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zot3-flopped · 10 days

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Sylvia Plath did not stick her head in an oven for this! When Taylor Swift took the Grammys stage last month to claim her award for Best Pop Vocal Album for Midnights, she saw that spotlight as an opportunity to announce her 11th studio album: The Tortured Poets Department. The follow-up cut to audience members—Swift’s music industry peers, mind you—told us all that we would ever need to know, and the collective disinterest across the crowd echoed through our TVs.

Folks from all walks of life took to social media to express a multitude of reactions. Swifties clamored to their beloved monarch’s forthcoming era, while others lambasted the terminally cringe title and artwork and ridiculed Swift for making a night recognizing musical achievements across an entire industry about herself—knowing perfectly well that it would send her fanbase into a surge that would, no doubt, overpower the excitement around the ceremony itself.

Quite a few people questioned whether or not that moment suggested that a critical—definitely not commercial—tide would turn against the world’s most-famous pop star. And, perhaps it has—but, to most, it will look like nothing more than a single ripple in Swift’s ocean of successes.

Swift remained relatively hush-hush about The Tortured Poets Department up until its release, leaving her fans, admirers and haters alike with nothing but an album title to ponder about. And it’s a bad title.

If you have never been in Swift’s corner, her taking the route of labeling her next “era” as “tortured” was likely catnip for your disinterest. If you are a fan—not necessarily a Swiftie, but even just a casual lover of her best and brightest work—you might be beside yourself about the first Swift album title longer than one word in 14 years.

In terms of popularity—certainly not always in terms of quality—no musician has been bigger this century than Swift, which makes it impossible to really buy into the “torture” of it all.

This is not to say that Swift being the most famous person in the world makes her immune to having multi-dimensional feelings of heartbreak, mental illness or what-have-you.

But, she has made the choice—as a 34-year-old adult—to take those complex, universal familiars and monetize them into a wardrobe she can wear for whatever portion of her Eras Tour setlist she opts to dedicate to the material.

Torture is fashion to Taylor Swift, and she wears her milieu dully. This album will surely get comparisons to Rupi Kaur’s poetry, either for its simplicity, empty language, commodification or all of the above.

And, sure, there are parallels there, especially in how The Tortured Poets Department, too, is going to set the art of poetry back another decade—as Swift’s naive call-to-arms of her own milky-white sorrow rings in like some quintessential “I am going to take pictures of a typewriter on my desk and have a Pinterest mood-board of Courier New font” iPhone fodder. 2013 called and it wants it capricious, suburban girl-who-is-taking-a-gap-year wig back!

Soaking our book reports in coffee or having our moms burn the edges with a kitchen lighter cannot come back into fashion; the cyclical notions of culture cannot make the space for such retreads.

There is nothing poetic about a billionaire—who, mind you, threatens legal action against a Twitter account for tracking her destructive private jet paths—telling stadiums of thousands of people every night that she sees and adores them.

Tavi Gevinson says it well in her Fan Fiction zine: “When 80,000 people are also crying, you become less special, too.” If Swift can return to one of her dozen beach houses across the world, kick up her feet and say “I’m a poet of struggle,” then who is to say that millions—maybe billions—of people with access to a notes app and a social media account won’t dream that dream, too?

Maybe that looks like a net-positive, but it’s inherently damning and destructive to take an art form that has long stood on the shoulders of resistance, of love and of opposition to power, systematic injustice and climate warfare and boil it down to the new defining era of your own 10-digit revenue empire. “My culture is not your costume,” yada, etc.

The Tortured Poets Department does begin with a shred of hope that, just maybe, Swift knows what she’s talking about—as she sneaks in a cheeky “all of this to say,” textbook transitional phrasing for poets, on opening track “Fortnight.”

But “Fortnight” unmasks itself quickly as a heady vat of pop nothingness, though it isn’t all Swift’s fault. “I was a functioning alcoholic, ‘til nobody noticed my new aesthetic,” she muses, attempting to bridge the gap between a behind-the-scenes life and on-stage performance—only for it to occur while propped up against the most dog-water, uninspired synth arrangement you could possibly imagine.

Between producer Jack Antonoff’s atrocious backing instrumental and the Y2K-era, teen dramedy echo chamber of a vocal harmony provided by out-of-place guest performer Post Malone, “Fortnight” chokes on the vomit of its own opaqueness.

“I took the miracle move-on drug, the effects were temporary,” Swift muses, and it sounds like satire. This is your songwriter of the century? Open the schools.

The Tortured Poets Department title-track features some of Swift’s worst lyricism to-date, including the irredeemable, relentlessly cringe “You smoked then ate seven bars of chocolate, we declared Charlie Puth should be a bigger artist / I scratch your head, you fall asleep like a tattooed golden retriever” lines glazed atop some synthesizers and drums that just ring in as hollow, unfascinating costuming.

Aside from the Puth nod, which I can only discern as a joke (given the fact that he is one of the 150-most streamed artists in the world and is one of the blandest pop practitioners alive—I don’t care if he can figure out the pitch of any sound you throw at him), I think Antonoff should stick to guitar-playing. Get that man away from a keyboard, I’m begging you.

Synths can be, if you use them correctly, one of the most emotional and provocative instruments in any musician’s tool-box. There’s a reason why keyboards defined the 1980s; they rebelled against the very oppressive nature existing outside of the cultural company they kept. There’s resistance in electronic music that, while they brandish an aesthetic that, to a layman’s ears, seems like technicolor hues for any infectious pop track, it’s a genre that aches to tell its own story. That is simply not the case here, and that electronica hangs Swift out to dry when she drags us through the lukewarm “I laughed in your face and said, ‘You’re not Dylan Thomas, I’m not Patti Smith’ / This ain’t the Chelsea Hotel, we’re modern idiots” lines, only to hit us with a softly sung F-bomb that sounds like a billionaire’s rendition of that one Miranda Cosgrove podcast clip.

I used to rag pretty heavily on Reputation—mostly because I thought (and still do, mostly) that it sounded like Swift had given up on making interesting, progressive pop music; that, in the wake of her (arguably) best album, 1989, it seemed like she’d lost the plot on where to go next. But as she’s put out Midnights and The Tortured Poets Department back-to-back, I find myself clamoring for the Reputation-era more than ever—at least seven years ago, Swift wrote songs like she had something to prove and even more to lose.

That was the always-obvious charm of Reputation, even despite the downsides—that she took a big swing from the echelons of her own musical immortality, that the comforts of winning every award and selling out the biggest venues in the world were no longer pillowing her aspirations. Even though that swing didn’t land, she still made it in the first place—and Swift is at her best either when she is clawing upwards (Reputation) or faced with nowhere to go but into the studio and noodle with the bare-bones of her own sensibilities (folklore).

You get something like The Tortured Poets Department when the artist making it no longer feels challenged, where she strikes out looking.

The mid-ness of The Tortured Poets Department will not be a net-loss for Swift. She will sell out arenas and get her streams until she elects to quit this business (a phrase decidedly not in her vocabulary, surely).

She will sell more merch bundles than vinyl plants have the capacity to make, and rows of variant LP copies will haunt the record aisles of Target stores just as long as Midnights has—if not longer.

Perhaps, in five or six years’ time, we will speak of this record just as we now do of Reputation. But right now, it is obvious that Swift no longer feels challenged to be good. The Tortured Poets Department is the mark of an artist now interested in seeing how much their empire can atone for the sins of mediocrity.

Can Swift win another Album of the Year Grammy simply because she released a record during the eligibility period? The Tortured Poets Department reeks of “because I can,” not “because I should.”

On “I Can Fix Him (No Really I Can),” Swift tries stepping into the shoes of the country renegades who came before her—the Tammy Wynettes and Loretta Lynns of the world. But her self-aggrandizing inflation of importance, glinting through via a seismically-bland bridge, is backed by a minimal set dressing of guitar, drum machine and keys.

“Good boy, that’s right, come close,” she sings. “I’ll show you Heaven if you’ll be an angel—all mine. Trust me, I can handle me a dangerous man. No, really, I can.” On “Florida!!!,” Swift calls upon Florence + the Machine to help her sing the worst chorus of 2024: “Florida is one hell of a drug / Florida, can I use you up?”

Even Welch, who is a fantastic pop singer-songwriter in her own right, delivers a grossly watery verse: “The hurricane with my name, when it came I got drunk and I dared it to wash me away.”

Not even the typos on the Spotify promotional materials for this album could have foretold such offenses. I won’t even get into the sonics, because Antonoff just rewrites the same soulless patterns every time.

What separates The Tortured Poets Department from something like Reputation is that, on the latter, Swift made it known what was at stake and who she was making that album for—herself, in the aftermath of her greatest long-standing criticisms (“Look What You Made Me Do” triumphs exactly because of this).

On The Tortured Poets Department, there is a striking level of moral nothingness. The stakes are practically non-existent, and the album sounds like it was made by someone who believes that they had no other choice but to finish it, as if Swift fundamentally believes that her creative measures are firmly embedded in the massive monopoly her name and brand currently hold on popular music. That’s how you get meandering pop songs about hookups, wine moms, Stevie Nicks comparisons, Jehovah’s Witness suit mentions, hollowed-out, tone-deaf nods to white-collar crime in lieu of empowerment and, topically, Barbie dolls.

(Don’t even get me started on the Anthology lyrics, which feature these absolute barn-burners: “Touch me while your bros play Grand Theft Auto” and “My friends used to play a game where / We would pick a decade / We wished we could live in instead of this / I’d say the 1830s, but without all the racists / And getting married off for the highest bid.”) This album and its hackneyed grasps at relevance exist as “Did I just hear that?” personified, but in the most derogatory sense of the notion.

My Boy Only Breaks His Favorite Toys” features another low-point in Swift’s lyrical oeuvre, as she sings “I felt more when we played pretend than with all the Kens, ‘cause he took me out of my box”—perhaps a measure of her capitalizing on the Barbenheimer mania that none of us could escape, not even the musician who spent most of 2023 flying across the world from one country to another.

But you, us, the listener—we want to believe that Swift makes these records because she has the artistic will, drive and interest to continue giving us parts of her story in such ways that they exist as an archival of her life.

But the problem is that, on The Tortured Poets Department, Swift is packaging her life into a form that is easily consumable for the 17 or 18 years olds who pour over her music. Just because her Eras Tour film is on Disney+ doesn’t mean she has to strip her songwriting (which we know can be, and has been, phenomenal) down for the sake of it being digestible by a wide spectrum of ages.

And, sure, maybe that makes the work accessible. But on The Tortured Poets Department, Swift makes Zoomer jargon her bag—titling a song after one of the most popular video games in the world and conjuring flickers of “down bad” and “I can fix him”—and it feels like she’s cosplaying because the Fountain of Youth was out of order.

Now that Swift is in her 30s, it sounds like she is infantilizing her own audience more than ever before—that singing to them at a level that could force them to reckon with something more akin with adulthood would be some kind of kink in the coil or her consumeristic threshold, that writing lyrics that sound like they were penned by a 30-year-old would, somehow, deter the interests of the billions of people who adore her.

If making one, continuous coming-of-age album is what Swift has been doing for 15 years, folklore and evermore were hiccups in the timeline—existing as the most fully-formed renderings of Swift’s own insecurities and concerns. They mirrored our platitudes towards an uncertain future with sweet, stirring remarks about isolation and heartbreak and the unavoidable, hard-worn truth about getting older. On those records, her larger-than-life living seemed, for once, to truly feel as close to the ground as ours.

Now, though, Taylor Swift is at the top of the mountain. Far better artists have made far worse records than The Tortured Poets Department, but you can’t read between the lines of this project. There is nothing to decipher from a place of quality.

Sure, Swift’s fan base will pour over these lyrics for the rest of their lives—insisting they know, for certain, which song is about who. But you cannot place a bad album on the shoulders of lore and expect it to be rectified.

We are now left at a crossroads. Women can’t critique Swift because they’ll run the risk of being labeled a “gender traitor” for doing so. Men can’t critique her because they’ll be touted as “sexist.”

And, sure, Swift is probably too easy a punching bag in this case—and most of the time, I would argue she is undeserving of being a victim of such barbs. But, you cannot write about someone being a “tattooed golden retriever” and get away with it and still retain your title as the best songwriter of your generation. You just cannot.

Sisyphus should be glad he never got the boulder to the top of the mountain—because Taylor Swift is showing us that such immortality and success ain’t all it’s cracked up to be. And, when you’re standing on the peak alone, who else is there left to hit?

In a recent interview with The Standard, Courtney Love said that Swift is “not interesting as an artist,” and I think The Tortured Poets Department proves as much. She has nothing to fight for, no doubters left to drown.

So where does she turn? Well, to boredoms of celebrity thinly veiled as sorrow everyone and their mother can latch onto—because we’ve all had to “ditch the clowns, get the crown” at some point in our lives, right?

The billionaire is having an identity crisis, but there are no social media apps for her to buy up. So she sings like Lana Del Rey and writes meta-self-referential songs about looking like Stevie Nicks.

What’s hollow about The Tortured Poets Department is that the real torture is just how unlivable these songs really are. No one can resonate with “So I leap from the gallows and I levitate down your street, crash the party like a record, scratch as I scream ‘Who’s afraid of little old me?’ You should be.” And normally, that wouldn’t be an end-all-be-all for a pop record—but when your brand is built on copious levels of “I’m just like you!” as the demigod saying it to their fans does so from a multi-million-dollar production set, it’s hard to not feel nauseated by the overlording, overbearing sense of heavy-handed detritus we’re tasked with sifting through on The Tortured Poets Department.

Love’s words to Lana, her advice to “take seven years off,” should be applied to Swift. Now, that doesn’t mean that, to make a good album, you must sit on material for years and labor extensively through the sketching, shaping and recording in order for it to be transcendentally landmark. But it’s obvious now that not even Taylor Swift wants to be the head of an empire—that she, too, can’t outrun the damning fate of being plum out of ideas by hopping in her jet and skirting off to God knows where.

See you at the Grammys.

****

#this review is everything #anti taylor swift #taylor swift #travis kelce #3.6 !!!#hope Pitchfork comes for her too #jack antonoff #taylor swift reviews #the department of tortured poets

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nayeonline · 1 year

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JISOO - 'ME' (FLOWER) REVIEW

How YG handles BLACKPINK solos has been criticised by the K-Pop community since 2018. From Jennie’s ‘Solo’ being released right in the midst of wildfire rumours of favouritism, Rosé’s ‘On The Ground’ being delayed several years to everyone including Rosé’s frustration, and the mixed reception of Lisa’s ‘Lalisa’, Jisoo’s deserved moment has been a long time coming.

‘Flower’:

This title is understated, couture and perfectly captures Jisoo’s raw elegance both visually and audibly. It’s a little bit Caribbean in the beat, a little bit Latin in the melody, and completely and utterly hypnotic in the execution. ‘Flower’ is a song designed for Jisoo from the roots - it fits her range perfectly and shows off her strong lower range, gentle falsetto, and gorgeous vocal colour. I loved this song from the get go, but I wasn’t shocked to find out that many others found it underwhelming. ‘Flower’ may not be suckerpunching its listeners in the ears to get a second listen, but it very successfully retains an alluring aura throughout its runtime - which is enough for me at least. I will admit that the final chorus needed a little something else (something like the finale of Eunbi’s ‘Glitch’ perhaps?) to elevate it from a very good song to a great one.

‘All Eyes On Me’:

Where ‘Flower’ soars ahead for me, ‘All Eyes On Me’ falls very flat. The song doesn’t play to Jisoo’s strengths especially well, and the hook line is awkward and disjointed. The chorus melody is fine, but it is so overdone and boring, and the squeaking synth becomes extremely grating after the first chorus. It really doesn’t do much for me.

music video/teasers:

If there is one thing YGE continually does perfectly, it’s visual coding in the girls’ solos. Every single teaser or music video look was stunning, and solidified Jisoo’s visual brand perfectly. Her roles of the Dior global ambassador, eldest member of the worlds biggest girl group, and walking goddess collide into one with images of jewel tone couture dresses, vintage cars in Milan, and an young heiress drunk in the hotel lobby. Flawless execution, I have no complaints.

overall thoughts:

I love this for Jisoo, the song was really good, the music video was beautiful, and even if the b-side was chronically average, the whole package shows potential. Whether she becomes more of an actress who does music occasionally, or a full blown soloist post BlackPink, I’m excited for where she goes. Jisoo has so much more to show us and I’m excited for her to carve out a space for herself in the industry, build a reputation of her own, and prove once and for all that she is anything but forgettable. 7.5/10 album, 10/10 visual media.

bonus solos ranking:

SOLO - Jennie

On The Ground - Rosé

Flower - Jisoo

Gone - Rosé

Money - Lisa

Hard To Love - Rosé

Lalisa - Lisa

You & Me - Jennie

All Eyes On Me - Jisoo

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hey-have-you-heard · 4 months

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Hey, Have You Heard These 50 Tracks from 2023?

Another year comes to a close and the music lover pulls up their trusty spotify playlist to document the high points of their year in music. You know the drill by now but in case you're new here... Songs are in alphabetical order (there is no internal rating to the 51) but if I had to choose a single song for everyone to listen to, it would be "Why Am I Alive Now", please listen to that track if nothing else. A Spotify playlist of the included songs is linked below for your listening pleasure

Fontaines DC - ' Cello Song Kicking things off with the only cover song on the list, Grian Chatten and band spin Nick Drake's song into something entirely their own, paying homage to Nick Drake's songwriting whilst pulling in the intricacies of their own unique sound and appeal.

Boygenius - $20 Screw star-signs and wizard school houses, which member of Boygenius do you align yourself with? I'm a Julien Baker stan but I adore them all, especially when their voices and styles are weaving in out of each-other in rapturous noise like this.

XL Life - Baby Steps Hardcore and punk has had a great year, a really great year, and XL Life have been a standout part of that. Backed up by a guest verse by Bob Vylan's own Bobby Vylan, Baby Steps is bursting with soul and emotion, driven by breakneck drums and heart-on-sleeve positivity

100 Gecs - Billy Knows Jamie 10,000 Gecs (the much anticipated follow up to 2019's 1000 Gecs) truly gave us the as-promised 10 times as many gecs, if a Gec is a unit of measurement for what can only be referred to as wild-genre-fuckery. Billy Knows Jamie gives us full on Bizkitesque nu-metal, including record scratches, a bass line Fieldy would be proud of and a rapid descent into utter chaos.

Algiers, Billy Woods, Backxwash - Bite Back Bite back is a masterpiece of ever-building tension, Carpenterian synths weave the track together as one musical idea gives way to another. With every new phrase and trade-off between vocalist, the threads pull tauter and tauter. The switch up at 3:10 still gives me chills every time I hear it.

Glass Beach - the CIA My favourite theatre kid emo's are back and doing what they do best, which is whatever the hell they feel like. You know when all the 70s prog rock bands fell into the 80s and needed to get radio-play so they fell into this weird sort of choppy watered down down art-pop sound (e.g. Yes)? This feels like that, but there's no actual need to conform, so Glass Beach are still free to get as weird with it as they want, whenever they want.

Blood Command - Decades Deccades is a very bad representation of Blood Command as a band (at this point I'm unsure if a good representation of the band exists), but it's a very good song. Hardcore and "Death pop" is out, R&B is in. Reverb soaked synths and horns, skittery hi-hats, layered vocals and lyrics about lost love and the Heavens Gate cult.

Liturgy - Djennaration I'll be the first to admit that Liturgy are an acquired taste (the first time I saw them live it made me feel physically ill), but if you can put on some headphones, turn up the volume and lose yourself in Liturgy's "Transcendental Black Metal" there is no other feeling quite like it in music.

Kesha - The Drama The continual evolution of Kesha's sound has been a fascinating thing to watch ever since Tik Tok put her on the brat pop map back in 2009, each album cycle has seen her stripping back elements of character, delivering ever rawer and more honest depictions of self. The Drama pulls away from pop almost entirely, what starts as a Lorde-like slow ballad tumbles into a nightmare-collage of upbeat synths, a circus show of theatrical excess as Kesha's desparately laments on a loss of faith in humanity and self. The song ends on an absurd mix of housecats and Ramones, oh the drama of it all.

Fever Ray - Even It Out Even It Out may not be the technically best song on Radical Romantics, but the idea of Karin Dreijer teaming up with Trent Reznor to make a gleefully unhinged song about violently attacking a child is just too funny to me. The rest of the album is also incredible and well worth a listen.

Follow You - Saint Agnes Oh, hey, speaking of Trent Reznor, Saint Agnes channel Nine Inch Nails on the massive distortion drenched choruses of this stand out track from Bloodsuckers. Lead singer Kitty's vocals soar over wailing guitars and crunching bass, this is the sound of a band triumphing through adversity.

Johnny Booth - Full Tilt I remember seeing a comment when this first released that summed up how ifelt about it perfectly. "This has slap fucks". Yes, selppin2, I couldn't of put it better myself. Johnny Booth have been consistently hitting it out the park for the past few years and this is no exception, absolutely brutal stuff.

Creeper - Further Than Forever Creeper's Sanguivore is an album to be devoured in it's entirety, I couldn't choose a single song so this is merely a goth-punk-opera overture. A nine minute long homage to the theatrical tendencies of Jim Steinman. If you enjoy any part of this, Sanguivore is a must listen for you.

Crosses - Ghost Ride Chino Moreno swaps out the rumbling wall of guitars of Deftones for pulsing bass synths and sparse electronic drums with the second album from his side project with Far's Shaun Lopez. Ghost Ride is a sultry slow build that crashes into industrial-pop(?) choruses.

Idles - Grace Idles (to my surprise) were my most listened to band of last year, and if Grace is a sign of things to come on Tangk, they're in with a shot for 2024 as well. Grace finds Joe Talbot swapping out the political battering ram of a growl he's employed previously for a soulful tone, a message of peace and love, and its hauntingly beautiful to behold. No God, no king, love is the thing.

BENEE - Green Honda You may remember BENEE from tiktok's 2019 supahit Supalonely, she's still writing bops. Two middle fingers up, leave you in the rearview, bops.

Free Refills - Grounded What can I say, I'm a sucker for a good bassline, and this is a great bassline.

Pendulum, Bullet For My Valentine - Halo (Matt Tuck Rework) On his rework of Halo, Matt Tuck keeps all the energy of the original mix but ups the aggression. This is the sound of Pendulum at their heaviest and best.

Tokky Horror, Scottish Gabber Punk - HAMMER 2 THE FACE (Scottish Gabber Punk Remix) Speaking of energy and aggression... it doesn't get much more energy and aggression than this, hammer 2 the face is a fitting title for the brutality of this track.

MSPAINT - Hardwired MSPAINT are a hardcore punk band with a notable lack of guitar, the instrumentation instead filled out with colourful synths. The result is a unique and engaging sound unlike anything else in the genre.

Empire State Bastard - Harvest ESB are my kind of supergroup, formed of Biffy Clyro's Simon Neil, Oceansize's Mike Vennart and Slayer's Dave Lombardo (yes, you read that right). Simon Neil is delivering career best vocal performances, Mike Vennart is stirring up unholy hell on guitar and Dave Lombardo is doing what Dave Lombardo does best.

Alice Longyu Gao - Hëłłœ Kįttÿ I didn't think we could get more unhinged than last years MONK, with it's thrash metal guitar and vib ribbon solo, but here we are in the year of our lord 2023 and I'm listening to car clown horns. BOOM BOOM BOOM BOOM BOOM.

Bob Vylan - He's a Man Do y'all remember the Lindsay Lohan Freaky Friday movie? There was a great song in it called Take Me Away... anyway, I forget why I mentioned that, but this song is really fun.Great cheeky lyrics and love that guitar riff.

Fall Out Boy - Hold Me Like A Grudge This may just be a nostalgia pull, but that intro transported me back to hearing Dance, Dance for the first time. Hold Me Like A Grudge does a masterful job of pulling together elements of FOBs classic sound and their more recent poop sensibilities that has had me enjoying their sound in a way I haven't since Infinity On High

Evie Enby - Homies Oops, how did this get in here? Please appreciate the one note guitar solo.

FIZZ - I Just Died My general lack of enthusiasm for The Beatles is fairly well documented by this point, but one of the best things they did for pop music was use the clarinet on When I'm Sixty Four. Well good news, I no longer have to listen to The Beatles to get my clarinet fix. Now that the Beatles reference for this year's list is done.. I just died is a song about an absolutely mortifying experience delivered with great mirth. It's a fantastic, sing-along-in-the-shower bop, and have I mentioned the clarinet solo?

CLT DRP - I Put My Baby To Sleep (It's pronounced Clit Drip) What can I say, another explosive, genre defying, track by one of the best bands in the world. Now go listen to the entirety of Nothing Clever, Just Feelings.

Orla Gartland - Kiss Ur Face Forever Joyous, peppy and "let's play a game of emotional monopoly, in the name of monogamy" may be the best couplet I've heard this year. It's just fun, so much fun.

Bring Me The Horizon - LosT When LosT first dropped, I referred to it as the geccification of BMTH, I meant that in the best possible way. I really enjoy how the hyper-pop elements lift this track up. "The next time that I open up to someone will be my autopsy" is one of the finest Oli Sykes-isms we've had in a long time.

Swans - No More Of This Okay, so the actual Swans track that should be on this list is The Beggar Lover (Three) but apparently putting an uncompromising, nigh impenetrable, 43 minute long epic in the middle of a playlist is terrible for retention, and I'm a coward. But if you have a spare 50 minutes, go give it a listen.

Pupil Slicer - No Temple Pupil Slicer continue to prove themselves to be one of the most exciting bands in Mathcore. Pushing against the boundaries of genre in a genre where pushing against boundaries is a core philosophy, No Temple is, according to the band, the heaviest song they've ever written. The bass guitar work is an exceptional standout for me here as it pushes against the rest of the song.

Carly Rae Jepsen - Psychedelic Switch With every CRJ album project comes a B-sides album, and with every B-sides album comes an absolute banger. Psychedelic Switch is undoubtedly this for the Loneliest Time/Loveliest Time project. You'd be forgiven for thinking Daft Punk themselves reunited to produce this french disco flavoured bop.

Soft Play - Punk's Dead Who the fuck are Soft Play? Sound like a bunch of lefty snowflakes. I've missed these boys, doing this kind of thing. The Robbie Williams feature is inspired.

Chappell Roan - Red Wine Supernova Red Wine Supernova is sexy, self-assured, feel-good, sapphic fun. It's a testament to how good a song is that lyrics like "I heard you like magic, I've got a wand and a rabbit" doesn't detract from it, but actually elevates it's effortless charm.

JAAW - Rot JAAW are an industrial metal "supergroup" formed of members of Therapy, Three Trapped Tigers, Sex Swing and Biglad. That is likely mostly gibberish to the average music listener, but to a niche few, it's a very exciting prospect. What it sounds like is swelling, tumultuous walls of noise, tortured screams, screeching guitars and pulsing distorted bass. Catharsis through noise.

Better Lovers - Sacrificial Participant More supergroup! Greg Puciato teams up with ex-members of Every Time I Die and Will Putney (of Fit For an Autopsy). I was devastated by the split of ETID, (off the back of the phenomenal Radical adn jsut before I was due to see them live), but Better Lovers is one hell of a silver lining. Puciato's energetic vocals bounce wildly off of the erratic musicianship that was the cornerstone of ETID's sound. It's a perfect match on record and is even better live.

Architects - Seeing Red Bless Architects. They're a band that are truly a victim of their own success, as they've tried to pull their sound and ethos in new directions it's been met with a huge amount of negativity from their own fanbase. Seeing Red is a reaction to this. "You want heavy? Here's heavy. Are you happy now?". Blegh.

Teen Mortgage - Sick Day Sick Day is a 2 minute punk blitz about how you are worth so much more than your labour and how having a cute cat you want to look at is a perfectly valid reason to stay at home. Capitalism 0 - Cats 1.

Purity Ring, Black Dresses - Shines Purity Ring and Black Dresses are both Canadian electronic duos and that's about where the similarities stop, but that just makes this collaboration all the more interesting. There's so much going on here, the chaotic harsh frenetic noise of Black Dresses, Ada Rook's screams, the twinkling synths of Purity Ring and sing-song melodies of Megan James. Somehow it pulls together to create something of true beauty in its own weird way.

Dream Nails - Sometimes I Do Get Lonely, Yeah Dream Nails take on the rising issue of incel culture and red-pill ideology, with grace and empathy. Pointing fingers not at individuals but at the systems and powers that enable and create these pipelines to hatred and bigotry. It's a bold and challenging idea, executed superbly.

Baby Dave - Sounds Good When a fan sends you an unhinged voice message out of the blue offering you a bite suit and dogs to shoot a music video, obviously the thing to do is make a song out of it, then take them up on their offer and use it as the video for that song. There's a great OPM era The Streets vibe to this track that plays off nicely of the grounded reality of its subject.

Sleep Token - The Summoning Sleep Token do the impossible, they make prog-metal (the unsexiest of all genres) , undeniably sexy. Nowhere is this clearer than on The Summoning, a 6-and-a-half minute epic of a track with multiple time signature changes and tonal flips, that somehow still oozes with a swaggering sexuality throughout it's runtime. The out-of-nowhere funk switch up on the end of this track is perfection.

Lambrini Girls - Terf Wars Love those Lambrini Girls, they say what I'm thinking, and they say it loud.

Ezra Furman - Tether This one had me in floods of tears from the first listen. A classic string-laden piano ballad about inescapable pasts and the desire to cut yourself free from who and where you've been.

The St. Pierre Snake Invasion - That There's Fighting Talk This track does two things it builds and it STOMPS, like real "put on your heaviest boots and then strap lead weights to them because they need to be heavier" stomps. An industrial-mathcore floor-filler, the song crescendoes then continues to crescendo into ever greater insanity. Get Stomping.

Calva Louise - Third Class Citizen Calva Louise's sound has evolved so much since I first fell in love with the band listening to their 2017 debut single Getting Closer. Third Class Citizen has elements of Muse in it's bass-lines, stadium-sized guitar riffs and fizzing production. The vocals and lyrical content make it something altogether its own though, the palpable fury in vocalist Jess' voice as she demands "Respect, motherfucker" is real and visceral.

HEALTH - Unloved Off the back of their genre spanning, multi-release collaboration project, DISCO4, RAT WARS sees HEALTH back in a focused mode and delivering their heaviest album to date. Unloved is a moment of relative respite on the album though, a Depeche Mode tinged track, soaked in 80's reverb and ready for the goth club. HEALTH pull you into their world of misery and beauty with catchy hooks and pulsing bass.

Anohni and the Johnsons - Why Am I Alive Now This year saw the release of "My Back Was A Bridge For You To Cross", Anohni's first studio album with her band since 2010's Swanlights. The abrasive electronics of her solo albums are traded in for warm soulful tones and a raw almost live-feeling instrumentation. It's a beautiful, deeply emotive, and incredibly present sounding album. Feeling as if you are being drawn into the recording process itself, Why Am I Alive Now? is an existential lament on finding purpose in a purposeless world, in navigating through suffering to find hope and love. On learning why to be, when it feels like the world is set on stopping you from being.

HMLTD - Wyrmlands THE WORM IS HERE! Wyrmlands is an example of one track on an album that should be listened to in its entirety. The Worm is a concept album at its most conceptual, eschewing genre and at times structure entirely in favour of narrative and ~vibes~. It's a dizzying disorientating listen, that will leave you' with more questions than answers, but thankful for making an attempt 're mind awash with unanswered questions and fresh ideas.

Billy Woods, Kenny Segal, Danny Brown - Year Zero Year Zero refers to an apocalyptic cultural reset. Society has reached a breaking point and we must start from scratch, everything before was for nothing. Billy Woods and Danny Brown play two different sides of the same coin. Woods, stony faced and deadly serious "My taxes pay police brutality settlements" is the herald of the end "Burn it down with us inside". Danny Brown, the manic joker, revelling in the freedom of a new world, rhyming Good Will Hunting with Cool Runnings and dropping bars about ice cream machines. It's a compelling way to deliver a narrative.

#music #2023 #Spotify

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ox1-lovesick · 1 year

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if your mutuals were to debut in a kpop group, which one would they debut in and what would their positions be?

omg more games 🤭🤭 l e t apostrophe s g o

✧ @yv17 : ive

nora's the only reason ive are beating the co-worker allegations LMAO she'd probably be main or lead dancer with a sub vocal or rapping position, always being praised for her dancing skills cause she eats every performance wbk 🙏 the most chaotic member she's like a 3 year old on a sugar high. laughs at everything and can never take anything seriously 💀 THE STAR OF VARIETY SHOWS the hosts are begging to have her on the show because 1. she's hysterical 2. their views always go up by millions when she's on air. tells fans EVERYTHING they know what time she shits. complains to them about work and school and comes up with plans to escape the country, move to a rainforest and live as tarzan with them. constantly in dating scandals cause she's ogling a new idol every week 💀 there's compilations and everything "nora and her endless crushes pt528" one of those idols who goes "i wish" when addressing dating rumours she's so unserious 💀💀

✧ @haknom : fromis_9

K JUST FITS FROMIS PERFECTLY?? she'd eat DM era up. all of the fromis girls are such sweethearts and so is kayla, they'd all have the greatest chemistry, the most wholesome group to exist. i think k would have a lead vocal/lead dancer position and maybe a sub rapper 🫶 k gives such saerom and jhoon vibes ngl. the sweetest sweetie on earth has those yt complications of her just being her adorable self 💔

✧ @blurredplatform : mamamoo

lirin would go so well with mamamoo's concept, i can just envision it perfectly 🤭 lead vocal!! has those heavenly adlibs that make you ascend. great stage presence too, is often the thumbnails for performances and events 😩 everyone loves her cause she's the biggest sweetie!! the entire fandom loves lirin and her personality. queen of variety shows the hosts and everyone else are rolling on the floor at the end of it 😭

✧ @lov3niki : enhypen / aespa

kim and niki are in a dating scandal every 2 business days it's actually ludicrous. definitely main rapper or dancer, the only reason people watch aespa stages 💀 also has great flow and enunciation, her raps are always catchy and go viral within minutes. i see kim being similar to idols like shuhua or keeho 😭 all her posts on twt are tagged #wap and fans lose their minds every time. TROLLS SO MUCH will go on vlive in a hazmat suit and hyperventilate everytime you can see a strand of her hair to make people think she dyed it only for it to be the same colour as the last comeback. probably spoils the entire album and mv before the comeback is even announced 💀👎 tells the members "jou ma se poes" means "i love you" and then laughs at them 💀 has a kurt darren playlist prepared for every live the group has and forces everyone to sing along 😍

✧ @itssmila-fics : lesserafim

the yeonjun of lesserafim, hands are groping 24/7. probably a lead rapper and dancer! she has a really good flow and enunciation that everyone loves and always gets praised for her verses. i can also see mila as a producer! writing her own lyrics for some of ssera's tracks and maybe for other groups too. the most unserious person ever sometimes you wonder if she needs a visit to the psych ward. get's along especially well with yunjin and kazuha! the most iconic trio they're so funny and have a sense of humour that everyone loves! says the most out of pocket things and shares everything with fans.

✧ @tzyuki : red velvet

ej belongs in rv, argue with the wall. the way she'd eat bad boy era??? drags in all the stans from across the globe she's so iconic. definitely a vocalist! heavenly vocals that make you levitate, gives nothing but her 100% every single performance, one of rv's best performers along with seulgi and wendy!! the most aesthetic, pleasing to the eyeballs instagram ever. ej's blog is so pretty my eyes start sweating. a very comforting idol, her lives are always so therapeutic. one of those idols who has deep talks with fans and luvies adore her for it. very encouraging as well! kind of like yeonjun in that aspect, she's a sweetheart and must be protected </3

✧ @deeznutsriki : bts

NOW HEAR ME OUT sree gives MAJOR hobi vibes they'd be such a good pair!! sree, jin & hobi are always cracking dad jokes and laughing while the others just watch in disbelief. definitely a main vocal, it's the desi genes 🫶 literally flawless on stage, hits high notes like it's nothing, dances effortlessly, stage presence galore like there's nothing she can't do. army's are inlove with sree and protect her with their life.

#𝐈𝐈. ── 📻 asks!#𝐈𝐕. ── 🫀moots!#𝐈𝐈𝐈. ── 👥 anons!#𝐗𝐈. ── 🎮 games!#yv17 <3 #itssmila fics <3 #lov3niki <3 #haknom <3 #blurredplatform <3 #deeznutsriki <3 #tzyuki <3 #it's 4 am don't mind mistakes💀#GN Y'ALL

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dustedmagazine · 7 months

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Listed: Andrew Lampe

Andrew Lampe is the sole member of Invultation, the black/death (or “war metal”) project out of Columbus, OH. Andrew is mostly known for his solo work throughout the past 15 years, including projects that span the various sub-genres of extreme metal such as: The Wakedead Gathering, Debauch, Irradiated, LONGBARROW and Echushkya. The newest Invultation album, Feral Legion, was released by Sentient Ruin Laboratories on August 18th, 2023. Dusted reviewed it, here, noting that the record “launches precipitously into black/death’s hammering, crunching, high-velocity intensities,” with music that is “feral, sharply clawed and full of rage.”

Here's a list of things that have inspired and influenced Lampe.

Bolt Thrower — “At First Light”

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To start off this list, why not go with (in my opinion) the greatest opening track of all time. Every time I listen to this track it makes me want to run headfirst into battle. Bolt Thrower released nothing but classic albums and their dedication to excellence has always been a quality that I try to emulate.

King Diamond/Mercyful Fate

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Both of these bands are in my top 5 of heavy metal bands but I have to give a slight edge to King’s solo work since Andy LaRocque is one of my favorite guitarists. The idea of each album having a story and theme has also been immensely influential to my own music, especially for The Wakedead Gathering.

Archgoat — “Grand Luciferian Theophany”

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If you listen to any Invultation material beyond the demo you can hear the Archgoat influence almost immediately. This track, in particular, is the inspiration for the slower riffs that I use fairly frequently in “breakdown” parts. There’s just something about the groove that Archgoat is able to achieve in their slower riffs that is so catchy and dark sounding.

Incantation — “Upon The Throne of Apocalypse”

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One of the first death metal bands that I ever got into; this album is perfection of the OSDM sound. The rough mix enhances the atmosphere of these tracks. I throw on this record pretty regularly for inspiration and just to headbang like a lunatic.

Gravesend — Methods Of Human Disposal

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These guys kind of came out of nowhere a few years ago and after hearing their demo I was immediately hooked. I don’t know of any other band right now that crushes as hard as Gravesend. Getting to see them live was one of the highlights of my year in 2022.

Dark Angel — “Time Does Not Heal”

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I know that this album isn’t usually the favorite for fans of Dark Angel, but I absolutely love it. Famous for containing 246 riffs, but not a single one of them sounds like filler or seems unnecessary. Also, lyrically, they really put a lot of thought and emotion into each track. When I can’t think of an album to put on and I want something fast I always end up going back to this one.

Vader — “De Profundis”

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Another of my first tastes of death metal was Vader. This album comes raging right out of the gate with, “Silent Empire.” The part that starts at 2:40 goes so fucking hard. It’s impossible not to thrash around like a maniac when it hits.

Kohti Tuhoa

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I also have a background in punk music and I love hardcore and d-beat, especially from the Scandinavian scenes. Kohti Tuhoa keep churning out catchy, aggressive albums that I can’t get enough of. Helena’s vocals sound so pissed off, but she also has such a great range. I highly recommend anything they’ve done.

Savage Necromancy — “Feathers Fall to Flames”

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Another modern black/death band that appears heavily influenced by Archgoat. The opening track to this album sets the tone for the rest of what’s to come (sensing a trend here?). An insanely strong vocal performance and crushing production. One of my favorite albums to come out in the last few years.

Occultation — “Silence In The Ancestral House”

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Fall has officially begun, and I can’t think of another album that so perfectly captures the feeling of the season. It’s a shame this band broke up after only two albums, but at least we were left with this amazing album. The track I highlighted here, “All Hallow’s Fire,” is the ultimate Halloween song to me.

#dusted magazine #listed #andrew lampe #invultation #bolt thrower #king diamond #mercyful fate #archgoat #incantation #gravesend #dark angel #vader #kohti tuhoa #savage necromancy #occultation

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thatbangtanbloom · 3 years

Text

unspoken | bts [1]

unspoken

teaser | [1]

characters: kim namjoon, kim seokjin, min yoongi, jung hoseok, park jimin, kim taehyung, jeon jungkook, reader

pairings: ot7 x fem! reader

categories: angst, fluff, smut

genre: idol!bts, idol!reader (maybe obsessive!bts??? yandere!bts???)

warnings: reader has her life TOGETHER (???appears to anyway), jungkook being sad about reader giving others (mostly tae) attention, make out on the couch, sex on the couch, all the boys kinda obsessive behavior mentioned at the end?, bts members are possessive (mostly jk!!), (uhhh may be slight yandere themes? no violence to)

a/n: this follows immediately after the teaser, so it mostly focuses on jungkook!!! other members will be introduced in the next chapters

It wasn’t like you weren’t used to holding things together. You had been trained for years to be a top idol. Five: those were the years you spent bringing your lyricism to perfection, years dedicated to personality training for variety shows and publicity conferences, years conjured up in between vocal training sessions and dance practices to make you every bit of a fourth generation idol that you could manage. As the leader of one of the the top girl groups in Korea, you had grown used to taking constructive criticism and turning it into perfect moves. You leveraged commercial film deals with ease as you opted for optimal screen time for each of your members easily. You easily quelled squabbles between the four other members in your group over bouts of jealousy and short term argument. For years, you trained as a lone gem to bring both men and women to your knees alike with the mere turn of your wrist or seductive smile. You were trained for everything.

What you were not trained for were your seven boyfriends. The seven of them did not hold a single provision in your years of training nor was there any booklet for explaining how to juggle their varying needs and degrees of affection they desired from you. None of them has been forecasted as an event in your already packed schedule between V-Lives, fan meetings, press conferences, or music shows when collecting win after win. You still managed your best.

When you were not preparing for a new album, learning a new dance routine, or writing new lyrics, your time was divided up amongst the seven of them. You often accompanied Seokjin as he played Maple Story with you settled into his lap with a giggle whenever he complained about the new skins. Or, you could be found sitting in the studio with Yoongi drinking iced americanos (a drink you detested more than the monthly evaluations you had as a trainee) working on lyrics together with your fingers entwined together. With Hoseok, you spent the bulk of your time dancing to your hearts content or pressed against one another in ways that would appear amoral if not for the spoken seductions he would whisper to you. Namjoon’s own commitment to giving you an endless list of recommendations as you laid in his arms, conversing about the black ink on white pages with full hearts. Jimin often meant being cuddled under heaps of blankets as you watched animal videos together and played with his hair when you were not reassuring him of how well he had done the day before. Taehyung meant practicing the scripts together for the dramas you would audition for and splashing each other to your hearts content as you washed the dishes of the dorm after Seokjin cooked. And lastly, being with Jungkook meant impromptu video shoots all the time; the boy wanting to remember every moment he spent with you as though it would be his last.

You may not had been the most organized, but you did know how to cherish each of your boys just as you did the other valuable people and aspirations within your life. While not meticulous, things almost always went to plan for you when you worked hard enough… but even that meant that surprises (especially the pleasant surprises) could make all the difference.

So it was given when you woke up at five in the morning the next day to find Jungkook sitting rigidly on the sofa, you had an inkling of how your day would go with this very uncommon occurence. The youngest of your boyfriends often opted for staying up only when playing video games or producing new tracks for his highly anticipated mixtape, but you saw nothing in hand but his phone.

“You’re awake.” You comment as you lean over the couch to press your lips gently against his temple. All the tension in his body seems to leave when his arms snake around your waist to send you plummeting into his lap.

Jungkook had always been rather fond of using his strength against you.

“You were with hyung again, last night.” He stares more so as a statement rather than a question. It had been one of those days when things felt a bit too overwhelming and Taehyung had sensed it before you. It was not intentional you found yourself being coddled by the raven haired man, but it seemed to be happening more and more as contract recertification was coming and the girls growing increasingly antsy about future concepts.

You can hear the displeasure in Jungkook’s voice. “Is something wrong?” You ask as you sit up in his lap to touch his cheek.

“You’re always with him.” Jungkook whispers with a frown settling on his lips. “You know he’s not your only boyfriend, right? There’s me... and the others..”

You bite the inside of your lip as you think about the delicate balance of your relationship with the seven of them. Their feelings weren’t as easy as dodging invasive questions in a press conference or could be corrected after a quick meeting with producers. Perhaps you were not as prepared as you thought. You just wanted to hold it together again.

“I know you’re my boyfriend too, Kook.” You say as you snake your arms around his shoulders. “You know that I love you all equally, right?”

Scoffing, Jungkook pouts. “You say that,”

“Jungkook.” You frown deeper as you press your forehead against his. “I mean it. I love you all the same! Each of you have your own charms that make me realize why I wanted to be with you in the first place. I love you just as much as I love Taehyung and I love Taehyung just as much as I love Seokjin. And I love Seokjin as much as I love Nam-“

“야.. 야... I gathered that much. You could have stopped with loving me.” Jungkook jokes, making the familiar flutter of your stomach return. You were happy he understood. “I’m not letting you off the hook that easily.”

“You’re not?” You muse with a raise of your brow.

“Mmm.” Jungkook replies as his hands grip both of your hips to pull you closer before pressing you flushed against his chest. “I can think of ways for you to make it up to me, baby girl.” He is no less subtle as his hands run up along your sides and settle over your breast. He opts for teasing the right one first, circling the sensitive bud between his index finger and thumb. “I can think of a very good way for you to make it up to me.”

He lifts up your white shirt and tugs down the cup of your bra to place an open-mouthed kiss onto your right breast and then your left with a long sigh. “So. so..so fucking pretty and all for me,” His words send vibrations along your skin. He reluctantly pulls back, watching your shirt fall back over your frame and rubs the small of your back gingerly. “I always want you, you know that, right?”

“If you want me, you know you already have me.” You quip prior to kissing along his jawline. He was a sucker for kisses there- he always had been. The thought of your kisses alone could have him cupping the base of his cock and edging himself for release when he thinks about your soft lips on his jaw, his neck, his lips, his cock.

Nevertheless, you scoff at his words. He always amused you when he pulled out that nickname in particular, but you couldn’t deny that it combined with the taunting look in his eyes did provoke some part of you. “I have to get back to the dorms before the girls wake up, Jungkook.”

“I’ll drive you.” He offers with a smile as devilish as Lucifer himself. Jeon Jungkook was equal parts crafty as he was intelligent.

“As enticing as it is to do that and we both know how badly I do want you,” you preface as you toy with the golden chain that dangles around Jungkook’s neck. He had known you were far too fond of it. “That will draw attention.. they’ll recognize your car.” You frown in attempts to reasoning with him. He doesn’t back down though; he never does when it comes to you.

“We can figure things out,” He whispers as he begins to kiss along you neck slowly. The sensation of his lips are gentle in comparison to the way his hips rut against your own. “Just wanna be inside you.. it’s been so long.”

The youngest of your boyfriends always had a bit of an appetite. During award shows, he often was the first to come find you in some miraculous show of stealth. Even during concerts when BigHit would hold its annual New Years Eve Live, he would linger backstage to catch a glimpse of you. You have dated him long enough to know the subtlety was not his forte. Now was no different.

You tug lightly at the ends of his hair to make him look at you. It is instinctual; the moan falling from his lips as his grip on your hip tightens. It does not stop either as he expertly rolls his hips against your spread ones.

“Wanna feel your tight pussy around my thick cock,” He rasps into your ear as his right hand slights down your hip to your ass and cups it. His hands are a stark contrast to how his lips kiss your skin like a brush on the canvas. He wants all of you. He wants to feel a part of you in the deepest way. “Please? I need you so badly, baby.” He whispers as his member presses more in between your thighs, just over your clothed sex.

You let out a curse from his wandering hands. “You really know how to provoke me, huh?” You shake your head in amusement as you pin Jungkook down onto the couch. He follows easily - he’s always been a good boy whenever you’re around you.

“You shouldn’t hold back. You know I like it rough, YN-ah.” He presses his tongue against the side of his cheek. It’s always been a tell of his when he can barely hold it together - can barely hold back from wanting to feel all of you. “No teasing either.” He’s always been eager to test you, eager to see how much you would let him get away with.

You straddle his hips with practiced ease while untying his gray sweatpants, “You’ve always talked too much.” You halfheartedly remark as you tug down the taut fabric down his tanned thick thighs.

“You love it when I talk,” He quips back. He’s smug as his hand reaches out to stroke your cheek gingerly. He watches you with nothing but admiration and lust in his eyes. He’s always enjoyed how you take control, but that does not mean that he is not one to challenge you. What was the fun in fully submitting when you could make him? “But you like it so much more when my head is between your pretty thighs, don’t you? You like the way my tongue thrusts into your tight pussy until you’re on the brink of cumming?”

You give a noncommittal hum as every so often, his thumb presses down over the denim of your jeans to your clit to intensify the flex of his thigh. He’s always loved this view of you hovering over him, moaning from the slightest action he gives you and wanting more until it drives you over the edge. He knows you could quite possibly cum just from this alone, but Jeon Jungkook has always been a generous man.

With this in mind, he takes advantage of your hips lingering over his right thigh after shifting to toss his sweatpants to the side to press his flexed thigh against you and sends you flush against his chest with a smirk. He likes seeing the contorted look of frustration on your look from the sudden change of pace and he only raises a brow. “What’s wrong, baby? Did you think I would give in easily?”

“Oh, Jungkook,” You give a breathy sigh as your eyes meet his own full blown ones. He’s always had gorgeous chocolate brown eyes; the usual galaxy colored in them eclipsed by something far darker. Before you can reprimand him, he presses down harder onto your hips until you straddle his thigh and flexes his thigh once more. The sensation makes you sensitive, especially when he manages to brush your clit with the slightest action.

What a brat, he was.

You don’t hold back the moan that escapes from the back of your throat. He is more keen to feel all of you when your hands fall to his chest to try to regain your posture, but Jungkook finds it more endearing the way you still grind against his flexed thigh like a fucked out kitten.

He knows that he could cum simply from hearing your moans alone, but you’ve taught him well at holding out. He watches the way your hips press harder against his own thigh, wanting to feel all of him despite the two layers of clothing that separate him from you.

He takes initiative to unbutton the top of your jeans before rolling them down your thighs. He is speedy as his arm grips your waist to press you against his chest and they soon join the puddle of his own jeans on the floor. He has always been insatiable when it comes to you, often eager to drop to his knees and eat you out until the sunrise, and a burning sensation in your stomach tells you that this time won’t be any different.

“What was that about needing to get back to your dorms?” He asks with smirk on his face as he turns your chin to look at him. His words are accusatory, acting as though you were not riding his thigh to fruition. “I can think of a better way to do this, though.”

“So can I,” You reply after finally getting over the initial high of him teasing you.

“Mmm,” Jungkook whispers without another word. Normally shy around others, he never could quite control himself around you. He had no intention on doing so either, especially not when you were half clothed in front of him and he had gotten the taste of you he had wanted, but still, Jeon Jungkook remained insatiable. “I have a request.”

“A request?” You repeat back to him with a tilt of your head. You can tell that he is the temptation incarnate as his hands begin to cup your sex and slowly his middle and index finger begin to tease your wet folds through your panties.

Nodding, he indents his sense with a tug at your panties to send them down your thighs. “Mmm. A request-“ He says before once more rolling on top of you and pinning you down into the couch. He never did get tired of manhandling you-the way your body fell limp under his just with the swiftness of his moves was more than enough to have his cock grow harder to be inside of you, but he would wait. He would be good until you told him not to be.

“And that is…” You find it hard to keep up the conversation, especially when Jungkook drops to his elbows to carefully cup both of your hips and draw you nearer to him. Your pussy grows wetter just from the way his index finger continues to brush over your clit before swiping down your slit to get a bit of your essence and he licks his fingers.

He does not answer you, only opting to connect his lips against your aching cunt without warning. Soft like petals, his lips kiss your clit ever so slightly prior to him moving closer to you like a man starved to begin to send stripes of love against your cunt with his tongue. The first of them has you bucking your hips to entrance his face between your thighs, but the rest nearly have you twitching for more. Perhaps you were a bit more worked up then you anticipated.

Your hands immediately find chase in his hair, wanting to remember each thrust into your tight pussy from Jungkook’s thick tongue. He is careful to savor each drop of your essence that begins to paint his jaw with love. He honestly thinks he can grow drunk from the amazing taste that dribbles from you.

“Fuck, you taste so good.” He rasps against your cunt, only adding to the vibrations of your tight pussy. “I just wanna stay between your thighs forever.” His licks are ultimately calculated, but every now and then he grows lost in your essence as his nose begins to bump against your clit every so often. The added sensation has you nearly stuttering out his name. “Fuck, I really want to be inside this tight pussy. You like the way I eat your pussy, don’t you?”

You are keenly aware of Jungkook’s love of praise and you ultimately have no problem giving it to him as you choke out on your moans, “That feels so good, Kook-fuck- baby boy, knows how to eat pussy well, doesn’t he?“

“Fuck, I almost just from hearing that,” He rasps out, making you realize how he grinds against the cushion of the couch at the same cadence of you bucking your hips. He’s so fucked out at this point, barely able to hold it together when he can feel how tightly your walls clench around his wet tongue. It turns him on to no end and he can only think of how tightly you would fit around him. “You know,” He pulls back slowly, but his fingers still return to scissor inside your wet cunt as he leans forward on his knees to hover over you. “You know you could have all of us to yourselves, right? For a whole week… no distractions,” He curls his fingers inside of you, making you moan louder in pleasure from how good it feels. “It’s been a long time since you’ve felt Yoongi-hyung’s tongue inside of your pretty pussy, huh?”

The thought of Yoongi alone make you tighten your hips a bit more and you nod. Yet, you still question, where is he going with this?

“I’ve been thinking.. well,” He stops rubbing your clit for a moment to make sure you have his full attention before adding another finger. Before he can continue, he finds himself growing more lustful for the essence that pools at your hips and returns his mouth onto your wet cunt with a sigh of relief. He’s in euphoria with each moan that escapes your mouth. “You taste so fucking sweet “-and we want to go on a trip. The eight of us. You’ve got break and so do we coming up. I’m sure we could fit things together, right?”

Fitting things together - all you can think about is how perfect Jungkook would fit inside of you if he weren’t eating you out right now, but you are not one to complain. You are more than happy to spend time with the boys, “Of course… I would love tha-“ You suck in a deep breath to mask the moan when Jungkook finds your g-spot without much need to look. He memorized you like the back of his hand.

“Mmm, I can tell you’re close.” He smirks as he slaps your ass. The added pain as you wiggling your hips for more friction against his tongue, but he likes seeing you like this. Completely at his mercy and every whim to treat you as he pleases. You who seemingly always held things together, crumbling right in front of him as a slobbering mess as he eats you out. It was so hot.

“Shit-“ You rasp out as you feel the familiar twinge in your stomach. Your walls only tighten more around Jungkook’s fingers as he speeds up the pace to watch the way your face contours into pleasure. Your back arches when he curls his fingers inside of you for a third time and unknowingly to you, Jungkook finds his own release chasing after yours when his cock throbs more in pleasure. “I’m so close Jungkook-“

“Me too, baby, fuck,.” He whispers as he increases the thrust of his fingers inside of you to match the thrust of his own hips to bring you both to your eyes. His thighs flex as the familiar tension in his stomach bubbles up and he wants to cum all over you. God, he wants to lick every drop of your cum from your body as it mixes with his own.

Without another word, your high comes crashing down as your eyes shut closed and your hips buckle one last time around Jungkook’s fingers. You call out out his name before realizing it and tightly encapsulate his fingers between your thighs as you lazily ride out your high.

Jungkook does not fair any better as he uses his free hand to cup the base of his cock and pump the aching desire that begins to consume him. Seeing you cum is more than enough to have his stomach tense one last time before white ribbons paint your stomach, making him grunt in pleasure from how sexy you are and the intensity of the orgasm that he had just experienced.

He collapses on top of you, sighing into the crook of your neck as he nuzzles his face affectionately into your own. Despite the ache in your core somewhat subsiding, Jungkook still grinds his softening cock against your thigh for the last of his high, “Fuck.. that was so good.”

“You did well,” you reassure him as you pant up and down. You turn your face to press a kiss against his lips and smile. “I’m also excited for this trip you guys are planning.”

Jungkook blinks as he thinks about the trip and nods shyly. He leans more into your touch, wanting to feel all of you as he snakes his arms around his waist to hold you close. “I am too… I just really want to be with you, but the others also want it too…”

“I want to be with them too. I love you and them, you know?” You whisper quietly into his ear while gingerly stroking his cheek.

“I love you too,” Jungkook whispers against your skin while leaving butterfly kisses along your shoulder. “But.. can I ask you something else?”

You nod, “Mmm?”

“Please don’t spend so much time with Taehyung,” Jungkook whispers as he finds himself growing more demure. HE doesn’t want to see your reaction; the way your features furrow into confusion at the request in fear of you rejecting him. “I’m not saying to avoid him.. but .. but please try to be with me a lot, too.. I. I worry you’ll stop loving me… or won’t think of me.. and forget me.” He felt incredibly vulnerable in front of you, especially now when he has done his best to give it all to you, but it still makes him nervous.

“Jungkook,” Your features soften at his words and you gingerly stroke his cheek. “I think of you so much. You know that right? I love you a lot and will do better since it worries you. You mean just as much to me as everyone else does.” You smile warmly, “So don’t worry about it… okay?”

Your words provide him some solace, so Jungkook shyly agrees, “Okay..” He whispers, but his grip on your hand doesn’t let go. Nevermind that he was your boyfriend, along with his six haunts who you loved equally just as you loved him. He could sense the growing tension between the seven of them as they all tried to vy for your attention.

He knew of Jimin’s own interest of whisking you away from everyone with his pretty eye smile and wanting to teach you contemporary dances so you could see the way that Jimin would lead you away. Hell, even Jimin had suggested that he would be eager to take you away from everyone if he had the chance. Namjoon was no better, only thinking of the sparkle I your eyes as he suggested a new book to you, a new concept that ultimately left you in awe of him to where you would ideally follow him and never move away.

Seokjin had made it clear of his own intents to have you and you alone when he suggested taking you back home to meet his family and see the traditional way of doing things in Korea; the smile his parents would give from finding someone so prim and proper like you. Though appearing aloof, Yoongi had his own stake in luring you into his own embrace through words of eloquence, rhymes to make your heart dizzy, and a tongue to course you into things unimaginable. Hoseok’s own methodology of spoiling you to no end with attention and suggested dancing was the first part of many to guide you into his charms; the others focusing on learning every bit of you until the end for him to ruin.

Taehyung had been the most bold of it - eagerly molding himself to be whatever you wanted under the guise of practicing monologues and scenes from his favorite movies. Too keenly aware, Jungkook could recognize how very much their own behaviors were no different from his own as he laid in wake to catch you alone and make you his at every opportunity he could with a voice like a siren and bright galaxy eyes that made you want to give him anything he asked for. He had to be keenly aware of this when it would be so easy to let go with six others wanting your attention alone.

To make you let go. And he would be damned if would let you go, either. If he couldn’t have you, no one else would be able to either.

- - - -

Don't be a silent reader! how do you think the relationship is going to go now that you know a bit more about the relationship dynamic?

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btsandvmin · 3 years

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Ask: Reply - 2021.04.16

Time to answer some more of your questions. I have a lot this time, and still a lot left I’ll have to save to another post. You are all very good at being curious and asking interesting questions. There are also some asks that are replies to old asks, and then I’ll include the link to the referenced post.

This time the topics will be:

Ask 1 - About KTH1 and expectations Ask 2 - KTH1 spoiler with “Oh lady” Ask 3 - Vminies getting superiority complex Ask 4 - Not dismissing the bond between Vmin and the other boys Ask 5 - Other people’s words can influence your thoughts Ask 6 - Vmin not sharing rooms in Bon Voyage Malta Ask 7 - Has being a Vmin shipper always been so overwhelming with all the content? Ask 8 - “Just a friend” interview Ask 9 - The garnet necklace Ask 10 - Vmin in CMs Ask 11 - Taehyung uncomfortable about shipping/tae*kook? Ask 12 - What did Jimin write on his shirt in Run ep. 53? Ask 13 - Gina Maeng ask follow up Ask 14 - Vmin’s love is beautiful (and so much nice praise omg)

Today’s post is a long one... Enjoy!

Ask 1 - About KTH1 and expectations

Ok, so I did write a shit post about this... (I mean… This is literally all Vmin’s songs so far ), but I still think your questions are worth a proper answer.

Honestly I think speculating about KTH1 is kind of hard, and as seen in the shit post I am quite torn with my expectations... In general I am the type who doesn’t like to expect too much in fear of being disappointed. I rather be pleasantly surprised. That being said Vmin does have a track record of getting involved in each other’s songs. I mean a lot is just speculation of course, but we do have confirmed cases as well, enough to not be too surprised if they would keep it up and do something for Tae’s solo album as well. (Tae saying his mixtape would be named Jimin back in 2016 still haunts me.)

On the other hand, they have already given us a lot of collabs. Adding more would feel more like a statement, at least if it would be only Jimin out of the members on that album. The thing is that if Vmin would have something “real” or at least if they are a bit careful with how they come across... I am not sure they would do something too “obvious”. But where such a line would be drawn is impossible to know. I mean clearly they managed to write and sing Friends and it worked fine, even if they did get more attention as a ship.

We also know Tae has been quite loud about Jimin in ways that single him out, so maybe they would really dare push the boundaries as far as actually including Jimin in the album somehow. It’s also very possible there could be other members, and honestly we probably shouldn’t hyper focus too much on it and that it has to mean something no matter if anyone is on it or not.

I think one of the rappers being on it is probably more likely out of the members, but it seems Tae has shown an interest in collabs with people outside of BTS, so that’s kind of what I am expecting the most. No matter who in the group is on it I am sure fans will make a big deal out of it, and maybe Tae would rather have his own thing for his first album. I really don’t know how his thoughts would go.

But again, looking at how Tae and Jimin has talked about working together, and have had moments like Tae promising Jimin a song or Tae saying they will work together again... It’s definitely not impossible to get another Vmin song. I do feel it’s more likely for any connections to be vague and not instantly noticeable though (at least not anything romantic looking because we know what happened to the Christmas song). Especially considering how they have only recently revealed things like 4 clock’s inspiration more openly and had Friends followed by Sweet Night. My main stance for any possible real ship is still that they have reason to be careful, and yet another Vmin collab, on Taehyung’s first personal album would probably raise some eyebrows considering everything else we already have. But it could also be me over analyzing them, and maybe they just really like and want to work together. Tae for sure has after all been vocal about this preference and want to work with Jimin.

So yeah, on one hand they have a track record that is hard to ignore... But on the other I wonder if they might want to add another “point” for ARMY to look at them and their songs. I also don’t want to assume that if there are songs on there that sound romantic that they automatically will be about Jimin. There will have to be legit possible connections for me to acknowledge them.

It’s tricky. I guess we will have to wait and see. I am kind of scared both that there won’t be anything or that there will be SOMETHING. Thank you for the ask, and I hope I shed some light on my thoughts on this subject. Either way I am very excited and looking forward to an album full of Taehyung’s own songs and the stories he wants to tell.

Ask 2 - KTH1 spoiler with “Oh lady”

I am not sure it is “lady”, since it’s a bit unclear in general. He also has a part that just seems to go “do be do” and I don’t know if the lyrics are even finished or if he worked with someone else etc. We basically lack a lot of information. But even so using lady/her/she etc. in a song doesn’t have to mean it is about a specific person or that the person is a she or that it is Taehyung’s own feelings (I know he said he usually sings about things he have felt, but just saying it doesn’t always have to be).

Of course I don’t want to downplay it and say it doesn’t mean anything, but considering their fanbase is majority women, they live in a homophobic country and he has even been denied to sing a romantic song with a man before, it’s not impossible to add that to make it more “relatable” or less “gay”. God, that sounds terrible. I don’t want to start discussions where we don’t take their words for what they are, so I hope you might understand my point of view. That being said of course it could just as easily be to or about a specific woman in his life that we don’t know about. Or as you say, he isn’t actually in love but is simply writing love songs that could be inspired by non-romantic relationships or movies etc. as was the case for his inspiration for Winter Bear.

Tae also used “she” in Winter Bear, and that seems a bit forgotten. Or people try to say it has to be about his grandmother... Which we obviously don’t know, it’s just the woman people jump to since he used “she” and many people don’t like the idea of him dating a woman or writing about a woman we don’t know. Either way I think we need to remember that anything is possible and we don’t know them personally and how they think or why they choose to do what they do.

I think we need to remember that there is always going to be the possibility that ships aren’t real, that the romantic songs aren’t about Jimin and that either one of them could be in a relationship with someone else (all genders included).

Ask 3 - Vminies getting superiority complex

Hello! I want to address something that has been bothering me for a while now. I have been seeing some vminnies have a superiority complex just bcoz they ship vmin. Its very rampant among new vminnies and twt vminnies. I get that we all feel validated and happy when out OTP claim to be soulmates and bff. I feel that way too. But people have to remember that vmin are real people and their relationship is dynamic. Like they did grow from bff who used to tease e/o and fight alot to soulmates who are gentle and caring. Who is to say that one day they wont drift apart (i hope not and dont think thats gonna happen but for argument sake) so there is no reason to feel superior or look down on other shippers.

If people think vminnies are superior bcoz they are not toxic they probably know they are lying. Lbr i have seen my share of toxic vminnies though may be a lesser number but they are there and its not the ship but its that particular person who is at fault. While i agree that some ship theories cultivate hate and toxicity there may be people among those ships who are just as sane and good as we claim to be. I just wanted to address this bcoz seeing some vminnies on twt saying locals thinking vmin were tgt after coway add is a validation kind of triggered me. I m sure there would have been similar responses to any other ship bcoz they all have been tgt for a decade and are very comfortable with e/o. I just wanted to talk to someone about this and i know you have discussed similar topics in the past. So yeah this was very long.

First of all, on request I won’t show your name, but thank you for sending me this and letting me know who you are. It’s always nice to know who is behind the question. But that being said I don’t mind people asking on anon, I totally get it being a lot easier to ask or question things when you don’t have to reveal yourself. Either way I am just glad to get interesting and important topics and I do think the things you bring up are worth talking about.

As you say, there is this thing when people start to feel and act superior for various reasons, and I too have seen some Vminies do this. Getting a lot of moments is sure nice. But honestly, just imagine if another ship came and mocked Vmin or gloated every time they got more moments. It has surely happened too, and I am sure it doesn’t feel very nice when on the negative end. Just be a decent human, ship moments will always vary and it’s great to be happy about getting moments, but there is no need to compare or look down on other ships. I say it again, shipping is not a competition, just enjoy your own ship and let others enjoy theirs.

As for feelings superior based on group behavior I think we really need to stop looking at groups and start looking at individuals, both when it comes to groups we are part of and groups we consider “bad”. I have said it many times, but individuals of other groups we don’t agree with won’t all be bad, or all stupid or young etc. We might want to tell ourselves they are worse, but it really doesn’t change much.

Being “less bad” it not a merit and it shouldn’t be a competition. We all have our own selves to answer to and we should judge other people based on their actions and not based on what group they might belong to.

I think size and the toxicity of a narrative can lead to more people in certain groups behaving in toxic ways... But I think any person could happen to fall into these behaviors if not careful and aware. Often the change is gradual too, or you feel attacked by the other “rival group” and thus feel it’s justified to attack back, and so it escalates.

Vminies are at the moment as a group smaller, and thus have less “bad apples”. We likely also have a narrative for Vmin that doesn’t require as toxic mindsets, for example extreme jealousy or Vmin being forced to hide. But there for sure are still toxic Vminies, and there are also a lot of non-toxic shippers in all groups. Usually the louder ones are also the worst ones while the chill and nice will remain in their own lane and ship more peacefully. But being part of a smaller group doesn’t make you superior, your actions is what is important.

As for small moments getting noticed or other types of “validation” for your ship, of course it’s going to feel nice. However, what people see and think of any relationship in BTS is still just an outsider view and literally has no meaning for their actual relationship beyond it being a cute moment. That’s why size and popularity also doesn’t matter as any kind of “proof”. Interpretation will always just be interpretation, good or bad, if you like it or not.

Sadly I think we will get more and more toxic behavior from more ships as the fandom grows and as some things get more normalized within those ships’ communities. It’s about certain behaviors growing into a community culture... The more toxicity that is allowed the more others will follow. That’s why bringing up the problems is important, but trying to do so without shunning people so that they don’t go and create their own space where everyone else is the enemy. After all, being open and welcoming and understanding is much more likely to make someone listen and even change their mind than by attacking them.

I answer for my own actions. So does every person. I don’t want to be judged for everything every Vminie or ARMY or Multi K-pop fan etc. has done. Generalization is a huge problem in general, not just in fandoms or ship wars. I do try to be a positive influence, to not judge too harshly and to remember that being hostile won’t help any situation. But that’s about it. I am glad you brought up this topic, because talking about it is important, but sadly I don’t think there is a lot that can be done about it. Just try to be nice and open minded.

Thank you for the ask, I hope you all understood what I wanted to say.

Ask 4 - Not dismissing the bond between Vmin and the other boys

Thank you. I really see no need for it. It’s clear as day that they all love each other, and even if one pair would happen to be romantic instead of platonic that won’t change. We don’t have to compare and we definitely don’t have to downplay the moments they share with each other. All shippers should at the very least accept the the things they do and say as mostly genuine. I trust BTS and what they show us, it’s that easy.

I know some also get influenced by toxic fans, but we really need to remember that no narratives by fans matter when it comes to reality and what bonds BTS share with each other. They are all great people and seem to have such love and respect for each other I frankly don’t understand how you can be a fan if you think any of it is played up to the point some claim.

Likely no ship in BTS is real, but if any is, to me I am sure the ones involved would be happy and supported by the rest of the members. That’s why it doesn’t really matter what ship would be real or not real as long as they are happy. We shouldn’t let our own views and sometimes want or hopes affect the way be judge their reality. This applies for things outside shipping as well.

Thank you for your kind words. :)

Ask 5 - Other people’s words can influence your thoughts

Indeed. The brain is a powerful thing. This is very obvious if you are a multi-shipper or a general fan, but BTS truly has a lot of questionable moments between all kinds of pairs. Focus is a interesting thing. If you like something you will notice it more, and you will also remember it more while you forget other moments. Likewise if something is “negative” like a rival ship you are likely to notice them more as well. This happens even if you just watch the general content and get your own bias. Imagine then how it might influence you when others keep repeating either your happy interpretations or things you worry about? You’ll get it stuck in your head and remember it more than other things.

Like isn’t it funny how we might gush about Vmin sharing beds, or worry about ji/kook or tae/kook cuddling while hope/kook literally sleep wrapped around each other in both Bon Voyage 3 and 4? Sometimes it’s all about perspective.

By now we need to realize that fan perspective will influence us a lot. And in particular if a lot of people say it or if it is presented in a way that makes it sound logical and intelligent. Words have power.

I still think using “Vmin is dead” or spreading worry often in itself leads to people thinking it and it being somehow accepted as fact. In similar fashion getting to hear about certain ships or certain narratives will make us notice things in relation to that. My own words and posts too will have influence on some people that read them. That’s why I try to be so careful, and why I try to avoid using strong words or claims that might cement themselves in someone’s mind. (I’ll actually talk more about the power of language in my big analysis as well)

Thank you for your input, it’s definitely an interesting thing to consider and another aspect of why shipping mentality is so complicated.

Ask 6 - Vmin not sharing rooms in Bon Voyage Malta

Hi and yes, I have answered this before HERE, but it’s ok. I know it’s not easy finding old topics amongst my collection posts.

Collection of asks - BTSandVMIN Collection of asks 2 - BTSandVMIN Collection of asks 3 - BTSandVMIN

In short I think Vmin wanted to share rooms but that Taehyung got fooled when Jimin stopped him from checking the upper room. Because it seemed like Jimin stopped him from walking into that room by saying he couldn’t peak Tae probably assumed it wasn’t Jimin’s room and that when Jimin said it was his room he was joking (his face was definitely something). So yeah, I think he just got fooled by Jimin’s statement about not being allowed to look inside the room before picking. There are other interesting things about this whole moment, but the one thing we should take away from it is how it is one out of now many examples that seem to show that Vmin have a preference to share rooms/beds. Thank you for the ask. :)

Ask 7 - Has being a Vmin shipper always been so overwhelming with all the content?

I wouldn’t say it’s something recent. I say it often, but we really do get very intense periods from time to time with many of the ships. For example in February 2017 with ISAC, fan signs and everything else we got a lot of Vmin too. I remember being overwhelmed myself, and that was coming out of BST era Vmin. We got many moments every day and that’s just one specific period I can remember.

Over the years sometimes we do get these very intense days or weeks with a lot of moments at once. Usually I get asks like “do you think something is up with Vmin lately” or “wow I can’t believe how much Vmin we have gotten lately” but really, it’s hard to tell, because it really does happen from time to time. I also still say we always get Vmin moments regularly as long as we get BTS content, but sometimes a bit more and sometimes less. I am sure there will be more times when we also get “Vmin is dead“ and worried people because we get less moments than they expect. It just happens, up and down and around it goes.

As for what ships are big I will definitely say Ji/kook and Tae/kook are the biggest, but that all BTS ships are big by now. Meaning as soon as we do get moments it will be seen online. Especially if you follow people who talk about it of course. I also think what platform you are on can result in some ships being seen more than others. For example I know ji/kook is by far the biggest BTS ship here on Tumblr while Youtube seems to have more tae/kookers.

Thank you for the ask. Let’s hope Vmin keeps overwhelming us. (But let’s not start to worry if they don’t) ;)

Ask 8 - “Just a friend” interview

Ah yes, I have a bit of a soft spot for this interview myself. I am not sure, but I think it might be from 2017 (since Tae wrote a birthday letter to Jimin in 2016), or at least that’s when I found it and saved it down. I haven’t actually tracked the original source. You can find the translation in the link shared HERE, credits to @95z.

Seeing this close after the chaos of Let’s BTS and other letter confessions it really does seem very cringe for them to express sincere thoughts in these more formal ways. I can’t blame them.

I do think this interview is yet another example of how much Vmin has tried to adapt to each other, learn and be more open with expressing how they feel. They literally inspire and learn from each other in how to express themselves. Isn’t it completely endearing?

I also love how they get each other to feel strong emotions and how they are there for each other when in need. On a slightly more analytical note I also can’t help but note the “just a friend” vs “soulmate” descriptions and how they seem to have a hard time putting it into proper words. We already know this of course, but yeah... They really don’t have an easy time describing their relationship.

Thank you so much for sharing this moment. I was going to talk about it in my big analysis anyways, but honestly I can’t save everything for it, and you mentioned it so who am I to keep it to myself.

Ask 9 - The garnet necklace

Oh yeah, I know that JK wore it once and that the talk was that a fan gave it to all of maknae line. Not much was ever confirmed from what I know, but regardless it doesn’t change why I think it’s a Vmin/soulmate necklace and why I see it as special.

Here is the thing, when I use “Vmin thing” it really doesn’t have to be exclusive. To me it’s the context around it and how they have used it and even reacted to it that makes the garnet necklace something special for Vmin. In the case of the soulmate necklace Vmin wore it a lot. Almost constantly during a big part of 2017 and even a bit into 2018. They also wore it at the same time a lot. I find this very cute, and we all know “couple items” is something all fans enjoy even if it would just be a platonic relationship behind it. But if both of them wearing it was all there was, as a lot of Vmin sharing clothes (or BTS in general sharing clothes) I wouldn’t really think too much about it beyond it being cute. It could still be just a cute thing that Vmin did, but I personally see it as something beyond the normal clothes/jewelry sharing.

(At the very least you can remember Vmin did this while people thought their relationship was dead, which doesn’t make much sense to do if you hate or dislike someone.)

The things I find more noteworthy about this necklace is the fact that the fandom picked up on it and because they wore it so much and so often at the same time it was dubbed the “soulmate necklace”. Possibly knowing this Tae also brought specific attention to the necklace at two times, as if wanting to show it off. Interestingly enough, in one of these times Jimin seemed to ignore Taehyung who was bringing attention to it on purpose. For me it came across as another thing Taehyung wanted to show off and that Jimin was a bit more careful about.

Of course I could have read it wrong, maybe Jimin just misunderstood. But even so, Tae did bring attention to it in specific relation to Jimin. You can watch the clip HERE. (BTS Tell Us What They Love About Each Other & An Update On Tony & Nate From America Hustle Life)

The other time was in Run ep. 39, right after Vmin talked about being in school together and showing off their school uniforms. If Tae is the one to try and highlight something, I feel it likely has some meaning to him at least.

Either way the necklace is basically a symbol of Vmin’s relationship and the fact that they liked it so much and wore it together during a long period I think they liked wearing it not only because they both happened to like the design but because they both had it. If JK also had one and didn’t use it of course it could include him, but I will still say it remains significant for Vmin’s bond with each other.

As for buying a necklace together they haven’t talked about this one in particular, but Tae did mention he bought his tiger necklace with Jimin in NY, so maybe you are mixing the two things up?

Ask 10 - Vmin in CMs

Thank you for loving my blog and for the ask! :) I am not sure if you perhaps meant in a lot of BTS own photoshoots/units as well, but I’ll focus on CMs in this post since that was your direct example. I might go a bit beyond here, but I saw it as a good chance to revisit some Vmin ad moments.

I wouldn’t personally say we have gotten “way more” but I do think because of their Friends unit they got to do some more interviews together and some CM stuff too. I also think we have gotten more BTS commercials in general now, likely because it’s an income alternative to touring during the pandemic. So that obviously means more CMs, and more chances for them to be paired up. They also have gotten paired with others of course (like in the Bodyfriend CM or Baskin Robbins), but most commonly they aren’t divided in smaller groups at all.

We also have gotten Vmin paired up before, both in photoshoots and in CMs. Of course we saw some great ones in 2016 with Puma and NUGU, but I don’t think we got that much more in 2016 and before than in 2017-2019. I think what we can see is BTS having more endorsements after Covid.

Like honestly, the Puma adds are iconic. Of course the original one, but also the revisits from 2018. Puma definitely seemed to like to pair Vmin in particular. (There are so many good examples from Puma that I’m not including)

We also got a snippet in the Hyundai one, also from 2018.

Another snippet from the Coconut Chicken ad from 2017.

I mean, I don’t know if I should count the snippets at all, like from BTS x VT cosmetics in 2019, but I feel sometimes just being seen in the same frame seems to get attention as being paired up so. (I decided to not include being together when it’s at least a third member in the frame)

And guys... Have you ever watched BTS and the milk song?

What did we get so far more recently? In 2020 we had the Hyundai interview.

And the hyundai #PositiveEnergyChallenge

Fila provided a nice one, also from 2020.

Samsung gave us a snippet recently.

Coway was basically couple goals and like the best one in my own opinion (besides Puma because it is going to take a lot to beat Puma).

But other than that? I don’t think we have seen it that much, have we? I am not complaining or anything, like I am happy with what we got, but I don’t know if it’s that much. I might forget some obvious ones, but these were the ones I had top of mind. Feel free to add ads if you can think of more recent ones that I left out.

So I think we have gotten more BTS ads in general, also more where they are not all of them or single focus, and that we have seen maybe Vmin getting paired a little more after Friends. But to me there is such a small difference I can’t really say if it is anything particular to Vmin or just BTS doing more CMs.

I mean, I don’t have a sheet of who has been paired with who and how many times over the years. But either way I don’t think we should look too deeply into things like CMs or even photoshoots units. Thanks for the ask though, I hope you enjoyed this mini collection. :)

Ask 11 - Taehyung uncomfortable about shipping/tae*kook?

So this is a thought sent in after THIS ASK though it really brings up a new subject, which is that of Tae possibly being uncomfortable with shipping. As for Tae saying that to a tae/kooker in particular I think we have to remember it could very easily just have been in the moment and we can’t know why he decided to reply to that person in particular.

The Vmin post was not invasive and it wasn’t romantic. I mean, I do think Tae keeps showing again and again that if there is any person in BTS that is special to him it’s Jimin. But the difference in the posts also likely matters, but we can’t know how much. We don’t know if Tae would feel annoyed if a Vminie wrote the same thing as the tae/kooker did, and we don’t know if it was just in that moment that he got fed up with the shipping discourse in general, or if it was because it was tae/kook.

Honestly any shipper, regardless if a ship would eventually prove to be real or not, should not go and invade spaces where the boys get exposed to it. We don’t know if Taehyung would have reacted in a similar way if it happened to be another ship.

Personally I don’t think tae/kook drifted apart as a result of shipping, because honestly they still kept being pretty intimate physically and engaged in fanservice on stage etc. If they truly were uncomfortable with the idea I just don’t think they would “feed it” much at all. I think as they said in ITS they just, kind of changed and it became harder to talk. I’ve talked more about tae/kook and my views on their bond in THIS POST and a little in THIS POST as well as about BTS possible stance on shipping HERE.

I also think all of BTS has a pretty good distance from hate and fandom speculations in general. I think that because they know about shipping and partly also feed into it they probably expect crazy people to some degree as well, even if they probably don’t like it. Hetero shippers as well, or solo stans etc. have very toxic behaviors at times, but I think BTS can recognize that it is kind of “bound to happen” with their popularity, no matter what they do about it. Not saying they would like it, and they could definitely feel awkward or annoyed because of it, but it doesn’t seem to bother them too much as I think they can detach themselves from it pretty well.

I also think “fan opinions” in form of rival shipping wouldn’t really harm a hidden couple as it first would likely be a sort of “shield” and second because they have their relationships and are likely comfortable with them on their own terms. What fans think is probably secondary.

It is possible that they could get annoyed or frustrated at times, but again, if they truly felt bothered by it they probably wouldn’t do a lot of the things they do. Because I am sure they are aware to some degree that fans scrutinize their every move and ship moments. Both Tae and Jimin are some of the most physical out of the members, and also some of the members that seem to like to initiate fanservice moments... So I doubt they would have much problem and can feel secure enough in their relationship no matter what fans think.

Ask 12 - What did Jimin write on his shirt in Run ep. 53?

Hi, I guess you got curious after I talked about this episode recently in my post Ask: Reply - 2021.03.30 (Ask 8 - Going down the rabbit hole, micromoments and shipping vs believing).

I don’t know hangul, but I do know what “Jimin” looks like. On Jimin’s shirt from behind the scenes of Run ep. 53 you can see he’s written his own name “지민” Jimin followed by what looks to be “ 님 “ which is nim. So basically the text on the container in the picture says Sir Jimin.

Jimin seemed very keen on writing his name on both his own shirt and on Tae’s and even tried on JK’s. He failed of course, but he sure did try.

Thank you for the ask, and isn’t Tae cute?

Ask 13 - Gina Maeng ask follow up

Glad you liked my reply. :) (From Ask: Reply - 2021.03.30 Ask 4 - Idols dating members of the same group). Yeah I get what you mean, talking about it openly I suppose isn’t so normal. But since it seems to be more and more fans who assume it happens to some degree maybe it’s not so strange if it starts getting more talked about as well. I’ll take it as a good sign, even if the information is nothing new in itself, being more open is going to make it easier for fans to realize it’s possible for their idols to be LGBT+ or have hidden relationships.

As for K-Population it doesn’t seem to be too well known, but it’s one of few actual examples to be found. So yeah, interesting that we know it has happened, and also that it shows what risks it could mean to get involved with a group member. I think the risk of a falling out is something a lot of shippers tend to forget. Anyways, thank you for your reply. ^_^

Ask 14 - Vmin’s love is beautiful (and so much nice praise omg)

Oh my... I am not sure I have ever been called sweetheart by anyone ever before. Thank you! You are making me blush with all the praise. 💜💜💜

But really, we can all just watch Vmin in awe and be happy they have each other and feel such immense love for each other, no matter what that love is. It’s kind of amazing. Like even if they are platonic their relationship is so wholesome and they put so much love and effort into it that it’s truly inspirational. I love when we get bombed with moments like this with a very intense period of great Vmin interactions. As you, me too never fail to feel all soft watching them together.

95z is love and what a love they share. Truly wonderful. 💜

You take care too, and really, thank you so much for this lovely message. it means a lot and is very heartwarming.

And with that sweet ask I’ll end the post. There was a lot of very different questions and I feel I could have written more about many of them, but alas I need to remember I can’t write full essays on everything or I would never get anything posted. Thank you all for reading and I hope you found my thoughts and speculations interesting. ^-^

#vmin #vmin analysis #btsandvmin #ask: reply #vmin collection #vmin ad #vmin cm #vmin commercial #vmin gif #vmin photo #bts shipping #btsandvmin answer #my post #Ask: Reply - 2021.04.16 #vmin soulmate necklace

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staywritten · 4 years

Text

Studio Time│Bang Chan

Synopsis: Your boyfriend is producing your groups comeback and you learn the downside of dating a perfectionist.

Genre: one shot, angst-ish? Happy ending, idol!Chan, idol!reader, fluff with more fluff at the end.

Word Count: 2108

I wrote this fic like 5yrs ago for a different artist lol But I re-read it recently and still really liked it so I re-vamped it for SKZ. Especially after that episode of Weekly Idol when the members said Chan was sweet to them but he was really serious when he was making music, so I figured this was the perfect fit.

When your label announced that your comeback album will be produced by Chan you weren’t really sure what to think. You prided yourself on keeping your careers separate, but on the other hand he was an amazingly talented producer and it wasn’t often that he produced for idol girl groups.

At this point of his career he was expanding outside of doing work for just Stray Kids. It was an opportunity at which both parties benefited. He could grow his portfolio in a way that wasn’t possible when just producing for Stray Kids and he was an up and coming name in the industry.

You two didn’t date publicly but your members and management were aware of the relationship, so some of the pressure was lifted. You didn’t have to pretend like you didn’t know each other.

Walking into the JYP building, you led your members to Chan’s signature studio. Despite coming to his studio pretty regularly, it was a little nerve racking coming to it for work. You felt just as nervous as you did when meeting a new producer. “Are you excited to work with Channie? How lucky are we! What kind of producer is he?” Your youngest member chimed, hooking her arm with you.

You nodded laughing, giving her hand a little pat. “I guess we are pretty lucky.” Not many producers would be open to input, but since your members had a close relationship with your boyfriend you figured the atmosphere would be lighter. “I’m not sure how he is as a producer honestly. He’s never let me see him work before. Like I’ve seen him make beats, but never recording.”

As you all walked into his studio you smiled seeing him sitting with Han on the couch. “Wally!” you chimed giving the bright green wall a little pat.

“What about me?” Chan pouted.

“What about you?” you teased, giving him a wink.

You did your group greeting and bowed, laughing at how silly it felt. Normally that would be saved for broadcast and fan meetings but it was a force of habit as a leader.

“Awww cute!” Chan chuckled before formally introducing himself just to cover the formalities. It wasn’t often you got to see your boyfriend while working, but you also had to keep in mind that you still had to work.

Chan walked over to you, pulling you into a hug. You wrapped your arms around his neck, smiling brightly. “I missed you” he grinned. You did your best to ignore the aweing from your other members and Han. His nose brushed down the bridge of yours.

“I saw you this morning” you played with the hair at his nape.

“I know, I missed you this afternoon” he laughed, pecking your lips, lingering just a moment too long.

You giggled, melting into his arms. “Aww, you’re being really cute today” you whispered, pulling back to look at him. “Don’t look at me like that” a smile tugged at your lips, as you gently grazed your nails against his scalp. “We have work yo do”

“Mmmm” he sighed into your touch. “I’m just excited to make this song. I worked so hard on it, it’s perfect for you” he smiled. “I made it just for you”

“I can’t wait” you chimed, pulling away from him. He whined letting you step back, a cute pout on his lips.

“Awww you guys are cute, it’s kinda gross” Han pretended to choke back a gag before laughing and grabbing his bag. “I gotta head to an interview, so I’ll catch you guys later.”

After the formalities, he played the demo track for you. Your members loved it. It was fun, playful and it had a bit of an edge to it. You couldn’t wait to record it. That was one of the plus sides about working with your boyfriend. You were actually very vocal at home about the direction you wanted to go in with your group.

This would be your first track of the new year, and all of your members were officially adults now. You wanted something teasing, and mature, yet still youthful and in true Chan fashion, he nailed it.

All that was left now was to record it.

One by one your members did their lines, recording their parts in manageable segments. Chan was very caring with them, almost holding their hand through the process. “Minah, try singing it like this.” he coached her through it, reiterating her part, and changing the articulation toward the end.

She was your youngest, and still wasn’t completely confident in her own voice yet so she was a lot to handle. She did her best to follow directions, but sometimes things were just out of her vocal range and when that happened Chan adjust accordingly. He coached her to give her the confidence that was needed to reach the note. Once she adjusted he clapped and gave her a thumbs up. “Very good, that was perfect! One more time, from the top.” In the end he changed up her part to best suit her voice and she had a cleaner take.

You were proud seeing him so kind. You couldn’t help but watch him with the brightest warmth in your eyes. Your group were like your baby sisters and he was being so good to them.

Unfortunately Minah wasn’t the most difficult take of the day, but he worked with each one of them carefully. In their defense it was a difficult song to sing. It was a very dynamic with lots of changes, not only was this a genre change from your groups usual music it pushed your vocalist and rappers to step up.

Soon enough it was your turn to record.

Although you couldn't really call it recording.

Chan wasted no time in stopping you every few words. Perhaps you were spoiled with how doting and sweet he was with your members. Because it seemed that he had no intentions of treating you in such a manner.

“Babe, can you do it seriously?”

“No- Again that sounds horrible”

“Do it again”

“Again, from the top.”

“Again”

“It’d be nice if I had a single sample I could use.”

“If you can’t do it, perhaps we should have someone else do it?”

“This is kind of embarrassing”

Was this even the same person? You understood constructive criticism. Constructive is what he was with your members. This was just being mean. You slipped off your headphones and glared at him when he stopped you again. That time you were in the middle of another take. It would have been nice to get a single line out with his opinion.

You hated that you wanted to cry.

You had to deal with some pretty tough critics. Producers, songwriters, choreographers, your CEO. Making an album was a high stress process with a lot of hands on deck. It was your job, so naturally it wasn’t going to go smoothly. Especially when everyone had different creative views, but this was the worst recording you’ve ever dealt with in the entirety of your music career.

You just hated being yelled at.

He knew that better than anyone. All those nights, you would come home from work and he’d have to console you after you’d been scolded. Chan knew that yelling immediately shut you down. You bit back your tears, wanting to hold it together for your members. You could see them struggling from behind the glass. It looked like they wanted to say something, at least tell Chan to ease up, but you shook your head and took a deep breath.

Normally you would avoid confrontation and just sing it the way the producer wanted, but you just couldn’t do it. Because what Chan wanted, wasn’t you.

You finally set the headphones on the rack inside before walking out. “Where are you going?” he frowned watching you take your backpack. “We don’t have anything for your part. We need to start from the beginning”

You shrugged. “Give my part to Jieun, she’ll do it better”

Jieun gasped before reaching out to you, shaking her head profusely. “What? But Unnie-”

“It’s fine” you gave her a small smile, trying to calm her. “I’ll call the company directly and tell them I can’t participate in the recording”

“But it’s our comeback track! You can’t not have a part in it” Minah grabbed your hand. She looked back at Chan “Tell her to stay.” Seeing the hesitation in his eyes she frowned more “Chan tell-”

“That’s enough.” you gave her head a small pat. “I’ll be fine. I just need to get out of here. I’ll check in on you later.” you looked to your second in command “Jieun you’re in charge.”

Chan rolled his eyes before crossing his arms over his chest. “So you’re just leaving? Do you always quit like this? Is that the way you lead?”

You froze, hearing his words.

Was he trying to hurt you? What could you have possibly done? He was fine earlier. You gripped your fist, your body shaking before leaving the room with your head held high. You knew when someone was trying to get a rise out of you, and you weren’t going to give him the satisfaction.

On your way through the lobby you ran into Han. He smiled initially seeing you, but as you wiped away your tears he frowned. “Hey…” His gentle voice pulled you out of your thoughts. It was too gentle. Almost sympathetic. You looked up, scrambling to bring a smile on your face. That signature idol smile you gave to the cameras. “You don’t have to do that…” he gave your shoulder a small pat. “Do you wanna get some coffee?”

You sat across from Han at the cafe across the street. He didn't push you to speak. He just gave you a moment to sort out your feelings, let you take your time and figure out what to say.

He sipped on his drink. “Chan-Hyung was being a jerk huh?”

It wasn’t really a question. There was a certain understanding in his voice. You looked up at him, your eyes narrowing. “Is he always like that?”

He chuckled. “Sometimes. Chan is a perfectionist. Always was. Always will be. There are times when our group has come to blows because Chan can just be a little too much when criticizing. Threatening to remove Changbin-Hyung’s part from the song, getting frustrated in vocal ranges…real harsh criticisms...things like that. I don’t even think he’s aware of when he’s doing it.” he sighed. “Like when we record it just seems like the stress finally gets to him.”

Your shoulders slumped. “But he was really nice to my members…Absolutely sweet to them…he was only mean to me. Not that I would want him to yell at my girls-I’d literally kill him. But…” you sighed staring into your coffee. “Why was he being so mean…”

“He was probably being extra careful with your members…”

“What do you mean?”

“When we were recording our collaborative stage with Niziu, Chan was really nice to them. Doting, constructive, an angel. But that day was hell on us. It’s like he had pent up frustrations and just couldn’t hold it in any longer. I swear Minho-Hyung almost quit that day.”

“What type of bullshit excuse is that?”

He shrugged. “No excuse. Just how it is…Like he can only be himself with people that he knows will forgive him. He can be an ass sometimes, but he sure does put out amazing songs.”

“But at what cost?” you sighed, taking a sip of your coffee.

Later that night Chan came home, sheepishly poking his head inside to see you sitting on the couch. His eyes widened as he entered. “You’re still here?” his voice a little more surprised than he’d like to let on. A lingering bit of reliefe to his tone.

You sighed turning the page of your book “I was going to leave your ass. But I figured we should at least talk. Despite what you make think of me. I’m not a quitter” you set your book down before crossing your arms. “So talk.”

“Look, I’m sorry about earlier. It’s just-” he groaned, raking his hand through his curly hair. “The track wasn’t going where I wanted to. It was getting away from me…The only way I’d like the track was for your part to be exactly what I envisioned...for you to bring everything back”

It made sense he did give you the biggest part of the song. The chorus, and bridge were the most memorable of his demo and he gave them to you. He even had you sing the demo for the company to pitch the idea. At the time you thought it was sweet, you had no idea the burden it’d be.

It was obvious this song was made to be a solo for you.

“Your members did their best, but they just didn’t have the vocal range to do the song the way I envisioned it… So I made adjustments and compromises...” he sighed heavily. “And more adjustments...and more compromises...” he rubbed his temples. “Especially because if they can’t sing it at recording they wouldn’t be able to perform it on stage. So one change became another….” he sighed heavily, slumping into the chair. “I loved the song so much because it’s what I knew you wanted to release… But they just couldn’t...and…”

“I don’t think we can work together Chan…” you frowned. “You’re my boyfriend, and an amazing producer…but you can’t be both. In order for us to be happy with the track, and in order for me to be happy with our relationship we can’t work together.”

“We can still make it work. Let’s try again tomorrow.” he looked so hopeful. “I promise I won’t yell, and I-”

“You don’t understand Chan. You made me hate you.” your voice small, as you looked down.

He sank down into himself. His shoulders slumping, hurt etched on his delicate features. Never in his lifetime would he have thought you’d say that. “You…You hated me?”

“I did…for a little bit…You made me hate myself…You made me feel like an inadequate leader, you made me question myself.” you hugged your knees. “I can’t feel like that ever again. I’m responsible for six other girls who look up to me. It’s so easy to get ransacked in this industry, to be pushed and pulled into concepts. They need to believe in me. I need to believe in me and my ability, but with you… I couldn’t. So for my sake…Let’s drop the project.”

He closed his eyes before nodding. “Alright…” He hated that he made you feel that way. He never intended it on getting that bad. He just panicked when he listened to the track, and you were the last person to record. You were supposed to be the saving grace of it. He wasn’t going to release something he didn’t at least like. Once again his overly perfectionist ways almost cost him something he wasn’t willing to lose. “I am sorry…” he whispered.

Producing was one of his greatest joys in the world, and singing was yours. There was just something so utterly heartbreaking knowing that you could never share your passions together. “I know…I’m sorry too.”

He bundled you in his arms, letting you lay your head on his chest. He pressed a kiss on top of your head. “I have one more compromise”

“You don’t give up do you?” you felt your lips tugging to a smile. “What’s your compromise lover boy?”

“What about I talk to your company into giving you this song for a solo for later this year? And you, me and Jisung write up a new song for your group comeback?”

“There’s no time”

He chuckled. “If anyone can write a song in crunch mode it’s Han Jisung” he smoothed down your hair. “I think with your help we can write something that’s mroe ideal for your girls”

“But a solo-”

“Baby I wrote that song for you.” he closed his eyes, pressing his forehead against yours. “That song was yours...And I need you to have it. You said your company was planning a solo debut anyway... so sing this.”

“Chan I love you so much...But I can’t record an album with you”

His beautiful brown eyes gazed into you. “I offered you a compromise, offer me one too”

You pouted. “Fine, since you’re in the mood to make a deal. I’ll take your solo song only if I record with Jisung, and Changbin.”

“Deal” You smiled gently scratching his scalp, and placing a kiss at the base of his throat. “Mmmm...” a groan echoed from his throat. “I’m so sorry about today Baby”

“It’s fine” you relaxed into his touch as he traced patterns into your skin absently. You grinned. “It’s nice to know that you’re not perfect”

He chuckled, throwing his head back. “I never claimed to be perfect”

“Oh yeah?” You sat back, crawling onto his lap. A smile on your lips as you gazed into his eyes. “Mr. Perfect hair” you played with the hair on his nape. “Perfect smile” you placed a kiss on his lips. “Perfect dimples” your thumb brushing against his dimple. “Perfect voice” you pressed a kiss on his adam’s apple. “You are perfect in a million different ways.” you giggled “You’re just not meant t be my producer”

“I can live with loving you in a million other ways.” he stood up, lifting you in his arms and carrying you into the bedroom, your laughs echoing and filling the house.

End.

Hey Friends! I hope you enjoyed that. It was nice revisiting an old fic and breathing some new life into it. If you liked it let me know <3

I’m sorry my Felix scenario is taking so long... I’ve rewritten it like 8 times and I’m getting a bit overwhelmed I’m gonna try and revisit it when my mind is clearer. I’ve been starting at the screen for far too long.

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@skzsprinkles @tophuphu @hugs4chan @channieboyo @tonfilm @innivspearb @mini-meanhoe @poutychangbinnie

#stray kids #stray kids scenario #stray kids oneshots #stray kids imagines #stray kids imagine #bang chan #bang chan oneshots #christopher bang #bang chan scenarios #bang chan angst #skz angst #skz chan #kpop scenario #kpop imagines

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jentlemahae · 3 years

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(Album Review) Sticker by NCT 127 – Did It Really Stick?

Just last week, South Korean group NCT 127 – numbers referring to the longitude coordinate of Seoul – released their long-awaited, third full-length album, Sticker, which immediately caused an uproar among their fans. Some really loved it, while some really hated it (and were not silent about it). It’s the so-called ‘third album syndrome’, where artists create a record that is so new even for them, that it ends up being polarizing for the fanbase. Sticker might have been just that for 127, as fans are either calling it a masterpiece or a huge disappointment – no in-between.

(Those who are already familiar with NCT 127 may skip the following section. Those who are not – buckle up!)

A beginner’s guide to NCT

For those who may not know, NCT (short for “Neo Culture Technology”) is a boy-group under SM Entertainment. The band has been able to stand out from the KPOP landscape since its very debut, and not only because of their music and talents, but also thanks to their distinctive concept. In a nutshell, the idea is that the group can have an unlimited (or infinite) number of members, as fresh new boys can be added to the lineup at any given time. So far, they have accumulated 23 members, divided into four different subunits – NCT 127, NCT DREAM, WayV (fixed units), and NCT U (rotational unit).

Each subgroup has its own characteristic sound and/or concept, but there is one thing they have in common – they are all known for going against the current, be it musically or style-wise. In fact, they are considered the pioneers of the takeover on KPOP by ‘noise music’. But what is noise music? Sometimes affectionately called ‘pots and pans’, it is a genre characterized by an expressive use of sound that is not bound to traditional music rules, and encapsulates different chords and types of notes within a song. Nowadays, it has become the main style of the 4th Generation, and NCT were the ones who truly popularized it to the current audience (despite being 3rd Gen).

NCT 127’s approach to noise music is particularly fascinating. Fans describe their sound as ‘NEO’, which is confusing and vague unless you are familiar with their discography – then it makes perfect sense! The group always takes noise music to the next level, yet manages to not make it sound completely nonsensical and (too) migraine-inducing.

Now that you are all up to speed, we can proceed with the actual review!

Sticker – peeling the songs off

After weeks of teasers and hints, NCT 127 finally unveiled to their eager, hungry fans their new single and album, Sticker. This record perfectly encapsulates the cornucopia of sounds that the band is known for, as the songs go from EDM to hip-hop to heart-warming ballads. And of course, the group’s signature sound – the pots and pans are here, louder and stronger than ever. But enough chit-chat for now – let’s go through the album together.

Sticker (8.5/10)

NCT 127 made the bold choice to open the record with the title track, Sticker. Why ‘bold choice’? Well, let’s just say the song is not exactly easily digestible… The melody is a plethora of sounds, yet feels almost empty and subdued to the vocals at the same time. It is a bacchanal of frenzied beats and a dirty bass line accompanied by a shrill flute and piano, with cut-throat raps and beautiful harmonies that are disjointed from the overall melody. Sticker is chaos, but an intentional one, thus its instability manages to captivate you whilst disarming you.

Truth be told, I was a bit taken aback by the song when I first listened to it. Nothing appeared to make sense to my ears, as they seem to be fighting with the beat (and losing) throughout the entire track. But that’s exactly the point. The disconnection between the instrumentals and the singing is clearly done on purpose, perhaps in order to further highlight the members’ impressive vocals, which overpower and outbalance the otherwise empty beat. Or maybe the purpose was just to render the song more impactful, which sure as hell worked – you may not like Sticker, but the song is likely to remain stuck in your head one way or another.

Lemonade (8.3/10)

The second track was teased by the group prior to the official release of the album with a track video, and was immediately loved by fans. This catchy B-side includes an addictive deep bass which makes the perfect beat for both powerful raps and hefty vocals, a signature cocktail in NCT music.

The song is so good that a puzzling question immediately erupted following the release of the record, and spread like wildfire within 127’s fanbase – why wasn’t ‘Lemonade’ the title track? After all, everyone likes it, both fans and non-fans, and it could easily be something you’d expect to find at the top of the charts. In contrast to Sticker, on which everybody seems to be divided. So, wouldn’t it make sense for it to be the title track, given its striking popular appeal?

The answer is no. What some fans don’t seem to understand is that when it comes down to KPOP title tracks (especially nowadays), the issue is not whether it is the best or the catchiest song on the record. The real question is, does it make an impact? Given how new KPOP groups are popping up left and right, managing to leave enough of an impression on the listeners can make or break a career. The title track needs to be instantly stuck in your mind, and for that Sticker fits the bill, as Lemonade sounds just like any other song you could hear in the first 30 minutes of Inkigayo. It’s good, but ordinary. It just doesn’t cut it, and NCT 127 clearly know that.

Breakfast (8/10)

Third song on the record, Breakfast feels reminiscent of past SM boy groups’ releases, namely SHINee’s song Prism from the album 1 and 1. The song encompasses bright melodies and retro beats with a modernized twist, which serve as a perfect mix with the members’ voices. The song’s main stars are the vocalists (particularly HAECHAN, whose tone works wonders with the genre), while the raps are tamer for the group’s standard.

Focus (9/10)

The fourth track is a mid-tempo R&B romantic song, a genre that is characteristic of 127’s B-sides and displays the group’s more soulful edge. Focus flawlessly showcases the members’ honeyed and warm vocals (especially JAEHYUN’s), and the slow lazy-like raps remind of early 2000’s sultry slow jams. This track was an immediate fan-favorite (as attested by yours truly).

The Rainy Night (9.5/10)

The Rainy Night is an R&B-tinged ballad reminiscent of boybands in the 90’s, and is the perfect follow-up to Focus, as vocals appear to be the true protagonists of both songs. In the track, TAEIL manages to stand out in particular by showing off his impressive range, with his beautiful adlibs on the suit-and-tie beat.

Far (6.2/10)

Next up is Far, characterized by a boom-clap drumline and a chanted chorus. Despite being rather forgettable, it is a good song after all – something straight out of a superhero movie soundtrack. It just sounds like something we’ve heard before at least a million times from about any KPOP boy group out there.

Bring The Noize (6.6/10)

Bring The Noize is about as NEO as it can get, with loud and thunderous beats, growling raps and sounds mimicking a car engine, which together make you feel as if your head were in a blender. Just like Sticker, this song is pure chaos, but of an overwhelming and impetuous kind because of its packed production. Yet, I think that’s where it all goes sideways – Bring The Noize is just too overwhelming, because it’s too crowded. On top of the production overflowing with sounds and effects, the vocal aspect of the song is simply too much. All members sing or rap on the track, but the variety of vocal colors is disarming and confusing to the ears in the worst way. Simply put, some members could have stayed silent in that recording booth…

Magic Carpet Ride (6.4/10)

Doing a full 180 from the previous track, Magic Carpet Ride is a ballad with pop elements, and a melodic beat that particularly shows off DOYOUNG and JAEHYUN’s vocals. Despite being a lovely song, it’s nothing particularly exceptional – it’s good for what it is, but it falls slightly flat and forgettable. Nevertheless, it does a wonderful job in proving that not every KPOP song needs a rap part…

Road Trip (7.3/10)

Road Trip shows off 127’s more boyish and bright side, with nice layers of guitar, drums and delicate vocals, proving once again how the band’s is not just a loud gimmick. The song is enjoyable – however, it’s not something we haven’t heard before from NCT. It’s sweet and lovely, but it’s definitely nothing to write home about.

Dreamer (7.4/10)

This upbeat song gives yet another sweet and poppy feel to the tracklist, with retro beats, trumpet riffs and a happy-go-lucky melody. Dreamer kinda sounds like something out of an Old Navy commercial, but I mean it in a good way – its funky, childlike charm combined with the uplifting lyrics is likely to put a smile on your face!

Promise You (7.2/10)

127 chose to end the album with a letter dedicated to their fanbase, NCTzens. Due to the ongoing pandemic, groups have not been able to meet fans in a long time as they normally would. In Promise You they sing about being separated from a loved one and then being reunited again, which is likely a nod towards their fans. Musically, the song intertwines retro-inspired beats with atmospheric synths, that give it a dreamy-like appeal. The track is sweet and serves as a great album closer, as wrapping up the record with DOYOUNG singing “So stay” in a longing yet reassuring tone, feels like the perfect goodbye.

So, did it stick?

Overall, Sticker is a very well-made album – it has ballads, upbeat tracks, addictive songs, and a decent dose of the good ol’ pots and pans. Does it sound like something we have never heard before in KPOP? No! Does it sound like something we’ve never heard before from NCT? Also… No… But whilst the record follows a similar algorithm to 127’s past albums, it is still incredibly enjoyable without sounding boring or too déjà vu. It has a good 50/50 mix of experimental songs to ballads and R&B-influenced tracks, and it leaves room for both rappers and vocalists to shine.

The album truly screams ‘NCT 127’ – it’s experimental, not sonically cohesive, confusing, and a little weird. Plus, just like all of the group’s music, it’s not everyone’s cup of tea. Or better yet, it’s not at first listen. Sticker might be odd and disarming, but it will get to you eventually – you just gotta let it stick.

8/10

#i had MANY things to say <3 #i hope someone liked it ^_^#btw this has not been through the editor yet <3 hope it's good :D #soph.txt

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x--daughters-of-darkness--x · 3 years

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HALESTORM: Behind-The-Scenes Footage From Making Of 'Back From The Dead' Video

HALESTORM has shared behind-the-scenes footage from the making of the official video for the band's new single, "Back From The Dead". The track is taken from the group's upcoming fifth full-length album, due in 2022. Directed by Dustin Haney (Noah Cyrus, Luke Combs) and produced by Revolution Pictures, the clip features frontwoman Lzzy Hale and the rest of the band in a morgue and cemetery somewhere between life and death.

Lzzy says: "'Back From The Dead' is about survival, not in a physical sense, even though I know we all have been touched by death especially these last few years. This song is personal and written from a mental health perspective. I wanted to give myself and the world a hard rock song we could shout out loud as the gates opened again. I was on the edge of this world getting completely lost in oblivion, but even though it was the harder of two choices, I didn't just let the darkness and depression in my mind dig me an early grave. I didn't just sit and let it take me. I've erased my name from my headstone, so save your prayers, I'm back! I hope this song, as I pass it on to you, reminds YOU of your strength individually and that you are not alone."

She continues: "The video was so much fun to film! Dustin Haney is an amazing director. Dustin and his team really helped bring my words to life and the video is one of the most cinematic pieces we've done in years! I hope this song, as I pass it on…reminds YOU of YOUR individual strength and that you are not Alone. Raise your horns!"

By breaking rules, bucking trends, and busting down doors, HALESTORM has surged through rock 'n' roll on a singular path without compromise or apology. Along the way, the Pennsylvania-bred and Nashville-based quartet — Lzzy Hale (vocals, guitar), Arejay Hale (drums), Joe Hottinger (guitar) and Josh Smith (bass) — has collected a Grammy Award, scored successive number ones at radio, garnered multiple gold and platinum certifications, and performed to sold out crowds on five continents.

Going against the grain again in 2021, the band weathered the flames of chaos in 2020 and returned stronger than ever with their most empowering and undeniable anthems to date.

"Throughout the pandemic, I was writing a lot of melancholic and hopeless songs about the ups and downs of the world," admits Lzzy. "I've been in this group longer than I haven't been in it. We've always had shows. Even when I was 13 years old, we had a couple of bowling alley gigs once a month. This was the first time I didn't know if we would ever play again. However, I started to use music in the same way I did as a teenager—to get myself through this situation that was plaguing us all. I sidestepped and said, 'Let's keep our heads up, get our attitude back, be a light in the dark for a second, and celebrate the fact we're surviving and there's hope for the future.' So, we started to write songs that were a reminder to ourselves of who we are and what we're capable of. That became the mission statement."

In a way, it's always been the mission statement…

Since roaring to life in 1998, HALESTORM has uplifted audiences with a combination of sonic ass-kicking, provocative songwriting, and unshakable hooks. The four-piece received a Grammy Award in the category of "Best Hard Rock/Metal Performance" for "Love Bites (So Do I)". The song also minted them as the first female-fronted band to hit #1 on the Active Rock radio charts. Thus far, their discography spans two gold albums "Halestorm" and "The Strange Case Of..." , a platinum single "I Miss The Misery", and two gold singles "Here's To Us" and "I Get Off". Between surpassing one billion cumulative streams worldwide, they've notched two consecutive Top 10 debuts on the Billboard Top 200 with "Into The Wild Life" (2015) and "Vicious" (2018). The latter represented a critical high watermark with Rolling Stone citing it as "a muscular, adventurous, and especially relevant rock record." In its wake, "Uncomfortable" emerged as their fourth #1 at rock radio and earned their second Grammy Award nomination, while Loudwire christened HALESTORM "Rock Artist Of The Decade" in 2019. Not to mention, they have supported everyone from HEAVEN & HELL and Alice Cooper to Joan Jett on the road.

Even as the world went dormant during 2020, Lzzy remained prolific. She lent her voice to collaborations with everyone from Dee Snider of TWISTED SISTER, IN THIS MOMENT, APOCALYPTICA, and Mark Morton of LAMB OF GOD to EVANESCENCE, Cory Marks, and Mongolian phenomenon THE HU. Additionally, she joined forces with a trio of legends — Corey Taylor of SLIPKNOT, Scott Ian of ANTHRAX and original SLAYER drummer Dave Lombardo — for the theme song to Netflix's "Thunder Force". Plus, the group contributed a cover of THE WHO's "Long Live Rock" to the documentary of the same name. Expanding her presence across television, she hosted the AXS TV "A Year In Music" series, joined the cast of Hit Parader's "No Cover" as a judge, provided the singing voice for Bella Thorne in the Prime Video hit "Paradise City" and launched her own show "Raise Your Horns" on Rolling Live. On the channel, she appeared in Mike Garson's David Bowie tribute with a performance of "Moonage Daydream" alongside Broadway star Lena Hall. She also participated in the platform's Ronnie James Dio tribute, supporting the Stand Up And Shout Cancer Fund.

At the same time, she remained a huge proponent of encouraging the dialogue around mental health. She participated in a Grammy Mental Health panel and empowered the next generation of rock musicians as the keynote speaker at the Little Kids Rock Modern Band Summit. She also made history as Gibson Guitars' first-ever female ambassador.

"I've learned a lot about myself through all of these different projects," she admits. "I said 'yes' to various adventures, and it made me a better artist."

Working out of her home studio in Nashville, Lzzy and the band channeled this renewed spirit into the music at the onset of 2021. Collaborating with Scott Stevens of THE EXIES, the musicians hit their stride and cooked up the single 'Back From The Dead'. Dramatic distortion and drums rumble as she screams, "I'm back from the dead!" HALESTORM come out swinging as punchy verses give way to a call-and-response chorus shocked to life with a searing solo and thunderous groove.

"We needed a reintroduction," she exclaims. "We needed something that simply said, 'Hey, we're back'. The live show is the time we feel as truly alive as we can be. When you walk out on stage with your guitar strapped on, your guys are next to you, and you have an audience looking at you, it's everything. We're celebrating the fact we're all back together again. Whatever it is that was trying to destroy that part of myself and my bandmates that our fans need couldn't do it. It failed miserably. We're fucking back."

From the moment the band graced the stage at a secret Nashville gig, they were indeed "back," albeit louder, heavier, and emboldened by an unbelievable year. Amped up to jump back in, their tour schedule took shape with festival dates followed by a co-headline run with EVANESCENCE in the fall.

Readying their fifth full-length album, they're delivering the soundtrack for a world ready to roar again.

"We've lost a lot of people, but we can start healing again," she leaves off. "I appreciate the little things even more. I don't only feel this confidence in myself, but also in every one of my band members. We're not the same people, none of us could ever be. HALESTORM is my source of my joy. It's my connection. It's the closest thing to my religion. We're moving forward. With this next album, I hope we're able to create a greater sense of community. We have a beautiful opportunity. When you listen to it, I want you to feel like you can walk through any fire."

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#lzzy hale #Halestorm #Back From The Dead

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queen-of-my-goofball-army · 3 years

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Why YOU should give Rush a chance

Okay, so right off the bat, this is not going to be like my other posts on my blog. This is not a post about some show that has captivated my interest or anything at all related to animation. If that's not your cup of Dot rambling coffee, than I would highly recommend you take your L right now and come back for your regularly scheduled programming in a few days.

Are they gone? Okay cool! For those of you that stuck around past my forewarning let me tell you about my newest special interest to join my now growing music love affair with 80's and 90's Rock n Roll. For those of you that don't know, I'm guessing that most of you do not know what Rush even is. If you are not somehow on the autism spectrum or know a lot about music in general than this band will be entirely unknown to you. Rush is a three man progressive rock band born in Canada made up of three incredibly amazing men Gary "Geddy" Lee, his best friend since he was 11 years old Alex Lifeson, and last but most certainly not least, the amazingness that was Rush's drummer and songwriter Neil Peart. Together, the three of them changed the world of progressive rock through Geddy's unique vocal qualities, Alex's incredibly underrated shredding guitar skills, and Neil's immaculate drums and lyrics. I am here to tell you, yes YOU reading this length rambling message in three sections to keep this fair. Each member will get their own sections and I will try my hardest to keep personal bias out of this. I also just watched Rush: Beyond The Lighted Stage yesterday with my mom so I will mention some things that we talked about during it to try and sell people.

Geddy Lee:

* Geddy has one of the most unique voices in all of rock music. This will most likely be the thing that turns off the people that do listen to me and wind up listening to a couple of songs. He has had a lot of critics for his higher pitched voice usually yelling lyrics. However, I love his singing voice. It is filled with energy and power to it. His voice has a weight to it that not a whole lot of other people can really nail if they really want to.

* You want to talk about sheer talent? How many of you all know lead singers that are a one and done kind of singer? They can play one instrument and they're done? Well shove them aside because Geddy can play not only bass guitar but a double neck bass, synthesizer, and piano. Yeah I think all you haters can stand aside because this man will always be amazing technically.

* So many of lead singers in my opinion, think that they own the band. Because they get to sing the songs right? That means that they get to make all the important decisions and they can't ever do anything wrong. Well for those of you that know Rush, you will remember the synthesizer era. The era of new wave Rush where Geddy shelved his bass guitars for his synthesizer. This caused a small rift between Lee, Lifeson, and Peart who were not at all fans of the way that the synthesizer was going. While Geddy was having a fun time with it, he shelved the synthesizer almost for good and went back to his roots. I don't know many other lead singers that would put up something that they were legitimately having a good time with just for his bandmates.

* Geddy's just general goofball personality is something that continues to make me chuckle. Since he and Alex have known each other for practically ever (they met when they were 11) and have been there for each other for most of their lives they have very similar energy's.

Alex Lifeson:

* Alex Lifeson is an underrated guitarist. There I said it. I feel like of the three of them (Geddy, Alex, and Neil) Alex gets talked about the least due to the fact that Geddy also plays guitar. While it might be a different brand of guitar some people forget just how genuinely face melting his solos are. I could listen to his riff in Tom Sawyer all day long I swear. I'm still working my way through every Rush album in chronological order (I'm just now finishing A Farewell To Kings an absolutely beautiful album.) But his skills are not one to be downsized and I think he is an amazing, amazing guitar player.

* You want to talk about the group goofball? If Geddy is goofy, you look in the dictionary this man is the pure definition of a hilarious and quirky character. When Rush was FINALLY indicted into the Rock N'Roll hall of fame in 2013, after Neil and Geddy's beautiful and moving speech's about how important this means to them, Alex gets up there and his entire speech is spoken in very animated BLAHs. But what's really funny is that if you watch carefully he is actually trying to tell you a story. It's a story about how they all got there past the critics that tried to stop them along the way.

* I love the relationship between Alex and Geddy especially. They're just both such unique kinds of people but they have similar quirks and traits that are evidence of decades upon decades of friendship. I get massive big bro vibes from watching the three of them play together and it's really touching that they never let the fame go to their heads.

* While watching the documentary, I found myself in awe of just his general personality. He was a jokester and the life of the party, and even if sometimes Neil was exhausted by his presence it was obvious that he loved his bros.

Neil Peart:

* If you are asking me, the heart and soul of Rush, was their drummer Neil Peart. Neil wasn't just their drummer though, he also wrote all of Rush's songs after their first album together. Neil grew up probably the biggest bookworm to ever bookworm. He was a socially awkward kid it seemed since he was always reading as his parents explained in the documentary (more on this laster). This resulted in lyrics that are absolutely gorgeous in any context and sound like literature themselves. One of my favorite Rush songs is their song Rivendale themed to Lord Of The Rings.

* Peart was one of the most technically amazing drummers of all time. I don't think I'm saying new information when I say that. He has been praised for not only his technical prowess but the intensity of how he played as well. He was a force of nature when you put him in front of a drum kit. The drum solos in Rush are not easy. They are technically extremely difficult and always leave me to collect my jaw from the floor.

* Lyrically speaking, his lyrics were so intelligent and beautifully worded that it's hard to focus on them sometimes. I've listened to Fly By Night I can't tell you how many times just within the last few months. They are so unique, so beautiful, just so Rush. I can't think of any other word to describe them other than Rush. Nobody else could have written lyrics like these other than Neil himself. Even though he's gone now (Rest In Power you absolute Mad Lad.) I still feel like his music will resonate with millions of future generations to come. It could be the year 3000 for all I care and people will still be jamming to Tom Swayer, just you watch.

* Lastly about Neil himself, this is of the opinion of my mom and I, and you heard it here first, I think that Neil was aspie. He was the quietest of the three of them, he hated getting spotted by fans while the other two seem to tolerate it, he was constantly stimming with his drumsticks on and off the stage by spinning them around his fingers, he was totally nerdy and antisocial, he loved literature more than anything else growing up and would rather have a book in his hands than go out to a public place with his classmates, and he grieved in a different way than most people do. When his wife and daughter passed away, he hit the road with his motorcycle and most often Geddy and Alex wouldn't hear from him for months at a time. They had cute little nicknames for each other that Neil would always sign the postcards with. It was a different one every single time.

Thanks for listening to me ramble on this day guys! I really appreciate it, I know that this hasn't been your regularly schedule Dot programming but I really appreciate you sticking around! Give Rush a listen to if I've piqued your interest you will not regret it.

#Rush band #geddy lee #neil peart #alex lifeson #music #rambling

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twenty-one-froggy-pilots · 3 years

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Yeah I'm honestly a bit surprised by how passionate and vocal people are about hating twenty one pilots? It's kinda upsetting that when I try to interact with content about them I'm always a bit worried in the back of my mind because I'm a pretty sensitive person and it's hard not to let stuff get to me.

I don’t know why it’s always felt like twenty one pilots has gotten a ton of hate for no reason? I’ve been into them since 2013-2014 so pure unadulterated vessel era, I’m a very old fan of them and their music, like one of the oldest picture in my phone is this

(This picture isn’t important I just love it, plus something fun to look at with a not so fun subject material)

(Long history as a fan rant incoming lol)

I’ve been an emo kid for a really long time, back when all of the emo bands were big, when seeing another kid wearing a panic! shirt always meant you talked to them in the mall, I still remember when I would wear the one twenty one pilots shirt I could afford outside, that anyone who knew who they were would come up and start a conversation with me

And it’s like through the years the hate has changed to be... somehow worse

Back in the early days tøp used to get called not a true emo band because they didn’t have anyone playing the guitar so everyone hated them because they weren’t emo Enough

Plus there was the whole ‘emo trinity’ ‘emo quartet’ infighting nonsense but that’s so long past idk if anyone even remembers it lol

Then blurryface rolls around and fans are being made fun of for dressing funky and going through that one fandom phase where everyone was calling the boys smol beans it was great and cute, we were all really close, we called each other frens, told each other to stay street it was great! So what people made fun of us or whatever we were absolutely vibing

Twenty one pilots felt like the coolest secret gang of fans, we were absolutely huge, more so than most people would think, and man it was awesome!! If you saw a tøp fan you knew that you were cool with that person and that person would be cool with you!! It was amazing!! Sometimes I do miss this vibe!!

But then Stressed Out ended up on the radio...

I feel like it really all changed here, all of the sudden the old fandom things were cringy, the boys were sell outs, and every family member you knew was suddenly the biggest fan despite only knowing stressed out

I remember being upset around this time because of strangers invading my space, this was my group, filled with people who understood what the lyrics meant and knew and understood how much they meant to all of us, and suddenly it was filled with people who didn’t belong

I didn’t blame the pilot boys, obviously they can’t control what’s on the radio, I’m fact, there’s plenty of pilot songs that mention never being played on the radio because of one reason or another, so my problem was never with the boys, it was with the influx of new people, and by new people I don’t mean new fans, I mean news outlets and tv show host, and with that influx came the people who didn’t get it, you know? That were rude and outright nasty and refused to understand anything about the genre and effort put into the story and why it mattered to us

(Tw for suicide mention, and uncomfortable themes involving people making fun of themes involving it, tw for mentions of school shootings)

All of the sudden we were the fans of Tyler Joseph the man who ‘Glorifies Suicide’ and actively is supposedly encouraging that behavior

We were the cringy fans everyone knew in high school and hated who were described as being ‘JuSt So QuIrkY 🤪’, instead of the mentally ill kids we all were, by people who hated us

We were the fans of those ‘white boys who look like school shooters’ (this one honestly rocked me to my core, it still hurts to even see??? Like idk why but it almost makes me want to cry)

At the same time a lot of the old fans were turning their back on the pilots, they didn’t want to be involved anymore, they hated ALL of the new fans whether they were respectful or not

It was a REALLY hard time to be a new fan, very few people were open to having them involved in anything, I think this is when a lot of hatred happened in the fandom not only fan-fan fighting/hatred but also fan-band sentiments weren’t great either

The more songs that ended up on the radio the more the hatred grew, in fact this got so bad Tyler did this

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Here’s a transcript in case it’s hard to hear

Like... this was the state of our fan group.... it was suddenly cool to hate all the songs that ended up on the radio so much it affected every part of our music journey

There was a lot of infighting, it was an awful time to be a fan, new or old

Then came silence era, in which every tøp blog I followed except like 2, became kpop blogs and I’m not sure any of them ever came back lol, I actually really disliked kpop because of this for a bit in like a jokey kind of way in my own head lol (ahh how the turn tables have turned... kpop and tøp are the only things I listen to now haha, actually because of all my tøp mutuals becoming kpop blogs I vowed to myself to not change this blog to another group so I have two music blogs now, which makes me laugh but also shows how important music is to me so it makes me happy anyways you know?)

It was kind of a sad way to have the fandom disappear, everything was strangled, the boys were gone, and no one kept up with the fandom, it felt really lonely

When Trench era clues started back people started coming back, the mood was different, we had something to do and it was fun to work on something with others, we had the Clancy letters, and all the clues, and the tower of silence and the vultures!! It was great! It started to feel like we had rebuilt something from the rubble of what we had been

The fandom started calling Tyler stinky and he called us b*stards it was great, sometimes people were a bit meaner than I think they thought they were being, but it worked you know?

When the album released we had more people come back and things slowly started fitting back ok again, more songs ended up on the radio and a lot of older fans said the same things they’re saying now, but it wasn’t that bad, it was mostly very positive

And then we got to the over the summer drama, which........... is a sensitive subject, but I legitimately do not understand how it was Tyler’s fault that people assumed he was talking about something when he wasn’t talking about it at all... especially when people have been begging him for years to talk more about mental health, he wanted to introduce whatever he was going to do with a joke, I personally never though he was talking about the big issue at the time of the incident, but it blew up like wildfire and the next thing you know he’s canceled because Other People Assumed Something

So now it’s ‘Morally Justifiable’ to hate Tyler because he’s r*cist or something, despite it never being his intention and because people assumed something

It’s literally not even with good reason that people are doing this, but because it blew up when it did and about what it did, no one knows what really happened and people just wanted a morally justified reason to hate them because you can’t just dislike something anymore without it being justifiable I guess? I feel like with all of the years I’ve spent on the internet everything has only become more hateful...

All this to say.... yes, it hurts when people hate the things that you do, I get really sensitive about it as well, especially with how long and how many arguments I’ve seen, and I am extremely sensitive to discourse and hatred, it’s why I don’t engage with much of it online, in fact I was about to delete the post complaining about everyone hating on them before I saw it was really resonating with you guys

I guess my best advice to you anon, would to try to understand where it’s coming from, that’s what’s helped me, I know a lot of people dislike the pilots because of the fact that they became ‘mainstream’ during blurryface era, and people are really upset by that, so understanding that, even when it hurts, I can acknowledge that they feel that way and that it’s ok that I feel differently

It’s easy to take that point and test it against your own morals, ‘do I think twenty one pilots became mainstream, or only makes songs to get on the radio?’ If your answer is no, then you can both say ‘I don’t agree with them but they’re allowed to have their own opinion’ and kind of give yourself a wall and barrier against what they say

I know this isn’t perfect advice, but it’s helped me a lot

I know there are two big arguments against this album, that it’s mainstream and made to have radio singles (the underlying argument here I guess being Tyler and Josh are money hungry and no longer care about the music)

And that it’s no longer lyrically meaningful, but I think this has to do a lot with how involved people are in the Dema lore, if you’re not a fan of lore I would imagine this album being propaganda and supposed to be fake and bright to prove a point would really bug you if you didn’t really get it

To best thing to do is digest an argument (only if you can handle it emotionally of course 🖤) and know it’s ok that think differently than other people, and that the chances of someone being mad at you are very slim

A lot of things I’ve enjoyed have been stolen by the fear of getting hated on for something - while in actuality, the very few times I’ve gotten real hate over something barely affected me

I admit the fear of getting hate bothers me a lot more than actually getting it, but I just want to encourage you to stay strong in the face of it, it will pass, as it all does, but if nothing else in this post resonates with you, PLEASE HOLD ONTO YOUR JOY FOR AS LONG AS YOU CAN! And don’t let ANYONE take it from YOU!!

If twenty one pilots makes you happy, just remember that the only person who can take that true joy away from you is yourself, remove the people who make you feel sad out of your life, I apologize if this is a physical person in your life as this makes it a lot harder, and sometimes impossible depending on the situation, but on the internet unfollow anyone, block anyone, don’t engage and leave them alone, it’s not with your energy or effort, and they’ll never change their minds but they can change yours you know?

Being sensitive in a time when everything is hateful is hard, especially when everyone tells you you’re a bad person if you aren’t engaged, but you really don’t have to be, you get to choose your own destiny you know? Don’t let other people choose it for you

#I’m am so sorry this post is so long and I still don’t know how to put readmores on mobile anymore #ajsjjams #I get told I ramble on about to much and that my stories are never concise and take forever to get to the point which might be true.........#I’m sorry #I kinda just rambled on forever but I feel like I finally aired out all my laundry I’ve kept to myself forever haha #it did have a point though! just trying to say like it’s always been a bit difficult but for the things that we love it can be #I’ve had a much better experience this era with the people I follow which has helped a lot #but to get to new content I’m digging in the tags which is where I’m #seeing all the hate so there’s kind of no avoiding it but I understood that going in you know?#anyways I think I’ve rambled on long enough! I hope this helped you out in same way?!?!#I’m not sure any of this is really helpful lol wjsks but one can hope haha #nic writes #tw suicide #tw suicide mention #tw school shooting #tw school shooting mention #tw racism mention

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troutfishinginmusic · 3 years

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Guide: Lesser-known nu metal albums that hold up

Nu metal is a genre that’s easily derided. It was caricatured as over-the-top angst, baggy jeans and casual misogyny. It was one of the biggest genres when I was first discovering music.

There was plenty of bad music, but to say it was all bad would be inaccurate. It was extremely diverse compared to other metal scenes. It also put issues like child abuse to the forefront, showing survivors they were not alone. Nu metal took a genre that was showing signs of wear and reinvented it. While it soon became saturated by faceless bands (as every popularized genre eventually does), it was important.

As the genre regains popularity, there have been plenty of retrospective lists about bands like Slipknot, Deftones and Korn. There have even been lists detailing some of the lesser known bands. The podcast Roach Koach has done a great job reassessing the genre (It was the catalyst for me making this list). In no order, here are seven nu metal albums you might be less familiar with but are worth your time. These all roughly come from the genre’s original era of popularity. I’ve also put together a ranking of more established nu metal records at the end.

I love the first couple of Static-X albums, but Cannibal is truly a high-water mark. It’s catchy, concise and extremely heavy. While it has some more straight-ahead metal flourishes (guitar solos!?!), no one could mistake this for another band. And, if nothing else, Static-X is a definitive nu metal band. Cannibal seems to find Static-X revitalized after kicking out a problematic member. Vocalist Wayne Static (who died in 2014) knows exactly what he wants these songs to do. His barking delivery finds spaces in each of these spartan industrial rippers. It represents all the things I like about the genre.

Oracle represents somewhat of a break from the more straight-ahead nu metal sound of Spit, so it might not exactly fit on this list. But ultimately Kittie is forever tied to the genre (much like Deftones), even if they’ve branched out in other directions. Oracle doubles down on heaviness by incorporating death metal influences. Morgan Lander’s vocals kneecap a lot of her more melodically inclined nu peers. It also shows the band progressing, despite losing guitarist Fallon Bowman. When people dismiss the nu metal as an outlet for white male whining, though sometimes deserved, they overlook great albums like Oracle.

Apex Theory’s only album, Topsy-Turvy, is brimming with creativity. Much like System of a Down, which originally featured lead vocalist Ontronik Khachaturianon on drums, the band channels its Armenian heritage. Yet Apex Theory leans into something more melodic, mathy and possibly emo (in more of the At the Drive-In sense). Every aspect of this album feels so precise and thought out. Khachaturianon’s vocals can leap out like a barrage of stream of consciousness yet can just as easily smooth out. It might’ve been a bit too weird for radio but, in a world where SOAD broke, it certainly could’ve happened.

Apartment 26’s final album might be one of the strangest on this list. It’s apparent that it was made to be more “marketable.” Yet those touches make it even weirder. The production here is very polished, but this is still an album that incorporates swing jazz into metal through programmed horns. It’s that oddness, intentional or not, that benefits Music for the Massive. An added bonus is the great cover of “In Heaven” from David Lynch’s Eraserhead (the band’s name is a reference to the film). Apartment 26 easily surpasses its legacy as Geezer Butler’s son’s band on this album.

Taproot’s debut struck on something deeply vulnerable that the band has carried through on subsequent albums. What is often missing on those other albums, though, is the heaviness found on Gift. The band’s raw talent is on display here, recalling System of a Down’s debut. Like that album, influences peek through but the band sound fully formed and unique. Stephen Richards’ distinct vocals, while not for everyone, bend around every twist and turn of these knotty songs. The band moved away from the genre, but created some of its best work within it. Oh, and bonus points for instigating this.

Orgy’s goth-y, processed guitar crunch was often imitated (Deadsy, etc.) but has never exactly been replicated. Candyass in some ways seems like the obvious choice, but there are some awkward growing pains. And really Vapor Transmission is just as good and possibly better. The hooks are bigger, the band commits to the futuristic themes and vocalist Jay Gordon is at the top of his gender-bending industrial crooning game. Orgy remains notable in this era for poking holes in the genre’s inflated macho exterior at every turn. There’s something so transgressive about the way the band operated in nu metal.

New Killer America’s cover always caught my eye when I was a kid. Album art was and still is a big deal to me. I love how subtly gross this is. At the time it was more affecting than the over-the-top gore common on metal albums. It fits the music. Skrape wallows in heavy post-grunge sludge. As Ulrich Wild did on the Static-X albums, there’s a good balance struck between heaviness and accessibility. Skrape had a mysterious vibe that was missing from similar acts that had a tendency to over-share. Despite some awkward vocals/lyrics that come up, NKA is noteworthy.

Honorable Mention: Coal Chamber-Chamber Music, Powerman 5000-Tonight the Stars Revolt, Nothingface-Violence, Mushroomhead-XX, Sevendust-Animosity

Established Classics Ranking

1. Korn-Korn: This was the album that started the genre. Every element that other bands would copy is here. It also features some of the rawist emotion ever recorded (”Daddy”) and some great singles (”Blind,” “Clown”). Some of the lyrics are definitely dated, but there are few metal albums that are as influence and heavy (well, in terms of subject matter) as this.

2. Deftones-White Pony: This album defied every stereotype the genre had. It seamlessly incorporated trip-hop and post-rock influences without sacrificing any of the heaviness. This is the highpoint for a band that rarely has a misstep.

3. System of a Down-System of a Down: SOAD’s debut is heavy, political and completely left-field. It still sounds like nothing else. All of the band’s records are good to great, yet I love how the death metal influences poke out more on this one. That’s a personal preference I guess, I really could’ve picked any SOAD album.

4. Sepultura-Roots: This album is so unbelievably heavy. It’s such a bummer that Sepultura didn’t make a record with this lineup past this point. It’s political in a way a lot of nu metal wasn’t. It seamlessly incorporates the band’s Brazilin heritage. It up-ends any perception about the genre being light-weight.

5. Slipknot-Iowa: This is really the only album from this era that rivals Roots in terms of heaviness. The band draws from a different well than Sepultura, packing Iowa with horror movie imagery. Much of this was to no doubt channel vocalist Corey Taylor’s troubled childhood. There’s something so frantic and desperate captured on this album, which probably has to do with Ross Robinson producing it (he produced Korn’s debut, as well as a lot of other iconic records).

6. Incubus- S.C.I.E.N.C.E.: Few nu metal records are this legitimately fun. Every part of Incubus is bursting with stoned creativity here. It also channels its influences much better than its peers. Somehow metal riffs and bongos go together here. S.C.I.E.N.C.E. showed a more easygoing side of the genre that still retained all the heaviness.

7. Linkin Park- Meteora: Though Hybrid Theory has a lot of singles, I always preferred this one. I think the band forged a bit more of its identity here. It gets a bit heavier, yet retains all the pop smarts. Definitely worth revisiting if you’ve just re-listened to Hybrid Theory to celebrate its recent anniversary.

NOTE: Yeah, Limp Bizkit is not on this list. The band has some cool songs, but ultimately its albums are pretty scattered. Fred Durst is a lot for me to take. The rest of the band is amazingly talented, especially Wes Borland. If its exclusion is annoying to you, please make your own list.

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#numetal #staticx #korn #kittie #sepultura #taproot #linkinpark #deftones #systemofadown #apartment26

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handsofdarkness · 3 years

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After The The Aftermath – An Interview With Sharon Den Adel Of Within Temptation

Sharon Den Adel Talks About The Bands Recent Virtual Reality Show, New Album, Tours, And More

Dutch symphonic metal legends Within Temptation have been quite busy as of late. The band recently held an impressive virtual reality stream event, which was unlike anything we’ve seen before. Along with ‘The Aftermath – A Show In A Virtual Reality,’ the band has also released a brand new single, ‘Shed My Skin,” featuring German metalcore act, Annisokay. I caught up with frontwoman Sharon Den Adel, to talk about the recent stream, the new single, and what the band has planned in terms of a new album, and going on tour.

Thanks for speaking with me, Sharon. You’re coming off the release of your event, ‘The Aftermath, A Show In Virtual Reality’, which has been getting a lot of praise. How have you felt about the feedback you’ve been received?

A lot of fans seemed to have liked it. The technology is something new. It’s only the tip of the iceberg that we touched. And it looks a little bit like a game crossed with a music video. It being a show, it did not look as flashy as, say, some of our music videos. Which most people understood, but some didn’t. It’s a new technology after all .I was really happy to see that a lot of people did get the idea behind it, and how we made the show.

The show had to be postponed briefly, and during the filming, did you encounter many technical hurdles?

It was something that we were afraid of that might happen. That was also why the show was prerecorded because we didn’t want to have the show stopped halfway because the data might not have been managed. So that’s why we prerecorded it.

But we still had a lot of technical difficulties because we are pioneering here. After all, it’s a new program. Everybody does it in their own way, and it’s only been out recently. There’s only one other, a Dutch dance event, who did it the way we did as well. And because of so many multi-cameras and all this imagery that’s behind them to canalize the data, it’s a big process. And when something goes wrong, you have to start over again. So there are a lot of technical things that can go wrong, and it takes a lot of time to process.

Fans like to try and immerse themselves as much as they can into streamed content because live shows are something that we all missed, and we miss the feeling of being there. But how difficult is it as a performer to get some of those feelings when there’s no audience to feed off of, and you’re surrounded by green screens?

It’s difficult because you have to really imagine the audience there. But we did have the crew there trying to get me into that vibe, applauding and stuff like that. But it of course, it’s different. I also knew that I had to do it in a very short amount of time. We did it in one day, like the recordings of everyone and all band members.

So it was like, okay, you have one shot, and you better do it well, and immediately go into that vibe as if you are on stage. So you really have to use your imagination a little bit. But I was really happy that people would be watching this, and keeping that in mind is what got me through it.

Something the band is notorious for is performing with these elaborate stage setups, beautiful wardrobes, and stunning visuals. How important was the storytelling aspect of the show, and who came up with the idea of the post-apocalyptic theme?

Robert was really working on that, and I worked with it as well. We’ve seen so many doomsday kind of films over the years. These big, epic movies and stuff. So that was the inspiration, especially coming from a pandemic and talking about where is the world going, and how we living in it.

There was the inspiration from that. It’s something that’s an ongoing process. We also have the Silent Force album; we were inspired very much by that theme, especially because a lot of things were happening in the world at that time as well, as it is now.

How did you go about choosing a setlist for this show? Of course, there was new material, but did you select songs on storytelling aspects to match the overall apocalyptic theme?

Yes, that’s the case because we felt like if you’re telling a story, you need to find the right songs to back it up and give that atmosphere. It also helped that we’ve also had a lot of songs in the past touching this theme. I think it’s also nice for the ones who bought a tickets to see some older songs. Songs that we haven’t played for a long time, like for instance, ‘Forsaken’, which is really an old and golden song from the Silent Force album.

Fans were greeted with many surprises and big moments, but personally for you, what was your favorite moment from the show? And what song did you enjoy playing the most?

The song that registers for me is ‘Shed My Skin”. For the vocal nerd that I am, it’s nice to go from really high to really low. And it’s a real challenge for a singer. So I was really happy to put that song in the setlist.

And very well done too! It was great to see Tarja again; what was it like working with her and getting her to make an appearance for the event?

We always keep in contact with each other, and it’s always an easy connection to make with each other. And we’ve always worked really well with each other, and it’s always fun to work with her. She’s somebody who goes really for the music and is passionate about it. It’s really nice working with her, always.

I’ve always had contact with her throughout the year, and it’s always great, but this time it was not face-to-face. We had a camera crew go to Spain so she could be recorded there. She was very busy with a lot of other stuff as well. So that was the best way to record her live.

Speaking of collaborations, your most recent single, which we’ve talked about, ‘Shed My Skin,’ has a bit of a metalcore twist, and you appropriately collaborated with metalcore act, Annisokay for the song. How did the collaboration come about? And did you specifically write this song for the collaboration?

It’s more that we are always interested in bands who are new and who bring a new sound to the scene. This was a sound we’ve never noticed before. Not for Annisokay, but the metalcore scene was just something that we didn’t listen to much. So for us, it was kind of a new sound with a new vibe, and one of the bands that we like was Annisokay.

And we felt like, okay, let’s approach them and see if they are interested in doing a song with us. And we had already written it. Everything was finished, but they were able to do their own interpretation, but they stayed close to what we had written. It was really fun to work with them.

They are very talented guys, they are very melodic with their music and that’s something that we always like as well. Because we wanted to bring something heavy with the guitars and everything in the music, but we also wanted to bring out a lot of melodies, and that’s something that they do with metalcore.

So we wrote the music and thought it would be cool to approach a band that comes from that scene. And they were our favorites, so we called them and they were really cool and very down to earth and easy people to work with. So yeah, I was happy to meet them and work with them.

Do you enjoy working with other styles of metal and sub-genres, and do you think you’ll do more in the future?

We’ve always done that throughout the years. I think we’re a typical kind of band who likes orchestras and epic kinds of sounds. Throughout our career, we have worked with so many different people. Mina Caputo of Life of Agony, Papa Roach, and some Polish artists. It’s not always people that everybody knows. Sometimes it’s a singer-songwriter, sometimes it’s from totally different kinds of genres that people would not expect from us. But it’s just that some people you really admire or a style that you think is so beautiful that you want to integrate it into your own music. And we’ve always done that in our own way.

Do you plan on releasing any more new music this year, and when can we expect a new album?

We are planning to do maybe one more song this year if things turn out the way we want them to. And, hopefully, at the end of next year, we have a new album out, so we’re working hard trying to manage everything that we have in mind and trying to release new singles every few months. That’s a new idea that we want to try, releasing a new song every three or four months. And so far, we have managed to do that. We’ll see if we can keep it up. You also need to have the right inspiration, of course, to write new stuff.

Are there any shows that you’ll be playing during the festival season?

We’re going to Finland next week, so I’m looking forward to that stuff first, and it’s the only summer festival this year, unfortunately. We also have one in October, which is in the Netherlands, which is also a big festival. I’m looking forward to that as well. But I’m wondering if it will be able to take place because a lot of festivals in the Netherlands have been canceled because of COVID again, unfortunately.

Otherwise, it’s just the shows that we have with Evanescence on the ‘When Worlds Collide” tour, which starts in March and in April. We also have some Russian shows in February, but we have to see how this pandemic is going to go, and where it’s gonna go.

I was just about to bring up the ‘When Worlds Collide’ tour with Evanescence. Do you think that any time in the future we might see a North American tour as well?

I hope so. I think that it’s something that’s on our list, but we don’t know when we’re going to go, because we did have some things cooking, but then the whole pandemic started. We still have to catch up with all these tours that are planed. All the tours and the festivals that we have planed are going to continue and hopefully, after that will be, we will come your way.

We would love to have you guys here. We’re really excited for the upcoming single and the ‘When Wolrds Collide tour,” Which I think is going to happen because everything is opening back up. I just shot my first huge festival here. I travel all over, and there are festivals opening up all over here. So I think that we will be the world stage in seeing how things go in terms of these big festivals if they continue or get postponed due to COVID.

Yeah, I totally understand. And I would love to come to America again, it’s been a while!

We can’t wait to have you guys here, and thank you for speaking with me, Sharon, do you have anything else that you would like to add or say to the fans?

Thank for you the interview, it’s nice to give everyone an update on how were doing here in Europe, and we hope to come your way soon!

#sharon den adel #within temptation #2021 interviews

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altair-native · 3 years

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My Top 10 Albums of 2020

Now that the longest and craziest year in history is finally over, I figured now would be a good time to reflect and look back at some positive things from 2020. Despite concerts and tours being cancelled, and many bands and artists postponing albums due to not being able to promote them, there was a lot of really fantastic music released this year. Here are some of my favorites!

Honorable Mention: Money Money 2020 Part II by The Network

Green Day members Billie Joe Armstrong, Mike Dirnt, and Tré Cool (plus some friends) brought back an old side project from 2003 this year called The Network. This album is a follow up to their debut album Money Money 2020, and was a huge surprise. I wasn’t sure where to put it on my top 10 list, but I still wanted to talk about it because it ended up being much better than the actual Green Day record we got this year. They experiment with lots of different sounds on this album, and while some of them are definitely meant to be satire, there are some seriously great songs on here that give me hope that future Green Day albums could be much better.

Favorite Song: Fentanyl

Now, on to the top 10:

#10 Last Room by waveform*

The first of many surprise additions to the list, Last Room is a really great album stocked full of songs that are all pretty short, but each stands out on its own. waveform* is really good at making songs that capture the listener’s attention. This is definitely a band that I want to hear more of, and I’m excited to dive deeper into their discography this year!

Favorite Song: Miner’s Lullaby

#9 Petals For Armor by Hayley Williams

After years of being in Paramore, Hayley Williams has finally released her first solo album! Paramore’s 2017 album After Laughter experimented with lots of different sounds, and was also a very personal record lyrically, so it’s no surprise that Hayley took a similar approach here. These songs are a way for her to open up about her life and branch out more and she succeeds on this record. Even if you’re not a fan of Paramore I highly recommend checking this one out.

Favorite Song: Why We Ever

#8 Some Still Morning by Handsome Ghost

I’ve already talked a bit about this album (it was even my first review on this blog!) but I feel like the more I’ve listened to it, the more I’ve started to love the songs that first stuck out to me. I still feel like some of the songs sound a bit too similar, but when the duo branch out and try new things on this record, it’s some of their best work.

Favorite Song: Christmas In Jersey

#7 Healer by Grouplove

Something that has always been true about Grouplove’s music is that it is insanely catchy, and this holds true with their newest record Healer. I’ve liked a lot of their music before, but for some reason this album connected with me on a way that their other music hasn’t. I feel like this album came out at the perfect time for me, because it has a lot of themes about growing up and dealing with the crazy world we live in. If you’ve never listened to Grouplove and want to check them out, I think that Healer is definitely a good starting place.

Favorite Song: Hail to the Queen

#6 Folklore by Taylor Swift

I’ve had a history of really disliking Taylor Swift’s music, especially her earlier albums. I guess for those it was due to overexposure, but with some of her more recent albums (especially 2013′s Red) I actually found there were certain songs I actually liked. Her albums as a whole, however, have always felt bogged down by their singles which often don’t sound like they fit with the rest of the album. When I heard she had announced an album coming out that night, I was very curious. After listening to it, Folklore fixed every issue I’ve had with her previous albums, and I love how she’s shifted her lyrics to focus on telling stories. I didn’t expect a Taylor Swift album to end up on my top 10 list for any year, but 2020 was definitely full of surprises!

Favorite Song: Seven

#5 Possession by Joywave

I had discovered Joywave one day on YouTube by accident, and immediately wanted to hear more from them. Their songs are always so unique and creative, and after seeing them open up for Bastille in October 2019, I got really excited for their third album. They have incredible energy on stage, and that energy is reflected perfectly in their music, especially on this album. It was one of my most anticipated records of 2020, and it seriously lived up to the hype.

Favorite Song: Half Your Age

#4 Figure by Into It. Over It

Yet another accidental discovery, Figure blew me away the first time I listened to it. I was immediately drawn in from the first track, and each song delivers something truly special. I had to listen to this album all the way through multiple times to really take it all in. I planned on doing a full review of it here, but felt I needed to look into the lyrics and the meanings behind the songs a little more to fully understand it. Now, Into It. Over It has been on repeat for a good chunk of the past couple months. Evan Thomas Weiss is an incredible songwriter and really talented musician, and I seriously recommend checking out his music.

Favorite Song: Brushstrokes

#3 Leave What’s Lost Behind by Colony House

Colony House are a band that I discovered a few years ago, and their first two albums quickly became favorites of mine.Their intriguing instrumentals along with Caleb Chapman’s powerful vocals make their music really fun to listen to, and like Joywave they put on a fantastic show even when they’re just the opening act. I had been looking forward to the follow up to 2017′s Only The Lonely, and this record definitely lived up to my expectations, even if I prefer the latter album a little more. There are definitely some incredible songs here, a few of which are among the best in Colony House’s discography.

Favorite Song: The Hope Inside

#2 Zeros by Declan McKenna

For whatever reason, I didn’t listen to this album when it first came out, but when I did eventually get around to listening to it I fell in love. Declan McKenna has always been a really great songwriter, but this album in particular shows just how talented the 22 year old singer is. Blending sounds from different eras of rock along with some more modern production, Zeros is an absolute masterpiece of an album.

Favorite Song: Twice Your Size

#1 Dreamland by COIN

Even though Zeros got really close to taking the number one spot, my personal favorite of the year is still COIN’s third album Dreamland (not to be confused with the Glass Animals album of the same name also from 2020). COIN is a band that just keeps on getting better, and even after losing a member back in 2018, they’ve still managed to grow and improve their sound. Dreamland takes everything I’ve loved about COIN’s music and adds to it. If you haven’t listened to this album and are a fan of indie pop bands like Flor, Smallpools and Young the Giant, then you should definitely give this album a listen!

Favorite Song: Nobody’s Baby

Thank you for checking out my list of my favorite albums from this past year! I’d love to know what you guys think and if we have any of the same albums on our list :)

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