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braemjeorn · 10 months

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a long ourank oc presentation because braem is just a writer at heart and soul.

this is honi.

honi is from my fanfic here. would be glad if you read it. would be so happy if you like it. haven't updated it in a while so below are some spoilers for us all(?)

i know. i can't draw the same face. though #Shook is my favourite.

she has longer hair in earlier designs. but then i gave her short hair and thought, oh she looks cooler. like she could be a really cool mom. that's all you need honestly. like why make your ship lovers when you can get kingdom management done with the spiCE that is legal union!

'scuse me. kept the long hair for her younger-tween looks, anyway - wasn't mentioned why in the fic but let's just say that making it to the underworld was life changing. one way or another. she got a scar on her left cheekbone after her twenties (so yeas, i forgot the middle one im sorry).

here's our man because why not. we crave loose hair desha in this house.

im so bad at drawing crowns.

i was keen on the idea of someone to balance desha's personality out, instead of the complete opposites-attract. coz this here is a brash and unapologetic man who mercilessly cackles and taunts bojji and domas at the first meeting. half the fun will be when someone doesn't really flinch at that. tempers him down a bit or countering and riling him up to make firecrackers is what I want to see.

pink ram-lion babies coz why not

honi was nearly engaged before - somewhat more experienced in the field? but things happened and romantic pursuits were shelved before they met. honi acknowledged that he was a man early on in their meeting, but after making up and a few more formal encounters assured her that he was worth being friends with. worth the days-long flight just for a few weeks of teasing, good mead and mushroom pies.

after the winter breakfast but she's still confused.

figuring out she has feelings was a breakdown on a catastrophic level.

but eh, iss all good.

cuties.

not officially engaged but at least the lightning discharge was minimum.

that's all, i guess. some wish-wash, fluffy, alternate-or-future universe musings.

(but then in the manga the ominous naration was like, desha never returned and the underworld fell into ruin *cue queen elinor toppling chess pieces* (overthinking desha's pre-canon shonen arc and how his power is what made him rank 2nd as well as keep order in the multirace, monstrous underworld). in case reclaiming the throne won't work the option is mountain-nymph!honi or passing-farmer-girl!honi. pick.)

(but also the idea that if the canon queen is the persephone counterpart and was on the overworld for her six months deal when the whole season 1 happened is also great. which makes it hilarious if they met during part 2 coz she'd be like 'what tf happened to you?' and heartbreaking if he doesn't remember her. would be fantastic if she's any sort of queen like hiling and stubbornly gets shit done - might have a crisis that she cant find despa or ouken around, or launch some curses to the judge. but I don't know abt canon-queen. only the writer knows what might happen. as long as it isn't some poor excuse of a girl-failure of a villainess miranjo is, I'll be satisfied.)

sometimes i worry if my art will be considered ai work due to my poor anatomy but i swear it's really just a poor concept of anatomy😭 i have so MUCH to improve on digital painting. lighting, shadowing, composition, their size difference—they say the captain is 265 and desha's around the same height in the artbook. honi's like 180 and she's still so tiny! next to him despite being taller than average.

bonus, somewhat suggestive comic below.

double bonus: i think they both agree that domas is a joke and keeping 2000 km distance with miranjo is a must

#aka look at my portfolio #surprise surprise :D #i love wispy hair that consist of mere lines: a discovery #ousama ranking #ranking of kings #王様ランキング #ousama ranking fanart #fanart #braem makes art?#king desha #desha #braem's honi #ranking of kings fanart #canon x oc #oc art #ibis paint x #i'm still anxious abt putting art out #but yeah there

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silvrhxnd · 1 year

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[ID: An instagram story from user jp_design aka Jake Paul, former F1/Red Bull Racing graphic designer. It reads:

Sadly, my time at Red Bull Racing will be coming to a close at the end of this calendar year as my contract has not been renewed. If anyone has any opportunities, roles, or jobs they think I would be suitable for, by all means, please do reach out! I have a portfolio ready to send your way. Reshares would be greatly appreciated. Thanks so much!

End ID]

hey guys, let’s show JP some support!

if you’ve ever seen these:

…these are all the work of designer JP (Jake Paul)!

he’s also responsible for what he claims is his proudest moment as a designer: the End Racism campaign.

JP is totally self taught and makes some great designs.

And he’s now looking for work!

Support Black designers! Reshare his story, follow his social media (jp1_design on IG, jakepauldesign on twt), hit him up with any leads 💜

#no idea why i couldnt put a link in this. like turning a word into a hyperlink yknow #anyway y’all spread the word! dude deserves it #obviously i am biased and my fav work of his is his lewis work…#but it rly is the best #PS THIS IS NOT ME TRYING TO STIR ANY POTS ABOUT RBR #So nobody come for me!!! im not insinuating anything!!!!!#i have no idea abt the circumstances of his not getting renewed!!!#what I DO know is i love helping fellow designers get their bag #and sometimes our employment situations change and we love the support for what we do #formula one #formula 1 #graphic design #support black designers #f1 #lewis hamilton #michael schumacher

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kerubimcrepin · 2 months

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What do we know about Joris le Sans-Pouvoir (Joris the Powerless)?

Aka, addressing the "cancelled Nintendo DS game"-shaped elephant in the room.

While this blog has gone deep into the show and character dissections, I think it would be remiss to proceed without addressing the elephant in the room — the game, the myth, the legend, the 2007-2009ish cancelled game Joris le Sans-Pouvoir.

There isn't a lot that is known about it, and all the data in this post comes from two developers.

The only videos of it we have available are uhhh......,

...Please say "Thanks Ronik!" for this video in particular.

I spent hours trying to convert these two SWF animation video files, — which demonstrate how the game was supposed to look, — to something actually viewable. There were many issues, with at least seven different programs.

I suffered for crepinjurgenology studies, but I did it.

Instead of recounting the story in my own words and omitting anything on accident, I will simply present to you, what the portfolios of two different developers say (these two pages are the source of all the images, gifs, and gameplay):

Joris Le sans-Pouvoir is the main character from a feature film Ankama due in 2013. It’s a new character IP situated in the DOFUS universe. I had the chance to work on a platform game prototype that was all about delving into of the character’s backstory. We wrote a lot of background and had a lot of fun designing and developping a cute and quirky platformer with a hint of metroidvania elements and a dash of Grow gameplay elements in-between levels. It also was a great opportunity to work with Jono Takeshi-san of Radiata Stories fame who worked with me on the art direction. (SOURCE)

Joris was the first Nintendo DS project developed at Ankama (in partnership with Magic Pockets). I began working on the project as narrative game designer, then took on the role of Lead Designer and Project Manager. Game design on this project involved boss fight, level design, minigame design, UI… I also designed an original collecting system where collectible items were used in a minigame inspired by the “Grow” series. The developpement has been put on hold to match the release of the animated movie with the same character (scheduled in 2013). (SOURCE)

Neither the movie nor the game, survived their development, due to circumstances. (shorthand for: I have no idea what happened, man. Maybe one day I'll write a post about the history of the movie, and truly open that can of worms, but god, not right now. I don't want to spend more time on this.)

Eventually, The Wakfu film turned into three OVAs instead, and the Dofus film changed its plot a bunch of times, and became Livre 1 : Julith.

...For some reason, in some version of it, Joris had a tail. Yeah, I don't know what that's about either. Cool clothes, though!

We don't know anything about its plot, and unlike cancelled projects Dofus Donjons and Welsh et Shedar (which was cancelled for years, until its recent resurrection), the lore of this game carries no relevancy in modern canon.

The name, Joris the Powerless, as well as the log-centric gameplay, both seem to reference the early concept that Joris had log-based powers, — and that without his "magic wand," he couldn't do much.

(Joris and his weird fucking "magic wand" were, in turn, borne out of the idea of a warrior who had a woman's voice. Which makes me chuckle.)

(The following quotes are machine-translated and may contain errors)

(SOURCE)

This is, by the way, the reason why I personally headcanon Joris to be really bad at huppermagic. So bad that he dropped out of the Huppermage Academy, and almost never uses magic in combat. It's a homage to his original idea.

(Yes, there is an actual reason why I headcanon Joris to be godawful at magic, besides just projecting my neurodivergencies onto him.)

I suppose that, even at this time, Joris was meant to be a store owner:

The gameplay loop involves going from boutique, to missions, and so on, while those two pieces of concept art involve the said boutique section, and show a female character saying «Pas mal, boss !».

In my opinion, it might be this character. Proto-Simone, perhaps?

Since the store seems to be the centerpiece, and the Grow-style minigames involved collectibles, I would assume that the plot involved Joris going around and finding artifacts for the store. That would also explain the concept art gifs of him adventuring.

(Though, the adventuring would probably just be the inciting incident/a vehicle for plot development. Nintendo DS games loved using the jobs characters did for that purpose.)

This is the extent of what I can surmise about the plot.

The developer portfolios also included these example documents, but the image quality is too bad for me to make sense of or upscale. I am including them here solely for some French people who are very good at reading blurry text. (If you learn anything, let me know, okay?)

Overall, my verdict is that this game's cancellation was both a blessing (Joris without Kerubim and Atcham is like tea without water and a cup. How am I meant to drink leaves? Are you stupid? Why are you giving me leaves with nothing?) and a curse (THEY CANCELLED A GAME ABOUT MY BLUE-COLORED YOINKY SPLOINKY (who has a THIN, GRABBABLE WAIST)????? FUCK!)

Hope this was a fun read!

#ro liveblogs dofus #joris jurgen #wakfu #dofus #dsgame #<this one is for my pinned organization post's sake #anyway this post has fucked me. and my wife. and i don't even have a wife. my spine hurts my eyes hurt my hands hurt.#i want to do unspeakable things to that blue little man for what he put me through during the writing of this post.#please dont ask me to write about the other nintendo ds games ankama cancelled. they don't have joris so i don't care

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im-sew-curious · 3 months

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Isn't it glorious?

It’s here! I finally tackled my analysis of Key’s gold Gasoline era costume, worn in his music video for the song, photoshoots, a stage performance at the Inkigayo show, and a live performance at SM Town 2022. I’ll discuss everything from the fabrics used, the gloves, the shoes, complain about the zipper, talk about whatever the heck jumps are, break down all of the tiny little types of ornamentation (including the things I don’t actually know the name for) and more.

It’s scary in the best way. Buckle up. Grab some coffee or tea or vodka and a blanket.

I want to preface this by saying that this is going to be VERY long. I’ve polled my followers and nearly everyone said they want me to get as granular as I want. So I’m doing that. If that’s not your thing, here’s your exit ramp now. I get it. This is absurd.

You can also read it on my Twitter here. It actually has a LOT of bonus photos because they only allow me to have 30 on here, if you’re interested in seeing more. It may help clarify some things, as well.

Now then. Welcome to those who are left. Let’s begin!

Costumes by Dénicheur by Seo Seung Yeon

For his Gasoline era, Key has had four costumes designed and made by Dénicheur by Seo Seung Yeon, a Haute Couture Designer House that, among other things, makes elaborate costumes for Kpop performers. They’ve got an amazing Instagram portfolio to check out. They made him a gold and black costume for his G.O.A.T in the Keyland concert, the blue and white one for the Gasoline MV, this gold one, and a cream and gold beaded jacket for the 2023 SM Town Concert.

This fashion house’s trademark is intricately beaded, appliquéd…encrusted…costumes. I was able to get some high quality photos from some of you (thanks so much!) And the more I looked, the more I discovered.

If this were a piece of art (well, it is, but not in the same way) “Mixed Media” is what I’d call it. There are literally over twenty different types of beading techniques, appliqués, various types of sequins, trims, braids, rhinestones, chains, and more.

First, I’ll do an overview of the garments themselves, and then I’ll move on to the ornamentation.

The top (it’s not a jacket, it’s not really a shirt, it’s not a tunic. So I’m going with “top”) has a very boxy torso with exaggerated wide, padded shoulders. They’re completely squared. There are straight sleeves—not too slim, not too bulky. There’s a heavily ornamented oversleeve that reaches down to about his elbows and a “nude” colored full length under sleeve. It also has heavily ornamented cuffs at the bottom the sleeve. It has an exposed zipper up the center back that goes up into a short turtleneck collar. The collar and a portion of the lower neck back region are sheer with some beading and appliqués. There are sheer spirals around his arms and in chevrons on his front and scooping around to his back.

Just LOOK AT that masterpiece

The trousers are closely cut through the waist, hips, and thighs but become a bit wider at the knee. It looks like they were made full length but are always worn bunched up over knee high boots. They close at the center front with a very beautifully set fly zipper and flat trouser hook and bar. It’s so low profile that it wasn’t until I got some 4K images that I was even sure of where they closed. It was like he had been sewn in. I wrote a whole thread about it on Twitter that reads like a mystery novel, though I already spoiled the ending for you. Sorry.

The top is made of what is probably a “nude” (aka specially dyed to his skin tone) base fabric to hold the structure, with the ornamentation stitched over top. The external stabilizing fabric is what appears to be some sort of jacquard, possibly silk.

Jacquard is a type of weave, where the fabric is made of long and short “up and down” stitches of sorts, to make a pattern. Because some of the time it uses longer “stitches” on top, it becomes more vulnerable to the fiber breaking and makes it become kind of “fuzzy” looking. This can be especially true if it’s a natural fiber that usually has less structural integrity than a synthetic one. I initially thought this had started to happen on Key’s rear, but after a very close zoom in, I think that’s just a bit of appliqué edge pulling up. I think maybe one of his mic packs is down there too, but I’m really not an expert in that. I did the research so you don’t have to, folks.

Left: A type of jacquard fabric. The shine comes from the longer top threads, contrasting with details of shorter threads. Right: Is it an applique or is it some snagged fibers? Ultimately, I think it's an applique edge.

Perhaps the most interestingly nerdy thing about jacquard is that it was originally made on a loom that led to the creation of computer programming by utilizing a sort of “binary code.” There were punchcards that showed the strands of fibers when to go up and down. Like “holes and not holes” in which to weave.

A Jacquard Machine Loom with punchcards that create the desired design on the fabric

It’s important to note that this fabric needs to have some stretch because it is also used to make his very tight fitting trousers. If it were not a stretch fabric, he wouldn’t be able to do this like THIS or…most things, really.

Even though the jacquard is stretchy, it has some structure to it. It’s used as a stabilizer in between the “flesh mesh” on the outer layer. (aka power net, stretch mesh... There are many names!) It forms the base on which the majority of the ornamentation is stitched.

Flesh mesh is a stretchy mesh fabric dyed to the performer’s skin color and is used to give the illusion that you’re seeing their skin, but it gives much more strength than just a cutout. I wrote a thread about flesh mesh and the importance of taking into consideration the performer’s actual skin tone when building them a costume here

In this case, flesh mesh allows for adornment of these areas, as well. It’s important to note that, even though it’s a separate layer over the base, it is “tacked” through all layers in a regular fashion so it doesn’t droop with the weight of all of the ornamentation.

There are also some parts that have metallic gold applied pieces. This was probably made of a beefy metallic spandex applied on top of the base rather than some solid pleather, due to way it behaves on the body. The latter would have been way too rigid in comparison to the rest of the fabrics.

Heavy gold stretch spandex, forming a chevron on which to affix beads and other trims

Okay. Range of movement time. You know how I love discussing this. That’s because it’s the single most important aspect of costumes for dancers.

Let’s talk armpit gussets. They’re an American football shaped piece of fabric that is stitched in the armpit partially to the sleeve underarm, and partially to the torso underarm. It’s often made of a stretch fabric, but sometimes it’s out of the original “fashion fabric,” which is what we call the main garment fabric.

Gussets out of different fabrics under each underarm. You can see the gold bunch under his arm when it's at his side

It allows the performer to more easily move their arms above their chest and head to help keep the top from riding up. You can see in this photo, though, that it does bunch up a little when his arm is down, because of the extra fabric. It has to go somewhere when it’s not taut.

With this particular top, it’s interesting to note that, due to the asymmetrical decoration of his arms, one gusset is the gold stretch fabric and the other is the jacquard. That means that, either both fabrics have the exact same stretch, or his arms may be SLIGHTLY more limited on one side than the other. That’s fun! I really geeked out about this observation.

Often with jackets for dancers, they’ll have what are called “commodity pleats” around the center back shoulder area. They’re a sort of sneaky hidden accordion-like bit of fabric that stretches out during movement that may otherwise split the back open. Taemin uses them a LOT. But, since this top is so boxy, Key doesn’t need them in this instance. He already had the room he needed without any other accommodations.

They put commodity pleats in the back of most of Taemin's closer fitting jackets. I wish they'd make them the same color as his jackets, though!

With Key’s trousers, we’ve already established that they’re made of a fabric with a decent amount of stretch. But since I can’t find many good photos of his bottom half, I’m unsure about if he also has “crotch gussets.”

By this point, I’m kind of notorious as being the “crotch gusset person.”

The following posts explain them in much more detail, but basically, they’re long triangular wedges that start in the trouser crotch and taper down to nothing in the inseam. These are often put in trousers of dancers when people need a better range of movement.

I wrote about this in detail regarding Taemin’s pleather pants he wore in his Metamorph concert, as well as all of SHINee in the Your Number dance video. You can find my posts on the subject here:(Metamorph) (Your Number)

Jinki rocking a black crotch gusset in SHINee's "Your Number" Performance Video (Black Version)

Gussets allow for extra room and movement when one is trying to do extreme leg movements like squatting. Unfortunately, I don’t have many good photos of his inseam. There’s so much going on with appliqués and piecing of mesh vs jacquard, it’s hard to tell. Part of the front half of his trousers is flesh mesh, swirling around them. The other parts are the jacquard, whereas the back is all jacquard.

I saw one photo which made me begin to wonder if the inseam is a little further forward than it could be, though. That could mean there IS a gusset. I’m really not sure...I don't have official visual confirmation, but now you know more about crotch gussets either way. You’re welcome.

That seam line is up a bit more forward than usual. It really has me wondering, because that would happen if there was a gusset installed. Hmmmm.

Okay. Zipper education time. I apologize in advance. Things get spicy but I tried to tamp it down. The center back (abbreviated as “CB” in the industry) of the top has an exposed zipper. This means exactly what it sounds like: it’s exposed. You look at it, and it looks like there’s a zipper right there. It’s not hidden. Sometimes it’s a perfect match, and sometimes it’s “featured.” Exposed zippers actually become a trend every once in a while in everyday fashion.

I thought it was extremely interesting that, on this elaborate costume, they chose to use a zipper with metallic teeth on white “tape.” (The fabric on the sides of the teeth.) It was a huge disappointment for me, actually. I would have loved to have seen the zipper more carefully hidden like his fly was.

Hello, zipper. I see you loud and clear!

I have to comment a bit on what I view as the one flaw in this otherwise perfect costume. I will preface this by saying that I was not in the fitting room where this was conceived, and I don’t know about any extenuating circumstances and the reasoning behind this decision. But there a few things that I would have done differently regarding the zipper and back collar of this top if were to have made it.

But first: some zipper education. Besides exposed, there are center lapped, as well as regular lapped zippers. With the center lap, it’s like the fabric covers your zipper but you can pull the zipper down through it. Your hoodie probably has one. The regular lap zipper is more like your trouser fly in that there is one flap of fabric that covers the whole zipper, hiding it.

Top: Exposed. (Though it has a matching zipper and zipper tape.) Bottom Left: Center Lapped. Right: Regular Lapped.

Either of those types could have been used to make the zipper more discreet. I personally would have chosen to use a regular lapped zipper, which is less likely to get snagged than a center lapped zipper.

People have defended the exposed zipper by asking if it’s because it’s less likely to get caught. I very much get this argument, and, technically it’s right.

But, in my extensive experience, I don’t think I can recall a case of an exposed zipper in the back of a costume, quick change or no. It’s unattractive. (Not to mention a dead giveaway in a period garment!)

If it’s sewn well and tested, with the correct size lap and no loose fabric, it will work just fine. There should be a hook and eye at the top to make sure that it stays secure while dancing.

Part of being a good dresser is being methodical and purposeful, not frantically zipping something up in a way that is more prone to snagging. They keep their cool, perhaps taking a couple more seconds but ensuring that they pull it up smoothly. They use their fingers to block the overlap as they guide the zipper up.

(Random side note: I met a dresser once who preferred zippers be installed upside down for their quick changes. Hey, whatever works best for them! I wonder how they discovered that…)

I will also note that, as far as I’m aware, the only times he’s worn this costume, he didn’t need to get in or out of it quickly. I know that he wore it in the MV, the Inkigayo performance, and the photoshoot. He also performed at SM Town Tokyo 2022, though he had 11 songs during which to change between Bad Love and this. He never wore this look at his G.O.A.T. in the Keyland concert. Oh, and the collab with the Jinro frog. I’ll talk about that later.

So ultimately, all of the zipper quick change talk is for nothing. There COULD have been a chance that this was going to be worn during his concert, I suppose. But if not, in the end, I can find no reason that there needed to be an exposed zipper other than: they wanted it that way.

Sorry for that rant. I know that it was intense. I just…wish it were pretty. That’s all. I know it wouldn’t have bothered most people, but I personally think that the costume deserved better!

Well then. They arranged the symmetrical beaded appliqué motifs so they didn’t interfere with the center back line, so it wasn’t an issue being all chonky around the zipper.

Unfortunately, since the zipper was built into the neck with just the “stretch mesh,” it moves very differently than the rest of the top. It has a substantially weaker structural makeup and it can’t support itself the same, so it stretched at a different rate than the zipper on the solid fabric on the bottom. It kind of “bubbled” when he moved and it rode up.

Showing the neck bubbling, and, on the bottom left photo, you can see that there is some sheer stabilizer to ensure that the zipper doesn't just tear out of the sheer net.

It couldn’t have been helped unless that whole back neck area had been backed with the solid nude base fabric. That’s what I would have done, personally. But using the stabilizer helped a bit. Without it, it may have not lasted a performance.

I don’t know why they did it that way, but the result was rather disappointing to me, especially considering the care that was taken with the rest of the garment.

Okay. End rant. The rest of the costume is EXQUISITE.

One more thing to note is that the zipper terminates about 4” above the top’s bottom hem. It is right around where his waist is. It was built that way to ensure that he was able to move his legs and hips comfortably without getting hung up anywhere.

His knee high boots were covered with the same peach jacquard as his top, as well as utilizing the gold fabric to serve as ornamental buckled straps.

The stretch element of the jacquard is further showcased by the fact that it pulls over the boot toe smoothly, with little issue. A completely stable fabric wouldn’t be able to do that.

Now for the ornamentation. Oooooh boy. There are around twenty types of various adornments on this costume, and I thought I’d highlight some of them.

I can spy about 15 different types of ornamentation here alone.

Beaded appliques at the neckline

Heavy chains

Rhinestone appliques and/or individual rhinestone pieces

Bugle bead chevrons

Gold round beads

Yellow individual small rhinestones

Grey beads in between bugle beads

Gold and silver flat braid trim

Gold stretch fabric

Round flat decorative chain

Hanging paillettes

Dark seed beads with some of the paillettes

Gold dangling lil dudes

A sequined applique peeking out from behind a chain

Utilizing the main fabric as a chevon stabilizer as a design detail

About paillettes: these might actually be my favorites. They’re like “floppy sequins” that only have one hole at an edge. They’re made of a very lightweight plastic, so they’re virtually silent. If you wear a dress completely covered in paillettes, you’ll just hear a little rustle. In this case, his were mainly attached via dangly wires as fringe around the upper sleeves. There are a few other random instances throughout the garment where they’re stitched on individually. You can read more about paillettes in my post here.

Appliqués: There are at least three different types of appliqués in this costume:

Beaded

Lace

Sequined

Rhinestone

Appliqués are premade decorative pieces. It looks like someone hand beaded everything on the costume, but they were able to take a shortcut by using these. So no, contrary to what you might believe, there wasn't someone laboriously hand beading every single thing on to this costume.

It still takes FOREVER to invisibly stitch each motif on to the costume as well as, in this case, sometimes layer upon layer. A lot of them are attached to a net base, and in closeups, I saw how they trimmed the net away closely around the motifs.

On the top, we have the gold paisley sequined appliques. On his trousers, you can see the low profile lurex embroidered lace appliques. Bottom left, you can see the beaded and rhinestone applique. And on the right, beaded appliques. You can see that they're over flesh mesh so, when it's on Key, it just looks like he has a beaded collar.

The sequined, beaded paisley motifs are the most prominent and plentiful form of appliqués, focusing around the top’s cuffs and lower edge. They’re also heavily featured spiraling around the trousers. There are even some appliqués stitched across the seams of the trousers and top.

There are some huge, gorgeous bead and rhinestone appliqués, like this one on his right bicep that you can see in the photo above.

There’s also the Lurex lace (metallic threaded) embroidered appliqués that concentrate mostly on his trousers' waist and hips. It’s low profile without any bits that might snag the top while moving. They added a few jewels to it further down once it was no longer posing any danger to snags. There are also a few flat appliqués on his rear, so as to not make sitting uncomfortable but still be adorned.

Beads and gemstones: There are also individual beads and jewels both sewn and what appears to be discreetly glued on as accents. A popular adhesive we use for that sort of application is called E6000. It bonds pretty much everything from plastic, leather, metal, rubber, and wood. It’s like a slower acting super glue, but is more flexible.

You definitely need to use this in a ventilated area or, ideally, with a respirator. The fumes are no joke! There are little chevrons made out of long tubular metallic bugle beads that were probably glued instead of stitched on. There are also round bronze beads and gold rhinestones glued to the edges of the metallic fabric.

There are little dangling gold dudes, though I don’t know what they’re officially called. There are individual sew on rhinestones. There are circular decorative flat chains. There is gold beaded fringe at the wrists of the sleeves.

Top left: gold braid, beads and chains are heavily featured. Top right: the dangling gold dudes. I don't know what to call them. Bottom left: Paillettes, hanging on gold wires on the upper sleeve hem. Bottom right: Gemstones highlighting the center of the chest, with a whole organized, beautiful mess of braid, beads, etc.

There’s gold flat “braid” trim that also looks like it has a bit of silver in it to add dimension. It’s basically like a braided ribbon, often in metallic colors. It’s used a lot in military uniforms.

And there are a few other various random beads and trims that show up amongst the circus of adornment.

The layout of the overall design is asymmetrical, with left and right arms and legs that don’t match. However, the front of the top is completely symmetrical (which is extremely impressive) except for a few rampant rhinestones that intentionally deviate a bit. Here’s an abomination I made of the sleeves next to each other to see the asymmetry more clearly.

I THINK (not based on this photo but others that aren't Frankensteined together with different perspectives) that the sleeves are actually different lengths as well.

Something that I should cover is that with garments made out of a stretch fabric, like Key’s trousers in this case, stitching on something non-stretchy (like some appliqués) can be fraught. The appliqué can keep the fabric from stretching as much as it needs to accommodate a body in it, and it might tear off.

Sometimes, we need to stretch the fabric a bit as we sew on the motif so it will look normal when a leg is in it. It may look a bit puckered when it’s not being worn. The good news is that it appears that most of the motifs in this costume are on what is most likely a mesh backing, so they probably didn’t have to deal with that headache here!

Since the motif on the Jacquard fabric is pretty small, as well as the fact that some of the appliqués wrapped across the side seams, “pattern matching” wasn’t a big priority on this. However, it’s always preferable to keep the motifs at the same horizontal height. This is a REALLY small pattern, so it wouldn't matter terribly, plus the fact that it was so covered it can hardly be seen. There WAS a point on the right side seam where the pattern did match, but the fabric slightly torqued on the left so it didn’t. All in all, it wasn’t a big deal whatsoever. If it were a bigger print though, it could have been. I made a thread about pattern matching here. It's a subject I'm pretty passionate about!

This side seam was cut so that, at a fixed point, the motif was all at the same level horizonatally at there was a part where the motif perfectly matched up to create one complete one. Because there are curves in the seam, it can't do that everywhere.

Now for a bit of a departure: SHINee and its members have done a few collabs over the years, dancing with the frog mascot from Jinro soju. SHINee did one for Don’t Call Me, Taemin did one for Move, and Key did one for Gasoline.

They dressed the frog up like Key, complete with jewels and chains! It was precious. SO GOOD. Watch it now. I also bring this up because that video was the resource I used to figure out where the gold chains on Key’s top were “tacked” (AKA stitched to keep it held down strategically.) It was a nice close-up view. Thanks, Jinro frog!

(Side note: I have made mascots before and it's ironic because they freak me out. I also refurbished a hot dog mascot that had gotten too gross after public appearances over a decade. My life is weird.)

I love how scaled-back but accurate the frog's costume was.

Through the magic of the Jinro frog, I found the answer to the question “where were the chains tacked?” Here. Enough that they still have independent swing and look natural, but frequent enough to keep them from smacking him in the face. Based on the way they move, I think that is metallic coated plastic and not actual metal. Also, for safety's/comfortability's sake! You don't want to be thumped in the chest with every move.

Here's where the chains were tacked

Someone asked me how much they thought this costume weighed. My answer?

I really have no idea…but probably not NEARLY as much as it looks? I'm like 99.9% sure the chains aren't actual metal. I’m not sure if the “jewels” are glass or plastic. The tiiiiiny “seed beads” and "bugle beads" are glass, but there aren’t enough that they would weigh a significant amount. There's a lot of gold braid on there that's very lightweight. A lot of what you see are layered appliqués with sequins and seed beads, which weigh nearly nothing. The dangling paillettes are just a light plastic.

For the garments themselves, as we’ve established, the are a few layers of fabric and mesh, which aren’t very heavy. Because of the “encrusted” nature of the ornamentation, of course, it still weighs a bit more than just a regular top, and is probably kind of rigid on the front. However, it’s not like he’s dancing around in chainmail.

Lastly, there are his gloves. His left one is made out of that heavy gold stretch fabric that was incorporated into the rest of his costume, and his right was also made out of a flesh mesh. From the way it behaves in this photo, it appears to be a much heavier mesh than the top and trousers.

The right glove has thicker mesh that almost appears to have a natural fiber content that is getting snagged. It doesn't completely conform to the skin like a tight flesh mesh would.

The gloves are heavily ornamented with appliqués and beads. I’m going to guess that these were actually custom made for him, which is a big deal. I know very little about glove making, except it involves a TON of pieces to be done right. Gussets in between the fingers to make them slim and elegant and such. No Mickey Mouse hands here.

Stitching the ornamentation on to gloves is pretty difficult work. You either need a hand form and a curved needle or a very brave stitcher who uses their own hand as a form (palm up.) I haven’t done that for gloves, specifically, but I have been a “sacrificial hand” for other situations. I’m so calloused in most places, I don’t really feel much anymore!

There’s one more aspect to this costume that was seen in the intro for his Gasoline Inkigayo performance: the cloak. He didn’t wear it for very long, but it appears to button across his chest to the other shoulder with snaps underneath. The snaps keep the underlap from peeking out from…under the lap.

It looks like they might have had a wardrobe emergency here, because you can see that two of the three snaps were hastily stitched on with red thread. The ornamentation is asymmetrical, mostly focused on his right side. On his left shoulder, there is a decorative beaded “epaulette.” Those are the ornamental shoulder pieces you often see on military dress uniforms.

Left: The full cloak. You can see the facing on the inside edges, made of the same fabric as the outside. I'll write about that in a bit, and I'll show you a closer view later. Top right: The red thread holding on the upper snaps. Bottom right: Metallic epaulette.

It’s hooded and made out of the same jacquard fabric as the rest of his costume, and it has a satin lining the same color as the “fashion fabric.” It appears to be about calf length. One of the photos I found actually has a shot that shows the facing, the lining, and how the hem is done. Of course, I nerded out. It’s “self faced,” which means that there’s the same fabric that’s on the outside making up the “facing.” The facing is the first ten inches or so of the inside edge of the cloak. It makes a pretty transition from the outside to the inside, without a harsh switch to lining.

Then, there’s the hem.

While attached at the top, the hem of the lining and the outer fashion fabrics are allowed to “hang out” separately while on a dress form. Because fabrics stretch out at different rates (and it also changes by the direction they’re cut from the fabric, but that’s a whole different lesson…) it’s ideal for something like this to hang on a dress form and do its thing for a day or so.

In an ideal world, you’d have a fitting with your performer and you would mark a “level line” on them while they’re wearing the cloak (and also the shoes they will be wearing. Different shoes can change a lot!)

There are several different ways you can mark a hem. You can safety pin it up the way you want it, using a ruler measuring up from the floor to keep it even. But this can be awkward and clunky.

Or you can safety pin a “level line” and say that it’s, for instance, 18” off the ground, and you’d like the hem to be 16” off the ground. You’d draw a new hemline 2” down from the pins. It's the easiest way to know what's level and then decide exactly what you want to do later.

OR you can use what I call “the poofer” which is a little measuring stick on a tripod with chalk and a rubber squeezy ball that poofs chalk into a line at a set height, instead of dealing with pins. But sometimes the chalk doesn’t like to brush away, so that’s a bit of a risk in exchange for convenience.

First, let’s talk about hemming the outside cloak fabric. Because it may have stretched out unevenly, you may have wildly different hems lengths now that they’ve been “leveled.” Let’s say we’ll leave 6” of “hem allowance” to fold up into the garment so it can be lengthened later if we need to. You’ll trim the rest of it away. I can’t tell you how many times I’ve altered hem lengths on cloaks over the years! I'm always grateful to have extra.

You may want to finish the hem with a “serger” or “overlock” machine, which is the sewing machine that uses 3-4 threads to sew things, often stretch, together and kind of seals off the edges. It’s probably what stitches together the side seams of your t-shirt or hoodie or lounge pants or basically anything stretchy. It’s used to keep hems and the edges of fabrics inside garments from fraying. Sometimes people don’t do it, especially since it's inside, but it’s nice if you’re planning on altering it or if the fabric is really prone to fraying.

The cloak fabric is then thoroughly pinned and hand stitched up. There are many different sneaky stitches which grab a few threads at a time from the front of the fabric and are virtually invisible. Everyone has their favorites. My personal favorite is the “vertical hemming stitch” or “vertical blind hem.” I like it because it holds the inner hem and the outside of the cloak more tightly together than a lot of other styles. The “cross stitch” which is called the “blind catch stitch” here in this diagram is one of the most popular methods. However, I feel it can be a bit too loose some times and is more likely to be caught on something. The one downside of the vertical blind hem is that, if you pull it too tight, it’s more likely to show from the outside. It takes a very sensitive hand to get it right. The lining is usually slip-stitched to the cloak hem.

Once you’ve got your level line of your fashion fabric, it goes back on the dress form. I’m…not entirely sure I’ll do a good job explaining this because I work best with showing things with points and grunts. My apologies.

You mark the lining to match the level where the hem of the fashion fabric ends. You decide how far up from the bottom of the hem you want the lining to end (in this case, 4”.) So normally, you think you'd fold it up 4", right? Ha! You subtract two inches from that number. This means you’ll be folding up only two inches of lining. But, since we will be stitching it 4” up from the hem, that means there’s a floppy extra two inches. (Cue Advice.) What’s that for? Now I have to tell you about “jumps.”

Jumps are a sneaky trick. This method is used in suit coat hems and sleeve linings as well. Basically, they’re a way to give a little bit of wiggle room with the length of the lining to hem interaction.

After the fashion fabric is hemmed, you hand stitch the lining 4” up from the hem. You have two extra inches of lining. One extra inch of lining is pressed down so there’s an extra inch of “underlap". This photo (top right) showed me that they had done this to Key’s cloak. You can see it stretched out with the pressed line on the left, and it is folded over on the right.

Left: The "self fabric facing" at the center front inside of the cloak. Top right: The cloak hem showing the underside of the "jump" (left) and it down in its "resting" position (right). Bottom right: the "poofer." They're marking a level line.

If you want to get even MORE granular, that is considered a “soft press”, which means that the iron steams and very lightly rests on the fabric. A “hard press” is what it sounds like. Squish that lil dude and steam the heck out of it. That line is never gonna come out.

Okay. Enough of that. I can’t believe myself.

I could literally discuss this costume inch by inch, but I think I’ve covered it enough that you can peruse it yourself if you’d like and kind of know what you’re looking at.

I deeply admire and respect the, perhaps, 100+ hours of craftspersonship that it took to make this stunning costume. Don’t even ask me what it cost to make!

Do check out the Instagram of @denicheur.official where you can see other costumes they’ve worked on for groups like IVE, Enhypen, Stray Kids and more. They’ve got an amazing portfolio to drool over.

I hope you’ve gained an even greater appreciation for this gorgeous look, and the knowledge you’ve gained here can go forward with you as you enjoy future costumes! And thanks so much for sticking with me. I hope it was worth it!

#Shinee key #Key shinee #kpop #kpop costume #kpop costumes #Key #shinee #costume design #costume construction #costumes #gold costume #costume analysis #fashion analysis

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monstersdownthepath · 12 days

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Ever feel like some deities' aligment don't really fit their descriptions, 'specially racial ones tied to 'monsters'? Like, Dretha want orcs to make strong children and fiercely protect what they have, and resents the male gods for being dicks. Nothing really evil, especially compared to other 'evil fertility goddesses' like Lamashtu and Shib-Niggurath. Feels like she's only not Chaotic Neutral because 'orcs bad'.

-----

Some, yes! However, the orc gods are kind of in a weird area in my consciousness due to the existence of the Hold of Belkzen, aka Orc Central. In canon Pathfinder lore, the Orcs of Belkzen (where the orcish pantheon reigns) are all warmongers hellbent on proving their tribe is the strongest, their leaders are the most powerful, their gods are the only ones worthy of worship! There is no room for softness, for care, for anything resembling true love in a society that prizes individual strength so immensely. Even Dretha, arguably the most gentle of the orc pantheon (in the same way being tazed is more gentle than being struck by lightning), is not immune to this; her nurturing care of young orcs comes at the cost of every other culture, society, and species the orcs come across, many of which she demands as sacrifices in exchange for healthy children... and note that she prizes strong and healthy orcs above anything else, with grim implications regarding orcs born in any other condition.

In a vacuum, "fight fiercely to defend what they have" is a statement that wouldn't be out of place in any Good god's portfolio, and even outside of a vacuum, this was a perfectly Neutral stance back in the olden days when the orcs were being forced from their home by the dwarves... but this is no more. The Hordes of Belkzen have grown, and they now conquer and take not only from each other, but from all their neighbors. "Fight fiercely to defend what they have" looks much less Neutral when they lay claim to everyone else's stuff in accordance with their perceived right as the strongest beings in the world, and see the simple existence of everything outside their tribe--even other orc tribes--as a threat to their belongings, their families, and their way of life.

... all this to say that, yes, she IS Chaotic Evil because the Belkzen Orcs are, by and large, Chaotic Evil. They brought their gods with them from the underground and the majority of them haven't changed for the better because of it; many of them are, in fact, worse now that there's a target for their wrath beyond one another. Even the orcs fighting to reform Belkzen into a proper nation instead of a shattered collection are some flavor of Evil. It takes a long, long time to undo thousands of generations of teachings, after all.

ALL OF THAT being said: if you have an orc character and want to treat her as CN, it's incredibly easy to do.

#im not entirely sure how 2e has begun treating orcs because i do not have access to Sky King's Tomb #so im not sure if the general vibe is 'orcs bad' or if it's 'belkzen orcs specifically are bad'#asks #alexcoene #this got away from me

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1016week · 4 months

Text

1016 Week 2023 - The Round-Up (Part 1)

Hi fellow Piarlies, and happy holidays!! ❤️ Whatever you're celebrating IRL, we'd like to invite one and all to come celebrate Piarles with us here on Tumblr! 💙 Today, on the 26th (AKA, the 10+16th) we are celebrating our beloved squid boys by posting the final round-up of all content created for 1016 Week 2023.

One of our favourite things about fanweeks and fandom events is how they can bring together a whole group of people to create something amazing together. And in this fanweek, we certainly did that - with Piarlies from all corners of the fandom working together, we created more than fifty new pieces of Piarles content! 😍👏❤️💙Once again, we would just like to say the BIGGEST thank-you to everyone who participated and made this possible - you guys made this event succeed beyond our wildest dreams, and we truly can't thank you all enough for it <333

Please enjoy the official masterpost of all the 1016 Week 2023! Don't forget to give our wonderful creators some love in the form of reblogs, replies, kudos, comments and bookmarks ❤️ (P.S. - this post coincides very nicely with the timing of 2023's Just Leave A Comment Fest, so if you're interested in taking part in that wonderful event, and you've been looking for somewhere to start... why not with some of our amazing fics here? 😉💙)

Below the cut is Part 1 of our official round-up: you can find Part 2 here ❤️💙

Day 1 - Monza

Monza + Montreal embroidery by @gaslybottoms [cross-stitch]

you're my guiding lightning strike by @wolfiemcwolferson [fic]

Pierre finds out the soulmate bracelet he's worn since he was 14 has been coded to the wrong person's DNA. He gets the right bracelet. (A Piarles soulmate AU)

all roads lead back to Monza ♥ by @brasiliangp [edit]

I Will Never Ask You For Anything (Except a Dream) by @espithewarlock [fic]

Monza is the one race a year where they are allowed to have each other. They do not talk about it the next day.

we've got our whole lives (no ending this in sight) by @duquesademiel and @chaesonghwas [fic]

On the night of their ninth anniversary, Charles and Pierre travel to Monza together.

sanctuary by @fenesacha [fic]

From the comfort of their shared bed, Pierre watches Charles lean over the railing of the balcony and reach out to the screaming fans below.

monza-themed web weaving by @crimsonicarus [web weaving]

holy ground by @your-littlesecret [fic]

Charles can’t really pinpoint where Monza became their place. It might have started with one or another fan post and they just took it to their hearts. Or: Even with all the changes through the years, Monza will always be their place.

Day 2 - Social Media

we were meant to be as one by @wolfiemcwolferson [fic]

Pierre & the librarian with a secret Tumblr account.

crushing down like waves on the sand by @your-littlesecret [fic]

There’s nothing that could explain the change in feelings, but if Charles thinks about it… if he really thinks about it, there’s nothing really new there.

seven rings by @duquesademiel [fic/edit]

With You Around Me It’s Just So Easy To Be In Love by @espithewarlock [fic]

Their relationship was no secret. They posted about it everywhere on social media. Nobody believed it.

Scuderia Ferrari social media admin AU by @effervescentdragon [fic]

"Mr. Gasly. You have an impressive portfolio, and your CV is one of the best I've seen. What I want to know is, what will you bring to this job? What is the thing that distinguishes you from all the other candidates for this job?"

Piarles + social media AUs by @brasiliangp [edit]

plug me in by @fenesacha [fic]

After a long race, Pierre logs into Twitch and clicks on Charles' stream.

you and me would be (a big conversation) by @chaesonghwas [fic/edit]

When the media pairs up Pierre with Esteban of all people, Charles steps in to help. It doesn't quite go as planned.

social media-themed web weaving by @crimsonicarus [web weaving]

Day 3 - Blasphemy

maybe i don't want heaven by @chaesonghwas, @duquesademiel and @wolfiemcwolferson [fic + playlist]

Pierre kneels thrice: once in front of God and twice in front of Charles.

pulvis et umbra sumus by @your-littlesecret [fic + moodboard]

Great disrespect shown to something Holy. The action or offence of speaking sacrilegiously about sacred things; profane talk. And what could be a greater disrespect than Pierre and his demonic blood, loving Charles, an angel in essence?

Take Me by the Hand Before I Come Undone by @espithewarlock [fic]

Pierre believed in what he could see, hear, feel, experience with his own senses. He worshiped exclusively at the altar of Charles Leclerc.

piarles + take me to church by @singsweetmelodies [edit]

a well loved bicycle by @fenesacha [fic]

Pierre turns around one last time before he begins to pedal away. There is a boy standing at the fence, slightly shorter than him and Esteban. His fringe, light-brown and soft, is being blown into his eyes, but he doesn’t flinch, even as the freezing rain starts to fall. Pierre never saw or heard him approach.

blasphemy-themed web weaving by @crimsonicarus [web weaving]

blasphemy embroidery by @gaslybottoms [embroidery]

Day 4 - Free Day

crochet calamars by @gaslybottoms [crochet]

I hunger for you only by @wolfiemcwolferson [fic]

Charles has a request.

i wanna be a good boy, i wanna be your sex toy by @your-littlesecret [fic]

“I think we should make a bet.” Pierre hums, looking into his eyes. “Not a bet. A reward. Whoever has the first win this year-” Charles smiles deviously, like he’s just thought of the perfect reward. “Whoever wins first gets a ‘free use’ day of the other.” Pierre frowns, “A- free use day?” “Yes. A day where you can do whatever you want with me. Or me with you. Whatever.”

Coloring Outside the Lines by @espithewarlock [fic]

One male profile did catch his eye, a deceptively simple CharlesL16 username hiding exactly what he was looking for. Half the photos were perfectly innocent. Curled up on the couch in a comfortable sweater, sweaty and flexing at the gym, angled shots of him playing the piano, and more that made him look domestic and cozy. There was always a twist, though, and Pierre was instantly hooked. He found himself creating an account and subscribing almost unconsciously.

(i watched it) begin again by @chaesonghwas [fic]

When Juliette is 6 years old, they decide on taking her to Monza. She loves it.

ringing, it's too early by @duquesademiel [fic]

Pierre can't sleep. Charles can't wake up. They might fight about it, but in the end, they love each other more.

how d'ya like them apples by @fenesacha [fic]

Wearing one of these hands on each of your hands at all times, communicate to your teammate the names of these films. You may not raise your voice. You have five minutes. Your time starts when Jenson blows his whistle.

piarles + longing by @crimsonicarus [web weaving]

Our Love Is Not Illusion Based by @espithewarlock [fic]

Having magic wasn’t necessarily a bad thing. Most of the adults would happily admit that having a Witch in the village was a good thing. Charles thought that Pierre's magic was a great thing.

❤️💙

#1016 week 2023 #1016week #event masterpost #1016 week 2023 final round-up #❤️💙

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checanty · 1 year

Photo

HELLO, I’ve teamed up with Drink and Draw Berlin for another online workshop, this time about how to do the whole freelance illustrator thing. I’d like to stress this is an ONLINE workshop, meaning you can participate wherever you are in the world, though you may want to check time zones as this is live. Tickets HERE. ____ So you want to be a freelance illustrator. Or perhaps you’re not even quite sure you want to be a freelance illustrator. You mostly want to pay your bills by making art or making art for a living (those are not the same thing, mind you. ’A living’ should include more than paying bills, right?). Now, freelance illustration is, in my humble opinion, the most straightforward way of making money as an artist. That’s why I do it. It’s still a bit bonkers, the way any career in the arts is a bit bonkers, and it can be intimidating to get started. For one thing, there’s your least favorite aunt, the well-meaning teacher, and society, in general, telling you *not to do it* because you will starve and die on the streets despite the existence of successful illustrators who are doing *just fine*. There’s also a reality in which being an illustrator is totally possible, but it’s not easy, at times confusing, and definitely scary. I mean, it’s also *the best job*, but it’s anxiety-inducing all the time. Ok, not all the time. But often. And most certainly when you’re just starting out. How do you find clients? How do clients find you? How often are you allowed to send somebody your portfolio without being annoying and is it normal if there’s no reply (freebie: Yes—yes it’s very normal.) And once you do get clients, the issues don’t end: How much do you charge, what does a contract look like, and when does your client take suspiciously long to reply? What if you cannot make a deadline—will you actually die aka never work again in the industry unless you change your identity? It’s A LOT. Especially if you have an anxious-perfectionist disposition that is trying very hard to convince you of your own inadequacy. I’ve been a freelance illustrator for eight years now, my friends call me ’established’ (whatever that really means), and I believe I have learned a whole lot in those years, enough that I feel confident I have something to teach, but I’m still learning myself every day because this is a weird little career you’re planning on pursuing and it’s different for everybody. I won’t promise you a career in freelance illustration as soon as you’ve taken my workshop. That’s more of a long-term project and less of a two day affair. I do, however, promise that I will do my best to clear up some of the confusion and give you the best tools I know for succeeding in this shared dream of ours. This is the kind of workshop I wish my art school had offered. We won’t have enough time to get into each of your individual hopes and fears in detail, but I want to make sure I’ll answer as many of your questions as possible so that by the end of this workshop you’ll hopefully have a good grip on what’s next for you and where your journey is headed.

#Workshop!!#I am terrified and excited!!#Join me join me!

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jasper-pagan-witch · 1 year

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As far as pcp goes, how would you go about creating and worshipping your own deity, if thats possible?

Hello hello!

As requested, I am tagging @alter-altars and @janhasnoplan in this answer. For convenience, I'm breaking this down into three headers - Don't Get Caught In A Cult, DIY Gods, and Religions From A Writing Perspective.

Don't Get Caught In A Cult

Cults are fucking terrible. And the worst part is, the more immune you THINK you are to them, the more likely you'll be to fall for their tricks.

The New Age to Alt-Right pipeline is a big example of this in metaphysical spaces, but many people have also drawn parallels between Jehovah's Witnesses, the Amish, or Mormons and cults - not because the model is wrong, but because groups that are cults often get away with it in many parts of the United States.

You may not be trying to start a cult for your DIY divinity, but it's important to be aware of the warning signs. People much smarter than I (or at least have the PhDs for it) have written many things about how to identify and escape cults, which brings us to:

Important Links

Steven Hassan’s BITE Model of Authoritarian Control on the Freedom Of Mind Resource Center

Mind Control - The BITE Model on the ex-cult Resource Center

The BITE Model of Cult Mind Control Explained by Joseph Sherwood on A Little Bit Human

How to Recognise a Cult; How to Avoid Cults That May Try to Convert You; and How to Leave a Cult on WikiHow

What To Do When You Realize You Accidentally Joined A Cult by Carrie Saum on Ravishly

How To Help A Loved One Who Joined A Cult by Stephanie Gomulka on Oxygen: True Crime

@pondering-the-kaiju's entire pinned post

DIY Gods

People have been making up gods for their needs for as long as we've had gods. Aradia (the creation of Charles Leland, fuck that dude) has one book as her source. Cernunnos appears on maybe one cauldron. People make up Greek gods all the time because there were just so many of those guys, what's one more? (Good examples of this are Mesperyian and, arguably, Makaria.) And, of course, we can't get through this without mentioning Robert Graves (fuck Robert Graves) creating the White Goddess as his wife's self-insert.

So yes, creating your own god is possible and has precedent. You could even argue that every god was created by someone at some point, because that's just how humans work. We see an idea (often because we're introduced to it by someone else), we go "Oh, that's neat!", and then we take the bits that work for us and we add new stuff that helps flesh out the divine in question. It's how Aphrodite evolved from Astarte, it's how Dionysus got developed and changed over time, and it's how we have the two Wiccan divines.

I recommend studying other religions and how they came to be, because that will also help you learn about how the gods in question came to be. Who moved where? What gods got brought along and turned into other gods? I particularly recommend looking at the Romans and how they went "Wow, everyone worships our gods but with different names! Neat!"

Important Links

Literally anything by Overly Sarcastic Productions that goes into detail about the origin of various deities (which is mostly on Red's end) - namely these ones about Aphrodite, Dionysus, Hades and Persephone and Demeter, Hermes, and Loki

Anything broadly about deity work and religion, frankly, because in the course of developing your divine figure, you'll have to come up with their offerings and portfolio and what they may help you with

Wolf Of Antimony Occultism - aka @wolfofantimonyoccultism here on Tumblr, they're creating their own religion that's really cool to see

Religions From A Writing Perspective

At heart, I am a worldbuilder. I build worlds. That's what I DO. My Kephea project is a great example of this, though I have others as well. In particular, I love building magic systems and religions.

I will accept any chance to talk about my Kephea project, but this is about building a religion. Generally speaking, religions like to talk about the following three things:

How did the world come to be?

How should we act towards one another?

What happens when we die?

Not every religion (real-world or in media) talks about all of these. Hell, some don't touch on any of them. Here's a fictional example of a religion that has some things to say: the Church of Avacyn (the plane of Innistrad in Magic: The Gathering):

Doesn't discuss how the world came to be.

Says that humans should help and protect each other from the monsters of Innistrad, which include vampires, werewolves, zombies, geists, and even other humans. Later says that humans are inherently sinful during the height of Avacyn's madness and they should be slain to save them from themselves. One archangel and her flight took that second part personally and caused a schism in the church.

Promises a Blessed Sleep that won't be bothered by undeath in either zombie or geist form. This isn't going well now that the archangel and her flight who oversees it are destroyed.

It's important to sit and think about how your religion addresses or doesn't address these questions. Is it more of a henotheistic approach, where any number of gods exist but you only worship some? Is it a monotheistic approach, where there's only a single deity? Is it a polytheistic approach, where there are many deities with a strong connecting thread? Is it an entirely different approach, like archetypes (the Mother, the Child, the Himbo), natural forces (the sun and moon, the forest, the potty pond), or something else? That's up to you.

A lot of my links here will be about polytheistic religions, because those are the ones I build the most. Yes, I have a lot of these links, because this is one of my special interests.

Important Links

On Worldbuilding: Religions [ polytheistic l Avatar TLA l Game of Thrones l Cthulhu ] by Hello Future Me/Timothy Hickson on YouTube (a written version of this video is also Part 12 in his book, On Writing And Worldbuilding volume 1)

So You Want To / Create a Mythopoeia; Fantasy Pantheon; and Stock Gods on TV Tropes

Creating a Religion Guide part 1, part 2, and part 3 on Roll For Fantasy

Common Misconceptions About Old Mythologies & Religions; Basic Tips To Create More Believable Sci-Fi & Fantasy Religions & Belief Systems; How To Create Fictional Structured Religions; and Things That Show Up In Christianity-Inspired Fiction That Aren't In The Bible on Springhole

List of religious ideas in fantasy fiction on Wikipedia

8 Tips for Creating a Pantheon for Your Novel by Jill Williamson on Go Teen Writers

How to Create God Characters for Your Fantasy World by Kathy Edens on ProWritingAid

In Summary

I didn't actually give advice, did I? I just kind of dumped a lot of my resources here. Oh well, hopefully you all get something useful out of this!

~Jasper

#answered #anonymous #religion #deity work #pop culture #masterpost #writing

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respectthepetty · 2 years

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Who filmed the protests?

Kimlock Holmes here again delivering another theory based on nothing but my instincts and caffeine.