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#body alive
bodyalive · 5 months
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"Here are 6 ways to regulate yourself using neuropsychology:
If you are stressed, use the physiological sigh. Huberman lab talks about it, but it’s essentially two inhales and one long exhale, and you do that over and over again.
If you are anxious, go for a walk. It deactivates your amygdala.
If you are sad, acknowledge your feelings and then move your body. it release endorphins.
If you are impulsive, like angry. You can’t think straight. Look out the window and don’t look at anything. Just like dilate your gaze. It blunts your neuroadrenaline so you can think clearly.
If you have low motivation, this is interesting ~ focus on one spot on your screen for one minute. Ignore everything else. Pupilary convergence increases focus.
And finally, if you’re feeling insecure, low self-worth, write down your strengths. Logical thinking overrides your limbic system."
~ Ana Del Castillo / Women's Rightness & Empowerment Expert
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dreaminginthedeepsouth · 11 months
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https://wapo.st/3WLBZPb
A catatonic woman awakened after 20 years. Her story may change psychiatry.
New research suggests that a subset of patients with psychiatric conditions like schizophrenia may actually have autoimmune disease that attacks the brain.
https://www.washingtonpost.com/wp-apps/imrs.php?src=https://s3.amazonaws.com/arc-authors/washpost/c42cbd70-f957-4f16-b5f1-3843b944f86d.png&w=196&h=196
By Richard Sima
June 1, 2023
New research findings suggest that some patients’ psychiatric conditions may be caused or aggravated by underlying autoimmune diseases. It’s hoped that a better understanding of the links between immunological issues and psychiatric conditions like schizophrenia and depression could open new paths to treatments for such patients. Sander Markx, director of precision psychiatry at Columbia University, spoke to The Washington Post about successfully treating patients with schizophrenia and schizoaffective disorder by treating their underlying cases of lupus. One patient was even able to leave a psychiatric hospital where she’d lived for nearly two decades after being catatonic for almost 20 years. The SNF Center for Precision Psychiatry and Mental Health at Columbia is now working on autoimmunity screenings on patients at long-term facilities in New York. Thomas Smith, chief medical officer for the New York State Office of Mental Health, said such analyses could help “save someone’s life, get them out of the hospital, have them live in the community, go home.”
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ruporas · 28 days
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dragon meat, you, and me
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lotus-pear · 6 months
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every time i think abt their canon height difference i want to eat drywall
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puppetmaster13u · 3 months
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Prompt 218
“Moom, there’s yellow-eyed creeps fighting ninjas outside the window again!” 
Danny sighed, taking a deep breath- in for ten, out for eight- as he set the pot he was cleaning back in the sink. Dan- currently six- came running in from the living room of the apartment, where he was watching TV. Or he should have been if not for the bullshit outside. 
He sighed again, picking up baby Ellie- currently closer to two- out of her highchair (even if she could just float out) and let his oldest drag him to the window. Sure enough, another fight was happening, with no vigilante in sight stopping it. Look, he knew most people didn’t live here, but it was still rude. 
“Jordan, remember how I told you how violence isn’t always the answer?” Danny asked sweetly, Dan’s expression shifting to a wicked grin as he opened the window. “Feel free to practice tossing some fireballs while I clean up your sister, yeah?” 
Ah, the sweet sound of surprised cursing and startled ecto-signatures. Maybe they’d be polite enough to take their spar elsewhere. 
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symphonyofsilence · 19 days
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What drives me even more insane about this scene is how you'd expect Gojo to imagine High school era! Geto in the crowd. Or at least not the cult leader, worst of all the curse users Geto Suguru. But no, it's the cult leader Geto. It's Geto as Gojo last remembered him. As Geto last was. Whatever choices Geto made, wherever his choices led him and them, however he was, whoever he was, traumas and messed up ideas and bad choices and ill reputations and scorns and all. Gojo wanted Geto Suguru there. Not any ideal version. Not any "what if" version. Not any "at some point in time before things went downhill" version. Not any "when your hands weren't stained with innocent blood" version. He knew very well what he wanted. And he wanted it all the same. He wanted Geto Suguru. However he was. He just wanted him to be there. He just wanted him to be.
And he didn't want him to help him, he didn't want him to fight with him even if they were strongest together and always fought together for a while. He just wanted him to be there in the crowd and cheer him on. He just wanted him to stand there and give him one of his sweet, heartwarming smiles that shaped his eyes into crescent moons. He just wanted him to be. Then even if Gojo had died in the end anyway, he would have been satisfied. It would have been worth it. Only if Geto was there.
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ref sheet that shows the extent of his injuries (he's in his pajamas)
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firstfullmoon · 9 months
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Carrie Fountain, “Burn Lake 2,” in Burn Lake
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regonold · 8 months
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Theres a new guy going to gotham high which isn't unusual only wierd this is he looks identical to daimian wayne except pale
So seeing as he looks identical the bat's do some investigating only to find it all checks out only slightly wierd part he's living with his sister but that could be for any number of reasons
The "final" part of their investigation is meant to be the easiest part get some dna so why is this so hard they tried everything hair saliva blood but this guy leaves nothing
They evn got daimian to invite him to the Manor and somehow SOMEHOW HE DIDN'T LEAVE A SINGLE SHED OF DNA AND IT'S DRIVING THEM MAD
Meanwhile danny is quite happy he's made a friend with daimian wayne and his brothers are cool they've invited him to the manor a dew time's (the butler alfred reminds him of cockwork sometimes it's erily similar) amd the spirit of Gotham has been much more relaxed around him now that he's interacting with mr wayne and his family
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“This season Kristen is learning that chaos isn’t cute” MY ASS.
SHE IS WINNIE THE POOHING IT IN A SCHOOL HALLWAY.
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bodyalive · 2 months
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The most detailed model of ONE human cell to date, obtained using x-rays, nuclear magnetic resonance, and cryoelectron microscopy data sets. Aren't we all just so filled with magical possibilities?
Most recent estimates put the number of cells in one body at around 30 trillion. Written out, that's 30,000,000,000,000.
Source and Credit: Transformation of the Cellular Landscape through a Eukaryotic Cell, by Evan Ingersoll Ingersoll Gael McGill ~ Digizyme's Custom Maya Molecular Software
Biología Al Instante
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Endless and infinite waves of vibration lap upon the shores of our bodies. We float in a sea of frequencies as fish in those waters, and we are rarely if ever conscious of the fact. Instead we assemble a world by transforming those frequencies into a vision that exists in the uniqueness of our mind's eye only, and then we believe with great insistence that what we see is real, and deserving the stamp of "truth," without pausing to consider the alternative realities held equally dear by our fellow fish. How to pierce the veil and see what actually is, as opposed to the creations of our minds? I'm not even remotely sure to be honest! The mechanics of "seeing" guarantee that "how I see it" must be different than how another does. So perhaps "reality" is more of a composite to be assembled with the help of the whole school of us~ Or perhaps it is an alternative altogether different from anything a shared vision might come up with, given our capacity to witness it with our senses is ultimately inadequate. Either option is cause for humility. Just thinking out loud here!
(Gil Hedley)
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In Vogue’s 1969 Christmas issue, Vladimir Nabokov offered some advice for teaching James Joyce’s “Ulysses”: “Instead of perpetuating the pretentious nonsense of Homeric, chromatic, and visceral chapter headings, instructors should prepare maps of Dublin with Bloom’s and Stephen’s intertwining itineraries clearly traced.” He drew a charming one himself. Several decades later, a Boston College English professor named Joseph Nugent and his colleagues put together an annotated Google map that shadows Stephen Dedalus and Leopold Bloom step by step. The Virginia Woolf Society of Great Britain, as well as students at the Georgia Institute of Technology, have similarly reconstructed the paths of the London amblers in “Mrs. Dalloway.”
Such maps clarify how much these novels depend on a curious link between mind and feet. Joyce and Woolf were writers who transformed the quicksilver of consciousness into paper and ink. To accomplish this, they sent characters on walks about town. As Mrs. Dalloway walks, she does not merely perceive the city around her. Rather, she dips in and out of her past, remolding London into a highly textured mental landscape, “making it up, building it round one, tumbling it, creating it every moment afresh.”
Since at least the time of peripatetic Greek philosophers, many other writers have discovered a deep, intuitive connection between walking, thinking, and writing. (In fact, Adam Gopnik wrote about walking in The New Yorker just two weeks ago.) “How vain it is to sit down to write when you have not stood up to live!” Henry David Thoreau penned in his journal. “Methinks that the moment my legs begin to move, my thoughts begin to flow.” Thomas DeQuincey has calculated that William Wordsworth—whose poetry is filled with tramps up mountains, through forests, and along public roads—walked as many as a hundred and eighty thousand miles in his lifetime, which comes to an average of six and a half miles a day starting from age five.
What is it about walking, in particular, that makes it so amenable to thinking and writing? The answer begins with changes to our chemistry. When we go for a walk, the heart pumps faster, circulating more blood and oxygen not just to the muscles but to all the organs—including the brain. Many experiments have shown that after or during exercise, even very mild exertion, people perform better on tests of memory and attention. Walking on a regular basis also promotes new connections between brain cells, staves off the usual withering of brain tissue that comes with age, increases the volume of the hippocampus (a brain region crucial for memory), and elevates levels of molecules that both stimulate the growth of new neurons and transmit messages between them.
The way we move our bodies further changes the nature of our thoughts, and vice versa. Psychologists who specialize in exercise music have quantified what many of us already know: listening to songs with high tempos motivates us to run faster, and the swifter we move, the quicker we prefer our music. Likewise, when drivers hear loud, fast music, they unconsciously step a bit harder on the gas pedal. Walking at our own pace creates an unadulterated feedback loop between the rhythm of our bodies and our mental state that we cannot experience as easily when we’re jogging at the gym, steering a car, biking, or during any other kind of locomotion. When we stroll, the pace of our feet naturally vacillates with our moods and the cadence of our inner speech; at the same time, we can actively change the pace of our thoughts by deliberately walking more briskly or by slowing down.
VIDEO FROM THE NEW YORKER :: The Men Walking Every Block in New York City
Because we don’t have to devote much conscious effort to the act of walking, our attention is free to wander—to overlay the world before us with a parade of images from the mind’s theatre. This is precisely the kind of mental state that studies have linked to innovative ideas and strokes of insight. Earlier this year, Marily Oppezzo and Daniel Schwartz of Stanford published what is likely the first set of studies that directly measure the way walking changes creativity in the moment. They got the idea for the studies while on a walk. “My doctoral advisor had the habit of going for walks with his students to brainstorm,” Oppezzo says of Schwartz. “One day we got kind of meta.”
In a series of four experiments, Oppezzo and Schwartz asked a hundred and seventy-six college students to complete different tests of creative thinking while either sitting, walking on a treadmill, or sauntering through Stanford’s campus. In one test, for example, volunteers had to come up with atypical uses for everyday objects, such as a button or a tire. On average, the students thought of between four and six more novel uses for the objects while they were walking than when they were seated. Another experiment required volunteers to contemplate a metaphor, such as “a budding cocoon,” and generate a unique but equivalent metaphor, such as “an egg hatching.” Ninety-five per cent of students who went for a walk were able to do so, compared to only fifty per cent of those who never stood up. But walking actually worsened people’s performance on a different type of test, in which students had to find the one word that united a set of three, like “cheese” for “cottage, cream, and cake.” Oppezzo speculates that, by setting the mind adrift on a frothing sea of thought, walking is counterproductive to such laser-focussed thinking: “If you’re looking for a single correct answer to a question, you probably don’t want all of these different ideas bubbling up.”
Where we walk matters as well. In a study led by Marc Berman of the University of South Carolina, students who ambled through an arboretum improved their performance on a memory test more than students who walked along city streets. A small but growing collection of studies suggests that spending time in green spaces—gardens, parks, forests—can rejuvenate the mental resources that man-made environments deplete. Psychologists have learned that attention is a limited resource that continually drains throughout the day. A crowded intersection—rife with pedestrians, cars, and billboards—bats our attention around. In contrast, walking past a pond in a park allows our mind to drift casually from one sensory experience to another, from wrinkling water to rustling reeds.
Still, urban and pastoral walks likely offer unique advantages for the mind. A walk through a city provides more immediate stimulation—a greater variety of sensations for the mind to play with. But, if we are already at the brink of overstimulation, we can turn to nature instead. Woolf relished the creative energy of London’s streets, describing it in her diary as “being on the highest crest of the biggest wave, right in the centre & swim of things.” But she also depended on her walks through England’s South Downs to “have space to spread my mind out in.” And, in her youth, she often travelled to Cornwall for the summer, where she loved to “spend my afternoons in solitary trampling” through the countryside.
Perhaps the most profound relationship between walking, thinking, and writing reveals itself at the end of a stroll, back at the desk. There, it becomes apparent that writing and walking are extremely similar feats, equal parts physical and mental. When we choose a path through a city or forest, our brain must survey the surrounding environment, construct a mental map of the world, settle on a way forward, and translate that plan into a series of footsteps. Likewise, writing forces the brain to review its own landscape, plot a course through that mental terrain, and transcribe the resulting trail of thoughts by guiding the hands. Walking organizes the world around us; writing organizes our thoughts. Ultimately, maps like the one that Nabokov drew are recursive: they are maps of maps.
Why Walking Helps Us Think
By Ferris Jabr
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rocketbirdie · 3 months
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deranged picnic
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springtrappd · 9 months
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marta svetek -- voice of gregory, vanny, roxanne wolf in fnaf: sb and its dlc, ruin -- has joined kellen goff in voicing her thoughts on ai reproductions of her voice. again: if you want voice actors to maintain a living wage (and their own mental health), please respect her wishes and ensure that this kind of behaviour is heavily discouraged in the future.
full text of thread below the cut for brevity:
Been getting tagged in all kinds of posts and popular TikToks of people using AI voice clones of my FNAF characters to have them sing or say all kinds of random stuff. You might think it's fun. But really it's contributing to the problem all VAs are facing in the wake of AI. The more these AI voice clones get used, the more they're normalized, and the more businesses see it as a viable alternative to real VAs when making content for you. Slowly but surely, most of your favourite VAs will be out of work. Not to mention what this will cost in terms of future generations of VAs. Incredible performances we'll never get to experience because most businesses will more often than not go for the cheapest, quickest option as soon as the technology is up to scratch. This is made even worse by the fact that we currently have very few legal protections against the unauthorized use of our voices using AI. And we're being pressured to waive those too, for a fraction of their worth. This is one of the big reasons the current strikes are a thing. If you enjoyed my work in FNAF and have any respect for the amount of time and effort VAs put into bringing characters to life, don't use AI voice clones in your fanart. I can't express how violated I feel every time I hear my voice say words that aren't my own. And just in case it wasn't clear - I have never consented to having my voice, likeness or any of my performances synthesized into AI voices/avatars etc.
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starry-bi-sky · 29 days
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i need to get this out of my head before i continue clone^2 but danny being the first batkid. Like, standard procedure stuff: his parents and sister die, danny ends up with Vlad Masters. He drags him along to stereotypical galas and stuff; Danny is not having a good time.
He ends up going to one of the Wayne Galas being hosted ever since elusive Bruce Wayne has returned to Gotham. Vlad is crowing about having this opportunity as he's been wanting to sink his claws into the company for a long while now. Danny is too busy grieving to care what he wants.
And like most Galas, once Vlad is done showing him off to the other socialites and the like, he disappears. Off to a dark corner, or to one of the many balconies; doesn't matter. There he runs into said star of the show, Bruce who is still young, has been Batman for at least a year at this point, but still getting used to all these damn people and socializing. He's stepped off to hide for a few minutes before stepping back into the shark tank.
And he runs into a kid with circles under his eyes and a dull gleam in them. Familiar, like looking into a mirror.
Danny tries to excuse himself, he hasn't stopped crying since his parents died and it's been months. He rubs his eyes and stands up, and stumbles over a half-hearted apology to Mister Wayne. Some of Vlad's etiquette lessons kicking in.
Bruce is awkward, but he softens. "That's alright, lad," he says, pulling up some of that Brucie Wayne confidence, "I was just coming out here to get some fresh air."
There's a little pressing; Bruce asks who he's here with, Danny says, voice quiet and grief-stricken, that he's with his godfather Vlad Masters. Bruce asks him if he knows where he is, and Danny tells him he does. Bruce offers to leave, Danny tells him to do whatever he wants.
It ends with Bruce staying, standing off to the side with Danny in silence. Neither of them say a word, and Danny eventually leaves first in that same silence.
Bruce looks into Vlad Masters after everything is over, his interest piqued. He finds news about him taking in Danny Fenton: he looks into Danny Fenton. He finds news articles about his parents' deaths, their occupations, everything he can get his hands on.
At the next gala, he sees Danny again. And he looks the same as ever: quiet like a ghost, just as pale, and full of grief. Bruce sits in silence with him again for nearly ten minutes before he strikes a conversation.
"Do you like to do anything?"
Nothing. Just silence.
Bruce isn't quite sure what to do: comfort is not his forte, and Danny doesn't know him. He's smart enough to know that. So he starts talking about other things; anything he can think of that Brucie Wayne might say, that also wasn't inappropriate for a kid to hear.
Danny says nothing the entire time, and is again the first to leave.
Bruce watches from a distance as he intercts with Vlad Masters; how Vlad Masters interacts with him. He doesn't like what he sees: Vlad Masters keeps a hand on Danny's shoulder like one would hold onto the collar of a dog. He parades him around like a trophy he won.
And there are moments, when someone gets too close or when someone tries to shake Danny's hand, of deep possessiveness that flints over Vlad Masters' eyes. Like a dragon guarding a horde.
He plays the act of doting godfather well: but Bruce knows a liar when he sees one. Like recognizes like.
Danny is dull-eyed and blank faced the entire time; he looks miserable.
So Bruce tries to host more parties; if only so that he can talk to Danny alone. Vlad seems all too happy to attend, toting Danny along like a ribbon, and on the dot every hour, Danny slips away to somewhere to hide. Bruce appears twenty minutes later.
"I was looking into your godfather's company," he says one night, trying to think of more things to say. Some nights all they do is sit in silence. "Some of my shareholders were thinking of partnering up--"
"Don't."
He stops. Danny hardly says a word to him, he doesn't even look at him -- he's sitting on the ground, his head in his knees. Like he's trying to hide from the world. But he's looking, blue eyes piercing up at Bruce.
Bruce tilts his head, practiced puppy-like. "Pardon?"
"Don't." Danny says, strongly. "Don't make any deals with Vlad."
It's the most words Danny's spoken to him, and there's a look in his eyes like a candle finding its spark. Something hard. Bruce presses further, "And why is that?"
The spark flutters, and flushes out. Danny blinks like he's coming out of a trance, and slumps back into himself. "Just don't."
Bruce stares at him, thoughtful, before looking away. "Alright. I won't."
And they fall back into silence.
Danny, when he leaves, turns to look at Bruce, "I mean it." He says; soft like he's telling a secret, "Don't make any deals with him. Don't be alone with him. Don't work with him."
He's scampered away before Bruce can question him further.
(He never planned on working with Vlad Masters and his company; he's done his research. He's seen the misfortune. But nothing ever leads back to him. There's no evidence of anything. But Danny knows something.)
At their next meeting, Danny starts the conversation. It's new, and it's welcomed. He says, cutting through their five minute quiet, that he likes stars. And he doesn't like that he can't see them in Gotham.
Bruce hums in interest, and Danny continues talking. It's as if floodgates had been opened, and as Bruce takes a sip of his wine, it tastes like victory.
("Tucker told me once--") ("Tucker?") ("Oh-- uh, one of my best friends. He's a tech geek. We haven't talked in a while.")
(Danny shut down in his grief -- his friends are worried, but can't reach him. When he goes back to the manor with Vlad, he fishes out his phone and sends them a message.)
(They are ecstatic to hear from him.)
It all culminates until one day, when Danny is leaving to go back inside, that Bruce speaks up. "You know," He says, leaning against the railing. "The manor has many rooms; plenty of space for a guest."
The implication there, hidden between the lines. And Danny is smart, he looks at Bruce with a sharp glean in his eyes, and he nods. "Good to know."
The next time they see each other, Danny has something in his hands. "Can you hold onto something for me?" He asks.
When Bruce agrees, Danny places a pearl into his palm. or, at least, it's something that looks like a pearl. Because it's cold to the touch; sinking into Bruce's white silk gloves with ease and shimmering like an opal. It moves a little as it settles into his hand, and the moves like its full of liquid.
Bruce has never seen anything like it before, but he does know this; it's not human. "What is it?" He asks, and Danny looks uncomfortable.
"I can't tell you that." He says, shifting on his foot like he's scared of someone seeing it. "But please be careful with it. Treat it like it's extremely fragile."
When Bruce gets home, he puts it in an empty ring box and hides the box in the cave. He tries researching into what it is. he can't find anything concrete.
Everything comes to a head one day when Danny appears at the manor's doorstep one evening, soaking wet in the rain, and bleeding from the side.
#dpxdc#dp x dc#danny fenton is not the ghost king#dpxdc crossover#dpdc#dp x dc crossover#dpxdc prompt#man i just really need more dpdc stuff where danny and bruce have a good relationship. like man i NEED it. like i need to see these two#bonding together. and not in a cracky 'oh danny is a distant friend/cousin/etc' stuff but like. active participants in each other's lives#or as active as can be in this case. i neeeeed these two getting along and caring about one another#this idea came to me like last night and hasn't left since nd it was driving me up the wall to think about both positively and negatively b#i neeeded someone to hear about this or i was gonna implode#danny is the first son#tried to just get the general gist of the idea down but i definitely thought of the idea that bruce lowkey suspects vlad for having a hand#Vlad allows Danny to sneak off because he thinks Danny is alone. if he knew Bruce was there he'd be piiisssed and would put a stop to it#Sam and Tucker are alive they just got ghosted for a bit by danny bc he was in Major Grief and didn't wanna socialize. He couldn't go to#them because he didn't wanna put them in danger via Vlad.#oh that thing he handed Bruce? Yeah that's his ghost core. I have a headcanon (that isnt always applied) that ghosts can take their cores#out of their bodies at will and painlessly and without issue. and its common practice actually to do so bc they can be a not insignificant#distance away from said core before problems start to act up. and its common for ghosts to leave their physical cores at their lairs for#safekeeping because as long as the physical core is fine: so is the ghost. they can reform if their body gets destroyed. it also acts as a#fast travel sometimes. where they can reform at their core in an instant. its not inspired in the slightest by SU but i do see the overlap#most cores are pretty small for safety sake: its harder to hit if its small. and they're pr resilient too but its better to be safe than#sorry. so yeah. danny essentially gave bruce the physical embodiment of his soul and indirectly said#'if anything happens to me at least i'll be safe with you'#danny doesn't know he's batman btw#starry rambles.#was gonna go into danny becoming a vigilante beside bruce but im sleeeepy so i'll do that in a reblog. he's gonna go by nightingale if#anyone is interested. stereotypical but to be frank it is a *good* name imo. has a good amount of syllables and consonants to it#and the bird theme. and since its part of an ancestral name it has even more backing for it being bird-y without being meta
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whenthewallfell · 1 year
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~The Many Legs of Peeta Mellark, or A Weirdly In-Depth Look at Panem Prosthetics~
Concept art for Peeta’s leg because I can (details below the cut)
Catching Fire: though the leg itself is removable, the cover is non-optional and the access panels can only be used by Capitol technicians. Due to how ornate it is it can get a bit heavy after long periods of wear, and there’s limited movement in the ankle which impedes walking. It’s designed to mimic the shape of the original leg so it fills out clothes nicely, but flashy enough to be worthy of a Victor should anyone see it. A very pretty prosthetic, but only slightly better than a peg leg. Mockingjay: this is what the prosthetic looks like without the fancy cover. It’s very no-nonsense with an advanced ankle component that has better range of motion without the casing, and features a rubber tread on the bottom of the foot blade to allow for better traction when chasing down and murdering his one true love. Although a vast improvement mobility-wise, it’s been permanently bolted to his leg and the control panels are all welded shut. Everything about this is short-term - they don’t care what happens to him once he’s killed Katniss.
Post War: when he’s caught in the explosion/fire from the bombs that got Prim his leg melts and fuses to his stump, so the doctors end up having to amputate even more. He’s given the choice to try out an experimental implant, which he accepts. This is vastly different from the other ones because he’s got so much autonomy - he can change the settings himself, remove the foot shell, opt in for a leg casing if he wants (he doesn’t). All in all it’s a very low maintenance leg, which suits him just fine, and because it’s an implant it finally feels like a part of him again.
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