his sadness was palpable throughout the entire living room — his bitten lips, his painting, his hands covered in dried-up blue paint; everything was dripping in sadness. This was a constant with Hyunjin, but lately it had become even worse. He has an overwhelming desire to love and be loved, but his every attempt at fulfilling this desire is futile for reasons you cannot wrap your head around.

“I like the new painting,” you smile, focusing on the saddened blue face. Hyunjin scoffs beside you.

“It’s fucking terrible,” His hand shoves the canvas face down on the floor. You bite your lip. “Can’t even paint shit I like anymore. Every time I try, it always turns out muddy and sad.”

“What happened?”

He lets out a bitter chuckle. “Well I’m pathetic, so it’s still the same old reason. I had a date with this girl on Saturday, but she canceled at the last minute. Texted me something about me being too clingy after she agreed to go out with me, about how she knows she would feel suffocated if we dated.”

You furrow your brows together, anger bubbling up inside your chest. “What the fuck?”

“Oh, but don’t worry!” Hyunjin gave you a forced smile. “She made sure to remind me that it was her, not me, and that lots of women out there like guys like me. Whatever the fuck that means.”

Hyunjin shakes his head, turning his attention toward his hands before scratching some of the dried paint off. You sigh.

“Hyunjin, she isn’t wrong about that. You know that, right? You’re not the one at fault.”

He scoffs. “Sure seems like it when every date I’ve gone to since starting university has ended up with me being rejected for the same fucking reasons. It’s always me. Too clingy, too sentimental, too emotional,” his voice is almost a whisper as he speaks. He turns to face you again. “Remember how I would stop sleeping with you whenever I liked someone? Wanna know why I stopped doing that? ‘Cause I know it’s not gonna go anywhere anyway, so what’s the point? It never goes anywhere, and then I’m left alone again. Maybe I should just accept it, y’know? Some people are just meant to be alone, and clearly I’m one of them.”

Your anger has now morphed into sadness. You hate the way Hyunjin talks about himself, hate it even more how it seems nobody can appreciate the amazing person he is. Being caring and sentimental is not a flaw, and you pray that he never allows other people’s opinions to sway him into thinking that way. You pray he finds someone who can appreciate these qualities in him the same way you do.

“You’re not alone, Hyune,” you assure him, taking one of his hands in yours. “You’re surrounded by friends who love you so much, and while I know that’s not the type of love you yearn for, it’s still love.”

Hyunjin smiles softly at you before pulling you closer and pressing his lips to yours. It’s sudden but not entirely unexpected; the way you and Hyunjin dealt with shitty things in life and unpleasant feelings together had always been through sex, and you knew it always made him feel at least a little better afterward. And so you let him, returning the kiss even as part of you felt wrong doing it when your entire being was consumed with thoughts of only Minho.

As soon as he kisses you, he swiftly pushes you down onto the hardwood floor and hovers over you. Hyunjin’s fingers undo the buttons of your cardigan before slipping under your shirt, caressing your skin as his lips trail kisses down your neck. Soon enough, his body is pressed up against your spread thighs, and you know where this is going — but as much as you want to make your best friend feel better, you cannot bring yourself to do it.

“Hyune,” you softly call out, and he hums against your throat. “We can’t do this.”

He chuckles, squeezing your waist. “Mingyu always comes home late when he goes out with his girlfriend. Don’t worry.”

“It’s not that, Hyunjin. I just—”

“Do you not wanna fuck on the floor?” He asks, coming up to look at you. He cocks his head to the side. “We can just do it on the couch then, I really don’t wanna have sex with all those pictures of Mingyu and his friends staring at us in our room.”

“Hyunjin, no—”

“It’s not like we never did it on a couch before, stop being dramatic—”

“I’m in love with Minho.”

It comes out before you can fully comprehend what you’re saying, the word love slipping past your lips effortlessly. Hyunjin stills on top of you, his body rigid and tense.

“Oh,” is all he offers you. You nod slowly, fingers picking at a drop of paint that stained the collar of his shirt.

You whisper, “I really am just as surprised as you are, believe me.”

Hyunjin shrugs. “I’m not surprised. I just— now you’re leaving me, too.”

You shake your head. It’s ludicrous to you that Hyunjin could imagine that you would ever even entertain the thought of leaving him. Running a hand through his messy hair, you pull him in and press a kiss to his nose. Hyunjin hides his face in the crook of your neck with a groan.

“Sorry, that was pathetic. I shouldn’t have said that,” he apologizes. “You know I don’t mean it like that. I just love you so much. I thought we would…”

You furrow your brows as he trails off his words. You thread your fingers through his long hair. “We would…?”

“End up together somehow,” he speaks slowly, his voice muffled, and your heart drops.

Hyunjin harboring these feelings about you was something you would never have imagined. You were certain he was content being your friend and having sex with you only until he found the right person. He went on several dates, after all. Your heart feels like it’s been shattered into a million tiny pieces upon learning about his hidden desire for the future he used to so often joke about: you two ending up together simply because you were each other’s only choices.

“Hyunjin,” you start carefully, “I love you, too. So much. You’re my best friend, and that’s never going to change. We don’t have to be together romantically for us to be in love, y’know? I realized that just recently.”

You feel him nod his head, his hand finding yours and intertwining your fingers.

“I’m just sad I won’t have you anymore. I’m gonna miss us so much,” he places a small kiss on your collarbone. “Whenever I felt like I was in a dark pit with no way out, every single time you were there to bring me out of it and make me feel okay again. I love you so much for that.”

And you can only softly smile at his words before your heart shatters all over again as you hear him quietly begin to sob in your skin.

“Hyunjin,” you call out, although you know he won’t reply. “You’re the most beautiful soul I’ve ever met. My love for you goes beyond us having sex — that wasn’t even important to me in our relationship. It was just something good on top of something already amazing.” With a slow nod, he lifts his head and gazes at you with red, teary eyes, causing your heart to ache even more. “I’ll never leave you. Ever. I’ll still answer your four hundred three a.m. texts, still let you hide away in my house, still happily listen to you complain about your days, and still hold you when you cry.”

Hyunjin pouts like a child, and your heart swells with fondness.

“Really?” He asks, and you chuckle with a nod.

“Really,” you assure him. “Me being with someone will never change our friendship, or my love for you. I mean, we won’t have sex anymore, of course, but I’ll still talk shit about your roommate with you so I’m sure you’ll forgive me.”

Hyunjin’s tearful expression vanishes, replaced by a small teasing grin. “I am gonna have to jerk off significantly more, so I don’t know about forgiveness,” he jokes.

You push him off you with a chuckle, sitting up as he tries to regain his balance.

“When did this whole thing with Minho even happen?” Hyunjin asks, setting his painting back against the wall. You shrug, buttoning up your cardigan. He hums. “So, are you already together?”

“Not yet,” you say, “but I’m gonna answer him after our class this week. If he fucking lets me, that is. He says he wants to be patient, but I don’t want to be patient. The only thing I wanna be is with him.”

Hyunjin’s whole body contorts as he groans. “Ew, what the fuck? When did you become such a sap?”

As you shove him back once more, you both burst into laughter while Hyunjin stumbles back and spills a mug filled with dirty paint water all over his floor.

The rest of the day goes by with you and Hyunjin painting together, a much broader array of colors and a much happier end result on the canvas: beautiful flowers painted by him standing alongside clumsily drawn hearts, stars, and other doodles painted by you. After signing your name above his elegant signature, you inform him the painting is leaving with you — it’s hanging up on your wall as soon as you arrive home.

Hyunjin is your best friend; it’s been this way for the last two years, and it’s indisputable to you that this fact will remain no matter what happens. As you watch him hunched over your painting, insisting that his flowers could be more detailed — even after you assured him a thousand times that they were perfect — you curse yourself for not realizing how beautiful this love between you two is. You hope he cherishes this love as well, in spite of his desire for the two of you to be together in the future. You know deep down this idea stemmed from his fear of solitude.

You’re not worried about him at all, though. He’s a precious soul, and anyone who fails to recognize that doesn’t deserve him. He’s simply getting rid of the wrong people in order to find the right person, someone who sees him as you do.

The love you feel for Hyunjin is unchanging, and if you had any say in it, it would be everlasting.

Your next Japanese class with Minho comes too soon, and you find yourself unprepared. Every trace of resolve you had after returning from your trip dissipated bit by bit every time you saw or talked to him. As soon as you saw his figure step into the coffee shop on Monday to pick up his usual order, you realized that every single scenario your mind had conjured up fell flat. Minho was beautiful, amazing, breathtaking — he deserved something grand and earth-shattering, not a simple answer from a girl who wasn’t even half as good as he was.

It certainly did not help that he, always true to his words, respected your time. Not once during his coffee trips or your never-ending talks through the phone did he mention the topic. And it was slowly but surely driving you insane.

You bite your lips so much on your way to university you’re sure your lipstick is gone by the time you enter the building, and you’re surprised your poor bag isn’t riddled with holes in the cloth from your insistent picking. You shouldn’t feel this nervous — Minho is the one waiting for an answer, after all. For all he knows, you could be simply building up the courage to let him down gently. But you are nervous. You’re terrified he will listen to your clumsy words and decide he deserves someone better. Or, worse yet, will only realize how undeserving of his love you are once you’re in a relationship.

And you don’t think you can face another heartbreak where you’re left to mend your gashes all alone.

You enter the building with shaky hands, fiddling with the strap of your bag and walking toward your classroom on autopilot as your mind is too busy running over all the ways in which this could go wrong.

All faded, however, once you saw Minho waiting for you in front of your classroom. His glasses slid down the bridge of his nose as he looked down at his phone, his body wrapped in a cozy-looking black sweater and sweatpants, a keychain of a cat plushie hanging from his backpack matching his phone case. You stop a few feet away from him. He deserves the world, and that terrifies you. Still, his presence alone melts away every ugly word of doubt and every piece of worry inside your body until the only thing you can feel is the swirling of that familiar pinwheel spinning inside your chest.

You greet him with a long hug, hoping he can’t feel your heart beating through your own sweater.

After class, he walks you to work, enthusiastically telling you about the progress he, Chan and Seungmin have made on their game. You nod and hum along to his words, but you can’t, for the life of you, focus on a word he’s saying. All you want to do is tell him you like him — god, you like him so much — but every time you’re close to doing it, the ugly words return and scream that he deserves more than an underwhelming confession on a gloomy, empty street.

You stop walking as you two reach the bench located just far away enough from the hustle and bustle of students on campus, the one where no one bothered you when you sat here by yourself for three years, the one that had oddly become your favorite bench among all the other identical ones scattered throughout your university.

Because it was here that you and Minho had your first real conversation, it was here where you two laughed and gasped at all the little coincidences between your lives, and it was here where you began to build a friendship with this wonderful guy who would unknowingly change you for the better.

It was the perfect place, and you berated yourself for not realizing that sooner.

Minho’s voice calling out your name pulls you away from your thoughts, his hand wrapping around yours and pulling you gently toward his body. You hum before colliding against his chest as he chuckles.

“You just stopped walking,” he says, a lilt of confusion in his voice. “I know you hate work, but I didn’t think it was this serious.”

And when you properly turn to look at him, Minho is smiling so beautifully under the somber sky of winter, as if he is the embodiment of sunshine — always glistening and radiating such a comforting warmth no matter how glum the world around him is. And, at the sight of him, you just can’t stop your words. Never mind how gloomy this campus seems or how lackluster your words are — Minho’s presence alone makes everything become golden.

“I like you because you’re you,” you mirror his words at you, “Because you laughed in my face for spilling coffee all over your notebook when I didn’t even know you, because you love coffee just as much as I hate it, and because you believe in silly myths about riding paddle boats together,” You blurt out, words completely unbidden by your brain. Minho’s eyes widened for a beat before slowly turning into crescent moons as a smile spread across his lips. You take a deep breath before continuing, the words flowing out of you so quickly you’re worried he won’t be able to understand you, “And you opened my eyes to the love I feel for my friends, which I was so fucking stupid and blinded to. But, most importantly, you taught me that love isn’t bad. It can never be bad because you’re love, Minho. You’re full of love, and there’s not an ounce of anything bad in you. And you make me feel deserving of this love, even though I still don’t understand how I can be deserving of something so beautiful.”

Minho’s arms are pulling you into an embrace before you can process everything you said, and by the time you seem to come to your senses, you realize tears have welled up in your eyes. He holds you close to him silently for a while, his left hand delicately massaging your scalp as you clutch onto the fabric of his sweater as if he might be taken away from you if you let go.

“I like you, too,” he whispers against your hair, and you feel your lips contort into a pout.

“You already told me that,” you grumble. “I just word-vomited my feelings to you and this is all you have to say?”

He chuckles, pressing a kiss to your head. “What else is there to say? I like you so much I don’t think I can put it into words. I might just say something stupid if I talk about it too much.”

You furrow your brows, pulling away from his embrace to face him. “Something stupid like what?”

“Like saying I love you.”

Your lips part, but no words come out. Yet again, Minho has rendered you speechless. He shakes his head dismissively, a smile still etched onto his lips.

“No need to say anything. I told you it was stupid,” his eyes drift over to the bench beside you two, and his smile grows. “Guess this has to become my favorite bench too.”

You let out a laugh, but it’s cut short by your tears spilling out again. Minho quickly turns to look at you again, his expression shifting into a mixture of happiness and worry for you as he wipes your tears away with his thumbs.

And as the sun begins to set, the street lights flicker on, casting a warm, yellow glow over everything around you. You cup Minho’s face and press a chaste kiss to his lips, then to his nose, before wrapping your arms around him and pulling him into an embrace once again.

“I don’t think I’m ready to love you yet. I’m sorry,” you apologize, both to him and yourself.

Minho simply hums, kissing your cheek. “I told you I’m patient, because love is patient. I would wait an eternity for the privilege of hearing you say you love me.”

You and Minho have officially been together for almost two months by the time winter break arrives. You’ve done everything couples do, except for two things: say I love you and go all the way. You’ve done every other possible thing — well, Minho has done every other possible thing to you, with you discovering that Minho particularly loves eating you out, often laying on your lap on your couch after work and rubbing his head against your thighs like a cat, humming and sighing until he has your attention before all but begging you to let him go down on you. Whenever you offer to do the same to him, in any way, he immediately turns the offer down, saying he’s satisfied just pleasuring you. It always leaves you with a million questions, as you notice him have to adjust himself in his pants or coincidently go to the bathroom, but you don’t question it.

The two of you also found ways to get around the whole L-word situation. I missed you becoming your go-to phrase for when you want to scream out that you love him, but are still unable to, while he usually just makes you swallow both your words and his own that are lingering inside your mouth with a kiss.

You had fallen into a routine quickly, with you visiting Minho most evenings after your shift to just lay on Chan’s stiff leather couch and watch him work. You two always hang out with his co-workers slash friends for a while before leaving for the night — Seungmin becoming like the pestering but loveable little brother you never had — and you head to your house in Minho’s car before you sneak him into your home so Mrs. Choi remains none the wiser.

Her ‘no boyfriends spending over two days at the house’ rule can’t possibly apply if she doesn’t even know Minho is there in the first place.

And so, he’s been basically living alongside you and your housemates. This outcome was almost inevitable since Minho hates his roommates while you love each other’s company.

You’re now packing your things with Hyunjin, who’s been sitting on your bed for the last half-hour rather than helping you as he’d promised. In the past month, he’s been able to come to terms with the fact that his ideal future with you was nothing but a coping mechanism after a month of sulking every time Minho was around. He deleted every shitty dating app on his phone and now focuses on finding love naturally, recently going out with a girl he met in one of his classes. The first time they met was the epitome of a meet-cute, with her accidentally bumping into him and spilling black paint all over his shirt. It brought back memories of when you first met Minho, and you had high hopes that this time things would work out differently for him. But, judging by the scowl on Hyunjin’s face and his nonstop complaining, you were wrong.

“But, be for real, why did it take her six dates to realize she doesn’t think we’ll work out?” He grumbles, spinning one of your necklaces around his finger like it’s a toy. “I paid for every meal, made sure she got at least two orgasms every time we went out, and she just suddenly decides we won’t work out? Fuck off.’’

You chuckle, closing your suitcase after triple-checking that you packed Minho’s Christmas present and walking over to where Hyunjin is sitting, snatching your necklace from his hand.

“Maybe she liked the free food and orgasms too much to let them go.”

Hyunjin scowls. “You’re saying that’s the only reason she went out with me?” He feigns offense, shaking his head. “I hope Minho’s parents hate your guts.”

“Hyunjin!” You exclaim, watching as he bursts out laughing. “Don’t even joke about that. You know how nervous I am.”

“There’s no way they won’t like you,” He assures you, “You’re fucking amazing, not to mention their son loves you. That’s more than enough reason to love you too.”

You clutch the necklace in your hand, humming before turning on your heels to check your drawers for anything you might have missed. Hyunjin using the word love makes you a bit anxious, an unwelcome reminder that you still haven’t been able to overcome this stupid emotional blockage preventing you from telling Minho you love him. The first and only time you’d ever said you loved Minho was that evening at Hyunjin’s dorm, and it hadn’t even been directed at him. Without saying a word, you both understand the love that exists between you — it’s unspoken, but deeply felt — and you’re aware of that, but the fear that one day he’ll grow tired of waiting is painfully tangible inside your mind.

When Minho invited you to spend Christmas with his family, you hesitated at first. Meeting your ex-boyfriends’ families had never been so significant. You were a teenager at the time, the implications were different and the stakes didn’t seem as high. This time, it feels as if getting Minho’s parents to like you is indispensable. How will he go on dating a woman his parents deem unfit for him? Especially with how highly he speaks of his mother, you’re sure her opinion of you will weigh on his mind.

You can only hope they love you half as much as you love their son.

The car ride to Minho’s parents’ house was around half an hour.

Half an hour you spent picking at a loose thread on your skirt and overthinking so much your head ached by the time he parked the car. You hated how nervous you were, but Minho’s parents liking you was a non-negotiable.

After insisting on carrying your own suitcase — just in case his parents might think you’re an overbearing girlfriend if they see Minho carrying your bag for you — the two of you walk up the stairs and into his home. The first thing you notice is how cozy-looking everything is; from the family pictures neatly placed on coffee tables and on the walls, cat furniture and toys mixed in with their actual furniture, down to the fuzzy blankets thrown over the couches.

The second thing that catches your attention is the quietude permeating throughout the house, as well as the fact that the first family member to greet you two is an orange cat.

“Oh, did you miss me this much?” Minho asks in a sweet, singsong voice, similar to how you would speak to a baby. He crouches down to pet the cat, who is now entangling himself between his legs. He introduces you by your name, because Soonie is truly just another family member to him. You chuckle, kneeling next to him and carefully extending your hand toward the orange ball of fur.

“Hello, Soonie,” you speak quietly, afraid you’ll spook him. He eyes you carefully before sniffing your fingers and, ultimately, rubbing his head on your hand. You sigh in relief, petting his fur with a smile.

Minho’s cats liking you was also a non-negotiable.

You place your suitcases in Minho’s childhood bedroom, his parents letting him know they will arrive a little late after going Christmas shopping. Looking around his small room, you smile at all the small things that scream Lee Minho. The pictures of him and his friends back in high school are the first thing you notice, glued to the wall in front of his door lopsided. His thick-rimmed glasses and bowl cut make you smile as you analyze one of the pictures, where he and four other boys hug and smile widely in a karaoke room. Then, of course, his extensive plushie collection sat against a wall to your left — all stacked on top of each other like a mountain — which he proudly shows off to you.

“Y’know, I had to basically fight a little girl at the Sanrio store for this one,” he says, a bit too smugly, while holding a plush of Kuromi dressed in a ladybug costume. “I was sixteen, though, so I think that excuses my behavior. I would never do that nowadays.”

You narrow your eyes, humming skeptically. “Sure you wouldn’t.”

Minho just chuckles, meticulously placing the doll back in its place beside the cherry on top of a rather large Pusheen pudding plushie.

“Oh! You have to see my books.” He takes your hand in his, dragging you toward the wall facing his bed. A bookshelf expanding from the floor to the ceiling makes your mouth drop. You hadn’t noticed it before, with it being hidden away in the corner of the room. The bookshelf is decorated with fairy lights — which Minho promptly switches on — and filled with beautiful books, from intricately designed hard covers to intricate sprayed edges, every single book in his collection has something special about it.

He uses a small metal ladder to reach the top of the shelves before handing you a book so thick your wrist almost bends upon grabbing it. It’s a collection of seven Jane Austen novels, all in a gorgeous blue and golden hardcover. You eye the book like it’s a precious jewel, carefully running your fingers over the details engraved on the cover. Beside you, Minho lets out a breathy laugh, stepping down from the ladder and bumping your shoulder lightly.

“You can open it,” he tells you, but you’re still too mesmerized by the book to look at him. “It’s what books are for, whether they’re pretty or not. You have to open it and read it, otherwise they lose their purpose.”

You nod slowly, but remain unmoving. Minho’s hand suddenly rests on top of yours, and he opens the book for you. The page is entirely annotated, with highlighters and thoughts jotted down on pencil in messy handwriting. Looking up at him, you are met by his smile.

“See? The book is fine, the world didn’t end. I have these special editions because I enjoy collecting pretty things, but I always read them,” he explains, “I like when books reflect the emotions I felt while reading them. I annotate, scribble, highlight — I once threw a special edition Stephen King book across the living room and into a wall. There’s an indentation on it till this day.”

You gasp. “Minho, what the fuck?”

He shrugs dismissively. “I know, I know. All book sins in the eyes of many people. But, like I said, that just reflects the emotions I felt while reading that book. I look through any of these pages and I know exactly what I felt at that time of my life.”

You nod, your lips absentmindedly curling into a smile. Minho truly is something else. You skim the page opened before you, reading some of his annotations and laughing quietly to yourself as he wraps his arms around your waist, resting his chin on your shoulder.

As you close the book, he speaks again, “They’re a bit like people, aren’t they? Pretty and put-together on the outside, but once you really dig in, it’s all a mess and cluster of feelings and passion.”

You and Minho spend an hour lounging around the living room, with you meeting his other two cats during that time. Soonie and Doongie’s adoration toward Minho is clear, with both orange cats always rubbing against his leg or tangling themselves in his sneakers by the door as you two cuddle on the couch. Dori, however, remains laid on his cat tree, barely sparing the two of you a glance. Minho jokes that Dori hates him after he left his first mom, even showing you further proof in the form of a video where the gray cat bites his nose while he sleeps.

Upon hearing the key turn on the front door, your heart is quick to jump. Minho’s parents have arrived.

Sitting up on the couch, you gently push Minho away from you. He shoots you a questioning look.

“What? I don’t want them to think we were doing something indecent.”

“Indecent?” Minho repeats with a chuckle. “We were cuddling, not consummating a marriage on this couch.”

You grumble incoherent words under your breath, shrugging. “I know. I just want them to like me.”

“They were more than okay with seeing me cuddle my ex when I was a teen. We’re both adults, I’m pretty sure they won’t think you’re a filthy harlot.”

You gasp, hitting his chest and hissing through your teeth. “A harlot?”

Minho lets out a long, hearty laugh just as his parents walk through the door.

“Oh, there you are!” You hear his mother’s voice call out as soon as she steps inside the living room. You turn to face her and you’re greeted by the same smile you see on Minho’s face every day — they look so similar you have to hold back a gasp. “It’s so nice to finally meet you!”

You stand up from the couch and smooth down your long skirt, smiling while she walks toward you. You’re caught off guard when she pulls you into a hug as soon as she’s in front of you, her arms squeezing you as she sighs happily into your hair.

“Mom,” Minho calls out, “You’re scaring her.”

His mom pulls away with a chuckle, her left hand pinching her son’s cheek before resting on your shoulder again. “He’s the one who’s scared I’ll embarrass him,” she refutes. “And, god, you’re so pretty! Minho told me you were beautiful, but I just assumed it was the infatuation speaking.”

You feel your cheeks flush at her words, biting back a smile. Minho had talked to his mother about you — had said you were beautiful. You swear if you died tonight, you would die a happy woman.

As his mother steps away from you and into the kitchen, rambling on about how crowded the shopping mall had been, a man comes into your field of vision. He nods courtly before extending his hand, which you shake a bit awkwardly.

“I’m Minho’s dad,” he simply says. “It’s nice to finally meet you. Minho has been very happy on the phone since meeting you.”

And with that, he’s off into the kitchen, following his wife. You’re left a bit dazed. Minho truly was a perfect blend of his mother’s appearance and his father’s calm personality.

Beside you, Minho pulls you into a side hug, his chilly hands caressing your arms. “See? It’s impossible not to love you.”

You freeze for a moment, before relaxing as you realize he’s talking about his parents loving you. You curse yourself inwardly for being so damn emotionally constipated, but let out a sigh of relief nonetheless.

You were worried for so many different reasons — that you wouldn’t measure up to Minho’s first girlfriend, that your personality would be scrutinized until your flaws finally emerged, and that this would be the catalyst for Minho to realize you’re not worth it. Not worth waiting until you can tell him you love him, not worth waiting until you feel like sex isn’t going to just ruin everything between you, not worth the hassle and the chore that is loving someone like you.

But as he walks into the kitchen with you, his arm wrapped firmly around your waist, like he’s proud to show you off to his parents, the level of reliability he radiates is enough to melt away all the annoying little worries you had inside your head.

Christmas eve comes two days later, and you’re rudely woken up in the morning by the sound of Minho’s voice cursing under his breath as he drops something on the floor by his bed. You groan, rubbing your eyes, and he turns to face you with an apologetic look on his face.

“Sorry,” he whispers, kneeling down next to the bed and pressing a chaste kiss to your forehead. “Good morning.”

“What time is it?”

“Eight, I think.” His fingers brush your hair away from your face. “I didn’t set an alarm ‘cause I didn’t wanna wake you up, but guess my inability to be quiet did that anyway.”

You chuckle lightly, scrunching up your nose. “Why are you up so early?”

“Gotta start cooking dinner soon,” he explains.

“Already?” You ask, perplexed. You knew he cooked Christmas dinner all by himself every year for his family, but you never conceived just how much work that would be for a single person.

Minho is unyielding despite your best efforts at persuading him to stay and cuddle you for a few more hours, and watching him cook is always oddly attractive to you, so you find yourself joining him in the kitchen, wrapped up in one of his many cat print sweaters.

At first, you simply sit up at one of the counters and watch him, mesmerized and all but drooling at the way he rolls up his sleeves, the prominent veins making his arms look so sexy while doing such a mundane thing like chopping fucking vegetables. Not to mention his hands, so beautiful and big as he rubs the seasoning on something you don’t even care to identify because you’re just too busy thinking about those hands all over your body. Only now do you notice how no real sex for almost two months has really taken a toll on you, what with the way you have to cross your legs just to try and relieve some tension because your mind won’t stop thinking about Minho’s veiny arms caging you against this counter and his big hands—

Minho calls out your name, and you snap out of your fantasies, humming as you reluctantly turn your attention toward his face with a dazed expression. He seems to find it funny, as he chuckles before repeating himself, “I asked if you would like to help. I can teach you some of the easy stuff. Must be boring just sitting there and watching.”

Oh, but it isn’t boring at all.

But you’d never tell him that, so you nod before hopping off the counter and awaiting further instructions. Turns out you’re worse at cooking than you had thought, so you’re relegated to chopping duty, which you hate for two reasons — firstly, chopping vegetables is boring, and secondly, you’re now deprived of your view of Minho as you stand with your back turned to him while he cooks.

It’s around five p.m. when Minho’s mom joins you two in the kitchen, and by that time you’ve done all you could, so you’re back to your spot on the counter. She smiles at you before ruffling Minho’s hair as he closes the oven.

“My baby is such a wonderful cook, isn’t he?” she praises, and he shrugs with a smirk.

“I am very boyfriend material, aren’t I?”

You chuckle as you watch his mom carefully fixing his hair which she had messed up, Minho scrunching up his face as she then fixes his wire-frame glasses on his nose.

“I’m so glad you’re wearing your glasses again,” she comments, cupping his cheeks and squeezing before letting go. “You look so handsome.”

“You should thank her,” Minho smiles, turning to look at you, and you shoot him a puzzling look. “Remember on your birthday, when you told me I looked good wearing glasses?” He asks, and you nod slowly. “That’s why I stopped wearing contacts.”

Your mouth opens, but you can’t find the words to answer him. You can feel your cheeks dusting pink as his mom coos at the two of you, saying something about young love that has you gnawing on your lips to hold back the silly smile you want to let out.

Minho’s mom leaves the kitchen shortly after, his father calling her from the living room. He takes this as his chance to approach where you’re sitting, hands resting on your thighs before he presses his lips against yours.

“I wanted to look handsome for you. It’s kinda pathetic, isn’t it?” He chuckles against your lips, and you simply shake your head, tangling your fingers in his black hair that has now grown past his eyes.

“It’s actually fucking adorable,” you assure him, pulling him into another kiss, one much deeper than the last.

He quickly uses his hands to spread your thighs apart, pressing his body into yours as you wrap your legs around his waist. The effect this man has on you is mindboggling; the mere slide of his tongue against your lips has you shivering. It certainly doesn’t help that you are now in the exact position from your imagination earlier today.

Minho always tasted like your own personal favorite flavor, always deliciously swirling on your tongue whenever you kissed him. He always renders your mind fuzzy and silly as bliss consumes the entirety of your being. You can only imagine how sex with him will feel like, and you don’t think you can wait any longer. Your worries be damned. You needed him more than you could handle.

But just as Minho pulls you closer to his body — your core dangerously close to his crotch, and sucking on your tongue in a way that has you mewling against his lips — his mother calls out your names, and you two quickly separate, startled as if you were burned. She informs you his grandmother has arrived and you two walk to the living room to greet her. You silently thank the universe for her not walking into the kitchen; the last thing you want is for Minho’s poor grandmother to catch you two making out on the counter like two teenagers.

She is a sweet lady, certainly not as old as you expected her to be, and she always has a smile etched onto her lips stained with red lipstick. You don’t even have to ask to know she is his mother’s mom, as the three of them share the exact same smile you grew to love so much.

You find yourself even more comfortable today, as you help both women set up the table for dinner — his grandma meticulously placing a beautiful lace cloth over the table while telling you about how this was one of her late husband’s first gifts to her when they first moved in together.

It felt as if you were part of the family.

And as you turn on your heels to grab the fancy silverware from a cabinet, your eyes meet Minho’s gaze. With a smile on his face, he stands by the kitchen door, watching you, and your heart swells with joy.

This was everything you never thought love could be.

Christmas dinner was amazing — as you knew it would be. Minho’s cooking is always fantastic, and pure happiness is written all over his face whenever he was complimented. The way he offers to serve everyone, watching intently as each of you took the first bite before he finally allowed himself to eat as well, his lips upturned into a grin and his ears red as you all hummed and gasped at how tasty everything was. It’s his love language; from the way he carefully and methodically prepares the food, to the way he enjoys watching other people eat more than eating himself. He shows his love through his cooking, you realize, and you smile as you think back to numerous times you woke up in the morning with a beautiful table set with breakfast for you after he spent the night at your house.

You haven’t put it into words yet, but he has unquestionably been showing his love for you through his little actions.

And that’s what you want to do tonight as well.

After watching a cliche Christmas movie with his family, you two are now the only ones awake with you drying off the dishes Minho’s washing. He looks beautiful even now, with his hands clad in neon green dishwashing gloves.

“Minho,” you call out, poking his rib with the plate he just handed you. He squirms with a giggle, warning you to not tickle him. You simply hum, continuing as nonchalantly as you can. “Do you wanna have sex tonight?”

His hand stills, dropping a knife on the sink as his head turns abruptly to look at you, eyes bewildered. “What? What, and you ask me this now? While we’re doing the dishes?” He sputters, and you grin with a shrug.

“It’s not a big deal,” you say, placing the plate on top of the counter. “I just… really wanna do it. Really want you.”

Minho turns off the tap — at least five knives left ignored at the bottom of the sink — removes his gloves and lets out a heavy sigh.

“Okay, not what I expected to happen on Christmas night, but I’ll take it.”

You both stare at each other for a beat, before inexplicably bursting out laughing. Maybe it’s the sheer suddenness of your request, or the absurdity of the situation you were in when it happened, but you can’t help it.

As you both calm down, Minho pulls you into his arms and informs you that he will have to go out and buy condoms, since he truly wasn’t expecting anything to happen. You don’t fault him, the two months you’ve been together were filled with you all but running away from sex. You couldn’t help it, your brain always dragging you back to that night in Japan, and the way he avoided your gaze in the morning. Although you knew it was irrational, and that he was simply shy, your self-sabotaging skills were too great, and your mind insisted that if you had sex with Minho too soon he would think you were nothing but a slut. That’s what you were told most of your life, anyway, so you couldn’t be blamed for the way your brain was almost conditioned into assuming the same.

But Minho had proved time and time again that he was not like the awful guys before him, and that all your worrying was unwarranted and foolish. You were depriving yourself of something you wanted badly out of sheer insecurity and attachment to experiences so far in the past it was almost masochistic at this point.

You insist on joining him on his impromptu trip to the convenience store, only throwing one of his sweaters over the dress and tights you wore for Christmas dinner.

Minho holds your hand as you two walk down the empty street, Christmas lights from the houses and stores making everything seem almost like a movie. You spot the familiar logo from across the street, and Minho bumps his shoulder with you while you head toward the convenience store chain where you both once worked.

“This is actually the exact one I used to work at,” He tells you as you look through a fridge hidden away in the back of the store. “I loved working the graveyard shift. I rang up so many couples awkwardly buying condoms like they were buying hard drugs.”

You chuckle, settling for some pudding you two could share later. “Will that be us tonight?”

He shrugs. “We’re adults, it’s normal to buy these things. Unless you want me to act like I’m buying crack cocaine, then I’d be happy to indulge you.”

You stick your tongue out at him with a light shove, turning to look through the rather lacking options on the condom shelf.

“Grape flavor?” Minho makes a face as he eyes one of the boxes. “Who the fuck would want the artificial taste of grapes when fucking?”

You shrug. “Could be worse, imagine banana-flavored condoms. I think I’d throw up all over your dick.”

“That’s sexy,” He jokes, and you let out a loud chuckle, earning you a look from the only other person at the store this time of night on Christmas eve.

Among your other options are a green glow-in-the-dark condom — which would only make you think of Shrek while Minho fucks you — and a strawberry-flavored one. You decide to play it safe, grabbing a box of plain, thin condoms and placing them in the basket Minho’s carrying.

“Let’s just go for the safest option,” you tell him, “We’ll have plenty of time to play around later if you want, though I’ll go on birth control once we’re back home so we won’t even need them anyway.”

You watch as Minho’s eyes widen for a second, his eyebrows shooting up almost comically.

“Sure, yeah.”

“Don’t short-circuit now. I need you functioning to fuck me.”

“Keep saying shit like that and I’ll be broken before we even make it back to my house,” he states matter-of-factly, and you chuckle, shaking your head at his words. But Minho’s expression remains unchanged. “I mean it. It’s been over a year since I’ve had proper sex. I’m surprised I didn’t combust the second you said those words to me in the kitchen.”

With a chuckle, you pull him to your side and walk toward the cashier. It’s a poor teenage boy, no older than eighteen, clearly bored out of his mind and wishing to be anywhere but here. As he rings up your items, Minho points to his phone that’s resting on the counter.

“That’s Ahri from League of Legends, right?” He asks, and the boy looks up, his eyes sparking with interest. He nods. “I don’t play, but I’m a game programmer, so I know a little bit about it. What’s your rank?”

“Grandmaster,” the boy answers proudly, his face lighting up with a hint of joy, probably for the first time since his shift started.

“Oohh,” Minho gasps loudly, basically hyping up this random boy at the convenience store. You watch the interaction with a silly smile on your face. “And you’re still young, wouldn’t be surprised to see you at World’s someday.”

The boy shakes his head dismissively as Minho hands him his card, but smiles nonetheless. Once he hands you your things, he speaks again, “Are you from around here, hyung? Let me know when you have a game out, I’d love to try it. See if you’re any good.”

Minho raises his brows at the obvious teasing lilt in his voice, lips upturning into a grin. “How about this? I’ll give you the beta code and you can start your career of testing games for money.”

“You’ll pay me?” The cashier marvels at the words, and Minho simply nods. He jots down a code from his phone into a scrap piece of paper on the counter, the boy’s face now a complete shift from the expression he wore when you first walked in, all because of Minho and his ability to be kind and sweet no matter the person or circumstance.

As you head back to his house, only the two of walk along the shy streets as the clock hands turn past midnight. Among all the bad people in this world, you’re indescribably happy that a man as good as him is the one walking beside you down this street, firmly holding your hand.

You arrive home and quietly head straight into Minho’s room. You thank any higher power that might exist for the fact that his room is the only one on the first floor, as you would have to endure your desperate need and desire for him until you got home if it wasn’t. Any of Minho’s family members walking in or hearing you two have sex would make you want to flee the country and change your name.

He joins you after storing your puddings in the fridge, making you jump with his arms wrapped around your waist while you were blankly staring at the pictures on his wall. You sigh, the realization of what was going to happen only really dawning on you now that you stand in Minho’s bedroom, and your mind starts to wander and doubt everything all over again.

“I kind of ruined the mood by asking to have sex, didn’t I?” You ask as Minho places a chaste kiss on your cheek before resting his chin on your shoulder.

“There was really no mood in the first place,” he lets out a breathy chuckle. “We were washing the dishes.”

You roll your eyes, once again more annoyed at yourself than at him. You could only hope that your awful propensity of bringing up these irritating thoughts of yours at the worst possible moments didn’t drive Minho away from you. Could only hope you were worth it in the end.

“I know, it’s just…” You trail off with another heavy sigh. “This guy I dated hated that. Said I should just initiate it instead of asking like it was a business transaction.”

You feel Minho shake his head. “That’s stupid. Why would I think that?” He sounds incredulous, and hearing him say it makes you realize just how asinine that thought really was. “We had to buy condoms, anyway. It’s also good that you’re comfortable asking me that. It’s as it should be.”

And you can only smile, biting back a giggle because of course he thinks that. It’s as if Jane Austen came back from the dead simply to write Lee Minho.

His arms tighten around your waist, and you turn your head to look at him. “You should really stop thinking about… them,” He hesitates, “Your exes, I mean. Stop comparing, assuming everything will be the same and have the same sad ending. You need to let go of that in order to truly heal. I hate how every time I’m good to you, or do the bare fucking minimum, your mind spins it into something being your fault. I hate what they did to you so much.”

You feel your breath get caught in your throat, tears threatening to spill much like they do every time you are faced with this topic. But you hold them in. You don’t want to cry, not right now, not when everything is so perfect with Minho. So, instead, you take in his words. He’s undoubtedly right, and you must force yourself to face this uncomfortable truth.

Slowly, you promise yourself. You smile at him, a silent promise to him, and you know he understands you when he smiles back, his lips pressing a kiss to your lips.

He lets go of you and rummages through his drawers, and you look around once more. His plushie mountain, the pictures of his childhood and high school days. You scrunch up your nose.

“Will it be too weird to have sex in your childhood bedroom?”

From where you’re standing, his back turned to you, you can faintly make out the tip of his ears turning red as he runs a finger through his hair.

“Well, not really…” He trails off, “I had sex with my ex-girlfriend here all the time when we skipped school together.”

You let out a gasp. “Lee Minho skipped school?”

He chuckles, closing his drawers and immediately wrapping his arms around you. He’s a lot more touchy since you brought this whole topic up, you notice.

“My parents were always at work, though, so this is my first time doing it while they’re right upstairs,” He explains, bringing his finger up to your lips and lowering his voice to a harsh whisper. “So we’ll have to be quiet.”

You roll your eyes with a smile, nodding. You know all too well you’ll probably be too quiet. Once again your trauma playing a part in this, the words an old boyfriend harshly spilled about you being too loud and vocal have always been present in your head. Now that you think about it, all these moments and words are like post-it notes stuck to your mind, and you skim through like a student cramming for an exam every day in search of one that applies to your current situation. It was excruciating.

Hyunjin tried his best to change this about you, always assuring you he liked to hear you during sex when he noticed your pursed and bitten lips, and that you should be vocal about what you want and like. But you always settled for nods and quiet hums instead.

Minho presses a quick kiss on your forehead then. “I’m gonna shower ‘cause my hands still smell like onions and garlic after washing them a thousand times,” he tells you. “I’ll be right back.”

As you’re busying yourself looking through Minho’s extensive collection of books, a meow pulls your attention toward the door. It’s Dori, the gray cat you’ve decided is your favorite since it’s the only one you can easily recognize. He stares for a beat before approaching you, and you kneel carefully to stroke his soft fur. You soon find yourself sitting down by the bed with Dori on your lap, purring away as your mind travels to a future in which you and Minho adopt cats of your own, all while living together and making plans for the rest of your lives. It terrifies you slightly to allow yourself to have these thoughts because if things were to go wrong with Minho, this would only be another ‘what if’ that would haunt you.

Another post-it note to your already cluttered-up mind.

But his words from earlier come back to you just as you begin to panic. You have to let go of the past and stop assuming only the worst outcomes are attainable. And so you simply smile at the imagination, letting your mind run wild while Dori falls asleep on your lap, his gray fur all over your red dress.

You and Dori both jump as Minho all but slams the door when he returns, a towel in his hand drying his damp hair. He cringes at the sound, cursing under his breath. Dori leaves your lap, and you stand up with a pout. He definitely is your favorite cat among the three.

“Sorry,” Minho whispers, as if that will compensate for the loud noise. You take in his appearance; a green Christmas sweater and bright red sweatpants. You bite back a smile, because that’s so him.

“Your outfit is doing a great job of seducing me,” you jest, and he shrugs with a cocky grin.

“I know no woman can resist a Christmas sweater.”

He pulls you into him with a hand around your waist, his lips crashing into yours in a deep kiss. You notice he’s more frantic, less careful than he usually is, his fingers digging into the fabric of your dress as his hands slide up your back. He pulls away, breathless and flushed, and just looks at you for a moment. You can see the shift in his eyes, yearning swimming all over his brown orbs.

Clumsily, he shuts off the lights behind him then switches on the fairy lights adorning his bookshelf, his left hand still firmly clutching your body. Until it suddenly loosens, and you cock your head to the side.

“Okay, you gotta leave,” he says, and you follow his gaze, landing on Dori, who stares up at him almost defiantly. Minho lets out a sigh, opening his door before walking toward the cat and motioning toward the exit as if he will understand him. “Come on, I’ll give you treats later, hm? But you need to leave now, Dori.”

You fail to hold back a chuckle. “Why does the poor baby have to leave? He looks so comfortable snuggled up on the floor.”

“I can’t have sex while Dori watches,” he deadpans as if it were an obvious answer. “It’ll be weird.”

“Minho, it’s a cat. He doesn’t know what’s going on.”

“It’s still weird! And I…” He trails off, running a hand through his hair. He’s still facing the door when he blurts out, “I told you, I’m already really fucking nervous ‘cause it’s been a while since I’ve had sex. I might not be the best.”

You shake your head with a smile, crossing your arms over your chest. “Minho, that’s not possible.”

“Yes, it is!” He finally turns to face you. “Remember back in Japan? I came too fast, it was embarrassing. That’s why I never let you touch me.”

You jokingly pout at him. “Thought you just liked eating me out.”

“I fucking love eating you out, but I’m not exactly refusing that you do the same because I want to,” he explains, “I’m just scared I’ll be bad at it.”

You furrow your brows. “Bad at… getting a blowjob?”

Minho’s ears are dusted a light pink, and he throws his hands up. “Well, yes! Back in Japan I didn’t even know what to do with my hands. I don’t know what you like, and I haven’t been with anyone else to know what most people like so…” He lets out an exasperated sigh. “Fuck, I was so nervous that night, you have no idea.”

“You were nervous?” You let out a huff, recalling Minho’s clear shift in demeanor that night. “Looking into my eyes the entire time and pinning me down to the bed, that’s you being nervous?”

His entire face now flushes red, and he returns his gaze toward the door, where Dori paddles out of the room graciously. He promptly shuts the door, locking it this time.

“I was nervous,” He tells you, taking a step toward you. “I kept looking at you ‘cause I couldn’t believe that was actually happening. Felt like you were gonna disappear if I looked away,” His hands cup your face gently, and your lips unknowingly curl into a smile. “And when you looked at me in the morning, all I could think about was how awful I was the night before.”

You have to fight the strong urge to laugh because god, that’s why he was acting shy and avoiding your gaze. You berate yourself for even thinking otherwise, for ever assuming Minho could be like your ex-boyfriends. His words ring even more true than before.

You let out a groan, realizing you two have been putting off having sex for such mindless reasons. When he shoots you a questioning gaze, you simply say, “Minho, we’re both fucking idiots, d’you know that?”

And before he can say anything else or even entertain the idea of overthinking any more, you pull him into a kiss. With a surprised hum, Minho gently pushes you back, and your knees meet the softness of the mattress causing you to fall back into his bed. He climbs on top of you, pulling away from the kiss.

“You still gotta tell me what you like,” he repeats, his lips all but pouting at you. You smile up at him.

“No,” you say simply, pushing his hair back with your fingers as it fell into his eyes. “It’s better if we figure that out together, isn’t it?”

Minho chuckles, promptly pressing his lips to yours, your hand tugging at his hair gently as his tongue glides across your lips, causing a soft whine to slip from your throat before you can stop it.

“I like that,” he says between kisses, “When you make these pretty noises.”

You feel your cheeks heat up at his words and take that as your chance to take the first small step in healing, adding a post-it to your mind, reminding you not to suppress any noise that Minho coaxes out of you tonight.

The atmosphere in his room feels perfect — like heaven, as he would say. The soft yellow glow emanating from his bookshelf made everything seem dreamy; his honey skin looked stunning, and his eyes gleamed like the stars in the sky every time they met yours.

It was undoubtedly so much more intimate and passionate than any other time you had sex before, and you were both still fully clothed.

It was just like what Minho had told you many months ago.

His hands travel through your body until they rest on your back, finding the buttons of your dress, slowly opening each one as his lips trail down your neck, softly sucking on the skin. As he gingerly slides your dress down your torso, you realize that this will be the first time you two see each other naked. Yet, you don’t feel nervous. You want nothing more than to be close to him, with no barriers between you, to finally be tangled with him like the roots on the ground.

Minho unclasps your bra, his gaze unmoving from your chest as he slips the garment off of your skin and drops it on the floor. It’s almost as if you can feel his gaze burning you, your chest tightening and your breath hitching in your throat. He licks his lips, leaning down to wrap them around your nipple, his hand promptly finding your other breast and softly massaging it. You let out a choked gasp, tugging at his hair.

You feel his lips stretch into a smile before he softly bites the bud.

“So you like this,” He mumbles, pressing a wet kiss to your nipple. “Duly noted.”

You giggle at his words, your hands tangling in his hair once more. His kisses travel up again, from your chest to your neck, until he’s back to kissing your lips. Both of his hands now massage your breasts, alternating between rolling your nipples between his rough fingers and pinching them lightly, causing a rush to spread across your entire body. You feel your arousal trickle down your slit as you grow more desperate.

“Minho,” you call out between kisses, and he hums against your lips. “Do something,” you all but beg him, yearning for some release as you feel the small, unrelenting pulse between your thighs grow stronger with each stroke of his finger across your chest. Your hands now grasp at his sweater, tugging it over his head, the fabric also discarded somewhere on the floor of his room.

Your hands travel over the expanse of his chest, fingertips taking in every inch of his soft skin. Breaking away from his lips, you push him back softly so you can revel in the sight of him; his delicate collar bones, his strong arms, and soft stomach. He’s beautiful, breathtakingly so, and you don’t know what you did to be deserving of him.

“Enjoying the view?” He jokes, and you breathe out a laugh, your gaze flying up toward his face — his lips swollen, and his cheeks flushed a pretty red.

“Minho, you’re so beautiful,” you whisper absentmindedly, and he smiles at you, softly pressing his lips to yours.

“You should see how you look,” he whispers.

His left hand soon slips underneath your dress skirt, fingertips grazing your skin over your tights. You feel goosebumps trickle along your thighs following his every touch, so eager to feel his hands on your skin you’re sure you’ll rip your tights in half yourself if Minho doesn’t get rid of them soon.

He seems to grow as impatient as you, lifting your hips with a strong grip to slide down your dress, tights, and panties off of you all in one go. In no time, you are now laid bare before him, and Minho is swift to trail kisses down your stomach, sloppy and messy, painting your skin with his saliva as his mouth waters at the mere prospect of tasting you.

With a heavy sigh, he stares at your glistening wetness before promptly wrapping his lips around your clit without a warning and sucking, ardently, vulgar sounds filling his small room much like they do every time he eats you out. Always messy, always eager, humming against your pussy and sighing as his eyes glaze over with pure want.

You squirm like lighting has shocked through your entire body. No matter how often you experience the satisfaction of Minho’s lips on you, it always leaves you trembling like it’s the first time. His right hand slides up the expanse of your stomach until it reaches your breast again, his thumb lazily circling your nipple. You purse your lips as his fingers tentatively trail across your folds, spreading your wetness up to your clit before lapping at it slowly, the small bud swollen and aching.

You’re quick to remember to open your mouth, letting out the heavy sigh that had stuck to your throat as his finger enters you, Minho still licking and sucking your sensitive clit, nipping harshly and making your sigh fade into a whine. Hand tangling in his hair and tugging, you elicit a low groan from his throat, which you feel reverberate through your slick folds.

Your thighs shake as he adds a second finger, and soon a third, thrusting them inside of you and stroking your walls more vigorously than he usually does, as if he somehow also feels your pleasure and needs to lead you to your high as quickly as possible.

Minho’s hand leaves your chest, and you bite back a pout, his fingers now gripping your hips before pushing them up so he can reach deeper. It isn’t long before his fingers drag across the spot inside of you that has your muscles tensing up, a strangled moan falling from your lips at the sensations coupled with the unrelenting feeling of his tongue on your clit. You come undone around his fingers and lips with a harsh tug of his black hair, rutting your hips against his face desperately, his fingers digging into the flesh of your hips as you do.

He laps up your juices as you slowly come down from your high, tongue flicking inside of you and sucking hard before he presses a long kiss to your cunt. Your entire body jerks in response to the overstimulation.

His kisses travel toward your inner thigh, your lower stomach and breasts until he reaches your neck, where his teeth nip at the soft skin, sucking harshly before his tongue soothingly licks at the spot. As Minho positions himself between your thighs again, you instinctively wrap your legs around his waist, pulling him closer. Your mind goes hazy for a beat as you feel the thick outline of his cock press against your bare core.

“Minho,” you call out again, your voice significantly more whiny this time around, shaky and breathless, “Wanna taste you.”

He groans against your skin, pressing small kisses up your neck until he ultimately stops against your open lips. He breathes out a heavy sigh.

“Really want that, too,” he rasps out, voice hoarse as his dark eyes travel across your face. “But I really wanna fuck you. Shit, I need to fuck you so badly you have no idea,” He groans. You feel his length jump at his words as he presses your foreheads together and locks his gaze with you. “That’ll be hard to do if your pretty lips go anywhere near my cock.”

You breathe out a chuckle, pressing a small kiss to his lips. “Then get to it,” you simply say.

Minho’s lips curl into a grin. “Will you remember to be quiet for me this time? My baby sounded so pretty coming around my fingers.”

Your cheeks flush, just how loud you were before only now dawning on you. Fuck. Your words get stuck to your throat, your mouth opening but making no sound, so you settle for a nod.

He chuckles. “Good,” he replies with a kiss to your agape lips.

Minho sits up, detangling himself from your body briefly. He reaches for the box on his bedside table, scrambling with the cardboard before clumsily tearing it open and retrieving a condom. It’s only then you notice how his hands are trembling, from nervousness or pure lust. Either way, you find yourself smiling at the sight.

You reach out to run a hand along his arm soothingly, watching with hungry eyes as he tugs at his drawstrings before freeing his cock from the confines of his sweatpants. Minho hisses as he rolls the rubber over his length, shaky hands stroking himself one, two, three times, all while you eye him, watching greedily as if you were his own personal captive audience.

He lowers himself once again, hand now sliding across the length of your thigh before gripping the flesh, nails digging into your skin as he eyes you with an almost pleading gaze.

“Can I—”

“Please do,” you answer, almost frantically, before he even has the time to assume you might say no. You inch your thighs apart even more so Minho can slot himself perfectly between them.

Your mouth waters as you catch sight of him gripping his cock once more, tapping it against your swollen clit and eliciting a whine from your lips as your hands scramble to find purchase in his strong arms. Minho’s eyes then find yours much like they did back in Japan, and you know you are done for. His dark gaze once again felt all-consuming — desire and adoration swimming along his brown eyes, looking at you as if he were in a daze. Your grip on his arms tightens as he lazily slides his cock up and down your soaked slit, coating himself in your arousal. Minho’s lips fall open as he continues his movements, the blunt head of his cock gliding along your folds almost painfully slow.

He leans in to close the small gap between your lips, before whispering something you can’t quite understand against them.

“I fucking love you,” he repeats himself more clearly, and finally pushes forward, his girth pushing into you as you gasp, feeling as if all the air has been stolen from you.

You aren’t sure if your reaction is due to his words, or the way his cock is working you open so good, or maybe it was a delicious blend of the two. All you know at the moment is Minho, Minho, Minho, your mind foggy as his name rings inside your head like a mantra.

“Don’t gotta say anything back,” he tells you in a breathy voice, “Just want you to know I love— Fuck,” he groans as he is now fully sheathed inside of you, and you clench at both the feeling and the words spilling from his lips. Of course he would choose now to tell you he loved you. “Love you so much, so much I’d do anything for you. Would wage a war with the world if you asked me to…” He babbles, words slipping past his lips like they were the easiest thing for him to say. Like he meant it so deeply, he didn’t have to put any thought into it. His words only die as he presses an open-mouthed kiss to your lips.

Minho pulls his hips back in one swift motion, hands lifting your thighs around his body as he thrusts into you, evoking a rather loud noise from the back of your throat which is smothered by his kiss.

“You take me so well,” he growls against your lips, “We fit perfectly.” He breaks the kiss to look down at where your two bodies are connected. It felt as if you were one, melting into each other little by little the more Minho thrust his cock inside of you. You simply nod, mind even more dizzy with the way he’s already pulling out again before slamming back into you, his pace quickening as he presses you into the mattress.

Your nails dig into his skin, crescent moon shapes blooming over the expanse of his honey skin. His eyes still bore into you, hips now thrusting at an unrelenting pace, his small room filled with a cacophony of wet sounds, whines tumbling from your parted lips and curses that almost silently fell from his.

“Gonna come soon,” Minho chokes out, his eyebrows furrowing, “I’m sorry, I—”

You silence him with a press of your lips, hands now tangling in his messy hair.

“You’re always so good to me,” you tell him, feeling his cock pulse inside of your walls. “Wanna be good to you too, make you feel good.”

And he simply leans down before kissing you reverently. The sound of his skin slapping against yours mixed with the creaking of his bed likely much too loud, but you couldn’t bring yourself to care. At least not at the moment. Not with the way his hand snakes along your hips, rough fingers now rolling delicious circles around your clit while his other palm presses down onto your abdomen, and his cock continuously hits a spot inside of you that has you all but crumbling apart underneath him.

Your mouth falls open, breaking the kiss, his cock twitching inside of you as his body stills on top of you. With furrowed brows and agape lips, Minho comes mere seconds before you reach your high as well, toes curling against his back as you melt onto his cock.

You stay that way for a while — a few seconds, maybe minutes — simply looking at each other as your labored breaths intertwine.

You finally reach up, brushing his dampened hair away from his beautiful eyes that now look at you as if you were the sole reason why the stars sparkle. Minho’s fingers soon find yours, tangling together as he brings your hands to his lips and presses a chaste kiss to your knuckles.

You smile.

You love him.

It’s not a realization but rather a confirmation of something you’ve already known all too well and for far too long. You still can’t put it into words, but somehow, you are certain that he knows just as well.

Minho accidentally awoke you in the morning with his habit of slamming his door shut, apologizing as you grumbled at him and insisted you would only accept his apology if he let you give him a blowjob. He laughed, simply pulling you closer to him on the bed as he sat up and you finally gave the most beautiful man you had ever met the head he deserved.

Minho’s parents and grandmother had left to eat at a fancy restaurant, and after lying through his teeth and telling his very distraught mother that you were feeling too sick to leave the bed, you two stayed behind. They didn’t have to know the real reason you couldn’t leave the bed — Minho and his apparent insatiable hunger for you. It was as if something had been awoken inside him now that he had a taste of you, and he had to make up for all the lost time.

You two only leave his room late in the afternoon, the sun setting on the pale winter sky outside his bedroom window. His family would arrive soon, and you needed to get ready for their tradition of opening Christmas presents while watching bad holiday movies.

When Minho followed you when you headed toward the bathroom, you thought little of it. It was only when he began undressing alongside you that panic truly set in.

“We literally had sex, why do you sound so horrified?” Was all he offered you when you asked what he was doing before entering the steamy shower with you.

It was your first time showering with someone, and the fact that it made you so nervous felt almost pathetic. Minho was right; you had sex, and you saw each other naked and sweaty and vulnerable. This shouldn’t be any different.

Except it was.

You found yourself too awkward to wash yourself, doing a terrible job at pretending to scrub at your arms as you watched Minho shower like a normal person. He let out a chuckle after rinsing his hair, shaking his head.

“Are you seriously shy? Seriously?” He asked, turning your body around so your back faced him. “The girl who begged to suck my cock just this morning is too shy to shower in front of me?”

You opened your lips to refute him, but your words died in your mouth as you felt Minho’s hand spread shampoo all over your hair. His fingers gently massaged your scalp before placing his hand over your eyes to shield them from the foam as he rinsed your hair. He repeated the process with conditioner, then moved on to wash your body with his almost sickly sweet watermelon body wash. He did it all while humming, making you so relaxed and comfortable that all your silly insecurities dissipated in the air along with the steam from the hot water.

Suffice to say, showering without Minho would now be a sad affair.

You are now sitting on the floor before the television, his family exchanging gifts. Dori purred on your lap, and Soonie bit Minho’s socks, trying his best to remove the fabric from his feet. It’s finally time for you two to exchange gifts, and you’re a bit glad his family seemed to be so immersed in the movie because you know you would combust if you had to explain your gift to them.

“Here,” you hand him an orange box with a black bow. “It’s stupid. Now that I think about it, it’s probably such a fucking dumb gift. It seemed like a good idea at the time, and Eunha even made one for her sister. I almost stole hers ‘cause it turned out much better than mine—”

“My god,” Minho interrupts you with a hearty laugh, taking the box in his hands and inspecting it. “It’s been a while since you word vomited so much. What the hell did you get me that made you so nervous?”

He pulls on the bow, unraveling it before taking the black fabric in his hands and tying it around your head. He laughs once more, and you roll your eyes.

“Minho, just get to it before I snatch this box from you.”

With one last chuckle, he finally opens the box. He stills as he takes in the notebook, sitting on top of far too much wrapping tissue paper. The cat print cardstock paper was a pain to find, but it’s worth it now as you watch Minho’s lips curl into a smile as his fingers gingerly travel through the cover. It was crooked, a bit too small, and still reeked of bookbinding glue, but it reminds you of the day you met Minho, and that was all you thought about when you decided on this gift.

“You fucking bound me a notebook,” he says, still bewildered.

“Took me a while, but I did say I was gonna do it. I’m a woman of my word.”

Minho looks up at you, his smile reaching his eyes and turning them into the pretty crescent moons you love so much. “I love it,” he beams, hands now squeezing your cheeks as he pulls you into a small kiss. “This and that coffee stained notebook are going on my bookshelf back in my dorm, displayed in all their glory.”

Minho pulls away and reaches toward two small boxes on the coffee table. He clears his throat, handing you one box as he settles the other on his lap.

“I thought of you when I saw this on my Instagram feed,” he simply says, fingers toying with the misshaped bow on top of the box — one very similar to the one on your birthday gift many months ago. “Thought about what we talked about in Japan, y’know, about soulmates.”

You raise a brow at him, quickly undoing the bow on your box as curiosity washes over you. You pick up a bracelet made only of red thread, eyeing it curiously.

Minho retrieves the same bracelet from his own box, putting it on before asking, “Have you heard of the red string of fate?”

“That myth that a thread connects two people meant to be together?” You question.

He nods. “Exactly. I feel like that was us,” He explains, taking the red bracelet from your hands and slipping it around your wrist before gently tightening the thread. “Feel like all our little coincidences were little threads tying us together until we met.”

You feel the tears well up in your eyes, but you don’t bother trying to hide or stop them this time. Grabbing Minho’s hand that stilled around your wrist, you lace your fingers together, admiring your matching bracelets. It could only be fate. Every small detail that aligned and every road you two crossed to reach the place where you are now could only have come to be because fate wanted it to be that way.

Out of every city you could have lived in, every different university you could have chosen to attend, down to every other seat that could have been empty on the day you met Minho — everything fell into place like a puzzle piece, exactly as if a long, invisible string tied you to him and finally decided it was time to pull you together.

Minho’s gentle touch brushes against your cheek as he silently wipes your tears — no words are needed between you two at that moment as he smiles softly at you while you feel your eyes burn from the cry you had held back for so long. And, as if you’re his mirror, you feel yourself smile as his lips upturn into a grin when his gaze shifts to the open window.

“It’s snowing,” he beams. “It’s the first snow of the year, and our first snow together.”

You stand in front of Minho’s house, the light snow falling softly and covering your heads in white as he kisses you, only stopping to grumble against your lips.

“Your phone’s going crazy in my pocket,” He pouts, and you furrow your brows. You had already sent your family holiday messages, and your friends were all busy with their own Christmas celebrations, so you were clueless about who it could be.

“Can you check it for me?”

Minho nods, untangling himself from your embrace just enough to reach into his pocket and grab your phone to unlock it.

“There’s like fifty new messages from a group chat. Best Fucking Five?” He chuckles lightly at the name, his chilly breath tickling your cheek.

You, on the other hand, immediately frowned as you heard the name. It’s a long-forgotten group chat with your old friend group from high school. You had all stopped talking a little before graduation, with you especially distancing yourself from them upon realizing their toxic words and reactions to your relationships only served to make you feel worse about yourself. No one bothered to leave or delete the group since it quietly died and had stayed that way for over three years now.

Minho hands you the phone, and you click another notification that pops up as soon as you unlock the device.

The conversation began with your former friend sending a screenshot of one of your ex-boyfriend’s newest Instagram post. You skim through the caption and blanch at the words accompanied by a sonogram picture. His girlfriend is pregnant, and he’s over the moon about it.

And you, for some reason, find yourself laughing so much you have to clutch onto Minho’s shoulder as your stomach starts to hurt.

He shoots you an understandably puzzled look, but you can’t stop the giggles that spill from your lips, so you settle on showing him the screenshot.

“I got the best Christmas gift tonight,” Minho reads from the screen. “I'm going to be a dad, and the most wonderful woman I’ve ever known is the mother,” he trails off with a questioning lilt, brows furrowing as that had only confused him more.

“It’s one of my exes,” you manage to tell him after catching your breath.

Minho hums, taking your hands and shoving them in his overcoat pocket along with your phone.

“And why did that make you lose your mind laughing?” He asks with a small smile.

“I guess it was the shock, really. It also made me realize just how little I care about him now. All of them, actually. Every time I was broken up with or had my heart broken in some way, it honestly felt like the end of the world,” you explain, “Like my heart would never recover and like I would hate them for the rest of my life. For years I had such a strong ax to grind with them, and that hatred and grudge only caused me harm. It made me hate love, and it made me blame myself.”

Minho nods, pressing his forehead to yours. Around you two, the snow got thicker, and only the distant sounds of children laughing from neighboring houses could be heard throughout the quiet street.

“But it’s different now?”

You smile up at him. “It’s different now, and I only just realized that. These people are no longer people I hate. They’re simply their words and their actions toward me, but they, as people, mean nothing to me.”

Minho smiles and wraps his arms around you in a tight embrace. This realization makes you feel lighter, like a small part of the weight of healing has been removed from the equation. It’s only you and yourself now; none of them has any power over your emotions anymore.

“Maybe we should send the baby a present,” you joke, and Minho buries his head in the crook of your neck with a chuckle, and you jump as his cold nose brushes against your skin.

“Maybe we should.”

At that moment, in the arms of this amazing man who has helped you more than he will ever know, you realize that love truly isn’t bad. People can be bad, circumstances can be catastrophic, and wrong timing can destroy nearly everything. But love is, at the core of it all, good.

“Minho,” you call out, feeling him hum against your skin before lifting his head to look at you. “I love you,” you say simply.

His smile rivals every pretty thing around you. The first snow, the gleaming Christmas decorations, and even the moon herself pale in comparison to the smile that Minho gives you.

“I love you, too,” he replies, a tangible sense of bliss in his voice, as if he has yearned for a lifetime to finally be able to say those words to you.

You wrap your arms tighter around Minho, and your fingers brush against the red thread that adorns your wrist. It truly feels as if fate had led you to Minho, leaving little clues along the way to make sure you both knew when you finally met. His journey to you had been relatively easy, while yours had been heart-wrenching, but in the end, it had brought you heaven.

If soulmates really are a thing, there is not an ounce of doubt in your being that Minho is yours. More than anything, he taught you that love is present in everything around you. Love is being kind to others like Minho is kind to his family and strangers in convenience stores at midnight. Love is staying up with your best friend while she cries on the couch, not expecting anything in return. Love is the laughter of little kids on Christmas night echoing throughout a neighborhood. Love is also going out on your own, doing something simply because it will make you happy, and being kind to yourself. All this time, you held onto the belief that love is destructive and only leads to sadness, oblivious to the fact that it has surrounded you every step of the way.

Love is everywhere and in everything.

In the end, Minho had always been right.

Love is the most amazing thing in life.

♡ taglist: @notevenheretbh1, @malunar28replies, @jazziwritesthings, @finchyyy, @bloom-ings, @linocz, @minhochaos, @lastgreatamericandynasty1, @missminhoe, @jungkookies1002, @meanergreener

537 notes · View notes

turnstileskyline · 4 months

Text

The Oral History of Take This To Your Grave – transcription under the cut

The pages that are just photographs, I haven't included. This post is already long enough.

Things that happened in 2003: Arnold Schwarzenegger became governor of California. Teen Vogue published its first issue. The world lost Johnny Cash. Johnny Depp appeared as Captain Jack Sparrow for the first time. A third Lord of the Rings movie arrived. Patrick Stump, Pete Wentz, Joe Trohman, and Andy Hurley released Take This To Your Grave.

"About 21 years ago or so, as I was applying to colleges I would ultimately never go to, Fall Out Boy began as a little pop-punk side project of what we assumed was Pete's more serious band, Arma Angelus," Patrick wrote in a May 2023 social media post.

"We were sloppy and couldn't solidify a lineup, but the three of us (Pete, Joe, and I) were having way too much fun to give up on it."

"We were really rough around the edges. As an example of how rough, one of my favorite teachers pulled me aside after hearing the recording that would eventually become Evening Out With Your Girlfriend and tactfully said, 'What do you think your best instrument is, Patrick? Drums. It's drums. Probably not singing, Patrick.'"

"We went into Smart Studios with the Sean O'Keefe... So, there we were, 3/5 of a band with a singer who'd only been singing a year, no drummer, and one out of two guitarists. But we had the opportunity to record with Sean at Butch Vig's legendary studio.

"Eight or so months later, Fueled by Ramen would give us a contract to record the remaining songs. We'd sleep on floors, eat nothing but peanut butter and jelly, live in a van for the next three years, and somehow despite that, eventually play with Elton John and Taylor Swift and Jay-Z and for President Obama and the NFC championship, and all these other wildly unpredictable things. But none of that would ever come close to happening if Andy hadn't made it to the session and Joe hadn't dragged us kicking and screaming into being a band."

Two decades after its release, Take This To Your Grave sits comfortable in the Top 10 of Rolling Stone's 50 Greatest Pop-Punk Albums, edging out landmark records from Buzzcocks, Generation X, Green Day, The Offspring, Blink-182, and The Ramones.

It even ranked higher than Through Being Cool by Saves The Day and Jersey's Best Dancers from Lifetime, two records the guys in Fall Out Boy particularly revere.

Fall Out Boy's proper full-length debut on Fueled by Ramen is a deceptively smart, sugar-sweet, raw, energetic masterpiece owing as much to the bass player's pop culture passions, the singers deep love of R&B and soul, and their shared history in the hardcore scene as any pioneering punk band. Fall Out Boy's creative and commercial heights were still ahead, but Take This To Your Grave kicked it off, a harbinger for the enduring songwriting partnership between Patrick Stump and Pete Wentz, the eclectic contributions from Joe Trohman, and the propulsive powerhouse that is Andy Hurley.

The recordings document a special moment when Fall Out Boy was big in "the scene" but a "secret" from the mainstream. The band (and some of their friends) first sat down for an Oral History (which doubled as an Oral History of their origin story) with their old friend Ryan J. Downey, then Senior Editor for Alternative Press, upon the occasion of the album's 10th anniversary. What follows is an updated, sharper, and expanded version of that story, newly re-edited in 2023. As Patrick eloquently said: "Happy 20th birthday, Take This To Your Grave, you weird brilliant lightning strike accident of a record."

– Ryan J. Downey.

A Weird, Brilliant Lightning Strike Of A Record. The Oral History Of Fall Out Boy's Take This To Your Grave.

As told by:

Patrick Stump

Pete Wentz

Joe Trohman

Andy Hurley

Bob McLynn - Crush Music

Sean O'Keefe - Producer/Mixer

John Janick - Fueled By Ramen

Tim McIlrath - Rise Against

Mani Mostofi - Racetraitor

Chris Gutierrez - Arma Angelus

Mark Rose - Spitalfield

Sean Muttaqi - Uprising Records

Rory Felton - The Militia Group

Richard Reines - Drive-Thru Records

"To Feel No More Bitterness Forever" - From Hardcore to Softcore, 1998-2000

PETE WENTZ: When I got into hardcore, it was about discovering the world beyond yourself. There was a culture of trying to be a better person. That was part of what was so alluring about hardcore and punk for me. But for whatever reason, it shifted. Maybe this was just in Chicago, but it became less about the thought process behind it and more about moshing and breakdowns. There was a close-mindedness that felt very reactive.

TIM MCILRITH: I saw First Born many years ago, which was the first time I saw Pete and met him around then. This was '90s hardcore - p.c., vegan, activist kind of hardcore music. Pete was in many of those bands doing that kind of thing, and I was at many of those shows. The hardcore scene in Chicago was pretty small, so everyone kind of knew each other. I knew Andy Hurley as the drummer in Racetraitor. I was in a band called Baxter, so Pete always called me 'Baxter.' I was just 'Baxter' to a lot of those guys.

JOE TROHMAN: I was a young hardcore kid coming to the shows. The same way we all started doing bands. You're a shitty kid who goes to punk and hardcore shows, and you see the other bands playing, and you want to make friends with those guys because you want to play in bands too. Pete and I had a bit of a connection because we're from the same area. I was the youngest dude at most shows. I would see Extinction, Racetraitor, Burn It Down, and all the bands of that era.

WENTZ: My driver's license was suspended then, so Joe drove me everywhere. We listened to either Metalcore like Shai Hulud or pop-punk stuff like Screeching Weasel.

MCILRITH: I was in a band with Pete called Arma Angelus. I was like their fifth or sixth bass player. I wasn't doing anything musically when they hit me up to play bass, so I said, 'Of course.' I liked everyone in the band. We were rehearsing, playing a few shows here and there, with an ever-revolving cast of characters. We recorded a record together at the time. I even sing on that record, believe it or not, they gave me a vocal part. Around that same time, I began meeting with [bassist] Joe [Principe] about starting what would become Rise Against.

CHRIS GUTIERREZ: Wentz played me the Arma Angelus demo in the car. He said he wanted it to be a mix of Despair, Buried Alive, and Damnation A.D. He told me Tim was leaving to start another band - which ended up being Rise Against - and asked if I wanted to play bass.

TROHMAN: Pete asked me to fill in for a tour when I was 15. Pete had to call my dad to convince him to let me go. He did it, too. It was my first tour, in a shitty cargo van, with those dudes. They hazed the shit out of me. It was the best and worst experience. Best overall, worst at the time.

GUTIERREZ: Enthusiasm was starting to wane in Arma Angelus. Our drummer was really into cock-rock. It wasn't an ironic thing. He loved L.A. Guns, Whitesnake, and Hanoi Rocks. It drove Pete nuts because the scene was about Bleeding Through and Throwdown, not cock rock. He was frustrated that things weren't panning out for the band, and of course, there's a ceiling for how big a metalcore band can get, anyway.

MANI MOSTOFI: Pete had honed this tough guy persona, which I think was a defense mechanism. He had some volatile moments in his childhood. Underneath, he was a pretty sensitive and vulnerable person. After playing in every mosh-metal band in the Midwest and listening exclusively to Earth Crisis, Damnation A.D., Chokehold, and stuff like that for a long time, I think Pete wanted to do something fresh. He had gotten into Lifetime, Saves The Day, The Get Up Kids, and bands like that. Pete was at that moment where the softer side of him needed an outlet, and didn't want to hide behind mosh-machismo. I remember him telling me he wanted to start a band that more girls could listen to.

MCILRATH: Pete was talking about starting a pop-punk band. Bands like New Found Glory and Saves The Day were successful then. The whole pop-punk sound was accessible. Pete was just one of those guys destined for bigger things than screaming for mediocre hardcore bands in Chicago. He's a smart guy, a brilliant guy. All the endeavors he had taken on, even in the microcosm of the 1990s Chicago hardcore world, he put a lot of though into it. You could tell that if he were given a bigger receptacle to put that thought into, it could become something huge. He was always talented: lyrics, imagery, that whole thing. He was ahead of the curve. We were in this hardcore band from Chicago together, but we were both talking about endeavors beyond it.

TROHMAN: The drummer for Arma Angelus was moving. Pete and I talked about doing something different. It was just Pete and me at first. There was this thuggishness happening in the Chicago hardcore scene at that time that wasn't part of our vibe. It was cool, but it wasn't our thing.

MCILRITH: One day at Arma Angelus practice, Pete asked me, 'Are you going to do that thing with Joe?' I was like, 'Yeah, I think so.' He was like, 'You should do that, dude. Don't let this band hold you back. I'll be doing something else, too. We should be doing other things.' He was really ambitious. It was so amazing to me, too, because Pete was a guy who, at the time, was kind of learning how to play the bass. A guy who didn't really play an instrument will do down in history as one of the more brilliant musicians in Chicago. He had everything else in his corner. He knew how to do everything else. He needed to get some guys behind him because he had the rest covered. He had topics, themes, lyrics, artwork, this whole image he wanted to do, and he was uncompromising. He also tapped into something the rest of us were just waking up to: the advent of the internet. I mean, the internet wasn't new, but higher-speed internet was.

MOSTOFI: Joe was excited to be invited by Pete to do a band. Joe was the youngest in our crew by far, and Pete was the 'coolest' in a Fonzie sort of way. Joe deferred to Pete's judgement for years. But eventually, his whole life centered around bossy big-brother Pete. I think doing The Damned Things was for Joe what Fall Out Boy was for Pete, in a way. It was a way to find his own space within the group of friends. Unsurprisingly, Joe now plays a much more significant role in Fall Out Boy's music.

WENTZ: I wanted to do something easy and escapist. When Joe and I started the band, it was the worst band of all time. I feel like people said, 'Oh, yeah, you started Fall Out Boy to get big.' Dude, there was way more of a chance of every other band getting big in my head than Fall Out Boy. It was a side thing that was fun to do. Racetraitor and Extinction were big bands to me. We wanted to do pop-punk because it would be fun and hilarious. It was definitely on a lark. We weren't good. If it was an attempt at selling out, it was a very poor attempt.

MCILRITH: It was such a thing for people to move from hardcore bands to bands called 'emo' or pop-punk, as those bands were starting to get some radio play and signed to major labels. Everyone thought it was easy, but it's not as easy as that. Most guys we knew who tried it never did anything more successful than their hardcore bands. But Pete did it! And if anyone was going to, it was going to be him. He never did anything half-assed. He ended up playing bass in so many bands in Chicago, even though he could barely play the bass then, because simply putting him in your band meant you'd have a better show. He was just more into it. He knew more about dynamics, about getting a crowd to react to what you're doing than most people. Putting Pete in your band put you up a few notches.

"I'm Writing You A Chorus And Here Is Your Verse" - When Pete met Patrick, early 2001.

MARK ROSE: Patrick Stump played drums in this grindcore band called Grinding Process. They had put out a live split cassette tape.

PATRICK STUMP: My ambition always outweighed my ability or actual place in the world. I was a drummer and played in many bands and tried to finagle my way into better ones but never really managed. I was usually outgunned by the same two guys: this guy Rocky Senesce; I'm not sure if he's playing anymore, but he was amazing. And this other guy, De'Mar Hamilton, who is now in Plain White T's. We'd always go out for the same bands. I felt like I was pretty good, but then those guys just mopped the floor with me. I hadn't been playing music for a few months. I think my girlfriend dumped me. I was feeling down. I wasn't really into pop-punk or emo. I think at the time I was into Rhino Records box sets.

TROHMAN: I was at the Borders in Eden's Plaza in Wilmette, Illinois. My friend Arthur was asking me about Neurosis. Patrick just walked up and started talking to me.

STUMP: I was a bit arrogant and cocky, like a lot of young musicians. Joe was talking kind of loudly and I overheard him say something about Neurosis, and I think I came in kind of snotty, kind of correcting whatever they had said.

TROHMAN: We just started talking about music, and my buddy Arthur got shoved out of the conversation. I told him about the band we were starting. Pete was this local hardcore celebrity, which intrigued Patrick.

STUMP: I had similar conversations with any number of kids my age. This conversation didn't feel crazy special. That's one of the things that's real about [Joe and I meeting], and that's honest about it, that's it's not some 'love at first sight' thing where we started talking about music and 'Holy smokes, we're going to have the best band ever!' I had been in a lot of bands up until then. Hardcore was a couple of years away from me at that point. I was over it, but Pete was in real bands; that was interesting. Now I'm curious and I want to do this thing, or at least see what happens. Joe said they needed a drummer, guitar player, or singer, and I kind of bluffed and said I could do any one of those things for a pop-punk band. I'd had a lot of conversations about starting bands where I meet up with somebody and maybe try to figure out some songs and then we'd never see each other again. There were a lot of false starts and I assumed this would be just another one of those, but it would be fun for this one to be with the guy from Racetraitor and Extinction.

TROHMAN: He gave me the link to his MP3.com page. There were a few songs of him just playing acoustic and singing. He was awesome.

WENTZ: Joe told me we were going to this kid's house who would probably be our drummer but could also sing. He sent me a link to Patrick singing some acoustic thing, but the quality was so horrible it was hard to tell what it was. Patrick answered the door in some wild outfit. He looked like an emo kid but from the Endpoint era - dorky and cool. We went into the basement, and he was like, trying to set up his drums.

TROHMAN: Patrick has said many times that he intended to try out on drums. I was pushing for him to sing after hearing his demos. 'Hey! Sing for us!' I asked him to take out his acoustic guitar. He played songs from Saves The Day's Through Being Cool. I think he sang most of the record to us. We were thrilled. We had never been around someone who could sing like that.

WENTZ: I don't think Patrick thought we were cool at all. We were hanging out, and he started playing acoustic guitar. He started singing, and I realized he could sing any Saves The Day song. I was like, 'Wow, that's the way those bands sound! We should just have you sing.' It had to be serendipity because Patrick drumming and Joe singing is not the same band. I never thought about singing. It wasn't the type of thing I could sing. I knew I'd be playing bass. I didn't think it'd even go beyond a few practices. It didn't seem like the thing I was setting myself up to do for the next several years of my life in any way. I was going to college. It was just a fun getaway from the rest of life kind of thing to do.

STUMP: Andy was the first person we asked to play drums. Joe even brought him up in the Borders conversation. But Andy was too busy. He wasn't really interested, either, because we kind of sucked.

WENTZ: I wanted Hurley in the band, I was closest to him at the time, I had known him for a long time. I identified with him in the way that we were the younger dudes in our larger group. I tried to get him, but he was doing another band at the time, or multiple bands. He was Mani's go-to guy to play drums, always. I had asked him a few times. That should clue people into the fact that we weren't that good.

ANDY HURLEY: I knew Joe as 'Number One Fan.' We called him that because he was a huge fan of a band I was in, Kill The Slavemaster. When Fall Out Boy started, I was going to college full-time. I was in the band Project Rocket and I think The Kill Pill then, too.

MOSTOFI: After they got together the first or second time, Pete played me a recording and said, 'This is going to be big.' They had no songs, no name, no drummer. They could barely play their instruments. But Pete knew, and we believed him because we could see his drive and Patrick's potential. Patrick was prodigy. I imagine the first moment Pete heard him sing was probably like when I heard 15-year-old Andy Hurley play drums.

GUTIERREZ: One day at practice, Pete told me he had met some dudes with whom he was starting a pop-punk band. He said it would sound like a cross between New Found Glory and Lifetime. Then the more Fall Out Boy started to practice, the less active Arma Angelus became.

TROHMAN: We got hooked up with a friend named Ben Rose, who became our original drummer. We would practice in his parents' basement. We eventually wrote some pretty bad songs. I don't even have the demo. I have copies of Arma's demo, but I don't have that one.

MOSTOFI: We all knew that hardcore kids write better pop-punk songs than actual pop-punk kids. It had been proven. An experienced hardcore musician could bring a sense of aggression and urgency to the pop hooks in a way that a band like Yellowcard could never achieve. Pete and I had many conversations about this. He jokingly called it 'Softcore,' but that's precisely what it was. It's what he was going for. Take This To Your Grave sounds like Hot Topic, but it feels like CBGBs.

MCILRITH: Many hardcore guys who transitioned into pop-punk bands dumbed it down musically and lyrically. Fall Out Boy found a way to do it that wasn't dumbed down. They wrote music and lyrics that, if you listened closely, you could tell came from people who grew up into hardcore. Pete seemed to approach the song titles and lyrics the same way he attacked hardcore songs. You could see his signature on all of that.

STUMP: We all had very different ideas of what it should sound like. I signed up for Kid Dynamite, Strike Anywhere, or Dillinger Four. Pete was very into Lifetime and Saves The Day. I think both he and Joe were into New Found Glory and Blink-182. I still hadn't heard a lot of stuff. I was arrogant; I was a rock snob. I was over most pop-punk. But then I had this renaissance week where I was like, 'Man, you know what? I really do like The Descendents.' Like, the specific week I met Joe, it just happened to be that I was listening to a lot of Descendents. So, there was a part of me that was tickled by that idea. 'You know what? I'll try a pop-punk band. Why not?'

MOSTOFI: To be clear, they were trying to become a big band. But they did it by elevating radio-friendly pop punk, not debasing themselves for popularity. They were closely studying Drive-Thru Records bands like The Starting Line, who I couldn't stand. But they knew what they were doing. They extracted a few good elements from those bands and combined them with their other influences. Patrick never needed to be auto-tuned. He can sing. Pete never had to contrive this emotional depth. He always had it.

STUMP: The ideas for band names were obnoxious. At some point, Pete and I were arguing over it, and I think our first drummer, Ben Rose, who was in the hardcore band Strength In Numbers, suggested Fall Out Boy. Pete and I were like, 'Well, we don't hate that one. We'll keep it on the list.' But we never voted on a name.

"Fake It Like You Matter" - The Early Shows, 2001

The name Fall Out Boy made their shortlist, but their friends ultimately chose it for them. The line-up at the band's first show was Patrick Stump (sans guitar), Pete Wentz, Joe Trohman, drummer Ben Rose, and guitarist John Flamandan in his only FOB appearance.

STUMP: We didn't have a name at our two or three shows. We were basically booked as 'Pete's new band' as he was the most known of any of us. Pete and I were the artsy two.

TROHMAN: The rest of us had no idea what we were doing onstage.

STUMP: We took ourselves very seriously and completely different ideas on what was 'cool.' Pete at the time was somewhere between maybe Chuck Palahniuk and Charles Bukowski, and kind of New Romantic and Manchester stuff, so he had that in mind. The band names he suggested were long and verbose, somewhat tongue-in-cheek. I was pretty much only into Tom Waits, so I wanted everything to be a reference to Tom Waits. The first show was at DePaul [University] in some cafeteria. The room looked a lot nicer than punk rock shows are supposed to look, like a room where you couldn't jump off the walls. We played with a band called Stillwell. I want to say one of the other bands played Black Sabbath's Black Sabbath in its entirety. We were out of place. We were tossing a few different names around. The singer for Stillwell was in earshot of the conversation so I was like 'Hey, settle this for us,' and told him whatever name it was, which I can't remember. 'What do you think of this name?' He goes, 'It sucks.' And the way he said it, there was this element to it, like, 'You guys probably suck, too, so whatever.' That was our first show. We played first and only had three songs. That was John's only show with us, and I never saw him again. I was just singing without a guitar, and I had never just sung before; that was horrifying. We blazed through those songs.

ROSE: Patrick had this shoulder-length hair. Watching these guys who were known for heavier stuff play pop-punk was strange. Pete was hopping around with the X's on his hands. Spitalfield was similar; we were kids playing another style of music who heard Texas Is The Reason and Get Up Kids and said, 'We have to start a band like this.'

MOSTOFI: The first show was a lot of fun. The musical side wasn't there, but Pete and Patrick's humor and charisma were front and center.

TROHMAN: I remember having a conversation with Mani about stage presence. He was telling me how important it was. Coalesce and The Dillinger Escape Plan would throw mic stands and cabinets. We loved that visual excitement and appeal. Years later, Patrick sang a Fall Out Boy song with Taylor Swift at Giants Stadium. It was such a great show to watch that I was reminded of how wise Mani was to give me that advice back then. Mani was like a mentor for me, honestly. He would always guide me through stuff.

MOSTOFI: Those guys grew up in Chicago, either playing in or seeing Extinction, Racetraitor, Los Crudos, and other bands that liked to talk and talk between songs. Fall Out Boy did that, and it was amazing. Patrick was awkward in a knowing and hilarious way. He'd say something odd, and then Pete would zing him. Or Pete would try to say something too cool, and Patrick would remind him they were nerds. These are very personal memories for me. Millions of people have seen the well-oiled machine, but so few of us saw those guys when they were so carefree.

TROHMAN: We had this goofy, bad first show, but all I can tell you was that I was determined to make this band work, no matter what.

STUMP: I kind of assumed that was the end of that. 'Whatever, on with our lives.' But Joe was very determined. He was going to pick us up for practice and we were going to keep playing shows. He was going to make the band happen whether the rest of us wanted to or not. That's how we got past show number one. John left the band because we only had three songs and he wasn't very interested. In the interim, I filled in on guitar. I didn't consider myself a guitar player. Our second show was a college show in Southern Illinois or something.

MCILRITH: That show was with my other band, The Killing Tree.

STUMP: We showed up late and played before The Killing Tree. There was no one there besides the bands and our friends. I think we had voted on some names. Pete said 'Hey, we're whatever!'; probably something very long. And someone yells out, 'Fuck that, no, you're Fall Out Boy!' Then when The Killing Tree was playing, Tim said, 'I want to thank Fall Out Boy.' Everyone looked up to Tim, so when he forced the name on us, it was fine. I was a diehard Simpsons fan, without question. I go pretty deep on The Simpsons. Joe and I would just rattle off Simpsons quotes. I used to do a lot of Simpsons impressions. Ben was very into Simpsons; he had a whole closet full of Simpsons action figures.

"If Only You Knew I Was Terrified" - The Early Recordings, 2002-2003

Wentz's relationships in the hardcore scene led to Fall Out Boy's first official releases. A convoluted and rarely properly explained chain of events resulted in the Fall Out Boy/Project Rocket split EP and Fall Out Boy's Evening Out with Your Girlfriend. Both were issued by California's Uprising Records, whose discography included Racetraitor's first album and the debut EP by Burn It Down. The band traveled to Wisconsin to record their first proper demo with engineer Jared Logan, drummer for Uprising's 7 Angels 7 Plagues.

TROHMAN: This isn't to be confused with the demo we did in Ben's basement, which was like a tape demo. This was our first real demo.

STUMP: Between booking the demo and recording it, we lost Ben Rose. He was the greatest guy, but it wasn't working out musically. Pete and Joe decided I should play drums on the demo. But Jared is a sick drummer, so he just did it.

TROHMAN: We had gotten this great singer but went through a series of drummers that didn't work out. I had to be the one who kicked Ben out. Not long after, our friend Brett Bunting played with us. I don't think he really wanted to do it, which was a bummer.

STUMP: I showed up to record that demo, feeling pulled into it. I liked hanging out with the guys, but I was a rock snob who didn't really want to be making that type of music. The first few songs were really rough. We were sloppy. We barely practiced. Pete was in Arma Angelus. Joe was the guy determined to make it happen. We couldn't keep a drummer or guitar player, and I could barely play guitar. I didn't really want to be in Fall Out Boy. We had these crappy songs that kind of happened; it didn't feel like anything. Joe did the guitars. I go in to do the vocals, I put on the headphones, and it starts playing and was kind of not bad! It was pretty good, actually. I was shocked. That was the first time I was like, 'Maybe I am supposed to be in this band.' I enjoyed hearing it back.

SEAN MUTTAQI: Wentz and I were pretty tight. He sent me some demos, and while I didn't know it would get as big as it did, I knew it was special. Wentz had a clear vision. Of all the guys from that scene, he was the most singularly focused on taking things to the next level. He was ahead of the game with promotion and the early days of social media.

STUMP: Arma Angelus had been on Eulogy. We talked to them a bit and spoke to Uprising because they had put out Racetraitor. At some point, the demo got to Sean, and he decided to make it half of a split with Andy's band, Project Rocket. We were pretty happy with that.

HURLEY: It was kind of competitive for me at the time. Project Rocket and Fall Out Boy were both doing pop-punk/pop-rock, I met Patrick through the band. I didn't really know him before Fall Out Boy.

TROHMAN: We got this drummer, Mike Pareskuwicz, who had been in a hardcore band from Central Illinois called Subsist.

STUMP: Uprising wanted us to make an album. We thought that was cool, but we only had those three songs that were on the split. We were still figuring ourselves out. One of the times we were recording with Jared in the studio, for the split or the album, this guy T.J. Kunasch was there. He was like, 'Hey, do you guys need a guitarist?' And he joined.

MUTTAQI: I borrowed some money to get them back in the studio. The songwriting was cool on that record, but it was all rushed. The urgency to get something out led to the recording being subpar. Their new drummer looked the part but couldn't really play. They had already tracked the drums before they realized it didn't sound so hot.

STUMP: The recording experience was not fun. We had two days to do an entire album. Mike was an awesome dude, but he lived crazy far away, in Kanakee, Illinois, so the drive to Milwaukee wasn't easy for him. He had to work or something the next day. So, he did everything in one take and left. He played alone, without a click, so it was a ness to figure out. We had to guess where the guitar was supposed to go. None of us liked the songs because we had slapped them together. We thought it all sucked. But I thought, 'Well, at least it'll be cool to have something out.' Then a lot of time went by. Smaller labels were at the mercy of money, and it was crazy expensive to put out a record back then.

MUTTAQI: Our record was being rushed out to help generate some interest, but that interest was building before we could even get the record out. We were beholden to finances while changing distribution partners and dealing with other delays. The buck stops with me, yes, but I didn't have that much control over the scheduling.

WENTZ: It's not what I would consider the first Fall Out Boy record. Hurley isn't on it and he's an integral part of the Fall Out Boy sound. But it is part of the history, the legacy. NASA didn't go right to the moon. They did test flights in the desert. Those are our test flights in the desert. It's not something I'm ashamed of or have weird feelings about.

STUMP: It's kind of embarrassing to me. Evening Out... isn't representative of the band we became. I liked Sean a lot, so it's nothing against him. If anybody wants to check out the band in that era, I think the split EP is a lot cooler. Plus, Andy is on that one.

TROHMAN: T.J. was the guy who showed up to the show without a guitar. He was the guy that could never get it right, but he was in the band for a while because we wanted a second guitar player. He's a nice dude but wasn't great to be in a band with back then. One day he drove unprompted from Racine to Chicago to pick up some gear. I don't know how he got into my parents' house, but the next thing I knew, he was in my bedroom. I didn't like being woken up and kicked him out of the band from bed.

STUMP: Our friend Brian Bennance asked us to do a split 7" with 504 Plan, which was a big band to us. Brian offered to pay for us to record with Sean O'Keefe, which was also a big deal. Mike couldn't get the time off work to record with us. We asked Andy to play on the songs. He agreed to do it, but only if he could make it in time after recording an entire EP with his band, The Kill Pill, in Chicago, on the same day.

MOSTOFI: Andy and I started The Kill Pill shortly after Racetraitor split up, not long after Fall Out Boy had formed. We played a bunch of local shows together. The minute Andy finished tracking drums for our EP in Chicago, he raced to the other studio in Madison.

STUMP: I'm getting ready to record the drums myself, getting levels and checking the drums, pretty much ready to go. And then in walks Andy Hurley. I was a little bummed because I really wanted to play drums that day. But then Andy goes through it all in like two takes and fucking nailed the entire thing. He just knocked it out of the park. All of us were like, 'That's crazy!'

WENTZ: When Andy came in, It just felt different. It was one of those 'a-ha' moments.

STUMP: Sean leaned over to us and said, 'You need to get this guy in the band.'

SEAN O'KEEFE: We had a blast. We pumped It out. We did it fast and to analog tape. People believe it was very Pro Tools oriented, but it really was done to 24-track tape. Patrick sang his ass off.

STUMP: The songs we had were 'Dead On Arrival,' 'Saturday,' and 'Homesick at Space Camp. There are quite a few songs that ended up on Take This To You Grave where I wrote most of the lyrics but Pete titled them.

WENTZ: 'Space Camp' was a reference to the 1986 movie, SpaceCamp, and the idea of space camp. Space camp wasn't something anyone in my area went to. Maybe they did, but it was never an option for me. It seems like the little kid version of meeting Jay-Z. The idea was also: what if you, like Joaquin Phoenix in the movie, took off to outer space and wanted to get home? 'I made it to space and now I'm just homesick and want to hang out with my friends.' In the greater sense, it's about having it all, but it's still not enough. There's a pop culture reference in 'Saturday' that a lot of people miss. 'Pete and I attack the lost Astoria' was a reference to The Goonies, which was filmed in Astoria, Oregon.

HURLEY: I remember hearing those recordings, especially 'Dead on Arrival,' and Patrick's voice and how well written those songs were, especially relative to anything else I had done - I had a feeling that this could do something.

WENTZ: It seemed like it would stall out if we didn't get a solid drummer in the band soon. That was the link that we couldn't nail down. Patrick was always a big musical presence. He thinks and writes rhythmi-cally, and we couldn't get a drummer to do what he wanted or speak his language. Hurley was the first one that could. It's like hearing two drummers talk together when they really get it. It sounds like a foreign language because it's not something I'm keyed into. Patrick needed someone on a similar musical plane. I wasn't there. Joe was younger and was probably headed there.

HURLEY: When Patrick was doing harmonies, it was like Queen. He's such a brilliant dude. I was always in bands that did a record and then broke up. I felt like this was a band that could tour a lot like the hardcore bands we loved, even if we had to have day jobs, too.

"(Four) Tired Boys And A Broken Down Van" - The Early Tours, 2002-2003

STUMP: We booked a tour with Spitalfield, another Chicago band, who had records out, so they were a big deal to us. We replaced T.J. with a guy named Brandon Hamm. He was never officially in the band. He quit when we were practicing 'Saturday.' He goes, 'I don't like that. I don't want to do this anymore.' Pete talked with guitarist Chris Envy from Showoff, who had just broken up. Chris said, 'Yeah, I'll play in your band.' He came to two practices, then quit like two days before the tour. It was only a two-week tour, but Mike couldn't get the time off work from Best Buy, or maybe it was Blockbuster. We had to lose Mike, which was the hardest member change for me. It was unpleasant.

TROHMAN: We had been trying to get Andy to join the band for a while. Even back at that first Borders conversation, we talked about him, but he was too busy at the time.

STUMP: I borrowed one of Joe's guitars and jumped in the fire. We were in this legendarily shitty used van Pete had gotten. It belonged to some flower shop, so it had this ominously worn-out flower decal outside and no windows [except in the front]. Crappy brakes, no A/C, missing the rearview mirror, no seats in the back, only the driver's seat. About 10 minutes into the tour, we hit something. A tire exploded and slingshot into the passenger side mirror, sending glass flying into the van. We pulled over into some weird animal petting zoo. I remember thinking, 'This is a bad omen for this tour.' Spitalfield was awesome, and we became tight with them. Drew Brown, who was later in Weekend Nachos, was out with them, too. But most of the shows were canceled.

WENTZ: We'd end up in a town, and our show was canceled, or we'd have three days off. 'Let's just get on whatever show we can. Whatever, you can pay us in pizza.'

STUMP: We played in a pizza place. We basically blocked the line of people trying to order pizza, maybe a foot away from the shitty tables. Nobody is trying to watch a band. They're just there to eat pizza. And that was perhaps the biggest show we played on that tour. One of the best moments on the Spitalfied tour was in Lincoln, Nebraska. The local opener wasn't even there - they were at the bar across the street and showed up later with two people. Fall Out Boy played for Spitalfield, and Spitalfield played for Fall Out Boy. Even the sound guy had left. It was basically an empty room. It was miserable.

HURLEY: Even though we played a ton of shows in front of just the other bands, it was awesome. I've known Pete forever and always loved being in bands with him. After that tour, it was pretty much agreed that I would be in the band. I wanted to be in the band.

WENTZ: We would play literally any show in those days for free. We played Chain Reaction in Orange County with a bunch of metalcore bands. I want to say Underoath was one of them. I remember a lot of black shirts and crossed arms at those kinds of shows. STUMP: One thing that gets lost in the annals of history is Fall Out Boy, the discarded hardcore band. We played so many hardcore shows! The audiences were cool, but they were just like, 'This is OK, but we'd really rather be moshing right now.' Which was better than many of the receptions we got from pop-punk kids.

MOSTOFI: Pete made sure there was little division between the band and the audience. In hardcore, kids are encouraged to grab the mic. Pete was very conscious about making the crowd feel like friends. I saw them in Austin, Texas, in front of maybe ten kids. But it was very clear all ten of those kids felt like Pete's best friends. And they were, in a way.

MCILRITH: People started to get into social networking. That kind of thing was all new to us, and they were way ahead. They networked with their fans before any of us.

MOSTOFI: Pete shared a lot about his life online and was intimate as hell. It was a new type of scene. Pete extended the band's community as far as fiber optics let him.

ROSE: Pete was extremely driven. Looking back, I wish I had that killer instinct. During that tour; we played a show in Colorado. On the day of the show, we went to Kinko's to make flyers to hand out to college kids. Pete put ‘members of Saves The Day and Screeching Weasel’ on the flyer. He was just like, 'This will get people in.'

WENTZ: We booked a lot of our early shows through hardcore connections, and to some extent, that carries through to what Fall Out Boy shows are like today. If you come to see us play live, we're basically Slayer compared to everyone else when we play these pop radio shows. Some of that carries back to what you must do to avoid being heckled at hardcore shows. You may not like our music, but you will leave here respecting us. Not everyone is going to love you. Not everyone is going to give a shit. But you need to earn a crowd's respect. That was an important way for us to learn that.

MOSTOFI: All those dudes, except Andy, lived in this great apartment with our friend Brett Bunting, who was almost their drummer at one point. The proximity helped them gel.

STUMP: There were a lot of renegade last-minute shows where we'd just call and get added. We somehow ended up on a show with Head Automatica that way.

MCILRITH: At some point early on, they opened for Rise Against in a church basement in Downers Grove. We were doing well then; headlining that place was a big deal. Then Pete's band was coming up right behind us, and you could tell there was a lot of chatter about Fall Out Boy. I remember getting to the show, and there were many people there, many of whom I had never seen in the scene before. A lot of unfamiliar faces. A lot of people that wouldn't have normally found their way to the seedy Fireside Bowl in Chicago. These were young kids, and I was 21 then, so when I say young, I mean really young. Clearly, Fall Out Boy had tapped into something the rest of us had not. People were super excited to see them play and freaked out; there was a lot of enthusiasm at that show. After they finished, their fans bailed. They were dedicated. They wanted to see Fall Out Boy. They didn't necessarily want to see Rise Against play. That was my first clue that, 'Whoa, what Pete told me that day at Arma Angelus rehearsal is coming true. He was right.' Whatever he was doing was working.

"My Insides Are Copper, And I'd Like To Make Them Gold" - The Record Labels Come Calling, 2002

STUMP: The split EP was going to be a three-way split with 504 Plan, August Premier, and us at one point. But then the record just never happened. Brian backed out of putting it out. We asked him if we could do something else with the three songs and he didn't really seem to care. So, we started shopping the three songs as a demo. Pete ended up framing the rejection letters we got from a lot of pop-punk labels. But some were interested.

HURLEY: We wanted to be on Drive-Thru Records so bad. That was the label.

RICHARD REINES: After we started talking to them, I found the demo they had sent us in the office. I played it for my sister. We decided everything together. She liked them but wasn't as crazy about them as I was. We arranged with Pete to see them practice. We had started a new label called Rushmore. Fall Out Boy wasn't the best live band. We weren't thrilled [by the showcase]. But the songs were great. We both had to love a band to sign them, so my sister said, 'If you love them so much, let's sign them to Rushmore, not Drive Thru.'

HURLEY: We did a showcase for Richard and Stephanie Reines. They were just kind of like, 'Yeah, we have this side label thing. We'd be interested in having you on that.' I remember them saying they passed on Saves The Day and wished they would have put out Through Being Cool. But then they [basically] passed on us by offering to put us on Rushmore. We realized we could settle for that, but we knew it wasn't the right thing.

RORY FELTON: Kevin Knight had a website, TheScout, which always featured great new bands. I believe he shared the demo with us. I flew out to Chicago. Joe and Patrick picked me up at the airport. I saw them play at a VFW hall, Patrick drank an entire bottle of hot sauce on a dare at dinner, and then we all went to see the movie The Ring. I slept on the couch in their apartment, the one featured on the cover of Take This To Your Grave. Chad [Pearson], my partner, also flew out to meet with the band.

STUMP: It was a weird time to be a band because it was feast or famine. At first, no one wanted us. Then as soon as one label said, 'Maybe we'll give 'em a shot,' suddenly there's a frenzy of phone calls from record labels. We were getting our shirts printed by Victory Records. One day, we went to pick up shirts, and someone came downstairs and said, 'Um, guys? [Owner] Tony [Brummel] wants to see you.' We were like, 'Did we forget to pay an invoice?' He made us an offer on the spot. We said, 'That's awesome, but we need to think about it.' It was one of those 'now or never' kinds of things. I think we had even left the van running. It was that kind of sudden; we were overwhelmed by it.

HURLEY: They told me Tony said something like, 'You can be with the Nike of the record industry or the Keds of the record industry.'

STUMP: We'd get random calls at the apartment. 'Hey, I'm a manager with so-and-so.' I talked to some boy band manager who said, 'We think you'll be a good fit.'

TROHMAN: The idea of a manager was a ‘big-time' thing. I answered a call one day, and this guy is like, 'I'm the manager for the Butthole Surfers, and I'd really like to work with you guys.' I just said, Yeah, I really like the Butthole Surfers, but I'll have to call you back.' And I do love that band. But I just knew that wasn't the right thing.

STUMP: Not all the archetypes you always read about are true. The label guys aren't all out to get you. Some are total douchebags. But then there are a lot who are sweet and genuine. It's the same thing with managers. I really liked the Militia Group. They told us it was poor form to talk to us without a manager. They recommended Bob McLynn.

FELTON: We knew the guys at Crush from working with Acceptance and The Beautiful Mistake. We thought they'd be great for Fall Out Boy, so we sent the music to their team.

STUMP: They said Crush was their favorite management company and gave us their number. Crush's biggest band at the time was American Hi-Fi. Jonathan Daniels, the guy who started the company, sent a manager to see us. The guy was like, "This band sucks!' But Jonathan liked us and thought someone should do something with us. Bob was his youngest rookie manager. He had never managed anyone, and we had never been managed.

BOB MCLYNN: Someone else from my office who isn't with us anymore had seen them, but I hadn't seen them yet. At the time, we'd tried to manage Brand New; they went elsewhere, and I was bummed. Then we got the Fall Out Boy demo, and I was like, Wow. This sounds even better. This guy can really sing, and these songs are great.' I remember going at it hard after that whole thing. Fall Out Boy was my consolation prize. I don't know if they were talking to other managers or not, but Pete and I clicked.

TROHMAN: In addition to being really creative, Pete is really business savvy. We all have a bullshit detector these days, but Pete already had one back then. We met Bob, and we felt like this dude wouldn't fuck us over.

STUMP: We were the misfit toy that nobody else wanted. Bob really believed in us when nobody else did and when nobody believed in him. What's funny is that all the other managers at Crush were gone within a year. It was just Bob and Jonathan, and now they're partners. Bob was the weird New York Hardcore guy who scared me at the time.

TROHMAN: We felt safe with him. He's a big, hulking dude.

MCLYNN: We tried to make a deal with The Militia Group, but they wouldn't back off on a few things in the agreement. I told them those were deal breakers, opening the door to everyone else. I knew this band needed a shot to do bigger and better things.

TROHMAN: He told us not to sign with the label that recommended him to us. We thought there was something very honest about that.

MCLYNN: They paid all their dues. Those guys worked harder than any band I'd ever seen, and I was all about it. I had been in bands before and had just gotten out. I was getting out of the van just as these guys got into one. They busted their asses.

STUMP: A few labels basically said the same thing: they wanted to hear more. They weren't convinced we could write another song as good as 'Dead On Arrival.' I took that as a challenge. We returned to Sean a few months after those initial three songs, this time at Gravity Studios in Chicago. We recorded ‘Grenade Jumper' and 'Grand Theft Autumn/Where is Your Boy' in a night or two. 'Where is Your Boy' was my, 'Fine, you don't think I can write a fucking song? Here's your hit song, jerks!' But I must have pushed Pete pretty hard [arguing about the songs]. One night, as he and I drove with Joe, Pete said, 'Guys, I don't think I want to do this band anymore.' We talked about it for the rest of the ride home. I didn't want to be in the band in the first place! I was like, 'No! That's not fair! Don't leave me with this band! Don't make me kind of like this band, and then leave it! That's bullshit!' Pete didn't stay at the apartment that night. I called him at his parent's house. I told him I wasn't going to do the band without him. He was like, 'Don't break up your band over it.' I said, 'It's not my band. It's a band that you, Joe, and I started.' He was like, 'OK, I'll stick around.' And he came back with a vengeance.

WENTZ: It was maybe the first time we realized we could do these songs titles that didn't have much do with the song from the outside. Grand Theft Auto was such a big pop culture franchise. If you said the phrase back then, everyone recognized it. The play on words was about someone stealing your time in the fall. It was the earliest experimentation with that so it was a little simplistic compared to the stuff we did later. At the time, we'd tell someone the song title, and they'd say, 'You mean "Auto"'?

JOHN JANICK: I saw their name on fliers and thought it was strange. But I remembered it. Then I saw them on a flyer with one of our bands from Chicago, August Premier. I called them and asked about this band whose name I had seen on a few flyers now. They told me they were good and I should check it out. I heard an early version of a song online and instantly fell in love with it. Drive-Thru, The Militia Group, and a few majors tried to sign them. I was the odd man out. But I knew I wanted them right away.

HURLEY: Fueled By Ramen was co-owned by Vinnie [Fiorello] from Less Than Jake. It wasn't necessarily a band I grew up loving, but I had so much respect for them and what they had done and were doing.

JANICK: I randomly cold-called them at the apartment and spoke to Patrick. He told me I had to talk to Pete. I spoke to Pete later that day. We ended up talking on the phone for an hour. It was crazy. I never flew out there. I just got to know them over the phone.

MCLYNN: There were majors [interested], but I didn't want the band on a major right away. I knew they wouldn't understand the band. Rob Stevenson from Island Records knew all the indie labels were trying to sign Fall Out Boy. We did this first-ever incubator sort of deal. I also didn't want to stay on an indie forever; I felt we needed to develop and have a chance to do bigger and better things, but these indies didn't necessarily have radio staff. It was sort of the perfect scenario. Island gave us money to go on Fueled By Ramen, with whom we did a one-off. No one else would offer a one-off on an indie.

STUMP: They were the smallest of the labels involved, with the least 'gloss.' I said, 'I don't know about this, Pete.' Pete was the one who thought it was the smartest move. He pointed out that we could be a big fish in a small pond. So, we rolled the dice.

HURLEY: It was a one-record deal with Fueled By Ramen. We didn't necessarily get signed to Island, but they had the 'right of first refusal' [for the album following Take This To Your Grave]. It was an awesome deal. It was kind of unheard of, maybe, but there was a bunch of money coming from Island that we didn't have to recoup for promo type of things.

JANICK: The company was so focused on making sure we broke Fall Out Boy; any other label probably wouldn't have had that dedication. Pete and I talked for at least an hour every day. Pete and I became so close, so much so that we started Decaydance. It was his thing, but we ended up signing Panic! At The Disco, Gym Class Heroes, Cobra Starship.

GUTIERREZ: Who could predict Pete would A&R all those bands? There's no Panic! At The Disco or Gym Class Heroes without Wentz. He made them into celebrities.

"Turn This Up And I'll Tune You Out" - The Making of Take This To You Grave, 2003

The versions of "Dead on Arrival," "Saturday," and "Homesick at Space Camp" from the first sessions with Andy on drums are what appear on the album. "Grand Theft Autumn/Where is Your Boy" and "Grenade Jumper" are the demo versions recorded later in Chicago. O'Keefe recorded the music for the rest of the songs at Smart Studios once again. They knocked out the remaining songs in just nine days. Sean and Patrick snuck into Gravity Studios in the middle of the night to track vocals in the dead of winter. Patrick sang those seven songs from two to five in the morning in those sessions.

STUMP: John Janick basically said, ‘I'll buy those five songs and we'll make them part of the album, and here's some money to go record seven more.'

MCLYNN: It was a true indie deal with Fueled by Ramen. I think we got between $15,000 and $18,000 all-in to make the album. The band slept on the studio floor some nights.

STUMP: From a recording standpoint, it was amazing. It was very pro, we had Sean, all this gear, the fun studio accoutrements were there. It was competitive with anything we did afterward. But meanwhile, we're still four broke idiots.

WENTZ: We fibbed to our parents about what we were doing. I was supposed to be in school. I didn't have access to money or a credit card. I don't think any of us did.

STUMP: I don't think we slept anywhere we could shower, which was horrifying. There was a girl that Andy's girlfriend at the time went to school with who let us sleep on her floor, but we'd be there for maybe four hours at a time. It was crazy.

HURLEY: Once, Patrick thought it would be a good idea to spray this citrus bathroom spray under his arms like deodorant. It just destroyed him because it's not made for that. But it was all an awesome adventure.

WENTZ: We were so green we didn't really know how studios worked. Every day there was soda for the band. We asked, 'Could you take that soda money and buy us peanut butter, jelly, and bread?' which they did. I hear that stuff in some ways when I listen to that album.

HURLEY: Sean pushed us. He was such a perfectionist, which was awesome. I felt like, ‘This is what a real professional band does.' It was our first real studio experience.

WENTZ: Seeing the Nirvana Nevermind plaque on the wall was mind-blowing. They showed us the mic that had been used on that album.

HURLEY: The mic that Kurt Cobain used, that was pretty awesome, crazy, legendary, and cool. But we didn't get to use it.

WENTZ: They said only Shirley Manson] from Garbage could use it.

O'KEEFE: Those dudes were all straight edge at the time. It came up in conversation that I had smoked weed once a few months before. That started this joke that I was this huge stoner, which obviously I wasn't. They'd call me 'Scoobie Snacks O'Keefe' and all these things. When they turned in the art for the record, they thanked me with like ten different stoner nicknames - 'Dimebag O'Keefe' and stuff like that. The record company made Pete take like seven of them out because they said it was excessively ridiculous.

WENTZ: Sean was very helpful. He worked within the budget and took us more seriously than anyone else other than Patrick. There were no cameras around. There was no documentation. There was nothing to indicate this would be some ‘legendary' session. There are 12 songs on the album because those were all the songs we had. There was no pomp or circumstance or anything to suggest it would be an 'important’ record.

STUMP: Pete and I were starting to carve out our niches. When Pete [re-committed himself to the band], it felt like he had a list of things in his head he wanted to do right. Lyrics were on that list. He wasn't playing around anymore. I wrote the majority of the lyrics up to that point - ‘Saturday,' 'Dead on Arrival,' ‘Where's Your Boy?,’ ‘Grenade Jumper,' and ‘Homesick at Space Camp.' I was an artsy-fartsy dude who didn't want to be in a pop-punk band, so I was going really easy on the lyrics. I wasn't taking them seriously. When I look back on it, I did write some alright stuff. But I wasn't trying. Pete doesn't fuck around like that, and he does not take that kindly. When we returned to the studio, he started picking apart every word, every syllable. He started giving me [notes]. I got so exasperated at one point I was like, ‘You just write the fucking lyrics, dude. Just give me your lyrics, and I'll write around them.' Kind of angrily. So, he did. We hadn't quite figured out how to do it, though. I would write a song, scrap my lyrics, and try to fit his into where mine had been. It was exhausting. It was a rough process. It made both of us unhappy.

MCLYNN: I came from the post-hardcore scene in New York and wasn't a big fan of the pop-punk stuff happening. What struck me with these guys was the phenomenal lyrics and Patrick's insane voice. Many guys in these kinds of bands can sing alright, but Patrick was like a real singer. This guy had soul. He'd take these great lyrics Pete wrote and combine it with that soul, and that's what made their unique sound. They both put their hearts on their sleeves when they wrote together.

STUMP: We had a massive fight over 'Chicago is So Two Years Ago.' I didn't even want to record that song. I was being precious with things that were mine. Part of me thought the band wouldn't work out, and I'd go to college and do some music alone. I had a skeletal version of 'Chicago...'. I was playing it to myself in the lobby of the studio. I didn't know anyone was listening. Sean was walking by and wanted to [introduce it to the others]. I kind of lost my song. I was very precious about it. Pete didn't like some of the lyrics, so we fought. We argued over each word, one at a time. 'Tell That Mick...' was also a pretty big fight. Pete ended up throwing out all my words on that one. That was the first song where he wrote the entire set of lyrics. My only change was light that smoke' instead of ‘cigarette' because I didn't have enough syllables to say 'cigarette.' Everything else was verbatim what he handed to me. I realized I must really want to be in this band at this point if I'm willing to put up with this much fuss. The sound was always more important to me - the rhythm of the words, alliteration, syncopation - was all very exciting. Pete didn't care about any of that. He was all meaning. He didn't care how good the words sounded if they weren't amazing when you read them. Man, did we fight about that. We fought for nine days straight while not sleeping and smelling like shit. It was one long argument, but I think some of the best moments resulted from that.

WENTZ: In 'Calm Before the Storm,' Patrick wrote the line, 'There's a song on the radio that says, 'Let's Get This Party Started' which is a direct reference to Pink's 2001 song 'Get the Party Started.' 'Tell That Mick He Just Made My List of Things to Do Today' is a line from the movie Rushmore. I thought we'd catch a little more flack for that, but even when we played it in Ireland, there was none of that. It's embraced, more like a shoutout.

STUMP: Pete and I met up on a lot of the same pop culture. He was more into '80s stuff than I was. One of the first things we talked about were Wes Anderson movies.

WENTZ: Another thing driving that song title was the knowledge that our fanbase wouldn't necessarily be familiar with Wes Anderson. It could be something that not only inspired us but something fans could also go check out. People don't ask us about that song so much now, but in that era, we'd answer and tell them to go watch Rushmore. You gotta see this movie. This line is a hilarious part of it.' Hopefully some people did. I encountered Jason Schwartzman at a party once. We didn't get to talk about the movie, but he was the sweetest human, and I was just geeking out. He told me he was writing a film with Wes Anderson about a train trip in India. I wanted to know about the writing process. He was like, 'Well, he's in New York City, I'm in LA. It's crazy because I'm on the phone all the time and my ear gets really hot.' That's the anecdote I got, and I loved it.

O'KEEFE: They're totally different people who approach making music from entirely different angles. It's cool to see them work. Pete would want a certain lyric. Patrick was focused on the phrasing. Pete would say the words were stupid and hand Patrick a revision, and Patrick would say I can't sing those the way I need to sing this. They would go through ten revisions for one song. I thought I would lose my mind with both of them, but then they would find it, and it would be fantastic. When they work together, it lights up. It takes on a life of its own. It's not always happy. There's a lot of push and pull, and each is trying to get their thing. With Take This To Your Grave, we never let anything go until all three of us were happy. Those guys were made to do this together.

WENTZ: A lot of the little things weren't a big deal, but those were things that [felt like] major decisions. I didn't want 'Where Is Your Boy' on Take This To Your Grave.

JANICK: I freaked out. I called Bob and said, 'We must put this song on the album! It's one of the biggest songs.' He agreed. We called Pete and talked about it; he was cool about it and heard us out.

WENTZ: I thought many things were humongous, and they just weren't. They didn't matter one way or another.

"Our Lawyer Made Us Change The (Album Cover)" - That Photo On Take This To Your Grave, 2003

STUMP: The band was rooted in nostalgia from early on. The '80s references were very much Pete's aesthetic. He had an idea for the cover. It ended up being his girlfriend at the time, face down on the bed, exhausted, in his bedroom. That was his bedroom in our apartment. His room was full of toys, '80s cereals. If we ended up with the Abbey Road cover of pop-punk, that original one was Sgt. Pepper's. But we couldn't legally clear any of the stuff in the photo. Darth Vader, Count Chocula…

WENTZ: There's a bunch of junk in there: a Morrissey poster, I think a Cher poster, Edward Scissorhands. We submitted it to Fueled by Ramen, and they were like, 'We can't clear any of this stuff.’ The original album cover did eventually come out on the vinyl version.

STUMP: The photo that ended up being the cover was simply a promo photo for that album cycle. We had to scramble. I was pushing the Blue Note jazz records feel. That's why the CD looks a bit like vinyl and why our names are listed on the front. I wanted a live photo on the cover. Pete liked the Blue Note idea but didn't like the live photo idea. I also made the fateful decision to have my name listed as 'Stump' rather than Stumph.

WENTZ: What we used was initially supposed to be the back cover. I remember someone in the band being pissed about it forever. Not everyone was into having our names on the cover. It was a strange thing to do at the time. But had the original cover been used, it wouldn't have been as iconic as what we ended up with. It wouldn't have been a conversation piece. That stupid futon in our house was busted in the middle. We're sitting close to each other because the futon was broken. The exposed brick wall was because it was the worst apartment ever. It makes me wonder: How many of these are accidental moments? At the time, there was nothing iconic about it. If we had a bigger budget, we probably would have ended up with a goofier cover that no one would have cared about.

STUMP: One of the things I liked about the cover was that it went along with something Pete had always said. I'm sure people will find this ironic, but Pete had always wanted to create a culture with the band where it was about all four guys and not just one guy. He had the foresight to even think about things like that. I didn't think anyone would give a fuck about our band! At the time, it was The Pete Wentz Band to most people. With that album cover, he was trying to reject that and [demonstrate] that all four of us mattered. A lot of people still don't get that, but whatever. I liked that element of the cover. It felt like a team. It felt like Voltron. It wasn't what I like to call 'the flying V photo' where the singer is squarely in the center, the most important, and everyone else is nearest the camera in order of 'importance.' The drummer would be in the very back. Maybe the DJ guy who scratches records was behind the drummer.

"You Need Him. I Could Be Him. Where Is Your Boy Tonight?" - The Dynamics of Punk Pop's Fab 4, 2003

Patrick seemed like something of the anti-frontman, never hogging the spotlight and often shrinking underneath his baseball hat. Wentz was more talkative, more out front on stage and in interviews, in a way that felt unprecedented for a bass player who wasn't also singing. In some ways, Fall Out Boy operated as a two-headed dictatorship. Wentz and Stump are in the car's front seat while Joe and Andy ride in the back.

STUMP: There is a lot of truth to that. Somebody must be in the front seat, no question. But the analogy doesn't really work for us; were more like a Swiss Army knife. You've got all these different attachments, but they are all part of the same thing. When you need one specific tool, the rest go back into the handle. That was how the band functioned and still does in many ways. Pete didn't want anyone to get screwed. Some things we've done might not have been the best business decision but were the right human decision. That was very much Pete's thing. I was 19 and very reactionary. If someone pissed me off, I'd be like, 'Screw them forever!' But Pete was very tactful. He was the business guy. Joe was active on the internet. He wouldn't stop believing in this band. He was the promotions guy. Andy was an honest instrumentalist: ‘I'm a drummer, and I'm going to be the best fucking drummer I can be.' He is very disciplined. None of us were that way aside from him. I was the dictator in the studio. I didn't know what producing was at the time or how it worked, but in retrospect, I've produced a lot of records because I'm an asshole in the studio. I'm a nice guy, but I'm not the nicest guy in the studio. It's a lot easier to know what you don't want. We carved out those roles early. We were very dependent on each other.

MCLYNN: I remember sitting in Japan with those guys. None of them were drinking then, but I was drinking plenty. It was happening there, their first time over, and all the shows were sold out. I remember looking at Pete and Patrick and telling Pete, ‘You're the luckiest guy in the world because you found this guy.' Patrick laughed. Then I turned to Patrick and said the same thing to him. Because really, they're yin and yang. They fit together so perfectly. The fact that Patrick found this guy with this vision, Pete had everything for the band laid out in his mind. Patrick, how he can sing, and what he did with Pete's lyrics - no one else could have done that. We tried it, even with the Black Cards project in 2010. We'd find these vocalists. Pete would write lyrics, and they'd try to form them into songs, but they just couldn't do it the way Patrick could. Pete has notebooks full of stuff that Patrick turns into songs. Not only can he sing like that, but how he turns those into songs is an art unto itself. It's really the combination of those two guys that make Fall Out Boy what it is. They're fortunate they found each other.

"I Could Walk This Fine Line Between Elation And Success. We All Know Which Way I'm Going To Strike The Stake Between My Chest" - Fall Out Boy Hits the Mainstream, 2003

Released on May 6, 2003, Take This To Your Grave massively connected with fans. (Fall Out Boy's Evening Out with Your Girlfriend arrived in stores less than two months earlier.) While Take This To Your Grave didn't crack the Billboard 200 upon its release, it eventually spent 30 weeks on the charts. From Under the Cork Tree debuted in the Top 10 just two years later, largely on Grave's momentum. 2007's Infinity on High bowed at #1.

WENTZ: I remember noticing it was getting insane when we would do in-stores. We'd still play anywhere. That was our deal. We liked being able to sell our stuff in the stores, too. It would turn into a riot. We played a Hollister at the mall in Schaumburg, Illinois. A lot of these stores were pretty corporate with a lot of rules, but Hollister would let us rip. Our merch guy was wearing board shorts, took this surfboard off the wall, and started crowd-surfing with it during the last song. I remember thinking things had gotten insane right at that moment.

HURLEY: When we toured with Less Than Jake, there were these samplers with two of their songs and two of ours. Giving those out was a surreal moment. To have real promotion for a record... It wasn't just an ad in a 'zine or something. It was awesome.

MCLYNN: They toured with The Reunion Show, Knockout, and Punch-line. One of their first big tours as an opening act was with MEST. There would be sold-out shows with 1,000 kids, and they would be singing along to Fall Out Boy much louder than to MEST. It was like, 'What's going on here?' It was the same deal with Less Than Jake. It really started catching fire months into the album being out. You just knew something was happening. As a headliner, they went from 500-capacity clubs to 1500 - 2000 capacity venues.

WENTZ: We always wanted to play The Metro in Chicago. It got awkward when they started asking us to play after this band or that band. There were bands we grew up with that were now smaller than us. Headlining The Metro was just wild. My parents came.

MCLYNN: There was a week on Warped Tour, and there was some beel because these guys were up-and-comers, and some of the bands that were a little more established weren't too happy. They were getting a little shit on Warped Tour that week, sort of their initiation. They were on this little, shitty stage. So many kids showed up to watch them in Detroit, and the kids rushed the stage, and it collapsed. The PA failed after like three songs. They finished with an acapella, 'Where is Your Boy,’ and the whole crowd sang along.

WENTZ: That's when every show started ending in a riot because it couldn't be contained. We ended up getting banned from a lot of venues because the entire crowd would end up onstage. It was pure energy. We'd be billed on tour as the opening band, and the promoter would tell us we had to close the show or else everyone would leave after we played. We were a good band to have that happen to because there wasn't any ego. We were just like, "Oh, that's weird.' It was just bizarre. When my parents saw it was this wid thing, they said, 'OK, yeah, maybe take a year off from college.' That year is still going on.

MCLYNN: That Warped Tour was when the band's first big magazine cover, by far, hit the stands. I give a lot of credit to Norman Wonderly and Mike Shea at Alternative Press. They saw what was happening with Fall Out Boy and were like, 'We know it's early with you guys, but we want to give you a cover.' It was the biggest thing to happen to any of us. It really helped kick it to another level. It helped stoke the fires that were burning. This is back when bands like Green Day, Blink-182, and No Doubt still sold millions of records left and right. It was a leap of faith for AP to step out on Fall Out Boy the way they did.

STUMP: That was our first big cover. It was crazy. My parents flipped out. That wasn't a small zine. It was a magazine my mom could find in a bookstore and tell her friends. It was a shocking time. It's still like that. Once the surrealism starts, it never ends. I was onstage with Taylor Swift ten years later. That statement just sounds insane. It's fucking crazy. But when I was onstage, I just fell into it. I wasn't thinking about how crazy it was until afterward. It was the same thing with the AP cover. We were so busy that it was just another one of those things we were doing that day. When we left, I was like, 'Holy fuck! We're on the cover of a magazine! One that I read! I have a subscription to that!'

HURLEY: Getting an 'In The Studio' blurb was a big deal. I remember seeing bands 'in the studio' and thinking, Man, I would love to be in that and have people care that we're in the studio.' There were more minor things, but that was our first big cover.

STUMP: One thing I remember about the photo shoot is I was asked to take off my hat. I was forced to take it off and had been wearing that hat for a while. I never wanted to be the lead singer. I always hoped to be a second guitarist with a backup singer role. I lobbied to find someone else to be the proper singer. But here I was, being the lead singer, and I fucking hated it. When I was a drummer, I was always behind something. Somehow the hat thing started. Pete gave me a hat instead of throwing it away - I think it's the one I'm wearing on the cover of Take This To Your Grave. It became like my Linus blanket. I had my hat, and I could permanently hide. You couldn't see my eyes or much of me, and I was very comfortable that way. The AP cover shoot was the first time someone asked me to remove it. My mom has a poster of that cover in her house, and every time I see it, I see the fear on my face - just trying to maintain composure while filled with terror and insecurity. ‘Why is there a camera on me?'

JANICK: We pounded the pavement every week for two years. We believed early on that something great was going to happen. As we moved to 100,000 and 200,000 albums, there were points where everything was tipping. When they were on the cover of Alternative Press. When they did Warped for five days, and the stage collapsed. We went into Christmas with the band selling 2000 to 3000 a week and in the listening stations at Hot Topic. Fueled By Ramen had never had anything like that before.

MOSTOFI: Pete and I used to joke that if he weren't straight edge, he would have likely been sent to prison or worse at some point before Fall Out Boy. Pete has a predisposition to addictive behavior and chemical dependency. This is something we talked about a lot back in the day. Straight Edge helped him avoid some of the traps of adolescence.

WENTZ: I was straight edge at the time. I don't think our band would have been so successful without that. The bands we were touring with were partying like crazy. Straight Edge helped solidify the relationship between the four of us. We were playing for the love of music, not for partying or girls or stuff like that. We liked being little maniacs running around. Hurley and I were kind of the younger brothers of the hardcore kids we were in bands with. This was an attempt to get out of that shadow a little bit. Nobody is going to compare this band to Racetraitor. You know when you don't want to do exactly what your dad or older brother does? There was a little bit of that.

"Take This To Your Grave, And I'll Take It To Mine" - The Legacy of Take This To Your Grave, 2003-2023

Take This To Your Grave represents a time before the paparazzi followed Wentz to Starbucks, before marriages and children, Disney soundtracks, and all the highs and lows of an illustrious career. The album altered the course for everyone involved with its creation. Crush Music added Miley Cyrus, Green Day, and Weezer to their roster. Fueled By Ramen signed Twenty One Pilots, Paramore, A Day To Remember, and All Time Low.

STUMP: I'm so proud of Take This To Your Grave. I had no idea how much people were going to react to it. I didn't know Fall Out Boy was that good of a band. We were this shitty post-hardcore band that decided to do a bunch of pop-punk before I went to college, and Pete went back to opening for Hatebreed. That was the plan. Somehow this record happened. To explain to people now how beautiful and accidental that record was is difficult. It seems like it had to have been planned, but no, we were that shitty band that opened for 25 Ta Life.

HURLEY: We wanted to make a record as perfect as Saves The Day's Through Being Cool. A front-to-back perfect collection of songs. That was our obsession with Take This To Your Grave. We were just trying to make a record that could be compared in any way to that record. There's just something special about when the four of us came together.

WENTZ: It blows my mind when I hear people talking about Take This To Your Grave or see people including it on lists because it was just this tiny personal thing. It was very barebones. That was all we had, and we gave everything we had to it. Maybe that's how these big iconic bands feel about those records, too. Perhaps that's how James Hetfield feels when we talk about Kill 'Em All. That album was probably the last moment many people had of having us as their band that their little brother didn't know about. I have those feelings about certain bands, too. 'This band was mine. That was the last time I could talk about them at school without anyone knowing who the fuck I was talking about.' That was the case with Take This To Your Grave.

TROHMAN: Before Save Rock N' Roll, there was a rumor that we would come back with one new song and then do a Take This To Your Grave tenth-anniversary tour. But we weren't going to do what people thought we would do. We weren't going to [wear out] our old material by just returning from the hiatus with a Take This To Your Grave tour.

WENTZ: We've been asked why we haven't done a Take This To Your Grave tour. In some ways, it's more respectful not to do that. It would feel like we were taking advantage of where that record sits, what it means to people and us.

HURLEY: When Metallica released Death Magnetic, I loved the record, but I feel like Load and Reload were better in a way, because you knew that's what they wanted to do.

TROHMAN: Some people want us to make Grave again, but I'm not 17. It would be hard to do something like that without it being contrived. Were proud of those songs. We know that’s where we came from. We know the album is an important part of our history.

STUMP: There's always going to be a Take This To Your Grave purist fan who wants that forever: But no matter what we do, we cannot give you 2003. It'll never happen again. I know the feeling, because I've lived it with my favorite bands, too. But there's a whole other chunk of our fans who have grown with us and followed this journey we're on. We were this happy accident that somehow came together. It’s tempting to plagarize yourself. But it’s way more satisfying and exciting to surprise yourself.

MCILRITH: Fall Out Boy is an important band for so many reasons. I know people don't expect the singer of Rise Against to say that, but they really are. If nothing else, they created so much dialog and conversation within not just a scene but an international scene. They were smart. They got accused of being this kiddie pop punk band, but they did smart things with their success. I say that, especially as a guy who grew up playing in the same Chicago hardcore bands that would go on and confront be-ing a part of mainstream music. Mainstream music and the mainstream world are machines that can chew your band up if you don't have your head on straight when you get into it. It's a fast-moving river, and you need to know what direction you're going in before you get into it. If you don't and you hesitate, it'll take you for a ride. Knowing those guys, they went into it with a really good idea. That's something that the hardcore instilled in all of us. Knowing where you stand on those things, we cut our teeth on the hardcore scene, and it made us ready for anything that the world could throw at us, including the giant music industry.

#long post #lke. VERY long post #fall out boy #fob #take this to your grave #tttyg #patrick stump #pete wentz #joe trohman #andy hurley #if theres any typos lmk and i'll fix em this. hust took fucking forever to transcribe.

760 notes · View notes