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#don’t align with hers and criticizes his interests all the time and it just sucks to see. he never shows hurt or anything so idk how he
pepprs · 11 months
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my mom isn’t letting my dad go back to his office bc him being out of the house stresses her out and makes her have a flare up and it’s like kind of insane. like i understand why the idea of him doing that would make her panicky and angry as someone who also struggles w separation anxiety and abandonment shit / has physical symptoms from that kind of stress (though not to the same degree ofc) but also he is a grown man. he should be allowed to go to his office and not have to shape his entire life around her needs. and she keeps guilt tripping him out of it and it’s impacting his quality of life a lot and the whole thing is kind of… hm
#purrs#delete later#also she’s guilt tripping me into coming to the stupid fucking potluck on sunday bc she needs the extra help and it’s like… what are you#gonna do when i move out. like i am a grown woman and i should be able to choose how i spend my two precious weekend days. and my dad is a#grown man and he should be able to choose where he works. like is that not a little bit insane. i get it but also….. i do think it s kind of#fucked ip that it’s her way or the highway and her needs take priority over all of ours and she’s asking us to bend to what she wants when#she wants it. like i get it bc she’s sick but it’s not fair for her to expect that from my dad especially. particularly when me and my#brother are back at work / school in more high risk environments than my dad who would be in a private office alll day. and the thing is no#one is brave enough to all her on it bc if we did it would be the END of the world. she even threw a fit on my dads bday and complained bc#the things he wanted to do were things she didn’t want to do like all the man wanted to do was go mini golfing and when that wasn’t good#enough he just wanted to go on a walk and my mom complained the whole time and also scoffed the movie he wanted to watch and said it was#boring and it’s like… wtf it’s HIS birthday??? but what do you expect from the woman who (and in fairness her friends got her these as gifts#but still) has TWO kitchen items that say some variation of ‘a marriage is when one is always right and the other is always the husband’ 💀#i look at that little plaque every night bc it’s in front of the sink when im doing dishes and it makes me so fucking angry. like my dad is#a whole fucking person and he can be right too and he deserves to make choices and be happy and not have his wife put him down all the time.#idk. and she puts down his family all the time too and complains when he wants to do the most reasonable things for his own enjoyment that#don’t align with hers and criticizes his interests all the time and it just sucks to see. he never shows hurt or anything so idk how he#feels about it but it makes me so angry and sad and when i tell her to stop she just lashes out at me so. 🤪. like how do we get her to stop#making her needs more important than everyone else’s bc… she may be our mom / his wife / whateger but that doesn’t make her queen. no one is#(andalso this has only gotten worse bc of covid / her being sick. like this has been a lifelong thing it’s just it’s a lot worse now bc the#circumstances gave her room / forced her to have to take up more space. and it’s just so frustrating. i get it. but none of us are pawns or#dolls or subordinates or anything. there’s 5 adults here and we should all be able to make choices and not be guilt tripped by her. lol#)
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jeanmoreaux · 1 year
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I liked season 2 of Shadow and Bone, it was entertaining and I made sure to remind myself to separate it from the books. That being said, I felt that some scenes lost their weight due to them being rushed (Kaz vs Pekka, Kaz fighting the Dregs), and I felt that the flashback scene of Kaz on the Reapers Barge was not impactful enough. They couldn’t have had the actor push a couple of dead limbs off himself or turn his head and come face to face with a corpse instead of just touching one body? That would be more impactful AND would save the horror and logistics of the “using Jordie as a life raft” scene.
I don’t generally like how the show has handled Inej’s story. Even in the first season they barely showed her fear of the Menagerie and Heleen, just her rage and anger. From the TV show/story telling perspective, I understand why they killed Heleen, it makes Kaz and Inej’s goals aligned. HOWEVER I wish Inej had gotten revenge on Heleen or we could have seen her get the tattoo cut off rather than tailored away and leaving a faint scar/feather outline to show just how much she wanted to be rid of it. I’ve seen tweets about the Inej episode they have written for the spin-off, written by an Indian woman, which does have me holding out hope they’ll give the story and Amita the space they deserve.
I also hated how they softened Zoya. I know that it’s possible to write a character who is mean and also likeable and they failed to do that. They also barely had her in the season.
My other complaint is that the season was very busy but when you have like 10+ main characters it can get to be a lot. Which sucks because I loved all the performances and the acting was great but I just could not CARE about Alina/Mal/the Darkling. Episode 7 which was mostly about them felt so long because I just didn’t care as much. The crows are more interesting, even my sister who’s never read the books agrees that the crows stories are more interesting. To quote her “enough with the war and Ben Barnes! Go back to the thieves!”
I very much want a Six of Crows spin-off, I don’t care much for a Season 3 (unless that’s all we’ll get) and I don’t mind they took some scenes from the books and made them fit with the context of the show. I think that it will make for a nice parallel between the Kanej graveyard/wound cleaning scene versus a possible similar Crooked Kingdom bathroom scene in a spin-off. I like the changes made because it made sure I wasn’t alway two steps ahead of what was happening and was able to be pleasantly surprised.
gosh, i am so on board with the things you're saying! your citicism is SO valid, and all these things bug me too!!! thank you so much for sharing btw—loved to read your thoughts. i am glad you were entertained by the season as a whole. i was, too; up-until ep4 when it just kind of fell apart for me (mostly as a season of television but also as an adaptation). but even after ep4, i tried to separate the books from the tv show in my mind, and that worked rather well until the last two episodes tbh. it's just.....the last-minute changes they made are so in conflict with what tgt is about and felt very out of left field, so that it was almost to jarring of a change. ((does that make sense??? i feel like if they'd committed to the changes earlier in the season i would have had an easier time not comparing it to tgt...)). and ngl the final made me more critical and re-evalute the earlier episodes in season (mainly because, for me, they miserably failed to build up to the 'twists' in a satisfying way). you're so right about the acting and the crows as well. ((lmao your sister is so real for that comment 😂 give her my love.)) and same, i am much more interested in a soc spin-off than a third season. the direction they seem to be going with the tgt storyline simply doesn't interest me all that much. still, for the casts sake, i hope they're renewed. i haven't read any info on the planned spin-off but they kind of teased the soc storyline at the end so does that mean the spin-off won't cover the ice court plot? and i am so happy to hear they'll (hopefully) dedicate more time to inej and her story in the spin-off. it's what my girl deserves!!! ((wish they would have focused more on her as an individual in sab too, tho...)). whether they only get a third season or a spin-off, i am interested to see what they do from here on out with the crows. frankly, i don't trust that it will be good ((mainly bc i trusted them with sab and look how that turned out lol)) but i am more than ready to be pleasantly surprised!
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dorimena · 3 years
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Hi, I love your work and if your requests are open would you consider the following?
Monoma is on patrol with y/n and Monoma being well....Monoma, he was horny and was teasing y/n. Not having any of this shit, she proceeds to dom the fuck out of him during patrol. She takes him into an alleyway and fucks him with a strap that she had on her already (she was already planning on something but didn’t go through with it because work is work and she’s aware that Monoma and her could take their time when they got home). She pushes him into the wall and fucks him silly. Monoma is loving it and keeps begging “Mommy fuck me more, please!”. She gives him what he wants but she tells him to be quiet or else the bystanders would fine their great Phantom Thief in a puddle of his own cum while getting fucked by his mommy. At some point two civilians hear Monoma panting and hiccuping and get concerned. Y/n keeps fucking him and reassures them that Phantom Thief is fine. He cums then and there and she tells him to reassure the civilians that he’s ok. Monoma whimpers out that he’s fine and y/n cleans him up and cuddles him in the alleyway telling him how much of a good boy he was.
(I’ve been thinking about this ever since I read your shower blowjob story. This man makes the dom in me go crazy. He’s already a whining bitch, having him be like that in the bedroom just- 😫)
Let me say that I’ve had a scene in my head almost the same as this one you sent me and I am absolutely thrilled because yessss more attention to bratty baby Monoma ٩(♡ε♡)۶
And honestly, this man is just asking for it. Bet he wants to fucked anywhere, anytime, as long as he's put back into his place. That's his kink-
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𝔠𝔥𝔞𝔯𝔞𝔠𝔱𝔢𝔯; Monoma Neito
𝔴𝔬𝔯𝔡 𝔠𝔬𝔲𝔫𝔱; 3.5k
𝔴𝔞𝔯𝔫𝔦𝔫𝔤𝔰; fem!reader, pegging, mommy kink, slight exhibitionism, public sex, mentioned sex toy (butt plug), implied overstimulation, multiple orgasms, implied after care, domme!reader, sub!character
𝔬𝔱𝔥𝔢𝔯 𝔱𝔞𝔤𝔰; begging, humiliation, Monoma being a little shit, because he wanted your attention, and to rile the fuck out of you, aged-up character: Monoma is 20+
𝔰𝔦𝔡𝔢𝔫𝔬𝔱𝔢; I unknowingly kind of changed a few things from the ask, like the conversation between Monoma and the bystanders, but I hope you like it anon! The ending is kind of rushed, sorry about that!
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𝕭𝖊𝖎𝖓𝖌 𝖆 𝖇𝖎𝖙𝖈𝖍 𝖎𝖘 𝖒𝖞 𝖐𝖎𝖓𝖐
“Now, now, y/n, you know ignoring someone, specifically the love of your life, is a crime? How else are you to beg for my love if you go on and ignore my graceful presence? Are you listening to me? At least lend me your attention.”
He’s been like this for the past couple of hours since you’ve both been assigned together for patrol. You thought it’d be a good idea, and Monoma was also excited when your boss told you both to get ready and head to the neighborhood you’re meant to keep a watch over.
The neighborhood turned out not as empty or quiet as you expected, rather close to a busy street. Some stores and restaurants seem to align themselves around this area.
You thought things would go smoothly, go even better and much quicker now that you and your boyfriend are finally patrolling together, months since you’ve transferred to this agency from your old one.
But Monoma’s been leaving any and every snide remark since you two stepped foot into the area, teasing you for any small mistake he believes should be (loudly) called out for or simply trying to mess up your way of doing things.
You don’t even want to count how many times he’s criticized the way your hero outfit currently looks on you. And no, you’re not getting insecure, but rather more… cautious.
There’s a reason why the uniform seems a bit odd around your crotch, but he doesn’t need to know that, not here, not now. Maybe until you both get home-
You trip, almost falling flat on your face if it weren’t for your boyfriend quickly grabbing you, pulling you up to your feet as he looks at you with panic before it quickly dissipates to his stupid mockery.
“See? You cannot do anything right, not without me at least. You, my dear, cannot live without me yet you still ignored me. This is what I mean when you should listen to me. Anyone would truly be grateful for having me, Phantom Thief, as their beloved lover.”
That’s it. You usually can take so much of his weird comments, but right now he’s pulling anything out of his ass at this point. (Soon you’ll see what actually comes out.)
You don’t answer, just look around to make sure no one is watching as you grab him by his stupid tie, dragging him to the nearest alleyway you remember passing by, glad it’s still pretty empty and dark enough to hide your bodies in the shadows.
He isn’t even struggling, just letting you walk him as if he’s a dog, quietly following you. If you were to turn around, you’d see the way his eyes are wide yet full of lust, his pupils dilated as he mentally cheers, thanking the gods for listening to his horny prayers of being sucked in an alleyway.
Do you know how hard it was for him to not jump you and beg you to help him? All because of how sexy you look in your hero outfit, how the small fixes and modifications bring out more of your body, the body he loves, yearns, desires, every day and night. Hopefully you don’t find his surprise before he can debut it once you guys are back home. (But unintentionally came prepared.)
He’s a complete fool for you, but you can’t know that, or else it’ll be the end of-
“Monoma Neito. You have 5 seconds to tell me why the fuck you’re being a piece of shit tonight.”
He didn’t realize his back is against a cold wall or how you’ve trapped him between your arms, the way you’re glaring at him while counting down in such a low tone, it makes his legs feel weak and threaten to buckle..
“Horny.” He barely whispers, crazed eyes never leaving your face as he stays still, trying to control his breathing and heartbeat as you scan him from head to toe, eyes finally staying in place where his boner is visible, even with how poor the lighting is.
You grin, but not your usual friendly grin or familiar flirty grin, but the ‘I’m gonna fuck you till you die’ kind of grin.
And Monoma’s both terrified yet super, duper much more hornier than before. But, with what are you going to fuck him with?
In a flash, he’s suddenly turned around, his clothed-covered chest pressing against the wall as he feels your hands make quick work on his belt, on his pants, pulling them down to rest on his thighs. He hisses and shivers when the cold air hits every exposed part of him, yet makes his dick twitch in interest.
You also free your bottom half to finally let out the strap on you’ve luckily managed to hide until now, searching your pockets for the small tube of lube you brought with you, just in case.
But when you spread his butt cheeks, you gasp in surprise with the butt plug he’s wearing, going to grab the toy as you slowly pull it out in disbelief.
Did he know?
“I-I want you to know you’re not the, um, only one to be prepared for what they want.” Monoma speaks, but in such a soft tone that it has you wondering if he’s the same person who had pestered you since the beginning of the patrol, the same boyfriend you love who has a talent for being loved and hated simultaneously by various people.
But at least he didn’t know. He simply decided to take this extra mile.
Cute. No wonder he’s such a good boy for mommy… sometimes.
“Then I guess I shouldn’t prepare you, right?”
You don’t wait for his response, not when you dispose of the toy away from you both, and you make quick work to lube up your silicone cock.
Monoma doesn’t get to ask you about the wet sounds behind him, or ask where you threw his butt plug before you’re entering him. You felt how his body jolted, his back arching enough to push his ass back more towards you.
You land a smack against the smooth skin, listening how the impact echoes in the empty alleyway and the way he whimpers in pain.
“You’re such a slut for mommy, aren’t you Monoma?”
“Yes!”
No hesitation.
Monoma usually sounds hesitant whenever you two do something new, as if he evaluates the pros and cons from anything and everything, figuring out if he’ll come out benefitted or you.
But he sounds desperate, shameless. He sounds like he’s ready to cry.
New, but not too surprising. When he wants to, he’ll always be a good boy for his mommy.
“Want to tell mommy again why you were being a little bitch tonight?”
Never mind, his hesitation came back, his mouth pressed shut as you peek at him, trying to catch a glimpse at his periwinkle eyes, wondering what’s taking him so long to answer. He answered you so easily, so quickly a few minutes ago.
You hear a soft mumble, see his lips move but no sound gets to your ears. So you spank him once more, hearing his cute squeak and the way he fucks back.
“Louder.”
“I wanted mommy to fuck me! Fuck me until I can’t walk! Fuck me until I’m just your stupid little hole! Please? I’ll-I’ll be good now, I promise!”
If anyone were to ask you just how stupid Monoma gets when he’s completely horny and turned on, this is a prime example. His usual eloquent vocabulary? Gone. It doesn’t exist once mommy’s pleasing him.
But he’s also promising about being good? Let’s see how good he’ll be then.
No more words are exchanged, just the soft desperate pants of the pretty blond and some small airy whines that leave his mouth in anticipation for what you’ll do next.
You don’t even start slow, you go absolutely feral.
He barely gets to inhale one last deep breath until you’re fucking that out of his lungs, his head turning to look back at you as best he could as his body begins hitting the wall in front of him, his clothes rubbing against the roughness of the bricked exterior of the unknown building. He lifts head enough to not get itself hit against the wall and his hands are clawing at the bricks desperately, trying to find leverage to hold on tightly, his brain struggling to catch up with how vicious yet delicious you’re fucking him.
When he does remember he’s a human who can speak words, he cries out “Mommy! Mommy! Mommy!” in such high pitches, it sounds like he’s singing, probably trying to continue seducing you into such a horny haze. His pent-up sexual frustration must have been infectious, with how you find yourself being merciless with him and his ass, your hips slamming into the back of his in such a brutal pace you wonder if the skin will bruise, if he’ll be able to sit or walk properly.
Probably not, but that’s the point, isn’t it?
Your baby boy wanted you to fuck the living shit out of him, so that’s what you’ll do, it’s what you’re best at doing.
Fuck the annoyance out of him so that when you guys get home, he passes out.
You momentarily forget you guys are very much still in public and even if it’s night, civilians are very much still awake and walking, either going back home or going to work, maybe hang out with their friends or find themselves a sub to fuck.
Monoma doesn’t even warn you that he’s cumming, not even his loud, prolonged whine of your name gets your attention. But with how he’s spasming around your toy, how his hips are twitching quickly in between your hands, his eyes that never left from looking at you crossing…
Yeah, since you missed that orgasm and you’re not in the mood to exactly punish him, why not fuck him some more until he can’t remember his name and only yours?
You briefly pause, the tip of the toy the only thing still inside of him as one of your hands rubs circles on his lower back and the other remains on his hip.
Through the panting, Monoma lets out a whine, one that sounds almost disappointed. Probably because he came far quicker than what either of you two expected, or because it feels like you’re pulling out already and calling it a night.
No words are exchanged as you watch him catch his breath for a bit more, memorizing how rosy his cheeks and nose look, how the blush looks like it’s on his neck while his white pupils are fully dilated, oozing his adoration for you.
When you hear him suck in a breath, whether he’s preparing a sentence or to finish pulling himself off the toy, you slam back into him, grinning like a maniac upon feeling how his whole body jumped, going back into action and having blood pump everywhere in him, mostly towards his reawakening dick.
And you slam, slam, slam, slamming into him at such a steady pace, making sure to roll your hips the way you know will make him start squealing in such a girly tone, or like a dirty pig he sometimes becomes.
And once you feel him begin to push back on you and one of his hands leave the wall, you lean forward, pushing his body more up on the wall. He’s bent too much, it’s obvious you’re fucking him doggy style. What if people decide to go through this alley?
He obeys but whines in complaint, not wanting you to stop your ministrations as he pulls himself together, standing up as much as he could as to leave his lower back still bent for you.
“Keep your hands on the wall or else I’ll leave you here like this.”
He loves it when you speak to him in such a low voice, in such a way that you know makes him want to suck your cock for days until his jaw hurts. He puts his hands back on the wall, both placed where his face is at, acting as support as he rests his forehead there. His neck hurts a bit from how long he’s been straining to look at you.
You go back to fucking him, going back to what you were doing, moaning his name repeatedly to keep riling him up, arouse him and make him start begging for you to go faster, harder, deeper, make him dirty.
And he does with loud wails, ones that have you freezing and stopping all together, slapping a hand on his mouth and whispering how he should quiet down, unless he wants to be whored to other people.
“Be mommy’s good boy and keep quiet. Unless you want someone else’s cock.”
“No! No muh-mommy! Only y-yours~ Please!” He moans, eyes rolling to the back of his head as he impatiently grinds against you, feeling how sticky his thighs are getting with sweat and some of his cum and precum, somehow.
“Mommy, fuck me more, please!” He whimpers so cutely, so pathetically, so melodically you’re sure he somehow copied someone’s siren quirk, because your head feels dizzy, your heart is beating erratically and your hips sync with the pulse, forgetting about being consistent with speed, with roughness, with how deep you reach inside of him.
Fucking him silly until he’s trying his best to muffle his screams and cries into the back of his hands pressed on the wall, his fingers trying so hard to find solace on them, to grasp the reality of him being defiled in an empty, dirty alleyway, pressed so ruthlessly against a wall he doesn’t know how exactly dirty it could be.
Monoma’s hiccuping your name until you spank him, growling softly how that’s not who you are, making him wail out “Mommy! Cumming!” in such an erotic way, you wonder if you’re fucking your boyfriend or a girl with how he’s managed to reach such an incredible pitch.
You keep going, and even when he’s done cumming, you don’t stop impaling him, and a hand goes to wrap itself around his dick, trying your best to match this chaotic fucking, hearing how he’s struggling to breath, to comprehend this painful yet electrifying pleasure.
His toes are curling in his shoes, his knees don’t stop buckling, his hips never stop trying to meet with yours, the burn of overstimulation flowing through his veins yet motivating his dick to keep going, to keep obeying, to not disappoint mommy.
Monoma’s speaking gibberish, babbling whatever nonsense and begging he could think of or come to make up, the tips of his fingers turning white with how hard they’re pressing against the bricks as he tries to not fall. He’s not sure how or why he’d fall, but with how you’re touching him, squeezing him, stroking him, playing with him, he’s ready to give into the inquiry of whether being a househusband would have you fucking him like this everyday.
It’s a weird thought, one he’s never had before, one that’s still early to even care about-
Oh my god you’re abusing his prostate!
He’s seeing stars, planets, flashing strobe lights and envisioning his uproaring third orgasm, mouth hung open stupidly as whiny sobs and strangled cries escape him, trying his best to keep quiet like you said but he can’t!
“Feels s’ good!” He slurs, once again turning his head to look at you, eyes completely wet as tears fall in graceful droplets, hair messed up and drool staining a bit of his chin.
And just as you were going to respond, you heard footsteps.
You both freeze: you’re halfway out of him while Monoma’s struggling to not let his coughing fit be heard, having swallowed his saliva far too quickly with the scare.
The sounds stop, but now you both can hear a female voice.
“Hello? Is anyone there?”
Monoma whimpers, embarrassed.
So this is how he’ll get caught and shamed.
This is the end of his career.
But you’re not having it, not with how his dick has stopped twitching and is starting to soften.
You’re not done yet, and neither is he.
“Answer, Monoma.” You harshly whisper, wiping your thumb over his hypersensitive tip, making him hiccup loudly before composing himself as best he could.
“Y-yes? It-It is I, Phantom Thief- ooh~”
Another voice pitches in.
“Phantom Thief? The Phantom Thief?!”
“Y-Yes!” Monoma squeaks out, trying to cover up his gasp as you begin to slowly fuck him, making sure to keep hitting him straight to the prostate, amused how he’s gripping his jaw, muffling his hiccups while frantically shaking his head, begging you with his eyes to no, no, please!
The two bystanders gasp, seemingly walking more towards where you and Monoma are, making you press him more into the wall, hoping the angle you’re both in and the small hiding spot is enough to keep you hidden.
“We’re huge fans of yours! But, um, are you alright? We heard someone crying.”
“Fuck!” Monoma whimpers, struggling to keep his breathing in check as you continue to move, even rolling your palm all over his tip, your other hand going to pull at one of his nipples.
“What was that?”
“N-nothing! I’m fin- ugh~”
“You… sure?”
“YES!”
Monoma yells, back arching as his head touches your shoulder, eyes rolling up this head as he’s torn between pushing back or bucking forwards, feeling his body submerged in such an intense heat, in such shame, in such pathetic desperation to cum, he’s begging you in quick hushed moans to please, pretty please, make him cum, he wants to cum, needs to cum again.
“And your fans?” You whisper teasingly, feeling how he shivers with how close your breath is near his ear.
“Fu-uck my fans-”
“Now now, that’s something you never said before. Did I fuck Monoma Neito out of you?”
And you go back with the brutal pace, not caring if the other two bystanders can hear what’s going on, not caring if they come out traumatized or probably aroused with how obvious it is that their dear Phantom Thief is getting fucked in a shady place, in a nasty place, yet he’s silently wailing and convulsing with everything you’re giving him.
Your hand soon enough gets sticky with what little cum his poor, weak body produced, his hole clenching tightly around your strap-on while his hands fly back to grasp any part of you that he could reach, which ended up being your head.
The bystanders speak again while Monoma’s busy wheezing his gratitude.
“Are you sure you’re alright? We could call the police-”
“I’m alright! ‘m fine~” He managed to sing-song, but if you heard a bit of his whimper seep from the last word, you don’t say anything, simply slow down your stroking before pausing.
You hear their footsteps slowly go back towards where they probably came from, making Monoma let out shaky exhales of relief and satisfaction, small giggles slipping from time to time as you kiss his neck, his cheek, his jawline.
And once you are certain you’re both alone again, you slowly pull out of him, helping him to turn around so that his back presses against the wall.
Until he grimaces.
“My essence is, from my deduction, splattered on this disgusting wall.”
You laugh, shaking your head as you point down to where his pants are, laughing harder when you see how his grimace turns into a face of disgust, horror, shame, surprise, arousal- wait what?
You don’t question the last one, simply letting out the last of your giggles while you search for the disinfectant wipes you tend to carry with you in your utility belt. And once they’ve been found, you make him lick your cum-covered hand first before properly passing a wipe. You hand Monoma one so that he cleans his face if needed, disinfect his hands, his thighs, anywhere he thought he needed to clean.
No, that's a lie. You took care of his thighs and pelvis, trying your best to clean the spots where his cum reached his pants before peppering a few gentle kisses around his exposed skin.
Pulling his briefs and pants up, buttoning, zipping, fasting his belts. You let out a happy sigh, fixing his hair and tie.
You then fix yourself.
“Who’s mommy’s good boy, Monoma?”
He somehow managed to chirp. “I am, mommy.”
“Then, you’ll stop being a bitch tonight, right? Mommy made sure to fuck it out of you.”
“Oh, um,” aw, he’s blushing. “I suppose…”
When you both walk away from the much-more defiled wall, you hold back an amused snort with how Monoma seems too unstable with his feet, how his legs seem to shake with every step he tries to take and how frustrated he looks with how uncooperative his body is.
You decide that chilling and cuddling in that corner wouldn’t be so bad, and considering how your shift ended minutes ago, you doubt either you or Monoma will get into trouble.
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portsidewonderland · 3 years
Text
Okay, I’ve been wanting to write this for the last three weeks, but I’m finally - finally - sitting down to do just that.
First, I’m a Rogan shipper. I’ve been a Rogan shipper for the last 20 years, but in that time, I’ve grown, I’ve experienced my own sense of love, and I’m a writer so I’d like to think I’m familiar with structure, characterization, and the like.
Second, I’m focused on the film franchise, strictly speaking. Just wanted to make sure that is clear.
Having said that, when I discuss how utterly wrong the X-Men franchise is, I’m talking about from a story standpoint. When I speak of Logan and Rogue, if that ship isn’t your jam, fine, but the points I make still stand.
Finally, spoiler alert for all of the movies.
Okay, I think we’re ready to jump in.
1. After the first movie, everyone forgot the heart of what made the first movie so special: Wolverine & Rogue
I don’t necessarily mean together. I mean, the movie focused primarily on Logan’s story and Rogue’s story. It was told through THEIR POV. This is important because, essentially, we’re asked to connect with these two characters AND WE DO.
The dialogue, the acting, and their stories (which reflect each other’s as well as stand on their own) draw us in and we are hooked.
Even the critics thought some of the best scenes are the ones Logan and Marie share together. Multiple critics discuss chemistry, how they add to the scene, etc.
Regardless of whether you ship them or not, there’s a compelling story between the two. This vulnerable, slip of a girl is the most powerful X-men out there (or one of) and this growly, fierce angry, broken man who’s been alone for so long that out of everyone he’s met and seen, THIS girl brings him to his knees.
And it’s because she isn’t scared of him.
Even after watching him beat the shit out of his opponent, even after seeing the claws threaten humans and slice through a barrel of a gun, she still thinks, I can trust him.
And when he catches her in his trailer, she STILL isn’t afraid of him. She gives him lip. She calls him out on his shit.
That’s how she manages to slide through the cracks.
And that is BEAUTIFUL.
I’m not here to talk about the performances, but Jesus Christ, I love this scene so damn much. The chemistry RADIATES. The glances, the confusion, the curiosity, and the attraction. (Sorry not sorry, it’s there on both parts, I’ll die on this hill.)
Anyway, the first movie is about how this girl brings the savage, feral Wolverine to his knees. How she gets him to STAY. How she gets him to open up.
Yes, Logan wants info on his past, but he’s staying for Marie. We all know it.
When he threatens Jean after first waking up, Jean is scared. And for good reason, obviously.
But Logan STABS Marie with his claws, and guess what? She’s still not scared of him. She’s worried about him.
This is THEIR story.
Do you really think Wolverine is going to go running around in leather for anyone but Marie? Yeah, I don’t think so. I mean, he literally STABS HIMSELF IN THE CHEST to free himself and get to her.
He PROMISES her that he’d take care of her. Do you think Wolverine bullshits? Hell no, he doesn’t.
And that’s why....
2. The whole Jean thing was just not great.
Okay, can I tell you something?
I don’t see Jean as a sympathetic character. She’s engaged to Scott and suddenly, Wolverine comes strolling in and she can’t get her shit together?
I mean, okay, I get it, let’s be real.
But Scott isn’t a bad guy. He nay be a dick, but he treats Jean well. Because we’re not in Cyclops’ or Jean’s head, we as the audience don’t see any marital/romantic issues between them. Hence, when Jean gets flustered by Wolverine to the point where she lets him goad her into reading his mind, she knows what she’s doing. She likes it. She likes Logan’s attention.
Not because she likes Logan.
(I read this fic where basically Jean tells Logan he could have been anybody, and I thought that was so perfect)
But because he’s giving her attention. He makes her feel desired.
And she leads him on.
Right there, I don’t like her, and I think that’s why a lot of Rogan shippers don’t like her is that she has no problem toying not only with Logan’s feelings, but with Scott’s.
But that’s not even the worst part of this.
At the end, when Logan asks for Marie and Jean makes her comment, she adds, “I think she’s taken with you.”
Like - why would Jean say that? Why mention it?
That’s petty ass shit right there.
To me, what she’s trying to do is align herself with Logan as adults and belittle Marie for having a little crush on him. Like it’s so juvenile.
And the worst line of this whole movie is when he says, “Tell her my heart belongs to another.”
Want to know why?
Because the writers/director haven’t SHOWN this. This line is forced here to TELL the audience that we should be shipping Jean and Wolverine. It’s sloppy writing. It tells me they think the audience are idiots.
Really, Logan?
Jean has your heart even though you completely go against Tall Dark and Feral to pick up a girl, then stay at the school with her, leave a fucking mansion to bring her back, make a promise to her, go after her after she’s kidnapped, stab yourself in the chest, fling yourself on the Statue of Liberty AND RISK YOUR FUCKING LIFE TO SAVE ROGUE’S JUST BY TOUCHING HER and you want me to believe your heart belongs to Jean????
Please, tell me, why the FUCK should I buy that?
Oh, because they’re the same age?
LOL no.
Anyway, I didn’t like Jean’s characterization because of that. Because she’s leading people on, because she needs to put down Marie’s feelings after her ordeal because of her insecurity, because of it all.
Which is why I’ll never ship them together.
Logan is at his worst when he’s around Jean.
Anyway.
And Jean is just the worst.
3. They took something meaningful and they fucked it
Logan promises to take care of Rogue. Do you know important that is for both of them as individuals and their relationship?
Rogue only goes back because of Logan. Not for anyone else. Not even Bobby. She comes back, she stays, for Logan.
Where do we see that after the second movie?
He’s so goddamned focused on Jean, on everything about her, that he barely notices that Rogue is ready to get the cure.
I’m GLAD they got a scene together. Because of their looks.
I am.
But shit.
It’s like Logan has completely forgotten all about Rogue, and I’m sorry, but after that first movie, I just can’t buy that.
I can buy that he leaves to check out his past. The dog tag scene is one of my absolute favorites. That’s perfect. Makes sense.
(Also, side note: Fic is so beautiful about this but he isn’t afraid to touch her. Like, he doesn’t HAVE to play with her hair but he does. It’s playful and flirty. It IS. He could have just said he liked her hair BUT HE HAD TO TOUCH IT. And this is HUGE for Rogue because honestly SHE’S afraid to touch and of herself but if Logan isn’t afraid, she stops being afraid - if that makes sense.)
But seriously? He’s not calling the mansion, not writing to Rogue?
I don’t believe that for one second.
This is why I will never watch The Wolverine after that first time (I refuse especially after the director said he was contemplating adding Rogue at the end and didn’t and FUCK EVERYTHING.) because he just leaves because he’s upset about fucking JEAN
I’m sorry but the Wolverine isn’t ABOUT Jean.
If that was the case, we should have had point of views between Logan and Jean in the first movie, not Rogue.
We should have SEEN their development, but we didn’t.
We’re TOLD it.
I’m sorry, but how do you want me to believe that the big bad Wolverine runs off to Japan because he’s sad about Jean? Like, so he’s just going to leave Rogue alone with all of those threats? Are you fucking kidding me?
Show them keeping in touch or SOMETHING. You can’t expect me to see such a huge transformation arc in Logan in the first movie that just gets shit on in every other movie (besides the second). Because that makes Wolverine look like a big, gigantic ASSHOLE and I get that he’s supposed to be that way, but NOT with Rogue.
Which is why Days of Future Past pisses me off as much of the rest them (I’m only discussing the Rogue Cut because I refuse to acknowledge that Bryan Singer - who gave us the first movies - regulated Rogue to such a fucking small cameo.) because Rogue was treated as garbage.
Now, I’m going to assume Logan doesn’t know about what really happened to Rogue because no one told him. But honestly? If he cares about Rogue the way I know he does, he should be asking about her every single time he and Xavier talk.
I love that Logan can sense Rogue when she steps in to help. I love that Rogue refuses to let go of Logan’s mind even in the heart of danger (@bigfrogbestfrogs has an awesome breakdown of these scenes). But I’m appalled at how Kitty is chosen before Rogue? Like, even when coming up with the idea for this movie, why not involve Rogue more?
I refuse to discuss Bobby and her together at the end.
Fuck that.
4. The timelines
Look, I’m not even going to go into the shit that is the timelines.
But honestly?
Fuck everything about that.
I get Singer wanted to retcon X3, but I don’t care.
Based on Apocalypse, the future still sucks so everything failed and then the movie LOGAN takes that shit and amplifies it.
5. LOGAN (the movie)
I’m sorry, but this movie is amazing in some ways and sucks in others.
Want to know why?
Because it takes everything about what made the first movie great and emphasized it.
Laura is too young to be a love interest, so clearly, it’s paternal, and I’m here for it.
But there are so many parallels between logan and Laura and Logan and Rogue that for Logan not to say anything or feel anything in a way tgat tells the audience he’s feeling something just boggles my mind.
Even if he carried HER picture or played with the dog tags and thought of her, something that shows the audience he remembers her, dammit, and she MEANT something to him.
But FUCK how could he NOT?
And that’s why the scene where he’s reading that comic book and he sees himself saving Rogue is so poignant.
Because his gaze lingers.
I mean, obviously I’m assuming she’s dead (which is bullshit but whatever). But still.
And then when he’s dying and Laura is holding his hands and you get that prophecy of him dying with his heart in his hand and I loved how they paired it with the Logan and Rogue song. I loved that callback.
And if the films in between them weren’t such shit, it would be enough.
But it’s not enough for me.
There was so much potential and everything got shit on and it angers me soooo much.
Anyway.
That’s me venting.
Luckily we have so many talented Rogan fic writers and that our ship has survived 20 years.
But still.
What could have been...
Shit.
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itsclydebitches · 3 years
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I'm sorry, but as someone who can't stand how Yang acted for 80% of Atlas, saying "her feeling like she had to help raise Ruby is demeaning and unempathetic to Tai" is a HORRIBLE take. If Yang held it against Tai that'd be one thing, but she doesn't, least not as far as we've seen.
And "she decided he's an unfit parent"? That's literally just headcanon. Where is this stated or supported in any way? Literally everything, from the show to the comics to the manga, shows she absolutely values her father and his guidance. Her providing similar guidance to Ruby at some point doesn't change that, she's stated to be Ruby's mother figure, a woman in her life she could seek advice on in regards to things as well.
Like anon I get you're frustrated by how empathy and morality are handled in this show, I am too, but this just ain't it.
I have simillar feelings on the Weiss scene too but that's another story, you already kind of covered it.
Agreed, though I don't want to rag on the other anon. As said, I can very easily see how someone would come to that conclusion, especially given how often we discuss parts of the show without actually re-watching those scenes, leading to iffy interpretations down the line. A fandom pretty heavily focused on a "Tai is a bad dad" reading + Yang's unfair criticisms of others from Volumes 5-8 (notably her most recent characterization. The one fresh in everyone's mind) = an easy opportunity to mistakenly slam the two together. It happens. That's why I try, whenever possible, to re-watch moments, or at the very least re-read transcripts. I'm well aware of how easy it is to get sucked into how the fandom discusses scenes and take that interpretation at face value, when in fact what's canonical has gotten pretty warped across, in this case, six years of content and discussions.
But let's talk about Weiss a bit more! I think it's worth re-emphasizing that, yes, I'm well aware that she was the victim of that dinner party. My own criticism lies less in that specific moment and more the conceptualizing of our heroes as a whole, which leads to some missed opportunities in that moment, some quite important. For example, most classically heroic characters would be horrified at nearly hurting/killing someone, regardless of whether that was intentional or not. That's a crucial part of what makes them heroic: cherishing life and shouldering responsibility for others' safety, even when it's clear from the audience's more objective perspective that they weren't at fault. There's a happy middle ground here between acknowledging Weiss' horrific panic attack and acknowledging Weiss' responsibility moving forward to ensure that her trauma doesn't endanger others—given that her trauma is drawing on literal, combat techniques—highlighting her desire to do right by the people of Remnant, even when they're snobbish, rich assholes. Any reading that boils things down simply to "Weiss is the only victim in this situation and besides, why do we care if a racist Atlesian bites the dust 😒?" is a small representation of the much larger writing problems of Volumes 7 and 8: acting like Mantle is full of only good victims, Atlas only evil perpetrators, and a defense of the latter isn't worth anyone's time—certainly not the heroes who never, ever make mistakes with massive consequences. Weiss' near attack also carries with it the beginnings of a lot of themes that RWBY never capitalized on, but pretended were an important part of the story by the end of that Atlas arc, like Ironwood's supposed propaganda, or Whitley's question of whether power should be solely in the hands of a few, individual huntsmen. Weiss' situation might have been reframed into something that looks intentional: Here's not just a girl, but a Schnee girl, attacking a poor, defenseless civilian with her scary powers. Are we really going to leave the safety of our kingdom—the world—in the hands of people like her? You should be backing the army, people who have your real interests in mind, led by the man who saved that woman's life—General Ironwood! And the audience would rightly be going, Hey now wait a fucking minute. That's not what happened! It was an accident born of trauma and abuse. How can you manipulate the people into thinking otherwise? Into thinking Weiss is the enemy here? Like, if you're going to write Ironwood/Atlas as the awful, propaganda spewing antagonists... actually write that story.
So the party scene could have been the launching point for a lot of important work, both in terms of Weiss' characterization (a hero learning to balance flaws with her people's safety; taking responsibility for her mistakes, no matter the initial intention) and the world building (what does it mean for a Schnee to (mistakenly) attack a civilian when tensions are this high and faith in huntsmen is beginning to fail?) But for the purposes of what we actually got, that lack of reflection on Weiss' part, as said, reads badly when pit against her actions in Volumes 6-8. Because my brain is super focused on Star Wars atm, I think Anakin is a decent comparison to all this. Meaning, we know where he ends up—super scary Sith Lord who is going to do All The Bad Things Ever—and that will, naturally, color our reading of everything that happens in prequal material. When Anakin gets pissed and cuts the limbs off a Separatist, it produces a "Yikes" reaction in the audience because we know that anger, grief, frustration, and fear are going to lead him down an awful path. In contrast, when Obi-Wan is challenged about his no killing unarmed men policy and cheekily looks to Rex to kill him instead, we don't really go "Yikes" because we know Obi-Wan remains true to the Light for his entire run. All their actions have the primary reading of "They were justified that time/they made a mistake/they're allowed to be human/etc." But only Anakin has the secondary reading of, "That action is REALLY BAD—more bad than Obi-Wan's—because we know where it leads. It reads as setup for his inevitable fall." That's basically where the RWBY group is at the moment, provided you're unhappy with their lack of empathy in the later volumes. If the group had remained more compassionate then yeah, we'd continue to shrug off past moments that sorta imply otherwise because we know that's not who they really are. Weiss never grappled with nearly hurting someone only because, hell, RWBY doesn't let her grapple with anything! She didn't even get to respond to getting speared through the gut. But knowing where they end up—knowing that Weiss will be party to Ozpin's treatment, will help betray Ironwood, will accuse Marrow of abandoning her city only to do nothing for it in turn, will threaten her brother, will give the wish to destroy her entire kingdom and displace all its people, etc.—creates that "Yikes" response whenever we see something earlier that even somewhat aligns with her current characterization. It doesn't erase the 100% correct reading that Weiss was the victim and made a totally unintentional mistake in that moment. It doesn't erase the knowledge that RWBY rarely capitalizes on the implications of scenes like this anyway. It only adds another reading in the form of, "Well, knowing where she ends up... I can kinda see that future version in her here too."
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bigskydreaming · 3 years
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Have you seen Linkara's review of The Dark Knight Returns? He goes into why the view of Robin as a soldier, popularized but by no means invented by Miller, is so dangerous.
I have not, but I need to refresh my memory before I go check it out because I’ll either agree with it or be infuriated by it and I can’t remember which just at the moment but would like to before I restart that argument ten years later.
LOL, so like, I knew Linkara yeeears and years ago. We were both regular posters on Gail Simone’s messageboard on CBR like fifteen years ago, maybe longer. Pretty sure we even met in person a couple times at Gail’s annual SDCC breakfast meetups, but not sure. I do know for sure though that he and I were both involved in a three way argument about this very topic with another guy.....I just can not remember if he was the one who agreed with me or the one we were both fighting with about it, LOL. I THINK we were in agreement as while I wasn’t like.....as pro-DC as most YABSers were given that it was Gail’s board and I mostly hung out at the X-boards and just swung by YABS once a week or so BECAUSE I couldn’t stand all the ass-kissing that went on at that board so that DC writers and artists would hang out and post regularly, LOL, like I’m pretty sure I remember Link as being one of the less....vehement of the pro-DC camp.
(Tbh, one of the biggest ways in which I disagreed with Gail on stuff is I UNDERSTOOD her feeling a need to be civil with other DC pros even if she didn’t like them personally, I just....couldn’t manage the same and didn’t feel any desire to try. Like for example, not sure how many people know who Ethan van Sciver is, but he’s a long time high profile DC artist, best known for his GL stuff.....but he used to hang around YABS pretty regularly. EvS is ALSO a haaaaaardcore conservative, Trumpian, and all around terrible person. And he always was.
Like he’d play it civil back then but his opinions were downright hateful on a variety of topics, particularly towards marginalized groups, but he was good at picking just the right moments to half-assedly walk something back the second he took something ‘too far’ - so like, the end result was he said it and everyone saw and remembered, but before anyone could react he’d drop the mea culpa card and be like oh I’m sorry I know that was out of line, I was just caught up in the moment and it’s all good cuz this is all friendly debate anyway right? We’re just talking here.
And he’d pull this crap all the time but because he was a DC pro, people would let him get away with it and warn people off coming down on him so he didn’t feel unwelcome at the board. Now the painfully ironic twist here is that shockingly, totally unexpectedly.....fast forward to about five or six years ago where good old Ethan burns a shit ton of bridges and decides well why not make things a dumpster fire for everyone in my vicinity....and he became the driving force behind a bunch of alt right comic book fans starting their own weak ass version of Gamergate, only called Comicsgate. It never was nearly as....big...as Gamergate was, but it was still ugly. And the thing is, Ethan sicced his sycophants on other industry pros he’d worked with over the years but always disagreed with on politics.....like really let the ugly fly....and most of these pros included Gail as well as a bunch of the other DC professionals from back in the YABS days.
Because thing was....that was literally WHY he’d hung out at YABS so much back then, despite being so far in disagreement with most of the progressive leaning board. He was always just interested in stirring shit up, he never actually had the slightest interest in debate or seeing the other side of anything....he just knew how to play the right cards to get the right people to come to his defense and cool things off rather than run him off, in the name of keeping things civil and such...all so he could start it all up again a couple weeks later.
And this is literally why that kind of thing doesn’t work for me at all. Because he wasn’t really that subtle even then, most people knew all along exactly what he was doing, and letting him get away with shit that would have gotten anyone else banned purely because he was a industry pro just meant that his opportunities to subject anyone in his vicinity to just vile, hateful shit ended up more protected than all the marginalized posters on that board who didn’t come to it to see his shit but had to constantly listen to it anyway because people were more interested in making excuses for him than making it comfortable for everyone else.
And in the end, he ended up turning on the very people who’d protected him from everyone else ripping into his hateful viewpoints with the directness they merited. Which just. Sigh. To me just smacks of a whole lot of unnecessary years spent putting up with his barely veiled bullshit until he didn’t bother even veiling it anymore....even though the reality is NOBODY was ever buying into his veil of it in the first place and we all knew what was right behind it all along. Anyway. Not that it matters LOL, but good old Eth, was one of the primary reasons I decided not to go into comics when I had a couple of opportunities come up, as I decided to focus my efforts on Hollywood at the time instead. Lmao, I figured if I was going to have to keep my mouth shut about coworkers whose opinions I vehemently disagreed with in the name of professionalism, I might as well focus on the profession that would pay me more money to keep that to myself. Look, at least capitalism is useful when ADHD and trying to pretend to be decisive about life choices.)
Long ramble nobody asked for aside, like I said, I can’t remember Link’s take on this particular topic but it’s likely the one I agreed with for the most part. My own take has always been that Miller sucks and if he said it chances are I said he was wrong because he is about everything and my religion is people saying so and by people I mean me. My religion’s also big on self-actualization. Not sure what else, I did just make it up and I think I’ll probably just stop there so I don’t accidentally make it a cult.
But yeah. I mean, maybe it’ll surprise people given how critical I am of the abusive elements of canon, but I’ve never applied the child endangerment/child soldier argument to sidekicks. It’s obviously not that they don’t get hurt in these stories and even traumatized, it’s not that they’re NOT in danger as kids....it’s just why I put such an emphasis on it being their choice to fight crime and be heroes and NOT something that Bruce or any other mentor or parent pushed them into.
Because this is one of the reasons why death of the author more often than not just doesn’t work for me. Authorial intent matters. Readers are always free to interpret a text however they want, regardless of authorial intent....but IF a writer has a specific intent behind a narrative choice, chances are most interpretations that refuse to align themselves with that viewpoint aren’t really all that RELEVANT to the story the writer was trying to tell in the first place.
Don’t get me wrong. Those other interpretations can still exist. They’re allowed to exist. People can abide by them all they want. But if someone’s takeaway from a story is a deliberate choice to read it entirely different from the story the writer intended it to be.....like, their interpretation is all well and good, but it’s not actually at all a RELEVANT commentary on or review of the story the writer was actually writing. They’re not actually saying the writer did a poor job of telling the story or was wrong in how they did it....because they’re not actually talking about the story the writer was actually telling.
Thus their commentary on it exists. But it’s just not that relevant. Because nothing in it even CAN offer an opinion on how else the writer could or should have written that story....because the story they ARE talking about isn’t the story the writer was even interested in writing.
Now, there are some times when authorial intent DOESNT matter. And when criticism of it is entirely fair and earned even if it’s of something the writer didn’t consciously or deliberately write into their story at all. But these things are almost ALWAYS unconscious. Unlike what I was just talking about, where the writer was very consciously writing the story a certain way for a reason, and thus people who aren’t interested in reading the story the way it was written to be read just can’t offer up a commentary that says anything useful or meaningful about the story that was actually written...the flip side of this is when the writer puts things they don’t intend into the text, but still are very much there all the same.
And this sort of thing applies to things like micro aggressions or racism, homophobia, sexism....things where a writer didn’t sit down intending to be offensive or alienate their readers but still put in things that they don’t think to view as offensive due to their own privilege and lack of experience EXPERIENCING the microaggressions that marginalized readers might be all TOO familiar with and thus can’t avoid reading into a passage where the writer might not have INTENDED harm or offense, but delivered it all the same. Because they didn’t think to put it into their story, they weren’t TRYING to....but they didn’t think to avoid putting it in there either, even if it’s because they didn’t know to until it’s pointed out to them that it’s there.
And this also applies to when the writer puts into their story, via whatever viewpoint they’re writing from, things that herald from their own viewpoints, how they view the world, even in terms of unconscious biases or expectations....but things that readers can still interpret as something they vehemently disagree with, even if the narrative seems to condone it. Because a lot of these viewpoints are things where the way they’re written....even just not coming out as clearly not condoning or agreeing it can effectively be read as tacitly condoning it.
So to apply all this to the idea of child sidekicks and child soldiers:
They’re not one and the same, and thus treating them as one and the same or interchangeable is IMO an inherently flawed perspective that doesn’t ever have anything USEFUL or RELEVANT to the stories that most people are trying to tell with child heroes and sidekicks.
With the notable exceptions of Miller, Ennis and certain other writers who by their own admission usually aren’t even trying to write about superheroes but rather deconstructions of the genre as a whole.....the vast majority of comic book writers, even the ones I dislike LOL, aren’t writing about child soldiers when they write characters like the Robins. Because CONSCIOUSLY, with INTENT, they’re already trying to write something completely different:
Child heroes and sidekicks are almost universally written to be child (although to be really fair, for the most part they’re largely teen) empowerment allegories. They’re youth power fantasies.
They’re stories about kids, about teens, getting to be the ones to save the world. About kids who don’t need adults to save them because they save themselves or their friends. Kids saving other people, other kids, grown adults. Stories about child HEROES are written as metaphors of hope for the future and the promise of the younger generations, or power fantasies where kids who feel helpless and powerless in their own lives can read these stories and vicariously imagine through the characters the idea of one day having the power to save themselves or other people, what that would be like, what they’d do with that.
But here’s the important part, and why people interpreting these teen and kid heroes as child soldiers doesn’t really offer relevant commentary to stories that are written to be allegorical youth power fantasies, regardless of authorial intent or death of the author....
And that’s because the key ingredient here, the thing that’s not really up for debate or open to interpretation....is that these stories can ONLY ever be allegorical.
Because like I said before, child heroes and child soldiers are not the same thing. There simply IS NO REAL WORLD EQUIVALENT for child and teen heroes as comic books style them.
And that’s why the fact that with most every child hero in comics, no adult makes them be a hero. They choose that for themselves, it’s almost universally characterized as a self-determination or empowerment moment rather than one of coercion like Miller likes to characterize it. His choice to characterize Bruce essentially drafting Dick as Robin to fight alongside him does nothing to provide commentary on any other superhero story, no matter what he’s told himself or his fans, because his story is the only one where Robin was drafted!
You can’t condemn narrative choices that nobody but you has actually written and then act like you’re saying something about any narrative other than your own fsjsjfshfzgzfhgs.
And you also can’t claim that you’re just seeing in the text something that’s inherently there and the other writers didn’t just see to avoid like I was talking about being a valid critique....because what’s being commented on there isn’t anything that was written unknowingly. Other writers consciously wrote the same things as Miller in terms of a child engaged in all that violence....but they deliberately wrote those moments to be metaphors of a kid that gets to save themselves and other people and CHOSE that, which is inherently opposed to the interpretation of a kid who is ONLY in harm’s way because he was forcibly drafted by a more powerful figure or force who cares neither what he wants or if he gets hurt.
These two ideas are mutually exclusive. They can not coexist in the same narrative because a character can not be powerless and self-empowering about the exact same specific choice. And thus anything that’s said about one of these narratives is inherently unable to say anything that’s relevant about the other....because the other is not written by its writer TO BE the kind of narrative that particular commentary is dissecting. It’s not TRYING to be that narrative, so no review of it can possibly say how flawed it’s execution is of an idea it’s not actually trying to execute.
And the differences between child heroes and child soldiers are not just limited to choosing that or being drafted and these other differences are equally key.
The biggest being that child heroes can not be seen as ‘basically’ the same thing as child soldiers.....UNLESS you are also perceiving adult heroes as basically the same thing as adult soldiers. And not even law enforcement or police or temporarily deputized or whatever else you want to spin it as....SOLDIERS, specifically. You don’t get to bring up something as charged as child soldiers and then get vague with your terminology when the close scrutiny that brings to your analogy stops working in your favor.
If sidekicks are child soldiers then you must in conjunction view adult superheroes as soldiers. And not in the abstract one man war on crime way Miller likes to consider Batman in his attempted deconstruction of superheroes. ACTUAL soldiers. If there’s no room in your comparison for child heroes to differentiate from real world child soldiers, there’s no wiggle room for the adults either.
And again, except for Miller, Ennis and specific others who by their own admissions are not TRYING to view superheroes the same way most other comic writers are, but fail to see that genre conventions are largely interpretive and thus seeing room for different interpretations of superheroes isn’t actually a commentary on how other people see and write those same heroes....like except for these select few, most writers are not writing superhero soldiers unless they’re Captain America or Captain Atom. Yes I know there are other superhero soldiers but let me be pithy. Even those aren’t really the same as their real world equivalents.
See, real soldiers don’t make distinctions about whether or not they’re willing to use guns. Their personal views on killing are not prioritized over whether they’ve been told to use lethal force to accomplish their objective. They have a chain of command. No matter the rationalization, they pledge their loyalty to singular nations and the aims and objectives of those specific nations over the abstract of acting in defense of the whole world.
Now again, maybe that applies to Captain Atom, but for the most part can you say the majority of comic book writers are TRYING to write Superman, Batman, Green Arrow, Wonder Woman etc through that lens? No. So while Miller really thinks he said something when he wrote his Batman with guns, fighting in the Middle East, killing people left and right, none of that actually ‘showed’ people that at the end of the day, Batman is no conceptually different from a real world soldier like. No all he actually did was write his own take on Batman, and said look, he’s a gun toting murderous asshole, huzzah I have deconstructed the modern superhero!
Like. Shut up Miller. Honestly.
But seriously. Superheroes do not have a real world equivalent and neither do child heroes. Even when it comes to nonpowered ones like the Batfam, they’re still deliberately written in a larger than life, four color perspective that requires a suspension of disbelief at the front door. We ALL know and understand that they aren’t a blue print for how to go out and be a real world vigilante. Even real world vigilantes exist. But they don’t look anything like the Batfam and it’s disingenuous to pretend they do for the sake of teh discourse. Nobody honestly believes that there is even the OPTION of going out one day and deciding to become a comic book style vigilante like one of the Batfam. It’s why even they’re termed superheroes despite the lack of superpowers. On a CONCEPTUAL level it’s understood that the stories being told about them require an extrahuman medium. You can not simultaneously write characters according to a mythic scale but then attempt to interpret that very writing on a real world one. It doesn’t work.
Which brings me to my final piece of this pie. Or puzzle. Idk I’ve been doing this response for awhile I forget what this is.
And that is again, the difference between interpreting a story in a way the author probably didn’t intend and understanding when a story isn’t meant to be interpreted in the way you’re trying to.
And this difference is how I can understand and reconcile the idea that it’s not inherently abusive for Bruce to allow his kids to fight crime at all, even though that would inherently be child endangerment in the real world, but at the same time, I can view him as abusive in other ways that don’t make allowances for the differences between real life and comics.
Basically it boils down to: CAN this specific element of a story be duplicated in real life or mirror a real life action or idea? Is there a direct parallel to a real world equivalent at all?
I can view Bruce fighting crime or saving the world alongside a child Robin without viewing that as child endangerment or inherently abusive, even when Robin gets hurt in the process....because there is no real world equivalent to those parts of a story. NO ONE, child or adult, is going out there and doing those things Batman and Robin style. Even the people who dress up in their own real life vigilante personas basically just do niche neighborhood things like walk people home from the bar. And even people doing real life vigilantism in terms of taking out criminals, like, that’s usually more of a personal revenge thing and not one where they’re trying to attract attention via a costumed persona. When you think real world Batman and Robin, nothing comes to mind for a reason.
And thus this says nothing inherently abusive about their dynamic, even according to real life parallels of child endangerment, because it’s not a real scenario. And thus it’s not TRYING to say anything about real life. It’s innately allegorical. It’s power fantasy emphasis on the fantasy.
In contrast, when you have something like Bruce hitting one of his kids.....no matter who the characters are, that specific interaction and the dynamic it presents DOES have a real world equivalent. That’s just parent/child abuse. And thus even if the writer didn’t intend for it to be interpreted that way, it’s still a valid interpretation. If it looks like a parent hitting their child, you can call it a parent hitting a child.
Batman and Robin fighting killer mind controlled plants together? Can’t happen. I’m not going to call it child endangerment when it’s not a realistic scenario and not meant to be, and I’ve already been presented with a valid alternative interpretation of this being a child empowered to help save people alongside his superhero father. There’s no point in condemning a dynamic that CANT be translated to a non allegory in real life.
But Bruce hitting his son? A father no matter how good hearted normally, being affected by extreme stress or grief or something else that makes his behavior take a turn for the worse and reach a point where he physically lashes out even if he never would have in the past? Nothing remotely allegorical about that. That story has too many real world equivalents to dismiss as having nothing to say about abuse in real life. Even if the writer didn’t intend for this to read as abusive because they were thinking of how much worse Dick has been hurt fighting alongside Bruce and never held that against him even though technically it was Bruce letting him get hurt....doesn’t matter. That interpretation still requires viewing through a lens that can’t exist in reality. No kid can ever excuse a parent hitting them by thinking of how much worse they got hurt taking down their local mob together and if he didn’t blame his dad for that cuz he wanted to do it to help people then how can he blame his dad for hurting him in a moment of anger? Umm. Doesn’t track see? They’re not the same thing at all.
Or another one that really bugs....I’ve heard people defend shipping a Robin while underage with an adult by saying if they’re old enough to make the choice to risk their life and have that choice respected, they’re old enough to choose who they want to be with. Umm. No. That’s not just apples and oranges that’s genetically modified grapes and seventeenth century cannonballs.
That logic doesn’t apply because neither of those things is the underage character choosing ANYTHING. They’re fictional. Everything they choose is just what their writer wrote them choosing. But again, one of those choices is one that an underage reader CANT choose in real life and have respected by every adult in their life, and thus will never have a bearing on their life as anything BUT an allegory they have to interpret and translate into something actionable they can apply to their life and choices. The other choice is them being written as presented with an option that’s actually a textbook real life grooming technique and something abusers use to justify the relationship they’re trying to cultivate with a minor by saying aren’t you mature for your age, aren’t you old enough to know what you want or to do this or that in which case you should be old enough to make this choice?
See the difference? Putting on a cape and going out to fight robots? Not directly applicable. Saying yes to the grown man saying he wants to have sex with you and thinks you’re old enough given this other choice you’ve made that highlights your maturity? That’s a choice that can be presented both to a Robin or a real life minor, but a writer justifying that choice for that Robin by saying well he’s already previously made this other choice that has no real life equivalent.....that creates a pretty misleading interpretation to people reading that story and not stopping to think through the distinctions between what KINDS of choices the writer is presenting these characters with and then justifying via their narrative.
And while I haven’t watched the video you’re referencing, anon, I would definitely agree that this is an example of how viewing child heroes as child soldiers is....not great. Aside from being cynical, misusing the idea of death of the author and helping to validate Miller’s choices and thus ego which is NEVER a good look LOL....it also intentionally or not paves the way for putting fictional types and MEANS of harm on an even playing field with real life ones and acting like it’s all one and the same with no distinctions to be drawn. And this doesn’t actually offer anything substantive or constructive about holding characters accountable for reasonable expectations of harm, when the sources of harm have no reasonable equivalent and thus only exist in the medium of being a youth power fantasy in which the child involved is fictional and can’t truly be harmed, with the harm done the second the scene ends and where the character can be back in fighting form the very next scene. Thus the only lingering element there IS the power fantasy.
Nope, all it actually does is muddy the waters in the REVERSE, and make it so it’s actually easier to justify or rationalize types and means of harm that DO have a real world equivalent, but by pointing to examples from a fictional medium and emphasizing the fictional character’s lack of being harmed while de-emphasizing the fact that the writer has full control over depicting this in a solely positive light that doesn’t ALLOW the fictional character any angle from which to voice that this CAN result in harm when not written for fictional characters according to a writer’s specific intent.
And that’s that about that. My opinion: you have it.
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ashestoashesjc · 4 years
Text
A Necromancer & His Zombie Boyfriend On A Couple's Retreat
Short Story 1/2/(3)/4/5/6/7/8/9/10
"RrRRrrrr... grrr? <Hey, uh, babe... seen my arm anywhere?>" rang Sett's voice throughout their cigar box of a house as he rummaged through closets, opened cabinets, overturned couch cushions. 
Shutting and latching the front door behind him, Ulrick began flipping through the stack of envelopes clutched in his right hand. "Huh? Oh…”
“Okay, so… don’t get mad,” Ulrick began, as meekly and guilt-tinged as one can make a shout. “But... there was this huge, I mean HUGE silverfish…” 
“GRrrr! Rrrrr. <Dude! Not cool,>” could be heard as Sett stomped his way to the foyer. 
“I know! I’m sorry! I’m weak!” moaned Ulrick. 
Sett sighed as he entered the cove and laid his single remaining hand on Ulrick’s left shoulder, the other sleeve draped flaccidly at his side. “Grrrr. <Well, yeah.>” he said. Ulrick snickered. 
“You know, having your boyfriend kill a bug for you is exceedingly normal,” Ulrick said, separating the bills from the letters that weren’t bills. There were very few that weren’t bills. “Almost conventional.” 
“Rrr. <True,>” Sett replied. “Rggrrrr. <Probably while the arm’s still attached, though.>”
“A mere quibble.” 
“Rrrrgrrr? <So, where is it now?>” Sett asked. 
“Ugh. Still getting cozy with the silverfish, I’d imagine,” Ulrick admitted, guilt creeping back into his voice. He covered his eyes with his free hand and shuddered. “In… the shower.”
Sett sucked air through his teeth in a compassion-filled cringe. 
“Yeah,” Ulrick sighed, resigned to his trauma. 
“Grrrr. <Don’t worry,>” said Sett. “Rraarr. <I got it.>” 
Ulrick slid his hand down his face with a grateful groan. “God, I love you.” Sett pulled him forward by his collar and pecked his forehead.
Continuing to sort through the mail, Ulrick came to a red envelope and, seeing it addressed to Sett, handed it over. “Looks important.”
Confusion clouded Sett’s eyes for the first few, slow moments spent undoing the envelope’s seal flap, until suddenly, a surge of realization like lightning drove him to violently tear the crimson paper away.
As he scanned the contents of the letter contained within, words failing to do his emotional state justice, Sett began to fist pump wildly, God help anyone in the flight path of his singular elbow. Ulrick looked on in entranced bewilderment.
“Was there itching powder in that envelope?” asked Ulrick.
Sett shoved the creased letter in Ulrick’s face, his manic energy not yet dissipated. Ulrick took it and held it out at arm’s length until his eyes brought the words into focus. 
“A couple’s retreat?” he wondered aloud, lowering the paper enough to peer over the top at Sett.  
“Grrgrrrr. <An all-expenses paid couple’s retreat.> Rrrrrr. <At a swanky resort.> GrrrrRr. <Complete with water skis.>”
“This is from a contest?” he asked, rotating and inspecting the sheet. “When did we enter a contest?”
“Rrggrrrr? <You know those entry slips we’re getting in the post all the time?>”
“The ones I’m always throwing away? I’m familiar.” 
“RrrRrrrrr ggrrrr. <Well, your aim could use some work, because some of them wind up in the mailbox,>” said Sett, with a shrug.
The sound that next filled the room, colored with exasperated mirth, was one Sett was used to Ulrick making, though one that never stopped bringing a flush of heat to the place where his heart used to be. 
He grabbed Ulrick by the hips and the two began to sway back and forth. “Rrrrrr. <Just imagine it,>” he purred dreamily. “GrrrRRrrrr rrrrRrrr grrr...arrrr? <Massages, rock-climbing, a luau. And… did I mention waterskiing?>”
Swaying still, Ulrick looked up with his head cocked. "I've... never heard you mention waterskiing before."
"GrrRrrrrrr. <I enjoy a lot of things I don't talk about.> Rgrrrrgrrr. <Like country music, or bad chick lit,>" Sett said before twirling and dipping Ulrick in a blur. "Rraarrrr. <I'm a multi-layered zombie.>"
Breaking clumsily away from the songless dance and squeezing the bridge of his nose, Ulrick set down the remainder of the mail on the side table by the entrance and looked his boyfriend over. “It’s totally free?”
“Grrarrr. <It’s totally free,>” confirmed Sett. 
Ulrick raised an eyebrow. “No catch?” 
“Rrr… <Well…>”
-
“And streeetch! That’s right! Streeetch!” 
At the front of Meadow Grove Resort’s famed yoga studio balanced - one foot planted on the ground, the other hooked deftly behind her neck - Chrysanthemum Smith, a remarkably limber 60-year-old instructor, urging her out-of-shape contest winning students to achieve the same feats of flexibility.   
All around Ulrick and Sett, a pretzel factory’s soon-to-be-discarded collection of heinous, gnarly undesirables had been given life in the form of sweaty middle Americans. 
That pretzels went through a less agonizing process being baked at 500 degrees was a fact Ulrick was both confident in and envious of. His legs were angled in a way he was sure he’d feel for weeks to come. 
Sett, on the other hand, had apparently been a contortionist in a past life, the way he bent himself into poses, well, a pretzel would gawk at, holding each position stoically before moving gracefully on to the next. It also helped that he couldn’t feel what would leave most tendons shredded rags.
Ulrick gave up the pursuit of dislocating his pelvis and instead went to poke Sett in the cheek. Through his mask, Sett made a chomping motion at the finger, though remained otherwise totally still. "Okay, but this kind of bites, right?" Ulrick signed. 
"A little. And not in the fun way," Sett signed back.
On a pair of blue, rubber mats to their left were two women - one in a biker's jacket and tattered, patched jeans, short red hair tied into a haphazard ponytail; the other a dark woman donning a shaved head, flower-patterned maxi dress, and combat boots - the former of whom suddenly grabbed Ulrick's attention with a nod. 
"You're telling me," she signed. 
And in an instant, they were no longer alone in the hazy, secluded sphere that made their reality.
So taken aback was he that he blurted aloud, "You sign?" 
The yoga instructor shushed him from her place at the head of the wide room, leading him to duck down sheepishly. With the forced inclusion of an overly casual air, he said more than asked, "You sign."
"Oh, yeah," the woman chuckled gruffly. "Mom's Deaf." 
Taking a sudden interest in the conversation, Sett's head swiveled to the leather jacket-clad woman. "Shit yeah!" he signed with fervor, eliciting a harsh snort from the woman. The instructor's head whipped around to glare her way, but went ignored. 
Sett's hands jumbled for a moment before he continued. "I mean, I'm sure that must have been very difficult for your family and--"
She gave a dismissive wave of the hand. "Nah, don't worry about it. She's capital 'D' Deaf. A congenital thing. Whole family's been signing forever."
Her wife - Jen, they later learned - chimed in with, "Di does it at home, too. She's taught me half the lyrics to Boys for Pele." 
"Wow!" Ulrick said with teeth-clenching enthusiasm. "That's so great! Isn't that so great, Sett?"
The mask did nothing to conceal Sett's raised, beaming features. "That's so great!" he signed. 
"I'm sorry!" bellowed the lithe yogi, shattering all delusions of serenity. "Am I boring you?" 
Several overlapping voices came to the general consensus of "Christ, yes."
One of the husbands, portly and somewhat resembling the famously affable capybara, asked, somewhat less affably, why they were being stretched into taffy when they should be outside taking one-on-one lessons with the beach volleyball instructor. He was joined by a few surly “yeah!”s. 
They were met with an unimpressed crossing of the arms. Though it should be noted Smith’s foot was still being held comfortably behind her head. 
"I would suggest, in the future, that you more closely scrutinize contest entries," Yogi Smith advised in as calm a manner as it seemed she could now manage, though with an unmistakable edge to her voice. "In order to partake in our facility’s more... physically involved activities, you’ll first need to align and cleanse your mental, emotional, and spiritual energies.”
This provoked a studio-wide groan, with the exclusion of Jen, who seemed just eager enough to cancel out the cloud of grim impatience encircling her. 
“Unless, of course,” Smith said, shifting poses to something favoring the letter ‘G’, “you’d prefer to construct your own schedules. In which case, a full price admission to Meadow Grove Resort remains available.”
She sleekly extended her right leg, pointing its foot pin-straight toward the sliding studio doors. “Don’t, as the masters of yore were wont to say, let the door hit ya.” 
When no one moved and the room went quiet enough to hear an acupuncture needle drop, Smith resumed a standing position and bowed three times to each division of the studio. “Namaste. Namaste. Namaste.” 
Chrysanthemum Smith had in no way undersold how ‘aligned and cleansed’ couple’s therapy and its airings of dirty laundry and subsequent ferocious dissolutions of decades of marriage; couple’s pottery, the same thing but with clay vases; and couple’s finger-painting, a bonding exercise in shared humiliation, would make their minds, emotions, and souls through sheer gut-rending hilarity.
Ulrick almost didn’t want to stop watching people who, hours ago, seemed all confidence and bravado, now being brought to tears by an instructor’s criticism of their macaroni art lacking ‘depth.’ 
But their confinement was over and they were free to roam the grounds as they saw fit and Sett, without even feigning to look for a map of the resort, made a beeline for the largest body of water (and the largest gathering of humans) he could sniff. Ulrick was still surprised at times by how agile Sett could be on his feet when on the hunt for blood - or recreational watersports - and struggled to keep up. 
Their long-awaited waterskiing adventure began almost as soon as they arrived at the lakeside, the instructor needing a volunteer at that instant to man the skis while he lectured another guest on the controls of the boat. At nearly a head taller than anyone else present, Sett didn’t need much more than a raised hand to stand out. 
Things were going great; Sett mounted on skis as long as he was tall, the boat revving greedily for take off. At Sett’s thumbs up, the runabout hammered off in a thunderous roar. And then, all at once, things were going wrong. 
The envisioned majesty of skimming the motionless calm of the crystal river was halted abruptly with a leaden Sett stumbling mid-lake in his skis, trying and failing to correct himself, going feet-over-head, and sinking like an anchor to the agitated silt of the riverbed below. 
Ulrick, though he jumped with concern at the first hint of a misstep, expected a brief swim back, perhaps slowed a bit - but not much - by Sett's stoney limbs. He’d been the star diver of his local swimming hole as a teen and still maintained some of the underwater dexterity, though nowadays tended to lurk the floors of bodies of water like a carnivorous bottom-feeder; eating habits included.
But then a few minutes passed, and nothing. A lifeguard and two of the more experienced swimmers among the guests plunged into the river and searched for fifteen minutes, cracking the surface now and again for a gulp of air, all to no avail. The water was too cloudy with sediment to see past a certain depth, and the orange-purples of dusk were beginning to settle in. They'd need to return in the morning with a diving team.
It'd now been forty-five minutes, and three of the resort’s other guests were consoling Ulrick, one herself on the verge of waterworks. They'd just witnessed a man - someone's significant other - torn tragically from life's teat, and in front of the man he loved, no less. 
Ulrick, for his part, was positively miffed. 
"When I get my hands on him..." Ulrick started, before one of the grievers tossed him a teary-eyed questioning look. "Er, that is... would that I could only put my hands on him... again..." he corrected. 
Just as Ulrick had begun mentally reviewing the basics of the Arts of Throttling, a movement, barely noticeable, shook the surface of the lake. Then bubbles, then the full break of the water as a head rose into view. Then the screams of onlookers as, in the fading light, a ghastly lake monster began its murderous approach. Then screams of a different kind as people began to make the connection proper. Then there was weeping, fainting, more than one declaration of faith renewed. It was a miracle!
Later, after insistences for medical attention were politely but firmly refused and the religious stragglers begging for just a smell of Sett’s waterlogged clothes were shooed away, Ulrick asked why he waited so long to resurface, to which Sett said, "GrrrrRRrr. <Well, at first I was just sort of embarrassed.> RrrrrrrGrrrRrrr? <Then I thought, "How often do these people see miracles?>"
"Oh, sure," groaned Ulrick. "A man comes out of a lake after half an hour and it's a miracle. A man comes out of a grave after a few months and it's "Grab the torches and pitchforks, everyone!""
"Rrrr. <Babe.>"
Ulrick gave a pouty grumble. "I'm just saying. One's a little more miraculous, is all." 
Sett pulled Ulrick's head into his chest and stroked his hair. "GrrrRrrrRrrr. <Shh, I know, dude, I know.>" His heavy, soaked clothes and lack of body heat didn't chill Ulrick as much as they should have, and though a fine coating of sand covering him from head to toe gritted against Ulrick's cheek, it only made Ulrick rub his face in rebelliously. 
"Okay," Ulrick said, resting his fists on Sett's chest and gazing up into his eyes. "What's the next activity? I think we’re... due-au for a luau?" The moment the words left his lips, his face collapsed into disgusted regret.
“Rgrrr... <Actually…>” Sett said, wrenching off his mask and shaking the excess water from his hair, teasing a blush out of Ulrick. “GgrrrRrrrr? <Doesn’t watching the stars by the lake sound pretty relaxing?>”
Ulrick grinned and took a seat on the shoreline, running his hands through the tufts of ryegrass stretching out in waves around him. He tapped a spot to his right and Sett, half-cocked smile in tow, came lumbering over to take it. 
Hours flurried past, changing nothing about the image of the intimately silent pair but the number of stark white pinpricks in the sky they beheld. 
They threatened to sit silently basking in each other forever. 
And then Sett said, “GRrrrrgrrr, rrgrrr, graargrr. <So, Diane and Jen gave me their number, and they want to plan an outing.>” 
Unease shot through Ulrick’s veins, but he held his tongue in search of the correct words. “O-oh?” 
“Grrr? Rrgrrrrr. <Isn’t that cool? People want to spend time with us,>” said Sett, ensorcelled with the twinkle of every new star. “Rrrrr. <With me.>”
“That might be…” began Ulrick, before noticing the glimmer in Sett’s eyes and faint lift at the corners of his mouth as he stared up towards a great unknown. He sighed. “It’s going to be great.” 
Sett rested his hand on Ulrick’s, their fingers interlocking. He smiled, and the two gazed into an ever-darkening firmament, speckled with a thousand stars and a thousand futures. 
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annes-andromeda · 4 years
Text
Fanon Marvel cause they got I S S U E S
This isn’t really a fanfic thing, more or less what I envision the MCU would be in MY head. Granted not everyone’s gonna agree with these points, but that’s fine. Well all got our own opinions☺️
Q: Who survives the Snap in Fanon?
A: Steve, Thor, Bruce, Natasha, Clint, Nebula, Gamora, Rhodey, Rocket, Scott, Okoye, Shuri, Pepper, Wong, Valkyrie, Loki, and Tony
Q: Will anyone be recast?
A: Yes. Monica Rambeau is Captain Marvel instead of Carol Danvers. Make of that as you will.
Q: Are there gonna be any major changes?
A: Not for the most part, as I haven’t watched all the Marvel movies. However, these would be the most prominent ones:
* T*ny Stark is an anti-villain. His story has been changed to mostly fit the Superior Iron Man storyline. The IM trilogy would stay the same since I haven’t seen them, as well as the first two Avengers movies. However, he gets his immediate change in Civil War, where we find out that he worked for HYDRA the whole time, and wanted the Avengers to sign the Accords so the organization didn’t get found out. I feel it would’ve been interesting if we had seen Tony turn from a man who pretended to help others survive, into a man who only ever did things to help himself survive. If you don’t like this change: well then suck it cause it’s my fanon🙃
* Steve and Thor are in a relationship. This is mostly a personal preference, but I genuinely think they’d be a good couple. Their feelings would begin to come out in AOU, after the party scene. The two have a drink, slow dance, and confess there feelings. Simple, but cute (I think). Steve would think of Thor in Civil War, while Thor would have a scene in Ragnarok, in which he calls Steve and gets his opinion on everything that has happened to him (Odins death, Hela, losing Mjolnir etc). In Infinity War, they reunite and share a big kiss Pirates of the Caribbean style. As for Endgame: Steve doesn’t go to the past (I.e fucking up the timeline and Peggy’s happy life) and Thor stays on New Asgard to rule as King, with his consort by his side.
* CA:CW- People like Rhodey and Natasha don’t just immediately agree to the Accords. Instead, they go undercover and try to find out what the government is actually doing; Peter is on Team Iron Man until he finds out that Tony is HYDRA. It sucks that M*rvel really out here just making Peter iron boy instead of... ya know... Spider-Man; Civil War has a scene where Steve reminisces on his mother (his real moral compass fight me) and we focus more on him and less on Tinkie’s man pain; Instead of Tony being upset that Bucky killed both of his parents, he’d only get upset about his mother, as he actually wanted his father dead. Got this idea from a post where basically a bunch of people were talking about how Tony was probably HYDRA the whole time, which is where I got the idea. Feel free to add anything else.
* IW: Loki and Gamora don’t die. I feel like they killed off Loki a little too early since he was just getting the arc he so desperately needed. While I don’t really know what to do with him yet, I do know that he’ll be in a relationship with Valkyrie. I mean, did you see their fight scene? The sexual tension. As for Gamora, well we all practically hated it when she died and hated it even more when they brought her 2014 counterpart back from the past. Someone on Quora said that an alternative for Thanos to sacrifice on Vormir could be Ebony Maw, as out of all of Thanos’s children, he worshipped him the most. Maybe Thanos would hesitate as this was his most loyal child, but he does it cause gotta wipe out half the universe or whatever. It wouldn’t be as tragic tho, but (1) that’s the price we gotta pay for Gamora to stay alive, and (2) are we reeeaaally supposed to pity Thanos? Thanos? The guy who only ever fell in love with Death???. Anyways back to Gamora: I actually wanna do something for her. If you’ve ever seen RWBY, one of the main characters essentially loses her arm when she tried to save her friend. I know it sounds cruel for Gamora to loose a limb, but hey, sometimes you just like seeing your fav characters suffer🤷‍♀️. I was thinking it could go two ways:
- (1): Gamora loses her arm like the character in RWBY i.e, saving one of her friends like Mantis, Quill, or Nebula.
- Or (2): Thanos uses the Reality Stone to make the Guardians + Peter and Strange think that they have the upper hand. Strange uses his magic to hold Thanos down while the others try taking off the Infinity gauntlet. Once the gauntlet is nearly loose, Quill would try to strike him, as Nebula realizes that the whole thing is an illusion. But before she could warn the others it’s too late, and Gamora looses an arm to her boyfriend, leaving him and everyone in complete shock. I like this option more, as it would show not only just how cruel Thanos is, but that he never really loved Gamora. He just favored her above all his other kids. And hey, I’m a sap for angst.
* Feel free to add anything else.
* EG: So in the first bullet, I already said which characters survive the snap and that Captain Marvel isn’t Carol, but Monica. Aside from that, I haven’t really thought much of what to do with Endgame. Surprisingly, it’s difficult to write a better story for this one. What I would most like to happen, however, is more character moments. Thor’s PTSD and traumas being taken more seriously, and instead of him gaining weight he loses it (cause according to Tinkie’s dumb rant that’s what gets an audience to take your turmoil seriously. Pls don’t hate me for this decision). Bruce doesn’t turn into Professor Hulk, and his traumas are actually talked about. Also he gets closure on his relationship with Natasha (I know it’s not that great but I personally like it). Clint dies instead of Nat and we remember that Nat was the leader of the Avengers for like five years. Steve properly mourns his friends and actually acts like Steve Rogers and not a fucking imposter. We actually see what happened in Wakanda after the Snap, with Okoye and Shuri at the head of it all. Also Pepper would be stand in for Tony, cause ya know, she has a life outside of him and is actually smart. And her and Scott help with the Time machine or what other plan I or anyone can come up with. Again, feel free to add anything else.
Q: Will there be any new characters added?
A: For now just one: A robot named Iris (aka Iron Blade), created by Tony for HYDRA. I’ve made a summary of her here:
* Iris is an android created by the billionaire Tony Stark, who possesses a synthetic body made of Tungsten Carbide which is powered by the arc reactor in her chest. For years Stark worked into making Iris highly advanced, while also keeping her secret from the rest of the world until she was ready to be used by the organization HYDRA. She was trained by HYDRA in combat and artificial intelligence, transforming Iris into a dangerous, ruthless killing machine. However, she still managed to keep some essence of personality thanks to Tony, who refused to have her be simply mindless. This resulted in Iris inheriting some of Tony’s more negative traits, while even accepting his lavish lifestyle. Although she may act like him, Iris has her own traits which vary from being charismatic, eloquent, and sophisticated to privileged, arrogant and cruel. Due to HYDRA’s influence, Iris is mostly misguided and blindly follows orders.
* Iris was eventually revealed when Tony tried forcing the Avengers to sign the Sokovia Accords as a means to keep HYDRA underground. She was introduced as a new recruit of the US government, in which she had a hand in writing the Accords. When the Avengers found that Iris was created by not just HYDRA but by Tony, this caused a huge riff in the team. The people on Team Iron Man immediately turn on him once finding out that he created Iris, which in turn resulted in them finding out that not only had he been providing the organization with weapons, but was a member himself. Out of all the team members, Iris has the largest fallout with Bucky Barnes (the former Winter Soldier) and Natasha Romanoff (Black Widow), as she mostly worked as their antithesis, showing what probably would’ve occurred had they never recovered from their manipulation at the hands of corrupt organizations.
* After the fight between Iron Man and Captain America, Iris went into hiding alongside Tony, who was no longer a member of the Avengers. For the next two years, Iris stayed by her creators side as he intended to carry out his boss’s plan. The titan Thanos had ordered Stark to help him eradicate half the universe. Tony agreed to the plan, as he believed that Earth had been ungrateful for his attempts at ‘saving’ the world. He would help Thanos, so long as he ensured his safety and payed him. Iris, programmed to follow orders, agreed to the plan without question.
* Once Thanos arrived on Earth, Iris would go to Wakanda to stop the Avengers from destroying the Mind Stone, all the while Stark attempted to kill the Guardians of the Galaxy, Doctor Strange, and Spiderman (also the only one who knew of Tony’s true alignments). Iris, failing to retrieve the Stone, joins Tony on Titan while Thanos fights the Avengers. Despite the Avengers attempts, Thanos gets the stones and does the Snap, in which Tony and Iris survive and go into hiding once more.
That’s pretty much it. I made this cause I’ve been thinking about this for a while, and I wanted to share my opinions. Feel free to add anything or give constructive criticism.
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bondsmagii · 4 years
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☕️ Alina Starkov, ☕️ the Falconer, ☕️ Dostoyevsky, ☕️ the Big Chungus song, ☕️ Athos & Astrid Dane
OH BOY.
☕️ Alina Starkov
my bitch is so dumb but I love her 😩 like a lot of the time I kind of want to shake her but what can you do!! I really do think she put up with far too much shit lmao but at the same time over the course of the three books she does get much better at asserting herself and she stops being so directionless, and I was super psyched to see her punch Nikolai and tell people to suck her long and hard through her jorts and stuff. I see a lot of people complain that she’s boring and whiny but like... I don’t see it? she definitely has her whiny moments but then you remember she’s a seventeen-year-old girl stuck in what was perhaps the World’s Suckiest Situation so I can hardly blame her.
overall I think her defining feature is bravery. time and time again she has to face the worst possible scenario and she still does what she believes is right, when many other people would have flinched away from it. she has a very strong moral code (perhaps the strongest in the series, if I’m honest -- Alina alone does things because it’s the right thing to do, and not because of any ulterior/personal motive) and she’s pretty fucking badass. she’s also funny as hell. like, why don’t more people talk about how funny she is? my girl is a comedic genius. 
my main criticism of her is that she didn’t say fuck it and go ape shit and rule Ravka forever on the shadow throne she shares with her hot evil boyfriend the Darkling but like whatever, it would be unrealistic if a character didn’t have flaws.
☕️ the Falconer
I fucking love this asshole. from the moment his pretentious arrogant ass appeared on the page talking like someone out of Shakespeare I knew I was gonna love him. I absolutely love arrogant characters who can back it up and he is the dictionary definition of this; likewise I love it when they get their ass handed to them and guess what! the Falconer provides this, too! everything about him is So Fucking Much and I just love it. I’m super excited after reading the end of The Republic of Thieves, and I’m really hoping that Scott Lynch is planning to bring him in as a Big Villain because that would just be so fucking sexy and definitely the best & most righteous thing to do.
he feels like such a solid character, too -- very often a character’s arrogance can be their only defining trait, but the Falconer has a whole history and personality that’s very solid even before it’s expanded on in the third book. everything about him is just very interesting and I absolutely adore how ruthless he is -- sometimes authors imply or tell but don’t show, but the Falconer is kind of scary, I’m not gonna lie. I would hate to have him pissed at me and I’m very thankful that I am a different Locke. this bitch is so dramatic and full of himself but he’s also smart enough to actually get what he wants and have people look at him and think “yeah he seems like someone to align myself with” and I’m not saying that he’s the kind of person who could lead a cult but I’m also not not saying it.
also the fact that his type of specialised magic is looked down upon in Karthain and seen as Not Desirable but he’s just like fuck you guys birds are neat and does it anyway? very sexy of him.
☕️ Dostoyevsky
bruh... I finally understand what people mean when they go off about Shakespeare or whatever like I’ve never really got Shakespeare and had no idea why people stan him so hard but then I read Dostoyevsky and like. I get it. I get it now. I understand how people feel. I understand the very emotion that Henry Winter felt when he asked Richard what he thought of Homer and Richard was like “I... like Homer?” and Henry fixed him with this death gaze and said “I love Homer.” like that’s me!! that’s me bitch that’s me with Dostoyevsky I get it!!
I can’t even articulate why I feel this way because this love sprung upon me very recently; I read The Brothers Karamazov a while back and adored it and it’s always stuck in my mind since, but then I just read The Idiot this week and holy shit I was just struck by... I don’t even know, Emotions™. I think it’s because The Idiot is clearly Dostoyevsky’s most personal work in terms of themes and opinions, and that combined with the fact that a) Dostoyevsky and I seem to be in agreement on many fundamental issues explored in the book and b) I was literally in the process of thinking about those issues in great detail when I picked the book up has resulted in me just being a full-blown Dostoyevsky Bitche™ now. I love him. I feel so Seen when I read his works but in a way that’s really not bad at all; it’s phenomenal, how he manages to articulate things where I thought I was the only one who thought that or felt that. of course, I know I’m not the only one -- that would be statistically impossible -- but everyone experiences things differently even if it’s the exact same thing, but Dostoyevsky manages to describe how it was for me, and not only that, but also at multiple different points in my life. how does he do it? we just don’t know, but I love him for it. 
I absolutely know this is going to be my literary niche and I am absolutely OK with that. it’s made me even more determined in my Russian studies because my goal is now to read all his works in the original Russian. if his work is this beautiful translated into English, I can only imagine what it would be like if I read it how it was intended to be read.
☕️ the Big Chungus song
the Big Chungus song haunts me because the very first time I heard it, I swore I’d heard it before. I had not, because it’s not the kind of song you can forget, but it reverberated deep in my soul and felt familiar on an existential level. I cannot explain this and nor do I want to; sometimes you’re just gifted these things, and it’s within your best interests to accept.
the only other thing I really have to say about it is that it slaps harder than pretty much anything I’ve ever heard before.
☕️ Athos & Astrid Dane
god these two were so great but I wish we’d known more about them! like on the one hand the lack of development is great because I get to go ham sandwich in my fics and basically write their lives for them which I love doing because my headcanons are sexy & righteous and born of only the hottest takes imaginable, but at the same time I have to write it all and I would also like to read it all. you can see my dilemma clearly.
I loved what I did get, because I love it when nasty characters are truly nasty. Athos and Astrid are fucking reprehensible. there’s no redeeming features, there’s no excuse for what they did -- they’re just evil and sadistic, and that’s that. I also love how Astrid is just as evil as her brother, because often the woman is portrayed as Not As Bad in some way, or as the foil to the man, and especially so with twins, but no. they’re both just fucking awful and nasty and they love it and they encourage one another to be their worst-ass self and it’s just brilliant. it’s like the Evil Twin trope, but both of them are the evil twin. it’s really refreshing to see a book commit to the idea of truly sadistic characters who are sadistic for no other reason other than they enjoy it -- the Danes didn’t become this way because they wanted to rule; they rule because they are that way. 
the character development past this is kind of eh, but at the same time they’re definitely not just Sadists™ and nothing beyond that. there’s enough there for me to get my teeth into, anyway, and I just have so many questions about them that I can write lots of fic answering. also their aesthetic is brilliant. all pale and washed out and wearing white (naturally so the blood splatters can show up clearer)? veins going black with corruption so they look like walking marble terrors? Makt couture baby.
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hamliet · 4 years
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Hello! Have you seen TROS yet? [Spoiler alert] I was really devastated by the ending - coming out the theater feeling upset and disappointed. Do you have any thoughts on it? Or maybe any plan to write fix-it fic? Thank you!
I am seeing it tomorrow. That said, I’ve read the plot summary, and no good execution can save that. So I was planning on posting this after I watched it with amendments made as I hope to enjoy it, but I’ll just post it now and amend this as necessary based on the film as I see it. (I still believe I will enjoy the film, even if I don’t think it’s a good film. I do think that. I really do... I hope.)
BASED ON THE PLOT SUMMARIES ALONE (grains of salt everywhere!): 
I think it’s technically… messy writing at best and downright bad writing in other parts.* 10/10 it’s a blockuster-y, JJ Abrams-esque, (hopefully) fun, messy narrative movie that will be forgotten in 0.3 seconds.
Disclaimer before everyone comes after me: if you like it, AWESOME. If you think it’s good writing, great! Good writing and bad writing are inherently subjective; that said, there are general consensuses among literary studies about what constitutes bad and good writing. Hence, I’m relying on those consensuses when I call it messily written.
Before we get into specifics, I’ll compare it to two other major pop culture endings: Game of Thrones and Avengers: Endgame.
TROS is similar to the GoT final season in that it attempts to incorporate every aspect of fan speculation ever. However, it’s more like Endgame in that it is still somewhat true to the themes and characters—but unfortunately also like Endgame, it is not transformative or particularly interesting as a story on its own. In fact, it’s rather boring and honestly… bad storytelling. It tries to rehash Return of the Jedi but it doesn’t succeed in any way because the world and the overall story has grown since the early 1980s, and so the same story doesn’t work anymore.
Showing a cyclical story remaining cyclical with no sign of that breaking–instead, the cycles are even reinforced–does not give optimism nor does it give hope.
Redemption=death needs to die already. If we really want to reach people and tell them that the message is that you can always make a better choice (as Daisy Ridley and JJ Abrams have said about Kylo’s arc), maybe don’t send the message in each and every story that you have to die to redeem yourself. Look outside of cultural secular Calvinism, for the love of God and the betterment of the world and stories as a whole.
Now let’s talk Rey’s parentage.
We know Rey Palpatine wasn’t planned from the beginning (Trevorrow, the original write/director of IX, who was thankfully fired, said that he never planned for Palpatine to return), which means Rey’s parentage was most likely retconned from TLJ and there was no real plan for the sequel trilogy’s overall character arcs (save for Kylo’s, according to the actors and writers).
Listen to me. You don’t have to have everything planned when you start a three-film saga, but you gotta know the major beats.
This is like a sad game of movie telephone. 
Yes, I know the OT Star Wars didn’t have a plan either and it’s like one of the only examples I can think of where no plan worked out–albeit not without hiccups (Leia kissing Luke, anyone?) If you expect lightning to strike twice in the same place, I’m sorry, but you are hopelessly naive.
Having Rey decide she wants to carry on the name Skywalker at the end is lame as shit. It’s a way to appease fans while being like nah she still isn’t related. Trying to please every fan is a sure way to guarantee that you will please no one. It might make for a perfectly pleasant film experience (I really hope it does), but not good, lasting storytelling (though not like, horrific either). It’s meh. It’s like… giving someone who is starving oatmeal. It will get the job done but will it satisfy and enthrall people? Not quite.
And let’s switch gears for a minute to Finn and Rose, my first and third favorite characters in this trilogy (Kylo is second, Rey is fourth). The sidelining of Rose is nothing short of a terrible attempt to please the white-supremacist-aligned Fandom Menace. Let’s not pretend it’s anything else. JJ’s lipservice about how wonderful it was that Kelly was cast at SW Celebration is, in hindsight, absolutely nauseating.
Shame on JJ. Shame on Disney.
But the main problem I have with this film is this:
Why did it need to exist?
The answer is money. Obviously. I know, I know stories exist to make money. That doesn’t mean I can’t criticize the fact that the story was sacrificed on the unholy altar of capitalism and Disney’s desire to own our souls. (Disney–the reason I like your movies is that a lot of them are good stories. I’m not interested in pandering soooooo.)
The Rise of Skywalker does not enhance the Star Wars narrative. Nothing about this film satisfies the Skywalker Saga nor the sequel trilogy, and it kind of all comes down to Kylo Ren’s death being the nail that sunk the entire world of Star Wars.
Keep in mind Kylo is not my favorite character when I’m saying this. Finn is. But I never spoke about Finn as much because the story didn’t utilize him properly. I never had concerns about Finn getting a happy ending while I was worried for Rey and Kylo’s arcs. (Finn’s arc, however, did have a ton more potential than was capitalized on; in particular, he would have been better if he was more conflicted over say, shooting other stormtroopers. His whole character humanized the usual red shirts, which when paired with Rose’s everywoman character, had so much potential I could shriek about it all day. That he didn’t lead other brainwashed stormtroopers into rebellion and freedom saddens me. Also, his ending again seems to bring about a good victim/bad victim dichotomy when it is compared with Kylo’s. The reason these two are my faves is that they were brainwashed as kids which, well, I can kinda sorta heavily relate to.)
Kylo Ren and Rey’s relationship doesn’t really get much better than it did in The Last Jedi. It actually rehashes that arc significantly. We already knew Kylo would fight for Rey and the galaxy, so… how was this different? Now, if he had lived, it would have been different, because it was the after the fight that proved that Kylo wasn’t ready to redeem himself in The Last Jedi. It was Kylo’s choice to stay at the expense of Rey and the Resistance that was literally the set up for conflict in the next film. This… turned it into nothing? Their conflict is rehashed and then whoo-hoo! Easy way out! Kill him so that they don’t have to deal with the “after” this time! They never have to deal with the conflict literally set up in The Last Jedi.
That’s bad writing, fam.
Life is infinitely more interesting. Leaving the story open with a living Skywalker instead of killing literally everyone involved with the Skywalkers except Rey who now adopts that name is… so unsatisfying I can’t even. Even if later material shows him showing up as a Force Ghost, like: cool saw that with Vader so this… adds nothing to the existing films. It doesn’t really reconcile anything.
It also… does not help the Rey=Mary Sue argument. She is NOT a Mary Sue, and that is a sexist term itself, but in no way is it a satisfying ending to her arc, because it isn’t a well-written ending which means it isn’t a well-written arc. The problem with Rey’s ending is a mirror of my problem with Kylo’s ending: it’s the very much a combination of her ending in The Last Jedi and her life before The Force Awakens.
She and Kylo are now separated (permanently this time).
She’s has her Resistance friends.
She’s alone on a desert planet.
But wait! Now she’s now happy!
Uh, why? The only reason I can think of is that the narrative demands it. Because honestly, what changes? The family she chose–the Skywalkers–are just as dead as her Palpatine birth family, soooooo. I suppose she reconciled with her heritage and come to peace with it and so that’s why she’s happy now, but… I can’t lie. It’s not hopeful. It’s not optimistic. It’s not Star Wars and it isn’t consistent for the message (especially if this is supposed to be the ending to the saga!) to be both:
life sucks for the Skywalkers and then they die–seriously, look at Shmi, Anakin, Padmé, Leia, Luke, Han, Kylo–it is LITERALLY ALL OF THEM; and
deciding to be a Skywalker means you’re at peace.
I can only assume Rey’s life will suck and then she’ll die, tbh, unless of course she is better off because of her blood… which negates the point of her being a Skywalker and is a really gross idea.
YOU CAN’T HAVE BOTH IN YOUR ENDING. PICK ONE.
Rejecting the Skywalkers would be anti-Star Wars, for sure, but marrying into them as a way of bridging the unfinished pain between Anakin and Padmé and Leia and her father? Much better. Or just leave it open. Honestly, leave it open for Kylo and Rey to both be alive and see each other again.
But you’re just upset your ship didn’t get a happy ending!
No, I’m upset about the storytelling, of which shipping is a part. A canonical part just as much as the lightsaber fights are. Anakin and Padmé. Leia and Han. Finn and Rose. Poe and Zorii. Rey and Ben.
The Force created Anakin, remember? All films–even the spin-offs–encourage our heroes to trust the force. “May the force be with us.” But the Force created an ENTIRE FAMILY THAT LIVED LIVES THAT SUCKED AND MADE LIFE SUCK FOR EVERYONE AROUND THEM AND THEN THEY DIED.
May the Force stay far the f*ck away from me, amen.
But seriously I can’t trust the world of a galaxy far far away or its narrative anymore. It’s a contradiction that causes all nine films to unravel. Why?
Again, let’s return to my earlier GoT comparison, because there is one thing TROS does that is more similar to GoT than to Endgame: Endgame drew together a bunch of unique distinctly separate stories into a crossover. TROS, just like GoT, relied on cliffhanger, incomplete endings to its films and therefore the ending matters a hell of a lot more than a stand-alone story.
I’m not dying to rewatch it like I am with stories where I realize I might learn more the second time. And by “rewatch it” I mean the entire nine-film saga. Knowing that canonically Leia, Luke, Han–they all die and their last descendent dies, the last descendent of Padmé and Anakin–for me, it’s personally gonna be hard to watch again. It’s gonna be hard to watch TROS going into it the first time.
And so the saga of bad endings continues.
Game of Thrones remains the worst at a -100 out of 10. It’s followed by Tokyo Ghoul:re which is still 2/10, and Star Wars is, on paper (meaning after I see it I am hoping it rises a few notches) now… 4/10. Endgame is a solid 6.5/10.
Banana Fish, sweetie, I’m sorry you were ranked down there. Your ending is a 7/10 but the rest of your story is like, 10/10 so you are sprung from this list.
Help me, Shingeki no Kyojin. You’re my only hope.
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maggotsandcream · 4 years
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Finally got around to watching a playthrough of Mario and Luigi: Partners in Time
I have thoughts as always, a lot of them. Spoilers ahoy!
First off, it is 100% on brand for E. Gadd to build a time machine and decide that the most ethical way to test it would be to send his head of state and her entourage into the past while taking exactly zero safety precautions. What's far more eyebrow raising is that clearly multiple other people starting with Peach herself had to sign off on this.
Maybe if past!Mushroom Kingdom employed an army that was composed of more than literally 2 toddlers they wouldn't have gotten so trounced by the aliens that it resembled the first part of a Doctor Who Christmas special.
I should note that none of these things are criticisms. I find the lack of two brain cells to rub together throughout the Mushroom Kingdom both past and present delightful.
I read a fan theory that the reason no one knew about the Shroobs in the present was because they hadn't actually attacked in the past at first and it was the whacky time machine antics that sucked them into the past from the present when they were originally going to attack the Mushroom Kingdom and oddly that tracks pretty well and I think I will adopt that as my own headcanon.
Of course, considering it's also Mario canon that multiple universes exist and the universe they live in periodically collapses and gets shuffled around could easily account for this too.
Baby Mario whacking everything in reach with his hammer is probably one of the more accurate portrayals of toddlers in video games. The rest of it obviously isn't, but that particular aspect jibes pretty well with my admittedly limited experience of 2-year-olds.
The enemies in general have pretty neat designs.
I liked that those elderly toad women being red/green twins called back to Superstar Saga where there were just so many red/green twins hanging around. Oddly, between the hammer bros and the Shroob princesses notably not following that pattern it seems like only twins with a good alignment get the red/green color scheme.
"Honey, the stork has arrived with our new babies! Isn't that wonderful?" "Oh yes but what color are their *whispers* hats?" "Fear not, they have a red and a green hat. They aren't predestined to become at best morally ambiguous." *sighs with relief*
"Toad and Toad, why have you taken to a life of crime? It pains me and your father so much." "You see mother, our favorite colors are...orange and blue." *sorrowful wailing*
"Mama, how come all the other twins in the village are red and green, but Toad and I are brown and green?" "You see Toad, there is this tragic medical condition known as evil twin syndrome..."
Doctors write up case study on a pair of identical twins who were both delivered with red hats. They get put through a whole battery of psych evals many times over to try to determine whether they are good, bad, or in between. Turns out they're literally just normal kids.
Wario and Waluigi would fit this pattern.
You can apparently have a good alignment with any color scheme as long as you don't have a twin, though.
Wait, so Luigi's Mansion implies that E. Gadd is 80 and that he'd been researching ghosts for about 60 years, but Partners in Time implies that he's 40 and has only been researching them for 20 years? I suppose it's possible that the age difference came about through irresponsible time machine use considering that it's canon that he kept the time machine and used it again having learned nothing but who knows.
Actually, how many of these games' plots are the result of E. Gadd throwing caution to the wind, lmao.
Between fat shaming Mario and just plain bullying Luigi, the Star Gate is a bit of a prick. That said, I'm really curious what he told Luigi is horrible sins were that were preventing him from going through the gate. Sure, he was bluffing in order to test Mario, but whatever he said was something that Luigi at least thought was horrible enough to disqualify himself and did not want revealed out loud to the group. I actually went looking for speculation on this because I think it would be really interesting but I haven't been able to find any. So I'll start with a bit of my own speculation:
"I couldn't help but notice you have a little bit of a cowardice and jealousy problem." "I know, and I know that if my brother and our past selves noticed this, the most obvious pair of flaws I have which everyone keeps commenting on, they surely will abandon me and no longer love me.😔" "...You've also got massive problems with understanding how other people perceive you."
"Look, I don't care if he started it, but it was not very heroic of you to threaten to beat Purple Mustache to death with his own tennis racket. Seriously, what's wrong with you? You've got to be the bigger person here." "But he's literally bigger than me." "The fate of the world rests upon my judgment of your soul and you think this is the time for sarcasm and backchat?!" "Oh no, you're right. I am such a selfish person.😔"
"Actually, you're basically fine Green Mustache, but I'm legally required to put the hero through a moral test before letting the party through, the hero in this case being your brother. Can I have your cooperation for the next few minutes? It needs to look like I just scolded you for something." "Yes of course. 😔"
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fourangers · 4 years
Text
Fate and Choices (ch.06)
Summary: When Naruto discovered who was going to be his soulmate, he jumped straight at this opportunity, looking forward to spending the rest of his life with his better half. Sasuke well…he was less eager in this regard though. NaruSasu. Soulmates tattoos. M-rated.
Chapter 05
AO3 link | ffnet link
--.--
Sasuke was checking the monthly chart about follower growth alongside the monthly expenses to boost their social media account when his brother called.
“Good morning otouto-kun. How are you doing so far by yourself, you need any help?”
“Morning. So far nothing of the tragic nature. Thanks for asking anyways.” He tilted his head to one side to steady his smartphone in between his ear and his left shoulder, while he used both hands to type on his laptop. “By the way, you met your soulmate already?”
“I did! He was waiting for me at the airport. A very fascinating individual, knowledgeable and has a keen sense of everything since he traveled across the globe, learned all different kinds of culture and society. I had a wondrous time talking with him.”
“That’s great.” Sasuke muttered.
“Also, he shares some long-distance ancestry with us! Apparently, his great-great grandmother is an Uchiha that detected that her soulmate lived in the Netherlands and migrated here. The only clue he has some Japanese genes might be the fact that he has more of an almond shaped eyes, but his hair is curly unlike ours.”
“Huh, really? Interesting.”
“We’re going to do a city tour in Amsterdam. I mentioned that I like seeing anything related to art and history, so he already programmed an entire schedule visiting Van Gogh’s museum and other great places.”
“I see that he’s not wasting one second in trying to get into your pants huh. Give me his number so I can tell him that if he ever dares to make any wrong move I’ll tear him into pieces.” Sasuke scowled, frown in his face as his fingers pressed on the buttons loudly.
He heard Itachi’s amused chuckle. “Otouto-kun, don’t worry about it. He really appears to be a kind man and I believe I’m a good judge of character. I’ll keep you and mom posted about all this, because I know you two will be nagging me no matter what.”
“Hn.” 
Even despite his current reservations, it was refreshing and odd listening to Itachi’s upbeat voice. He was glad that his older brother was acting his own age for once, since he was forced to be more mature in his teenage years to defend his own mother and protect Sasuke. So it was nice hearing Itachi’s honest excitement, proper from a young man such as him, which was the main reason Sasuke curbed most sarcastic and critical remarks, not wanting to put a damper on Itachi’s mood.
“Talking about soulmates, how did you fare with yours, by the way?”
Sasuke almost bit his own tongue, coughing dryly.
“That bad?” Itachi questioned, apprehensive.
“No, actually…” Sasuke cleared his throat. “We’re going to try and go on some dates.”
“…”
Sasuke could almost feel Itachi’s smiling on the other side of the phone. “Nii-san, your sudden silence is somehow more infuriating than your usual smartass quips.”   
“So you say. Anyways, I have to go for now. Call me if you have any questions Sasuke.”
⏤.⏤ 
Sasuke yawned, adjusting his laptop settings so it’d pair with the TV screen. Neji and his crew would be arriving soon to adjust the overall schedule and other general alignments. Nodding to himself, he went to the bathroom (those meetings tend to drag for hours), only to see Suigetsu adjusting his hair style, straightening his clothes.
“Suigetsu, what are you doing?” Sasuke deadpanned, raising an eyebrow as his friend continued to turn in all angles, trying to get the best look in front of the mirror.
“Well, Uzumaki is coming here today right? I’m sure that you already dumped him at this point of the story so he’s free for grabs! I’m definitely going to try asking him out.” 
Sasuke opened his mouth to elucidate the whole situation but they heard the receptionist’s voice so Suigetsu was first to go towards the entrance, Sasuke trailing behind. He saw Suigetsu affably shaking hands with everyone, before changing his tune when he saw Naruto. He was definitely feeling up the blond’s biceps while they greeted each other.
Sasuke frowned, stepping in with a grunt. “Naruto, Neji, everyone. It’s nice to see you all again.”
Naruto was positioned so his back was facing him, instantly turning around with an exclaim. "Oh hey, Sasuke!"
Sighing, Sasuke controlled the urge to blush witnessing how Naruto's eyes brightened up, grin widening as their gazes locked together. That dumbass looked exactly like an overexcited puppy. Neji even patted the blond head twice, before shaking Sasuke's hand. “Nice to see you again. I hope our meeting wasn’t too much of a trouble for you.”
Sasuke nodded, stepping aside to let them in as they settled in the meeting room.
“So, first things first, I’d like to present Takahashi Ayumi-san. She’s going to be Shinrei’s account manager from now on.” Neji explained, as the aforementioned woman bowed respectfully, giving Sasuke her business card.
“Is that any reason for such a change?” Sasuke exchanged their cards, bowing back at her while he glanced towards Naruto. The blond man on the other hand, didn’t look troubled nor guilty, settling some of his own fears aside.
“Naruto is our main social media manager and we’re getting new cases for him to take care of, so I thought that it’d be better for him to focus solely on his tasks.” Neji said.
“I’ll still go with you to meet any possible sponsor, or give reports to your current ones. But anything related to your social media accounts will go through Ayumi-san from now on, to organize our workflow better.” Naruto filled in the rest of the speech, also opening his laptop. “So we’re also here to make the transition go smoothly, and she’ll be up to date with the overall demands and so on. You don’t have any problem about that, right Sasuke?”
Sasuke shrugged, as everyone concentrated on discussing the rest of the procedure, covering all details. Once they finished the meeting and Neji’s team departed, Sasuke returned to his office, seeing Suigetsu’s roguish smile.
“Hey, I managed to get Uzumaki’s number. Well, obviously he still thinks it’s work related but…I’ll turn things around. I gotta tell you, I had a glimpse of a bright future when I saw him bending down to pick some paper, that’s a nice juicy butt that I haven’t seen in a while. Man, I just want to get in between that round asscheeks and thrust.”
Sasuke had enough. “Naruto and I are dating.”
Blinking, Suigetsu slackened his jaw then uttered out. “What?”
“Naruto. And I. Are dating.” Sasuke spelled out with gritted teeth.
“Again, what? He’s your soulmate, isn’t he?” Suigetsu saw how Sasuke clenched his mouth, frown in place. “I don’t get it, after all the time when you kept complaining about how the soulmate system sucks and you’ll never get together with your soulmate because it’s a waste of time and so on and so forth you’re dating him? Am I missing something?”
"It's a long story, let's just say we talked, and I'm going to try, see if it's going to work."
Suigetsu stared in awe, before snorting at last. "I knew you wouldn't last long. I mean, when you have a soulmate like that, you'd want to call first dibs. I would do that too if I were you."
"We're just dating, not having sex like some kind of horny animals." Sasuke muttered, glowering back.
"Right, as if part of the whole dating business doesn't have people fucking like horny animals." He quirked a haughty smirk, wagging his eyebrows. “Aw fuck, I was getting really turn up in asking him out! Maybe we should both try getting him on dates, and then make him choose between one of us⏤”
“Suigetsu.” 
“Right right, jeez.” Suigetsu raised his hands in mock surrender. “You don’t have to get so defensive. I won’t make any moves, whatever.”
Sasuke snorted, noticing the message ping showing Naruto asking him to go to the lobby once again. 
“So, you hungry?” Naruto beamed, while he was busy typing on his smartphone. “I asked Neji to stay for a while longer so we can go out for lunch.”
“Lunch sounds like a good idea.”
“Great! You’ll lead the way, but please don’t choose any expensive restaurant because I’m on a budget ok. Don’t pick anything weird that will make me taste shark semen or some weird shit like that.”
Sasuke smirked. “Actually, I’ve heard that in China it’s a good aphrodisiac so⏤”
“Yeah, see, that’s what I meant.” Naruto poked his arm repeatedly. “I just want to eat some Ramen for all I care.”
He ended up choosing a traditional Japanese restaurant, specialized in Teishoku (set meal). While they were waiting for the food to arrive, his curiosity got better of him so he questioned. “So, why did you and Neji ended up giving the task of managing Shinrei to Takahashi-san?”
“Hm, well…it’s something that I thought over this weekend. Now that we’re dating, that means it’s gonna be more difficult setting work and dating apart right? I don’t want to end up discussing with you over something work-related while we’re on a date, or flirt with you while we’re talking about work. Plus, I might get frustrated about having to solve some issues about Shinrei and then out of nowhere you might send something personal on LINE. It’s those things here and there that makes me afraid that it might hinder our relationship and I don’t want this to happen to us. So I talked with Neji, he suggested this solution and Ayumi-san was on board to help me out.” Naruto explained, while he adjusted the napkin in his lap. “You don’t mind that, right?”
“Not at all, I actually agree with your idea. Never expected that a usuratonkachi like you would be so thoughtful.”
Naruto rolled his eyes, then broadened a playful grin. "You know what does that mean too, right? That I'm free to send you dick pics, all to my heart's content."
"That also mean I'm free to block you once again if you step out of line."
“Aw, you wouldn’t do that, would you? Not after you accepted going on the Best Date Ever in History!”
“You’re pretty confident with your dating skills.” Sasuke shook his head in amusement. “I trust you already came up with a detailed itinerary then?”
“Maybe, but I’m gonna keep this as a surprise.” 
Sasuke stared nonchalantly towards Naruto’s cheshire smile, snorting softly. Their food soon arrived, they enjoyed the fragrant dishes in between chuckles and teasing remarks. It was hardly a chore getting in tune with Naruto, lowering his barriers. It’s been so long he felt so relaxed around someone aside from his mother and older brother.
While they were going back to Sasuke’s office, Naruto read a message, raising an eyebrow.
“Huh. You know your employee Hozuki-san? He scheduled a meeting this wednesday but he just cancelled now, telling me that he fixed whatever issue he wanted to talk about, but when I asked, he just said that it’s nothing big. That’s weird, you know anything about it?”
Sasuke smirked, but schooled his expression to a neutral one. “Yes, but don’t worry about it, usuratonkachi. I assure you that Suigetsu wasn’t asking for anything important that really needed you help.”
“Hm…” Naruto wrinkled his nose, tilting his head to one side. “You seem to know him pretty well, he’s been working in your company for a while?”
“Actually, I’ve known him since college, I decided to ask him to work with me when Nii-san and I founded our company.”
“That’s cool, how did you guys meet?”
“We used to have a lot of classes in common, and then we formed our group of friends.” Sasuke muttered, recalling his memories. “Crazy friend, but at least helped me hook up with some guys.”
Naruto stopped walking at once. 
Sasuke also halted his steps, turning around with a quirked eyebrow. 
The blond man strode menacingly, glowering. “You did what? After what happened between us?!”
Seeing the indignant expression on his face, Sasuke instantly understood that he stepped on a landmine. He began a well-rehearsed speech. “Well, technically, at that time we weren’t in a relationship and also we were just young hormonal teenagers, so officially, there’s nothing that really binds us together so…”
“What the fuck Sasuke, what did you want?” Naruto snapped back. “Some official document, registered in the government with our signatures, stamps and even some blood pact for some special effect? We didn’t have any extra-official but I thought that, well, since we were in this together…”
“If there’s any consolation the number of hook-ups is under one single digit, so can we drop this.” Sasuke snarled, tensing his shoulders.
Naruto stared back incredulously, before giving out a sardonic scoff and crossed his arms. His eyes glanced up and down towards Sasuke, growling.
“Oh, so that’s how you justify yourself by cheating on me.”
“Again, back when we were teenagers, we’ve done nothing but fooling around together.” Sasuke emphasized, annoyed. “I honestly thought that you have done the same, considering that we lost contact while in college.”
“Sure, okay, cool, thanks a lot for pointing that I’m a fucking idiot for wasting my chances while I was waiting for you like a fool.” Naruto’s voice was bitter and angry, taking Sasuke off guard from this uncharacteristic behavior. “I should have followed after the first vagina or dick available while I was in college. Hey, maybe I should do this right now, to pick up since I’m behind.”
Whatever tight control Sasuke was attempting to reign in, snapped apart as he glared towards Naruto’s rebellious face. He knotted his shirt into his fists, Naruto mirrored this movement, wrinkling the expensive fabric. He growled. “I thought we were in agreement that we're dating now. A suggestion, might I add, that you gave it to me."
"Well, that was before I discovered that you probably slept with half of the campus or where else more. So sorry if I'm not taking this piece of news all too well." Naruto said with gritted teeth.
Sasuke huffed. "I already told you, it was only under one single dig⏤"
"Who the fuck cares, one, one thousand⏤! You cheated, that's what happened!" Naruto pushed Sasuke away, throwing his hands to the air. "You know what, fuck this shit, I'm outta here!" He turned around, already stomping away from him and yelled. "Have a nice fucking day, asshole!"
Sasuke clenched his jaw, his body tensing to pursue Naruto but he dug his heels down. He better wait till Naruto would cool his head. Who’d have thought that such pleasant lunch would end up this badly?
⏤.⏤
Naruto was ignoring him.
At first, Sasuke let it slide, waiting till Naruto would bounce back and forget about what had happened. However, days had passed and after few tentative messages were sent, receiving nothing from Naruto’s end. 
On the other hand, this situation just made him mount considerable respect over Naruto. Only one week had passed and Sasuke was resisting the urge to barge in Naruto’s apartment to stop this silent treatment he’s suffering. And Naruto waited for seven years?? Sasuke resigned himself not to pressure Naruto after everything he had done in the past. 
For such an easygoing man, that dumbass could surely hold some grudge.
Sasuke couldn’t bring himself to pester Naruto, but that doesn’t mean he wouldn’t gatter intel from other sources.
“So…how’s Naruto lately?”
Neji stared unsurprised while Sasuke drank his beer, glancing sideways. “He’s acting all the same, cheerful, energetic and everything. Why are you asking me if you can contact him anyways?”
Sasuke furrowed his eyebrows. “He didn’t tell you what happened a few weeks ago?”
Neji hummed, smiling. “You know that Naruto opens himself just to you. I mean, maybe Gaara and Shikamaru occasionally, but yes. Mostly you.” Then, he sighed, pouring more beer to his cup. “Though after years working with him, I could see that beneath all that smiles, he’s angry over something. And after you asked how he was, just gave me the easiest confirmation about my suspicions.”
 “Hn.”
“I know I’m going to regret asking this…what happened?”
Rubbing his temples, Sasuke paused in contemplation before confessing. “I told him that I had some past flings back in college.”
For the record, Neji used a total of five seconds to show an incredulous expression before he mumbled. “For someone who used to be the genius back in school and have a master degree, you can be pretty stupid sometimes.”
Sasuke glared. 
“Why did you do that?” Neji asked.
“We were just chatting, I said it without really considering much. I honestly thought he wouldn’t make a big case over it.” Sasuke huffed. “And well, I thought that since we haven’t seen each other for over seven years, Naruto would have his own flings too.”
“Yes, that’s the stupid part I’m talking about. You can’t expect that everyone would do the same journey as you did.”
“I know, which is why I’m patiently waiting to amend the mistake I did. I even sent him messages, writing that I’m sorry and all the bullshit you’re expecting me to do.” 
Neji didn’t really trust Sasuke’s input. He snatched the smartphone out of Sasuke’s hand, scrolling down while he mentally shook his head. “Right. I’m only reading ‘Naruto’ ‘I can explain’ ‘stop sulking and talk to me’ ‘Naruto, it’s been five days you dumbass’ ah…I’m not finding any ‘Sorry for everything’ here. Perhaps you wrote ‘Let me grovel on your feet if it makes you happy’? Ah nope, nothing of this sort.”
Sasuke did not appreciate Neji’s sarcasm, grabbing his phone back. “It’s been more than a week and he still hasn't answered any of my messages.”
“Well…have you considered calling him?”
 ⏤.⏤ 
Usually Naruto was too lazy to answer phone calls, since most of the time it’s telemarketing or scammers trying to get his credit card. Suffice to say, he was flabbergasted seeing Sasuke’s contact buzzing on screen. 
Sighing, he stared at his smartphone, hot anger burning on his gut. He willed it down, grumbling. “What.”
“…” Sasuke bit his lower lip, mumbling. “I see you’re still angry over what we talked about a week ago.”
Naruto closed his eyes, dropping himself on the sofa as he responded. “No, not really. I was actually kind of waiting you’d talk to me.”
“Well.” 
“Yeah?”
Sasuke chugged some more beer down his throat, clearing his throat. “I don’t know what exactly I should say to make us return to the way it was. I can’t change it, it’s all part of the past.”
Naruto groaned, messing his head. “I know, I get it. It’s just⏤now I can’t get the idea that you got involved with other guys in my head. Were they one time thing? I mean…did you do it to satisfy some curiosity about how different it’d be having sex with someone who is not your soulmate? Or did you do it because you wanted a relationship with someone else? Or were you bored⏤”
“Naruto, I’m not answering any of these. It’ll only make you angrier.” Sasuke said in a quieter tone.
“That’s not fair.”     
“It is, because it’s about my life, and my life only. I’ll reveal if I want to, but you got no involvement in it.”
“How so? But before you disappeared out of nowhere, we were⏤”
“We’re just two teenage boys who had nothing definite aside from two matching tattoos. We’re going on circles, this is going nowhere.”
Naruto stomped angrily, standing up. “That’s your fucking problem, you know. You used a loophole, used the fact that we didn’t cement anything before you just disappeared out of my life. You were always such a manipulative asshole, sometimes I⏤AAAARGH! I just want to reach your fucking neck and shake you. Really hard.”
Sasuke listened to the furious inhales and exhales, and mumbled. “I will…leave you alone if you prefer⏤ ”
“Yeah, I prefer it.” Naruto paced around the room, scratching his head. “We definitely went on different paths because we had different points of view. I still believed in the soulmate system, so the wildest thing I did in college is trying to steal some statues on campus. You got disappointed with this system, so there was nothing stopping you going after some other guys.”
“Still…” Sasuke clutched his smartphone tighter. “I admit that I hurt you. And I’m sorry about that. Like I’ve said, there’s nothing that I can change about the past, aside that I promise I won’t do it again. And if there’s anything I can do to make you feel better…just ask.” 
“…HMMMMmmmmMMmmmmmm.”
Sasuke knew Naruto enough to understand that particular tone. “Anything that is not outrageous or sexual in nature, get your mind out of the gutter dumbass.”
“Not even you wearing a sailor fuku?” Naruto practically singsonged, his mind also picturing Sasuke with stilettos. 
“I’m glad that even with all the current resentment you have on me, you still have enough imagination to come up with the most ludicrous ideas.” Sasuke teased back.
“Yeah yeah. Sasuke…” Naruto raised his eyes to stare at the ceiling, his body relaxing. “I’m still not giving up with the whole date thing, ok.” 
Sasuke released a breath he didn’t realize he was holding. “I’m glad.” 
To tell the truth, even despite some reservations and fears, Sasuke was looking forward to starting this relationship with Naruto, only to have it temporarily halted. But he’s willing to take the backseat until things would calm down if necessary.
Taken aback from Sasuke’s honesty, Naruto scratched his head. “So, you willing to wait some a little bit more? I guess I just gotta organize this new information in my head.”
“Sure.”
⏤.⏤ 
On the next day, Sasuke received a message from Naruto.
You free tonight?
Bewildered, since he originally considered that Naruto wanted more days to restart their date, he answered nevertheless.
Yes.
Ok, great. I’ll be waiting for you in the lobby from your office. I’ll be there in half an hour.
Sure.
Oh. Naruto stopped typing before sending this message. And bring your business cards. Tons of it.
Sasuke’s confusion further escalated, but he obeyed nevertheless. Naruto was waiting him with crossed arms, tapping his right foot.
“Hey.” He analyzed him, looking up and down before shrugging. “Alright, you look fine enough. But use this jacket instead.” He threw it in Sasuke's direction and he caught it with ease. 
Black eyes studied the smooth fabric, clean cuts and the tag showing that it's a renowned brand, which all points to the fact that this tuxedo jacket was pretty expensive. “Where are we going?”
“Hm?” Naruto mumbled, his gaze fixed on his smartphone.
“Where are we going?” Sasuke repeated the question. Naruto never cared for appearances whenever they went out, thoroughly ignoring all the malicious glares and whispers focused on his gaudy orange jumpsuit and loud voice. But this time he was wearing formal attire (that looked pretty good on him, actually), also ensuring Sasuke would be decent looking. 
“Yeah, I’m comparing if we’re going to be faster using uber or going to the subway. There are some points of heavy traffic, but nothing too drastic. I don’t want to ruin our clothes too since now the subway is definitely crowded so…yeah. Using uber. He’s arriving in three minutes.”
“Okay.” Sasuke waited while Naruto was still focused on the phone, muttering. “You still didn’t answer my question.”
Naruto gave him a lopsided grin. “I was hoping you wouldn’t notice that.”
“So. Do you intend to give me any explanation?”
“Nope.” Naruto intervened before Sasuke could further inquire. “Because I’m still angry about you.”
Then why did this dumbass go through all this effort to go out with him…Sasuke’s head was full of question marks but he expressed with a baffled glare. But that only caused Naruto to laugh in amusement, patting him on the shoulder while they entered the car.
On the course of the trip, Naruto continued to use his smartphone, not striking any kind of conversation. And as much as Sasuke valued quietness, seeing the usual blabbermouth behaving in such uncharacteristic way was unsettling to say the least. 
“…Do you intend to talk to me any time or are you going to keep on this silent treatment till the end of this date?”
Naruto snorted, rolling his eyes. “I’m still considering it. Why?”
“If you’re going to act like that, I’d rather if we cancel everything then. I’d rather be alone than submit to whatever ill-intent you have stored for me.”
“Oooooh you’re making me sound like a villain, I like it.” Naruto grinned from Sasuke’s roll of eyes. “Don’t worry about it okay. It’s gonna be a surprise, trust me.”
“…hn.”
Sasuke vaguely recognized the tall buildings and elegant architecture, noticing that the car stopped in front of a high-end hotel. Naruto stepped outside, moving his head to signalize him to do the same, as the blond man was reading some instructions on his smartphone, following the sign arrows.
They arrived in what appears to be some kind of party, he could hear a constant buzzing even behind the huge mahogany doors. There were several security bodyguards, as well as a reception desk at the entrance, so Naruto approached while they questioned his name.
“Uzumaki Naruto.”
They bowed politely, confirming his name on the list and asked. “And the gentleman behind you?”
“He’s with me. His name is Uchiha Sasuke.” 
They opened the doors, and his vision was suddenly inundated with bright lights, women wearing glittering dresses or kimonos, all men wearing formal attire. Waiters moved around smoothly carrying all kinds of tasty dishes, beverages and champagne. There was a classic ambient music echoing in the opulent room, and when he focused his eyes at the center stage, everything became clear when he read the huge banner:
Uzumaki Tsunade-sama for Tokyo’s mayor
He deadpanned back to Naruto. “Your aunt’s party? Really?”
Naruto scratched the back of his head. “I couldn’t say no, she’d kill me and you know that!”
“Fine, then why am I here too?”
“Well, even considering the current situation between us, I have to admit that you’re still pretty entertaining so I won’t get bored while we’re in this thing.” 
“Glad to be at service.” Sasuke replied sardonically.
They heard a familiar shout. 
“Naruto!” A blond woman came rushing towards them, widening a smile. “I’m glad you arrived. Well, here he is everyone, the mastermind behind my social media campaign!”
Naruto and Sasuke were swarmed by a group of men from all ages, gazes sharp and shrewd.
“You said that Naruto-kun is your nephew right? It’s my pleasure to meet such a talented young man.” One older man approached, offering his hand. Of all the people in that circle, he appeared to be the most astute.
“Thank you, but I’ve done nothing out of ordinary.” Naruto replied, shaking hands.
“What, really? That’s my nephew alright, so humble.” Tsunade squeezed his shoulder, beaming. “You know that due to your social media strategies I could get in close contact with the younger demographic.”
“Yes, and it’s thanks to her that she’s the frontrunner in this year’s election! The first female mayor in Tokyo. We’re looking forward to seeing you ruling this city.”
“Let’s not count the eggs before they hatch, the election will only happen in the next two months.” Tsunade warned. “Also, we don’t know who might be listening to this conversation.”
“True, but it’s still very impressive.” He responded, giving a significant glance towards the blond man. “Is Naruto-kun available to help other parliaments to win some elections?”
Naruto huffed silently, though only Sasuke could pick that subtle movement. “Sorry, I work only in the private sector. Helping my aunt is due to the fact I know her political history, so I know that I’m aiding someone I trust with my life.”
“Yes, too bad right, Honda-san.” There was an indignant twitch on Tsunade’s eye, as she focused on a newer topic. “Oh, I see you brought Uchiha-kun.”
Naruto threw his arm around Sasuke’s, grinning. “Yeah, a nice date with my soulmate.” 
Sasuke quirked an eyebrow in response, but it garnered enough interest in the group.
“Oh? Your soulmate? Congratulations, I gave up trying to find mine years ago. But well, now that I’m on my 2nd divorce, I always wonder how wonderful it’d be if I got married to my soulmate.” 
Naruto and Sasuke exchanged significant glances so Sasuke stepped in. “Actually, our Uchiha clan is renowned for finding anyone’s soulmate over the centuries, and now we developed a technology to match the soulmates all over the world faster.”
“He found me using these powers, as many others, it’s an ancient knowledge only their clan possesses.” Naruto further explained, though he could see his aunt narrowing her eyes. 
“That’s really interesting. I would like to talk more about this. Here, my card.” They exchanged business cards as other people in their circle flocked around them, collecting Sasuke’s cards.
“Well…Naruto, let’s get some food for you while we get our conversation up to speed, right.” Tsunade made a face of ‘you better obey me or else’, so with a shudder, Naruto obeyed his aunt.
They walked to a more secluded place, so Naruto was first to protest. “You didn’t ask me to go to this party just so you can throw me more politicians to be his social media manager right?”
“Of course not, you really think I want to share my golden egg with everyone else?” Tsunade snorted, crossing her arms. “That Honda-san, I knew he was keeping an eye on you, I wouldn’t imagine that he’d have such audacity in asking right in front of my face, that old geezer…Anyways.” She smoothed out her glower, looking concerned towards her nephew. “Brat. I thought you were still angry over some things your soulmate had done back in college.”
Naruto glanced down, rubbing the back of his neck. “Yeah, I still am but…this party will be good for his company.”
Tsunade stared, then unceremoniously whacked the upside of his head.
“Ow! What the hell, old hag?” Naruto yowled, his hands nursing the painful spot.
“You deserved this. You really need to stop being too generous.” She harrumphed, placing her hands on her hips.
Blue eyes blinked, pointing out a bit baffled. “Um, usually people see this as a positive thing.”
“Not so positive when people use this to their advantage.” Tsunade sighed, smoothing the sides of his shoulders and squeezed them thoughtfully. “Be careful okay?”
Naruto gazed back, wordlessly nodding. Some of Tsunade’s staffers called her, so she walked away while the blond man went back to find Sasuke. He was talking with a new group of people, spotting him from afar as he whispered once Naruto positioned himself next to him. “That took a while. I thought I was supposed to entertain you, not random strangers.”
“Sorry about that, my aunt wanted to talk about some things.” Naruto shook hands with everyone in vicinity, scurrying them aside as everyone went on their own way. “Did you manage to get a lot of new contacts?”
“Yes, and even some possible businessmen that might buy some of Shinrei’s stock.” Sasuke replied, smiling in such a contented way that caused Naruto to beam in return. “Thanks for giving me this opportunity.”
“No problem, glad I could help you out.”
“It’s roughly 8 o’clock right now, I’m sure you’re dying to eat some dinner⏤” On this cue, Naruto’s stomach decided to growl. Loudly. Sasuke rolled his eyes. “There are dinner tables settled in front of the stage, I suspect they’ll call us to sit there once the food is ready.”
“Yeah, thank all gods. I’m so hungry I could eat a whole cow. But it’s probably one of the fancy shmancy restaurant, they’ll probably give me some food the size of my pinkie telling me that it’s some reinvention of Japanese cuisine.”
“Sounds like something right up my alley. You’re the one who likes to eat junk food like Ramen.” Sasuke smirked.
“Ramen is comfort food and one of the main staple of Japanese food, how dare you diss them!” Naruto grumbled, when the waiters asked them to go their respective tables, redirecting to their seats. Considering his close parentage with Tsunade, they placed him right in front of the main stage, sitting in the same table with what they could recognize that those people were very influential and powerful politicians. 
One of Tsunade’s secretary whispered something on Naruto’s ear, so he excused himself, bowing politely. In a few more minutes the room went dark and strong flashlights focused on Tsunade, who stood behind a podium.
“Hello everyone, thank you for participating in this beautiful event. I’m honored sharing this special moment with all my friends, allies, comrades. People who share this common goal with me and will bring everyone to victory. Others at some point have its fate intertwined with mine and now will help me to reach such success.” Tsunade’s voice was calm and commanding, bewitching all in vicinity. “Fate commands in many different twists and turns in our lives, making us grieve, laugh and learn. I’d like to believe that my fate has given me many obstacles to strengthen myself and grow. My late husband was the one who was interested in politics, and once he was murdered due to skirmishes with Yakuza, I inherited his will. My dearest little sister unfortunately passed away from a terrible disease but blessed me to take care of this bright young man, Naruto.” 
She turned around, arm raised as Naruto approached her, bowing to the audience as he stood next to her.
“My nephew helped me in this campaign and I’m happy to say that we have currently 65% intention for votes⏤” Tsunade read on her iPad. “And I’m the leader to win Tokyo’s election that will be held in the next two months. Thank you everyone! Here’s a reminder to everyone who is and was challenged by fate, those who are still struggling and may we bring them to a brighter future!”
She raised her glass as everyone mirrored her, chanting together.
“Uzumaki-sama for mayor!”
⏤.⏤
“Maaaannnn. No matter how many times I was forced to go to these kinds of parties, it’s awkward as fuck just keep on standing there next to my aunt, and having to put that fake smile whenever she made me talk with other politicians.” Naruto groaned, while they were walking to the subway station.
“Hm, really? You behaved pretty well considering that you're usually a spazz, usuratonkachi.” 
“One of my aunt’s secretary, Shizune-neechan gave me most tips. It was the most attention I could get since my aunt was, you know.” Naruto shrugged awkwardly. “Getting all busy being our town’s mayor and climbing in the political scheme. I mean, she raised me the best she could, but I guess it wasn’t enough.”
“I see, this is also the reason you were so fascinated being a pain in the ass and nagging me wherever I go back when we were kids.” Sasuke snorted when Naruto gave a squawk of indignation.
The blond man reconsidered and responded. “Maybe, I guess. We were the only kids with no friends back in school so I wanted to show you that I was there.”
“I suppose it worked. There wasn’t a day where I wasn’t forced to participate in your ludicrous plans of mischief.”
“It was entertaining!”
“You certainly entertained me better at the end of high school.” 
Naruto snorted. “Yeah. Good ol’ times.”
“Is reminiscing those memories good enough for you to dismiss the current anger you have on me?”
Their steps diminished to a quiet halt, Naruto turned around to gaze at his childhood friend. Under the soft glow of street light, Sasuke looked austere, solemn though his eyes shadowed some bashfulness and guilt. 
Naruto exhaled tired, muttering. “I’m still…⏤not as much as before but maybe there is some bitterness lingering. Sasuke, now I get why I couldn’t forgive you right off the bat. It’s not because you slept with other guys…”
A black eyebrow was raised and he chuckled, waving his hand in negative.
“No, it’s not what you’re thinking, I didn’t like that you got involved with other men, but it’s not the main reason. Sasuke, you didn’t give me any satisfaction when you went to college, you didn’t call me or message me something like ‘we’re over’ or ‘I want some time for myself so let’s be free to pursue other things’, so I was stuck in limbo. And, even regarding how much you don’t believe in the soulmate system, I thought that…considering that we know each other forever, you’d at least inform me.”
“I know. I regret not doing this, hurting you in the process. However, I cannot change the past, all I can promise is that I will correct my mistakes.” Sasuke promised.
Naruto nodded. “Another thing, is that what you said to me about the flaws of the soulmate system really made me change my point of view. I could tell that the fact I was angry is solely my own feelings, but another part wanted to forgive you. I wanted to analyze if this part is because you’re my soulmate or it’s also part of my own self.”
“And your conclusion would be?”
Naruto chortled, shrugging. “50/50, maybe. Sometimes leaning more to my own emotions. But I wasn’t sure. That’s why I took more than a week to talk to you.”
“And when am I going to get back to your good graces?” Sasuke wondered, and they restarted walking.
“I think I tortured you enough after tonight. I’ll be back planning the Best Date ever in History.”
Sasuke sighed in relief, a comfortable silence falling between them while they walked in the deserted street. He was guiding Naruto to the subway station, but took a detour to a darker corner that he knew no onlooker would bother them there. He stopped, staring towards the blond man.
“What?” Naruto muttered, a little unnerved from the piercing eyes.
“I’m impressed that you still hadn’t used your usual old trick of poking me on the shoulder and surprising me with a kiss.”
“I said that I’m not going to torture after tonight, but the day hasn’t turned yet. So I’m still in the angry mode.” Naruto grinned. “It’s a punishment for not being a good boy in the latest days.”
Snorting, Sasuke rolled his eyes. “Good boy? I wore this jacket you threw at me, I behaved well as your date in that party, I was exceptionally so good, that I’m sure I deserve a gold star.”
“Yeah, but I’m still smarting with the whole you cheating on me thing, that you got a demotion from childhood sweethearts to first daters. And while I was sure you were gonna get back to my good graces eventually ‘cuz I don’t hold grudges forever Sasuke, I needed some gradual steps till we’ll get to that much needed direction.”
“Fine. At least it’s over after tonight.” Sasuke concurred, smirking. “Do I at least deserve one kiss on this first date?”
Naruto peered back with increasing suspicion, then consented, giving a short kiss on his cheek.
Sasuke scoffed in derision. “Hm, I’m sure that even kids in middle school gave more significant kisses to their crushes than you just did right now.”
“Whaaa⏤wait a minute you bastar⏤” Naruto’s incoming diatribe was interrupted with Sasuke’s lips against his own, hands snaking around to grip his torso.
Naruto took a second in shock before melting in his arms, breathing out a happy sigh as he pushed forward, deepening the kiss. Surrounded by familiar senses and new ones, he explored the hard edges of Naruto’s body, scrawny arms now filling with muscular ones, though his mouth remained soft and pliant, always inviting to taste some more. When Naruto laced his hands behind his neck, tongue tracing over his lips, sliding in and wrapping with his own, Sasuke couldn’t contain the shiver in excitement, moaning. 
After countless minutes kissing, lost in their own world, they retreated for a bit, Sasuke’s taste persisted in his mouth, making him lick his lips. Moist mouth softly caressed his own, whispering.
“See? This is how you were supposed to kiss me on our first date.”
Naruto’s cheeks flamed red, but he managed to roll his eyes, disentangling himself from Sasuke. “Whatever. See you later bastard.”
He turned around ready to walk his way before a hand held his arm and spun him back to Sasuke, receiving another peck on his lips. The light touch was innocent but when Sasuke released him, his stomach fluttered when he witnessed the heated gaze and the playful smirk. 
“See you later dumbass.” Sasuke waved him, walking back to the brighter street. “I’ll be taking a bus, the subway station is on your left.”
Naruto grumbled with himself, cursing about stupid sexy assholes and the habit of making everything a competition.
He smiled all the way back to his home.
Chapter 07
⏤.⏤.⏤.⏤.⏤.⏤.⏤.⏤ 
AN: I’m sure that you guys are wondering “So Itachi’s soulmate is…” Yeah, he’s Shisui. I didn’t want to make his name a mystery, I just didn’t find a space in the dialogue for Itachi to tell Sasuke his name.
Onto good news. The story is shaping a little bit better, so my estimate is that it’ll take roughly 10 to 12 chapters long. I have all the sub-plots and main plot ready in my head, I just have to organize to sound more concise… 
I guess what’s interesting in this story is about two people who know the other one so well but has to relearn to fall in love with his other half.
The most difficult part was writing the kiss. Not the act itself but it’s just that Naruto and Sasuke are officially japanese in this era, that means that Japanese people are usually way more reserved in PDA. Sasuke, on the other hand, doesn’t care about public opinion, which was why I was more ok with him initiating, and he also waited till the street was deserted and dark and went to a corner. I researched a little and in recent years Japanese are more ok with light PDA, but generally kissing (and long deep kissing) is frowned upon. 
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gascon-en-exil · 6 years
Text
I Liked Fates Before It Was Cool!: Revelation Part 2
Prologue
Opening Chapters
Revelation Part 1
Chapters 13-19, in which everyone’s going to Valla even though half of them suck.
Chapter 13
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Hey look, Hoshidan scum!
Ok, meme comedy done. This is in my opinion the first really strong chapter of Revelation, with satisfying gameplay, escalation of the threat posed by Valla, and some good character development. It’s an utter tragedy that it takes place against the literal backdrop of Cyrkensia’s ruined opera house, but I can (mostly) live with the destruction of my favorite setting in Fates when it’s so effective at getting results. Azura still gets to sing here after a fashion, and although there’s no cutscene to go with it the results of this particular show do a good job of subtly foreshadowing that Azura and Mikoto use similar pacifying magic from the same source.
After Kaden and Keaton are done lampshading why the party always runs into shapeshifters in Cyrkensia, it’s time for Corrin to step between Xander and Ryoma as they left them back in Chapter 6 - at each other’s throats in a conflict ultimately engineered by Anankos. It’s a good demonstration of what the war between the two nations would look like without Corrin’s intervention, and the crown princes’ characters logically follow from their behavior as antagonists in the other routes. Xander is resolved that Corrin is a traitor and merits only death, whereas Ryoma is more hesitant to accept Corrin’s choice and, unlike in Conquest, willing to listen to their stated motivations when he’s not on the verge of death. Ryoma’s mellower outlook may be attributed, oddly enough, to the strong intimation that he’s got something going on with Scarlet, something I completely forgot about until I replayed this chapter. I don’t blame myself for doing so; in an Avatar free-for-all dating game romances between the other playable characters are naturally going to get short shrift in the story, and it doesn’t help that Birthright doesn’t suggest this relationship at all even though it’s the one route where both characters to survive to the end. And...yeah, there’s that part, but that’s for a bit later. It’s interesting to imagine how the different circumstances of Revelation could have encouraged Ryoma and Scarlet to grow closer in Revelation than they do in Birthright, though realistically it probably just boils down to Corrin not being there for most of their time together.
In any case, Ryoma shares what he knows about the Rainbow Sage - odd how the fourth person to visit the Sage is still Xander on this route when in the others it’s unsurprisingly the opposing older brother - and Corrin and co. are off to follow the path of Conquest 10 and 11. At least there’s no sequence-breaking teleport books this time.
Chapter 14
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This time I’m not focusing on the cutaway to Garon and co., because his obvious gloating has reached such alarmingly stupid levels that I have nothing more to say about it. The payoff, such as it is, to that plot thread is still a few chapters away anyway...as is the appearance of Iago and Hans, who have yet to do much of anything on this route and yet get to appear as bosses at a plot-critical moment. Boo.
Let’s talk about unit balancing instead. Elise shows up with her she’s-legal-we-swear panty shot, and one look at the stats of her and her retainers showcases another glaring problem with the gameplay of Revelation. From this point onward, there’s really no point in training any of the numerous unpromoted units the game throws at you, because there’s no time to raise them up to par unless you do a lot of grinding. This is one instance where Revelation’s similarities to FE10 are more superficial than they first appear, because 
1) when compared to just one route of Fates Radiant Dawn is a much longer game, and in fact at 43 chapters still holds the record for the longest individual story campaign in the series. Revelation’s pacing and design suffers terribly from the requirement that it cover the same number of chapters as the other routes.
2) Radiant Dawn also has a massive roster (second largest in the series behind New Mystery) with several units who come behind the level curve, but they’re spread across the course of the game rather than lumped into a span of a few chapters. Examples vary from earlygame recruits just a bit behind (Meg) to underwhelming midgame units (Kyza and Lyre) to a bonus run Est type in lategame (Pelleas). 
3) and most notably, units in FE10 are divided into separate armies with different resource pools until lategame. While the balancing between those is infamously unequal, this setup almost requires that you train more units than you’ll ultimately be sending into endgame, giving even the lesser ones a small chance to shine.
I imagine that the design philosophy behind Revelation is that the player would be expected to spend a lot of time grinding on this route to get its numerous unique supports and raise a much larger army. It seems intended for a slower pace, particularly as this also helps with building up the castle base when you’ve got duplicates of most buildings to upgrade. I still don’t care for it though, because I don’t feel like taking that extra time to raise an oversized army and because some of the recruitments continue to be unexplained in story. Why would two border guards join in the invasion of a foreign port? Revelation doesn’t know or care, but it’ll make you run your new underleveled healer to both sides of this large map to recruit them regardless. At least Elise is mounted....
Chapter 15
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Seriously, look at this. These two join in the same chapter, what the hell. This isn’t even mentioning that these are also some pretty random recruitments. Shura is awfully nonchalant on hearing that Corrin got his revenge for him, and Nyx has no more reason to be here than she did in Conquest 9. With her it really feels like the writers had a great (if highly fetishistic) concept for a character and came up with a plausible backstory only to find that there was no way to fit her into the plot, so...here she is. On a related note, Nyx is the only first generation character other than Gunter to outright not appear in one route, and at least there’s an explanation for Gunter’s absence in Birthright. Her presence really is just that random.
Before doing the write-up for this chapter I read back over what I’d written for the Sevenfold Sanctuary in the other routes. The gameplay of the Revelation iteration offers nothing really to speak of, lacking either Conquest’s class and skill-themed rooms or Birthright’s power jump. The Rainbow Sage uses an alternate old man sprite initially to make it less obvious that he’s repeating the same trick he pulled in Birthright, but his exposition at the end is worth the trolling for finally confirming that he is indeed a dragon and giving us the obligatory Fire Emblem name drop. Fates’s cosmology reveals itself to borrow mostly from Jugdral of all places, though I’ve never yet seen anyone try to piece together the scattered hints of worldbuilding to link the twelve dragons of the two settings. I’m certainly not going to attempt it, because even with divine weapons and draconic-blooded families in the mix there’s remarkably little to conclude definitively that the First Dragons of Fates are/were the dragons that appeared to Jugdral’s Crusaders. My pet theory aligns it a bit more with Tellius because of certain other observations about Fates’s setting and because something is going to have to connect the dragon laguz to the rest of the series’s lore eventually.
Chapter 16 + 17
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I’ve been pretty down on Revelation thus far, and at first I was fully prepared to rip into these two chapters in similar fashion...and then I finished playing through them and changed my mind. If I had to pick one moment from FE14 to represent in miniature the beautiful mess that is this game, with all its inventive concepts and missed potential, its stirring emotional moments and lazy copouts, I would choose these chapters. In spite of everything they nail the very best of what Fates offers on an emotional level, and as a midgame climax they land almost as well as the Branch of Fate lands as an establishing moment.
And yet there’s so much wrong with them! Hans and Iago have never been flatter or more inconsequential antagonists; note that before this point in Revelation they’ve done nothing aside from knock Gunter off a bridge and use an illusion to piss off the Wind Tribe. The Ryoma/Scarlet angle is abruptly dialed back to the friend zone, presumably to make it okay for the Avatar to bone them, while Hinoka abruptly joins in the action after having been forgotten about for eleven(!) chapters bar one throwaway mention in Chapter 13. Xander and Leo’s apparent betrayal of Nohr has little bite to it even from Iago as Garon might as well not exist by this point, and their retainers fail so hard as backup I almost always just send them to a corner to wait out the battle. Speaking of which, the trend of underleveled units reaches its zenith, here where maybe four of the eleven units obtained in these chapters can reasonably be used without grinding after this point. It’s even worse than the torrent of garbage units the Archanea games throw at you, because at least those sometimes come with nice stuff in their inventories (hence the “Free Silvers” tier jokingly used on some of the DS tier lists back when those were popular). And to cap it all off the ticking timer that’s been running from Chapter 7 up until this moment, of the skies over Hoshido and Nohr switching as the moment that the portal to Valla will close, makes no sense either (meteoro)logically or narratively except to add unneeded urgency and entice a few of the characters to the Canyon. For that matter, since Revelation appears to take place in the same time frame as the other two routes it’s baffling that this bizarre bit of worldbuilding goes unmentioned in them. Wouldn’t it be kind of a big deal for Nohr to get a normal sky every few decades, and for Hoshido to get a bad one?
But somehow despite all that when the Nohrian brothers show up in Chapter 17 and the music switches to “A Dark Fall” (quick aside, but one thing I love about Fates as a whole is its soundtrack) I fully got what the developers were going for, and to see all the royals finally interacting with each other - something sorely missing from Chapter 6, if you recall - and calling a truce to face whatever awaits them in Valla together just sealed that feeling. The Hoshidan and Nohrian contrast to these two chapters followed by a scene of Corrin’s families united for the first time really sells the main draw of Revelation, even if for some of them the buildup to that moment was rushed (Takumi, Camilla) or just not there at all (Hinoka). Yeah, it comes with the distinct aroma of Avatar-centered plotting like everything else on this route - as Ryoma actually points out in Chapter 16, funnily enough - but even though some of the particulars are undercooked and most of the circumstances are downright silly I can completely get on board with this group of people in this moment banding together to, uh, jump off a bridge before an interdimensional portal closes because the sky is changing color and...ugh, never mind.
Chapter 18
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I will say this for Valla: I really enjoy its visual style, a sort of supernaturally-ruined pastoral idyll that resembles nothing like the world above. It also helps that it’s not tied directly to any real-world cultures like Hoshido and Nohr are, and its nods to Middle Eastern, Indian, and exclusively in localization (I think?) Greek cultures come across in the series’s more typically understated fashion. Of course that otherworldly quality lends itself to more frustrating map mechanics, so it’s not entirely a positive. This one isn’t so bad provided you’re fielding a bunch of royals to activate all the Dragon Veins - and really, it’s not as though the player needs another excuse to use them to the exclusion of almost everyone else.
But of course the big moment of this chapter is Scarlet’s death. The bit with the flower is a painfully obvious hint to recall when it comes time for the reveal of her killer, but nevertheless the sequence does well despite that and some awkward staging with battle models. What doesn’t work quite as well is the reintroduction of the Ryoma/Scarlet angle just to add more punch to her death...completely ignoring the possibility that Corrin might be married to either of them (and Scarlet just undergone what had to have been one of the most hyper-accelerated pregnancies in all of fiction, if you want to be really sadistic). Because of their earlier buildup this may be the most egregious example of Fates needing to ignore its own support mechanics for the sake of the main plot. In any case, if Corrin didn’t shack up with one of them the scene after the chapter is pretty solid. I consider it comparable to Lilith’s death scenes on the other routes, since she also dies taking a hit for Corrin, but as the circumstances are less random and Scarlet actually gets most of her characterization outside DLC it’s much more effective overall.
Chapter 19
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Enter the strange child with the oversized forehead. At least it’s not immediately obvious that’s he’s evil, I guess?
It’s interesting to note that the Valla chapters are structured almost as a route unto themselves, having to establish a new set of characters previously unseen in Revelation and not seen at all in the other routes. Although in terms of gameplay they function more like an extended endgame in the vein of Radiant Dawn’s Tower of Guidance, bizarre architecture and all. I’ll be talking more about Anthony and Arete and the others later on, but I wanted to note the setup for when I talk about it in the next post. 
The intro to this chapter also delves into a bit more of Fates’s cosmology, specifically its deified dragons. Xander asks what only Iago thought to question in Conquest, namely why Garon would worship Anankos and not the Dusk Dragon, only to get the obvious but still technically necessary reveal of Garon’s true nature. I do like that the First Dragons are vague enough in their presentation that I could believe either that the Dawn and Dusk Dragons are just different interpretations of Anankos or that they’re all separate entities. As I recall however this is somewhat muted by the knowledge that the emotional payoff re: Garon is going to be rather muted when it finally happens, so this really is just more vague worldbuilding. 
Oh, right, the chapter. It’s Conquest 15 with a bigger party and entirely too many items drops on the optional path. Why the developers think the player needed so many items thrown at them in a game with no durability and a route with no shortage of funds I’ll never know.
Next time: Revelation Chapter 20 - Endgame
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Something There
Archive of Our Own Link
Summary:  After Six and Boone come back from a particularly difficult quest for Red Lucy, Boone specifically asks for Arcade to stitch him up while Julie cares for Six. One small problem: Med-X can be a real mixed bag for people to react to. And Boone gets rather talkative after Arcade realizes he may have slightly messed up the dosage. He said he wasn’t a good practical physician…
Word Count: 1,811
Pairings: Craig Boone/Arcade Gannon, sort of implied Female Courier/Julie Farkas
Characters: Craig Boone, Arcade Gannon, Female Courier, Julie Farkas
Warnings: Mentions of needles, blood, and bare descriptions of medical procedures; nothing explicit
Author's Note: This was a secret santa gift for @ymoapology!
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“What did you get into this time,” Arcade mumbled, fishing around in his first aid kit.
“A couple of radscorpions guarding their nest.” Boone’s gruff voice was more soft now. “Six got the worst of it. How the hell she was still standing is beyond me.”
“Well, if anyone can help her, it’s Julie.”
Arcade didn’t look up at Boone. He knew he’d stare if he dared glance up. Ever since Boone had walked in with Six a couple weeks ago, Arcade had found it hard to look away at all. He was always a sucker for the strong, silent, and handsome types, especially ones that had a kind of secret past. People like that were puzzles, Publix cubes just waiting to be solved and unlocked. Hell, Arcade didn’t even know his first name. Made the whole thing a little more exciting.
He’d have all the time to stare when he was stitching up the cut on his arm, but for now, he had to be all business. Hell, he needed to be all business while doing the stitching too. He was never a great practical physician, so he’d need to really focus. It did strike Arcade as odd that Boone had requested that he, specifically, help him out, but he didn’t mind. It certainly beat staring at an aloe leaf through a microscope until his eyes hurt. God, the things he would let this man do him after a glass of wine…
Boone cleared his throat. “So. You study plants.”
It was less of a question than anything else and Arcade cleared his throat as well as he looked up to make eye contact with the ex-NCR sniper. “You could say that, yes. I’m no biologist, but I try.”
“That’s interesting.”
Boone’s eyes were almost unreadable, but there was a genuine interest there that was so different from his usual apathy. Huh.
“I like to think so,” Arcade said as he drew a syringe of Med-X from his kit. “How do you feel about needles?”
Boone just nodded and after a quick test, Arcade steeled himself before taking Boone’s arm and feeling around to find a vein. Oh fuck, he was almost all muscle- Quick, quick, find that damn vein so it wasn’t like he was feeling him up. Hell, Boone just radiated hetero energy, god, why did he always fall for the straight ones-
Before he could fully panic, he found the vein and injected the Med-X. Boone didn’t even flinch as Arcade removed the needle and added to the bin near the door.
“We’ll have to wait a few minutes before it kicks in.” Arcade returned to his seat with a heavy sigh. “You might start to feel a little off, but don’t worry, that’ll just stop you from feeling this next part.”
“Good. The sooner I can get back out there the better.”
Arcade took his handy dandy cleaning cloth, soaked it with whiskey, and ran it over the wound, delicately scrubbing the area to get the rest of the blood off. Boone sucked in a quick breath at the first swipe, but went quiet after. Arcade could see his hands clenched and jaw set, holding back any kind of emotion and sound.
Arcade threaded his needle, took a deep breath and went to work. His hands were shaky at first, the first couple of lines uneven and wider than they probably should have been. But he got back in the swing and quickly sutured the wound shut, tying a neat, tiny knot at the end. He pulled a set of scissors out of his kit and cut the thread before beginning the clean up process. God, his kit really was in terrible shape, he needed to reorganize this whole thing-
“So, you stitch people up often?” Boone was… He was almost joking? Arcade’s surprised look was met with a slightly uncharacteristic twinkle.
“Not usually.” Arcade tried to keep his voice even and measured with as little subtext as possible. “Are you feeling alright, Boone?”
“Craig.”
“Sorry?”
“You can call me Craig,” he repeated.
“What do you mean, Craig?”
“That’s my first name. Craig Boone.”
“Oh.”
The barely present smile vanished. “What’s wrong?”
“Noth-nothing,” Arcade slightly stammered, feeling his face heat up as he stood and walked over to his research counter. “I just… I never got your name before. I thought it was just Boone.”
Craig stared at him for a moment before bursting out laughing. It was clear and deep, booming around the tent as the battle-hardened sniper laughed so hard that he nearly fell out of his chair.
“Of course I have a first name,” he wheezed, still hooting.
“I…” Arcade was left just starring as Craig tried to catch his breath. “Boo-Craig, you should probably stop laughing. You might tear your stiches and I don’t think I’ll be able to do them as good again.”
“I’m… trying…” he managed to get out before starting to laugh again.
Arcade just watched him try to calm down with a bemused expression. A question flitted across his mind (when was the last time Craig had laughed?), but he just waited out the storm and for him to calm down.
“I feel sort of weird,” Craig mumbled, blinking slowly and rubbing his face. “Like everything’s going a little fuzzy.”
“I’m sure it’s nothing.” Arcade was tinkering around the microscopes, making sure the alignments were right.
“No, this is… off.” Boone slipped a little, straightening himself up and then sliding down again.
Arcade sighed and stood, walking over and helping Craig sit upright in his chair. “Do you want to lie down?”
“You have really pretty eyes,” Craig mumbled, scooting up in his chair slightly and cracking open his eyes to squint at Arcade.
His face started to heat up again. “I think you should lie down for a little bit. You’re not yourself-“
“Why don’t you join me?” Boone made a vague grabbing motion. “I like to cuddle. It’s warm.”
“I really shouldn’t,” Arcade protested, helping Boone stand and walk over to one of the cots.
“Oh come on, ‘Cade… It’d be fun,” he half-whined. “I haven’t cuddled a guy since… since...” Craig yawned. “Since boot camp.”
Arcade blinked slowly as Craig rubbed at his eyes. Of all the people he’d expected-
“Arcade, you want to know a secret?”
“Uh, sure?”
Of all the people he expected to be okay with cuddling another man, it wasn’t Mr. Manly Man, middle name Toxic Masculinity I Don’t Need Anyone-
“I’m bi.” Craig was clearly trying to not laugh. “I’m so bi, Arcade, do you know what bi means?”
“Uh, yes-“
“I’m so bi,” he giggled, giggled, and placed a hand on his forehead.
“I think you need to sleep this off,” Arcade insisted, patting the pillow. “I’m going to get Julie-“
“No!” Craig grabbed his arm. “No, I don’t want to be alone.”
“I’ll be gone for two minutes,” he promised.
“That’s a promise?”
“Yes, I swear it on… Well, I don’t know what I swear it on, but I swear.”
“Okay. You should go get Julie.”
“That’s where I’m going.”
Craig released Arcade’s arm and started to slowly massage his temples.
“Arcade, I like you.”
He paused in the tent door.
“I like you a lot. From here to Reno.” He drew out the o in Reno and then sighed. “Why did I say that.”
“I think you’re high on Med-X.”
“I think you’re too smart.”
“That’s not the first time I’ve heard that.” Arcade sighed. “I’m going to get Julie now.”
“Okay… See you soon…” Boone gave a half-hearted wave as the tent flap fell shut.
Arcade held the door open for Julie, whose mohawk scraped the top of the door.
“He’s over there,” Arcade said, gesturing vaguely as he refastened the flap.
She unpacked her doctor’s bag, sighing. Boone was mumbling under his breath, a mixture of expletives and hoping Arcade was coming back soon. Julie gave Arcade a knowing look and picked up Boone’s wrist to take his pulse.
“That feels funny.”
Julie stared at Boone, glancing back over at Arcade with a raised eyebrow. She let go of his wrist and pulled her stethoscope out from around her neck. Julie moved the stethoscope around, a look of intense concentration as Boone’s chest rose and fell. She checked his pulse again, nodding to herself, then frowning.
“He’ll be fine,” she declared, packing up her bag. “Just a little too much Med-X. Could have happened to anyone. Just make sure he’s propped up correctly and don’t give him any more. I’d recommend keeping an eye on him for the first hour or so after he falls asleep. If anything’s going to happen, it’ll be then.”
Arcade nodded curtly. “Will do. How is Six?”
She pursed her lips. “Bad. But not critical. She’ll pull through, but needs to stick around for more than a couple days. That scorpion venom really did a number on her.”
“Should I tell Crai-Boone when he wakes up?”
Arcade’s slip up didn’t make it past Julie and she barely smiled before returning to all business. “You might want to. I know he’s not exactly the type to stay in one spot for a while.”
She picked up her bag and headed for the door. Arcade took a seat next to Boone with a sigh, grabbing a book and cracking it open.
“Arcade?”
“Yes?” He pushed his glasses up his nose as he looked over at her.
“Next time, just ask me or another tech for help, alright? Wouldn’t want you accidentally killing the first guy you’ve even let look at you in a non-platonic way.”
He laughed sharply, swallowing and scoffing. “Uh, yes, of course, Julie. And he’s not- I mean- yes, I’ll make sure to ask next time.”
“Alright. Have a good night, Arcade.”
He sighed when he was alone again, kicking up his feet on another chair as he opened his book again. Ah yes, Top Down: A Textbook of Bottom Up Biological Physics. Another book with about a hundred pages of ramblings about an aloe plant. Just… just great. Just great. Such riveting bedside reading material. What was he thinking? What was he doing?
He snapped the book closed with a huff and glanced over at Boone. He was fast asleep, hand dangling slightly over the side of the bed. He sighed again, taking Boone’s hand to lift it up and set it down on his chest.
However, Craig’s hand clenched around his hand and when Arcade went to let go, his grip got tighter. Arcade’s eyes went wide and he tried to shake his hand free. It didn’t budge. He tried to pull his hand free, but Boone’s grip was iron.
Well. Looked like he was stuck here. Not the worst place to be for a couple of hours. Or… however it took for him to wake up.
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The Worm Reads: Empire of Storms, Ch 28 - 29
I honestly don’t know how it can get worse from here.
So they start the real official meeting that Rowan called in Rolfe’s office, and Aelin wastes no time making me want to rip my eyes out.
[Rowan’s] face—oh, gods, [Aelin]’d missed that harsh, unyielding face
Back to Ratlin (that’s what I’m calling it from now on) splooging I see. Great. Can’t wait for multiple paragraphs of Aelin busting a nut at the thought of Rowan’s peen while SJM insists these books have a plot.
Aelin decided she didn’t particularly give a shit who was watching and rose up on her toes to brush her mouth against [Rowan’s].
UHHH WHAT THE FUCK AELIN. THIS IS AN IMPORTANT MEETINGS THAT’LL DETERMINE IF ROLFE JOINS YOUR WAR EFFORT OR NOT YOU CAN’T JUST - oh forget it, I’ll just sound like a broken record.
[Aelin] just prayed she’d be able to warn Aedion before he ran into his father - who was now sitting two seats down from her, gawking at her as if she had ten heads. Gods, even the expression was like Aedion’s. How hadn’t she noticed that this spring in Wendlyn?
My monkey brain is having feels because I’m sucker for the “child is spitting image of their parent” trope..... bad monkey brain.
“And who would verify the word of a nineteen-year-old princess?” [Aelin] jerked her chin at the wax-sealed tube. “Murtaugh Allsbrook would. He wrote you a nice, long letter about it.” Rolfe picked up the tube, studied it, and chucked it in a neat arc—right into his rubbish bin. The thud echoed through the office.
LMAOOOOOO YOU GO ROLFE!!! SLAY THAT BITCH!!!! I mean considering all the shit Aelin put him through I don’t blame him not wanting to align with her.
Rolfe let out a low laugh. “The talk of young idealists and dreamers.” “The world,” Aelin said, “will be saved and remade by the dreamers, Rolfe.”
See, this is the kind of shit I would be getting excited about if this was a good series. Sounds like something straight of Les Mis. SJM can come up with some good quotes, but if I don’t care about the horrible characters and there’s no plot, why should I give a shit?
Aelin purred, “Do you want gold, Rolfe? Do you want a title? Do you want glory or women or land? Or is it just the bloodlust that drives you?”
Oh my god, SJM is a furry!
Looks like you bid on the wrong horse [Rowan],” Rolfe crooned. He flicked his eyes to Dorian. “What news did you receive?” But that wrong horse [Rowan] cut in smoothly, “There was none. But you’ll be glad to know your spies at the Ocean Rose are certainly doing their job. And that His Majesty is quite an accomplished actor.”
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Jesus Christ this writing
Dorian said coldly, “For a petty grudge, you’d refuse to consider allying with us?” Aelin snorted. “I’d hardly call wrecking his shit-poor city and ships a ‘petty grudge.’”
T-this... this can’t be. I am reading Empire of Storms by SJM, right? Aelin? Having self awareness? In my SJM book? Well, it’s more likely... to never appear again.
Rolfe tells Aelin to go fuck herself and that scene ends, permanently establishing Rolfe as one of the few Well Written Characters. I want him, Darrow, Manon, and Gav to leave this shitty series and go forth to a better one.
Aelin hit the narrow hallway, a wall of muscle at her back and by her side, and faced another dilemma: Aedion.
I smell Aedion daddy issues angst over the horizon. Also, are the ‘walls of muscle’ supposed to be Rowan and... the other Fae??? God SJM stop jerking off to your own characters for 5 minutes please.
Aelin made it all of three steps down the hall when Gavriel said behind her, “Where is he?” Slowly, she looked back. The warrior’s tan face was tight, his eyes full of sorrow and steel.
Damn, I just feel really bad for Gav. Keep in mind I don’t remember why he left Aedion (if it was revealed previously) but I’m hoping SJM actually uses him and makes him a good father, this series is severely lacking in good parental figures.
But Aelin sucked on a tooth
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“You don’t get to decide when and where and how you meet him,” Aelin said. “He’s my gods-damned son. I think I do.”
Nooo SJM I’m begging you I like Gav please don’t make him a toxic fuckboi pleeeeeease
Aelin just tells Gav not to order her around and that scene ends...? Okay. I hope SJM is implying Gav calmed down and respected his son’s boundaries. I just want one character to stay good and pure and to be a good father is that too much to ask.
Later Aelin goes to have a chat with Dorian.
“It seems you and I are currently without crowns, thanks to a few bullshit pieces of paper.” Dorian didn’t return her smile. The stairs groaned beneath them as they headed for the second floor. They were almost to the room Dorian had indicated when he said, “Maybe that’s a good thing.”
I mean, Dorian, you seem like a good king who would fight to defend his people. You deserve to be king. But Aelin? Yeah if she was queen her kingdom would be already burnt to the ground, so you’re half right.
They have another meeting where Rowan/Dorian share more information about the witches.
“Manon Blackbeak,” Aedion mused, “would be a valuable ally, if we can get her to turn.”
NO NONO NO NO KEEP MANON’S BEAUTIFUL SELF AWAY FROM AELIN’S CRUSTY ASS I’M BEGGING
It was never-ending, [Aelin] supposed while they dined that night on peppered crab and spiced rice.
Reading this as a Cape Bretoner was a mistake. Now I’m hungry for some good seafood..... mmmm, battered fish and chips.....
And [Aelin] was to be given nothing more than obscure commands by long-dead royals to find a way to stop it, nothing more than gods-damned months to rally a force against him.
Gods-damned is a stupid word and SJM should feel bad for abusing it. Aelin decides to make sure Rolfe’s hand maps work and the chapter ends. Next!
Too many animals loitering about the streets at this hour would attract the wrong sort of attention. But Aedion still wished that the shifter was wearing fur or feathers compared to … this.
Greaaat are we gonna get Aedion slut shaming Lysandra? Just what I wanted....
He glanced at the delicate gold chain dangling around Lysandra’s pale throat, tracing its length down the front of her bodice, to where the Amulet of Orynth was now hidden beneath. “Admiring the view?” Aedion snapped his eyes up from the generous swells of her breasts. “Sorry.”
The only reason Lysandra is wearing the Amulet is so Aedion can drool over her boobies. I’m right and you all know it.
“Rowan claimed Rolfe would find the amulet interesting enough to go after it.” “Rowan and Aelin have a tendency to say one thing and mean something else entirely.” Aedion heaved a breath through his nose.
Aedion actually criticizing Aelin?? What the fuck is going on??
Lysandra gets pissy when Aedion points out she’s tired. Not even to condescend towards her, he’s actually concerned, so calm down, Lysandra. We get an ““““explanation”“““ for Lysandra’s shifting powers.
Each shift took something out of Lysandra. The bigger the change, the bigger the animal, the steeper the cost. Aedion had witnessed her morph from butterfly to bumblebee to hummingbird to bat within the span of a few minutes. But going from human to ghost leopard to bear or elk or horse, she’d once demonstrated, took longer between shifts, the magic having to draw up the strength to become that size, to fill the body with all its inherent power.
Better than nothing, but... how does shifting into bigger animals exhaust her but shifting into smaller animals doesn't? Each time the mass of her body is changing, so shouldn’t shifting in general exhaust her? Btw, read Animorphs, it’s a great gritty series that deals with shifting powers way better.
Aedion, however, stiffened slightly as those steps grew closer, and he found himself staring at the son of his great enemy. King, now.
This is confusing as fuck. Stop referring to Dorian as king and use his name so we can understand who Aedion is staring at, thank you.
[Aedion] reined in his scowl as he said to the king, “So, you and Whitethorn didn’t kill each other.” Dorian’s brows scrunched. “He saved my life, nearly got himself burned out to do it. Why should I be anything but grateful?”
Great, now we have to add Rowan splooging that isn’t from Aelin to the list.
He did not resent what she had been, what she portrayed now, only the monsters who had seen the beauty the child would grow into and taken her into that brothel. Aelin had told him what Arobynn had done to the man she’d loved. It was a miracle the shifter could smile at all.
What the fuuuuck why is Aedion portrayed as ~noble and amazing~ for not judging Lysandra based on her past? It’s common human decency to not judge people for things out of their control!! Does SJM not understand how humans operate?
Aedion tells Dorian to fuck off and he leaves, and Lysandra gets understandably irritated by Aedion being a dick.
“He stabbed Aelin. If you knew him as I have, you wouldn’t be so willing to fawn over—”
1. Dorian was, to my memory, being controlled by a demon thing when he stabbed Aelin. He was not in his right mind, and did not have control over himself. Stop holding that over his head, you prick.
2. Aedion you were an asshole too! You tripped Dorian and sent him falling into a thorn bush when you two were walking in HOF. You fucking judgemental asshole, I cannot believe I ever liked you.
Aedion’s like “b-but he was an arrogant kid” and Lysandra, being voice of reason, is like “Um, we all were as kids Aedion, including Aelin” and we litERALLY GET THIS
“I don’t care if he was as arrogant and vain as Aelin, I don’t care if he was enslaved to a demon that took his mind. I look at him and see my family butchered, see those tracks to the river, and hear Quinn tell me that Aelin was drowned and dead.” His breathing was uneven, and his throat burned, but he ignored it.
JESUS TAP DANCING CHRIST. Okay, I’m not saying Aedion isn’t wrong to be weary of Dorian after what happened to his family at the hands of Dorian’s father but this is literally Aedion going “It’s only okay to be a dick if it’s Aelin! Everyone else is a bad ruler and should bow down to her uwu”
FUCKING HELL. I’m willing to bet if it had been Aelin mind controlled, Aedion would be jumping through hoops to justify her actions and convince everyone she couldn’t help herself. Assdion has no character outside of being a dick and kissing up Aelin’s ass. I fucking hat this character almost as much as I hate Aelin.
Aedion braced his palm against the wall again and leaned in to glower in [Lysandra’s] face. She did not yield an inch. “There is an order and rank in our court, lady, and last I checked, you were not number three. You don’t give me commands.”
(...) And the last I checked…” She poked his chest, right between his pectorals, and he could have sworn the tip of a claw pierced the skin beneath his clothes. “You weren’t pathetic enough to enforce rank to hide from being in the wrong.“
*Mortal Kombat voice* FINISH HIM
His blood sparked and thrummed. Aedion found himself taking in the sensuous curves of her mouth, now pressed thin with anger.
W.....
YOU TWO ARE ARGUING AND ASSDION SUDDENLY HAS A BONER OVER HER MOUTH. HOW THE FUCK IS THIS HEALTHY IN ANY SHAPE OR FORM. This is nearly as bad as the “kissing a spouse during an argument instead of solving the problem” trope.
By the way, Aedion is demoted to Assdion. Aelin to Alien, and Rowan to Rowboat. I hate these characters so much.
Lysandra backed away a step, too casual to be anything but a calculated move. But Aedion tried—for her sake, he tried to stop thinking about her mouth—
WHAT THE FUCK DOES SJM THINK ALL MEN ARE HORNDOGS WHO WANNA FUCK 24/7?? This is an incredibly upsetting and inaccurate stereotype! It’s not goddamn hard to not think with your dick for five seconds jfc
Too soon—she wouldn’t want a man’s touch for a long time. Maybe forever. And he’d be damned if he pushed her into it before she wanted to.
Are you sure about that? Because a minute ago you were nearly cumming at the thought of her mouth.
Subject changes and Assdion asks if his father wanted to see him.
“[Gav] nearly bit Aelin’s head off when she refused to tell him where and who you are.” Ice filled [Aedion’s] veins. If his father had been rude to her—“But I got the sense,” Lysandra quickly clarified as he tensed, “that he is the sort of male who would respect your wishes if you chose not to see him.
*sniffles* Gav deserves to be a good father.
“What would you do?” “I can’t answer that question. My own father…” She shook her head. He knew about that—the shifter-father who had either abandoned her mother or not even known she was pregnant. And then the mother who had thrown Lysandra into the street when she discovered her heritage. “Aedion, what do you want to do? Not for us, not for Terrasen, but for you.”
I would be having feels and starting to ship them had we not had a whole scene dedicated to Assdion being a dick and nearly kissing Lysandra without her consent sooooo
[Aedion] bowed his head a bit, glancing sidelong at the quiet street again. “My whole life has been … not about what I want. I don’t know how to choose those things.”
A little late there to make me feel sympathetic towards Assdion, SJM. You CANNOT have Assdion act as an Aelin worshiping prick and then turn around and expect me to feel bad for him.
Assdion asks Lysandra to come with him to meet his father the next day and then splooges about how much he apparently cares about Lysandra.  I don’t care.
From the shadows of his hood, he monitored the alley ahead, the shadows and shafts of moonlight, bracing himself. They’d picked the dead-end alley for a reason. The girl realized her mistake a step too late. “Oh.”
The girl is Rolfe’s barmaid. She immediately leaves and they suspect she’s Rolfe’s spy. Finally, I am free from this god awful chapter.
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vitalpen · 6 years
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A criticism of Persona 5
So I’m gonna preface this diatribe with three disclaimers:
First off is going to be the SPOILER WARNING.  This post spoils the game all over the place as it needs to given the nature of the discussion.  That’s why the read more is there.
Second, this post is long.  Coming in at a lover 2000 words.  So if you ready this, get ready for an essay.
Third: I love Persona 5.  I played through it twice, did every social link, filled out the compendium, and beat the secret boss.  It is a fantastic game with a fantastic story, loveable characters, beautiful art, and menus stylish enough to have their own fashion show.  
That being said, there are things that it does with each character that I can’t help but sigh at in frustration.  There are a few running themes for all of these that I’ll expand on at the end.
A lot of the issues come down to how a character is treated after their “important thing” is resolved. I’m gonna run down them in order of people entering your party.
Starting off, there’s Mona.  Leaving behind how happy I am that he was not just another Teddy, there are points with Mona that make him out to be such a whiny little brat.  Mainly, the section where he leaves the party because he thinks they’re getting too greedy.  Rather than try to get them back on track, he drops them after one bad conversation with mostly just Ryuji (the rest of the party is pretty unclear on where they stand), thus leaving them with no supervision when they seem to need it the most.  There’s also the whole constant insulting of Ryuji to the point where it’s eyeroll-inducing and the fact that backstory wise, he does end up being part way to a rehash of Teddy.  
Actually, speaking of Mona insulting Ryuji, man that guy never gets a break.  Despite the fact that he has a compelling backstory and motivation, after the first palace, he starts to lean pretty heavily toward the “punching bag” type of joke character.  He’s the one that everyone (especially Mona) calls an idiot, he’s the butt of nearly all the slapstick, and he’s the one that gets harassed by the gay stereotypes with some really uncomfortable cutting to black (and that one’s an large issue all on its own).  At the point Mona leaves (with poor justification) Ryuji, understandably, doesn’t want him back and is treated like the bad guy for it.  Even when you aretrying to get him back, suddenly Ryuji is uncharacterisitically cold toward him.  Even near the end of the game, when Ryuji does something incredibly brave and selfless, seeming to sacrifice his life, the game completely undermines it by having the girls beat the ever loving shit out of him when he makes the mistake of... surviving, I guess.
Now, Ann, aside from the way they pronounce her name.  She is a straight up different character in her Social Link than she is in the main story (which is actually connected to another problem that we’ll get into later).  In the story she is typically caring, usually level-headed, if easily annoyed, and loves sweets, whereas her Social Link turns her into little more than a ditzy blond with a penchant for competition that we don’t see anywhere in the main story.  It creates this disconnectio between the two stories that’s really hard to reconcile.
Yusuke is window dressing.  He does nothing substantial for the main plot after the second palace is done.  The majority of his unique contributions could be summed up with deadpan, straight-faced joke moments (that are legitimately amazing every time they show up), dialogue that any of the characters could have said, and saying “yeah, that’s right” in the “every party member gets to say something” moments.
Makoto’s issue involves another theme that we’ll expand on later.  Her relationship with her sister is incredibly unhealthy and never realistically addressed.  It gets to point where she’s actually afraid of her.  It isn’t helped when the rest of the party guilt trips her into installing a virus on her sister’s computer (one of the few moments that I think is legitimately bad in this game). How is this resolved?  Once you do the palace it’s all just gone, despite you not stealing Sae’s treasure.  No counseling, no baggage, no promises to do better, not believable progression, nothing.  That’s not how that works.
Futaba has a similar issue.  After her palace, she is just magically cured of her crippling social anxiety, as far as the main plot is concerned at least.  She hangs out in front of LeBlanc, plain as day, totally fine, never having any issue in the main plot with other people ever again.  No therapy, not even the slightest relapse or difficulty, no believable progression, nothing.  I repeat: that’s not how that works.
Haru... poor, poor, Haru.  She gets nothing when she should have had so much.  She’s introduced at about 3/4 of the way through the story, doesn’t get a proper awakening to her persona and reveal of her thief outfit, never gets a moment of catharsis for her father and arranged fiance treating her like an object in the real world, nor any catharsis about dealing with the emotional trauma of her losing her father in a way that is as crushing as it could ever be, and eventually just ends up kinda telling the one who killed him that it’s no big deal.  Everything about her just gets buried until you’re left with a Persona Q character, which is a game that has a serious problem with reducing complex, multifaceted characters to one-note personalities.
And then there’s Goro “I have daddy issues disguised as an interesting take on personal justice” Akechi.  A character that was waaaaaaaaaaay better before the heelturn.  The switch from morally aligned but methodologically opposed antagonist to mustache-twiddling, muhahahing, train-track-damsel-tying villain sucked all the depth out of him.  They had a three-dimensional character that portrayed an interesting foil in both personal beliefs and public opinion of the party.  And by the end, all of that was stripped away because you have to have a bretrayal in a Persona game, and he gets with nothing resembling a satisfying sendoff.  The fact that he has essentially disappeared from the real world is never even addressed (this is yet a third thing that we’ll get into shortly).
All of these issues culminate in three specific themes.
The first is that the Social Links feel very disconnected from the plot.  P3 escaped this because the party member Social Links were specifically tied to events in the main story and sometimes couldn’t be progressed through until certain events occurred.  P4 didn’t have this problem because the Social Links all resulted from the personal issues that came up in their dungeons with their shadows, so there is connective tissue to the events.  
But the Social Links in P5 feel so distant.  Ann’s modeling stuff, Ryuji’s track team, Yusuke’s painting, Makoto’s friend, and Haru’s arranged marriage and coffee stuff, all have nothing or very little to do with the story.  The only one who didn’t quite have this issue, is Futaba, who got the P4 treatment, complete with confronting and accepting her shadow to gain her persona.  But even that deals more with her social anxiety than her acceptance that her mother’s death wasn’t her fault but actually an assassination.  Because the Social Links, which are literally “character development as a game mechanic”, are separated from the story, it gives the feeling that they’re inconsequential.  We never see the fruits of the character’s labor as they try to better themselves.  As far the main story is concerned, they may as well have not happened.  This is especially salient if you do the Moon social link, wherein you have to teach Mishima not to let the power go to his head, only to later have your party let the power go to their heads (or Ryuji at least, like I said earlier, it’s not super clear where everyone stands during that part of the game).
The second issue is that, for a series whose core themes are based off Jungian psychology (personas and shadows), it’s really bad at handling psychological stuff.  They want to have the drama of things like:
“a character who has social anxiety and intrusive thoughts of guilt about her mother’s death that have haunted her for years” 
“one of your party members has an older sister who’s her legal guardian, but is neglectful of her duties in that role and verbally abusive of that party member, thus creating a dependent relationship that revolves around trying (and failing) to gain her sister’s approval”
“After thinking that she may have helped turn her father into a better person who might love her as a daughter rather than an asset, in mid-celebration, a girl sees her father die on live TV and she may have been the cause of it”
But they aren’t prepared for the fallout that comes with those kind of elements.  Social anxiety severe enough to keep you in your room is typically going to take more than just support from friends to rehabilitate from.  Sae’s abusive tendencies toward her sister are explained by her palace, but they are not excused by it.  The palace’s are physical manifestations of the point where someone can justify anything to themselves, not a mind control device.  Nothing about Sae’s resentment toward her sister (that is doing everything she can not to be a burden) is given any kind of proper follow up.  It needed more addressing than the NOTHING it was given.  And don’t get me started on the rush job that was Haru.  
Her father is killed in gruesome fashion, eyes literally rolling back into his head and leaking blood, after she thought she had saved him from his own cruelty, and for a period of weeks, it seems a lot like it’s her fault.  She is left orphaned, and being pulled every which way by members of her father’s company in the void of power that’s left behind, once again turned back into an asset just after she thought she had escaped that.  This should have been the mother of all gut punches.  This should have been something that took her out of the game reminiscent of Shinji from P3.  This should have given her a hate boner for Akechi twice the size of Aegis’s for Ryoji.  This ruined her life just at the precipice of it getting better.  In one fell swoop, victory was ripped from her and replaced with bitter defeat and loss.  There was so much set up for her to have a character arc.  But we never see her react to it.  No crying, no depression, just back to her sweet, gardening self.  To top it all off, like a month later, she forgives the person who killed him and betrayed your party in a passing comment during one of those “every party member gets to say something” moments.  This is the pinnacle of emotional blue balls.
(Edit: @lightybulb brought it to my attention that Haru doesn’t actually forgive Akechi.  She, in fact, specifically says that she can never forgive him.  While it’s swept under the rug, I totally misremembered on that one.  My bad.)
Pretty much all of this fits into the third main issue that Persona 5′s narrative has.  It has a bad habit of not sticking the landing or following up afterward.  Which sucks for stuff like Akechi, where he was built up the entire game, and personal traumas like Haru, Futaba, or Makoto.  It sucks when it takes away a lot of the character’s depth like it did with Yusuke.  It sucks when the villain backstory and plan is literally just told to you in an exposition the likes of which I haven’t seen in years.  
This is not to say it never sticks the landing, as it very often does (more so in the first half of the game in my opinion), but there are a lot of key points where plot threads just kinda peter off into nothing or are wrapped up way too conveniently with a little bow on top.  
There are ways to fix these issues.
You wanna connect the Social Links to the main plot?  Lock ranks of party member Social Links behind story events.  This intrinsically ties the personal growth to the main plot and lets them talk about story events.  Events from the story can be used to kick of a conversation that moves it to the next level or draws a parallel to the personal situation they’re dealing with.
You wanna have satisfying and believable treatment of psychological issues?  Understand that they are not just something you deal with in a few days or weeks.  Understand that “the power of friendship” (Copyright Anime 1962, please support the official release) is not a substitute for counseling or medication.  Understand that the road to recovery is long, arduous, and sometimes loops back on itself.  It’s anything but a straight line.
There is no set remedy for sticking the landing and following up other than a pretty general good writing tip: don’t leave plot threads hanging and don’t introduce plot threads you don’t have adequate room to include.
Now as previously stated, I love Persona 5 and nothing I’ve said here takes away from that fact.  But I also want to see the things I love do even better for themselves.  That’s kinda the point of this post.
That’s pretty much all I got for this.  If you agree or disagree, feel free to add your own arguments to this, I’m always down for a conversation.  Cheers.
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