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#advice from writers
mtmcguire · 23 days
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Respite and random thoughts about faith…
Blimey, this week’s been a bit of a roller coaster.  As you know, last week I was having extreme difficulties with what felt like bowel-based armageddon. I’m going to relate the happy ending of that story (spoiler: I didn’t die in the end even though I was genuinely beginning to wonder which would go first, the virus or me). I should also run this with the caveat that it is mostly supposed to be…
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damonp304 · 9 months
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Not everyone is going to like you | Accept this and Write | SummitPressPublishers
In this video, it is piece of advice for authors. Watch this video not everyone is going to like you accept this and write summitpresspublishers and leran from it.
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You can analyze your favourite writers' techniques. You all know that right?
When you read a book or fic or whatever and are blown away by how amazing the writing is you can just go, "huh, how is the writer doing this? what things are they doing to get this effect?"
And if you can't figure it out you are allowed to google it. Check out YouTube videos, blog posts, and the wealth of posts on Tumblr even. If the writer is famous enough there might even be full-length academic papers on Google Scholar or JSTOR, or even 100+ page published books dissecting their style (Tolkien, for example, if you like his style). If you still can't find the information, ask someone. Ask more experienced writers or writers who write in a similar style. Ask writing advice blogs/channels. Ask the writer/author themselves.
And if you still can't figure it out, you can keep trying things and reading similar stuff, observing until it clicks.
I just say this because, well, reading someone else's writing and feeling like yours is horrible in comparison is pretty much a universal writer experience. I see a lot a posts on Tumblr offering encouragement like, "it is okay if you writing isn't like theirs, you just have different strengths," and "actually your writing is better than you think it is, you've just been staring at it too long." And these are valid.
But also, just because you can't write like that now doesn't mean you can't learn. You don't have to resign yourself to a particular style just because it comes easier to you. It is completely okay to be happy with the style you have, but it is also okay to not be happy with it and wish you could write like your favourite writers instead.
Just... when you get that, "oh my gosh, I will never be as good as them," feeling, maybe try figuring out what it is they are doing that you like so much. Maybe being patient with yourself doesn't mean accepting that this is your best work. Maybe it means accepting that this isn't and that it will take time, knowledge, and practice to get there. But you will, you just have to keep trying.
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writingwithfolklore · 7 months
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Writing a Story from Start to Finish - Guide
                I see you guys in the tags and reblogs talking a lot about how you have a desire to write, but have no clue what to write about, or where to even start figuring that out. While starting any project can be incredibly daunting, I wanted to put together a little guide to hopefully make it a bit more accessible. Be warned, this will probably be a long post.
Step 1: Form an idea
All writing begins with this: an idea. Ideas can start as small as an object, or as big as a world or cast of characters. What’s important is that your idea genuinely interests you, and makes you want to explore it more.
                There are a million ways to gain inspiration for ideas, but my favourite method is a sort of brainstorm/mind map of all the little and big things you find interesting. Any tropes, characters, places, concepts, objects, animals, other stories, etc. you love—write them down. Then, start connecting the pieces. Each connection is one concept or idea you could explore further.
                If this doesn’t work for you, try using some writing prompts or check out 15 ways to spark new ideas.
                If you are a planner, proceed to Step 2. If you are a pantser, skip to step 7.
Step 2: Create your Protagonist
Now that you have a sort of concept or inspiration to work off of, you need your main character. There are about as many ways to create characters as there are characters themselves, and each method is going to work better or worse for every writer.
                At the barest minimum, all your protagonist needs is a Goal to work towards, a Reason for wanting it, and a Flaw that keeps them from having it right away.
                These three things can form a baseline character. Consider what the thing they want, why they want it, and what’s keeping from it says about them as a person.
                Rapunzel (from Disney’s Tangled) wants to see the ‘floating lights’ on her birthday. She wants to because she believes she will learn more about herself through seeing them. Her fear over disappointing and disobeying her ‘mother’ keeps her from it.
                My favourite character creation technique is actually Here—it takes you through creating character in order to create story.
                If that one doesn’t work for you, try this one. It is more focused on defining traits and figuring out the personality of the character first.
Step 3: Your Plot is your Protagonist’s Arc
As stated in the character creation technique I shared in Step 2, character is plot. By that I mean, the character’s journey is the plot of the story. We’re here to see the protagonist transform because of the circumstances incited in the beginning.
                So to form a plot, we need to know who the character is at the beginning, and what they need to learn by the end.
                Your character’s arc is A but B so C:
                A – your character and their flaw
                B – The conflict they go through
                C – how they change
“Obsessed with success, Jenny Beech works tirelessly to earn the approval of her strict parents and graduate top of her class, but when the new girl in town pulls her into a whole new world of excitement and fun, she must stand up for herself against her impossible standards and learn how to be a teen again.”
                This one sentence has everything we need to know about this story and character: “Obsessed with success (character trait/flaw), Jenny Beech works tirelessly to earn the approval of her strict parents and graduate top of her class (goal), but when the new girl in town pulls her into a new world of excitement and fun (conflict), she must stand up for herself against her impossible standards and learn how to be a teen again (change).”
                If you have these three things, congratulations! You already have a story. If you’d like, you may begin writing it now (skip to step 8). Or…
Step 4: Theme
                I did a whole post on theme you should check out here. Essentially, the big takeaway is that your theme is a lesson to impart to the readers—which means it is not a question, it is an answer.
                For the example given above, our theme would likely be something like, “Teens need to balance their additional responsibilities as they mature into young adults with the joy of being young and having fun.” Or, “Friends and a close social network is more important than having the best grades.” Or, “It’s important to take frequent time away from work in order to maintain one’s humanity.” Etc. Etc.
                Theme is conveyed through what your characters need to do to succeed (or what they do that causes their failure). If Jenny lets loose and suffers consequences for it in the end, we’re saying that she should have stuck to her studies rather than letting herself have fun. If she lets loose and is rewarded with a greater relationship with herself and her parents, we’re saying that was the correct thing to do.
Step 5: Outlining
                Now that we have a plot and a theme, we can outline our story. An outline is like a roadmap of what you’re writing. It can be as specific or broad as you want. My outlines tend to follow this structure, and I improvise the little stuff in between, but if you need to get all your ideas within your outline, that’s good too!
                Just make sure your notes make sense to you so when you need to know where to go next, you have a handy tool just for that.
Step 6: Worldbuilding
                Worldbuilding is probably where you’ll spend the most time because there’s just so much. However, I also find it one of the most fun parts. The minimal thing you need to know is your world’s normal, and how that normal is disrupted in the inciting incident.
                Jenny’s normal is school work and trying to impress her parents. The disruption is the new girl in town.
                Rapunzel’s normal is the tower and her hobbies. The disruption is Flynn breaking in.
                I did a more in-depth post on worldbuilding here, but the basics is just ask questions, explore consequences, and do plenty of research.
                Which brings us to…
Step 7: Research
                This can also be done after your first draft, but can’t be skipped entirely. It’s important when trying to convey experiences that may not be wholly your own, or unique perspectives, that you understand the context behind those things in the real world.
                Once again, ask questions, talk to people, and remain open to what you find.
Step 8: We can start writing now
                Now that you have all your planning ducks in a row (or have a good inspiration to jump from) it’s time to start writing! Either go from the outline you built, or just try out scenes. I have some tips for actually writing the dang thing that I’ll put here:
                Let me know how your writing goes, good luck!
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minty364 · 3 months
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DPXDC Prompt #61 Part 4
Danny woke up to a stream of sunlight on his face. The room was just as rich as he remembered, he stood up and stretched a bit before he heard a knock at the door.
It was Alfred bringing him a change of clothes, “Breakfast is ready, Master Danny. You can find the dining room down the hall to the left.” the old butler smiled at him. 
“You don’t have to call me Master, Alfred, I’m not your Damian.” Danny said, turning around to address him.
“Ah, yes, however you are still Master Bruce’s son, even from another world.” The butler gave him a cheeky smile.
Danny shrugged and headed to the bathroom to get changed. Once he was decent again, he headed down to the dining room. 
The room was just as fancy as the rest of the house with a chandelier and ornate vases. 
Danny noticed Damian and a few others already seated at the table. Damian wore what Danny could only assume was his rich kid school uniform. He sat across from Damian who made a small ‘Tt’ and turned away from him. 
Next to Damian was Tim who put away his laptop once Danny sat down. Tim was wearing a business suit, a dark red colored one. “Ah, you sleep much longer than Damian does, you must have been tired.” Tim smiled at him.
Also seated at the table and wearing a navy blue suit, was Bruce himself. He was drinking coffee and reading a newspaper.
“Stop comparing me to him, Drake, I’m nothing like this imposter.” Looks like Damian still thought he was a clone. 
Whatever, he shrugged it off and filled his plate. 
“I don’t really have a lot of free time,” was all Danny said before he started eating.
Tim kind of watched him for a minute, he looked kind of shocked for a second, “You’re eating meat??” 
Ah so that was another difference between them, “again, I’m Danny, I’m not Damian.”
Damian scoffed, “So that’s what you call yourself, imposter.”
Danny gave Damian a tired sigh, looks like the him of this universe was a lot more prideful than he was. Danny went through way too much to carry the same, dying and being crown prince of the infinite realms wasn’t exactly something he was born into. Danny was a bit jealous if he was being honest with himself. 
“Damian, please at least attempt to be friendly. Danny is our guest for the meantime.” Bruce said, putting his newspaper down. He then turned his attention to Danny, “I know it isn’t ideal but I think it’ll be best for you to stay here until we can get you to your own world. I’m planning a trip to the Watchtower tomorrow so I can speak with some of my colleagues about the situation.” 
Danny sighed but nodded his head, “I get it, you can’t have two of us running around.”
“Quite, you’re more than welcome to go around the mansion and the grounds, I’d also like to invite you along to the Watchtower but we’d need to come up with a disguise for you, secret identity and everything.” Bruce continued after taking another sip from his mug, “Alfred will still take you out today to get some basic necessities for you. We’ll get you a proper disguise so you're able to go with him.”
Danny nodded again and continued eating. He thought things over as he ate, he technically had a disguise they could use for the Watchtower but Danny was still on the fence on what exactly he’d tell everyone here.
It wasn’t exactly an easy conversation to have, thankfully some more people arrived for breakfast.
Master Post:
Last:
Next:
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ellierenae · 9 months
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everyone should obsess over their WIPs like its a contest to see who loves it most. your biggest fan is a stranger?? lame. they didn't even make it. activate hubris mode
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mxxnlightwriting · 5 months
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reminder that more often than not, it's important to take breaks from writing instead of forcing yourself through it. listen to your body and intuition.
i say this as someone who writes almost every day. sometimes, that isn't sustainable. sometimes, you need to take breaks from your projects because you're tired from working on them. i have to admit that understanding when to stop and take a break is a skill in itself, but with time, you will master it. you've got this. if not today, then tomorrow.
today, you rest. tomorrow, if you feel like writing, great! if not, rest a bit more. you know yourself better than anyone else. so trust yourself to know when to get back into writing. and don't punish yourself for not doing it.
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iloveyou-writers · 1 year
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You had an idea at 3am?
Write it down.
Not sure if you'll like it in the morning when you get up?
Write it down anyway.
Even if you wake up being like 'what is this nonsense,' there is a possibility that rereading your idea may spark another awesome idea.
Don't lose amazing future WIPs because you thought the idea wasn't good enough to write down.
Hell, you may come back 6 months down the line and realize that the idea would be really cool if you tweaked this detail and took that one out.
Never underestimate the power of a 3am writing idea.
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the-mountain-flower · 12 days
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If I made an audio description of Aurora, would anyone be interested in joining? Like voice actors or audio producers (I'm fully willing to do the entire thing myself, but it'd be awesome if I didn't have to)
(By audio description: think the kind they use in movies/shows aimed toward blind ppl so they can enjoy it too. Like that, but for a comic)
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m1d-45 · 1 year
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i gobbled and devoured the post imposter things. scrumptious!! but what if poor little xiao man feels guilty for hunting or scarring us in the hunt? and please don’t feel obligated to answer, i know you’re busy
burden to bear
word count: 2.7k
-> warnings: spoilers for liyue archon quest, canon typical violence…. minor body horror? blood mention.
-> gn reader (you/yours)
taglist: @samarill || @thenyxsky || @valeriele3 || @shizunxie || @boba-is-a-soup || @yum1x || @esthelily || @turningfrogsgay
< masterlist >
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during the hunt itself, xiao is driven by a need to prove himself, pushing past his instinct and the way his karma flares around the one on the throne. he sees it as a way to redeem himself, to finally scrape some of the sin off his hands. it’s a way to prove himself, and one he takes eagerly.
it’s not correct to say he’s blinded by faith, but it’s not exactly wrong either. he definitely feels, subconsciously, that something’s… off, maybe, about his god. perhaps it’s the way his vision always seems to flutter and flare, or the ice in his veins when the command to hunt is given. he feels uneasy, unsettled, finding himself rolling his shoulders and wondering if he needed to add more stretches into his routines. and yet, despite the tension in his shoulders and the twist in his stomach, he kneels, bowing his head with a swear of fealty that goes unanswered.
unacknowledged.
perhaps he had delivered it wrong?
he doesn’t think much of it, quickly dissolving from the throne room and appearing besides the statue of the seven on the west edge of liyue. looking out over jueyun karst, he knows it’s a bit fruitless to start his search there due to the vicinity to the other adepti, but the spires there are tall, filled with wiry bushes and crags of rock that are easier to hide in than may seem at first glance.
he draws his pole arm, spinning it once over his hand before tapping the end to the stone beneath him. he’s not sure why he’s so nervous—is it the fact that this is technically the first order he’s been given? is it the idea of slaughtering somebody so identical to his creator that it nearly fooled morax, who’s been alive longer than he could fathom?
or is it simply the prospect of failure?
xiao grits his teeth and steps off the edge of the floating stone, halting his fall with anemo at nearly the last possible moment.
his feelings meant nothing. orders were given, and he had to follow them.
why else was he there, if he couldn’t?
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it takes him longer than he expected to find you. he’s almost impressed, really, that you managed to evade his searching eyes, that you dodged not only him but the other adepti as well, all without taking refuge in any villages or otherwise civilized areas due to the orders the millelith put out. you hid well, he could attest to that, and though he was the one to find you, it was only on accident.
he was clearing out a group of hilichurls north of the inn. he was surprised so many had settled so close to the statue of the seven, as hilichurls usually avoided concentrated elemental energy, but didn’t think too hard about it. he simply unhooked his mask from his belt, noticing the difference in strength between these hilichurls and the average, and teleported into the middle of the camp.
the first thing he heard was a spotter’s cry. the second was the mitachurls’—archons, there were three—roar as they hefted their weapons. the final one was the intricate chanting of the abyss, but not any incantation he recognized.
he kept himself half in smoke as he danced around the edge of the camp, taking out the archers while he tried to find the abyss mage. he could catch glimpses of hydro bubbles through the walls of the hut, but the steps were covered in frost-
he barely ducked under the swing of a mitachurl’s axe, slashing his spear along its side as he slipped away, darting across the path of one charging with a large stone shield. it clipped his shoulder despite his efforts, pain spiking down his arm, but he didn’t pay attention to the injurh. normally he wouldn’t be this distracted, but two abyss mages and three mitachurls in one camp could only spell bad news. the best he could likely do was to leave and grab back-up, but who? the millelith were busy, morax and the adepti were on their own search…
xiao quickly climbed onto the roof of the hut, jamming his spear between two of the logs to keep grip on the woven roofing. the grass was damp, squishing uber this feet, likely from whatever hydro magic the mage was busy with within it. it likely wasn’t the smartest idea to stand on the roof, but this area of liyue was mostly plains, with little cover from the charging mitachurls. he needed a moment, if only a short one, to hash out a plan to deal with the camp.
the three mitachurls were standing besides the hut, two with shields and one with a crackling axe, electro dancing along the blade. xiao shifted, pivoting around the peak of the hut to move away from that one, the grass roof squishing below his feet.
the mitachurl’s ear twitched.
he shoved himself off the roof just as the mitachurl slammed the flat of its blade onto the roof, the whole shack shaking. electricity swarmed across the waterlogged roofing, reaching the opposite edge just as xiao dropped off it, landing between the other two mitachurls. they didn’t charge, nor attack, their motivations only made clear when the hiss of cryo froze out the lingering moisture in the air in front of him, effectively boxing him in.
the abyss mage swayed in its circle, staff glowing a sharp blue from within its bubble of frost.
“leave, adeptus,” it hissed, waving its staff in a circle. “you have no place here.”
xiao didn’t reply, instead picking apart his options. he couldn’t do significant damage to the shield mitachurls without utilizing his burst to destroy their shields, but that didn’t cover the mage at all… and he was still wet from the roof, so the mage would be able to freeze him within the time he had drawn in enough anemo energy to wield his mask with any level of efficiency…
he flexed his hand around his polearm. how had he gotten into this situation? his only options were to get lucky or teleport away, but even the latter of those relied on the first.
luck. how useless was he, to rely on luck-?
“‘adeptus’?”
the abyss mage startled at the voice, the cryo it had been swirling dissipating. both he and it turned to the side, to the entrance to the hut, where a figure could be seen just beyond the mitachurl.
his first instinct was that it was his god, and he briefly relaxed under the knowledge that he’d get out of this in mostly one piece.
his second was to recognize the torn clothing and dirt-smeared skin, and realize that you could never be his god.
xiao’s eyes narrowed, his spear twisting towards you faster than the distracted mage could react. you, his target, the one he had been seeking out, were hiding behind the abyss. he should have expected it, in truth, figured out the one known for going against the rules of nature would side with the most unnatural force, but that was not for now.
not now, when he was launched forward by the power of anemo, his spear driving him forward, barely skimming the mitachurl in favor of his true target: you.
your eyes barely had the chance to dart in his direction.
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xiao was, in truth, not the first one to see you.
many villagers had glimpsed you running around the outskirts of their villages, plucking apples and sunsettias off trees and taking mint from their gardens and leaving bundles of sweet flowers behind instead. they’d seen you, face half-covered in a poor mask made of scraps, your clothes that of the haphazard stitches of the hilichurls, which helped you blend into teyvat a bit more at the price of comfort. many had seen you and assumed you were a run of the mill thief, perhaps one taking advantage of the current hunt since the millelith were occupied. they wryly called you clever, warning the traveling merchants about you, the one they glimpsed at inane hours of night.
he wasn’t the first to see you, by far. he was, however, the first to recognize you.
he was the first to lay eyes upon your form and realize the truth, to realize that the blood seeping into your clothes was the color of stars and galaxies, to recognize that your heart beat blue.
the argument could be made that the hilichurls were the first, or perhaps the mages that had taken you in and brought you food, but it was not them that gathered you into their arms and whisked you away in a flash of teal, uncaring of the spike of cryo that drove into their side at the last minute. the hilichurls did not walk with frosted-over limbs, the abyss did not cry with a throat full of ice, calling for assistance in undoing their own crime.
xiao couldn’t decide whether it was lucky or not that baizhu was in the pharmacy, speaking with herbalist gui over the front desk. on one hand, it was best to have the most experienced healer in liyue at your side, but on the other..
“adeptus xiao, what is-…..”
confusion, then anger, then realization, all flashing over his face in an instant before he tilted his head and walked quickly to a back room, xiao following.
he busied himself with picking the ice off his body and clothes, ignoring the shake of his hands and the stench of blood in the room. the mage had pulled you from the point of his spear, but he still hit the side of your stomach, and he could tell it was messy.
knocks sounded at the door but baizhu turned them away sharply, only allowing qiqi to pass him a bowl of lotus seeds. he was focused, changsheng slithering off his shoulders to grab supplies as needed. time seemed to slow to a crawl, like xiao had entered a domain without an exit, filled with the iron smell of blood and the never ending chips of ice he peeled from his skin. it left behind stinging wounds and red marks, but he couldn’t find it in him to care.
what was his brief moment of injury compared to a scar upon his god?
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the moment that baizhu had stopped, all but collapsing into a chair and wiping off his hands with a tired call of ‘it’s done. the foundation will be okay.’ xiao had stood and left, biting his tongue through the protests of both his own body and the doctor.
he’d given changsheng his confession, but he did not wish to stick around and hear his verdict.
weeks later, morax came and visited him at the inn, carrying with him a plate of almond tofu and an apology. xiao leaned against the furthest edge of the balcony, curled around the plate, staying as far as he could from the one with your aura imprinted upon him.
he felt it, when zhongli had first come up the stairs. the shock, then the warmth, the all-encompassing comfort that soothed the pain from the bruising on his shoulder. he felt it, and knew that he did not deserve it.
“it’s not your fault,” zhongli insisted, baritone words colored with unreturned sympathy. “the fake… had fooled us all. even me. i cannot hold your actions against you when i myself would have done the same.”
and maybe that was true. maybe he would have drawn his own weapon, pierced your skin himself, acting on the orders of one who dared to take the place of the divine, but that was irrelevant.
xiao was the one who had hurt you. and it was entirely his fault.
almond tofu, his favorite dish, tasted bitter and sour on his tongue, almost akin to the pain medication that zhongli had made him drink after noticing how cautious he was with his injured arm. he’d made him take the first dose in front of him and swear to take the rest, with a long monologue about taking care of himself tacked on afterwards, but it was for nothing. aside from the first night he had it, xiao hadn’t touched the bottle. it sat on his nightstand, beside a bed he hardly used, taunting him when he returned earlier than usual.
he could take it. there was nothing stopping him from doing so, and he probably should if he wanted to return to his duties quicker. but every time he picked up the glass, thumb tracing over the engravings as he undid the top, he hesitated.
he could take it. he probably should. but did he deserve to?
you were still recovering, possibly still bedridden weeks later. your blood still stained his spear, dripping down to his palms, pale and scarred skin marked further with the blue and purple swirls of his sin. you were still in pain, still healing from a spear to your side, and he was here, reaching for medicine for a sore shoulder?
(it was worse than that. bone had knocked against bone, bruising beneath where muscle could reach. it ached even when he sat as still as possible, dragging him out of every attempt to meditate. the dark purple splotches stretched beyond his clothing, reaching across his back and up his neck, making nearly any action flare the wound. it was far beyond an over-exerted muscle or a particularly tiring day, and yet even the worst nights of his pain were staved off by the memory of having to wash blue off his blade. even as the latch on the bottle was undone, the lip pressed to his, he could never bring himself to drink it)
(even the small droplet of it on the rim, tasting of qingxin extract and violet grass, threatened to make him sick. how dare he?)
yes, it would likely only get him into more trouble were he found out, but he was careful not to be. whenever the wind brought him the heavy presence of geo, zhongli’s familiar footsteps climbing the stairs, he snatched the bottle and emptied it into the stone carving on the balcony, letting the medicine soak into the soil beneath it. it splashed when he was sloppy, the deep purple medicine appearing blue on the stone, sparking a memory that weighed harder on the pit in his stomach.
even as he handed the bottle over to zhongli, his jaw clenched from the strain on his shoulder. the action was stiff, jerky, but evidently smooth enough that it had passed his assessment.
zhongli tucked the bottle away, surprisingly not drawing out a new one.
“i am proud of you, and of the progress you have made,” he said, golden eyes softening in the light of dusk. “well done, xiao.”
how strange, he thought, watching him leave, that the very action that made his vision swim with unshed tears was one that was praised.
he wouldn’t complain, of course. he never would. this pain was his to bear, just as the burden of your bloodshed was his to shoulder. he was well aware his pain could never take back yours—though he wished, desperately, that he could move your injury to him. he wanted to be able to take on the physical reminder of his defect, to take the hit of his own spear to spare you from his lapse in judgement. he would take it, take ten times the pain you endured, if only it meant that your skin was free of his scars.
it would be an honor to assist the divine, even at the price of his own life.
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poetici · 2 months
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Hi can you give me some tips to improve my writing
Hi there. So I made it into a mnemonic, hope it's helpful.
IMPROVE
I - Intention
Set an intention first. It could be as simple as 'I love writing' or something like 'I am the greatest writer in the world.'
M - Make mistakes
Writing is a holistic process. You are bound to make mistakes while drafting, editing, etc. Don't be afraid to make mistakes but also learn how to correct them.
P - Practice
It goes without saying. Practice, practice, and loads of practice. Rome wasn't built in a day.
R - Reading
Just as food is fuel for the body, reading is fuel for writing. Read something everyday, be it an article or a poem or if you have the time, a book. Join a book club maybe. Or explore different genres.
O - Order/Routine
If possible, set a routine for your writing. Have a scheduled time in the day to write and make it a priority.
V - Vocabulary
Look up new words as you come across them. Experiment with words in your drafts. It will greatly polish your writing.
E - Enjoy the process
Most importantly, even if you don't follow any other tips, you should definitely enjoy your writing. It's a process of creation, so have fun with it and don't pressurise yourself!
You will find so many rules and tips online and offline both that can help you improve your writing. You will also find that different people have different writing styles and tips.
One important tip is that there are no rules!!
Yet these are a few that I could simplify for you to remember.
Happy Writing!!
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oceanatydes · 1 month
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hello writer friends do you have any advice on how to get back to writing fics when you feel paralyzed by perfectionism
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salty-dracon · 11 months
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the mere existence of harue shigima paranormasight absolutely flies in the face of every piece of 2012-2016 feminist discourse arguing that “you can’t write a compelling self-sacrificial housewife character” or that “housewives are antifeminist” because it subverts 0 tropes and relegates women away from the public eye and makes them only child managers. and i LOVE that about her
not only is she an important character within the narrative of paranormasight, including the most important character in her side of the story because you’re playing from her point of view, but it is HER choice to resurrect her son, no matter the cost. it is 100% her choice, and you hear that from her point of view. in fact both ayame and richter argue it at the end of her route, and they’re totally right that harue is ultimately being selfish. harue may be driven by grief and anger, but it’s 100% her grief and anger, not given to her by anyone else.
she doesn’t lack agency because she’s a housewife either. she’s more than willing to commit murder under her own set of conditions, if that’s what you call agency, and her movements aren’t restricted by anyone. richter himself pretty much does whatever she tells him to, with his role being the investigation ability needed for the operation.
and there is so much depth to her. there’s a total apathy for everything, and a dislike for her own home. wouldn’t you be hollow inside if there was only one person in the world you truly loved, and it was taken away from you by a murderer? beyond that apathy is grief for her loss, and anger for the one who killed her son, and selfishness and yes, her choice to sacrifice herself if necessary for the sake of her son. still, it’s not all negative. she has fun watching richter horse around with kids, for instance. her point of view shows you so much about her personality, and it reflects the thoughts of a person, not the thoughts of a throwaway housewife.
basically, i support women’s wrongs, but there’s so much depth to those wrongs and i’d be doing a disservice if i didn’t point out that she is an amazing character before those wrongs.
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rockingtheorange · 8 months
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Noticed a few times where Nicholas makes a popping sound out of the P letter
Sound up🔊
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writingwithfolklore · 2 months
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Taking Notes from Editors
I did a post on giving and receiving feedback, but now that I’ve been an editor for a little longer, I’d like to do a follow up on taking feedback specifically from professional editors.
                While ultimately writers are the rulers of their work and can make the final decisions on it, there's a lot of growth in your manuscript to be found by trusting your editor and taking their notes. As an editor, it’s my job to make your work as good as it can possibly be. It’s also my job to maintain your style and voice and make sure everything you do best shines the brightest.
                We’ve studied and practiced this goal. So the biggest thing I want to impart on you is:
1. Trust your editor
Go into the process with the mindset that you'll accept at least 85% of the edits your editor suggests. When another editor works on my writing, I accept about 95% of it, sometimes %100 (for shorter pieces).
Writers sometimes get hung up on the smallest changes an editor tries to make. Be careful not to be too precious, allow your work to be explored from a different perspective and lens.
You can always keep a separate doc that has your original piece, it doesn’t go away or get ruined when an editor works on it. While it's your work in the end, it's helpful to go into it with an open mind. Often feedback you may have never considered is the key to really elevating your piece. Make some room for your editor's opinion and expertise, trust your editor.
2. Choose your battles
If you are going to reject a suggestion, I recommend it be something really worth going to bat for. Choose your battles, and choose only the biggest ones. You ultimately know your work best, so fight only for the stuff you believe is integral to keeping the same.
This will be an easier battle to win if you’ve already accepted the vast majority of other suggestions. Does it really matter if your main character’s name is Jolene or Veronica? Maybe not, so take that suggestion so you can afford to keep her queerness, or the subplot about her mother, etc.
But going back to the trust your editor idea, don’t think about it as a battle. We are not on opposite sides, we’re both fighting for the same thing—to make your work the best it can be. Respectfully acknowledge a suggestion you don’t like, give it a day or two to think on it, and then decide if that’s something you’d really like to advocate for.
As an editor, when a writer has a solid justification for rejecting a suggestion it helps me understand their work better, and builds trust between us.
3. It’s okay you’re not perfect
Sometimes as a writer receiving feedback, my impulse is to be embarrassed I’ve done something ‘wrong’. Then, of course, I go to defend myself or justify it or attack. We don’t like feeling threatened, and it can cause some high tempers and nasty disagreements in the editing world.
It’s really important that you recognize that impulse to defend yourself, and choose not to react to it.
By that I mean, if you feel yourself getting defensive over a piece of feedback—take a deep breath, don’t answer it right away. You don’t need to explain yourself. Think on it for a bit, just try it out. See what happens when you make that change. If you still hate it, think about why. If you’re just rejecting it on impulse, you’re probably in that “defend” state.
                You’re not being attacked, and you’re not a bad writer. It’s okay if you’ve made a decision that didn’t land, or a mistake that’s kind of embarrassing.
                As an editor, I can assure you that I don’t judge my writers. Ever. When I make suggestions, it’s from a pure ‘just trying to help’ standpoint, and I really appreciate when my writers are open to my suggestions and ideas and accept or reject my suggestions with friendliness and grace.
                I’m not a super experienced editor in any way, but if anyone has any questions about the editing process, the job, or anything else about it, I will do my best to answer!
Next post we're going to talk about when to reject a suggestion or feedback because the editor/reader isn't always right. Follow to catch that when it's out!
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nomsfaultau · 4 months
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I was struggling majorly on an important scene for weeks. Every time I looked at it I’d get maybe a sentence in and mostly just stare at my laptop. I didn’t know how to write it. So I didn’t! I moved on to other scenes and hobbies, occasionally rotating the scene in my head. And yesterday, the monologue I’d been wrestling with just seemed to pour out when I finally sat down to work on it again.
Sometimes it just isn’t the right time for a scene to be written yet. Don’t beat yourself up about it! Getting frustrated or stressed will only make it harder for your brain. Instead, work on something that makes you happy. Maybe it’s writing something else, but maybe it’s doing something relaxing like drawing or playing a video game or doing a puzzle or whatever brings you joy. Writing requires so much thinking, and your brain needs time to do that. It has to build up the scene in order to flood out, instead of continually pressuring it for a trickle of words.
Good luck out there!
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