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#earth day 2019 theme
solarisgod · 6 months
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i'm curious to know how long do you guys have your original series? i love the passion and dedication you all put into this story. can't wait for more of it!
Hiya, Anonstar, thank ya so much for your compliment! Means a whole world to us!!! Ahhh, so we have Antineon Hieraeon since January 22, 2022! Although we didn't really have a strong clear idea of where we wanted the series and universe to be like until October 20, we revamped the series and created the first four characters of Antineon Hieraeon: Micah Xenowake, Adoniram Bloodburn, Sweetsilence, and Steelstorm. Warlock Moonglade, Bluebreak, Angelparadox, and Devileye a week later. Antigods and the Metaeide and Saints were the first three lore pieces we thought of.
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I think about this text, like, a lot. I can't believe it's been almost a year now since we wrote this and soon, we'll be reaching to the second anniversary of this series. We did try to bring our series ( the " beta version " as we were still fixing and finalizing our lores and characters ) with the Starwake System in late October to early November before we went on hiatus and returned to the rpc in early April 2023 with a more fleshed out storyline and universe. It's been an amazing journey and we're most grateful for those who're still here with us and the Starwake System and ANHA. ♡
#ANONYMOUS#///#//#/#𓁹 ༑ ࿐ྂ ⩇⩇ : ⩇⩇ ⚠︎ [ 𝙴𝚇𝙸(𝚂)𝚃 : 𝙶𝙾𝙳 ] * ‹ SAVED . ›#𓁹 ༑ ࿐ྂ ⩇⩇ : ⩇⩇ ⚠︎ [ 𝙴𝚇𝙸(𝚂)𝚃 : 𝙶𝙾𝙳 ] * ‹ ANSWERS . ›#𓁹 ༑ ࿐ྂ ⩇⩇ : ⩇⩇ ⚠︎ [ 𝙴𝚇𝙸(𝚂)𝚃 : 𝙶𝙾𝙳 ] * ‹ OOC . ›#[ maaannnnnnn this is legit insane reflecting on this ]#[ like this year we have definitely done A LOT with this series and universe of course ]#[ this is our third experience of attempting to create a whole original universe and project ]#[ the first being in summer 2019 based on astronomy and astrology and just the whole outer space itself called Our Today Tomorrow Forever ]#[ then the second in around winter 2021 called Let There Be Darkness ]#[ about this pair of PI Angel and Demon investigating the missing sun and they had seven days ]#[ to figure out who / what took the sun before Earth dies and each day humanity gets worst ]#[ to be honest ANHA's very first version was in July 2021 but the premise and setting were limiting ]#[ in terms of plot and storytelling potentials so it really took a lot of time until January 22 2022 it changed so much yet ]#[ still hold similar themes and tropes but ' the 2021 version ' doesn't count ]#[ anyways we're just extremely beyond happy and proud with how far we've come with ANHA ]#[ and we're just as much excited to do more with it over the time! it's gonna be so much more amazing!!! ]#[ thank you so so so much for being here still and enjoying it so much!!! <3 <3 <3 ]
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nasa · 11 months
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NASA Inspires Your Crafty Creations for World Embroidery Day
It’s amazing what you can do with a little needle and thread! For #WorldEmbroideryDay, we asked what NASA imagery inspired you. You responded with a variety of embroidered creations, highlighting our different areas of study.
Here’s what we found:
Webb’s Carina Nebula
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Wendy Edwards, a project coordinator with Earth Science Data Systems at NASA, created this embroidered piece inspired by Webb’s Carina Nebula image. Captured in infrared light, this image revealed for the first time previously invisible areas of star birth. Credit: Wendy Edwards, NASA. Pattern credit: Clare Bray, Climbing Goat Designs
Wendy Edwards, a project coordinator with Earth Science Data Systems at NASA, first learned cross stitch in middle school where she had to pick rotating electives and cross stitch/embroidery was one of the options.  “When I look up to the stars and think about how incredibly, incomprehensibly big it is out there in the universe, I’m reminded that the universe isn’t ‘out there’ at all. We’re in it,” she said. Her latest piece focused on Webb’s image release of the Carina Nebula. The image showcased the telescope’s ability to peer through cosmic dust, shedding new light on how stars form.
Ocean Color Imagery: Exploring the North Caspian Sea
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Danielle Currie of Satellite Stitches created a piece inspired by the Caspian Sea, taken by NASA’s ocean color satellites. Credit: Danielle Currie/Satellite Stitches
Danielle Currie is an environmental professional who resides in New Brunswick, Canada. She began embroidering at the beginning of the Covid-19 pandemic as a hobby to take her mind off the stress of the unknown. Danielle’s piece is titled “46.69, 50.43,” named after the coordinates of the area of the northern Caspian Sea captured by LandSat8 in 2019.
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An image of the Caspian Sea captured by Landsat 8 in 2019. Credit: NASA
Two Hubble Images of the Pillars of Creation, 1995 and 2015
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Melissa Cole of Star Stuff Stitching created an embroidery piece based on the Hubble image Pillars of Creation released in 1995. Credit: Melissa Cole, Star Stuff Stitching
Melissa Cole is an award-winning fiber artist from Philadelphia, PA, USA, inspired by the beauty and vastness of the universe. They began creating their own cross stitch patterns at 14, while living with their grandparents in rural Michigan, using colored pencils and graph paper.  The Pillars of Creation (Eagle Nebula, M16), released by the Hubble Telescope in 1995 when Melissa was just 11 years old, captured the imagination of a young person in a rural, religious setting, with limited access to science education.
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Lauren Wright Vartanian of the shop Neurons and Nebulas created this piece inspired by the Hubble Space Telescope’s 2015 25th anniversary re-capture of the Pillars of Creation. Credit:  Lauren Wright Vartanian, Neurons and Nebulas
Lauren Wright Vartanian of Guelph, Ontario Canada considers herself a huge space nerd. She’s a multidisciplinary artist who took up hand sewing after the birth of her daughter. She’s currently working on the illustrations for a science themed alphabet book, made entirely out of textile art. It is being published by Firefly Books and comes out in the fall of 2024. Lauren said she was enamored by the original Pillars image released by Hubble in 1995. When Hubble released a higher resolution capture in 2015, she fell in love even further! This is her tribute to those well-known images.
James Webb Telescope Captures Pillars of Creation
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Darci Lenker of Darci Lenker Art, created a rectangular version of Webb’s Pillars of Creation. Credit:  Darci Lenker of Darci Lenker Art
Darci Lenker of Norman, Oklahoma started embroidery in college more than 20 years ago, but mainly only used it as an embellishment for her other fiber works. In 2015, she started a daily embroidery project where she planned to do one one-inch circle of embroidery every day for a year.  She did a collection of miniature thread painted galaxies and nebulas for Science Museum Oklahoma in 2019. Lenker said she had previously embroidered the Hubble Telescope’s image of Pillars of Creation and was excited to see the new Webb Telescope image of the same thing. Lenker could not wait to stitch the same piece with bolder, more vivid colors.
Milky Way
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Darci Lenker of Darci Lenker Art was inspired by NASA’s imaging of the Milky Way Galaxy. Credit: Darci Lenker
In this piece, Lenker became inspired by the Milky Way Galaxy, which is organized into spiral arms of giant stars that illuminate interstellar gas and dust. The Sun is in a finger called the Orion Spur.
The Cosmic Microwave Background
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This image shows an embroidery design based on the cosmic microwave background, created by Jessica Campbell, who runs Astrostitches. Inside a tan wooden frame, a colorful oval is stitched onto a black background in shades of blue, green, yellow, and a little bit of red. Credit: Jessica Campbell/ Astrostitches
Jessica Campbell obtained her PhD in astrophysics from the University of Toronto studying interstellar dust and magnetic fields in the Milky Way Galaxy. Jessica promptly taught herself how to cross-stitch in March 2020 and has since enjoyed turning astronomical observations into realistic cross-stitches. Her piece was inspired by the cosmic microwave background, which displays the oldest light in the universe.
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The full-sky image of the temperature fluctuations (shown as color differences) in the cosmic microwave background, made from nine years of WMAP observations. These are the seeds of galaxies, from a time when the universe was under 400,000 years old. Credit: NASA/WMAP Science Team
GISSTEMP: NASA’s Yearly Temperature Release
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Katy Mersmann, a NASA social media specialist, created this embroidered piece based on NASA’s Goddard Institute for Space Studies (GISS) global annual temperature record. Earth’s average surface temperature in 2020 tied with 2016 as the warmest year on record. Credit: Katy Mersmann, NASA
Katy Mersmann is a social media specialist at NASA’s Goddard Space Flight Center in Greenbelt, Md. She started embroidering when she was in graduate school. Many of her pieces are inspired by her work as a communicator. With climate data in particular, she was inspired by the researchers who are doing the work to understand how the planet is changing. The GISTEMP piece above is based on a data visualization of 2020 global temperature anomalies, still currently tied for the warmest year on record.
In addition to embroidery, NASA continues to inspire art in all forms. Check out other creative takes with Landsat Crafts and the James Webb Space telescope public art gallery.
Make sure to follow us on Tumblr for your regular dose of space!
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ennas-aesthetic · 7 months
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What the fuck is Jesus up to in Good Omens season 3?
This is a question I've been thinking long and hard these past couple of days and I have some THOUGHTS SO. Buckle up.
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Aziraphale and Crowley watching the Crucifixion (Good Omens, 2019)
First off. The answer to the question posited is relatively simple. What is Jesus up to in GO3? With s2's ending in mind and with the hints we've gotten for 668: Neighbor of the Beast over the years, we know he's descending to Earth to initiate the Second Coming. And that Aziraphale would probably make that happen - or do everything that he can as Supreme Archangel to sabotage it.
But I wanted to examine on how Jesus might fit into Good Omens' overall narratives and established themes - about morality and humanism and free will, and. I'm just saying, there are A LOT of fascinating routes they could do for his character.
(Disclaimer as usual: this is a theory that I obsessed over when I was stuck at the cemetery during All Souls' Day and must be treated as such. In no way am I insisting this should be how canon events must happen. I am just doing this for the funsies.)
The THING about Jesus if you situate him in the world of Good Omens (with the assumption that most of the pop culture Christology mythos associated with him remain intact) is that in this context he very quickly becomes: 1. Adam Young's narrative foil; and 2. an Aziraphale parallel.
Now, the first one is obvious. Of COURSE he is Adam Young's foil, duh. Adam isn't called the ANTICHRIST for nothing. Brought into the world just for the sole purpose of ending it. However, when the time comes for him to fulfill the Will of his Satanic Father, Adam flat out REFUSES.
Both the book and the show attribute this to Adam's human upbringing. He was raised as a human, and because of that he has the trait that the book uses to DEFINE human beings: free will. At the end, Adam had the AGENCY to reject the destiny planned out for him.
'Adam stood smiling at the two of them, a small figure perfectly poised exactly between Heaven and Hell.
Crowley grabbed Aziraphale's arm. "You know what happened?" he hissed excitedly. "He was left alone! He grew up human! He's not Evil Incarnate or Good Incarnate, he's just… a human incarnate—"'
- (Good Omens, 1990)
That is NOT what happened to Jesus.
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Adam Bond as Jesus in Good Omens (2019)
Like Adam, he was raised as a human -- being a human incarnate was his WHOLE DEAL in Christology. In the beginning was the Word, and the Word was made flesh and dwelt among us... yada yada yada.
UNLIKE, Adam, though, Jesus wasn't able to REJECT his Destiny of Dying Really Horribly and Painfully on the Cross. Narratives in the Bible also made it clear that the Crucifixion was NOT his Will, but that of God's. Like... him begging to be spared from torment but ultimately following God's Will is such an important event entire devotional practices are made out of it.
"39 And he went a little farther, and fell on his face, and prayed, saying, O my Father, if it be possible, let this cup pass from me: nevertheless not as I will, but as thou wilt."
- (Matthew 26: 39, KJV)
We get a glimpse of that in s1ep3 of Good Omens, too:
"JESUS
(muttering through the pain)
Father, please . . . you have to forgive them . . . they don’t know what they are doing . . .
Crowley, in black, comes up next to Aziraphale.
CROWLEY
You’ve come to smirk at the poor bugger, have you?
AZIRAPHALE
Smirk? Me?
CROWLEY
Well, your lot put him on there.
AZIRAPHALE
I am not consulted on policy decisions, Crawley."
- (The Quite Nice and Fairly Accurate Good Omens Script Book, 2018)
SO. Here we have the character of the Christ whose free will and agency had been STRIPPED from him in the guise of a "noble sacrifice." He comes back again on this Earth to fulfill another "inescapable destiny."
Aziraphale and Crowley need to stop him. The solution the Good Omens narrative offers to "inescapable destinies and systems" (both in s1 and s2) is for the character to realize they have the freedom to choose their own fates. It happened with Adam, and it happened with Gabriel, and perhaps it will happen to Jesus.
(At this point my sister frowned and said: "Are you telling me you think Aziraphale and Crowley are going to help Jesus realize he has agency and that him Dying on the Cross for the 'Great Plan' was kinda fucked up actually?" which sounds crazy when you put it like that BUT NEVER SAY NEVER BABIE.)
Because that brings me to my second point: if this all happens, Jesus becomes an AZIRAPHALE parallel.
In the same way Anathema is an Aziraphale parallel and Sergeant Shadwell is an Aziraphale parallel. Here is a character stuck in a suffocating status quo. To save the world, he needs to know he can escape that status quo and decide for himself. In the same way Anathema has to learn how to stop being a descendant or Shadwell to stop being a Witchfinder, or Gabriel to stop being an Archangel, and Adam to stop being an Antichrist, perhaps Jesus has to learn he can stop being... Well, the Christ, as well.
And this, of course, supplements Aziraphale's journey of letting go of the idea of being an idealized vessel of God, so he could finally enjoy the freedom of personhood and choice on Earth, with Crowley.
Or they could turn Jesus into a cackling villain who Aziraphale and Crowley need to kill in season 3, and I'd probably eat that up, too.
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9w1ft · 1 month
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i need help. i’m so slow at unpacking the songs & their lyrics but you guys seem so confident that Kaylor lives. mind sharing lyrics or interpretations that you make you feel confident?
i think i speak for a lot of kaylors when i say we weren’t going into this album thinking we were all in some make or break situation, where the songs would be what decides whether or not kaylor lives. and we haven’t come out of it feeling different! so for starters, the very process of processing the songs is a bit different, i think, than the process suggested in your question.
this post got kinda long so i’m going to put it under the cut! and just a tl;dr that i am just talking about this aforementioned process. i’ve started writing out interpretations for the songs that have caught my kaylor attention but it’s taking time, so i thought id go ahead and post the other aspect of my answer in the meantime
a big part of kaylor interpretation is taking a look at what taylor and karlie were doing over the period of time that an album was written and the lead up to album rollout, and seeing if it looks like karlie knew in advance about what would be on the album, or how it would be promoted. the fundamental idea is that if taylor and karlie truly hated each other like everyone insists, that they wouldn’t go out of their way to drop hints or allow one another to drop hints.
so for example, karlie started wearing this pair of sunglasses with the product name “poet” before the name of the album (the tortured poets department) was ever known. she walked in two schiaparelli runway shows (the significance being that these days its rare for her to walk a show, and she’s never walked for schiaparelli before although she’s been to their shows in years of late), one of these schiaparelli shows was specifically alien themed, which lines up with the theming of Down Bad, and then next taylor announced the tortured poets department at the grammys wearing custom schiaparelli (i don’t think taylor’s ever worn the house before). so like, these sorts of things don’t make sense until later but they are signs we look to as a backdrop when going into an album. they are a sort of most recent indicator of the state of the union.
historically (especially post 2019 when what i call the scorched earth narrative was disseminated) people looking to disprove kaylor tend to brush off this stuff (twinning, similar theming or messaging in social media, etc) as oh it’s coincidental, but even if it’s not, any kaylor things that happen now are just because taylor is grieving and desperate for karlie and/or karlie wants notoriety because she wants… more money. but as i’ve said and as many have said for the past 5 years, it makes no sense and is such a misread of drivers for karlie and taylor. i beg people to try and put themselves in karlie’s shoes and ask themselves, would you endure all the hate for… more… money?? would you fly across the country and go to taylor’s concert two weeks post-partum, in a state of physical disrepair just to… spite her?? and have millions of people send hate at you for it..?
anyway, i know this is different than lyric analysis but it’s an integral part of kaylor analysis so i wanted to highlight it. i’d also point out that a whole bunch of people are currently analyzing her entire back catalog re: matty context clues in the same ways so 🤷🏻‍♀️ i think it’s a natural tendency for a lot of people— with kaylor though it’s outlawed.
and i want to reiterate that i think observing the time surrounding the album is a particularly worthwhile thing to do because it takes into account a more recent period of time than that of which the songs represent. i think people can get tunnel vision analyzing an album or individual songs and lose sight of the fact that we are here now after the album has been written. the lyrics are not the most recent thing!
another point i feel that needs mentioning is that with kaylor, among kaylors, we are looking at recent albums more for signs of taylor weaving a story of them that leads to them getting back together publicly. the idea that we are probably not going to get some big reveal that oh everything prior was fake! we have always been together! but rather some separate telling of events that preserves the integrity of people involved to some extent. so there are likely several layers going on when looking at songs. a mix of truth and augmented truths. songs can be useful towards meeting an end goal without telling the entire truth, while the fact that they are useful is still an indicator of the meta truth. i know this sounds a little convoluted... but thats alright im not invested in proving it to people 🙈 (nor do i think it should be provable!!)
lastly, while i am still compiling all my kaylor observations from each song, i did want to point out the obvious: that my understanding of the album (and i assume this is true for more kaylors as well) is colored by the inclusion of the song Robin. …i guess i will mince my words a little bit because i consider it a sensitive subject but basically, it’s a song about something that we would expect taylor would be singing about if they’re together in the way we understand it to be, given what we have been shown. and some of the lyrics are so specific to this… far flung idea… and such a contemporary development… that it sort of works to recontextualize any of the songs on ttpd that would otherwise feel breakuppy? because it pushes the story so far forward in matching our understanding. the hardest songs are easier to see as emblematic of the past, and the path that led us here to the present. in this way, at least for me, it makes it easier to appreciate the kaylor easter eggs going on in the songs as emblematic of kaylor, as opposed to litigating them and filing them one by one, because i truly believe taylor would not release Robin if kaylor was actually over. same goes for recurring motifs throughout the album (and midnights, and you might also include folkevermore as well) related to what robin is about. might sound weird to say but you could almost make a drinking game out of the motif, honestly, given how often she does it throughout the album.
i know the whole thing is wild. i have accepted this and im not out here to push it on people 😌 though i do leave the porch light on for people passing by. because for years now, with each new album people continue to say oh this is the kaylor breakup album, oh she’s finally over it, and then i guess they get amnesia by the time the next album comes along and kaylor themes yet again persist. and idk, to me, kaylor just being together this whole time is actually one of the least complicated outcomes.
anyways, in conclusion, apologies for not providing a song by song analysis right away 🙏 but i wanted to put out this part in the meantime. i don’t expect everyone to agree with this premise but i think it’s key to understanding how a lot of us approach this album. i hope it provides a little insight into my perspective! 🫶
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riswippiesx · 4 months
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Drive you insane | Geto Suguru x Fem! Reader[Fall out AU]
•part one
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Theme: Mature(MDNI), 18+ NSFW
Fic TW: dark content! smut, world building, twisted morals, meteor fall out, world destroy, corruption, evil plans, conversation for world domination, foul language, looking down of the poor people, degradation, face slapping, slut shaming, spanking, unprotected sex(don't do this irl), fucking in a open place (but no body sees), teasing(a lot), creampie, breeding, mention of starting a family, porn with plot, not proof read !
Ch TW: Meteor attack, world destroy, uneven social systems, hate towards poors, death and injury, scams and plotting, foul language, barging into an oral sex, insult, fantasy, aroused thoughts, hint of masturbation etc.
Summary: You were respected in your world for being a savior during the meteor fall out but you had different plans which no one knew untill another heroic personality appeared to help the poor people. You thought would get rid of him but he knew everything about your little plan, he caught you. Would he expose you? Or help you out?
Note: Tried something new this time. To read this, you need mature mindset. Reader is twisted and not at all innocent. I hope you enjoy <3
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05/08/2019
The fear of humans came true, the giant meteor, which was prophesied to hit the earth's ground soon, actually fell on the living planet, destroying a big part of asia. A few smaller meteors followed the bigger one and hit a few close areas. Despite of all the warnings and safety campaigns, many people died. The world population decreased in an instant. The ruler system fell apart. World economy was grounded. Smoke clouded the sky. Glimpse of heinous fire could be seen here and there. Air was heavy with painful whimpers and sobs.
Even in such crisis, a few classy families of politics and leaders were provided the highest level of safety with the secure houses made of the finest stuffs. A large part of food and water was preserved for them. Two or three of such families or family members survived well enough while the poor survivors died, lacking food water and medication.
You were the eldest daughter of a well known person. You dad used to be a bright face in world politics. He was cruel and selfish. He had both power and money. So he spoilt you as much as he wanted. You inherited his stubborn rude nature in yourself.
You were twenty years old when the fall out took place. Your younger brother was fourteen. If you were spoiled, he was like a little demon. He did whatever he wanted at such early age which costed his life in the meteor attack. He wanted to see how it looked when a meteor fell on poor average people. So he ran out of the safety shelter and your father followed him to bring him back. Of course the meteor hit both of them and they died. Their sudden death was tough for you to handle but a part of you was somewhat happy that you would have none in you way from then.
Your father was wise enough for collecting the precious papers and plans related to world domination before hand. So with the help of those papers and your dead father's reputation, you got your hands on the world politics easily.
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05/08/2020
One year from that day, the world government fell apart but with the help of the survivors, somehow they managed to get things together in a way. The authorities chose the powerful survivors and decided the areas around the world to take care of. You were a chosen one. A large part of asia was given to you for nurturing and developing.
You agreed very easily and took over the area. You had to put on a mask which helped you to act kind. You hated people bellow your standard but for the sake of greater future, you offered help to those "bullshit" survivors.
At first you were disgusted by the condition of those survivors, some lost their legs, some lost their both of the eyes or one and the injury list could go far long. The authorities sent a team to each leaders and you chose some employs from your area. Your team was slowly building up. You were earning people's trust and respect with your coating of kindness. You were earning trust from the the head authorities as well. They were pleased with your work. But you had hunger, hunger for something greater, hunger for all of it. This was very less of a portion when you were starving for world domination. Your father was one of the main faces of the world. You needed to be the "only" main face of this fallen world.
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As the days continued, your team grew bigger with the healthier survivors joining. Your heavily inspired them. Your soft behavior and kindness intrigued a lot of them. Your pretty face was also another reason for many young men's joining. You could notice how many people looked up at you with adoration in their eyes, some were romantic, some were platonic.
Overall it was going how it was supposed to. But, behind every eyes, you were plotting something. You wanted to snatch away powers from the other seven leaders around the world, by corrupting them anyhow. You collected papers from various sources. Since the radio waves and towers fell apart, the world connection was slow but still content. You took your time in collecting the weak points and potholes of other leader's work. You spent years after years planning, earning trusts and working on papers which would destroy your enemies. After all, the world should belong to where it's supposed to, under your feet.
Your trusted team helped you in this. You made a private team of four people. They helped you to find the papers and other things whenever you needed. They were your right hand people.
Your first victim was your neighbour leader, with whom you shared a part of asia. He was a kind man, genuinely kind. He wanted to help the poor people. Though he also belonged to a famous household before the fall out, his mind wasn't that corrupted. How boring! You used the papers about the secret scams of his family which your dad once collected and anonymously sent it to the head authority, to show how much of a scammer that family was. Your father was a savior but couldn't save himself though. To prove your point a bit more, your team went undercover and stole the money which was sent by the head authorities for the fund works, resulting a huge miscalculation in reports. Poor leader couldn't defend himself and his spot was snatch away at once by the authorities. There were no chances of mistake in a world of needs. So you appeared as a savior again and helped the poor people with shelter and food with medication. Already pleased authority was delighted by your "sweet gesture" and offered that area to you and you took it the offer in order to "help the people in need".
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20/12/2023
You were busy in checking the reports from your team about the developement around your area. Some files on the food and shelter restock was attached with the main report. You had a pen in your hand while you seated on the luxury chair of your office.
You heard a knock on your door.
"Ma'am? May I come in?"
You didn't raise your head and uttered a "yeah". The other person pushed the door open and entered your well maintained, classy office room.
"Ma'am, there is someone who seeks your visit"
Your brows got twisted as you looked up.
"I wasn't informed about any meeting today. Who is it?"
"He has stated that he wants to join your team."
"Oh. But in order to join, he needs to meet my assistant first. Not me. You all know the rule, right?", you looked at your worker.
"Yes ma'am we know. We tried to tell him all that but he isn't listening. He said that he was full of potential and you are the only one who could value it truly."
"Oh what a bold mouth he got", you grinned. "That's indeed interesting. Fine. Tell him to wait outside for ten minutes"
"Alright ma'am", the worker bowed and left the the room.
You were amused. You knew that you had some admirer who joined your team just for you. Actually you didn't mind them at all, instead they were easy to control. But this guy seemed very confident in himself. It'd be fun in taking control over him.
You were smirking to yourself as you finished your paper works and signed where you needed to. You kept the file aside when you heard a knock on your door. You checked the clock when your worker left to inform hin about ten minutes wait, it was 11:30 am and the knock came right on 11:40 am. Accurate on time ! Impressive.
"Come in", you spoke. The door was pushed open once again and there stood the guy, so majestic that you couldn't look away. Those raven hairs in neat bun with a lock hanging loose on his left side of face, those dark intriguing deep eyes and that sharp face— he was handsome, you needed to admit. And this dark ear piercing made him look even better.
"Thank you for giving me a chance, ma'am", honey dripped in his voice as he spoke. You were impressed by his physical appearance but you weren't a person to loose your composure either. You gestured him with your familiar sweet and kind smile.
"No problem. Come take a seat"
He came and sat at on the chair at the other side of your desk.
"I heard you claim that you have potential?", you questioned him.
"Certainly, ma'am"
"Very well. Care to introduce your self?", you eyes danced in hidden mischief.
"I'm Geto Suguru. I'm 27 now."
"Alright, Mr. Geto Suguru, reason for your arrival today?"
"I came here as a face of Japan"
"Face of Japan?"
"Yes, I survived by fate. So to help the others in need, I worked with the local helping teams. I'm well trained in doing the fund work. I used to work as a leader of National Public Support of Japan. So for greater help, the local people told me to come and join your team. I heard from them that you are a great leader. I'd be blessed if I get to work under you."
"Hmm. And you want me to hire you, based on your words only?"
"I have my reports and documents. Here", he offered you a file. You eyed the file and noticed the details. He was speaking the truth. While you were checking the file, you could feel that his eyes were pointed stright at you. Of course it was, almost everyone had the same reaction when they looked at you.
Those files didn't seem fake. You closed the file after you were done and handed it back to him.
"Not bad. But.." You leaned infront and kept your elbows pressed on your desk "I don't hire just by the past records. I need to see what you've got. So, you will be working a day with the jobs I assign for you. Hope that's okay for you?" You looked straight at his eyes. There was something in there which didn't go entirely with this external personality, you could easily tell.
A smile appeared on his face "Sure, I'd love to"
"Great. You may leave now and wait outside for your jobs for the day"
"Thank you"
"Don't be so thankful before you even get to know what you are going to be assigned with..hmm?", you grinned at him.
"Yeah sure, ma'am", he smiled back at you and left the office. He was capable. You could use him for your work but before that you needed to test his loyalty towards you for a few days or weeks.
You had a list for the jobs which were needed to be done, such as inspecting all the shelters and stop any of the illegal activity which some people did here and there recently. People, who wanted more than they were getting, committed small crimes like stealing and attacking. You hated all that nasty crimes. For you, those were so lame. And you needed to take control over all that. Someone had to take care of the crimes. So you decided to rest your rookie, basing on that.
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21/12/2023
Christmas was around the corner. Authorities had sent some special and extra supply for the people in needs. Your workers took care of it. Surprisingly, Geto Suguru did a great job in inspecting the crimes. He submitted his reports on the topic and it was well detailed than the average ones. He really seemed professional and skilled about the whole thing. But you hated giving credits to your new worker on the first day. So you just received the reports and told him to leave.
You could have given him a bit credit only if your mind wasn't messed with a lot of things. After getting the major part of asia under your control, you had to take in the islands around the continent. But it was big deal. To begin with the issue, your father didn't have much of the papers on the leader of those island. Moreover, she seemed really tough to deal with. You tried to work as a partner but she refused. You thought this would help you to prove the less co-operation skills in her to the authorities but they seemed not to care about such a small issue. Your personal team tried to spy around her area but she was really well at handling and controlling her territory. But you weren't someone to let such a small fry stop you from achieving what you deserved. So you were intrigued in making up plans on dragging her down at your office.
Your mood was just messed up as you didn't seem find something good enough. So you were frustrated. You leaned back on your chair and groaned in annoyance. "Ugh fuck this!" and put your legs on top your desk. You were working for so long and your eyes were hurting, so was your back. So you decided to take a break and walk for a bit outside of your office.
You did as you thought. You went outside of your office building and started to walk around fot bit, aimlessly. The surroundings were being taken care of yet those were a lot of damage to be fixed so early where huminity almost got doomed. Broken buildings fell around, only the roads were cleaned, to resume the journey and connections. You were looking everywhere but at the road. Your mind was fogged. Them normal people, who respected you, were waving at your was but you were definitely not in a mood to do the same. So you just smiled at them, not to mention, that was forced.
In the meantime of smiling, you looked side way and didn't notice the a few stones and parts which littered around. Your feet hit one or two of those and tripped. You were about to fall but a strong hand caught you from your behind by your waist. Your hand grabbed on that hand and you quickly looked back. It was your new rookie, Geto Suguru. He was looking down at you with his pretty fox eyes and a slight smile on his lips. Your eyes for once stopped at his. It didn't last a minute before you looked away but it felt like so long. You coughed and made yourself free from his grip.
"Be careful Ma'am, there are stones every where. If you don't be careful enough.." He leaned very slightly, "you might trip". It sounded more like a warning than an advice. What was that tone ! You were pissed.
"I don't remember giving you permission of talking to me in that tone." You fixed your cloths.
"Ah well I just spoke of your well being, sorry if that offended you." He apologized but you could still sense the mild sarcasm in his voice.
"Just go back to whatever you were doing." And you started walk away. Your mind was already fogged and this one thing made you feel even more disgusting. That new bie might give you hard times in future. You would have to take of it before hand.
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24/12/2023
There came the Christmas eve. With the help of the funds and other suppliments from the head authority, two of them destroyed buildings were finally fixed. One was a mart and another one was a small apartment, which would help people to get essentials and shelter. Those opened on the day of christmas. You, being they main figure, had to be presented in all the time, looking after the things you didn't want. But again, you needed to achieve as much faith as you could. So you kept up with everything.
It was late when you finished your works and finally relaxed on your seat. After staying silent, you decided to return to the apartment you chose for yourself to live in. You kept the files a side and took your house key. Then you left your office and started to walk across the small corridor. You were about to pass a room when some noises stopped you. Almost all of your workers left, your special team too. Also the room was a little conference room, which you used to discuss plans and tasks. Noone was supposed to be in there, at least not at that hour of night.
The noises were faint. So you brought yourself closer to the closed door and put your ear on it. With a bit of notice, you could hear that those noises sounded like whimpers and a few groans. It was strangely weird for you. Was someone fucking in there? But there? Really? Inside of your organised conference room? How dared them!?
You were getting furious again. It was so improper. Did some poor people break in? A lot of weird thoughts came in your head untill both of the voices started to sound a bit too familiar. But you could not actually catch it.
You couldn't just stand and listen to such nasty noises. So you decided to barge in. The door was fortunately unlocked and you pushed it open at once. What you saw was not something you expected at all.
Infront of you, you could see two very known humans. On the ground, there sat the only female employ of your special team, whom you actually trusted a lot. She was back facing you and was on her knees, naked. Her mouth was connected to someone's hard cock, sucking on it. And that someone was none other than, your new rookie, Geto Suguru. His pants were on the floor and last few buttons of his black shirt was opened, revealing his toned abs and defined v-line. His cheeks were flushed with a faint red, hair was partially up in a messy bun as he leaned back on the table behind.
You went silent for a good while. You were looking at them and they looked back at you. Your trusted employ was quick to let everything go and tried to cover her body. You could see the hickeys on two to three places or her body. She looked ashamed. She didn't expect you to catch them like that. Whereas, the other one had a smug expression on his face. His slightly lidded eyes hinted amusement.
"Ma'am..." She tried to speak.
"What the fuck is going on here?" You calmly asked. But the disgust was clear in your tone.
"Ma'am we can...explain...please", she was nervous.
"Shut up. Not a word. If you were willing that much to suck him off, you should have gone to your apartment. Don't you have any basic sense about place and time? Huh?"
"Ma'am but...he...he told me this would be fine...and also said that you had already left the office ...and I trusted him."
"You don't even know this guy properly. That's why you don't trust just..any person. Also what made you think that it'd be okay to fuck here after I am gone?"
"Ma'am....i'm so sorry, please."
"Leave. Get your as s out of my sight right now. And never show me that slutty face of yours!"
"Ma'am-"
"Leave. Now."
She knew nothing could be stated after your stern order. So she took her cloths and somehow covered herself, then left. Then your eyes fell on Geto. He fixed his cloths already but those still looked messy. He was fixing his bun. His body was a bit sweaty from the previous intense activities. The light fell stright on his features which made him look even better. You sighed.
"I suppose you owe me an explanation.", you spoke to him.
"Extremely sorry, I thought you left and I ...well..I was feeling something. So she volunteered to help and I accepted.", his tone sounded more casual than it was supposed to.
"Wow. Keep your shits in your pants untill you are in a proper place. This isn't your little love hotels!"
"I apologize. It won't happen again."
"Apology my foot! You shithead. Stop trying to mess my special team. I warn you."
"I am not. It's just she is really attactive."
He spoke facts, you knew that. Yet your nerves burn for So me unknown reason. You couldn't just stand what he just said.
"Did I ask?", You almost yelled. But your self control game was great. So you tried to calm yourself down. "Just get out of here!" You spoke in disgust.
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You came back to your apartment with a bitter mind and a tired body. You just wanted to sink in your bed. You quickly freshen up and finally laid on the bed. Your body just thanked you for the long awaited rest. Your body wanted rest but your mind was racing. What you just saw before coming back, that scene could not leave your mind. You were disgusted but somewhere in my mind, you kept recalling the vulnerable look of Geto. It was really hot. He was an attractive man and his abs, v-line..even his hard dick..you just couldn't think otherwise. Your whole body felt like burning, with some desire. It wasn't like you were a virgin. Your fucked with a few friends of yours before the meteor attack but that was long ago. After that, you barely got time to think about your sexual desire, in a obsession of power.
So, such things from a genuinely attractive guy bought out you hidden desires and your pleasure deprived self danced with it.
You didn't notice when your thighs were pressing together. Your body wanted some friction in some special places. You could feel your arousal and your hard nipples, brushing against your tshirt painfully, wanting to be pinched and pulled and played with.
A soft groan left your lips as you hands started to move towards the hem of your panties as another hand cupped your left breast over your cloth..........
...To be continued
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Phew!! Finally first part is done💀 I typed a lot lol! My finger hurts now. Haha! Anyway! Please please let me if you like this or not! Commet down bellow. Reblogs are also highly appreciated 💗
Alsooo!! I might need some time to post the next part..(I have internals at college T_T) also I need some good response in this. I have put a lot of efforts in this lol! So I need results too :P otherwise i'm not posting another part anyway 🚶‍♀️
And..should I make a tag list for the next part/parts? Lemme know if you wanna be tagged. Haha
Thanks for reading tho<333
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mamawasatesttube · 5 months
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hi do you have any kon comics recs?
oh boy do i!!!!! ♥
for his origins, you'll want to read "reign of the supermen" (probably easiest to read it as a tpb, because the individual issues are all over the place). this details his creation and escape from cadmus, his relationships with clark and john henry irons, and his early attitudes!
after that, of course. well. superboy (1994). i love this comic. it is deeply flawed. it's 100 issues long, so it's a bit of an undertaking, but in my opinion it's essential reading to actually understand kon as a character. he gets groomed and exploited in many ways in this book, and it is not handled well because it's treated as acceptable as the fantasy of any teenage boy (the grooming and sexual abuse), or played for comedic effect (the financial exploitation). but understanding those facets of kon's backstory are vital to get a read on him as a character. sb94 also does a really great job of establishing him as someone kind, creative, and incredibly lonely and depressed. he's passively suicidal for pretty much the entire run. he's a really good boy. and some of his relationships with his supporting cast (roxy, serling, dubbilex, guardian) are just sooo <333
next up: young justice (1998)! this is the fun one with a lot of shenanigans. the depth here is mostly understated for characters like kon, tim, and bart (who have their own solos outside of it) and i'd say the kon experience here is enhanced by having read sb94 first, because there are certain arcs that follow up on things going on at cadmus and stuff. after yj98 is teen titans/young justice: graduation day, which basically shows how yj disbands after donna troy's death.
after that is the unfortunate mess that is teen titans (2003). this comic is not good, but it is important. this is where the lex retcon happens, the mind control arc happens, and the tie-ins to infinite crisis all happen. kon dies in infinite crisis, returns in final crisis, and rejoins the team towards the end of tt03.
next up is adventure comics (2009), the first six issues of which get into what kon does in the wake of his resurrection. superboy (2011) (i) (not to be confused with the n52 superboy solo) follows up on some of these themes and shows his adventures in smallville! both are pretty solid.
if you Really wanna dig into everything going on towards the end of postcrisis continuity, i'd rec getting into a tpb of the new krypton arcs! kon isn't around for everything there (he's dead for the first parts), but by last stand of new krypton, he's back and running around with the legion (this includes the last few issues of adventure comics '09, too).
in n52 kon is just. not there. the "kon-el" in n52 is just straight up an entirely different guy. (incidentally, this guy is where the edgy "kon means abomination" thing comes from. this is a retcon. kon's name originally is the name of a dead cousin of clark's that clark says he would be honored if superboy would accept.)
if you want to read anything post flashpoint, he gets reintroduced to continuity in young justice (2019). then the house of kent arc in action comics sort of explains his situation in prime earth continuity. stuff like yjdc (which i have not and will not be reading, so i certainly can't recommend it) takes place after this, and kon appears some in various other action comics arcs going on lately, but none of those are major appearances really. he did have his recent mini solo superboy: man of tomorrow, which was... fine. nothing spectacular imo, but the covers are cute and i have all six issues sitting on my desk because kon <3!
i know this is kind of long. my bad i love to ramble about kon kjsdhf but!! if you have any questions or anything i'm happy to elaborate or clarify further!! but in the meantime. go forth, and happy kon reading ❤️🧡💛💚🩵💙💜🩷💖
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nepenthean-sleep · 1 year
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Historical Fashion in The Priory of the Orange Tree
I'm not a historian, but I've spent a significant amount of time over the past decade researching historical fashions from across the world. Naturally, this colored my reading of The Priory of the Orange Tree when I first read it in 2019. I started rereading Priory this month in anticipation for the release of the sequel, and I thought it would be fun to share my ideas for the clothing styles of the various countries in the book, based on real-world historical fashion. I also wanted to use this as a moment to compare some of the fashions of Priory with those in the forthcoming A Day of Fallen Night. These are by no means definitive; they're just my personal headcanons for the book, but I thought some fans and artists would appreciate this as a reference.
To begin, Inys and Queen Sabran's court reminded me heavily of Elizabethan England, so while reading Priory, I mostly thought of the book taking place in an analogue to Earth of the mid-to-late 1500s. This colors my perception of the various clothing styles, so you will notice that most of the countries will have clothing from the same century or thereabout. This extends to Fallen Night, which takes place 500 years earlier, but only for the countries that I was able to find enough reference information on. (Trying to find fashion references for eleventh and twelfth century Europe and Africa on the internet is very difficult!) I've made (terrible; I am not a graphic designer) collages to lower the photo count in this post, but please keep in mind that this post is still image-heavy.
SEIIKI
Seiiki is based off of Edo-era Japan. In keeping with the 1500s theme, I have imagined fashions similar to those of the very early Edo period and the late Azuchi-Momoyama period. With how they are described in the text, I believe the wealthy and fashionable in Ginura would likely dress more like the fashions from the early 1700s with elaborate nihongami and extensive sea-themed accessories.
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For A Day of Fallen Night, this would land us squarely in the Heian era, my personal favorite of the Japanese historical eras in terms of fashion. Now I can only imagine Princess Dumai with extremely long hair lmao.
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SEPUL
Sepul is based off of Korea. We don't know much about Sepul, but for Korea, the 1500s would have been towards the beginning of the Joseon dynasty. 16th century hanbok looked more similar to the hanbok of Goryeo, as opposed to the more "classical" 18th century style of Joseon hanbok that is used today in film and re-enactments.
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For Fallen Night, that puts Sepul in the middle of the Goryeo dynasty, when it followed Song dynasty fashion. However, Sepul is a queendom, and during the Silla period, Korea had three regnant queens. Because of this, I imagine that the queens of Sepul would likely dress more similar to the royalty of Silla, with their elaborate crowns and gold chains.
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EMPIRE OF THE TWELVE LAKES
The Lacustrine are based off of China, and the 1500s lands us in the later half of my favorite Chinese dynasty: the Ming. We don't get to see much of the Empire, but what we do see is very lavish and grand, much like Ming dynasty hanfu itself.
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500 years back lands us in the Song dynasty. One of the interesting trends of the Song dynasty was pearl makeup, something that would likely be popular in the Twelve Lakes due to the continent's general aquatic theme.
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INYS
Inys is based off of England, and while reading I imagined something similar to the fashions of the 1560s and 1570s during Queen Elizabeth I's reign. I'd also imagine that Inys would be "behind" in terms of fashion compared to Mentendon, due to how Inysh society and fashion is described as more conservative.
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MENTENDON
Mentendon is based off of the Netherlands, and I particularly imagined it similar to the Dutch Republic, especially in regards to the country's relationship with Seiiki. The Dutch began trading with Japan in the early 1600s, so much of my headcanon for Mentendon is based off of the Baroque era, particularly the 1630s and 1640s. Mentendon seems to be the most liberal nation of the West, so I'd imagine their fashions to be more forward-facing while still retaining a lot of the similarities to the Elizabethan era, such as the usage of lace ruffs, doublets, and kirtles. Aubrecht and Truyde are described as having long, loose, curling hair, which fits perfectly with the popular hairstyles of these decades.
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YSCALIN
Spain was the inspiration for Yscalin, and I imagined something similar to the 1540s and 1550s, particularly modeled after renaissance Italy as opposed to the Tudor stylings of the English and French.
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LASIA
Lasia is based off of the Kingdom of Kongo, a state that existed in present day Angola, Republic of Congo, and Democratic Republic of the Congo from 1390 until 1857, when it was colonized by Portugal and made a vassal state of the Portuguese Empire. As such, it is difficult to find references for Kongolese fashion without the influence of Portuguese-style clothing. As far as I am aware, the references below are from the 1500s and 1600s and represent Kongolese clothing without European influence.
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THE ERSYR
The Ersyr is based off of Iran. We don't get to see much of the Ersyr in Priory, but Chassar would likely wear Ersyri fashions even when away from home. For Iran, the 1500s puts us at the beginning of the Safavid Empire. The reference images below are from the 1570s to the 1650s.
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For Fallen Night, the eleventh century would be the Abbasid Caliphate. Below are images of artwork from that era to give a general sense of the styles during that period.
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If anyone has any additional information or corrections about the fashions from these time periods in this countries that they would like me to add to this post, feel free to send me an ask or a DM. Thanks for reading! Looking forward to reading A Day of Fallen Night later this week. :)
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blurscolours · 1 year
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The Devil And The Deep Blue Sea | Part Thirteen
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Masterlist
Summary: An attack on Arthur’s imprisoned brother Orm leaves him with no choice but to rely upon you, a friend made due to unfortunate circumstances nearly a decade ago, to provide safe haven while he restores peace to Atlantis. Suddenly tasked with sheltering a sullen former king results in a very different summer vacation than you had originally envisioned, but changes both of your lives forever.
Warnings: Discussion of Reader's Injuries and Recovery, Near Miss Fall From A Ladder, Orm Is Still A Man of Few Words, Mature/Explicit Themes [nipple play - f receiving, manual stimulation - f receiving, oral - m/f receiving, multiple orgasms, unprotected sex, vaginal penetration] - 18+ only.
Word Count: 3218
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Amnesty Bay, Maine – Fall/Winter 2019
You were beginning to wonder if time passed differently beneath the waves of the ocean. The first time Arthur had left you, back in August, he had said it would not take long. It had been nearly a month before he had reappeared. And again, when he had left with Orm in September, he had said it would not take long.
Watching the snowflakes meander their way to the rapidly whitening ground outside your office window, you sighed softly. It was now early December and there had been no word from them.
Tom had been so very kind, taking excellent care of you as you used up every last hour of sick leave from your job to convalesce at his lighthouse. Wayne Enterprises had delivered your car and belongings to the lighthouse in Maine, and you found yourself frequently glancing at the neatly packed duffle bag holding Orm’s scant surface possessions as your thoughts drifted to his whereabouts and welfare.
There was no human on the face of the earth who understood you better than Tom. He recognized the way you watched the ocean out the window. The way you walked to the end of the dock with him as Atlanna had also been called upon to assist Arthur with quelling the rebellion. He knew what it meant to be left behind. To be rooted to the spot where your Atlantean had parted from you, loathe to leave it on the chance of their return.
And so, when you had run out of sick time, and then the very last of your vacation days, it had been Tom’s suggestion that you request a remote working arrangement. After the tsunami incident last year, he had purchased some property up the road and was gradually fixing it up with the intention of renting it out for some additional income. He insisted you move in there, given that the lighthouse did not have space for a home office, and flatly refused to accept any form of payment.
Much to your surprise, your company had agreed and sent your computer and some other equipment via courier. Your best friend had also been kind enough to collect and send some more seasonally appropriate clothing as the weather grew cold.
Using the subterfuge of companionship, you had in fact found a way to repay Tom by eating several meals with him each week – and celebrating any thin excuse for a holiday together. You always made the shopping run and cooked the food; refused repayment, just as he did for the cottage’s rent. It seemed to infuriate him to no end, which was only fair considering the stubborn old goat refused your rent money.
Your email chimed with the notification of a new message, and you opened it up, accepting the meeting for Monday before glancing at the clock, letting out a pleased sigh that the workday, and work week, had come to an end. You logged off and shut the door to the office behind you, turning your attention to the box of holiday lights you had purchased on your last trip to the larger neighbouring town where the best shopping was.
After a quick snack, you slid on a few more layers before taking the box outside into the gathering dark of early evening, stopping by the shed to grab a ladder. Tom had already come by to help you secure the clips onto the gutters, all you had to do was snap the lights into place now that you had bought them, and you were eager any additional source of light to fight off the gloom of early winter. Planting your ladder firmly into the skiff of snow on the frozen ground, you manipulated it slightly to be sure it was stable before carefully climbing up.
You began by plugging the string into the outlet flush against the soffit, immediately smiling at the warm glow of the soft white lights, before unravelling the length and clipping into along the front of the house. Once the next clip was beyond your reach, you climbed down and moved the ladder before resuming the task of stringing the lights. You continued at a steady pace, making your way around the perimeter of the cottage as the darkness of the evening set in.
Nearly finished, you climbed the ladder for what you hoped was the last time when you heard the crunch of footsteps in the snow. You turned your head towards the sound, fully expecting to see Tom making his way over from the lighthouse, but when your eyes fell upon a blonde figure in black armor you did not fully trust your vision in the low-light. Something you had wished to see so fervently, he could easily be a figment of your imagination.
You turned your body fully, leaning forward into the dark to try and get a better look. The ladder groaned in protest before lurching to the side, wrenching a shriek from your throat as you felt yourself falling. While your landing was not as forceful as you expected, the surface which you landed on was as hard as steel. Opening your eyes, which had reflexively clenched shut, you saw that Orm had somehow closed the distance between you, catching you in his armor-clad arms.
“I see you are just as reckless as when I left you.” His voice rumbled through you, making your heart skitter against your ribs as it lost its natural rhythm.
You looked to his face quickly, swallowing tightly to see his cerulean eyes glowing in the low light. He was so close that you could see the still-falling snow flakes collecting in his eyelashes. Yet for his physical closeness, he may as well have been an ocean away. He felt like a stranger to you, after the way you had parted, after three months absence with no word. With how he held you away from his body, setting you down and taking a step back.
“Thank you.” You straightened your coat self-consciously, picking up the ladder before it became a tripping hazard. “You seem alright…I’m glad.” You glanced back at the house before looking at him. “Would you like to come inside?”
He nodded silently and you led him into the cottage, kicking off your snowy shoes. Once he stepped inside, you closed the door behind him, turning to ask if you could get him anything. He had just set something down onto the entry table, though you did not have time to process what the object was as he was suddenly pulling you close, burying his face in your hair.
“I’ve missed you more than words can express. More than I could bear.” He inhaled your scent deeply, his words bringing a blur of tears to your vision as your heart throbbed.
It had been real.
“Orm…” You whispered tremulously, helpless to form words more coherent than that, trying to wrap your arms around him in return but the bulk of his armor made it nearly impossible.
He pulled back, cupping your face gently, looking you over intensely, inquisitively.
“You are well?” He rasped and you nodded quickly, tears briefly clinging to your lower lashes before trailing down your cheeks as you gave him a watery smile.
Rising onto your tiptoes, you leaned in to kiss him, gasping in delight as he closed the distance quickly, pressing his warm lips to yours. You slid your arms around his neck, lest your legs give out as they were threatening to do, holding tightly as the heat of him seemed to liquefy your bones. Feeling you waiver in his arms, he slid his hands down to grip the backs of your thighs, lifting you up against him as he walked further into the house.
You grunted a little, shifting as you tried to find a comfortable position against the steel plate he wore, wanting to be closer but it honestly hurt. He turned and gently set you down on the edge of the kitchen counter.
“Apologies…” He murmured, stepping back to begin stripping the interfering articles, laying them carefully onto the nearby rug, not wanting to dent your floor.
Gnawing on your lip, you sat on your perch watching him with wide eyes as the hard shell was removed to reveal the sort of advanced wet suit he had been wearing when you had first met. You were pleased to note that this one was fully in tact, giving you hope that he had not arrived with injuries this time. As he began to peel that last layer away to reveal his flawless skin, pulled taut over well-defined muscles, you squirmed against the stone of the countertop, pulse quickening.
He glanced at you knowingly before shedding the last of his clothing, hanging the suit up by the door, walking around your home in his naked glory without a second thought. You licked your lips, rooted to the spot by the sight, until he returned at last, pulling you flush against him as his mouth sealed against yours hungrily.
You sighed deeply, wrapping your arms around his bare shoulders, clinging to him. On each inhale you could smell the sea water that still dampened his hair, begging your fingers to run through it. Stretching a hand up, you carded your fingers through his golden locks, earning a throaty moan as his tongue licked into your mouth, commanding entrance to taste you.
You whimpered in return as his slick, wet muscle stroked yours, lifting your legs to wrap around his hips and pull him tighter to you. He growled a little and pulled back to nibble at your lower lip.
“You are entirely overdressed for the occasion.” He complained before his fingers slid up under your clothing to trace along the skin of your back.
You jumped at the searing heat of his touch, obediently lifting your hands over your head as he pushed the layers up and off your body, huffing as he was then confronted with your bra. His mouth scorched a wet trail down your neck that had you greedily lolling your head to the side, offering your skin in sacrifice, as he worked the offending garment off before he was at last able to cup the bare flesh of your breasts in his expansive hands.
You groaned needily, fingers tugging at his hair as your hips rutted against his unconsciously. You could feel his rapidly hardening cock growing against the fabric of your pants and your cunt began to weep at the memory of what it felt like to have him inside you. As his fingers gently rolled and tugged at your nipples, your back arched, pressing your breasts into his hands and he chuckled smugly before lapping and sucking at each of the hardened peaks in turn.
“Please, Orm…” You whimpered needily, hips pressing your core against him, huffing in frustration at the barrier of your remaining clothing.
He hummed in agreement, lips crashing into yours heatedly as his fingers made quick work of your pants and underwear, stripping your lower half. His long fingers massaged into your thighs teasingly, drawing ever closer to your dripping folds until at last he cupped your core with his fiery palm. You whimpered into his mouth, hips bucking to his touch as he collected your arousal with his fingertips to circle and stroke your clit. Your lips fell back from his as you gasped for breath, chest heaving as you gulped for air, each exhale a whimper or exclamation of pleasure.
He pressed his forehead against yours, your fluttering eyelashes allowing you only snippets of the hungry look in his near-black eyes, his glowing blue irises pushed to the very edge by his blown pupils. The way he watched you had you clenching around nothing, swallowing audibly, nails ghosting along his scalp. It was overwhelming and yet it was not nearly enough. As his forefinger sank into your desperate cunt, your head fell back with a ragged moan, hips wantonly pushing closer to his hand, drawing his finger inside you as far as he could reach.
His harsh breaths echoed yours, resounding in tandem in the dark of the cottage as his finger thrust into your body, making you tremble unsteadily on the cool stone of the countertop. His free hand slid to press against your spine, fingers splayed to cover as much skin of your back as he could reach, holding you upright as he added as second finger. All the while, his eyes never left your face, hungrily watching your reactions, listening to your whimpers and cries. He curled his fingers forward, toward the front of your body, stroking along the spongey spot deep inside you. The pleasure of it makes your hips rocket from their place on the counter and your torso would have crashed into the unforgiving surface of it if he had not been holding you up.
With his target located, his motions were merciless and driven, utterly determined to push you over the edge. He did not have to wait long before your release shattered over you in a thousand prismatic shards, an aurora of colours flowing one into the next behind your eyelids as your walls clamped down viciously on his fingers. You slumped forward against his chest, pressing lazy, open-mouthed kisses across his collarbones in reverence before whining as he starting to sink out of reach, onto his knees.
You planted your hands on either side of your hips, locking your elbows as you tried not to fall over, watching him settle between your thighs. He licked his lips before sealing his mouth over your folds to lap at your release like a starving man. Your thigh clamped down on either side of his head, still trembling from your first orgasm as he was lay the foundation for your second.
“Please…Please Orm…” Pleas were falling from your lips onto his deaf ears as he growled against you, lapping and nipping and suckling at your overly sensitive clit and folds, teasing your entrance with his tongue.
Your chin fell to your chest as you moaned incoherently, fingertips digging into the unyielding surface you sat upon, trying to anchor yourself lest you be swept away.
“Fuck!” You swore harshly as he pointed his tongue and thrust it deep inside you, rubbing at your bundle of nerves with the tip of his nose.
Of their own volition, your hips rutted against his face, moving in time with the rhythm he set, speed increasing with that of his movements as every muscle of your body went rigid until that tension snapped. You arched back with an anguish wail, hips levitating as your body gushed with release before you slumped onto your back weakly. Covered in a sheen of sweat, you watched him rise to his feet with a look of tremendous satisfaction on his glistening face. He wiped it clean as your chest heaved, gasping for breath as your body still suffered from the aftershocks of your climax.
Gathering you into his arms, he cradled you against his chest before murmuring into your ear.
“Where is your bed?”
You lifted an arm that felt many times heavier than normal to point down the hall and he followed your silent direction, finding it easily. As he moved, you became more and more aware of the feel of his hard, throbbing cock pressed against your hip. Of the damp smear of precum it left against your skin. Feeling somewhat more coherent as he lay you on the bed, you sat up to bring yourself face to face with his length, reaching out to lick at broad stripe from root to tip with your tongue.
The rich groan that greeted your ears made you shiver in delight and you wrapped your fingers around the base of him, repeating the motion before taking the crown of his length between your lips. He grunted in pleasure; fingers moving to cup your jaw and gently force your head back. You looked to him, somewhat confused, but he leaned down to kiss you deeply.
“I want to be inside you.” He said in a rare moment of verbal communication during intimacy, hand moving to cup between your thighs, making you gasp and squirm.
“I need you…” You replied in an open display of shameless vulnerability.
He froze a moment, staring at you without moving. Without breathing. Until he lunged forward to kiss you fiercely and climb over you as he pulled you beneath him. He smoothly pressing the head of his cock to your cunt, sliding into your well-slicked heat until he was fully seated inside you. Orm pressed his face into the side of your neck, taking deep, slow breaths, causing an eruption of goosebumps along your skin. You clung to him, doing some deep breathing of your own as you tried to adjust to the feeling of fullness that came with having him inside you.
As his breathing evened out, he pulled his hips back, making your eyes roll into the back of your head at the feel of him dragging against the sensitive flesh inside you, only to slide back in with an eager groan.
“Oh god, yes! Orm, please! More…” You babbled freely, letting every thought flow from your lips, too far gone to try and make sense.
His cock twitched inside you, your walls clenching in silent reply, making him bite off a curse before he set an demanding pace. Demanding your body to surrender one last climax so that he might join you in release. Snaking your legs around his hips, you clung to him for dear life, each clash of his hips against your stimulating your clit and driving the air from your lungs. You could hear him panting, lips moving against the skin of your neck to form words, but your overstimulated brain was slow to process until at last you realized he was repeating your name. There was a tone of reverence, giving it a prayer-like quality, and the way your heart spasmed in your chest you were certain you had taken your last breath.
The orgasm that erupted through your body could have happily been your last experience upon this earth – it erased all sight and sound, bathing you in a white-hot light as every nerve-ending vibrated in ecstasy. You went slack on the bed, eyelids heavy but somehow obeying your desperate command to remain open and focus upon his face as he thrust erratically against you, through your rhythmically clenching walls to chase his own release. You watched his jaw mouth fall open in a choked-off cry as his eyebrows knit together, hips slamming into yours as his climax began to fill you, rocking against you to wring every drop of release from his body, shuddering head to toe.
Orm pressed a few notably tender kisses to your brow and cheeks before sliding from your trembling cunt, making you whine at the loss, before stretching out of the bed beside you and pulling you close. You leaned up to press gentle kisses of your own his nose and chin before kissing him softly.
“Thank you for coming back…” You whispered tremulously.
He nodded softly, pressing his lips to your temple.
“Thank you for remaining here.”
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waitmyturtles · 11 months
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Turtles Catches Up With Old GMMTV: Until We Meet Again Edition
[What’s going on here? After joining Tumblr and discovering Thai BLs through KinnPorsche in 2022, I began watching GMMTV’s new offerings -- and realized that I had a lot of history to catch up on, to appreciate the more recent works that I was delving into. From tropes to BL frameworks, what we’re watching now hails from somewhere, and I’m learning about Thai BL's history through what I’m calling the Old GMMTV Challenge (OGMMTVC). Starting with recommendations from @absolutebl on their post regarding how GMMTV is correcting for its mistakes with its shows today, I’ve made an expansive list to get me through a condensed history of essential/classic/significant Thai BLs produced by GMMTV and many other BL studios. My watchlist, pasted below, lists what I’ve watched and what’s upcoming, along with the reviews I’ve written so far. In a LONG POST, I’m writing today about New Siwaj’s incomparable drama, Until We Meet Again.]
TW: suicide, suicidal ideation, psychological trauma
Gah. I am so psyched to be finally sitting down to write my thoughts on Until We Meet Again, but I’m actually at a bit of a loss on where to start. There is SO MUCH TO TALK ABOUT.
I think, where I can start, is to first say that this was, in my opinion, AN ABSOLUTELY SPECTACULAR SHOW. I did NOT expect this, at all. I’ve been around the way with New Siwaj, the UWMA screenwriter and director, a few times now for the OGMMTVC -- his writing on Love Sick, his work with Cheewin on Make It Right, and his work on MAME’s novel in Love By Chance have all been on the OGMMTVC list. I know that Between Us, the UMWA WinTeam continuation, was considered mostly a let-down for weak writing, and that New’s more recent shows, including A Boss and a Babe and Double Savage, were viewed quite critically (although I am a Double Savage apologist, for which I’ll explain my viewpoints later in this post). 
So. What I did not expect from 2019′s UWMA was to experience so many layers in a drama à la the work of Aof Noppharnach. Yes, I cannot believe I’m going here, to compare a New Siwaj drama to Aof’s oeuvre, but damn if I will, because good lord, New took his magic hat of tricks, pulled out THE GOOD STUFF, and made it all work. 
This is a list of themes that I saw in UWMA, that will help me structure this long write-up, but by no means should it be considered complete, as I’m sure I’m missing themes that you all likely caught in your watches and re-watches:
1) A new narrative structure for New -- balancing the impact of side couples by leveraging focus, equally, on two MAIN couples 2) The continuation and end of the 2019 trend of reincarnation and spiritual connections to love 3) Intergenerational queer trauma (micro-level) 4) Generational acceptance of queerness (macro-level) 5) Food and its Proustian effect on memory 6) Reflections on filial piety and the devastating effects of expectations -- and how children and parents seek redemption, particularly in New’s work
And before I even dive into THIS list, can I just say: MY GOD, FLUKE AND OHM. And Earth and Kao! But FLUKE AND OHM. Jesus, does New have an eye for talent -- from the Make It Right guys, to Perth and Saint, and then to Fluke and Ohm. I was seriously TAKEN with their chemistry. I did hear from a number of folks during my UWMA live-blogging that they can’t rewatch UWMA because of Fluke/Pharm’s rendition of the blushing maiden trope, but for my tastes -- I think the way he rendered the trope was really necessary to communicating Intouch’s story, history, and emotions, and just -- Fluke just ATE this role, my gawd. And Ohm/Dean responding in kind vis à vis Korn’s regret. YOW. It’s been a few days since I finished the show, in a total RUSH of drama hunger, and I’m still shaking my head and MARVELING at their performance.
Okay, back to the themes list. So, early in my Thai BL journey in the fall of 2022, after I had watched KinnPorsche and The Eclipse as my first two Thai BLs, I watched A Tale of Thousand Stars (way before the OGMMTVC was born), and noted that I appreciated the lack of side couples in the ATOTS storyline. I now realize, through the OGMMTVC, that side couples are both a BL trope and a byproduct of the drama styles from which BLs were born, the ensemble-based dramas like Love Sick, Senior Secret Love, and Kiss/Kiss Me Again.
New’s Make It Right -- while beloved in my heart, for the chaotic duos of TeeFuse and FrameBook -- WAS messy, with all the other couple stuff happening around it. That, along with Love By Chance, made me wonder -- why do BLs that center fabulous dyads with sizzling chemistry take away from that energy with all the side couple action? Even Together With Me, a non-New Siwaj and non-GMMTV drama, got sidelined in part with a VERY questionable side couple plot in BrightFarm.
Reflecting back on KP and The Eclipse, I had that question in mind as I started UWMA, and wondered where the Alex and WinTeam storylines were going to go. But, frankly, I ended up appreciating what NEEDED to happen with DeanPharm and KornIntouch, because -- the original novel storyline clearly demanded that these two couples, who were NOT side couples, but MAIN couples, needed a MAIN spotlight for their collective story to be told. @clairificusrex mentioned in a liveblog comment (THANK YOU, LOVELY HUMAN!) that New Siwaj benefitted in the screenplay from having a wonderful original novel to work with, and while I don’t read Y Series canon, I can only imagine that this was indeed the case.
So, New, in order to hew to the novel, had to perhaps hold back his usual instincts to muss up the main couple vibe, by centering DeanPharm and KornIntouch. With that control necessary to the story -- I think the narrative STRUCTURE of the drama just blew open. It was FASCINATING, it drew me in, and the structure allowed for another New predilection to be leveraged WELL, in his love for flashbacks. @lurkingshan, you mentioned that your taste wasn’t necessarily aligned with New’s fancy for flashbacks, which I totally understand -- I think flashbacks hurt the overall narrative structure of Double Savage earlier this year. But I think, here for UMWA, they were necessary, and I might very well be apologetic to that considering what I DID see in Double Savage by way of the story that New ended up screenwriting over there in regards to intergenerational family trauma (again, more on this later in the post).
This narrative structure lent itself handily to the next four themes on this list, all of which deal in memory, in spiritual roots, and/or in the generational passage and inheritance of trauma and emotion. 2019, as we know now, was a big year for shows themed around Thai spiritual culture and/or reincarnation. We have He’s Coming To Me, we have Dew the Movie -- we have art here, queer-centered art, that does not lend itself to happy endings, that depicts, through reincarnation or, in the case of HCTM, a ghostly purgatory, how DIFFICULT it had been to be comfortably queer and/or openly out in past and present Thailand.
And then UWMA comes along, telling TWO generational stories, intertwined by the red thread, but also, in the words of the WONDERFUL @bengiyo, connected by Korn and Intouch’s intergenerational queer trauma, the most PERFECT coinage of a theme for this show. In 1988, when Korn and Intouch die, they cannot be out. They cannot even be SECRETLY in love. Their bad dads use the foulest of language to describe their love (much like Phop’s dad in Dew). And Korn kills himself, and Intouch follows.
And what we learn, through Dean and Pharm, are the emotions, the regrets, the LEARNED BEHAVIOR that Korn and Intouch have picked up on in the afterlife, embedded in Dean and Pharm, that keeps Korn and Intouch’s love alive, with CORRECTIONS and ADJUSTMENTS made by Dean and Pharm that reflect on how not only Korn and Intouch’s love has changed and improved, but also how Dean and Pharm are learning how to love EACH OTHER, themselves, as they adjust to their OWN belonging to each other, in Pharm’s own words. GAH -- my aching heart. (Thank you to @lurkingshan for talking this through with me early on in my UWMA watch.)
I mean. THE DEPTH OF THIS. Intouch is a terrible cook, and Pharm is like, a restaurant-level chef?! Pharm is so resistant, and Dean is so FORWARD? (OHM THITIWAT, GAH!!!) (Listen. Pharm. P’Deeeean can grab MY butt, okay?) (See what I did there, @lurkingshan and @bengiyo? THANK YOOOOUU.)
And Pharm’s blushing maiden approach. Yes, I will also admit, that sometimes, it was a little cringey. But I think the blushing maiden trope was really necessary to the story -- ESPECIALLY IN THE CONTEXT of Intouch’s anger, ciphered through Pharm in the last episode. And I think that Fluke Natouch ultimately rendered the trope beautifully -- again, especially against the gorgeous ending of the show. Oh, THAT CONDO SCENE, PEOPLE. I LOST IT. 
Of course, Intouch would want to hold back through Pharm in the present day. If Intouch DIDN’T hold back vis à vis Pharm -- he might lose Korn again, if Pharm missteps with Dean. Intouch may have felt that HIS forwardness lent to their troubles -- so Intouch holds back, through Pharm. And Intouch ultimately communicates his love for Korn differently in the afterlife, more hesitantly -- through a resistance to intimacy, and through food and cooking in Pharm, which itself was another amazing move in this show.
Listen. Even my pinned post says what I value in dramas, not just in BLs. You give me food in BL, and I give you my heart. But also, let’s talk about the meaning of food in Asian dramas for a second. It’s no coincidence that MANY Asian dramas and doramas center food, including my favorite BL of all time, Kinou Nani Tabeta/What Did You Eat Yesterday?. If you don’t know Asians, of any ilk -- let me make a BROAD continental and sub-continental judgement. ALL WE THINK ABOUT IS FOOD, lol. While I’m with my family, while I’m working, while I’m writing meta -- I’m thinking about food, I’m thinking about what I want to cook, what I want to order, how I can mix the cuisines I love (Thai-Indian curries, anyone? YUM). Malaysians literally boast about having multiple meals, way past three meals, a day. We Asians are proud of our cuisines, and we want y’all to be EATING, A LOT, and to try all our dishes. (ITSAY, your Hokkien mee is calling me...) 
But, also: FOOD MEANS FAMILY. Let me say it again: FOOD MEANS FAMILY. You FEED the people you LOVE, with delicious food. Shiro and Kenji. Kurosawa and Adachi. The guys in Jack o’Frost. The guys in The Eighth Sense. Omg, even Kinn and Porsche. We’re seeing it in Tokyo In April Is... And Pharm, to Dean, Intouch to Korn.
And BESIDES Intouch/Pharm becoming a great cook, GOD, the story ALSO INCLUDED the Proustian reference of the madeleine and involuntary memory -- but in SUCH a stunning way, as to RECALL DEAN’S FAMILIAL MEMORY of eating his grandmother’s Thai desserts -- his grandmother, Intouch’s sister, and how Dean could get an indirect spotlight into Intouch and a depth of an understanding of Intouch’s happiness besides his love for Korn. And how Pharm EMBODIED that love for Thai desserts through Intouch’s family lineage. Oh, just get me MESSY, PEOPLE. FUCKING GENIUS SHIT. 
Memory on memory on memory. Dream on dream, nightmare on nightmare, tears and red threads, inherited trauma, intergenerational trauma. The micro-level of what Dean and Pharm had to live with on a daily basis in their recollections of Korn and Intouch. The macro-level of what Pharm and Dean experienced when all of their parents accepted them for who they were as queer individuals, and their partners, as well. How Dean’s dad could ACTUALLY RELATE to Dean himself, because Dean’s dad had been rejected by Dean’s mother’s family. And how that ALLOWED Dean’s dad to accept Dean and his choice to be with Pharm. How that trauma was relieved, how Dean and Pharm DID NOT HAVE TO PHYSICALLY RELIVE what Korn and Intouch had gone through, and how those involuntary memories that Dean and Pharm carried vis à vis Korn and Intouch traumatized them until Dean and Pharm could RECEIVE their OWN familial acceptance.
The LAYERS OF THIS SHOW. Before I get to the last theme on my list, I really just need to metaphorically slam my palms on an allegorical table and give New Siwaj a huge hug, because THIS SHIT IS NOT EASY TO PROCESS ALL AT ONCE, and I can’t wait to do a UWMA rewatch to try to catch more (and I’ll likely need to write another meta, ha, when I do that). I mean, again, just to use food as an example of a kind of storytelling TOOL to INDICATE memory, especially in the context of lost and found love, of intergenerational trauma and relieving regret -- BRILLIANT. BRILLIANT.
And. The last theme on the list, the theme of filial piety, of Asian family systems and devotion and loyalty and expectations, and the devastating effects on the micro-individual level (and even the macro-social level as well) that those expectations can have. 
So, I watched Double Savage, screenwritten by New Siwaj, out of order from UWMA. Very quickly, since many of you have likely NOT watched Double Savage because it’s not a BL (but it DID have Ohm Pawat and Perth Tanapon in a hose-off scene -- you can’t take the New Siwaj out of New Siwaj, amirite): Double Savage is about Korn (Ohm P.), a middle son who is branded a jinx by a HORRENDOUS Thai-Chinese father, and how the abuse leveled on Korn by his dad has intergenerational ripple effects across their family and community. 
Let’s break this down. I now know that New Siwaj does bad dads from Thai-Chinese lineage very well. UWMA’s Korn is expected to take over a mafia business. His dad is disapproving that Korn doesn’t want to take over the business -- which is an UNQUESTIONABLE and EMBEDDED expectation in most Asian family lineages (hello, Jeng and Step By Step) -- AND Korn’s dad is ALSO disapproving in Korn’s love for Intouch and vice versa. Separately, Intouch’s dad is disapproving that Intouch is in love with Korn, a mafia scion. 
Modern times are modern for a reason. 1988 was 31 years from 2019. I want to emphasize here the understanding that Korn and Intouch likely had -- that besides running away, there was no other existence for them to be together than to kill themselves and be together in the afterlife. And running away, and still living and existing, would have been a guilt-ridden and dangerous existence, for what Asian children are expected to do and live for vis à vis their parents. Korn likely HAD NO OTHER IMAGINATION for a life that he could live OTHER THAN to take over his father’s business and to be a heteronormative adult in the late 1980s. And, to top that all off, both of their dads were fucking assholes. 
I really liked how this was juxtaposed to the relationship between Dean and his father. Dean was clearly set up to be as stubborn as his dad. Meaning, at least to me -- that Dean was FAR less likely to be told what to do by his dad, that Dean would and maybe COULD, stand up to his dad. We didn’t see it happen, but I could have imagined Dean not accepting “no” for an answer from his dad to accept Pharm. (Makes you think about Pat, Pran, and Ming, no?) Dean had Korn in him. Dean/Korn was NOT GOING TO TAKE THAT SHIT AGAIN, and that was CLEAR. I want to emphasize: THAT’S BIG. That was BIG on New Siwaj and the UWMA novel writer to include that in the story. That’s parental defiance. That needed to happen in order for Dean and Pharm to survive. As an Asian, that gives me a kick of welcome energy.
But I also really want to note what New Siwaj did at the end of the show, something so deft, it might have left non-Asian viewers wondering what was going on. In the condo scene, Dean and Pharm are ciphering Korn and Intouch -- and when Korn’s father shows up in the wheelchair, Korn’s father knows what’s happening.
And Korn apologizes to his dad. Korn had already apologized to Intouch, but Korn also apologizes to his dad, and to his brother, and to his nephew in Sin. This really gets me, y’all, I understand this as an Asian. Korn is APOLOGIZING for the PAIN he caused in his family AND in Intouch, because -- filial piety. He knows what he did to himself was devastating to the Asian family system he was born into, to the Asian society he was born into, and he apologized for the suicide he committed unto himself that caused that extra-social pain. 
Like. As crazy as that sounds, it’s also an INCREDIBLY SOPHISTICATED way to ACKNOWLEDGE that Korn had broached a social boundary, and Intouch had followed him. THAT IS A HELL OF A LAYER TO ADD TO THIS STORY, ONE THAT I DID NOT EXPECT, and that SHOOK ME at the end of this series.
A similar situation happened in Double Savage. Despite the horrendous psychological abuse that Double Savage’s Korn received from his father -- an adult Korn ends up apologizing to his father for the trouble that HE may have caused. Now, what I appreciated about Double Savage was that THAT dad was like -- no, no, *I* should be the one apologizing. BUT, I want to indicate and emphasize here, that BOTH storylines acknowledge that Asian children NEED to know, SHOULD know, ARE BORN TO KNOW, that their actions have collective effects on a wider family system. We are born to understand and think like that. We are not dealing with an individualist Western perspective here. (I literally FLIPPED when I realized that New Siwaj has had MULTIPLE CHARACTERS NAMED KORN APOLOGIZING TO BAD DADS, and I’m an Asian over here UNDERSTANDING WHY, and I’m just like, pfffftt GGGAAAHHHH.)
Why am I harping on this? BECAUSE: vis à vis EVERYTHING ELSE that is lineage-based in this story -- from children being born, to intergenerational trauma, to reincarnation -- UWMA is structured around an über-macro theme of worlds being linked, by threads, by genes, by history, by spirit, by trauma. We are collectively linked. Babies are born -- we saw many babies in this show. Children belong to families. Lovers belong to lovers. Dean PHYSICALLY belongs to Intouch’s family, and Pharm to Korn’s family. A happy existence will be when a family accepts a child’s partner. Happiness is in a family growing, not a family shrinking. Warmth and growth and love happens when a happy family sits at a table and eats together. 
As Pharm says at the end of the show -- oh, my HEART -- “I belong to Dean.” Yes, you do -- because you have become Dean’s family, and Dean has become Pharm’s family. Korn’s family BELONGS to Intouch’s family, and vice versa. They are destined, MEANT to be linked together, AND TO BE FAMILY, ALL TOGETHER.
Kurosawa and Adachi become family in the Cherry Magic movie. WDYEY’s Shiro and Kenji become family by way of living and eating together. Even if BBS’s Ming doesn’t acknowledge Pran -- Pran is Ming’s family. LOVE. MAKES. FAMILY.
What Korn apologized for was the impact his decision had on his family — WHILE HE WAS IN LOVE WITH INTOUCH, WHO KORN’S FAMILY WAS NOT ALLOWING KORN TO MAKE AS KORN’S NEW FAMILY in the 1980s. Korn was able to apologize in the afterlife — BECAUSE Dean and Pharm DID WHAT HE AND INTOUCH COULD NOT DO, by way of generations, by way of family acceptance, by way of inherited trauma and STOPPING that inherited trauma in its tracks -- very much like Pat and Pran banding together and doing the same for themselves. Dean and Pharm did the hard work of making the relationship a real one, in every aspect of their intimate, micro-level family lives, to a public, external existence in the world. Korn could FINALLY experience the release of GUILT he had towards Intouch and towards Korn’s family, now that Korn’s love for Intouch could FINALLY flourish outside the constraints of filial piety through Dean. THIS IS HUGE. I have no words to tell you what the BRILLIANCE of this means to me as an Asian. LOVE MAKES FAMILY, and LOVE THAT IS ALLOWED TO FLOURISH GIVES YOU THE RELEASE TO BE YOUR TRUE SELF. 
Dean had learned from the inherited trauma that he got from Korn that he needed to stop the trauma train in his tracks, and he did, and he confronted his father, and his father blessed the union of Dean and Pharm. When Dean took the gun away from Pharm, and embraced Pharm, Korn and Intouch KNEW that they could finally be safe in the afterlife. Dean and Pharm were the ciphers that finally ALLOWED Korn and Intouch to exist happily together in spirit. Korn, especially, could exist freely, now that he was relieved of his guilt. Dean and Pharm were, LITERALLY, Korn and Intouch’s FAMILY -- the FAMILY that ALLOWED the FINAL RELEASE for Korn and Intouch to be together as their true selves and spirits. 
And Dean and Pharm confirmed that in FRONT of the family member, in Korn’s father, that had originally caused all this pain. The intricate layers, communicated to a primarily Asian audience, of Korn apologizing to his father, and then of Dean embracing Pharm and confirming their love AND Korn and Intouch’s love, in front of that former barrier -- that is GROWTH and FLOURISHING in the face of generational defiance, and about as sophisticated and eloquent a communication of familial transcendence as I could possibly imagine seeing in Asian drama art. WHOA. I’m a little out of breath with this.
Wow. And speaking of being one’s true self: I deeply loved that Dean and Pharm took a three-month break. I loved that Pharm was smart and strong enough to demand a break to understand if DEAN and PHARM -- INDEPENDENT of ANYTHING they had INHERITED from ANYONE -- actually loved each other and belonged together. Fuck. Pharm was like, no -- this one’s on me. I need to see, outside of ANY INFLUENCES, FROM ANYONE, ANYWHERE -- if I love Dean, if Dean loves me, and if we belong together. Brave. Badass.
AND, I truly loved how Korn and Intouch -- DEAN AND PHARM’S FAMILY -- came BACK to Dean and Pharm’s dreams to offer thanks. I loved how, in the end, the past and his family came back to give Pharm that little contextual nudge to say to Pharm, it’s okay to love Dean for Dean, AND to love how you two came together, through Korn and Intouch. And Pharm could acknowledge, finally, that he belonged to Dean. God damn.
This story was so multilayered, SO complex, SO filled with a respect for love at its highest and most complicated levels. This story was filled with CRITICAL SCRUTINY towards Asian family systems and the trauma that those systems can render. This story was filled with an acknowledgement for the power of LOVE that those same family systems can offer unto children who NEED pillars of love and support (Pharm’s mom and brother, badasses!). 
Y’ALL. I just, I DID NOT KNOW that New Siwaj could DO THIS! I know that UWMA is considered his best show, but like, this is his best show BY A LOT, A LOT. Double Savage, in contrast, had a lot of narrative and structural issues that detracted from the core stories of filial piety that were ultimately very important to tell. 
UWMA did not fall into that trap. It was SMART, it MOVED (FOR SEVENTEEN EPISODES! I SLAMMED THIS SERIES! I could have watched MORE, I cannot believe I’m SAYING THAT!), it was. It was just BRILLIANT. It was an ode to romantic love, to family love, to the power of memory. In 2019, it joined He’s Coming To Me in a burgeoning echelon of cinema-influenced BLs in storytelling, soon to be joined by I Told Sunset About You, ATOTS, and others. It took the sad endings of He’s Coming To Me and Dew the Movie and said -- not today. Today, we will let love LIVE, let QUEER LOVE live, in REAL LIFE, in REAL TIME, and we will not let our lovers live in regret. We will take queer love, we will give queer love FAMILY, and we will give it the HONOR IT DESERVES.
Until We Meet Again is a must-watch of the highest order, and goes on the shortlist of shows that I will refer to as one that makes me proud to be an Asian. It was easily one of the most important shows I’ve watched in this project. All credit to New, Fluke, Ohm, Earth, and Kao for a PHENOMENAL experience -- my heart and mind have been bettered because of this show. 
[FLUKE. AND. OHM. Fluke and Singto coming thru in Shadow the Series? Sign me the FUCK up. Actors on actors. WOW. Did UWMA ever introduce me to another crop of dudes who can fucking tear up a screen. I had SO much fun watching UWMA, whew!
And, yep. I had to follow this up with 2gether, ha. I’m going to spare myself a little pain, if y’all don’t mind, and combine my write-up of 2gether with Still 2gether. I know there’s a lot to be said about the lack of intimacy in 2G, which I can’t wait to dive into, but I can’t help but to also run into another wall of analysis with dear P’Aof’s work in S2G. I’ll make it all work!
After I get myself together with 2gether (HA) -- it’s ITSAY time. I will be planning on watching ITSAY TWICE before writing, as I’m preparing myself to catch EVERYTHING I can before I pen words. Stay tuned.
Status of the list below. As always -- if you have feedback, send it my way!
1) Love Sick and Love Sick 2 (2014 and 2015) (review here) 2) Make It Right (2016) (review here) 3) SOTUS (2016-2017) (review here) 4) Make It Right 2 (2017) (review here) 5) Together With Me (2017) (review here) 6) SOTUS S/Our Skyy x SOTUS (2017-2018) (review here) 7) Love By Chance (2018) (review here) 8) Kiss Me Again: PeteKao cuts (2018) (no review) 9) He’s Coming To Me (2019) (review here) 10) Dark Blue Kiss (2019) and Our Skyy x Kiss Me Again (2018) (review here) 11) TharnType (2019-2020) (review here) 12) Senior Secret Love: Puppy Honey (BL cuts) (2016 and 2017) (I’m watching this out of order just to get familiar with OffGun before Theory of Love -- will likely not review) 13) Theory of Love (2019) (review here) 14) 3 Will Be Free (2019) (not a BL or an official part of the OGMMTVC watchlist, but an important harbinger of things to come in 2019 and beyond re: Jojo Tichakorn pushing queer content in non-BLs) (review here) 15) Dew the Movie (2019) (review here) 16) Until We Meet Again (2019-2020)  17) 2gether (2020) and Still 2gether (2020) (watching) 18) I Told Sunset About You (2020) 19) YYY (2020, out of chronological order) 20) Manner of Death (2020-2021) (not a true BL, but a MaxTul queer/gay romance set within a genre-based show that likely influenced Not Me and KinnPorsche) 21) A Tale of Thousand Stars (2021) (review here) 22) A Tale of Thousand Stars (2021) OGMMTVC Fastest Rewatch Known To Humankind For The Sake Of Rewatching Our Skyy 2 x BBS x ATOTS 23) Lovely Writer (2021) 24) Last Twilight in Phuket (2021) (the mini-special before IPYTM) 25) I Promised You the Moon (2021) 26) Not Me (2021-2022) 27) Bad Buddy (2021-2022) (thesis here) 28) Bad Buddy (2021-2022) and Our Skyy 2 x BBS x ATOTS (2023) OGMMTVC Rewatch 29) Secret Crush On You (2022) [watching for Cheewin’s trajectory of studying queer joy from Make It Right (high school), to SCOY (college), to Bed Friend (working adults)] 30) KinnPorsche (2022) (tag here) 31) KinnPorsche (2022) OGMMTVC Fastest Rewatch Known To Humankind For The Sake of Re-Analyzing the KP Cultural Zeitgeist 32) The Eclipse (2022) (tag here) 33) GAP (2022-2023) (Thailand’s first GL) 34) My School President (2022-2023) and Our Skyy 2 x My School President (2023) 35) Moonlight Chicken (2023) (tag here) 36) Bed Friend (2023) (tag here) (Cheewin’s latest show, depicting a queer joy journey among working adults)]
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suzannahnatters · 11 months
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Flash Fic: The Gardens of Hades
The gardens of Hades are barren when I come.
He snatches me from the sunlit lands and carries me to the underworld, a dark chasm lit only by the distant flames of Tartarus. His house is of black marble, and as he drags me through the shadowed halls, I try to empty my mind of everything but this moment.
I know the stories. I know that the gods have cruel desires.
Instead, he opens the door to a walled garden. A black pool glitters at the centre. Naked sticks rattle in the earth, but nothing lives here.
“This is yours, Lady Persephone,” he says.
Then he leaves.
.
I’m just glad Hades leaves me alone, so I don’t ask questions. I infuse the pool with light and call grass and asphodel from the dead soil.
When he visits again, he comes with a gift.
“I have brought you a servant.” A veiled shade follows him into the garden.
I wonder if he wants me to thank him for giving me a slave when I once had friends, a desert when I once had flowers.
I wonder why he took me.
Hades inspects a young shrub. “What’s this?”
“A pomegranate,” I say.
For a moment, I think he’s going to speak. Then he swallows the impulse and leaves.
.
On the day my pomegranate tree blooms, I find the shade sitting beneath the tree wiping her eyes with her veil. She says her first word: Springtime.
Little by little, she remembers how to speak. She talks about finishing this garden and moving on, the underworld blooming under my touch.
She doesn’t remember her name, so I call her Lethe.
.
My pomegranate tree bears fruit, but as I peel it open Lethe grabs my wrist. “If you eat, you will become a creature of his realm.”
I hurl the fruit at the wall.
.
It’s only a matter of time till my mother finds me.
Hades keeps sending gifts: servants, seeds, pruning-hooks and shovels. As the garden fills with life, so do the shades. The third time he visits, he dismisses the servants and looks at me with tired eyes. I wonder if he is always this sad.
“Your mother grieves without hope. Crops and men die, and no one sacrifices to the gods.” He sighs. “I am to send you back.”
Back to the home he took from me. Back to mother and wind and sunlight, but first I have one question.
“Why did you take me?” I spit.
He is the lord of the dead. He cannot sugar his words, as other gods might. “I need you,” he admits.
I think of Lethe, and to my surprise, I understand. I am springtime, but he is pain. No wonder the dead suffer, if that is all he can give them.
Before he can stop me, I rip open a pomegranate, and the juice is sour on my tongue.
The gardens of Hades are barren when I come.
But where I tread, they bloom. ---- I wrote this flash fic for the Pilgrim Artists' Festival, a small Christian festival of art, music, and words which runs every year in Tasmania's Huon Valley. The theme for the 2019 festival was "Grief and Hope", and I at once thought of Dorothy Sayers' poem, Rex Doloris, which imagines Hades as the King of Grief. This is the 500-word short story that resulted. I'd been looking for a way of retelling the story for nearly as long as I can remember, and this ficlet is the first step in that process. I can promise you that it won't be the last.
The 2023 Pilgrim Artists' Festival is now open for submissions of fiction, non-fiction, poetry, art, and music from Christian, Nicene-Creed-affirming artists, including children and adults, anywhere in the world. This year's prompt is "Beauty in the Everyday" and there is a 500 word limit on literary entries. There are also dozens of prizes available - check them out and submit here.
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augustheart · 5 months
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what is the wrong earth?
the wrong earth is an AHOY! comic created by tom peyer and jamal igle starting in 2019 with semi-regular installments since then. the plot follows dragonflyman, a parody of the campy silver age and adam west batman, and dragonfly, a riff on gritty overly dark modern batman, after they're transported to each other's worlds. stranded in a city that's almost--but not quite--the one they've always known, they have to find allies in order to survive. but what or who is behind the interdimensional mirrors that took them away from home? and what happens if one of them finds that the sidekick he lost on his home world is alive and well in another dimension?
is it good?
yeah, it's an absolute blast. even among ones that are well done, it's rare for parodies of past and present mediums of comics to feel friendly and not mean-spirited. this comic genuinely loves the ones that have come before it while still critiquing aspects of them like their obsession with edge, i don't want to spoil too much about the plot, because it's more complex than it seems especially in the followup series. but this is a comic primarily about putting someone in a Situation and seeing how they react to it, and it's always interesting.
what's the reading order for it?
main series:
The Wrong Earth
The Wrong Earth: Night & Day
The Wrong Earth: We Could Be Heroes
The Wrong Earth: Dead Ringers (publishing march of 2024)
specials you can read at any time after the first series:
Dragonfly & Dragonflyman (prequel!)
The Wrong Earth: Trapped on Teen Planet (written by gail simone)
The Wrong Earth: Fame and Fortune (written by mark russell)
The Wrong Earth: Purple (written by stuart moore)
The Wrong Earth: Confidence Men (written by mark waid (read dragonfly & dragonflyman before this one!))
The Wrong Earth: Meat (written by tom peyer (read dragonfly & dragonflyman before this one!))
cool! anything else i should know before i start?
there's some stuff in here that might be triggering to read including child abuse of every kind except sexual, antiblack racism, drug abuse, self harm, and suicide. it's not anything worse or more than what you might find in a lot of cape comics from any era, and by and large they're here in order to have effective commentary on things that often happen without incident or attention in those comics, but your mileage may vary. child abuse and suicide in particular are major themes in dragonfly & dragonflyman and the specials confidence men and meat.
in conclusion:
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eluari · 1 year
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BORN TO THE SEA - A long overdue update
Genre //Adult Fantasy // Status // Finished 💕 Themes // a fall from grace | vengeance | justice | action & consequences | magic | loyality | survival | love | war | fate | rebellion | sacrifice | queer
Hi there, apologies because you may not remember me, or how you´ve ended up on this taglist. But I still remember you. 2019 you were by my side when I wrote the very first draft of my fantasy novel "Born to the Sea". Until 2021, when I finished my final draft tumblr felt very much like home to me. I shared my thoughts on writing, met new friends, and I’m forever grateful for all the encouragement, interest and love towards what has become an experience of a lifetime ...
I'm truly sorry for not keeping you updated. It's been over a year since I found a literary agent. Back then I wrote “Born to the Sea might actually be published – but only time will tell.”
What happened in the summer of 2022 surpassed my wildest fantasies: One of the major German publishers picked up the manuscript and I met the editor of my dreams: A person who understands the story and its characters on its deepest level ... and here I am, knowing that Born to the Sea will get published; knowing that I'll see my own book hit the stores next year and I still shake my head in disbelief … because all of this started here. With a rough Idea.
And it started with everyone who supported me. It started with you. Thank you, from the bottom of my heart. Lots of love Elya💕
PS: Born to the Sea will be published under a different name, but I fear I can't reveal it just yet. PPS: If you have any questions, by all means, feel free to ask. If you want to keep following my journey to the release, I’m on Instagram these days, being a little more official. You’ll find me *here*. There is bonus art, too - I’m still painting. It would be lovely to see some familiar faces there.
Taglist: (love you, forever.)
@ardawyn @cirianne @elfrooted @somedeadmagic @relevy @alternativeforensicscientist @doro-writes @pen-in-hand @wanderers-minuet @skyfireflight @darth-salem-emperor-of-earth @monaramis @rookie009 @re-writing-h @lady-redshield-writes @zachatari @owl-writes @noxstories @quilloftheclouds @illyriandreamer @writemares @lordkingsmith @kosmosian-quills @reeseweston @ladywithalamp @the-violent-writer @phoenyxrisenfromashes @fantasy-shadows @v-writes-stories @ntbogoni @notiziarios @cawolters @adie-dee @wildswrites @siarven @semblanche @unfortunatelyunfocused @furysreign @a-tear-in-the-veil @acaranna @themidnxghtwriter @songsofaleria @wqtermelon-gloss @august-the-third @waterfallwritings @drunkinbook @doriians @homesteadchronicles @inky-duchess @silas-the-reading-addict @vesrayn @vorskra @miladaydreams @halfbloodlycan @smilelovefat-e @slothssassin @writer-somewhat @twoseeds
Also tagging @gingerly-writing because you might remember me. 💕
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this-is-a-nice-show · 8 months
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I adore any and all Supernatural and Good Omen crossovers because On one hand, you have a show comprised of at least 60% male brooding and emotional heart to hearts with jarring, nonsensical, violent plot points almost always with a devastating season finale.
And on the other hand, you have a show featuring an unlikely pairing who constantly bicker but also would die for each other in a heartbeat exclusively in the most stupid, chaotic, and unnecessary way possible.
They both have extremely established lore in their universes that do not line up whatsoever. My favourite part is someone trying to combine the lore or totally disregard the rules of these universes like a prophet who has heard whispers of the word of god/Chuck directly and is communicating their word to us. And they are beautifully creative every time. Every take is completely different on how the lore is combined and I'm still like "You're so damn right. Cheers, I'll drink to that."
But ignoring the biblical themes of both shows they have so many similarities...
A vintage car is kept in pristine condition and is almost exclusively the main method of transportation. "Get in the car, angel! Alpha Centuri!" - Crowley (2019, colourized). Okay, were you planning on driving to Alpha Centuri??? "Hop in the car, Sam. Time to go on our day-long road trip for the second time this week." For fucks sake, you have infinite money. Buy a plane ticket.
We listen to One Song. A Nightingale Sang in Berkley Square. Carry On My Wayward Son.
We will extend our musical selection To A Certain Extent. Queen only. No modern music.
Angst.
Weird Haircuts.
Zombies, Nazis, Witches. Unclear definition of what the capabilities of witches are in both universes. Dean killed Hitler, Crowley killed three nazis.
Female love interest? Ehhh... No, thank you.
Male love interest? Ehhh... No, thank you. I'm rolling with genderless Crowley/Aziraphale. But don't worry because Castiel is happiest when he says he loves Dean. If that doesn't say platonic male friendships, I don't know what does. /s
Dumbass Behaviour. "Yes, I am playing detective searching for Clues for Archangel Gabriel. No, I did not inspect the Clue that he showed up with." "Yes, I have many, many contacts throughout not just Earth but also Heaven and Hell. No, I will not contact anyone for help."
Pornography and Sex Workers.
Risking death and destruction for others. Crowley rescues Aziraphale in France, Aziraphale saves Crowley by getting the photo back from the Nazi zombies. In Supernatural wtf, where to start...
The line between 'good' and 'evil' is virtually nonexistent. However, humans are regarded as 'closer to evil than good' or 'more likely to be evil than good'.
Found Family. "Hey hellspawn, you want two dads? No? Well how about a Nanny and a Brother Francis?" & "Hellspawn #2, tell your dad to fuck off and then bing-bang-boom, adoption complete. Adopted parents are just parents." "Hey hellspawn, you want three dads? No-oh wait, you do? Great."
God/Chuck is treated as a neglectful parent. They still seem hopeful that they'll receive help at some point but understand that they are required to fend for themselves and that can include going up against god/Chuck. It is cannon in Supernatural that all beings project their daddy issues onto Chuck.
They drink an extraordinary amount of alcohol and can sober up quickly. Good Omens is self-explanatory. But I've never met a person who can shotgun four beers back-to-back and shoot dead center. They have to be sobering up in between these activities.
They only own One Outfit. Coat/trench coat, waistcoat (optional), tie/scarf (optional), one or more layered shirts, jeans/slacks, and shoes. And of course, you have the accessories. Dean's necklace and Aziraphale's ring + watch. And it is cannon that in Supernatural, the characters (not the actors playing the characters, but the actual characters) wear a full face of makeup. And you can see Crowley/Aziraphale's makeup. Their lip colour changes pretty frequently. The angels in Heaven wear gold lipstick iirc.
Both of their main 'bases' are filled with books. The bookstore (for obvious reasons) and the Winchester's bunker has their hunter's manuals and the fucking Supernatural books.
The actors that play the characters canonically exist in their universes as well as thier characters. Dr. Who exists in Good Omens -> David Tennent exists in Good Omens along with Crowley. There is an episode of Supernatural where the main 3 exist in the 'real world' -> those 3 actors also exist in Supernatural. (There are multiple episodes where this happens without Castiel, but there is only one where Misha Colins plays himself.)
The most glaring difference between the shows is: one is developed starting with the characters and one is developed starting with the plot. Sam and Dean are inserted into a plot that they had no control in creating. Their father placed them into situations, and they were forced to find a way to survive. Crowley and Aziraphale literally started the story. They should understand the concepts of anything that happens in the plot (to a certain extent). As in, unlike the Winchesters, they don't need to do copious amounts of reading to foil nefarious plans.
Dean, Sam, and Castiel are pessimistic and dismissive of help. Other beings have to prove themselves worthy of their trust and usually not the other way around. Crowley and Aziraphale are optimistic and see the good in humanity. They enjoy the simple everyday joys of being human and they had the trust of Hell/Heaven for 6,000 years, up until Michael found the pictures of the two on Earth.
But would Crowley/Aziraphale drink bargain bin beer? Go to the greasiest diner imaginable? Directly commit murder? Participate in hand-to-hand combat? Would the Winchesters/Castiel drink a fancy, expensive wine? Go to the Ritz? Analyze their thoughts from a different perspective? Read a book for fun?
NO, and that is why I love you fanfiction writers and artists. I appreciate everything you do. <3
Something a little sad under the cut
I think the reason why I haven't been able to see more fun? silly? (idk how to describe it) fan fiction of SPN without crossovers is because Good Omens has never made fun of its audience or belittled how much effort goes into making content. When you know that you're actively being mocked by the show you like, you have to be on your Best Behaviour and Don't Fuck Up.
I remember that they were upset that the show attracted an audience of teenage girls. They made multiple episodes making fun of cosplayers, what I can only describe as an "obsessive fan girl", and destiel.
It feels like the people involved in Good Omens actually care about it and give a shit and that feels like putting lotion on a sunburn. Y'know?
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weaselandfriends · 10 months
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The Making Of: Cleveland Quixotic
I. Context
After I finished Chicago in 2019, a powerful and persistent fatigue gripped me: the fabled "burnout." The next two years would be the least productive of my literate life. As one day ebbed into the next, I wondered if I would ever be able to write again. I thought of Andrew Hussie, who, after years of feverish activity on Homestuck, seemed now capable of only short spurts of creation, heavily assisted by amanuenses.
It wasn't an issue of knowing what to write. I had been developing the idea for Cockatiel x Chameleon since 2015. I knew its plot, characters, scenes, themes. But when I tried to manifest it into reality I felt drained. What I managed to scrawl was junk, far below my standards. Goaded by a lurking terror of infinite lassitude, I forced myself to blurt 60,000 words of an initial draft; loathing it, I scrapped it entirely.
That was when I got the idea to write a "fun" story.
My vision for Cockatiel x Chameleon was technically complex and emotionally demanding. Maybe something simpler, a straightforward adventure, would be a stepping stone to recovery. I thought back to Fargo, which I had written (unlike most of my works) with relative ease and minimal forethought. How could I emulate that experience? What made Fargo so easy compared to Chicago and Cockatiel x Chameleon?
After reflection, I concluded that Fargo was, at its core, a revenge story. Revenge stories are older than dinosaur dirt. They are fundamental to human experience, easily understood, all structure inherent in their premise. The hero, wronged, seeks revenge on the villain. From that sentence alone you understand the protagonist's motivation and the plot's direction: trending inexorably toward final confrontation. With such a powerful core, it'd been easy to add details and complications to Fargo as they popped into my head, without warping the story's innate trajectory.
If I wanted another "easy" writing experience, I decided, I needed a similar type of story. Something with a clear premise that removes the burden of planning. A "template plot," where beginning/middle/end is fundamentally present and the writer merely adds their own spin. It took little time to think of such a story type. After all, it had been ubiquitous in Japanese media for the past decade. Not only was it popular with readers, it was appealing to amateur authors; many of its biggest examples originated as web fiction.
I decided I would write an isekai.
II. The Isekai Genre
A person from the real world is transported to a fantasy world.
Not quite as old as the revenge story. Nonetheless, this narrative concept has existed for over 100 years. The premise immediately informs the challenges the protagonist will encounter. They will adapt to a world they know little about, introduce knowledge from modern Earth society, and rise in power and prominence. Toss in a Demon King hellbent on world domination and you get a clear narrative climax. The details can be changed nearly any way without issue.
(Or so I thought.)
In retrospect, I myself was being transported to a new world. If we ignore The Chronicles of Narnia or The Pagemaster or Digimon Adventure and focus solely on the contemporary isekai genre (say 2012 on), which is what I intended to emulate, my experience extended to only the following titles:
1. Sword Art Online
2. Log Horizon
3. No Game No Life
4. The Saga of Tanya the Evil (or Youjo Senki)
5. KonoSuba
This is not only a pitiful sample size, but a specifically poor representation of the genre. Sword Art Online and Log Horizon exist in their own subgenre—trapped in a video game—and have many oddities unseen in more traditional isekai. No Game No Life and Tanya the Evil are "real" isekais, but both have unique worlds that eschew most traditional fantasy elements (especially in Tanya's case). And KonoSuba is a parody.
Nonetheless, I felt that, via cultural osmosis, I "understood" the isekai genre. Based on a few video essays I once watched that roasted dreck like Trapped in Another World with a Smartphone, and reverse engineering KonoSuba's parody, I conceived an impression of isekai as wish fulfillment: A loser gets another chance at life, often with some boon to ensure they don't muck it up this time. They become the hero, triumph with their strength and modern intelligence, and meet lots of attractive women.
I smirked. Heh, I thought. What if I made an isekai... that wasn't wish fulfillment! Truly novel. Let us take the premise of KonoSuba—a benevolent god gives a loser a second chance in a fantasy world—and turn it on its head. Instead of a benevolent god, what if the main character was sent by... a devil? The loser protagonist makes a Faustian bargain to become a hero. They get exactly what they wish for, except they're still a loser at heart, and inevitably bungle everything due to their own social incompetence.
That was the flashpoint. Ideas came together quickly, exactly as I hoped. Soon I had a narrative. It went like this:
III. The Original Idea
Our protagonist is a bumbling failure who lives with his mother. One day he sees an advertisement for a devil's wish-granting service. Being a fan of isekai anime, he goes to the devil and wishes to be sent to another world, one where he'll be the most powerful person. The devil, a sleek and professional businesswoman, agrees to the unusual wish, but pushes the work of actually creating the world to an overstressed, chain-smoking intern. The intern cobbles the world together in a matter of hours and our protagonist embarks on his journey.
He arrives to find the human kingdom besieged by the Demon King's army. The humans are outnumbered; total defeat is imminent. Just as he wished, though, the protagonist possesses incredible power. He charges into the fray, destroys the demon army singlehandedly in instants, and slays the Demon King himself soon after. The protagonist enters the human kingdom hailed as a hero.
Soon, the Human King emerges from his castle to express his immense gratitude. He offers the hero anything, including his daughter's hand in marriage. The hero takes one look at the princess―named either Mayfair or Viviendre, I wasn't sure which―sees she is exceedingly beautiful, and eagerly agrees. He's gotten exactly what he always wanted!
Unbeknownst to him, the king is a schemer. Advised by two strange beings—the rotund fairy Tetzel and the living plant Tintoretto—the king believes the hero is too popular; the people would side with him if he sought the throne. The king offers his daughter not in goodwill but to tie the hero to his side. His ultimate goal is to control the hero's power to imperialistically expand his kingdom.
Meanwhile, the princess has her own schemes. She's a lesbian and has zero intention of sleeping with the hero. In a comic scene, she gives the hero excuse after excuse why they can't sleep in the same bed despite being married; the hero naively buys it. Eventually he catches on, but while he's upset by the situation, he's too morally upstanding to do anything but accept it. (This would be a recurring theme: The hero could use his strength to force people to do what he wanted, but constantly shirks from doing so because he refuses to act in a way unbecoming of a hero. His morality and desires exist in a constant state of push and pull.)
Eventually, the hero and his wife compete for the affections of various female characters, with the wife always winning. Temporary the elf was part of this subplot: A dimwitted ambassador to be competitively wooed. To keep the hero sated, his wife buys him a female slave to use "as he likes." The hero, possessed of modern anti-slavery sensibilities, is appalled. He instantly frees the slave girl and enters a crusade to abolish slavery in the kingdom. Unfortunately, because he is not particularly smart, when he debates the slaveowners over the evils of slavery they routinely trounce him (using many arguments real-world slaveowners once used). Again, he could use his incredible power to kill the slaveowners, but they're law-abiding members of society. Murdering them would be "immoral" in the hero's eyes despite his staunch belief in the immorality of their actions.
Around this time, the hero finally uses his power for something good and sends gold back home to his financially poor mother. Unfortunately, this charitable act also goes awry when his sister, an IRS agent, thinks his disappearance is a ploy to evade taxes. She gathers a posse: her coworker boyfriend, his two friends (I called them Aaron Van Zandt and Allen Van Langevelde, envisioning an American Psycho vibe), and a private detective. Using security camera footage they track the protagonist's last known movements to a dingy apartment building, where they find the overworked devil intern who created the world and force him to send them there too.
They roll out in a huge SUV: Five people plus the hapless intern, armed with guns and equipment. The king, not wishing to lose the hero, decides he must intercept them before the hero learns of their existence. In a big setpiece-style scene reminiscent of Children of Men, a horde of knights ambush the SUV on a forest road. Arrows fly through the front windshield, killing the boyfriend (passenger seat) with an arrow to the neck and wounding Aaron Van Zandt (driver). The SUV crashes into a tree and the sister flees on foot, followed by Allen Van Langevelde, who has barely spoken before then but who now reveals themselves to be a badass marksman as they dispatch knight after knight with efficient hunting rifle shots. The private detective is wounded in the leg and forced to remain behind, while the devil intern cowers in the backseat. Aaron Van Zandt limps out of the driver's seat and attempts to follow Van Langevelde, but a knight on horseback rushes past him and knocks him down a steep incline, where he smashes his head on a rock and seemingly dies.
The knights surround the vehicle. The private detective fights back, but is overwhelmed and killed. The devil intern is captured to be burned at the stake later. The sister and Van Langevelde escape on foot, but without the intern, they can't leave the world. They need to rescue him before he is executed. Meanwhile, Van Zandt, clinging to life, is discovered by fairies and brought to their court.
And then...
IV. The Problem
And then I got stuck.
First, it should be clear by now that I did not actually have a plot. I had a series of incidents, loosely organized. Vaguely I knew the main character would work to overcome his social ineptitude and ultimately truly succeed, accomplishing the character growth his get-rich-quick Faustian bargain could never provide. But nothing came together in a coherent structure. Despite my intention to stick to a template plot, I instantly destroyed the template by killing the Demon King in the first chapter. I still had character conflicts and ideas to pursue, but no actual story.
Plus, the main character being a loser made him—well, a loser. Even if he eventually grew, he still ate shit again and again before vanishing entirely from the big action setpiece.
So my original idea of quickly and easily constructing an isekai plot hit a roadblock. Luckily, it was now 2021. After two idle years my fatigue seeped slowly out of me. Finally I regained my energy; I no longer needed to write a "fun" story. I decided to shelve the isekai, potentially permanently, and worked on Cockatiel x Chameleon in earnest.
This time, the draft of Cockatiel x Chameleon―which would be the final draft―progressed acceptably. It consumed my entire focus and I might not have thought about the isekai at all if not for two hiccups. First, though I now had the mental willpower to technically execute my ideas, the emotionally intense material of Cockatiel x Chameleon still left me sometimes wistfully longing for a story not quite so bleak and harrowing. Second, I revisited the isekai genre.
V. The Isekai Genre, Part 2
The anime analysis YouTuber Ygg Studio (formerly known as Digibro) posted a video called Is Mushoku Tensei The Most Influential Isekai? (History of Isekai) that outlined the isekai genre's chronology in Japanese pop media. Watching the video, I discovered some surprising origins to the "contemporary" isekai genre. Though there were many isekai stories―even popular ones―before, the current isekai craze seemingly began in 2012 on a Japanese webfic site called syosetsu.com, where several popular isekai were written in close temporal proximity to one another.
The main titles of note were Re:Zero and Mushoku Tensei—followed by KonoSuba, which was specifically a parody of Mushoku Tensei, instead of (as I once believed) a general cultural conception of isekai. In fact, it was these three works that created the current cultural conception, establishing many now obligatory tropes.
So, I decided to watch Re:Zero and Mushoku Tensei.
I was shocked! As it turned out, my clever and subversive idea―treating the hero as the loser he was instead of as a wish fulfillment badass―had not only already been done, it was foundational to the genre! Both works feature loser protagonists whose social ineptitude constantly causes problems for them despite their cheat mode powers. Both protagonists are forced to develop as people rather than rely on their advantages, and the development of their relationships with the other characters is a crucial consideration of both works.
As it turned out, Trapped in Another World with a Smartphone (which I also haven't seen) wasn't the beginning and end of the genre. I had underestimated isekai. In retrospect, the languid existence of my 2019 and 2020 led to me ironically attempting the same cheap wish fulfillment of my imagined isekai protagonist. I wanted a "fun," "quick," "easy" story and intended to use isekai for that purpose, the same way an isekai protagonist assumes being sent to another world is an easy way to becoming a hero.
It was time to return to the planning stage. This time, I wouldn't take things for granted.
VI. The Original Idea, Part 2
First, I revisited my protagonist. Originally an afterthought: a punching bag who failed whenever he exhibited any agency. I decided on another direction. My hero wouldn't be a loser by incompetence, but by choice. He would be clever and intelligent, but unwilling to apply himself. He wanted a new world because the original didn't seem worth it; too rigid, too structured, too immune to change. His journey would be discovering it wasn't the world holding him back, but himself. Believing nothing could be changed, he stopped himself from changing. Thus, Jay Waringcrane came into existence.
Earlier ideas were remixed around this new protagonist. I merged the devil boss lady and the devil intern into a single character, a semi-hapless sort for Jay to outwit. That was Perfidia Bal Berith. The hero's sister, whose subplot originally lacked any connection to him, now became a foil to his ideology. She exhibited utter faith in the "real world"—its mechanisms, its processes—and applied herself diligently to maintenance of its status quo. That was Shannon Waringcrane.
Still needed a plot. Since my hero was no longer a social bumbler, I discarded the original beginning where he annihilates the Demon King's army and toyed with a new idea. The human kingdom, besieged by the Demon King's army, becomes aware via prophecy that a hero is about to appear in their world. The king sends a party led by the gallant prince to find the hero and bring him safely to the kingdom. When Jay arrives, he meets the prince and his crew, but they are immediately beset by demons, who kill most of the party and grievously wound the prince. Jay, the dying prince, and the sole other survivor―a taciturn, dark-skinned mage named Viviendre who is secretly the prince's lover―barely escape. The prince succumbs to his wounds shortly afterward, leading to an emotionally-charged moment in which Viviendre laments his death and blames Jay for causing it. Leading to an adversarial relationship between Jay and Viviendre that, after much character development, would eventually turn into romance.
Then Jay would lead the kingdom against the Demon King, constituting the main plot.
This idea improved on the previous in several ways: exciting start, high drama, and a long-term goal. However, as I became more engrossed in this project, I came to dislike the "default fantasy world" I'd used as my setting thus far. When my goal was "quick and easy," the Dragon Quest-inspired medieval fantasy tropes sufficed. Now, they struck me as banal. In particular, a generic "Demon King" villain disinterested me (which was why I summarily disposed of them in the idea's first iteration), so even if it outlined a clear direction, it wasn't a direction that enthralled. I realized that to continue, I needed to do some worldbuilding.
VII. Worldbuilding
I dislike worldbuilding.
I prefer the real world―or the real world distorted by urban fantasy and surrealism―to an entirely fictitious fantasy world. In writing an isekai, I had wanted to maintain the connection between the real world and fantasy world (hence why one of my earliest ideas was for Shannon and her cadre to follow Jay in a modern vehicle with modern weapons). But by relying on stock fantasy tropes, I only exacerbated the core issue. I decided to think deeply about my setting and design it to both stand out and clearly relate to our world.
To determine a deeper connection between fantasy and related, I pondered the historical development of the fantasy genre, from chivalric romance to Tolkien. (I collected my thoughts into this essay.) Tracing this lineage, I considered writing a fantasy world modeled on Arthurian and Carolingian romance. Then I took the idea deeper. Much of the early modern fantasy genre, up to and even to an extent including Tolkien, was rooted in nostalgia for an imagined and idealized past. Many pre-Tolkien fantasy works were born out of Victorian fascination with medieval Europe, as evidenced by the Waverley novels by Sir Walter Scott, the Arthurian poems of Lord Tennyson, and the paintings of the Pre-Raphaelite Brotherhood. The original isekai, Mark Twain's A Connecticut Yankee in King Arthur's Court, parodied this idealized medievalism (Twain blaming Walter Scott specifically for the genteel Southern culture that propagated slavery and rendered the Civil War inevitable).
Then I realized that, 200 years before this nineteenth-century craze, there was another major literary work that parodied excessive love of chivalric romance: Don Quixote.
As soon as I made that connection, everything clicked. Rather than Perfidia whipping up a new fantasy world on demand, she would reuse one she created in the 1600s for a Don Quixote-esque figure. Rather than Spanish, my Don Quixote would be British, a royalist in the English Civil War seeking escapism in face of the collapse of monarchy. Pursuing standard chivalric romance activities, he would overthrow a corrupt Catholic church analog, slay a few dragons, and war against a Pagan nation that he later converted to Christianity.
What happened to this world 400 years after Don Quixote used it as his playground? I imagined the ex-Pagan nation a vassal to the Christian nation, while secretly plotting an uprising. Don Quixote's descendants, legitimate or illegitimate, grasping to maintain control in face of their weakening bloodline. Dragons hunted to extinction. A stasis that prevented sweeping change without the intercession of a true human, yet gripped by slow decay. Prayers cast for a new hero to save them from this stupor.
I also wondered how the Christians of this world reckoned with a Christianity whose foundational text is clearly meant for a different world entirely. While Don Quixote's scion, still ruler, promoted the religion uncritically to maintain their grip on the culture, underground grew a nihilist cult that believed nobody in their world was saved, that Christ died on Earth and thus only cleansed Earth's sins. All of this intermixed with the same historical devolutionary forces that ended feudalism and gave rise to mercantile oligarchy.
That was the world Jay Waringcrane entered. A world rife with thematic potential. Finally, a plot was forming.
VIII. Starting the Story
This last stretch of planning happened quickly. (Evidenced by traces of the earlier idea remaining in Cockatiel x Chameleon, specifically in the brief descriptions of the in-universe isekai from which Temporary the elf hails.) Rather than fight a Demon King, Jay's mission would be more chivalric in nature; he would rescue a princess from the evil wizard who led the heretical cult. Liking my earlier idea about the princess who first seemed like an ordinary damsel but turned out to ulterior motives, I decided for an end-of-arc twist where the princess secretly worked with the cult all along. Thus, Princess Mayfair came into existence. For the evil wizard, I reused one of the original king's advisors, the living plant.
The gallant prince and his secret lover from the second iteration returned as Jay's companions, although I changed the lover from a mage to a ranger. Shannon would still pursue Jay, but I merged Van Zandt and Van Langevelde into a single character named Wendell Noh and cut the private detective entirely, giving the sleuthing job to Shannon's boyfriend, Dalt Swaino. I rearranged the big action setpiece where Shannon's group meets disaster: Instead of fighting knights, they would fight a dragon, and this time, Jay would be involved.
After that, keeping with the chivalric romance aesthetic, I threw some faeries into the mix (I love faeries): the obnoxious Olliebollen, who would play off the more sullen Jay, and Flanz-le-Flore, a mid-arc complication. I also decided to make the cult members monstrous demi-humans with magic powers; the Christian anathema against magic must necessarily make it actively corrupting in this world run on Christian precepts.
On top of these plans, several long-term ideas already bubbled: The eventual introduction of the devil world, Sansaime's pregnancy, Viviendre, a battle with elves, Mayfair uniting the two worlds. The ideas flowed one after another now that I established a solid base. Sketchy outlines of the full story stood limned in the distance. I was ready to write.
I decided the work would be published serially at a one-chapter-per-week pace, identical to Fargo and Chicago. That decision was baked directly into my original desire to write a "fun" story. With a serial work, there is less burden of technical execution; the focus is on a fluid pace with regular updates instead of unimpeachable prose. Furthermore, serial writing lends itself to story speculation as readers comment every week, turning the work into a collaborative experience. Some readers of Chicago have told me that the reviews on fanfiction.net are an integral part of the experience, for instance.
When I post serial works, I first build up a "backlog." Essentially, that means I write several chapters ahead of what I'm posting online. The backlog ensures I can regularly post chapters even if one chapter takes longer to write than usual. (I can generally write a 6,000- to 7,000-word chapter in one week.) For this work, I decided to complete four chapters before posting the first. This generous backlog allowed me to post the entire first arc weekly, without a break prior to the climactic chapter that took two weeks to write.
When establishing the backlog, I also gave myself more time than usual to edit, which allowed me to polish the beginning for a better first impression. I meticulously pruned the first chapter to make the dialogue between Perfidia and Jay as snappy as possible while also minimizing exposition. (Originally, Perfidia explained the Seven Princes and their increased quotas in an internal monologue, since I knew they would become important much later in the story, but I cut it for streamlining purposes.) Additionally, I spent a long time deciding when Chapter 2 would end and Chapter 3 would begin; originally, the scene at the beginning of Chapter 3 was at the end of Chapter 2, but I moved it because it better matched the tone and scope of the third chapter. Olliebollen was originally far more in-your-face obnoxious; I toned them down. Lastly, I added the part in Chapter 4 where Jay remembers being beat up by Shannon's past boyfriend, which not only hinted at a soon-to-be-introduced major character, but gave Jay a reasonable chip on his shoulder to cause friction between him and Makepeace.
With four chapters completed, I was ready to post. Almost. I still needed a title. The entire time I operated only thinking of the story as "my isekai story." Thinking long and hard, I came up with titles such as American Isekai, The Waringcranes, 144k Angels, and—my personal favorite—Hellbrowned, the last of which I was strongly advised not to use by every single person I know.
(Side note: Setting the story in Cleveland had been an easy decision. It's such a funny city, taking Detroit's tragic Rust Belt decay and removing all grandeur. The Jon Bois video The Browns Live in Hell and the famous Hastily Made Cleveland Tourism Video sum it up neatly. Setting the story in 2017, the same year the Browns infamously went winless, was also a snap decision.)
Finally, I thought back to Don Quixote, the impetus for much of the worldbuilding, and the title revealed itself.
IX. Writing the Story
Because of my fast-paced schedule, I lacked the luxury to make major changes to my plans as I wrote. I started with a plan for the first arc and scattered ideas for the future. As I wrote the first arc, I planned the second, and as I wrote the second, I planned the third.
Room remained for tweaks, though. Each time I write a story, I try to do at least one thing outside my technical repertoire. This time, I wanted more flexibility in my characters. I usually only introduce the bare minimum necessary, and aggressively cut or merge characters to reduce the total number. In Cockatiel x Chameleon, however, some commentators criticized how the Consortium's limited number of characters gave the impression it was as dead and empty as Harper's real life. While that impression doesn't necessarily conflict with the story, it did expose limitations to my economical approach.
I dislike having limitations. (Unfortunately I have many.) Thus, I decided to write more characters whose storylines were not plotted from the onset, characters I would develop spontaneously as the story progressed.
An example is Lalum. I introduced Lalum in Chapter 5 as an enemy with a unique power for Jay to fight. Zero subsequent intent for her at the time. Then I realized her power would interact well with Flanz-le-Flore's, so I kept her around for that fight as well. When Lalum is attacked in the Flanz-le-Flore fight, I was 50/50 on whether she would live or die. However, a friend reading the story really liked her and wanted her to live, and I realized it might streamline the plot if someone was around to point Shannon and her crew in Jay's direction.
Having spared Lalum from death twice, and also conceptualizing more concretely the second arc—including Viviendre's role in it—I decided I had a use for Lalum after all. I conceived of Viviendre and Lalum being foils, envisioning their eventual confrontation in the last arc. Thus, Lalum went from monster-of-the-week to major character. To a lesser extent, characters like Theovora were introduced offhandedly, and while they did not become major characters, I found small uses for them later.
Speaking of Viviendre, that was another challenge for myself. With her, I wrote something I wouldn't normally: A romance. Cockatiel x Chameleon, believe it or not, was originally intended to be a straightforward romance, but I found myself incapable of writing one and pivoted to its current direction. Nestled within the sprawling undertaking of Cleveland Quixotic, the romance between Viviendre and Jay was my attempt to write two people who genuinely liked each other. Their three-chapter mini-arc in the middle of the story moves at a more lax pace than usual, but allowed me to develop a relationship I otherwise wouldn't have been able to.
In general, Cleveland Quixotic is larger than my other works. More characters, more plot threads, more locations, more everything. Though Fargo and Chicago are also large, they operate in a more enclosed and linear space. My thought process with Cleveland Quixotic was to open up and express that feeling of world-spanning storytelling the fantasy genre is so known for. It pushed my limits, but I accomplished that goal more than in any previous work.
The real challenge is, once you go big, how do you reel it back? So many of the isekai I mentioned remain ongoing, proceeding through arc after arc without end in sight. Today's most notable ongoing fantasy literature, George R. R. Martin's A Song of Ice and Fire, is likewise mired in endless expansion the author seems incapable of curtailing. On RoyalRoad, it's easy to find million-word works with early reviews uniformly positive, but recent reviews expressing a new sentiment: "Dropped after nothing happened for the past 200 chapters."
Above all else, I wanted to avoid that trap. My solution resided in the second arc's climax, which I developed midway into writing the first arc. Uniting the two worlds made it natural for all the distinct groups of characters to join up for the finale, tying every plot thread together. As such, I cultivated multiple storylines in the long and less immediately plot-focused second arc, secure in my knowledge of how it all eventually connected.
Even so, at times it grew overwhelming herding so many characters. Many characters wound up less prominent than I initially intended, sacrificed for the good of the overall pacing. Fortunately, few characters wound up utterly vestigial, and those that did were minor. (There's no worse feeling than a character given loads of screentime and dialogue only for them to end up inconsequential when the curtains finally close. Homestuck reeks of it.)
A few miscellaneous changes that occurred while writing:
I intended for Viviendre's brother, the "mad king" of California, to appear in the final arc, wielding ten relics for an epic duel with Jay. Given the large amount of characters already prominent in the story, I cut him.
I intended for Sansaime to die at the end of the second arc and for Avery to live. This was mainly because I wanted Jay and Shannon to have a cathartic moment with Avery in the final arc (Avery still would have died afterward). I realized that, using Pandaemonium, I could have that cathartic moment anyway, and Avery wound up saving Sansaime's life both outside and inside the story.
On the flip side, I originally intended for Mallory to die at the end of the second arc, but decided I wanted her and Mayfair to have a climactic conflict, which could only be done if Mallory were still alive.
I intended to kill off the minor character Gonzago of Meretryce the entire story, probably by having him jump in front of Shannon to take some attack or another. I never found a way to work it in, and I feel like the actual use I got out of him in the climactic fight, though minor, was far more unique. I likewise considered killing Mademerry by having her take an attack for Mayfair, but I prefer her current ending. I did not intend to kill Pythette, but found at the last moment it would be more convenient if she died.
Beyond that, I wrote the story generally according to plan. Leaving aspects of my plans malleable meant I could write quickly without needing absolute certainty in the precision of every line and action. Only in Chapter 45, the climactic chapter with Beelzebub and Moloch, did I sit down and carefully outline what each character would do at each moment in the chapter. (The chapter's seven-minute time limit made such meticulousness essential.) Otherwise, even in other climactic fights, I relied only on general ideas about what should happen and when.
Ultimately, I successfully completed the longest story, with the largest number of characters, I'd ever written. It pushed my limits, but in a way that didn't leave me gasping for air. Instead, I feel ready and eager for my next story. What'll it be? I have an idea and I've already begun research. I hope to start writing it by the end of the year, and publish it by mid-2024. I'll let you know more as things become more concrete.
X. Names
Before I end this post, a few name origins.
Perfidia Bal Berith: As mentioned in the story itself, "Bal Berith" (or Balberith, Baalberith, et cetera) is a false idol mentioned in the Bible. It is also a demon of the Ars Goetia. My familiarity with the name primarily comes from a weapon used in Fire Emblem: Radiant Dawn.
Olliebollen is based on oliebollen, a Dutch pastry.
Mayfair is the name of a character in Shining Force: The Sword of Hajya, the first video game I ever played. Her middle name, Lyonesse, is a character from Arthurian legend.
Makepeace came from an attempt to make a name that would pair well with Mayfair. My primary knowledge of the name comes from British author William Makepeace Thackeray. His middle name, Gaheris, is an Arthurian knight.
John Coke's name was modeled on the character Wicks Cherrycoke in Thomas Pynchon's Mason & Dixon. I only found out after I posted the first chapter that John Coke was the actual name of a person involved in the English Civil War notable enough for a Wikipedia page. I was more than happy to pretend this incredible serendipity was actually my plan all along.
Sansaime's name was modeled on the characters Sansloi ("without law"), Sansfoi ("without faith"), and Sansjoi ("without joy") in Edmund Spenser's The Faerie Queene, which was the primary inspiration for the romance elements of Whitecrosse. "Without love" is also a notable phrase in the visual novel Umineko When They Cry.
Whitecrosse's name also comes from The Faerie Queene, being modeled on the Redcrosse Knight, an allegorical representation of England (with its red cross flag).
Many names in Cleveland Quixotic have an "allegorical" sense, being words that suggest a clear, often moral meaning. Charm, Charisma, Mayfair, Makepeace, Mademerry, Theovora ("god eater"), Condemnation, Obedience, Tricia (short for "patrician"), Meretryce ("meretricious"), Mordac ("mordacious"), Malleus ("malleable"), Astrophicus ("space plant"), Viviendre ("life ender"), Perfidia ("perfidy"), and so forth. These allegorical names are a play on The Faerie Queene being an allegory, although many of the names in Cleveland Quixotic are not an accurate representation of their character, indicating the breakdown of allegory and thus clear moral meaning.
California is the name of a location in Amadís de Gaula, Don Quixote's favorite romance.
Dalton Swaino is the real name of a semi-pro League of Legends player.
Wendell Noh's surname comes from a professional League of Legends player. His given name is the name of a character in Fire Emblem: Shadow Dragon and the Blade of Light.
Kedeshah is a Hebrew word that possibly refers to sacred or temple prostitutes.
Ubiquitous is an ordinary word with a clear meaning, but its abbreviation, Ubik, is a Philip K. Dick novel that was also the name of one of the demons in Berserk.
The Seven Princes, rather than refer to the traditional Ars Goetia representations of the Seven Deadly Sins, are pulled from John Milton's Paradise Lost, which was the primary inspiration for most devil theology.
Flanz-le-Flore is a corruption of Blanchefleur, a name that appears in a few romance legends.
Lalum is an alternate translation of Larum, a character in Fire Emblem: The Binding Blade.
Pluxie is a feminization of a semi-pro League of Legends player's screen name.
Tintzel is a corruption of the character's original name, mentioned earlier, which was taken from historical corrupt priest Johann Tetzel.
Jreige is the surname of a semi-pro League of Legends player.
Justin "Just" Vance is a play on J.D. Vance, an Ohio politician.
Temporary, one of the earliest names that persisted into the final form of the story, is modeled on the elves in No Game No Life, who have names like "Think" and "Feel."
The other names in the story do not have any particular meaning or genesis.
XI. Conclusion
I believe that covers the generation of Cleveland Quixotic from beginning to end. If I missed anything, or if there's anything you want to know more about, please send me an ask and I'll be certain to answer. Thank you again for reading and stay tuned for my next work!
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rabbitcruiser · 4 days
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World Environment Day 
World Environment Day urges all of us to protect our natural surroundings. The stunning facts? An estimated 7 million people die each year from causes related to air pollution, with a majority occurring in the Asia-Pacific region. This day, which falls on June 5, encourages worldwide activism. That means everything from littering to climate change. World Environment Day is both a global celebration and a platform for public outreach.
China, which now owns half the world’s electric vehicles and 99 percent of the world’s electric buses, hosted the 2019 event. “The country has demonstrated tremendous leadership in tackling air pollution domestically,” said Acting Head of UN Environment Joyce Msuya. “It can now help spur the world to greater action.” The UN first established World Environment Day in 1972.
When is World Environment Day 2024?
World Environment Day is observed on June 5 every year. Outside of our homes is the actual home we all live in, and preserving it for future generations is more crucial than ever.
History of World Environment Day
World Environment Day (WED) is one of the more unique and special holidays because of its history and its many firsts. It was created on the first day of the first-ever U.N. conference which focused on humans and how they interact with the environment.
However, this didn’t happen overnight. Sweden first suggested having such a conference to the U.N. way back in 1968. And in 1969, the U.N. agreed that after 3 years they would have a conference in Sweden that focused on environmental issues. Interestingly enough, the conference was led by Maurice Strong, a Canadian diplomat who worked in the oil and mineral industry, who also had a soft spot for the environment.
Finally, it all came together in 1972, after 4 years of preparations and $30,000,000 later. World leaders from around the world sat together to discuss how they can raise awareness to protect our environment — and it was then WED was made. Then 2 years later, the first-ever WED was celebrated with the slogan “Only One Earth.”
Ever since then, WED has been completely embraced by people everywhere, so much so that it’s even slowly creeping into pop culture (and we love it!) Celebrities around the world all encourage people, in their own unique way, to do their part and “ save the world”. Fan-favorites Leonardo DiCaprio and Meryl Streep are some of the many who constantly speak out about environmental awareness. So, it doesn’t matter if you’re a famous actor, an athlete or a student in college: gather your friends and spend a day outdoors doing fun activities towards preserving this beautiful planet. Believe us when we say, you’ll have a blast and feel so much better afterward.
World Environment Day timeline
1968 The Idea is Born  
Sweden suggests to the UN to have a conference that is focused on the environment.
1972 First U.N Environmental Conference
Maurice Strong finally leads the discussions about marine pollution, human overpopulation, and global warming.
1974 A Dream Debut
The first World Environment Day is celebrated in Spokane, Washington.
2019 China Hosts World Environment Day
China raises awareness of the 7 million people who die annually from air pollution with the slogan  'Beat Air Pollution.'
Traditions of the Day
Sustainability and the protection of the environment are without a doubt among the most pressing issues we face in the world today. The core necessities of life all come from Mother Nature and, unfortunately, we take it for granted. World Environment Day encourages everyone from individuals to large-scale corporations to be more conscious of their impact on the environment.
A theme is observed every year. The theme for 2020 was ‘Biodiversity.’ Advocacy campaigns and calls for change are heavily promoted, all the while educating others to adopt healthy actions and break patterns that contribute to the degradation of the ecosystem. Just the simple act of switching off unnecessary lights has a tremendous effect. Exhibitions and events take place at educational institutions, with influential spokespeople in attendance.
By the Numbers
90 billion tons – the number of resources extracted from Earth every year.
7.8 billion – the number of people populating Earth.
4.1 billion – the number of consumers in the world.
5.6 billion – the number of consumers expected by 2030.
70% – the percentage of the world’s resources currently being overused.
2.12 billion tons – the number of waste dumped every year.
50 million tons – the number of e-waste produced every year.
$7.8 trillion – the value of the global production of synthetic chemicals.
2050 – the year when the world population is expected to be too big to feed.
2070 – the year when coral reefs are expected to be gone altogether.
World Environment Day FAQs
Is global warming real?
From the data gathered it seems so, and according to NASA, the debate is now moving from if humans are responsible for global warming to how is the best way to respond to the problem.
What fun activity can you do on World Environment Day?
Either by yourself or with a group of your friends or even family members, plant a sapling (young tree) and take a selfie with it. Don’t forget to post it on your social media with #SelfiewithSapling.
How often is World Environment Day celebrated?
Every year on June 5 World Environment Day is celebrated. The cool thing is, almost every year a new country hosts the holiday and since it was first celebrated 34 different cities in 25 countries have hosted this day.
How to Observe World Environment Day
Make a commitment to recycle
Plant a tree
Volunteer
It might seem like a basic tip, but are you really taking every possible opportunity to recycle? Next time you're thinking about throwing that piece of paper in the trash because a recycling bin isn't accessible, think twice. Holding a plastic container and too lazy to see if it's one of the biodegradable kinds? Open up your smartphone and look it up! Everyone's responsible for reducing greenhouse gas emissions — including you.
Trees absorb odors and pollutant gases (nitrogen oxides, ammonia, sulfur dioxide, and ozone) and filter particulates out of the air by trapping them on their leaves and bark. Placed strategically around a single-family home, they can cut summer air conditioning needs by up to 50 percent. By reducing the energy demand for cooling our houses, we reduce carbon dioxide and other pollution emissions from power plants.
Anyone can volunteer, and volunteering can make a difference to the whole community. Get out of your comfort zone by volunteering for the National Park Service, or stay local by volunteering at your farmers’ market. Any way you choose to participate, you'll feel the positive impact of getting out of the house and caring for the planet.
5 Interesting Facts About World Environment Day
Solar Panels
CO2 Vacuum Cleaner
The Ocean Cleanup
Plant-Based Plastic
Eco-Friendly Batteries
The largest solar farm, Yanchi Ningxia solar park in China, can provide up to 1 billion watts.
Developed in Switzerland in 2016, giant machines capture CO2 to clean the air we breathe.
Backed with $30 million and led by a 22-year-old, this company uses U-shaped screens to catch garbage in the ocean.
Created by an Indonesian company, it’s made from agricultural leftovers like corn, sugarcane, etc.
Developed in the Chalmers University of Technology in Sweden using upgraded aluminum.
Why World Environment Day is Important
It reconnects us to nature
It raises awareness
It encourages us to take action
Sometimes we forget just how much natural systems support our own well-being. But we're part of nature, and we depend on it. So today's the perfect occasion to go out and enjoy your country's national parks, and celebrate the vital relationship.
More and more people are starting to understand that we need to sustainably manage our planet's resources and ecosystems. However, that belief is far from universal. That's why World Environment Day is so important: it provides an occasion to raise awareness and teach friends and family that the physical environment is fragile and indispensable. But before you begin promoting environmental awareness in your own community, make sure that you have a thorough understanding of environmental issues yourself. There's always more to learn!
The environment has become increasingly polluted with contaminants and toxins, and these have a harmful impact on our health. They can cause respiratory diseases and cancer—and that's just for starters. By raising awareness of the issues with the air that sustains us, World Environment Day inspires us to do something about it and fix the environment we can't live without.
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disorganizedkitten · 4 months
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Moving Places
Miraculous Ladybug | 2019 | 2,838 | Ao3 | @chimpukampu and @ZiriO
Adrien Agreste and Marinette Agreste, parents of 3, are finally moving to a bigger home. That forces them to reckon with a heap of stuff that's been collecting and gathering dust over the years. Things get a little... funny and fluffy.
“Adrien, We’ve been through this a thousand times. We need to trim things down this once. We’re not taking everything!”
Yes, that’s how moving homes usually happens, but it’s always a reason for a little bit of bickering, but some endearing moments included too. Adrien and Marinette Agreste, parents for 3, have been waiting for this for a long while now, and yet…
Their kwamis hovered about with amused looks, Plagg more so than Tikki, wondering what might get unearthed.
The boxes rattled as Adrien moved them about. A slight puff of dust bloomed from one as it was opened, giving the air a very mild acrid smell.
“I think we haven’t opened these up since the last time we moved, if not the time before! Isn’t that a hint, Adrien?”
“Mari, we are not touching my Ladybug collection! Look, it’s a collector’s edition!”
Adrien brushed off some of the dust and pressed the button on the doll.
“Time to de-evilize!” a high-pitched voice emanated from it as Adrien smiled. “See? It still works!”
“Wow, that’s amazing. Can I try too?” Marinette snickered. “Time to de-evilize!” She called in a theatrical fashion. “So, who did it better?”
Adrien’s smile widened into a full-fledged grin.
“Hey, I never said I didn’t have the single-issue real thing in my collection” he cooed.
“Oh do you now?”
“I could show you but then we’d never get any packing done.” He jested and then his face went a bit more serious. This turned their attention to the heap of stuff still waiting for them to sort through.
“Fine.” She grumbled at the missed opportunity. “But the monopoly box goes. That one was a mistake.”
They looked at a miraculous-themed monopoly board. A cheapskate producer named Zag somehow convinced them this was a good idea. By the time he started to leak pictures to the press, it was hard for them to stop it. It was a good thing that Chloe found them a legal loophole and used her family’s clout to threaten him to a halt. But they did have the box to remember that one.
“How on earth did he convince us to do such a silly thing?”
“The guy had charm and a good deal of luck.”
“Mari, do you think it’s the power of-”
“Adrien Agreste, don’t you dare!”
“You practically walked into that one, milady… “
“If only I could toss away all your puns at that.” She sighed.
“Actually, you sort of did last time, don’t you remember?”
“Please don’t remind me. I was horrified. A notebook full of lame puns!”
“You can’t get them out of my head though.”
“If your lips are busy they can’t throw puns around, you know.” she winked and he smiled back at her.
We are never going to get any packing done like that…
---
A quick kiss later, they were back to sorting stuff.
“What’s that? Is that Emma’s first pacifier?” She said as she examined one.
“Oh yeah. I keep hoping we can still use it. That girl won’t shut up!” He jested.
“Out it goes! Our girl is all grown up now, maybe it’s time someone else would grow up too!”
“Hey, it’s always good to have a reminder of us growing up. After all, we have 3 kids and you still don’t look a day over 3000.”
“Now you know why I’m so much wiser than you.” She retorted. “Now let’s get back to packing, you… adorable goober of a flirt, you.”
She gave him another quick kiss. He earned that one too. They both looked at the next item.
“A solitaire thinking challenge? Aren’t our kids too old for that?”
“Well, there was a time when you couldn't think straight around me. And you were adorable.”
“Adrien Agreste, If I had known this was going to haunt me all through our marriage… I’d do it all again.” She chuckled. “Anyway, what the hell is this?”
They both looked at a box full of a random assortment of seemingly useless stuff.
“I’m… saving this for Emma? Kidding, I have no idea what’s exactly in it. There’s only one way to find out.”
They cautiously opened the box, looking at a mix of extremely oddball items, scratching their heads at each one trying to figure out what’s it doing there.
“A gecko-shaped pendant? What’s that doing here?”
“Emma made one on art class.”
“And we’re keeping this… why?” She gave him a stare over it.
“It’s… uhh… we can play pretend it’s a real miraculous?” He suggested half-jokingly, only to be met with Marinette’s stern look as she discarded it into the trash.
“She made A ladybug themed brooch?”
“She’s a big fan, you know…”
“I can understand that, but why are we keeping it?”
“Uhh…”
Marinette threw that one into the box marked “for cataclysm”.
“A lego toy welding machine? Who had this stupid idea?”
“It’s Max… and he’s smart so maybe it was a smar-okay it really was a stupid idea, she never even opened it. Too bad Alix never stopped him!”
“That can go to the donations pile. Next!”
“What’s a map of Jerusalem doing here?”
“Geography class, I guess?”
“But how’s that a souvenir when we’ve never even been there?”
Marinette crumpled the thing into a ball and threw it to the trash.
“An ad for a Louvre exhibition from 2015? So useless.”
“We could sell it on eBay...”
Marinette rolled her eyes.
“God, sometimes the things you say actually make me prefer a pun. And that’s a major achievement, Mr. Agreste!”
She sighed as she went on.
“An aimee mann CD? Do we even have anything that can play these things?”
“No, we don’t…”
“Donations pile. Next?”
“A defunct Wacom pad… you said you were going to get it fixed like what, 2 years ago?”
“I still plan on… okay you can throw this.”
Marinette had fond memories of that one, she used it to do quite a bit of sketching, and yet even she couldn’t but admit that no, she wasn’t going to get that one fixed. She then moved on to the next item.
“Okay… what the hell is this?”
They both examined a pink rod with a heart-shaped fake gem on top.
“Oh, I brought this back from Japan to Emma. I think it appeared in some anime or something.”
“I am letting you bring too much trash in, and that’s the result… sometimes I am just way too nice with you.”
“It’s my kitten face, bugaboo. It’s irresistible. Besides, she actually used that one on Halloween!”
A stern look and Adrien threw the thing into the Cataclysm box. Marinette then examined the next item.
“A dream catcher? Oh yes, I remember now. You bought this for me after I told you what was my nightmare in ‘sandboy’!”
“Oh, what fond memories that one brings…”
Adrien had a sly smile on his face as he started to play-act his part.
“Marinette… the prettiest and the smartest one of all is Chloe…”
“Now there's the holder I know,” Plagg snarked. “So good to have you back.”
“My god… what a mistake that was…” Marinette gently touched her palm to her forehead at her husband’s act as she came up with the retort.
“Do I have to remind you I can play-act your nightmare too?”
That did the trick, snapping him back.
“Please don’t do that… You’re the lady of my dreams, bugaboo! I even have a ring to prove it now.”
“Adrien, flattery is going to get you… actually, going to get you good things. Keep up at that.”
They exchanged yet another quick kiss.
Adrien eyed another box, around the size of an A4 page. As he reached out to grab it, he heard his wife squeak a ‘No’ at him.
“What, Mari, what’s in that one?”
She turned slightly pink, reminding him for a moment of that blushing teenager from Francois Dupont college that he ended up marrying.
“Uhhh… umm…”
He carefully opened it. The first page had a drawing of Marinette wearing a grey superhero costume with a pink skip-rope and pink hair ribbon, with the caption “Mousinette”.
“Ha, so you drew yourself as the Mouse superheroine! That’s…”
She lost her blush by now. She wasn’t a teenager anymore, after all.
“Yes, that’s… ?” She urged him to complete his sentence.
“That would have been real hot, sweetie. I’d pay to see you dressed up in Halloween like that!”
“In that case…” She said as she put her finger thoughtfully at her chin, “... a dinner out for two, as your payment?”
“You know I would have done it anyway after we finish packing, right?”
“I know you well enough by now, dear husband.” She smiled and booped his nose affectionately.
“Well, I should certainly hope so.” He grinned, thumbing the edges of the pages. “So….how much of this sketchbook did you fill, again?”
“I usually fill all the pages, why?” Her eyes narrowed, regret and the sudden thought that maybe she needed more than a dinner out as payment starting to creep over her.
“Mind if I keep looking?”
“Adrien, we are never going to get done at this rate!”
“Yes, but how often do I get to look through your old art?” The kitten eyes made a swift comeback, leaving Marinette groaning in disgust.
“Fine, but you get five minutes!” Which was enough to sate his curiosity, or at least she hoped.
“So why did I never see this cute bee costume on you? Or this amazing Ladybug-themed dress?” He pouted, though that was nothing compared to the look on his face when he came across a sketch of her as Chat Noir, with a massive ribbon for the tail.
“No. Don’t even ask, I won’t make it. That ribbon is a joke, and the peplum look went out of style years ago!”
“Marinette!” He was sulking now, pouting as he lifted the sketch.
“Absolutely not, besides, there’s no way I could put the pawprints on the gloves and shoes, it’d look ridiculous at my age!” He still sulked, but she shook her head anyway. Somebody had to put their foot down, or they’d never get anywhere.
Which, yeah that was normal. Downsizing to move always took forever. How did they even end up with this much stuff?
“You looked at my art, now we need to go through one of your boxes.” Marinette decreed, grabbing a box with the label ‘Adrien’. She unfolded the flaps and sighed. “We can’t get rid of these, pass me the next one.”
“What are they?” Adrien set down the sketchbook, a drawing of a Tiger holder displayed, to peek over her shoulder. “We were supposed to put those on the mantel ages ago, weren’t we?”
“I think so.” Marinette pulled a fencing trophy out of the box, turning it over in her hands. “I completely forgot we had these.”
“Think we’ll be able to put them up at the new house?”
“If there’s not space, maybe we can add in a few shelves? Emma’s going to start competing with Akari soon, if they continue at this rate.”
“Purr-fect idea, as always, M’lady.” Adrien draped himself over her shoulder batting his eyelashes at her.
“Okay, where’s the tape? I should relabel this one so we don’t forget again.”
Adrien pulled himself off her, scooping the masking tape and marker up and depositing them in her lap. “While you do that, I’m going to go through this one.” Adrien moved a few feet away, dragging the box back with him. “Are assignments important enough to be kept again?”
“Which assignments?”
“Cat breeds.”
Marinette groaned. “That wasn’t an assignment, Adrien, that was from you trying to bribe Chloe into getting Hugo a cat for Christmas.”
“Oh yeah. Can we keep it?”
Marinette shot him her most deadpan look. Adrien replied with puppy-dog eyes. Marinette sighed. “Fine. Toss it into the maybe pile.”
“Yes!”
“Moving on, have you found the box with the photo albums yet?”
“Not yet, I’ll get to them. When we have a break.”
“Why?”
“Chloe and Emma baby pictures.”
Marinette stifled a laugh. “Yeah, okay.” She glanced back into her current box. “I found Emma’s old EAH dolls, do you think she’ll still want them?”
“No idea.”
“Into the maybe pile, we can check with her later.”
“Good idea.”
Silence for a moment, and then Adrien snorted.
“What did you find?”
Adrien leaned back to look at Marinette, smirking. “Remember your crush?”
Marinette pouted. “You already teased me about that today. Is it still not old?”
“Not when all the memorabilia right here.”
“Not when the- Oh!” Marinette shrieked, scrambling over to him. “You found them! Finally! I seriously thought Master Fu had taken them.” She smiled brightly.
“Why would Master Fu take them?”
Marinette blushed scarlet. “Alya didn’t tell you. Of course not. Okay. Um, actually. Oh dear it’s kind of embarrassing. Why is it embarrassing? It wasn’t when I told Alya and Master Fu. Maybe it’s because it’s you. Oh boy. Okay so-” Marinette’s rambling died off in a whine as she buried her face in her hands. “It’s only embarrassing because it’s you. It was actually really smart at the time. Uh, move the top hundred or so.”
Adrien blinked at her reply, before turning back to the box. “What did you do?” he asked slowly, gathering up photos and slowly moving them out stack by stack. “Oh.”
“Yeah.” Marinette peeked over her fingers. “No one ever looked under that stuff, so it was the safest place to hide my research.”
“You never fail to amaze me,” Adrien snorted. “Using your crush to protect your identity? Constant multitasking at its’ best.”
“It was multistorage actually.” she tapped her head. “One track mind.”
They carefully dug through the box a little more, pages upon pages of translations and coded information sitting at the bottom, with cardboard dividers in between the layers. They pulled another set off, and Marinette promptly collapsed backwards, laughing.
“Are these the Kwami-sitting dolls?” Adrien asked, pulling the Pollen and Plagg ones out of the box.
“Those are the Kwami-sitting dolls,” Marinette confirmed, wheezing.
Marinette’s foot snagged something pointy, and when she stepped back to inspect the object, she grimaced “Adrien Chat Noir Agreste, bring your ass in here!”
“What is it M’ - whoa!” he stopped momentarily while schooling a dumbfounded look “What is that doing here?”
“You tell me,” she snarled as she spread out a big tarp of an old Gabriel perfume ad.
“Well, you said that you love fashion, and you want to update your ‘mini’” he made an air quote there “Adrien shrine -”
“Adrien!”
“Radiant,” the blond uttered dramatically as he reenacted his commercial ad “Carefree...Dreamy…”
Before he could finish the line, his wife hurled the incriminating poster and hit him squarely to the face.
‘ Why did I marry that man-child? ’ Marinette muttered to herself as she returned to her work, trying not to mind her crying husband, then paused when she saw another familiar banner.
“Why is this thing still here?”
“I swear to Plagg this is the only tarp that I saved... Oh. Oh, that .”
It was an old banner with a logo of a fencing team and quote in bold letters ‘ Excel and Power Pointe ’
“I thought Louis threw this?”
“He thought he threw it,” he smirked toothily as he walked towards his wife and snatched it from her hands “He didn’t know that his Papa saved it.”
Marinette gave him a beady look “You know that Louis will throw that again, right?”
“Not if we keep it.” Adrien retorted cheekily.
She rolled her eyes indignantly “C’mon, Kitty. This is just a dumb cheering banner you made for Louis’ fencing tournament, and he really hates it so much he had to knock his opponents in a short record time because he didn’t want to see that banner waving on his sight!”
“That’s more the reason why we have to keep it!”
“You’re just keeping this because of the pun!”
“That’s because it’s a good pun!”
“No, it’s not!”
“Will you two just stop this marital fight?” Plagg hovered above their faces, scowling “You’re both adults, for Kwami’s sake, not a toddler!”
“What Plagg was saying,” Tikki added with a smile “That you two were shouting so loud the neighbors heard your bickerings.”
The couple blushed furiously and apologetically resumed to their task.
Soon they had finished with the last box, and after repacking it - There was nothing in there they would have actually gotten rid of, they went through it for memories and to kill time - went back to work on the other boxes. Thankfully there weren’t that many that had been abandoned for the four years since they last moved.
They Lapsed into silence for a little bit, each finding their own boxes of miscellaneous things to go through. Occasional laughs, or questions, broke the silence, but for the most part it was just that. Silence as they prepared for a huge change that was to come.
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