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waitmyturtles · 6 months

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BLUBBERING SPOILERS BELOW FOR I FEEL YOU LINGER IN THE AIR, EPISODE 12/FINALE:

YEAH. SO. YEAH. SO!

This can't be meta. I don't think I can conjure it. Just blather. I'll try to be sensible. First, a little housekeeping before we start the meeting:

We know there will be a special episode (the preview looks..... LIKE A GODDAMN HOLIDAY GIFT, GAAAAHHH).

Peeps are going back and forth on a second season, and while it seems that Nonkul Chanon blurted it out during the final episode fan meeting (lol you cute, Nonkul), Tee Bundit is rolling back a bit, *likely* due to funding. But seeing social media going absolutely INSANE over this ending, I can't imagine that Dee Hup will have any issue with finding the moolah for a second season -- especially after that after-credits scene, WITH HORSES, WITH MUSTACHES, WITH TATTOOS, WITH ARMOR, the whole thang. Tee let that shit hang all out like that. Warrior-era Thailand, let's m'fing go. That was a hell of a lead into a second season that may not happen, come awn.

Alright, with that out of the way:

I didn't think a show would top Moonlight Chicken for me this year, but IFYLITA is my top new drama of the year (with the HEAVY CAVEAT that I have not seen La Pluie yet -- that's for either after my Old GMMTV Challenge, or just making sure I watch it before year's end).

Part of the reason why I lost my gatdamn mind last week on episode 11 is that Tee Bundit did not interfere with any damn nonsense last week -- he let the episode's story unwind without any noise. He let the emotion roll.

The same light touch (or rather, a lack of interference) happened here, BUT: there was a LOT more happening firstly by way of closing some loops that were open, moving to new loops, and shedding more depth into Jom and Yai's final moments together

We got closure on Yai's dad, who was grumpily like, uhhh, I dunno what happened in my life, but yeah, daughter Eaung Peang, you go have a good life with Maey, crotchety crotch. I think that's the best we could get from politically involved dads of 1928 Chiang Mai. (EP AND MAEY SWINGING THEIR HANDS WHILE WALKING AWAY -- SAAAHHSHAY FROM ALL THAT, LADIES, SASHAY.) It looks like EP's herbal abortion left her safe -- thank goodness. We didn't see James or Ming this episode.

For loops that weren't closed, I'm not complaining, because we got an explanation for how Jom's beloved ones will repeat in his reincarnated futures and pasts, through the explanation of the northern Thai ceremony of having 32 blessings reinstated to you after illness or misfortune (THREE CHEERS for @blmpff for capturing screenshots of this explanation!). (AND THE WHITE THREAD, PEEPS, THE WHITE THREAD, I'm coming back to this in a second.) If we do get a season 2, then I will not be colored surprised if we see Ming and James in different roles. (And, yes. Your bitch here has relaxed on Pat's shooter, finally. My nose was trained on James being a colonialist interferer, but he did good last episode.)

But this episode belonged, of course, to Yai and Jom, their final moments together in 1928 Chiang Mai, saying the slow farewell as Jom slowly disappeared in front of Yai's eyes.

LORD. WHEWWWWWWWWWWWWW. The lacy fabric with which Yai used to cover the mirrors so that Jom wouldn't see himself fade away. The empathy of that. The scene where we heard their lovemaking over the flashbacks montage. WHEW. WHOA. (I did say, to my friend @shortpplfedup, something something Jom started really fading away after that intimate scene and something something had the ontology cough cough outta him, ANYWAY.)

The way that Yai pitched forward when Jom finally disappeared.

AND I MOTHERFUCKING SCREAMED WHEN JOM AND MUSTACHIOED YAI WERE ABOUT TO TOUCH INTO THE WATER AGAIN, AND THEN THE DIVER EMT WAS LIKE, BLOOP I'M HERE AND OH, JOM, YOU'RE ALIVE IN 2023. I yelped in the deli, shit. The way Jom was silently screaming in the water for Yai.

And, so. In the "present" day (present dimension, really), Jom survived that CRAAAAZY car accident (LIKE! WHAT?! He flew out of the car into the water, bros! The magic of fiction, anyway.)

He.......he holds space for Ohm?! Looking BACK on that scene, AFTER we get the explanation of the 32 blessings, we realize: despite Ohm's infidelity and his promise to a new woman, Ohm is still important in Jom's life -- he's still a beloved presence, as he did mean something, for a long time, to Jom. Of course, modern Jom did NOT let a moment to shade Ohm pass him by, oh no. But wasn't that interesting to note? That Jom's dimensions would allow Ohm to be in those dimensions -- that Ohm would be reincarnated through Jom's 32 blessings (at least in the past direction).

You know what I also loved about seeing Jom in his present-day apartment, with the present-day Jeed, Ohm, and Khaimuk (aka Fong Kaew). I LOVED WHAT THAT CASTING, THE SHIFTING OF THE CHARACTERS AND CHARACTERIZATIONS, SAID ABOUT JOM'S PERSPECTIVE OF EQUITY IN 1928 AND 2023.

Jeed is NOT Khun Eaung Peang. Jeed is ALL SASS. But Jeed is YOUNGER than Jom. Jom, in 2023, is P'Jom, with the honorific. Present-day Jom can smack his little sister's head in jest. Jeed can be OUT and SAFE and have a crush on her girl friend, safely, and can ask for her brother's support, OPENLY.

Jom never stopped being Jom, whether it was 2023 pre-accident, 1928, or 2023 post-accident. Jom is comfortable in his own skin, and wants happiness AND EQUITY for the people he loves around him. I love that the casting and characterizations of the incarnations of the characters reflect Jom's state of mind that all people are equal and the same, no matter a fancy honorific or a royally appointed residence.

I screamed at @shortpplfedup when I saw Jom wearing the white thread in bed during the thunderstorm. I stopped, rewound, and saw he was wearing the white thread in the water scene with Warrior Yai. The white thread never left his wrist -- he still has his blessings intact.

And, and, and, back to the house of Palanthip in 2023. Who's the lady of the house? This lady knows Jom's the only one who can open that chest. The chest opens, the drawings are there, THE PICTURE OF THEIR PARTY, AND THE LETTER FROM YAI TO JOM, THE LETTER, THE TEARS, AKSLKDF, AND, AND, AND --

Oh my god, I was crying, y'all. Shit. Just our confident dude, striding in, asking Jom, sweetheart, why are you crying. And Jom jumping into Yai's arms.

I was shaking my head. I mean. I love that we learned that Yai actually HAD HIS OWN BLESSINGS CEREMONY because he was so lost after Jom's departure. WE LEARNED ABOUT THE REST OF YAI'S LIFE. We know, now, that the Yai of 1928 yearned for Jom for the rest of his life. So much so that, at the twilight of the life of 20th-century Yai, that he had the good mind to leave Jom a letter, to let Jom know that his life was a good life, because Jom had been in it. To let Jom know that Yai's love had never faded away.

AND THEN THAT YAI CAME BACK TO JOM.

Jom, dude, you're a good dude, for these good people to be coming back to you, in dimension after dimension. That monk was right.

I told you this was just blathering; I can try to put some sensible thoughts together in a few days, but the structure of this story, the empathy of this story, the way this story was leveraged by drama and romance and HOPE. I mean. This series was utterly fantastic.

I know there's the lifelong debate of whether or not BLs "count" as queer media, and in many, many instances, they do. But since I've had the disappointment of Only Friends and GMMTV on my mind lately, I had to note, mentally, particularly during the lovemaking scene, and during the closure of this episode, that Tee really fucking handed it to anyone who criticizes BL as a not-as-sophisticated drama genre.

And you know what? I also wanna say that Tee fucking handed it to GMMTV as well. I am so DAMN glad this series was airing when Only Friends was airing. While Only Friends sat on the opportunity to present progressive ideas on queer love and queer community, IFYLITA ROLLED right into it.

(I'll ask @lurkingshan to fact-check me on the following:) Because this series was a historical drama with a queer romance centering it, I think Tee Bundit could feel free from the chains of BL tropes and expectations to do something truly singular. I felt that what I was watching was cinematic, it was moving, it was strikingly emotional, particularly because I felt that this show was showing me something that transcended any viewer's expectations of what we should be watching, as opposed to, say, a BL set in an office like Tee's Step By Step. Where that show fumbled was in the show itself not knowing if it was a workplace drama or a BL-centric romance.

IFYLITA knew what it was: a historical drama, certainly centering romance, but also balancing conversations about equity and wealth disparities across eras. With that uncomplicated centering, I think Tee Bundit made an absolutely BRILLIANT show, and it fucking WORKED.

I will scream to anyone who'll hear me. If you haven't watched I Feel You Linger In The Air yet, do it, PLEASE PLEASE. Y'all know I am an Aof Noppharnach girlie for life, and I LIVE FOR MOONLIGHT CHICKEN, I DO, I DO, all of my Asian references in MLC and the food and everything, god I loved that show, but --

IFYLITA was a cinematic masterpiece. Full stop. All hail @neuroticbookworm and @lurkingshan for telling me to keep with it after my Step By Step-PTSD. This show was worth every last minute I spent watching and writing on it.

Season 2, Warrior Yai, let's get him a better mustache -- let's FUCKING GO, BABIES.

P.S. BRIGHT AND NONKUL FOR LIFE, FOR LIFE!!!!!!! THE ACTING!!!!!! MY GOD!!!!!

#i feel you linger in the air #ifylita #best show of the year #tee bundit #bright rapheephong #nonkul chanon #i feel you linger in the air meta #ifylita meta

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