#as much as for the suffering of her children
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dance until we're bones
pairing: aaron hotchner x fem reader
summary: you and hotch both confront a lifetime of things left unsaid when a case forces your past into the light.
a/n: so i started this. two years ago. got 1k in and left it, came back now for some reason, wrote like a freak until it was done. lol. this is quite heavy and different than most things i usually write and it is SO much longer than expected but im very proud of it 🫶 i didn't really pay attention to the canon timeline so just know that reader and hotch were in their early and late 20s in law school (90s) and early and late 30s in present day (early 2000s). title from i lied by lord huron and allison ponthier
wc: 17.1k
warning(s): a lot of angst. typical bau case stuff, murder (familicide), implied/referenced past child abuse, reader and hotch go at it basically the whole time, character death, kidnapping, slight mention of drugging, injuries, mentions of blood. i wouldn’t say a happy ending but a hopeful one
Hotch can barely stay awake.
He got the call thirty minutes to 4 a.m, and if he hadn’t already been up, he would likely be in a much worse mood. He can only hope that the rest of the team has gotten used to rude awakenings at this point.
It’s poor planning on his part—he already got out late due to extra paperwork, and once he got home, he found himself staring at the wall, and then staring at the ceiling. If he’s lucky, he’ll get to sleep on the jet. If things go the way they usually do, he won’t be out until their first night in a hotel.
He started making calls to the team on his way to the office, but to no one’s surprise, he was the first one there. He had time to wash down a shitty office coffee and get started on a second one by the time everyone’s there.
Morgan, Prentiss, and JJ all have coffees—JJ comes prepared with her own thermos, but Morgan and Prentiss fall victim to the BAU’s supply—Reid is fighting back yawns as he tries to fix a hastily made tie, Garcia is slightly less energetic than normal as she passes out files, and somehow Rossi looks the same as always.
Hotch just hopes he’s put together enough to make the team feel better about being here at an ungodly hour.
“Welcome, welcome, welcome,” Garcia greets, setting down the last folder in front of Reid before taking her spot next to Hotch at the front. “As lovely as it is to see all of you this morning, I’m afraid that we’ve got a grisly one on our hands, hence the hour.”
“Great,” Prentiss mutters. “How bad is it?”
“Three married couples have been murdered in St. Louis, Missouri in the past two months, with the most recent one happening yesterday,” Hotch says, and Garcia grimaces as she clicks onto the pictures. “Mom and dad are killed, but the children are spared.”
“Awful lot of similarities between the parents,” Morgan says dryly as he flips through the folder. “Looks like our killer has some family issues.”
Reid nods. “The unsub likely stalks these families once they see the similarities. I’m guessing he was abused as a child, seeing as they kill the parents but keep the children alive.”
“Probably has a grudge against his father,” Prentiss remarks. “They make it out the worst every time.”
“There’s no method to the torture,” Morgan says. “It looks like he’s just trying to make it hurt as much as possible.”
“Our guy probably isn’t trained in anything, then,” Rossi says.
Reid flips to another page in the file. “Serial killers like to see their victims suffer. If he’s not torturing the mom physically, then he’s likely making her watch.”
“He doesn’t kill children, though,” JJ notes.
“Maybe he thinks he’s doing them a favor,” Reid says.
“The unsub sees himself in the kids?” Morgan suggests. “He’s doing what he didn’t get the chance to do.”
“Whatever it is, we have to keep a tight hold on this,” JJ says. “The press eats this stuff up, and the last thing we need is a terrified city making it harder to do our jobs.”
“Especially with families being killed,” Morgan murmurs.
JJ sighs. “I’ll draft something on the jet and make some calls when we land.”
Hotch nods and he closes his file. “Wheels up in thirty. I hope you’re all ready for a long day.”
-
The jet is silent the entire way to Missouri, full of sleeping agents trying to delay the inevitable—save for JJ scribbling down notes on a legal pad for the first thirty minutes, but even she knocks out sooner rather than later. Thankfully, Hotch manages to fit an hour in himself, though it doesn’t do very much for him. He spends the rest of the time reading through the case file.
The team settles in quickly at the city’s precinct, and Hotch takes charge as usual. The uniforms are just as tired as they are, but he makes it work. Soon enough, JJ is off to work with the local liaison to craft a narrative, Reid has situated himself in an empty conference room to get to work analyzing maps with Garcia, and Hotch and the rest go to check out the crime scene.
It’s brutal—much too brutal for this early, but Hotch forces the emotions out of it and gets to work questioning the present officers. Morgan follows suit, with Prentiss and Rossi going to investigate the rest of the house.
They don’t learn much from the officers that they don’t already know. This is the most recent crime scene—George and Marsha Springfield, undeserving of such a grisly fate. Their two kids, 8 and 9, were off visiting their grandparents in Nebraska when it happened, and though they avoided the same fate, they’re going to deal with a lifetime of guilt.
It’s all Hotch can think about as he examines the first body. The six children left to deal with the carnage, about their past and future marred against their control.
All he can think about is Jack, and the dreary fate that awaits him if his father falls in the field.
Hotch swallows his doubt and his guilt all in one and forces every thought out of his mind. He has to be unshakable for the team, for what’s left of these families, for a city on the brink of hysterics.
They’ll find whoever did this. That’s what gets him through it.
They spent early morning at the crime scene, collecting evidence and gathering information from the officers and trying to make sense of the killer’s motive. Progress is slow, partially because of the hour, but they make enough that Hotch feels comfortable moving onto the next job.
Their four a.m. start time was too early to go knock on doors and get interviews, but now it’s a more normal 10 in the morning. After a quick stop back at the station to share information with Reid, Garcia, and JJ and down a few cups of coffee, they get right back on the road.
Hotch and Prentiss take one van and Morgan and Rossi take the other, splitting up to get what they can from interviews. It’s difficult working with kids, especially with such recent trauma, so they hold off on it for now, allowing the local uniforms that have been with them for a bit longer to set things up before the BAU tries anything.
First they go to a neighbor’s house, then an alleged eye witness. They don’t get much other than personality reads, but it at least gives them the beginnings of a profile. The third place they hit is their earliest idea of a suspect.
“Lucas Hartford,” Prentiss reads off the file one of the local officers had put together. “Thirty-nine, born and raised in St. Charles, Missouri. High school degree, but never got to college because he was in and out of jail.”
“What has he been charged for?”
“Booked a few times for public intoxication and convicted three times for assault. Once was for third-degree assault, Missouri’s version of aggravated assault,” she says. “He got out of jail four years ago, and it looks like he’s been living in St. Louis for some of that.”
“Assault and drinking is a far cry from serial killing, even aggravated,” Hotch says. “What makes him a suspect?”
“Both parents are dead,” she says. “And from the looks of it, it was not a happy home while they were around. He’s got a sister, so it fits the initial theory of trying to replicate his family.”
Hotch lets out a loose breath and nods. “We’ll start there. Try and get a story from this guy, build a profile, see if it matches the one Morgan and Rossi have made for their guy.”
“And hope we pin something down before more bodies show up,” Prentiss murmurs.
They’re at their destination soon enough, and Hotch parks in an open spot on the other side of the road. His eyes dart around as they walk up to the front door, filing things away in the back of his mind.
The house number and last name—1432, Hartford—on the mailbox plagued with rotting wood. What there is of a yard is poorly cut, and a small garden of wilted flowers has their own corner, victims of the winter weather. One car is parked slightly crooked in a small driveway—there’s no garage, so at least he’s probably home. Two potted plants sit on either side of the door, thankfully alive.
“Remember,” Prentiss says as they come to a stop together, “be nice.”
“I’m plenty nice,” he murmurs, and she huffs the slightest laugh.
Hotch knocks on the door as Prentiss fishes around for her ID, and thankfully, they don’t wait long. The door cracks open after a few seconds to reveal a woman—certainly not their unsub, but something a whole lot more surprising.
You.
Your brows furrow at the sight of him, and Hotch has to hold back his shock.
You don’t live in St. Louis. And your last name certainly isn’t Hartford.
“Aaron?” you ask in disbelief, and he doesn’t even have to look at Prentiss to know the questions he’s going to get later.
He says your name, able to control his surprise with only the slightest crease of his brows giving it away, then corrects himself just as quickly. “Miss Hartford. My name is SSA Aaron Hotchner, and this is SSA Emily Prentiss. We’re here with the FBI.”
Your frown deepens as they show their IDs, and you actually take it from Hotch, skeptical eyes scanning over it for much too long. You glance back at him as you hand it back over. “What is the FBI doing here?”
Emily clears her throat as she puts her credentials away. “We’re here investigating the latest murders in St. Louis. Can we come in?”
“The murders?” you ask with exasperation. “What— what murders? And what do I have to do with them?”
Aaron notices the way your grip tightens on the door just the slightest bit, and a shred of sympathy strikes him before he speaks up.
“We’ll be able to explain everything if you let us in,” he says.
You swallow thickly in your throat, your gaze darting back to Aaron before you finally nod. “Okay. Sure. Why not?”
You move and Hotch and Prentiss walk inside, gesturing with a hand towards your living room as you shut and lock the door behind them. “Take a seat. Uh— do you guys need anything? Water, or coffee, or…”
You trail off, and Prentiss shakes her head. “Thank you, but that’s not needed.” She takes a seat on the sofa, but Hotch can’t stop himself from looking around the house.
It’s a small place, one story—likely rented, seeing how paintings sit on countertops and mantels rather than hanging on the wall. It has a certain charm to it, but something is off about it all.
Two styles clash—decorative pillows at odds with a filled and painted-over hole in the wall, an attempt at neutral tones ruined by dark articles of clothing scattered around, one person’s mess barely being held back by another’s cleaning efforts. You lived with someone else. Likely Lucas Hartford, possibly their unsub.
“Are you gonna sit down, Aaron?” you ask, snapping him out of his profiling haze. “Or do you want to look around some more?”
“I’m sorry,” he says, clearing his throat as he walks over and sits down in an open chair near Prentiss. “Just curious.”
“That makes two of us,” you say, and you cross your arms as you look at him. He notices that you don’t sit down yourself, and there’s still a coldness in your eyes. “You’re FBI now?”
He nods. “I had a change of heart.”
You huff a laugh. “Thought at least one of us would be a lawyer by now. I guess not.”
Hotch frowns, but Prentiss takes over before he can continue on that particular thread. “Miss Hartford—”
You interrupt by saying your first name, and it spurns something strange in his chest. It’s been over a decade since he’s heard your voice. “You can skip the formalities.”
Prentiss nods and repeats your name. “As you know, we’re investigating the murders that have been occuring in the St. Charles area.”
“And you think I have something to do with it?” you ask, the accusatory edge to your voice not lost on him.
“Not you,” Hotch says. “Do you know a Lucas Hartford?”
“He’s my brother,” you say, and your frown deepens. “You’re not saying—”
“No,” Prentiss interrupts, “we’re not saying anything. We’re just asking.”
And just like that, your entire stance, your visage, it all changes. Hotch can sense the walls slamming up around you, and he immediately realizes two things:
Getting information out of you is going to be much harder than planned, and you’re not anywhere near the same person you used to be.
Hotch doesn’t know what he expects, really. He graduated with the intent to prosecute for at least a decade—now, he’s with the BAU. It’s not fair to assume you’re that same girl he met in law school.
“My brother is not a murderer,” you state clearly.
“And we aren’t accusing him or you of anything—” she starts.
“Me?” you interrupt, and you let out a harsh laugh. “I’m a suspect too?”
“If you would allow Agent Prentiss to finish her sentences, you would be less upset,” Hotch says.
You glower at him, but you stay silent.
“We aren’t accusing either of you of anything,” Prentiss finishes. “We’re just trying to gather information with what little we know.”
“I know my rights,” you say, unflinching gaze still meeting Hotch’s. “I don’t have to tell you anything.”
Prentiss looks at him as well, but his eyes don’t leave yours. “That’s unfortunate to hear, Miss Hartford.”
“You know my name, Aaron. Use it.”
He does, and the letters feel strange on his tongue after so long. “This is a serious matter. This isn’t an accusation—we’re in the early days of this case and we need all the information we can get.”
“Ask away,” you say. “Doesn’t mean I’ll answer.”
“Lucas Hartford,” Prentiss starts. “He’s your brother?”
You nod. “He lives with me.”
He lives with me, not we live together. Makes him think that you pay for the place, he came knocking, and you didn’t have the heart to turn him away.
“Why is that?” Hotch asks.
You look at him, those scrutinizing eyes attempting to peer into his soul the same way they did all those years ago. But Hotch has changed since law school, and he’s much better at guarding his emotions. It seems you are, too.
“He’s a student,” you finally say. “He goes to community college. I’m giving him a place to live while he gets his associate’s.”
“Community college and living with his younger sister at 39?” Prentiss is trying to get information out of you, even if it isn’t in the kindest way. Your jaw clenches, and he knows her words have some effect. You’ve probably heard it more than once, the way things are going.
“He’s getting his life back on track,” you say defensively. “I’m the only one left that can help him, so I am.”
“What about your parents?” she asks. “Surely they’re a better option than this.”
“Both dead,” you answer. “And no one else cares enough to help him. Are you here to do anything other than dig up my past?”
Hotch feels Prentiss’s eyes on him, likely because it’s a step in the right direction for a really shitty reason, but he can’t look away from you.
“Really?”
He knows your parents are dead—it was in your brother’s profile, and by extension it applies to you—but it still hits him.
He met your mother, had countless lunches and dinners with her. Helped her move out of her old house. Spent two Thanksgivings and a Christmas with her.
And he didn’t even know when she died.
You shrug and wrap your arms around yourself, and for the first time you look something other than defensive or standoffish. You look— well… sad.
“Mom went a few years after you graduated,” you say, looking at Hotch. “Dad went five years ago.”
“I’m sorry for your loss,” Prentiss says.
You nod your thanks, the notion a bit numb.
“You never told me,” Hotch says with a slight frown.
“We haven’t talked in ten years,” you say. “Sorry that I didn’t know you still wanted updates.”
Hotch tries to think of something to say in response, but Prentiss starts getting a call and she stands up. “Excuse me.”
His jaw clenches for a moment as Prentiss ducks into a nearby bedroom, but he’s recovered by the time you look at him again. Your arms are crossed, but your expression is even.
“I take it this was as much of a surprise for you as it is for me.”
Hotch nods. “We came here looking for your brother.”
“Does your team know about our history?” you ask simply.
“No.”
“Do you want them to?”
“...No.”
You huff a laugh, your eyes narrowing a bit. “‘Course not. Probably counts as conflict of interest.”
You wait another beat, then ask another question. “How’s Haley?”
“Good, last I heard,” he says, and then he hesitates. “We’re… divorced.”
Your eyebrows shoot up. “Really?”
He nods. “This job isn’t easy for anyone.”
You look like you want to say more, but once again, Hotch is saved by Prentiss as she walks back in. Her phone is closed in her hand and she looks at him. “Morgan and Rossi have a lead. The chief wants everyone back at the precinct to go over everything we’ve found.”
Hotch nods again and stands up. Prentiss takes her card out of her pocket and holds it out to you.
“Thank you for your time, Miss Hartford. If you find out any information, or want to tell us anything else, please give me a call.”
“Pass that along to your brother, too,” Hotch says.
You reluctantly take the card, but you don’t look at it. “You can see yourselves out.”
Prentiss nods. “Thank you again. Have a good day, and stay safe.”
She leads the way, and Hotch follows after her. He fights the urge to look back before he shuts the door.
Prentiss looks at him as they walk back to the car, and he can only imagine what is going through her mind. But eventually she just shrugs and pulls out her phone again.
“Garcia?” Prentiss asks after she picks up.
“You’ve reached the office of all that is holy.” Penelope’s voice comes out through the speaker, and Hotch can’t help the smallest twitch of his lips. “What’s up?”
“Dig up everything you can find on Lucas Hartford,” Emily says, and her glance at Hotch does not go unnoticed. “And throw in his sister, too. He’s one of our only suspects, and we need to know if she’s in on it.”
“On it,” Garcia says. “I’ll call you back when I’m done.”
“You’re the best,” she says, and then she hangs up. They get back to the car, and it only takes Prentiss all of five seconds after they get in for her to start drilling him.
“Alright,” she says, buckling her seatbelt with a click before she sets her attention on him. “What was that back there? You two know each other?”
Hotch busies himself with his own seatbelt and starting the car, answering as casually as possible as the engine revs to life. “We were friends in law school.”
“Sure,” Prentiss nods. “The way you were around her, that’s not just ‘law school friend’ stuff.”
Hotch is once again reminded of how, sometimes, it was a downfall to constantly be around profilers. It was nearly impossible to keep anything a secret.
“It’s nothing,” he says as he pulls back onto the road. “We knew each other, we fell apart, we’re here now.”
Emily hums. “Is it too far to ask if you were together?”
“Yes,” he says sternly, maybe a bit too hasty. “It is.”
“Fine,” she says breezily, and she looks out the window. “But that tension was thick.”
Hotch knows what she’s thinking. Hasn’t he been with Haley since high school, what kind of history did you and him have, were you together, would he be okay to work this case—
He doesn’t really want to answer any of them. You were a part of his past he hadn’t expected to resurface any time soon—if Hotch is being honest, he didn’t know if he would ever see you again once he graduated. Not after the way he broke things off.
You’ve changed a lot. So has he.
And now your brother is a murder suspect, and you could be covering up for him.
That’s the only thing that should be on his mind.
-
“For the last time,” you huff as you storm down the stairs, “I don’t want to deal with this.”
“Because you know that Mia is a lying bitch!” Cleo exclaims, following after you. “I’m sick of you stealing my clothes!”
“I’m not stealing your clothes,” Mia scoffs in your wake, just behind Cleo. “They’re too ugly for me to want anyways. I bet I wouldn’t even fit into them.”
“You are! And you’re stealing my fucking jewelry, too!” she yells. “All of my shit is going missing, and I know it’s not Little Miss Law School, so it’s got to be you!”
Mia draws out a mirthless laugh. “You are not accusing me of this.”
“I don’t have anyone else to accuse!” Cleo shouts.
They both look at you, and Mia says your name. “You have to settle this before I kill her.”
“Oh, I’ll kill you first!” she hisses. “At least I’ll get all my stuff back!”
You clench your jaw as your nails dig into your palms, and you’re about to bite back when the doorbell rings. You don’t even try to hide your sigh of relief.
“That’s Aaron,” you say as you grab your coat and your bag from the table. “I’m leaving. If you kill each other, don’t get blood on the furniture.”
You don’t give them a chance to say anything before you rush to the door, open it, and shut it behind you.
“You have no idea how happy I am to see you,” you breathe.
“What’s going on in there?” Aaron asks, amused.
“My roommates are fighting again.” You roll your eyes. “It doesn’t matter. You’re much more interesting.”
“You know this is a study date,” he says wryly, and you cut him off with a kiss.
“Still a date,” you murmur against his lips. “And something seriously needed.”
Aaron chuckles as he wraps an arm around you, pulling you into his side, and the two of you walk to his car. “You’ve gotta get out of this house, honey.”
“I know,” you grumble. “But I can’t afford a place on my own.”
“Doesn’t have to be on your own,” he says as he opens the door for you. “It just has to be away from the girls that are making you miserable.”
“The lease ends at the end of the semester,” you sigh. “Just have to make it until then.”
“You know,” Aaron boxes you in against the car when you lean against the side of it, smiling softly at you, “I do live alone.”
“Oh yeah?” You ruffle his hair with your fingers and grin. “What are you proposing?”
He shrugs, letting his hands linger on your waist. “Just that you hate your roommates, and you don’t hate me. You could spend your time somewhere else.”
“Careful,” you warn. “You keep saying things like that and we might not make it to the library.”
“You keep saying things like that, and I might not mind,” Aaron muses.
You grin as he leans in and kisses you again, once, twice, three times as your back hits the side of his car and you card your hands through his hair. Mia and Cleo are probably killing each other inside, but you don’t really care at this point. They’ve made your life hell for a semester and a half—they can bother each other for once.
“Aaron,” you whisper against his lips, and he gets one more in between words, “I’ve got a test on Tuesday.”
“And today’s Sunday.” He nips at your neck and you laugh, your eyes falling shut as you lean your head back. “You’ll be fine, honey.”
“You have one on Monday,” you remind him, and he sighs. You feel his hot breath against your neck.
“Ruining our fun in the name of schoolwork,” he says. “No wonder all your professors love you.”
“Everyone loves me,” you correct. “Including you.”
You steal one more kiss before you open your door yourself and get in, and Aaron lets out a breathy laugh.
“You’ve got that right.”
He closes your door then gets in the other side, and you’re already rifling through the glove box full of cassettes. You pull out the mixtape you made for him for your six month anniversary and pop it into the player, and Aaron smiles as the first few notes of Stairway to Heaven come on.
“You’re a threat to my grades, y’know.”
“Maybe it’s all part of my plan,” you say. “Distract you with kisses to make sure I’m a shoe-in for this fellowship.”
“A dastardly plan,” he says with mock austerity.
“I’ve been told I have to be more of a shark,” you muse. “Consider this me taking down my competition.”
Aaron laughs, and you find yourself smiling just at the sound of it. You love the way his eyes crinkle at the corners, how they soften just so, how he acts like himself around you, and not some perfected or stoic image that he thinks he needs.
Falling in love with Aaron Hotchner has been the easiest thing in the world.
“Don’t let anyone know,” he says, and he reaches over to intertwine your fingers together. “But I’ll happily fall to you every time.”
“As long as you don’t tell everyone how whipped I am for you,” you tease.
“Looks like we’ve both got reputations to keep up.”
“Looks like it.”
You share a smile, yours just on the edge of a grin as you try to bite it back. You hold hands the rest of the way, just soaking in each other’s presence with songs from bands you introduced to each other floating through the air.
(It is a goddamn struggle to get any work done at the library with that face across from you the whole time.)
-
You had sky-high aspirations when you were younger.
Ones that would make your teachers offer a smile and tell you to shoot a little lower, that would make your friends’ eyes widen, that your father would scoff at and your mother would humor you on just to get you to move past it.
You didn’t listen. You’ve wanted to be a lawyer since you went on a class field trip to a courthouse in elementary school and saw all the attorneys hustling about, dressed to the nines, making last-minute deals outside the courtroom.
They were just… so confident. So smart, so stoic, always knowing the answer to everything. The good ones had money, sure, but more importantly they had the power to change lives for the better. And as a kid that had to cover up bruises before the school day, nothing sounded more appealing.
All you’ve ever wanted to do is help people.
And as you sit in a cold, empty interrogation room, you can’t help but wonder where the hell you went wrong.
You don’t want to be here, obviously. But you know the FBI won’t stop bugging you until you give them answers—you know Aaron Hotchner won’t stop bugging you.
Because god— what are the odds?
What are the fucking odds of your ex-boyfriend from a decade ago showing up at your door with a badge and an attempted case against your brother?
It’s ridiculous, and it’s such bad luck that you think it could only happen to you. You’ve thought about Aaron Hotchner more than you’d like to admit over the years, especially when you found your old GW crewnecks, and the box of school supplies you used for a decade, and those photo albums from what should’ve been your golden years.
It’s not like any of it matters, though. You only agreed to come in and talk because you want them off your back and you don’t want them poking around your house. You saw it in Aaron’s eyes—he was profiling you and your place the entire time.
If the cops want to invade your privacy even further, they can get a goddamn warrant.
Your thoughts are interrupted when the door opens, and you hold back a mirthless laugh, because of course it’s Aaron. He greets you with your name, and he has a file in his hands. You wonder if it’s on you or your brother. “Thank you for taking the time out of your day to come in and talk with us.”
“Well, you seem to think my brother is a murderer.” You cross your arms as you sit back. “I’m not really gonna let that stand.”
“I’m surprised you haven’t asked for a lawyer,” he says as he sits down across from you.
“I don’t plan to be here for very long,” you respond tartly. “But don’t worry—that can always change. I know my rights.”
“I’m the last person you need to tell that to.” Hotch sets the file down and looks right at you. Though he’s obviously older—more grizzled, more hardened; harsher, sharper lines that define his face; lips set in a taut, unflinching line—you still see that young man from law school. The passion, the care he puts into everything, the penchant for striped ties.
You wonder what he sees when he looks at you.
“Your last name wasn’t Hartford when I met you,” he says. “Why is it now?”
“Not one for small talk,” you remark.
“I never have been.”
“I remember.” You hold his gaze. “It’s my mom’s maiden name. I changed it to put some distance between me and everything else.”
You can practically see the gears of his brain working, neural pathways branching off with every word you say to make sense of it and reason a thousand different meanings from it. Aaron’s always been like that, but it’s tenfold now.
You suppose one has to be like that, to try and get anywhere with the types of criminals they face.
“How long have you been living in St. Louis?”
“Seven years. I’ve had that house for three.”
“Rent or own?”
“Rent,” you scoff. “I don’t make enough for a down payment, and I don’t want a place tying me down.”
“What inspired the move?”
“Close enough to home to be familiar, far enough to not be.”
“And home is?”
“St. Charles,” you say, and you purse your lips. “Shouldn’t you already know all this?” You nod at the file in front of him. “It’s either on me or my brother, and we share a lot of the same info.”
“We prefer to get our information from the source,” he says.
“Sources can lie.”
Aaron doesn’t waver. “And we can charge you with obstruction if it harms our investigation.”
Your lips twitch for a moment, not entirely without heart. “Ask your questions, Aaron.”
He opens the folder and slides the first picture over to you—your brother’s first mugshot, taken when he was only twenty-one. You still remember riding your bike to the station in the sweltering August heat to drop off his bail and pick him up.
You had to catch the bus home together, you had to pay his fare, and his bail drained everything you’d been saving from your waitress job. But your dad refused to pay it, and you refused to be alone in that house any longer than you already had.
You swallow the memory. It still tastes as sour as the day it happened.
“Lucas Hartford is our main suspect,” he says. “He matches our initial profile—in and out of jail since his twenties, his parents are dead and he has an unstable home life, and he’s got a sister.”
“None of those sound like questions,” you say.
“Where is your brother?” he asks firmly. He’s given you a bit of leniency, but you can tell he’s getting tired of you. Some things never change, you think to yourself bitterly.
“I don’t know,” you admit.
“You don’t know,” he repeats.
“I let him stay with me, and my only requirement is that he goes to his community college classes and stays out of jail,” you say. “He’s done both, so I don’t ask questions.”
“And you’re telling me you haven’t questioned it.”
“I called him the other day after you left,” you say. “He didn’t pick up, and I didn’t get a call back until the next night.”
Aaron’s eyes sharpen. “What did you say to him?”
“I called to see where he was,” you say evenly. “I think you all are wrong, but I wanted to make sure he was okay.”
“You didn’t tell him—”
“No,” you interrupt, “I didn’t tell him about your investigation. If I think you’re wrong, why would I need to let him know?”
He still has that look in his eyes, and you know you’re getting on his nerves with the constant interrupting, the constant backtalk. But he probably deals with much, much worse.
“Good,” he nods. “You could be putting lives in danger if you do—including yours.”
“Please,” you scoff. “He won’t hurt me. He never has.”
“Why do you let him stay with you?” Aaron asks. “You’re straight-edge, he’s a borderline alcoholic that’s been in and out of jail for years. You’ve got a law degree, he never made it past high school. You’ve got your life together, his is falling apart.”
“That’s why I do it,” you say. “Our parents are dead. I’m all he has left, and he’s all I have left. I want him to get better, so I’m trying my best to help him get there. How can Luke put his life back together if he’s got no support?”
“That’s an awful lot of faith to put in someone who hasn’t earned it.”
“I’ve gotten good at that over the years,” you reply.
Aaron stares at you, and you stare back. You let the moment linger. You hope it stings, even fleetingly.
“And you’re wrong, by the way.”
“About what?” he asks. Again, unshaken.
“I don’t have a law degree,” you say. “I dropped out.”
And for some reason, that is what gets him. He frowns, and you wonder what it means that this is the most unexpected thing he’s gotten out of you.
“Why? You were only a year out. You had stellar grades.”
“My mom got cancer,” you say. “Luke was serving his second stint, Dad fucked off to some corner of the country to drink himself to death a couple months before. I was the only one left to take care of her, and I couldn’t do that from DC.”
“I had no idea.” This is the first time he looks taken aback since you’ve met him again. “And she’s—”
“Dead,” you supply without waiting for an answer. “Went a couple months after I was meant to graduate.”
“...I’m sorry for your loss,” he says. He’s just repeating what his agent said at your house, but it feels genuine, at least.
“It’s been a decade,” you say. “I’m just sorry it was her instead of my dad.”
Aaron’s brows knit together again, and less work goes into covering it up this time. “You seem to have something against your father.”
You huff a mirthless laugh. “Excellent profiling.”
“Child abuse is common for serial killers,” Aaron says. “We find it’s typically the root of their problems later in life, or plays a part in their MO.”
You stare at him again. This isn’t just an interrogation with Supervisory Special Agent Aaron Hotchner—it’s revealing parts of your past that you never told your ex-boyfriend Aaron.
“Yeah,” you finally say. “Our dad beat us. Is that what you wanted to hear?”
“You know th—”
Aaron cuts himself off before he can finish whatever he wants to say, and he lets out a short sigh with a nod. “It’s valuable information for the profile.”
The room feels a lot colder all of a sudden. “Sure.”
He still looks like he wants to say more, but he bites his tongue as he takes the picture back and closes the file.
“I’ll be back,” he says. “Would you like anything? Water?”
You shake your head and remain silent. He takes the folder and stands up, and you watch him the entire way to the door. Just before he can open it, you find words escaping without you thinking.
“Look, Aaron,” you blurt out. He pauses, and he turns to look at you. “I know this is your thing, and this is your investigation, but I’m telling you—my brother and I don’t play any part in it.”
“The profile—”
“I don’t care what your profile says,” you interrupt. “He didn’t do it. He couldn’t have done it.”
“He’s rough around the edges, I know. In and out of jail isn’t good for anyone.” You hold onto the edge of the table as you continue rambling, needing something to do with your hands. “But he’s working to get better, and he is not the kind of person to do something like this. If you believe anything I say, believe that.”
“I suppose we’ll find out,” he says evenly.
He leaves the room, and your hands fall into your lap as your nails dig into your palms. You don’t mean to be desperate, but you feel it. You’ve been defending Lucas at every chance, but you’re terrified of being wrong. You’re terrified that Aaron might be right—that he might be behind all of this.
For his sake—and your sake, honestly, because you think you deserve to be selfish when he’s all you have left—you hope you’re right.
You have to be right.
The room feels even colder.
Your stare drifts to the one-way mirror, where you know his team is watching. You saw the way Agent Prentiss watched Aaron when they came to your house—he said he doesn’t want them to know, but you think they already do.
You wonder the kind of things they’ve come up with about you and him.
-
Morgan whistles when Hotch walks out of the interrogation room.
“She does not like you.”
“Did you gather anything else?” he asks placidly. He sets your brother’s file down so he can fix his tie.
“Abusive dad, dead parents, criminal background,” he says. “Lucas is looking like a stronger suspect. Oh— and she really doesn’t like you.”
“If you don’t want to go back to building a file on your suspect, move on,” Hotch demands.
Morgan shrugs, clearly unfazed, but he keeps his mouth shut. Reid, meanwhile, is still staring through the glass at you. You haven’t exactly relaxed, but you’re not as tense as you were while talking to Hotch. You pick at a loose strand of thread on your sweater, and when you pull it out, you let it fall to the floor.
“Her brother feels like a prime suspect,” Reid murmurs. “I feel like I could just figure it all out if I could talk to him.”
“I told Penelope to keep an eye on him,” Prentiss contributes. “She’s tracking his cards, the car registered in his name, even called the person in charge of the AA meetings he goes to to keep an eye out—everything. We’ll know if she gets anything.”
“Serial killers want to see the damage they’ve done,” Reid says. “Things are falling apart here—the whole city is terrified. He’s gotta be in St. Louis still.”
“You’re sure that he’s still in the running.” Hotch glances back at you, and he knows he has to at least ask, for your sake. He doesn’t want to put you through anything more than he has to—not after what you’ve told him.
And Hotch knows your past is your business—he just can’t believe you never told him.
He’s turned over your relationship in his head just as many times in these past few days as he did the months after he ended things.
“I’m sure, sir,” Reid says. “I’ve read over both their files, and Lucas matches with our preliminary profile. His stressor could have been his father dying.”
Morgan frowns. “Explain.”
“Family annihilators typically go after their own family for a myriad of reasons,” he says. “Paranoia, to cover up their lies, to free themselves from what they see as oppression, sometimes just pure jealousy.”
“He’s killing the parents but leaving the children alive,” Hotch says. “Sounds like a liberator to me.”
“That’s what I think,” Reid nods. “If Lucas has been banking on killing his father for that attempt at freedom, and then lost the chance?” He shrugs. “That could be why he started going for other families.”
“Other fathers to take his place,” Morgan realizes, and he nods again.
“You should talk to her, Spence,” Prentiss says. “You’ve got a handle on the profile, and you’re pretty good at conveying info. She seems like a reasonable person—just can’t accept her brother doing something like this.”
“It’s typical for someone to deny their family member’s involvement,” Reid says. “No one wants to think their sibling is a murderer.”
“If you lay it all out for her like that, with facts and the profile, I think she’ll listen.” Prentiss looks at Hotch. “She’s too closed off with you.”
“That’s how she is,” Hotch claims.
“Maybe,” she shrugs, “but it’s much easier to hate you than it is to hate Reid.”
Hotch glares at her, and Reid clears his throat to insert himself back into the conversation.
“I’d be happy to talk to her,” he says. “I know what it’s like to be in this kind of position—I can put her at ease, sympathize with her.”
They all look at Hotch, and he wants to say no. He wants to be the one to get this out of you—some part of him wants as much time with you as possible. But he decides to swallow his ego.
“Fine.” He nods, and he hands the folder to Reid. “I trust you to handle it.”
Reid nods too, far too many times, and he takes the file. “Thank you. Uh— sir. I appreciate your trust.”
“Yeah, yeah,” he says, but it has no bite to it, and Reid walks inside.
He says your name and sits down across from you. “I’m Spencer Reid. I know we’ve already said it, but thank you for talking to us. It may not seem like it, but it goes a long way towards figuring out this case.”
You nod. You already seem more at ease than you were with him, and it makes Hotch…
Not jealous, because that would be insane. But it makes him upset that he doesn’t understand you the way he used to—that he doesn’t hold that key to you anymore. God, it feels like he doesn’t know you anymore.
Hotch doesn’t get why a side of his brain still thinks this way about you.
“They sent a new one in,” you say.
“You looked like you needed a break from Hotch,” Reid says. “Don’t worry. We all do sometimes.”
You huff a slight laugh and your posture eases, your expression softens just so. Reid was right, as usual.
“I can imagine.”
He starts talking to you about the case, laying out all the facts, and though you don’t look happy, you don’t cut him off like you cut Hotch off.
“She’s pretty,” Morgan offers, glancing at Hotch. “And stubborn. I see why you like her.”
“Shut up, Morgan,” Hotch mutters.
He chuckles and holds his hands up, and focuses back on the interrogation.
The rest of it passes in silence, save for the occasional input from Prentiss or Morgan to elaborate on a point. You talk much more with Reid than you did with Hotch, and you don’t stare daggers at him the entire time.
Time doesn’t always heal all wounds, he thinks.
When Reid is finishing up inside with you, Morgan glances back at Hotch. “You think she’s part of this?”
He shakes his head. “No. She has no reason to kill, nothing to gain. She talks about her past too plainly—it hurt her, obviously, but it hasn’t taken over her life.”
“What about her brother?” Prentiss asks.
“The more we learn, the more I suspect him,” Morgan says.
She nods in agreement. “We just have to find him.”
Hotch isn’t sure yet.
But for your sake, he hopes his gut feeling is wrong.
-
Spring has finally sprung in DC, and you couldn’t be happier.
It’s hard to feel down on your walks to class when the birds are singing and the sun is beaming down on you, when you see students sitting on blankets reading and talking and actually enjoying life for once.
You’re two years into law school, and it feels like you’ve spent 90% of your time studying in either the library or your room. A bit of a sad existence, but it’s made better with Aaron.
You’re laying down on a blanket—one you crocheted yourself in undergrad—resting your head on Aaron’s head as he reads a book, the spring sun shining down on you. It feels like the first moment of relaxation either of you have had since classes started, and you chose to spend it together in the University Yard.
You should probably be studying or doing some kind of homework, but you don’t care. It has been too damn long since you’ve gotten to just sit around and exist with Aaron, and you’ve got at least a couple days until your next quiz. That’s far enough away for you.
It’s been a rough semester for both of you, between classes and endless homework, between your internship and your endless family issues—Luke is two years in, and his parole was denied, and your dad still insists on being the reason you stay on campus year-round.
You don’t think you’re pushing it when you say Aaron’s support has been the only reason you’ve gotten through it, your grades—and your mental state—relatively unscathed.
Aaron says your name, and you hum.
“Are you listening?” he asks.
“Of course,” you say.
“Your eyes are closed.”
“I don’t need my eyes to listen,” you say wryly. “What’s up?”
You feel him tense for a moment, feel him adjust his position slightly.
“I got a call from Haley,” he says carefully.
Your eyes open and you frown.
You know the name, but only in the way that you talked a bit about your past relationships while you were still getting to know each other. She was his high school girlfriend, and it was a big deal then, but they broke up before college because they both wanted different things.
It shouldn’t be a big deal now. But he’s treating it like one, and that makes you hesitate.
“Yeah? What’d she want?”
“…She’s in DC for the weekend,” he says. “Some conference for school. She asked if we could grab a coffee or something and catch up.”
You finally sit up, his hands falling from where he’d been playing with your hair, and you look at him.
“Your high school girlfriend wants to catch up.”
“An old friend wants to catch up,” he corrects. “I haven’t really talked to her since we graduated high school.”
“...Okay,” you say slowly. “Do you want to see her?”
He shrugs. “I thought it would be nice.”
“Do you think she thinks it’ll be more than nice?” you ask.
“I don’t know,” he admits. “I don’t even know how she got my landline. I think my mom might have given it to her.”
Your eyebrows rise. “Your mom gave your ex-girlfriend your number?”
“It’s the only way I can think of her getting it,” Aaron shrugs. “Like I said, I haven’t talked to her since graduation.”
You chew on the inside of your cheek, trying to think as you look at Aaron.
You’ve met his mom a dozen times. You’re insistent that she doesn’t like you, despite Aaron’s assertions towards the opposite—it wouldn’t surprise you if she gave this girl his new number in an effort to push him in a new direction.
But that train of thought feels a little crazy. You’re confident in your relationship with Aaron—you love him, and he loves you. God, he made an off-handed comment about marriage the other day. You’re not threatened by a girl from his past wanting to catch up.
“Go for it,” you finally say.
He frowns, like he was expecting the worst. “Really?”
“I trust you, Aaron,” you say. “You say she’s just a friend, I believe it.”
You lean forward to kiss him, your eyes fluttering shut, and it lasts much longer than it should. When you pull away, Aaron’s smiling softly at you.
“Thank you,” he says.
“‘Course,” you say, tipping a shoulder. “I’m known to be rational from time to time.”
He chuckles, and you smile as you lay back down on his chest. Soon after, you feel the weight of his hand on your shoulder.
“I love you,” he says. It feels more like a reminder than anything.
You entangle your fingers together and press a kiss to the back of his hand.
Sometimes you need reminders.
“I love you too.”
-
“Four more bodies,” Prentiss mutters. “God.”
“You can say that again,” Morgan murmurs.
Hotch is silent as he examines the father’s body. They’ve been so busy the past few days trying to nail down the profile, both on their unsub and geographically, that this happening again hadn’t been at the top of their list. There was a month between the first two, and two weeks between the second and third.
No one expected this to happen so soon.
The entire family was killed this time, and once again, the parents look similar to the other victims. It’s the work of their unsub, no doubt.
Hotch and the team had already been at the precinct for an hour going over all the information they’d found when they got the call at 8 in the morning, the bodies discovered by the family’s maid when she arrived for work.
An entire family, parents and children, senselessly slaughtered for one man’s deranged quest for liberation.
Hotch has been in this business for a long time, seen things that most people only imagine in nightmares, and he still has to take a step back when children are involved.
He sees Jack in every single one. He can’t help it.
Hotch took Prentiss and Morgan with him to the crime scene—JJ has a kid, Rossi had a kid, and he just didn’t want Reid to see it. They’ll all be more valuable working together back there anyways, and it’s imperative that JJ controls the narrative before this can break to the press.
Again, Prentiss talks to the officers at the scene and Morgan helps him examine the bodies. After all, there are double the amount.
“It just doesn’t make sense,” Morgan says as he stands back up. “Our guy is killing surrogate parents to get back at his own, fine. Dad was tortured again, mom was killed with a bullet. But bringing the kids into it isn’t his thing.”
He uses a gloved hand to gingerly lift the father’s arm away from his body so he can examine the underarm. “Look at this. He’s been stabbed at least ten times, and his arm’s nearly severed from his body.”
“And his neck,” Morgan mutters. “He’s half decapitated.”
Hotch sets the arm back down. “The unsub always wants the father to suffer, but this is a new level.” He looks up at Morgan. “I don’t think he has a reason for killing the children. I think he’s getting sloppy—he’s getting overwhelmed by his anger.”
“You think he’s devolving,” he says, catching on.
“Something tells me we’re coming to the end of the line,” Hotch says. “Whatever he does next, he’s going out with a bang.”
-
The mood in the precinct has fallen dramatically since the last hit. The uniforms aren’t happy that they’re working around the clock, the chief isn’t happy that the BAU hasn’t figured everything out yet, and the city isn’t happy that ten murders have been committed with what they think is no end in sight.
JJ and Rossi have gone out to bring in the suspect that he and Morgan found together for the sake of covering their bases—they still haven’t been able to find Lucas, despite Reid calling you every day to check in and upping police presence around the city.
The rest of the team sits around a conference table, over a dozen coffees between them, going over everything and racking their brains for information.
“This just isn’t matching up,” Reid complains. “Lucas has just been at home for the first two, but for the third and the fourth he’s got alibis.”
“What are they?” Hotch asks.
“He was on the road all night when the third happened,” Reid says.
“And how do we know?” Prentiss asks.
“Garcia picked up his debit card being used a couple times from Des Moines back to St. Louis when the third set of murders happened,” Morgan contributes. “Must’ve been a road trip, because there are stops at a gas station, a restaurant, and a rest stop.”
“The last one happened during an AA meeting he was supposed to attend,” Prentiss says. “I called the leader and she said he was there.”
“Do we have footage from any of those places?” Hotch asks. “We need to make sure.”
Reid nods. “I asked her to check it all this morning, including the AA meeting. She must still be going through it—I can’t imagine it’s easy to get all that access.”
“What about a second unsub?” Morgan suggests.
Hotch shakes his head. “These are all meant to be personal for liberation—catharsis. Involving someone else would take away from the feeling.”
“What about your suspect?” Prentiss asks, looking at Morgan. “Could he be the unsub?”
“Patrick Fenton,” Morgan says, and he shrugs. “He fits it—dead parents, jail time, child of abuse. But he’s got two sisters, and his parents died when he was in his twenties from a car accident. I don’t see why he would start killing almost twenty years later.”
“Maybe we’ll figure something out in questioning,” Reid says hopefully.
Morgan’s phone suddenly goes off, and he hits the button to answer. “You’re on speaker, babygirl.”
“I found the security footage from those three places, the ones that Lucas was at on his supposed road trip when the third family was hit,” Garcia says, voice slightly tinny through the phone.
“And?” Hotch asks.
“I was getting there,” she says. “Lucas wasn’t there. He wasn’t on any of the footage—his sister was.”
Hotch frowns. You?
“You’re sure?” he asks.
“I’m always sure,” Garcia responds. “And I don’t know if Spencer is there, but he also wasn’t there at the AA meeting—I combed through the whole meeting, and he didn’t show up at any point. Just another guy that looked like him.”
“And you’re sure about that, too?” Hotch asks again.
“What is with this questioning of my abilities?” she asks, offended. “Yes. I’ve stared at so many pictures of Lucas Hartford over these past few days that I’ve got him burned into my brain.”
“Thanks, babygirl,” Morgan says. “We’ll call back if we need anything.”
“And you’re always welcome in this house of miracles,” she muses. Morgan chuckles before he hangs up.
“Lucas gave her his card,” Reid realizes. “It’s an easy alibi, but it falls apart when you look into it even a little bit.”
“Probably seemed solid to him at the time,” Morgan says. “He doesn’t seem like a detail oriented guy.”
Prentiss frowns. “That means he’s back on the chopping block. We can put him at the scene of every murder.”
Hotch leans over the table and grabs Lucas’s file, and he pulls out the page compiling his family. “His father died five years ago from liver failure. Hartford got out of jail last year.”
“If he’s been plotting some elaborate murder of his father for years, just to get out of jail and find out he drank himself to death?” Morgan shakes his head. “He’d snap. It doesn’t feel like justice.”
“He thinks he’s saving the kids of these parents that he kills,” Reid says. “He sees himself in them—he can’t look past his own childhood, and he assumes those kids must want their parents dead too.”
“He’s trying to get back at his dad,” Prentiss says. “We know that.”
“But that’s not his main goal,” Reid insists. “If his dad died when he was a kid, the abuse would have stopped. His mom wouldn’t be the battered wife anymore, and he wouldn’t be the battered kid.”
“His goal has always been protection,” Hotch realizes. “Yes, he’s getting his revenge by killing his father over and over, but ultimately, he’s trying to save himself.”
“But he didn’t anticipate the kids being home this time,” Prentiss says. “He had to kill them too.”
“If he‘s seeing himself in these children, recreating what he never got to do, then that means that he effectively died in this scenario,” Reid says.
“He didn’t get what he wanted,” Morgan says. “That’s gonna take a toll on him.”
“He’s coming to the end of the line,” Prentiss nods.
Hotch’s brain is working overtime as they work information off of each other. They’re so damn close—they just need the last piece of the puzzle. If they find Lucas’s next victim, they find him.
“His next crime will probably be his last before he goes out himself,” Reid says.
“You think it’ll be a murder-suicide?” Morgan asks.
“It’s common with family annihilators,” Reid says. “Hell, it’s common with anyone who sees no future beyond their murders. It’s their way out.”
And then the answer hits Hotch like a ton of bricks. Reid is still rambling next to him.
“If his dad was still alive, I’d say he would be the target. But the only one left—”
“—is his sister,” Hotch grits out, and he’s dashing out of the conference room before anyone can stop him.
“Hotch!” Morgan yells, and he turns to Prentiss with wild eyes. “Where the hell is he going?”
“The last victim,” she says as she starts following him. “The one person he never managed to save.”
“Goddammit,” Morgan curses, and he grabs his phone from the table, dialing Garcia as fast as she can while he runs. Reid is close behind him.
“What’s up, sugar?” she asks. “Got anymore leads?”
He laughs dryly. “We’ve got a big one, babygirl. Lucas has finally reached the end of the road — he’s going for his sister. I need you to call JJ and Rossi and—”
“Send them the Hartford address and fill them in on everything?” she interrupted, and he could hear her fingers flying across the keyboard. “Already on it.”
“What would I do without you?” he asks.
“Be half the man and twice as sad,” she says. “I’ve got to call JJ. Be safe, my love.”
“Always,” he responds, and he hangs up.
Hotch distantly registers Prentiss stopping by the chief to alert him of what’s going on, because he’s in the fog of a rampage. He’s in the driver’s seat before he knows it, starting the car, and he sees Prentiss, Morgan, and Reid running out after him.
Prentiss takes shotgun and Morgan and Reid file into the back, and they’ve all got Kevlar vests in their hands. He didn’t really think of that through his haze.
“We’ve got an extra one for you,” Reid says, reading his mind.
“Thank you. I— I know what you’re all thinking—” Hotch starts, but Prentiss shakes her head.
“Just drive.” Her lips set themselves in a taut line. “We’ve got a murder to stop.”
And he does.
-
You sit on the curb, surrounded on either side by a box of your things. Packing up everything made you realize how little you had at his place. You thought you’d integrated yourself into his life fully, but it really just took an afternoon while he was in a lecture to disappear.
Summer has fully turned to winter, and you’re as morose as the weather. This side of town looks so depressing without the warmer months to pick it up—the sidewalks are lined with dead trees, the grass is shriveled up and yellowing, and you feel like you’re living in grayscale.
A shiver runs through you, the weather only partly to blame.
Amy is supposed to pick you up, but as usual, she’s running late. You don’t know if it’s a personal issue or DC traffic has just struck again, but it doesn’t really matter. Either way, you’re stuck here, and your bad luck seems intent on making it worse, because you watch a familiar car pull around the corner.
It parks a distance away—there’s no space in front of the complex, and he always complained that they didn’t do assigned spots—and you have to hold back a scornful scoff.
Of course you have to deal with this now.
Aaron picks up his pace when he gets out of the car, surprise—and what you think is shame—painted on his face. He says your name when he slows down.
“You’re already packed.”
You shrug. “I’m nothing if not efficient.”
“I could’ve helped you with all this,” Aaron says, frowning.
“Why do you think it’s done already?” you ask.
His throat bobs and he opens his mouth, but nothing comes out.
“Let me save you the pain of chivalry,” you say. “I’ve got a friend coming to pick me up. I’ve already found a place. I called your property manager the other day and argued my way out of the lease, but I still paid my next month. You’re welcome.”
“You didn’t have to do that,” he says.
“You know what they say about a clean break,” you intone.
“I’m sorry,” Aaron tries again. To his credit, he looks like he means it. Against his credit, it’s about the fiftieth time you’ve heard it from him in the past two weeks.
“I shouldn’t have let you get that coffee,” you say with a grim smile, “should I?”
His lips pull into a taut line. “I didn’t cheat on you.”
“I know,” you say. It’s the one thing you do believe. “I just don’t think you ever fell out of love with her.”
Mercifully, you see Amy’s car pulling up in the distance. She’s your only friend with an SUV, so at least your boxes will fit.
“My ride’s here,” you say as you stand up, and you pick up one of your boxes. Amy throws on her hazards and she gets out to open her trunk.
“I’m so sorry I’m late,” she breathes. “Traffic was awful, and Jake has been so annoying—”
“Don’t worry about it,” you say with a slight smile as you put your box in the back. “You’re already doing me a huge favor.”
“I want us to still be friends,” Aaron calls. When you turn back, he has your other box in his hands, his expression shamelessly desperate. Amy glares daggers at him.
“Why?” you ask innocently. “So I can go without talking to you for ten years, ask you for a coffee when I’m in town, and then get you to leave Haley?”
“That’s not what happened,” he says, but you’re already shaking your head.
You take the box from him and smile thinly.
“Have a good rest of your life, Aaron. I hope it doesn’t involve me ever again.”
-
You let out a noise of frustration as you struggle to get the key into the lock, gritting your teeth as you try to fit it in. It’s always been finicky, but you just don’t have the energy to deal with this tonight. Thankfully, just when you start getting annoyed, you get it open.
You get a few steps in before your eyebrows rise, the sight of your brother at the kitchen table a surprise. He’s got his head in his hands, and your surprise turns to concern.
“Lucas,” you say with a slight smile, shutting the door behind you, “I didn’t know you were gonna be home tonight.”
His attention shoots to you immediately as he says your name, and he looks slightly out of it. “I was wondering when you were gonna get back.”
“Stole the words right out of my mouth,” you say wryly, and you ruffle his hair with your free hand as you walk past him. He swats your hand away in brotherly protest, and you snort. “This place has been quiet without you. Well— except for the cops. They were pretty loud.”
“They haven’t been back, have they?”
You look back at him and notice his leg is bobbing up and down insanely fast, and he keeps scratching at the soft wood of your table with his nail.
Your smile fades. “Don’t tell me you’ve been drinking.”
“Of course I haven’t,” he insists, but you turn on the kitchen light, then move closer to peer into his eyes against his protests.
“At least you’re not high,” you murmur, taking one last look before you pull away. “And stop ruining the table. I need it to last for the next ten years.”
He huffs, and you can practically hear him roll his eyes, but he stops.
“Did you go to class today?”
“You don’t have to act like Mom,” Lucas says, crossing his arms again with another huff.
“And you don’t have to act like a child.” You roll your eyes as you set your tote bag on the countertop and begin unpacking the groceries you bought. “I’m asking you about your day—that’s definitely not acting like Mom.”
“Yes,” he mocks. “I went to class.”
“Good.” You glance back at him. “I’m proud of you, Luke. You’ve been making progress.”
His smile is a bit thin, but he nods. “Thanks. How was work?”
You scoff and shake your head as you put a couple things in the pantry. “Don’t even get me started. I swear, Marie’s going to get me fired someday if she keeps her bullshit up.”
“She’s still on it?” Luke asks, and you can’t help but smile a bit.
“Don’t act like you know what I’m talking about,” you say. “Just agree with me.”
“I agree with you,” he says.
“That’s it,” you muse.
Your eyes fall back on your bag, and you’re reminded of what you meant to do next time your brother showed up.
“Oh—” You go back over to the kitchen table for your bag and pull out your wallet. You slide a debit card out and hold it out to your brother. “Thanks for letting me use it while I was up in Des Moines. I finally got my bank to get rid of the freeze on my card.”
“...Of course,” he says, and he takes it back. “Glad I could help.”
“I’ll pay you back, obviously,” you say as you get back to your groceries. “I just have to wait to get paid again.”
“Don’t worry about it,” he says. “And uh— you never answered me. Did the cops come by again?”
You huff a mirthless laugh and shake your head. “You have nothing to worry about, Luke. I think they finally realized they were barking up the wrong tree.”
“…Good,” he says. “I can tell they’ve stressing you out.”
“Like that looks any different than my normal state,” you say wryly. “Besides, it wasn’t that bad.”
You recall the shock you felt when you opened the door to Aaron, and how nervous you were on the drive to the precinct. It’s almost been a decade, and yet he still has an effect on you that he has no right to.
“You remember that guy I dated when I was still in law school? Aaron Hotchner?”
“I think? I was in jail, so.”
You roll your eyes. “I know I told you about him when I visited you while we were together.”
“I remember you telling me how he broke your heart,” Luke says.
“That’s not what I’m saying.”
“Then what are you saying?”
“That he’s with the FBI now. The BAU,” you enunciate, and you huff. “He’s one of the guys on this case, coincidence that it is. They came here—they even brought me in for an interview.”
He frowns. “What’d you say?”
“The truth.” You pull your cutting board and a knife out of a drawer and get to work washing your vegetables. “That I didn’t know anything, and neither of us are involved in either way.” You shake your head with a sigh. “They must believe it, because they haven’t come back.”
“What have they said about me?” he asks.
“I’m not supposed to say.” You roll your eyes. “I think you’re innocent, but I could get charged with obstruction, and I really don’t feel like dealing with that…”
You trail off into a sigh as you finish washing the peppers and set them on a towel. “I hope they find whoever’s doing it, though. It is freaking me out that there’s a murderer out there.”
You pick up your knife and start cutting them up—they’re not the freshest, but it’s all Kroger had after work—and you glance back at Luke. “You really shouldn’t be going out so often with this going on, y’know. I don’t want you getting hurt.”
“Don’t worry,” he says. “I’m careful.”
“I doubt that,” you say wryly. “Still, though. I worry about you.”
“Shouldn’t it be the other way around?” he asks. “I’m your older brother.”
“I worry about everything,” you say. “It’s my thing.”
You hear him huff a laugh and you smile a bit to yourself. You get through your first pepper before you remember what’s been nagging at you your whole ride home.
“Oh— can you get the TV?” you ask. “Channel 8, I think. Marcy is getting interviewed for something with her nonprofit, and I told her I’d record it for her.”
Lucas doesn’t respond, though you hear the scrape of the chair as he gets up.
“Thank you,” you say. “I think they have a fundraiser coming up or something…” you trail off and shake your head as you scrape the cut peppers onto a plate. “God. I need to start paying attention in the break room.”
Another few seconds pass, and you don’t hear the television switch on. You huff and turn your head slightly. “Luke, I’m making dinner tonight. This is the least you could do.”
“I’m sorry.”
The words come out as a murmur, but you can tell he’s much closer than he was before.
You don’t even get the chance to turn around before something crashes against your head and your vision goes dark. You feel yourself fall to the ground, and your head hits the floor hard.
Then, there’s nothing.
-
Hotch has been breaking every speeding law there is.
The station isn’t too far from your house, but it’s still too far. All he can see is your body, crippled and lifeless just like every other victim they’ve had to look at.
It should never have gotten to this point. Lucas has been a suspect for the first day, but they looked to other suspects, got caught up in statements from neighbors and the kids of the victims.
If Hotch just found him and booked him on the first day, this wouldn’t be happening. Your life wouldn’t be in danger.
His hands tighten on the steering wheel.
“I seriously think we’re looking at a murder-suicide if this gets to play out,” Reid speaks up from the backseat. “This is his way of ending this for both of them—the ultimate protection of his sister.”
“No one can hurt her if she’s dead,” Morgan mutters.
“Hotch,” Prentiss starts, treading carefully, “are you sure you’re okay to lead this?”
“Yes,” he says, though he wants to say what kind of question is that?
You were together a lifetime ago in law school, yes, and he might still have feelings for you that he didn’t even realize were there, yes—but he’s an agent and a professional before all of that.
It doesn’t matter that you have history. It doesn’t matter that you likely hate him.
It doesn’t matter that he thought he was going to marry you one day, and then was watching you drive out of his life after he got back with his high school girlfriend another day.
Aaron Hotchner is not going to let you die. It’s as simple as that.
Hotch���s phone rings and he picks it up and flips it open immediately. “Talk to me, Garcia.”
“JJ and Rossi are on their way,” she says. “Are you headed to their place?”
“Yes,” he says, and he puts it on speaker. “I’ve got Prentiss, Morgan, and Reid with me still.”
“Do you think there’s anywhere else he could be?” Morgan asks. “If he’s going to kill her, he might not want to do it in this house.”
“Already a step ahead of you, my love,” she says, and he can hear mouse clicks through the phone. “They grew up in a house in St. Charles—it’s abandoned, from the looks of it, some place on the outskirts. Never got another buyer after the past owners moved out. I’m sending the address to Emily right now.”
Prentiss gets a buzz on her phone and she nods in confirmation after flipping it open. Hotch immediately switches lanes and makes a U-turn, his jaw clenching.
“Tell me how to get there, Prentiss,” he says. “He’s there.”
“You need to get on I-70,” she says, and then her brow furrows. “How do you know?”
“He’s killed everyone else in their homes because he sees it as the source of it all. His sister’s rented place isn’t personal enough.” Hotch shakes his head. “Why wouldn’t he want to go back to theirs to end it all?”
“Hotch.” Penelope’s voice rings out in the car, and he doesn’t even realize he forgot to hang up.
“What?”
“Be careful,” she says, and he rushes to turn it off speaker and press it to his ear. “I… I know how important this is to you.”
Hotch’s throat bobs and his eyes burn with the beginnings of tears. He blinks them away—he can’t be weak now. He can’t let his team see him be weak now. “Dare I ask how?”
“I found an article about GW’s mock trial team,” she says. “Kind of went down a rabbit hole from there.”
Somehow, he huffs the slightest laugh. It feels like a lifetime ago—it honestly is, at this point. Before he saw carnage and gore on a daily basis and tried to solve it, when he thought the DA’s office was the endpoint, when he came home to your smiling face every night.
And now…
Hotch’s spine somehow stiffens, and he knows the other three in the car are watching him. He can’t decide whether he cares or not.
“Thank you, Garcia.”
“No problem,” she says, and he can almost hear her blink in the pause. “Uh— for what, exactly?”
For the memory, he wants to say. But he doesn’t. He can’t, not right now, so he tries his best to snap out of it.
“Keep a watch on the patrol cars,” he says instead. “Update JJ and Rossi on our plan, but tell them to stay on their path. I’m sure I’m right, but we need to cover our bases.”
“Of course, sir.” He hears her fingers flying across the keys. “I’ve got yours and the squad cars’ locations up—I’ll call them now.”
“Thank you,” he says.
“Good luck, Hotch,” Garcia says softly.
Hotch hangs up before he gets too emotional. Penelope has a way of bringing that side out of him.
“We’ll get him,” Prentiss assures. She’s been watching him this whole time, he can feel it—she’s been attuned far too keenly on this entire part of the case involving you and him. “And we’ll save her.”
His knuckles go white around the steering wheel, and for once, Hotch can’t find the words.
-
It feels like your head is slowly being cranked in a vice when you eventually wake up, a dull but insistent pain. Your arm stings too, but you don’t know why.
You blink a few times as you try to figure out where you are, a low groan slipping out as you fully come back into consciousness, and you move to rub the grogginess out of your eyes.
Your arms don’t move. You try again, panic spiking your heart for a moment, and that’s when you realize you’re in a chair—tied to a chair, your wrists bound together behind you and your ankles bound to the chair legs.
Now the panic fully sets in. There’s a murderer in St. Louis, but you don’t fit the victimology from what you’ve seen, but does any of that fucking matter when you’re stuck in something out of a horror movie?
Lucas was the only one there with you. So either he’s in the same situation, or he—
“You’re finally awake,” a voice murmurs. When he comes into view and sits down across from you, your heart stops.
For a moment, all you can do is stare at your brother with wide eyes. You see the gun in his hand through your peripherals, but you don’t look away from his gaze.
“I was worried I was too rough,” he says softly. “But you’ve always been resilient.”
“Lucas,” you breathe. “What the fuck is this?”
“It’s finally going to be over,” he says, ignoring your panic. “We’ve been hurting our whole lives because of that bastard of a father, and I can finally make it all stop.”
Your brother is fucking crazy. He’s fucking crazy, and he’s going to kill you.
You’ve spent two weeks telling Aaron he was crazy and your brother was innocent, and now he’s going to be proven right when he finds your dead body.
You try to tamp down on your panic. You don’t have a law degree, sure, and you never officially practiced, but you’ve been a good speaker, a persuasive one, all your life.
And if there’s ever been a fucking time to be persuasive, it’s now.
“You don’t have to do this,” you whisper. “We— we can talk if you want to talk.” You tug at your ankle restraints. “This is unnecessary.”
He shakes his head. “I know you. You’d run.”
“Come on.” You manage as much of a smile as you can. “I’ve always been there for you, Luke. Why would this be any different?”
“...You’ve always been too nice,” he says, and he sets the gun down on his leg. At least he doesn’t have his finger on the trigger. “Anyone rational would’ve kicked me to the curb when I asked you for help.”
“You’re my brother,” you whisper. “I— I love you, Lucas. I’d never do that to you.”
“Family’s supposed to be everything, right?” He shakes his head. “You were the only one of us that understood that. You were there to pick me up every time my sentence was up.”
“I’ve always believed in you,” you say.
He huffs a monotone laugh as he stares at the ground. “You’re definitely the only one.”
You shake your head. “That’s not true.”
“Mom didn’t care enough to stop anything,” he says, leaning back in his chair. “And Dad wished I was dead every goddamn day. He didn’t have the guts to do it himself, but he definitely tried.”
You can’t defend your parents. Your dad’s a piece of shit, and your mom didn’t stop anything he did—but you could never find it in yourself to fully hate her because he hurt her too, with more than just bruises.
“I’ve dreamt of killing our dad every day for twenty years,” Lucas says. “And that old bastard had to fuck me over one last time and die while I was in jail.”
You remember when you got the news. You were next of kin—your mother had divorced him by then, and your brother was incarcerated—so you got the call from the hospital. You deliberated for hours before you bought a plane ticket to Montana—apparently that was where he fucked off to drink himself to death—and you don’t know if you’ve ever felt more numb than when you were sitting in some lawyer’s office, listening to him drone on about his will and how his estate would be divided.
“So you killed all of those people?” you asked. “Because you didn’t get to kill our dad first?”
“I was saving those kids!” Luke yells, and you shrink in on yourself. “Saving them before their parents could fuck them up like ours did to us!”
“You don’t have to do this,” you repeat. “You’re just letting Dad win. Proving every shitty thing he said about you.”
“And that’s the zinger, isn’t it? Luke laughs and shakes his head. “He was right. We’re a whole family of fuck-ups. An alcoholic abuser, a battered wife, a nonstop jailbird, and you…” He shakes his head with a sigh. “You should be out there prosecuting people like me.”
“He ruined us,” Luke murmurs. “And I’m finally going to fix it.”
All you can do is stare at your brother, wide and teary eyed. You can’t find the words, but you don’t have to.
Police sirens begin to filter through the air as they get closer, and Luke huffs. “Of course.” He eyes you. “Don’t go anywhere.”
“I wouldn’t dare,” you say weakly.
When he leaves to peer out the front door, you take a second to look at your surroundings. It takes a second because they’re so decrepit, but you could never forget.
Luke brought you back to your childhood home—the place in St. Charles, rotten down to its bones. It’s abandoned by now, but the atmosphere is nothing less than oppressive. There’s a reason you graduated high school a year early, why you never came back once you got to college—except with Aaron, to help your mom move her things out.
You refuse to die here. Even if you have to claw back through the gates of Hell inch by inch—you will not die here.
You hear footsteps, and when Lucas comes back in, he has a crazed glint in his eye. He shakes his head as his finger returns back to the trigger, and you can’t help but flinch. He won’t. Not now.
“Looks like your friends the FBI are here,” he drawls. “You said you didn’t tell them anything.”
“I didn’t,” you insist. “They’re profilers—they figure things out.”
He shakes his head. “They don’t realize that I have to do this.” Luke kneels down in front of you and takes your chin in an iron grip. “This is the only way to end our pain.”
He lets go of you then stands up, moving behind you—you want to protest, but you don’t get the chance. He presses his gun to your temple and then the door is broken down. Four agents rush in, guns at the ready. Aaron leads them, and he’s got fire blazing in his eyes.
“FBI,” he barks. “Hands up.”
Lucas doesn’t seem fazed, his breathing staying the same. You stare right at Aaron, unfiltered fear in your eyes, and you feel torn bare. He’s going to watch your brother put a bullet in your head.
“I’m afraid I can’t do that,” he says smoothly. “This is a family matter.”
“Put the gun down, Lucas,” Aaron says.
“You know my name,” he says. “I know yours too, Aaron Hotchner. My sister told me you were with the feds. She also told me you broke her heart.”
“Put the gun down,” he repeats.
“I don’t think I will,” Luke says. “You see, I don’t go around just kidnapping people for fun. I have a purpose here.” He tilts his head to the side. “But you know that, don’t you? You’re all profilers.”
“You’ve been targeting families that look like your own,” he says. “You think that killing them will end the pain inside you, and protect those kids in a way that you never got.”
“I don’t think it,” he bites, “I know it. If my dad had been shot thirty years ago, we wouldn’t be here right now.”
“This isn’t going to bring you peace,” Aaron says. “Your sister has been the only person to stay by your side through every part of your life. Do you really want to lose that?”
“Trust me,” Luke says. “I’m not losing her.”
He flicks the safety off and you flinch. He’s going to kill you.
“Put the gun down,” another agent warns.
“If you all don’t leave right now, I’ll shoot her.” Your whole body stiffens as he presses the gun harder into the side of your head, your breathing going off kilter. “Except you, Aaron Hotchner. You can stay.”
“We’re not doing that,” the woman says. Agent Prentiss, you think.
“Really?” Luke chuckles. “You think you hold the cards here?”
“It’s okay,” Aaron says. “Go.”
Agent Prentiss frowns, and the other two men look different levels of puzzled. They obviously doubt the decision, but they don’t doubt Aaron, because one by one, they leave.
“Wow,” Luke muses. “They really trust you.”
“Because I know you don’t want to hurt her,” Aaron says. “Deep down, you know you’re not protecting her. Not by hurting her.”
“I’m not hurting her,” he says. “She’s always been the one to keep me safe over the years—I’m finally paying the favor back. I’m finally taking her pain away.”
“You were abused as children. Both of you.” Aaron looks at your brother. “Your sister always tried to protect you, but it never worked. It just made it worse for her, and it made you feel worthless. You’re her older brother. You’re the one that was supposed to protect her.”
“My sister said you’re profilers,” he says, and though his tone is lazy, you know your brother. You can tell it’s starting to get to him. “Is that what you’re doing right now? Profiling me?”
“You would never be good enough for your father, and your mother would never do anything to stop it,” Aaron continues. “All you had was your sister, and even that wasn’t good enough—you hurt her just as much as your dad did. At least your dad didn’t think he was a good person.”
Luke growls, and he puts a hand on your shoulder to pull you closer to him. “Shut up.”
“Your sister has told me you can be more than this,” he says. “And I think she’s right. You’re better than this—better than living between the margins and jail.”
“I’ve had a hole in my chest since I was born,” Luke mutters. “And I’ve tried to stop it, but it’s just grown and grown and grown. This— this aching pit of pain, and he caused it. You’ve got it too— I know it.”
“I— I do,” you say. And you’re not lying. You’ve had a pit of despair in you for as long as you can remember. The only difference is that you’ve fought every goddamn day of your life to keep it from consuming you. “And it hurts, Luke. Trust me, I know. It took me so long to even be able to deal with it, but I know how to. I can help you—we can both walk out of here.”
“No,” he whispers. “No—we can’t.”
“Yes, we can,” you plead. “I love you, Luke. I’ll spend every day of the rest of my life helping you if that’s what it takes to get rid of that hole.”
For a moment, he doesn’t say anything. For a moment, you think you’ve gotten through to him. Aaron never takes his eyes away from you.
“I’ve never been able to protect her,” Luke murmurs. “Not from our dad, not from the world, not even from you, Aaron Hotchner.” He presses the gun harder than ever into your head, like he wants to bury the metal in your skull along with the bullet. “But that all ends now.”
You screw your eyes shut. You don’t want to see Aaron’s face when your brother kills you.
And then it happens so quickly you barely process it.
There’s two gunshots, almost at the same time. You scream, first because of the gunshots, then because of the sudden roaring pain in your side. There’s a thud next to you, your eyes shoot open, and you see your brother’s lifeless body fall to the ground.
You scream again—you can’t even control it, it just rips out of you at the sight of the hole in his head and the blood pooling beneath it—and Aaron drops his gun to rush forward. The rest of his team thunders in after him, all in guns and bulletproof vests, and they’re talking, but you can’t focus on a single goddamn thing because your brother’s dead body is right next to you.
Aaron pulls out a pocket knife and begins to cut through your restraints, and the instant he finishes you collapse. He catches you without a second thought, and you immediately wrap your arms around him.
Torrential sobs wrack your entire body as you bury your face in the crook of his shoulder, every part of you shaking as the reality of it all hits with full force.
Your brother is a serial killer. He killed ten people, he tried to kill you. And now he’s dead.
The only part you had left of your family—gone, just like that, with four other families ruined in his wake.
Aaron’s soft voice in your ear is the only thing bringing you back from the edge of hyperventilation, his own hold on you the only thing keeping you from collapsing.
“I’m so sorry,” he murmurs and he shrugs off his windbreaker to wrap it around your arms. “You’re safe now. You’re safe.”
“He’s gone,” you choke out, voice muffled as you speak into his chest. “He’s gone, and he tried to—”
A fresh round of emotions hit you, unable to get the words out, and you fully break down in Aaron’s arms.
“I know.”
Aaron’s fingers linger on your side and you feel some dull pain, but you feel his breath still for a moment.
“You were shot,” he says with your name. “We have to get you to a hospital.”
You don’t even feel it. God, you don’t feel anything. There’s a distant ringing in your ears, an insistent pain in your skull, and you finally realize Aaron is right when you pull away and see the blood on his fingers.
But black spots start to fill your vision. You may not feel it, but your body holds the score. The pain intensifies in your side as your adrenaline starts to slow down, and you collapse against Aaron.
“Get an EMT in here!” he yells, keeping an arm wrapped around you. “We’ve got a GSW— she’s losing blood fast!”
You can feel Aaron’s rapid heartbeat, can feel his steady arms as he keeps you propped up. You feel the warmth of his body, feel the warmth draining out of yours.
“Aaron,” you whisper, your strength fading. You don’t think he hears you.
He helps you up and you’re suddenly hoisted onto a stretcher, and he’s beside you as the EMTs run you out of your childhood home. The night is a blurry canvas of red and blue lights, and your eyelids feel like they’re made of concrete.
“Aaron,” you try again, and you have enough left in you to grasp his cheek. “Thank you.”
And as the world goes black around you for the second time, you see his lips form your name.
It’s not a bad thing, you think before darkness overtakes you, for Aaron Hotchner to be the last thing you see before you die.
-
You wake up in the hospital alone.
You don’t know what you expect. You have few acquaintances, fewer friends, and the last part of your family is dead after he tried to kill you.
The real surprise is that you wake up at all.
Lucas is dead.
He tried to kill you. You thought he succeeded.
You let out a slow, even breath, accompanied only by the sounds of beeping machines. It still doesn’t exactly feel real.
You’ve spent the last two weeks defending your brother against every accusation, and you ended it in the hospital—well and truly alone for the first time in your life.
You look at the television. Some muted soccer game is playing, and you’re thankful. You were worried that you and your brother would be the topic of the day.
Who are you kidding? You’re going to be the topic of the year. He killed ten people. He tried to kill you, and you think he nearly did. He shot you, after all.
You let your head fall back against the pillow. All of your limbs feel insurmountably heavy, your side aches like hell, and you’ve got the worst headache of your life.
And you can’t stop playing it all over in your mind.
He was going to kill you.
Your own brother, your flesh and blood, the only person you had left, tried to kill you and would have killed you had it not been for the BAU.
Had it not been for Aaron Hotchner.
The door opens and someone walks through, your eyes following the movement, and when he sees it, he pauses. And so do you—apparently the devil appears even when you think of him.
“You’re awake,” Aaron says after a moment. It’s the third time he’s sounded surprised since you’ve met him again. Seeing you, finding out your mom is dead, seeing you.
But there’s relief there, too.
He has a coffee in his hand and his tie is undone, the sleeves of his white undershirt rolled up to his forearms. It makes you realize his suit jacket has been slung over the back of the chair near your bedside.
“How long have you been here?” you ask, your brows furrowing ever so slightly.
Aaron closes the door and sets his coffee on the table before he answers you. “Three days.”
“And how long have I been here?”
“Three days,” he says. “You suffered head trauma, they discovered drugs in your system, and… you were shot. You had to go into emergency surgery.”
You frown, and he answers before you can ask any of them. “…Your brother. After he knocked you out, he used something to… keep you out. And after I shot him, he still got one off—thankfully, as he was falling. The bullet hit you in the side instead of the head.”
“How bad was it?” you ask.
Aaron glances away. “You died on the table. They managed to bring you back, but…”
“I guess Luke did succeed,” you say absentmindedly. Aaron doesn’t laugh, and you glance away too. “Sorry. Bad time for jokes.”
He shakes his head. “If anyone’s allowed to joke about this, it’s you.”
Your lips twitch for a moment, but then you look back at him as he takes a seat at your bedside again. He looks— god, he just looks tired. Tired and ragged and downtrod, and you can’t imagine you look much better.
“You were out for two days after,” he explains. “This is the first time you’ve woken up.”
“Why are you here, Aaron?” you ask quietly. “Why have you been here?”
Aaron frowns. “Where else would I be?”
Your throat feels like it’s closing up, and you feel the telltale pinpricks of tears. You blink them away before they can start.
“My brother was a serial killer, Aaron.” Your hands clench into fists as you stare at the wall. “He killed ten people while he was living with me and I— and I didn’t even fucking notice.” Your gaze moves back to him. “I went against all of you because I thought I knew him, and look where it got me.”
“It’s not a crime to want to see the best in people,” he says. “Especially your family.”
“It’s a crime to fucking murder people,” you huff, and it’s only slightly unhinged. “I— I thought I knew him, and I didn’t. And if I did, maybe none of these people would’ve had to die.”
“Don’t blame this on yourself,” Aaron demands. “Lucas was lost. Mentally ill. He was on a path for revenge, for his deranged idea of protection—nothing you could have said or done would have stopped him.”
You shake your head. “It might be easy for you to say that, Aaron, but I— I can’t. He’s my brother. I gave him a place to live, I gave him easy access to families— god, I fought with you all for two weeks about his innocence, all while he was planning his next fucking murder!”
“It is not your fault,” he repeats, slower and enunciating the words. “He was the only member left of your family, and you loved him. You were just stubborn, and that’s nothing new.”
“I just don’t know what to do.” You’ve had these walls up for so long, especially this past week, and now that everything’s come to a head and you’re in the hospital and your fucking brother is dead, the floodgates have opened. “I have to plan a funeral because I’m the only one left to plan one, but— but does he even deserve one? He’s a serial killer, and he tried to kill me for god’s sake, but he’s my brother and even though he’s gone he’s still all I have left and—”
You break off as you suck in a huge breath of air, the notion shaky as you clench your hands into fists to keep the rest of your body from doing the same.
“And I just don’t know what to do,” you repeat, barely a whisper.
You meet Aaron’s eyes, almost desperately. You feel like you’ll shatter into a million different pieces if you even breathe wrong and he might be the only solid thing in your life.
“Whatever you do,” he says, “you don’t have to do it alone. Not if you don’t want to.”
“Aaron,” you start shakily, but he continues.
“I know what you think, and that’s not what I’m suggesting.” Aaron pauses for a moment, and it’s obvious how carefully he’s crafting his words. “I’ve… always regretted how we left things. And I regret losing touch with you. This isn’t the way I would’ve liked to meet you again. But I’m thankful I have.”
He pulls a card out of his shirt pocket and holds it out to you. You realize it’s his business card, and it’s got his number.
“I’m sorry for the formality,” he says dryly, “but I don’t exactly go around prepared to give out my number for purposes other than work.”
You take it without giving yourself the chance to think about it. You run your finger around the sharp edge of the cardstock, pressing the pad of your thumb against the corner.
“Years ago, you wished me a good life, and that you didn’t want to be involved in it,” he says, still treading carefully. You can’t believe he remembers the last thing you said to him. “But— but a lot has changed since then, and I hope that has as well.”
“I’d like you to be a part of my life again,” Aaron finally says, “if you want to be a part of mine.”
For a moment, all you can do is stare at him. Two and a half years of law school flash behind your eyes—coffee shop dates and endless hours spent studying at the library. Movie nights cuddled on his couch, hauling boxes out of your house at an ungodly hour to get away from your roommates. An unhealthy amount of all-nighters immediately followed by going out to celebrate a miracle of an A on an exam. Getting through every soul-sucking part of earning a J.D. together, falling apart before either of you could make it to the other side, and somehow…
Somehow, you’ve ended up on a completely different side together.
“My life isn’t going to be easy,” you say faintly. “Especially… moving through this.”
“My life isn’t easy either,” he says. “I’m divorced with a kid and I try to solve murders every day.”
“It’s not a contest.” An attempt at a joke, but it falls flat for you. Aaron’s lips still quirk at the edges the slightest bit.
“Getting through this certainly won’t be easy,” he agrees. “But I have more experience than most in these sorts of things. So if you ever need anything, call. Please.”
“I imagine you’re pretty busy,” you murmur. “Unit chief and all.”
Aaron shrugs. “I make time for the things I care about.”
Thankfully, you don’t have to figure out how to respond to that, because there’s a knock on the door, and a nurse walks in after you call a come in.
“It’s good to finally see you awake, sweetheart,” the nurse says with a smile. It warms you from the inside out.
“It’s nice to be awake,” you say. Her smile widens and she moves over to the computer in the side of the room—to add some things before she makes her checkup, you assume.
“I’ll give you some time alone,” Aaron says.
Before he can stand up, you grab his hand. It’s fully on instinct, and he looks just as surprised as you feel.
“Don’t go,” you plead, and it’s almost a whisper. “I— just— please.”
Aaron stares at you for a moment, that shock glinting in his eyes before it transforms into something a lot warmer. He nods and sits down.
“Okay.”
And he stays.
This time, he stays.
#i was truly possessed while writing this i can't understand it#i wrote 15k words in 5 days#aaron hotchner x reader#hotch x reader#criminal minds x reader#aaron hotchner x y/n#aaron hotchner fic#aaron hotchner angst#aaron hotchner imagine#sadie writes
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💰jingle jingle💰
how much for you to continue the barty shirt fic where they make it up to the tower and tell the marauders🤭
I'll give you this one for free but the rest will cost you
Barty Crouch Jr x potter!reader who tattles on Jegulus
CW: making fun of only children, siblings insulting one another, platonic Prongsfoot drama, no real angst - just chaos
Continuation of this one shot
The trek from the Slytherin dungeons up the Gryffindor tower in a full sprint was unideal for even the most athletic and fit quidditch player in the castle; but if there was one thing a lifetime worth of living with James Potter and his pranking ways prepared you for, it was running.
Fortunately for you, this was not a universal experience and you were quickly able to leave Regulus and Barty well enough behind you.
You screamed the password at the Fat Lady who shrieked in fear when she saw you barrelling towards her causing her to open so quickly that the portrait thwacked against the stone walls and you all but dived into the common room.
You stood up straight as your chest burned to survey the patrons of the common room only to find that the entire common room was already doing the same to you.
“Circe’s tits, Potter.” Lily said with a smirk. “You look like you were trying to outrun Peeves.”
Your smile turned devious as you continued panting. “Better.” You answered quickly, turning your sights towards your brother, Peter, Remus, and…
“Sirius!” You greeted as you speed-walked over to their sofas.
“Hey Trouble; get tired of the snakes?” Sirius teased as he moved a chess piece with an air of nonchalance.
You were eager to change that.
Before you could open your mouth, two Slytherin’s came spilling into the common room before the portrait had a chance to close behind them.
“I’m so glad you could join me for this.” You taunted Regulus who’s jaw tightened as he straightened himself up and shook Barty’s hand off his shoulder.
“Isn’t this a nice shirt, Siri?”
Sirius looked up at that as he considered your form. “Yeah, actually; that’s designer, right?”
You look down at it with a smirk when you heard Regulus whisper a cautionary, “Potter.”
“I’m not sure…it’s got a little crown on the sleeve.” You explained innocently.
Sirius’ eyebrows widened at that. “Shit. Yeah those are super expensive; but great quality and super soft. Great choice, Junior.”
“Thank you!” Barty accepted eagerly. “See Treasure? Black gets it.”
You smirked as you looked over at James who you could see by now was clearly sweating. “Right…but I actually stole this from Jamie’s trunk.”
James’ eyes shot to Regulus as yours moved back to Sirius who was staring at you bemusedly.
“That is not Prongs’ shirt, and didn’t Junior just admit it was his?”
“Nope.” Barty answered with a pop of the p. “I admitted buying it.”
“Why are you buying clothes for James?” Remus asked cautiously then, eyes darting nervously between your mischievous form, James’ anxious form, Regulus’ tense form, and Sirius’ confused form.
“Oh, I’d never buy clothes for that Potter.” Barty scoffed. “That shirt was Reggie’s birthday present last year.”
The sound of Peter’s hand slapping against his mouth as he stared at you all wide eyed was the only sound in the entire common room.
Remus was holding his book in front of his face like a shield as he watched the spectacle that was his friend group.
Finally, Lily let out a long suffering sigh. “Potter, you might want to take this chance to get a head start.”
“Right.” James agreed quickly as he took off towards the portrait hole, pausing as he passed Regulus, seeming to decide since he was already going to die tonight, he may as well go big or go home.
He paused long enough to pull Regulus into a searing kiss before ripping away from him and taking off out of the common room.
The room continued to sit silently as everyone digested what they just saw.
“Did we seriously lose both Potter’s to Slytherin’s?” Marlene asked finally, causing Regulus to scoff.
“Like you’ve got a leg to stand on here, McKinnon.”
“At least I’m not fucking my brother’s best friend!” She volleyed back, causing Sirius to let out a dramatic gagging sound.
“You lot really need to spend less time worrying about who your siblings are shagging.” Peter said with an air of finality.
“Thank you!” You and Regulus chorused, causing you to glare at one another.
“You’re taking this rather well, Pads.” Remus chuckled, tapping Sirius’ knee with his book as Sirius continued staring unseeingly at the portrait hole.
“Mhm.”
Remus and Peter exchanged a worried glance. “What are you waiting for?” Peter asked finally.
“James will get lonely when he realizes no one is chasing him.” He replied in monotone. “He’ll be back in a few.”
“Sirius, please be cool about this; I’m happy, alright?” Regulus sighed in exasperation.
Sirius’ eyes flit over to his younger brother as his brows furrowed. “Listen, am I particularly pleased about…this? No. But that’s not what I’m going to kill him for.”
“What are you going to kill him for?” You inquired, wondering if it was worth writing home to your parents about.
The second your sentence finished, James cautiously stepped back through the portrait hole to find the common room in much the same state as he’d left it.
Suddenly, Sirius stood from his spot on the sofa. “ALL THOSE TIMES YOU TOLD ME YOU WERE TOO BUSY TUTORING TO PRANK WITH ME, YOU WERE DITCHING ME FOR MY BROTHER!?”
The room collectively grimaced as they looked over at James.
“Listen mate, it’s not what it looks like.” James pleaded, earning him a scoff from his best friend.
“It isn’t what it looks like!? Because the way it looks to me is that you lied, and you kepy secrets! You know, there was a point in this relationship that trust and honesty meant something!” Sirius shouted back.
“It does!” James offered quickly. “It does, Pads! Swear it!”
“Right, forgive me, but your word means nothing to me right now.” He spat as he went storming up towards their shared dorm, James quickly following behind.
“Please don’t shut me out like this; you’re still my other half!”
But the rest of the argument performance was silenced when the door to their room shut behind them.
“Well, Regulus.” Remus sighed with a tired smile. “Welcome to the family; our boyfriend’s are each other’s boyfriends, and this happens every three days.”
“Salazar’s fucking balls.” Regulus groaned as he threw his head back. “This is why I didn’t want it going public.”
“Oi!” You shouted as you lobbed a throw pillow at your new future brother-in-law. “If you’re going to love my brother, love him with your whole chest, coward!”
“You take that back.” He hissed at you.
“I’ll do no such thing.”
“I…I don’t know what to do…should…should we get a professor? What’s happening?” Barty started, looking around the Gryffindor common room with a look of panic on his face.
“Oh, relax, Junior. Your only child is showing.” Remus sighed as he pulled his book back out.
“Aren’t you an only child, Lupin?”
“Yup.” Remus responded as he turned a page of his book. “But I’ve lived in the same tower as the Potters for seven years, and dealt with Sirius and Regulus for the past two; you pick up a few things. Things like this-” he explained as he pointed towards you and Regulus who were still throwing insults back and forth. “Is what siblings call bonding.”
Lily chuckled as Marlene, Barty, Peter, and Remus watched as you called Regulus a “spoiled rotten toerag” to which he replied that “even listening to your voice made him feel like he was losing brain cells”.
“Siblings are weird.” Barty decided.
#marauders era#marauders au#marauders fanfiction#reader insert#self insert#barty gate#barty crouch junior#barty crouch jr#barty#slytherin skittles#the slytherin skittles#barty crouch jr imagine#barty crouch jr x reader#barty crouch jr x you#fluff#comedy#siblings#ellecdc fics
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You made a post saying “it has been zero days since our last alex hirsch hates ford so much bullshit” and i know it was mostly hyperbole, but you have some really good takes that I would love to be elaborated on in terms of how ford is written
it really wasn't hyperbolic. over the years he's just really shown a lot of hatred towards this one character.
content warning: discussion of abuse
i want to start with this clip from the commentary which i think of as a microcosm for how the writers and especially alex think about ford.
transcript:
rob renzetti: i mean he [mcgucket] should've basically knocked ford out, and... and destroyed the... you know, tied him up, and, destroyed... and...
alex hirsch, speaking over him: yeah he should've beat ford with a wrench and taken this thing apart piece by piece! he's the one who understood how to built [sic] it, but...
... so that seems like a pretty violent course of action. shall we unpack that?
ford is a character who's pretty explicitly written as a victim of abuse, and who now has c-ptsd as a direct result of the abuse he experienced. alex hirsch believes that ford deserved everything bad that happened to him, that it's ford's own fault, and that he also deserved worse things to happen to him. this is why, given every narrative chance, alex hirsch has piled more suffering onto ford's plate. the biggest example of this i can think of is in the journal, when he wrote that fiddleford was actively erasing ford's memory (despite this being a massive timeline contradiction which i still refuse to accept). because god forbid ford even have one remotely healthy relationship with somebody. that would be too good for him.
ford was manipulated and lied to by bill, but alex repeatedly compares him to icarus, a teenager whose demise was the result of his own ignorance. this comparison is still so fucking offensive to me. the sun did not lie to icarus, did not guarantee icarus all of the happiness and success and sense of belonging which he had been denied all his life, did not actively shut out the voices of those around him who would try to help him.
alex in general has a very strange relationship with abuse. he seems to get really upset when people read his characters as victims of abuse. the strongest instance of this is actually not with ford, it's with pacifica - especially in the nwmm episode commentary. the episode says "pacifica's parents have conditioned her to respond to a bell" and alex says people got "the wrong idea" about it. like. dude. what the fuck. you wrote abuse. even if you didn't mean to, that's what you wrote. you can't say people got "the wrong idea" just because you didn't think about the subtext of what you were writing.
anyway, back to ford: i believe this extends to him as well. alex wanted to write a character who's a foil to stan and who was a selfish unlikable victim of his own arrogance. however that's not what he wrote. he somehow seemingly accidentally wrote a really compelling and relatable awesome autistic guy who had to fight for every good thing he he ever had in his life only for it to be taken from him every single time. but alex can't let go of seeing ford as just "the opposite of stan". when he talks about "how someone as smart as ford could fall for bill's tricks", he refuses to realize he wrote a situation in which a man was being psychologically manipulated and tortured.
it goes back further, too. people repeatedly theorized that filbrick was... not a very good father, to say the least. on top of the very explicit and canon fact that he threw one of his children out on the street (seriously, there is no defense for this), people pointed out that stan would flinch at filbrick, that ford seemed upset by things filbrick said but dared not talk back, that filbrick was mad at stan not for hurting his brother, but for "costing the family potential millions". but alex can't have people seeing ford as sympathetic. ford can't have it bad like stan did. ford had to have everything and he lost it all because he sucks so much. so he wrote the graphic novel story where ford is filbrick's favorite child and filbrick also is not even a bad parent you guys he's just stoic. ignore the whole thing in dreamscaperers where stan perpetuates the abuse that filbrick did to him. ignore the fact that ford was shouting at stan and then completely shut up as soon as filbrick entered the room and did not say another word for the rest of the night. ignore all that because i just made up this story where he cries at a present from stan. filbrick loved his boys for sure you guys!!!
i'm not even touching on how alex repeatedly villainizes traits commonly associated with mental illness and neurodivergence. ford's hypervigilance becomes arrogance. his passion for knowledge means he's a know-it-all. his difficulty socializing and making friends means he's a misanthrope. his lingering resentment for the way he was raised means he hates his brother and is the worst human being to ever have lived. i could go on, go even further into how the finale reaffirms this, but i feel weird talking about this too much.
#help you unclogged the dam and it all came rushing out#it's been years#didn't know i still had all this in me#apologies for the lack of sources. i reference a lot of old interviews and tweets from 2016-2017#i know insider was one of them but a lot of it was questions he'd be asked at convention panels and off-handed comments from the dvds#seconds before the clip i included alex says ford's great flaw is pride#as though it was his pride that led to the world ending#and not a millenium-old plan by a monster using advanced manipulation tactics supplemented with literal mind control#tales of the wild zeep#1009
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The fact that they couldn't give us a scene of Alicent enduring her teenage pregnancies and worriedly confiding in her father which could've garnered some level of sympathy, but instead they gave us scenes of-
An underage Aegon masturbating.
An original character for adult!Aegon to SA.
A Green Council that completely reduces Alicent's involvement.
Child fighting pits.
More SA directed at Alicent from Larys Strong.
A completely illogical scene of Rhaenys and Meleys crashing through the dragonpit and murdering countless civilians.
...all of which could've been devoted to worldbuilding that actually explained why Alicent and the rest of the Greens feel as justified in their wariness towards Viserys and Rhaenyra's lackluster decision making.
They gave us so many unnecessary scenes that exist purely for shock value. It’s a cheap attempt at drumming up the feelings people had during seasons 1-4 of GOT.
And by doing this they lost critical time where they could produce actual nuance for both sides. Show the real reason that team green doesn’t and shouldn’t give a crap about what Viserys wanted, and why they had every right to pursue their claim.
We got to see Rhaenyra have a miscarriage but not a single scene of Alicent giving birth (much younger and scared and crying for her mother)?! We got to see Rhaenyra marry Daemon in an uncomfortable and boring blood ritual but not Alicent’s wedding where she had the opportunity to voice or show her displeasure in her circumstances and see how creepy Viserys is marrying a child?! We get a bunch of scenes of Viserys caring about, and doing things for, Rhaenyra but no scenes of Viserys rebuffing and intentionally ignoring his children (except the driftmark fight but again that’s showing him standing up for Rhaenyra more than ignoring the team green kids).
If we actually got scenes showing Alicent suffering instead of implying it and hoping that (intentionally obtuse) fans will get the picture, and scenes showing just how different Viserys mistreats his other kids compared to Rhaenyra instead of having characters just say it out loud. We might have had a show that produced more fans that are on the fence. But instead we have a show that uses critical time trying to shock you with illogical death, SA, and generally uncomfortable sex scenes. Thereby overshadowing any opportunity for people to understand team green and sympathize with them
#game of thrones#house of the dragon#team green#anti team black#anti rhaenyra targaryen#alicent hightower#pro alicent hightower#pro team green
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Hello! I have a question for you: what happens if we mix Snow White + Tangled in an AU (+ only one hour of sleep, a lot of coffee and chocolate cake). Well you get this.
Snow White + Tangled AU (or something like that)
When Charlie was born, Lilith felt very insecure because of all the attention she was receiving from Lucifer, plus she never liked feeling vulnerable and under the command of another, and that was what pregnancy and the commitment to having a baby did to her feel.
Lilith contacts Roo/Eve to take Charlie, she doesn't care what she does with her, she just doesn't want her around.
Roo/Eve, although she has many reasons to despise Lilith and Lucifer, has nothing against the girl, but she also does not want to have her around, she thinks about killing her but don't have enough interest to make the effort. Furthermore, even if she did it to make the girl's parents suffer, the fact that they voluntarily handed her over to her misses the whole point (Roo/Eve thinks Lucifer agreed)
Roo/Eve decides to give Charlie to her new favorite toy that arrived in hell a few months ago and has already made a reputation as the Radio Demon.
One day Alastor opens the door of his house and sees a baby in a basket with a note that says "Take care of her", signed by the entity to whom he sold his soul before he died. Thinking that the note means that he must take care of her (the other option was to delete her, Roo didn't care), he raises her as his own daughter.
Alastor does not keep Charlie hidden in a tower, he don't know who the girl is or where she came from, he only knows that her name is Charlie because her name was sewn in her clothes (decorated with a duckling...strange), he simply keeps her somewhat separated from the rest of hell until she is old enough to defend herself, and she even spent her childhood surrounded by children in Cannibal Town, where her Aunt Rosie sometimes took care of her.
When Charlie is old enough to ask where babies come from, Alastor sees no point in hiding the truth from her; he found her in a basket on the doorstep of his house. He doesn't bring it up again because he doesn't see the need to repeat it, and Charlie thinks her dad is joking, but then decides that even if it's true, it makes no difference, he's her dad no matter what.
Years go by and Charlie grows up seeing all the types of sinners that exist, there are those who deserve much worse and there are those who just had bad luck in life. Like her father, she don't believe in redemption, but she does believe that she can improve some lives, having a community like her Aunt Rosie's, focused on the most "innocent" sinners or those who are in a very bad situation. Even her dad is willing to support her, for entertainment purposes, but it's still his support that matters. It is during her search for land to start her idea or some sinners who are interested that she meets Vaggie, but after living with cannibals she knows the smell of blood well, so she realizes that there is something strange about it. When she takes her to her father he confirms her suspicions, Alastor helps her interrogate her and Vaggie confesses that she is a fallen angel. Charlie is disappointed in heaven, not that she idealized it, but she realizes that it is no different from hell. Alastor takes advantage of the situation, demanding that Vaggie swear loyalty to both of them and take care of Charlie when necessary, in exchange, they will take care of her.
When Charlie finds a place to start her idea, everything financed by her, plus the help of her father and her aunt Rosie (they always taught her that she should work for what she wanted, but she is still their child), Charlie finally opens her Safety Hotel (her dad insisted on "Hazbin Hotel", and she can't help but agree that "Safety" sounds kind of silly), and despite the bad experience with the televisions because of her father's ex-friend, she decides to go promote the hotel on a television show, hopefully just once, plus her dad promised to dedicate a section to the hotel on his radio show.
After that interview that went...surprisingly well, she begins to receive some unimportant sinners who have not yet sold their souls, many of them are recent arrivals to hell. Everything seems to be going well...until someone claiming to be the king of hell appears at her door, saying that he saw her on television, he recognized her immediately, says that she is his daughter and that he has been looking for her. Charlie was willing to help this...poor little man, until he decided to act like a jerk and tried to attack his dad while calling him a kidnapper. She told him to come back when he was willing to have a civilized conversation, that violence is prohibited in her territory, and slammed the door in his face. The little man is still hanging around.
👀
#snow white#tangled#tangled au#charlie morningstar#lilith#lucifer morningstar#roo#eve#alastor#vaggie#hazbin hotel#nunalastor asks
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What gets me with Vel is that we see she has a good rapport with her coworkers/friends. She may sometimes roll her eyes at the other two and their antics and of course when her direct business gets interrupted she gets frustrated, but we mostly see her on good grounds with the rest of the Vees. They respect her when it comes to serious business and in that last scene of the season they all look to be very much on the same page and in it together, smiling about their future... yet fanon (if it isn't infantalizing her as you've pointed out) is constantly projecting "angry black woman" stereotypes onto her.
It's gross and in my opinion clearly racially motivated that they see her as nothing more than a "bitchy" woman of color. While the fanon I've seen also has separate gross issues with Vox and Val they are at least allowed some nuance on occasion, but I just don't ever see that with Vel, she's just an angry woman rendered to the background in their eyes stripped completely of her professionalism, intellect, and cunning. She's one of my faves and it sucks so bad to see.
Hi. :) I wrote 5 paragraphs in response to this question and Tumblr so graciously decided to delete fucking all of it. :)
The Hazbin Hotel fandom has a serious racism problem and not enough people are talking about it. Aside from the infantilization of Velvette, other BIPOC characters are put into stupid stereotypes or treated like children because either Vivzie can’t handle writing competently or the fandom doesn’t know how to behave themselves. This is especially apparent for the women, but—and this is probably the only time I will talk about him in this way—Valentino is also suffering from this shitass issue.
Firstly about Velvette, just like how this said, Velvette used to be treated like a child in canon (now fanon) and is being portrayed as only a sassy angry black woman by the fandom. This is disgusting! I don’t think I need to say that! For some reason (misogyny) the Hazbin fandom just has this thing where they take a POC person or a woman—usually both—and decide to treat them like a child. Best examples being Niffty and Velvette being portrayed as Angel & Husk’s and Vox & Valentino’s children. Niffty is 22 and Velvette is in her 30’s. And of course they are both POC. I know there’s going to be someone accusing me of just whining about racism or being like “not everything is about race” but shut the fuck up because I’m busy talking.
I think the best scene to depict Velvette’s character—even though she hardly has any scenes. It shows that she will and can respect her colleagues but for other people, you either need to give her something she wants or her respect needs to be earned. She literally sings a whole song about it.
For other characters like Niffty I have a post for her in the works so I won’t spill it all here, but I can’t in good faith talk about the racism problem without mentioning Valentino. The fact Vivzie has made her worst character into the basic tall hot hispanic/latino man with the hot spanish accent stereotype. Honestly this sort of stereotype doesn’t bother me much, there’s a few villain characters I like with it like Alejandro from TDI, but Vivzie making this a big aggressive and dangerous POC person abusing a sad little white guy just grosses me out. It’s not like the situation would be any better if Angel wasn’t white, but it really does just leave that extra sour taste in my mouth.
Also I don’t need to explain why 90% of the POC cast being fucking grey or purple or blue is bad right.
#hazbin hotel#hazbin critical#hazbin hotel criticism#hazbin hotel critical#tw valentino#cw valentino#hazbin velvette#hazbin hotel velvette#velvette#hazbin vees#hazbin valentino#valentino hazbin hotel#valentino#hazbin niffty#niffty hazbin hotel#niffty#tw rape mention#cw rape mention#cw sa implied#tw sa implied#tw sa mention#cw sa mention
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Hi sorry, I'm ill about the soul vulture arc again. Because q!Bad made choices in his grief, in his rage, thinking he will never feel an ounce of happiness again because he thought his kids were dead. Q!Bad's Acceptance was never of accepting that grief and learning to live after it, it was the silent admission that his children were dead and there was nothing he could do. No rage, no monster, no demon, no power in heaven or hell could bring them back. It was Acceptance. But the cruel twist of fate was the fact that he was wrong. Pomme, Dapper, and the other eggs were alive, actually. By the time he found out however, it was already too late. He was long gone, and every choice has a consequence, and he suffered the consequences of his choices like hell.
Q!Bad was dead long before he fell in the lavender field one hundred feet away from the house his children built. One hundred steps away from his sleeping children he fought so hard to keep safe, under all costs. He died the night they were taken away, because they were his soul, his happiness. Everything that mattered in the millenia he's existed, nothing could compare to his children. He died that night; and all those months where it seemed like he was alive, where he was "healing" was the grim reaper bargaining with himself to hold on a little longer for his children.
Q!Bad loved Dapper and Pomme, and Richas, and all the eggs- he loved them so much it hurt. He loved them so much that love became his hell- his purgatory. Q!Bad loved them until the moment he finally stepped in his grave and couldn't bargain any more.
He deteriorated for months. He was literally melting from the inside. The vultures pecked at his body and fractured his soul. The radiation melted the skin off his limbs, and the brain inside his skull. It hurt like no other death, but if it meant seeing his kids for one more day, then that hell was more than worth it. And the physical pain wasn't the worst of it- no, eventually, he forgot his children's names, their faces, he forgot his own name, and he forgot himself. Memories slipping away like lost fragments of time. Until his death, when he was barely himself anymore.
People noticed, but never really did anything to stop it did they? I mean, who are we kidding, even if anyone spoke up, nothing they could have done would have prevented the inevitable. Dapper knew the fate his father subjected himself to. She knew what scars from soul vultures looked like, and she tried to find a cure. He tried, when he still had his lab, but there was never enough time. No science or magic could ever remedy what was already destined to happen.
And Pomme, sweet Pomme, stayed with her father until the end. She gave him health potions, "medicine" to help his ailments. And she lived in denial- she thought he was getting better. But the truth is that the memory lapses and the illness never ceased because no medicine could ever resurrect a fractured soul clinging on to his deceased body.
Then Q!Bad finally gave in to the sweet release of death. And when he arrived, he found the promise of paradise- the promise of Home, where he would never have had to suffer a painful hell again. But he chose to come back to live and to suffer once more because this time, his children were waiting on the other side. For the first time, the scales were balanced, and his happiness was halved because he had a home that was worth living in, and a life that was worth living. For the first time in the millennia q!bad had been alone, he had love. And that was enough.
The story has always been about love and loss, and the beauty of love and life, despite that loss. That's why the soul vultures arc is my favorite, and also why I nearly cried halfway through writing this. Because love thrives in spite of the loss, and the grief, and the personal hell. When death comes, and it always does, and time has eroded every portrait, or photograph, or memory- all that is left is love. And that love is hope, as well as grief. It is joy and sadness. It is heaven and hell. It is simply love.
#qsmp#qsmp badboyhalo#badboyhalo#qsmp dapper#qsmp pomme#qsmp analysis#character analysis#i had a shit day and i actually did start crying after writing this man ansndnfnfnend#anyways...soul vulture arc my beloved#it was death and love and hope and horror all tied up in a beatifully devastating tragedy#tw death#tw gore#<-slightly mentioned#sorry its been 2 fucking months and im still not over it#long post#qsmp richarlyson#qsmp eggs
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P.2 HH Lucifer-centric AU 13/?
STORY 1, PART 1, PART 2, PART 3, PART 4, PART 5, PART 6, PART 7, PART 8, PART 9, PART 10, PART 11, PART 12
Luci is the older sib among the Sins but he's the youngest among the Archangels.
I guess technically, he's the suffering middle child.
If y'all see a mention baby bro or little brother in the Prequel, pretend like you didn't see it ;laksldakl;
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Perhaps Lucifer should've requested a 1 visitor per visit rule just like he should've expected that he's going to get tackled and suffocated in physical affection by the Sins and Charlie as soon as Belphegor opened the door.
Not that he doesn't like the hugs but he's just one tiny guy and he's pretty sure he's about to be buried alive under these giants.
Thank fuck for Belphegor for prying them off of him before he actually suffocated.
Belphegor: What did I say?! What did I just say?! What are you all? Children?!
A gasp and a coughing fit later, he finally calmed down enough to get his breathing steady. He thanks Alastor for the water, taking huge sips to fix his throat.
'Not to self: don't get buried alive. It's not a fun experience.'
He looks over at the now kneeling Charlie and Sins, head bowed as the Sin of Sloth relentlessly scolds them.
Belphegor: -powers in Hell and you can't follow one simple rule? May I remind you all what happens if I'm disobeyed while I'm treating someone?
All: Visiting rights will be stripped off.
Belphegor: That's right. And I am not above putting a ward on any of you to make it stay that way.
Never mess with Dr. Belphegor. As much as Lucifer is amused, he takes pity on his kids (his kids!) and speaks up to save them from the doctor's wrath.
Lucifer: I think they get it, Bel.
The kneeling demons cower as Belphegor sends them one last glare before huffing and went to typing something in her tablet again.
Beelzebub: Sorry for getting carried away, babe. We just got scared.
Asmodeus: Charlie's call really scared us. Did something happen in Heaven?
Satan: Tell me if that bastard Michael did this, I'll go to Heaven myself and beat his ass! In fact, I'm going over there right now. Open a portal.
Leviathan: Christ, Satan. Can you do one minute without thinking of doing something impulsive?
Satan: Don't say that name here! And fuck you! You're one to talk. Which one of us almost obliterated their ring in anger earlier, huh??
Lucifer: Wha- Levi??
Leviathan: I have no idea what you're talking about.
Mammon: Wait, is that why the elevator took so fuckin long to work? I thought I was gonna be stuck there foreva!
Charlie: At least you're all here now!
Charlie's wholesome sentiment made her aunts and uncles coo, wholeheartedly agreeing with her.
Lucifer: My duckie is right. Even though I said I was fine, you all still came for me. I'm starting to feel bad about making you all rush here every time I get hurt.
Satan: Don't you dare. No one is forcing us to be here.
Beelzebub: Right! Plus you always did the same for us.
He remembers those moments. When the rings formed and the Sins grew enough to move and handle them on their own, he was pretty lonely. Sure, he had Lilith, but children brought a different kind of joy with their company.
Plus, he loved indulging in others and all the children wanted was his attention, which he was always so happy to give.
The last person he would've thought to call him for help first was, believe it or not, Leviathan.
Levi had always presented himself as independent, acting like he's not as young as he was. Lucifer saw the aquatic demon's admiration for him, often mimicking how he talks, walks, and even dresses.
Lilith says it's envy (Because what else could it be, Luci? Isn't he the Sin of Envy?) but Lucifer knows better. He knows that Leviathan only looks at him in admiration. He looks at him like he hung the stars. Like Lucifer means something. Like he deserves to be looked at that way.
He doesn't but he's not going to tell young Leviathan that.
Anyway, Levi couldn't get the raging storms of Envy under control despite trying so hard. He was crying, begging Lucifer to believe that he did everything he could but nothing was working.
So he did what every good sibling/pseudo-father wouldo.
He drops everything and headed straight to Envy. In fact, he ran so fast he forgot to tell Lilith he was leaving.
Instead of fixing the situation himself, Lucifer chose that moment to teach Leviathan. He stayed in Envy until the other got it and not once did he berate Levi for not knowing something that wasn't even taught. It was his fault after all that Levi couldn't control it as he should've known that it doesn't come to everyone that easily.
The little scolding he got from Lilith when he came home super late was worth seeing a proud face on little Levi.
Lucifer: And I always will.
When it doesn't look like they're leaving him anytime soon, he figures he could just tell them now. He sat up a little straighter and internally braces himself for the expected uproar.
Lucifer: Heaven is on the verge of a civil war.
He winces. 'Way to rip off the bandaid, Lucifer.'
The room halted. They stared at him as they try to comprehend what he said just said. Then all at once, everyone bursts into screaming and panic, asking questions at him, at each other, at no one, at everyone. It was chaos and Lucifer can feel something rumble inside him. He figures Roo is enjoying all this unfold.
To be fair, he should've thought better than to say something like that out of the blue.
Lucifer: Sorry from dropping a bomb like that suddenly.
Satan: A bomb???
Mammon: Mate, that's a fuckin' nuclear one if I know one! The fuck you mean a war??
Lucifer: A civil war.
Charlie: What? How are we roped in it?? It's not because of the last extermination right?
Belphegor: You couldn't have told us this the moment you arrived?
Satan: Are we involved? Is that why Michael shot a freakin' laser through the sky??
Lucifer: No but-
Beelzebub: Oh god.
Lucifer: Guys, if you just-
Leviathan: Ozzie, how is our forces? Do you think we have enough manpower?
Lucifer: Guys-
Asmodeus: If it's only our fighting forces, then no. I'm sure a lot of demons would be willing to fight. Plus we have the firepower.
Lucifer: I-
Belphegor: Do we even know if angelic weapons would harm a higher ranked angel?
Oh for fucks-
Lucifer: Ê̵̡̟͔͉̱͓͓̪̝̫͙͇̞͛̓͐͒͒̎͒̋͘Ǹ̶̛͙̲̮͓͈̳̗̟̣̊̍͋́̇̀̋̐́̚̕͜O̷͇͔̒̇͋́͋́̓́͂́͆͋̅͘U̴̡̙̫͕̞̩͎̭̤̤͙̠̓̐̊̚͜G̵͖͇̘̘̩̟̗̠̬̐̈́͛́̾̈́̾̍́̈́̏͠͝H̶̢̬͉̯̞͇̯͈͙̜̬͚̟͙̊̈́͋͂̂̾̒̅̈́̆͊͗͂̚͝.̷̧͇͔͖̜̳̲̪̤͇̇͊͑̋͛̾̓͜͜
.
.
.
The room rattles from his voice. He stop his horns and halo from coming out. Lucifer can't see it but everyone else is staring at him in abject horror as his skin turned into a dark, glitchy mess.
He calms himself by taking in deep breathes until the fire in his mouth extinguishes.
Lucifer: Can I speak now?
#hazbin lucifer#hazbin hotel#hazbin hotel lucifer#hazbin charlie#hazbin alastor#hazbin angel dust#hazbin lilith#hazbin husk#hazbin vaggie#hazbin sir pentious#hazbin cherri bomb#hazbin nifty#hazbin michael#hazbin sera#hazbin adam#hazbin lute#hazbin satan#hazbin belphegor#hazbin leviathan#frederick von eldritch#helluva boss mammon#helluva mammon#helluva beelzebub#helluva asmodeus#helluva boss beelzebub#helluva boss asmodeus#hazbin hotel alastor#hazbin hotel charlie#hazbin hotel lilith#hazbin hotel angel dust
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Now, Children, Fight Nicely
[ Trigger Warning - Intentional poisoning (mention)
Reader Discretion Advised. ]
Green, crystal-like shards of magic shatter into the air, and Lucifer, in full demon form, bolts inside Barbatos' room, his expression twisted into a snarl as his foot comes flying into Barbatos' face at full force. The impact slams Barbatos into the opposite wall, his hair sprinkled with rocky debris. Blood dribbles from his mouth.
Lucifer: WHAT THE FUCK DID YOU DOSE HER WITH?!
Barbatos: ...
Lucifer: DO YOU THINK I WON'T FUCKING KILL YOU, BARBATOS!? AFTER DOING THAT TO HER?!
Barbatos: I anticipated that, and quite frankly, I'd rather it was you who did it. It seems fitting.
Tears start to streak down Lucifer's face.
Lucifer: How dare you... How dare you welcome death?! If you really feel so horrible about poisoning the love of my life that you came prepared to die for it, how could you do it at all?!
Barbatos: There are... futures that I'd rather not see. For her suffering, for yours, and for my lord's. Futures where she kills Lord Diavolo. Futures where the Devildom perishes in a sea of turmoil. And... futures where she dies at your hands.
Lucifer grits his teeth angrily.
Lucifer: You're fucking stupid for a person that can see the strands of time! I don't care if it's one possibility out of five billion! Step in and change it, you son of a bitch!
Barbatos: I can't.
Lucifer: WHY NOT?!
Barbatos: Ever since I was infected, I haven't been able to use that ability well, and it's been getting worse. I'm... at the point where I can't do much of anything.
Lucifer's expression shifts through several shades of frustration, and he grips his hands in his hair and screams in anger and despair. Moments later, Diavolo arrives in his nightclothes, disheveled but alert.
Diavolo: ...Barbatos, I am quickly becoming incredibly upset with you, and you have about five seconds to explain to me why you never mentioned what I heard from the hallway.
Barbatos: I apologize, my lord; I intended to solve this quietly, but I'm afraid... some things were simply beyond me...
Lucifer: God! Dammit! You're just like her! You always keep everything to yourself and it costs you everything!
Hello, Mr. Pot?
Lucifer's hair falls from his fingertips alongside his distraught tears. He crumples to the ground, picking up Annelie's head and letting his quiet sobs wrack his body.
Lucifer: Oh, Annelie... I'm so sorry... I'm so, so, so... hic... sorry... I promised, but I failed to protect you again, and now you're like this... I'm sorry... Please... I'll save you, so... Please don't die... please don't die... not again.... please...
I... can smell his tears, but I can't wipe them away... I hate this. He doesn't deserve this. Why am I always so...
Diavolo: Lucifer, stop blaming yourself. This isn't your fault. We'll find a solution... okay?
Diavolo looks like he's on the edge of tears himself as he squeezes his friend's shoulder.
That's an empty condolence and he knows it. Barbatos is too smart. I hate this.
Lucifer: ...is it going to be enough? What if she...?
I... hate this. I curse it. Future be damned; I curse it. This powerless self... I curse it and curse it with everything I have.
A black mist wisps around Annelie's body, sinking into her skin, and Barbatos, Diavolo and Lucifer all collectively wince. Diavolo sinks to one knee, gritting his teeth. Annelie's fingers twitch, and Lucifer latches onto them desperately, watching her face.
Her black eyes open to reveal that her irises have turned a radioactive shade of hot pink, punctuated by serpentine pupils. Almost immediately, she grabs hold of Lucifer and hugs him tightly.
Annelie: I'm fine... I'm fine.
#me and my edgelord ass#i seriously hate the word edgy tho#tw drugs#obey me lucifer#obey me shall we date#fanfiction#shameless self indulgence#obey me!#obey me angst#obey me#obey me diavolo#obey me barbatos#om! barbatos#om! diavolo#LuciAnne
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Total Eclipse Of The Heart (Part 10)
Jacob Black x Vampire!Swan Reader
Summary: Jacob Black, alpha of his pack, would never fall in love with a bloodsucker, much less imprint on one. The problem is that Y/N Swan was human…until she wasn’t anymore.
Series Masterlist
“What are you doing?” Y/N enters Carlisle’s makeshift operating room to find Bella on the table, writhing in pain. “Where’s Carlisle?” Only Edward, Alice and Rosalie are in attendance.
“He’s out hunting with Esme, they’re on their way back now.” Alice has him on the phone as if that will help.
“You shouldn’t be here,” Edward warns Y/N. “You haven’t fed recently and there will be blood.”
Y/N averts her eyes.
“She’s fine,” Jacob growls.
Alice’s gaze flits between them, the reddened skin on Jacob’s neck and Y/N’s honey colored irises. Oh.
“The placenta must have detached.”
“Get him out now,” Bella insists.
Edward jabs the syringe full of morphine into Bella’s outer thigh.
Rosalie is already holding the scalpel, poised to cut Bella open.
“What are you doing?” Y/N knocks her hand away. “Wait for it to spread.”
“He’s dying!” Bella protests, so sure that the child growing inside her is a son.
Edward looks to her, eyes on fire, pleading with her to just wait.
“Do it now.” Bella insists, no matter the cost.
Rosalie’s makes a clean slice across the bottom of Bella’s abdomen. Distracted by the blood and the hunger it brings.
Alice lunges at her, tackling the blonde to the ground and removing her from the room.
“It’s gonna be ok, Bella.” Y/N takes her hand as Edward works on delivering the baby. Tearing her apart.
Bella’s screams continue until Edward’s bitten through the amniotic sac. Her body is already in shock as the baby is placed into her arms.
“It’s Renesmee.” Edward tells her.
“She’s beautiful.” Bella gives a weak smile.
Y/N strokes sweat damp hair from her sister’s face. “You did it.”
Bella looks to Y/N. “Take care of her for me.”
Y/N nods, assuming she means over the next three days. “I will.”
Bella’s expression goes blank, unseeing eyes landing on Edward as her heart slows to a halt.
Edward takes Renesmee before she can fall from Bella’s arms. “Y/N, take the baby.”
Y/N reaches for the infant, cradling her gently. Bouncing from side to side out of instinct.
Jacob watches, mouth ajar. He imagines her rocking their own children, the ones they may never have.
“Please, Bella.” Y/N sobs. “Please.”
Edward injects his venom directly into Bella’s heart.
Jacob holds Y/N to him, mindful of the baby, as Edward continues pumping her unbeating heart. “I’m so sorry, baby.”
“No,” Y/N wails, “please no.”
“I’m sorry.” He repeats, knowing that this is only the beginning of her losses. She would lose Charlie and her mother and every mortal person she’s ever loved. “I’m sorry.”
The pack standing watch outside feels it through the bond, the grief sends a collective howl. Y/N’s pain is Jacob’s and theirs in turn.
Her suffering shoots through him like physical blow. “What can I do?” He asks, desperately. “Y/N, just tell me what I can do.” Jacob is helpless, powerless to alleviate even an ounce of her agony.
“It should have been me.” Y/N crawls at his back, clinging to him. “I wish it was me.”
“You don’t mean that.”
Y/N shakes her head. She does mean it, she wishes she died back when she was still human. She wishes she could be human again, for Jacob to be human. She longs for the boy with long flowing locks and an easy smile to come save her. To change her back into the blushing girl with blood in her veins. She wants to grow old with him and have his babies. She wants to age out of this life when she’s done all she is meant to. All of that is gone now, like Bella is gone.
Her dying wish being for Y/N to help raise her child is especially cruel, even though Bella didn’t mean for it to be.
Renesmee begins to fuss, in tune with her aunt’s emotions.
“I’m sorry I’m like this.” There aren’t medications for vampires with depression. “I love you, I’m sorry.”
Jacob would tear his own heart out and give it to her on a platter. “There’s nothing to apologize for. You’re doing everything you can.”
“I’m broken.”
“You’re mine.” Jacob murmurs, “you’re mine.” If she’s broken he’ll fix her. If her life is empty then he’ll fill it. Pour all his time into her, his blood, his body, his love and make her whole again.
“I’m yours.” It is easy to mourn the dead, people are taught to do it all their lives. It’s much harder to mourn the living, to be haunted by their perpetual ghost. Jacob Black will haunt her for eternity, standing obediently at her side all the while.
This is about more than Bella, her momentary death only triggered it. That becomes apparent as her heart begins beating erratically while the venom transforms her.
Y/N is happy her sister is going to survive, but it doesn’t fix everything, it only lessens the blow.
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Bella’s transformation is quiet, she’s completely still from the morphine. A stark contrast from Y/N’s. But after the birth of her daughter, she deserves a peaceful beginning to her new life.
Y/N and Jacob take turns with Rosalie and the Cullens, caring for Renesmee who grows significantly each day.
The blonde vampire comes to collect the infant and Jacob takes the opportunity to get Y/N alone, leading her out towards the tree line.
“I want to marry you.”
Y/N flinches at his words. “I know,” she’s already agreed.
“I want to marry you now.” Jacob clarifies, “before we leave. I want Charlie and my dad to be there.”
“That makes perfect sense.”
“We’ve graduated, I have a ring, we’ve got the place lined up in Denali.”
“O-okay.” Y/N stammers.
“I’m going to get down on one knee and ask you.” Jacob warns her. “We can have a small wedding or a big one, whatever you want. We’re going to move to Alaska and start our new lives. I’m going to get you pregnant, no matter what I have to do and I’m gonna do it as many times as you want, okay? Whatever you want, I’ll give it to you. All I want you to do is say yes.”
Y/N nods, watching him sink down on the grass, pulling a loose ring from his back pocket.
“This was my mother’s.” Jacob says, “if we need to keep up with the Cullens, I will save up the money to buy you a nice big rock.”
Y/N stares down at the engagement ring in question, a hand etched band adorned with little diamonds. “It’s perfect, I’m…are you sure?”
“I have never been more sure of anything in my entire life.” He stares up at her. “I’ll beg if you want me to.”
“No, don’t beg.” Y/N laughs, “I’ll marry you.”
Jacob slips the ring onto her finger, kissing her hand over the metal band. “Thank you.”
“I wish we had more time here.” Y/N confesses, “this feels so final.” Like they’ll never come back.
“There is something I’ve been thinking about, might buy us some time.”
“I’m all ears.”
————————————————————————
Charlie is chopping wood in the back yard when Jacob and Y/N pull up on the motorcycle.
“Dad.” Y/N calls, as not to startle him.
“Here,” Charlie beckons them to join him near the chopping block.
“Need any help?”
“I think I’ve got it covered. How’s Bella?”
“She’s ok,” Y/N smiles. “We were actually hoping we could talk about something else.”
Charlie cocks his head to the side, “what’s going on, kid?”
“Jacob and I are getting married,” Y/N holds out her hand.
Charlie adjusts his stance, “well, it’s been a long time coming.” Jacob asked his blessing months ago. “I’m happy for you.”
“Second thing,” Jacob cuts in, “it’s about Bella. She is better, but in order for her to get better…”
“She had to change.”
Charlie looks to his oldest daughter, running a hand over his face. “Like you changed?”
“Yeah,” Y/N admits.
“And you can’t tell me what that means, can you?” Charlie knows this game.
“I can’t, but Jacob can give you a rough idea, if you’re open to it.”
Charlie throws up a hand, “go for it.”
Jacob begins removing his clothing, handing them to Y/N.
“Jacob,” Charlie averts his gaze, “put your clothes on.”
“I know this may seem strange.” Jake kicks off his boots.
“No socks?” Y/N scrunches up her nose.
“That’s what you’re worried about?” Charlie says, in disbelief.
“Stranger things happen everyday.”
“I doubt it.” Charlie fights the urge to cover his eyes, Jacob is down to his boxers.
Jake’s body heats up, sending smoke into the air as he phases into the reddish brown wolf Y/N has come to love.
Charlie stumbles backwards, landing on his behind and Y/N steps around her fiancé to help him up.
“It’s ok, Dad. It’s just Jacob.”
“I- do you turn into a big dog too?” Charlie whispers to his daughter.
Y/N chuckles, “no. This is my only form.”
“Oh thank god.”
Series Taglist: @vxidnik @remembered-license @itscheybaby @cole22ann @the-tryhard-twihard @zheezs14 @adaydreamaway08 @xcastawayherosx @moneteguiza @stinkii-boii @theatrechic26 @sylum @irrelevant-86
#jacob twilight#jacob black x reader#jacob black x y/n#jacob black x vampire reader#jacob black x you#jacob black imagine#jacob black fanfiction#jacob black#bella swan
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Undead Unluck ch.204 thoughts
[Lord Forgive Me But It's Time to Go Back to The Old Me]
(Contents: Parallels - Nico/Feng/Ichico, Character development - Feng, Power system development/speculation - Souls, Character speculation - Sun/Luna)
Well! I guess we didn't need to worry about Nico staying a non-Negator after all, now did we? So much for keeping Nico "Unforgettable-free" eh, Ichico? Still, I feel better knowing that my prediction that they'd trigger it on purpose was correct, even if the exact method was a bit off
As usual, Tozuka continues to impress me with his ability to compose iconic panels. Nico's face when he absorbed all of the memories from Acopalypse is simply Unforgettable, particularly since it so immediately reverted him to his classic L100 appearance. What's really fun about that is that it's probably not that his body just suddenly remembered all of the stress and sleepless nights of Unforgettable, but rather it's the logical extreme of Artifact-based memory influx. We've seen characters develop headaches and nosebleeds from it before, most notably from Fuuko digging through an huge box full of Artifacts, so for Nico to absorb presumably ALL of Apocalypse's stored memories (stated to be the most of any Artifact), it makes sense that even the capillaries under his eyes would all burst at once from the pressure
The question now is whether or not this is a permanent change. I imagine not, since his previously haggard appearance was indicative of his suffering, the haunting knowledge that his most sacred memories would soon fade and be permanently replaced with the most wretched. L100 Nico had the opportunity to create new pleasant memories but actively rejected the possibility out of fear of losing the old, while in this world Nico is going to be able to embrace the support of others as he won't have lost Ichico this time. Honestly, no wonder Tozuka waited to introduce Mico to this world; he wanted to make sure Nico would be able to make room for her in his heart rather than keeping her at a distance
I wonder if that's another reason Tozuka chose Feng for this fight; not only is Feng's current focus on making himself unforgettable to future generations, but he's also a good parallel to Nico's role as a father. Both L100 Nico and Feng prevented themselves from properly forming attachments with their children, and L101 has given both of them the chance to make right on that. Shen explicitly acknowledges that he loves Feng as his father, and Feng even calls Shen his son, so while Feng may not be the best or even a good role model for fatherhood, he does make a compelling argument for parental redemption. If Nico really does have complete knowledge of the previous Loops now, the significance of this change won't be lost on him, and he'll be certain to make sure Mico can grow up happy and loved
Speaking of, Ichico's final speech in this chapter remind me a lot of Nico's in L100. She tells Nico that she knows he can save her because he's the first person she's ever loved, while as Nico was dying in L100, Ichico asked if he thought Mico could handle saving Fuuko's life and he replied "she's our daughter. She doesn't make mistakes." Both of them have absolute faith in their loved ones to pull through when the chips are down, and both of them hold each other in extremely high regard. These two really have such strong chemistry, I'm excited to see the sorts of interactions they have now that the cat's out of the bag
Now that I think of it, Nico's refusal to let Mico into his heart was pretty ironic since Ichico explicitly wanted to make sure that Nico wouldn't ever feel alone. Just like Leila asked Rip and Latla to find love in each other, Ichico wanted Nico to fill the void she left with Mico, and just like them, he couldn't let go of the past and move on. Leila and Ichico were also both in poor health and believed that since their lives were short they held less value, and instead sought to leave as much of an impact as possible in the time that they had, even if it was just to make the people closest to them happy
Looking at Ichico in that light, we can see another fun parallel to Feng! Feng's Unfade made him believe that he had all the time in the world and that he didn't need to leave anything behind because he'd always be there, while Ichico's Unsleep made her believe she had no time and had to leave as much behind as she could. Both of them, however, had adverse effects on their families, as Feng believed his children to exist for him to become stronger and Ichico believed her child to be an adequate replacement for herself, when in reality Feng should have focused on raising someone to surpass him and Ichico should have focused on preserving her life to be present for her family. Heck, Unforgettable manifested in Nico both times specifically because he saw Ichico's last moments and thought something to the effect of "I don't want her to die, I want to remember her." Doomed by the narrative, indeed!
Man, I'm so glad Tozuka used Feng here, I had no idea there was so much connective tissue between all these folks! I bet we still would have gotten something cool if it were Tella, but damn this is such juicy stuff!! I hope Tozuka keeps throwing all of his toys together in fun combos that get me to think this deeply in the other Master Rule fights too
Feng's inclusion here also continues to demonstrate how far he's developed, forcing him to put his money where his mouth is and sacrifice himself for someone else for a change. He was a bit incredulous at first that Ichico was suggesting he should die, which is pretty hypocritical coming from the guy who just last chapter said "you should sacrifice your wife to get stronger, it'll be cool." Once he realized that dying would help him understand souls better and that Nico could save him AND bring him back to life, Feng was all for it, and may well come to understand that being with people provides more opportunities for growth than treating them as expendable ever could
I am very interested in seeing how his death will improve his understanding of souls, though. The damage he took from Luna's soul blast as well as the damage he dealt to Sun (who Language stated has a physical body) with his knock-off Kamehameha both prove that souls can directly interact with the physical plane, something that Ghost previously stated couldn't be done. This may be a matter of interpretation, though, as Ghost also stated that Andy only couldn't move his limbs after having those parts of his soul cut off because he believed he could move his body using his soul. Ghost's interpretation was that souls couldn't touch physical matter and vice versa, so only a physical attack coated in soul could harm him by ensuring it didn't matter which form he was in
Luna's attack seems to be pure soul, so by that logic, she shouldn't have been able to deal damage to Feng's body, and yet she did. Is Luna's interpretation that a soul attack damages the soul and reflects its state on the body? Probably not, then one wouldn't be able to detach their soul for attacks in the first place, as that would cause the body to change shape (see Mahito's Idle Transfiguration in JJK). Does Luna interpret souls as having different properties at different concentrations? Is she coating her soul around the air to create physical pressure when launching her attack? Or is it something entirely different? Whatever it turns out to be, I think it will have pretty drastic implications for how battles are fought going forward
Finally, I want to touch on an interesting line from Language. She referred to Luna and Sun as "the Pinnacle of the Spiritual and the Pinnacle the Physical" respectively, and given Luna's hazy silver appearance, it does track that she is literally made of soul, but then does that mean Luna doesn't have a physical body at all? And in fact, if Luna is only a soul, then how did she exist prior to UMA Soul's creation? Is Soul really the Rule that allows souls to exist, or the Rule that allows other souls, existences like Luna, to be?
And if Luna is a soul without a body, then...is Sun a body without a soul? Can soul-based attacks work on Sun, or does the Union need to focus solely on physical attacks? Or, does defeating Sun require that Luna be defeated simultaneously, just like Ghost, because Luna is Sun's soul?
I know I say it all the time, but Tozuka really is following Oda's footsteps incredibly well. They're both so good at sprinkling in hints that make me ask questions rather than just spoonfeeding me answers, so while I desperately want the answers, the time I get to spend chewing them over and looking for them myself makes the questions stick with me and leave that much more of an impact. I sincerely hope that other mangaka are taking notes, cus I want to see so much more of this in Jump's future!
Until next time, let's enjoy life!
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nightheart, finchlight, and pre-verbal trauma
(sorry, i ramble a bit here lol)
im surprised i havent seen any discussion or analyses on nightheart / finchlight and pre-verbal trauma, since that's like, exactly what happened to them? (And nipping this in the bud right away no, I'm not saying this is Sparkpelt's fault btw, she was suffering from grief and PPD, and she made the best posible choice by having sorrelstripe foster her kits! for her situation, she was the best parent she could've been). but finch and night were so young, they couldn't understand what was happening. they were newborn kittens who couldnt see or hear, the only thing they knew was their mother's scent, and they got taken away from her, and thrust into a new space wholly unfamiliar to them with no warning. yes, it was for a good reason, and yes in the long run it likely benefitted their health physically. and yes, it was for a comparatively short amount of time, too. but them experiencing that at such a young age, having all they've ever known taken from them when they can't even open their eyes yet is, well, traumatic! young children experience the world so much differently than teenagers and adults. everything happening to them is basically happening for the first time. how did they knew sparkpelt would come back? they didn't! they had no way to understand the idea of PPD and grief. the effects of pre-verbal trauma sticks with you for life even if you can't remember it. this is such a huge misconception about child psychology it makes me crazy. a baby being so young it can't talk doesn't mean it doesnt have feelings!! and this leads to my next point...
which is how the differences in their adolescences led to their abilities to cope with this trauma being different. pre-verbal trauma causes abandonment issues and trouble regulating emotions among other symptoms; something nightheart very obviously struggled with. but what about his sister? finchlight is seemingly way more well-adjusted. this is likely because she chose to follow her mother to exile. wether knowingly or not, she didn't reinforce the abandonment issues caused by her pre-verbal trauma, which led to her being a more well adjusted adult with less glaringly obvious emotional issues. it could have also caused her to become unhealthily clingy to her mother, leading her trauma to manifest in a different way. maybe she also has empathy issues, not understanding why her brother cant just "get over it" like she did (she didn't just get over it tho, lol, she's just coping in a different way). there's lots of room for interpretation with finchlight, i think. while the authors' choice to apply this experience only to nightheart is frustratingly arbitrary and follows warrior cats' very protagnist-centric narratives, i do believe that following an analysis based on the idea of pre-verbal trauma and finchlight's choice to follow her mother into exile, you can explain why these two siblings reacted to the same situation so different. and i think looking to it that way, it's pretty damn interesting!!
#dia noises#a starless clan#sparkpelt#nightheart#finchlight#this is a spark night finch loving household#long post sorryyyyyyyy </3#warrior cats
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[TUVOKTOBER: Day 15]
At First Sight.
#tuvoktober#excerpt from the novel 'pathways'#tuvok/t'pel#Tuvok#st voyager#st voyager fanart#T'Pel#hey [vibrating from thinking about Tuvok - Vulcan Love & Gender Identity & Sexuality too much] -extends hand- chew through drywall with me#comix#something about how Tuvok's identity is half T'Pel and has been for decades he's spent DECADES growing with half of him being a person#he's not just deeply in love with but literally IS. He literally literally /IS/ part of T'Pel and his children literally ARE a part of him#the SECOND he sees T'Pel Tuvok says 'Being with her isn't enough I need to BE her. NOW.'#that novel had barely anything about T'Pel in it but I'll forgive them bc what they did have (basically just this) ??? showstopping.#thinks about Tuvok alone on Voyager thinks about the unique and alien suffering#[shuddering breath...]ahgh...[cough]....h ey Tuvok!!! What're your PRONOUNS-#Guy who misses his wife who is also him#gu ys....[sobbing openly] g uys...he's INCOMPLETE without them.....#are you picking up what I'm putting down???#-chokes star trek writers- stop having straight people write alien romance. let insane gay people like me have a turn pleasepleaseplease#bea art tag#[switches out of angst mode for a second] also its SO fucking funny that in this novel's canon Tuvok didn't know about the pon farr until#it happened to him. he literally had NO idea what was going on. His parents didn't tell him. Why?? Don't believe in sexEd???#it really made me laugh. conservative coded...#drawing elaborate Vulcan head....things? headresses? is fun <3#suggestive cw
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the last unicorn post from earlier has me thinking about the master. that yana is still in there, you know? is still someone he was, if even for a brief flash across the life of a time lord. there’s no way to unlive that life. there are ways to twist it later, sure, to make utopia into hell on earth. but the life was lived. in much the same way that the doctor can remember, can feel, the love he held onto as john smith even as that life is ripped out of his hands. the doctor choose denial and then grief and then to shutter it all away. and so john smith died, and so professor yana died, and the doctor and the master live on. the doctor has done this before, and he lives in orbit around humanity, trying to keep the best parts of them and hold them deep enough to take root (which he can pretend he gets to choose, as a time lord. as a human, it all floods in and can’t be dug back out.) but what about the master, right?
to borrow a turn of phrase: i think there are two time lords left in the universe, and they both learned how to regret.
#regret here meaning less feeling the emotion of actual regret obviously because time lords do not actually funxtion on unicorn rules. they#already get sad just fine on their own. no humanity needed for that.#but i dont know. i just dont think he brushed it off so easily. i think he did a hell of a job convincing himself he did.#and what better way then to twist his own great works and destroy the species he was working so hard to save at the end of the universe.#but what about the knowledge that he *could* be that person. that somewhere in him exists a version that wanted to save people.#a version that is painfully too much like the doctor. even. now is that part worse or better than the human part?#but if past regenerations are ghosts i think yana deserves a haunt.#anyway maybe ignore this one im rambling about nothing here#theres just. i dont know. what if you were the last of your kind and in surviving you made yourself Not Like Them in a way you’ll never#escape.#i mean doctor who is just so concerned with all these plots about hybrids and children of the tardis and clones and What Makes A Time Lord.#but they’re so obsessed with it in just. a very Lore way. is what it feels like. we get brushes of more like with jenny and how she’s#physically a time lord and the doctor denies her that inheritance. a shared suffering…#but me myself im just fascinated with the doctor and the master as the time lords who survived. but they survived Wrong#its. its. children of gallifrey that don’t belong to her anymore. you know?#i dont care if river’s got time lord dna!!! or the metacrisis is physically human!!! i dont care!!! talk to me about what it means beyond#their blood and bones!!! what’s it like to have your sense of self stripped from you like that!!!#what’s it like when so much of you is the shed skin of time lords past. but one of you was human. one of you was painfully *humiliatingly*#human!!!#enough about how much dna you need to count as a time lord. i want to know how much they can mutate until they can’t be recognized as one.#does that make sense?
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I remember you talking about how you disliked the portrayal of uf sans and paps relationship even without the uh grosser parts, but how would you characterize fell sans and paps dynamic? And the Underfell au as a whole? I personally always saw the fellverse as a place that leaned more towards the kill or be killed mentality not that they all are abusive assholes just that they have less hope
yeah w everyone i like them leaning more towards the kill or be killed mentality/having less hope! w sans and papyrus being siblings and Literally Living Together i think there's like. a lot of trust in that. y'know. i think they're the only people they're comfortable truly being themselves around (until like the end of the theoretical end of an uf game) there's a drawing or two from the original creator of underfell that showed papyrus makes chimichangas and sans sells them (instead of papyrus making spaghetti and sans selling hotdogs individually) which i love that with my entire heart. even w things being Hopeless And Bleak for the underground they're Working Together. it's beautiful to me
also hi i went to look at the ut fan wiki recently and was really <:[ about it. what do you mean the community agrees asgore was the one to poison chara. i thought chara's death was the catalyst for Why Everyone's Like That. what do you mean the community agrees toriel dared sans to kill frisk instead of make him promise to keep them safe. y'all really just made shit edgy for the sake of it. made everyone just evil for fun and they always have been
#'underfell is Literally the designated edgy au' OK but yall couldnt like. keep the characters motives the same? toriel has suffered the dea#deaths of several of her children and you expect me to believe shed Dare sans to kill tte next one. help. help me#i thought uf toriel was like. desperate to not lose frisk bc theyve lost all those other kids and THATS wy shes fucked up#and idk what to say about asgore i gets he seems a lot more imposing in this au but him being the one to poison chara feels like. too much#the monarch’s court#underfell
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so I actually really enjoy the OG SQQ, he is such an angsty and dramatic bitch absolutely stuffed with trauma and terrible coping behind that ice cold veneer and it’s a shame we didn’t get more of him. there’s just so much to explore with him and he gets cut out and missed by his sect exactly 0% which is pretty heartbreaking.
#svsss#shen qingqiu#shen jiu#og!sqq#a guy that had the outline of a protagonist but the realism of life#orphan child taken living on the streets that has seen too much darkness to be naive but he cares for the other children in his own way#tries to survive the streets and being sold to an abusive family#his friend is saved and brought to a better life leaving him behind#he’s stuck playing the gentle toy for an oblivious girl as her brother torments him regularly#he’s abandoned by his friend and he decides to take fate into his own hands#learning cultivation from a rogue and breaking free of his chains the only way he’s learned how#with brutal and efficient violence…all by himself#he murders his abusers and the rogue who pushed him further into darkness and crime#he makes his way to a righteous cultivation sect to see his brother who he thought was lost to him in death…#…doing apparently just fine as the future sect leader of the top sect with nothing but a bright shiny future and no worries#his past and betrayals have turned him bitter and cutting and closed off but more driven than anyone else#he suffers from qi deviation and likely issues being around other men and substandard education to become head disciple and later peak lord#but no matter how high he goes all he sees is that little beaten and abandoned boy who was good enough for no one with no future#all those fancy worries and honors mean nothing to someone who did anything to survive#all the vague apologies in the world do nothing to ease the suffering he’s experienced#all the rumors and snide remarks are worth him trying to explain himself constantly - to justify his existence#and all the self loathing that has built up could have done nothing but explode upon meeting the blessed protagonist#don’t mind me#just in my feels about sqq again#mxtx why did you make this man only to throw him away??
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