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#animal exploitation tw
glindaselphie · 2 years
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I keep thinking about the chimp, Gordy, from Nope and honestly as disturbing as those scenes were, I don’t feel scared of him, I just feel bad for him tbqh. If he wasn’t being exploited like he was, none of that would ever have happened :( it’s just sad because stuff like that did happen with chimps irl. I’m just glad it is illegal in the US and here in the UK to actually use them now.
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hussyknee · 9 months
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Another thread by Senator Ben Ray Luján here.
A book on the subject (haven't read it myself):
One of the sources in another one of Alisa's furiously impassioned twitter threads have been debunked, so I didn't include that. But she claims that her own family was caught in the fallout zone when her mother was a baby, which eventually led to her and large numbers of her community developing cancer. It's human for that kind of grief to be caught up in inaccuracies. People are already being ghastly and racist to Hispanos and Indigenous people criticizing the hype for the movie. They're not attacking Oppenheimer for being Jewish, they're criticising the erasure of the human cost of these bombs and the continued valorisation of the U.S military's actions in World War II as some kind of moral saviourism.
While Oppenheimer himself believed that the nuclear bombings of Hiroshima and Nagasaki were morally justified (they had planned to drop them on Germany except they surrendered before they could), he also felt had blood on his hands and regretted his role as the "Father of the Atomic Bomb". He spent the rest of his career vehemently opposing further development of thermonuclear weapons and the hydrogen bomb accurately predicting the concept of mutually assured destruction. This eventually made him a victim of Senator McCarthy's Red Scare and his clearance was revoked. I haven't seen the movie (Christopher Nolan is the kind of casual white racist I avoid on principle) but people who have seen it say that it doesn't glorify nuclear weapons and depicts the man himself with the complex moral nuance that seems to be accurately reflective of his real life.
The backlash to Indigenous and Hispanos people's criticisms and to people pointing out that Hiroshima and Nagasaki were genocides is also frustrating because...both world wars were a clash of genocidal empires. The reason they were world wars is because the countries colonized by Japan, China, the European powers and the US were all dragged into it, whether they wanted to or not. Jews were one of the many colonized peoples that suffered in that time, who were left to die by everyone until they could be used to frame the Allied powers as moral saviours, establishing a revisionist nostalgia for heroism that powers the US military industrial complex to this day.
As early as May 1942, and again in June, the BBC reported the mass murder of Polish Jews by the Nazis. Although both US President, Franklin Roosevelt, and British Prime Minister, Winston Churchill, warned the Germans that they would be held to account after the war, privately they agreed to prioritise and to turn their attention and efforts to winning the war. Therefore, all pleas to the Allies to destroy the death camp at Auschwitz-Birkenau were ignored. The Allies argued that not only would such an operation shift the focus away from winning the war, but it could provoke even worse treatment of the Jews. In June 1944 the Americans had aerial photographs of the Auschwitz complex. The Allies bombed a nearby factory in August, but the gas chambers, crematoria and train tracks used to transport Jewish civilians to their deaths were not targeted.
(Source)
Uncritical consumption of World War II media is the reinforcement of imperialist propaganda, more so when one group of colonized people is used to silence other colonized peoples. Pitting white Jewry against BIPOC is to do the work of white supremacy for imperialist colonizers, and victimizes Jews of colour twice over.
Edit: friends, there's been some doubt cast on the veracity of Alisa's claims. The human cost to the Hispanos population caught downwind of the nuclear tests is very real, as was land seizure without adequate compensation. However, there's no record I can yet find about Los Alamos killing livestock and Hispanos being forced to work for Los Alamos without PPE. There is a separate issue about human testing in the development of said PPE that's not covered here. I'm turning off reblogs until I can find out more. Meanwhile, here's another more legitimate article you can boost instead:
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oca-rinn-a · 11 months
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The Ethics of What We Eat, Singer and Mason, published 2006
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savageboar · 1 year
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til that captive dolphins are capable of becoming so depressed in awful conditions they'll literally commit suicide by suffocating themselves, because unlike with our nervous systems a dolphin has to consciously choose to breathe for obvious reasons. that's so fucking sad.
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spectrumspace · 2 years
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i typically watch youtube in incognito mode because i do NOT want an algorithm screwing up my music recommendations with dumb video essays and I Cannot Let Them Think They’ve Won and eughhh every time i see the main page i wince.
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like i can’t explain how this makes me feel except that it’s EXTREMELY negative. this looks like garbage. awful. hate it.
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ceruleancattail · 2 months
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Serial Killer Rook thoughts:
Tw: Yandere, gore, implied murder, Rook’s very suspicious
Maybe he’s just that one guy living in a lonely little cabin by the lake. Nobody really knows much about him. At most, the villagers could only describe how he looked like, or how peasant he was. “A charming young man” was the most you’ll get out of the villagers’ chatter.
As the “delivery service” of your town, you cycle around on dirt-paved roads, running errands for the townsfolk for a small price. It ain’t much, but it’s an earnest living.
Occasionally, you drop by. Knuckles rapping away on that wooden door, calling out Rook’s name. You figure as someone passing through, it’s your duty to make sure that he hasn’t just upped and died. Rook answers your call promptly, a gentle smile dancing across his lips as he opens the door.
Ah, how nice of you, darling . Taking the time out of your day to check in on him. Oh, just look at you! How exhausted you must be, cycling all this way.
Wouldn’t you come in for a cup of tea? Rook never takes no for an answer, casually shooting down every excuse you could come up with. His arm soon finds itself way around your waist, carefully ushering you into his cabin.
Gently guiding you towards his living room, before those skilled hands of his busy themselves. Pouring you a cup of tea, asking questions. Rook’s way of making small talk, you reason.
What’s your favourite animal?
Oh, those? They were tricky to hunt, that’s for sure. Rook’s caught some before. Maybe next time you could drop by to see him in action.
Favourite colour?
Ah, how beautiful. Rook very much admires that particular shade as well… what an odd coincidence. He’s seen some wildflowers in that colour. Would you care for some blossoms?
How’s life been, in the village?
Ah, is that so? Rook prefers a quieter life, in the woods with nothing but the melody of nature to keep him company. It’s mediative, in a way. Maybe you should try, sometime.
You answer most of them light heartedly, laughing politely. Quipping back some questions of your own, you lean forward expectedly. Only to be greeted with a placid smile, before Rook turns the tables once more.
Emerald eyes staring into yours unwaveringly, their gaze burning into your irises itself. There was something unnerving about the intensity Rook’s eyes had, but you shrugged it off as just… a quirk of his. Yes, it had to be. He had to be focused, as a hunter living off the land… right?
A little weary from the constant bombardment of questions, your eyes flicker around the room, trying to find something else to talk about. Glancing at the walls, your eyes narrow in confusion. Most hunters you’ve known frame at least one or two of their exploits on the walls for the world to see. Even if taxidermy wasn’t their thing, at least there’ll be a photo or two.
Rook didn’t have that. His bows were framed on the walls, yes. Some metal crossbows, strings pulled taunt, ready to fire at any time. These laid beside more traditional bows, ranging from the natural hues of wood to the metallic sheen of steel.
Yet there weren’t any animals in sight. Only… pictures. Pictures of people in black and white. Going about their day. Most of these seemed to portray people in their most natural state, walking around, running errands… all the mundane activities of everyday life. But one thing struck you as odd.
None of them seemed aware they were being photographed. Out of all the photos on the wall, none of the subjects were looking into the camera. How odd.
Turning towards Rook again, you remark about how devoted he was to his craft. Surely to amass such a collection, he must be rather passionate about photo taking. Out of the corner of your eye, you see Rook stiffen ever so slightly, a sinister glint gleaming in his eyes. Before it resumed its usual calmness, the placid smile clicking right back into place.
Well, yes… you could say he was very passionate about what he did. These people have treasured the photos Rook took of them… until the day they died.
A chill ran down your spine. You laugh nervously, remarking about how late it was. You should really be getting back to work. For a moment, Rook refused to move. A bead of cold sweat ran down your back, heart thundering away in your chest. Panic rushing through your veins, nothing but the pounding of your pulse beating within your eardrums.
Until finally, Rook got up. He walked you to the door, lamenting that you had to go so soon. It’s so rare he got any visitors. It’s rather lonely all the way out here in the wilderness….
Before you could even think, words slipped right past your lips:
“I’ll come back again. Maybe you can take my photo then?”
The ghost of a faint smirk danced across his lips as he clutched at your hands, proclaiming his gratefulness in elaborate prose. Before you stepped out of his door, Rook places something in your palm.
A necklace of… sorts. A silver charm was threaded through it, in the shape of an arrow. A lucky charm, Rook explained. It’ll keep you safe. Well, as safe as the circumstances allowed, he chuckled.
It used to belong to a client of his, but as of now? They… no longer have any need to use it, you see. So now Rook bestows it upon you! Ah yes, silver looks terrific on your neck.
Waving hesitantly , you cycle away from his cabin. Heaving a sigh of relief you had no idea that you were holding. An odd man… but charming, strangely enough. You guess you could pay him another visit the next time you were out.
Just… another one. To keep him from getting too lonely, Y’know?
From the window of the cabin, Rook stood slyly to the side. Parting the curtain with a single finger, watching you go. Goodness, how adorable. The darling on their bicycle, cycling off into the distance.
How defenceless.
Oh, how did he wish to reach right over, and trap you in his embrace. Rook could tell you were getting unnerved. With your gaze flitting all around, avoiding his own, with your trembling fingers as you pushed yourself off his armchair, clumsy excuses about the time….
Goodness, you were rather adorable, were you not? The silver necklace around your neck fit you perfectly, as well. As expected from his beloved cherie! Worry not, a charm is placed in the arrow itself. Harm will never befall you… well, unless you take it off. Rook wouldn’t know where you were, then. It’ll be hard for him to protect you, then.
That silver chain looked gorgeous around your neck, on that tender, soft skin of yours…
You couldn’t blame Rook for wondering how his own silver arrows would look like, impaled deep into your skin.
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xx-slug-xx · 8 months
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//tw- mentions of pedophilia, csem, csa, and lolicon
Guys, please please please don’t use the term CSEM to refer to fictional pornographic drawings that involve fictional characters who are depicted as minors
I can’t believe I have to say this, but I’ve seen too many people, just in the past 24 hours, use the term to describe porn that someone drew
Holy shit, lolicon and the like is not CSEM, CSAM, or CP just because a hypothetical and fictional minor is involved in the art. Those terms are specifically used when talking about real sexual abuse cases involving real-world minors.
Fiction cannot be CSEM because it doesn’t involve the direct sexual exploitation and abuse of a real minor! The creation of these pieces of media do not involve the direct harm of a real minor!
Just say “lolicon” or “fictional porn involving fictional minors”. Just use something, ANYTHING, that isn’t used to specifically identify real life abuse materials! Please just don’t use a term that has this much seriousness attached to it as a means of labeling fictional content that you don’t like, even if it triggers you!
You being uncomfortable doesn’t justify the misuse of a term that is used to directly describe abuse, and it makes real victims of CSEM feel like shit when you label some random anime girl as a “victim” right next to them. Because, get this, when you label something fictional as CSEM, CSAM, or CP, you are inherently insinuating that there is a victim involved in the creation of this media, which is inherently untrue with fiction. STOP DOING THIS!!!
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sjbattleangel · 10 months
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Public Service Announcement: There Is No "CalArts Style".
Can't believe I still have to say this!
Despite everything you might have heard, there is no "CalArts Style." It doesn't exist. CalArts isn't an art-style or animation studio, it's actually a university for art and animation founded by the Disney brothers. (Yes, THOSE Disney brothers)
I know there's this image going around of these cartoon characters sharing the same head, eyes and smile...
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but that's deliberate, misleading exaggeration. In reality..
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They're actually very different from one another. Sure, they share a few faint similarities but overall each character and their respective series have their own style and identity.
Animation with those similarities? (Round eyes, mouthes and bendy limbs) There're actual names for that style of animation: Rubber-Hose, Bean-Mouth, Noodle-Arm, Fleischerian. take your pick.
But to call all animation with those little similarities "CalArts"? It's stupid, lazy and dishonest. CalArts didn't create or popularize the Bean-Mouth. Like all art-styles, it became trendy following the major success of shows like Adventure Time, Steven Universe, ect. And most importantly, there is no uniform style at CalArts. In fact, here, let me show you the work of noticeable CalArts Alumni:
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Just look at the diverse art-styles and animation, all from former CalArts students!
On a side-note:
Rebbeca Sugar (Steven Universe) never went to CalArts.
Ben Bocquelet (Gumball) never went to CalArts.
Nate Stevenson (She-Ra) never went to CalArts either! (Something I find hilarious since She-Ra doesn't look anything like the aforementioned Bean-Mouth cartoons but rather a bold, modernized version of Sailor Moon)
Another reason why people must stop using the term "CalArts"/"CalArts Style"? It was coined by none other than disgusting predator John K. Yes, John K, the co-creator of Ren & Stimpy who used his influence to prey on teenage girls. (TW: sexual exploitation, grooming, gaslighting.) He coined the term "CalArts"/"CalArts Style" to bash works like The Iron Giant, Animaniacs, Gargoyles, Les Triplettes De Belleville (which is also ridiculous since Sylvain Chomet didn't go to CalArts) along with the works of Disney, Warner Bros., Dreamworks, Richard Williams and Don Bluth. In simple terms, he was a toxic piece of work who loved tearing anything that didn't meet his standards of zany, off-model grotesqueness.
Here, a friend of mine on social media explains better than I can:
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Thanks for listening. Hope I helped.
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oca-rinn-a · 6 months
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Unfortunately just discovered a bird slaughtering facility in my neighborhood.
I was on a walk and, as a person who loves birds, was excited to hear bird sounds very close. It sounded vaguely gull-ish, so I looked up, but within a split second realized with horror that three feet in front of me on the sidewalk sat about ten crates cruelly overstuffed with live birds. Turkeys, chickens, and ducks. They couldn't move in the crates.
The turkeys had no room for any position other than laying. The crate squashing them down and together, it was the turkeys I heard, as they reacted to someone approaching. Black eyes of young turkeys, wondering what was next for them. Think of them, please, when you see their carcasses labeled with kind words in a grocery store this Thanksgiving season. Nothing kind happens to them. At no point in their life do they get to have quality time with any friends or family. It's the cruelest marketing there is.
Their crate was stacked atop two more crates stuffed with chickens. As small as the chickens were in comparison to the turkeys, there were so many packed in together that they could not turn around, and the crate was so shallow that their leg joint could only reach a maximum angle of 30 degrees. They were restless, and they were the majority. The other three stacks of crates were almost all chickens, the one exception being a crate of ducks.
The ducks were the liveliest. They seemed angriest, their crate second from the top of the stack, sandwiched between two crates of chickens. The ducks' long necks were forced into a dipped position. They communicated and tried their best to find egress. They don't want to be here, and they have never had a say in what happens to them. They want water and grass and there's only plastic and concrete and their own excrement.
A chicken in a crate in the middle of the stack relieves themselves, the excrement splashing forcefully onto the chickens in crates beside and below.
None of these birds can move. They have no options. There is no room, they are in literal cages. I don't know when they were delivered to the door of the slaughterhouse, and I don't know how much longer they will have to suffer there, smashed and aching and covered in shit. Impossibly confused about their situation.
I honestly hope, for their sakes, that they're dead by now. For their sakes and for my own peace, I hope they're dead, and I hope you think about them.
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whumpshaped · 6 months
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i have no excuse. im sorry. but this popped into my head and now it must exist. its not even whump i just. u'll see
masterlist
tw vampire whumper, invasion of privacy
"Don't go in there!" Beck said pleadingly, quickly rushing to stand between Helle and the closed bedroom door. "Please. That's my room. It's– it's private, it's... it's where I sleep–"
"Yes, that is often the purpose of a bedroom." His desperate attempt to stop them clearly backfired, because the vampire looked even more intrigued now. "Are you hiding something horrible? Something embarrassing, perhaps?"
"I'm n-not hiding anything, just... I don't want strangers in my bedroom."
"Strangers?" Helle looked wounded. "How many bites for an acquaintance? Or do you often let strangers bite you?"
"I don't want my acquaintances in my bedroom."
"Very well." They stepped away, sighing. "There is nothing I can do but respect the home owner's wishes."
Technically, I'm renting. He didn't say it, not wanting to give Helle any loopholes to exploit. But he soon realised the vampire didn't need a loophole as he was shoved aside and they marched right in.
"Was that what you were hoping I would say?" came their voice from inside, and Beck ran after them. "Do not be so naive. I said I wanted to explore the house ful– oh. That is adorable."
"Don't touch him!" He wasn't fast enough, of course he wasn't. Before he could do anything, Helle snatched the little thing from his bed, cradling it in their arms.
"What a sweet fellow," they cooed, giving the plush bat the biggest, fondest smile. Beck stayed still, suddenly very nervous about making a move Helle didn't approve of. Would they be so evil as to hurt Boba? "You absolutely cannot tell me you were hiding him. I would be heartbroken."
"I..." He watched as Helle squished the bat a couple times, seemingly enjoying themself greatly. "N-no, I wasn't..."
"Good. What a delight to know that one of my kin has already taken up residence here. Obviously, you are not opposed to housing creatures of the night."
Housing? "Y-you don't want to stay, do you?" he stammered, still anxious about his vulnerable friend being held by such a monster. Helle glanced up and shot him a mischievous grin.
"What if I do?" They nodded towards the stuffed animal. "Does he have a name, by any chance?"
Beck bit his lip. This was so stupid. Why were they asking about a plushie he had? Why couldn't they just be disinterested? "Boba," he muttered eventually.
"Would you really deprive sweet Boba of appropriate company?"
"You are not appropriate company. Boba has no ties to you or any vampire." Oh god, this was such a stupid argument to have. But he just wanted to have this one thing, the little piece of joy that still remained in his life even with the constant pain and paranoia. Couldn't they even let him have that?
"You sadden me." They gently placed the toy on the bed where they'd found it, and Beck snatched it up immediately, holding it close to his chest. "But no, I do not intend to stay for long. Possibly a few hours." Their smile softened as they looked at him; Beck would've almost described it as sympathetic. "Dear Boba is safe from my evil ways. I promise."
The vampire rarely ever made promises, that was one thing Beck realised about them very early on... nor were they particularly trustworthy. But this time, they seemed sincere. He hesitantly nodded, still holding the bat tight. "Thank you."
Maybe... maybe Helle still had some semblance of humanity left in them.
~
taglist: @whumpsday @the-scrapegoat @hidden-dreamland @dismemberment-on-a-tuesday-night @delicateprincepaper @whumppmuhw @florissimps @nicolepascaline @oliversrarebooks @the-cyrulik @pirefyrelight @there-will-always-be-blood @pigeonwhumps @echo-goes-mmm
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sweet-as-an-angel · 4 months
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Hi!!! I’m the same guy as the one that asked about the age range and autism :] just having like another question or so idk I forgot tbh.
Again, it’s so okay if you don’t wanna answer any of these!! I completely get it, all is well 🫶🫶
Would Dominic have any reaction to a reader that stims a lot?? Either verbally or physically; maybe his adoration will miau like a cat as a vocal stim frequently or flap their hands or clap as a physical stim as well?? Would he do anything now that he has that knowledge??
If his obsession suffered from OCD, how would he exploit that disorder?? (under the impression that he would exploit it.) Perhaps their ocd revolves around severe obsessions of having something seriously wrong with them, paranoia, or extreme fear of dirt or contamination??
Can he speak another language?? If his adoration was bilingual would he put genuine effort into learning their mother language??
Would he find it disrespectful if his obsession was eye contact adverse?? Actually what things does he find disrespectful like in general?? Does he do anything to correct that behavior??
Would he be okay with them being like incredibly and insanely cuddly and touchy?? I am autistic myself and when I go nonverbal but can still stand touch it’s how I communicate if that makes sense at all??
OKOK I swear that’s it for at least a while 😭😭 he really has me thinking about things jesus christ man. If there’s any spelling mistakes or something you don’t understand, I’m sorry :[[ German is my first language.
Have a great day or night!! I wasn’t expecting to write this much ngl🫶🫶
In case I ever have anything else I’ll put a raccoon at the end!! :]]
-🦝
TW: Discussions of Mental Health, Mentions of OCD, Dominic Being Dominic
Welcome back, my dear 🦝 Anon <3 ! Your English is perfect, thank you for all your wonderful questions ^^ ! To answer your inquiries:
♡ If Reader stims a lot, Dominic will, of course, try to find a way to make your stimming all about him; especially if you have a lot of physical/verbal stims. He'll try to be in close proximity to you so that, when you do stim, you're more likely to either catch/grab him (unintentionally, of course). If you're apologetic - even though it isn't your fault - Dominic will absolutely find a way to guilt you into feeling bad about it, even when his veneer tells you that it's fine, it happens.
♡ Guilt breeds indebtedness - that's what Dominic has discovered. So, fresh off the wave of panic you're feeling, he'll ask you to do something for him that will require you to stay longer, during which time he'll see if you physically stim again or not. If so, he refreshes the process. Just like printing money.
♡ If you verbally stim and, say, make some kind of animal noise, he'll absolutely try and romanticise it. If you meow, he'll call you "Kitty," giving you a warm smile and a good-natured laugh. If/when you become more comfortable around him, he'll start calling you "Mon Minou," - My Kitty. He's one Discord server away from calling you Kitten.
♡ If you suffer with OCD, he'll start manipulating the physical environment to trigger you. Never in his own house, though. You need someplace as your safe space, right?
♡ He'll never verbally trigger you himself, either; nor will he allow any triggers to exist in his house as to try and reduce the likelihood of you having a negative association with his abode if you experience an OCD urge whilst you're there, regardless of how severe it is.
♡ In fact, he'll do things to make it seem like he's the only one that can combat it; he'll check windows to make sure they're locked, he'll sweep up crumbs off the floor to clear the path for you, he'll even call up one of his many doctor 'friends' (acquaintances. People in high places he's fashioned into his elite social circle) to come and informally examine you, to tell you that you're fine.
♡ If it's paranoia you're afflicted with, he'll seize the opportunity to turn himself into the only person you can come to, the only person you don't feel silly or afraid to spill your deepest worries to.
♡ Anything that will make you gaze up at him with nothing less than gratitude.
♡ Dominic can speak two languages fluently - English and French. He can speak other European and Asian languages, too, but to a minimal degree and only enough to discuss business matters. However, if you speak another language aside from the two he already has at his disposal, he'll absolutely make sure to learn it fluently, if only to become one of the few/only people in the neighbourhood with whom you can feel truly connected with.
♡ For peak manipulation, he'll learn everything about your mother tongue after your first meeting and start speaking to you in it - fluently - the next time you meet, pretending to have been able to speak it for many years past.
♡ If you are eye contact adverse, he'll try not to take it personally. But, knowing Dominic, that is a feat in and of itself. He values being able to exert power over others, and one of his main methods of doing so is unwavering eye contact. So, really, you're managing to inadvertently protect yourself from Dominic's Medusa stare.
♡ Behaviours Dominic views as 'disrespectful' would be signs dismissiveness towards him. Dominic is used to being the centre of attention in every environment he's in, so to have you, the object of his every desire, not paying attention to him is...a blow to his ego, to say the least. A metal rod to the backbone of his entire identity.
♡ Dominic will make quick work of ‘correcting’ your behaviour: standing so that it is only him in your direct line of sight; coming in close proximity so you can’t be ignorant to his presence; and, if he's bold enough, taking your chin between his fingers and making you look at up him.
♡ If you're very touchy-feely, Dominic goes absolutely feral; he can't believe he gets to have you touch him without: a.) having to initiate it, and b.) having to hide it. After all, it's a by-product of your mental health - it's beyond your control as much as it is his!
♡ He'll take full advantage of this, too, offering his arm for you to hang onto, his hand to hold, his chest to hide your face in. And all the while, all he's thinking of is how nice it feels not only to have you so close to him, but also how he can use this as an excuse to keep you close in the future.
Masterlist Yandere AI Masterlist Masterpost
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well it's almost a whole new year .... i started parts work this year (finally) (i think) which was exciting. now, i will write reviews of the texts on structural dissociation/trauma/DID i read this year. almost all available on archive.org for free if you would like to join me in reading. okay byebye.
any book titles listed with a ‼️ contain graphic, heavily triggering depictions of trauma. there is a heavy focus on these descriptions in each book. i'll try to write out specific tws in my review for each one, but i would only recommend reading these if it's safe for you to do so. make sure you listen to parts that get activated, have plans to de-escalate and take care of yourself, and avoid entirely if discussion of trauma is particularly raw for you or you're physically unsafe.
keep in mind: every book here will discuss various traumas. if you're not at a place where you can handle these discussions, it would be best to avoid these readings entirely.
amongst ourselves: a self-help guide for living with dissociative identity disorder - tracy alderman & karen marshall
5 out of 5. overall, this is a really insightful text. written by two people, one who is a licensed clinical social worker and one who is a person with DID. the way it's written was surprisingly warm. something about the way it's written feels so non-judgemental and non-clinical. i particularly liked this book's insights on things like how to come out as someone with a dissociative disorder, whether to confront your abusers, etc.
attachment trauma and multiplicity: working with dissociative identity disorder
2 out of 5. honestly im sure this isn't a bad book. unfortunately, it was too dry for me without providing much insight that's not easily accessible from other texts. i ended up not finishing it - maybe there's more to it that i didn't read? regardless, it reads as an introductory text for clinicians.
‼️ don't: a woman's word - elly danica
4 out of 5. content warning for csa, trafficking, and incest. this is a memoir. i really appreciate that it's written in a less narrative structure - events seem to take place separate from anything else, with little coherent narrative or reference to time to tie them together. i really hope that doesn't come off as a negative, because it excellently captured how childhood histories of trauma often become fractured. really powerful book with little catharsis at the end.
‼️ if you tell - it'll kill your mother - ardith trudzik
2 out of 5. content warning for csa, suicide, self harm, incest, animal abuse, and animal death. this book follows ardith's journey through therapy. it eventually falls into a pretty straightforward pattern: ardith recalls a memory, she tells her therapist, and her therapist affirms her experiences. unfortunately, i'm giving it a low rating because i personally felt like i didn't get much of it. ardith writing this book becomes part of her therapeutic process, and i'm very glad she was able to write this and share her story; however, beyond that, there's little analysis of the therapeutic process or the dynamics of abuse.
multiple personality disorder from the inside out - multiple authors
4 out of 5. a collection of submissions from dozens of systems. a lot of poems, memoirs, etc. this reminds me more of a zine than a book. really cool collaborative work from the 90s.
‼️ my father's house - sylvia fraser
5 out of 5. content warning for incest and csa. really powerful memoir on repressed incestuous abuse and its effects on her adult life. sylvia's writing style really tickles my brain in a good way. as far as i'm aware, she has never been diagnosed with a dissociative disorder, but her descriptions of having "alternate selves" who live in trauma time will likely be painfully familiar to any systems reading.
‼️ prism: andrea's world - jonathan bliss
whoever allowed this book to be published should be like... put in a saw trap. jonathan bliss' novel is a self-aggrandizing, exploitative hunk of shit from a freudian psychoanalysist with no history or training in working with DID. the novel alternates between jonathan bliss writing masturbatory exposition on how accomplished he is, taking random potshots at andrea (his patient) for being fat and mentally ill, and long recollections of andrea's trauma that seem to serve only as exposition on how crazy she is without any empathy - the equivalent of saying "isn't that fucked up?" and moving on. with the things jonathan bliss admits to in his own writing, he should have had his license taken away. the only feeling of catharsis or relief you will get from this book is when you learn that jonathan bliss has since died. content warnings for incest, csa, animal death, animal abuse, suicide.
the haunted self - multiple authors
5 out of 5. this one is kind of cheating because i haven't finished it yet - i'm about halfway through. regardless, it's radically shifted how i understand structural dissociation and its relations to traumagenic disorders - not just DID! the only negative i can list is that it's a little dry - if you're not used to reading academic texts, you might find it hard to parse. however i think the text itself more than makes up for it.
‼️ the incest diary - author unattributed
4 out of 5. i really, really, really struggle with writing about this one because it's a difficult read. part of what makes it triggering is that it describes aspects of csa that nobody really talks about, i think out of revulsion. my experience reading it could best be summarized as: yeah, that's what it was like, but i don't want to think about it. regardless of how much it repulsed my "main" self, i can acknowledge that some parts of my system felt understood in ways that other readings haven't given them. regardless, it's a really difficult read, and it's equally difficult to talk about. content warnings for... well, it's in the title.
the magic daughter - jane phillips
5 out of 5. the reasons why i loved this one so much are more personal than objective, but i still loved it nonetheless. jane's life has lined up in ways that are uncanny compared to my own. particularly, i thought it was refreshing to see a system that operates more similarly to my own: no defined identities or internal world, but there nonetheless. content warning for csa and incest, though the depictions are fairly brief. the bulk of the book focuses on jane's adult life, how she manages her DID, and the therapeutic process.
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ousama · 7 months
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i’m going to try and argue in good faith here but i’m just not sure why you’re touting utena as a show that’s so entrenched in sexualization of its characters when it goes to avid lengths to skirt around displaying sexual topics in a way that is exploitative. TW for mentions of CP
if you’re uncomfortable with ikuhara’s other works - yuri kuma arashi specifically, then that’s valid and fine. i still think talking about it as “softcore porn” is a reductive way of speaking about it, and doesn’t acknowledge the work and what it was trying to say, but much of my criticisms of that particular show (and other ikuhara works) rest upon the same discomfort and i find a lot of it gratuitous.
but that doesn’t explain how rgu as a work is informed by those same missteps, especially when it precedes YKA. there is deliberate emphasis on anything sexual being an act of violence (that is not gratuitously portrayed) perpetrated through abuse and manipulation. nearly all of the sexual content of this nature is told through metaphor. only a few times is the audience ever exposed to it directly, and this event is never sexualized in any way shape or form.
so i’m not sure where you’re getting this “sexualization of minors” thing from in a show where the entirety of its identity is how young people are coerced into gender roles, often through cyclical sexual violence. when its climax and resolution are its sexually abused girls finding solidarity, comfort and unconditional love in one another. i’m deadass trying to figure in what instance a character is sexualized in this show, and where this happens repeatedly.
if its a matter of ikuhara just being a weirdo to you, then fine, because i do think authorial intent and input matters to an extent (even though he was really just a fraction of RGU’s production). do we scorn sailor moon then, along the same lines, even though you could also view the show and not see explicit sexualization of its minor characters?
how do you argue RGU is a show sexualizing its characters because of its creator, but FMA, an anime that wears its political themes on its sleeve, is somehow uncorrupted by the racism of its author? you like one piece, and that has repeated problems with sexualization and sexual harassment committed by one of its protagonists, that has an author that works closely with and venerates a man that owned so much child porn he was thought to be a distributor at some point?
so what makes RGU so uniquely terrible compared to these other works? i think there are criticisms that can be levied its way, and that goes doubly for the movie, but i think arguing its “sexualizing minors” and is therefore an unimportant piece of art is just bad faith and reeks of you having never actually watched or more importantly understood it. and i hope you can see how incredibly frustrating that is to people who have seen themselves so fully in it to have it reduced to something its not simply because you presumably didn’t bother to engage with it’s actual themes and messages.
im not reading all that why are you people so obsessed with my opinion on an anime poll. get a life. the constant harassing of a real life lesbian over its thoughts on a cartoon lesbian show really is not a hill worth dying on. what does literally any of this have to do with me, a single person mind you, saying i prefer one show over the other
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You can't Follow Your Heart if there's a Stake Through It part eight
TW: murder, mild gore, blood, minor character death, vampire hunting, corpse exhumation, referenced kidnapping, mild sexual harassment, referenced pet whump, creepy whumper, stoic whumper, human whumpers, vampire whumpee, whumper x whumper
Jacob loved hunting. Of course, he was going to miss Rurik the entire time they were apart. But graveyards were beautiful this time of day.
The vampire activity reported to Karina's office was only an excuse for him to enjoy the beauty of sunlight lighting up the snow capped headstones.
He idly wondered whether it would be worth it to kill his hunting partner. This dry spell was driving him nuts. But Huckleberry was a nice enough guy, and hadn't really done anything to turn Jacob against him.
Huck would make a cute corpse though, and there was nothing to stop Jacob from fantasizing about that. His skin color was what Jacob's oil paint pallet called "Appalachian brown", and might fade to more of a "deep taupe" in the hours after his death. And his black eyes would look so nice with their cheerful lights gone out
But Angelique had made it clear that if one more of Jacob's hunting partners went missing, she would launch a full investigation. It wasn't worth the risk.
"So…" Huck said, his voice the same shade of green as the pine trees growing in the graveyard. "I heard you kidnapped someone."
"Did Clara tell everyone?" Jacob whined. "She's such a bitch."
Huck plunged his shovel into the frozen earth. Determined to make short time of this task, Jacob helped him dig. This was the worst time of year for corpse exhumation, but the weather was lovely. A cold breeze swept through the cemetery and nipped at Jacob's ears, stirring up snowflakes on its way.
"I heard it from Mel, who heard it from Keith, who heard it from Wendy, who heard it from Drake, who heard it from Clara," Huck said without stopping to take a single breath. "The gossip's that you kidnapped some feral Russian vampire who you're in love with."
"Rurik isn't feral!" Jacob snapped, before realizing he was telling a bald-faced lie. "Okay, maybe he is. But you don't get to insult the love of my life. I'm trying to civilize him, anyway."
"Okay okay, sheesh. I was just getting my facts straight. Anyway, what are you doing with a feral vampire?"
"Romancing him, obviously." Jacob took off his jacket, overheating from the physical labor even in subzero temperatures. "I bought him a kitten and everything."
"That's weirdly sweet. I didn't know vampires liked animals."
"Rurik likes animals more than he likes people. I found him living in the woods like Tarzan's Alaskan cousin. I was doing him a favor by bringing him back to civilization, but he's still upset. It's ridiculous. I'm trying to make things easier on him, even if he's terrified out of his wits at all times."
"Sounds like you have your work cut out for you. I've never tried to domesticate a vampire myself, but I know some people who keep 'em as pets. Maybe you should look at their blogs or the books they've published. Might have some tricks and tips for you."
"That's a damn good idea," Jacob said. "Hey, do you think it happens the other way too? Vampires keeping humans as pets, I mean. I know familiars are a thing. But that's a bit different, yeah?"
"There was a documentary about that a few years ago. I forget the name. All about escaped bloodbag slaves and even pets. The production seemed a bit exploitative. But I'm sure they got paid handsomely for their testimonies."
"I'll have to look it up."
Huck's shovel hit the wood of a coffin. It was buried far too shallow in earth's embrace, highly suspicious under these circumstances. He and Jacob made short time of exhuming it and left it lying on the snowy ground.
"Let's stick to stakes, not other kinds of wood, huh?" Huck said. "I don't want to get in trouble for you."
"Sure sure." Jacob chose not to take offense. "Open the lid."
Huck took a deep breath, steadying the stake in his hand, and pulled the lif off. The body inside was surely a vampire, without a drop of doubt in a sea of evidence.
Her beauty was enchanting, in a way even the most skilled of morticians could not create with chemical elixirs. The sunlight played on her pure white skin like false daylight at midnight reflected off snowbanks.
Based on his knowledge of how vampire subspecies had evolved over time, Jacob assumed her to have been turned sometime in the Victorian Era. Recently enough to have the trait of eternal youthfulness, but before the notion of vampires burning in the sun was created in the 1920s.
Jacob unbuttoned her blouse, to make the staking process easier. It seemed almost a shame to kill someone so beautiful. But he didn't dare voice that thought in front of his hunting partner.
Huck braced the point of his stake over her heart, and carefully lined up his hammer over it. Jacob watched with marked fascination- or perhaps more than that- ready to aid Huck with the silver blade in his hand if the need arose.
Blood and falling snow mixed together in the coffin, staining the vampire's unnaturally pale skin. Huck's muscular arm rose and fell, bringing the hammer down to drive the stake deeper into the vampire's heart.
In spite of the gory display, Jacob could think of nothing but how his partner looked like some demigod of old, slaying a monster on behalf of its innocent human victims. Crimson blood stained his large hands, and clung to the brown flesh of his arms. His face was stalwart and grim, betraying no disgust at this gruesome murder.
On autopilot, Jacob dumped a bottle of holy water on the now dead vampire. Her flesh sizzled and melted at the contact. Huck pulled out her fangs with a pair of pliers, for proof of the kill, and slipped them into his breast pocket.
They worked together to push the coffin back into the grave. Covering it back up with dirt was the most tedious part of their task, but didn't take as long as the initial exhumation.
Their conversation resumed as normal as they walked towards the gate of the cemetery, as though nothing the least bit disturbing had occurred during their stroll.
"So-" Huck rubbed his blood stained hands together, trying to warm them back up. "-You still gonna be baking your bread in cold ovens now that you've got a boyfriend?"
"...Why did you just use an ancient Egyptian euphemism for necrophilia?"
"Why not? It sounds funnier than 'Are you still into corpses or did you just fuck them because you were too socially awkward to ask anyone out?' Besides, I like history."
"I don't know," Jacob said slowly. "But I've thought about those kinds of questions a lot lately. I've always kept company with dead people. Killing vampires. Screwing corpses. I've got quite the reputation now. I'd like to be normal. With a boyfriend and all that. But I don't know how things will go."
"Good luck, man." Huck clapped Jacob on the back. "You might be weird as hell, but you're a sweet guy. I hope everything turns out alright."
Jacob flinched at the first physical affection he had received in… months. Maybe even years. It felt nice, but terribly wrong at the same time.
If he didn't know better, he would murder Huckleberry right then and there. Just so he wouldn't end up disappointing him eventually.
"Wanna keep being partners?" Jacob asked nervously. "Today wasn't that difficult. But I get the feeling we'll work well together on more difficult hunts."
"Sounds good to me. Hey dude, you look tired as hell. Let me drive you back to the base."
Jacob handed Huck the keys to his pickup truck, trying not to freak out like an idiot when their hands brushed together. Huck had such nice hands too, from an artistic angle, with large square fingers and pale palms that complemented his dark skin.
The drive back was quiet, as Jacob always felt too embarrassed by his taste in music to play it in front of other people. It was mostly gothy death metal, and Huck seemed like the kind of guy who went for bluegrass or something.
Huck parked much closer to the base than Jacob usually did, and handed him back his keys when they were both standing in the parking lot.
"I'll write up the report and give the fangs to Karina," Huck said. "I know you get stressed out with that stuff."
"Thanks." Jacob awkwardly rubbed the back of his neck as he told his worst pickup line. "Next time we're hunting you should nearly get killed so I'll have an excuse to hug you. That'd be nice."
After getting used to being called a creep or told to fuck off, he hadn't expected Huck to actually hug him. It had been years since anyone had been this affectionate towards Jacob. Touch starved didn't even begin to explain his feelings.
Jacob melted into Huck's strong arms and tried valiantly not to cry. This man was now his only friend, and he had no desire to embarrass himself in front of him. But, somehow, he thought that Huck wouldn't mind a bit of sensitivity.
Neither of them spoke until Jacob grew overwhelmed and pulled away.
"You look like you needed that," Huck said, without a hint of judgment in his deep green voice.
"Yeah, I really did." Jacob smiled softly at him. "Thank you."
They walked back inside together, with Huck's arm resting on Jacob's shoulder in a friendly sort of way. Jacob's heart was full to bursting, and he was quickly growing to consider this week the best of his life.
Taglist: @hugh-lauries-bald-spot @heavenlyeden @whumpsday @whumpshaped @kira-the-whump-enthusiast @whumpytine
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