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skelliko · 6 months

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★- Tokyo revengers

- cute, little, not so subtle things they do to show that they like you

featuring: kazutora, chifuyu, Baji, Inui, rindou

-honestly some of these aren't even hints they're just straight up green flags-

°- kazutora hanemiya

• he'd innocently tap his fingers or pat his hands on you to a certain beat of a song, on your shoulders, head, knees or arms. he'd do it out of nowhere and without a warning and it'd last between a few seconds to a minute

• sometimes he'd tease you with small annoying acts, that could go from from taking your pens and pencils and holding onto them in his grasp as you try to take them off from him but fail, or taking your work sheets that you need and making little origami boats all with a mischievous smile.

• he'd do anything with you, but only if it's just the two of you and he'd make that clear. you only have to ask once if he wants to join you in something or if you need help with anything, but if you ask while you're in your group he'd be reluctant and always make an excuse for it to just be you two

• when you're both doing something mischievous in school like cheating or going in places you shouldn't be, if you both get caught kazutora takes the fault and would try to get you out of detention, (despite him blaming others for certain things if it revolves around actual punishment he doesn't point to someone) though if your still dragged into detention then kazutora would throw a little note at you and try to humor the situation

• his love language is physical touch and quality time

°- chifuyu matsuno

• he'd hand write little sweet notes while you're there and watching chifuyu write and pass it towards the corner of your desk but then act like he didn't do that, "oh what's that?" "hm, who's that's from?" all with a good poker face

• he'd ask the question "if I were a worm would you still love me?"

• whenever you mention that you were out late at night he'd become a little protective and insist that next time when your alone at night to message him and he'd accompany you, that's exactly what happened. every time you're out and it's late he'd comes over to the location that you sent on his motorbike to safely take you home - like Baji though he'd use that as a slight advantage to feel a hug from you but he won't admit it

• when you'd talk about manga he'd slip up a little about "that character reminds me of you" and then the character is the most gorgeous, most likable and so like you that you hadn't even thought of comparing yourself to them until chifuyu mentioned it that sometimes it got you thinking into how well he takes notice of some things about you.

• his love language is acts of service and words of affirmation

°- Baji Keisuke

• whenever he walks past you in hallways or even if you're both in your separate groups and accidentally meet in public, he would bring his hand up to pat the top of your head once while walking past ya and not say anything about it but hold a grin

• he'd always try to bring you out on his motorbike just so you could wrap your arms around him and he's admitted to that before, "I just like it when you hug me" he said that with a small shrug and a confident smile. sometimes when the road is all clear he purposely speeds up just so he can feel your grasp get a little tighter and become closer

• in lesson or if you're trying to help Baji with some work he'd lean over to your page and do a quick little drawing. one of them was of the two of you as stick figures, holding hands above your heads. other drawings he'd done is wonky, unsymmetrical stars and flowers, very rare occasions mainly at the end of the lesson he's quickly do a tiny little heart at the very bottom corner but only if you weren't paying attention.

• whenever Baji comes across a cat, either a stray or an outdoor cat he'd take a picture of it and send it to you with a text, sometimes you'd be compared to the cat, "you if you were a cat" "it has your eye colour" "the cat has the same personality as you" "I bet you both would get along great"

• his love language is quality time and physical touch

°- Inui seishu

• he would straight up stare at you, without saying anything he'd shamelessly look at you and admire you, a lot of the time with a small smile and if you catch onto him and ask him about it he just shrugs and carries on looking at you

• out of nowhere, rarely, when hes behind you he'd be holding your favourite snack and hold it behind the back of your head until you turn around to notice it, sometimes if you take too long he'd crinkle the package to make you notice

• he'd fix up your hair for you, if the wind blew it and made your hair to be a little off than how you want it to be then he'd move the strands for you without saying anything

• he'd observe you and remember everything, not once did he forget any little detail about you, your temporary favourite colour for the week, what you ate last Thursday at 2:37pm, that one scene in an episode of a series that you mentioned last month that inui was so far behind in watching but then brought it up that he got up to that part, it's as if he keeps note of everything

• his love language is acts of service and quality time, a bit of gifting

°- rindou haitani

• whenever you're both together, for even a brief moment, if he sees a flower outside in the grass, concrete, over someone's garden fence or even on someone's private property he will pick a singular flower and then pass it to you (he expects you to keep it until you both part) and it'd be a large variety wherever you both go out, it's hardly ever be the same flower and he makes sure of that

• at some point he let you try on his white gloves that he uses to fight people with and someone else saw that and asked him if they could also try it on and rindou went, "no fuck off" with no hesitation whatso ever, even his mood switched up a little but then immediately went back to smiling at how the gloves were a little bit too big on you

• if you're both together and walk past a group of guys he'd place his arm around your shoulders and keep you close, his reasoning was so that they don't try to hit on you knowing damn well your a single and a free person (someone's protective?)

• he loves to braid your hair, long or short doesn't matter. he's braided his brother's hair before and even though it took him a few tries to get it right he wouldn't miss a perfect opportunity to try and braid yours if it means to get close to you

• his love language is acts of service and gifting

♡---

#tokyo revengers #tokyo revengers headcanons #kazutora hanemiya #kazutora #baji keisuke #baji x reader #kazutora x reader #chifuyu x reader #matsuno chifuyu #chifuyu #rindou #rindou x reader #inui seishu #inui x reader #rindou haitani #inupi

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loriache · 7 days

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Kabru, impossible mutual understanding & unknowable objects

Despite his concerted and constant efforts to understand other people, it’s established in a few extras that Kabru believes that true mutual understanding between certain different races is impossible. Specifically, between long-lived and short-lived races, and between humans and demi-humans. Partially, we can trace this conviction back to specific hang-ups caused by his life; the trauma of the Utaya disaster, prejudices he carries from his childhood, and his experience of racism among the elves. In this “little” essay, I’m gonna discuss how I think those experiences formed this belief, how it comes out in his actions, and how some of his actions seem to contradict it. The question of whether it’s possible to reach mutual understanding with other living beings despite our differences is one of the core themes of the manga, and I’ll also touch on how this aspect of Kabru’s character links to that.

Seeking understanding

Kabru is a character who devotes a huge amount of time and effort to understanding people, and he is very good at it. In his internal monologue, we can tell how advanced and complex his skills of analysis are. He is able to read a huge amount of information just from looking at people's faces and body language.

People are, to him, what monsters are to Laios. This is something that's been expanded on at length in other, excellent meta. It's the fact that they're foils; it's the fact that Kabru is also very easy to read as autistic, with a special interest which is the opposite and parallel of Laios'. It's something that came out of trauma and alienation, as Laios' special interest in monsters also began as a coping mechanism.

The complicated origin of this "love" for monsters and for people comes through, I think, in the fact that one of the places we see both characters use their fixation is in being very, very good at killing the thing that they love. This also ties into the idea that loving something isn't even remotely mutually exclusive with using it to sustain your own survival; using it for your own purposes; hurting it or killing it. Love can be, and often is, violent, possessive and consumptive. This understanding is part of what makes Kui's depiction of interpersonal relationships so compelling to me.

While Laios fixated on monsters and animals to seek a place of escape, in both his imagination and his self-image, from the humans who he couldn't understand and who couldn't understand him, Kabru seems to have fixated on understanding people in order to navigate the complex, socially marginal places that he has been forced into throughout his life. As an illegitimate child raised by a single mother with an appearance that marked him out as different to the point his father's family wanted to kill him, and a tallman child raised among elves who didn't treat him as fully human and wanted him to perform gratefulness for that treatment – treatment that, after he met Rin at age 9, he certainly always understood could be a lot worse – his ability to work out what people wanted from him, whether they were friendly or hostile or had ulterior motives, wasn’t just an interest. It will have been an essential skill.

Milsiril, I think, was a flawed parent who tried to do her best by Kabru and did a lot of harm to him despite her best intentions. She may have treated him much better than an average elf would have, but like Otta and Marcille's mother, there are other elves with different outlooks on short-lived races. How would they judge her treatment of him? We don’t have any insight on what it could be, but to be honest, the person’s whose opinion of her I’d be most interested in knowing is Rin’s.

But even if she'd been perfect, living as an trans-racial adoptee in a deeply hierarchical nation with a queen who is a 'staunch traditionalist' who wouldn't even acknowledge the existence of a half-elf like Marcille (according to Cithis) is an experience that would deeply impact anyone.

Elves & Impossible mutual understanding

While Kabru was living with Milsiril - in other words, while living in the Northern Central Continent - he came to believe that "there was no way to achieve mutual understanding with the long-lived races."

This is evident in his political project: he wants short-lived races to have ownership over the dungeon's secrets. Despite his dislike of the Lord of the Island, he's a useful bulwark to stop the elves taking over. Despite his doubts about Laios, Laios needs to be the one to defeat the dungeon, because if he doesn't the elves will take over.

Kabru still carries a deep scar from Utaya, one that was exacerbated by the fact that he never got an answer to any of his questions about what happened or why. This, despite the fact that Milsiril knows about the demon and how it works. Do you think Kabru, with his social perceptiveness that borders on the superhuman, wasn't aware that she knew more than she would tell him?

Given that, the fact that he gets to a place where he "doesn't have any particularly negative feelings about [elves/long-lived species]" .... well, to put it bluntly, I believe that he thinks that's the case, but I kind of doubt it. After all, if he did have resentment, of Milsiril (someone who was his primary provider and caretaker since age six, and who despite her flaws, loves him and who I do think he loves) or of elves (who he has had to play nice with for most of his life, in order to survive, and will still have to play nice with in order to achieve his goals, since they hold all the power) what would that do except hurt him and make his life harder? Kabru is Mr. Pragmatic, so I don't think he'd let himself acknowledge any such feelings he did have. Exactly because he can't acknowledge them, they're well placed to get internalised as beliefs about the Fundamental Unchangeable Nature of the World.

However, these stated beliefs seem to contradict his actions. Despite his belief in the impossibility of forming a mutual understanding, he certainly seems to try to understand long-lived people, just as much as he does short-lived people. There's no noticeable difference between his treatment of Daya & Holm versus Mickbell & Rin that isn't clearly down to their relationship with him. His skills of human analysis were honed and developed while living amongst elves, and as soon as he's alone with Mithrun he immediately sets to understanding him - his interests, his motivations, his needs, and his past.

He treats him considerately and without bias, and despite the fact that Mithrun conquering the dungeon for the elves is both a reenactment of a core part of his childhood trauma and a political disaster for his aims, that doesn't seem to colour his perspective on Mithrun negatively at all.

This is something I find extremely laudable about Kabru, and it's another way he parallels Laios. He seems to understand that people, as a rule, (in Laios' case, he understands this about monsters - and eventually, all living beings) will act in their own interests, and if those interests conflict with yours, might harm you. But that's just their nature, and it's not something that should be held against them; you're also doing the same thing, after all. The crux of Laios' arc is precisely that he has to accept the responsibility of hurting someone else in order to achieve what he wants.

Kabru is deeply concerned with his own morals, what he should and shouldn't do, but mostly in the context of responsibility for the consequences - a responsibility he takes onto himself. He isn't scrupulous about what he needs to do in order to create the outcome he wants, but if he fails to create that outcome, then....

He blames himself to the point of thinking he should die. He doesn't blame Laios, or seem at all angry with him, despite concluding he should have killed him to prevent this outcome. That's because in his eyes, ultimately Laios was going to act according to his own nature, and it's Kabru's fault for not understanding that nature well enough. He's extremely confident in his ability to understand and predict others, (including elves and other long-lived people). Then, where does his conviction that mutual understanding is impossible come from?

Partially, it's the "mutual" part. I'm sure Kabru, who isn't able or willing to deny Otta's insinuation that Milsiril saw him more like a pet than a son, has felt that his full interiority, the depth of his feelings and his ability to grow, act, and think as a fully equal being, was something that the elves around him just couldn't grasp. Because that was their excuse for it, he came to understand this as a gulf between short-lived and long-lived beings, an inevitable difference in outlook caused by their different lifespans.

This experience might be part of what leads to his iconic “fake” behaviour. He trusts his ability to understand others, but if they aren’t able to understand him, then there isn’t any benefit to being honest about his feelings and thoughts. If his attempts to reach mutual understanding with his caretakers were never able to be fulfilled, then it isn’t any wonder that he reacts with such surprise and horror at blurting out his desire to be Laios’ friend.

In his experience, making yourself vulnerable in that way only leads to being hurt. Soothing him, hushing him, lying to him, talking to him like a child that isn’t able to use proper judgement – that’s an inadequate and deeply hurtful way to respond to genuine distress, the desire for autonomy, or disagreement. Ultimately, I think that’s why he comes out on the side of being grateful to Milsiril; because she did equip him with the skills and knowledge he’d need to reach his goal, and let him go.

Though he could understand them, they couldn't understand him. To the extent that was true - which I'm sure it was - it wasn't due to anything about lifespan. It was due to the elves’ racism, and the solipsitic mindset & prejudiced attitude that it caused them to approach him with.

Because, if it needs to be said, the idea that there is an unbreachable gap in understanding between the long-lived and short-lived species is not true. Marcille and Laios have a much greater difference in lifespan than any full elf from any short-lived person, and they’re able to understand each other – maybe not perfectly, but better than many other people who are closer in life-span to them.

That doesn’t mean that I think Kabru is wrong about this, however. Because there’s an interpretation of his statement that is reflected in his actions and is true. When he talks about his problem with elves, it’s not just their attitudes: it’s their power, and what they use it to do. They “explain nothing and take everything”. Though it’s presented in the guise of ‘guiding and protecting’, in fact it’s a simple case of a powerful nation using their military power, wealth, access to resources, and historically stolen land – including the island itself – to protect their own interests and advance their own agenda. That’s why they’d be able to show up, seize the dungeon, and forcibly take Kabru’s party and Laios’ party to the West. If Kabru wants to stop that from happening, or change that status quo, persuasion or a bid to be understood would be completely pointless. Between the political blocs formed by long-lived species and the interests of short-lived species, “mutual understanding”, given their current, unequal terms, would be impossible. This is something that we see reflected in Kabru’s actions; before he asks his questions about the dungeon, he grabs Mithrun as leverage. He never really attempts to persuade the canaries to see his point of view, because that would be pointless: they’re agents of the Northern Central Continent’s monarchy, and will act in its interests regardless of any individual relationship with him.

I don’t think Kabru sees the different dimensions of this belief of his in quite such clear terms, however, as is evidenced by the other group who he thinks it’s impossible to communicate with.

Demi-Humans & Unknowable Objects

The other place that we see his conviction about the impossibility of mutual understanding is in the kobold extra.

I'm including the whole thing, because I think it's an excellent and clever piece of world-building. Aside from what it says about Kabru, which I'll expand on shortly, what this extra does is deconstruct and call into question the usual "fantasy ontological biology" present in these sort of DnD-like settings. Essentially, the kind of worldbuilding where a race (such as kobolds) can be described as war-like, and that's establishing something essential about their biological nature. That's common to the point that if Kui didn't include this, some people would probably come away thinking that's the case about, e.g., the orcs.

But here, despite what Kabru is saying, the information the reader actually gets is:

the conflict between short-lived humans and demi-humans such as kobolds is mostly over access to material resources that they need to survive.

These resources are scarce because powerful nations, such as the elves, have monopolised them.

Kabru, who has grown up in a place at the centre of these conflicts, ascribes essential, negative traits to a cultural group which was in direct conflict with his own. Communication with this other group is impossible; they aren't people, they're more like objects.

oh yes! just like this conflict between groups of tall-men, a conflict which the reader will immediately interpret as more clearly analogous to real-life racism. Our other protagonists also carry prejudices from growing up in a place where a marginalised group was in conflict with the dominant group over scarce resources. It's definitely impossible to communicate with these people, and you can only kill them.

Woah, when you say it like that, it sounds pretty bad!

But also, nobody walks away having had a realisation or unlearned their prejudices - because they don't have the tools they need to do that work. Yet. I do think, to an extent, it could happen - especially with Kabru, since it's suggested in the epilogue that Melini might become a safe-haven for demi-humans.

To focus in on Kabru, the key here is his statement that you should think of demi-humans as "unknowable objects". Even his extraordinary powers of understanding have seemingly hit a limit. Part of this is just inherited prejudice, and doesn't need to have a complicated psychological explanation, any more than the elves who were prejudiced against him need one.

But also... this is probably somewhat linked to the way demi-humans seem to be considered "pseudo-monsters". They're the place that the strict delineation between the human and the monstrous is permeated. Laios, who is not interested in humans, remembers and is excited by Kuro. Chilchuck and Laios argue over whether it's OK to eat a mermaid. Kabru's prepared to (pretend to) roll with the idea that Laios ate the orcs.

But these are people, aren't they? Of course, this is a social construction, as we see from the fact that in the Eastern Archipelago, the label of "human" is reserved for tallmen, but in most of the rest of the world it depends on some obviously arbirary classification based on number of bones; "demi-humans" aren't in any essential way monstrous, except to an extent in their appearance, and physical location - due to their marginal social status, they're pushed out to live in unsafe places such as dungeons.

Therefore, Kabru's view of demi-humans as fundamentally "other", unable to be understood - monstrous - could be read as akin to abjection, the psychoanalytical concept described by Julia Kristeva. In order to create a bounded, secure superego, that thing which permeates and calls into question the border between self and other, human and animal, life and death, is rejected and pushed to the margin.

“Not me. Not that. But not nothing, either. A "something" that I do not recognize as a thing.[...] On the edge of nonexistence and hallucination, of a reality that, if I acknowledge it, annihilates me. There, abject and abjection are my safeguards. The primers of my culture.” (Kristeva et al., 1984, p. 11) “It is thus not lack of cleanliness or health that causes abjection but what disturbs identity, system, order. ” (Kristeva et al., 1984, p. 13) “The pure will be that which conforms to an established taxonomy; the impure, that which unsettles it, establishes intermixture and disorder. [...] the impure will be those that do not confine themselves to one element but point to admixture and confusion.” (Kristeva et al., 1984, p. 107) (discussing food prohibitions in Leviticus)

This is both (due to its affinity with food-loathing and disgust) a very fruitful concept to apply to dunmeshi, and a psychoanalytical theory which I wouldn't exactly cosign as True Facts About Human Psychological Development. You may also know the abject from its utilisation in the classic essay "Horror and the Monstrous-Feminine" by Barbara Creed - that's a lot more approachable than Kristeva if anyone's interested.

Key here, though, is that through the symbol of the "demi-human" is embodied a step between "human" and "monster" - and that's a prospect that puts at risk the whole notion of an absolute separation between those two categories in the first place. To Laios, that's something wonderful, and to Kabru, it's terrifying. We can see this principle further embodied in the relationship both characters have with the notion of becoming monstrous.

To Laios, this is transcendent, and represents a renunciation of everything human - in fact, if it didn't, it wouldn't "count".

To Kabru, it's a deeply-held fear, established by his childhood alienation (due to his illegitimacy, his eyes, and perhaps also his neurodivergency), deepened by monster-related trauma and the sense of responsibility and survivors guilt he feels for what happened at Utaya. His identity as a human who is not monstrous is key to his sense of stability and safety; he doesn't want to touch monsters, he doesn't even want to see them.

To acknowledge a kinship, a possibility of similarity between the things he loves (humans) and the things he hates (monsters) would be more than touching them - it would be putting them inside him. We know, quite explicitly, that this notion is triggering to Kabru. He literally has what seems to be a flashback when he's about to eat the harpy omelette.

So he abjects it, classifying the demi-human as fundamentally unlike him - an unknowable object, or an object that he refuses to know. Because in understanding it, he would interject the things he hates and fears into his self, which is already, always under threat by that hated and feared object.

Of course, again, Kabru isn't very good at enacting this refusal in practice. For one, when he chooses between his desires and ingesting the feared object, eating monsters... he eats monsters. Part of this is treating himself badly, the "ends justify the means" mentality. His goal is to destroy all monsters, so if he needs to become monster-like to do that, he will. But part of it is also the other motivation that he didn't even seem to know about until he said it: he wants to become Laios' friend, and to learn from him how a person can like monsters. He wants, at least in some part of him, to reconcile the feared and hated object into something he can understand.

For another:

Kabru can speak the kobold language. In the first place, while this may have been common in Utaya, it also could have been something he chose to learn, an early expression of his interest in understanding and talking to all sorts of people. It isn't the kind of thing you learn if you believe that communication between yourself and the group that speak it is impossible, is it?

It's possible to harbour prejudices against a group while being kind to an individual, and given Kabru has those prejudices regardless of his reasons, that is what he is doing. But also, his treatment of Kuro doesn't reflect a sincerely held belief that he's an "unknowable object" at all. His approach is exactly the same as it is to any other person: an analysis of goal and motive, and an attempt to help if he's sympathetic and their goals align - going out of his way to give language and local knowledge lessons in secret. His conviction that Mickbell and Kuro will truly become friends when they can properly communicate is completely contradictory to any sense of demi-humans as fundamentally different, or impossible to reach mutual understanding with. To me, it seems like this self-protective shield against the corruptive force demi-humans as an idea present to his identity, this abjection, when Kabru is face-to-face with one, just simply can't hold up against his finely honed skill of intellectual empathy. Perhaps because he's autistic, it seems his "empathy" is less an emotional mirror response, and more a set of cognitive skills for analysis of others. That instinctual, emotional empathy might not trigger when presented with a member of an out-group, but if it’s possible for Kabru to turn his cognitive empathy off, we don’t see him do it.

This isn't to say that this prejudice doesn't affect his behaviour. For one, it could negatively impact his judgement of politics and policy, where individual people don't enter into it. For another, I'm not convinced he'd be willing to overlook Mickbell's exploitative relationship with Kuro if Kuro wasn't a kobold. As it is, since both of them are satisfied, he doesn't feel like he needs to intervene, regardless of the fact Mickbell isn't paying Kuro. But if Daya and Holm were in a relationship, and Holm took both Daya's and his own share from their ventures, but only compensated her in living expenses and kept the rest, do you think he'd tolerate it, for example? Even if she said it was OK?

Conclusion

The kelpie chapter establishes that "people can never know what monsters are really thinking." That isn't just true of monsters, though.

True mutual understanding is impossible - between anyone. We can never truly understand another person's heart. This is touched on in, for example, the existence of shapeshifters and dopplegangers. Even a monster that seemed like a perfect copy of a person wouldn’t be that person, and wouldn’t be a satisfactory replacement.

We’re intended, I think, to understand the winged lion's repeated suggestions to just replace people who have been lost with copies as something uncanny, which demonstrates the way that the winged lion never manages to attain a complete understanding of humans. A version of a person who was created to fulfil your memories of them, to be the person who you wanted them to be, would be a terrible, miserable thing.

Disagreeing, coming into conflict, and misunderstanding each other, are essential parts of what it means to be living beings, as fundamental as the need to eat.

The only thing to do is not to take more than you need to eat to survive, and not impose your own desires onto others. To do your best to sincerely communicate your desires, even if they're embarrassing or vulnerable or strange, like Kabru eventually does with Laios; like Laios does, bit by bit, with the people around him; like Marcille does, Chilchuck does, Senshi does... to hope they will accept you, and do your best to understand them in return.

We can re-examine, in that context, Kabru's line about the elves' tendency to "explain nothing and take everything".

They have the power to impose their preferred "menu" onto less powerful groups. And in that context, mutual understanding being impossible just means that they won't give up their power because they're asked nicely. Kabru's goal is to seize the truth that they won't give to him, and to create a situation where they can't take everything. Because he's accurately surmised that nothing about the treatment of short-lived races will change so long as the power imbalance remains. Despite the way he mistakenly ascribes part of that to "long-lived vs short-lived" or "human vs demi-human", the actual gulfs in understanding he identifies are structural, are about power and about access to material resources and safety.

I think he could come to recognise this. Yaad is teaching him political science after all, and while a prince's lessons on political science won't exactly get at much that's radical or invested in the interests and perspectives of the marginalised (Capital is a critique of for a reason after all...) I believe in Kabru's ability to learn critically and get more from a lesson than it was intended to teach.

#og post #kabru of utaya #kabru dungeon meshi #laios touden #dungeon meshi meta #dungeon meshi #dunmeshi #dungeon meshi manga spoilers #dungeon meshi analysis #kuro dungeon meshi #the canaries #milsiril #continuing to develop my kabru theses.#literally sitting and thinking about kabru all day. rotating him.#he's in the microwave. to me.

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sanjisboyfie · 5 months

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rockstar ! trafalgar law headcanons

trafalgar law x male reader ; he might seem ooc but he isn't, trust me. this is how law is supposed to be perceived, i talked to oda himself and sorted this all out with him before publishing.

-> listened to brooklyn baby by lana while writing this...hehehehheheehhehehehehe ps. i think that is my favorite photo of manga law ever oh my fuking godhes so hot.

rockstar ! law . . . did not get famous overnight, but also did not get famous on purpose...if that makes sense. like his ass was up posting his guitar covers on youtube for years before someone reached out to him on joining a proper band. but also he wasn't posting those guitar covers with the intent of getting noticed. he just wanted people to see how SICK he was on guitar (he's a not-so-secret narcisst). but also another reason he posted them was because of you, his boyfriend who he had been in a relationship for a year at that point, was encouraging him to do so. your support for him and his talent was really assuring and fuelled him to be confident enough to post them online. (he was kind of against the idea at first, probably saying romantic shit like, "i want only you to hear the songs i play," but eventually was swayed when you spent many minutes convincing him to)

rockstar ! law . . . when he finally goes on tour with his band, he is pretty insistent and headstrong in allowing you to come with. he doesn't care if he needs to pay out of pocket money to fund your stay with him and his bandmates, he will if he has to. because he's not leaving you for months on end, pursuing the dream that was only possible because of how you supported him through it. there's absolutely no way he's going on tour without his boyfriend.

law's tattooed arms were crossed over his wide chest as he listened to their manager and a team of people tell him and his band about their upcoming plan for their first ever tour.

after the end, when it was about time for everything to wrap up, law calmly asked, "what about bringing significant others?" this makes the executives share looks with one another before apologetically smiling at him.

"sorry, another person added onto the travel, boarding, and all that will not be able to fit into out budg-"

"then i'm not going," law says simply, already getting ready to storm out of the room. but the manager stops him by his wrist.

"n-now, let's not get hasty! this was not something we accounted for-"

"well you should've, i'm not going anywhere without him. i'm not gonna leave him." law states stubbornly, glaring down at the man that was much shorter than him, "he's either coming with us or i'm not going at all."

a silence passed over the room and his bandmates were internally praising law for having the balls to stand up to these powerful guys so carefree like that.

maybe that's what had made him such a good rockstar.

his passions that he was not willing to back down for, he'd settle for his desires being fulfilled or nothing at all.

what they didn't know was that all of those passions were singlehandedly fuelled by his immense love for you.

"a portion of it will have to come out of your pocket, then. we really don't have the funds to bring on another person. so if you can't-"

"i can manage. if that's all, and we're all good. me and [name] will be ready by the designated time and meet you all at the location with all of our things," law easily says, walking out of the room with his broad shoulders being the last thing the executives saw.

"wow, law is so cool!" a memeber, stage-named penguin, said with stars in his eyes.

"don't get any ideas." the manager immediately cuts them off before they can gush further.

rockstar ! law . . . is very openly gay for you <3 doesn't really care that people are expecting him to act a certain way because he is a rockstar, he could care less. he's said time and time again that the only reason these fans of his have the oppurtunity to appreciate him to such an extent is because of you. had it not been you encouraging him to post his covers, he would not be standing on that stage for them to admire. so he can be as shameless as he wants in displaying his affection for you. naturally, law isn't the most into pda, but when he hears annoying people batter him for being so into you, his boyfriend, he feels the need to piss them off even further.

law's calloused fingers were playing with the flesh of your waist as he held you close. it was dark in the after party room so he made sure to keep you secure to his side so that he wouldn't lose you in the crowd.

there were a bunch of celebrities that attended their recent show scattered around the room, but he didn't care for them. not when he had you on his arm. plus, he didn't really like these after parties that much - he'd much prefer to be on the tour bus cuddling with you.

feeling unimpressed with the party, he turned to you to feel some comfort. when he saw how you were just taking in the view of everyone, he leaned down to kiss you, surprising you at the sudden affection. but soon, the both of you were just pressed against the wall of the room and blatantly making out with each other. his raven hair was messy by the time you two pulled away from each other and that knowing smirk of his was proudly plastered on his face.

the next morning, the internet were ripping law into pieces for still being in a relationship with you despite having access to as many beautiful women, handsome men, and alluring people that he could have wanted. he was a talented, well-known name in the scene with a handsome face and charming demeanor. he could have had anyone. and some were frustrated, for some reason, that he was still with you.

five years going strong in your relationship wasn't enough for the press to believe he was satisfied and completely settled down with you, for some reason...

he groans the moment he sees the headlines, throwing his phone to the mattress and turning into your side to be comforted by you once again. the only person capable of calming him down still remains to be only you.

"love you," he says against your skin, making you laugh at the sleepy confession.

"love you, too, law. you know i don't care about the stupid shit they say," you comment, making note of how tight his arms were around your waist.

he doesn't acknowledge what you say, only peppering more kisses to your bare skin.

rockstar ! law . . . kinda perfectly fits the rockstar bf aesthetic to a T. he's wearing the leather jackets and the other staple fashion pieces that scream "rockstar boyfriend." it doesn't help the way the clothes so perfectly fall into place on his body. he enjoys matching with you too, even if your aesthetics may not match. if he's wearing a heavy jewlery piece, like a necklace, ring, or bracelet, he buys a matching one that you would like and would be able to style. he doesn't mind discarding his iconic leather jacket for you if you are feeling cold. and of course, he's attentive, protective, and caring for you (and only you) - perfectly fuelling the fantasies many people have of that "rockstar boyfriend persona"

law was not known for being hot-headed. there were never any stories of him giving customer service people a hardtime, or of him trashing hotel rooms like many others in the same genre as him were guilty of doing. his overall attitude was off standish, but polite.

with a slight difference whenever he was seen with you. still off standish and polite, but specially doting and careful when he is with you.

his arm is always slithered around your waist or shoulders and he is always seen attentively listening to whatever it is you're rambling about. his eyes focused in on you, and only you, show that he is blocking out the rest of the world and listening to you intently.

the way he almost, kind of, definitely glares at people that interrupt your time together before he softens his gaze the moment you catch him making faces and scold him. he's completely wrapped around your finger, despite his seemingly intimidating and threatening persona, he's complete mush with you.

his leather jacket was thrown over your shoulders as he protectively stood behind you. tonight, the two of you were at the bar and watching the live performance of the local band of the town you were in. due to your begging, he agreed to get off of the counter stool and dance and sway to the music with you.

his arms are resting in front of you as he holds your hands in his, completely engulfing them with the size difference. the jacket around you is practically drowning you as well.

he's rocking you back and forth, occasionally leaning down and pressing a kiss to your cheek and whispering sweet nothings to you. your cute moment unfortunately comes to an end though. some drunkard knocks into the two of you and spills their entire pint of beer on you and your clothing.

your first reaction is to take off law's jacket to spare it from reeking of the beverage, but law's first reaction is to push you behind him and size up the guy that knocked into you.

"the hell is your problem, man?! it was an accident!" the man defends himself when he feels threatened by your boyfriend.

law's one hand is holding your own, wanting to make sure you stay close to him some way, while the other is clenched at his side to form a fist. noticing how he was very close to landing a hit on the idiot's face, you pull him back by his shirt, "c'mon, people are staring,"

"don't care, this guy has got his head so far up his ass," law simply says, genuinely not caring at all that people were looking at him as if he were crazy.

"law, let's just go," he turns his head to you, his gaze softening as he turns.

he waits a couple seconds before speaking in whispers, "do you really want to go? i can just take care of him-"

"i do, really. let's just go, babe, it's alright, it was an accident," you continued trying to convince him.

"he could've done it on purpose, he could be a complete, total asshole,"

you laughed at his reasoning of giving the guy a lesson, shaking your head, "let's just go and get out of here."

law doesn't seem satisfied with having to let the guy go without any reprecussions, but if law is anything: he's a boyfriend that listens to his boyfriend.

so he walks away with you close by, tight grip on your hand, and silently cursing the asshole the entire ride home.

rockstar ! law . . . very casually dedicates the most romantic, sensual, loving, etc. songs to you when he is on stage.

"this one is for the man standing at side stage, waiting for me,"

"i've been with the same idiot for 5 years now and this song is for him,"

"this is [name]'s favorite, by the way. so if you don't like it, you can fuck off,"

rockstar ! law . . . who doesn't understand the way some fans really idolize your relationship. he loves you a lot and he's glad that they're accepting of that fact, but why are people on the internet asking him and you to adopt them...? or why are they calling the both of you their "daddies"? he's confused. he at least pieces together that they're being supportive, but he doesn't truly understand what they mean when they say stuff like "i wanna go to paris" underneath his posts of you and him on his instagram.

rockstar ! law . . . whose favorite audience is still you. he loves playing his guitar for you, just in the quiet of your room (when you're finally home for tour) and with you on the bed with his strumming as background noise to your reading, or whatever hobby you commit to.

his fingers move with such familiarity he can easily take his eyes off of the neck of the guitar. he looks at you with such love and care that it would make any onlookers vomit at how sweet he was being.

the song that he was playing was faintly resembling "can't help falling in love" by elvis, with his own personal twist. the moment you recognize the chords and notes, though, you look at him with a deadpan expression on your face.

he smirks, tilting his head, "what?" he'll ask with that annoying knowing look on his face.

"you're so cheesy," you comment with an eye roll.

"oh, don't be an asshole now,"

"not being an asshole, just being honest!"

law puts down the acoustic guitar, walking over to where you were and planting a kiss to the top of your head. clearing his throat, he begins to mimic the singer with exaggeration. it spurs you into laughter at his impression, which he only grins wider at. your laugh still remains his favorite sound in the whole world.

this soft side was only shown behind closed doors with you. and you liked it that way. no one else got to see your usually intimidating boyfriend with his walls completely down. how sweet and doting he actually was. polar opposite to that persona he put on whenever he walked onto those grand stages.

he was just yours right now.

and as he leans down to press a passionate kiss to your lips, you can smile against his with comfortability. and warmness spreads throughout both of your chests as he smiles back.

and finally, rockstar ! law who definitely gets your name tattooed somewhere on his body. probably on his hands or arms tbh because that is the most visible body part of his that gets photographed and noticed due to how he plays the guitar. that way if anyone wants to take photos of him in his element, they'll see a small part of you that he carries with him everywhere.

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popponn · 8 months

Text

a long run. (isagi yoichi x f!reader)

notes: friends to lovers, hinted pinning, confession, post u-20 arc. this was a fit of madness at 2 am that i wrote in one sitting because isagi's spin off novels give me feelings. and then i look at manga isagi and sob lovingly.

Isagi Yoichi changed after Blue Lock—was a fact that didn’t exactly surprise you.

It wasn’t that he changed so much that he became unrecognizable too. In a way, he is still very much the Isagi Yoichi from middle school who you watched playing soccer from faraway. In many ways, he is still the more silent and timid Isagi Yoichi from high school who walked you home side by side with his bicycle.

He still stood close to you at the slightest hint of crowd, still offered you his outer and scarf whenever the air blew colder, and still smiled in a very different way whenever it was for you.

He is still Isagi Yoichi you fell in love with and jokingly give honmei chocolates for every year ever since the second spring of your middle school years.

“Hey, are you listening?”

You blinked at Isagi’s voice. Suddenly, you were not watching the past years you have spent with him, but sat across him inside of a quiet café near the neighborhood. Realizing you just spaced out right in the middle of his story, you laughed nervously, “Sorry, Isagi. Something went through my mind and I just… uh, got carried away afterwards.”

Isagi, who had learned to laugh louder and smile wider, raised an eyebrow at your response. He took a sip from his cold water and sent you a curious glance—still as familiar and friendly as ever, “Hm? What was it—that you were thinking about?”

For a moment, you wondered if you should be honest. Telling him you were thinking about his changes after the short time he spent away from home on that training camp and that match against Japan’s U-20 already sounded like either a complain or an admittance of crush. And you were not ready at all for the latter. So, in a light and airy joking manner, you gave him a teasing smile, “Well, it’s just Yocchan seems to have grown more mature while he was away from me…”

The moment you mentioned his childhood nickname, Isagi nearly choked on his drink. A hue of red bloomed on his cheeks, “What the heck does that mean?!”

“It means that you've changed, Isagi,” you answered him. At this point, you were certain you were smiling fondly at him like a lovesick fool. You hoped he was as oblivious as he was before Blue Lock, for your sake. “I mean it in a good way, though,” you added as you lightly stepped on one of his shoe as a friendly gesture.

Isagi scratched his cheek nervously, glancing away from you. Suddenly, he became nothing like the changed man you just said. You laughed a bit at that observation. To think this was the same guy who made the bold proclamation to be the one who will win the world cup—it was hilarious in a very cute way.

Then, Isagi finally replied to you after a long while, “I mean. Yeah, Blue Lock definitely changed me,” Isagi said, sounding as if he was reminiscing.

You hummed, “I can tell, if your mannerism and stories were anything to go by.”

“You didn’t even listen to my stories though,” Isagi piped up, lightly tapping your knees underneath the table with his sole.

“Hey, just because I spaced out for a second doesn’t mean I didn’t hear anything,” you protested, glaring at him.

“Kidding, kidding,” Isagi laughed, boyish yet still reserved in the way of the one you knew.

You laughed quietly at that, then continued, “But, you know. About you changing…”

“Yeah?”

“I’m glad you do, in a way. I like it,” you finished as you let your gaze stray away to anywhere but Isagi Yoichi. Carrying the desire to say it as much as you could to him, you went on, “You look very happy and I like it.”

You didn’t mention it, nor you would ever point it out, but you knew how he was after he went to Ichinan. It felt bitter in a very selfish way, but you truly were glad that the Isagi Yoichi who talked your ears off with soccer news and trivia now had somewhere to thrive. In a way, it felt sharing something intimate to the world—but, he wasn’t even yours and he looked happier. If anything, you could felt only joy.

Sensing the sudden somberness your words brought, you immediately tried to shift the topic. “Eh, well. Sorry, did I weird you out?” you said, nervous and apologetic. “So, back to you story! What did Bachira said after—”

Not letting you finish, Isagi cut you off. “Hey, can I say something too?”

“Huh?” you made a dumb sound in confusion. Across you, Isagi met his gaze with yours. Determined and unshaken—seeing his eyes, it was impossible for you to reject him to begin with. “Uh, sure.”

“Thanks,” Isagi said, before taking a deep breath. Suddenly, it felt like he was about to drag you to a soccer match and you knew for sure you would be losing. Though before you could make a comment, Isagi resumed, “Right now, my focus is in soccer. And I will have to go back to Blue Lock too.”

Oh.

You knew where this would be going. You could feel a wet patch of heat grew from the back of your eyes, but this was Isagi Yoichi. So, like always, you listened to him to finish, even if it would be a rejection.

You would accept this as a punishment for being too obvious—you joked silently, spitefully, to yourself.

“So, you know, in the end,” Isagi didn’t stop, seemingly oblivious to your frozen state despite meeting your eyes. “I don’t think… I really had the right to ask this of you. But, you see—”

Isagi reached out for both your hands as he let your name fall of his lips. Once again, like a fool in love, you could only blink in confusion.

“—I really,” Isagi’s breath hitched. “I really want you to keep looking at me. I know this is like me asking you to wait for me until at least Blue Lock is over and say ‘no’ to everyone who tries to… you know. To you. With you.”

His hands were warm and you felt like the world was spinning. Your eyes grew wider as you slowly understood what Isagi meant by his words.

“This is really selfish of me,” Isagi chided himself with a chuckle, yet a smile that was familiar, gentle, and fond formed itself on his profile. “Still though, can I ask you to still only look at me, for now and for a very long time?”

At that time, inside that café, you realized many things in silence.

Across you, Yoichi waited for an answer that had been waiting to be said since long ago.

#bllk #bllk imagines #blue lock #blue lock fluff #bllk x reader #bluelock x reader #isagi yoichi fluff #isagi yoichi x reader #isagi yoichi #bllk isagi #blue lock isagi #blue lock scenarios #blue lock x reader #isagi yoichi i lovbe you so so much #idk if did him justice but!!!!! this was a fit at 2 am so at least it was born out of pure feelings #isagi x reader #isagi fluff

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lili-harg · 1 month

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Can you do a Megumi fic?? Where the duo (Yuji and nobara) trying to tease Megumi with reader's name! and it's just a heartwarming scene. Pls do it. Thank you! I love your writing.

hii, thank you for your request, I really liked it and sorry for the delay, I had a bit of a busy week and also infinite thanks for your words, I am very glad that you like my writing 🫶🏻💗

Don’t say her name

• Fushiguro Megumi x Reader

-Yuuji idiot you must be quiet!

-But I can't move Nobara!

The two young sorcerers were hiding behind a small bush ready to spy on their reserved black-haired friend.

But before continuing let's see how all this started.

Lately Nobara and Yuuji had noticed their partner a little distracted, out of his mind, something that was not at all common for Megumi. So one afternoon Nobara decides to tell the pink-haired man about her suspicions.

-"Yuuji, have you noticed that Fushiguro is more... I don't know, distracted." She says smiling, eager to comment on her suspicion

- "Umm now that I think about it, maybe I noticed he wasn't as irritated as normally" says the pink haired man in a carefree manner - "Why do you ask?"

Nobara gives a disappointed sigh, as she clearly didn't hear the answer she wanted to hear. -"Don't you realize Itadori!!!, it's very obvious, Fushiguro is in love" she says with a big suspicious smile

- "In love? Do you think?" he says doubtfully.

-"Well, of course, that's why he's so distracted and so happy, what else could it be. Men are so easy to decipher" Nobara says the last part between murmurs.

- "There's only one way to check it," says the pink-haired man, standing up much more excited than he was a few minutes before.

Nobara gives him a knowing smile and explains to Itadori her plan to find out.

And that's how we got to the current situation, after watching Megumi write on her phone with a small grimace (which could be taken as a smile) they decided that they would follow him to wherever their "date" was.

So after following him, and passing by one or another store, they arrive at the moment where Nobara verifies her theory.

While the young people were hiding in that small bush, the sorceress said to her friend.

-"I knew it!! He's heading to the flower shop, without a doubt Fushiguro is a romantic. She says proudly for successfully proving her theory.

-"In fact I don't think he's heading there" Itadori says in a whisper while pointing at his partner.

Clearly As Yuuji said, the young black-haired sorcerer had continued past the flower shop entering a bookstore? Nobara's face was shocked.

-"It's not possible, let's follow him more closely, I'm never wrong." The young sorceress says firmly, while she brushes off the leaves of her uniform and drags Itadori towards the bookstore where his friend had entered.

Then, in the most stealthy way they could find, they began to follow the black-haired man. They moved behind him, looking at everyone. the books he was looking at, without finding any answer.

-"Maybe he's looking for a book to give her instead of a rose" says Yuuji

-"That's a good point, it would also prove my theory, now we just have to figure out which book he chooses and for whom. is" says Nobara, very immersed in her role as a spy.

This is how they chase him to the Manga section where they see him take one after inspecting it with his phone, determined to buy it. Anxiously, the two sorcerers pick up the manga after Megumi walks away and can see that it was the new volume of a comedy manga called "The Disastrous Life of Kusuo Saiki".

-"Wait a moment..." Nobara says remembering something "This is the manga that Y/n said she wanted last week" now smiling she has the proof that was the last piece to confirm her theory "Are you thinking what I'm thinking Itadori" she says while looking at the pink haired boy who nods at him with a knowing look.

-"FUSHIGURO IS IN LOVE WITH Y/N" they say excitedly in unison, without noticing that they would attract the attention of a certain sorcerer who, upon recognizing those annoying screams, would know who the owners were.

A very upset Megumi, after paying for her purchase, drags her classmates out of the bookstore (where they had actually been kicked out for their behavior) and tells them with annoyance.

-"What the hell were they doing in there!!?"

-"Or don't act mysterious, we already discovered your secret" says the young sorceress with a big smile.

-"You can't keep it to yourself anymore Fushiguro, if you liked Y/n you would have to tell us, we are your friends" says Itadori

Megumi says when hearing Y/n's name in love in the same sentence, I can't hide the blush on her cheeks and ears.

-"What, what are they saying" he says annoyed while turning his face

-"Ohh come on we already know, no one loves that manga more than Y/n" says Nobara pointing to the small bag that Megumi was carrying.

When the black-haired man analyzes the situation, he manages to realize that they had been following him all this time, so he internally curses how intrusive his companions were and, exhausted, he sighs and confesses (in a very short way) the feelings he has for his recently named partner Y/n.

Nobara and Itadori high-five after having successfully proven their theory and decide to help their friend confess his feelings for Y/n, although he refused and insisted that he did not need help.

And that's how on a beautiful afternoon Megumi hands over the book, and she also hands over her chosen gift for the black-haired boy as they had planned a few days ago on the phone, but what Y/n didn't know is that inside the book there was a letter where the sorcerer confessed his feelings. And so it was that on that same Autumn afternoon the two young lovers shared their first kiss.

And from some distant bush two hands high-fived again for the success of their plan.

#jjk x you #jjk x reader #jjk fluff #megumi x reader #megumi fushiguro #jjk fushiguro #jujutsu kaisen #jujutsu itadori #jujutsu gojo #gojo x reader #itadori x reader #jjk #megumi x you #megumi x y/n #jjk geto #itadori fluff #jujutsu kaisen x reader #jujutsu kaisen x you #jujutsu megumi

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skinner17 · 1 month

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Can't believe so few people like laiosxmarcille ship. Are they blind? Are we reading the same book?

I am new to the series, just start to watch the anime because I want to see the tasty food scene. At first I thought farcille was the sure thing on this series, that's why people hype their scene and their relationship so much.

Until I read the manga and realize it actually built up Marcillle x Laios relationship ship more.

After certain point I think the series fixed MarcillexLaios as an item within the group. Sure they weren't bantering and flirting like kabru and rin. But there's something there. Which is natural because both bound by their love and devotion for Fallin and both are nerds with deep dark desire.

Theres too much deliberate effort to pair these two together throughout manga... Like the succubi arc, the past arc and the arc when Laios learned magic.

The last and most thought laios had when he was at death door was Marcillle while Marcillle last thought was Laios.

It imply how much they mean for each other.

The fact that Laios only ask Marcille to stay with him while ruling the kingdom, even make the scary elves let go of Marcille, It's like him saying

"I can only bear the burden of this curse as long as you are here beside me"

#laimar #dungeon meshi #laios touden #marcille donato

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general-cyno · 5 months

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apparently it's the 15th anniversary of zoro's sacrifice in thriller bark (not sure if manga or anime though) so yknow. time for more zolu of course

one of the many things about zoro and luffy is that despite how their approach to certain situations might differ at times, they're still pretty similar at their core, sometimes to a comical degree (see: their definition of what a hero is back in fish man island arc). and this understanding of how the other works is what leads to moments like jaya,

this little one in water 7/enies lobby,

and follows consistently all the way to wano arc.

and I was thinking the other day about how their childhoods too kinda mirror or parallel each other's in a way that emphasizes (to me, at least) how special zoro's particular protectiveness toward luffy is, and why luffy relying on zoro that way is just as special.

the specifics of their childhood stories are different but both luffy and zoro have a turning point of sorts that's marked with the grief and loss of sabo and kuina, respectively, which leads them to say these:

(I cropped the panels, but luffy's also crying here)

it's important to note zoro and luffy had dreams/aspirations before this, to become the greatest swordsman and luffy's secret thing that we've yet to learn about (that ace, sabo and the crew now know). however, losing kuina and sabo is what prompts them to, on top of that, strive to become stronger for other people's sake. for zoro, it's his way to honor his friend and fulfill their shared dream. for luffy, it's to avoid losing the people he loves.

throughout the story, zoro and luffy end up expressing similar frustration and sentiments due to this. there's zoro innerly chiding himself for being too weak as he trains in the aftermath of arcs like little garden, alabasta and thriller bark, where the crew get stuck in situations in which zoro isn't able to help as he wishes he could (the wax cake, the sea prism stone cell, kuma). there's luffy swearing he won't lose a single member of his crew even if it kills him (the davy back fight) and reproaching himself for not being able to save any of the straw hats in sabaody, with the worst of it right after losing ace in marineford.

(and man do I have thoughts about bon turning into zoro, out of all the straw hats, back in impel down.)

anyway. as to why all of this is meaningful - when zoro agrees to join luffy, he mentions that his goal to become the greatest swordsman is all he has. yet as the straw hats go from journey to journey, and with a certain emphasis in luffy, you can see how zoro's view slowly shifts. he's now driving himself to become strong to protect them as well, to the point he's willing to set aside his ambition and offer his own head in exchange for luffy's, if it means he can ensure luffy's life and safety. that's huge. as mihawk inwardly points out, zoro has something, someone he values even more than his ambitions and pride. and it's through his adventures with luffy and the crew that he becomes closer to achieving that initial dream of his.

whenever people wonder why zoro's as loyal as he is to luffy, aside from all the reasons why luffy as a character has earned that loyalty through his actions, I also remember that one line koushiro said to zoro in a flashback: "the pinnacle of swordsmanship is the power to protect what one wishes to protect and cut what one wishes to cut. a blade that injures all that it touches isn't really a sword." while sure, it works in the context of later power ups like haki, imo it perfectly captures zoro's character growth too and what luffy's given him. the current zoro isn't lost or directionless with only one purpose in mind or to live for, bounty hunting as a means to survive. he has a home to return to, people to cherish, to protect and keep getting stronger for, people who nurture him in turn. kuina's death is something zoro couldn't have prevented, and losing people in accidents like those is something that could happen again, but still within the limits of what's preventable - zoro can protect his friends now.

as for luffy... zoro kinda steals the spotlight when it comes to grand gestures of loyalty/devotion and being the MC of the story means luffy fights for different people (both crew and non crew), carrying their wishes and hopes as if they were his own. he gets help and learns from others as well and all members of the crew are important for luffy to achieve his dream one way or the other, but the way he relies on zoro specifically is so subtly meaningful to me. we don't get as much insight on luffy's inner thoughts, still, we do have context.

for someone like luffy, who is at his innermost genuinely terrified of being alone and losing the people he loves, the fact that he trusts zoro to protect and keep everyone safe (even luffy himself) is so good. as shown above, luffy vowed to become strong in the first place to ensure he'd never go through loss like sabo's again and this vow is all the more renewed after ace's death. luffy has to be strong for everyone but... the fact that he can trust zoro to follow his lead even when others might not understand his reasons to do x or y, that he's so unwavering in his faith that zoro will protect the others when luffy can't, entrusting the people he cares about to zoro, whom luffy also cherishes - it's all pretty special. everyone in the crew has their strengths and zoro may not be the only fighter, but all of them, including sanji, fall under his protection whenever it's needed.

it's not only about raw strength though. zoro's also there to set luffy straight and remind him of what's important when the circumstances arise, like in water 7 or punk hazard. and even when they don't necessarily agree, like wrt vivi's situation after the reverie in marijoa, luffy knows when zoro's right and acquiesces (albeit grumbling a little) because, once again, he's also aware that zoro wouldn't just risk everyone's safety. luffy listens to him. and their reunion in wano too, luffy's sheer happiness at the sight of him again, is a very clear example of how much luffy adores zoro even beyond all that.

although luffy isn't aware of what happened in thriller bark (that we know of), zoro's actions are proof of why luffy trusts, has faith in, and relies on zoro as much as he does and why it's so important for luffy to have him by his side, considering how afraid he is of being unable to keep his loved ones safe. this is more on a speculative note, but I can imagine how comforting that must be for luffy - to not shoulder that on his own.

happy anniversary!

#zolu #tp #long post #yeah it's me. again #happy anniversary to zoro reinventing love and devotion for luffy y'all #I meant to add but I would've gone on a longer tangent if I had AJSJ #that yeah you could count whiskey peak as the one time luffy didn't trust zoro but eh it's like #1) I'm not sure how much of it was meant to be serious 2) their chemistry is so ridiculous they can't even fight properly #without falling into sync with one another and 3) luffy doesn't doubt zoro's intentions after that again #aaand you could argue this whole unwavering faith in zoro may have its drawbacks (sabaody) but #within the story it's not really something he holds against luffy but it is something that at least motivates him #to tell luffy to get his shit together. which is tasty imo #jay reads op

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fuumiku · 1 month

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Chilcille huh... ngl I was a little suspicious. like why would you do that, huh... hope youre not mischaracterizing anyone in your weird and wacky ship. a little weird. but then you said they both had flat asses and you know what? I salute you and your perfect characterization

The fact you seem to think you managed to not make this ask insulting is baffling. What the hell. Fuck off.

If you actually care to be open minded about the ship, I talk about marchil on my sideblog 24/7. Funnily enough I’m currently 4k words deep into an analysis of their character arc together in canon, but that’ll take some more days to get done. Some notable posts:

Of course without counting the analyses of Chilchuck on his own I’ve made, like my masterpost on his family situation. Or better yet you could also read my fics for them, see how weird and wacky they are here.

Wanna talk about mischaracterisation? They’re literally a comedic duo who interacts 24/7. Marchil is crazy bc ppl are like "did those shipper read with their eyes CLOSED?? They have no chemistry!" Meanwhile canon is like: "She’s obsessed with knowing everything she can about him and she reads him like a book." In her eyes he’s like that extra rare and hard and shiny unlockable dating sim character, that brooding mysterious character trope that’s thrilling to crack open and typically is at the center of the plot. The wife roleplay???? "Hey, did you know his type is blondes. Hey did you know he likes his women pretty and blonde. Hey did you know he likes her hair. Hey did you know that he teases her 24/7 and it’s one of the few things that consistently gets him grinning because he finds her reactions cute." Like a schoolyard bully pulling on the pigtails of the girl he likes.

It’s not like they have any thematic narratives or relevance. It’s not like she’ll live to 1000 and has existential dread about it while he’s logically gonna be her next friend to die at 50 and wether it’s romantic or platonic it’ll terrify her to lose him. It’s not like it’s fear of death x fear of rejection so they’re both obsessed with the thought of loss looming, past and ongoing. It’s not like it’s half-elf x half-foot and there’s an inherent journey that was and still is to dispel prejudices and truly come to see each other. It’s not like he’s painfully real and raw and flawed but still a good man, that he’s not the figure of prince charming that she’s always dreamed of while still being virtuous and worth fighting for. Or you know, her hair being golden and it being the epitome of beauty to him, and his hair turning silver and it being Marcille’s worst nightmare.

Just a weird wacky ship who means nothing but shallow things to people who have weirdo reasons for liking it. Like can you not. If you’re not imaginative enough to think of reasons why this ship may have an appealing dynamic that’s not my issue. But yes, yes, they’re both flat asses to me, thanks.

#Dungeon meshi #Ask #Spoilers #dungeon meshi manga spoilers #Marcille donato #chilchuck tims #Marchil #You me the parking lot after i finish and post my arc analysis #Sobbing……… we��re 20 over here in the rarepair pit come on. Like do u not see how obsessed i am. Do u think they like. Mean nothing to me #Do u think it’s all incidental and i slipped and the 10 thousands of words I write for them had no thought or feelings behind them or #Their arc is so beautifuuuuul they come to see each other and her standards become more real while he allows hope and openness #Into his heart again 😭😭 not the way two of their scenes lowkey read as a proposal…#Anyways I hope this makes it clear I’ll fight to my dying breath for them.#I don’t want trouble and i imagine you don’t either so just don’t come shitting on my doorstep #In positive news my fic Grind Me Down Sweetly recently reached 100 likes and 1k hits <3 it can also be read as just platonic so if you like #Them as a duo even as friends give it a shot #Every time I see someone shitting on marchil I start making marchil content faster btw #Not art

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bones4thecats · 6 months

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Hi! I was wondering if you can do twisted wonderland characters with a reader that’s like chiyo-Chan from azumanga daioh and how they would react to the reader wearing the penguin costume like chiyo wears in the festival episode, take all the time you need! And I hope you have a great day/night.

A/N: I had to take a while to figure out the basics behind Chiyo-Chan, as I never watched that anime or read the manga, but I hope I did well, Anon! I also made this reader a minor, since it was a defining part of Chiyo's character, but it is platonic only! Enjoy~~

●・○・●・○・●・○・●・○・●・○・●・○・●・○・●・○・●・○・●・

🐙 Azul never really saw a point in dressing up, as he lived under the sea, but when Floyd came up with the idea of their dorm’s theme being mummies, he hoped you would do the same as them

🐙 But when you came trudging into the lounge wearing a largely-built penguin outfit, he just stood in shock while Floyd raved about how adorable him Baby Shrimpy-Chan looked

🐙 He definitely walked around with you by his side, they go to a villain school, you can’t just trust everyone

🐙 Besides Jade was busy cooking and Floyd is, well Floyd

🐙 This octo-mer loves watching you run around excitedly and just speak to anyone with so much sophistication for your age makes him see himself in you and he just smiles

🐙 A mummy and penguin may be quite the contrast, but Azul does see you as someone he needs to protect, and when he turns 18, he will no doubt in his and the tweel’s minds take you in as his own

●・○・●・○・●・○・●・○・●・○・●・○・●・○・●・○・●・○・●・

🍄 This tweel definitely manipulated you into doing things at first, but when he realized how smart and oblivious you really were, he just sighed and began to light-heartedly tease you for it

🍄 Jade loves you help you pick out your outfits

🍄 He told you Octavinelle’s theme was mummies, but when you trudged in all decked out in a adorable penguin outfit, he didn’t have the heart to tell you to change out of it

🍄 This guy kept you in the kitchen with him, having you assist in grabbing certain ingredients

🍄 You may be small and fairly non-athletic, but Jade has taught you how to climb pretty well

🍄 Jade definitely had you take some foods out to the other members of Octavinelle so they could serve other members

🍄 Only to the students that he believed he could trust being around you did he let you actually take the food to them directly

●・○・●・○・●・○・●・○・●・○・●・○・●・○・●・○・●・○・●・

🎭 Floyd obviously loved you before-hand

🎭 You were his baby shrimpy after all!

🎭 But when you busted down the kitchen doors in Mostro Lounge to find him, his twin, and Azul, he just stared at you with stars in his eyes

🎭 You were so freaking adorable, baby shrimpy, it wasn’t fair~

🎭 He began to twirl you around as if you were dancing and just smiled as you laughed at his antics

🎭 Azul and Jade just smiled throughout the night as Floyd put you beside him as the other students served

🎭 The dorm leader gave him the one night off so you wouldn’t be wondering around without any knowledge on all students

🎭 You may be smart, but everyone has a limit

🎭 Floyd would hold onto you tighter whenever a more dangerous member came by, but who is that stupid to come nearby this guy when he’s actually happy, we don’t want a mood swing again, now do we?

#Twisted Wonderland #Twst #Octavinelle #Night Raven College #NRC #Twisted Wonderland x Reader #Twst x Reader #Octavinelle x Reader #Night Raven College x Reader #NRC x Reader #GN! Reader #Child! Reader #Azul Ashengrotto #Azul Ashengrotto x Reader #Jade Leech #Jade Leech x Reader #Floyd Leech #Floyd Leech x Reader

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thenukacolachallenge · 9 months

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In defense of the One Piece Live Action Adaptation’s stylistic choices: A Cosmetologist’s Perspective

Hello! My name is Dia, and I’ve been a licensed cosmetologist since 2015(almost a decade now!). For those unaware of what exactly that entails, cosmetology is traditionally defined as ‘the professional skill or practice of beautifying the face, hair, and skin’. For me specifically, I have worked in the fields of hairstyling/haircutting/hair coloring, skincare, nail care, and makeup application(both traditional makeup and FX makeup) in my eight years of being licensed to work in these industries.

The reason I’m making this post today is to talk about the Netflix adaptation of the hit manga/anime One Piece, and specifically to address a lot of complaints I’ve seen about the wardrobe, makeup, and hair choices of the main cast thus far. I’ve seen quite a bit in the way of complaints, and a lot of it seems to be, to put it as politely as I can, not based in reality of how makeup, hair, and acting in general works, and I’d like to address some of it to possibly explain why certain choices were made, to maybe help people come to a better understanding of the why and how of these sorts of decisions.

I’d like to also, before I dive in, note that I am not in any way, shape, or form affiliated with this production! These are merely my personal thoughts and speculation as someone with some experience in this field. None of this is set in stone unless I provide evidence from the cast and crew to back my claims up. As well, I’d like to point out that I have next to no experience working on film sets(I have worked on VERY small productions in the past, for things that go up on sites like Youtube and not Netflix lmao), but I am married to a person who has a degree in film and has worked on live production sets before, and I did defer to them for a lot of the knowledge that I lack with live action production specifically.

I’d also like to point out that while I’m not mad at anyone who has the critiques I cover in this post, I may come across as a bit exasperated. I promise this isn’t me being angry at anyone, but more of just.... I’ve seen the same critiques over and over again, and to me, a lot of the choices seem fairly obvious as to why they were made, and some of the critiques come across as extremely silly to me. This is of course due to my own background related to these sorts of things. I promise I mean no offense or disrespect to anyone saying these things! I just want to make this to be able to help others understand why production may have made the choices they did.

Now, under the cut, I’ll be discussing some common complaints I’ve heard with regards to this production, and provide some potential explanation as to why these changes were made. On to the post! It is quite hefty, so please bear with me.

First and foremost, the most common complaint I’ve seen thus far is some variation of the phrase “I’ve seen cosplayers that look more accurate to the characters than this show does,” and I’d like to address this one first, as I think it’s the one that probably frustrates me the most. It specifically frustrates me because comparing cosplayers to actors feels like an apples to oranges situation. The two groups are designed to do entirely different things! Cosplayers do typically look more like the characters they portray than a live action actor will, and that’s a very common occurrence, but there’s a reason for that: the two groups are not doing the same thing.

Both cosplayers and actors put a huge amount of time and effort into their work, and I love cosplay personally. However, cosplayers are typically in their outfits for 8-10 hour days at most for a weekend, doing things like photoshoots where they have to pose, walking around conventions, and maybe filming a small amount of video(Not to say that this takes no effort! Please do not take this as such, I have helped friends with cosplays and I fully understand and appreciate the level of dedication and hard work that goes into it!). Actors, on the other hand, are in hair and makeup on set for 10-12 hours a day(if not longer) for weeks to months on end, and have to be fully in character while filming, as well as(specifically for a show like One Piece) doing things like stunt work, being submerged in water, and being on boats with lots of wind and ocean spray. There are certain things you simply cannot do, hair/makeup/costume-wise as an actor that you can as a cosplayer, so I really don’t think this comparison in specific is being very fair to the actors and the crew who are in charge of makeup, hair, and wardrobe in this case.

I’ll be getting into a lot more specifics below, but I will be deferring to my main point here very often, which is this: The safety and comfort of the actors is far more important than 1-to-1 accuracy in the way cosplayers can do, especially for minor changes in appearance.

Now that I’ve addressed that specifically, I’d like to move onto some common complaints I’ve heard for each specific main cast member, and my opinion on these complaints, as well as listing potential reasons as to why these things may have been changed!

We’ll start with everyone’s favorite funky little pirate king, Monkey D. Luffy:

For Luffy, the number one complaint I’ve seen is the live action’s choice in shoes. in the manga/anime, Luffy wears and fights in flip-flops, but this was changed in the live action. This was changed for a very simple reason, and Emily Rudd, the actor that portrays Nami, actually addressed this on Instagram while being asked by a fan:

Simply put, trying to do the kind of stunt work that Luffy has to do is not safe in a shoe like a flip flop. This is something that falls very completely under my original point of the comfort and safety of the actors being more important than 100% accuracy. It would be entirely too easy for Iñaki or someone he’s in a scene with to get hurt if he weren’t wearing the proper footwear. Fairly simple explanation there!

This is really the only gripe with Luffy costume-wise I could find, to be honest! I have seen a few people saying that he doesn’t have his signature undereye scar, but he does, although it’s not as visible as it is in the original work:

They kept him fairly true to the spirit of his original character, and although I don’t know why they chose to give him this specific potato shoe footwear, it is what they went with, and the main takeaway is that it was for safety reasons.

Onto our favorite wayward booze-loving swordsman, Roronoa Zoro:

Similarly to Luffy, I’ve only seen one main complaint regarding Zoro, and it involves his use of swords. In the anime/manga, Zoro has pioneered a specific fighting style called “Santoryu”, known in English as “Three Sword Style”: one sword in each hand, and a third in his mouth.

I’ve seen several people wondering where his third sword(the one that goes in the mouth) is from the trailers, and I was initially wondering this as well, since in most of his action scenes that have been revealed so far, he seems to only be holding either one sword or two. However, there was a brief clip(I’m talking, like, maybe one second) of him utilizing his three-swords style in the teaser trailer released in mid-June:

Now, as to potential reasons as to why this seems to be the only clip of him thus far using all three of his swords:

1. Again, this could be for the safety of the cast. Obviously being a cartoon character, Zoro wouldn’t have to worry about potential damage to his jaws and teeth, but Mackenyu, Zoro’s actor, is a real person who does have to worry about such things, especially as an actor who relies on(among other things) his facial expressions to earn a living. Carrying something like a sword, even a prop sword, in your mouth for long periods of time cannot be good for the health of your jaw and teeth, and I could understand if they chose not to film him with a sword in his mouth very often for this reason alone. 2. It could also be he uses all three swords less often so he can still deliver lines while fighting. In an SBS(”Shitsumon o Boshū Suru”, when translated means “I’m Taking Questions”, essentially an AMA for mangaka to answer questions their readers may have), Eiichiro Oda, the author of One Piece, once answered a question about how Zoro was able to talk with a sword in his mouth with quite a funny answer:

Sadly, in real life, Mackenyu cannot speak through his heart as Zoro does, so it’s possible that some of the scenes have been changed for ease of dialogue. 3. It’s also entirely possible that he uses his three-sword style as often as he does in the anime and manga, and the small amount of what we’ve seen in the trailers isn’t necessarily the full picture. I imagine this is something we’ll have to wait for the full series to drop to find out definitively one way or another!

Now, onto our lovely citrus-fruit-loving navigator, Nami!

I have seen two main complaints with Nami’s looks, and I’ll start with her hair, as it’s the more common one I’ve been seeing. I have seen a large number of people saying that her hair looks like(and I am slightly paraphrasing here) “a bad cosplay wig”, and honestly? I think this is just not true, and either comes from unrealistic expectations or just plain being mean-spirited.

First and foremost, this is very obviously human hair:

Now, I don’t know what kind of bad cosplays y’all have been seeing, but the ones I’ve seen start with synthetic hair wigs, not human hair ones(This is not to say synthetic wigs are inherently bad for cosplay! Simply that they are much harder to work with, though they are cheaper than human hair wigs). As well, I know for a fact Emily Rudd got her hair done similarly to this, to the point where I wasn’t actually sure that this WAS a wig at first(this picture comes directly from her Instagram account):

This is very obviously almost the exact same haircut as the wig chosen for Nami, save with more layers, and even the color choices are similar. To say that this wig looks like a “bad cosplay” is honestly just flat-out wrong in my professional opinion, and moreover, it’s quite rude. In addition, to me at least, it really looks like the wig was styled to resemble anime-esque hair, which is actually quite common among cosplayers. If anything, I have the same complaint on Nami’s wig that I also have with Sanji’s(which I’ll definitely be touching on later): it’s not thick enough. Both Nami and Sanji’s wigs just seem like they could use more hair attached to the cap in general, but especially for Nami’s, I really don’t think it’s as bad as people are saying.

I think this “bad cosplay wig” complaint specifically is mainly coming from people who only see the tail end of cosplay productions, which tends to be photos that are often times edited to look a certain way, which can often include doctoring the hair. There’s nothing wrong with a cosplayer editing their photos, for the record, but it can absolutely give unrealistic expectations to those who aren’t familiar with this practice, and I personally think this may be where these comments are coming from. Obviously you cannot photoshop every frame of a live action production, at least not without a lot of time and effort on the behalf of the post-production team, and I highly doubt Netflix would have greenlit something like that for such a small detail. It’s simply not realistic.

As well, I do find it quite interesting that I have seen far less complaints about the wigs of characters such as Zoro or Sanji(played by Taz Skylar(as stated previously, I have seen complaints about Sanji’s wig and I will be speaking on that later)) than I have about Nami’s. I’m not saying it’s outwardly misogynistic, but it does make one consider such things.

The only other complaint I’ve seen directed towards Nami’s live action look(and truth be told, I’ve seen this one far less than the comments on the hair) is the discrepancy between Emily Rudd’s eye color and Nami’s. As you can see from the above photos, Emily Rudd does not have brown eyes, which are the color of Nami’s eyes:

Now, I didn’t actually see this complaint until after the first full trailer dropped on July 21st. Specifically, I saw someone saying that it seemed strange that Steven John Ward, who portrays Dracule Mihawk in the series, is wearing colored contacts to better resemble his character, while Emily is not.

Now, there could be a lot of potential reasons for this, including that Emily may simply be not wearing colored contacts because they irritate her eyes(going back to my original point of the comfort and safety of the cast). But more importantly, I think, is that Mihawk’s unique eyes are directly related to his character, specifically through his epithet: Hawkeye. This is a seemingly important enough part of his character, to the point where it’s directly mentioned in his title. Nami has no such distinctions with her eye color, so I really don’t think it’s as important, and at the end of the day, it takes nothing away from her character to have a different eye color. So, while I don’t know the particular reason she doesn’t have brown contacts, I also don’t think it’s nearly as important for that detail to be as canonically correct as it is for Mihawk. To me, this particular comparison is another apples to oranges situation.

Onto our beloved liar, God Usopp himself:

Of course, the number one talking point I’ve seen about the live action Usopp is that Jacob Romero Gibson, Usopp’s actor, is missing his trademark long nose.

As One Piece fans know, one of Usopp’s characteristic traits is his tendency to lie. His name, Usopp, comes from a portmanteau of the Japanese word “uso”, which means lie, and Aesop, the famous Greek storyteller and the namesake for Aesop’s Fables. Because of his propensity towards tall tales, Usopp’s anime and manga character designs also added a reference to another character who’s known for lying, Pinocchio, whose nose grows when he lies. Thus, Usopp in his cartoon form has a long nose!

Considering how many gags in the story involve Usopp’s nose, a lot of fans were surprised to see that aspect of him not carried over into the live action. After the drop of the official trailer, seeing that the character Arlong had his signature sawshark-esque long nose in prosthetic form, there was even more confusion about this choice.

(As an aside, Arlong’s costuming choices will not be discussed in this post, as it’s long enough with just the main cast, but believe me, I do have Opinions on it lmao)

Now, as to why the show chose to not give Jacob a prosthetic long nose to better match Usopp’s appearance, I don’t know the specifics. I can only speculate, and really, the only things I could feasibly come up with are the following:

1. It’s entirely possible that for whatever reason, Jacob is unable to wear a prosthetic nose. This could be due to several things, including allergies to either the prosthetic material itself or the adhesive used to attach it, or the makeup required to blend the prosthetic into his skin. If this is the case, then it of course goes back to my main point here that the comfort of the cast takes precedence over accuracy to the source material. 2. The only other explanation that really makes sense to me is that they did in fact attempt the nose in costume fitting, and either the absurdity of it was just either too distracting to audiences/the crew/Netflix execs/possibly even Oda himself, or it could have potentially been a problem during stunt work. Usopp primarily fights with a slingshot, and I have no experience with slingshots so this is just me taking a stab in the dark, but it’s possible that the extra length on the nose could have possibly messed with the actor’s depth perception while attempting to act out Usopp’s fight scenes.

Overall, I genuinely don’t know why they decided to axe Usopp’s long nose. But at the end of the day, I know that for me specifically, this is a minor detail, and not something I see as a genuine problem, nor will it ruin the immersion for me. That being said, I can definitely understand the criticisms here. I’m hoping that a lot of these changes will eventually be answered, perhaps in some behind-the-scenes footage that comes out after the show’s release.

The only other comment on Usopp’s costuming that I’ve seen is much more easily explainable, and I also haven’t seen nearly as much in the way of commenting on it: Usopp’s hair is not in dreads in the anime and manga, and instead is kept natural, especially before the timeskip.

As we can see in the above picture, Usopp seems to keep his hair fairly natural, whereas Jacob, Usopp’s actor, sports dreads in his portrayal of Usopp, as seen in the above photo.

Luckily, I haven’t seen very many comments on this, and I think that’s a good thing, since the explanation seems fairly simple to me. Usopp in canon is based off of (mostly unused in this day and age, for good reason: a lot of the design is highly based off racist blackface caricatures) old-school anime portrayals of Black/African people. As well, in an SBS, a fan asked where the Straw Hats would be based out of if One Piece was set in the real world:

As stated above, Usopp would come from Africa! As well, if I recall correctly, Oda had a hand in casting the live action adaptation, which all points to the undeniable proof that Usopp is and has always been intended to read as Black/African in some form.

The reason I bring this all up specifically, is because of the way African hair grows. Obviously not all Black/African people are a monolith, and even among curly haired people there are different curl tightness and growth patterns, but for a large portion of people of African descent, their hair would not grow similarly to the way Usopp’s is portrayed in his cartoon form. His hair is indeed curly, but it grows down, similar to most wavy or straight hair types. This is especially evident in his post-timeskip hair growth:

Usopp’s hair, which was once above his shoulders before the two year time skip, now extends down past his shoulders. This is not necessarily inaccurate to Black/African hair types, as, since stated previously, different curl patterns and tightness exist, and even with super tight curl patterns, if grown out long enough, the hair will eventually grow down, due to the weight of the hair strands. But for a lot of Black/African hair types, the natural hair tends to grow outwards, instead of downwards(or at the very least it grows outwards before it begins to grow downwards). This type of hair is typically referred to as afro-textured hair, and is the namesake for the afro, a hairstyle wherein someone with afro-textured hair combs out their natural hair growth in the shape it naturally grows.

Now, I’m not familiar with Jacob Romero Gibson’s work prior to One Piece, and I have never seen his hair without his dreads, therefore I can’t say with 100% certainty how his hair grows naturally. However, he does have an Instagram account, and on this account he has photos of himself. I looked through his account, and although he doesn’t seem to have any photos of himself without his dreads(indeed, they seem to be his signature hairstyle) as an adult, he does have a few photos of himself from his childhood. I don’t personally feel comfortable linking his baby photos to this post, so I’m not going to do so here. However, they are visible there, and from what I can see from those photos, he does indeed have afro-textured hair. This may not be 100% accurate to how his hair grows now as an adult, as lots of things can change hair growth types and curl patterns, including things such as hormones, medications, stress levels etc. In my professional opinion, I feel fairly confident in saying that Jacob most likely has afto-textured hair, and therefore his natural hair likely wouldn’t fully grow in the exact same way that Usopp’s does.

Overall, I only bring all of this up to say that if Jacob did have his hair in a natural, non-protective style in his portrayal of Usopp, I feel that the same people who are complaining about the dreads now would likely complain that his natural hair doesn’t match Usopp’s exactly. Either way, Usopp’s hair is not a huge characteristic that defines who he is as a character(especially not in the way that his nose is), and therefore I don’t think that him having dreads in the live action takes away from the character in any way.

Finally, we’ll discuss the Straw Hat crew’s first-rate cook who attacks through kicks, Black Leg Sanji:

Sanji has the unfortunate position of being the character who’s had the most changes to his design from his cartoon to the live action, and there’s a lot of criticism that’s been lobbed his way. Some of it I think is fair, but there’s also quite a bit that I think is honestly quite silly. So without further ado, I’ll go through the four main critiques I’ve seen, and my opinions of each.

Let’s start with the one I’ve heard the most often, and the one that’s easily my least favorite to hear about at this point: the missing eyebrow swirl. Maybe it’s just because Sanji is personally my favorite on the crew and I’m just paying the most attention to him, but my god, the way some people are going on about the eyebrow, you’d think the showrunners made the decision to axe his signature curly eyebrow specifically to spite the Sanji fangirls. I think a lot of the complaining about the lack of eyebrow swirl would simply be changed to complaining about how bad the eyebrow swirl would look if they’d tried to keep it, and I’ll explain why below.

Like many of the costuming changes made to the live action adaptation, I don’t know the exact reasoning as to why they decided to get rid of the eyebrow swirl. As someone who has worked as a makeup artist, however, I do have a theory as to why they got rid of it, and my theory is fairly simple: it is just not really very possible to create a realistic-looking eyebrow swirl that reads well on a film camera.

Yes, the makeup team could have very easily drawn on a swirl with a brow pencil or some pomade and called it a day. However, it would have been fairly obvious that it was in fact drawn on, especially on a film shoot. I’ve seen a lot of people complaining about the missing swirl point to both cosplayers and stage actors as “proof” that it could be done, but again, this is an apples to oranges situation. Stage makeup(like that used for stage actors), photoshoot makeup(like what cosplayers would employ), and live action film makeup are three entirely different types of makeup application, and while they each have their own merits, that doesn’t inherently mean they translate into other mediums, and this is something that you have to learn fairly early on as a makeup artist if you want to continue getting work. If you are doing makeup professionally, you have to keep a lot of things in mind, one of the biggest things being how your work will read on camera, specifically the camera your canvas will be in front of. You have to keep in mind things like flash photography, shine versus matte, whether or not post-production editing will be involved, and the like. A fairly popular example of this is makeup influencer James Charles’ old meet-and-greet photo, which has become a meme since surfacing. Charles was used to only doing makeup and being photographed a certain way, leading to him using a setting powder that didn’t lend well to flash photography, and made him look like he was wearing makeup that was far too pale for his skin tone, when in reality it was just a makeup product that didn’t work for the kind of camera it was in front of:

Another example is basically the entire Cosmo Queens video series done for Cosmopolitan magazine’s youtube page, and I’ll use Kandy Muse’s video as a specific example, since she uses her natural brows in addition to her makeup. This series focused on the makeup of drag queens, and it’s very obvious when watching these videos that there’s a huge discrepancy between makeup meant for the stage and makeup meant for other avenues. Drag queens typically are live performers, and there is a common saying among drag artists, which is to “paint(apply makeup) for the back of the house(so that even those in the back row can see your makeup)”. On stage, Kandy Muse’s makeup is quite stunning, but it’s very clear that it’s not fully meant for the editorial style that Cosmo uses during these videos:

Even from a distance, you can very clearly see where Kandy’s real eyebrows sit versus her makeup. And while this is obviously an extreme example, it’s even more obvious when zoomed in, which film cameras have to do often in order to capture the expressions of their actors:

In a similar vein, film cameras, which are typically designed to catch a lot of definition and lend better to a more realistic look, likely would not be very kind to a drawn on part of an eyebrow. Without any hair growing there naturally to make the eyebrow makeup look more realistic, it would be very obvious that it was makeup, and would likely be more distracting to audiences(especially first-timers to the series; it’s important to keep in mind that Netflix would want to cater to those people as well as long-time One Piece fans) than omitting it entirely would. In addition, we have to take into account the actor, Taz Skylar, and his natural hair growth and the direction of his brows.

As is visible from the photo, Taz Skylar’s natural brow grows downwards at the end, whereas Sanji the fictional character’s brow grows upwards into his swirl at the end. In order to match the character 1-to-1 and change his own natural features, Taz would have to either shave/pluck/wax the entire outer half of his brow(which for an actor would be extremely inconvenient for other projects and would be an absolute pain to grow back out), or he would have to sit longer in the makeup chair to have his brow covered by FX makeup, which takes extra time and effort and could throw off the timing of the entire shoot. In addition, neither of these potential fixes would necessarily make the obviously-drawn-on swirl look good and read well on film. Add on the facts that Taz’s character is fully submerged in water in at least one scene, if not more, and has several fight scenes, and it’s not even a guarantee that the makeup swirl would even last throughout the shoot.

I’ve also seen people say that they could have added the swirl in post, but I think that’s it’s very unrealistic for Netflix to greenlight that for a minor detail such as a singular visible eyebrow.

While I am very sad that they weren’t able to translate Sanji’s signature brow to the live action adaptation, I think a lot of the complaints regarding him not having it and insistence that the production should have included it are entirely overblown, and are mainly being made by people who don’t have a lot of knowledge of what goes into film makeup versus other types of makeup. And while Sanji’s brows are fairly important to his character, this fact doesn’t actually come into the story until far after the timeskip, and we don’t even know if the live action will get another season outside of this one. I really hope this can help explain why they may have made the decision to nix the brow swirl for people who are still concerned about it, since from what I’ve seen, it seems to be the number one point of contention when it comes to live-action Sanji.

Next, I’d like to speak a bit about Sanji’s hair. Now, I have some complaints of my own about the wig used on Taz, but most of the criticism I’ve seen regarding the wig actually revolves around why it doesn’t cover his eye completely, as Sanji’s hair does. This is something that seems fairly obvious to me: Taz has to do a lot of stunt work, and he needs to be able to see! This is a potential safety issue more than anything else, and therefore goes back to my main original point. As well, there’s no real way to make the hair not move without completely overloading it with product, which, again, would be very obvious on a film camera, and likely wouldn’t read nearly as well as people think.

As for me, my personal critiques around the wig are just how sparse it is. Sanji has a lot more hair than is in the wig, and I really think a wig that had a little more hair attached to the base would have looked better. As well, I don’t know if the styling of the wig works for me personally.

I was actually really hoping that the live action adaptation would take cues on Sanji’s hair from the character who Sanji was modeled after. A lot of people still to this day think that Sanji’s appearance is based off Leonardo DiCaprio, specifically his role as Jack Dawson from the hit movie Titanic or his role as Romeo from Romeo and Juliet, but Oda has actually explained in an SBS that this isn’t the case:

Sanji’s looks and his “vibes” are based off of Steve Buscemi’s character Mr. Pink in Reservoir Dogs, and personally I would have loved to see his live-action hair more closely resemble that, but sadly, it wasn’t meant to be.

Another critique of live action Sanji is that he hasn’t been depicted with his trademark cigarette, and I kind of knew that this would happen from the moment I found out about the live action adaptation. This is not the fault of Tomorrow Studios(the production company), or even Netflix at large, but instead this is largely based off backlash from anti-smoking lobbies.

(As a former smoker myself, I have a lot of opinions on the ridiculousness of anti-smoking groups going after smoking in fictional scenarios like films and shows, but that’s a gripe for a whole other post lol)

Netflix notably caught a lot of flack for the depiction of commonplace cigarette smoking in other series, such as Stranger Things, even though the series takes place in the 1980′s, where smoking was incredibly commonplace. The major backlash even got to the point where you can actively see the drop in depictions of smoking between each season. I am hoping they at least give Taz one scene with Sanji’s iconic cigarette, but I’m not holding my breath on this one. I doubt Netflix wants to deal with that backlash again.

Finally, the last big complaint with Sanji’s wardrobe I’ve seen is his signature suit, specifically regarding the fitting of it. Sanji’s suits in the anime/manga tend to be fairly fitted in nature, while the live action once Taz wears, while still having a slightly tapered fit, is a bit baggier than what Sanji typically wears.

This is a fairly straightforward change, in my opinion: if the suit was as form-fitting as Sanji’s are, Taz(and his potential stunt double(I don’t know if he did all of his own stunt work or not)) simply would not be able to move the way Sanji does! This is an issue of cartoon versus reality: Oda is able to depict his characters doing whatever they want in whatever clothing they want. However, real life is sadly not as accommodating, and because of that, Taz’s suit has to be a bit less form-fitting so he can still do all of Sanji’s signature footwork. Going back to my original point, the sacrifice of the fitted suit had to be made so the production could actually work.

I tried to touch on all the biggest differences I’ve seen people talk about, and I hope this was helpful to anyone who may have been curious as to why some of these changes were made. Please let me know if I missed anything big or if you have any additional questions/need me to explain anything further, I love what I do and I love being able to have insight like this. Thank you so much if you’ve read this far, and please reblog if you found this post helpful or informative <3

#one piece #one piece live action #one piece live action adaptation #opla #tomorrow studios #dia drabbles #a rare case of nonfiction in my writing tag lol

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