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#also may i be clear
saintsenara · 7 months
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Thoughts on Ron and Hermione as a ship?
thank you very much for the ask, @thesilverstarling!
i’ll state my position straight away: book ron and hermione are the best of the canon couples.
they will have a long and extremely happy marriage made rich by great and stalwart love, lust, fun, and faithfulness, rather than held together by duty and couples’ therapy like so many readers and authors (including jkr, who seems to have decided to spend the years since the conclusion of the series failing to understand anything about her own characters) tend to think.
i will state another position straight away: lest i seem like i’m just a fan with blinkers on, i think this even though hermione is, by far, my least favourite member of the trio. if she were real i would detest her, and i dislike how she is treated by the narrative as always justified in her negative characteristics. i like fanon hermione - perfect and preternaturally good - even less.
as a result, i think that it’s ridiculous that jkr has said that she thought ron needed to ‘become worthy’ of hermione. they belong together as equals - which is what they’re set up in the narrative as being from the off - and i hate seeing that undermined.
because ronald weasley? he’s an icon. and he doesn’t get anywhere near the respect he deserves in fandom.
there are multiple reasons for this - ron’s narrative purpose is to be the everyman sidekick, and so he is able to be less special than harry or hermione (the helper-figure); the amount of aristocracy wank in this fandom means that the weasleys’ ordinariness is less appealing to writers than making harry have twenty different lordships and call himself hadrian; the narrative interrogates ron’s flaws - especially his capacity for jealousy - much more intensively than it interrogates either hermione’s (cruel, inflexible, meddling) or harry’s (reckless, self-absorbed, judgemental) - but one i feel is particularly significant is that ron is such a british character that many of his traits are not understood as intended by non-british readers.
in particular - as is outlined in this excellent meta by @whinlatter - ron’s sense of humour isn’t indicative of immaturity or a lack of seriousness, but is, in fact, evidence that he’s the most emotionally aware of the trio.
ron is shown throughout the series to understand how both harry and hermione need to have their emotions approached - and i think there is no piece of writing which says this better than crocodile heart by @floreatcastellumposts:
That was what she liked most about Ron, she thought vaguely. He was very good at being suitably outraged on your behalf. For Harry, for her, for Neville. That sort of thing mattered, when you were hurt or embarrassed or wronged in some way. You needed to have someone else on your side, to be as emotional as you felt, maybe even more so, so that you might feel a bit more normal. It was very decent of him, and she was not sure he realised he did it.
ron’s inherent emotional awareness is an enormous source of comfort to other people. he does the work which isn’t flashy or special - he makes tea and tells jokes and is just there - but which is needed in healthy human relationships far more frequently than a willingness to fight to the death for the other person.
[as an aside, this normality - even though i think it is assumed rather than justified by the text - is also what ginny provides for harry. if you believe that hinny are a good couple but romione aren’t… i can’t help you.]
but let’s look at some specific reasons why ron and hermione belong together:
their communication styles mesh perfectly. ron is the only person hermione knows who feeds her love of being challenged and debated, and who is able to engage in this way of communicating without becoming irate when she refuses to back down. ron is good at picking his battles, but he’s also good at recognising that hermione’s tendency to argue isn’t intended to be confrontational a lot of the time - it’s just the way she works through feelings and problems. he’s far more easy-going about her tendency to nag, interrupt, try to provoke arguments, or speak condescendingly than he’s given credit for - and hermione evidently respects this, since when he does tell her not to push a situation (above all, when she’s trying to needle harry into talking about sirius), she listens to him.
that ron and hermione’s tendency to bicker is taken by fans to be a bad thing is because it’s something harry - from whose perspective the narrative is written - doesn’t understand. harry is extremely conflict-avoidant - he tends to take being pushed on views and opinions he has to be insulting; and he has a tendency to assume that he is right which is just as profound as hermione’s. he and ginny communicate not by debating, but by ginny having no time for his rigidity and refusing to indulge it - but ron and hermione bickering about everything is not a negative thing within their specific emotional dynamic.
[as another aside, this glaring chasm in communication styles is why harry and hermione would be a disaster as a couple.]
they each provide validation the other needs. it’s clear - reading between the lines - that hermione is a tremendously lonely person. the friendlessness of her initial few weeks at hogwarts seems to be a continuation of her experience as a child, and - outside of ron and harry - that friendlessness endures through her schooldays. i’m always struck, for example, by the fact that, when she falls out with ron in prisoner of azkaban, she has no-one else to spend time with, and that this is only avoided in half-blood prince because harry decides not to freeze her out. i don’t think her friendship with ginny is anywhere near as close as fanon seems to imply (ginny has no interest in being nagged either), nor do i think that she’s anywhere near as close to neville (not least because she is so condescending to him) as she’s often written to be.
and this loneliness seems to stretch beyond hogwarts. the absence of hermione’s parents’ from the narrative is - in a doylist sense - clearly just a device to maximise time with the trio all together, but the watsonian reading is that she doesn’t have a particularly good relationship with them. hermione’s obviously upper-middle-class background - the name! the skiing! the holidays in the south of france! - can be presumed, i think, to come with a series of expectations from her parents which she feels constantly that she’s not entirely meeting, particularly expectations attached to academic success.
[for example, the grangers - were she a muggle child - would undoubtedly have ambitions for her to attend an elite university and then go into a prestigious career. tertiary education of the type that they’re familiar with doesn’t seem to exist in the wizarding world - most careers seem to be taught by apprenticeship - and this, alongside all the other divides between the magical and muggle worlds which contribute to the distance between them, would be one very obvious area in which she felt the need to prove herself to them.]
ron, too, has quite a difficult relationship with his position in the family - voldemort’s locket is not wrong to point out that he seems to receive considerably less of his mother’s emotional attention than ginny or the rest of his brothers - and he too is constrained by expectations which he doesn’t know how to explain he has no interest in - above all, molly’s desire for her sons to achieve top grades and go into the ministry.
he also suffers while at hogwarts from being ‘harry potter’s best friend’, something which harry never appreciates. but hermione does. she recognises ron’s jealousy and never allows harry to minimise it (and she and ron are very much aligned on having no respect for harry’s saviour and martyr complexes). she appreciates ron’s strengths - above all his kindness and his sense of humour - and makes him feel as though he’s achieved things with them. and ron does the same for her; he is hugely observant when it comes to her, and he challenges and defends her.
the two of them clearly spend a lot of time together one-on-one while harry’s involved in his various shenanigans (including outside of school - hermione has often arrived at the burrow days or even weeks before harry, and they seem to write to each other frequently when apart). they do this within a relationship which is fundamentally equal. one issue with hinny is that, post-war, harry is going to have to get used to seeing ginny as a peer, rather than as someone he has to protect. but ron and hermione never have that issue - equality is baked into their relationship from the off.
because, to be quite frank, fandom overstates the role that jealousy plays in their relationship. it’s true that ron certainly doesn’t acquit himself brilliantly when it comes to hermione’s relationship with viktor krum (it’s because he’s bi and doesn’t know it yet), and a tendency to externalise his insecurity into trying to make others also feel insecure is one of his primary negative traits (hermione does this too, via her patented lofty voice when she’s trying to condescend to people). but this is often taken as the initial red flag for how the relationship would crash and burn, and ron’s toxic jealousy is often used in fan-fiction as the trigger for emotional and physical violence towards hermione which, frequently, seems to drive her into the arms of either draco malfoy or severus snape… who are, of course, the first people we think of when we hear the words ‘not prone to jealousy’...
but i think it’s important to point out several things in defence of ron’s jealousy over krum. firstly, hermione evidently regards his jealousy as ridiculous - she’s upset by it, yes, but her upset must be understood as being caused by the fact that she wanted him to ask her out. she doesn’t think he’s being possessive, she thinks he’s being stupid. secondly, hermione is equally as jealous over ron’s crush on fleur delacour and relationship with lavender brown. she behaves just as cruelly when it comes to lavender as ron does when it comes to krum - and the narrative only treats her actions as more sympathetic or justified both because harry dislikes lavender too, and because, by that point in the series, jkr has dispensed with any inclination to ever criticise her.
but, outside of this teenage pettiness, ron is never jealous of hermione over things which matter. he is never jealous of her intelligence or competence or ambition or success (indeed, he defends her constantly from attacks designed to undermine her in these areas). for someone who struggles with being overshadowed by harry, he is never upset at being overshadowed by her. he is clearly going to be happy to support her in any of the career ambitions she can be written as having post-war.
and, on this point, i think it’s worth interrogating why so many readers still seem to feel uncomfortable with the idea of ron and hermione having a dynamic where she is the more ‘powerful’ one. [it’s always a bit trite to say ‘but what if the genders were reversed?’, but actually that’s not irrelevant here]. if hermione ends up taking the ministry by storm and ron becomes a stay-at-home father or has a job which is just to pay the bills, what, precisely, is wrong with that? why, precisely, should hermione regard ron making that choice for himself as a negative thing? hermione so often seems to leave ron in fan-fiction because of a lack of ambition - something which seems to be particularly common in dramione - but, in canon, she is shown to not particularly care if ron and harry do the bare minimum when it comes to studying etc. she nags them to do their work so they don’t get in trouble. she doesn’t nag them to do it to the same standard that she would.
and, actually, i think that ron being less ambitious than hermione is something which is key to how well they work. because ron provides not only emotional support, but emotional clarity.
hermione is shown throughout canon to - just as harry does - have a tendency to become obsessive to the detriment of her own health. she is also often - as harry is - emotionally or intellectually inflexible, and finds it hard to move on when what she feels or believes is proven to be wrong. both she and harry are micro-thinkers, who lean towards knee-jerk assumptions and stubborn convictions (and, indeed, hermione has a remarkably hagrid-ish tendency towards blind loyalty).
ron is none of these things. ron is a big-picture thinker (it’s why he’s so good at chess). he’s a pragmatist. he’s the least righteous of the three. he understands that faith and loyalty are choices, and that sometimes these choices will lead to outcomes which are bad or hard. he is the one of the three most willing to own up to having made mistakes. he is the one least likely to act on gut instinct (and, therefore, the hardest to fool - i think it’s worth emphasising that he clocks that tom riddle is tricking harry immediately, the only one of the trio to do so). he understands that things are a marathon, not a sprint. he is the least obsessive.
and these traits contribute to aspects of his character which are underappreciated. ron worries about hermione making herself ill during exams, or when she is using the time-turner, and makes an effort to get her to set healthy boundaries and redirect her anxiety. ron stands on a broken leg in front of sirius or goes into the forest to fight aragog not out of righteousness, but out of choice. ron takes over the burden of preparing buckbeak’s defence when it is clear that hermione is approaching burnout. ron is completely right that harry hasn’t done any long-term planning for the horcrux hunt, and his anger does force harry to tighten up after he leaves the trio. ron has a clear head in the middle of battle. ron makes harry and hermione laugh. ron is unafraid of human emotion. ron arrests harry’s tendency to brood over the little things by looking at the bigger picture. ron will always come back.
ron is bringing his politician wife regular cups of tea and making sure she doesn’t work all night. he is helping his lawyer wife to feel less upset over losing one case by reminding her that she’s won ten others. he is noticing stress creeping in and whirling her off for a dirty weekend, or even just a takeaway on the sofa. he is teaching his daughter to be proud of her ambition and his son to treat women as equals and both of his children that all you can do when you fuck up is apologise and try to do better. he is making hermione smile on the worst days of her life. he is helping her strategise her long-term goals when she gets stuck on the short-term ones. he is telling her straight when she needs to get it together. he is seeing a misogynistic head of department call hermione a ‘silly little girl’ and choosing to tell him exactly what he thinks of that.
ron is the ultimate wife guy. hermione is a very, very lucky lady.
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neat-crows · 3 months
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So I've been re-watching dr who for the first time ever rn, with a friend who's never seen it before, so I'm seeing all these episodes for the first time since I was 13 and picking up on a LOT that I never noticed before, and holy shit the tenth doctor is SO WEIRD to Martha Jones, and nothing exemplifies that more than the sontaran stratagem/the poison sky.... like..... he is SO weird the whole way down.
When they first see each other again their introduction directly mirrors Jack and The Doctor's in Utopia
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"Doctor" "martha Jones" laugh and hug
"doctor" "captain Jack" laugh and hug
And then! they have a normal interaction!!! WIN he asks how her family is and how she is, and they're smiling and genuinely seem like friends very happy to see each other!
And then.... donna drops the fiance bomb.
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He turns with a look of.... almost anger? disbelief? and asks WHAT MAN?? Then martha explains who he is and the doctor....
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he looks? upset? and then like, resigned? AND THEN martha admits that her fiance is kind of similar to the doctor, and then donna asks "Is he skinny?" and his reactions
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is to make a face like "yeahh" AND START NODDING????? like he's taken Martha's admission to mean she's with a man that's just like him, and honestly seems a bit smug over it, and then when Martha says no-
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he looks so taken off guard and betrayed ??????????? BRO we are less than 5 minutes in..............
He then proceeds to be tetchy with her, and to be fair this is mostly because of her involvement with unit, and his discomfort with how militaristic she's gotten - which I think comes both from anger at himself for how he's changed her, and also discomfort that she's no longer "his" Martha, she's changed, and he doesn't know her as well anymore.
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he tells her off, he's snide and judgmental, he won't even look at her until she tells him to, and he's honestly bitchy - Until she explains herself, and tells him off for being so judgmental, i also think his line "oh so it's my fault" is very telling because..... it literally is? like yes, you put her in situations where she had to become harder and more used to violence......... and he KNOWS it. He's doing what he did all through series 3, which is feel guilty or bad and then take it out on Martha (that's for another post though) until she stands up for herself (get his ass!!) and then when she's finished she looks at him
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determined, but eyes darting back and forth waiting for his reaction, on some small level hoping for his approval
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and only THEN does he start to smile, and he tells her "that sounds more like Martha Jones." she's back to feeling like she's still his (to him, Martha is acting incredibly normal and platonic). The doctor has always had a weird possessiveness with Martha, going all the way back to their first episode where he hand picked her, and in this second of her looking for his approval, he feels that again, and he IMMEDIATELY started flirting again - please go watch the scene it boggles my mind how fast he switches.
I also want to be clear, Martha isn't flirting back, she's acting extremely normally. She's clearly taken the time away from him to get over, not only romantic feelings, but any anger as well. She seems to have come to terms with how she feels with everything that happened, and she loves and cares about him, but she's not naive to his faults - I also don't think she even picks up on him being weird to her in this scene. She's no longer in tune with his every mood swing, she's not here to fix him, or cater to his needs, and so she no longer notices these small moments from him.
AND THEN.... the clone.
He never flirts with the clone. The ONLY time, is the very first time they interact, before he's realized something is wrong.
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he calls her over to come with him, and his face is honestly way too close to hers. bro is a menace. but then, maybe 2 minutes later, he immediately clocks that this is not Martha.
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he realizes there has to be a spy and only has to consider for half a second before he turns and asks about her family, he's already realized she's acting a little off, and the second she answers he's 100% certain.
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and he gets MAD. he tells her Donna went home because she's not like her, she's not "a soldier" clearly a shot at the sontarans, but also another subtle test, the real Martha wouldn't let that slide, and he wouldn't say that to the real Martha. He continues saying Avanti, instead of Allonse-y, which is interesting, because he already knows. He's not doing this to confirm his suspicions, he's doing this as retaliation. To confirm to himself he knows Martha better than this fake, he's toying with her. BUT. He doesn't go to save Martha.
The next episode, the doctor's daughter, he refuses to accept the label of soldier, but Jenny rightfully points out that he strategizes like one And this is one such moment. He knows Martha is a clone, he's mad and upset, he could go save her right away, but he doesn't. He doesn't because it serves him best to allow her to keep shutting down the nuclear launch.
It reminds me a lot of when Cassandra possessed Rose in New Earth, he played a long for a little bit, but that was just to figure out what was happening. He IMMEDIATELY tried to fix it, I just wonder if it was any other companion if he would have done this. If it was Donna would he have left her for so long? even if it was strategic? it's this weird conflict the doctor has now that he's very very protective and a bit possessive, but he also treats her like an equal on the battlefield, and it's a weird... trust? he has in her to take care of herself.
I kind of don't want to call it trust because that sounds too positive, but I don't know another way to phrase it, but it's a forced independence and self sufficiency.
but then, he finally goes to save her
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He goes and cradles her face gently, and NOTABLY says "good, still alive" MEANING HE DIDN'T KNOW??? and still left her for that long...
but he holds her gently, and fully ignores the clone. He has his back to her, and then proceeds to taunt her. He tells her he clocked her right away because of the pupil size, thin hair, and he says she smells. but we know this isn't true.
Sure maybe those physical traits are true, but that's not how he figured it out, we saw how he did it, he clocked on because he knows Martha so well, but he can't admit that. He can't admit that he knows her just as much as she knows him, just like he couldn't tell Rose he loved her.
He is so deeply angry at this clone, he makes fun of her, he yells at her, he looks at her likes she's nothing
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This is his face when he kills her. He doesn't talk to her, or even TRY to save her. And we know she is alive, she has memories, and her own thoughts and feelings, and the doctor kills her while gloating because of his immense anger for hurting Martha. An anger that is also guilt.
he does not speak to her like a person (which directly leads into his treatment of Jenny in the next ep).
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Parallel that to how Martha treats her, they talk about their family and she even calls the clone Martha. She really is a doctor in a way ten tried and often failed at.
And then at the end, Donna asks Martha to come with them, and she says no, and that she's happy at home, but she's better for having traveled and come back.
And the doctor looks at her
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With an obvious sadness, but also acceptance. He clearly wants her here, with him, but I think he's finally come to accept that that'll never happen, and he needs to let her go.
Edit: I Like their dynamic(mostly) This is not an anti tenmartha post Him being a freak is compelling
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theethoslab · 2 months
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Absolutely losing my mind over Scar’s stream today
He was already talking to Etho while catching ocelots
Joel logs in and Scar immediately asks if Etho wants to go visit him
We get so many Etho lore crumbs (although he doesn’t fully confirm anything except having stubble and trying to get rid of 2 extra house generators)
They hang out for like 2 hours doing nothing hut chatting
Eventually Scar leaves but forgot that he left his ocelots at Etho’s because he was so excited about boat boys that he never brought them home
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general-cyno · 4 months
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I really like that zoro and luffy's relationship is weirdly simple while still being somewhat complex. equal yet not quite but actually yeah. it's just interesting bc they've got all these ways in which they match or complement each other right? the importance of their dreams and the will/determination they chase them with, the straw hat vs wado ichimonji, their scars, their views on certain things like death or heroism and literally echoing what the other does or says even when they're not together, the whole sun/moon, god/demon bit and other parallels to outstanding or legendary characters in OP, etc. their goddamn haki too.
then there's the fact that although luffy's not one to enforce strict roles within the crew, zoro very much views the straw hats with a certain level of hierarchy he includes himself in and deliberately places himself below luffy, who won't hesitate to give him orders in certain circumstances that he trusts zoro to follow as well. but the story (via some side/background characters) does make it a point to remark how strange it all is bc zoro is crazy strong and a leader of his own right to the point he's got the haki to match, who in the past refused to join an organization like baroque works unless he got to be the boss. he's even admitted he sees no point in staying a pirate if not part of luffy's crew, and he wouldn't remain in it to begin with if luffy didn't square up to be the kind of captain zoro's willing to devote himself to. just like how luffy wouldn't have invited zoro to join his crew if it turned out he wasn't a good guy.
and luffy. the way he relies on zoro turns my brain into confetti. the almost unreal sort of trust he places in zoro all the way since shells town, the sheer confidence in zoro's strength, steadfastness and protectiveness - the kind of confidence that allows luffy not to worry when the people he cares about or their allies are with zoro, and if someone from their crew is forced to leave bc of dangerous circumstances, zoro's one of the first he can count on to bring them back or watch over the rest in the meanwhile. all of which becomes extra meaningful when you find out about luffy's backstory, how much he hates being alone or when people leave. luffy's not the type to reject help from whoever's willing to offer it and he's been saved by plenty other characters along the way, but zoro's been consistently and explicitly worrying over his safety since the early days and protecting him for about as long, as much as he's able to, and luffy just... lets him. that willing, conscious kind of vulnerability coming from the guy who's the captain and usually the strongest around is so good. so compelling. the pirate king expects and needs no less than the world's greatest swordsman and he can have him, as long as the pirate king remains worthy of it. truly one of the most fascinating relationships in this manga for me.
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demigods-posts · 24 days
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I've seen a lot of discourse about Virginia Kull's portrayal of Sally Jackson in the Percy Jackson and the Olympians TV series, and I'd like to say that I loved her. Don't get me wrong. I love Sally from the original book series, and I, too, would fight the God of War on her behalf. But something that I enjoyed about Virginia's portrayal of Sally that we don't get in the books is the character depth. We don't hear much of Sally's backstory in the TV series, apart from a couple of flashbacks with younger Percy and that scene with Poseidon (Toby Stephens). However, those scenes do an excellent job of showing us that alongside being Percy's mother, Sally is also a young woman who fell in love with a man she could not be with and is enduring the natural consequences of having Percy. She struggles to communicate with him when she's frustrated, gets teary-eyed when she lies to him to prolong the inevitable, and actively sacrifices her happiness to ensure his safety. Virginia Kull's portrayal of Sally Jackson reinforces the character's humanity, imperfections, and determination, and it's everything to me.
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Just some things I think deserve a super accurate movie/show adaption in a beautiful 2D animation style:
The How to Train Your Dragon series
Gregor the Overlander
Artemis Fowl
The Adventure Zone
The Hitchhiker's Guide to the Galaxy
Frankenstein or the Modern Prometheus
The Wonderful Wizard of Oz (fr so much was left out of the 1939 film!)
Alice's Adventures in Wonderland and Through the Looking-Glass
The actual Little Mermaid story (there are a ton of adaptations I haven't seen yet so maybe it exists somewhere but we all know Disney’s didn’t even come close)
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sketchy-tour · 6 months
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I just wanted to quickly say thank you guys!! Like... LIKE REALLY!!! THANK YALL SO MUCH!!!! The amount of constant love I receive for my work has been overwhelmingly wonderful to experience. I don't even know how to put it all into words. BUT IM GONNA TRY!
FAIR WARNING! I'm about to be really really sappy under the cut. So feel free to ignore that if you wish. But I got a lot of emotions I'm about to try to say.
Hi hello and hi. Um. Well, it's hard to explain how much this has meant to me. How much your kind words have sent waves of joy through my heart. How much every like has made me smile. How every reblog has made me feel a rush of pride. Every person who spammed me with likes when finding my blog, every person who talks in the tags when reblogging me, every person who shows up constantly in my notifs, every mutual who interacts with me even in the smallest of ways, every other artist I interacted with who has been kind to me.
All of it. Every single notif has made me smile in some way and I cannot thank you enough. I was so genuinely shy about sharing Dandy with Tumblr because I began drawing Dandy at a very turbulent time of my life. My WH art and oc had become a place of comfort for my mind and I had wanted to interact with the community for a long while but I'm skittish by nature so it took a LOT of mental prep for me to start posting this stuff here.
And the fact I have so much positivity in my notifs! I really needed that. Truly, I did. I still don't see myself as a big artist by any means, but I know I'm so lucky to have the bit of engagement I do from yall!
I feel like I'm rambling. Needless to say...it means the absolute world to me that the art that brings me joy is given such love by yall. Even if hyperfixations change, even if time marches us all in different directions, I'm thankful to have this. Right now. When I needed it.
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80yearoldmanmoodboard · 7 months
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Some gems from the Autobiography of Special Agent Dale Cooper: my life in tapes
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atthebell-moved · 7 months
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that whole early era of cellbit streams was crazy bc he was so paranoid post-chainsawing and so fixated on the arg that you weren't quite sure if stuff was real or not so every time cucurucho showed up (or cellbit thought he heard something) it was like well is he actually in the walls or is cellbit running off fourteen cups of coffee and no sleep
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toastingpencils37 · 12 days
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Ok, there's something about Ras ordering Cinder to kill the Cloud Monks that makes it feel darker than usual in Ninjago.
Of course, villains are always talking about killing the ninja, but that's just it. They're talking about killing the ninja.
And even when they talk about killing innocent people, there's something different about the way they say it and their body movements that make it feel a little less dark.
But with Ras telling Cinder to destroy the Cloud Kingdom, and by extension the Cloud Monks, he literally tells him "I said everything".
Plus, when Ras says this, for one, we see Cinder laugh and smile in a very devious way, and the Cloud Monks start whimpering in fear, unable to do anything to stop it at all, unlike other threatened characters who can somewhat fight, even if not that well.
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rox-of-iu · 8 months
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no thought only MQF in brain* (*even more than usual yeah.....)
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ok lads listen up. i love allllll Mu Qingfang designs ok? all the interpretations are cool and valid and dear ok BUT. whenever I personally try to draw MQF without a 'stache he just looks to me like a first-year med student ok hjdfhkfd
but anyway. when i was scrolling around and being completely normal about MQF i saw a lot of ppl say stuff like 'this is my 'mqf is actually pretty' agenda' and its alwaysss about peeled mqf SO I HAVE A POINT TO PROVE OK. mqf with a moustache can be also a prettyboy ok?? i can prove it 😭😭
so here are my qingfangs where i turned up the babygirl vibes to absolute max as i could hsdfjkhdskfh 💜
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gooboogy · 7 months
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The problem is they both make sense.
John lacks any agency, and as his abilities start "failing" he loses more of what little he has. The only things he can do is perceive the world through Arthur's eyes and talk to him in his head. That's it. He has no material effect on the world around them. He is solely 100% reliant on Arthur for his continued existence and influence on the world. He can't ignore Arthur whatsoever (unlike Arthur who can ignore John easy peasy) he can't Do anything but talk and observe (and also experience the deaths of people Arthur touches but ultimately that does nothing). Of course he is going to be distrustful of other people and possessive over Arthur.
Arthur feels like suddenly he can't rely on this very reliable thing that has been keeping him alive this whole time. It would shake anyone up. Especially with the shit they have to deal with? If he can't rely on directions he will be sliced to ribbons or shot without a chance of fighting back. They may as well be dead already. And for all of John's lack of agency, it's Arthur who has to actually deal with the consequences. He's the one who's getting wounded and torn to bits and has to fight all that. Plus it's HIS body. If someone's existence relies on your body, you have the right to refuse, bodily autonomy is a human right.
The problem is they've gone through this cycle before (cycle of learning and forgetting and learning that they are One Unit and need to work Together vs The Problems and forgetting) but never has it shaken Arthur so much. Even when they've argued before he would still listen to John's directions. But now? Everything is in question (as is probably the intent behind John's "failing" abilities.) They DO need other people to help and they DO need to be careful and include John. They cannot truly trust someone else while keeping John a secret or without his input. Arthur has the most control over the situation and the onus is on him to make the compromises. Yeah it's his body but 1) countless times he promised to John that they were in this together and 2) at this point separating them would be so traumatic that they may as well be One.
All of this is to say, curious that Arthur is so willing to tell Oscar about literally everything EXCEPT John. What happens if he does? What if there's someone else to assert for John in a way Arthur can't ignore so easily? Would that legitimize the shared ownership of Arthur's body? What does it mean for John to gain agency by the loss of Arthur's autonomy?
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homecomingvn · 7 months
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Hey everyone, long time no see! Apologies for the months of silence - but I’m back now! I needed to take a much needed step back from HOCO and focus on some other projects of mine (as well as play a ungodly amount of BG3 hehe).
On my break, I also decided to kinda tear down HOCO and rebuild it from the ground up. I wasn’t really pleased with how the story was going and I think that really contributed to the burnout I felt with the project. I still would like to include the premise of the various life stages, but may go about it in a different way than I had initially planned - things to think about more I suppose!
Anyways here’s some behind the scenes of what I’ve been up to - starting with revisiting the cast’s (+ Nico’s) main outfits and updating them :3
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So i made this lil transparent worm-on-a-string Hiccup a while back
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Im leaving him here for yall to watch while i go do a Thing
Im sure when i get back he wont be in any precarious situations, or unsavory circumstances, or anything of that ilk
Anyways
Have fun
Ill be back
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altocat · 27 days
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More cringe memes. Lucrecia Edition.
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storytellering · 3 months
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Pastel Nero 🍬
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