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#When I finish the manga I might just... replace her like I do characters some times kfdjgkfdkg
kakusu-shipping · 3 months
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Omg and 💓, 🌸 for Chieko! 💞
Aaaugh I really wanna finish this manga some day!!! For her!!!
Thankyou for asking! Asks from Here
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💓 Beating heart — How would you react if they confessed to you? How do you think they'd confess?
M-Madam Chieko c...con-confessing to me?! I-I can't imagine it I-I mean... M-Me??? Aaaaa... I.. I'd have to man up and! And confess back to her of course! A-And, uhm.. T-Take it up a notch and! And ask her to Marry me! Right! Tha-at's what people our age do when they... when they like someone...
(I imagine if Cheiko had feelings for and confessed to anyone, she'd be very straight forward about it. Despite her shy nature, she is the most socially adept of the sisterhood, and I bet if she really put her mind to it she could get through a confession... buuuut it'd probably sound a touch formal. She can really only hold it together in a professional setting.)
🌸Sakura — What's your favorite thing about them?
Favorite thing about Miss Chieko? Well where to start... For one thing she's positively gorgeous, her round face and delicate hands and beautifully long hair. Then there's of course her sense of style, her beautiful Kimonos paired with perfect obis always tied so perfectly and kept wonderfully clean. And then there's of course her craft she's so skilled with a needle and thread, even on her sewing machine she's a master and with such speed without even so much as a glance she can get so much done and then there's her passion now everyone at Amamizukan is passionate of course that's what drew us all together but Miss Chieko specifically has such an air of sophistication when talking about her passions and the care she takes of her dolls is so refreshing like a mother and her children and every single one of them love her right back for it it's such a shame we can't take them out more and then of course-
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manygalaxiesinone · 1 year
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Disgaea parents, Good to Trash!
((Yup! Still on the Disgaea train. While neither Father’s Day or Mother’s day is coming up soon, I do feel like it might be interesting to rank all of the parental figures we see in the series up to this point, especially with Disgaea 7 still on the way releasing fall of this year. For this list, I’m taking into account anyone who could be counted as a legal guardian for another character, since we don’t really see all that many parents in the franchise just yet. Also, if romantic partners are raising a someone together, I will rank them together as a team. Finally, the ranking only goes for how well their overall parenting skills are and not so much their alignment in general.
Gold Medal Good Parent: Mao’s father. Yeah you heard right, the former ruler of the Nether Institute: Evil Academy is actually a pretty good dad. He cares a lot about Mao, so much so that his spirit refuses to pass on into the afterlife until he knows for sure that Mao will turn out okay. Keep in mind that it was his death that left Mao with so many mental scars for years until he encountered Almaz and others. He even went so far as to hire both Mr. Champloo and Vyers to keep an eye on things from a distance just in case. Really, the only thing I could potentially fault him for is how he occasionally steps on Mao’s toys and games. Something that understandably irritates Mao, but at the same time, I can’t fault him too much for it since they were all accidental due to his large size as well as the fact that he offers to get replacements whenever he does step on them. R.I.P to a real one.
Silver Medal Good Parent: Adell’s foster parents. Some of you might be surprised on how these two didn’t end up with the gold medal. That’s mainly because while they are decent, they’re not perfect. Let’s not forget how Mom was willing to sacrifice both her husband and two of her children in order to summon Overlord Zenon in the beginning of the game, or how they have yet to tell Adell about his parents being Shura and Selion in the games (though granted they did so in the manga) and how unsupportive they were about Hanako’s career choice of being a demon lord. That being said, their qualities can’t be overlooked either, especially in terms of how they raised Adell. Even after the fake Zenon stripped them of their consciousness and memories, they still took in Adell and raised him as one of their own since he was 2 years old, which resulted in him becoming the righteous demon hunter that his is today, one that treasures his family above all else. Let’s not also forget how grateful they were to Rozalin when she helped rescue Taro and Hanako when they were captured by Axel. Despite the odds, they really are a loving family.
Bronze Medal Good Parent: Lamington. Considering how he treats Flonne and Sicily in the games, I’m going to count him as their legal guardian to some degree. Lamington has a deep connection with both of the characters mentioned, especially Flonne, and considering how much they respect him and how they turn out, we can tell that he’s doing at least a decent job. He’s the only angel in Celestia to agree with Flonne about how odd it is to see demons as evil despite never meeting one in person, encouraging her to keep an open mind despite what others believe. He even sends Flonne to the Netherworld in order for her to learn about them and to possibly get close to Krichevskoy’s son, Laharl, under the guise of conspiring an assassin. And while he has turned Flonne into a fallen angel in the end of the first game, it was clear that it was what he had in mind the whole time, and she only actually dies if Laharl kills Lamington before he could finish the process. As for Sicily, my idea of him raising her in secret is only a theory and nothing confirmed, so I can’t count that, but we do know that he at least looked after her in some way during her time in Celestia, once again, only punishing her when she harmed other angels due to Celestial law. While Sicily was mostly alone due to being a Nephilim, I can give props to Lamington to being among at least a few people who cared for her and making sure she turns out into the kind, hard worker we know today.
4. Adell. Considering his age and the fact that both Taro and Hanako tags along with him during the events of Disgaea 2, as well as how much he’s providing for the family himself, I’m going to count him as a legal guardian to his younger siblings to some degree. As stated before, Adell values his family above all else, including his two younger siblings, Taro and Hanako. While Taro doesn’t exactly respect Adell all that much, Hanako adores and admires him, always more than eager to make home cooked meals for him whenever he gets back from his travels. As she points out, this is mostly due to the fact that he doesn’t pick on her compared to how older siblings usually act like, which is ironic considering how often she picks on Taro. While he doesn’t pick on his siblings, he is stern with them when he has to keep them in line. This along with how he hunted down Axel for kidnapping them as well as supportive of Hanako’s decision to becoming a demon lord despite being initially against it, shows that Adell has qualities of being a good parent someday in the future, if NIS ever makes a future of him and Rozalin, that is. And before anyone brings up Disgaea 2′s worst ending, that was the result of him getting possessed by Overlord Zenon, so I’m not going to count it against him.
5. Usalia’s parents. Some of you might be familiar by now of how often I refer to Usalia as Disgaea 5′s Futaba Sakura and vice versa and her relationship with her parents is one of the reasons why. After their deaths, Usalia was afraid of the thought that her parents hated her, since the last moment they had together during their passing was her rejecting the curry they made so hard for her even though she actually enjoyed it. It didn’t take until much later on for her to realize that this couldn’t be further from the truth. Both of her parents always loved Usalia from the bottom of their hearts until the very end, as evidenced by their refusal to attack her under Majorita’s orders after being turned into her zombie soldiers and finally being able to move on to the afterlife after they reconcile. Usalia’s a good kid, one with a bright future ahead of her.
6. Killia. While I’m at it, might as well add Killia to the list as well. Like Adell, I’m willing to consider him Usalia’s legal guardian to some degree considering his age and the fact that he’s the leader of the Rebel Army that she joins. While granted, he’s not the only one in the group that was looking after her, even Seraphina and Red Magnus had a part in it, I can only group them together if they were romantically involved as per my rules, which they are not. At the very least, I can consider them honorable mentions. As for Killia himself, not only was he the one that got Usalia to join the group after giving her some curry despite being attacked, he also taught her how to make her own so she wouldn’t have to risk having to steal any from someone else during an emergency as well as help her cope with the death of her parents, showing how much they really cared for her during their final moments.
7. Zed. Zed’s age has yet to be canonically confirmed, but considering how long he’s been looking after Bieko, I’m going to count it for now. And since he’s not romantically involved with Misual, he’s going to be ranked separately. While Zed isn’t exactly the nicest guy around, one thing is clear, he cares a lot about his little sister Bieko, literally willing to go to the ends of the universe just for her sake. He often fights and sacrifices himself to make sure she turns out okay and Bieko cherishes her Bubby just as much, even eventually getting her own fighting spirit and wanting to stand by his side after getting tired of killing him so often as a God of Destruction. They have a healthy relationship, one that’s certain to last for many years to come.
8. Krichevskoy and Gwendolyn. Yup! It’s finally time to go over the parents of the original main character, Laharl. Since Sicily was being looked after by Lamington after Gwendolyn’s passing in Celestia and didn’t show up in the Netherworld until years after Krichevskoy’s death, I’ll only look into how they raised Laharl. Both Krichevskoy and Gwen care a lot about Laharl as they tried their best to raise him to become a respectable and magnificent overlord one day. Gwen even often scolds him whenever he misbehaves. Even though Laharl’s not the best at conveying his feelings, he does care about his parents in return. We know this because of how much his mother’s death affected him for years, even keeping a photo of her hidden away in one of the vases in his bedroom, as well as the fact that he constantly hunts down Tyrant Overlord Baal after discovering the real reason on how his father died. What brings them down is the fact that Laharl is still a brat at the end of the day and considering characters like Usalia, Bieko, and even his sister Sicily exist, I can’t fully attribute it to his age.
9. Shura and Selion. Adell’s real parents are only ranked this low because they were actually robbed of being able to raise Adell from the fake Zenon. While it’s not something I fault them for, this also means that they don’t get as many points compared to other parents in the series. Shura and Selion left Adell under the care of their closest and most trusting companions in Veldime before taking off to fight against the false overlord during his invasion of the planet. Considering how well Adell turned out, they definitely made the right decision. Even after being brainwashed by fake Zenon, they sometimes secretly aid Adell every now and then during his quest, well Selion did at least. Adell even can’t help but sympathize with their situation as victims of fake Zenon and hesitated when they asked him to put them out of their misery.
10. Axahontas. Axahontas is the single mother of 5 children from a distant, unnamed Netherworld, one of which you might be familiar with, the Dark Hero Axel. Naturally, handling so many kids on her own is not an easy task, especially when you’re lacking in funds, but she tries her best at it. While Axel isn’t the best person around, he does share one thing in common with Adell, which is how much he cares about his family, as he spends his time looking for new work after losing popularity as the Dark Hero in order to make sure they can keep paying bills, something that Axahontas appreciates, despite how often he lies to her on how well the situation is going. Let’s not forget how she genuinely mourned for Axel when the news falsely reported his death.
11. Death King Hugo. Now we’re about to reach parents who are in the more...questionable area. Starting off with Hugo, the father of Emizel. Emizel started off as an immature brat ridding off of his father’s title to appear as more intimidating than he really is. This doesn’t change until he meets the Hades party and like Axel, was falsely announced dead. This report was made under Hugo’s own orders after receiving a threat from Fenrich, essentially cutting him off. Emizel realizing this is what gets him to start maturing a little with a newfound resolve, as well as spending time with Valvatorez, so I can count it as an act of some needed tough love. The same cannot be said about how he authorized the use of the A-Virus knowing his son will get infected with no known cure. That was a step too far. Fortunately, the two were able to reconcile after his defeat, especially after Emizel discovers what’s been going on behind the scenes. Hugo even gets the Netherworld to help Emizel stop Nemo from destroying the moon.
12. Goldion. Some of you might be surprised on how Goldion is so low here considering how Killia, Lieze, and Zeroken turn out. Unfortunately, what drags him down to such a degree is his son, Void Dark. Goldion has tried to connect with Void, but he ended up being a disaster waiting to happen, as after Lieze’s death, Void went on a dark rampage, taking over The Lost army as their leader and becoming the tyrannical demon emperor. Let’s not also forget how Void managed to brainwash him to do his bidding as the Demon General Bloodis until Killa and Zeroken freed him using the Avidiya Holy Water. Fortunately, like with Emizel, they were able to reconcile eventually and Void is on a path to redeem his actions, so I can’t place him too low, but I also can rank him too high either.
13. Hoggmeiser. As well as being among the wealthiest demons in Laharl’s home Netherworld, he’s also the father of Porkmeister. While Porkmeister is a good kid who cares about his dad, I can’t forget about how he decided to become Laharl’s apprentice in order to become his own demon and NOT end up as another greedy demon like his father. Hoggmeiser’s parenting skills haven’t exactly gotten much screen time, but it should say something when your kids are actively trying to not be like you.
14. Snow Clan Elder. The chief of Snow Melody took in Yukimaru and Fubuki after the slaughter of their clan in order to raise them as ninja so they can one day get their revenge. While Yukimaru and Fubuki are skilled fighters, there’s one thing that can’t be overlooked, which is how they’re raised to be ready to die during their mission. They even carry knives on them to commit seppuku if their task becomes too difficult to accomplish. Fortunately, characters like Adell were able to help change their mindset. And for those wondering, I’m not going to count Fubuki as Yukimaru’s guardian since she’s a legal adult, so he’s not getting ranked.
15. Serphina’s father. Remember what I said about how Hoggmeiser actively tries to not end up like his father? Surprisngly, the same can be said about Seraphina. Not only did Seraphina start out as a typical, spoiled, wealthy material girl until spending time with Killia and others, she always had an issue with her father’s cowardice. Hell, even as a spoiled girl, she showed to have more understanding of the value of a dollar more than her father did as she’s always worried about how much he’s been spending on defenses for the Netherworld after she left in such short amount of time, while she on the other hand, had little issue trying to stick with a budget. Let’s not also forget how her father tried to make her marry Void in order to ensure the Netherworld’s safety and also revealed that all the wealth they had to begin with came from all of Seraphina’s previous suitors that he robbed blind. Unsurprisingly, she was horrified of these actions, pointing out that in the end, all she wanted was a father who truly understood her feelings instead of just buying her things to try to make her happy. Like with Goldion and Hugo, what saves him from falling lower was the fact that they were able to reconcile at some point and how he was willing to help out during the game’s climax.
16. Dr. Genjuro Kazamatsuri. The father of both Fuka, Desco, and Des X, just extremely barely make it out of the trash tier parents. This isn’t because of how he created Desco and Des X to take over the world because he did it under Fuka’s request, wanting to support his daughter’s future goals. What WILL be counted against him are the following. First, as Fuka herself pointed out, ever since her mother’s death, Genjuro spent his time cooped up in his lab. Granted it was to work on Fuka’s request to make her a little sister, especially since his wife told him to do so with her dying breath, he clearly fails to balance his work out and actually spending time with Fuka herself, practically leaving her isolated until she was killed by Des X. In fact, her death is something else I can fault him for, as she was killed out of envy from how Des X felt about loving Fuka more than her. Let’s not forget how he tossed Desco into Hades after being deemed a failure. What saves him is despite his many failures...he does genuinely cares about his kids and wants to help them with their goals. He even goes so far as to bribe Gig, the God of Death and Destruction with hot pods in exchange for helping Fuka and Desco. Genjuro isn’t really a good parent, but he’s definitely not the worst either. At least when compared to the next guys.
17. Rainier. Starting off with the trash tier is none other than the sea angel treasure hunter from Disgaea D2. Rainier was tasked with baby sitting Laharl back when his parents were still alive, so she counts as his legal guardian. For those wondering, I’m not going to count Etna since their age gap is only about 100 years. As for Rainier, her most notable crime is the fact that she always suffocated the poor prince whenever she baby sat, which eventually resulted in Laharl developing a fear of women with busty figures like Jennifer or Melodia. Not only that but like with the rest of the Krichevskoy Group, she was nowhere to be found during the events of Disgaea 1 after the king’s passing. Not even showing up to check up on him and making sure he’s okay. While the cause of death was falsely reported, the death itself wasn’t. Even when she finally return in Disgaea D2, she did nothing but antagonize Laharl along with the other group members, trying to usurp him and make the Netherworld like how it was under his father’s rule. Even after he saved her life, she took off again for one more fight later on.
18. Misual. As I said, he and Zed will not be ranked together in terms of looking after Bieko. It’s a good thing too because otherwise, Zed’s ranking would have plummeted severely as a result. Not only did he turn Bieko into the God of Destruction but he convinced Zed to fight her multiple times and told him the only way to save her was to kill her off, all so he can enact his plan of destroying the universe. Even after Zed saved Bieko he captured her and transformed her again. Yet again, reconciliation is what saves him from dropping lower.
19. Void Dark. If I’m going to count Killia as Usalia’s legal guardian, then I’m going to do the same for Void in terms of Majorita. He acted like he cared for the war orphan just so he can have her on his side only to steal her overload when the time was right. And then he killed her and turned her into a zombie. It is a fitting, ironic fate for someone like Majorita, but it’s definitely not good parenting. Unsurprisingly, Majorita has a personal vendetta against Void ever since she was lied to and killed and there’s currently no evidence of her getting over it any time soon.
Bronze Medal Trash: Fake Zenon. Now we’re getting into some awful bits. Like Void, he only pretended to care about Rozalin as a doting father, when in reality, he’s purposely isolating her and making her act inferior to him for the sake of revenge. Let’s not also forget that when Rozalin pleaded with him to spare her new companions, he orders the guards to capture her so they can erase all of her memories with them and the outside world. This act made her really question the actual relationship the two of them had together. What stops him from dropping lower is the fact that he did save Rozalin from being killed by Fubuki and only tried to kill her after Rozalin breaks the seal and gets her memories back.
Silver Medal Trash: Geoffry. A.K.A. Sir Aurum, Geoffry may be a good butler, but he’s no Alfred Pennyworth. Not only did he kill Mao’s father right in front of him when Mao only wanted to have him injured to a degree as payback for stepping on his NetherStation Portable, but he also planned all of the events of Disgaea 3′s main story so Mao can give into his inner darkness and become the strongest overlord, a worthy opponent for his final battle. Yes, Aurum killed Mao’s dad and raised him so they can kill each other later on. Oh and he experimented on Mao from time to time behind his back, but I won’t hold it too much against him since Mao was into it. While they technically reconciled, Mao still ended up getting payback by forcing him to stay alive and experimenting on him, and I don’t blame him for it. That being said, there is one more character who I personally consider to be even worse than this guy and it might be a surprise to some of you on how it is.
Gold Medal Trash: General Carter. That’s right, the General of the EDF is who I consider to be the worst parent in Disgaea so far, and he was introduced in the first game, so congrats NIS for making him hold that title for so long. After the death of Jennifer’s parents, he adopted her so he can use her for his own gain. While Jennifer ended up being a talented and reliable hero and assistant to Gordon, that doesn’t mean her upbringing was all that pleasant. Jennifer herself pointed out that it’s always been like this with Carter, she believed that he really loved him, but he always ended up just using her, meaning that he’s been emotionally abusing her for years. Keep in mind, Jennifer is canonically 27 years old in Disgaea 1. Yeah...THAT long. Not only that, but he also ordered Kurtis to experiment on her so he can make her fight Gordon and turn her into his fully obedient puppet, even planting a bomb inside her in case things went south! As well as getting angels to try to kill her and the rest of Laharl’s party when Kurtis stopped the bomb! Carter is one of those guys who should be locked away for a long time but is only kept around due to his status. He straight up sounds like a prime target for the Phantom Thieves of Heart. Even Endeavor from My Hero Academia sounds like a model parent compared to this guy. In a series full of tyrannical overlords, delusional angels, and even vile deities, it takes a special kind of human to be deemed the absolute worst parent to exist.))
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frobin · 3 years
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Random consideration: there is an online legend about Oda can change story events if someone on the web/fans guess the thing. So... what do you think about this topic? It can be really valid? If yes, even for whatever eventual not-canon ships? I don't know, because ships are just a very side element in the story, and not like main events of the storyline. (And for my opinion, for Jin:be father topic, I could agree with who said is for the age, maybe. Anyway, I will ship FroBin forever).
Hey anon! Thank you for your question!
Maybe Oda really made Jinbe the dad because of age. right now Oda and Jinbe have the same age (46). He has two children who are (if the internet and my math are correct) 15 and 12 years old. So may it’s not unlikely? If he connects with Jinbe he would rather see him as a dad than a grandparent or a weird uncle. 
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Now, to the rest... I have to say sorry for answering so late but as of right now I’m writing parts of my answer and I literally pulling my hair because I really try to make sense of the whole situation and trying to understand the intention of a 46 year old japanese man. And this is long again so sorry about that. Anyway... 
I have heard about that. I remembered something about Oda not reading Fan Theories and now I googled once more. Apparently this is the newest Information:
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"Oda once said he will change OP story if it coincides with fan theories. But according to TV show today, Oda will never change his plan about "final chapter" even if a fan theory hits the nail on the head. Oda said in 1999 that he had already decided final panel and chapter."
https://twitter.com/sandman_AP/status/1352851201478418432?s=20
I don’t think Oda is actively browsing the web for OP content ( how would he have time to) but he gets fanmail with questions and suggestions. And considering that over 4 million people are One Piece fans... one of them has to get it correct eventually. Trying to avoid any similarity with any fan-theory is IMPOSSIBLE. 
And I do believe that Oda knows how he wants One Piece to end and won’t change that, no matter what. 
As for the details in-between........ I wouldn’t say Oda is not prone to be a Troll and sometimes downright an ass towards his fans. XD Never out of malice but because he thinks it’s funny. 
I’m also sure he will never focus on romance in the manga, but since love is an important part of life it will come into play now and then. Classic romance (?) more with side-characters  (Roger/Rouge, Sai/Baby5, Bege/Chiffon) than with main (Strawhats) but still possible.
He may very well edit less-important plot lines if they don't change the ending. 
That also includes, that I absolutely think it’s possible that the Strawhats will have romantic involvement at the end of the story. At the moment it is never in the focus, except for plot reason (Whole Cake Island for example, though that is an entirely different topic) but absolutely possible. 
Because the Strawhats boning each other or maybe someone outside of the crew will not change the story. It has no influence to anything, except if it’s on a higher scale, like if Luffy really suddenly married Boa Hancock. That would influence the political outline of the world.
Meanwhile Pauli/Iceburg or Noland/Cagara or Bartolomeo/Cavendish have literally no influence to the story (anymore). And I don’t think I have to start on things like other rare pairs or even OC-ships. 
That being said, and having more stuff in mind, I wouldn’t put it past Oda to actually focus more on Jin/Bin. 
Why? Well... 
we had so many interactions between Robin and Franky after the time skip that it was almost ridiculous. In every single arc we see them fight alongside each other. We had strong romantic tropes portrayed with them: 
Their meeting after the timeskip (Sabaody Archipelago)
Franky having his head in Robins lap (Punk Hazard) 
Wearing the same shirt (Dressrosa) 
Finishing each others sentence (Zou)
Franky offering Robin a ride and her answering with a heart (Wano)  
And the moment the internet exploded when Robin was holding Frankys face. Which yeah, only a Colorspread and not canon yadda yadda
For now let’s gloss over all the other moments that showed that they cared for each other. 
... so many.
Anyway what I want to say is that Oda had declared “All the Strawhats are in love with adventure.” and “I won’t focus on romance.”  but is seemingly showing a connection between Franky and Robin, that made one think that he might actually be aboard the ship even if the fandom itself is rather silent and small. 
Meanwhile when Jinbe appeared (in the timeskip) he was instantly a hit. His popularity then rose thanks to Fishmen Island Arc. And again I can’t blame anyone. On the other hand Franky always had a hard stance. This was recently shown again because is the lowest ranked Strawhat in the popularity poll. 
One (Oda) might come to a conclusion here:
Maybe people don’t like Franky and so would dislike FRobin. But since Oda also seems to enjoy grown up relationships (?) maybe he thinks Jinbe is the only reasonable replacement?  -> It could be a tactial decision. 
Maybe he really changed his opinion and personally likes one more than the other. He was a FRobin supporter but now likes JinBin more? It wouldn't change anything for the story and there wouldn't be any harm -> It could be a personal decision. 
Maybe he fears that he put too many hints in the manga and now has to paddle back? Because let’s be honest, until the colourspread with Robin putting her hand on Frankys face... the FRobin fandom was on the backburner. And so he wants to throw out some Red Herrings.  -> Again a tactial decision
Maybe he never inteded to make it  romantic and it is actually all just friendship. Subtext is something many authors use without being aware of it. (Just ask anyone who is a lesbian!Nami fan. They have good points.) -> A mistake from the very beginning. 
And you can use these same thoughts for every other non-canon ship. 
Please take everything of this with a grain of salt because I try to understand the intention of a man who is more than 10 years my senior and from a culture I can’t even start to try to comprehend (sometimes I don’t even get my own culture), who is the head figure of a money-making machine. So it’s hard to tell what else influences his decisions. 
My interpretations are influenced by my own experiences and knowledge which is big and vast but also stretched very thin. 
Last but not least I want to make clear that any speculation is really the same as asking a crystal ball. In the western fandom we have only few people who can even slightly try to give an insight to the whole thing and they (smart enough) keep out of any shipping discourse. 
tl;dr: I don’t think Oda will change the ending. But I do think that he is willing to change minor plotlines  and so yes I think Oda might change couples for any possible reason, as long as it does not change the ending, and he does not even has to choose a good reason because in the end they are his characters and he is free to do whatever he wants with them.
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jimlingss · 4 years
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Moirai [1]
Chapter 1 - Chapter 2
➜ Words: 5.8k
➜ Genres: 60% Fluff, 40% Angst, Isekai!AU
➜ Summary: Death is supposed to be the end. Or at least that's what you assumed when you're hit by a TRUCK. But the moment you open your eyes again, instead of being sent to the afterlife, you've become a baby. And not just any baby. You're the female villain of a video game.
➜ Notes: Isekai is a popular manga and light novel genre in which characters from Earth are transported into a new world.
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This is the end.   “Do you have anything to say for yourself?”   The Prince stands tall, the very furrow of his brows jarring against the cold, cordial expression he maintains — the one she had always tried to shatter. All she desired was something other than courtesy. If not affection then frustration or misery. But she supposes that anger suffices.   Anger. The first time he’s ever looked at her with an ounce of any true feeling.   His shadow looms over her, his status powerful as the countless eyes are narrowed in around her — he is as powerful as the people who stand behind him. Every word he speaks booms through the ballroom, a grand timbre that has long replaced the mellifluous violins.    The Prince is as noble as he is righteous. He is the hero of this story.   “You choose to answer your crimes with silence?!”   The corner of her lips curl and cackles rasp from her throat. The noise is discordant and shrill, a mocking irony when it causes him to pull the woman in his arms closer. Even when she’s in this position, downcast head, knees burnt on the carpet, all she does is drive them closer together.   “The only sins I have ever committed was loving you until my last breath.”   “Guards!”   Murmurs spark across the room and the knights armour clank as they approach in heavy steps. She knows these are the last moments. “The only crime I have is looking out for the empire! But you chose her.” She looks upon the girl he holds, the one who has the same contempt on her visage. And as the knights rip her away from her place, she spits venom-laced words, “A lowly baron’s adopted daughter to make your wife. I am the duke’s daughter. I am educated. I am your fiancée—”   “No longer.” He condemns, “You have committed treason. Conspiracy against the crown. Attempted murder. Forgery. Harassment. Using your status to oppress the vulnerable—”   “Let go of me!” she shrieks as the guards drag her down the room. It’s undignified. Degrading.   “—Daring to entangle yourself with the dark arts. And you will answer to these crimes whether you choose to confess or not.”    “Let go of me!” she struggles, yet no one chooses to hear.    Their eyes have pierced into her, those who aren’t scandalized are snickering behind their feathered fans. But in the last seconds, status has no place. She looks to the person who matters most, the one she had spent her childhood idolizing. Her beliefs hold true. He will make a great ruler.   But she will never be the one to stand beside him. She knows now.   That position has long been stolen away from her.   “Everything I did,” she cries, “I did for yo—”   The grand doors slam shut with her pitched screams resounding.    Moments later, the lively music continues, violins and trumpets crescendoing to life once more. As if her life had just not been taken away from her. As if the denunciation was merely an intermission of tonight’s festivities.   Her heinous exterior is shattered by tears that no one would have sympathy for. She is limp when she is thrown into the stone jail cell within the depths of the castle. The knights twist on their heel and she is surrounded in pitch darkness with the sound of a scurrying rat echoing beside her.   The only time there is light is by the dim flame of the torch, a guard accompanying a frightened servant who carries a bowl of spoiled oats. It’s not enough to satisfy the grumble of her stomach, but enough to keep her alive for the execution day. Without a silver fork or spoon in hand, a handkerchief placed in her lap, seated by a candlelit table, she resorts to using her fingers to scoop the food into her mouth.   Sometimes, she thinks they forget about her.   Or perhaps time is simply drawn in darkness. A second made into a minute. A minute is an hour. She is merely left leaning against the molded stone, wasted away and drunk on memories of better places.   Punishment does not come in the form of her stripped title or even her head rolling away from her neck. Punishment arrives in the darkened loneliness. That loss of sanity that whisper she has failed to capture the attention of the only person she ever loved. That she failed to make him love her.   Everything she did, it drove him away.   Every act of love placed distance between them.   Everything.   Liberation comes back with the music of trumpets muffled by the stone walls. “What’s going on?” her voice is hoarse through her parched throat. The servant screams when her arm reaches past the bars to tug on the girl’s dress. Her eyes are bleary as she looks up at the girl. “Why is it so noisy?”   “T-The civil war’s over.” The girl backs away and the celebrations become more distinct with the realization. “The villain is dead.”   The girl withdraws into the cell and cackles rip through her lungs, resounding across the empty chambers. The servant scurries away as the knight huffs out through his nose and shakes his head. But it’s the best news she’s received since she’s been stowed away.    And a smile still graces her features when she is dragged out and jostled by the knights, taken up to where the sun blinds her vision.   “On the eve of the Solar Festival, we rid our empire of yet another villain and free it from treachery!”   There are cacophonous cheers in the crowd. Her eyes are hurt by the sunlight and she shuts them tight. Her legs are kicked and she’s knocked onto her knees, head being shoved against wood. She wishes she didn’t have to face the sun rays. There’s no decency to give her shade.   But the discomfort is over by the blade slicing through the air. She lives and both dies as the villainess — an inevitable legacy.            ❇ End of Royal Romances Chapter 7 -Prince Route- ❇
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Headbeams.   Fuck.   You never thought it would be like all those cheesy movies — the third Batman film, Grey’s Anatomy, the Simpsons, hell even Attack on Titan. But nope. They’re right. Time really does slow and your life really does flash by your eyes when you’re in the moment of your death.    But instead of feeling grief for yourself, all you can think about is what an absolute idiot you are.   You really shouldn’t have jaywalked at night. That cheesecake in the fridge was supposed to be yours! And holy shit, your parents are going to be really fucking mad that you died at only twenty—   The truck slams into you before you can finish your thought.   …………... ……….. ……. ….. ... .. .   Strangely, it doesn’t hurt. Maybe because it happened so fast. Maybe the initial impact was already enough to end your life. But you’re left feeling an empty void inside of yourself. An overwhelming agony that this is the end. That you never got the chance to fulfill your dreams, enjoy the fruits of your labour, that you never got to reach the happiness you wanted.   You have regrets.   Not for the things that you did. But for the things that you didn’t do.   But well….you suppose there’s no use in lingering in it.   Death is the end.   This is the end.   ……. ….. ... .. .   ���—ook...t ...er...!”   “..hush!”   What?   Why are you hearing noises? Why does your face feel warm?   Are you in...heaven? Some sort of afterlife?! Oh man, you knew you deserved this! Fuck yes! You might have kicked that kid’s shin in the fourth grade and totally lied to your manager that one time that you cleaned the ice-cream machine when you didn’t, but your wrongdoings aren’t that bad.   You open your eyes.   Unusually, your vision is blurred. All you can make out is a fuzzy figure looming over you.   Your mouth opens—   “Waah!”   What the fuck. You can’t speak. Each time your lips part, drool dripples onto your chin.   In a panic, you try to move your body, but quickly find yourself heavy and practically stuck. You cry out and swing your arm, and that’s when your hand flashes before your eyes.   Your pupils focus and you realize that your hand is tiny. That you can barely curl and uncurl your fingers together. Holy shit. Holy fuck—   You’re a baby.   Wailing sobs burst out of your tiny lungs.    You don’t know where you are or how this happened. Your last memory is being hit by a truck!   The figure looming above you comes closer. “What is wrong with her?!”   The woman sounds annoyed, but it’s not like it's your fault. This is just a lot to take in.   Your mouth is blocked by a pacifier being shoved in. Immediately, you spit it out and the woman sighs. “Why is she being so fussy?”   That’s not the issue, lady! Christ, you wish you could communicate with her.   You feel yourself being picked up and she angrily mutters, “If the Devereux household wasn’t paying me so much, I would’ve just thrown you out the window.”   Wait. Say what now? Devereux?    Why does that sound so familiar?   You hear another woman’s voice, one that’s higher pitched and softer. “What’s wrong with little Anastasia?”   “Have you finished hanging the laundry yet?”   “Yes, I have.” You’re being passed on and your sobs subside in favour of a frown. Anastasia?   Anastasia Devereux.   You remember cursing that name out loud before, but where was—   Oh my god. Oh my god! It’s impossible, but the truth is right in front of your eyes. You’re living through it right now. This isn’t a dream. No. It’s your game, Royal Romances.    You’ve been reincarnated into the fictional country of Ashea. And of all people, you’ve been reborn as the villainess, Anastasia Devereux.   You burst out crying again.   //   A man in a coat and frilly shirt enters the room. Your head adjusts to see through the wooden bars of your bassinet, vision becoming clearer by the day. You know who he is without an announcement.   Your father. At least he’s supposed to be.   “How is the child?” he asks the maid.   “She is healthy, your grace. She may be a bit fussy at times, but she sleeps and eats well.”   He hums and leaves shortly after, never once coming to personally see or even hug you.    What an asshole. This entire world is fucked. You’re fucked.   Royal Romances is a love story game between a heroine and several potential matches depending on the route you take. Yet in every route, the main protagonist's rival, the Marquess and the Crown Prince’s fiancée, ends up co-conspiring with the villain and dies because of his crimes. Or exiled. Two options.   And you’ve taken her place.   But now that you think about it, that’s so unfair! You didn’t care much about Anastasia while playing, other than wanting her to get the fuck out of the picture for your OTP ship to sail. But why should the villainess shoulder the villain’s crimes?! If anything, it was him who coerced her! All Anastasia wanted was to be with the Crown Prince! He was the only person who ever showed her an ounce of kindness!   Oh god.   All you know now is that you don’t want to die.   You died too early in your past life.   “Anastasia.” You’re shaken awake from your thick slumber by soft cooing. A quiet woman’s voice calls and when you open your eyes, you’re able to focus on a woman you’ve never seen before but is familiar at the same time. She smiles and picks you up. “Good afternoon.”    Instead of fussing around like you usually would, a triumphant smile spreads into your face.   Fucking finally. It’s the first time you’ve seen your ‘mother’. Maybe she’s just been recovering from the birth these past few months. After all, there’s no way the family would actually just abandon you to a bunch of maids—   “Oh my goodness, Elanor!” A shrill voice has your senses tingling. There’s another woman sitting at the rounded table fanning herself with an orange, feathered fan. “What a lovely daughter!”   “Yes, she really is. She hardly cries.”   Now that’s a big fat lie.   You’ve probably cried a thousand times since you got here. It’s not your fault the maids don’t know how to put you in anything other than scratchy dresses and forget to change your underwear after you’ve shit yourself.   Another stranger approaches you and practically digs their nose into your face. Her floral perfume almost has you retching and spewing out an entire bottle of milk in her face. “She is simply too delightful! She has Herrick’s eyes and your nose.”   “Really now? I think she’s growing up to look more and more like the Duke each day.”   “Oh she’ll grow up to be a beauty. You are truly blessed, Elenor.”   Cordial laughter fills the room.   Motherfucker. She’s just using you as a decor! You’re a prop for her to show off at her tea party! She doesn’t care about you whatsoever.    But fine. You can play along with her. It’s not like you have any choice.   You muster an enormous gooey smile, channeling all the cuteness you know you must have and instantly, several of the ladies swoon. It’s an overwhelming victory! But one that requires a lot of energy when you were just awakened from your nap — and squeezing your butt cheeks results in the grumble of your stomach.   Being a few months old, you have poor control of your digestive system. So it’s no surprise that smiling so hard makes you shit your pants.    Oops.   The lump falls into your cloth diaper and instantly, your mother’s brow twitches.   The stench reaches her nose and the nostrils of the lady intruding into your space who immediately draws back in disgust. But what the hell are they expecting?! You’re a baby! All you do is eat, sleep and shit!   “Edith!”    Your mother’s shrill cry has the maid coming into the room. “Yes, your grace?”   “Take Anastasia.”   She passes you off without even looking and you’re swiftly taken away from the room, hearing the laughter and conversations resume the moment the doors close. So cruel!    “Ugh. I’ve never seen a baby who cries so much,” Edith complains and plops you into the bassinet instead of comforting you. If you had limb strength and mobility, you’d slap her for being so rude.   The younger maid with the higher-pitched voice looms over you. “Maybe it’s because she knows the Duke and Duchess never come to visit. She’s missing the comfort of a mother and father.”   Thank god someone can sympathize with you! As incompetent as Joan is — to the point where she’s checking your pants for the tenth time when you’re really just crying because you’re starving — at least she’s not a Karen.   Clearly, the bar is quite low.   “Well, it’s expected.” Edith steps away to fold the basket of your dresses. “The Duke and Duchess tried having children for years and the only child they have is a daughter who can’t even carry the family name. If it was a son, it would be different.”   “I don’t understand.” Joan rushes to the head maid’s side. “Usually daughters are treasured in noble families.”   Edith looks around and lowers her volume. “Don’t you know?”   “Know what?”   “Keep your voice down! If you say this outside, even I won’t be able to help you.” There’s a pause. “The Duke and Duchess aren’t real nobles, they don’t have any noble blood. The Duke’s late father, Arnold, fought heroically in the war and that’s why the King granted his family the title.”   “Oh…but...what does that have to do with anything?”   “Noble society is different from how we know it, you naive girl. No matter what you do, hundreds of eyes are constantly on you. It’s full of scrutiny and someone in power today might be exiled tomorrow. Having a son would’ve made it easier for the Devereux household to maintain their title and prestige.”   Joan sighs, finally realizing why things are the way they are. She comes to you and leans over the bassinet. “Poor thing. It’s not even her fault.”   She gives you her finger and you happily wrap your entire hand around it. Hell yeah! Finally someone’s feeling bad for your shitty situation.   But the older woman with wrinkles around her eyes scoffs. “There’s no use worrying about her. You should be more worried about yourself. If the House of Devereux fails to keep their power and wealth, we’ll be out of a job.”   Joan hums and pries her finger away from your grasps.   You frown and the next time the head maid feeds you, you puke all over her.    But you know what she said is true. It’s the reason why the real Anastasia felt like she needed to become the crown princess, why she tried so hard to make everyone around her approve of her. Aside from loving the Prince, she was desperate for recognition, desperate to fulfill her family’s wishes, and to maintain her family’s lineage without slipping from the status quo.   But you’re different.   You don’t care about those things. You’ll prove yourself on your own and do whatever it takes to survive.   Quickly. Quickly! You want to grow up and walk on your own two feet so you can protect yourself.   After all, no one else in this house will.   You stretch your arm in the air, curling your fingers together, staring up at the starry mobile.    But it’s hard in the body of a mere infant and you fall asleep in the midst of your exercise session, succumbing to the temptation of slumber with heavy lids.
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Four years later.   “Are you colouring, my lady?”   “Nooo.”   You’re writing. And it’s not just anything — it’s battle plans.    To anyone, it’s merely incoherent scribbles, a result of poor motor skills you have yet to refine. But it’s actually your life or death.   You don’t need status or power. Living in the countryside and living fruitfully is good enough. All you want is to live a long, peaceful life.   In the original story, after Anastasia’s eighteenth birthday, she was condemned for countless crimes, thrown in prison and then executed within the matter of weeks. All because of three people: the heroine, the Crown Prince, and the villain.   To avoid the effect, you should avoid the cause. Therefore, you need to do whatever you can to avoid these three!   It’s genius! Truly, if anyone knew how your four year old brain operated, you would be hailed as the next prophe—   “Get ready.” Edith interrupts your train of thought, coming into the room and swiftly shutting the door behind her.   “Why?”   “You’re having lunch with the Duke and Duchess.”   “But I don’t wanna,” you whine, especially when Joan starts collecting the crayons. You stand up before Edith can drag you and you stomp your feet. Why would you want to go have lunch with them when the amount of times you’ve seen them in four years can be counted on both hands.   “Don’t be spoiled. Come here.”   You stick out your tongue instead and the moment Edith’s fingers come to snag you, you swiftly dart and run as giggles squeak out of your body.   “My lady,” Joan sighs, at a loss as well.    The two of them try to corner you, but you dive to the left when there’s a chance.   The original villainess was always quite upright and strict, especially with herself. It’s reasonable considering the way she was raised and the massive burden placed upon her. But kids can get away with a lot more than adults and you’d prefer to take advantage of that while you still can.   “Stop playing around!” Edith finally snags the back of your nightgown and you laugh, still thrashing against her hold until she plops you down on the vanity chair. “You’re such an unruly troublemaker,” she mutters as she grabs the frilly dress you’re about to be changed into.   And just for that comment, you undo the pins she puts into your hair when she’s not looking.   It drives her crazy.   But your little antics are stopped the moment you’re sitting at the dinner table. The height of said table reaches your collarbone and the chair you’re sitting in overwhelms your form. The atmosphere is stiff and tense, your father sitting at the head of the table and slicing into his meat while your mom’s posture is upright and she chews gingerly.    Unlike the maids, you won’t test your luck with the Duke and Duchess. God knows they might send you to some kid ranch for the next ten years to reform yourself.    But you also know you can’t get any cuter than this.   You’ve seen yourself in the mirror — soft skin, big eyes, a button nose and chubby cheeks.   Who knows what puberty might do to you someday, but for now, you’re as cute as a four year old can get. And why not use that as a weapon in your arsenal?   “Momma.” You interrupt the silence and your mother across from you looks up. You give a full smile with teeth, quirking your head to your shoulder and open your arms as wide as they can go. “I like you this much!”   Oh. Hell. Yeah!   You can feel it. You’re totally gonna win them over—   Her head swivels over to the Duke. “Don’t you think it’s time to teach her manners?”   Wow. That’s cold.    Stone cold.   “Edith.” Your father glances over his shoulder and the head maid steps forward. “How’s Anastasia’s development?”   The older woman clears her throat. “She’s a bit wild, your grace.” You glare at her for exposing you like this. “However, she can write the alphabet and read through storybooks on her own. She seems to be a bright child.”   Damn straight. Of course, you’d be able to pick up the language of Ashea quickly. You still have the memories of your past life.   The Duke hums. “Then she can start training to be the crown princess.”   You nearly choke on your broccoli.    But you hastily compose yourself and look up at your father. “What’s that?”   “Don’t ask questions,” your mother quips and the room simmers down to the uncomfortable silence again.   It’s so ridiculous — the very definition of jumping the gun. You aren’t the Crown Prince’s fiancée, but they’re already considering you a candidate before you’ve even lost your baby teeth.   Not to mention, it’s all useless anyway. The original Anastasia never became the princess and you have no plans of even meeting the Prince.    “Do you know what happened in the year 921, my lady?” the tutor asks later on, pushing up his rounded spectacles up the slope of his nose.   You’re slumped over the table, one arm rested with your cheek squished in your hand, focused on twirling the quill with two fingers. God forbid Edith or your mother witnesses your awful posture, but no one’s ever interested enough to sit in on these dumb tutor sessions. They’d fall asleep instantly.   “The war of Winter,” you mumble and the tutor’s eyes light up and he enthusiastically nods.   “Yes! The most momentous moment in the history of Ashea. A great dragon rose from the mountains and in the war of Winter, great King Baek, the light priestess and fierce knights of the royal palace came down the lazy brook from Stoughsby Peaks next to the then Canary district which sold fabrics and spices up until the year 914 when the famine of 914 came—”   The tutor drones on and on.   But one thing grabs your attention. You forgot there was magic in this world.   “Ummm,” you interrupt him in the middle of his tangent. “Did King Baek kill the dragon by magic?”   “Great question. King Baek in the summer of 896, seven years after he was born, started to learn the art of swordsmanship through rigorous training with the fierce knights of the royal place who was then under the rule of King Ennik—”   You don’t know why you asked.   “How do you start doing magic?” you interject again.   “Well, magic is part of everyone and it’s everywhere. But some are more attuned to it than others. It requires vigorous training, the most talented magician was Ruffus Dolores who dedicated his life living in the Magician’s Tower and wrote most of the magical texts we have today.”   You look at him, curiosity finally alight in your eyes. “Can I do magic?”   There was never magic on Earth in the twenty-first century aside from Harry Potter or Twilight, if Edward’s sparkling constitutes as magic. But if it’s anything like those movies, then you’re psyched! You can wingardium leviosa yourself and yeet out of here.   Unfortunately, your excitement is short lived.   “The House of Devereux isn’t very magically inclined,” the tutor says and your eyes dim again. You’re not completely surprised considering Anastasia was never much of a fighter in the game. She just splashed water on the main character’s face a lot and made players like you curse her out. “However, while magic is an inborn talent and comes naturally, skills always have to be honed. There’s still a chance you may have magical abilities. We’ll just have to see as you get older.”   You hum to yourself.   //   Edith pulls the curtains together haphazardly, the moonlight crisp where the gap is and sheds a silver sliver onto the carpet. Joan takes the tray with your finished glass of milk, nearly toppling it over and shattering the glass, but finding balance in the nick of time.   “Goodnight, my lady.”   “Night night.” Your hand peeks out from the covers and you wave.   “Don’t get out of bed or else,” Edith warns in a low tone. “The Duke won’t be happy to hear if you’re found wandering in the halls or sneaking into the kitchen again.”   You giggle. “Bye bye.”   The door shuts, darkness engulfs your bedroom and you count to ten within your head. The moment the seconds are up, you throw the covers off of you and slide off the high mattress.   You come to your desk, grasp the heavy duty textbook off of it and lug it over to the windows.    The enormous book sits on your lap as you lean against your bedpost. The moonlight illuminates the cover and you flip to the magic section at the back, the noise of the pages soothing in the quiet space. Magic — not only is it interesting to you but it could be a great defense mechanism if worse comes to worse. Who knows. It might just add to your battle plans and help you survive.   Your pointer finger underlines the sentences and traces the words as you read the introduction slowly.   After reading, you learn that magic is more intuitive, rather than a particular procedure.    You push the textbook aside and hold your hands out. Shutting your eyes, you try your best to envision light. You try to imagine light engulfing your figure and form, causing your skin to glow.   Peeking with one eye open, there’s—   Absolutely nothing.   Well shit. Maybe the tutor was right. Maybe there is no real magical talent in your bloodline. But there’s no harm in trying to dabble in it a little more.   You conceptualize fire in your brain. And when you look in your hand, you’re ecstatic to see a tiny flame actually flickering in mid-air. Oh shit! It worked!   But it smothers out a blink later.   You try to visualize water next to see if your magical expertise lays within the element. When you open your eyes, your breath hitches at the water droplets floating in your palm. And for once, it doesn’t completely vanish within a second. A grin spreads into your face. But as if Lady Luck wants to slap you, the moment you get hyped, the water splashes into your lap.   It looks like you peed yourself.   “Really?!”   You sigh, ready to give up.   Maybe you don’t have a knack for magic after all.    You turn to grab the textbook, but the heftiness is awkward in your grasps and your thumb slips, accidentally flipping over the next page. The page’s heading makes you stop.    Oh yeah. Dark magic exists.   Might as well give it a shot while you’re at it.   Like all the times before, you shut your eyes and hold your hands upwards. You try to imagine darkness — the similar kind that’s already filled your bedroom, or like the empty void that you were plunged in after being hit by that truck. That abyss of nothing, of pitch black.   Suddenly, you feel a pressure on your shoulders. It’s heavy. Comforting. Eerie. All at the same time.   Your lashes flutter open and your breath is plugged in your nose. Darkness has overwhelmed the room. It bleeds out of you, consuming your form like smoke, the hue of ink spilt on oil. It covers the silver moonlight, erasing the sliver casted on your carpet and what was translucent through the curtains. Exactly like the empty void, the abyss of nothing.    It’s trying to consume you.   There’s a shriek from outside your room. “All the candles just blew out!”   Panic drains blood from your face and you drop your hands, flailing your arms as if you can dispel the black before it wraps its hands around your throat and submerges you completely.   It fades, the moonlight traveling back onto you again and you shove the book underneath your bed.   You’re still shaking as you climb back into bed.   God knows you’re never going to try that again.   //   So you might not have an aptitude for magic after all. But the grief is short-lived after the realization that it’s not a toy or something that comes out of a magical wand for you to fight Dementors with. But there’s still a lot of ways you can protect yourself. You just have to get creative.   “I wanna do that!”    Your nose, forehead and palms are pushed against the glass window as you peer outside.   Joan frowns and peeks out. “You want to go flower picking, my lady?”   “No!”   The useless maid finally looks to the two guards sparring with one another out by the field. “You want to sword fight?”   “Uh-huh.”   She bursts out laughing and you whirl around in irritation.    “I wanna! Pretty please?” How else are you going to protect yourself? If you can’t use magic, then you need to go the melee route and pick up a sword or at least a bow and arrow.   “You would have to ask permission from the Duke himself, my lady.” Joan turns away to make your bed, expecting you to give up. When it comes to asking your parents, it’s too much of a hassle to get involved with them. But this time, you don’t concede.   She’s surprised when you tug on her dress. “Okay.”   The Duke’s study doors are imposing on their own. Without needing to open them, the twisting ornate patterns on the wooden surface are enough to eerily remind you of exposed arteries. It feels like you’re approaching the principal’s office — a nervousness of the impending doom.   You’ve always been careful to steer clear any place your mother or father might be. The study on the third floor, the gardens, their bedroom. And any time you passed, your steps would quiet.   It’s not like you’re scared of them. Frankly, you’re just annoyed at how nit-picky they are.   But you remind yourself you’ve been through worse — you once spent an entire summer in customer service serving food in the twenty first century for god’s sakes!   With that in mind, you throw open the doors.   Joan, behind you, practically flinches.   Your father’s sitting behind his oak desk, quill and parchment in hand, and he looks above his rounded spectacles. You give your most charming smile. “Hi, papa!”   He looks to the older girl and deadpans, “What’s the matter.”   The maid clears her throat, clearly distressed that she’s been dragged into this. “Uh, well, your grace, my lady, uh, she…..well…”   “I wanna do sword!” You tottle towards him and round the desk to come eye to eye with his knees. C’mon, as uncaring as they are, they gotta at least care a little for their daughter, right? You’re too cute to ignore all the time. You flutter your lashes for good measure. “Pretty please?”   The Duke’s brow quirks. “You want to learn swordsmanship?”   You enthusiastically nod. “Uh-huh!”   He stares at you. You stare at him.   The older man sits back in his chair. “It wouldn’t hurt to learn an interesting skill or two. It might make you stand out.” Those two lifelessly said statements alone are enough to make you happy. Even when he resumes his paperwork. “I heard from your tutor that you’re a fast learner.”   You’re surprised the old fart said something good about you, but of course you are! You’re technically twenty four now. Mathematics is truly universal when you can recall the basics and the language is easy to pick up. You’re already dumbing down everything to not make it weird.   “Maybe you’re not so useless after all,” he mutters from the corner of his mouth, no longer sparing you a glance.    You hold back a scoff. Instead, you force a smile and a sweet giggle. “Thank you, papa! I like you too!”   You wonder if this is why Anastasia tried so hard. The only time she gains recognition in her family is when she’s focusing her time and energy into studying and proving her worth. If so, it’s depressing. You wish you had more sympathy for her when you were playing from the heroine’s perspective. But you’re beginning to understand her better and better.    Why she did what she did.   How she became the female villain.   “Fight me!” You point your wooden sword at the knight whose eyes are wide. You bet he didn’t expect to be sparing with a four year old when he was assigned to protect the Devereux house, but this is a matter of life and death for you. “Hurry!”   “Y-Yes, my lady.”   You smile, gripping the handle tighter. He comes up and weakly slashes you and you’re able to root your feet into the ground and keep yourself from stumbling back. He’s obviously not trying very hard, but it’s good enough for now. Slowly but surely, you’re finding a rhythm into things.    In your spare time, you learn the history of Ashea, read books and plan the next steps in your battle plan of avoiding all main characters of the game at all costs. You’ll protect yourself no matter what it takes.   And you’ll survive no matter what happens.
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littleeyesofpallas · 3 years
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So i did a little thing on Kensei and his biker motif and that included his hollow form looking like he was made out of car parts. and i figure I might as well tackle Mashiro's hollow form now, since it's adjacent.
To start with, it should be noted that Mashiro has a whole thing going on with her right out the gate. Unlike the other Visored who all seem to have adopted some kind of passably human attire, Mashiro is out here running around in a super hero suit... The outfit itself pulls from some pretty clear influences:
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The little stripey things down the chest are a look taken from Himitsu Sentai Goranger, the 1971 live action super hero show. In the team of five, each ranger has a number and a matching number of stripes down either side of the suit's front fastening zipper. Where as the ascot+jumpsuit is verymuch the definitive Kamen Rider aesthetic. It's also possible that her weird giant goggles and even her green hair are also meant to evoke the general look of Kamen Rider's helmet.
(it's really weird that her goggles just sort of sit on her head? they don't even appear to be connected to one another, let alone to her head... The only reason I even really identify them as goggle is actually because of her TBtP design replacing them with regular sunglasses, which retroactively makes it clear that they're definitely meant to be eyewear. (even if she never wears them, like some sort of digimon protagonist))
And, as usual, I've mentioned before(because i'm a broken record) that these are contemporary sources, as both shows came about in the 1970s, and are foundational works in the tokusatsu genre, and consequently the building blocks of the Power Rangers franchise. But I want to elaborate on that because there's a lot of cool trivia in there...
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Both shows were created by legendary mangaka Shotaro Ishinomori, who was also the creator of the 1960s manga, Cyborg 009. Cyborg 009 also featured a team of uniformed, scarf wearing cyborg supersoldiers. In fact, Cyborg 009 is basically the first Japanese superhero team.(and remains an enduring classic, even as continual remakes and reboots in the past decade have butchered it....)
The uniforms, the 5 man team, the helmets/masks, the heroic scarf/ascot, the team poses(and the solo poses), the evil organizations and monsters of the week, the "<insert name> KICK!" all stem from this one man's body of work. So she's not just a throwback to one particular set of characters or shows, or even one person's body of work; her look really is quintessentially THE image of a Japanese superhero.
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Anyway the original Kamen Rider helmet is designed after a grasshopper and thus has the big compound bug eye lenses --even as the later series drifted away from the bug theme, the iconic eye shape has stayed-- which is why Mashiro has the big goggles, as well as why her mask has the giant eye holes --Also the heart shape of the mask is a throwback to the heart shape of the Pink Ranger in Goranger.
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As a grasshopper, the original Kamen Rider's finishing move was the now famously imitable RIDER KICK! And in every subsequent iteration, some variation on the Rider Kick has remained the Kamen Rider signature move. And this in turn is why Mashiro's hollow has a whole legs and kick focused thing going on.
Incidentally though, there's a whole thing about her demeanor that doesn't just echo the superhero look from the 70s; With her energetic and childlike demeanor, it seems like the indication is that she dresses this way very earnestly. She isn't just dressed in a way that makes her look like a superhero to us as readers, she looks like someone who is trying to dress like a superhero, even to other people in-world. On the one hand she probably reads most readily as a cosplayer, but I feel like the implication here is that she actually thinks she is/wants to be a super hero.
Also, not to dip too far into headcanon, but given the way the Visored were first introduced as a rag tag looking bunch of misfits, it really seemed like the implication was they all got their powers separately and sought eachother out only after struggling with their own inner hollows; Essentially just mirroring Ichigo's experience... That they, while human, started turning into hollows. They fought off the hollow process resulting in giving them shinigami powers. but they struggled with a growing inner hollow, until someone showed up and offered to teach them to control the mask.
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Also, there was that real ominous throw away exchange where Mashiro brings up that the first time she pulled out her own mask it lasted 15 consecutive hours. and Kensei didn't believe her, as if he wasn't around when it happened, or isn't even closely acquainted enough to just know it as a personal fact... Obviously that's contradicted much later when the TBtP has her as his former lieutenant, but it has a few vague implications...
Mashiro: ね—ね— ベリたんてさ何でこんなことしてんだっけ?
Hey~ hey~ Why's Berry-tan doing this?
Kensei: 虚化状態を長時間キ—プする為の訓練だよオメ—もやったろ
It's training to keep Hollow state for a long time. You did it too
Mashiro: あたしやってないモン
I did not
Kensei: ンだと? ウソっけ...
What? That's a lie...
Shinji: ホンマや白は最初から15時間以上虚化できたからなァ一人だけ虚化保持訓練してへんねん
it's true. because Mashiro was able to Hollowize for more than 15 hours she's the one person who didn't do Hollow state training
As always there's just a lot to be reckoned with when it comes to any number of swerves that happened in the middle of the Arrancar arc, but given the implications of how the hollow mask really works, we're lead to believe the mask's overall power and effectiveness is one of two things...
Either, like the zanpakutou spirits, they're a matter of making peace with the reflection of the inner self.
OR it's possible that the mask correlates to a total lack of balance, and just embracing the selfishness
this would btw more readily address the initial conflict between old man Zangetsu and the inner hollow, as they're of course still one and the same, but Ichigo needs to accept and embrace the negative side of his inner self in order to make peace with both of them.
Anyway point being Mashiro's apparent lack of a need for training would suggest she's super in tune with her hollow? Given her childish and hyperactive personality, it might just be that she's so immature that she doesn't have much of an inner conflict. She wants to dress like a superhero? So she does. She's confused? she whines and asks annoying questions about it. She's frustrated or unhappy? She rolls around on the floor and throws a goofy little tantrum. She doesn't have shame or hangups or a part of her she wants to repress, she's exactly who she is.
Which makes me think that if they had just been a ragtag group that goes around recruiting new Visored when they find them, like they did with Ichigo(instead of just one group that had always been together, which was just a boring explanation) then I can't help but imagine that when they found Mashiro, she must have been running around in her human life actually being a superhero.
Oh right, and Kamen Rider is so named because he rides a motorcycle. So Mashiro's partyl based on a motorcycle riding hero, and the TBtP made Muguruma a biker gang leader. Which explains why they thematically fit on the same squad. But is hollow Muguruma supposed to be hollow Mashiro's iconic hero bike?
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insomniac-arrest · 3 years
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how NOT to do a tournament arc
It’s kind of sad, I really enjoyed the first book in the “Darker Shade of Magic” series by VE Schwab, I even rated it 4 stars on my Goodreads! People told me that the second book, A Gathering of Shadows, was even better and I was pretty excited.
However, I cannot get myself to finish the last 80 pages or so. I am really close to the end, but I just Do Not Care. I have stopped caring about these characters or what happens to them. I think the main problem is that I actually really love “tournament arcs,” they are literally always my favorite arcs in Shonen manga.
the tournament arc in the Naruto series?? life-changing. the tournament arc in My Hero Academia? literally the only full arc I’ve seen of that show. The tournament arc in Yu Yu Hakusho? so much fun. even outside of manga, the second Hunger Games book is my favorite of the three because I think the arena/game itself is really interesting and I’m a shallow bitch.
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Lee vs Gaara?? 😩👌
I think it’s this love of the trope that kind of ruined the book for me because Schwab fundamentally mishandles why audiences care about our heroes joining or winning these things. *SPOILERS AHEAD*
So I literally hated the reason for every single character joining the tournament. Not only are most of them way too OP to be joining this tournament (it’s like the reverse underdog trope and I hate it), but the reasons they join are generally weak and actively make me want them to lose.
Why does Naruto do the tournament arc? He wants to go up in the ninja hierarchy and it’s a stepping stone to his overall goal of becoming a hokage. And, as always, he’s trying to prove his self worth as a person by punching people real good. He is an underdog and seeing him win is thus satisfying. You want him to win for practical, emotional, and cathartic reasons. It’s not that complex.
None of the heroes in A Gathering of Shadows want to join the tournament for practical reasons and seeing them win achieves no catharsis. They do have emotional reasons for joining it, but their emotional reasons actively make me want to bully them. Let’s get into it.
Lila wants to join the tournament to test her magic and also run away from her cool pirate life she always wanted because of Issues I guess. I found her reasons for joining the most acceptable of the 3, but also frankly vague and boring. She kind of just has this sense she has to join. The thing that really got me is how she goes out of her way to kidnap and replace this rando in the competition.
She is technically an underdog here, but having guessed by this point she is a *SPOILERS* Antari, I already know she is super powerful and is way too magically gifted for being in this normal-people magic Olympics. I don’t watch Haikyuu for the tall people dunking on other teams! I watch it for the short king overcoming height-ism! Your stories about genetically superior magic people suck!!
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If she had like, an actually compelling reason to insert herself into the competition-- such as being in poverty and needing prize money or seeking revenge or political sabotage or wanting to win the heart of a girl, I might be more forgiving. But the fact she just kinda wants to . . test herself, and fucks up someone else’s life to do that, just made me angry. I get that’s she’s a spunky, wild-card, the author describes her as a “self-serving badass,” but she was just so weakly motivated that the self-serving part made me root against her. She’s out there messing with someone’s entire profession just to “test her abilities.” This is some villainy shit.
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This and the fact her “not-like-other-girls” fuckery was all over the place in this book (one of her love interests literally says “you’re not like other girls”) rubbed me the wrong way.*
*Note: the first book also had this problem too, but I was kind of willing to forgive it bc I was interested in the magic stuff going on. But Schwab did NOT course correct and I had to have this whole do-I-dislike-Lila-bc-of-internalized-misogyny debate with myself. Luckily, I discovered that the only character I really liked in this book was Rhy regardless of gender.
Alucard is also there. I don’t clearly remember his motivation for joining, but he is already wealthy and has status and allies and doesn’t really need to join this tournament so I also did not particularly care if he won or lost. He’s also just, very pompous. Which, yeah, made him likable enough, but again, pompous characters in tournament arcs are not the ones you’re rooting for. That’s not why you watch.
Finally, Kell, king of the Over Powered angst trope, wants to join the tournament because he dreams of violence. He wants to fight other people. He has some bloodlust which he feels real bad about, but also damn does he want to use his magic powers to punch people. Like, dummies and training are not enough, it has to be real flesh and blood people to pummel.
I can’t emphasize how thoroughly this turned me off. Characters who join tournaments literally just for the purpose of smacking other people around are villains in these type of stories. They aren’t doing it for the prize or redemption or self-worth shit or love. And I wanted Kell to lose so bad!! I wanted him to get water-slapped across the stage! Not only was he way too overpowered in this tournament for me to care, but the reasons he’s in the tournament actively pissed me off. You want to find freedom in violence Kell? :( absolutely not.
And like, he does lose, but it’s only because he lets Lila win. No struggle. No gay little speeches. No random heartfelt trauma reveal or character development.
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I hate it here.
Naturally, a western book does not have to follow random anime tropes, but shouldn’t readers be a bit invested in this staging since it takes up a large part of the book?
None of these characters are in the tournament for interesting reasons that make me want to root for them. Some characters who I was neutral on to begin with, literally made that Sims relationship thing pop up above my head when I read this
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I know what you’re thinking: But Insomniac! The book isn’t about the tournament! It’s just the set-dressing! You must have noticed, the tournament fight scenes were really brief and boring. The main conflict is between the real villain and the main characters.
And I’m like . . . then why were the magic olympics there? Also, the fact all these characters were joining this important sports event for shallow reasons really did a number on my perception of them. None of them even want to be Hokage. This is ridiculous.
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Anyway, as a side note I was interested in the Rhy/Alucard interaction, but I’ll probably never finish this book so  ¯\_(ツ)_/¯
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engekihaikyuu · 3 years
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View from the Top 2 - Review
Check out the Read More if you’d like to hear about this show!  Askbox is open as well if you’d like me to elaborate on anything out of this.
Before I begin my review of the final show, I do want to start with some caveats:
So as I mentioned previously, the production once again went with PIA for their live streaming platform, which means that live streaming this show is very inaccessible for anyone living outside of Japan.
PIA is a ticketing platform that requires a working Japanese phone number in order to finish activating/registering a new account because you must call the number provided to finish account verification. So without a Japanese contact or a Japanese phone number, this platform is basically impossible.
I have a generous friend in Japan who was willing to share her account information with me, which is how I was able to pay for a show and use her log-in to watch the stream. I did not see this show in-person; I do not live in Japan and obviously travel is off-limits. Even if I did live in Japan, I would have qualms about going to the theater.
There are some logistical issues with this show because of the current pandemic, with the most visually obvious one being the small face shields the actors wear on-stage. They basically serve as protection against direct spittle, but obviously they do nothing to guard against aerosol spread; putting on the play is still an incredible risk to the performers and staff. Another difficulty they face is the fact that Tokyo is still continuing to maintain a nightly curfew. Every evening Tokyo performance needed to be bumped earlier so that spectators can leave the theater in time to make it home for that curfew. Keeping that in mind, the show is a surprisingly condensed 2.5 hours long, where I would have expected 3 hours given the amount of content it covered. This does affect the pacing in Act 2 noticeably, and I get the feeling that were it not for covid and the current curfew restrictions, it would feel a little less rushed at the end.
So, with all that said, here are my thoughts on Engeki Haikyuu’s final play, The View from the Top 2!!!  This is absolutely not spoiler-free, for both the play’s content and everything that happened in the manga finale, so if you have not finished the series, this is your last chance to turn back.
Now that I think about it, I haven’t written a full review on a show since Fly High, so I’m a bit rusty at this, and I’ll probably leave out a lot so as always, my askbox is open for people’s additional questions!
The absolute main theme of this play (and really of the entire Haikyuu story) is the friendship and rivalry between Hinata and Kageyama, and the theme: I’m not alone. Engeki really did right by our dual protagonists by framing the final show as showing both of their journeys from beginning to end. Act 1 begins with that familiar sequence from the very first show: Hinata seeing the little giant on TV, being inspired to start playing volleyball, his struggle to find a team in middle school, losing to Kageyama in his one and only middle school tournament, and finding him again at Karasuno. They repeated the scene almost exactly as it was in the first show, and I think it was very smart of them to show us Daigo’s version of it, so to speak. That way we have a more cohesive vision of Hinata from the beginning of his journey to the end. Then they absolutely FLOOD the stage with a montage of projections with footage from all of the shows from the past five-and-a-half years. So already it’s pretty emotional for me, seeing how far the play had come as well as how far Hinata had come in the story.
To parallel this, the beginning of Act 2 actually begins with baby Kageyama. Yes, the baby Kageyama flashback with his sister and grandfather and how he started volleyball. We see Kageyama’s volleyball journey from childhood (for this they used a small doll similar to the dolls they used for young Kuroo and Kenma from Revival) to playing at Kitagawa Daiichi, to losing his grandfather, to being labeled the King of the Court, to defeating Hinata, and then having Hinata find him at Karasuno. And then they once again, they flood the stage with projections with past show footage, but this time they are more Kageyama-centric in the way that the previous ones were often Hinata-centric. And it just really highlights how much these two are meant to share the stage as the two main characters.
To see this framework and to know what’s going to come at the end, with the two of them reuniting in the pro-volleyball arena… just the beginning of Act 2 alone had me in tears. Another way they paralleled their respective journeys was to show us who have influenced them. In Act 1, there’s a dance with Hinata, Hoshiumi, and Udai (all little giants… well, Tsukishima’s in there too because he’s feeling a particular competitiveness with Hinata in this part of the match). In Act 2, there’s a dance with Kageyama, Atsumu, and Oikawa, because Atsumu and Oikawa are the setters who have had the most influence on Kageyama, and he’s drawing on what he’s learned from them for this match. They are not alone in their journeys, they have had people inspire them and be inspired by them in addition to having the support of their teammates.
The Karasuno vs Kamomedai match is interspersed with bits of action from the Fukurodani vs Mujinazaka match, so the stage was pretty busy for basically the entire time. The wires are back for some sequences so that both Hinata and Hoshiumi have a chance to fly, and there are plenty of acrobatics and lifts, and the same incredible soundtrack we love. Ryuu’s Hoshiumi is the obvious standout on Kamomedai for how many lifts he had, and they definitely tried to have him running around on the stage about as much as Hinata. It was notable how much they drew on past techniques and music for various parts of this match, since this is meant to be Karasuno at their peak. When Asahi was feeling particularly stuck/trapped against Kamomedai’s defense, they incorporated the tying-up visual they had previously used in Winners and Losers, with Kamomedai basically tying up and holding Asahi in place with ribbon. There was Summer of Evolution music when Karasuno does a great synchro attack, and the extras-wearing-Hinata-masks reappeared to show us Hinata’s “afterimage” as he flashes around the stage. If you’ve seen all the plays, you can’t miss these call-backs.
The flow of the match was fast. They hit the highlight plays and the highlight emotional moments, but we are clearly past the point where they need to narrate the actual volleyball to us. There was more dancing/acrobatics than attempting to place the two teams on either sides of a physical net with more overt volleyball moves. Everything was more intertwined and fluid than that. And actually now that I think about it, they have been sparse with their usage of a physical net in the past few shows, because everything has been a little more fast-paced overall.
They definitely wanted to highlight Karasuno’s rise throughout the game, to show that they were absolutely a formidable team, that they deserved to be at Nationals, and to show us all the ways that Hinata and Kageyama had grown. For most of Act 2 leading up to Hinata’s collapse, it really feels like they could win this. And I think it makes it that much harder for Hinata to accept being benched, because the team is riding this high and doing so well, and even Kageyama’s more visibly having fun. I think Takeda-sensei easily has a third of the best lines in the series. His speech to Hinata during the Kamomedai match is one that was really gut-wrenching to read when those chapters came out, and it was great to hear it said aloud.
And here is something I’ve never been able to point out because I didn’t do reviews for the past two tours, but I think Daigo’s voice is one of the strongest aspects of his Hinata. I’m sure a lot of that has to do with the work he’s done as a voice actor, but when he cries or whimpers, it is genuinely the most pitiful noise. A lot of Kenta’s portrayal of Hinata’s frustrations throughout the story had an undercurrent of anger and frustration. He’s upset, but there’s always something behind it that says, “well next time, it’ll be different.” And I think Daigo replaces most of that with pure sadness, especially for this scene. After Takeda-sensei lectures him good and proper, and he accepts that he needs to leave, he just sounds so broken. It doesn’t have that anger and drive underneath, he’s just in despair. And why wouldn’t he be? A part of him understands this is the last match he’ll ever play with this team, his first real team.
We then see Hinata bundled up in a coat and scarf, watching the rest of the match from the tablet that Kenma gives him. Snow begins to fall on the stage as he slowly wanders through it, with Karasuno and Kamomedai finishing out the rest of the match around him. Engeki Haikyuu has always allowed for the losing team in a match to line up at the edge of the stage, say thank you to the audience, bow, and take their leave. It’s so symbolic, and it’s so emotional for the actors and for the audience who are in the theater. It’s a moment that just barely breaks the fourth wall, when they turn to us, the spectators, to say, “Thank you for your support.” And they mean it both in and out of character. And I was so so so sad when I realized that Karasuno would take their final bow as a team without Hinata in the lineup. He’s in the back of the stage, separated from his team, and he does take a bow, but it’s very lonely.
Now, I’m sure people are very curious about the timeskip material, and mostly I just have to preface with: it’s fast. It does not take up as much of Act 2 as you might think. It’s boom, boom, boom, cameo here, pre-recorded projections there, patissier Tendou interview, Kuroo in a suit doing a promotional commercial for the V-League, Kageyama’s curry commercial, a projected Osamu selling his rice balls, get the old team together, fateful encounters in front of the bathroom, GO! The only thing we see of the Brazil arc is Hinata having a brief flashback to tell Kageyama that he met Oikawa while he was in Brazil. It’s very short, and that’s all we get for his time in Brazil. Basically, the play is not the place to see Hinata’s journey and growth from those chapters because he goes through so much of it alone, and there’s just no time. The Brazil arc also brings back a lot of technical details about volleyball itself, especially as Hinata is learning the beach version, and that’s an area where the manga is the best medium to examine the finer details of the sport. I can see why a play version would gloss over the technical details to focus on the emotional arc, which is in this case, Hinata and Kageyama.
Because of how fast the ending is, it definitely feels made for the people who already read the manga; Previous Engeki Haikyuu shows have always presented the story in a way that was very friendly to those who may not have read the manga or watched the anime. You could watch just Engeki Haikyuu and not feel like you were missing out on references/jokes for the most part, but this ending would be way harder to follow for those not familiar with what’s already happened.  
It’s difficult because I do feel like Act 2 was overly condensed to wrap up this story, but I also don’t think the timeskip material is enough for a whole play on its own. If we had stopped at the end of the Kamomedai match, and had a whole separate play to cover Brazil and the Jackals vs Adlers match… the pacing would’ve been slow and low energy especially in the first half, and it would be an odd choice for the final show of a series like this. My preference would have been for this play to have been three acts, three hours, so that we could linger on some of those timeskip moments a little more, slow it down, and let them land emotionally. But clearly the covid situation prevents that in this case. That being said, I don’t think any of those timeskip moments could really hit as hard as when I first read them in the manga. Narratively, that Haikyuu timeskip was so unexpected and so outside the normal sports anime formula, that the initial shock is extremely hard to top. It was fun to see how they presented everyone in the future (seeing Noya on that boat catching a giant swordfish, or seeing Ennoshita almost break a patient’s back) in stage form, but it’s unreasonable to expect them to give us the same feeling of ?!?!?!? when we first read that Noya was in Italy of all places after waiting weeks and weeks for him to show up.
I still cried in several places, it’s still a great ending to one of the best 2.5D franchises in existence, and it still feels like the culmination of their legacy. I don’t know how it would be possible for anyone to watch that ending sequence with all of the team flags and the chanting of their names, and NOT cry.
There are no more live streams until they complete the rest of their tour and then there will be a live-stream of the very last show, which I will be watching with a towel in hand for my tears. Feel free to send in any questions if you’d like, and if you would like some Strongest Challengers or Trash Heap merch, I have a sales post that I recently made.
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And so preparations for the final event begin! Let’s see if these being one on one matches helps me get through them a bit faster when I’m not having to transcribe quite so much action all at once.
[No. 32 - Smile, Prince of Nonsense Land!]
Another character profile to start out with! (I swear I’m gonna have to make a post compiling these once we’ve gotten all of them for class 1a… maybe run a comparison with the end of chapter profiles? Eh shrug.)
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I swear, my instincts say that something that that tail should not be as flexible as it is because of its circumference. I know, I know, quirks, freaking magic, don’t think about it, but still. It’s a very straightforward quirk with a surprising amount of utility, and he makes full use of it. Good for him! Now, onto the chapter proper.
Kirishima is pretty hyped for a tournament, thinking about how they’ll be up in ‘that ring he sees on TV every year.’ Mina asks him if it was a tournament last year as well, but Sero’s the one to answer - the format’s always different, but most years involve some kind of head to head competition. (Apparently the year before theirs involved foam sword fighting, and now I’m incredibly disappointed we didn’t get to see that for this sports festival finale… would have been absolutely hilarious.)
Midnight holds up a box of lots, saying that match-ups will be decided by drawing lots. Once that’s done, they’ll move on to the festivities and then the tournament itself. It’s up to each of the sixteen finalists whether or not they participate in the fun, since she figures some of them would rather take a breather and save their strength. 
She starts to call for the first place team to draw lots, but Ojiro raises his hand, calling for her attention. He then states that he’d like to drop out, much to the shock of the others. Someone (I think Kirishima?) asks him why, since this is his chance of being noticed by the pros. Ojiro stats that he has no memories of the cavalry battle or anything that happened in it up until the tail end. And it’s probably his quirk that did that. 
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Ohh, ominous. And Izuku’s really concerned for Ojiro here. Ojiro states that he knows this is a great opportunity, and he knows it seems stupid to throw it away, but this final turnament… everyone else made it with their own strength. But he’s standing here and he doesn’t even know how or why. He just can’t take it. 
Hagakure says that he’s thinking about it too hard, and that he can just show what he’s made of in the tournament. Mina agrees, saying that by that logic, she shouldn’t really be here either. Ojiro starts crying, hiding his face in his hand as he shakes, explaining that he’s talking about his pride here. He doesn’t think it’s right. (He also has no idea why the girls are dressed like that. Really, the entire cheerleader gimmick seems a bit… awkward, here.)
Izuku has no idea what to say. But class B’s Nirengeki does - kind of. He admits that he can’t remember anything either, so he wants to withdraw as well. This is a contest of skill, so letting someone who didn’t do anything advance… doesn’t that defeat the whole point of the sports festival? Isn’t it against the rules?
Kirishima starts to tear up, calling the two manly. Up in the booth, Present Mic announces the strange turn of events, while Aizawa wonders what Midnight, as the coordinator, will decide. Midnight’s ruling?
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She likes it. The two are allowed to withdraw. Aoyama puts a hand on Ojiro’s shoulder and promises to win it for him. 
Midnight tells the kids that replacing the two will be members of team Kendo, who took fifth. Kendo replies that if it’s gonna be like that, then shouldn’t it be team Tetsu instead? Her team was immobilized pretty much the whole time, while team Tetsu were giving it their all to keep what they had until the very end. She then hastens to assure that they aren’t colluding or anything, it just feels right.
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Tetsutetsu is in tears by the gesture. After a brief transition, it’s decided that Tetsutetsu and Shiozaki will join the finalists, bringing the number back up to sixteen. And with that, the match-ups can be drawn!
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Izuku notes that if he wins his first match, his second’s gonna be against Shouto. Which I feel is very rude of him to just entirely discount the possibility of Sero winning the match. I mean, it’s an honest assessment, but STILL. Rude. Anyways, before his match with Shouto, he still has to face off against Shinsou, who has to be-
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And speak of the devil, there’s the guy in question. He wants to know if he’s Midoriya Izuku, which startles Izuku. Izuku recognizes him from the declaration of war two weeks back. He goes to respond, only to be cut off by Ojiro’s tail over his mouth. Shinsou huffs and turns t head away, while Ojiro warns Izuku not to answer him. 
We get a few other reactions from some of the other students: Shouto contemplates how his match with Izuku will be sooner than expected, and that he wants Izuku to bring his best before he takes him down. Katsuki wonders out loud who Uraraka is, which startles an eep out of her, possibly for using her actual name. Mei approaches Tenya, chucking as she starts to ask him something. And Present Mic announces that they’re setting aside the tournament for the time being, and getting on with the thrill-a-minute festivities. 
There’s a few snapshots of what everyone is up to over the course of the side events: some of the non-finalists racing massive balls (probably rubber?) around the inside perimeter of the stadium, Ojiro talking to a stressed out Izuku, Tokoyami napping in a tree, Tenya drinking five (5) cans of orange juice, Katsuki doing… something, Shouto crouched down resting somewhere outside the stadium, and finally some students searching for items on the cards they were given. Oh, right, and the girls are doing cheerleader stuff, with Hagakure being the most enthusiastic, and Jirou and Momo as the least. 
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Honestly, with that jump, Hagakure is either buff as heck, or Ochako is lending her a hand. 
While all this is happening, Izuku is narrating how some people preferred to psych themselves up, while others tried to relax. Everyone was dealing with it differently. And before they knew it, the time had come.
We come back into the narrative as Cementoss is just finishing up crafting the battle platform from scratch, which is honestly incredibly impressive. I guess his manipulation of cement includes being able to dry it out super fast. And really, with how it looks, he’s just showing off. Especially with those torches, like, those can’t have been made from cement. Were they just put there and the cement set around them? Did he use the cement to manipulate them into place? I have questions, sir.
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As I said, showing off just a touch. 
Present Mic thanks Cementoss before asking the crowds if they’re ready. He talks about how the students have been through hell to get here, but now it’s time for the one-on-one tournament! They’ll only have themselves to rely on. Even if someone isn’t a hero, that saying holds true! You know it! Spirit, technique, strength, wisdom, and knowledge! Use them all and show us your best!
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...They’ll only have themselves to rely on, even applied to non-heroes? Uh, wow. Talk about the underlying 𝓲𝓼𝓼𝓾𝓮𝓼 showing up here. I honestly can’t help but think that Izuku’s issues with heading off alone in the current manga arc has less to do with emulating All Might, and more absorbing all these small asides and comments from all the staff of UA. Which is fucking 𝕪𝕚𝕜𝕖𝕤.
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Anyways, while Mic’s doing his thing, Izuku is trying to calm himself before his match, only for Toshinori to come up to talk to him. He notes how it took a while, but Izuku’s finally getting the hang of using One For All, and gives Izuku a wonky thumbs up. Izuku is surprised to see his mentor there, but also corrects him - he doesn’t really have a hang of it, he’s still uneasy. He brings up his microwave visualization thing, and how he’s been trying to recall when he launched it at the villain, but it still feels dangerous. As if he could fall apart if he loses focus for a second, and, well, it’s like Toshinori saw. Given the level his body is at, even when Izuku controls it, it only gives a small boost in power. 
Toshinoir thinks on it for a bit, before reminding Izuku about that talk about giving it between zero and a hundred. As Izuku is now, heis body’s capable of about five percent. Izuku considers that, thinking that if it’s like that, then he’s just gotten lucky with everything. Toshinori gives him a few thwacks on the head and neck, telling Izuku that that’s because he’s always been trying his hardest, calling him a prince of nonsense. He also chides Izuku, saying he’ll never be a hero looking so mopey.
While Izuku recovers from the assault, Toshinori tells him to listen, before stating that especially when Izuku is feeling worried or scared, that’s when he needs to smile. Izuku’s come this far, so show some bravado, even if it’s fake. To punctuate this, Toshinori swells up into All Might, giving him another thumbs up. And I guess it kind of works as motivation, since Izuku seems less stressed?
Anywho, we finally get into the first match! Present Mic announces the two, with Izuku getting a comment about his making a weird face despite his good performance, and Shinsou getting a comment about not having done anything to stand out yet. The rules are simple - win by knocking out your opponent, immobilizing them, or getting them to say ‘I give up!’ Bring the pain! Recovery Girl’s on standby. And fight dirty if you must! ‘Ethics’ have no meaning here!
...this explains why Shinsou immediately went for such a low blow. 
Anywho, Cementoss makes himself a seat to watch from, so as to be prepared to stop the match at any time. Present Mic clarifies that going for the kill is a big no-no and will disqualify you, because a true hero’s fists fly only when in pursuit of villains. 
Shinsou starts talking, contemplating the ‘I give up’ option before asking Izuku if he gets it? That this battle’s going to test his strength of will. If you have any kind of vision for your future, there’s no sense in worrying about how you get there. Like that monkey, babbling about his stupid pride. 
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Wow is Izuku pissed. Present Mic announces the start of the match as Shinsou rhetorically asks what kind of dumbass throws away a chance like this. Izuku rushes forward furiously demanding to know what Shinsou just said - only to stop dead. Shinsou calls it his win, while in the stands, Ojiro is stressing out, tail flailing as he snaps at how he’d warned Izuku about this. Toshinori is waiting at the entrance to the stadium, confused. 
Present Mic asks what’s wrong, the battle’s just started, show some spirit! Mere seconds into the match, Izuku is frozen in place?
And we end the chapter on that cliffhanger. What an introduction to Shinsou, and we have more to go in the next… one or two chapters, can’t recall. 
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Anywho, see y’all next time for spooky quirk shenanigans! Can’t believe our first ghost sighting is about to happen. Fricken love ghosts.
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haliyam · 3 years
Text
interim (i)
zeke x reader/oc (warning: slow burn with some plot)
summary: You return to Liberio not long after the Warriors arrive home from their failed mission in Paradis and discover that things have changed. (Or they will, and maybe a little more with Zeke than you expect.) [Season 4 and manga spoilers ahead]
AO3 link | Ch 2
Hi everyone! This is part of the series I mentioned on my oneshot Asset, but it's a prequel. I'd love to continue the season 4 stuff, but I want to see how the manga ends first so I can plot out Reader's part in it all. (Also edit post-139, I've completely fallen in love with Zeke who deserves so much better and while I always intended to take my time with the Asset prequels, I'm in no rush to get to the Asset sequel. I do want to update as regularly as possible though, rl willing!)
The Reader/OC will be a cis-female Eldian character with a set background, as you'll find at the end of this chapter. Reader’s default name is Lucy, just because I personally don’t like writing ‘Y/N,’ but please feel free to set the substitution for Lucy to you or your character’s First Name using the InteractiveFics browser extension! So on the browser extension that would be: Lucy = Your or your character's First Name. Because reader will have a set background, you'll have a set surname as well.
I will say that Zeke may seem a little OOC/angsty in the beginning of this story, if only because Reader and Zeke were good friends before he became the shitstain we know and love today and Reader is fairly familiar with his true moods even when he is being annoying as hell. (And Zeke is annoying. I swear I do like this guy hahah...)
I hope you enjoy!
--
Chapter 1
It’s strange how easily you fall into step with the soldier ahead of you. 
You don’t march, and your eyes wander stern walls and imposing doors that have long left your dreams, but your footfalls follow only one beat that echoes throughout the hallway as he leads you through it. There’s an almost comforting order to the sound that belies the way your heart tries to hammer its way through your ears or right out of your chest. 
It feels like forever and far too soon when you arrive at a familiar waiting room. Motioning to the chairs around a small round table, the soldier knocks twice on the door opposite where you entered. When no one responds, he simply stands there, and you have no recourse but to take that seat. 
Voices filter in, muffled, from the other room, and you slip your hands under the desk to squeeze your fingers together. Maybe this was a terrible idea after all. You can still leave, pursue your medical degree back home…
“No,” you whisper to yourself, even if you do abruptly stand from your chair. You just need a moment to freshen up. Facing the soldier, you begin, “I would like to—”
Alarm replaces the question in his gaze when two heavy knocks cut through your words. He stares at you a little longer, a new question, and you reply with a deep exhale. 
“Never mind.”
He nods. “They’re ready for you.”
You enter the conference room, which is far too large for the four people sitting at one end of the long table there: an older man with more lapel pins and crow’s feet than you remember, and three others closer to your age—the esteemed Warrior Unit and their commander, Theo Magath.
Six long years later, they all look different enough that under other circumstances, you might hesitate to recognize them. But you know this place all too well, the lighting and their seating arrangement so familiar that you can mistake them for no other than Zeke Yeager, Pieck Finger, and Porco Galliard. 
It soon appears from their expressionless gazes that they can’t say the same for you. Not that you can blame them—they had no reason to expect your arrival, and it’s Commander Magath who huffs at their frigid reception. “Is that how you Eldians treat old friends?”
The three glance at one another. You venture a small smile, and the recognition and surprise that sink into Zeke’s features make Magath snort as Pieck leaps from her chair, shattering the chill in the room as surely as she crashes into you with an embrace.
“Lucy!” 
The joy in her voice sweeps aside your initial fears and brings your excitement bubbling out of your throat in your own laughter. “Pieck!”
She’s talking before you even part and still holding onto the back of your blouse when you do. “You look so… old,” she grins. “That is—me-old.” 
Her languid excitement makes it difficult for you to keep your composure. “I am you-old,” you say, trying not to giggle, but your toothy smile already reaches from ear to ear. 
Before you can say more, Commander Magath clears his throat. “If you two are finished…”
Both of you freeze instinctively at his tone. Stealing another squeeze, Pieck steps aside as Magath rises from his chair. “Good of you to drop by, Blanchard.”
You quickly cross the distance to shake his proffered hand. “Thank you, Sir. And congratulations on your promotion.”
He shrugs, taking a seat and gesturing that you and Pieck do the same. “Still not a far cry from playing nursemaid sometimes.”
Pieck shakes her head. “Don’t say that, Sir.”
“You’re right. I’m at least a pay grade or two above nursemaid,” Magath chuckles just a little, and to his right, Zeke continues to stare at you. 
“Is that really you?” he asks, mouth set in a line under his new beard. 
“In the flesh.” His expression remains neutral through your nervous chuckle. Shifting in your seat, you nod away toward Porco. “It’s so nice to see everyone again. Galliard.”
Though he gave you an appreciative once-over as you entered, Porco is now as uninterested as they come. “I didn’t think you’d still know our names. Thanks for taking the time to drop by, I guess.”
“Oh, come on, Pock,” Pieck teases, ignoring the air of hostility that starts to surround you. As though Porco is only an unruly child, she says in feigned apology, “A few days with the Jaw and he’s already this cocky.”
“Ah.” You can’t bring yourself to mirror her mirth. “I heard about that. I’m sorry about Marcel. And Bertholdt—and Annie…”
Pieck glances away, and because you can’t meet Zeke’s eyes at the moment, you address the commander instead. “What about Reiner? I heard he’d returned.”
“Braun is still undergoing a debriefing.”
A debriefing, you think, when they’ve been back a fortnight already? But it dawns on you easily enough that what Reiner is undergoing is an ideology test. Reindoctrination.
“I see… but…”
“It was on my recommendation,” Zeke cuts in, daring you, a civilian, to protest. His arms are crossed now. “Otherwise he’s in danger of passing on the Armor a full six years too early.”
“I only meant to say that Reiner is the most loyal Eldian I know,” you answer levelly, eyes boring into his. Your nails dig into the cloth of your skirt on your lap as you pretend not to hear Porco’s scoff. Taking the Armor from Reiner? The operation was a massive failure, but that consequence is far too severe... however expected. “After you, of course.”
Zeke tilts his head, obscuring his gaze from your view when the light above reflects off his glasses.
“It’s a good thing, in any case,” Magath explains. “Behind enemy lines for over five years, he—” 
Whatever his opinion, the commander abruptly stops himself from sharing it and clears his throat instead. You know better than to protest when an unsettling pause rests over the room—exactly what you feared would occur.
To your surprise, it’s Porco who comes to your rescue, even if his disdain is palpable. “Why are you here, anyway?” 
“Well,” you begin gratefully, “I’m—”
“I asked her to come,” says Magath, completely ignoring the tension. “But my meeting prior ran overlong, and I have another coming up. Can you come in tomorrow morning? Ten sharp?”
You sit up straight when he addresses you. “Of course, Sir.”
Magath smiles—still a novelty to you—and pushes himself up out of his chair. The rest of you do the same, following him to the door as he speaks. “Go ahead and catch up in the meantime. And Blanchard—it’s good to see you again. I’ll see you tomorrow.”
“Yes, Sir.”
“The rest of you—dismissed.”
He leaves the room with the Marleyan guard at the door. The other three let out a breath of relief once it closes. 
“Blanchard,” Porco enunciates, stretching his arms. “Are we really still doing that? Who are we supposed to be fooling here?”
Pieck sighs, but it’s Zeke who stays him with a light backhand to the stomach. “Settle down, Galliard.”
Porco pushes his hand away. “Seriously? Of all people, you—”
“Your first transformation was pretty brutal, Galliard,” Zeke casually announces. He winces for good measure, like he’s actually worried. “Why don’t you get some rest?”
The hostility on Porco’s face quickly shifts to embarrassment, and you feel for him. “You’ve transformed already?” 
“I wanted to go check on the Warriors anyway,” he says instead, eyeing you with a curled lip. “Nice seeing you again, Blanchard.”
“You too,” you call out, but he’s already stalked out of the room.
You feel Pieck’s hand loop around your arm. “Don’t take it personally,” she says gently. “Learning about Marcel was difficult for him.”
“I can only imagine.” She gives you a small smile at your words, and you understand. Casting a more pleasant gaze around the room, you ask, “How are you two? I thought it might be nice if we could get some lunch together.” You check your watch. “...Very late lunch.”
“I would love to,” Pieck says cheerfully, leading your way out of the room— “Tomorrow. I still have so much paperwork to do.”
Zeke snickers. “The joys of working with a team.”
“Life is unfair,” Pieck declares, but smiles when her hand slips down to yours. “I’ll pick you up after your meeting with Magath tomorrow. It’s a date, right?”
You squeeze her fingers in return. “Definitely.”
Her leisurely footsteps fade down the hallway, and you soon find yourself alone with Zeke. You dust at your blouse idly, but you must eventually look at him. “I suppose it’s just you and me today, then.”
He only eyes you, scratching the side of his bearded jaw. It’s even worse than him outright declining.
“Unless,” you quickly add, detesting the dead air, “are you… training the new Warrior class?”
Zeke snorts. “No. I’ve been busy with other work, but you can check in on their progress if you’re interested. Seems like the Commander wouldn’t mind, seeing as he invited you here.”
You ignore the jab: And you accepted. “What’s kept you busy?”
“Good question.” His smile is a facetious one. “But you know that’s top secret.”
You scoff, but you were braver in front of the others. Now his indifference is too much to bear. 
It’s only after you turn away that Zeke asks, “Why don’t you drop by the house? My grandparents should be happy to see you again.”
“I… actually came from there. They asked me to stay. I hope you don’t mind,” you follow, and regret the words as soon as you say it. It’s like you’re trying to piss him off. “I’ll pay for my share of everything, of course.”
He doesn’t react with anger, but you were stupid to expect him to. “Oh?” he asks instead, managing the most sarcastic one-word question in existence. His voice has gotten so much deeper in the last six years, and somehow that makes it worse. “I would have expected the distinguished Miss Blanchard to prefer better accommodations by now.”
You resist the urge to wince. “Don’t say that. The Yeager household was like home to me for several years. More than home, sometimes.”
There’s a pause where only your footsteps, still in time with one another, are all you hear as you make your way down the empty hall. The thought of Zeke’s gaze right now shames you, but it’s ahead he’s looking when he lets out a whistle. “You’re making this difficult for me,” he laughs. “How can I kick you out after such high praise?”
Your last footfall echoes as you stop, reaching for his arm. “Zeke—”
He yanks it away without even looking at you. “We should head back before the Commander decides he wants something from me after all. Come on.”
Your face burns with humiliation even though there’s no one else around to watch him walk away, his long strides too fast for you to catch up.
--
The Yeagers are pleased to have you over for dinner and beyond, and though you already dropped by before making your appearance at HQ, Mrs. Yeager does not run out of subjects to discuss with you, updating you on several of your neighbors’ lives. Who has married, who has passed away, and whose children have joined the Warrior program themselves, only to fail. Zeke doesn’t talk except to comment on something his grandparents say, or very rarely something you say so as not to arouse their suspicion. They have none. They are too busy doting on you after your long, long absence.
After dinner, when your stomachs are full and your chest is light with laughter, you stand up to collect the dishes and bring them to the sink. “Absolutely not,” Mrs. Yeager says, realizing your intention once she hears the light clatter of tableware. “You’re our guest, Lucy!”
“Please,” you call from the sink. “I miss doing this with all of you around.”
Dr. Yeager sighs in agreement with his wife. “Not on your first night. Zeke.”
Zeke is already on his feet, leaving only everyone’s glasses as he makes his way to the sink with the placemats. Dr. Yeager has brought out their good wine to celebrate your return. “I can do this myself,” he tells you, trying to wave you aside. 
You don’t budge. “But I can help. We’ll get it all done more quickly.”
He levels a look at you—one you haven’t seen since you were very young, from before you were friends. “Sit with my grandmother, Lucy,” he murmurs so that only you hear. “Don’t make her crane her neck just to talk to you.”
Shame and something completely unfamiliar fill you at his reprimand, and you surrender with a nod. You make your way back to the table and squint at Mrs. Yeager. “Only tonight, though.”
Mrs. Yeager laughs, reaching for your hands across the table. You give them to her easily. “You’ve grown into such a beautiful young woman,” she says. “Your parents must be very proud of you.” You nod with some unease, and Dr. Yeager, even as he enjoys his wine, clears his throat. Mrs. Yeager realizes her mistake. “Ah—I...I’m sorry, dear. I know they passed away several years ago. But I’m sure they would be proud of you now.” 
“That’s all right,” you reassure her. “I hope it’s not too bold to say, but… you and Dr. Yeager were mother and father to me for a time as well, when they couldn’t be. I will always be grateful for that.”
“Oh, Lucy,” Mrs. Yeager smiles, her eyes quickly shining, “That isn’t bold at all. We felt the same way. We only wish you had written more!”
A scoff makes its way from the kitchen. “Grandma,” Zeke reminds her lightly, even as he scrubs the plates with renewed vigor, “you know Lucy has been busy.”
“I know that, dear, I wasn’t trying to—”
“No, it is my fault,” you agree. “I promise I’ll be better about that the next time I go.”
“Next time?” asks Dr. Yeager, suddenly sitting up straight. “Where are you going?”
You blink, turning your attention to him, and attempt to wave the confusion away with your hands. “No, no, Dr. Yeager, I’ll be staying here for a while. I only meant that for the next time I leave Lib—”
“Next time?” Dr. Yeager repeats, his hand knocking over his wine glass as he eyes your left sleeve with intent. It trembles as he grasps at his scalp. “If you’re leaving, why aren’t you wearing your armband?”
The faucet shuts off, leaving only the sound of alcohol dripping from the dinner table to the floor, and Mrs. Yeager turns to him nervously. “Dear—”
“Don’t leave without your armband again, Faye,” he pleads, looking straight at you. He rises from his seat, voice more and more frantic as he swipes at a nearby cabinet with nothing to show for it. “Where is it? Where did you put it?”
Zeke is already wiping his hands on the hem of his shirt, and Mrs. Yeager goes to take her husband’s arm. “Darling, no, this is Lucy, remember?”
But Dr. Yeager is already heaving. It’s not long before tears are streaming down his face and he cries, “Why would you do this to me again? Why did he let you remove your armband, Faye?!”
“Dr. Yeager—I’m Lucy. Lucy,” you insist, hurrying over and tucking your hair behind your ears to show him your face, smiling as you’ve done many times in an attempt to calm him. You hold his arms, trying to jog him back to reality, but by now he is screaming and weeping, digging his fingers into your arms and repeatedly calling out his daughter’s name. 
“...Come on, grandpa.” Zeke pries Dr. Yeager’s hands from your sleeve with his grandmother’s help. Stunned by his sudden lapse, you can only watch—able to follow only when they are already struggling with him by the stairs. 
“Zeke—”
“Stay there,” he hisses with rancor that freezes you in place. Mrs. Yeager apologizes, but of course you shake your head and return to the dining room. Your hands shake as you clean the spilled alcohol from the dinner table and the floor, going over what you could have said to set off Dr. Yeager. 
This is hardly the first time you’ve seen him like this, but it used to take only very specific words to remind him of that event, and so much easier to bring him back from those memories. The memory of his weeping face seizes at your heart, tempting you to launch yourself upstairs and ask after him, but Zeke is right. You’ll only make things worse.
You’re getting started on the dishes again when you hear heavy footsteps plod down the stairs. 
Zeke. You cuff the faucet off, mouth already open when he smiles, reaching over to graze your exposed ear with his thumb and his index finger. “Did growing up damage your ears? I said I’d take care of the dishes.”
The unexpected contact sends a strange rush through you, but it’s the insult you focus on ignoring. Even if you do untuck your hair. “I’m sorry about Dr. Yeager.”
“It’s not your fault,” he shrugs. “It happens more often nowadays.”
“I didn’t know it had gotten so bad.”
“How could you? You’ve been away.”
You gnaw on your cheek at that. “I’m sorry, Zeke.”
For a moment, you finally see it—the recognition of the words you’ve been trying to say since you met earlier that afternoon, and the reason why. An eddy of hurt and confusion reflects in his eyes, pulling at the air around you. You want to rise above it, or else drown, or just beg for his forgiveness, but he knows you, or knew you as much as you knew him, and he cuts you off before you can speak. 
“You really have grown up.” His droll chuckle makes your heart sink into your stomach. “You never used to apologize for anything.”
You make a face. “That’s not true.”
“Maybe. You were pretty damn insolent when you wanted to be.”
“I guess I could be,” you murmur. Your eyes lift to his, on a tightrope’s edge. “Remember when Marras overheard me complaining about firearm maintenance?”
Zeke snorts. “Magath had you cleaning Warrior arsenal for a week.”
You can’t help but laugh. “That was awful. Only Marcel snuck out to help me at night, and that was to impress Pieck. Thank you for that, by the way.”
“You’re welcome.”
You squint at him. Zeke grins, warmly now, and hope almost finds you—but your words catch up with you first, and both of you remember when you really are. 
“Marcel,” you can’t help but say with regret.
“Yeah.” Coursing a hand through his hair, Zeke brushes past you to the sink. “Anyway, I’ll take care of this. You go to bed. You have a meeting with Magath tomorrow—that’s why you came back, right?”
“No, not just—”
The sudden burst of running water from the faucet and the wall of his back means the conversation is over. Again. Clenching your fist, you bite your tongue and slowly breathe out your growing frustration. 
“Good night, then, Zeke.”
You’ve already gone up the stairs when Zeke swallows the lump in his throat, staring at the spoon splashing water upon his palm. He’s been washing it for the last two minutes. 
“Night, Lucy.”
--
Zeke has already left for HQ by the time you come downstairs the next morning. Dr. Yeager is still in bed, exhausted as he gets whenever he remembers his children, but Mrs. Yeager has prepared breakfast. Try as you might, you cannot resist sitting with her and sharing a meal together. You make it to the Liberio military headquarters just in time to hear the new Warrior instructor barking out to the children jogging around the courtyard.
You wander a little closer, unable to help your curiosity—but a nearby guard spots you and quickly corrals you away, back to the offices. “They’re expecting you,” he says, looking you over as he hands you back your permit. “Don’t know what top brass wants with a civilian, much less an Eldian, but...”
“Top brass?” 
The soldier almost sneers at you. As if you don’t know, Eldian, it says, and you’re starting to think you actually don’t.
He’s led you not to the same conference room as yesterday afternoon, but to an office that you distinctly remember as off-limits. When the soldiers standing guard let you inside, you understand why.
Top brass is right. More than Commander Magath, there are a number of higher-ups waiting for you inside - some faces you’ve glimpsed since you were a child, and others you have seen as recently as months ago. One in particular stands out—an intelligence officer who reports directly to your brother. Three are generals at some of the highest levels in the army.
“Blanchard,” Magath calls out. You nearly stiffen at his voice again, but relax in time, to the chuckles of the men in the room. The commander ignores them, staring straight at you. You detect the slightest hint of an apology in his hardened gaze, or maybe that’s wishful thinking to keep your growing displeasure in check. “Glad you could make it.”
“Sir, I—”
A nearby general cuts you off. List. “You can dispense with that, Magath,” he says. “We’re all in the know here.”
“Yes, Sir.”
General List turns toward you. 
“Thank you for coming, Miss Tybur,” he says. There is no smile in his harsh features, but he is not unkind. Careful, maybe. “Please, sit. We have a proposition for you.”
--
So... yes! I admit, part of the reason I wanted to write something in the AoT/SnK series is because I loved and hated the addition of the Tyburs. So I wanted to write a little more about the family but also since I'm thirsty, write a Zeke fic and eventually a Levi one (whether AU or not). Obviously we'll eventually go into why the Tyburs would send one of their own into the Warrior program, among other things, but bear with me for now.
Also disclaimer: This is a Zeke/Reader story set in the AOT world, so it’s a romance with a guy who gleefully murdered a shit ton of innocent people and helped Marley level countries. Please don’t look to this story for a completely morally upright character/reader/OC who makes all the right choices. (Though expect that Reader will take them into consideration.)
Last thing! This is a slowburn with some plot, so while you can definitely expect romance (and smut) down the line, and while this fic does go heavily into Lucy's/Reader's relationship with Zeke, it also features interactions with other characters. I just wanted to give fair warning if you expect it to focus only on Zeke.
Thank you for reading! 
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simplicity1511 · 4 years
Text
Yashahime EPISODE 1 Review
I just finished the first episode of Yashahime and OMFG!!!!!!!
There are so many emotions running through me right now as someone who watched the original series on YTV Bionix. I remember being like 5 and 6 and staying up late to watch it, sometimes even falling asleep before it aired. It’s original air time was 11pm but by the time I was around 8-9 years old, the show started airing at 9pm. 
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I remember asking my aunt to wait up until I finished my favorite show before I went to bed because we were going to the airport that night to visit my cousin who had recently given birth to her second kid and I was tagging along. I remember it being the episode Kohoku regains his memories. Good thing I didn’t miss it but I sure do remember being disappointed that I wasn’t seeing InuYasha and the gang that episode.
Speaking of our boy Kohoku, it looks like he has a new weapon (that is correct, ladies and gents, our boy appears in the first episode!!) However, not adult Kohaku, our itty bitty boy from the original series.
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For those that didn’t get a chance to read the manga, there's an epilogue chapter that deals with the root demon that our gang ends up fighting in the first episode and it appears to have maybe merged with the Tree of Ages. I suspect this because it shows a hole in the tree in the same location as Kikyo’s arrow had been when she shot InuYasha to it. I’m curious to see what shit this root ends up stirring.
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However, the most interesting thing I discovered was not from the episode itself but  from the opening sequence as well as the next episode preview. From the looks of it, it appears as if all three girls have a pearl, Towa’s is Silver, Setsuna’s is Gold and Moroha is Red. Now given the fact that in the original series pearls played a role not once but twice in the series, both in the beginning and end, and they appear multiple times in the opening and ending sequences of the show, we know they're going to play an important role. 
The first time they appear in the original series is when our sexy Sesshomaru was trying to look for Tessaiga. In this case, the pearl was located in InuYasha’s eye and led to the land of the dead which is where we come across the bones of Inu-Pops.
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The second time is when they looked for one of the last shards of the jewel which just happened to have been in the possession of the demon who created the pearl who was also located at the grave of our beloved Inu-Pops.
We also know that this demon had a son who was continuing his work at creating pearls as this is how we learn that his father, who had created InuYasha’s pearl, had already died. The most logical conclusion is the son most likely created the pearls for our three ladies. 
Another thing to keep in mind is that in the opening song, you will notice that at some point Towa’s eye starts glowing, and it has a similar appearance as InuYasha’s did when we see the pearl first appear. We know these pearls have strange abilities and for whatever reason each girl was given one. Given the fact that the girls have no knowledge of their parents, it appears that this was most likely hatched by our boys to help their daughters in whatever way possible. Much in the same way Inu-Pops gave his two swords, Tessaiga and Tenseiga to his two sons to protect them and teach them something even if he wasn’t around to do it.
Now speaking of our boys, Sesshomaru is still as sexy as ever and it appears as if he tries to stay close to the village in order to reach Rin as swiftly as possible. That or he has some teleportation ability we don’t know about but with how fast he moves, he might as well have it.
For those of us who grew up with InuYasha being torn between Kagome and Kikyo and the constant conflict that it caused throughout the series, it was kinda refreshing to see it again and see how they both behaved as adults regarding those emotions
I found Kagome’s handling of it really fascinating because by this point she’s already sorted out her feelings for Kikyo, yet InuYasha still thinks that Kikyo causes Kagome pain which in the beginning she did but Kagome has moved past that pain and she knows who she is as a person beyond just being her reincarnation. 
I think it’s further indicated when we first see Kagome and she shows the twins a kikyo root which is supposed to be good for coughs and fevers. When it panels to Sango we can see the surprise on her face as to hearing Kagome mention Kikyo’s name (you know it was an intentional  reference especially if you’ve read the manga and know what kind of demon Miroku and InuYasha  are fighting). Knowing this, still didn’t keep me from being surprised. I feel like just like the plant, Kagome has come to admire Kikyo’s strength as a priestess, something she’s trying to achieve herself as a Priestess in Training.
The original series dealt with a lot of Kagome’s identity being referenced as Kikyo and other characters trying to erase her individuality as just another copy of Kikyo. Something that Naruku did pretty frequently especially using the feelings Kagome had towards InuYasha against them on multiple occasions using Kikyo.
Just like how in the first episode of the original series where InuYasha kept calling Kagome, Kikyo when they first met, Kagome has to tell off the root demon and clarify that she is Ka-go-me, NOT Kikyo. 
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I really liked all the symbolism this episode had and the references to the original series especially given that Towa ends up encountering a broken seat from a bike in the Feudal Era and as we know Kagome has had her bike destroyed and replaced, many a times throughout the series. 
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The fact that Towa is someone whose been raised in the future by the brother of the woman who travels to the past is very interesting given the fact that she is the daughter of Seshomaru whose InuYasha’s older brother who besides Kagome was the only other person to be able to travel in time.
I’m wondering what makes InuYasha/Sesshomaru’s blood special as it appears as if all three girls were able to travel to the future so if Seshomaru himself had tried going through the bone eaters well, could he too have travelled to the future like InuYasha? 
Kagome was able to travel due to the Jewel of Four Souls and once that was destroyed her connection to the past was severed so I’m curious to see how the past and future end up connecting the three girls together because it was Kagome and InuYasha’s love in the end that reopened the well three years later. However, we know in the current timeline that the well is closed which makes me wonder what kind of fate these three girls share as the Half Demon Princesses (also Princesses of what may I ask?)
On a final note, in both series there are demon birds, the first a carrion crow demon who likes shiny things like the jewel, another an owl who is wise and has knowledge of the past. I suspect that this demon will play a key role in how this story ends up progressing, much in the same way the crow did.
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Being a long time fan of the show, I remember being really sad when the series ended and frustrated when they didn’t defeat Naraku by the end of the original anime run. My head would constantly have ideas of what their future would have been like once the pesky fellow was dead and once I had gotten a computer (at age 11) and I discovered manga sites, I finally got an answer to my question.
Then a few years later, teenage me finally got those last chapters animated. I was finally blessed with my ending so I’ll be real frank with you when I say I was not happy this show was coming. While everyone else was freaking out that Seshomaru fucked someone, I was wondering, what could have caused Kagome and InuYasha to abandon their daughter which would be totally out of character for the both of them especially given InuYasha’s childhood. I doubt he would have abandoned his daughter given having lost his mother at such a young age himself and never knowing who his dad was until much later in his life. He would never want his own daughter to experience the loneliness and struggle he did before he met Kagome, Sango and Miroku.
Now having watched the first episode I can’t say my fears are dissipated for this unwanted sequel series as we have yet to know what happened so the possibility that its a shitty reason for why Moroha is alone is still high meaning the possibly my favorite characters are shit on is still there.
This series means a lot given the time I watched InuYasha my family had recently immigrated to Canada and while most people were into Pokemon at my age, which don’t get me wrong, I was too. 
I was far more fascinated by a girl who travelled through time in a fantasy world where she meets a cute dog demon boy and develops strong friendships, a budding romance and never loses herself. To a little girl who was also in a strange new country of her own, she was my role model. 
She’s the reason I wanna learn archery at some point in my life and helped me to grow to be the strong independent woman I am today.
Even at 24 years of age, this is still my favorite series and I love all the symbolism and references to the old series while also having its own fresh perspective that Yashahime provides. It doesn’t mean that my skepticism has been cured.
When I watched InuYasha, I got Kagome, Sango, Kikyo, Kaede and Kagura (her death is still so beautifully tragic) and now a whole new generation of girls are going to get Towa our leader, the calm and cool collected Setsuna and our charge first and ask questions later Moroha (just like her dad :’). I can’t wait to see how they grow and hopefully how their beloved parents grew.
InuYasha for me was my first conceptual understanding of anime and where my love for it came from. I’m looking forward to seeing how this story progresses. But I won’t be afraid of criticizing it regardless of the good first impression I got.
Also, does anyone else get reminded of Miroku’s wind tunnel when they see InuYasha’s Meido Zangetsuha? Just me?
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Now time to listen to that opening and ending on repeat.
See You Next Week!
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liddolwhynot2000 · 3 years
Text
Decisions Of a Capricorn
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Summary: Levi Ackerman woke up one fine morning. In the past. Shit.
Genre: Angst, lets-change-shit, drama, liddol romance (Levixhappiness)
Pairings: Levi/Original Female Character, Levi/Petra
Warning: Manga spoilers
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Chapter 1. Chapter 2
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Chapter 3: Brace
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Summary:  Capricorns can be naturally pessimistic. They already expect unfortunate things to happen in life, so they take them in a stride.
Alternatively, Levi braces himself for the worst and is pleasantly suprised.
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Telling his squad had gone better then he thought it would. His special ops members took the news it in a stride, immediately launching into a discussion of what they needed to do now and how to utilize this information best. Eren, as expected of his 15 year old version, was befuddled.
Levi wondered how someone so innocent looking transformed into a complete monster in such short time.
His squad had lived up to his expectations, easily concluding that they need to keep this information to themselves for now. Eld, ever the natural born leader, took the lead and suggested that they need to learn to work with Eren. So that they aren't caught off guard on the bare minimum skill level they can expect from the traitor.
Gunther was the one who brought up the possibility of facing the armoured titan, and even though Levi was sure they wouldn't have to face that particular beast yet, he still agreed with their suggestions of carrying some fire arms. Thunder spears didn't exist yet, which meant that grenades and canons would be their best shot.
Eren had tried to voice out his own suggestion, that he wanted to train his skill set too. He felt that he needex to improve in some areas, and although Levi bitterly recalled how much Eren had improved without help in another life, he had to agree with the brat.
His squad, however, didn't share the same opinion and immediately began to shut Eren down.
'Eren, your job is to trust us. We expect you to leave it all to us and transform as an absolute last resort!'
'Yeah, you brat, don't get cocky. The only way you'll fight is if we somehow di-'
Olou had bitten his tounge and cut himself off before Levi could. Levi had then interrupted before Eld and Gunther could throw in their two cents.
'Eren is the main target, what will all of you do if Eren is somehow dragged away you from you and has to fight for himself? We need to prepare this brat for everything, especially how to fight in his titan form.'
They had all shut up, but he could tell it was only because of Eren's presence. They wouldn't be caught dead speaking speak out against their superior, especially in front of Eren. Levi had taken advantage of that little fact.
'We'll get back to this in a while-- Eren it's time for you to transform. Four eyes is here'
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It went just like last time, Eren wasn't able to transform. He sat in front of Levi, looking just as despondent he had the last time. He didn't walk away from Eren like last time, instead having chosen to stick close to the brat. Some things still needed to happen, and Levi was just waiting for that inevitable explosion.
When Eren accidentally transformed this time, he immediately took out his blades and points them at his team, not at all surprised that they had already drawn their blades.
They would always be talented little brats, but they had a long way to go..
'Captain-'
'Put down your blades Petra.'
'Captain get away from Eren-Please-'
It had continued on, with the brats arguing in favour of heatedly questioning Eren and his motives, while he had ferociously stood by the him. It was a part of the plan really-he knew that Eren would be fine no matter what. He just hoped that, at least this time around, the brat would take his taking a stand for him like this into consideration before he decided to launch a mass genocide on his own.
'Shut up and obey.'
His team had faltered, and then slowly lowered their swords as he began to speak.
'Do you have any other titan shifters?'
They all looked confused. Only Olou managed to speak croak out a strangled no. Levi pointed at Eren, who was panicking alot less since Levi had begun to speak in his favour.
'You see this dumbass? He's our only shot. There's no replacement for him. All of you can be replaced, Erwin can be replaced, Hange can be replaced. Despite your silly admiration of me, I could easily drop dead and be replaced too.-'
His squad had looked scandalised at the thought of their beloved captain being anything remotely close to being replaceable. Then again, none of them had experienced Mikasa and her unnatural strength yet.
'We need him. He doesn't need us. Understand that none of you can afford to point your blades at him without my orders. The next time you do so, I will be your opponent.'
Eld and Gunther had looked nervous, Olou had visibly begun to sweat and Petra had looked at him a little strangely. However, they all seemed to understand the point he wanted to make. '
'Am I clear?
They all nodded
'Yes Sir!'
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He had made sure to still have that chat with Eren, to make him understand his squads actions. He knew Eren trusted him a little more this time around-his showing support toward him like this had likely changed his opinion of him, if only a little. Levi was banking on that, hopefully he could push the kid in the right direction.
He had gone to his room after Hange had explained Eren's transformation and his squad had shown support towards Eren by biting their hands. A filthy act, but he supposed in this case he would allow it. Not that it stopped him from ordering them to go sanitise their hands and not come near him for a while.
He had even made his tea on his own, unwilling to let them touch them with their germ infected hands. Petra had looked at him oddly when he had told her he would do it on his own, almost like a kicked puppy.
He sat in bed, tea long finished and mind occupied.
He had been somewhat productive so far, managing to manipulate Erwin into changing the plan to capture the female titan. His squad was well in the loop, and likely making several plans to take on a titan shifter. Eren was beginning to look at him with more trust, something he hoped would blossom more.
There was still too much to figure out though. And since Levi had resolved to not let Erwin in on the plan, he was now drowning in things he needed to figure out. How Erwin managed to sort through so much crap was beyond him.
Some things, he had already figured out. Others were still being debated upon.
When it came to Historia, he would injure her tommorow, to the point she wouldn't be able make it to the expedition. She would likely try to jail him for it after taking the crown, but he figured he could call it vacation time from work and enjoy the silence. Those brats were too loud anyways.
He knew that Rod Reiss might come after her sooner after hearing that she had been injured, so he would have an old friend keep an eye out for her. It was an aquantince from the underground, one of the few he could trust, that had managed to crawl their way to the surface too. He was strong and capable-and very good at hiding when he needed to.
Only Levi had ever been able to find him- and since he knew Kenny Ackerman wouldn't be used yet, he felt it was the best way to keep her safe.
He had also decided that he would have to kill Kenny. He had contemplated recruiting the old bastard, but Kenny was too much of a gamble. The type only Erwin would take on trying to recruit. And while it would be feasible to drop hints about his mentor in the underground to the Commander, he wasn't sure the Survey Corps could handle a mission like that. Their attention needed to be on capturing shifters and getting Historia to the crown.
Maybe Erwin could risk something like that, but this time it would be his deicison. Kenny, despite his conflicting feelings towards him, had to be eliminated. He just couldn't chance their opposition having someone like that on their side, and wasn't confident enough that they could get him to jump ship.
The rest he was still a little muddled on. He was reasonably sure he could draw Ymir to their side, especially if he told her about how Historia would be queen soon. But the girl wasn't dumb, she would also be able to tell that Historia would have a part time job as child breeder, and might even try to leave with her then.
It pained him to do so, but he couldn't save Historia from that fate. He could, however try his damned hardest that her children wouldn't be turned into shifters.
The other shifters left him feeling conflicted. They needed the Colossal titan, he would be their mass weapon against other nations. The moment he could, he would get the serum and feed Bertolts titan to one of their soldiers. There would be no compromising on that, no matter how much he wished he could lure the kid to their side instead and spare him from that painful death. He just didn't know the kid enough to ensure he could win him over.
As for Reiner, Levi recalled the young man who had stepped up to stop Eren. He recognised that he was stuck in a tough place, but again, he would have to harden his heart. He had to keep his side as safe as possible, even if it meant taking away the armoured titan.
A part of him still hoped that he could get the kid to join him though, he would definitely try for it.
As for Zeke and Pieck, who had likely already arrived on the island, they would be dealt promptly. Zeke would need to be restrained and hidden away in a deep tunnel, while the cart titan would be given to someone else.
He would, unfortunately, have to allow Zeke to turn Ragako Village into titans. But he figured not everyone needed to be turned for it, he could at least get the children out of there. Connie's mother had been key in figuring out the truth about titans, and so he would have to sacrifice her. But Connie's siblings would at least live this time around.
More of his cormades would survive the attack too, having less titans to deal with. He was hoping that Mike and his squad would get out of it alive and not be dealt the same unfortunate fate they had suffered through before.
When it came to Annie, however, Levi already knew what to do. If all went well, he was more then sure that the Female Titan would be fighting for the Island soon enough.
His plans regarding the shifters were a big gamble on his part, since it was all relying on one thing specifically.
Getting the titan serum from the Royal government.
But Levi was a thief at heart, a man who knew how to get things no one wanted to give, to find them in the shadiest corner, completely undetected. Worst comes, he would easily infiltrate. Their security was crap anyways.
He would know. It wouldn't be the first time he had stolen something from those bastards anyways.
Levi laid down, covering himself with a blanket. He thought of one last thing before he allowed sleep to overcome him.
It was dumb of Marley to send six of their shifters to the Island, and all at the same time too. Because Levi had no intention of letting any of them go back home, not this time around.
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In all his years of living, Levi had gotten used to being surprised. He had gone through surprise attacks, friends turning into foes, getting punched by the Queen and even time travelled. Yet had taken it all in a stride.
He had expected that half his plans would fail, that he would end up losing his squad anyways, that Annie would escape this time too. But here they were, sitting in the mess hall, post expedition, and very much alive.
Erwin had informed more squads about the traitor, although thankfully Reiner and his squad hadn't been told. Most of them had understood that they likely wouldn't be able to take on the threat, and their squad leaders had made sure to have them engage very litte. They had tactfully allowed the Female Titan to pass through the formation, thus leading her to Eren. More lives had been saved this time around, much to his pleasure.
They had gone through the same plan, trapping her in the forest. Erwin had stood by and watched as the female titan glared at him. Beside him had stood soldier with black hair, wearing a hoodie. Their face had been hidden, but everyone had called that soldier captain Levi. It had made Annie think she was safe, that when she called titans to her and left to go after squad Levi, Humanity's Strongest wouldn't come after her until she accomplished her mission.
It was only when she reached the squad and made to slice at Gunther that she realise that she had been duped. The sight of Humanity's Strongest blocking her blade with his own had caused her to sweat.
Things had gotten on easily then, she hadn't been much match for him. And his squad had taken double their usual measures, going as far as to throw explosives at her before he could carve her out of the nape. Eren had watched it all in awe, thankfully the brat hadn't needed to transform this time around.
His expression had quickly changed to shock and betrayal once he spotted his comrade sealed in a crystal. Levi wasn't suprised that she had sealed herself like that this time too, he had been counting on it actually.
Levi snapped out of his thoughts and pushed his now empty tray away. He decided it was the perfect time to put his plan into action.
He needed to pay Annie Leonhart a visit.
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A/N: Heyooo. Here's chapter 3! Any guesses how Levi is getting Annie on their side?
Sorry I don't post much, but I swear things have been ridiculously busy. Uni life, housework, and my mom is sick too :(
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duhragonball · 3 years
Text
Hellsing Liveblog Ch. 7-10
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This is the “Dead Zone” arc, featuring Luke and Jan Valentine.
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This arc is set around... uh, September 3rd-ish, I think.   By now, Hellsing has had time to investigate this recent uptick in vampire incidents, and she calls a meeting of the “Convention of Twelve” to discuss her findings.   This group represents the heads of various important agencies, political leaders, and noblemen, and the manga states that they “essentially” run the British Empire.    I’m not sure how to read that, exactly.  Kouta Hirano appears to be establishing one of two things:
1) Parliament Shmarliament, everything is really controlled by this secret group of oligarchs sitting at a table.
or
2) This is a collection of all the big wheels in British society, so they might as well be calling the shots even if they aren’t a true governing body. 
I’m not terribly concerned about which one it is, since we left real-world Great Britain behind a long time ago.    The Hellsing U.K. seems to put a lot more power in the monarchy, for example.    Also there’s friggin’ draulas runnin’ around everwhere. 
Anyway, Integra reveals that the vampires they’ve been killing lately all have microchips installed in their bodies.  She says the chips “define the vampire’s status, behavior, intent, and aggression.”   I don’t know if that means outright control or a more subtle manipulation.    It might exaplain why the couple in Chapter 3 weren’t exactly being subtle.
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Moreover, these vampires haven’t been following the conventional rules laid down back in Chapter 1.   Vampire bites can turn a person into another vampire, but only if the victim is a virgin.   Otherwise, they turn into ghouls.   Destroying the head vampire will destroy all the ghouls he’s created.    But that hasn’t been happening.    The couple in Chapter 3 killed a lot of children, but they all became ghouls.   And in Badrick, Anderson killed the vampire, but the ghouls remained active long enough for Alucard and Seras to fight them.  
At least, that’s what Integra is saying.   We never actually saw any ghouls in Chapter 3, and Anderson killed the vampire in Badrick off-panel, so we don’t know the exact timing.    But I’ll take Integra’s word for it.   
Something that got lost along the way was the matter of what happens to Seras if someone managed to kill Alucard.   According to Chapter 1, she’d die immediately, but we never actually see that play out, and Seras is the only vampire created by another vampire in this story.   We never see ghouls die en masse, either, because there’s never a situation where their master dies first, and the ghouls we see from here on out are these rule-breaking microchippy kind anyway.    
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Never mind that shit, here comes the Seras part.   Walter has replaced her bed with a coffin.    Apparently she had a bed in this dank-ass dungeon, and then one day Integra got a wild hair and decided “Oh, yeah, she should be sleeping in a vampire bed.”     She’s been a vampire for like two months now.    I feel bad for Walter, having to lug that big-ass bed down here, only to have to take the damn thing right back out.   He must have known it was going to end this way.   You’d think he would have said something before.  
Seras hates this idea, but Walter relays a second order, one from Alucard: Seras has to sleep in the coffin.   Well, that seems kind of redundant, but I guess Seras might have tried to sleep on the floor or something instead.    The main thing I find interesting about this is that Seras is mostly irritated by Integra ordering the coffin, but she takes it much more seriously when Alucard is mentioned.  
According to Walter, since Seras hasn’t drunk any blood, her powers will weaken... unless she sleeps in a coffin lined with soil from her birthplace.   So maybe it’s an either/or deal.   Integra was fine with Seras using a big girl bed because she assumed Seras would be drinking blood.  But without it, she has to use a coffin, or she’ll be no good to the team.   And after two months, it’s become clear that Seras has no intention of drinking blood, even bags of donated blood, like the one Alucard snacked on in Badrick.
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Even Seras doesn’t know exactly why she won’t do it, which Alucard finds baffling.    If this was a dealbreaker for her, she should have just died as a human in Cheddar.  
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But Al isn’t entirely unsympathetic either.    His words are harsh, but they’re the truth: Seras is a vampire now, and there’s no going back.  She keeps trying to resist this, but it’s already happened.   Denial will only make this more painful for her.   I think that’s part of the reason he offered his own blood to her in Badrick.   I mean, there weren’t a lot of other options, but from an ethical standpoint, drinking Alucard’s blood seems reasonable, since it won’t kill him.    The unspoken sentiment here is: Listen, I know this is difficult for you, and I’ll try to make this as easy as possible, but you need to do this and there’s no way around it.    But even that doesn’t seem to work, and Alucard’s in no particular hurry, so he’s willing to table the matter.   Which I suppose is how the coffin thing came about in the first place.
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Walter also takes this moment to give the vampires their new guns.    Alucard wanted something special for the next time he tangles with Alexander Anderson.    Recall that Al already has a special cosmogun with an infinite supply of magic bullets, and he shot Anderson in the face and it didn’t stop him.    So Walter builds him “The Jackal”, which is basically the same as his first gun, only even bigger and with a black finish.   It also says “Jesus Christ is in Heaven Now”, which drives me nuts because I don’t know if that’s like a message to Anderson, or just some random thing.    Kouta Hirano puts these nonsense religious slogans all over Hellsing, and I’m pretty sure he’s just doing it for effect, and not particularly concerned over whether there’s any religious significance to the words.   
As for Seras, she gets a giant bazooka-looking think called the Harkonnen, named after a Dune character.   One of these days I want to sit down and read Dune.   I kind of feel guilty that I haven’t already, because then I could be writing this and get all excited for this moment.   “HOLY SHIT!! IS THAT MOTHERFUCKING DUNE REFERENCE?!”  Instead I’m like, ho-hum, yes it is.
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Let’s move on.    This arc is about the Valentine Brothers, two vampires who take the fight to Hellsing instead.   They have a small army of ghouls, and their plan is to just drive up in a tour bus and storm the gate.   Ghouls are mindless, zombie-like monsters, but apparently they can work a gun well enough, and Hellsing never imagined an enemy would try such a thing.
As soon as Integra finds out about this, she tries to evacuate the Twelve, but their helicopter gets destroyed, cutting off any chance of escape.   Then Jan (pronounced “Yon” by the way), calls her on the comm system and threatens to kill them all.  
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So Integra calls Walter, who already knows what’s happening.   Um, how?   I feel like the anime explained this better.   Maybe Jan’s profanity-laden threats were on a public-address system instead of just for the conference room.   But it sure looks like Walter’s just chilling out in a windowless, underground room.   But he already knows there’s no hope of reinforcements arriving to save them.   He proposes himself and Seras using the ventilation shafts to get to the coference room, where they can defend the twelve, while Alucard can go on the offensive.
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Alucard is amused to hear that Walter is going back into action, and calls him “Angel of Death”.    We’ll come back to that.
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So Walter’s pretty much on top of things here.    No one ever considered anything like this happening before.    Hellsing is supposed to be a secret organization, so a vampire shouldn’t know to come here in the first place.    Moreover, no one dreamed that a vampire would plan it out so well, using ghouls in a military fashion.     But he’s optimistic about their chances for survival, because...
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Walter has super powers.    Specifically, he has these magic wires he can use to bind and slice up his enemies, and this makes short work of the Valentines’ ghouls.   He then repeats Jan’s taunts back at him.   Okay, so I guess Walter did hear Jan’s message from earlier. 
The problem I always had with this development was that it seemed awfully convenient for Walter to have super powers.    But then, it took me a while to catch on to Anderson having super powers, and he took a bullet to the face.    I think the conceit of the Hellsing world is that these “anti-freak” organizations have to have super-powered operatives, so they use secret techniques and alchemy or whatever to empower men like Walter and Anderson.   It’s really not that hard to swallow.
Except that the first vampire-hunter we meet in Hellsing is Alucard, who is himself a vampire. So it seemed like the whole point was that he was the best suited for the job because he had the raw power to do it.   Integra doesn’t seem to have any powers, and neither do any of the rank-and-file Hellsing operatives who get mowed down by the Valentines’ ghouls.   So it always confused me for Walter to just go “Wassup, I have powers too.”   But it only makes sense for Hellsing to have more than one card to play.    Clearly, Walter used to hunt vampires on  the regular before he retired to become a butler.
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Between Walter’s wires and Seras’ giant gun, they manage to subdue Jan easily enough, but he reveals he has a partner, Luke, whose job is to tackle the second half of their mission: to destroy Alucard.   Let’s check in on him...
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Yeah.    I was thinking about doing a blow-by-blow of this fight, but it’s kind of pointless.    Luke talks a big game, and seems confident that he’s on a higher level than the vampires Alucard has been fighting recently, and for a hot minute, even Alucard believes that he might be a worthy adversary, “above even a ‘Category A’ vampire,” so he releases his “control art restriction,” to “Level 1″.  
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I guess I should back up and explain this.    Alucard, like all overpowered anime characters, can hold back his full power and reveal it in stages.   For some reason he has to announce that he’s doing this, like Windows 10 describing it’s own updating.   Presumably, there’s a Level 4 where he usually operates, and that was enough for him to fight Luke evenly.    But here, we see him jump all the way to Level 1, which allows him to turn into some shadowy form with lots of eyes and two dog heads.  
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Also, centipedes.  The point is, this is all stuff Luke can’t do.   He’s more of a “super speed gun-shooting” kind of vampire, so he’s immediately outclassed.    Alucard’s dog form eats Luke and that’s the end of him.... OR IS IT? 
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Meanwhile, Jan’s ghoul army is beaten, but he still has reinforcements in the form of all the Hellsing soldiers they killed earlier.   These men rise up as new ghouls and chase down Seras while Jan makes a break for the conference room where the Twelve are holed up.    Walter tries to catch Jan, but only manages to rip off one of his arms.   He makes it to the door, only to find...
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Integra and the others all have guns, and they shoot him down.  
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All Jan has left now is his second wave of ghouls, except Seras manages to overwhelm them.   At first, she was panicking, but then she freaks out and goes feral on them, to the point where Integra has to jump in and order her to stop.   When she does, she seems to have no idea what just happened.    This is mostly overshadowed by the sheer horror of Hellsing’s soldiers being reduced to the undead.  
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All that’s left is Jan, who refuses to talk.    He has the same microchip implants as the previous vampires, and the people who sent him are monitoring him in real-time, which means they know he failed, and they can make him self-destruct before he can tell Hellsing anything.  As he dies, Jan flips them all off and gives them one word of information: “Millennium.”
After that, Integra tasks Walter with destroying the remaining Hellsing ghouls, until Sir Irons, one of the Twelve reminds Integra that this is the duty of a commander.   As Hellsing’s C.O., it’s her responsibility, so she agrees and starts shooting the ghouls in the head.   
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Meanwhile, Jan’s mysterious overseers talk amongst themselves, and their leader calls for them to resume their “research”.   As devastating as this attack on Hellsing was, for Millennium, this was merely a test.   
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antihero-writings · 3 years
Text
Map to Nowhere
Fandom: The Promised Neverland (Anime)
Character Focus: Ray (and Emma)
Summary: Emma and Ray stargaze outside the base, and think about many things.
Notes: I couple weeks ago Tale Foundry's prompt of the week was "Map to Nowhere." I started thinking then that that would be a great prompt for Promised Neverland.
After watching S2 ep3--(and, if it isn't already clear, there's some minor spoilers for that here! And major spoilers if you haven't finished S1!)--when I saw the stars outside the base I thought they were absolutely gorgeous, and I was like "Oh I am absolutely writing a stargazing fic for that prompt" haha! 
Also just wanted to quick say that I know nothing about the manga, and I wrote this with the current-anime-knowledge I have!
I've been wanting to write a fic for the Promised Neverland for a while, so I had a lot of fun with this! If you're interested in reading more tpn fics from me, don't hesitate to send me prompts!
If you enjoy this fic, please please consider reblogging and/or leaving a comment!!
*
Map to Nowhere
Emma, Ray, and Norman lay in a circle—(well more like a triangle)—on their roof. Today they enacted their plan: they had snuck out at midnight, (shushing each other all the way), to watch the stars. And, well, if they were already sneaking around, might as well pick the roof as their location. It was closer, after all.
“Ooh, I know this one!” Emma pointed to a collection of stars. “It’s a house!” She said with utmost confidence.
“That’s Cephus!” Norman corrected her.
“It can’t see us, silly!”
“No, Cephus.”
“He was a Greek king,” Ray explained.
“A Greek king?”
“Yes.” Norman said. “He was the wife of Cassiopiea.”
“Cassi-who-peea?”
“Spare her the details.” Ray glanced at Norman. “That story’s a…little sad for her liking.”
“You’re probably right.”
She pouted, but quickly recovered. “You guys sure know a lot about stars!”
“Not really.” Norman smiled. “We just read a lot.”
“You sayin’ I don’t read?!”
“Not as much,” Ray replied flatly.
Another pause. Apparently she couldn’t deny that.
“Do you think we could ever go there some day?”
“Well…it’d take a lot of hard work and luck…but potentially!” Norman replied.
“Do you think we’d need some sort of...map?”
Norman laughed. “A map would be good, yeah.”
Ray said nothing, returning his gaze to the sky. They were always undeniably far, but, as Emma and Norman puzzled out how to reach them, to him, they seemed to slink away as they spoke.
******
The stars unfurled above Ray. And endless expanse of spackled blue.
He’d stargazed before. He, Norman, and Emma had snuck out of bed to lie on their backs in the grass, or even on the roof to watch the sunrise, asking each other what games they’d like to play, and if they could go there one day. All the while Ray knew they wouldn’t so much as leave the farm; the stars as real as glow-in-the-dark stickers on the ceiling, as untouchable as freedom itself.
Now, laying on the dirt above the base, reaching out his hand, he swore he felt his fingers graze them.
No fences, or trees, or walls to block his view. No imprisonment, or impending promise of death. Well, death was still both inevitable and probable, but it was nice there wasn’t an exact date, at least. Or maybe…well, he spent so much of his life planning and, in a way, hoping for his own death…the idea that he ought to live for the future, without a deadline in mind was…oddly foreign.
The world was open, and inviting. There was beauty in that, yes, but freedom, the expansive Earth, was as alien as another planet. The instability of numberless days was, well...unstable. Not insurmountable, but certainly unpredictable.
His mind drifted back to Mom and the others back at the farm. He wondered briefly how and what they were doing. It was likely their escape had made life worse for those that remained, and/or for themselves. Scratch that, he knew they’d made life for themselves worse, because Emma was determined to return and save everyone.
Ray had never had much difficulty valuing his own self preservation above everything else. The thought of everyone else in the orphanage didn’t plague him too often. His own survival was enough of a burden to trouble himself with the woes of everyone else. He didn’t know how Emma did it. It was almost impressive just how many people she was able to worry about at any single given time.
Still when he thought of mom…She wasn’t particularly kind, or lovable. He’d known from the very beginning this was nothing but a game, and she was nothing but a player. But he remembered perfectly the look in her eyes as she watched them leaving—(like he remembered everything else). He expected anger, betrayal…but that sadness was unexpected. He didn’t make the mistake of thinking it real yet…if he knew it wasn’t, why did it haunt him?
Today, was she taking it out on the kids that remained? Did any of that sadness stay within her? Or was it replaced with scorn for even the innocents left?
Or else was she herself punished for their transgressions? Imprisoned, tortured, or staked in the heart with a flower?
And if she was, what would that mean for the kids at the farm?
“Ray? How do you know that song?”
She wasn’t kind or lovable…but she was his mother. Something none of the other kids could say: his mother. His real one.
Did he actually—?
“There you are!” A voice broke through his musings. The hatch opened to reveal a head of red hair. “I’ve been looking everywhere for you!”
“Well you can either sit there crying about it, or you can join me!” Ray threw to her casually.
“Maybe I will!” She harrumphed.
Emma scooched out of the hatch, closing it, but, instead of laying down to watch the stars, she knelt over his head so her face was blocking his view.
“Whaatcha thinkin’ about?” She sang.
Ray flicked her forehead.
“Hey!” She rubbed her forehead, pouting as he smirked.
After she had sufficiently stared him down, (or else knew she was fighting a losing battle), she flopped on the ground with her head on the opposite side of his.
For a moment they just stared up at the stars in silence, basking in their glow.
“They seem so much closer out here!” Emma reached out her hand and made a grabbing motion.
“Mm.”
“What do you think’s up there?”
“A lot of hydrogen gas and—”
“You know that's not what I meant! Would it kill you to have an imagination?!”
Ray scoffed.
“Aliens?” Emma offered.
He was about to shoot down the idea, but paused and replied instead, “I suppose that isn’t too far off from demons.”
“How do you think we’d get there? A starship maybe? Ooh! Like a literal pirate ship in space! That'd be so cool!" She held up her arms, then let them fall out to her sides.
He laughed. “And you have the wildest imagination.”
“It’s not my fault yours just doesn’t work properly.”
“I have an imagination; it’s just grounded in reality.”
“But reality’s so boooring. I mean…” She paused, saying more seriously, “Do you think it’d be better up there? Than here, I mean?”
“If ‘better’ means easier to survive in, then no.”
She groaned, and seemed to decide he wasn’t the best stargazing buddy, because for a minute or two, she actually stayed silent—(shocking indeed).
”Reality’s not so bad, you know." Ray spoke after a bit. "I mean...it’s just a lot of hydrogen gas, yeah, but have you seen pictures of nebulas? Or supernovas? I've seen them in books. They’re some of the most beautiful sights in the universe. To me, that’s much cooler than fantasizing about unicorns in the sky.”
“Hey! I didn’t say anything about unicorns!”
He laughed.
“But... yeah! I guess you’re right!”
The next question was a murmur, soft and serious as ever:
“…Do you think Norman’s up there?”
Breath was cold and sharp on the back of Ray’s throat, eyes widening in shock.
“I…I don’t know.” He exhaled the breath.
“Wherever he is…I hope he’s doing alright. You know, having fun and all,” she said with the air of a lover saying they hoped their ex was happy, when really they wished to get back together.
The wind blew past them, and they had to shut their eyes against the dust. Once it passed she murmured:
“I miss him…A lot. It’d be so much more fun if he was here with us.”
“You sayin’ I’m not fun?” Ray tried to joke.
Emma’s laugh was taut. He wondered if she was trying not to cry.
Ray looked back at the stars. They were so close a second ago, but in that moment they began to drift away.
“I miss him too.”
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medea10 · 3 years
Text
My Review of Trigun
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How did I get into this anime? Let’s just say this was one of those animes that used to air on Saturday nights back in the day that I would every now and then come across while waiting for either Full Metal Alchemist, InuYasha, or Cowboy Bebop to air. But I never did watch a full episode or know a damn thing about this anime. So I’m just jumping into this anime blindfolded. All I know is that this was Johnny Yong Bosch’s first anime role.
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Who is Vash the Stampede?
A frequent question that comes up throughout the series! Rumor has it that he wears a long, red trench coat and sports a Mohawk hairstyle. Some say he’s a notorious lecher. Many recount him shooting up their villages to a pile of rubble just for the heck of it. He has quite the reputation as he has a $$60,000,000,000 bounty on his head and is often known as the “Humanoid Typhoon”.
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In reality, Vash the Stampede is…a bit of a dingus. He just happens to be at the wrong place at the wrong time and things kinda get out of hand. But that doesn’t stop two insurance agents (Milly Thompson and Meryl Stryfe) from following him around to confirm Vash’s identity and keep his actions to a minimum. At first, it’s hard to tell if he’s a stupid-genius or just flighty and gets lucky one too many times. But when shit goes down, don’t be surprised when you see this doofus get serious.
BETWEEN THE SUB AND THE DUB: Okay, what sad company did this use to belong to, Geneon, Bandai, or ADV Films? Oh, Geneon! That means good voice actors from L.A. put in really shitty roles. On the contrary, this was a fairly decent English dub. And on a severely positive note, this was indeed Johnny Yong Bosch’s very first anime role (and a main role at that). This was like fresh off his time as a Power Ranger! And I gotta give props for giving this guy a chance at voice acting. This role was the launching point to what has been a very successful career for Bosch. As for the sub, let’s just say I’m happy any time I get to hear Hiromi Tsuru in something besides Dragon Ball. Here’s what you might recognize these folks from.
JAPANESE CAST: *Vash is played by Masaya Onosaka (known for Bill on Pokemon, Isaac on Baccano, Jadeite on Sailor Moon, Kero on Cardcaptor Sakura, Leeron on Gurren Lagann, France on Hetalia, and Spandam on One Piece)
*Meryl is played by Hiromi Tsuru (known for Bulma on DBZ, Ukyo on Ranma ½, Yubel on YGO GX, and Mika on Gravitation) [R.I.P.]
*Milly is played by Satsuki Yukino (known for Kagome on InuYasha, Mion/Shion on Higurashi, Tae on Gintama, Amakata on Free!, Hiiragi on Natsume Yuujinchou, Mutsumi on Love Hina, and Yoruichi on Bleach)
ENGLISH CAST: *Vash is played by Johnny Yong Bosch (known for Ichigo on Bleach, Lelouch on Code Geass, Makoto on Free!, Izaya on Durarara, Artemis on Sailor Moon redub, Koizumi on Haruhi Suzumiya, and Yukio on Blue Exorcist)
*Meryl is played by Dorothy Elias-Fahn (known for Kaoru on Rurouni Kenshin, Naru on Love Hina, Tomoe on Rozen Maiden, Hakuei on Magi, Houki on Fushigi Yugi, and Amane on Tenchi Muyo GXP)
*Milly is played by Lia Sargent (known for Dorothy on The Big O and Judy on Cowboy Bebop)
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FAVORITE CHARACTER: Milly! I don’t need a reason, it’s Milly!
SHIPPING: I didn’t really start thinking about shipping until more than halfway into this series. I thought there might be something between Vash and Meryl, but then again maybe not! Then I saw the backstory of Vash’s “younger days” and falling for the one woman who showed him compassion.
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Yes, this is the same woman we consistently see in Vash’s flashbacks, Rem. Ooh boy, it’s one of those stories! So yeah, never mind my thinking with Vash x Meryl ever happening. I feel like Vash will mourn Rem’s death for a long time that I don’t think the whole thing with Meryl will ever work.
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And as for Wolfwood x Milly…
FUUUUUUUCK! WHY DID YOU RUIN THIS CUTE COUPLE?!
MILLY WAS HEART-BROKEN!
…At least she got to have one night of passion with Wolfy-boy before the unthinkable happened.
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THAT DARN CAT: If you watched this series, you might have noticed a little black cat spotted in nearly every episode. It’s there in the opening theme. It’s there in random places throughout the series. It’s there in the ending theme. What’s up with this cat? Well, there are a lot of theories surrounding this particular cat (or Kuroneko). Some say it’s really Rem inside that cat since you see it in literally every episode around Vash. Others say it’s because the creator of Trigun wanted to just mess with your minds with the kitty walking around in random places and towns. Seriously, it will always appear in every new town Vash and the gang comes across! As an avid cat enthusiast, I’m fine with whatever the result. Just as long as no harm comes to the little Kuroneko.
HALFWAY POINT: Halfway into the series we notice something more when it comes to Mr. Vash the Stampede. First of all, those horrifying scars all over his body! Second, that mysterious girl he often thinks about. I mean, we see flashes of her in the opening sequence. And third, the reason why he never kills. Vash has the ability of causing so much damage when pushed to a breaking point. One of the many reasons why he’s known as the “humanoid typhoon”! And that was perfectly shown when Vash chases the residents out of a town (so there would be no casualties), totally demolished the town during a fight, and made an indent on the moon!
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But the story takes a sharp-left turn into WTF territory when we learn about WHAT exactly Vash is. Vash is a plant. Vash also has a brother named Knives. And while Vash has a mentality that all beings have a right to live, Knives has a “kill them all and let God sort them out” point of view. Now the existence of Vash and Knives came with a lot of controversy, especially in the ship that they were on. But that girl who Vash cares for, Rem cared for them regardless of what they were. Rem had high hopes for a peaceful world with coexistence. Too bad Knives had other motives and killed her.
ENDING TO TV SERIES: Vash has tried so hard to keep Milly, Meryl, and Wolfwood out of harm’s way. He knows there are some pretty bad people after him, including his polar-opposite brother, Knives. Vash hates death and wants to save as many people as humanly possible. He doesn’t want to see any more needless death. Probably from his flashbacks and losing Rem! Unfortunately, this doesn’t go so well.
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I can see how iconic this death was now after witnessing it. Wolfwood, the priest who would hook up with Vash every now and then when they’re up against some ruffians, now finds himself in a crucial decision. He gets orders that he must eliminate Vash. And Wolfwood ends up dying instead in a very dramatic death scene. God-damn! And just that scene where Milly is sobbing freakin’ eats you up inside.
At least she had one night of passion before the unfortunate happened!
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Vash hates the thought of having to kill anyone. But he might not have a choice if Knives is coming after him and even hires a powerful foe from a previous episode and the guy that killed Wolfwood to take you out. Once Vash met up with Knives, he winds up having some pretty sick flashbacks of Knives. But our homeboy was able to take out Knives, the desert area gets water, and…
I’m gonna have to read the fucking manga for more, right?
Tap dancing fuck!
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BADLANDS RUMBLE: 12 years after the series ended, Japan decides to release a side-story in the form of a movie, bringing back our favorite characters like Vash, Wolfwood, Milly, and Meryl. And yes, reuniting the cast…in Japan.
By 2010, Geneon was as good as dead and FUNimation licensed Trigun. In short, they managed to get Johnny Young Bosch to reprise his role as Vash the Stampede. But everyone else was replaced. And surprisingly, the people they got to do Wolfwood and Milly were pretty freakin’ close to their original voices. Meryl’s voice, come on I know Luci Christian any-damn-where! Vash helps a young lady take out a big-bad guy (who turns out to be his father). And it has the feel of the original series where it’s set in a western town with lots of booze and shoot-em-ups! It’s an interesting side-story to the Trigun trilogy.
Trigun was a pretty good anime. I mean, not one of my favorites, but I can definitely see a lot of people sticking by this classic. Maybe you can chalk up my blah attitude to the fact that I’m not fond of westerns and I kinda took it out on Trigun. Or the fact that there was so much more that the anime could have covered before the end and the ending kinda felt off to me! Like I thought I was expecting more. But I suppose that’s what mangas are for. To be honest, the stories that really grabbed my attention were the back-stories with Vash and Knives and Wolfwood’s final episode.
*sniffles* At least Milly got one night of passion before he died!
If you would like to check out Trigun, all the episodes are available through FUNimation and Hulu (in both Japanese and English). And if you really like the anime, why not purchase the hard copies? Both the series and movie are available for home video.
Okay, that took me a while, but I’m glad to finish Trigun. What’s next on the FUNimation list?
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EEHHHHHEEEHHHE
Fuck is that supposed to mean? What is that? Is that even in English?
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YOU WILL BE HORRIBLY MUTILATED: The Isekai
Do you mean Re:Zero? That’s great…but that review’s not ready yet. And it probably won’t be until after April 2021! So let’s cast caution to the wind and pick another FUNimation licensed anime.
You’re watching Sarazanmai next. It’s best if you don’t ask questions.
Sarazanmai? The fuck does that even mean?!
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OH. MY. GOD.
22 notes · View notes
bemused-writer · 4 years
Text
Analysis of Subaru, Kamui, and Subaru/Kamui
Ever since I first read X/1999 I was of the Subaru/Kamui persuasion. The two have each suffered a great deal and went out of their way to support one another; every single scene they have is of them doing just that as best they can. And since I have returned to my X/1999 obsession with a vengeance, I figure it’s time to take a look at this ship–and the characters themselves–with everything I got. Technically, this is not a “confirmed” ship. Technically, there are a lot of unconfirmed or implied ships floating around X/1999. I figure that's on account of CLAMP’s multishipping tendencies. Anyhow…
Before we get into this, I won't be taking Tsubasa: Reservoir Chronicles into account for two reasons: 1) It is an AU and therefore is supposed to give us an alternative look at the characters and 2) If I start including the plotlines of Tsubasa we will never finish this review. X/1999 is already plenty long. 8D I might do a separate post about their interactions in Tsubasa once I reread that manga, though.
With that out of the way, let’s take a look. One of the most obvious things people have to say about these two is that they’re reflections of each other. They’ve been through similar experiences and similar traumas. Their reactions to those experiences are quite different, however, and goes a long way towards explaining why they take separate paths later in the series. Let’s start with their first meeting.
When Subaru first meets Kamui, it’s literally at the worst phase of Kamui’s life. His best friend, Fuuma, has just had his brain washed thanks to fate (!) and the woman he loved, Kotori, was murdered by said best friend right before his eyes. As if all that wasn’t bad enough, he was nearly killed by Fuuma as well, which took on a weird, sexual vibe, which becomes pretty consistent on Fuuma’s part throughout the series.
All of this is extremely similar to what Subaru endured at Seishirou’s hands in Tokyo Babylon years earlier (although the sexual component with Seishirou is toned down quite a bit in comparison). There are some notable differences in circumstance, however, and these circumstances are important to understanding the fundamental differences between Subaru and Kamui themselves. As Subaru says, their pain isn’t the same.
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The most pertinent difference between the two is the cause that led them into a coma in the first place and what ultimately brought them out of it. For Subaru, the betrayal and abuse at the hands of the man he loved is what sent him into a coma while the death of his sister, the other person he loved most, is what brought him out of it. In other words, traumatic shock put him into a coma and traumatic shock forced him out of it. There wasn't a single moment that wasn't painful.
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For Kamui, it’s quite different. The death of the woman he loved along with the betrayal and abuse at the hands of his best friend is what sent him into the coma. It was doubly traumatic because Kamui lost everything all at once. This is a big part of why Sorata was so worried Kamui would never wake up; he literally had nothing tying him to reality. The only two people he'd ever had a significant bond with were both gone in one fell swoop. The only reason he emerged from this is, of course, because of Subaru’s intervention.
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Perhaps the only reason Kamui is even slightly well-adjusted is thanks to the much gentler wake-up call he had in comparison to Subaru. Frankly, after Hokuto died, Subaru didn't have anyone for nine years. It's no wonder he dwelled on nothing but Seishirou, barely managed his duties as head of the Sumeragi clan, and developed a suicidal wish to keep him going.
Kamui has Subaru, so he managed to avoid a lot of that. He's still obsessed with Fuuma, but he has other things to occupy his time with.
Some other differences in Subaru and Kamui's backstory to keep in mind: Seishirou was acting like a good guy in Tokyo Babylon. Fate had absolutely nothing to do with his transformation into a bad guy; that's just how he is. Fuuma actually was a good person who had the good persona wiped away and replaced with ... his fated personality, I suppose. I think this explains some of Kamui's stubbornness when it comes to rescuing Fuuma; he knows fate isn't fair and Fuuma was a victim of it.
Subaru has no such delusions. He knows Seishirou was playing him for a fool and he knows he has no regrets about it. It's why his wish isn't to fix Seishirou; it's merely to die at his hands, so he can finally let go of the whole thing.
And Subaru does his best to keep himself at a distance from his fellow Dragons of Heaven for the sake of this endeavor. He doesn't really befriend any of them or spend any real amount of time with them; he knows his wish will bring nothing but pain to anyone that cares for him, so he tries to avoid those attachments. I suspect we wouldn't have heard much from Subaru in this series if he hadn't become unexpectedly attached to Kamui himself.
So, let's get back to their first meeting. Kamui is in a coma and Subaru delves into his memories in order to help him. This isn't the first time Subaru has done this, and there are a few parallels to his previous case to consider with this one.
In volume 2 of Tokyo Babylon, Subaru has to help a woman, Mitsuki, that he once knew that had fallen into a coma after being sexually assaulted. It's implied this is the first time Subaru has entered someone's mind to help them, and he comments it will be easier if she remembers him at least a little. He'd been dreaming of her earlier that very day.
Now, not only does Mitsuki remember him, it's revealed that she's harbored a crush on him since they were children. It's never made very clear whether or not Subaru returns those feelings, although there are some jokes from Seishirou that she is his rival in love. Regardless, Subaru saves a woman that considers him special and only emerges from her coma thanks to Subaru's kind words.
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So, when Subaru enters Kamui’s mind, he knows it will be dangerous. Kamui doesn’t know him at all; there isn’t any kind of attachment to make this easier. But the end result is very similar to what we see in Tokyo Babylon: Kamui emerges both because of Subaru’s kind words, but also because he’s found someone that understands the pain he’s been through to some degree. Both Mitsuki and Kamui reverted to childhood in their sorrow as well, a time where things were much simpler and the world easier to understand.
There’s no doubt that Kamui considers Subaru special after this. How could he not? And if we compare Kamui’s case directly with Mitsuki’s there’s at least the implication he may grow to care for Subaru in a similar fashion to Mitsuki. CLAMP went out of there way to draw as many comparisons between Subaru’s past and Kamui’s present as they could within this series, so I think it’s fair to make this assumption.
It's also notable that Subaru's own feelings on the matter are harder to read in both situations. Did he have feelings for Mitsuki or was she simply a treasured friend from his past? Her words had haunted him for years at that point, so her opinion definitely mattered. Likewise, it's harder for us to tell what he thinks about Kamui. We can tell there's a deep bond and affection there, but it's not quite as straightforward.
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The hug is actually quite important here. They held one another in the dreamscape and then continued to in reality. This is interesting because neither Subaru nor Kamui are physically affectionate people. Subaru only ever hugged his sister and maintains a kind of no-contact rule with people in general. He never initiated physical contact with Seishirou throughout Tokyo Babylon and definitely doesn't in X/1999. He doesn't go out of his way to pat his fellow Dragons of Heaven on the back the way Sorata does. The only exception is Kamui.
As for Kamui, he just … isn’t affectionate. 8D You’ll recall how crabby he was at the beginning of X/1999. He was pushing everyone away in a misguided attempt at protecting them. Then, one of the only notable times he initiated physical contact was when he held Kotori in his arms and cupped Fuuma’s cheek for the last time, and that was when he was incredibly distressed and finally willing to admit how much he cared about them both.
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These are two people he’s known and trusted his whole life, so it makes sense he would allow some physical contact between them. Consider how he reacts to Sorata, Keiichi, evil!Fuuma, and pretty much anyone else that tries to initiate physical contact: it’s met with either confusion, overt hostility, or acceptance without reciprocation. Honestly, Sorata’s gotten all three of these reactions… 8D
The one exception is Subaru, who he not only accepts physical contact from, but will also initiate. So, the two of them are relatively similar in how they approach this, which is something we'll see throughout this review.
While Subaru was in Kamui’s dreamscape, they discuss several important things, such as the fact Kamui is trying to escape reality and the fact nothing will change or improve if he remains in the coma. He also explains his relationship with Seishirou and how things became much worse when he refused to leave the confines of his own mind.
But there’s a small detail CLAMP drops that I always found interesting.
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This isn’t meant to show Kamui as naive. On the contrary, this is actually pretty wise and gets back to Subaru’s Shinto roots. Subaru is an onmyoji, a follower of onmyodo, which is a mix of Chinese philosophy (the five elements, yin-yang theory, etc.), Buddhism, and has elements of Japanese philosophy, i.e. Shintoism.
In Shinto, things really do have lives, and they deserve respect. It's yet another demonstration of how the Sakurazukamori are the opposite of the Sumeragi; they use these basic ideals and corrupt them. Things aren’t important, and neither are people.
So, in one fell swoop, Kamui has reminded Subaru of his own philosophy and demonstrated a fundamental difference between his worldview and Seishirou’s. Kamui is approaching things from a similar place Subaru would have when he was younger (it’s hard to say how much faith Subaru has in his own practice at this point; he’s pretty jaded).
Ultimately, Subaru asks Kamui several questions that give insight into both of their mindsets while they're in the dreamscape: If his [Fuuma’s] true self is restored, are you willing to tell him you killed Kotori? Even if it means he’ll hate you? Even if you must shoulder the blame for the rest of your life? Even if no one else will understand what you wished for and the reasons why?
It’s a pretty serious line of questioning because, in all honesty, what Kamui wants is dangerous. There’s no guarantee he can ever have it, and if he does attain his wish, no one will be spared the repercussions of it, least of all himself. In contrast, Subaru’s wish is a lot less destructive for the world as a whole, but he’s still hurting the people who care about him with it. Still, a lot of these questions are probably the same ones Subaru has had to ask himself over and over again. He knows no one will understand his own wish, that he will have to shoulder the blame for it, and that some could even hate him for valuing himself so little. He's making absolutely sure that Kamui understands the repercussions.
The thing is, while Kamui is willing to shoulder all the potential problems that might arise when Fuuma is restored, he's not at all prepared to think about whether this wish is what he actually wants or if it's even worth all the other problems that will arise from it. Subaru doesn't bring any of that up likely because he's never had to think of the whole planet with his wish. This is outside his own experience. He's doing his best for Kamui, but there are some things he simply won't understand. It's why he pointed out that his pain and Kamui's pain are different; there are some things they won't understand about each other, even with these similarities.
Our next important scene with Subaru and Kamui takes on a much less dramatic tone, which is probably for the best; there’s very little chill time in this series. 8D
Kamui has enrolled in high school due to its location being where the sword will be hidden until he has need of it. He visits Kotori’s grave, which is nearby, and then goes to study with Subaru, though a fellow classmate, Keiichi, had been trying to gain his attention.
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For one brief, shining moment, it’s as if we’re in a completely different series where the world isn’t about to end…
But the first thing that’s interesting about this is that it means they must be conversing off screen if they’re making plans to meet up, which is a theme that becomes very common with these two. Unlike the bulk of the Dragons of Heaven, Subaru doesn't live in the same dormitory as Kamui, so they’d have to figure out some way of meeting up. I would have liked to see some of that planning and how often they meet up to study, but CLAMP leaves all that to the imagination.
At any rate, Subaru has enrolled in the college and Kamui is worried he will get in trouble for skipping class to help him.
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There’s a lot that's wrong with this. First of all, Subaru is only enrolled in college because it’s a good way of tracking down Seishirou, which Kamui swiftly picks up on. This is incredibly sad because throughout Tokyo Babylon, Subaru had been trying very hard to graduate from high school so that he could then go to college and become a zookeeper. This complete lack of interest in college or anything he once cared about is constantly present and goes a long way towards explaining why Subaru cracks as the series progresses.
Kamui is always very quick to figure out when Subaru is thinking about the Sakurazukamori even though, outside of their first meeting, he never directly brings him up of his own accord. There isn’t a single time when Kamui looks happy about it either. The sheer frequency with which Kamui brings up the Sakurazukamori makes me think he’s constantly looking for confirmation that that man really is the only person Subaru cares about, as if Kamui is hoping one day he’ll give a different response.
At any rate, what Kamui is really taking issue with here is Subaru’s smoking and his attachment to the Sakurazukamori. Subaru says he smokes because it makes him more powerful (which is such… a lie? Does he think anyone would actually believe that?) to which Kamui has this as a response:
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Kamui appears sad and disappointed at the answer because it is a disappointing answer (and a lie, but I digress) and Subaru looks surprised because… I think he was actually worried Kamui thought he would be ineffective as a Dragon of Heaven due to the smoking, that it would hinder him in battle. The fact Kamui is worried about his health didn’t even cross his mind.
Their exact exchange was this:
Kamui: But… don’t you worry that it’ll–
Subaru: It’s fine. Some people find that smoking weakens their powers, but for me it has the opposite effect.
He doesn’t let Kamui finish his sentence and immediately comes across as a little defensive about the whole thing. So, yeah, Subaru didn’t think Kamui would care because he cares about Subaru. He thought Kamui only cared as the Kamui, his leader. Realizing he was mistaken changes the rest of their dynamic for the duration of their study session. Subaru snuffs out the cigarette and resumes where they’d left off.
We don’t actually get to see the rest of the study session, though it's implied it goes on for a while. Keiichi interrupts things at some point because he is determined to hangout with Kamui. His reaction to Subaru is both amusing and kind of telling.
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Keiichi’s repeated apologies to Subaru for interrupting and stealing Kamui away followed up by his comment that Subaru is good-looking to Kamui really makes it sound like he thought he was interrupting a date and/or that he thinks Kamui is interested in Subaru. Especially after he turns it all around by telling Kamui that he's really good looking as well and, as if that wasn’t enough, invites him to his house and offers to tutor him.
Uh… I’m just going to say it. Keiichi has never been subtle in regards to his massive crush on Kamui and he clearly thinks he’s stealing Kamui away from a potential love interest. 8D
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My goodness. XD I really don’t think Kamui picked up on any of that dynamic. He just thinks Keiichi is friendly and kind of weird. It’s like Kamui has developed Sakura syndrome and Keiichi is Tomoyo.
As for Kamui, we get an idea of how he views Subaru thanks to this exchange and it's pretty interesting. It also explains pretty much every single one of Kamui's reactions to Subaru and why their interactions go the way they do.
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There’s definitely a lot of fondness there. He agrees that Subaru is good looking and we get an actual image of how he sees him: someone who is ethereal, almost untouchable with a very literal barrier (of water from the dreamscape), but he's willing to reach out and bring Kamui to his level. He absolutely views Subaru as a savior because that’s precisely what Subaru did for him. That’s a pretty complicated relationship, quite a bit more complicated than Keiichi is thinking, that’s for sure.
As for Subaru, he resumes his smoking as soon as Kamui is out of sight. I think Kamui suspected that’s why he wanted to stay behind because he looks contemplative when Subaru says he isn’t coming with. Even Keiichi seems surprised. Maybe that’s why he thought he had a chance with Kamui? (Also, Keiichi and Kamui’s interactions kind of deserve their own analysis because he’s Kamui’s one tie to normalcy and Keiichi has a profound attachment to Kamui the second they meet.)
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Even so, Kamui's words about smoking being bad for him sticks with Subaru and you can tell he's conflicted about it. He keeps the cigarettes close, but there's less certainty about it than there was earlier in their conversation.
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This part in particular is up for interpretation since there’s no dialogue, but to me it reads as Subaru being unable to let Seishirou go, but possibly wishing he were capable of it. He knows his wish will hurt people, and Subaru has never been content with that. This scene also makes me think of Subaru's one-shot chapter, where a woman says only a person with an ill heart can go around thinking only of one person. Subaru knows smoking is bad for him, but he's also already accepted he's "ill."
I’m a little unclear on how much time has passed, but the next time Kamui and Subaru see each other, it’s after Kamui is returning home from Keiichi’s house. He’s attacked by Fuuma and Subaru rushes in to save him.
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Subaru legitimately came out of nowhere in this scene. Where was he before? How'd he get there so quickly? I know that the Dragons of Heaven can sense when a kekkai is raised, but Kamui can't raise one, so... I honestly can't remember, can the Dragons of Heaven just sense when Kamui is in danger? Because if not, I really don't know how Subaru knew to be exactly where he was needed.
Regardless, the battle between Fuuma and Kamui was going about as well as it usually does, which is to say absolutely terribly. Subaru gets a kekkai raised, and we actually get to see him use his onmyoji abilities in earnest against Nataku. You have no idea how much I wish we'd gotten to see infinitely more of this.
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Unfortunately, Subaru ultimately loses once Fuuma joins the fray, but that’s because Fuuma is, frankly, an OP villain. I have never understood why the villains are so much more powerful than the good guys in this series. That’s just bad game design.
So, Subaru actually manages to capture Fuuma in a kekkai. I’m a little unclear on what the end goal of this was going to be. Annihilating him? Trapping him for good? But we don’t get to find out because Subaru gets lost in visions of Seishirou, the man he wants to kill him. To add insult to injury, Fuuma attacks him the same way Seishirou did when he was 16 and blinds his eye, saying it’s “his wish.” Ever notice Fuuma only seems to grant the really messed up wishes? He doesn’t have to grant all of these. He could focus on some nice ones for a change. Sheesh…
More importantly (as far as this review goes), Kamui is once again in the same situation Subaru was when he was 16. He is being protected by someone who loses their eye and he was powerless to stop it, just as Subaru was all those years ago. The main difference is that back then, Subaru was purposefully allowing someone to take their anger out on him and Seishirou got in the way. Kamui was forcibly restrained from the battle and had no choice but to witness events. It also shows the difference in their personality: Subaru isn't predisposed to fighting and is more than willing to be hurt if it helps another while Kamui is perfectly all right with fighting, he just doesn't want to hurt the other Kamui because it will hurt Fuuma.
There are some other differences as well. When Seishirou’s eye was gouged out he kind of just… walked into the ER? 8D Didn’t comfort Subaru, just casually stopped the woman from attacking him and walked away. So, Subaru’s distress levels were through the roof.
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Kamui’s distress levels are also ridiculously high, but once again, Subaru is far more compassionate than Seishirou and I’m sure Subaru can see the parallels here. He knows exactly what Kamui’s going through, and he doesn’t want Kamui beating himself up the way he did to himself all those years ago. He actually stops the gurney in an effort to comfort him.
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It definitely helps, but sometimes Subaru is a little too honest with Kamui. He tells him this was his “wish.” Needless to say, that doesn’t exactly ease Kamui’s mind because it raises a lot of questions about Subaru's mental state he probably hadn't even been considering before.
What follows is the most clear cut parallel we’ve ever had between Subaru and Kamui. Subaru’s despair at possibly losing Seishirou when he was 16 is nearly identical to Kamui’s despair at nearly losing Subaru in the present. CLAMP is not doing this accidentally.
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This, almost more than anything else, makes me believe that Kamui has feelings for Subaru because there’s not really a reason to include this parallel otherwise. In Tokyo Babylon, after Seishirou lost his eye, Subaru realized he was in love with him. It wasn't right away, but that was the incident that sparked the whole thing.
After Subaru loses his eye, Kamui stays by his side as much as possible. Kamui is never shown to have a sudden revelation he’s in love, but this is where the differences between Subaru and Kamui really become important.
Back then, Subaru was terrified of Seishirou hating him after the eye incident, and I think a lot of that comes down to the fact that Seishirou was trying to win a bet. He proclaimed his love to Subaru all the time, but he was also mysterious and decidedly standoffish. Subaru had a difficult time reading him, therefore he couldn’t predict what Seishirou would think of him afterwards.
Subaru also has a fundamentally different personality to Kamui; he had no awareness of his own feelings toward Seishirou until his sister made him think about it and a stranger said it sounded like he really loved this individual.
Whether Kamui is worried Subaru will hate him is a little unclear, but we do know that one of Kamui’s biggest opinions of Subaru is that he’s very kind. We also know he admires him as the man that saved him and saw him at his worst already. Subaru is always honest and very open with Kamui; there isn’t any additional layer of confusion in this regard (there is confusion about other things, though). The only thing Kamui fears right now is Subaru dying in this situation. He also feels massive guilt for being incapable of helping him. Kamui is taking the blame for this.
Another difference is that Kamui doesn’t have anyone deliberately trying to get him to think about his feelings for Subaru, but I think Kamui is more predisposed to falling for people in general? Or at least more capable of realizing when he has. He loved Kotori and never seemed to be in denial about it from what I can tell. It wasn’t declared in a straightforward manner in the manga, but the series made it apparent enough through other things. Kotori is considered his canonical love interest for this very reason. And I think that’s more or less what we ought to expect in regards to Kamui’s feelings toward Subaru. There isn’t going to be a big revelation; it will simply be.
And part of that quiet revelation is how attached he continues to be to Subaru after this incident.
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Subaru is overtly worried about Kamui, probably because he knows how worked up he was over Seishirou himself when it happened, but also because he thinks Kamui hasn't slept. "It's harder for him to bear the wounds to his heart than the wounds to his body." Subaru definitely understands Kamui's pain all too well and he knows that while this particular incident is his own fault, Kamui is the one who will shoulder the blame, just as he did all those years ago.
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It's interesting that Kamui asks for permission to visit him again. It definitely implies that maybe he actually is a little worried Subaru doesn't want him around, that he's sending him away because he's upset with him.
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Kamui looks quite distressed at first, but one look from Subaru and he knows Subaru isn’t upset with him; he's worried about him.
These two tend to be very quiet around each other as soon as other people are in the room, and both Sorata and Arashi are right there. As soon as they’re alone, they engage in far more intimate conversation. Yet, they appear to be pretty good at silent communication as well and a lot is exchanged in the above panels.
Even if Subaru has forgiven him, Kamui is still plagued by what happened (understandably). He compares it to his failure to save Kotori. Two important people to him are hurt/killed because he couldn’t fight against Fuuma. It’s a powerful dilemma and a powerful comparison.
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Still, after a conversation with Sorata, a visit to Kotori's grave, and a conversation with Keiichi, Kamui has renewed hope. He can do something against Fuuma: he can protect the people he cares about. This renews Kamui's determination to learn how to create a kekkai, a plot point that is never actually finished... I honestly wonder if would have learned to create one? And what would have sparked that?
We get a little insight into what Subaru is thinking about events, though. It's about as depressing as you'd expect with the trajectory of this series.
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Subaru has a selfish wish. He knows that wish will hurt everyone that knows him and now there are quite a few people who care about him, something he'd been trying to avoid.
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Yuzuriha is entirely correct in her analysis here, though for more reasons than she might realize. She's essentially saying that both Kamui and Subaru look down on themselves and try to solve things on their own. It's why she makes them promise to call on her if they need help. But she's also correct in another way: they both have selfish wishes and they're hurting everyone around them for the sake of those wishes. Subaru is hurting people on an emotional level by pursuing death, while Kamui is inadvertently getting people injured and killed for the sake of rescuing Fuuma. The message is clear: if these two could let go of their one "wish" they could finally move on to other possibilities and would be far more effective at saving the world. It's a cruel irony that CLAMP made their kindest character and their hero the most emotionally compromised and the most inadvertently selfish. It's also a little unfortunate that kindness and hope seem to get trampled on so much in this series, but that's a whole separate issue.
Yuzuriha also leaves Subaru with a parting gift and, honestly, I wouldn't be surprised if she reminds him of his sister just a bit.
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The cherry blossoms definitely bring Seishirou to mind as well as Subaru's wish for death, but it also makes me think of Hokuto as well, especially the rabbit plush. It just seems like something she would do. Regardless, Subaru still hasn't moved on.
Kamui engages in yet another battle with Fuuma, which actually goes worse than the last one. Sorata and Arashi aren't as timely as Subaru had been (Dragons of Heaven must simply be able to sense when Kamui is in trouble because they also were no where nearby. Alternatively, Hinoto is just telling them stuff). Fuuma is saying something about eating Kamui's heart. We could put this down as him being a general creep, but there's usually a double meaning with him. Perhaps one of Kamui's wishes is that he just didn't feel anything at all...?
All of this eventually brings us to our next Kamui and Subaru scene. This one has a very quiet, intimate vibe to it, probably on account of it not taking place in a hospital but what I think is Kamui's room?
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Kamui has some pretty serious injuries this time around, and we learn that Subaru stayed with him the entire time, just as Kamui did for him at the hospital.
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Actually, these two seem a lot closer than they did previously. Is it simply because of Subaru losing his eye? Did that open up a new level of compassion between one another? Was there more off-screen development? My guess is it’s mostly the former, but the latter is a distinct possibility with the way things have been going.
What is plain is that these two are always supporting each other in times of crisis. Not always physically, but emotionally. Subaru in particular is always there to counsel Kamui on whatever issue he wants to discuss while Kamui reminds Subaru that people actually do care about him and Kamui is one of those people.
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“And yet, despite all that, I still can’t abandon Fuuma.”
Honestly, I think even Kamui is beginning to wonder if his wish is really worth it. He’s losing all the people he cares about in this pursuit. I genuinely think if Subaru had told him to rethink things here, he might have, because he trusts him and his wish has gotten him absolutely nothing so far.
Unfortunately, Subaru isn’t exactly in a great place to be telling people they need to rethink their life choices, so he doesn’t. Instead, he tries to be encouraging, which is both kind and misguided.
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This is a level of emotional and physical intimacy that we just don’t see between any of the nonromantic relationships in this series. It’s actually more touch focused than a great deal of Arashi and Sorata’s interactions and those two actually have a very close emotional connection that develops into a sexual relationship later on in the series, so I have a hard time believing I’m supposed to read this scene as entirely platonic.
But what Subaru is saying is important, even if I think it’s a philosophy that manages to get both him and Kamui into trouble. “Happiness” is basically satisfaction or completion in this context. It’s not necessarily joy. Subaru is essentially telling Kamui that, yes, his wish may be selfish but it’s his. If it is the only thing that can satisfy him, he must pursue it.
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Kamui makes no further comment on his own wish; he’s latched onto Subaru’s once more and is bringing Seishirou up yet again. Subaru appears surprised, perhaps because Kamui saw right through him or perhaps because Kamui’s interest in the subject has been so pointed, but he says “yes.”
I really do think Kamui was looking for something from Subaru here that he didn’t quite get. I genuinely believe he’s trying to get confirmation on whether his path is correct or not, but Subaru doesn’t really give him an answer. When that doesn't work, he tries to figure out if Seishirou is really the only thing that can bring Subaru satisfaction, which reveals this is yet another thing that's been on his mind.
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That is not acceptance or understanding on Kamui’s face. That is something a little closer to sadness, disappointment, or possibly even anger. He is not pleased with this answer.
There are a lot of layers happening with this conversation and a lot of insinuations, but none of it is ever just laid out for us to see. What seems relatively straightforward to me is that Kamui wishes Subaru would let Seishirou go. He isn’t content with Seishirou being the answer to Subaru’s wish, but he also can’t bring himself to criticize it either. After all, that would be pretty hypocritical; Kamui can’t selfishly pursue his own wish while simultaneously asking Subaru to give up his own for Kamui, but I think there’s a part of Kamui that genuinely wants that to happen.
It also reveals that Kamui does have doubts about the path he's chosen. He never says it outright--he's always vocally determined to save Fuuma--but he's looking to Subaru for guidance on this issue. Not anyone else. Subaru.
So no, Kamui can't reveal that he's unsure about his wish; it's what bonded him and Subaru in the first place. Likewise, he can't ask Subaru to rethink his own wish. What really needs to happen for these two is for them both to give up their current wish to pursue … whatever this is. I’ve talked a lot about Kamui’s feelings for Subaru, but Subaru definitely holds affection for Kamui as well. There would be no reason to hold his hand that way otherwise. And there’s no way Subaru isn’t aware of the parallels; he is definitely occupying a similar role to Seishirou in Tokyo Babylon, that odd mix of mentor and potential love interest. The obvious difference being that Subaru isn’t a psychopathic killer.
Anyway, Sorata and Arashi once again interrupt their odd bonding moment and it’s incredible how swiftly the mood in the room changes. Subaru physically moves away from Kamui, stands at a more respectable distance, and Kamui turns his attention to everyone else. It definitely feels like they aren’t trying to advertise their emotional connection or their problems. Kamui becomes the leader and Subaru becomes another Dragon of Heaven.
Subaru eventually returns to his side when Kamui enters a dream state with Hinoto while the others are there, but he doesn’t say anything further. It’s interesting that Sorata has no issue with hugging Kamui or putting an arm around him when others are around, but Subaru does. Of course, Sorata is simply more demonstrative than Subaru on any given day, but it does feel like quite a stark contrast.
It looks like several days go by between that visit and their next one. Kamui is mostly recovered and heading back to school.
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This is so subtle it’s very easy to miss–I did the first couple of times–but Kamui just finished buttoning up his shirt here. He is not inspecting his scars like I initially thought.
How long has Subaru been there? They’re pretty obviously in the middle of a conversation; he didn’t just arrive. It kind of suggests Kamui just… got dressed in front of him, which is definitely a shift. Their general attitudes towards each other are quite different from before as well. The opening panel above shows both of them as seeming more confident than before.
I’m not sure I believe anything untoward happened between them because that would be a pretty drastic shift in dynamics, but if there ever was a point in this series where something more physically intimate occurred (not necessarily anything sexual mind you), it's probably the unseen precursor to this scene. It's CLAMP, so... I guess what I'm saying is that I sometimes just don't know with them. XD
Regardless, all of this reveals, however subtly, a side to their relationship that doesn’t get a whole lot of focus. Namely, all that off-screen bonding I was talking about earlier.
Some of their comfort level is no doubt from the situation being less bleak in general of course. That usually helps.
And then there’s all of this:
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Kamui's left arm is giving him a lot more trouble than his right. That explains why he was buttoning up his shirt with just the one previously. But he appears thoughtful, maybe a bit sad, as Subaru helps him with his tie. A lot of that has to do with him not knowing where Yuzuriha is–she could be in grave danger–but I also think some of it has to do with Subaru and Kamui’s feelings toward him. I think it’s safe to say things have entered “complicated” territory. They have a relationship that's incredibly close, but no matter how close Kamui gets to him, there's always a barrier there.
There's also the fact that Kamui always feels guilty when he's incapable of something, so even something as simple as needing help with his tie could be causing him some distress.
So much of what goes on between these two is unspoken. Subaru helping him with his tie is something that doesn’t have to be romantic, but it is a frequently used trope used to demonstrate trust and care, usually between two people who are already together.
If Seishirou and Subaru’s relationship reached it’s culmination after Seishirou lost an eye, I think it’s safe to say that Subaru and Kamui’s is following a similar trajectory, only Subaru didn’t immediately turn on Kamui. Instead, they have time to explore things in a way Subaru never did with Seishirou, whatever that may mean.
Subaru moves things into safer waters from Yuzuriha’s disappearance to Keiichi. He says he will be glad to see Kamui back in school and that he asked Subaru every day if he was all right.
Now, I mentioned earlier that Keiichi definitely thought Subaru and Kamui had something going on and felt he might be stealing Kamui away, but what does Subaru think of Keiichi?
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I'd say "curious" but supportive and completely unconcerned about any competition. Honestly, Subaru doesn't strike me as the jealous type, so even if there is something between him and Kamui, I don't think he'd stop Kamui from pursuing something with anyone else. Subaru wouldn't consider himself a great choice; he thinks he's selfish after all.
This is the last normal moment Kamui and Subaru have before Subaru's final confrontation with Seishirou.
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I feel relatively safe in the assumption that Subaru was going to say "like you." This is before he even becomes the Sakurazukamori, but he now considers himself selfish and he can't move on from his past whatsoever. He's also lost some of the empathy he had when he was younger; he's definitely kind, but he isn't willing to give everything up for others. He's arguably taken on Seishirou's role with Kamui as well, which I'm sure he has mixed feelings about. And ultimately, he and Seishirou share the same wish: to be killed by the person they love. So, yes, Subaru is definitely different from how he used to be.
It's after Seishirou dies that Subaru really snaps in the series. He was struggling to get by for the majority of it, but this really does it. It’s notable that even now, Kamui restrains himself.
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Kamui always holds himself back when it comes to matters involving both Subaru and Seishirou. He never tells Subaru what he thinks of his wish and he doesn’t know how to help him. I think a lot of his resistance to actively reaching out to Subaru on this matter, both physically and emotionally, is out of a misguided sense of respect for him. Subaru knows what he wants and did a great deal for Kamui; Kamui tries to return the favor by giving him distance, but I think distance was the wrong thing to give Subaru. He needs to be dragged into the now and he needs to be reminded that people care. That's a lot to take on though, so I can't blame Kamui for not knowing what to do, especially when he's looking to Subaru for guidance. He doesn't feel like he can take on that role.
Their final parting is tough to watch.
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I think this time, Kamui actually is worried Subaru might hate him, because for the first time he’s actually “disrespected” Subaru’s wish. He didn’t let him die with Seishirou when the bridge collapsed. He saved him and that goes against everything Subaru has wanted for the last nine years.
But once again, Subaru misunderstands and I think there’s a part of Subaru that simply can’t accept that Kamui cares for him as a person. He’s stopped caring about himself, so he doesn’t connect the very obvious dots in front of him.
Subaru: You don’t need to worry about me. I’m not going to fall apart.
It could be this is just how Subaru deflects. Rather than discuss what’s really bothering him, he tries to treat Kamui like a leader who is talking to his subject, but that simply isn’t the relationship they ever had, least of all now.
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Once again, Kamui gets to the heart of the matter; Subaru is thinking of Seishirou. Everything he's done is for Seishirou, and it's now very apparent Kamui simply can't accept that. He's sorry for it, he knows that if he really wanted to "respect" Subaru he would have let him die, but he couldn't do it.
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Even now, Subaru is still trying to explain things to Kamui and still trying to comfort him to a limited degree; Subaru’s not exactly at his best right now, though and it's all pretty dejected. Despite having his wish denied, he doesn't blame Kamui. As he points out a little bit later, some wishes collide. He doesn't hold it against Kamui, though.
Kamui brings up the cigarettes again and this implies the whole thing is still bugging him and that he simply doesn’t understand Subaru’s motivations.
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It’s interesting that our only previous glimpse into how Kamui feels about Subaru showed Subaru as being above him, yet reaching out to bring him closer. Here, Kamui literally sits on his knees before him so that Subaru is hovering over him, almost like a king with his subject, and Subaru is metaphorically reaching out to Kamui in an effort to explain himself so that Kamui might understand him.
Subaru explains everything, and essentially tells him he will never understand Seishirou now, never know what he really thought.
I think it’s safe to say that Kamui is feeling similarly about Subaru at the moment--he doesn't feel like he understands him nor does he understand what he's thinking--and once again Subaru is taking Seishirou’s role in a very roundabout way, albeit in a kinder fashion. But there's no doubt that Kamui is giving Subaru power here. Everything about their posture and conversation indicates that. While Subaru sometimes tries to treat Kamui like a leader either as a way of deflecting or because he actually believes that's the right way to handle things, we see here that Kamui absolutely views Subaru as the person with the wisdom and authority to determine things. Maybe not about the fate of the world, that's Kamui's duty, but as far as giving directions? As far as getting a say in what happens next? Absolutely.
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And once again, Kamui is looking for something from Subaru he can’t give: he’s asking if what he’s pursuing is “right” and if he should change. Subaru is being given the power to change Kamui’s course and I don’t think he even realizes it.
While looking at their progression, I really think some of Kamui’s steadfast determination to save Fuuma is partially because of how Subaru keeps affirming this belief for him. There were at least two big moments where Subaru could have nudged him in a different direction, but he didn’t take it. Instead, he tries to be encouraging, although this time it’s definitely more fatalistic. Subaru doesn't understand the influence he has over Kamui and that is one of their biggest miscommunications in the series.
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Even as lost as Subaru is currently, he still cares about Kamui. He wants him to focus on his own desires, not on him, and he wants him to take care of himself. The problem is that he’s completely missing the fact that Kamui relies on him, cares about him, and would do a lot better if Subaru stayed in some capacity. Instead, he disappears for a month.
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Needless to say, Subaru is very much on his mind throughout his absence and Kamui still can't make a kekkai. He thinks about how everyone has something they want to protect, and that's why they can make one. His thoughts lead him right back to Subaru.
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This is the person he's thinking about the most while he's visiting Kotori. This is the person he wants to return. And we actually get to see what it is Kamui actually wants for a change:
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I don't know if this is the wish Kamui hasn't realized but it's definitely a wish: he wants Subaru to come back. He wants to go out and look for him. He wants Subaru to be capable of caring for someone other than the Sakurazukamori. The implication is that he wants to be important enough to Subaru for him to come back.
Just as Subaru wanted to be important enough to Seishirou for him to acknowledge him, so too does Kamui wish he were important enough for Subaru to do the same.
Kamui continues with "The people I most wanted to protect were Kotori and Fuuma. But Kotori is gone. And now all I want is to get Fuuma back. But... I still can't create a kekkai."
Fuuma is watching this moment through the dreamscape and has this input:
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So, protecting Fuuma isn’t his real wish. What is? The only other thing he was thinking about was Subaru, but even I hesitate to say that’s the ultimate wish. I definitely think it's an important, unrealized wish all the same, however. As for Kamui's real wish, I’ve been assuming it was he'd chosen a different side so Fuuma could be spared or possibly that he had died instead of Kotori. CLAMP makes it hard to say for sure.
Anyhow, we finally see where Subaru’s been hiding out for a month plus: the Sakurazukamori’s house. I’m not entirely sure how he found it, but there it is.
Also, Seishirou’s final wish is about as messed up as you’d expect.
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Wow, we get weird eye stuff and a dose of stalker possessiveness. 8D CLAMP outdid themselves. I can't even...
And as if that wasn't enough, we get this:
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D-do I even want to know what that means? The context of this is incredibly bizarre. He’s talking about how Seishirou was upset another man hurt Subaru. The only person that’s been hurting Kamui is him.
Am I supposed to assume Fuuma wants to prevent anyone else from leaving any kind of mark on Kamui? Is that supposed to be a reference to an actual person? The only person I could think of is Subaru as far as who's been interacting with him, and I’m not actually sure that makes sense. 8D Is he talking about the original Fuuma? He’s jealous of himself? Or possibly even Kotori? Or am I supposed to assume Fuuma just wants to mark Kamui as his with another freaky eye exchange? CLAMP… Why…
Anyway, Subaru takes the eye because he’s been making a series of bad decisions and he isn’t about to let up now.
The next time we see Subaru, he has decided to do nothing, which is basically what he’d decided to do beforehand, only now he has Seishirou’s eye and is willing to watch events unfold. We see that there’s a little tension between him and Fuuma, which is… hardly surprising all things considered.
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It’s interesting that Fuuma says Seishirou has been very selfish when it comes to Subaru. That would be pretty obvious to the audience, but Subaru is surprised by this assessment. Seishirou is preventing Subaru from achieving his “wish,” i.e. death and he’s also preventing him from connecting with other people. That’s the height of selfishness.
It is strange hearing this from Fuuma when he is being equally awful, however, which is probably why Subaru points out that wishes are something only Fuuma knows to begin with in what can only be described as an annoyed fashion.
We know Subaru has been on Kamui’s mind (a lot) and it looks like Kamui has been on Subaru’s as well.
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Subaru does care about Kamui is the thing, which is why it's doubly strange seeing him as a Dragon of Earth. He doesn't want Kamui hurt, but he claims he's not going to be involved. Can that really be the case if he genuinely cares about someone on the opposite side?
Interestingly, he avoids the subject. He's always been private when it comes to Kamui and it looks like that isn't about to change here, especially when he's talking to the man who has tormented him so much.
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The next time Kamui sees Subaru is in the midst of battle with Fuuma and Kamui definitely feels betrayed.
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Subaru's presence here is a little strange and I think the only reason he's shown up at all is because he cares about Kamui, just like Fuuma said. He's not showing it in the best way, but...
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At long last, Subaru tells Kamui what he needed to hear ages ago and using the opportunity he's been given many times, but never used. Kamui needs to rethink some things and saving Fuuma isn’t what he really wants.
And the thing is, Kamui listens. The final chapter ends with Kamui remembering Karen’s words and finally trying to piece together what might actually be going on and it’s all because Subaru finally stepped in and offered an actual opinion. That's the level of influence Subaru has over Kamui and I'm still not sure Subaru has figured that out.
So, how would things have progressed with Subaru and Kamui after all this? Obviously, there’s no way to say for sure. If CLAMP wanted to draw the final parallel between the Subaru/Seishirou relationship and the Subaru/Kamui relationship, then it’s quite possible Subaru will die at Kamui’s hands. Another possible parallel is that one of them realizes they love the other, but only when it's too late. But the thing is, while there are parallels between these relationships, their differences are far more profound and these two never had the kind of relationship where one would ever want to kill the other.
Even with Subaru’s betrayal, I doubt Kamui wants to see harm come to him; he’s still looking to him for guidance and support. He no doubt wants Subaru to come back. It's what he's been wanting ever since he left.
Rather than Kamui killing Subaru, it’s much more likely Subaru would sacrifice himself for Kamui, possibly as his final wish. It’s also possible Subaru decides to rejoin the Dragons of Heaven because there really isn’t any reason he has to be with the Dragons of Earth? He’s not a fan of Fuuma, he has no attachment to the people there. He’s just there for the sake of Seishirou’s memory. Undoubtedly there would be some conversation(s) between Subaru and Kamui even with them being on opposite sides. This wasn't supposed to be the final battle; Kamui doesn't die here. For all we know, that sword Fuuma's been holding up for years never strikes Kamui; it could hit someone that flings themselves in front of Kamui or it could be blocked or any number of things. But it isn't the end.
Furthermore, there's still the matter of Kamui learning to make a kekkai. It would be very strange if CLAMP never gave him a reason to create one. The issue Kamui is having is that the people he wanted to protect in the world are already gone. He needs some other reason or person to create a kekkai. This means he needs to realize an attachment to a person he didn't realize he had. I'm just saying, Subaru is a good choice for that.
And like Kamui, I have to wonder if there’s anything out there Subaru would be willing to protect. The likeliest candidate is Kamui himself.
Now, I would personally like a much happier ending to this manga than I think we were likely to get, but whatever the ending, I don’t think CLAMP was going to drop the exploration they had going of Kamui and Subaru’s relationship. It didn’t dominate the series, but it also got a lot more focus than they needed to give it. It was important and it was unique and I think their bond could have continued to grow if the world had been a little kinder to them and if they’d both been willing to move on a little sooner.
And that’s all for now. This turned out to be very long. I will now proceed to content myself with writing more fanfic. 8D
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dokidokivisual · 3 years
Text
Gochiusa BLOOM episode 9 impressions
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Previously: 8 - 7 - 6 - 5 - 4 - 3 - 2 - 1
That’s right, the long-awaited review of episode 9 is finally here! I haven’t managed to finish it last week and kind of lost motivation since almost nobody reads these anyway, but there we go. Not sure what I’m going to do with the remaining episodes at this point, maybe I’ll combine 10 and 11 together? 
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The episode starts with a flashback from Chiya and Sharo’s childhood which shows the origin of Anko’s crown. The scene is “shot” in widescreen aspect ratio, a technique that I don’t remember being used before in Gochiusa anime, such as during the previous Chiya/Sharo flashback in Season 2 Episode 9.
I’d like to bring the attention to the opening shot of flowers, which are periwinkles (Vinca major). As you might know, Japanese media often uses the flower language, or hanakotoba which assigns specific meanings to various flowers. The meanings of greater periwinkle are “pleasant memories” and “childhood friends”, which seems to apply rather well here. In fact, if you see a shot of flowers in an anime, there’s a very high chance they have a relevant meaning in hanakotoba.
Of course I couldn’t help but look up chamomile as well, and its meaning seems to be “patience in the face of adversity”...
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It seems that Chiya has now lost the crown, but it’s honestly surprising how it stayed on Anko all this time considering he has been carried away by crows and dropped from the sky more than once. Also, I feel like revealing the crown is lost so early in the episode deprives the viewers from being able to spot it on their own, just by seeing crownless Anko in various scenes (as has been done in the manga chapter).
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In Chiya’s class there’s an election for picking the candidate from the class for the student council president position. The only two people competing are Chiya and the class president (who doesn’t have a name and referred to only as Iincho). In a surprising turn of events, Chiya gets 16 votes versus 14 votes for the prez (refer to the tally mark chart in episode 3 review), which means there are at least 30 people in the class.
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Imagine losing a popularity poll to Chiya. The prez is a tragic character...
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Cocoa volunteers to be Chiya’s “producer”, but Chiya calls her “First Lady” which totally means she wants to marry her. By the way, it was Cocoa who nominated Chiya for the election, which I don’t think is mentioned in the anime. In general, this particular chapter has been rearranged rather heavily for the adaptation with things happening in a completely different order, so it’s quite interesting to compare the two versions.
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For example, when we see Chiya coming up with the names of various student committees, it seems like a completely natural and Chiya thing to do. It’s hard to believe that in the manga, it is Sharo who comes up with the idea of renaming all the committees. In fact this particular Chiya/Sharo tête-à-tête is not in the manga at all. However it’s an important scene to establish Sharo’s feelings towards Chiya’s presidential ambitions and she doesn’t seem too happy about them, in fact she doesn’t even congratulate Chiya.
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Next we have another anime-original scene where Chiya goes to accessories store (from episode 6) to find a replacement for Anko’s crown. It should be pointed out that the design of the crown itself is not completely arbitrary. It features a moon crescent, which symbolizes night (the last character 夜 of Chiya’s name) but is also associated with Arabic world. The closest thing to Anko’s crown I could find is this heraldic crown of the King of Egypt. Anyway, this is also a reference to Chiya’s name, namely it being derived from Japanese name for 1001/Arabian Nights 千夜一夜物語 (Sen’ya Ichiya Monogatari).
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Meanwhile Rize is trying to change image to be more like a college student, notices Chiya and asks to make her an adult (phrasing?). As a result, we get an appearance from Rize’s alter-ego Rose for the first time since season 1 episode 9.
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The interesting thing about Rose is that despite being featured in only a small number of chapters, she gets a mention in Rize’s character blurb in Manga Time Kirara MAX until this day. It literally takes like a third of her character description!
Anyway, this scene is just a prelude for the adaptation of chapter 2 of volume 7 which is named after a Rize character song  鏡合わせのアンビバレット. In the song, Rize tries on outfits in front of a mirror and tries to convince herself that it’s still her. The illustration for this chapter also shows Rose as a mirror image of Rize.
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We see Sharo looking through a bookstore window, which I think also appears in the following episode, and this is a foreshadowing that she works here too. The bookstore is named “Dreamy Books” which is seen later in the scene.
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Chiya and “Rose” appear and at first Sharo doesn’t recognize Rize, and only does after Rize points a finger gun at her. Well, it’s not like there is anyone else in this town having purple hair or anything.
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By the way you might notice that compared to the last episode the characters are dressed much more warmly, which reflects the fact that it’s already December. Looking back at the scene in episode 8 where Rize and Chimame cross the bridge at night, it’s quite shocking how lightly they’ve been dressed there.
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Chino and Cocoa come by, and recognize Rize as Rose. It’s lampshaded that the last time they’ve seen Rose was more than a year ago, so it’s quite impressive that they still remember her, as well as her promise to visit Rabbit House (in s1e9 she only visits Ama Usa An). Rize thinks it’s a good chance to “infiltrate” Rabbit House to see what the others think of her when she’s gone.
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Rize’s infiltration goes relatively smoothly until Maya and Megu barge in and immediately recognize her. Chiya manages to get them to play along in time, however Megu makes up a ridiculous backstory painting Rose as a ballet kempo practitioner who fights an evil organization.
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Aoyama Blue Mountain also backs up Rose’s existence, by mentioning that she is in her literature club and also does food reviews. She gives Rize a cheat sheet which seems to parody the tendency of food reviews to describe food as “melting in your mouth” (for example wagyu beef).
Later Rize ends up having a conversation with Chino where she reveals that Rize’s been taking more days off than usual and it gets lonely without her. She has also started lazing about in the sun, just like Cocoa does, which wouldn’t have happened if Rize has been around upholding the discipline. In the anime Rize doesn’t really react to this, but in the manga she seems a bit disappointed in Chino.
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This scene is a callback to the very first episode of the show, where Rize pretends she can’t easily carry these bags of coffee beans, because they’re too heavy for a “normal girl” according to Cocoa. Soon after, Rize’s cover is blown after she reacts to an intruder who is just Takahiro.
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It turns out that Cocoa has already recognized it’s Rize. One thing that Cocoa and Rize have in common is that they change hairstyles a lot compared to the other characters, so it makes sense that Cocoa would not be fooled by a simple hairstyle change... or would she? Shortly after Cocoa has a realization that Rose has always been Rize, which makes her feel really stupid... until she finds that Chino is still completely in the dark about everything. Maybe Chino has propagnosia, or inability to recognize faces? Anyway, Rize is quite supportive about it and asks Chino if she’s ok if she does image change in the future.
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But there’s still one more twist in this chapter, since Cocoa’s sister Mocha makes an appearance! Considering she appears in the opening, this season hasn’t really done anything with her yet. But it turns out it’s just Cocoa in a wig (why does she even have a Mocha wig???), nevertheless she successfully fools Rize and Chino for a second. Maybe the last episode of the season will have real Mocha (I’m assuming she won’t be in the Christmas arc).
And we’re back to the student council election storyline. The “sandwich” composition where one story “wraps” another seems to be used a lot this season. In this case the stories have almost zero relation to each other so I don’t know why the episode had to be structured like this.
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Chiya’s election poster (aside from Cocoa’s scribbles) follows a traditional Japanese election poster design, featuring a closeup photo of a politician, her name and a slogan (which implores you to vote like a shiratama dumpling for some reason). I feel like a poster like this prioritizes the looks of a politician over their policies or whatever, but maybe there’s some sort of election law that these posters have to follow.
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Cocoa and Chino also wrote letters of endorsement for Chiya, although Cocoa’s was mostly written by Aoyama and was basically a food review. Chino not only made Chiya almost explode from praise, but also presented a verbal takedown of Cocoa on the fly. Later, Chiya makes a passionate speech trying to emulate Rize, but maybe Chino should’ve written that too.
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Next I’d like to point your attention to the name of the dish that Chiya made to celebrate the occasion:
Aki no sora (in the autumn sky) Todoroku oto wa (a thundering sound is) Omedetai (auspicious)
If you count the syllables, you’ll find that it is actually a haiku. and it even includes a kigo (season word, “autumn in this case”). The final line is a pun, as tai indicates the presence of taiyaki (a bean paste filled cake shaped like a bream fish) in the dish.
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Another anime-original scene appears to flesh out the episode’s “moral” and show how Ama Usa is where Chiya really shines. A bunch of old ladies (who seem like they starred in a Kirara manga a long time ago) enter the teahouse to celebrate the birth of a 5th grandchild for one of them. Cocoa also helps Chiya, donning the Ama Usa uniform once again. 
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Chiya sprinkles gold dust on her dish, doing her best “salt bae” expression. Pure gold is inert and as such can be safely eaten. In Japan, gold leaf is even added to tea, which might explain why Chiya has it.
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As everyone is about to go home, Chiya’s grandma appears through a rarely-opened sliding window and offers some manju as a treat. In the anime this is how Sharo eventually discovers the lost Chiya’s crown, which her grandma uses as a hairpin (the hairpin functionality explains how this crown doesn’t fall off Anko). Surprisingly she doesn’t appear at all in the manga chapter, and Sharo just randomly finds the crown “outside”.
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By the way, the text on the manju box says “congratulations on winning the election”, which might’ve been a bit premature.
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Sharo goes to return the crown back to Chiya, and Chiya repeats Cocoa’s reaction from part A, which sounds like breakup song lyrics. This dialogue wasn’t in the manga in either scene and I think it was included to somehow tie the two parts together, and make the inability to notice something obvious that was around you the whole time the unifying concept of the episode.
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For Chiya the crown was the symbol of ambition, and her dream to become the director of Ama Usa An and conquer the world. Sharo has a lot of drive to work multiple jobs, but doesn’t seem to have a goal she aspires to. When she finally gets an opportunity to move up the ranks, by becoming a student council president, she declines it. Living side by side with Chiya forever (zutto issho) seems to be the extent of her ambitions. Sharo feels betrayed by Chiya being ready to “leave” her and spend more time with student council than at her own restaurant.
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After the ED we see the conclusion of this conflict. Sharo sees the preparations for celebrating the winner of the election, and begrudgingly congratulates Chiya. We see Cocoa, Rize and Chino helping out, but Sharo wasn’t even invited...
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But it turns out class prez was the winner, after Chiya has declined the nomination. She probably had all the posters and speeches at the ready just in case, and didn’t have to prepare at all. In the manga, this is also where she returns Sharo’s uniform that she borrowed back in episode 4.
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Meanwhile Chiya and Sharo have a talk and agree that it was the best for them to decline their nominations and they should stick with what they have. Not sure if that applies to Sharo though, she wasn’t really shown to be “shining” but more like “barely getting by”. There was also another reason in the manga for Chiya to agree it was the right choice: Chiya’s classmates totally trashed her menu names, which means they probably wouldn’t like her committee names either. Most of the classmates dialogue was cut out in the anime though.
So that was episode 9 and all that’s left for this season is a 2-episode Christmas arc and the season finale. Hope you enjoyed this review and until next time!
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