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#crossdressing france
magguy-crossdresser · 5 months
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Samedi 25 Novembre 2023
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Une photo de moi ( Magguy Crossdresser ) / me
C’est un essai de résille rouge, sous corset cuir, et par dessus une catsuit noire…
Pour le moment je reste dans l’anonymat… peut-être qu’un jour j’en sortirai… 🤞🏼
Magguy Crossdresser
💋
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makotoscoffee · 6 months
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4th Floor by Kameliya Stoeva for VOLANT Online, starring Hugo Bardin
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81scorp · 1 year
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From Blackhawk issue: 210 (1957) (Correct me if I`m wrong.)
I wanna wear what he`s wearing!
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milaisreading · 4 months
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🌱🩷: Here is the 1st Charles Chevalier request. Smn wanted me to make a chapter from that one scenario I made a few hours ago.
Warnings: Reader uses she/her, but since she is crossdressing, the guys use he/him. Requests are open
⚽️Blue Lock belongs to Muneyuki Kaneshiro and Yusuke ⚽️
A few days have passed since the match Blue Lock and the U-20 team had. It was a huge deal, since it was the deciding match for the project, and it was even broadcasted internationally. Even Sae, one of the New Gen 11 members participated on the side of the Japanese team. Something that surprised his peers, everyone knew that Sae was pretty adamant on not playing for the team, ever. So once that got out, other players that were acquainted somewhat with Sae were glued to the TV to watch it. They were surprised to see the Blue Lock team holding up well, especially with Sae and Shidou on the team, with 3 standing out in particular. There was Rin Itoshi, the younger brother of Sae and vice-captain, who scored the 1st goal. As expected, most of the New Gen11 thought. The 2nd and 3rd ones were guys who the players never met or heard of before, aside from Loki. Isagi Yoichi, the one to score the winning goal, and to pretty much shake Sae Itoshi's balance during the game. And then there was (Y/n) (L/n), the captain of the team, midfielder, and the one who kept the game under control the most. She caught the attention of one player in particular, Charles Chevalier. The midfielder of PXG and France's U-20 team. The boy was curious with the precision the captain had when passing the ball to the other players. Not only that, but also calculating every move the opposite team made was not something Charles expected from someone who wasn't a pro. A no name player, basically.
After the final goal was scored, the boy already had made up his mind. While the game was interesting and all, he wanted to watch more of the midfielder. He didn't like it, but he had to admit that he wanted to learn more about the player. Her plays, stats, everything. But sadly, there wasn't much Charles could go off on. And he wanted to drop it, he will eventually meet the palyer, he believed she was capable enough to score a spot in a pro-team. That was all until Loki told him the news of PXG being invited to play in Blue lock, and Charles immediately agreed. How could he say no?
Timeskip...
Now, Loki was used to messes. He was a coach now, so he had to be used to that. But this! This was beyond what his nerves could take. Not only did he have to suffer through Rin and Shidou's arguments, now Rin decided to argue with Isagi over the most useless things imaginable.
"What happened to having a calm dinner..." Loki sighed, walking over to pull them apart, something Kurona decided to help him with. Charles was the whole time standing to the side, smiling as he found the whole situation amusing.
'I hope they are done soon. I need to analyze (Y/n)'s play from today. Didn't expect him to leave Manshine in the dust like that.'
"Are you guys arguing again?"
"Calm down, Hiori. You know how they are."
"Aren't you going to do anything, (Y/n)?"
Charles quickly turned his head towards the entrance, only to see the player he was most excited to meet standing next to the blue-haired boy.
'Finally!' Charles grinned.
"What do you expect me to do? They have been like that ever since they first met." (Y/n) laughed in amusement, sending an apologetic smile towards Loki, who returned it.
"Loor Loki-san, he is too overwokred." (Y/n) said as Hiori nodded his head along.
"Let's just stop their fight and go eat-"
"Ah! Finally I get to meet you, Blue Lock's golden midfielder."(Y/n) stopped talking and turned to look at the boy who was approaching her. The girl raised an eyebrow as Hiori tensed up a little.
'What's with that look?' The cyan-haired boy thought suspiciously. (Y/n) ignored the arguing for a moment as the boy grinned playfully.
"What?" Was the only thing she said.
"Charles Chevalier, PXG's midfielder. Pleased to finally meet you, (L/n) (Y/n)." The girl's eyes widened at the way he used her name. Sure, she was ranked pretty high on the list, but someone to know her full name was unexpected.
"Uh... N-nice to meet you as well, Chevalier-san. Did you need something-"
"I will get straight to the point with you." Charles interrupted her, yet again and swung his arm around her shoulders.
"Hey! Personal space!" Hiori yelled at Charles, but got no acknowledgment back. This caused the group to stop for a moment and look back at the duo.
'Oh God...' Loki groaned, knowing very well how Charles was with this player in particular.
"Uhm... get to the point with what?" (Y/n) wondered.
"I want you to play for me." Charles said simply.
"Uh... I am in a different team, so no can do." (Y/n) said, laughing nervously. The boy's grin was off putting to her.
"I know." Charles rolled his eyes and pouted a little.
"And while I was annoyed at first, I am happy now. I will have a chance to finally play against you. Tho, I rather have you playing for me."
(Y/n) kept quiet, unsure where all of this was going.
"You are very interesting, (Y/n). I like you~ don't disappoint me!" Charles giggled, packing her cheek.
"Haa?!" The girl yelled in surprise, face flushing a deep red.
"Asshole! Don't do that so randomly!!" Hiori yelled at the French boy, making his way to separate them. Kurona was holding back a blood thirsty Isagi, while he was fighting back his own rage.
"Stop it, Rin." Loki warned, his grip on Rin's shirt tightening.
"I will kill that bastard." The younger Itoshi mumbled.
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sebastianthemadlad · 4 months
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THE NON CANON PARTS OF THE BLACK BUTLER ANIME IN BOTH SEASON 1 AND 2 AND ALSO THE SPECIALS WERE WILD
(in no particular order)
Ciel hires a random naked dog man who can turn into a giant wolf to be his servant even though he literally does nothing around the manor and just hangs out with Finny all the time
Finny forms a crush on a character we later find out is an angel named Angela and after the dog village arc ends we never hear of his crush again
For the most part the curry arc is the same, but for some reason they decided to change the ending. In the manga Lau and Ranmao killed Nina and her husband, in the anime everyone becomes evil by eating curry, and Sebastian had to feed them all his curry buns to turn them all good again, WHAT??
Sebastian has hanky panky with a Nun in some cult church
Angela took Vincent and Rachel's bodies and stitched them into a weird Frankenstein looking thing because apparently that would combine their souls in the afterlife so they could be together forever
Also the whole thing with Ciel being kidnapped by the cult is never explained despite Queen Victoria and Angela being responsible for the death of his parents, therefore you'd think they'd also be responsible for the whole cult thing? But they would have no reason to sell a 10 year old to be abused by a cult-
Ash (aka Angela because they're the same person) turns Queen Victoria into A FREAKING LOLI
Ciel is framed for drug trafficking
Sebastian is arrested and kept in a torture dungeon for like 3 days where he is BDSM whipped by Angela for some reason
Fred Abberline dies
Fred before he dies mentions he doesn't have any family yet he has a brother who shows up in season 2-
Lau and Ranmao die yet they also show up in season 2
Lizzy gets kidnapped by a doll man and is almost turned into a doll zombie (not a bizarre doll just a doll zombie)
Sebastian ditches Ciel in France for some reason
Ciel finds Undertaker on some random boat and then Undertaker tells him he's gonna freakin' die
London is on fucking fire
Who caused the fire? Pluto. And thats the only part of the story where he is relevant
The final fight between Sebastian and Ash/Angela is fucking awesome though
In season 2 Ciel is just in a suitcase and has amnesia
Alois pokes Hannah's eye out for spilling a drink or something
Ciel and Lizzy try to find a deer or something and everyone thinks they're gonna break up after just 1 argument
Lau even started a gambling thing where people put down their bets on whether or not Ciel and Lizzy were gonna break up
Some weird old lady set random people on fire because she didn't like her husband, for some reason the fire disintegrated the souls so Grell couldn't collect them which doesn't make sense
Some weird bullshit happens on a train with a Pharaoh, a murderer and Sebastian being cool like always
Alois has a dress up party at his house
Soma and Agni cry because Ciel has amnesia
Soma is dressed up as Sherlock Holmes even though black butler takes place before that came out
Lizzy dresses up as a Native American, you can say what you want about that
Kinda like the whole curry thing everyone turns evil except its from music from a magic instrument Hannah plays and not curry, and Sebastian stops it by playing his own music kind of like the final battle in Equestria Girls Rainbow Rocks
Alois crossdresses and turns Ciel bi curious
Sebastian and Claude have sexual tension in the lake
Ciel and Alois have a sword fight, Ciel is thrown off a balcony and Alois is stabbed
"PLEASE HELP ME CLAUDE, HELP ME I'M DYING 😭"
We soon find out about Alois' backstory and it's actually quite sad and hits a bit close to home for me, I won't go into detail but the poor kids been through a lot, Alois is genuinely an interesting and kind of well written character its a shame he was put in the non canon pile of shite
Claude then crushed Alois' skull and takes his soul and puts it in a ring
Kids are getting their eyeballs ripped out and apparently Alois is doing all of this, but for some reason Scotland yard THINKS CIEL IS ALOIS WHICH IS SO DUMB BECAUSE THEY'VE BEEN WORKING WITH HIM EVER SINCE HE BECAME THE QUEENS CORGI GUARD DOG
He is taken to some doctor and is dumped into a pool of gatorade to fuse his and Alois' souls
Ciel's backstory is basically half of Alois' and half of Ciel's and thinks Sebastian killed his brother Luca
Ciel doesn't like Claude because Claude is a goober
Hannah does a weird thing with Ciel she like... Possesses him? And his eyeball appears in her mouth or something? I had no idea what was going on
Soon it is revealed Hannah was the one who ate Luca's soul and is now feeling like a mother figure for Alois because of it
Grell shows up again (yay) and she keeps trying to take sexy photos of Sebastian
Soon Claude and Sebastian end up at a maze thingy and they need to answer trivia questions to get to Alois/Ciel's soul
Soon they go to some demon island and they end up fighting using a demon sword while Ciel and Alois talk about shit in some void
Claude fucking dies (rip goober)
Alois' soul is finally set free and the poor kid gets to be with his little brother again
Hannah turns Ciel into a demon so Sebastian can no longer eat his soul so Sebastian just becomes Ciel's butler for all eternity and I lowkey feel bad for him, because yeah eating childrens souls is wrong but BRO WORKED SO HARD HE LITERALLY BANGED A NUN FOR THIS CHILD AND THIS IS THE THANKS HE GETS??
Ciel and Sebastian fake their death, the end of season 2 and a few years after that the ACTUAL CONTINUATION OF THE CANON PARTS come out
Ciel in wonderland is very silly
Sebastian as the rabbit is hot for some reason, does that make me a furry?
There is a lot of weird fan service, for example Ranmao keeps shoving her boobs and butt into Ciel's face... LADY THAT IS A 13 YEAR OLD YOU CANT DO THAT-
I'm glad it wasn't canon because I love Ranmao and she would never do that in canon
Madame Red as the queen of hearts is very cool
Weebalu already mentioned this but I wish J Michael Tatum (Sebastian's dub voice actor) did a Alice In Wonderland audiobook in the Sebastian voice
The one where Ciel puts on a play for hamlet was funny, the part where they're practicing is funny because its like an actual theatre club
Soma and Agni are the kids who are always eating, Ciel is the kid who just sucks at acting, Grell is the one who is great at acting but is very annoying and Sebastian is the theatre teacher who wants to commit kms because of all of these stupid kids
Ranmao is seaweed
Grell tries to commit incest during the play-
The special where its basically a 'behind the scenes' thing kind of like an actor AU
Sebastian is a fucking 2010's boy band looking lad
Grell is just amazing in this
In the final "trailer" Grell got pregnant, Queen Victoria built a giant robot, Claude tried to destroy the world with the fucking moon, Hannah... Uhhh lets not talk about what she did, a whole load of "I am your father" type plot twists took place and Alois was Ciel and Sebastian's great great great great great great grand-
The special where theres this character who's basically a self insert but she's a white girl so if you're not either of those its kind of hard getting into it (cries in gay guy)
The POV shots look like something out of Dora The Explorer
Soma wants to marry us for some reason, I wouldn't mind that he's cute
We also get kidnapped by Viscous Druitt for no reason and then Sebastian and Grell save us from a boat in the middle OF THE OCEAN
Finally Will The Reaper (I'm sure there are more specials but I'm lazy)
Grelliam galore
Probably one of the best specials because Grell and William are the main focus and they're just the absolute best
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pbees · 11 months
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Marechi!
[𝙐𝙥𝙚𝙧𝙢𝙤𝙤𝙣𝙨! 𝙓 [𝘽𝙡𝙖𝙘𝙠 𝙍𝙚𝙖𝙙𝙚𝙧!]
Part 1 ☆ Part 2 ☆ Part 3!
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WARNINGS!;Future parts will contain NSFW content
This part contains
Blood Mentioned
Cutting
Mentions
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Innaproptite
/ˌinəˈprōprēət/
"there are penalties for inappropriate behavior”
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⏝︶︶⏝︶ ୨୧ ︶⏝︶︶⏝
強くて美しい
He left you alone in the snow with your thoughts and a saliva-coated lip. You were not turned on by what you're assuming is a human-eating monster with blaring communication issues. If anything you were upset he didn't finish the job, who knew when you would get a moment of peace now?
Luckily you knew where the dead guy's house was - as you started to walk back.
The way you were acting confused you, you weren't hit with a panic attack and didn't feel the need to run away screaming when Kokushibo appeared. Maybe it just hasn't hit you yet? You didn't know how long you would be here, and what for so you might as well tidy up.
Not that it seemed Kokushibo would care.
Taking someone's home like this was extremely disrespectful, and cleaning it only made you think back to your home. You had to get back to France somehow- but you were in no condition to travel, especially like this.
Putting the torn mat back in place you sighed. Where in the world was Kokushibo he said he would “Get the animal himself” but was taking forever. No way his massive ass had trouble finding and killing one you thought opening one of the dead man's many closets. Inside there were a couple of kimonos that definitely didn't belong to him, great were they in a murderer who was murdered house?
Sighing which seemed something you were doing a lot more often you pulled out a match and a candle you found out of their cabinets lighting it. You were unsure of how you were gonna get proper clothing seeing as you didn't want to get lost again.
Rekindling the fire you sat back down, you would wait for the six-eyed man- and if you were Luckily you could get some answers out of him.
__________
“ I killed someone just for you Kokushibo- dono don't I get a reward?” Giggled the cult leader. Kokushibo was annoyed with the demon and tried many times to stop him from following, but he wouldn't budge.
“Why would you need a female human's clothes anyway kokushibo- dono, don't tell me you've been delving into crossdressing recently?”
“ You're annoying me, Douma” Kokushibo didn't care for using any titles the demon withheld, he needed to get it through his thick skull he didn't want him bugging him.
Douma giggled again still following him- unwanted the cult leader was curious is all. Kokushibo was carrying a dead animal that he didn't need to eat, AND carrying a woman's clothes?
They were treading their way through the forest back to the House. Kokushibo was a little angry you left the spot he told you to stay in, but it was for the best.
“A House? You've seriously downgraded Kokushibo- your house before was far better than this?” The 6 eyed demon grimaced how the fuck did he no he's never been invited let alone let near the perimeter.
Why hasn't he destroyed his rainbow-eyed skull is simply because Muzan wouldn't enjoy replacing the uppermoon two. He was unbelievably strong surpassing Akaza in less than a decade of being turned.
Opening the door without his permission Douma glided in looking around. He was like a nosey neighborhood what the hell?
Much like Douma Kokushibo was looking around too, not for the same thing, however. Where were you? Finally walking back to the makeshift bed, he made you.
You were dozing off which was unfortunate because he was about to wake you up. He quietly approached you from behind you. You were sitting facing the fire most likely trying to stay warm. Bending slightly over your head he dropped the rabbit in front of you almost laughing as you sprung up. That woke you up, but Douma's nosey ass looking through this house's cabinets didn't?
Rubbing the tiredness out of your eyes you blinked, eyes readjusting you looked up at Kokudhibo staring down at you. Looking at him you remembered his earlier menstruation and quickly looked back down spotting the dead rabbit.
I mean he tried at least?
Refusing to look back up at him whose eyes were boring into your soul you grabbed the rabbit.
“ Wel- before you could get another word in someone walked through the opening in the room. He was tall as well, literally, what are they feeding them? Donning White hair with extremely pale skin the man giggled.
“ Is this what you're so focused on Kokushibo-dono? A foreigner?” he walked closer toward the pair, but not without the intense displeasure of Kokushibo. Squatting down he gave you a once over even going as far as sniffing you before you became nervous again.
Was this another creature much like Kokushibo?
His eyes are magnificent.
Finally finishing his intrusion into your personal space he grabbed your wrist in his hand turning it right-side up so he could see the gains in your wrist. He was cold to the touch causing goosebumps to erupt on your skin. It was like the demon completely forgot Kokushibo was there hyperfocused on you. Much like Kokushibo had before he was drooling. Gliding his tongue down the stripe of your wrist he grazed your skin until he made his way back to your wrist biting down.
Blood trickled from your wrist as he continued to greedily lap it up before Kokushibo pulled his head back. Holding him in place Kokushibo drank the blood oozing from your wrist as well to the displeasure of Douma. They weren't verbally communicating at all until the cut stopped bleeding.
Your wrist was wet and sticky as Douma wiped the dry blood they had surprisingly missed off of your wrist pulling back from you.
“ WOAH! I don't know what came over me miss, that was extremely rude of me- especially without and introduction !” he laughed his face flushed as he scratched behind his ear.
Here you thought you finally understood why some 6-eyed creature made you feel jelly and now some white-haired demon was in on it too?
What are they playing at?
A silence running over the three of you.
beady eyes glaring down at you, you gulped your face was heated as you nursed your question the two demons still having a silent conversation.
“You need to eat,” Kokushibo said composing himself. Once again playing off the fact he just went softcore on you again.
“ KOKUSHIBO! - Humans have to cook rabbits first before eating them, and even then they have to be skinned and cleaned.” Douma shook his head at him shame, Shame’.
One pointy finger aimed at the rabbits neck a simple slice at the air and it's neck detached from its already lifeless frame. Recomposing yourself-your wordlessly reached for the rabbit.
Kokushibo got up once again leaving you alone, but this time with the rainbow-eyed demon. His eyes were intently wat thing you.
“What Are you?” The Demon you now know as Douma asked.
“What- what do you mean?”
Sorry I SHORT MAN I HAD TO POST BEFORE FINALS TOOK EVERYTHING OUT OF ME
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magguy-crossdresser · 5 months
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Dimanche 26 Novembre 2023
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Moi en photo ( Magguy Crossdresser ) / Me
… Blog, n’est pas que reblog… Des photos personnelles de temps en temps…
Cette photo est en mode « Sans soutien-gorge, avec crop top moulant ». Ce n’était pas la peine de l’écrire, vous l’aviez compris, mais ça fait plaisir de l’écrire… De le lire, peut-être aussi…
Magguy Crossdresser
💋
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flightfoot · 5 months
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So I just finished reading through the graphic novel "The Prince and the Dressmaker" by Jen Wang.
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It's about this prince, Sebastian, who secretly likes to crossdress (and is probably genderfluid, considering how he. Or they, maybe? Talks about why. The story never really clarifies, though), and hires this one seamstress, Frances, to make dresses for him so he can go out under an assumed name and model her designs. They also have feelings for each other, as you might have guessed, though given the differences in their classes, that's difficult to act on.
...yeah I'm shocked I haven't seen a Miraculous Ladybug AU of this yet. I was getting Marinette and Adrien vibes the whole time, though thankfully Sebastian's parents are nowhere near as bad as Gabriel.
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Green Carnation
Chapter Two
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I want to say how happy I am to see a lot of ppl like this fic. I will say it was a bit personal to write this and had to even talk to my friend about the subjects of this fic that it touches. So I want to thank them for helping me and also tell you all: you are very loved <3
Again pls read the warning and keep yourself safe
Rated: Explicit | Warnings: open relationship, there is gender play/crossdressing in this chapter. Norton calls the reader 'Mrs. Campbell' as they/he cannot marry him during this time but it all plays into a fantasy and is not said in a way of demeaning but in a way of affection.
Chapter One
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The molly house, a speakeasy your wife took you to, is full of high society types. Here you found out a lot about yourself. Your wife, you love her to pieces, was supportive the whole way.
The place is not popular in the sense not many people travel this far to go here for there are others. The rustic charm and the memories of your friend keep you here.
You think about him, your friend and lover, he was a good man. Older and loved talking about his work with technology. The subject is sore for you and you come to the conclusion maybe you would never find a man like him; you won't but something new is not so bad.
Norton is at the check-in desk getting the large suitcase, holding a surprise, a quick search. You went ahead inside to see if your wife was still watching the burlesque show. Her lover, a woman you find pleasant, is sitting next to her. She points you out to your wife. 
You smile glad to see them both. Her lover waves at you before going back to watch the show.
She kisses you for a few seconds with her arms around your neck, “I thought you weren't coming.” Pulling back. She is beautiful, always beautiful, wearing the latest dress from France. Your wife is from very old money thus your father had your marriage arranged for social climbing. Lucky you, she likes you— Loves you.
“Sorry, got uh…” Rubbing the back of your neck awkwardly.
Norton comes up behind you with a neutral expression for your wife, “Fancy seeing you.” The suitcase is no longer with him, “They're getting us a room.” He informs you.
Your wife is confused and looks ready to also protect you. “It's okay. He asked to come here.” You say with a smile for her to know you are truly okay.
“And you trust him?”
Norton frowns, “I used to work in a place like this. The alcohol is just as cheap there as it is here.” His hand slipping around your waist tugging you close to him, “I intend to fuck your husband.”
Your wife looks at you then him then you and back to him, “Seriously?” Given she knew about your attraction to Norton the moment you came home covered in bruises, “Listen, we are discussing this later.” Shaking her head she lowers her voice, “You break my husband, I break you, Campbell.” She is very serious as she glares at him then softens her gaze toward you. “I'll be here.” Kissing you again before returning to her lover.
“I thought you two weren't in love.” The Prospector is very confused.
You laugh a bit, “We are in love. She has a lover and I was fine with only her but the option was always available for me to seek another.”
Norton will not pretend to understand that.
For a bit you both hang out at the bar, drinking a bit, mostly chatting. The bartender informs you both the private room is ready, and you take the key. Norton follows your lead.
“The rooms are over here.”
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Small rooms with beds and simple bathrooms are places for those to indulge with partners or paid companionship. They are always clean and can have certain amenities added or changed.
It takes a minute to find the room; once you do, opening and closing the door, Norton sits on the bed next to the suitcase. “Go on.” Gesturing for you to take the thing with you, “In there, and don't come out until you are all dolled up.” Pointing to the closed bathroom door. The smirk on his face broadcasts how pleased he is as your cheeks burn hotter than any fire right now.
You are uh, you have not been with another man after your friend’s death, never felt right. He was everything you wanted to be, inspired to be, and yet you were content not to be. He showed you things and was slow and patient with you, never will find that again you figured. 
Norton does not move slow; he moves fast and trusts his gut on things most of the time. And tonight his gut was right.
The wedding dress you wear, after going into the bathroom and preparing yourself, is comfortable for your size and body type. It is the same one you were looking at with your wife while talking to her about renewing your vows. Norton was only there because he needed a party suit.
“This is embarrassing.” The makeup is a touch you added without him saying anything. Your wife adores you with lipstick, the rouge kind, it makes your smile pop. Norton sits there with his legs open and leaning back with his hands holding him up. Admiring, though you can feel him undressing you.
“Mrs. Campbell.” He says, “You look nice.”
“Nice? Do you understand the fight I was having with this zipper!? I better be more than nice.” Annoyed.
“Alright, alright,” Standing up with his hands up in defense, “How about ravishing, hm? Want me to praise my good boy for following my instructions, or,” He grins at the way he can tower over you, “Should I take my wife on our wedding night and make him feel everything I have been holding back, hm?”
There is something you like… Something about being in a role you are never going to have. You are a man, a husband, the breadwinner. There are things in this society you will never have nor be granted even if you held all the money in the world. You must dominate, must be strong, you must be everything society demands of you.
Your father was forgiving of your tastes so long as you were discreet; your wife helped you… Help you find this place where you can be how you want.
The bed is comfortable but you find yourself backed against a wall with Norton under the wedding dress.
“Hard already? Lace really does wonders to a man.”
You try not to moan, try not to seem touch starved for another man's touch, but you moan. Hands gripping and pressing down on the front of your dress. The dress is not a problem rubbing against the right spots as Norton’s callous hand grips your legs. Comparing both your bodies, you must feel like a doll to him. You are trying hard not to cum as his tongue and lips are hot against your cock, the barrier of the lace panties rubbing and your hard cock twitching with arousal.
“Don’t you dare cum.”
 “God, please.”
“Not God, me. Beg for me.” His bitemarks littered all over your inner thighs, “Making a mess down here.” Precum weeping out of your cock onto the underwear. His mouth takes the tip while his tongue cleans your mess.
“Shit, sorry, sorry!” It is too late and cum into Norton’s mouth, legs wobbling until they give out.
“Tsk, spoiled brat. I told you not to cum.” When you fall to the floor, now on your back, he slips from under your dress, licking his lips as lay there covering your eyes with both hands, “That good?” He crawls over to see you, moving your hands off your face. He looks worried. “(Name)...”
Crying, “Yes. Sorry, it's been… A long time.” It is unexpectedly emotional. You apologize again only for lips and a salty taste to blank your mind. His body is heavy, his colon the one you mentioned once how it smells nice, and his hand everywhere.
You once knew what it was like to be treasured, now you know what it is like to be possessed.
Norton Campbell is greedy, he touches you, consumes you; you writhe under him as lifts the dress to properly open you up. The oil he uses makes you feel warm and sensitive, “Suggested.”
“By who?” Out of breath.
“A friend.” Not only a friend, Norton hates the man but that novelist bastard has his uses.
“Good… Ah… Friend!” He found that sweet spot quickly, “Norton, Norton!” Legs shaking as you feel the ache of another release.
“This time you better hold back.”
You do, it is difficult but you do it with tears in your eyes and begging for him to let you cum.
“Mrs. Campbell needs to learn patience.”
“Mr. Campbell needs to fuck his wife or he might go find someone else who will.”
Norton sat up, a shadow falling over half of his face; you worried you said something wrong but when you are turned over to lay on your front. The way he hastily ripped his tie off to bind your wrist behind your back, he left enough fabric to use it like a leash.
“As if you would give that hole of yours to anyone but me.” His body close to yours once more, your head turning to glance behind you. You have never seen Norton naked, no reason to, and though he is not fully naked, he is shaped like a statue of Ares. Muscles and blood, his bones of iron; you whine at the sound of his pants being undone. He filled out so well, and you gasp as his cock-- Hot, heavy, and hard-- slid between your asscheeks. “You're a good boy,” Adjusting his cock with his free hand to press against your hole, “If you were easy, I wouldn’t have noticed how tight you are.” The lace moved aside but not taken off. Norton Campbell will be the death of you, pushing back wordlessly begging him. He is all too happy to thrust into your heat, the groan of how you need to relax, the way you called out his name in the voice he going to be obsessed with for a long time.
Lovemaking would be nice but not what is being done, Norton fucks you like you going to disappear. His teeth bite into your shoulder as he holds you close, thrusting with the intention of making your body remember every drag of cock. He will do this over and over, with you begging over and over to go harder or faster. Norton likes it when especially ask him to touch you, the sobs of your pleasure and way struggle to match his thrusts.
“That’s it,” Husky voice laced with the finest of lust, “(Name).” The sound of your name is spoken throughout the night. Every spot in this room is a witness and near the end he has you on the bed, holding you like you are his most treasured desire. Because you are.
It is a long night before he has to let you go. The saddest part of it all is always when the fantasy ends, yet it makes the memory last the longest. You will feel him for a few days and he will long for you for a few days. The public will only see what they need to see, the smoke and mirrors. The bittersweetness of it all, you try to focus on the sweetness though as he is there. Always there in front of you sharing the sun and moon with you.
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lostinthesasuke · 1 year
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I just saw your Sasuke as Joan of Arc art and first of all I LOVE IT second of all I think it gave me a new kind of brain worms. Begging you to elaborate on what you mean by Sasuke would understand how Joan of arc felt, please I feel insane.
first of all thank you so much, that means a lot to me. <3
second of all, not sure if you know the can of (brain)worms u just opened. this is long so buckle up.
joan of arc was born into a century long war between france and england, and saw her home destroyed.
sasuke was born into a military state where children are primed to be perfect soldiers the moment they are old enough to hold a kunai. the state groomed his brother into a murderer, stripped his home and family from him.
throughout her life, joan of arc saw visions of saint michael, telling her she would be the one to lead france to salvation. joan vowed to avenge her country, and petitioned the king. at seventeen, joan was sent to war. at seventeen, she was victorious. when france was triumphant, she was beloved. when the tide of battle turned, she was blamed. she was burned at the stake.
sasuke was plagued by visions too, images of his family eviscerated at the hands of the most important person in his world. burned into his eyes like a brand, forced to watch on repeat.
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with that, he resolved to wage his own war.
joan, who was once revered as a pure maiden and was made a symbol rather than a girl, became despised; villainized, and accused of demonic possession.
sasuke was made a symbol, too. the last of his clan, a powerful asset. an uchiha, a holder of a desired kekkei genkai, not a boy. he fled. like joan, he sought a powerful entity to gain strength, to forge his path in battle.
at seventeen, he learned the truth about his clan's state-sanctioned genocide. at seventeen, they called for his execution, too. discarded once he no longer served konoha's purpose, had abandoned the so-called 'will of fire'. the illustrious uchiha name tainted by blood, by a farcical "curse".
his opponent used the very power stolen from his kin, their doujutsu embedded in his arms. joan's detractors still benefited from her name long after her demise, too.
joan's emergence was prophesied, a legend of a virgin who would bring peace to france and end the war.
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a virgin, pure. 
sasuke's ideological purity is a topic that has been debated at length by both his supporters and critics, both in the text and real life (and kishimoto himself.)
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sasuke's "purity" and the morality of his actions are always under scrutiny. which follows since his clan name has been "dirtied". 
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joan was also forced to defend her purity. a maiden and a virgin, she was put on trial for her supposed lack of virtue with her life hanging on the verdict. they labeled her a heretic crossdresser perverted by satan because she kept her hair cropped short and wore only men's clothing. they killed her for it.
sasuke and joan both blur the lines of gender. sasuke is portrayed as a heroine and a femme fatale, and objectified for his looks and his body (whether for power or other nefarious reasons). he is more scantily clad than any of the women characters, and cast in a lascivious light.
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joan rebuffed suitors and refused marriage all her life. similarly, sasuke rejected all advances from women throughout the manga (post 700 doesn't exist to me) despite the intensity with which he was pursued.
joan's righteous fury at the british, at the wars that claimed her childhood, are all reflected in sasuke's motivations. in his quest for justice, in his resolution to bring peace to a war torn world, to make those in power pay for the suffering that they are complicit in and dismantle the very framework that allows it.
at seventeen, sasuke decided to become a martyr for the world's hatred. he decided he would be the one to shoulder it all, to purify the world of conflict by taking all of the animosity onto himself. like joan who believed she was sent by g-d to end war, sasuke resolved to become a savior.
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a martyr like joan (like itachi), whose guilty verdict was only overturned long after her death. who was canonized as a saint long after mobs raged against her. who became a symbol of freedom and revolution enduring hundreds of years, her name a rallying cry despite the vitriol that claimed her life. 
sometimes when you're seventeen, the voices in your head tell you to start a revolution. sometimes, they're right. sometimes the institutions upheld by those in power need to be cleansed by holy fire, and maybe sometimes something better can rise from the ashes.
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genderkoolaid · 2 years
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TW: Suicide, misgendering & deadnaming
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From January 14, 1860:
“An extraordinary case of a girl concealing her sex for many years, has been brought to light at Peitiers, France. Augustine, alias Augustus Baudouin, a young person of 17, was known in the town and neighborhood as an active lad, and had been in place in respectable houses as “odd boy.” This individual was lately tried for robbery, and while in prison, the authorities conceived some suspicion, and ascertained her to be female. On being asked what reason she had for wearing men's clothes, she said she had observed that men got their living easier than women; but she refused to give any information as to her birth and parentage. She was removed to the female wards, but her repugnance to appear in woman's attire among her fellow prisoners was so great, that she committed suicide by hanging herself on an iron bar with a pocket handkerchief.”
Augustus Baudouin gave the same excuse most other historical crossdressers AFAB did, that men had an easier time finding work or an easier life, which is why they crossdressed. I can think of only one man who, in the article about him, said that he had always wanted to be a boy. And it's clear why, because "I was so tired of my woman's place in society and needed food, so I simply had to dress as a man!" is a much better excuse than, potentially, "I feel like a man and I dress this way because I enjoy it." The former is much more likely to garner sympathy, while the latter exposes you as something unnatural.
But this one stood out to me, because Augustus committed suicide in prison after being forced to wear women's clothing and be called a woman's name. He refused to give the authorities any information on himself, and both that and his suicide imply that he was not a woman doing this for pure survival.
It also is impossible to hear about a trans man committing suicide after being outed and not draw connections to our modern life, where transmascs have some of the highest suicide attempt rates. This is not new- as long as there has been queerphobia there has been queer suicide, and it's an issue that has been addressed by queer activists since Magnus Hirschfeld and in Autobiography of an Androgyne.
I wish we could know more about Augustus outside of newspaper clippings written by cis people after his suicide, gawking over him as "an extraordinary case" after society directly led to his death. Like so many trans men&mascs, his story was told for him and his view on his own gender was erased. We don't know exactly how his assigned gender was "ascertained", or what he might have gone through in prison, or the circumstances that led him to living as he did before he was arrested. All we have left of him is the spectacle cis people made of him after his death.
Rest in peace, Augustus Baudouin. I'm sorry you were robbed of the life you deserve. Over a hundred years later, we remember you, and we remember every other transmasc who has been killed by transphobic society. Though you may have felt alone while you were living, now we know we aren't. We are organizing and fighting for a better world for all of us; I wish you could have seen it.
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A Fairy Tale Rabbit Hole
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Snow White and the Seven Dwarfs is the movie that it started it all for Disney Animation and it's the most influential fairy tale movie ever. Its tropes and its tone still inspires fairy tale media to this day, either as parodies, or homages.
But what less people know is that Walt Disney was inspired to make this movie because of a peculiar silent movie that he watched when he was a teenager.
That movie was Snow White from 1916. Its writer, Winthrop Ames, adapted it from his own Broadway play. An example of American fairy tale theater.
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This kept me thinking.
The Wizard of Oz is one of the most iconic fantasy films of all time, and it was made in direct response to Snow White. What people don't know is that the scene where Glinda saves the gang from the deadly poppies with a snowstorm came straight from a fairy tale musical from 1902. It came from The Wizard of Oz, a fairy tale musical "extravaganza", with direct input from L. Frank Baum, only two years after the original novel.
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Actually, stage musicals seem to take a slight part in the creation of Oz. The Marvellous Land of Oz, the sequel, seems to be inspired by this stage culture. General Jinjur and her army dresses like chorus girls, Ozma/Tip may be inspired by the crossdressing in children roles, and this was the book's dedication:
"To those excellent good fellows and comedians David C. Montgomery and Frank A. Stone whose clever personations of the Tin Woodman and the Scarecrow have delighted thousands of children throughout the land, this book is gratefully dedicated by THE AUTHOR"
These were actors of the 1902 stage show.
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Two years later, on 1904 Peter and Wendy premiered. This play is also one of the most famous children stories ever. Walt Disney himself acted as Peter in a local production of it and Tinkerbell quickly became a mascot for the studio.
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This all led me to think more about fairy tale theater specifically.
Since the ending of the 18th century and through the 19th century, a genre of stage show developed through Europe. It was mostly comedic and light-hearted, mainly inspired by fairy tales, and it was geared towards children and families. It involved lavish fantasy spectacles told through operas, ballets, and what we today would call "musical theater".
It had many different names and variations depending on the country.
On England, it evolved through the pantomimes and it became a Christmas tradition.
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In Russian, it was mainly through ballet, called the ballet-féerie, often considered a lower-class, more commercialized entertainment than traditional ballet. Tchaikovsky's Sleeping Beauty and The Nutcracker are among some of them. Sleeping Beauty would later inspire Disney's telling of the story.
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In France they were called Féerie, and it was a mix of music, dancing, pantomime, acrobatics, and stage effects. It influenced the development of burlesque, musical comedy and film.
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From Wikipedia:
With his 1899 film version of Cinderella, Georges Méliès brought the féerie into the newly developing world of motion pictures. The féerie quickly became one of film's most popular and lavishly mounted genres in the early years of the twentieth century, with such pioneers as Edwin S. Porter, Cecil Hepworth, Ferdinand Zecca, and Albert Capellani contributing fairy-tale adaptations in the féerie style or filming versions of popular stage féeries like Le Pied de mouton, Les Sept Châteaux du diable, and La Biche au bois. The leader in the genre, however, remained Méliès,[37] who designed many of his major films as féeries and whose work as a whole is intensely suffused with the genre's influence.[38]
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Once you realize a huge chunk of fairy tale media has roots in family friendly stage shows from 19th century, a lot of it started making sense.
The focus on romance, the focus on damsels in distress, prevalence of lighter tones, the everlasting connection to music and dance.
They may be the main reason why some fairy tales are more famous than others. Some became source material for a continuous stream of operas, operettas, musical extravaganzas, ballets, plays, and others simply not.
And besides the Victorian Era storybooks that bowdlerized fairy tales for children, I think this whole genre of the theater was responsible to firmly establish fairy tales as a child friendly media, decades before Disney ever released Snow White to cash in that nostalgia.
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If you have something to add or if I just got something wrong, feel free to correct me.
@ariel-seagull-wings @princesssarisa @adarkrainbow @the-blue-fairie @theancientvaleofsoulmaking @natache @tamisdava2 @thealmightyemprex
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aguacerotropical · 1 month
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The Count de Saint Germain as Paracelsus (or His Corrupted Foil), and King Basilio
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There's a theory floating around that I've mentioned before, and that I did not come up with but can't remember who did, about The Shapeless One being (literally or figuratively) a corrupted Paracelsus. Well, his outfit always reminded me of something, and I just realized it's a magician's outfit complete with a wand (that has stars at the end).
Again, the direct reference is the weird eccentric alchemist, musician, magician, obscurantist and probable conman the Count de Saint Germain, but the possibility of a secondary reference is interesting. At the very least, it might be playing as a foil to the creator of Babel.
The idea of him as a magician is also kind of cool when you take into account the Marquis Machina's speech to Ruthven after the Gevaudan Arc. She/he/they also recalls magic, and possibly shows how alike they are.
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I also mentioned this over two years ago when I first watched the anime, but the fact that The Shapeless One wears a broken watch indicates (to me) that he's a creature out of time itself. Could simply be that he's the oldest vampire in history, except maybe for the Faustina or Luna themselves, or that he's something more than just vampire. Like Paracelsus himself.
(or a corrupted analogue to him.)
Is there a third (?!) reference to King Basilio in Life is a Dream?
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And finally, almost forgot this, but I've always said that his speech about "dreams are only dreams, inevitably there will come a time when you have to wake up and face reality" from chapter 55 sounds suspiciously like Pedro Calderón de la Barca's well known "Life is a Dream" play with its famous verse:
What is life? 'Tis but a madness. What is life? A thing that seems, A mirage that falsely gleams, Phantom joy, delusive rest, Since is life a dream at best, And even dreams themselves are dreams
I don't really want to get into the full possibilities of that reference, particularly with the idea of free will vs predestination that also smoulders in the back of Vanitas no Carte's storyline. I think that deserves it's own essay (and a personal reread of the play).
But lets talk about it superficially. The play's summary goes like this: The protagonist Segismundo's father King Basilio is obsessed with science and astrology. The stars predict his son will be a tyrant, so he locks him in a tower and runs a kind of natural experiment to see if he will turn the tyrant that the stars predict when he's set free. Or if he can exercise free will and become a good king. If he's a tyrant, he locks him back up and convinces him the whole thing was a dream. There's also crossdressing. It's a fun read.
Anyways, it reminds me of The Shapeless One's experiments on Louis. He locked him up in a castle at a mythical region of France, Averoigne, to see if he would become a curse-bearer, as was his (supposedly) destiny due to being born as a twin. Or if he had the free will to break free. Obviously Louis, unlike Segismundo, lost and died. (Or maybe he's locked somewhere else, I know there's some Louis de Sade is Alive Truthers out there!). I could talk about his machinations on Mikhail and Noé as well, but this is long enough.
Astolfo also appears as a character in the play, but Calderón de la Barca lifts him from the same source material Mochijun does in La Chanson de Roland. Not sure if dear Pedro gets it directly from that epic poem or one of its derivative works though, and I'm not curious enough on that to research it.
So I can't draw a direct reference, but it would be strange that someone as well-read on classic European lit like Mochijun wouldn't know of Pedro Calderón de la Barca, probably the most famous Spanish Golden Age writer, and his version of Astolfo.
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milaisreading · 3 months
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Crossdresser!Yn AU:
Reporter: What was the weirdest pick-up line you got?
Crossdresser!Yn: Ah, I didn't really have any.
What Yn remembered:
Charles Chevalier
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(I know he is from France, but!)
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weirdowithaquill · 10 months
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The Destruction of Engine Culture:
Ok, so this is going to be another long, and rambling post. So be warned. And as usual, this is a RWS theory post, so there will be talk of scrap.
That said, let's dive into the destruction of engine culture.
So, I think the first thing to ask is what would be 'engine culture' and how would it affect the railways of Britian (and globally) - and the answer is quite simple: it's the same as human culture. Humans have developed cultures for millennia, and they are often quite similar, and this is hypothesized to be because these cultures had similar things to warn about. Warning about the dangers of flooding, of wild animals, of droughts and fires. Many of the oldest stories are tales told to teach practical lessons. Little Red Riding Hood is as much about stranger danger and the threat wild animals pose as it is a story about a crossdressing wolf. Some scientists believe games like tag and catch were developed by our hunter-gatherer ancestors to teach hand-eye coordination and improve stamina. This is of course very early culture: stories, games and songs passed down from one generation to the next - but that's what we're talking about here. Railways are 220 years old at the oldest possible (and there are surviving engines from this era), so it's an early era of culture for them.
Furthermore, engines would inherit much of their railways' culture, depending on where they are. An engine working in Tsarist Russia would grow up with that culture, whereas an engine in Argentina, or France, or Kenya would grow up with the local cultures. This includes language, music, belief systems and otherwise. So that's the basis of engine culture itself: human culture. Engines learn human language, they sing human songs and they might even take on human beliefs.
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They do, however, have their own beliefs. Lady, for one, with her gold dust and magic, has been used by fanfic authors as an 'engine deity', while Thomas and Friends alluded to Proteus being a deity of some sort, with a magic lamp. These engine 'deities' exist, it seems, as a focal point for engines. Proteus represents the ability to make wishes - something engines really don't have, while Lady represents freedom. She's able to travel great distances on her own, between continents, without needing to pull trains. Does that not sound like the railway version of attaining freedom?
So the engines have 'deities'. I won't call them gods, because that's very likely not what they are, but they are legends told by older engines to younger ones.
The other kind of legends that would really dominate engine culture would be practical moral tales - in the same vein as Little Red Riding Hood being about stranger danger and the threat of wild animals, stories told between engines would be warnings about the trucks, or bad stretches of line, or dangerous weather. But unlike fairy tales, these stories would come from experience. Engine culture is very new, and it's being developed continuously during the Victorian era. Incidents like the Tay Bridge Disaster, or William Huskisson's death, or the Abbots Ripton rail disaster all are quickly turned into stories told by the older engines to teach the new arrivals (of which there are hundreds by the year) about how to run the railway as safely as possible.
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The engines also develop games which help them to watch signals, or counter miles, or figure out their location in adverse conditions. These games started as training exercises, but became more fun as young engines made them competitions. They also develop songs of their own, which can tell messages:
"Once an engine when fixed to a train Was alarmed at a few drops of rain, So went "puff" from its funnel Then fled to a tunnel, And would not come out again."
The message: don't stop in a tunnel.
But the thing is, this post is about the destruction of engine culture, and now that I've explained it, I'm going to explore how it was decimated.
And for that, we start with the Second World War, which saw a complete upheaval of the railways of Britain. The war was especially hard on the railways, and engines were often used around the clock with no rest. This meant that a lot of the newer engines never got to hear these stories before being sent out for weeks at a time, as they never spent any time at a single shed. And even if they were parked up at a shed, everyone was so exhausted they didn't have time to tell tales. And at the end of the war, a lot of the oldest engines were withdrawn, completely worn out. The oldest engines were the ones who told many of the tales, and their loss was the start of a decline.
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The Railway Series, however, would pick up a lot of the slack from this loss, as many of its earliest stories were in that same moral vein as traditional 'engine culture' stories, focusing on listening to elders, not stopping in tunnels, being patient, gentle with coaches, careful with trucks - it's all there. And I can see that being due to Edward teaching the Reverend many of these stories, in a bid to keep them from vanishing. And he would continue on, joined by other older engines like Skarloey, Rheneas and Toby, as the book series went on. Things like listening to advice and not acting recklessly pop up constantly - especially with Duncan, who Skarloey had to deal with.
It all gets worse when British Railways forms though. And this is where the 'railway rulebook', the attitudes of diesels and the doctrine of BR all come in to play. As the doctrine and official rulebook of British Railways portrays steam engines as inferior, weaker engines, the diesels are indoctrinated into believing it - and thus, they refuse to listen. Take Diesel for example, who believes that diesels can just arrive at a yard and 'improve it'. He is immediately foiled by some jammed breaks - something he may have learnt about from a story or a tale from a steam engine. But he never stopped to listen. And it's the same across the country, across the world in fact. As the successful diesel classes prove themselves to their managers, they are rolled out and steam engines are withdrawn - and with that, so is the culture they were the keepers of.
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But this isn't quite the end of this 'engine culture' yet, because one group willing to listen to the steam engines are the 'failures'. Engines like BoCo and Derek would be very willing to listen to the engines that have tales that may just help them. Stories like how to best use sand in a storm, or how to conserve energy over the Settle-Carlisle route. And so even as steam dies, these 'failures' hold their culture, and try their best to preserve it, alongside the preserved engines. The Railway Series does too, such as in 'Stepney the Bluebell Engine', where sanding is explicitly mentioned. Another group that take in this engine culture is the GWR diesel-hydraulics, who grew up with GWR ideology, and thus would have been more willing to listen to their steam ancestors.
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But these 'non-standard' engines were also quickly wiped out. And this leaves only a few pockets of engines who remember the old stories: the preserved engines, and the few Gen-1 diesels who did listen. By the end of the working lives of the Class 40s, the Deltics and the 'Peaks', they are the last engines who remember the old stories from the steam era working on British Railways, and when they are scrapped, the next generation grows up relearning everything.
Because the fact is that these stories held a major purpose, and the destruction of that culture means that every mistake every warned against is suddenly being made again, and again, and again. We notice this in the Railway Series, where Diesel, and Class 40, and D199 and even Bear all make very elementary mistakes that would have been warned against in these cultural stories - like taking care around trucks or looking out for the wind. And it only gets worse as this first generation are scrapped. Engines scramble to a standstill on leaves again, engines get trapped in floods, or lost in storms, or run through signals - and it's because the games, the songs, the stories, everything that would have prevented these accidents is lost.
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It's not until these diesels reach preservation that they hear the stories remembered by the steam engines, and that's when they realise that... hey, maybe the ancestors were right after all.
The saddest part is that it's not only a global thing, but that it's still very much a problem on modern railways. The loss of 'engine culture' between the 1950s and the 1980s would have a domino effect that would still impact modern railways, as the even newer electric engines and multiple units face the same issues but with no prior knowledge.
The pictures in this post are not mine.
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ficretus · 29 days
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One of the defining traits of Jaune's character journey is subversion of both in universe and outside tropes.
In universe it ties to him being Arc (famous warrior bloodline) and presenting himself as some kind of knight in shining armor in early volumes, while being incompetent goofball that got where he did thanks to cheating.
He also subverts tropes of standard battle shonen protagonists. Yeah, he has gotten more competent both as leader and fighter, but there won't be any scene in which Jaune goes Super Huntsman and beats the shit out of Demon King or whatever.
This ties well to him being Joan of Arc allusion. Joan's journey was all about defying the gender roles of the time. She was a teenage girl that was tasked to save France. Just in act of doing so, she broke many social norms: she both lied and disobeyed her parents, broke betrothal that was set up for her, crossdressed, at multiple occasions called out her superiors, and so on. Joan rejected female gender role of her time in favor of being warrior maiden.
And while Jaune doesn't reject his role, universe rejects it for him over and over again. Every time Jaune tries to be stereotypical knight or play any traditionally masculine role it doesn't go well for him.
Tries to play knight with family heirloom at Beacon, fails miserably.
Tries to court Weiss, closest thing Remnant has to princess, fails miserably.
Tries to go full avenger mode on Cinder, fails miserably.
If you look at Jaune's Rusted Knight phase, that is basically his wish fulfillment fantasy from the beginning of the series. He is dashing mature competent armored knight that has Weiss' admiration. Yet Jaune is probably at his most miserable during that phase and I don't think that's a coincidence.
Looking at his current trajectory and Joan of Arc allusion, I'd say Vacuo portion of the story will be when Jaune finally rejects stereotypical roles that are assigned to him and forges his own path.
His sword, symbol of both his role and family legacy broke. He now has a chance to either continue walking the same path by reforging it or pick a new path by finally creating his own weapon.
And looking at Joan of Arc story chronologically, Jaune is approaching important moment of Joan of Arc story, start of her journey to Chinon to see the King. Right before start of the journey, Joan cut off her hair and started wearing male clothes. Based on that, I suspect Vacuo will be turning point of Jaune's character.
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