Steve doesn't date, not anymore. He goes to bars, clubs, picks people up and makes it clear it's just for the night; that it can't, won't, be for anything more.
He falls too fast and too hard; wants so badly to be loved that he loses himself to it. So, he doesn't date and he's fine. More than fine, actually. Not worrying about finding someone, about falling in love, lets him truly enjoy his life; maybe for the first time since childhood.
He goes with Robin to visit her parents in Hawkins, wakes up at the ass crack of dawn to go for a run. With the sun barely up, he doesn't expect to come face-to-face with Eddie Munson, smoking on a park bench.
They startle each other in the early Hawkins quiet, Eddie jumping hard enough that he drops his cigarette into the dirt at his feet.
"Christ, Harrington!" He snarls a little.
"Fuck, Eddie." Steve fights to catch his breath. "What are you doing out this early?"
He glances up, finds Eddie's eyes raking over this body in a way that makes him go hot all over.
"Haven't been home yet." Eddie smirks. And he can see that's true, Eddie is fully dressed, faint lines of mascara trail across his cheeks.
"Had a show?"
"Something like that." Eddie's cheeks pink, and he pulls a chunk of hair over his face.
Understanding dawns, and Steve points at him, delighted laugh bubbling in his throat.
"Don't--"
"You had an all night Hellfire meeting?" Steve cackles.
"Shut--Harrington, shut-up." But he's smiling too. "I'm in town this weekend. Dustin insisted!"
"You can tell him no, you know?" Steve giggles.
"Like you ever could."
Eddie stands then, and they hug, quick and tight. He practically crumbles into his friend's body, but then, that's nothing new. Steve breathes him in, immediately comforted by the familiarity of tobacco and leather and sweat and weed.
"I'm at Rob's. Come say hi?"
Eddie nods and they trek back together. They kept in touch, after Vecna, and their chatting is easy, like it's not been six months since the last time.
Eddie stays for breakfast tells them with a smile, "I was gonna call but--I'm moving to Chicago. That's why I'm crashing at Wayne's for now, stopped on the way--"
The rest of his words are smothered by the force of Steve and Robin's hug, Steve's heart beating an elated rhythm he doesn't bother investigating.
--
When Eddie makes it to town, they hang out as constantly as an adult with a day job and a touring musician can. It's nice, good, to see Eddie sitting on their couch. To watch him smoke a joint on the balcony. To hangout in his bed as he works on new music. It's just like the summer of '86, before they all went off to find their futures.
They're closer than they've ever been. Crashing at each other's apartments, sharing clothes, meeting for coffee and drinks and meals. There's not a day or night when they're free that they don't spend together.
Steve knows he's falling for Eddie; was halfway there already, and now--well, Eddie's beautiful and funny and smart and talented. He doesn't make a move, though. Because Eddie'll leave, like they all do, and losing Eddie will crush him more than anyone else ever has.
--
In June, Eddie's gone for a month, touring across the midwest. The day he's expected back, Steve's in the kitchen, rolling up fresh pasta, simmering sauce on the stove.
Robin stomps in, eyes flashing. "What are you doing?"
"Making dinner?" Steve raises an eyebrow.
"Steve."
"Robin."
They glare at each other across the kitchen. Steve breaks first. "What's wrong with making our friend dinner?"
"I don't want either of you to get hurt."
Steve freezes, swallows. "I'm not--I'm--I wouldn't."
"Just. Promise you'll be careful?"
He nods, squeezes his hands into fists. "Course, Rob."
And he means it, he really does, but when Eddie lets himself in, Steve runs to the doorway to pull his friend into a tight hug.
Eddie huffs out a burst of air on impact, laughing lightly. "Miss me, sweetheart?"
"So much," Steve whispers. He presses his nose into Eddie's neck, breathing him in, and he doesn't miss the way a kiss is pressed into his hair, the way Eddie's breathing him in too.
They fall into their natural rhythm immediately, Eddie following him to the kitchen, cooing and posturing that Steve made him dinner.
As Steve serves up the food, Eddie wraps his arms around his waist, leaning against his back. God help him, but Steve can't help relax into the hold, turning his head until their eyes meet.
Desire bleeds from Eddie's gaze, and Steve's breath hitches. He wants this so badly, knows he shouldn't, but he lets himself lean in until they share air.
But--he can't lose Eddie. He can't.
He turns away, lets the moment die. Eddie doesn't stay over that night, and Steve pretends like it doesn't make his stomach hurt.
--
They aren't as close after that.
Steve keeps telling himself it's because they're busy. The school year's starting up, Steve's got lesson plans to write; Eddie made an EP, it got interest, he's taking meetings in New York and LA. It's okay that they're spending less time together.
Until Eddie stops returning his calls.
He tries not to worry. But one call becomes two, becomes three, and he can't help it. He goes over, dread a knot in his stomach. Eddie opens the door, and he's shirtless with sweatpants slung low on his hips, hair loose and streaming around his shoulders. He looks happy.
"Steve? What are you--"
"You weren't answering my calls, and--can I come in?"
Eddie winces. "It's not a good time, Harrington."
He stands there for a second, stung, not sure what to say.
"Eddie, I--"
"Babe?" A voice calls from inside the apartment. "Who's at the door?"
Steve freezes. Can't think, can't move. He hopes it isn't obvious that his heart is shattering, but Eddie's blinking at him, panic written in the lines gathering on his forehead.
"Steve, Stevie, please," Eddie is saying, but he can't do this. He can't do this.
He walks away, all the way home, numb to everything around him.
The phone's ringing when he gets to the apartment. He ignores it. Goes to his room, locks himself in, crawls into bed.
The phone keeps ringing. He keeps ignoring it.
It isn't supposed to be like this. They weren't dating, weren't trying for a relationship; Eddie's supposed to be his. He curls into himself, sobs until his ribs hurt, until his eyes are as heavy as his heart, and he falls asleep.
--
Steve startles awake, disoriented, to someone knocking on his bedroom door. He has no idea what time it is, how long he slept, but he expects Robin to be waiting in the hall.
It's Eddie. Hair in a messy bun, face flushed, eyes too bright.
"I'm sorry," falls out of Steve's mouth before he can think of anything else.
"Steve, I--I don't--" Eddie shakes his head. "Do you want to be in a relationship with me?"
"Yes," Steve whispers. "But I can't lose you, Eddie."
Eddie reaches out, slender hand, cupping Steve's jaw. "I need you to really listen when I say this, sweetheart. You will never, ever lose me. Not a chance."
"You can't know that," Steve says. Tears break free, cascade down his cheeks. "I used to think who could ever leave me? You know, back before Nancy. But I realized that actually no one would stay. And I can't--with you I can't--"
"Sweetheart," Eddie chokes on a sob. "I'm yours. Have been for years. I will never, ever leave you, no matter what we are to each other. But I can't be in some of a relationship with you. You have me wrapped around your finger, and I--I need it all, Steve."
"I want you to have it, Eddie." He presses his hand to his heart. "This belongs to you, but I--I couldn't survive you leaving."
"I would stay, Steve. I will. I promise on everything I have, everything I am, that you would never, ever lose me."
Steve stumbles into Eddie's arms, totally gone, and their mouths meet in a clumsy kiss. It wrecks Steve, tears him apart, renders him down to his smallest parts only to build him back together. He knows now for certain that there is no one else in the world for him.
They break apart, but don't move out of each other's orbit. "I love you," Steve whispers.
"Stevie, sweetheart, I love you more than anything." His fingers wind their way into Steve's hair, gentle, holding him. "I promise you'll have me for forever--fuck, longer than forever. My soul will find yours wherever we end up. I swear it."
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Writing Prompt #12
Bruce is reading the paper when the pour of Tim's coffee goes abruptly quiet. It would be hard to pinpoint why this is disturbing if it wasn't for the way the soft, tinny sound the vent system in the manor makes cuts out for the first time since being updated in the 90s. The pour, Bruce realizes, has not slowed to a trickle before stopping. It has simply stopped. And there is no overeager clack of a the mug against the marble counter or the uncouth first slurp (nor muttered apology at Alfred's scolding look) immediately following the end of the pour.
Bruce fights the instinct to use all of his senses to investigate, and instead keeps his eyes on the byline of the article detailing the latest set of microearthquakes to hit the midwest in the last week. Microearthquakes aren't an unusual occurrence and aren't noticeable by human standards, which is why this article is regulated to page seven, but from several hundred a day worldwide to several hundred a day solely in the East North Central States, seismologists are baffled.
Bruce had been considering sending Superman to investigate under the guise of a Daily Planet article requested by Bruce Wayne (Wayne Industries does have an offshoot factory in the area) when everything had stopped twenty seconds ago. That is what he assumes has happened (having not moved a muscle to confirm) in the amount of time he assumes has passed. His million dollar Rolex does not quite audibly tick but in the absolute silence it should be heard, which confirms the silence to be exactly that—absolute.
While Bruce can hold his breath with the best of the Olympian swimmers, he has never accounted for a need to remain without blinking without being able to move one's eyes. Rotating the eyeballs will maintain lubrication such that one could go without blinking for up to ten minutes. But staring at the byline fixedly, he estimates another twenty seconds before tears start to form.
These are the thoughts Bruce distracts himself with, because he doesn't dare consider how Tim and Alfred haven't made a (living) sound in the past forty-five seconds. About Damian, packing his bag upstairs for school after a morning walk with Titus that was "just pushing it, Master Damian".
There is a knife to his right, if memory serves (it does). In the next five seconds—
"Your wards and guardian are fine, Mr. Wayne," the deepest voice Bruce has ever heard intones. For a dizzying moment, it is hard to pinpoint the location of the voice, for it comes from everywhere—like the chiming of a clocktower whilst inside the tower, so overpowering he is cocooned in its volume.
But it is not spoken loudly, just calmly, and when he puts the paper down, folds it, and looks to his right, a blue man sits in Dick's chair.
He wears a three piece suit made entirely of hues of violet, tie included. He has a black brooch in the shape of a cogwheel pinned to his chest pocket, a simple chain clipped to his lapel. Black leather gloves delicately thumb Bruce's watch (no longer on his wrist, somewhere between second 45 and 46 it has stopped being on his wrist), admiring it.
"You'll forgive me," the man says with surety. "Clocks are rather my thing, and this is an impressive piece." He turns it over and reveals the 'M. Brando' roughly scratched into the silver back. He frowns.
"What a shame," he says, placing it face side up on the table.
"Most would consider that the watch's most valuable characteristic." Bruce says, voice steady, hands neatly folded before him. Two inches from the knife. To his left, there is an open doorway to the kitchen. If he turns his head, he might be able to get a glance of Tim or Alfred.
He doesn't look away from the man.
"It is the arrogance of man," the man says, raising red eyes (sclera and all) to Bruce, "to think they can make their mark on time."
"...Is that supposed to be considered so literally?" Bruce asks, with a light smile he does not mean.
The man smiles lightly back, eyes crinkling at the corners. He looks to be in his mid thirties, clean-shaven. His skin is a dull blue, his hair a shock of white, and a jagged scar runs through one eye and curving down the side of his cheek, an even darker, rawer shade of blue-purple.
The man turns the watch back over and taps at the engraving. "Let me ask you this," he says. "When we deface a work of art, does it become part of the art? Does it add to its intrinsic meaning?"
Bruce forces his shoulders to shrug. "It's arbitrary," he says. "A teenager inscribes his name on the wall of an Ancient Egyptian temple and his parents are forced to publicly apologize. But runic inscriptions are found on the Hagia Sophia that equate to an errant Viking guard having inscribed 'Halfdan was here' and we consider it an artifact of a time in which the Byzantine Empire had established an alliance with the Norse and converted vikings to Christianity."
"The vikings were as errant as the teenager," the man says, "in my experience." He leans back in his chair. "I suppose you could say the difference is time. When time passes, we start to think of things as artistic, or historical. We find the beauty in even the rubble, or at least we find necessity in the destruction..."
He offers Bruce the watch. After a moment, Bruce takes it.
"The problem, Mr. Wayne, is that time does not pass for me. I see it all as it was, as it is, as it ever will be, at all times. There is no refuge from the horror or comfort in that one day..." he closes his hand, the leather squeaking. And then his face smooths out, the brief severity gone. He regards Bruce calmly.
"You can look left, Mr. Wayne."
Bruce looks left. Framed by the doorway, Tim looks like a photograph caught in time. A stream of coffee escapes the spout of the stainless steel pot he prefers over the Breville in the name of expediency, frozen as it makes its way to the thermos proclaiming BITCH I MIGHTWING. Tim regards his task with a face of mindless concentration, mouth slack, lashes in dark relief against his pale skin as he looks down at the mug. Behind him, Bruce can see Alfred's hand outstretched towards the refrigerator handle, equally and terrifyingly still.
"My name is Clockwork," the man says. "I have other names, ones you undoubtedly know, but this one will be bestowed upon me from the mouth of a child I cherish, and so I favor it above all else. I am the Keeper of Time."
"What do you want from me?" Bruce asks, shedding Wayne for Batman in the time it takes to meet Clockwork's eyes. The man acknowledges the change with a greeting nod.
"In a few days time, you will send Superman to the Midwest to investigate the unusual seismic activity. By then, it will be too late, the activity will be gone. They will have already muzzled him."
"Him."
"There is a boy with the power to rule the realm I come from. Your government has been watching him. The day he turned 18, they took him from his family and hid him away. I want you to retrieve him. I want you to do it today."
"Why me?"
"His parents do not have the resources you do, both as Batman and Bruce Wayne. You will dismantle the organization that is keen on keeping him imprisoned, and you will offer him a scholarship to the local University. You and yours will keep him safe within Gotham until he is able to take his place as my King."
This is a lot of information to take in, even for Bruce. The idea that there could be a boy powerful enough to rule over this (god, his mind whispers) entity and that somehow, he has slipped under all of their radars is as frustrating as it is overwhelming. But although Clockwork has seemed willing to converse, he doesn't know how many more questions he will get.
"You have the power to stop time," he decides on, "why don't you rescue him? Would he not be better suited with you and your people?"
"Within every monarchy, there is a court," Clockwork. "Mine will be unhappy with the choice I have made," he looks at Bruce's watch, head cocked. "In different worlds, they call you the Dark Knight. This will be your chance to serve before a True King."
Bruce bristles. "I bow to no one."
"You'll all serve him, one day," Clockwork says, patiently. "He is the ruler of realms where all souls go, new and old. When you finally take refuge, he will be your sanctuary." He frowns. "But your government rejects the idea of gods. All they know is he is other. Not human. Not meta. A weapon."
"A weapon you want me to bring to my city."
"I believe you call one of your weapons 'Clark', do you not?" Clockwork asks idly. "But you misunderstand me. They seek to weaponize him. He is not restrained for your safety, but for their gain."
"And if I don't take him?" Bruce asks, because a) Clockwork has implied he will be at the very least impeded, at worst destroyed over this, and b) he never did quite learn not to poke the bear. "You won't be around if I decide he's better off with the government."
"You will," Clockwork says, with the same certainty he's wielded this entire conversation. "Not because he is a child, though he is, nor because you are good, though you are, nor even because it is better power be close at hand than afar.
"I have told you my court will be unhappy with me. In truth, there are others who also defend the King. Together we will destroy the access to our world not long after this conversation. The court will be unable to touch him, but neither will we as we face the repercussions for our actions. I am telling you this, because in a timeline where I do not, you think I will be there to protect him. And so when he is in danger, even subconsciously, you choose to save him last, or not at all. And that is the wrong choice.
"So cement it in your head, Bruce Wayne," the man says, "You will go to him because I tell you to. And you will keep him safe until he is ready to return to us. He will find no safety net in me. So you will make the right choice, no matter the cost."
"Or, when our worlds connect again, and they will," his voice now echoes in triplicate with the voices of the many, the young, the old, Tim, Bruce's mother, Barry Allen, Bruce's own voice, "I will not be the only one who comes for you."
"Now," he says, producing a Wayne Industries branded BIC pen. "I will tell you the location the boy is being kept, and then I would like my medallion back, please. In that order."
Bruce glances down and sees a golden talisman, attached to a black ribbon that is draped haphazardly around the neck of his bathrobe, so light (too light, he still should have—) he has not felt its weight until this moment.
Bruce flips the paper over, takes the pen, and jots down the coordinates the being rattles off over the face of a senator. By his calculation, they do correspond with a location in the midwest.
"You will find him on B6. Take a left down the hallway and he will be in the third room down, the one with a reinforced steel door. Take Mr. Kent and Mr. Grayson with you, and when you leave take the staircase at the end of the hallway, not the elevator."
The man gets up, dusts off his impeccably clean pants, and offers him a hand to shake.
"We will not meet again for some time, Mr. Wayne."
Bruce looks at the creature, stands, and shakes his hand. It feels like nothing. The Keeper of Time sighs, although nothing has been said.
"Ask your question, Mr. Wayne."
"I have more than one."
"You do," Clockwork says. "But I have heard them all, and so they are one. Please ask, or I will not be inclined to answer it."
"What does this boy mean for the future, that you are willing to sacrifice yourself for him?"
There is a pause.
"So that is the one," Clockwork says, after a time. "Yes. I see. I should resolve this, I suppose."
"Resolve what?"
"It is not his future I mean to protect," the man says. "It is his present."
"You want to keep him safe now..." Bruce says, but he's not sure what the being is trying to say.
"I am not inclined," Clockwork repeats, stops. His expression turns solemn, red eyes widening. In their reflection, Bruce can see something. A rush of movement too quick to make heads or tails of, like playing fast forward on a videotape. "Superman reports no signs of unusual seismic activity. With nothing further to look into, you let it go in favor of other investigative pursuits. You do not find him, as you are not meant to. He stays there. His family, his friends, they cannot find him. His captors tell him they have moved on. He does not believe them, until he does. He stays there. He stays there until he is strong enough to save himself."
Clockwork speaks stiffly, rattling off the chain of events as if reading a Justice League debrief. "He is King. He will always be King. He is strong, and good, and compassionate, and he is great for my people because yours have betrayed his trust beyond repair. He throws himself into being the best to ever Be, because there is nothing Left for him otherwise. We love him. We love him. We love him. My King. Forevermore."
The red film in his eyes stall out, and Bruce is forced to look away from how bright the image is, barely making out a silhouette before they dull back to their regular red.
"I am not inclined," Clockwork says slowly, "To this future."
"Because of what it means in the present," Bruce finishes for him. "They're not just imprisoning him, are they."
"They will have already muzzled him."
Clockworks is right in front of him faster than he can process, fist gripping the medallion at his neck so tight he now feels the ribbon digging into his skin.
"Unlike you, Mr. Wayne," and for the first time, the god is angry, and the image of it will haunt Bruce for the rest of his life, "I do not believe in building a better future on the back of a broken child."
"Find him," the deity orders, and yanks the necklace so hard the ribbon rips—
Clack!
"sluuuuurp!"
"Master Timothy, honestly!"
"Sorry Alfred!"
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