One massive, legitimate way to improve as a writer or artist or in any creative endeavor really, is to become absolutely obsessed with something and to allow yourself to be weird about it. Genuinely mean this btw.
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Nothing will dispell the "the curtains were just blue" myth faster than writing something yourself, because the amount of pretentious symbolism i am putting in my silly little fanfics is ridiculous. I mean SO much with these words, literally every single one of them. This fic has twenty five typos and zero correct uses of punctuation but if there's curtains you bet your ass I put thought into what colour they were.
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“In the war film, a soldier can hold his buddy—as long as his buddy is dying on the battlefield. In the western, Butch Cassidy can wash the Sundance Kid’s naked flesh—as long as it is wounded. In the boxing film, a trainer can rub the well-developed torso and sinewy back of his protege—as long as it is bruised. In the crime film, a mob lieutenant can embrace his boss like a lover—as long as he is riddled with bullets.
Violence makes the homo-eroticism of many “male” genres invisible; it is a structural mechanism of plausible deniability.”
–Tarantino’s Incarnational Theology: Reservoir Dogs, Crucifixions, and Spectacular Violence. Kent L. Brintnall.
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My husband is a man who collects things he can use. A pistol, a pocket-watch, a woman's love, a wife....
I'm obsessed with That Scene(tm) between Katya and Andrei in the California Director's Cut Rerelease of Goncharov, so I did a lighting study inspired by the film's Art Deco Posters! Little details like Katya never referring to her husband by his first name really add to Andrey and Katya's tense dynamic, which is one of the most underrated parts of the movie imo.
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So I’ve been joking for a while about how Inko manages to afford all of Izuku’s AM merch
But I decided to nerd out and look closer, and I’m pretty sure the only expensive piece Izuku owns is the poster he got from Sir
You might think his dorm looks absolutely stacked
but that’s only because it’s a very small room and he brought every piece he owns
If you look in his old room it’s all the same posters
so he’s owned it all for at least a few years, he’s been working up to this for god knows how many years, just to be the proud owner of 5 posters so basic even he would put tape on them
All of his figures are less than 50$
One of which he’s had since he was a child
And it doesn’t look like the other unidentified figures are anything special either(except maybe AM in his yellow suit)
Izuku only has generic fanboy shit, like maybe one of the posters is a custom but I honestly I don’t think he owns a single special anything
The dead guy poster is 100% the coolest thing he has, no wonder he’s so reverent about it 💀
As for fits this is all we’ve really seen is
So yeah Inko isn’t dropping stacks on merch, I’m pretty sure those sweaters were a 2 for 1 deal because they’re almost identical 💀
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I'm re-reading the Discworld series for reasons, and honestly the most relatable part of reading these as an adult is how many of the protagonists start out being tired, used to their little routine and vaguely disgruntled by the interruption of the Plot. Sam Vimes wants to lie drunk in a gutter and absolutely doesn't want to be arresting dragons. Rincewind is yanked into every situation he's ever encountered, though he'd much rather be lying in a gutter too. (Minus the alcohol. Plus regretting everything he's ever done said witnessed or even heard about fourth-hand in his whole life.) Granny Weatherwax is deeply suspicious of foreign parts and that includes the next town over; Nanny has leaned into the armor of "nothing ever happens to jolly grannies who terrorize their daughters-in-law and make Saucy Jokes"
Only the young people don't seem to have picked up on this---and that's fortunate, because someone has to run around making things happen, if only so Vimes and Granny and Rincewind have a reason to get up (complaining bitterly the whole time) and put it all to rights. Without Carrot, Margrat, Eric, etc. these characters don't have that reason; they're likely to stay in the metaphorical gutter and keep wondering where it all went wrong or why anything has to change.
............well, that's not quite true. You get the sense that Vetinari knows how much certain people hate the Plot. And as the person sitting behind the metaphorical lighting board of Ankh-Morpork, he takes no small pleasure in forcing the Plot-haters specifically to stand up, and say some lines.
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