#also I think there has been some talk of a parallel to 'do you know how special your son is' with JJ talking about Kiara

[class1akids]

Some thoughts about Ch 419 - character agency and origin

I'm way behind, but wanted to add my 2c on the debate relating to the AFO "twist" and what it means for Tenko to have AFO at the core of his existence. It made me think once again of the Shouto-Shigaraki parallels .

I didn't take it quite as bad as some of the fandom, because:

we kind of already knew AFO was behind it, we just didn't know the full extent

unlike a lot of people, I didn't think that Tenko being saved by vestige magic hugs, sidestepping Tomura's adult personality and going hand in hand with child!Izuku to fight the big bad would have been a good conclusion.

I also don't think that Tenko not having any agency is necessarily a bad thing. You see, my favourite character, Shouto is a lot like Tenko. His birth, his quirk, the loss of his family, every trauma that shaped him as a child leads back to Endeavor. He's born to be his weapon to use as he wishes.

His lack of agency doesn't make him a boring character. In fact, I find it fascinating how the story shows us Shouto clawing back his agency, identity inch by painful inch, until he's able to stand firm and say - so I can AFFIRM the reason for being born. So let's look at saving Shouto, because I do think it's kind of a blueprint not only for saving Tenko/Tomura, but to Tenko/Tomura rising to save others.

And if we remember Shouto's journey - yes, it starts with a moment of a hero reaching out to him, reconnecting him to his child self who was told that he can choose who he wants to be, he can be a hero.

Notice though how being reconnected to his child self, is not an insta-save. Baby!Shouto doesn't just take over UA!Shoto and erase his personality or past mistakes. Shouto himself has to do the work. He has to face his own shitty choices, like giving the cold shoulder to Inasa or not seeing his mom for a decade and try to reconcile who he is NOW after the abuse, grooming and being driven by negative feelings. Taking ownerships of his mistakes (even if the source is Endeavor) is one of the ways to emancipation.

But it's also not a straight path. Shouto experiences being faced with his childhood dream as a nerf (just like Tomura did now lose to AFO) because of the trauma and doubts he carries. He momentarily loses his will to fight.

For people who never had agency in their lives like Shoto or Tomura, the simple truth that you get to make choices is hard to internalize and the constant doubt whether it's a choice you make by yourself or are you just walking down the path your "creator" set out for you remains.

And how could it not? Shouto wants to be a hero and wants to be not like his father who is the No 1 hero now. It's a contradiction, no? And it takes Shouto 200+ chapters to come up with an answer to reconcile the tension - he wants to be a reassuring hero - something Endeavor never was. Having this goal in his mind, he's able to accept more and more of the tools his father gave him - his quirk, Endeavor's techniques, even gear that looks like his father's - because as long as he's rooted in his own will, his own goal, he gets to keep his own identity, he gets to affirm his reason.

This is why I want not some idealized child Tenko to vanquish AFO. I think it's much more powerful if the person who makes a return is Tomura (who is also Tenko, but I use Tomura as a shorthand for his adult self, the person who he has become).

And while it's undeniable that AFO is deeply at the core of Tenko's origin (just like Endeavor is for Shouto), I also think he's gaslighting Tomura when he says Tomura never made a choice. And I'm talking about the League here specifically.

The bonds Tomura created with Touya, Toga, Spinner, Compress, Twice, Magne, etc - are fully choices he made. AFO let it happen - but the League (a place for outcasts to be accepted) are Tomura's choices.

Just as for Shoto the friends he made are instrumental in him earning his agency, being able to affirm his existence and not crumble from tragedy, the LoV is the key for Tomura to start to claw back his own.

And that's why I think it's narratively desirable for them to be part of Tomura's endgame (also to mirror Deku who would be fully an OFA/All Might creation if not for the friends and allies he made for himself and who all come to his aid in the end).

The League is also the place where the Tenko/Tomura faultlines can be reconciled into a whole. Tenko's desire to be heroic (to play with the outcasts) and Tomura's desire to stand with his allies/friends (the villains). So it boils down into a moment of wanting to be the Hero of the Villains. That's Tomura affirming himself right there. This is not AFO's path for him, but it's him reintegrating everything he has become, his truths and understanding of the world, his bonds that shaped him into that childhood dream. (It's like Shouto's "reassuring hero" moment).

And I think Tomura losing himself to the trauma, PTSD, etc. momentarily is ok too. He lost the rage that drove him forward (like Shouto in the final of the Sport Festival) and is untethered right now. He will need to find a positive emotion to become his drive to take him forward.

But his power will surface with the right trigger, just like Shouto showing up at the Stain fight wielding his newly liberated fire to help Deku was the real pay-off for their Sport Festival fight. (But only after Shouto digged deep inside himself and went to face his mother, face the existence he was given and the hurt it caused to his family with the actual reality.).

I think Tomura will also need a "deep dive" to compare his perception of the world to the current reality. Is society as passive and worthless as his perception of it? The heroes all fighting together, the civilians pitching in feels like there is a change compared to the passive hero society he remembers. But I think the real trigger should be / will be the LoV coming in. Because is it true that AFO made him choose them?

The LoV despite their bonds being real and deep couldn't save each other because they were all spiralling deep in their own traumas. But now Toga and Touya also had their own moments of reconnecting with their child self and having that child's original desire fulfilled (for Tenko - a hero came, for Touya - his family watched him, for Toga - someone accepted her as normal) but of course it's not a magic solution.

Because that moment would have saved the child they were, but not enough for their current selves. They will also have to make their own choices going forward. I think all of them can find the reason to face AFO now - Toga still wants to protect the things she likes, Touya maybe able to move beyond his father's reasons and look for his own, but not from a revenge perspective, Spinner is loyal, Compress I think will also come.

How, you ask? Well, Kurogiri is still black with bits of white. He still has in him the conditioning to protect Tomura, but also infused with Shirakumo's genuine care. I think just like Oboro helped the heroes to round up everyone, Kurogiri will round up Tomura's allies.

And once they are there, Tomura will rise up to them and will be the hero of the villains, joining forces with Deku and everyone to finally finish off AFO (and maybe save his friends). Because even with the little agency he had over his life, those choices were his alone, and he will be able to root his identity in that.

#bnha meta #bnha 419 #tomura shigaraki #lov #todoroki shouto #afo #shouto shigaraki parallels #bnha parallels #shimura tenko #class1a reads bnha

[corfisers]

i really need to finish this one day

#one of my fave ideas but i keep getting stuck or starting over. third time's the charm hopefully #anyways. posting it as an excuse to rant because i'm losing my mind over this rn for no reason #incoherent but i just need to Talk or my brain won't shut up #you ever think about how fucked up it is that aoi feels guilty over what happened. i do. i think about her a lot #he can't even look at me. we aren't even blood related but he still had to go to jail because of me. i still love him #in reality none of it is her fault. it shouldn't be about doumeki in the first place. baby girl you were 15 when it happened. #you can say that yashiro is cruel in his dismissiveness (on the surface) of doumeki's trauma but you can see where he's coming from #you got a glimpse of what your sister was going through? of what i went through? and now you're sooo guilty over it? and who does it help? #doumeki's so focused on his own feelings that he ignored aoi when they were living together. “saves” her by pure chance #proceeds to focus on his guilt and ignore her again. if yashiro didn't get involved she'd be sitting in the rain for god knows how long #yet she still loves and to some degree idolizes him #yashiro and aoi both saying that doumeki isn't the type of person to be a yakuza too. doumeki's good doumeki's better than that #and then ch 24 happens. where yashiro says that he's going to throw up and doumeki's response is “i probably won't stop even if you do” #“guess i am like my father after all” and yashiro still goes “you're not. you're pure and im the problem” #(touches doumeki's face. rare gentle gesture. he's gentle afterwards too before leaving. man.) #he's not cruel enough to repeat what he said in the earlier conversation and he doesn't actually believe it anyway #but i wish yashiro was cruel there. it shouldn't have been about doumeki and his feelings. again. #something about yashiro throwing a knife at another person and it flying back at him huh #for all the talk about how doumeki supposedly romanticizes yashiro it really is the other way around. always has been #which is a whole other conversation but yeah. everything about aoi and yashiro in relation to doumeki makes me so fucking sad #but this is also what i mean when i say that aoi doesn't haunt the narrative per se but still has this weird presence? #she's in the parallels. she's in the brief but important mentions. she's in the “your sister was lucky she had you”. #wips tag

[fate-defiant]

There is a Duckling,, LOOSE in the archives

#duck in the jarchives what delights will she bring #do not archive #my art #anyway yea i've been thinking about that tma au again #these are mostly misc goofs and gags and whatnot #but something is slowly forming in my head #anyway yea ive decided to place this circa season 3 #sorry sasha better luck next time. #there;s more where this came from and i may or may not have thumbnailed. a short comic #why yes i do have tons of other shit to do i am glad you asked #no i will not prioritize the more important shit who do you think you're talking to. a functional adult? i am typing this at 4 am. #anyway i imagine martin is duck's emotional support adult. he did not ask for this and does not know how to be that but he tries #god imagine human!duck interacting with the archival team. priceless #get in loser we're going to thera- wait what the fuck thats. a child. a child is doingWhy is a child doing therapy #hey child? child you do know this is not your responsibilty right? right? Child???????????? #oh my GOD the parallels. #yea this would unveil some real fucky issues in ducks sweet selfless little head #and thats not even getting into my own musings and headcanons regarding the bertha au and also yes i am integrating htat into this. somehow #theres a comic idea sitting on my brain about that too y'all something has unlocked in me but only for the purely self indulgent shit #i need horse tranquilizers i need horse tranquilizers.

[ratgirlcopia]

ranting but this time more meta-level ghost transgenderisms.

i don't think i can explain why ghost's whole gender thing is so appealing to me. like even if i tried. but i'm gonna try anyway because it's like. ok. there's the obvious appeal of a performer intentionally dressing up much older/more masc than they actually are. which appeals to my drag king sensibilities and also made me go "ohhh this is how i wanna age, actually." and helped me while i was realizing how much i wanted and needed to transition (rats video had a formative impact on me ngl). but then there's also like.

as a character, copia has this wild stage charisma that's paired with a lot of awkward, repressed, insecure energy in the chapter videos that made me go like. ohhh. oh i think you're also going through it. possibly in a way similar to me. so when i write and post about copia, he tends to be holding back a lot of himself, and whether it's gender or sexuality related, that doesn't matter so much (tbh the likeliest reading of canon is that this energy is just because he's autistic but. he can be autistic And Also Closeted).

and then we have these meta levels of drag. these LAYERS of drag. where tf is making himself look older and more masc to play this character who is in many ways very feminine. and does it in a way that feels absolutely earnest and natural. and that makes me scream. a lot. and the chapters are so camp cringe comedy but they have so much heart and they are so sad if i think about them for more than five seconds. ghost is drag and it is drag that kills me, personally.

#copiaposting #sorta anyway. mostly just genderposting. you Will read this and understand me. #copia is. such a good character. the autistim-repression energy that's so strong even though he's doing sooo much onstage is. something. #i don't mind if copia gets killed off! i really don't. but i would love to get a little glimpse of what's under all that repression. #it's just a really fun thought experiment. for me. because it requires accepting so much of copia's stage behavior as a front. #ghministry repression being a weird reverse/parallel of catholic repression is soooo good to me i'm eating it and chewing it up. #copia being awkward offstage and not knowing how to talk to people + having no significant relationships + not really knowing who he is. #so good. it's so good. it's such a good character choice. [points at him] you Are Very Closeted. in some capacity. #anyway repressed trans fem copia has been hitting me hard lately. extremely hard. much of this is why. #tf being so aggressively pro-trans is big for me. i would not be investing this much mental and emotional energy into ghost if he was not. #but also. there's no way ghost would have the energy it does if he was not so pro-trans. much to think about.

[yellowlaboratory]

If a genie let you put one scene or detail or whatever into season 3 of obx, what would you choose? (I’m basically asking what your dream scene would be)

oh lord. oh my god. can I even pick?

I'm going to sound like a broken record, but the thing I want to see THE MOST is a recognition of Kiara's Kook Year. I want to hear more about it, I want to know more about how she made up with the boys and how it affected their relationships, and I also want to know more about what the boys did while she was gone. I personally think they would have fallen apart a little bit without Kiara around (like Jordan says, she's mostly in charge of their singular brain cell) but I want to know more of the show's take on that.

I think in terms of my dream scene... oh god. I really want Kiara to have a "do you know how special your son is" moment in front of JJ. Like, not with Luke, obviously, but that same type of sentiment. she thinks so highly of JJ and he just has no fucking idea. I want to see a scene where she's talking to someone (or even JJ himself) and he realizes that she thinks the world of him. and also, i just need her to tell that poor boy that he's destined for more than a jail cell. please. PLEASE. it's set up so well in s2 and i think they could nail a scene like that in s3.

someone find me a genie 🤡

#obx #jiara #obx s3 theories #outer banks spoilers #other dream scenes: #the first jiara kiss set to Heat Waves by glass animals #i've been saying this for a while lmao but that beat drop? it's made to be used as the backdrop to the hottest kiss you've ever seen #bonus points if it's an angsty goodbye kiss as their first kiss as she's shipped off to blue ridge #🤡 #also #jj seeing kiara in her kook uniform and giving her SO MUCH shit about it??? yes please #i also want to see Wheezie team up with the pogues in a more substantial way #I would love love LOVE to see Wheezie and Topper tag along and have Wheezie just verbally beat the shit out of him the entire time #i know canonically she had a crush on him in season 1 but it'd be so much funnier if she was just constantly giving him a hard time #also just in general #any scene that confirms any of my headcanons LOL #more scenes of the Pogues Being Pogues #I think we'll see one of the Missing Moms (whether it's JB's or JJ's or Sarah's) around and I think that could be interesting #also I think there has been some talk of a parallel to 'do you know how special your son is' with JJ talking about Kiara #and id sell my soul and my children's souls and my grandchildren's souls to see something like that alkdfhkasjdfh #also anything that relates to friendship bracelets at all #there's about a hundred thousand more ideas I have and I'm gonna think of all of them as soon as I hit post #but for now #that's enough 🤡 #'can i even pick?' no #no i cannot

[rusalkaandtheshepherdgirl]

sucks to suck sometimes

#that is to say i'm going to vent here in the tags i would apologize but this is my blog so #but i won a sonnet contest yay congrats go me if there's one thing i can do it is write pretty weird sonnets that people like for some reas #i even got prize money for it again all good here #however yesterday i was driving because you know i was planning to go try and take my driving test and get a license #for you know government id and also so i can. drive a car and whatever useful skill in this car-centric hellscape amiright #and i did passably all hour i just drove around the city practicing like passing and stopping smoothly and all those good things #and then i drove onto my street which i cannot stress enough is a one way residential street #and it was the middle of the day so like. there were a total of five cars parked along the block #and my mom picked up a call with her girlfriend which like good for her right but it's very distracting because she's right next to me #and i'm trying not to listen because she doesn't like to be eavesdropped on when she's talking to her gf #and the apartment has paper thin walls so i basically have to try and turn my attention off so as to give her privacy #so anyways i turn half my attention off and manage to tap one of the cars parked on one of this nearly-empty street #because to quote olivia rodrigo i'm not cool and i'm not smart and i can't even parallel park #and they test u on that so i was trying to parallel park right which i can't #so now i am refusing to go take my driving test because i hate myself and my abilities #and to get back to the setup i can't even be happy about prize money or anything because obvs i have to pay back my mom #because cars are expensive even if it's just small dents in them #and like. there's been a whole thing about me being promised a job and then not getting it so i don't even have a job right now #i'm applying to all the places i can think of that i can get to on public trans and who might wanna hire a teenager with v little experienc #so anyway until someone decides to take pity on me and hire me i don't even have a job to help pay her back with #which it could be worse! we have enough money that it's not going to be a disaster until i can properly pay her back #and my sweet twin is even begging me to let them pay half because we generally split expenses and pool our money and whatever #even if it's usually like. buying coffee for both of us or getting lunch someplace not me managing to fuck up driving on an empty street #so like it could be way way worse however it really sucks #anyways i feel terrible about the whole thing obviously and needed to vent someplace #so hi strangers on the internet it was probably not worth it at all to read all of that #rio remarks

[inbarfink]

When talking about the distinction between Simon Petrikov and the Ice King,  it’s important to remember that originally, the Crown wasn’t trying to turn Simon into Ice King -

It was trying to turn him into this guy.

At the time, the Ice Crown - or rather the Wishing Crown - was programmed with Gunther’s wish to become Evergreen. So everything related to making the current wearer like Evergreen is a very direct result of the Crown’s Magic. The physical changes -

And the obsession with the name ‘Gunther’ -

And maybe some of the irritability and anger issues -

That is something the Crown is very directly forcing unto its current wielder. 

But everything else?

Ice King, personality-wise, was not much like Evergreen at all, or even like Gunther's view of him. And Ice Finn of the Farmworld Universe was also pretty different from the both of them.

At the time, I remember people assumed Ice Finn’s behavior is more indicative of what the Crown is actually trying to do with its wielders. That Ice King is so different because of Simon’s subconscious resistance against the Crown - while Finn’s much younger and dumber brain is a lot susceptible to the Curse’s influence to become some sort of mad world-conquering emperor of ice and snow. 

But, with the context of the Crown’s actual backstory. That doesn’t seem very likely anymore. I think what’s actually happening there is that the Crown is just trying to make its wielder an Ice Wizard on par with Evergreen (who was the Actual Goddam Ice Elemental) and that means pumping the wielder’s brain so full of Magic, Madness and Sadness to a level that is bound to overwhelm anyone.

And Simon’s and Farmworld Finn’s very different behaviors after putting on the crown is indicative, more than anything, of how their psyche reacts to Madness and Sadness in general. You know, Finn has a very proactive and kinda aggressive personality - and you add Crown-induced-Madness-and-Sadness and a compulsion to use Ice Magic as much as possible and you get all of…. this 

Meanwhile, for Simon, the compulsions of the Crown originally filtered exclusively via the language of protection 

As his madness always manifested as romantic obsession 

And using goofy humor to try and deny the pain he’s going through 

Because that’s how Simon’s mind specifically reacts to being flooded with so much Madness and Sadness.

That’s why there’s so many parallels between Ice King and the sort of mistakes and screwed-up stuff Simon does right now! He’s even kidnapping people again!

Because the Madness and Sadness of Ice King might’ve been induced by the Crown, but now Simon has plenty of personal home-grown Madness and Sadness inside him - and it’s no surprise that Curse-Induced or not, his mind reacts to it in a sorta-similar way. (Although obviously not as intensely, again, there was a LOT of MMS in the Ice Crown).

Now as for Ice Thing, and the fact that he seems to be actually rather well-adjusted under effects of his version of the Wishing Crown. I mean... not by the time of the 1000+ Era, but that’s literally eons in the future and also maybe more Gibbon’s fault. Even if the Crown will eventually take some sort of toll on him, for now he seems to be doing pretty well considering his wish. I mean, there's still some sort of Loss of Identity stuff going on

But everything we've seen of Ice Thing (in the present day, at least) shows him as a friendly and cheerful individual that gets along well with others. A far cry from how maladjusted every single wielder of the Ice Crown acted.

At the very least, if there's any notable amount of Sadness in him, we really haven't seen it yet.

There might be several factors here:

First things first, I should acknowledge the possibility that it’s just that Orgalorg’s eldritch brain is better at intaking all that MMS juice. That could play a part, but I think it’s probably more important, at least thematically, to look at the distinction between ‘I wish to be Evergreen’ and ‘I wish to be Ice King’. 

First in the sense that while Ice King was occasionally mean to Gunter at times - he was generally much kinder than Evergreen ever was for ‘his’ Gunther. So, like, pretty much the one Personality Flaw of Ice King that you can directly link to the Ice Crown’s attempt to mimic Evergreen is the occasional anger issues.

And how they relate to Gunther’s view of Evergreen, so grumpy and controlling and constantly saying ‘NO!’

(Both Finn and Simon’s demonstrable not-crown-induced trauma responses can make them pretty short-tempered as well. So I’m not going to say this is purely the effects of the Crown. It still probably plays some sort of factor at why the wielder of the Ice Crown is Like That).

And that is not a factor in how Gunter views Ice King. For him, Ice King was a doting and loving father figure - so if the Crown was ever trying to implement any sort of specific negative personality traits, this is absolutely no longer a factor. Because the original Ice Crown was a reflection of Evergreen’s abuse, and now Ice Thing is a reflection of Ice King’s fatherly love.

Which is, itself, probably an echo or remnant of Simon’s own strong parental instincts. 

Secondly, while the Crown was trying to make the Ice King just as powerful as Evergreen…. Ice King was obviously not as powerful as Evergreen. Because he was already a second-rate copy of the Ice Elemental’s power, and because Ice King was often just too doofy to use his powers correctly and probably because some remnant of Simon’s original sensible self is subconsciously holding his powers back.

Either way, being ‘like Ice King’ as Gunter sees him requires less Magic than being ‘like Evergreen’ as Gunther saw him - and therefore less Madness and Sadness. Leading to the wearer or, um, the eater being a lot more well-adjusted from the get-go.

And I think that the implication that Ice Thing has fused with the Crown, so there's never going to be another poor sap who puts on the Crown and gets Ice King'd. But if there is one somehow... at least the process is going to be less mentally detrimental that time around?

Maybe one day Simon could look back and appreciate how much he (or Ice King, or both of them, or however you want to look at the situation) is responsible for basically neutralizing the Crown that ruined his life in the first place.

#adventure time #atimers #adventure time fionna and cake #adventure time simon #ice king #simon petrikov #simon adventure time #the ice king #fionna and cake #fionna and cake simon #fionna and cake series #fionna and cake show #ice thing #the ice thing #adventure time gunter #gunter the penguin #adventure time gunther #gunther the penguin #Urgence Evergreen #simon and marcy

[inkskinned]

no, but really, we need to talk about the casual objectification that has become the fallback discourse of the internet: if you're pretty and dressed nicely, you're a slut. and if you're even vaguely outside of their body standard, you're fucking disgusting.

too-frequently, people position sex workers as being "the problem". they sneer you're addicted to pornography, you don't know what a real woman looks like. but real women are in pornography. the real bodies on display are not the issue here: the issue is that other people feel extremely confident when commenting on someone's physique.

2000's super-thin is slowly worming its way back into the public ideal. recently i saw someone get told to "go for a run", despite the fact she was on the thinner side of average. not that it would ever be appropriate to say that: but it's kind of like sticker shock when you see it. people think that is fat? holy shit. do they just have no idea about things?

but what are you going to do about it? that's the problem, right. because chances are - you're a normal person. we can say normalize carrying fat on your body, but we are not the billion-dollar diet industry. we are not the billion-dollar fashion industry. we are just, like. people. who are trying to make content on the internet, without being treated shittily.

as someone who has been on both sides of things: you are treated better when you are thin and pretty. this is statistically correct. i am not saying that you cannot be bullied for being thin; i'm saying there are objective institutional biases against certain bodytypes. there are videos of men and women who lost weight all saying: i now know for a fact exactly how much worse you're treated. in the comments, some asshole inevitably says something akin to you deserved to be dehumanized when you were fat.

which means that ... the easiest thing to do is be pretty and thin. it is the path of least resistance, because of course it is, because any time you post a picture of yourself without a thigh gap, someone immediately comments something like you need to try a diet.

the other half is also dehumanizing though, huh, just in a different way. when i put on makeup and nice clothes, i am told i slept my way to the top as a professional. do you know how many women in STEM have told me they purposefully dress to "unimpress" because they already struggle to be taken seriously and if they're ever considered pretty - it for some reason takes away from their authority.

so they make it seem like it's your fault. you, existing in a body - it's your fault! if you didn't want shitty comments, don't have a body. they position us against each other like chess pieces; vying for male attention we don't even need.

and i can be an authority on this unless you think i'm fat and unattractive. when i am pretty and thin, i'm an activist. when i am just a normal person who makes a good point: i am immediately dismissed. nobody fucking believes you if you're not seen as attractive. you literally lose value. you cease to exist.

but the whole time, it feels like - is anyone actually grounded the fuck in reality? the line of "pretty and thin" keeps shifting. nobody seems to understand what "a normal weight" even looks like, because it's not something that exists - you cannot tell a person's health by looking at their body. even if you think you could tell that, even if you're sure a person is dangerously overweight - people are not your dolls. they do not need to be dressed up or displayed properly to soothe your aesthetics. you aren't concerned for them, you're stealing their agency. you don't get to say if they're "allowed" to take pictures and post them on the internet - you don't get to tell them how to exist.

people hide behind "the obesity epidemic" without any actual qualifications. they crow things about "normalizing unhealthiness".

but it's bullshit. i have visible abs. there is a pair of parallel lines on my body, even when i'm relaxed; where my obliques meet my abdominal wall. i am proud of this because it means i'm strong, because i overcame an eating disorder only to be ripped as fuck. it is genetic and physical luck that i even get any definition, i'm pleased as punch.

but it does mean that my abdominal wall sticks out a little bit. the other day i posted a video of myself dancing, and, for a moment, my shirt slipped. you could see a little bit of my stomach. i was cartwheeling to the floor. moments before this, i'd had my foot over my head.

a guy slid into my DMs. a row of vomiting emojis prefaced: you should really lose some weight before you think about dancing.

i stared at it for a long time. there was a time when i would have been triggered by this, where it would have encouraged me to starve myself. i would have ignored the fact i'm flexible, agile, good at jumping: i would have lost the weight for a stranger's passing comment. i would have found myself and my body fucking disgusting.

and for what? to please what? because why? so that he can exist in this world without an unchallenged eyeball? what would my self-hatred even accomplish? usually i write paragraphs. obviously. on this particular occasion, in this body i've been at war with for ages: i just felt exhausted.

it shouldn't be even worth saying. it shouldn't be hard to explain. all of this emotional turmoil when he cannot even comprehend the most basic truth: i am not an object on display for him.

#spilled ink #writeblr #warm up #like if im getting fatshamed. babe......... wake up #is there fat on my body? yes :) #btw this behavior wouldn't be okay even if I WAS overweight!!! that is my point!!! #it is both that people have no idea what weight is supposed to look like #and even if they DID... they do not seem to understand that PEOPLE ARE NOT DOLLS #YOU DO NOT GET TO TELL THEM HOW TO EXIST #if you respond anything akin to ''but raquel there IS an obesity epidemic'' #you're blocked and reported. #go fucking DONATE TO A FOOD BANK THEN. volunteer in a food desert. start a free fitness program #GO GET A DEGREE AS A MEDICAL PROFESSIONAL AND PRACTICE IN NUTRITION IN UNDERPRIVILEDGED LOCATIONS #FIGURE OUT HOW TO LOWER FOOD COSTS. FIGURE OUT HOW TO NORMALIZE AND STANDARDIZE #ACCESS TO FARM-FRESH FOOD. PROVIDE ACTUAL FREE ACCESS TO OUTSIDE ACTIVITIES #FIGURE OUT HOW TO TEACH PEOPLE HEALTHY CHOICE MAKING WHILE ALSO LOWERING THE COST OF MEALS. #THE AVERAGE GROCERY BILL OF THE AMERICAN CITIZEN HAS QUADRUPILED IN THE LAST YEAR. #SHUT. THE FUCK. UP!!!!!!!!! #you don't want to help these people!!!!! #you want to bully them but still feel like a good person! #you want to be justified in your hatred of an entire CLASS of people!!! #you don't give a fuck about how it makes them feel!!!! #you care ONLY about whether or not YOU get to VIRTUE SIGNAL that YOURE so thin and pretty!!!! #it is BECAUSE of people like you #and the fact you tolerate fatphobia - BECAUSE of that normalization. that men like the one who called me fat #feel like they can get away with it. #bc there's a line for you where you WOULD be okay with it. where if i WASNT thin you'd be okay with it. #which means the line can always be pushed in a certain direction. and it's always going to appeal to male aesthetics. #''well you didn't deserve it'' maybe fucking NOBODY does babe. maybe we should just all agree not to comment on ppls bodies!!

[bitchimasnake-sss]

"doing laundry and taxes with you" ft. the monster trio!

ft. (domestic!) luffy, zoro, sanji x fem!reader

in which, you make their house a home

(a/n: im sick and needed some comfort so this got very long im so sorry!!)

warnings: nsfw towards the end! nsfw stuff includes car-sex, in public, dirty talk, rough sex, penetration, squirting, sanji takes a picture of you choking on his dic- (ahem, not sorry); MDNI (thankyou very much okay byee)

luffy:

they are so precious to me 😭😭

- whatever you do, don't imagine domestic!luffy - don't imagine cold mornings when you're under the cover with him. he's holding you tightly, snuggling against you and whispering a soft, "good morning, baby" - do not imagine him coming back from home and holding you by your waist when you're doing something, nuzzling into the crook of your neck as you asks you how your day was - don't think of him as one of those guys who start a tickle fight when poke him once and laugh at him - absolutely do not imagine his as one of those s/o who are down to make everything into a game "whoever loses mario-kart makes the dinner, okay?" he grins, pulling you down onto the couch with him "oh really?" you laugh when he holds you tighter, "i really want some pasta tonight then" - he ended up making pasta that night - but as i said, don't imagine luffy as that because he is certainly that man and more - he will fret over you when you fall sick, trying to make you laugh your way out of a fever (canon). he won't leave your side, no matter how much you insist that you're fine "what do you need? water? soup? pizza- oh wait no that's unhealthy" a pause, "wait, do you want a pizza? it'll probably be fine if you eat one tbh, right??" - also the kind of guy who will ask his friends to turn their car around (because in no parallel universe do i believe luffy knows how to drive ffs) because you only said "love ya" and missed the i (how dare you, he's heartbroken now) "yn!!" he's yelling from the driveway, "YOU FORGOT TO SAY I LOVE YOU!!" so now you're sticking out your head out of your apartment window, looking down at a pouty luffy, annoyed zoro and unbothered sanji - also, man has TERRIBLE separation anxiety - (people now know that wherever you are invited, luffy is invited too "what are you doing here?" nami hisses as she vaguely looks at luffy, "this is supposed to be a girls night out!" luffy shrugs, "pretend im not even here" yeah, luffy that's kinda hard when you're practically draped over your girlfriend the entire night) - but as it's been established, don't fall for his perfect acts because he is the kind to park in a distant corner of a grocery store parking lot and beg for you to let him fuck you "it'll be quick," he's whining, tugging you towards himself and kissing you senseless, "baby, i promise. just one hit." - he's feral, holding you flush against himself as he fucked you with your top still on and your hands holding tightly against his neck - your arousal drips into his thigh and he's groaning about how good you feel, you feel him thrust into you harder and now you're spasming and cumming around his girth - he didn't infact let you go after one hit. - you both walked into the grocery store 37 mins later with your faces flushed, hair tousled and a familiarly uncomfortable wetness nesting between your thighs - (cause i know he's fucking nasty and he will absolutely make you walk into that store with his essence still inside you. sorry, i do not make the rules :/) - eitherways, best guy ever - he's the perfect s/o that never lets you have a dull moment in your life as long as his annoying ass is around

zoro:

- i will stand by what i've always said. soft zoro is the best zoro. 'nuff said, i will die on this hill. - but god, nobody can ever imagine how soft domestic!zoro is with you by the way he shrugs and grunts off any and all people around him (except for his crew) - frankly speaking, you didn't expect this either when you started dating him - you would have never imagined this green-haired, stoic-faced, dry-ass motherfucker to hold onto you tightly and lightly close his eyes whenever you forced him to see another horror movie - he claimed watching horror movies was the equivalent of mind torture but followed along cause you seem to like them (you don't probably like them that much, you just like his heavy figure against yours as he snuggles in deeper and deeper against you) "this is so stupid" he hisses at the girl in the screen, groaning when she blatantly ignores him, "she will die if she follows the fucking voice!!" you don't fail to notice how shrill his deep voice can get whenever there's a jumpscare (but he will blame the wind for that noise, never admits what he knows is true) - he is so soft in the way he offers to shampoo your hair when you drag him into the shower. his calloused fingers are light, gentle, against your scalp and you can't help but smile when he flashes you a small smile and asks if it's fine - domestic!zoro is so soft in the way he would carry you bridal-style/on his back everywhere (wdym you only had to go to the kitchen?? he can carry you there, he's strong, do you not believe him?) - also, we all have sorta established that he's not a pda guy but my lord, behind those four walls, he needs to be around you one way or the other - doesn't matter if he is just standing at the bathroom door, making small talk as you do your skincare for the night or he's holding onto your hand as you both lay sprawled on your bed, looking at your phones - but don't let his softness make you forget that this man is a piece of shit. - he will purposely stand in front of cabinets and cupboards when you cook and flash you a innocent smile when you get annoyed; he will finish your favourite conditioner even though he said "i don't that conditioner too much"; he will purposely order you random stuff online and everytime you'd open it thinking it's something cute but it'll end up being something green and (cutely) stupid - (you now possess 5 mushroom figurines, 12 frogs doing random shit, a green cheap light saber, a lowkey-fucked up painting of baby yoda and green paper-clips. he doesn't even like green all that much, he just loves to annoy you) - but as i said, don't fall for his sweet facade because he will stop you at the door and fuck you against it before you're heading out in that skimpy dress (yes, he fucks you in that dress) (ofcourse he doesn't mind your dress riding up as long as people can see the marks he left on your body) "ah" he groans, thrusting upwards as one of his hands hold you firm against the door and another plays with your swollen clit, "sorry for ruinin' your makeup, baby. but look at you, you look so pretty, getting fucked right now" - he's sure the neighbours can hear the wood creaking against your weights and your high-pitched, feverish moans as you beg him to fuck you harder (it's the fourth time this month) - he forces his fingers (which were slick with your arousal) down your mouth and watches as his fingers rub away the lipstick into modern art "much better" he would sigh against your skin when he was done, "have fun at the party, babe" - he holds back a laugh cause he knows you can barely walk, much less party (not to mention, you gotta re-do your makeup now.) - so he goes with you, lending you his arm as support so that you wouldn't walk so wobbly "that dress still looks too good on you" he will whisper against your ear, "meet me in the bathroom in five, let me fuck you again" - as much as he is a menace, you wouldn't have it any other way - god, iamsodownbad for him <3

sanji:

it's him officer, he is the one who altered my brain chemistry!

- vinsmoke sanji is the perfect pinterest boyfriend. argue with the wall, i don't entertain wrong views. - what i mean is, he is the boyfriend/husband who will be up to bake a cake at 3 in the morning and eat it with you as the sun rises, he is the one who will hold you hand and groggily lead you to an ice-cream vendor at 1 in the night because you really wanted ice-cream, he is the one to take a thousand photos in any outfit you wear "yn" he's changing his angles every second, shutter of the camera snapping photo after photo, "you look so beautiful, so marvelous, charming, ah- mesmerizing, my love!" - he is the guy to hold your hand in a horror house no matter how scared he himself is. but you call tell by the way his fingers tightly close around yours whenever a jump-scare comes on (no, he is not being strong because he wants to look tough in front of zoro, tf you talking about??) - he is the man who will be looking for halloween decor on the first of september and christmas decor on the first of novemeber, takes the task of decorating his house very seriously (yes, he will out-do linda this time! so what if she bought a life-sized snowman?? he will pay luffy to become one, fuck linda.) - sanji is the guy that posts his girlfriend religiously (at one point, ussop asked you if you were holding him on gun-point and making him post you so much) - by religiously i mean for every one photo of himself, there's six of you like baby calm down nobody's gonna take her away - he also surprises you a lot (with nice surprises, unlike zoro.); he bought you a candle on your one-month anniversary and repurchases it every time you run through it - grocery store runs followed by cooking together is basically your idea of a weekly date - very on-brand with his theme but he has so many candids of you (a whole secret album with the title "my love <3"). there's pictures of you laughing at chopper's new onesie, hitting luffy in the face after he stole your sushi, tasting his cookies, tasting his dic- ahem. - it shouldn't come as any surprise that he has a huge thing for clicking pictures/ taking videos of you as he abuses your body in a way that has you crying for god "san-" "like that, moan out my fuckin' name, darling. tell me who's fucking you like this?" "you" you moan harder, eyes clamping shut, "you you, fucc-k you, sanji" - there's a video on his phone of his dick sliding in and out of your wet cunt as you moan and suck on your bottom lip; there's pictures of you sucking on his dick, giving the camera your prettiest doe-eyed look; there's a video of you squirting around his fingers, face red and body soaked as he keeps going and you're cumming a second, third, fourth time (that's his favourite video, it's insane how many times he comes back to that video) - he loves ruining you with slow sex as he makes you focus on the boring movie or show you're both watching - he gets off off how you try to maintain your composure but then come undone "yn, my love" he rasps in your ear, "come on, keep holding on for me. i'm gonna fuck you so well if you just keep taking me like this." - he ruins you and then gets you the best aftercare - ugh stan sanji for a good life.

a/n: the way i write sanji has me confused as to if i truly am a zoro girlie lmaoo. hope you liked it!! req are always open (also im sorry to the people who requested and i havent gotten around to it, i am just running low on fuel lately)

#one piece #one piece x reader #zoro #roronoa zoro #vinsmoke sanji #opla #op #monkey d luffy #luffy x reader #sanji x reader #zoro x reader #vinsmoke sanji x reader #monkey d luffy x reader #zoro smut #luffy smut #sanji smut #zoro x reader smut #sanji x reader smut #luffy x reader smut #one piece x reader smut #one piece smut #one piece fanfiction #one piece imagines #one piece fanfic #one piece fluff #one piece headcanons #one piece x you

[santacoppelia]

Putting the Meta in "Metatron"

(couldn't resist the pun, sorry)

Ok, this has been tickling my brain for a while. I've been thinking about how The Metatron designed his role and discourse specifically to manipulate Aziraphale into the end result we saw in the last minutes of S2. I become obsessed with it because… well, I'm a bit obsessive, but also because there were many really smart writing decisions that I loved (even when I despise The Metatron exactly for the same reasons. Hate the character, love the writer). If you haven't watched Good Omens Season 2, this is the moment to stop reading. Come back later!

We already know that in Book Omens, the role of Gabriel in the ending was occupied by The Metatron. Of course, the series introduced us to Gabriel and we won a lot by that, but I feel that the origins of The Metatron should be considered for any of this. He is not a "sweet old man": he was the one in charge of seeing over the operation of Armageddon; not just a stickler of rules, but the main promoter for it.

However, when he appears in the series finale, we first are primed to almost pass him by. He is in the line for buying coffee, using clothes that are:

obviously not tailored (almost ill fitted)

in dark tones

looking worn and wrinkled

This seems so important to me! All the angels we have seen are so proud of their aspect, wear clear (white or off white) clothes, pressed, impeccable (even Muriel), even when they visit the Earth (which we have already seen on S1 with all the visits to the bookshop). The Metatron chose a worn, comfortable attire, instead. This is a humanized look, something that fools all the angels but which would warm up someone very specific, can you guess?

After making quite a complicated coffee order (with sort of an affable and nervous energy), he makes a question that Crowley had already primed for us when asking Nina about the name of the coffee: having a "predictable" alternative and an unpredictable one.

This creates an interesting parallel with the next scene: Michael is discussing the possibility of erasing Aziraphale from The Book of Life (a punishment even worse than Holy Water on demons, because not having existed at all, EVER is definitely worse than having existed and ceased to exist at some point) when The Metatron arrives, interrupts the moment and signals having brought coffee. Yup, an amicable gesture, but also a "not death" offering that he shows clearly to everyone (even when Michael or Uriel do not understand or care for it. It wasn't meant for them). He even dismisses what Michael was saying as "utter balderdash" and a "complete piffle", which are the kind of outdated terms we have heard Aziraphale use commonly. So, The Metatron has put up this show for a specific audience of one.

The next moment on the script has Metatron asking Crowley for the clarification of his identity. Up to this moment, every angel has been ignoring the sprawled demon in the corner while discussing how to punish Aziraphale… But The Metatron defers to the most unlikely person in the room, and the only one who will push any buttons on Aziraphale: Crowley. After that, Aziraphale can recognize him, and Metatron dismisses the "bad angels" (using Aziraphale's S1 epithet) with another "catchy old phrase", "spit spot", while keeping Muriel at the back and implying that there is a possibility to "check after" if those "bad angels" have done anything wrong.

Up to this moment, he has played it perfectly. The only moment when he loses it is when he calls Muriel "the dim one", which she ignores… probably because that's the usual way they get talked to in Heaven. I'm not sure if Aziraphale or Crowley cared for that small interaction, but it is there for us (the audience) to notice it: the sympathy the character might elicit is built and sought, but he is not that nice.

After that, comes "the chinwag" and the offer of the coffee: the unnecessarily complicated order. It is not Aziraphale's cup of tea (literally), but it is so specific that it creates some semblance of being thought with care, and has a "hefty jigger" of syrup (again with the funny old words). And, as Aziraphale recognizes, it is "very nice!" (as The Metatron "jolly hoped so"), and The Metatron approves of him drinking it by admitting he has "ingested things in my time, you know?". This interaction is absolutely designed to build a bridge of understanding. The Metatron probably knew that the first response he would get was a "no", so he tailored his connection specifically to "mirror" Aziraphale: love of tasty human treats he has also consumed, funny old words like the ones he loves, a very human, worn, well-loved look. That was the bait for "the stroll": the moment when Aziraphale and Crowley get separated, because The Metatron knew that being close to Crowley, Aziraphale would have an hypervigilant soundboard to check the sense of what he was going to get offered. That's what the nasty look The Metatron gives to Crowley while leaving the bookshop builds (and it gets pinpointed by the music, if you were about to miss it).

The next thing we listen from The Metatron is "You don't have to answer immediately, take all the time you need" in such a friendly manner… we can see Aziraphale doubting a little, and then comes the suggestion: "go and tell your friend the good news!". This sounds like encouragement, but is "the reel". He already knows how Crowley would react, and is expecting it (we can infer it by his final reaction after going back for Aziraphale after the break up, but let's not get ahead of ourselves shall we?). He even can work up Muriel to take care of the bookshop while waiting for the catch.

What did he planted in Aziraphale's mind? Well, let's listen to the story he has to tell:

"I don't think he's as bad a fellow… I might have misjudged him!" — not strange in Aziraphale to have such a generous spirit while judging people. He's in a… partnership? relationship? somethingship? with a demon! So maybe first impressions aren't that reliable anyway. The Metatron made an excellent job with this, too.

"Michael was not the obvious candidate, it was me!" — This idea is interesting. Michael has been the stickler, the rule follower, even the snitch. They have been rewarded and recognized by that. Putting Aziraphale before Michael in the line of succession is a way of recognizing not only him, but his system of values, which has always been at odds with the main archangels (even when it was never an open fight).

"Leader, honest, don't tell people what they want to hear" — All these are generic compliments. The Metatron hasn't been that aware of Aziraphale, but are in line with what would have been said of any "rebel leader". They come into context with the next phrase.

"That's why Gabriel came to you, I imagine…" — I'm pretty sure The Metatron didn't imagine this, ha. He is probably imagining that the "institutional problem" is coalescing behind his back, and trying to keep friends close, but enemies closer… while dividing and conquering. If Gabriel rebelled, and then went searching for Aziraphale (and Crowley, they are and item and he knows it), that might mean a true risk for his status quo and future plans.

Heaven has great plans and important projects for you — this is to sweeten the pot: the hefty jigger of almond syrup. You will be able to make changes! You can make a difference from the inside! Working for an old man who feels strangely familiar! And who recognizes your point of view! That sounds like the best job offer of the world, really.

Those, however, are not the main messages (they are still building good will with Aziraphale); they are thought out to build the last, and more important one:

Heaven is well aware of your "de facto partnership" with Crowley…

It would be considered irregular if you wanted to work with him again…

You, and you alone, can bring him to Heaven and restore his full angelic status, so you could keep working together (in very important projects).

Here is the catch. He brought the coffee so he could "offer him coffee", but the implications are quite clear: if you want to continue having a partnership with Crowley, you two must come to Heaven. Anything else would be considered irregular, put them in a worst risk, and maybe, just maybe, make them "institutional enemies". Heaven is more efficient chasing enemies, and they have The Book of Life as a menace.

We already know how scared Aziraphale has always been about upsetting Heaven, but he has learned to "disconnect" from it through the usual "they don't notice". The Metatron came to tell him "I did notice, and it has come back to bite you". The implied counterpart to the offer is "you can always get death". Or even worse, nonexistence (we have already imagined the angst of having one of them condemned to that fate, haven't we?)

When The Metatron arrives, just after seeing Crowley leave the bookshop, distraught, he casually asks "How did he take it?", but he already knows. That was his plan all along: making them break up with an offer Aziraphale could not refuse, but Crowley could not accept. That's why he even takes the license to slightly badmouth Crowley: "Always did want to go his own way, always asking damn fool questions, too". He also arrive with the solution to the only objection Aziraphale would have: Muriel, the happy innocent angel that he received with so much warmth and kindness, is given the opportunity to stay on Earth, taking care of the bookshop. The only thing he would have liked to take with him is not a thing, and has become impossible.

If God is playing poker in a dark room and always smiling, The Metatron is playing chess, and he is quite good at it (that's why he loves everything to be predictable). He is menacing our pieces, and broke our hearts in the process… But I'm pretty sure he is underestimating his opponents. His awful remark of Muriel being "dim"; saying that Crowley "asks damn fool questions", and even believing that Aziraphale is just a softie that can be played like a pipe… That's why telling him the project is "The Second Coming" was an absolute gift for us as an audience, and it prefigures the downfall that is coming — the one Aziraphale, now with nothing to lose, started cooking in his head during that elevator ride (those couple of minutes that Michael Sheen gifted to all of us: the shock, the pain, the fury, and that grin in the end, with the eyes in a completely different emotion). Remember that Aziraphale is intelligent, but also fierce. Guildernstern commited a similar mistake in Hamlet, and it didn't go well:

"Why, look you now, how unworthy a thing you make of me! You would play upon me, you would seem to know my stops, you would pluck out the heart of my mystery, you would sound me from my lowest note to the top of my compass, and there is much music, excellent voice, in this little organ, yet cannot you make it speak. 'Sblood, do you think I am easier to be played on than a pipe? Call me what instrument you will, though you can fret me, you cannot play upon me."

I'm so excited to learn how this is going to unfold!! Because our heroes have always been very enthusiastic at creating plans together, failed miserably at executing them, and even then succeeding… But now they are apart, more frustrated and the stakes are even higher. Excellent scenario for a third act!

*exits, pursued by a bear*

#good omens #good omens 2 #good omens meta #good omens spoilers #aziraphale #ineffable spouses #ineffable divorce #narrative analysis #character analysis #the metatron #and a casual Hamlet quote #just because I love Hamlet

[dragonmuse]

Keep It In The Box : An Essay on OFMD Season 2 and the Failure to Heal

(here in is my season two reaction. It contains many many spoilers. It's also about 3k words long so you know what you're getting into.)

“See, I have a system for dealing with all the terrible things I've seen. There's a box in my mind, and I put the things in the box..” -Frenchie, Season 2 of Our Flag Means Death

…..and then he never opens it. Chekov’s locked box has no key in season two.

On first watch, it seemed clear to me that Frenchie’s declaration was a narrative plant. Clearly the whole season would be about that box of pain and trauma being opened, sorted through and at least the beginning of healing. The show had developed a reputation after season one of being kind and focused on queer narratives of healing from childhood. Ed and Stede’s parallels in their childhood traumas were frequently on display through season one and were repeated in flashback throughout season two. Jim’s season one arc about becoming someone who doesn’t think just of revenge and can now forge meaningful connections was profound, beautiful and often funny. Izzy is an antagonist because he doesn’t want Ed to move on or stop acting like the trauma-response version of himself. The antagonist wants to stop healing. The point is to grow, to change, to learn how to love. It’s one of the things that made season one work for me at the time, despite reservations about pacing and tone.

So naturally season two should follow suit. It’s a kind show! About healing and falling in love!

For the first several episodes, the remaining crew on the Revenge go through a gauntlet of trauma, forced to do and receive violence at Ed’s whims as he careens from self-destructive behavior to self-destructive behavior. This is the wounding setup. It was dark, but it seemed like it would have a payoff and at first it did.

Perhaps one of the most beautiful moments of the season comes in one of the small respites in those early episodes as Jim recounts Pinnochio to Fang to soothe him through his grief. That was the show that I expected. The kindness of that moment struck me very deeply. It gave me some understanding of Archie too, who seems to fall for Jim right at that moment.

That scene is the show season one promised. Season two led with packing Frenchie’s box full to bursting. Here is the fight to the death between lovers, there is a first mate who is mutilated and rotting in the very walls (the rot of the Revenge itself), and there is the storm of Ed’s rage and pain that threatens to consume all of them.

So surely these remaining episodes would concentrate on finding the humor in healing from those moments. That is the setup. Frenchie has a box. The box must eventually open.

Except time and again, all the characters who suffered are told that the only way to deal with what they’ve been through is to stick it in the box and never open it again.

Pete tells Lucius that he’s unable to move on and needs to let it go. Izzy has a story about a shark. Ed’s apology to the crew which doesn’t even contain the words ‘I’m sorry’ is just…accepted. I kept waiting and waiting for a meaningful apology to the people Ed had hurt the worst with his actions, but it seems all we get is Fang saying ‘eh, no problem, I got to hit you back so I feel better’.

The playful theme of ‘pirates are just violent sometimes’ from season one becomes a grinding horror machine in season two when every atrocity visited on someone is forgiven because the narrative needs it to be. Ed and Stede spend more time making amends with each other over the bloodless night on the beach than either of them spend trying to repent for their actions towards anyone else.

And let’s talk about Ed. Arguably this season pivots on his narrative, on his path to healing and growth. A path that starts at a very low point. His moment in the gravy basket, deciding he wants to live because there are still things to live for is so great! So one might assume that what would follow would be him pursuing those things, making amends, making connections. He and Stede have a wonderful moment, talking about being whim prone and how they’ll work to avoid that, build a relationship by going slower.

Yet, at no point do either of them stop following whims. They never heal or learn from what’s happened to them. They both keep running from thing to thing, particularly Ed. It’s a whim to sleep with Stede, it’s a whim to run off to fish, and the finale gives us just more of their whims. Ed drops fishing as fast as he picked it up. He finds those leathers in the ocean, murdering the symbolism of leaving them behind. Even the inn is a whim, one of those things Ed decided he’d be good at without evidence. And Stede joins him in that without a single on screen conversation about it ahead of the moment.

Ed needs to heal himself and to do that he needs to confront what he’s done and do the work to heal the wound. Instead, he doesn’t meaningfully apologize to anyone, besides Stede and Fang. Despite Izzy’s dying words (we’ll get to that), not only do we never see the crew caring about Ed, working to make him family in the same way they do with Fang and even Izzy, he also doesn’t choose to stay with them. So what is the point? Where is the healing? Or does even Ed, beloved main character, have to live with it all stuffed in a box?

He ends the season in the leathers he threw away, in a relationship that’s barely stabilized, going to live in a house which we are told by the narrative (in that they are very very clearly paralleling Anne and Mary with Ed and Stede or why do we even get that whole Who’s Afraid of Virginia Woolf? episode) will only end in them setting fire to each other to stay warm.

But Vee, I hear you cry, it’s a ROM-COM. This is all meant to be ha-ha funny and you are taking it so seriously!

Cool beans. Then why the hell isn’t it funny? Healing is often filled with comedy because people deal with pain with humor. You can heal and laugh at the same time. The finale especially is almost entirely devoid of laughs, almost entirely devoid of joy until the last minute for that matter. The episode that should show off with a flourish how far everyone’s come, mostly serves to show that no one has grown.

Okay that’s Ed. I want to talk about Lucius next. Our former audience surrogate (that’s taken away in season two when he doesn’t get enough screen time to perform that role and no one takes his place) really goes through the wringer. He experiences many many terrible things, including sexual assault (which is made into a grimace-laugh line that doesn’t take away from it’s seriousness because oh hey, that can be done as it turns out). He’s nervous, he’s smoking, it’s clear he’s suffering.

There’s a beautiful moment where Pete tells him ‘hey, I was also in pain. I grieved’ and that’s great. It’s good that Pete sets a boundary about Lucius not obsessing over the past to the point of occluding their future.

We even get our comedic moment where Lucius pushes Ed off the boat (still not apology, but I’d lost hope for that by then) and that doesn’t help enough. So Izzy comes in with a shark and the advice that you just have to move on.

Just…you know. Play pretend. Forget.

Shove it in a box. Ed didn’t take my leg, a shark did. Ed didn’t kill you, a shark did. Live with the person that tried to murder you because it’s your fault you dangled your leg over the side of a boat. That is the show’s message. I thought on first watch, that surely this would also come back up and be explained that you can’t live that way, that that is no way to heal. That it would become clear that this was no way through. You cannot make everything into sharks.

Lucius can move forward and still carry pain. He can still want a meaningful apology and still want to talk to his lover about what he’s dealing with while moving forward toward a brighter future.

And what of the flirtatious promise of relationships and connections being the way to heal? Look to Oluwande and Jim, whose heartfelt romance from season one was relegated to the bins of history in favor of a narrative that made him a brother Jim once had sex with. They could have had Archie AND Oluwande, who in turn could also have Zheng, but that never seems to be an option. With a single short conversation, they are broken up with, despite a brief tease at the birthday that they still ‘dance’ together, it never actually manifests. Jim and Archie never talk about what they went through. It’s swept under the rug as fast as knives are lowered.

Lucius also no longer flirts with other people, the solution to his pain is to propose and get married (but not too married, lest we forget that they’re two men, they don’t even get to be husbands or even the more respectful mates, no. They’re mateys.) This season proposes that the only happy endings are monogamous ones, where no one talks about anything painful that went before.

To ensure that message, beyond assuring the success of Oluwande and Zheng’s relationship, Jim and Archie almost entirely disappear from the narrative. Sorry you guys were given layers of trauma and no growth and not even much to do this season, we need to make sure that everyone remembers Oluwande is the break in Zheng’s day so when he says that to her five minutes later we know exactly what he’s referencing. No time for Archie to learn what an apology is or for Jim to get one line in with Oluwande that isn’t affirming their newfound broship. Must do more flashbacks to things we just did two episodes ago!

The show even dangles the conversation of the Revenge being a safe space. Why would any of them ever feel safe when the man who tortured them is allowed to walk among them and they are expected to forgive and forget? What’s safe about that? The ship is never made safe for any of them, but that’s never addressed.

And Zheng! Amazing, hysterically funny Zheng! She loses her ships, her entire way of life, the kingdom she built for herself and then…she doesn’t even get to captain the Revenge. We don’t know what becomes of her fleet, of her plans, her ambitions. Don’t worry about it, she has a romantic partner and isn’t that what every lady wants in the end?

(But Vee, I hear you cry again, there will be a season three! Maybe it will be All About Zheng! To which I say: then why did they present us with the most series finale feeling episode ever? If there’s more, I have no idea where it’s going. BUT VEE: BUTTONS AS SEAGULL ON THE GR- Fine. It’s time.)

Let’s talk about Izzy Hands.

Izzy manages more healing than anyone else this season. He reaches his lowest point, suicidal in the bowels of a ship that’s become a prison (very much in contrast to Ed’s suicidal low). The person he loves most in the world has shredded him physically and emotionally (and if you’re in the camp that thinks Izzy deserves the abuse that Ed gave to him, I would really like you to sit quietly with yourself and ask why you think there is ever anything anyone can do to deserve that treatment). He’s low, he shoots Ed to protect everyone, and then seems to plan to drink himself to death, mourning his losses.

And then another beautiful moment! The crew move past their own pain to help him. They work together for the first time and it’s to give Izzy mobility back. He treasures it. He cries over it. He uses that kindness extended to him to reach a new understanding of Stede and help him succeed, doing the work to make real amends. He sings in drag, he’s vulnerable and beautiful, celebrating the side of himself that he must’ve loathed in the first season. He’s an elder queer man, coming into himself.

He never gets an apology though. (‘Sorry about your leg’ without eye contact is not an apology. There is no responsibility taking, no acknowledgement of the weeks of torture that came with it.) Izzy also never really has an honest conversation with anyone about what it means that the man he loves punished him so severely for the crime of trying to protect the crew (yes, lest we forget, Izzy lost his leg because he was trying to keep Ed from re-traumatizing the crew and himself).

Izzy does all this work, but even he’s not allowed to take it out of the box. It’s a shark, not Ed. Ed is just ‘complicated’ (the language of abuse here is so upsetting and I think not even intentional).

And then he dies. His last act? To apologize to the man who tortured him and shot at him. To have done all this work, to take on all the blame. And then die.

In a rom com.

This show ends in a profoundly unfunny moment of telling the audience: this is the one character that did the work, that made amends, that tried his hardest to accept the parts of himself that he had a hard time embracing and formerly embittered him. He’s fully accepted his queerness and turned it into beautiful music. He’s disabled, and he worked hard to accept that. The man he loves will never love him back, so he worked hard to make Stede able to meet Ed on an even playing field. The Giving Tree gave up its limbs and its trunk, and it’s not even allowed to be a stump to sit on.

Kill the queer elder, who has managed to figure out how to live and in his own way how to heal. Kill him before he manages to teach anyone else how to meaningfully move forward (he almost gets it with Lucius, almost, but it’s meant to be rule of three, you know. Cigarette..shark…and then…and then fuck it, Lucius doesn’t even get to say a word at his funeral).

The message of this season again and again is that there is no healing, just moving forward. Like a shark. Like a bird that never lands.

That is not a kind show.

Season two is not a kind season.

It splinters people up and jams them back together without purpose or reason. It tells everyone who experiences pain that they should shove it in a box and not deal with it. No one who really needs one gets an apology of any sincerity. No one puts in the work to gain forgiveness. (Ed wearing a onesie is not The Work. Ed fixing a door is not The Work. Ed broke people that the show wants us to care about. Ed never does the work of making those amends. He fires off a Notes app apology at best. After all, it’s what he told himself via Hornigold in the gravy basket: you move on or you blow your brains out! Good thing he took his own advice and therefore had to change nothing to get his just rewards.

I would’ve taken just fifteen minutes of Ed trying to actually make amends. It could’ve been hilarious! Imagine awkward Ed trying to dance around what he’s doing with Jim and the two of them having a knife throwing competition about it. Or him and Frenchie attempting to make music together, writing a song about the raids they went on! It’s not just the crew robbed of their healing because of this, it’s Ed himself. He never meaningfully changes or makes amends. How is he any different at the end of the finale then he is standing on the edge of that cliff with Hornigold? He hasn’t moved on, he hasn’t healed. He tried one thing (fishing) that doesn’t fucking work and then he runs right back.

No one leaves this season better than they went into it. They’ve lost an elder queer, they’ve lost their joyous and queer polyamory, they’ve lost a chance for meaningful reconciliation with Ed and Ed lost any chance of looking like he gave shit if they did. Stede grows enough to accept the crew’s beliefs as important and then leaves them behind without a care.

Izzy gets a beautiful speech about piracy being larger than yourself. Ed and Stede, within twenty minutes of that speech, leave piracy. They are incapable of giving themselves to something bigger, apparently. They haven’t learned to be a part of a community. They haven’t healed from their childhood trauma or their fresher wounds. They are still just following their own whims.

Zheng’s life work is in tatters, but it’s fine, she has love. Oluwande and Jim aren’t together, but it's fine because they both have dedicated monogamous partners. Lucius was deeply scarred by what happened, never recovers much of his first season personality, but hey he got-well it’s not married exactly- but you know good enough!

Frenchie, who has a box forever locked in his head, is captain. Because the key to success is to lock it all in a box and never open it. What a message. What a show. Conceal, don’t feel. Smile because it’s a happy ending. Don’t mourn the dead, don’t try to tell people what happened to you (they will literally run away or cry too hard to listen and really you’re just bumming them out), and any meaningful change you make is only rewarded with death.

Frenchie is now a pirate captain with a box in his head full of trauma that’s never been opened, leading a crew with more wounds than scars. Wonder how that could turn out? Wonder how many years before he might want to retire and then happen to run across a gentleman pirate. As if no one learned anything at all.

#our flag means death #ofmd #ofmd spoilers #the strangest message sent #and no idea if it was on purpose #I kind of think it wasn't somehow #but boy howedy did it come across

[chunky-chee]

Okay, so I know a solid 40% of the new Fantasy High was about Tracker "There's still deep attraction here" O'Shaughnessy, but HERE ME OUT

Gertie Bladeshield is the perfect woman for Kristen Applebees.

Cause, like, look, there was a lot of talk in episode 11 about impulsivity and chaos as an aspect of Kristen's character, mainly in how it's mirrored in Princess "Kristen if she had money" Naradriel, but it's also been a general focus this season, especially in how she often uses it to guard her emotions. Think back to "That's what you think", an incredible improv moment, but if you look at the big picture, Kristen's estranged parents make an incredibly inflammatory statement about her religion right after actively bullying her little brother, and instead of honoring any of the actual negative emotions she's being filled with in that moment, she pirouettes away. It's brought up in the adventuring party after this exact episode how Kristen is a cleric, a high-wisdom class that is naturally insightful, but uses these silly deflections to hold other people back from being insightful into her (hence Mac & Donna's lifetime insight disadvantage)

This isn't just limited to small moments, too. To take a broader look at the season so far, Kristen's chaotic, shrimp-jumping, wrangler-wearing, salsa-dipping, middle-school-campaigning, steel-workers-union-supporting bid for class president is often shown explicitly as a distraction from her existentially important job as the only cleric of Cassandra. Even when trying to earnestly apologize to Cassandra and prove to them that she's gonna prioritize her over class presidency, the only way she can articulate it is "You're the meat, mama." Her emotions are always guarded by some amount of chaos and impulsivity.

Now, how does that relate to Gertie "I've had a crush on you for a really long time" Bladeshield?

In both of the two scenes we've gotten of The Best D20 NPC (/j (but I do really like her)), Gertie has shown a pretty similar propensity for making bold, chaotic decisions in the heat of the moment. However, in my observation, these decisions do NOT come from a place of emotional suppression. Quite the opposite, actually.

Think back to her Grand Entrance into the narrative. Gertie, being one of the last people awake at Fabian's party, gifts her longtime-crush a jar of honey, something that connects directly to her passion/special-interest of beekeeping, in a homemade container designed as a pun on Kristen's last name. (in hindsight, the crush was very obvious) Then, in the middle of her infodumping to her about honey, Kristen's rich friend makes an incredibly dismissive remark about her good-natured gift. This obviously pisses her off, but unlike Kristen "That's what you think" Applebees, Gertie "I don't give a shit who's kid you are" Bladeshield lets herself feel those emotions very loudly, immediately starts a duel with possibly one of the most accomplished sword-fighters in the history of Aguefort, and declares him a life-long nemesis. She acts very brashly and impulsively, but in a way that doesn't hide her emotions, instead expressing them.

(I know there's a lot of talk about outbursts of anger being tied to Ankarna, but not only does the scene not really seem like foreshadowing to me, it's more interesting to see it through the lens of being Gertie's actual actions)

This trend continues with the 12th most noteworthy thing to have happened in episode 11 (which incredibly high acclaim), where after being explicitly asked to talk about bees by her crush, and being placed inches away from her face, kisses her on the lips. Now, excusing the albeit upsetting lack of consent, it once again shows Gertie acting very impulsively in a way that exposes her feelings to the people she likes. With these two instances of characterization being literally the only two scenes we get with her, it poses her as a very interesting parallel to Kristen, someone who shares in her willingness to make impulsive decisions, but differs wildly from her in the way she uses them to react to strong emotions.

However, does this really make Gertie the Autism to her ADHD?

(idk if Gertie really shows autistic traits, I just wanted to say that) Well, part of what Tracker a good companion for Kristen was that, as a fellow cleric, she naturally had very high wisdom, meaning she had enough insight to look past the layers of shrimp and salsa and engage with her on a deep level. However, clerics aren't the only class that cast spells with wisdom, so do rangers, including swarm-keeper rangers, which is a subclass that both has a good few abilities focused on spell-casting and was confirmed to be Gertie's subclass in an adventuring party. While her highest stat still could be dex (which, come to think of it, is a hilarious contrast to Kristen), there's no doubt that Gertie has a higher chance than most at being able to look past Kristen's barriers and see the complex hive of sweet, buzzing emotions underneath.

Hell, maybe that's where Gertie's crush comes from in the first place. Maybe, seeing this popular, proudly sapphic cleric be incredibly playful and chaotic on school grounds, she not only saw a bit of herself, but a little more. Perhaps, the type of mind that dedicates itself to allowing small, harmless critters to prosper even when no-one cares to join her club, is also the type of mind able to recognize when someone isn't allowing their truest emotions to prosper, making her wonder if they might have something to gain from sharing some of that chaos, using it not to hide, but to be free.

Or maybe it's just cause her last name has "bees" in it, idk.

#even if Gertie's crush gets played off as a bit #I love gertie so goddamn much #and she deserves more love #fantasy high #gertie bladeshield #kristen applebees #d20 fhjy #dimension 20 fhjy #fantasy high junior year #bladebees #beesbees #appleshield #gert's bees

[lunahearts]

Okay I'm doing it. I'm chapter 96 posting.

This is not meant to be a big analysis post this is mostly just me sharing all the little moments that Marcille & Laios show their care for each other because they are SO beloved to me. Join me on the journey if you wish.

(but also the above statement may be a lie. I do have a point here, it turns out, and the point gets at some of my Big Feelings of what Dungeon Meshi has to say about the nature of friendship & living in the world)

So, first of all, the conversation about Laios being king at the start of the chapter. Just in general Laios insisting on presenting himself in his own way here is so good. Character development!!

Before the events of the story he hadn't shared his inner world with anyone but Falin. Now he's like Actually I'm gonna dress up in the discarded remains of my monstersona and that's just how it is.

And even though there are a LOT of parts of the story and bits of character growth that go into this, I think it specifically highlights some interactions from a few chapters ago.

After all, his initial reaction to having been in that monster form & coming out of it was trying to hide from everyone.

And I think everyone helping him put things in perspective here contributes to how he is able to present himself as king. They assure him that he is accepted, despite having just been seen by EVERYONE at his Peak "Weird Monster Guy" mode.

Highlighting what Marcille says here especially:

Going out to "face them with a smile" is EXACTLY what he does. Not right away. He's still pretty stressed in the following scene in this chapter. But he is able to face the crowds with a smile, eventually...

As king. Dressed in the memory of his most vulnerable moments, the most honest expression of his desire.

BUT I'M GETTING A LITTLE AHEAD OF MYSELF. Before the King Laios speech, there's a little moment with Marcille I want to highlight, because...

Did y'all know that by the end of the manga, Marcille isn't like... grossed out by eating monsters any more? Or at least, she's definitely changed her reaction to it. It's Namari who makes the "yeah it smells good despite what it is" comment, not Marcille.

We even get shots later of Tansu, Shuro, and Kabru being kinda grossed out by - but still going ahead and eating - the different Falin foods. Chilchuck also throws out a line about it being surprised that it's good.

But there's no disparaging comment from Marcille, despite the Everything of the situation. I just think that's also a nice little detail. She may not be as far in the monster eating game as Laios, but she's more willing to roll with the weirdness.

So after this little moment, this is when Laios comes out in his new regal outfit. And first of all...

This is such a good contrast to the moment when the group goes to save Marcille in chapter 84. The monsters had stopped attacking, and everyone's reactions to Laios and the others framed him as unsettling. Creepy. Maybe even traitors.

They even use some of the same labels (lord of the monsters/lord of the dungeon, dark lord/demon king)., but the context is that they are disgusted. The parallels in this manga....

Have a tendency to destroy me. What a difference in reception.

Anyway, after this moment, Laios stops to talk to the group... and I'd like to point out again: MARCILLE ISN'T FLIPPANT HERE EITHER!!

Chilchuck is still Chilchuck, of course, and I want to be clear I love that, too. Chilchuck is who he is to his core. His little jabs are very affectionate in this chapter.

But Marcille... Marcille only points to the Winged Lion symbol as being weird, not the monster bits. And like, considering what she's just been through with the lion, being skeptical of that part is... fair.

(don't get me wrong, her "that's fine and all" isn't exactly excitement. BUT the point I'm trying to make is less about her completely changing her feelings & preferences. It's more about how she expresses them, and how she treats Laios and HIS feelings & preferences)

And she continues to be so encouraging!! Wah!! Like, despite, all four of these people definitely caring about Laios, it's Marcille specifically who tells him to relax and just be honest. And you know what? I think that's what Falin would have said, too.

Please also note how cute everyone's little faces are in the crowd:

(see, Chilchuck loves him too!! Look at that fond face, and the cheer. and Senshi! and Namari! They really are such a family)

Laios' short speech actually has a little bit I'd like to highlight as well, since I think it is a nice little reflection of his choice to keep the lion insignia on his new outfit:

"Eat to your heart's content," he says. Not just "enjoy," or "let's eat."

Dunmeshi does such a wonderful job of framing so much about the Winged Lion with nuance, and this is a good example of that. Desire is not bad! Craving and consuming is beautiful. As Laios says when explaining the lion insignia...

It's not just something to get rid of.

So then... on to the feast!

And not only does Marcille not express any grossed out feelings, as I mentioned before... she even helps to gross out Chilchuck!!

Her weird girl powers are only just in their infancy. She will only grow more powerful in time...

As the feast goes on of course we get the group's realization about her hair, and I'd like to point out:

I really feel like they have such similar reactions to finding out about how the other has been affected by the Winged Lion

Just... the quiet concern. Not making a huge fuss, but... worried. Understanding. A little heartbroken for each other.

SPEAKING OF HEARTBROKEN REACTIONS THOUGH. WHAT COMES NEXT REALLY GETS ME.

After Chilchuck braids Marcille's hair for her, the topic of her needing to leave everyone comes up and...

God, these expressions. Every Time I see these panels I think about about what Laios saw in her nightmare. Her fears. The weight of inevitable loneliness, and the way it has marked her. As much as Marcille tries to keep things light when talking about it, he knows what this means to her. And it HURTS.

So he doesn't accept it. But do you notice how he frames this. Do you see. Not "do you want me to fix this." Not "hey I have an idea."

"Would you be willing to stay."

He doesn't know whether she will accept. Whether she will hate the idea, actually, of staying here with him. He's putting himself out there fully prepared for rejection & dismissal, as he has faced many times before.

But his pitch, his proposal to her, it's not JUST an excuse to ask her to stay, either. He's put thought into this. Into what Marcille could mean and do here. Not just to and for him, but for the people of this area. The place he has taken responsibility for.

He's also thinking about Falin. And about all the other little girls, the people of all sorts, just like her. He's thinking about the people who have been killed (burned at the stake???), hurt, shunned. About the people who have been abandoned. The people who are still alone.

He's not just offering Marcille an out from her isolation, he's offering her a new purpose. A new way to continue her work, to do the things she cares about. He SEES her! he understands her.

BUT ALSO HE'S SO NERVOUS OUGH. FIDDLING WITH THE PLATE. UNSURE IF SHE WILL CARE. UNSURE IF HE HAS IT RIGHT.

HE'S NOT GOOD WITH PEOPLE HE'S NOT GOOD AT THIS.

BUT THEY UNDERSTAND EACH OTHER. AND SHE WANTS THIS LIFE HE'S OFFERING HER.

Still... it's not that simple for her, even if for a moment she is swept up in how much she wants this.

Again here, Marcille is working so hard to be chill about the whole 'going west with the elves' thing. She looks absolutely devastated in the first panel, but puts on a smile in the second.

Maybe she doesn't want to bring down the mood. Maybe she doesn't want to burden everyone with what seems like the only option she has. Maybe she had already accepted the cost that might come with bringing Falin back. Maybe after everything with the Winged Lion, she doesn't want to risk letting herself fight for her desires too hard.

But hey. Desires aren't always bad. They aren't something to just get rid of.

A small bit of visual storytelling here... I love that Marcille is confined by the panel, but Laios is stepping outside of it. He's literally pulling her outside of the box she feels trapped in.

Also, I love that his first acts as king are:

1) welcome everyone to a big feast

2) stand by his friend and help her find happiness

It's great stuff and it's so Laios.

In addition to that, I love how this whole act actually plays out. I love that, while getting the elves to let Marcille go, he gets to be extremely cool and protective...

but also like. Not THAT cool and protective.

No really, I mean it! I think it's important! It's important that cool 'suave king guy Laios' is a front he puts up when he needs to deal with these strangers, and one that he completely drops once it's just him and Marcille.

He's not trying to impress her, or convince her he's cool and suave. Why would he? He trusts that she's okay with the messy, often unimpressive, sometimes kinda gross reality of who he is.

And isn't that what Dungeon Meshi is all about? Messy, unimpressive, gross reality. And how beautiful, how wonderful, how very precious it is

Especially when you get to share it with your friends.

#dungeon meshi #delicious in dungeon #laios touden #marcille donato #dunmeshi analysis #dungeon meshi spoilers #posting on this blog bc I'm not sure the sideblog is showing up in tags yet :/

[ian0key]

SAM/SASHA AND ALICE/TIM????

TMAGP ep 1-2 Spoilers!! (And TMA Spoilers!)

Do you realize how similar Alice and Sam are to Tim and Sasha?

Many of you talked about Alice being fun, carefree and the comic relief, like Tim in the first season.

But what happens if we look deeper? I start with Alice and Tim because I think they are the most obvious

-Alice does not have "professional respect" for either Gwen or Lena.

Just like what happened between Tim and Jon. But none of them go so far as to "completely disrespect them."(at least S1 Tim).

-Alice has a younger brother who she apparently cares a lot about, just like Tim was with Danny. Besides, (this is my theory), but the way they introduced Alice's brother, I get the feeling that his fate won't be very different from poor Danny's.

-They know more than they say, Alice clearly knows more than she tells Sam,Alice has been working for the government for at least 4 years, and the only time she acted seriously was to tell Sam that he shouldn't get too involved in the cases, because she saw people go crazy because of it.

Something similar happened with Tim in the first seasons, he knew that the Fears were real, he knew things about the stranger, he was looking for revenge..

And now on to the similarities between Sam and Sasha.

-They were both overqualified for their position, Lena told Sam that the job he applied for was too low for his level, but he didn't care,on the other hand ,Sasha must have been The Archivist, Gerdtrud knew this, that's why her warning notes were made for her, but Elias found out after Killing Gerdtrud and left Sasha as assistant and put Jon as The Archivist..

-Sam is calm, he follows Alice's games but is professional towards his colleagues, Just like the little we saw of Sasha, She treated Jon quite well even though at the time Jon was a bit... very Shitty.

That's why Jon trusted her so much.

-Curiosity , Sam asked a lot of questions throughout the first 2 chapters, and when he didn't get answers he started investigating on his own. When Sasha met Michael, she wanted answer,without caring about the danger.

Also, That could have been a foreshadowing that Sam will be connected to the Eye of this reality???.

- Both of their names start with "SA" but that's not very important /j

And finally, we analyze Alice and Sam as a duo and the parallels they have with Tim and Sasha.The two of them complement each other perfectly, they play each other's games and we feel their connection.

Besides Alice and Sam are exes (although I think it's more of a reference to Georgie and Jon) Sasha and Tim always had an "almost something?????".like we heard in the fifth season..

I don't know, at some point I felt like I was listening to the reincarnations of the chaotic Archives duo , you know what I mean?

(English is not my first language, please let me know if I have any spelling mistakes🙏)

#the magnus protocol #the magnus archives #the magnus pod #magpod #tmagp #tma #tmagp spoilers #tmagp fanart #tmagp alice #tmagp sam #sam khalid #samama khalid #alice dyer #tma tim #tma sasha #sasha james #tim stoker #alice dyer fanart #Sam khalid fanart #tma fanart #tma spoilers #the magnus archive fanart #the magnus protocol fanart #the magnus protocol is a podcast #the magnus protocol spoilers #tmagp speculation #timothy stoker #timothy stoker fan art #sasha james fanart #english is not my first language

[actual-changeling]

i feel like all my meta posts just clicked and solved a puzzle in my brain. however i am also currently upping my sleep med dosage so if any of this sounds like the incoherent rambles of a mad man it's cause i am. incoherent and insane and rambling that is. (not a man)

but i have to write this post since i had a lightbulb realization moment.

because the thing is, besties, that aziraphale is a fucking horrible liar. he gets nervous and fidgety, he stutters, you can SEE him sweating anxiety. just look at him in the bookshop when the archangels inquire about their not-so-little 25 lazarii miracle.

his best "lies" are when he is actually telling the truth but twisted. he has never been a good liar (see job) and that has not changed in six thousand years. all smiles directed at archangels are visibly wrong, his discomfort is tangible.

whenever he panics it is written across his face clear as day, including, and this is the important bit, when he is talking to the metatron.

now, you are wondering why exactly that matters, and the point is something we have all talked and thought about for ages but my brain just. formed some new neural pathways.

because he is a terrible liar, he is horrible at hiding his emotions.

but you know who isn't?

crowley.

unless you know him, it is very hard to read his facial expressions with his glasses on. he can turn his emotions "off", he can put a wall in front of them and by extension around himself.

i talked about it more in this post, so for background info have a look at it (if you want to)

it's crowley's thing yet there is one moment, one, glorious moment in which aziraphale executes it perfectly. and that moment mirrors crowley putting on his glasses, it is aziraphale attempting to hide away all of his feelings and thoughts so no one can tell what he is really thinking.

the parallels besties. the fucking parallels.

what really sells it to me is that last comparison because it matches too well to not be intentional. honestly, after the sink story i think every little thing in this show is done on purpose and with attention to detail, so.

the empty look, the heartbreak, the pain - the realization. this is it. i am not walking away from this unharmed but i am walking away. or rather into the loneliness, the absence of the person i love.

for aziraphale also the realization that the world is about the get fucked and he is not.

after that we have the inhale of courage. taking a deep breath to calm yourself, to find your way back to your body. a kind of preparation we have all done at one point or another.

the mask slides into place. or at least you want it to slide into place, you are trying to fucking jam it into the spot you need it to be but sometimes it's like trying to push the square peg through the round hole.

it's a disconnect, it's putting up a physical and emotional wall. crowley does it to hide away from aziraphale.

aziraphale does it hide from heaven and the metatron, yes, but he does it to hide from himself. at his core, aziraphale compartmentalizes. he is so fucking good at cognitive dissonance it's scary, and that's what happens here.

he knows, he KNOWS, that he needs to lock up his feelings or he won't be able to get into that fucking lift and do what he thinks he needs to do.

and so he walks away from crowley just like crowley walked away from him, copying him and doing exactly what he has seen him do a thousand times: putting up wall after wall after wall. ripping out every sprout of vulnerability before it can bloom.

except that he stopped doing it after the no-pocalypse, and that is why it hurts so fucking badly when he puts his glasses back on.

he is not ripping out a sprout, he is uprooting an entire fucking tree

aziraphale cannot hide behind sunglasses by crowley so he hides underneath an angelic persona, the person he thinks he should be, needs to be, and the problem is that whenever he slips into that role, it becomes him.

getting crowley to take off his glasses again is going to be a herculean task and the same goes for getting aziraphale to drop his act. they're one and the same in shape and origin and purpose but they are not indestructible.

because listen. all of this is painful and it hurts. it really is.

the fun part, however, is the fact that we know exactly what it takes to destroy that barrier, we have seen it happen to crowley before.

my point is that we are missing the parallel for said destruction.

#alex talks good omens #good omens #ineffable husbands #crowley #aziraphale #good omens season 2 #go2 #aziracrow #crowley x aziraphale #ineffable divorce #the final fifteen #good omens meta #if there's any spelling or grammar errors pls know i typed half of this with my eyes closed bc my meds are kicking in

[sainamoonshine]

Okay so I finally watched Good Omens season 2 and have tons of thoughts about it, especially how the minisodes and side-plots do so much work, thematically.

*slaps flashback segment on the roof* this bad boy contains so much subtext!!

And here’s my analysis about some of it:

The side plots are about at least three main themes that I can spot.

1. They are all, in some way, about resurrection. The children of Job. The Nazi Zombies. The resurrectionist. Miracles being rated on a scale of how many people they can bring back from the dead. Even Gabriel, in some way, arriving naked and without his memories and innocent as a babe, then finding himself again was a form of resurrection.

This, of course, has to do with foreshadowing season two, the one where the main plot point is going to be the second coming.

2. They were all about how much it’s a bad idea to mess with humans. All flashback minisodes either had someone die directly because Aziraphale and Crowley were around (Wee Morag, the guy at the magic shop), or almost die because Heaven and Hell said so (Job’s childrens). In present-day time, Aziraphale’s messing about with people during the ball is explicitely called out as creepy and wrong and Nina & Maggie have a talk with Crowley about it.

This leads to my theory that this is also going to be a major theme in the third season. We know that in the book, Adam explicitly tells heaven and hell to stop interfering. We also know that in the show, Aziraphale and to a smaller extend Crowley need to learn this lesson.

I also think that the resolution of the next season is probably going to involve Earth being marked definitely off limits to angels/demons, possibly via the same mechanism that makes the shop into a safe heaven you need to be invited in (and the same thing became true of the Bentley once Aziraphale claimed it! As pointed out here , Shax had to hitchhike to get in, instead of appearing inside as she did before). Earth needs to be claimed. I think that this will happen either by a combined miracle of incredible proportions from both Crowley and Aziraphale after they reunite, or (and this is my pet theory) by a combined miracle of incredible proportions by Adam and whoever is the new Jesus (I am a greasy Johnson truther lol). This would make Earth a place that you need to be invited in order to go there, and therefore safe haven for angels and demons who promise not to cause trouble.

3. All of the side plots and minisodes are about misdirection. Sleight of hand. Smoke and mirrors. Magic tricks. Showing one thing while something else is true.

This is shown obviously in the Job part and also in London 1941, with the party who is getting tricked being heaven and hell, respectively. Meanwhile, Gabriel and Beelzebub are trying to trick everyone. But who is tricked by the plot lines of Nina/Maggie, and Elspeth/Wee Morag?

We are. The audience is.

It has been pointed out here and here that Nina is meant to make us think she’s a parallel to Crowley when she is actually more of an Aziraphale thematically, and vice-versa.

But what about Elspeth and Wee Morag? We have one that robs graveyards, and one who tells her that is wrong and is worried about her eternal soul. That seems straightforward enough as a mirror to Crowley and Aziraphale, no? Well, let’s just look at what they’re doing and saying to each other, shall we?

“Don’t do this incredibly wrong and dangerous thing. It will have repercussions that you can’t even begin to understand right now.”

“I’m doing this for you! You deserve better than this life!”

“I don’t want the better life you’re offering. I would rather huddle with you here, homeless and poor but knowing you’re safe and that we’re together, than to know you alone out there doing horrible things you’ve convinced yourself you need to do.”

“I do need to do it. Trust me! This is going to fix everything! And if you don’t want me to be alone, then come with me. There! Problem solved!”

(Problem very much not solved.)

Doesn’t this sound, a tiny little bit, like a certain season finale to you guys? Elspeth was, in fact, Aziraphale all along. She thought she knew what was best, and she barrelled along without listening to anyone else, and then it went horribly wrong.

There is a reason why both times this season that we see Aziraphale fucking up someone else’s plan (the corpse to sell, Crowley’s contraband whiskey) because he initially reads it as a bad thing and thinks he’s doing good by destroying it, without having the full context, it backfires on him and then the situation has to be fixed. He needs to stop and understand things properly before taking actions. He needs, in short, to ask questions.

We see that the one time he did ask questions before acting was during the whole Job thing, and it worked out the best out of all the sub plots this season, right? … except that Aziraphale was convinced that he would Fall for his actions there. The way Crowley had fallen for asking questions.

And if the only person whose assessment of the situation matches Aziraphale’s is a demon, if the only one who is doing what he personally thinks is the Right Thing is a demon, then gosh… either that means that Aziraphale himself should therefore also be a demon, OR it means that Crowley shouldn’t be one, and this was all just one big misunderstanding, and maybe if I just speak to the manager…?

#good omens #good omens spoilers #go2 spoilers #go 2 speculation #good omens meta #meta #good omens season 3 speculation #good omens season 2 #good omens season 2 meta #good omens analysis